Podcasts about danceable

In this episode of the Kpopcast, the hosts dive deep into LE SSERAFIM's latest release, discussing their hit replays, the trilogy of EPs, and the themes and visuals of the new song 'Hot'. They analyze the choreography, musical composition, and overall album, sharing insights and personal opinions on the group's sound and style evolution.Join the Kpopcast Slack: https://join.slack.com/t/kpopcast/shared_invite/zt-93kzxcv6-YNej2QkyY6vaPnhEQJxk0AChip in for show costs: https://ko-fi.com/thekpopcast HIT REPLAYS:XG - IS THIS LOVE (Official Music Video) https://youtu.be/aHTI0SXGVS0?si=PgGUGvWZ5FXGAAW4 TEN 텐 'BAMBOLA' MV https://youtu.be/epm28dP3HhM?si=xvJojtZgQuzgyGNU 1-800-hot-n-fun https://youtu.be/rGD5U8u1Dk0?si=KoUP4vlxUiLmlWns CHAPTERS:00:00 Intro00:39 XG Hit Replay04:20 TEN Hit Replay09:24 Le Sserafim Hit Replay11:11 Deep Dive into La Seraphim's 'Hot' EP13:09 Exploring the Trilogy Concept and Themes16:00 Cultural Impact and Future Directions18:49 Danceable & Short Song Phenomenon in K-Pop22:38 Reacting to Les Seraphim's 'Hot' Music Video26:22 Themes of Passion and Resilience in Lyrics29:33 Visual Storytelling and Symbolism in the Music Video34:03 Choreography: A Blend of Styles and Confidence37:24 Musical Composition: Analyzing the Sound and Structure41:15 Nostalgic Sounds and Production Techniques43:48 Album Track Highlights51:20 Outro & Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

Lollise is a musician, fashion designer, and visual artist from Botwana in southern Africa, now based here in New York. After many years of recording and touring with Underground System and the FELA! band, Lollise steps forward with her own bold Afro-futurist pop, rich with layers of kinetic, danceable percussion and gentle waves of ambient noise. Drawing on Setswana folk song, the sounds of nature, and infectious dance beats, she plays some of the hybrid songs from her debut LP, I Hit The Water, in-studio. Set list: 1. Semang Mang 2. eDube 3. Mme Mma Ndi

Welcome to Me & Virgil: A Genesis Brother's Podcast Episode 4: Danceable Part 2.In this episode we focus on the second half of the album, starting with "Tell Me Why" and ending with the truly epic "Fading Lights.Footage appears from the documentary No Admittance multiple times. The full documentary can be found here.We mention the rehearsal footage for "Live Forever" which can be found here.Footage appears from the Turn It On Again Tour Documentary, which can be found here.We mention rehearsal audio for "Way Of The World" which can be found here.We show some footage from the 1992 Knebworth concert, which can be found here.The full video for Phil Collins' performance on VH1 Storytellers for the song "Since I Lost You" can be found here."Me" mentions a collection of acoustic Phil Collins songs, which can be found here."Virgil" mentioned a "deluxe" edition of We Can't Dance he made, which can be found here."Virgil" is Alex C. Telander."Me" is Daniel Telander.This episode was edited and mixed by Dan Telander, and produced and hosted by Dan Telander and Alex C. Telander.You can reach us with questions, comments, and suggestions at meandvirgilpod@gmail.com.You can find all our other social media links here. Hosted on Acast. See acast.com/privacy for more information.

Pinkalla is joined by Sobi, Hahner and Stolski to see what everyone's been up to. The boys have been busy! Buddy Hays Baldwin stops by to talk fishing and just how bad the ice is. The boys get into some hunting news and just what the heck is up with midwestern deer numbers. Turns out airlines are doing some interesting things with "passengers of size" and Bill Lindner is a top 10 human. We then dive into an all new Weigh-In to decide what the most annoying Christmas songs of all-time are. Don't miss a second of this one! ~ Past The Barb Social Media ~ Email Us Questions and Feedback: pastthebarbpodcast@gmail.com Instagram: @pastthebarbpodcast Facebook: https://www.facebook.com/profile.php?... ~ Follow Us On Social Media ~ Adam Bartusek Instagram: @adambartusek Adam Bartusek Facebook: https://www.facebook.com/adambartbart... Ryan Pinkalla Instagram: @ryan_pinkalla Ryan Pinkalla YouTube: https://www.youtube.com/channel/UCiRa... Will Stolski Instagram: @will_stolski Cody Hahner Instagram: @codyhahnerfishing Sam Sobi Instagram: @sam_sobi_ Sam Sobi Facebook: https://www.facebook.com/sobieckfishing

Today I am joined by Tom and Jessy of the fantastic band, Sonic Furs!Sonic Furs are a disco-esque, pop rock outfit hailing from Ireland and the US who's main goal to make music is to UPBEAT and DANCEABLE!The bands latest single, 'Roar', will be released tomorrow, an amazing song has to be listened to and seen live! It was produced by the exceptionally talented Iain Faulkner and also features Andy McGurk of A Lethal Black Ooze on bass.We'll be chatting about this new single, how the band began, how they came up with their name and 70's porn music - It will make sense when you listen to the episode.Had a blast recording this episode, Sonic Furs are incredible band and I would highly recommend jumping at any opportunity to see them live.Sonic Furs on InstagramSonic Furs on SpotifySonic Furs on Bandcamp

Welcome to Me & Virgil: A Genesis Brother's Podcast Episode 3: Danceable Part 1. In this episode we focus and talk about side 1 of the album that started it all for us: We Can't Dance, released on 11th November by Virgin Records. It is, as mentioned, the album that introduced to us what would become our favourite band of all time. And so naturally we very heavily discuss the impact the album had on our lives (and still does) and the many nostalgic feelings and stories that came from it especially being that present at the time of its release.Considering our love for this album, we decided not to rush ourselves and so split the album into two episodes. This episode, we then cover side 1 of this album, with the tracks being "No Son of Mine" up to "Dreaming While You Sleep".A lot of relatable documentaries are also mentioned, including where Daniel shares about Phil appearing on VH1 Storytellers and performing plus and explaining the birth of "No Son of Mine" and "I Can't Dance". You can watch the full episode including the Dance tracks here. "I Can't Dance" appears at 10:42 mark and No Son appears right afterwards at 15:06. Phil also covers "Since I Lost You" which we will share in the next episode. Other documentaries mentioned, are the very special behind the scenes secure footage of the band recording this very album, where Virgil and Daniel drool upon the overall sheer sound and production, along with comparisons to the live versions from the "We Can't Dance" tour and beyond. The "No Admittance" documentary can be found here.Other documentaries shared are "Genesis A History", made the previous year before the Dance album which you can view right here.Along with what Daniel calls, "a director's cut" of the same documentary known as "The Story So Far" which, despite it's viewing and sound quality, Daniel still regards it as a golden gem, and you can check all that out here.The drum bit makes a return, this time using a song from the album as an example, Daniel shares how the drums can be played in a very different way thanks to the influence of a certain former Genesis member. "Virgil" is Alex C. Telander."Me" is Daniel Telander.This episode was edited and mixed by Dan Telander, and produced and hosted by Dan Telander and Alex C. Telander.You can reach us with questions, comments, and suggestions at meandvirgilpod@gmail.com.You can find all our other social media links here. Hosted on Acast. See acast.com/privacy for more information.

On this shocking episode, we go through the stages of grief as we cope with Shibuya Nagisa's graduation announcement and how it affects NMB's standing in the public sphere. We also talk about the senbatsu and handshake event details for the 28th single as well as a bunch of other news from the past month. We also talk about the various festivals and other live events that NMB had including them COMING TO INDONESIA! And we close out the show with our thoughts on this year's summer stream.   If you have a comment or question for the show you can post it in the comments section on YouTube or email us at nmbtakoyaki.party@gmail.com NMB48 International Discord  https://discord.gg/nmbfans   TEPPEN Subs  https://teppensubteam.tumblr.com​ https://twitter.com/TeppenSubTeam     0:00 - Intro 2:04 - Shibuya Nagisa Announces Graduationasd 43:51 - 28th Single Senbatsu Discussion 1:15:12 - 28th Single Events 1:39:57 - NMB 13th Anniversary Tour Ticket Situation 1:51:13 - Nagisa AND Girl model job 1:53:11 - Kojirin Clothing Line 1:54:02 - Pikarun is back kinda 1:54:36 - 9th Gen Gets Individual Twitter Accounts and Showroom Bullsh*t Results 2:04:04 - Yoshimoto Dance Class for Kids 2:10:00 - NMB members at special Osaka Expo fashion show 2:12:22 - Danceable 2: The Streets 2:14:27 - Rei becomes ambassador for Osaka Basketball team 2:19:37 - The Final Danceable Concert Report 2:23:00 - NMB's Impactnation Trip in INDONESIA Report 2:43:15 - SUMMER STATION Report 2:44:30 - YNN Summer Camp Stream Discussion 2:58:57 - Comment Corner 2:59:53 - Outro

On this episode of Vinyl Verdict, Bell, Jamie and Plouffe, listen to Jamie's next pick, Death From Above 1979's - You're a Woman, I'm a Machine. Released in 2004, the album was recorded by the Canadian duo of Jesse F. Keeler on bass and Sebastien Grainger on drums and vocals. Genre-wise, this album was described as 'dance-punk', a genre combining the sound of post-punk, with a beat you could dance to if you wanted to. Despite being relatively unknown outside of Canada, Death From Above 1979 has collaborated with artists such as Bloc Party and Jack White. What will the boys think? Come along and find out!

In this podcast, we explore the evolving landscape of DJing and delve into the challenges and opportunities presented by non-danceable music. Join us as we discuss the art of curating sets that transcend traditional dancefloor expectations and adapt to diverse venues and events. From ambient to experimental, alternative to downtempo, we examine how DJs can skillfully incorporate these tracks while maintaining their unique style and engaging their audiences. Tune in to gain insights, techniques, and inspiration from experienced DJs who are pushing the boundaries of what it means to create unforgettable musical experiences. Let's explore the dynamic world of DJing beyond the dancefloor together!Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

New-Old Recordings Making it into the Archive.   Playlist Symphonic Electronic Rock Symphonic electronic is always a favorite of listeners of the podcast. I note these additions, including a scarce soundtrack recording of interest. Jeff Bruner, “Try To Escape,” “Night Saucer,” “Larry And Diane Go To Hell,” “On The Beach,” “The Investigator,” “Vic's Flashback,” “End” from (side 2) from Foes (Original Motion Picture Soundtrack) (1977 Not on Label). This interesting soundtrack combined electronic music with orchestral sounds for this little seen motion picture. Recorded and mixed at Santa Barbara Sound. Music composed and conducted by Jeff Bruner; electronic music production, Doug Scott; electronic music realized by Jeff Bruner and Doug Scott. I picked this up on a trip to Boston According to Jeff Bruner himself, this record was pressed for the movie staff only and there are less than 20 copies. “The music on this record is a perfect balance of rational sounds that you've heard before and even more rational sounds which because you've never heard them before seem quite irrational. 19:36 Claude Denjean, “Memories Of Moody Blues” from Moods (1976 London Records). A few years after the initial wave of albums produced using the Moog Modular synthesizer, Denjean returned to the instrument to make this collection of classic pop tunes in an electronic symphonic vein. This song seems to touch on every other note of the classic “Nights in White Satin” without actually causing any copyright issues, I imagine. This album is a new copy added to the archive. How could I resist? 4:09 Hugo Montenegro, “MacArthur Park (Allegro Part III)” from Moog Power (1969 RCA Victor). A rockin' album of symphonic pop tunes from the heyday of Moog Modular recordings. Montenegro had the magic touch for arranging such pop songs. He was aided by Moog programming by none other than Paul Beaver and playing by Mike Melvoin. This is an old copy from my collection that I unsealed just for this podcast. Only this one track has been played on this album. 3:21 Raymond Lefèvre Et Son Grand Orchestre, “Mille Colombes” from Love In Stereo Nº 1 (1978 Barclay). This German release of French album is one of many by keyboard player and arranger Lefèvre. This one features a variety of electronic music instruments used in conjunction with an orchestra. Bass, Dave Markee; Drums, Barry Morgan; Keyboards, Alan Hawkshaw; Percussion, Ray Cooper; Synthesizer players, Guy Boyer, Maurice Vander, Raymond Lefèvre. Synthesizers used: RMI Computer, Moog 3 P, Arp DGX, Omni Polyphonic, Korg 1000, Korg 2000, Ems/Arp Sequencer. Rhythm section recorded at Lansdowne Recording Studios, London. Strings recorded at Barclay Hoche, Paris. Synthesizers recorded at Studio Damiens. 3:10 Early Electronic Music Several recordings featuring vintage tape compositions and performances using the Moog Modular synthesizer were among our newest arrivals to the archive. Ralph Lundsten. “Snowstorm” (1967/68) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. However, the album also presents several early tape works, including Winter Music, a suite of works for the season of this which this one is a part. “Suddenly, a sleigh with lit-up torches emerges out of the whirling snowstorm. … Was it for real or just a dream?” 2:30 Jean Jacques Perrey, “The Alien Planet” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). An earlier disc of Perrey, later known as the wizard of electronic pop sounds. He was using the Ondioline for this track, an early monophonic organ, and tape manipulation to provide effects. This was a recording of broadcast library sounds. 1:02 Jean Jacques Perrey, “Space Light” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey. 1:03 Jean Jacques Perrey, “Intercestial Tabulator” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early tape compositionfrom Perrey that might be his imagining what a future computer would sound like. 1:03 Jean Jacques Perrey, “Barnyard in Orbit” from Musique Electronique Du Cosmos (Electronic Music From Outer Space) (1962 MusiCues). Another early track from Perrey that shows his innate sense of humor that we would hear much more of in his music yet to come. 2:17 Jean Jacques Perrey, “Micro Cosmic PL 1” from Musique Electronique A Caractere Special Pour Illustrations Sonores Et Effets Speciaux (2017 Wah Wah Records). Spanish release of an original acetate disc of Perrey demonstration tracks and original compositions. I think these were made around 1967 after Perrey had begun using the Moog Modular synthesizer. 5:19 Doug McKechnie, “The First Exploration @ SF Radical Laboratories, 1968” (2020 VG+ Records). Recently released recordings of an original tapes made in 1968 from an early Moog composer and performer. McKechnie famously played a live Moog Modular set at the Altamont performance in 1969 by the Rolling Stones. He is ever-so briefly heard and seen the film Gimme Shelter (1970). In any event, McKechnie was a pioneer who used an instrument owned by one Bruce Hatch (not Bruce Haack). He worked with the instrument for about four years before Hatch sold it to Tangerine Dream around 1972. With that came the end of one musician's dreams and the beginning of someone else's. I am so happy that Doug was able to release this recording of his early work because so many of us have been curious to hear it. This track represents some clever droning with the sequencer and one can imagine this being performed in real-time. 8:30 Hydroelectric Streetcar, “I Realize” from The Cool-Aid Benefit Album Vol. 1 (1970 Arthfor Special Products). I was searching for this Canadian benefit disc for a long time so that I could add it to my collection of Moog Modular Synthesizer recordings. The Moog in this case was owned by my acquaintance Johns Mills Cockell who played in several rock bands and avant garde performance groups during this time. Remember Intersystems? In this case, he was playing as a sideman for Hydro Electric Streetcar, a folk-rock band to which he added synthesis. Bass, Vocals, Lee Stephens; Drums, Stan Tait; Guitar, Al Wiebe; Lead Vocals, Danny McInnes; Moog Modular Synthesizer, John Mills-Cockell. 3:48 Robots A few tracks in this batch of new arrivals worked around the theme of robots, machines, and synthesized voices. Skanfrom, “Mr. Robot Is Dead” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. Skanfrom is Roger Semsroth. 3:25 I., “Gro Stadtleben” from Split 12" (2000 A.D.S.R.). Now defunct electro synthpop label from Germany run by Skanfrom. Limited to 800 hand numbered copies. Mine is number 676. B.I. (Bakterielle Infektion) was founded in Berlin in 1995, disbanded 2011. 2:34 Dee D. Jackson, “Automatic Lover” from Automatic Lover (1978 Jupiter Records). German release, 7” 45 RPM. Dee D. Jackson (Deirdre Elaine Cozier) is an English singer-songwriter, She was primarily a space disco/Italo disco concept artist, moving to Italy in the mid-1980s. The computer voice in this tune sounds like a person speaking monotone with some filtering. No artificial intelligence involved here. 3:54 Ralph Lundsten. “Robbie is Dancing the Waltz” (1975) from Shangri-La (1975 His Master's Voice). Swedish release of composer Lundsten music for Shangri-La, a commissioned work for Swedish Radio. It also includes his Heaven by Night suite from which this song comes. The robotic voice appears to be one that is amplitude modulated to provide a wavering tremolo effect. No vocoder here. 4:06 Odds and Ends Recordings that are becoming part of the archive as representative examples of the odd and curious in electronic sounds. The Marvelletes, “I Want a Guy” (1961 Tamla). Single featuring a Musitron played by Raynoma Liles Gordy (producer, arranger, musician and ex-wife of Motown executive Barry Gordy); Lead vocals by Wanda Young Rogers; background vocals by Gladys Horton, Georgeanna Tillman, Wyanetta "Juanita" Cowart, and Katherine Anderson; Other instrumentation by the Funk Brothers included Bass by James Jamerson, Drums by Benny Benjamin, Guitar by Eddie Willis, Piano by Marvin Gaye,Tenor saxophone by Hank Cosby, Baritone saxophone by Andrew "Mike" Terry. The Musitron was a modified, monophonic electric organ invented by Max Crook and featured on such well-known songs as Del Shannon's “Hats Off to Larry” and “Runaway.” Crook was the keyboard player in Del Shannon's band and they made that sound a key novelty in Shannon's songs beginning in 1961, the same year as “I Want a Guy.” 2:38 Living Shakespeare, “King Lear” excerpt from King Lear (1962 Living Shakespeare Inc.). US compilation release of various excerpts from the Living Shakespeare series. This was a series of recordings of the plays of William Shakespeare, adapted for recording and made in England. This series was available in various combinations of discs and usually featured some sort of incidental electronic music produced by a BBC Radiophonic-associated composer. I have a complete set of discs as packaged for the US market. But I came across this sampler disc and thought to include an example of the scene from King Lear where the King (as acted by Donald Wolfit) “calls down the rage of heaven in a violent thunderstorm,” with the storm sounds all being electronic. Text adapted by Fiona Bentley, Morys Aberdare; Directed by Sir Donald Wolfit; Musique Concrete and sound patterns composed by Desmond Leslie. 2:24 K-Tel, “Hit, Flop, Break Even” from K-Tel Super Star Chance-a-Tune (1973 K-Tel). 7” 45-rpm single. A triple-grooved record. (also known as 'Parallel', 'Mystery', or 'Trick-Track' record). Originally packaged as part of the board game "K-Tel Superstar Game.” The same tracks are pressed on both sides. “Players are rock stars” and collected gold records to win. Rolled the dice to move through the board. Squares had events for players to collect or lose money or release an album, which were subject to being a Hit, Flop, or Break-even by playing the disc. The game came with this Chance-A-Tune 45 RPM record which was played when a player landed on an album release square. The player drops the needle to see which of the tracks, and verdicts, comes up. The single only includes the three phrases I've edited here for the podcast. In reality, you could never tell which track would play with each drop of the needle. 0:29 Adams & Fleisner, “Surrounded In Mystery And Magic (Sounds Of The Inside)” from Space Effects Vol. 2 (1988 BCM). German recording of sound effects. I chose this one primarily because at 1:25 it was by far the longest track on this broadcast library record. 1:54 Yuri Rasovsky, “Interplanetary Adventurer” from The Chicago Language Tape And Other Aberations of El Fiendo In Glorious Mono (1979 Not on Label). A curious comedy record led by Yuri Rasovsky that consists primarily of sketches that are acted out and produced as would be a radio program. There is one piece of electronic music that might interest you: Hans Wurman, venerable Moog synthesist, contributed the opening music to this story that features the Moog Modular. I suspect that this was the last recorded Moog piece that Hans produced before laying down his golden patch cords. Musician, music by Hans Wurman; Voice Actor, Dick Simpson, Don Vogel, Gary Gears, Joan Lazzerini, John Hultman, Keneth Northcott, Mell Zellman, Michelle M. Faith, Yuri Rasovsky. I chose to reproduced only this musical segment, surrounded by some of the spoken parts for context. 1:46. Originals A few recordings are just unnecessarily difficult to categorize. Joakim, “Teenage Kiss (Dub)” from Transe / Teenage Kiss (2005 Kitsune). French, 12” maxi-single. Danceable, yet strange. Written by, Performed, and produced by Joakim Bouaziz. 4:58 Landscape, “From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus” from From The Tea-Rooms Of Mars .... To The Hell-Holes Of Uranus (1981 RCA). English electro/pop/jazz band from London. This is the title track and features some electronic tunes in the dance styles of the beguine, mambo, and tango. Which seemed to go with the other dance related tracks I found in this batch of new-old records. Electronic trombone, Trombone, Vocals, Peter Thoms; Vocals, Keyboards, Grand Piano, Fender Rhodes, Christopher Heaton; Vocals, Programmed By, Electronic Drums, Electronic Percussion, Synthesizer, Drums, Richard James Burgess; Bass Guitar, Synthesizer Bass, Vocals, Andy Pask. 7:53 Ralph Lundsten. “Cosma Nova” (1975) from Shangri-La (1975 His Master's Voice). Another track from Mr. Lundsten, commissioned for Swedish Radio. From the Heaven by Night suite, this is a dreamy dance tune. 3:18 Allen Ravenstine, “Going Upriver,” “110 In The Underpass,” and “5@28” from Electron Music / Shore Leave (2020 Waveshaper). This recent Canadian release is a collection of Ravenstine”s work for electronic and instrumental media. Ravenstine was the electronics and synthesizer player in the original lineup of Pere Ubu. He has continued to make eclectic, highly original and thoughtful music over the years. 16:11 Don Voegeli, “A Piece Of Bubble Gum” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). This was the final disc Voegeli made in the Electrosonic Studio for NPR, saying, “Fine . . . used as the title for this record to signal another termination, the end of the CPB and NPR funded project which over the years has brought you a total of twenty-six records of special production music.” Intended for private use by and for public (non-commercial) radio and TV facilities, this was one of the many broadcast library records that Voegeli created in a well-equipped electronic music studio that included a Moog Modular III. 1:07 Don Voegeli, “Follow the Leader” from Instant Production Music/Volume 18: Fine (1980 University Of Wisconsin-Extension). Produced by the Electrosonic Studio. 1:52 Opening background music: Barton McLean, “Dimensions I For Single Instrument And Tape” (excerpt) from American Society Of University Composers (1979 Advance Recordings). Tape composition and recording engineer, Barton McLean; Violin, Stephen Clapp. Compositions From Volume VII Of The ASUC Journal Of Music Scores. Composed while McLean was director the Electronic Music Center at the University of Texas at Austin. 13:38 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

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call in and on and on the guards are marching one by one hurrah which wish shall we perceive the one to be still or to believe? calumet, wander, farther on the road you heave and sigh and wish you could you wish and only wish you would explode in beautiful lustful rage turn the […] The post REVERIES #32 “brandish” first appeared on Luke Janela.

Those are Minnesota music icons Gordy Knudtson and Bobby Schnitzer. Back in the day they were frequent collaborators on tours and in studios. The two have a new audio recording, with a You Tube video as well, all under the name Gordo and The Stinger. When the guys talked to Phil Nusbaum, Bobby the guitarist related why they've revived their old partnership.

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Originally hailing from Bay City Michigan SJS Dabbles in a wide variety of styles and genres. He pours out his soul and passion thru his music, using it as platform to tell his story and connect with his listeners. From rhythmic roots, to rockin bluesy soul with a splash of hip-hop and RnB thrown in the mix, a melting pot that is sure to find a place in any music lovers play list. Starting out playing drums at a young age Sammy's love for writing songs drove him to pick up other various instruments such as Guitar, Bass and Piano. His debut 2019 album 'Resistance' Shows off his versatile songwriting, Mixing in Danceable pop songs like 'Rhythm2MyRhythm' and 'Luv Me If You Want 2' with sweet heartwarming 'New Love' and rockin 'Long Haired White Boy'. Writing all and having his hands on every instrument on the record. Sammy has performed at the Historic Oriental Theater in Denver along with many notable venues such as Herman's Hideaway and The Blu Note. He has performed at festivals such as The Mile High Global Bazaar and Denver Urban Market Festival. Whether it's just him and a six string or a full band, Sammy delivers and sings to you the songs right out of his diary. Groove with him and get lost in the poetry.

Originally hailing from Bay City Michigan SJS Dabbles in a wide variety of styles and genres. He pours out his soul and passion thru his music, using it as platform to tell his story and connect with his listeners. From rhythmic roots, to rockin bluesy soul with a splash of hip-hop and RnB thrown in the mix, a melting pot that is sure to find a place in any music lovers play list. Starting out playing drums at a young age Sammy's love for writing songs drove him to pick up other various instruments such as Guitar, Bass and Piano. His debut 2019 album 'Resistance' Shows off his versatile songwriting, Mixing in Danceable pop songs like 'Rhythm2MyRhythm' and 'Luv Me If You Want 2' with sweet heartwarming 'New Love' and rockin 'Long Haired White Boy'. Writing all and having his hands on every instrument on the record. Sammy has performed at the Historic Oriental Theater in Denver along with many notable venues such as Herman's Hideaway and The Blu Note. He has performed at festivals such as The Mile High Global Bazaar and Denver Urban Market Festival. Whether it's just him and a six string or a full band, Sammy delivers and sings to you the songs right out of his diary. Groove with him and get lost in the poetry.

Charlamos con Andreu Montaner desde la tranquilidad del Rock Palace en esa sala donde dentro de poco habrá sorpresa. Andreu Muntaner "Lobo" es un nombre propio de la escena. Hablamos de un autor y artista que en la actualidad reside en Madrid pero que se formó en el Taller de Musics de Barcelona. Calificado como una de las voces más interesantes, en concreto por su inigualable voz y su talento, encontramos un crooner en toda regla. Le podemos encontrar en Los Trogloditas y e otras formaciones entre las que se encuentra la Dirty Martini o un tributo a Elvis Presley. Blues, rock and roll y soul en vena son sus señas de identidad, y actualmente sigue presentando su disco Danceable. Puedes seguir a Andreu en: Instagram: https://www.instagram.com/andreumuntanerlobo Facebook: https://www.facebook.com/profile.php?id=100049682961245 Twitter: https://twitter.com/MuntanerAndreu Puedes seguir a J-musind en: Blog: http://j-musind.blogspot.com/ Facebook: https://www.facebook.com/jmusind/

Your favorite podcast about immigration in Japan is back! This month we talk about Nanaho's graduation, Momone's photobook, the Aoi Lemon MV, 7 Camp War, and we make some bold predictions on NMB's 11th Anniversary concerts and the 26th single senbatsu.   Let us know your 26th single predictions by using this handy link and tell us your predictions in the comments!   NMB48 International Discord https://discord.gg/FGfdynt​   TEPPEN Subs https://teppensubteam.tumblr.com​   https://twitter.com/TeppenSubTeam?s=20   Twitter: Aruda: https://twitter.com/darklordaziz Geoff: https://twitter.com/GeoFreak17​ Matt: https://twitter.com/supermattoworld​ Ryan: https://twitter.com/frowndog06​   If you like the show, please subscribe to us on YouTube, Apple Podcasts, Google Play, or wherever you get your podcast fix. Also tell a friend about the show, every little bit helps us grow!   https://takoyakiparty.libsyn.com   0:35 - Visas in Japan talk 4:30 - Siyeon's visa/immigration 6:15 - Kawano Nanaho announces graduation   22:30 - The future of Danceable?   30:05 - Aoi Lemon Kosetsu Music Video   38:00 - Yasuda Momone Photobook is out!   44:09 - Nagisa, Uuka, Hara Karen become ambassadors for Osaka Red Hurricane Rugby Team   45:44 - NMB 11th Anniversary Collaboration with Kansai Soccer Teams   50:37 - 7 Camp War   1:05:35 - What NMB shows gets subbed, TEPPEN SUBS housekeeping   1:08:50 - BREAK   1:09:10 - NMB's 11th Anniversary Theater Shows: New Member Photos, New Costumes, Height Measurements   1:21:26 - 11th Anniversary Concert Predictions   1:43:22 - 26th Single Senbatsu Predictions   2:18:10 - Takoyaki Party Production Minute!

This episode we chat about dance as a consideration in urban design. In China, millions of residents participate in urban dance as a way to enhance their health and foster social connection. These groups practice in parks and ‘waste spaces' around cities, accompanied often by live music. However, this practice has run into some resistance from the central and city governments. Complaints of too much noise have forced cities to ban these dancing retirees to parking lots and bridge underpasses. But the dancers persist, sometimes as an act of resistance. We unpack all that an more this episode of STEMS and Leaves. Links: Designing the Danceable City: How Residents in Beijing Cultivate Health and Community Ties Through Urban Dance' by Caroline Chen --- Send in a voice message: https://anchor.fm/stemsandleaves/message

Asteroid & Deirdre McLaughlin, BiXX, DJ Phalanx and many more. This is Ganorium Voyage 520.

Tracklist: 1.Stu Mort - OneOneNine (Future Mix) 2.Stu Mort - OneOneNine (Dream Mix) 3.Stu Mort - OneOneNine (Summer Mix) 4.Tanya Rebeca - Seeing Him Again (Rehoxx Remix) [Exclusive Premier] 5.Sinova - Metanoia (Original Mix) [Exclusive Premier] 6.Lukysh - Falling Star (Original Mix) [Exclusive Premier] 7.Stifano - Ready To Fly (Original Mix) [Exclusive Premier] 8.Lukysh - The Same New Beginnings (Original Mix) [Exclusive Premier] 9.Christian Burns - Alive (Eskai Remix) 10.Evgeny Lebedev - Digital Odyssey (Extended Mix) 11.LTN & Aser Gado - Keep Me Closer (Extended Mix) 12.Super8 & Tab - In This Life (Extended Mix) 13.ilan Bluestone feat. Ellen Smith - Stranger To Your Love (Extended Mix) 14.Stoneface & Terminal - Azimuth (Extended Mix) 15.Arkham Knights - Lost In Space (Extended Mix) 16.Lost Witness feat. Milos Novotny - Rescue Me (Extended Mix) [Exclusive Premier] 17.Armin van Buuren & Giuseppe Ottaviani - Magico (Extended Mix) 18.Mark van Gear - Ari Trance Girl (Original Mix) [Exclusive Premier] The Mexican Power 19.Limitless - See The Light (Original Mix) [Exclusive Premier] 20.Fedde van Diemen - Keep ON (Original Mix) [Exclusive Premier] 21.Double Trigger - MIA (Extended Mix) [Exclusive Premier] 22.Denis Sheperd Ft. Katy Heat - Losing My Mind (LiveDream Remix) The Mexican Power 23.Kenny Palmer - Aldorei (Extended Mix) 24.NoMosk & Cari - Don't Hold Back (Corrado Baggieri Remix) 25.ReOrder & Weldon - Entropy (Jordan Tobias Remix) 26.Sygma Pres. Fra.Gile - Like Fire (Energy Mix) 27.Trance Reserve - Another Reality (NyTiGen Remix) 28.Airum Julia Violin - World Tension (Trance Reserve Remix) 29.DanceAble meets Alive&Silent - Horny Colors (Alive&Silent Edit)

In this supersized episode of NMB Takoyaki Party, the NMBros give a full recap of the NAMBATTLE Final Event and give their thoughts on the project as a whole, get surprised and confused by Shiroma Miru's graduation announcement, and give a report on Yamamoto Ayaka's graduation concert. We also catch up on some news that came out over the course of the past month or so.   We want to know your opinions on the whole NAMBATTLE project in regards to what worked and what did you like, also tell us what you think about Miru's graduation announcement and what you liked from Aayan's graduation concert. Let us know in the comments or email us at nmbtakoyaki.party@gmail.com     You can also hit us up on Discord or on Twitter.   NMB48 International Discord https://discord.gg/FGfdynt​   TEPPEN Subs https://teppensubteam.tumblr.com​   https://twitter.com/TeppenSubTeam​   Twitter:   Geoff: https://twitter.com/GeoFreak17​   Matt: https://twitter.com/MattOKoopa​   Ryan: https://twitter.com/frowndog06​   If you like the show, please subscribe to us on YouTube, Apple Podcasts, Google Play, or wherever you get your podcast fix. Also tell a friend, every little bit helps us grow!   1:14 - NAMBATTLE FINAL Introductions and Performances 19:09 - Knowledge Quiz   22:53 - Challenge   41:11 - Stage Performance Results   48:28 - Fan Voting Results   51:40 - Final NAMBATTLE Results   53:33 - NAMBATTLE Extra Awards   56:45 - NMB x Hirakata Park Collaboration   59:03 - NAMBATTLE Extra Awards Part 2   1:02:41 - Discussing the Good Takeaways from the Whole NAMBATTLE Experience    1:07:13 - Addressing Orisaka Koharu's Health and her NAMBATTLE Absences   1:09:47 - NAMBATTLE Takeaways Part 2   1:20:32 - BREAK   1:21:05 - NMB Summer Concert Series Announced!   1:25:45 - Shiroma Miru Announces Graduation from NMB48   2:01:24 - Geoff and Ryan Go To NMB's Pom Pom Purin Cafe   2:06:12 - Aayan Graduation Concert Pre-Show   2:10:12 - Aayan Graduation Concert    2:49:03 - Aayan and Mitorizu's final You Gotta NMB episode   3:03:59 - Sakamoto Nami Graduation Stage with R aisen d'eture   3:05:19 - Azuma Yuki Graduation Stage with Danceable   3:06:45 - YNN Roundup: Ju-On Watch Party, Mikana and Wakapon Play Goose Game, Little Nightmares 2, and more   3:11:25 - Outro  

Robin's tales include a strange story of a very private party, a tragic casino gig and cruise ship life. More about Robin.... Transplanted to rural WI, I commute and perform in my native Chicago(when there's not a pandemic raging...). A working musician since 1987. Pianist and vocalist, solo or with ensemble. Up until his untimely death in 2004, legendary Chicago Jazz bassist, Thomas Kini and I collaborated, performing together. Employed as a Cruise-ship pianist for 15+years compelled me to learn even more about Jazz history through performing Musical Tribute Sets honoring: The Gershwin's; Cole Porter; Elton John; Burt Bacharach; Frank Sinatra; The Carpenters and Nat King Cole. As a youth, I studied Classical Piano at American Conservatory of Music and Jazz as an adult with, Chicago based Skip Green. Stylistically I look to George Gershwin's rules of composition as a guide: “melodic, nothing neutral, utter simplicity and directness.” A favorite quote from Nadia Boulanger is: “ Your music can never be more or less than you are as a human being.”Herbie Hancock: “ If you have the strength to keep trusting yourself, you'll be OK.” Influences: Manfredo Fest, Stevie Wonder, George Duke, Carmen McRae.. Earning a living playing “customer service” music at local Chicago venues ( Drake, Pump Room, 95th Signature Room) I've “kept my creative toe in the water” composing originals. My fifth release, Good New Days (2020) Danceable poetic Jazzy Sophisti-pop originals..... Music that lives near my heart. All songs on Good New Days I composed to encourage myself...... Good new day means: “today is tomorrow's good old day so it's a good new day.... reminding me to appreciate the moment.” --- Support this podcast: https://podcasters.spotify.com/pod/show/kara-kesselring/support

Originally hailing from Bay City Michigan SJS Dabbles in a wide variety of styles and genres. He pours out his soul and passion thru his music, using it as platform to tell his story and connect with his listeners. From rhythmic roots, to rockin bluesy soul with a splash of hip-hop and RnB thrown in the mix, a melting pot that is sure to find a place in any music lovers play list. Starting out playing drums at a young age Sammy's love for writing songs drove him to pick up other various instruments such as Guitar, Bass and Piano. His debut 2019 album 'Resistance' Shows off his versatile songwriting, Mixing in Danceable pop songs like 'Rhythm2MyRhythm' and 'Luv Me If You Want 2' with sweet heartwarming 'New Love' and rockin 'Long Haired White Boy'. Writing all and having his hands on every instrument on the record. Sammy has performed at the Historic Oriental Theater in Denver along with many notable venues such as Herman's Hideaway and The Blu Note. He has performed at festivals such as The Mile High Global Bazaar and Denver Urban Market Festival. Whether it's just him and a six string or a full band, Sammy delivers and sings to you the songs right out of his diary. Groove with him and get lost in the poetry. 

Originally hailing from Bay City Michigan SJS Dabbles in a wide variety of styles and genres. He pours out his soul and passion thru his music, using it as platform to tell his story and connect with his listeners. From rhythmic roots, to rockin bluesy soul with a splash of hip-hop and RnB thrown in the mix, a melting pot that is sure to find a place in any music lovers play list. Starting out playing drums at a young age Sammy's love for writing songs drove him to pick up other various instruments such as Guitar, Bass and Piano. His debut 2019 album 'Resistance' Shows off his versatile songwriting, Mixing in Danceable pop songs like 'Rhythm2MyRhythm' and 'Luv Me If You Want 2' with sweet heartwarming 'New Love' and rockin 'Long Haired White Boy'. Writing all and having his hands on every instrument on the record. Sammy has performed at the Historic Oriental Theater in Denver along with many notable venues such as Herman's Hideaway and The Blu Note. He has performed at festivals such as The Mile High Global Bazaar and Denver Urban Market Festival. Whether it's just him and a six string or a full band, Sammy delivers and sings to you the songs right out of his diary. Groove with him and get lost in the poetry.  

On this episode, we talk about all the shows that NMB and its members were on in the past month, including CDTV, their fake Music Station show that's actually better than Music Station, COVID-19 infecting members of the group, as well as the recent graduation announcements of Antan and Yukitsun, with a discussion about the future of Danceable with Yukitsun and we'd like to see become of Danceable in the future. Lastly, we spend a half hour talking about Saepii's graduation concert with impressions of the performances and how we learned a lot about Saepii at the worst possible time.    Here's a link to a translated clip of her speech.   https://teppensubteam.tumblr.com/post/637919947715198977/murase-sae-graduation-concert-speech     We close out our last regular podcast of the year with a tease of our upcoming Best of 2020 Awards Show. This year, we would like to incorporate the fans' and listeners' votes into our discussions. You can vote by using this Google Form. We encourage everyone to participate and to include reasons with their votes. We are also doing a special NMB prize giveaway to anyone that participates in the vote. Details are included in the form as well.   Best of 2020 Awards Voting Form https://forms.gle/ajtj7K2XQvHKwBUt9     NMB48 International Discord https://discord.gg/FGfdynt   TEPPEN Subs https://teppensubteam.tumblr.com https://twitter.com/TeppenSubTeam   Twitter: Geoff: https://twitter.com/GeoFreak17 Matt: https://twitter.com/MattOKoopa Ryan: https://twitter.com/frowndog06   You can also subscribe to us on Apple Podcasts, Google Play, or wherever you get your podcast fix.   3:03 - My Playlist 7 11:15 - NMB Performs on CDTV at the Odaiba Science Museum 16:35 - YNN 24 Hour Program Announced 23:56 - Mikana is in a Shampoo Commercial (COOL GUY JOKE WARNING) 25:00 - Ota Yuuri in a prime time drama 26:27 - Kinoshita Momoka appears on NMB's Otoitachi Music Program 30:25 - Saepii "graduates" from her TV show 32:27 - Cocona takes Akarin's spot on TEPPEN Radio 34:00 - Anchu modeling job with CaNARi 36:23 - Amirun gets rigged out of 48G Singing Contest and then rigged back in for the special judge's award 39:21 - NMB to appear on special NHK singing contest. 41:02 - Chihhi NHK drama 42:23 - Zoom Play "Kiseki no Kiseki" review 47:26 - Osaka Channel Suuchan Date Show with a long tangent about the cognitive dissonance of 48G/46G's relevancy. 55:15 - Corona Corner: Miru and Uuka catch COVID-19 and draws the ire of infamous narcissist Suda Akari 1:04:22 - Hori Shion gets Pneumothorax 1:05:59 - Reichan vs. Suuchan Photobooks: The Battle of the Boobs 1:12:38 - Theater Shows: Jemini Xmas Live 1:16:33 - N' Live Rotating through the Team N members 1:17:45 - Suuchan and Hinacho Solo Lives 1:19:42 - Teppoutai members and 7th Gen member being rotated in and out 1:22:36 - Ijiri Anna Graduation Announcement 1:25:52 - Azuma Yuki Graduation Announcement and Discussing the Future of Danceable 1:39:56 - Graduating Member Housekeepers: Akarin, Suzu, and Saepii's grad shows  1:43:10 - BREAK 1:44:51 - Saepii Graduation Concert Discussion (1:45:20 goods tangent) 2:18:56 - TEPPEN Subs Update 2:19:45 - Event Reports: Matt's first call with Misaki, handshake event anxieties, strategies. 2:32:54 - Community Comment Corner

Watch the set on YouTube: https://youtu.be/Txe0Kk7AC-o Flowrescence resides in the Rhine-Neckar-Triangle of Germany, he co-founded the local underground collective DerBerg ravt. as well as Immersion (as his techno main project Cordier) and is a resident DJ of EXCEPTION. His style is not limited to a certain music genre (while he plays a trippy Deep Dark Dubstep set for us), but instead embraces various genres with particular abstract characteristics: overall aesthetics, dark atmospheres, and luminous accents. Danceable music for dreamers and space travelers. Support Flowrescence Facebook: https://www.facebook.com/flowrescence Mixcloud: https://www.mixcloud.com/flowrescence Instagram: https://www.instagram.com/florianlecordier Resident Advisor: https://www.residentadvisor.net/dj/flowrescence Support Der Berg ravt: https://www.facebook.com/derbergravt Support No Joke Radio Facebook: https://www.facebook.com/nojokeradio/ Instagram: https://www.instagram.com/nojokeradio/ Soundcloud: https://soundcloud.com/nojokeradio Website: https://nojokeradio.com/ E-mail us: admin@nojokeradio.com Tracklist: On request of the artist

Breakfast Blend is back, this time with a very chill edition of pure Deep House, the 20th Edition is full of Cool yet Danceable beats perfect for a Morning at Home >>Tracklist

We're joined by special guest Faris this episode to talk about a whole lot of events that we all went to in the past month, including NMB's Tokyo Dome City Hall Concert, Cocona's Solo Concert, Lapis Arch's Valentine's Concert, and we spend a good hour or so recounting our experiences at the NMB48 Theater Shows for Foreigners.   Please subscribe to the podcast on YouTube and on Apple Podcasts, Google Play, Spotify, or wherever you get your podcasts. If you like the show, let us know in the comments and tell a friend. If you would like to ask us a question feel free to do so in the comments, via email at nmbtakoyaki.party@gmail.com or you can hit us up on Twitter.   Farris https://twitter.com/FarisNoUchi Geoff https://twitter.com/GeoFreak17 Matt https://twitter.com/matto_matt0 Ryan https://twitter.com/frowndog06   #NMB48 #LapisArch #UmeyamaCocona #YoshidaAkari #ShiromaMiru #YamamotoAyaka #JonishiRei #UniversalStudiosJapan #梅山恋和 #吉田朱里 #白間美瑠 # Timestamps   1:25 - How to Win J-Idol Twitter 3:01 - Introducing our special guest Faris 5:31 - NMB48 x Pom Pom Purin Collaboration 8:43 - NMB48 Universal Studios Japan Commercial 12:03 - Nishizawa Rurina's graduation announcement 22:10 - NMB48 and Joshin Commercial 24:46 - Ota Yuuri Movie news 28:37 - Queentet Coming Back? 33:30 - Minami Haasa's Cardboard Art Exhibit 37:05 - Cocona and Aayan appearing in AKB48's coupling track 39:15 - NMB48 Shinkigeki Show Returns! 44:20 - Coronovirus Cancellation Conundrum  50:33 - BREAK 51:30 - NMB48 Senbatsu Concert at Tokyo Dome City Hall Report 1:06:50 - Umeyama Cocona Solo Concert at Tokyo Dome City Hall Report 1:24:20 - NMB48 Theater Foreigner Show Eve 1:32:20 - NMB48 Theater Foreigner Show "Pre-Show" at Sweets Paradise Report 1:43:35 - NMB48 Theater Foreigner Shows Report (Team M starts at 2:06:30) 2:33:20 - Lapis Arch Concert Report 2:43:45 - Listener Comments Corner

Originally hailing from Bay City Michigan SJS Dabbles in a wide variety of styles and genres. He pours out his soul and passion thru his music, using it as platform to tell his story and connect with his listeners. From rhythmic roots, to rockin bluesy soul with a splash of hip-hop and RnB thrown in the mix, a melting pot that is sure to find a place in any music lovers play list. Starting out playing drums at a young age Sammy's love for writing songs drove him to pick up other various instruments such as Guitar, Bass and Piano. His debut 2019 album 'Resistance' Shows off his versatile songwriting, Mixing in Danceable pop songs like 'Rhythm2MyRhythm' and 'Luv Me If You Want 2' with sweet heartwarming 'New Love' and rockin 'Long Haired White Boy'. Writing all and having his hands on every instrument on the record. Sammy has performed at the Historic Oriental Theater in Denver along with many notable venues such as Herman's Hideaway and The Blu Note. He has performed at festivals such as The Mile High Global Bazaar and Denver Urban Market Festival. Whether it's just him and a six string or a full band, Sammy delivers and sings to you the songs right out of his diary. Groove with him and get lost in the poetry. 

Originally hailing from Bay City Michigan SJS Dabbles in a wide variety of styles and genres. He pours out his soul and passion thru his music, using it as platform to tell his story and connect with his listeners. From rhythmic roots, to rockin bluesy soul with a splash of hip-hop and RnB thrown in the mix, a melting pot that is sure to find a place in any music lovers play list. Starting out playing drums at a young age Sammy's love for writing songs drove him to pick up other various instruments such as Guitar, Bass and Piano. His debut 2019 album 'Resistance' Shows off his versatile songwriting, Mixing in Danceable pop songs like 'Rhythm2MyRhythm' and 'Luv Me If You Want 2' with sweet heartwarming 'New Love' and rockin 'Long Haired White Boy'. Writing all and having his hands on every instrument on the record. Sammy has performed at the Historic Oriental Theater in Denver along with many notable venues such as Herman's Hideaway and The Blu Note. He has performed at festivals such as The Mile High Global Bazaar and Denver Urban Market Festival. Whether it's just him and a six string or a full band, Sammy delivers and sings to you the songs right out of his diary. Groove with him and get lost in the poetry.  

New year, new decade, same trends. The NMBros jump back in the swing of things including Ota Riona’s shocking graduation announcement, the formation of Lapis Arch/Arc, kenkyuusei promotions and more! We also have some reports of Danceable’s 1st anniversary live, our plans for the NMB Theater Gaijin Show, and we have a call out for your favorite NMB costumes.   Be sure to post your favorite costume picks and other questions and comments in the comment section, or email us at nmbtakoyaki.party@gmail.com or you can get at us on Twitter.    Geoff @GeoFreak17 Matt @matto_matt0 Ryan @frowndog06   You can also subscribe to the podcast on Apple Podcasts, Google Play, or wherever you find your podcasts, just search for “NMB Takoyaki Party.”   TIMESTAMPS:   4:00 - Ota Riona graduation 13:05 - Yamamoto Mikana reacts to Golden Takoyaki Awards, goes on hiatus 15:15 - New Unit Announced: Lapis Arch 26:20 - NMB dominates Tokyo Girls Collection Showroom Contest 41:07 - Mahjong Mobile Game Contest and Hawaii Event 48:25 - BREAK 49:06 - NMB48 New Year Announcements: Kenkyuusei Promotions 58:10 - NMB48 New Year Announcements: 7th Generation Auditions 1:06:30 - Yoshida Akari Girl's Spirit Fes and NMB48 Spring Live at Makuhari 1:09:45 - Shibuya Mei (Nagisa's cat passed away) 1:12:45 - NMB48 Costume Election and Our Favorite NMB Costumes Discussion 1:25:00 - From the ashes of AKB cafe emerges NMB48 Cafe in collaboration with Sweets Paradise 1:30:20 - Foreigner Only Theater Show at NMB48 1:40:45 - YNN 24 Hour College Highlights Discussion 1:58:30 - Danceable 1st Anniversary Concert 2:10:05 - Tanigawa Airi Graduation Concert 2:22:00 - Listener Comments  

Your favorite podcast about Japanese fax machines is back! We have breaking news, we have EXCLUSIVES, and we have direct impressions of Ota Yuuri’s solo concert. We also talk about the neverending slew of graduation announcements,Hatsukoi Shijo Shugi’s stellar promotion but less than stellar sales, and what may be the end of a regularly occurring segment. Timestamps: 2:15 - Hatsukoi Shijo Shugi discussion 21:55 - Danceable vs Teppen Tokutai Event 25:00 - Renapyon’s Graduation Concert 32:30 - Koga Narumi graduation announcement 34:40 - Tanigawa Airi graduation announcement 44:52 - BREAKING NEWS: Amimaru graduation announcement 54:10 - Hatsukoi Shijo Shugi Love Story Comic contest 1:01:10 - The End of You Gotta NMB and You’ll Got NMB 1:03:10 YNN PayPal OK! 1:08:40 - Episode 2 Discussion 1:18:06 - Ota Yuuri Solo Concert Impressions If you have a question or comment for the NMBros, please contact us in the YouTube comments, our email at nmbtakoyaki.party@gmail.com, or us personally on Twitter: Geoff @geofreak17 Matt @matto_matt0 Ryan @frowndog06 You can also find us on all your favorite podcast apps. Subscribe to us on iTunes and please write us a review! https://podcasts.apple.com/jp/podcast/takoyaki-party/id1358521139?l=en

It's time again for a return to school and all the lovely obligations that come with student life. Thus, STEMS and leaves will be detouring from interviews for a bit and focus on sharing some snapshot stories about all sorts of things. This episode, we dig into some interesting research from Caroline Chen - a postdoc researcher at UC San Diego. Chen published 'Designing the Danceable City: How Residents in Beijing Cultivate Health and Community Ties Through Urban Dance' that explores the phenomena of urban dance in China. Chen set out to learn why and where urban dance is happening and how this movement might be relevant to American planning. We unpack a few interesting points in this shorter episode, but of course recommend reviewing the paper for the fullest experience.This podcast is made possible by a few wonderful artists credited here. Join the conversation at STEMS and Leaves

Researchers have determined the most danceable songs.

072418 ICYMI - "The Bachelorette" Recap, Dr. Pepper David, $1000 Showbiz Showdown, Top Danceable Songs

Episode 34 is Part 1/4 covering the year 1943. The episode starts with "Cómo se muere de amor" from the orchestra of Alfredo De Angelis with the singer Floreal Ruiz. We continue with tangos of Lucio Demare with Raúl Berón, Juan D'Arienzo with Héctor Maure, Aníbal Troilo with Francisco Fiorentino, Osvaldo Pugliese with Roberto Chanel, as well as valses from Ricardo Tanturi with Alberto Castillo and Enrique Campos and Ricardo Malerba. For more information on "Danceable Tangos of the Year" visit: www.ArgentineTangoRadio.com/dtoty .

Episode 35 is Part 2/4 covering the year 1943. Alberto Podestá sings "Percal" with the orchestra of Miguel Caló in the beginning of the episode. We continue with valses in the interpretation of Aníbal Troilo with Francisco Fiorentino and Alberto Marino, tangos from Enrique Rodriguez with Armando Moreno, Ricardo Malerba with Orlando Medina, Pedro Laurenz with Alberto Podestá, and Osvaldo Fresedo with Oscar Serpa. For more information on "Danceable Tangos of the Year" visit: www.ArgentineTangoRadio.com/dtoty .

Episode 49 covers the years 1957-1959. The episode starts with "Merceditas" of the orchestra of Osmar Maderna with singers Adolfo Rivas and Carlos Aldao. We continue with Alfredo De Angelis (first with instrumentals, later with singers Juan Carlos Godoy and Oscar Larroca), Carlos Di Sarli, Fulvio Salamanca with Armando Guerrico, Osvaldo Pugliese with Jorge Maciel, Juan D'Arienzo with Jorge Valdez, and Aníbal Troilo. For more information on "Danceable Tangos of the Year" visit: www.ArgentineTangoRadio.com/dtoty .

Do you worry about offending specific people with your writing? Where's your line between honest expression and regard for other people's feelings? This was Bane's brilliant idea for a Quackcast. We touch a little on the idea of a “culture of offence”, where it seems that people look for things to be offended by, perhaps on behalf of others, but also about things that really CAN cause offence and how to avoid that. On one hand you have people complaining that everything is too “PC” these days, but on the other it's really not OK to be a dick to people just because you like to cling to the old days when it was fine to put down people on the basis of ethnicity, skin-colour, gender, or sexuality… But we can also cause offence accidentally, unintentionally, unknowingly… Should you compromise your vision to appease people, or should you forge ahead regardless? Keep in mind that some things that are fine for SOME audiences are offensive to others, so rather than fight with your audience or appease them perhaps it's better to try and actively direct your work at the CORRECT audience it's intended for? - speaking in terms of sex scenes, politics, etc. Listen to the theme Gunwallace concocted for us THIS time! Geminni: Get down to the bad sounds of this classic funk rock tune! Danceable! Topics and shownotes Featured comic: Military Variant - http://www.theduckwebcomics.com/Military_Variant/ Links: Discussion on the “culture of offence” thread - http://www.theduckwebcomics.com/forum/topic/177550/ Special thanks to: Gunwallace - http://www.virtuallycomics.com Banes - http://www.theduckwebcomics.com/user/Banes/ Tantz Areine - http://www.theduckwebcomics.com/Without_Moonlight/ Kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei/ Featured music: Geminni - http://www.theduckwebcomics.com/Geminni/ by kaleygeminni M.

“Since the dawn of time, we have needed to move our bodies, move our feet.” Everyone needs a hideaway. That's what I love about House Music. It helps us both explore our love for others and find personal refuge. A great House DJ can deliver both experiences to the dancefloor simultaneously. I know I often make comments on how much I love my latest set. I guess if I didn't I wouldn't post them. But this one offers a unique mix from so many different periods in House Music's short history: “Make it Right,” “What a surprise,” World Go Round”.... (If I listed them all in this description it would become the set list.) Of course I always add my touches to make the tracks work for me (and you). “Don't let my heart escape.” 1) Jonny Buzz - Piano Poker - Shane Long & Kane Harris Remix 2) Xuzav & Delice - Stepping Gospel - Original Mix 3) 11 Inch - Funky Drummer 4) Kike Mayor feat IVA - Moments - Original Mix 5) Thievery Corp - Batucada Nights - DJ Mumbles Mashup 6) Albert Mazinotto & Mr. Deka - Only God Can Judge Me - Dandy Aka Peter Makto & Gregory S Remix 7) Farley Sylvester - Jam Down Beat Down - Original Mix 8) Quentin Harris feat Cordell McClary - House - Danny Howells re-edit 9) Robbie Rivera - Closer to the sun - Inpetto Vocal mix 10) Sonny Wharton feat Ugo Platana - Soul Food - Original Mix 11) Graylock - CTM - Steve Richmond Longcut - DJ Matt House Edit 12) Alex Drake feat Abel Ray - 4 The Love of House - Original Mix 13) Kiesza - Hideaway - Rob Crouch Remix 14) Jakatta - American Dream - Supernova Intro Remix 15)Sandy B - Feel Like You Make THe World Go Round - Deep Dish & David Morales - DJ Matt House Edit 16) Frankie Knuckles - Matter of Time - Groove Junkies Mix 17) roland clark - flying to be free - urban soul 278/4 18) Blaze - How Deep Is Your Love - Danny Krivit Mix - DJ Matt House Edit 19) Cooley's Hot Box - What A Surprise - Frankie Feliciano Mix 20) Christian Falk feat Demetrius - Make it Right - DJ Matt House Edit