Podcasts about Nagisa

Did you every hear of the bicyclist who used their signal when riding? Can you imagine a cyclist showing proper care for traffic? We'll examine the evidence tonight on, Beyond Belief. Spoiler alert, Jonathan Frakes will be telling you there's no such thing as a bicyclist who obeys traffic laws. Also, they will record themselves in gross violations and expect you to be offended. Tim has Strange Tales of Kisaragi. Kisaragi is something of a Japanese creepy pasta from the very early two thousands. Nagisa is a sad girl who used to be in a band. She loved being in a band until her mom disappeared. Then she gets stuck … Continue reading "Manga Pulse 532: Tales of Girls"

Episode title: A well-reasoned argument for why cum is the best body fluid to become Dr. Pepper We will be back in two weeks to talk about Ōshima Nagisa's Taboo You can follow Niamh on bluskey @foxmomnia.exportaud.io and listen to faer other podcasts, Ghost Divers, Pondering Pootan, and Around the Long Fire by going to exportaud.io/ghostdivers, exportaud.io/pootan, and abnormalmapping.com/longfire. You can follow Autumn on bluesky by going to @autumnalcoffee.exportaud.io and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality. You can also listen to this podcast a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co

Merry Christmas, kids! Amy & Bob talk power dynamics, unlikable protagonists, and how Ōshima masterfully merges politics & passion.

durée : 01:01:47 - Les Nuits de France Culture - par : Albane Penaranda - En 1991, dix ans après sa mort, Cécile Hamsy consacre à Jacques Lacan un numéro de "Profils perdus" en deux parties. Dans ce second épisode, la productrice recueille les souvenirs de ceux qui l'ont côtoyé, dont Anatole Dauman, célèbre producteur du film "L'empire des sens" de Nagisa Ōshima. - réalisation : Thomas Jost - invités : Jean-Pierre Winter Psychanalyste et écrivain; Philippe Sollers Écrivain français; Daniel Sibony Psychanalyste et écrivain; Catherine Millot Psychanalyste et écrivain; Jean Oury Médecin, psychiatre et psychanalyste, fondateur de la clinique La Borde; Jean-Pierre Faye Écrivain et philosophe

The Dream Star Grand Prix 2024 is officially in the books, and Rob and Matt are here with your officially unofficial review of a fantastic final night in Nagoya!They chat a war between Nanae and Miku, Rob donning his lawyer hat in defence of CHIAKI and the finish of MIRAI and Nagisa before giving their picks for Wrestler, Match and Breakout of the tournament!This episode is brought to you by BetterHelp: Give online therapy a try at betterhelp.com/STARDOM and get on your way to being your best self.Subscribe to our PATREON: https://patreon.com/TheStardomCastThe Stardom Cast website: https://www.thestardomcast.comSubscribe to the Podcast: https://linktr.ee/TheStardomCastJoin our Discord Server: https://discord.gg/bbDcAwcTwitter: https://www.twitter.com/marigoldpodcastBuy our Merch: https://teespring.com/en-GB/stores/podmania-podcasting-networkYouTube: https://tinyurl.com/2s4zrf3rBuy Rob's NEW Stardom Book - Chasing the Dream: 50 of Stardom's Greatest Matches Right Here: https://tinyurl.com/2eemszmtOur Sponsors:* Check out BetterHelp and use my code STARDOM for a great deal: www.betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Can an octopus really teach middle school students the art of assassination? Join us on this thrilling episode of the ZONE Podcast, where J.B., along with special guests Kokugatsu and Professor Tuck, take you on an unforgettable journey into the world of "Assassination Classroom." We recount the heart-pounding plot where Koro-Sensei, a powerful tentacled being, threatens to annihilate Earth after obliterating 70% of the moon. Despite his ominous mission, Koro Sensei becomes a beloved teacher to Class 3E, guiding them not only academically but also in honing their assassination skills to stop him. We'll reveal why this anime is more than just its intense storyline, diving into its rich emotional depth and the tear-jerking finale that hits close to home.Our discussion shifts to the fascinating character growth, honing in on Nagisa's transformation from a timid boy overshadowed by a controlling mother to a confident, purpose-driven individual under Koro-Sensei's mentorship. Professor Tuck and Kokugatsu share their personal connections to the characters, emphasizing how Nagisa's story resonates with anyone striving to overcome personal hurdles. We also spotlight Karma, whose unyielding personality and deep interactions with Nagisa provide some of the series' most gripping moments. The tension brought by the antagonist, the board chairman Asano's father, also adds layers to the narrative, making for a gripping conversational journey through the series' complex dynamics.We then dive deeper into the backstories of other memorable characters, from Kaede's insecurities to Professor Bitch's hysterical yet intricate assassination attempts. Unravel Koro Sensei's origins, akin to Wolverine or Deadpool, and discover how each character's unique quirks and growth enhance the storytelling. With a special focus on the profound impact of educators who genuinely care, we wrap up with heartfelt anecdotes and reflections on how Koro Sensei's dedication mirrors real-life teaching heroics. Whether you're a seasoned fan or new to "Assassination Classroom," this episode promises a comprehensive, deeply engaging exploration of one of anime's standout series. Tune in and let's experience the emotional rollercoaster together!Text us for feedback and recommendations for future episodes!Support the Show.We thank everyone for listening to our podcast! We hope to grow even bigger to make great things happen, such as new equipment for higher-quality podcasts, a merch store & more! If you're interested in supporting us, giving us feedback and staying in the loop with updates, then follow our ZONE Social Media Portal!DISCLAIMER: The thoughts and opinions shared within are those of the speaker. We encourage everyone to do their own research and to experience the content mentioned at your own volition. We try not to reveal spoilers to those who are not up to speed, but in case some slips out, please be sure to check out the source material before you continue listening!Stay nerdy and stay faithful,- J.B.Subscribe to "Content for Creators" on YouTube to listen to some of the music used for these episodes!

Extrait : « … Dans Furyo, du japonais Nagisa Ōshima, Bowie interprète un officier anglais, prisonnier de guerre à Java en 1942, retenu dans un camp japonais dirigé par un officier nippon (Ryuichi Sakamoto) qui devient maboule d'amour pour le bel anglais, malgré le terrible déshonneur qu'il subirait s'il venait à succomber à ses pulsions homosexuelles… »Pour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici pour Deezer, là sur Spotify, voire, si tu préfères, Podcast Addict. Il y a plein d'autres app de podcasts, cherche Good Morning Music sur la tienne. Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

You know that feeling when you're watching a movie or TV show and the perfect song hits at the perfect moment? Think Lost in Translation when ‘Alone in Kyoto' by Air comes in, or the visceral scenes from The Bear soundtracked by Refused's ‘New Noise'.You don't just see films, you hear them.Such is the power and responsibility of the music supervisor who carefully selects the right song for the right scene and has it hit at just the right moment. It's Jemma Burns' job to make that magic.From the new series of Heartbreak High to Boy Swallows Universe, Top of the Lake to Okja, it's Jemma's brilliant music brain behind those perfect song selections.The theme for this Take 5 is synchronicity songs. Not the all-time greatest soundtrack moments, but stories from Jemma's own experience and relationship with film and sound.'Forbidden Colours' by Ryuichi Sakamoto from Merry Christmas, Mr. Lawrence (1983), directed by Nagisa Ōshima'The Rhythm Of The Night' by Corona from Beau Travail (1999), directed by Claire Denis    'Goon Gumpas' by Aphex Twin from Morvern Callar (2002), directed by Lynne Ramsay'Silly Games' by Janet Kay from Lover's Rock (2020), directed by Steve McQueen'Coming' by David Motion, Sally Potter & Jimmy Somerville from Orlando (1993), directed by Sally Potter

O twórczości japońskiego reżysera Nagisy Ōshimy rozmawiam z prof. dr hab. Krzysztofem Loską z Uniwersytetu Jagiellońskiego. Odcinek powstał we współpracy z Międzynarodowym Festiwalem Filmowym mBank Nowe Horyzonty, który w dniach 18-28 lipca 2024 we Wrocławiu zaprezentuje retrospektywę twórczości Ōshimy.

Extrait : « … Dans Furyo, du japonais Nagisa Ōshima, Bowie interprète un officier anglais, prisonnier de guerre à Java en 1942, retenu dans un camp japonais dirigé par un officier nippon (Ryuichi Sakamoto) qui devient maboule d'amour pour le bel anglais, malgré le terrible déshonneur qu'il subirait s'il venait à succomber à ses pulsions homosexuelles… »Pour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici pour Deezer, là sur Spotify, voire, si tu préfères, Podcast Addict. Il y a plein d'autres app de podcasts, cherche Good Morning Music sur la tienne. Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

It's the 100th episode of Takoyaki Party! And we celebrate by… having barely anything to talk about. We make up for the news drought by going into a deep discussion of the first half of the Idol Shikkaku TV drama, predict the upcoming single senbatsu lineup, and as a special treat for this episode milestone we rank NMB's current singles and album releases.   If you have a question or comment for the podcast, you can leave it in the comments section on Youtube, or email us at nmbtakoyaki.party@gmail.com   If you want to join the REAL NMB48 International Fan Club here is the discord link. http://discord.gg/nmbfans     You can find English subs for Idol Shikkaku on the Teppen Subs blog as well as other subbed NMB content.   https://teppensubteam.tumblr.com/       0:00 - Intro 5:11 - NMB48 Midnight Radio   7:22 - Nagisa Graduation Concert Blu-Ray Release Announcement   12:00 - Sakata Misaki takes Nagisa's guest spot on the Dodame TV show   13:30 - Team N will appear on BS Yoshimoto's show “Raibara,” also current Team N sucks   16:15 - Team B2 will perform at the Maneki Neko Japan Idol Fes on 3/13   18:40 - NMB will perform at NIG fes on 3/29   19:17 - NMB started selling extra theater show tickets through Ticket Pia   23:10 - Koitako smartphone game is shutting down   24:58 - Anju and Mako ran in the Osaka Marathon   26:41 - Idol Shikkaku recap, we get kinda spoilery around 29:00   42:20 - Talking about the original songs in Idol Shikkaku   46:36 - More Idol Shikkaku spoiler talk   53:22 - Next single senbatsu predictions   1:04:17 - BREAK   1:04:25 - 100th episode special ranking of all NMB singles and albums   1:45:25 - Outro, call for action, comments, questions, feedback

昨年秋に、ライジングフィールド軽井沢で開催された野外フェス「EPOCHS」、その中でも、装飾や照明の演出が際立っていた、「NAGISA」ステージのコンセプトを持ち込んだスピンオフイベントが、今週、２月２３日金曜日に、渋谷のO-EAST、そして東間屋で開催されます！音楽ライターの金子厚武さんと深堀りしました！

durée : 01:01:44 - Les Nuits de France Culture - par : Albane Penaranda - En 1991, dix ans après sa mort, Cécile Hamsy consacre à Jacques Lacan un numéro de "Profils perdus" en deux parties. Dans ce second épisode, la productrice recueille les souvenirs de ceux qui l'ont côtoyé, dont Anatole Dauman, célèbre producteur du film "L'empire des sens" de Nagisa Ōshima. - invités : Jean-Pierre Winter Psychanalyste et écrivain; Philippe Sollers Écrivain français; Daniel Sibony Psychanalyste et écrivain; Catherine Millot Psychanalyste et écrivain; Jean Oury Médecin, psychiatre et psychanalyste, fondateur de la clinique La Borde; Jean-Pierre Faye Écrivain et philosophe

On this episode of About Sustainability…, Alice and Erin were joined by Naoyuki OKANO and Nagisa SHIIBA, IGES experts working on Climate Adaptation. This episode, recorded in December 2023, offers a quick recap of what happened at COP28 in Dubai and then dives deep into the far-reaching impacts of climate change on human security. Hosted in Dubai, United Arab Emirates, the 28th Conference of the Parties to the United Nations Framework Convention on Climate Change (COP28) brought the world's leaders together to discuss how to confront the climate crisis. Some of its main outcomes include the first Global Stocktake (GST), the agreement on the framework for operationalising the Global Goal on Adaptation (GGA), and the agreement on the operationalisation of the Loss and Damage Fund. Naoyuki and Nagisa introduce us to their new research project on Climate Security in the Asia Pacific, funded by the Japanese Ministry of Foreign Affairs. We discuss how framing the climate crisis as a security issue can be a powerful approach to mobilising resources across areas and tackling global challenges.ABOUT OUR GUESTSDr. Naoyuki OKANO is a Policy Researcher in the Adaptation and Water Unit of IGES. He works on issues related to the laws and governance of climate change adaptation, nature-based solutions, transboundary climate risks, and climate security. Nagisa SHIIBA is a Policy Researcher at the Adaptation and Water Unit of IGES. She is engaged in research projects on climate change adaptation and supports the negotiation process for the Japanese delegation to the Conference of Parties of the United Nations Framework Convention on Climate Change.RELEVANT PUBLICATIONS AND PROJECTSAsia-Pacific Climate Security Project (APCS) Website IGES is organising an international symposium on climate security in Asia-Pacific on 8 February 2024. Register here: https://www.iges.or.jp/en/events/20240208TIMESTAMPS00:10 - 02:10             Intro                                         02:10 - 05:06             COP 28                                   05:06 - 13:18             Global Goal on Adaptation     13:18 - 17:33             Loss and Damage 17:33 - 36:07             Climate Security 36:07 - 51:18             Climate Migration 51:18 - 54:22             Food Security 54:22 - 57:00             Balancing Security Issues in Climate Adaptation Plans "About Sustainability..." is a podcast brought to you by the Institute for Global Environmental Strategies (IGES), an environmental policy think-tank based in Hayama, Japan. IGES experts are concerned with environmental and sustainability challenges. Everything shared on the podcast will be off-the-cuff discussion, and any viewpoints expressed are those held by the speaker at the time of recording. They are not necessarily official IGES positions.

日本語・英語の2か国語を用いて、ライフスタイル系の動画をYouTubeやInstagramで発信する、inspire.closetsのNagisaさんとのエピソード✨また、Nagisaさんの活動はSNSの情報発信だけにとどまらず、Webマガジンでエッセイを執筆し、チャリティーの企画・実施を行うなど多岐にわたります

あけましておめでとうございます。久しぶりの配信となりましたが、本年もどうぞよろしくお願いいたします。 今回のメイントピックは、1/10（水）に開催するThe Potluck初めてのミートアップの告知です。リスナーの皆さんと意見交換をしながら「アメリカの最新コンシューマートレンドから2024年を考える」をテーマに特別トークと懇親会を予定していますので、ご予定の合う方はぜひご参加ください！お待ちしております。 イベントの詳細・参加お申し込みは下記Peatixより https://thepotluck-meetup-01.peatix.com 【エピソードで取り上げたサービス、記事など】 Nagisaのスペイン旅行 https://youtube.com/playlist?list=PLecEUNWRWZPlK-fpXBFTqM4LL3qg4hs3c&si=hktmcJC9GymJAuVa Azumi Setoda https://azumi.co/setoda/ OVERVIEW COFFEE https://maps.app.goo.gl/gymEnJDNNzEnTB8UA 今帰仁村 https://www.nakijinson.jp/ ---------------------------------------------------------------- The Potluckへのリクエスト、感想などはハッシュタグ #ThePotluck または匿名メッセージサービス「マシュマロ」からも受け付け中です。下記URLからどうぞ。https://marshmallow-qa.com/thepotluckus PayPal.meでサポートも募集中！頂いたご支援は配信機材への投資やコンテンツの拡充に活用させていただきます！ https://paypal.me/thepotluckus ---------------------------------------------------------------- X (Twitter)：@thepotluckus Threads：@thepotluckus Instagram：@thepotluckus

Due to scheduling issues we did a guerrilla style approach to covering Nagisa's graduation concert by talking about it over dinner. Apologies for the background noise and the less than stellar quality. Let us know in the comments what your favorite moments from the concerts were! If you have a comment or question for the show you can post it in the comments section on YouTube or email us at nmbtakoyaki.party@gmail.com NMB48 International Discord https://discord.gg/nmbfans TEPPEN Subs https://teppensubteam.tumblr.com​ https://twitter.com/TeppenSubTeam

The guys get festive this week with the ostensibly Christmas-themed movie about a Japanese prison camp - Merry Christmas, Mr. Lawrence. Does it give this movie a wholly different, unique perspective with a Japanese director behind the camera? Is this the most homoerotic film ever made to feature no gay sex? What's the story behind Beat Takeshi? All this and a very unfortunate new sponsor in this week's episode!   Next week: one more Xmas movie before year's end. Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com   Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) Merry Christmas, Mr. Lawrence stars David Bowie, Tom Conti, Ryuichi Sakamoto, Jack Thompson, Alistair Browning and Takeshi Kitano; directed by Nagisa Ōshima. Is It Streaming? USA: Criterion Channel. Canada: Criterion Channel. UK: Mubi, Arrow, NOW TV and available to rent. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mexican promotion hasn't held a show in months but recently they have been announcing the roster for 2024. Joshi wrestler Nagisa Nozaki who was sideline from injury in 2022 recent appear in a post-match at NOAHand it appears she is now a freelance. Damage CTRL have been adding new members like Kairi Sane and ASUKA, however speculate that there's going to be a betrayal coing. In NXT, Carmello Hayes became the prime suspect over the attack on his friend Trick Williams however we could see their friendship crumble in the future. Reviemed a match from All Jpan for the Triple Crown Championship. Unagi Sayaka made plan for a self produce show to celebate her 5th anniversary. ENJOY.

Part 1 of our Kyoto Vacation, ‘Crying is the Key to Happiness,' comes to a close with Clannad After Story, the second and final season based on the legendary visual novel by Key VisualArts. And after speaking for 3.5 hours about the first season, we somehow go even longer on the second, which follows Tomoya and Nagisa progressing into adulthood and becomes an ever-deeper, richer, and more emotionally impactful experience as it goes along. These are, simply put, some of the finest episodes of anime ever made, from storytelling through all aspects of the production, and it takes a full four-hour podcast to really start sinking our teeth into all of it.   Enjoy! We will be off next week for Thanksgiving, and returning on November 28th for Part 2 of our Kyoto Vacation with our review of The Melancholy of Haruhi Suzumiya Season 1 in its original ‘shuffle' broadcast order!  Time Chart: Theme Song: 0:00:00 – 0:01:30  Intro and Review Part 1: 0:01:30 – 1:09:16 Eyecatch Break: 1:09:16 – 1:09:52 Review Continued: 1:09:52 – 3:48:02 End Theme: 3:48:02 – 3:49:04  Support the show at Ko-fi ☕️ https://ko-fi.com/weeklystuff Read the book 200 Reviews by Jonathan R. Lack in Paperback or on Kindle – https://a.co/d/bLx53vK Follow The Weekly Stuff Wordcast newsletter for regular updates and extra content! https://weeklystuff.substack.com Subscribe to The Weekly Stuff Podcast on YouTube: https://www.youtube.com/c/TheWeeklyStuffPodcast Visit our website and subscribe to Japanimation Station on all podcast platforms: http://japanimationstation.com/ Subscribe to The Weekly Stuff Podcast on all podcast platforms: http://www.weeklystuffpodcast.com “re:CAPTURE” and “Happily Ever After” – Original Music & Lyrics by Thomas Lack, featuring Hatsune Miku https://www.thomaslack.com

Nghe trọn nội dung sách nói Dạy Con Làm Việc Nhà trên ứng dụng Voiz FM: https://voiz.vn/play/2463 “Dạy con làm việc nhà” dành cho những bậc cha mẹ đang nuôi dạy con từ độ tuổi mầm non đến tuổi dậy thì. Đối với từng loại việc nhà, sách sẽ dùng cách truyền đạt khác nhau để trẻ dễ dàng tiếp thu và thực hành. Trong sách, sau mỗi bài đều có mục “gợi ý việc làm” và “khi con làm chưa tốt” nhằm giải thích cụ thể hơn và hướng dẫn cha mẹ cách dùng lời lẽ phù hợp với từng tình huống cụ thể. Chính vì vậy đây sẽ là một món quà đặc biệt dành đến các bậc phụ huynh trong việc nuôi dạy con. Trong những thời gian, khoảnh khắc bên nhau, hãy cùng con làm những việc nhỏ trong gia đình như: cầm chổi quét nhà, gom nhặt rác, thu dọn đồ chơi, gấp quần áo…qua những việc làm như vậy sẽ giúp con tăng tính tự giác, tự ý thức được trách nhiệm của mình, từ đó sẽ giúp bé phát triển toàn diện về thể chất, trí tuệ, tinh thần. Các nghiên cứu khoa học chỉ ra rằng thành công mà chúng ta chờ đợi ở con cái, thành công trong sự nghiệp mỗi người đến từ việc nhà khi còn nhỏ. Bố mẹ nên cho con bắt đầu làm việc nhà càng sớm càng tốt. Những đứa trẻ thường xuyên làm việc nhà khi còn bé sẽ học được kỹ năng hợp tác, biết đồng cảm với người khác và có thể đảm nhận nhiệm vụ một cách độc lập khi lớn lên. Tại ứng dụng sách nói Voiz FM, sách nói Dạy Con Làm Việc Nhà được đầu tư chất lượng âm thanh và thu âm chuyên nghiệp, tốt nhất để mang lại trải nghiệm nghe tuyệt vời cho bạn. --- Về Voiz FM: Voiz FM là ứng dụng sách nói podcast ra mắt thị trường công nghệ từ năm 2019. Với gần 2000 tựa sách độc quyền, Voiz FM hiện đang là nền tảng sách nói podcast bản quyền hàng đầu Việt Nam. Bạn có thể trải nghiệm miễn phí đa dạng nội dung tại Voiz FM từ sách nói, podcast đến truyện nói, sách tóm tắt và nội dung dành cho thiếu nhi. --- Voiz FM website: https://voiz.vn/ Theo dõi Facebook Voiz FM: https://www.facebook.com/VoizFM Tham khảo thêm các bài viết review, tổng hợp, gợi ý sách để lựa chọn sách nói dễ dàng hơn tại trang Blog Voiz FM: http://blog.voiz.vn/ --- Cảm ơn bạn đã ủng hộ Voiz FM. Nếu bạn yêu thích sách nói Dạy Con Làm Việc Nhà và các nội dung sách nói podcast khác, hãy đăng ký kênh để nhận thông báo về những nội dung mới nhất của Voiz FM channel nhé. Ngoài ra, bạn có thể nghe BẢN FULL ĐỘC QUYỀN hàng chục ngàn nội dung Chất lượng cao khác tại ứng dụng Voiz FM. Tải ứng dụng Voiz FM: voiz.vn/download #voizfm #sáchnói #podcast #sáchnóiDạyConLàmViệcNhà #TatsumiNagisa

In this episode of ATPT, we are joined by Ishikawaboy, a Pokemon Trainer from Japan and a recent competitor at 2023 Pokemon Worlds.Ishikawaboy introduces us to the vibrant and Pokémon-rich landscape of Japan, where we meet a true Pokémon enthusiast with a passion for Pokémon battles. We delve deep into the world of Pokémon battles, where strategy, skill, and heart combine to create unforgettable experiences.Ishikawaboy also  offers valuable insights into his experiences using "Spice" Pokemon, all of which have shaped his profound connection with Pokémon. He also shares his motivation to create engaging content for his audience has driven him to new heights.Trainer's Eye is a series where the stories are real and people still play this game. From PVP to Shiny Hunting, each person's Pokemon GO journey is unique and we dive into each journey here on As The Pokeball Turns!"A special thank you to Nagisa for his assistance with this episode!"SourcesOpening Song: "Forget You" by Alex_MakeMusic from PixabayConnect with ISHIKAWABOY: Youtube | Twitter | ArticleSupport the showConnect with David Hernandez: Twitter | Instagram | Youtube | Linktree E-mail Me: asthepokeballturnspodcast@gmail.com

On this shortish episode of Takoyaki Party, we talk about NMB's 28th title track "Nagisa Saiko" and give our hot takes on the song. We also take a look at the first few rounds of handshake sales and see who is selling out and who should be selling better. We also talk about the Nagoya concert that none of us went to as well as some theater shows and events we went to recently.   If you have a comment or question for the show you can post it in the comments section on YouTube or email us at nmbtakoyaki.party@gmail.com NMB48 International Discord  https://discord.gg/nmbfans   TEPPEN Subs  https://teppensubteam.tumblr.com​ https://twitter.com/TeppenSubTeam   Timestamps   0:00 - Intro 3:00 - More members get TikToks and secondary TikToks 4:19 - Nagisa Saiko hot takes 23:45 - Handshake Event and Online Event sales update 37:31 - Nagisa will be on a Netflix show use SURFSHARK VPN to watch it from outside Japan 39:50 - Showroom Bullsh*t 46:35 - New Dance Unit Twinkle 1st Live Announced 48:21 - Shion's super late birthday show at the theater 50:11 - Concert Tour New Info 57:39 - Nagoya Concert Overview 1:06:29 - Theater Show Roundup 1:12:00 - COLORZ Shein Concert  1:22:00 - Listener Comment: Peak Sayaka vs Peak Nagisa 1:26:56 - Guess the NMB Song Game

3ヶ月ぶりとなってしまいました！お久しぶりです。今回は近況報告を中心に、6月はミラノへ出張に行っていたNagisaの話から、旅人に重要な公共交通機関の体験の話、日本に長期滞在していたRieが日本滞在中に行った場所、出身地瀬戸内の注目スポット、東京で行ったレストランやお店などについて、お話しています。 【エピソードで取り上げたサービス、記事など】 東急の改札でタッチ決済実験 三井住友カードやJCB - 日本経済新聞 HAKKOパーク 未来心の丘 - 瀬戸田 耕三寺博物館 Living room of Setoda 魚夢 | Fukuyama-shi Hiroshima かつお食堂／Katsuo Shokudo - 東京 - ミシュランガイドレストラン 庭園美術館 「主役は食材であり生産者」 ノマドシェフがポップアップレストランを始めた理由（NOBU/kermis) - 料理王国 ---------------------------------------------------------------- The Potluckへのリクエスト、感想などはハッシュタグ #ThePotluck または匿名メッセージサービス「マシュマロ」からも受け付け中です。下記URLからどうぞ。https://marshmallow-qa.com/thepotluckus PayPal.meでサポートも募集中！頂いたご支援は配信機材への投資やコンテンツの拡充に活用させていただきます！ https://paypal.me/thepotluckus ---------------------------------------------------------------- Twitter：@thepotluckus Instagram：@thepotluckus

マンスリースペシャルナビゲーター・imaseが、対話の中からイノベーションの種を導き出すトークセッション「FROM THE NEXT ERA」。 今回お迎えするのは、Jazzin'park 久保田真悟さん。 imaseの楽曲「Nagisa」のアレンジを担当されたJazzin'park・久保田さんをお迎えして、音楽トークを行います。さらに、いま久保田さんが活躍されているステージの扉を開いた「突破ストーリー」を伺っていきます。See omnystudio.com/listener for privacy information.

On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films. ----more---- TRANSCRIPT   From Los Angeles, California. The Entertainment Capital of the World. It's the 80s Movie Podcast. I am your host, Edward Havens/ Thank you for listening today.   On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films.   But I am not here to defend Harvey Weinstein. I am not here to make him look good. My focus for this series, however many they end up being, will focus on the films and the filmmakers. Because it's important to note that the Weinsteins did not have a hand in the production of any of the movies Miramax released in the 1980s, and the two that they did have a hand in making, one a horror film, the other a comedy that would be the only film the Weinsteins would ever direct themselves, were distributed by companies other than Miramax.   But before I do begin, I want to disclose my own personal history with the Weinsteins. As you may know, I was a movie theatre manager for Landmark Theatres in the mid 1990s, running their NuWilshire Theatre in Santa Monica. The theatre was acquired by Landmark from Mann Theatres in 1992, and quickly became a hot destination for arthouse films for those who didn't want to deal with the hassle of trying to get to the Laemmle Monica 4 about a mile away, situated in a very busy area right off the beach, full of tourists who don't know how to park properly and making a general nuisance of themselves to the locals. One of the first movies to play at the NuWilshire after Landmark acquired it was Quentin Tarantino's debut film, Reservoir Dogs, which was released by Miramax in the fall of 1992. The NuWilshire quickly became a sort of lucky charm to Harvey Weinstein, which I would learn when I left the Cineplex Beverly Center in June 1993 to take over the NuWilshire from my friend Will, the great-grandson of William Fox, the founder of Fox Films, who was being promoted to district manager and personally recommended me to replace him.   During my two plus years at the NuWilshire, I fielded a number of calls from Harvey Weinstein. Not his secretary. Not his marketing people.    Harvey himself.   Harvey took a great interest in the theatre, and regularly wanted feedback about how his films were performing at my theatre. I don't know if he had heard the stories about Stanley Kubrick doing the same thing years before, but I probably spoke to him at least once a month. I never met the man, and I didn't really enjoy speaking with him, because a phone call from him meant I wasn't doing the work I actually needed to do, but keeping Harvey would mean keeping to get his best films for my theatre, so I indulged him a bit more than I probably should have.   And that indulgence did occasionally have its perks. Although I was not the manager of the NuWilshire when Reservoir Dogs played there, Quentin Tarantino personally hand-delivered one of the first teaser posters for his second movie, Pulp Fiction, to me, asking me if I would put it up in our poster frame, even though we both knew we were never going to play the film with the cast he assembled and the reviews coming out of Cannes. He, like Harvey Weinstein, considered the theatre his lucky charm. I put the poster up, even though we never did play the film, and you probably know how well the film did. Maybe we were his lucky charm.   I also got to meet Kevin Smith and Scott Mosier weeks before their first film, Clerks, opened. We hosted a special screening sponsored by the Independent Feature Project, now known as Film Independent, whose work to help promote independent film goes far deeper than just handing out the Spirit Awards each year. Smith and Mosier were cool cats, and I was able to gift Smith something the following year when he screened Mallrats a few weeks before it opened.   And, thanks to Miramax, I was gifted something that ended up being one of the best nights of my life. An invitation to the Spirit Awards and after-party in 1995, the year Quentin Tarantino and Lawrence Bender won a number of awards for Pulp Fiction. At the after-party, my then-girlfriend and I ended up drinking tequila with Toni Collette, who was just making her mark on American movie screens that very weekend, thanks to Miramax's release of Muriel's Wedding, and then playing pool against Collette and Tarantino, while his Spirit Awards sat on a nearby table.   Twenty feet from stardom, indeed.   I left that job at the end of the summer in 1995, and I would not be involved with the Weinstein Brothers for a number of years, until after I had moved to New York City, started FilmJerk, and had become an established film critic. As a critic, I had been invited to an advance screening of Bad Santa at the AMC Empire 25, and on the way out, Bob Weinstein randomly stopped me in the lobby to ask me a few questions about my reaction to the film. Which was the one and only time I ever interacted with either brother face to face, and would be the last time I ever interacted with either of them in any capacity.   As a journalist, I felt it was necessary to disclose these things, although I don't believe these things have clouded my judgment about them. They were smart enough to acquire some good films early in their careers, built a successful distribution company with some very smart people who most likely knew about their boss's disgusting proclivities and neither said nor did anything about it, and would eventually succumb to the reckoning that was always going to come to them, one way or another. I'm saddened that so many women were hurt by these men, physically and emotionally, and I will not be satisfied that they got what was coming to them until they've answered for everything they did.   Okay, enough with the proselytizing.    I will only briefly go into the history of the Weinstein Brothers, and how they came to found Miramax, and I'm going to get that out of the way right now.   Harvey Weinstein and his younger brother Bob, were born in Queens, New York, and after Harvey went to college in Buffalo, the brothers would start up a rock concert promotion company in the area. After several successful years in the concert business, they would take their profits and start up an independent film distribution company which they named Miramax, after their parents, Miriam and Max. They would symbolically start the company up on December 31st, 1979.   Like the old joke goes, they may have been concert promoters, but they really wanted to be filmmakers. But they would need to build up the company first, and they would use their connections in the music industry to pick up the American distribution rights to Rockshow, the first concert movie featuring Paul McCartney and his post-Beatles band Wings, which had been filmed during their 1976 Wings Over the World tour. And even from the start, Harvey Weinstein would earn the derisive nickname many people would give him over the years, Harvey Scissorhands, as he would cut down what was originally a 125min movie down to 102mins.   Miramax would open Rockshow on nine screens in the New York City area on Wednesday, November 26th, 1980, including the prestigious Ziegfeld Theatre, for what was billed as a one-week only run. But the film would end up exceeding their wildest expectations, grossing $113k from those nine screens, including nearly $46k just from the Ziegfeld. The film would get its run extended a second week, the absolute final week, threatened the ads, but the film would continue to play, at least at the Ziegfeld, until Saturday December 13th, when the theatre was closed for five days to prepare for what the theatre expected to be their big hit of the Christmas season, Neil Diamond's first movie, The Jazz Singer. It would be a sad coincidence that Rockstar's run at the Ziegfeld had been extended, and was still playing the night McCartney's friend and former bandmate John Lennon was assassinated barely a mile away from the theatre.   But, strangely, instead of exploiting the death of Lennon and capitalize on the sudden, unexpected, tragic reemergence of Beatlemania, Miramax seems to have let the picture go. I cannot find any playdates for the film in any other city outside of The Big Apple after December 1980, and the film would be unseen in any form outside a brief home video release in 1982 until June 2013, when the restored 125min cut was released on DVD and Blu-Ray, after a one-night theatrical showing in cinemas worldwide.   As the Brothers Weinstein were in the process of gearing up Miramax, they would try their hand at writing and producing a movie themselves. Seeing that movies like Halloween and Friday the 13th were becoming hits, Harvey would write up a five-page treatment for a horror movie, based on an upstate New York boogeyman called Cropsey, which Harvey had first heard about during his school days at camp. Bob Weinstein would write the script for The Burning with steampunk author Peter Lawrence in six weeks, hire a British music documentary filmmaker, Tony Maylam, the brothers knew through their concert promoting days, and they would have the film in production in Buffalo, New York, in the summer of 1980, with makeup effects by Tom Savini.   Once the film was complete, they accepted a purchase deal from Filmways Pictures, covering most of the cost of the $1.5m production, which they would funnel right back into their fledgling distribution company. But when The Burning opened in and around the Florida area on May 15th, 1981, the market was already overloaded with horror films, from Oliver Stone's The Hand and Edward Bianchi's The Fan, to Lewis Teague's Alligator and J. Lee Thompson's Happy Birthday to Me, to Joe Dante's The Howling and the second installment of the Friday the 13th series. Outside of Buffalo, where the movie was shot, the film did not perform well, no matter how many times Filmways tried to sell it. After several months, The Burning would only gross about $300k, which would help drive Filmways into bankruptcy. As we talked about a couple years ago on our series about Orion Pictures, Orion would buy all the assets from Filmways, including The Burning, which they would re-release into theatres with new artwork, into the New York City metropolitan region on November 5th, 1982, to help promote the upcoming home video release of the film. In just seven days in 78 theatres, the film would gross $401k, more than it had earned over its entire run during the previous year. But the film would be gone from theatres the following week, as many exhibitors do not like playing movies that were also playing on cable and/or available on videotape. It is estimated the film's final gross was about $750k in the US, but the film would become a minor success on home video and repeated cable screenings.   Now, some sources on the inter webs will tell you the first movie Miramax released was Goodbye, Emmanuelle, based in part on a profile of the brothers and their company in a March 2000 issue of Fortune Magazine, in which writer Tim Carvell makes this claim. Whether this info nugget came from bad research, or a bad memory on the part of one or both of the brothers, it simply is not true. Goodbye, Emmanuelle, as released by Miramax in an edited and dubbed version, would be released more than a year after Rockshow, on December 5th, 1981. It would gross a cool $241k in 50 theatres in New York City, but lose 80% of its screens in its second week, mostly for Miramax's next film, a low budget, British-made sci-fi sex comedy called Spaced Out.   Or, at least, that's what the brothers thought would be a better title for a movie called Outer Touch in the UK.   Which I can't necessarily argue. Outer Touch is a pretty dumb title for a movie. Even the film's director, Normal Warren, agreed. But that's all he would agree with the brothers on. He hated everything else they did to his film to prepare it for American release. Harvey would edit the film down to just 77mins in length, had a new dub created to de-emphasize the British accents of the original actors, and changed the music score and the ending. And for his efforts, Weinstein would see some success when the film was released into 41 theatres in New York on December 11th, 1981. But whether or not it was because of the film itself, which was very poorly reviewed, or because it was paired with the first re-issue of The Groove Tube since Chevy Chase, one of the actors in that film, became a star, remains to be seen.   Miramax would only release one movie for all of 1982, but it would end up being their first relative hit film.   Between 1976 and 1981, there were four live shows of music and comedy in the United Kingdom for the benefit of Amnesty International. Inspired by former Monty Python star John Cleese, these shows would raise millions for the international non-governmental organization focused on human rights issues around the world. The third show, in 1979, was called The Secret Policeman's Ball, and would not only feature Cleese, who also directed the live show, performing with his fellow Pythons Terry Jones and Michael Palin, but would also be a major launching pad for two of the most iconic comedians of the 1980s, English comedian Rowan Atkinson and Scottish comedian Billy Connelly. But unlike the first two Amnesty benefit shows, Cleese decided to add some musical acts to the bill, including Pete Townshend of The Who.   The shows would be a big success in the United Kingdom, and the Weinsteins, once again using their connections in the music scene, would buy the American film rights to the show before they actually incorporated Miramax Films. That purchase would be the impetus for creating the company.   One slight problem, though.   The show was, naturally, very British. One bit from the show, featuring the legendary British comedian and actor Peter Cook, was a nine-minute bit summing up a recent bit of British history, the leader of the British Labour Party being tried on charges of conspiracy and incitement to murder his ex-boyfriend, would not make any sense to anyone who wasn't following the trial. All in all, even with the musical segments featuring Townshend, the Weinsteins felt there was only about forty minutes worth of material that could be used for a movie.   It also didn't help that the show was shot with 16mm film, which would be extremely grainy when blown up to 35mm.   But while they hemmed and hawed through trying to shape the film. Cleese and his show partners at Amnesty decided to do another set of benefit shows in 1981, this time called The Secret Policeman's Other Ball. Knowing that there might be interest in a film version of this show, the team would decide to shoot this show in 35mm. Cleese would co-direct the live show, while music video director Julien Temple would be in charge of filming. And judging from the success of an EP released in 1980 featuring Townshend's performance at the previous show, Cleese would arrange for more musical artists to perform, including Jeff Beck, Eric Clapton, Phil Collins, Donovan, Bob Geldof, Sting, and Midge Ure of Ultraviolet. In fact, it would be because of their participation in these shows that would lead Geldof and Ure to form Band Aid in 1984, which would raise $24m for famine relief in Ethiopia in just three months, and the subsequent Live Aid shows in July 1985 would raise another $126m worldwide.   The 1981 Amnesty benefit shows were a success, especially the one-time-only performance of a supergroup called The Secret Police, comprising of Beck, Clapton, Geldof and Sting performing Bob Dylan's I Shall Be Released at the show's closing, and the Weinsteins would make another deal to buy the American movie rights to these shows. While Temple's version of the 1981 shows would show as intended for UK audiences in 1982, the co-creator of the series, British producer Martin Lewis, would spend three months in New York City with Harvey Weinstein at the end of 1981 and start of 1982, working to turn the 1979 and 1981 shows into one cohesive movie geared towards American audiences. After premiering at the Los Angeles International Film Exposition in March 1982, The Secret Policeman's Other Ball would open on nine screens in the greater New York City metropolitan area on May 21st, but only on one screen in all of Manhattan. And in its first three days, the movie would gross an amazing $116k, including $36,750 at the Sutton theatre in the Midtown East part of New York City. Even more astounding is that, in its second weekend at the same nine theaters, the film would actually increase its gross to $121k, when most movies in their second week were seeing their grosses drop 30-50% because of the opening of Rocky III. And after just four weeks in just New York City, on just nine or ten screens each week, The Secret Policeman's Other Ball would gross more than $400k. The film would already be profitable for Miramax.   But the Weinsteins were still cautious. It wouldn't be until July 16th when they'd start to send the film out to other markets like Los Angeles, where they could only get five theatres to show the film, including the brand new Cineplex Beverly Center, itself opening the same day, which, as the first Cineplex in America, was as desperate to show any movie it could as Miramax was to show the movie at any theatre it could.   When all was said and done, The Secret Policeman's Other Ball would gross nearly $4m in American theatres.   So, you'd think now they had a hit film under their belts, Miramax would gear up and start acquiring more films and establishing themselves as a true up and coming independent distributor.   Right?   You'd think.   Now, I already said The Secret Policeman's Other Ball was their only release in 1982.   So, naturally, you'd think their first of like ten or twelve releases for 1983 would come in January.   Right?   You'd think.   In fact, Miramax's next theatrical release, the first theatrical release of D.A. Pennebaker's Ziggy Stardust and the Spiders from Mars concert film from the legendary final Ziggy show at the Hammersmith Odeon in London on July 3, 1973, would not come until December 23rd, 1983. And, for the third time in three years, it would be their music connections that would help the Weinsteins acquire a film.   Although the Ziggy Stardust movie had been kicking around for years, mostly one-night-only 16mm screenings on college campuses and a heavily edited 44min version that aired once on American television network ABC in October 1974, this would be the first time a full-length 90min version of the movie would be seen. And the timing for it couldn't have come at a better time. 1983 had been a banner year for the musician and occasional actor. His album Let's Dance had sold more than five million copies worldwide and spawned three hit singles. His Serious Moonlight tour, his first concert tour in five years, was the biggest tour of the year. And he won critical praise for his role as  a British prisoner of war in Nagisa Ōshima's powerful Japanese World War II film Merry Christmas, Mr. Lawrence.   The Weinsteins would enlist the help of 20th Century Fox to get the film into theatres during a very competitive Christmas moviegoing season. But despite their best efforts, Fox and Miramax could only nab one theatre in all of New York City, the 8th Street Playhouse in lower Manhattan, and five in Los Angeles, including two screens at the Cineplex Beverly Center. And for the weekend, its $58,500 gross would be quite decent, with a per screen average above such films as Scarface, Sudden Impact and Yentl. But in its second weekend, the all-important Christmas week, the gross would fall nearly 50% when the vast majority of movies improve their grosses with kids out of school and wage earners getting time off for the holidays. Fox and Miramax would stay committed to the film through the early part of 1984, but they'd keep costs down by rotating the six prints made for New York and Los Angeles to other cities as those playdates wound down, and only buying eighth-page display ads in local newspapers' entertainment section when it arrived in a new city. The final gross would fall short of half a million dollars, but the film would find its audience on home video later in the year. And while the Weinsteins are no longer involved with the handling of the film, Ziggy Stardust and the Spiders from Mars will be getting a theatrical release across the planet the first week of July 2023, to coincide with the 50th anniversary of the concert.   So, here were are, four years into the formation of Miramax Films, and they only released five films into theatres, plus wrote and produced another released by Filmways. One minor hit, four disappointments, and we're still four years away from them becoming the distributor they'd become. But we're going to stop here today because I like to keep these episodes short.   Thank you for joining us. We'll talk again next week, when we continue with story of Miramax Films, from 1984 to 1987.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

On Episode 62 of Floating Through Film, we return to our Blindspots theme, and for this episode it was Blake choosing the movies that Luke or Dany hadn't seen. Those two movies are Ringo Lam's 1987 film Prison on Fire (2:10), and Nagisa Ōshima⁠'s 1999 film Taboo (58:32). We hope you enjoy! Episode Next Week: 1950s Movie Draft Music: - Intro from Prison on Fire (https://www.youtube.com/watch?v=tc2tW0jFHPo&ab_channel=VLyrical) - Outro from Taboo (https://www.youtube.com/watch?v=xSYtwjY9L-s&ab_channel=lichtetredBos) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/) Podcast Links (Spotify and Apple): https://linktr.ee/floatingthroughfilm Letterboxd: https://letterboxd.com/floatingfilm/ Email: floatingthroughfilm@gmail.com

不要催更，但是可以向宇宙发射能量！宇宙会反馈给你的！【曲目清单】00:31 DE DE MOUSE / Tanuki / 一十三十一 - Neon Lightの夜 (Extended Dance Mix) [霓虹灯之夜]02:48 tofubeats - CITY2CITY04:18 imase - Nagisa [沙滩]06:06 CAPSULE - Starry Sky07:21 CAPSULE - dreamin dreamin08:37 Perfume - ポリリズム09:22 Kyary Pamyu Pamyu / Moe Shop - Candy Candy (Moe Shop Remix)09:51 Kyary Pamyu Pamyu - PONPONPON11:03 MEG - HEART【栏目介绍】《日音时光机 二次会》是《苏咖啡》频道和网易云音乐播客组联合企划的日本流行音乐选曲节目《日音时光机》的正片加长版，精选电音舞曲风格作品以串烧MIX形式介绍。音频基于2023年5月网易云音乐版权框架制作，所有音乐由网易云音乐授权。歌单定稿：2023年5月23日录音工程：2023年5月30日节目编号：苏咖啡 S02 E01.5【联系susu】听友群助手：onaircafe 回复较慢susu个人IG：djsusu查看节目原文：https://music.163.com/m/program?id=2523456490&radio=794760602

We have a bunch of things to talk about this month including the spring concert and request hour, new gravure careers, Uuka graduating… this time for real, event logistics and more.   If you have a comment or question for the show you can post it in the comments section on YouTube or email us at nmbtakoyaki.party@gmail.com NMB48 International Discord  https://discord.gg/nmbfans   TEPPEN Subs  https://teppensubteam.tumblr.com​ https://twitter.com/TeppenSubTeam   Twitter: Aruda: https://twitter.com/darklordaziz Geoff: https://twitter.com/GeoFreak17​ Matt: https://twitter.com/supermattoworld​ Ryan: https://twitter.com/frowndog06​        0:00 - Intro 4:45 - Fuuwa, Yayoi, and Siyeon get gravure debuts 26:06 - Jonishi Rei gravure style book 28:14 - New NMB LINE stamps 30:19 - Nagisa renews contracts with Washoku no Sato and Dell, gets a bra commercial! 36:07 - Mikana EATME collaboration 41:15 - NMB theater rules updated 44:22 - Chihhi and Keito start YouTube channels 49:00 - Yuzu and Mirai's final shows announced 49:53 - NMB has its 3000th theater show 55:42 - BREAK 55:52 - Aruda's first time in Japan ever, NMB theater show 1:08:11 - Handshake Event and 2shot Photo Event at Intex Osaka 1:32:12 - Good Spoon Report 1:36:04 - Osaka Comic Con Report 1:43:22 - NMB Spring Live Todoroke Mix Report 1:58:35 - Kato Yuuka graduation announcement  2:04:54 - Request Hour Report 2:49:00 - Summer Concerts Announced 3:02:26 - Outro

durée : 01:29:59 - Les Nuits de France Culture - par : Albane Penaranda - Portrait du cinéaste japonais Nagisa Oshima (1932-2013), figure de proue de La Nouvelle Vague du cinéma japonais, dans un numéro du "Ciné-club" de France Culture de février 1998. C'est avec L'Empire des sens en 1976 que le cinéaste japonais Nagisa Oshima se rendit célèbre auprès du grand public international. Présenté à Cannes, dans "La Quinzaine des Réalisateurs", le film rencontra un grand succès commercial, à la hauteur du scandale qu'il provoqua au Japon. Après lui, L'Empire de la passion, Furyo, avec David Bowie, et Max mon amour ne feront que conforter le statut mondial de Nagisa Oshima comme "réalisateur japonais vedette". "Tout comme Pasolini ou Fassbinder, Nagisa Oshima a été marqué par le passé impérialiste de son pays, et n'a eu de cesse d'interroger ce passé enfoui." Pourtant, l'essentiel de sa production cinématographique, qui commence en 1959, reste encore aujourd'hui largement méconnue du plus grand nombre. En 1998, pour le "Ciné-club" de France Culture, Pascale Lismonde proposait de mieux connaître la personnalité et l'ouvre de ce grand cinéaste, considéré comme l'un des chefs de file de la Nouvelle Vague japonaise. "Ciné-club. Nagisa Oshima". avec Jean Claude Carrière, Christine Buci-Glucksmann, Vincent Ostria, Max Tessier, Yoichi Umemoto et Jean Narboni. Production : Pascale Lismonde Réalisation : Claude Giovannetti Ciné-club - Nagisa Oshima 1ère diffusion : 04/02/1998 Edition web : Documentation de Radio France Retrouvez l'ensemble de la Nuit : Naissance, mort et renaissance du cinéma au Japon

かなりゆるめにお届けする雑談回です。Rieが以前日本に一時帰国した際にNagisaに渡したお土産の話を中心に、RieがNYのお部屋に飾っているというNagisaの写真作品や昨年秋に開催した写真展の話などをしています。 【エピソードで取り上げたサービス、記事など】 MadHappy - Mental Health Journal https://www.madhappy.com/products/the-madhappy-journal-1 evolve together https://evolvetogether.com/ Nagisaの写真展（現在終了）https://wps-jp.fujifilm.com/ichikawanagisa_202210/ ---------------------------------------------------------------- The Potluckへのリクエスト、感想などはハッシュタグ #ThePotluck または匿名メッセージサービス「マシュマロ」からも受け付け中です。下記URLからどうぞ。https://marshmallow-qa.com/thepotluckus PayPal.meでサポートも募集中！頂いたご支援は配信機材への投資やコンテンツの拡充に活用させていただきます！ https://paypal.me/thepotluckus ---------------------------------------------------------------- Twitter：@thepotluckus Instagram：@thepotluckus

It's a double feature episode as Elwood and Stephen look at Wong Kai Wai's Mean Streets influenced As Tears Go By as Andy Lau plays Wah a triad enforcer who spends all his time getting his best friend and triad brother Fly (Jackie Cheung) out of trouble while finding his life only getting more complex when he fall for his cousin Ngor (Maggie Cheung). They also play another round of listener roulette as listener Marcus has them watch Nagisa Ōshima's Taboo aka Gohatto in which an attractive young samurai Kano causes chaos within his samurai clan as various members fight for his affection. Buy us a coffee and support the show Check out our sponsor: Yes Please Vintage

durée : 00:04:36 - Le cinéma de Thomas Croisière - Thomas Croisière nous parle d'un film de Nagisa Oshima, "Furyo".

Timestamps 2:23 News/Announcements 3:38 Succinct Summaries 8:58 Delicious Party movie 26:27 Delicious Party Finale 39:52 Doki Doki Love Letters 44:35 PreCure Awards! 46:24 Most Valuable PreCure 50:36 Favorite Season covered in CotWN Season 2 51:46 Best Outfit 55:09 Favorite General 56:01 Biggest Goblin 56:59 Biggest DILF or GILF 58:58 Most Imperious Child 1:00:42 Best Wife Guy 1:01:35 Who is Most Baby 1:04:16 Yui's Superlative 1:05:54 Kokone's Superlative 1:06:52 Ran's Superlatives 1:07:40 Amane's Superlatives 1:08:26 Takumi's Superlative 1:10:24 Nagisa's Superlative 1:11:12 Honoka's Superlative 1:12:16 Hikari's Superlative 1:12:49 Hibikis Superlatives 1:13:32 Kanade's Superlative 1:14:21 Ellen's Superlative 1:14:47 Ako's Superlative 1:15:30 Mana's Superlatives 1:15:52 Rikka's Superlative 1:16:39 Alice's Superlative 1:18:19 Makoto's Superlative 1:19:11 Aguri's Superlatives 1:20:40 Cutest Moment 1:21:13 Biggest Heartbreak 1:22:41 Best Girl 1:23:53 Best Boy 1:24:51 Favorite Delicious Party Couple/Polycule 1:25:47 Cutest Max Heart Couple/Polycule 1:26:22 Favorite Suite Couple/Polycule 1:27:12 Cutest Doki Doki Couple/Polycule 1:28:25 How Did You Like Delicious Party? 1:29:37 Are You Looking Forward to Hirogaru Sky PreCure?   Delicious Party Movie The girls (and Takumi) are invited to a mysterious theme park which only allows children to enter, and Kome Kome desperately wants to grow up. Cait Sith, the genius inventor who created the park, wants to... destroy all adults, basically?!? So it's up to the girls (and Takumi) to defeat them, and we learn a valuable lesson about the strength of a child's convictions and Kome Kome becomes a hero! Delicious Party final episode We don't have much to say about the final episode, it's fairly standard "and they all live happily ever after," with a discussion of prison labor in the CooKingdom and a tearful goodbye as the energy fairies must remain in the CooKingdom and Yui and the others cannot return to the world where enchiladas grow on trees. Except they actually could, at like, any time? But anyways we also discuss the series as a whole and our feelings on where it shone brightly and where it stumbled. 2023 CotWN Awards! We asked our listeners to weigh in on some of the most important questions for each of the 4 seasons we covered this past year: Futari Wa Max Heart, Suite, Doki Doki, and Delicious Party. Who will be voted most baby? Who was our resident criminal? What were the most popular ships? There's only one way to find out!

A debut film, a nostalgic and melancholic look on how difficult it is to process grief and accept the loss of someone dear.Takeshi Kogahara – Nagisa #TFF40 was first posted on December 1, 2022 at 8:36 am.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

Big thanks to Paul Keelan from Cinematic Underdogs for joining us for this wide-ranging discussion about two art films whose explicit— and often un-simulated— sexual content caused some to cry obscenity: Nagisa Ōshima's 1976 erotic true crime story In the Realm of the Senses, and Tsai Ming-liang's 2005 surrealist romance The Wayward Cloud. We discuss their wildly different yet similarly frank approaches to sexuality, and have it out about which one is actually a great movie. (Hint: we do not agree.) You can hear more from Paul on his podcast Cinematic Underdogs at: https://anchor.fm/cinematicunderdogs Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at https://www.patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://anchor.fm/unwatchablespod/message

Timestamps 2:31 Discussion Question 6:28 Succinct Summaries 10:23 Delicious Party 23 19:46 Doki Doki 11/12 38:36 Max Heart 30-40 49:23 Looking Ahead Lead In Discussion We attempt to cross the worlds of One Piece and PreCure, firmly deciding Chopper is the fairy of the season. Delicious Party PreCure Kokone's harrowing backstory is revealed, and boy do we have opinions about her parents! Doki Doki/Glitter Force Bel turns into a cell phone, and Ira into an elephant in these episodes! But also, Makoto learns a bit about friendship, Mana continues to be a super woman, Glitter Force erases Rikka's gay vibes, and a mysterious woman appears! Kat predicts she'll be a total b, and is already rooting for the mysterious girl. Max Heart Joel sacrifices his life energy to go through 11 episodes of Max Heart. We can't cover all the material with our short time, but Hikari and the anti-Christ have another meeting and some people mutter about secrets- we learn Nagisa loves Period dramas, there's a pear-shaped heartiel, and! Both Nagisa and Ryota learn to Enjoy Sports in separate episodes

Timestamps 1:45 News/Announcements 3:26 Lead In Discussion 9:02 Succinct Summaries 20:50 Doki Doki 7 & 8 37:49 Max Heart 24-26 40:00 Delicious Party PreCure 20 49:24 Looking Ahead Lead In Discussion Joel pitches a season in which the two cures are opposites, and one is loosely themed around fire and the other ice, and Kat helps strengthen the themes Doki Doki/Glitter Force We learn Makoto's backstory and see the Doki Doki girls face off against Bel in an exciting battle! Then, the girls suddenly find themselves the unexpected mothers to a mysterious egg fairy baby! This also has one of our favorite distain fights yet: Sleepy sheep! Max Heart These episodes are a blast from the past as Joel relives Futari Wa episodes: Honoka's grandma is relevant again as Hikari wonders if she's useless, the girls go to a festival as Nagisa is depressed about the future, and Fuka sempai returns to wonder what friendship could be. Also Nosferatu may or may not be dead. Delicious Party PreCure It's Ran's turn to bond with Amane and... Joel didn't really jive with the message, but Kat liked it just fine! Also, we talk about the musical Hadestown

durée : 01:29:59 - Les Nuits de France Culture - "L'originalité de Nagisa Oshima est d'avoir toujours mêlé le crime, le sexe et la politique"

We're joined this week by Richard and AJ of the Cult Popture podcast to try to wrap our heads around all things Wes Anderson: symmetrical framing, meticulous production design, quirky soundtracks, the inevitable backlash, and the even more inevitable enduring love (some of us have) of his films.  And what better way to start this with the Gene Hackman-led ensemble that is The Royal Tenenbaums. If you'd like to watch ahead for next week's film, we will be discussing and reviewing Nagisa Ōshima'sThe Realm of the Senses (1976).

Timestamps 3:28 Movie Time! (Succinct Summaries) 9:57 All Stars DX3 14:38 Max Heart Movie 25:55 Pete's Ad Space 29:02 Succinct Summary for the Shows 38:47 Max Heart 10 42:05 Suite 34 & 35 54:42 Delicious Party PreCure 10 1:01:28 Sweet Sound Bites All Stars DX3 It's a flash from the past as we're reunited with the PreCure of the first 7 seasons, as well as movie-exclusive enemies! We love the jokes, we love seeing Erika Kurumi again, and also it's whacking time! Max Heart Movie The first ever precure movie sees the precure face off against Izma, and we also meet a sentai team of frogs, one of whom is Goku and one is Sasuke! Max Heart In episode 10, Nagisa bakes a cake. We also talk about whether anything happens in this show. We do appreciate the humor of the evil generals and Kat misses Wisdom. Suite Our theories have finally paid off! We discover the truth of Mephisto's mental state, the true identity of Cure Muse, and secret familial bonds! Also the negatones are looking super cool with Mephisto's influence Delicious Party PreCure Episode 10 gives us more Amane/Gentle inner struggles, and the Delicious Party girls are now ARMED. Plus, we have a new theory about Godatz's identity

In the followup to Part 1 (episode 92) T takes a look at the final 4 films of the 2006 Afterdark Horrorfest Film Festival and also discusses the recent horror news including: Scream 6 casting The Crow reboot Terror Train remake Unrest Alison Blanchard is training to become a doctor and must confront her fear of mortality while working with cadavers. She approaches a body and senses a strange presence in the lab when she pulls back the sheet. Her professor dismisses her fears as nerves, but after her friend is found dead in the basement, her worries increase. She must discover how the cadaver got into the lab before its spirit can exhibit its wrath on anyone who disturbed the corpse.   Reincarnation A movie is being made about a spree of murders in a Tokyo hotel in 1970. The killer was a professor who murdered his wife, many hotel guests and young daughter, Chisato. The director of the movie casts Nagisa Sugiura (Yûka) as the young daughter. Soon after landing the role, Nagisa begins to experience the murders as if they were occurring around her in present day. Wicked Little Things Karen Tunny is a recent widow and takes her two daughters, Sarah and Emma, to move into a remote mountain home they inherited from her husband. Karen does not realize the home is built near an old mine, where many children were buried alive in the early days of the 20th century. Penny Dreadful Penny (Rachel Miner) goes on a road trip to recover from a horrible accident in her childhood. When she and her therapist (Mimi Rogers) find a mysterious hitchhiker on a desolate mountain road, they are thrust into a life or death struggle with a ruthless killer who preys on Penny's worst fears.

サンフランシスコから日本に一時帰国しているRieとNagisaの2人で、先日表参道〜原宿〜渋谷の街を歩いて、ショップや商業施設をいろいろと巡ってきました！今回は、その時感じたことや考えたことをアレコレお話しています。 Well Design Productsは今回はおやすみです。 【今回訪ねた場所】 A to Z Cafe https://www.instagram.com/atoz.cafe_omotesando/ CosmeKitchen 表参道店 https://cosmekitchen.jp/store_list/cosme-kitchen-omotesando/ お箸やさん　銀座・夏野小夏　青山店　https://www.e-ohashi.com/ KOFFEE MAMEYA https://www.koffee-mameya.com/ ラフォーレ原宿　https://www.laforet.ne.jp/ 愛と狂気のマーケット　https://www.laforet.ne.jp/aitokyouki/ at cosme TOKYO　https://www.cosme.net/flagship/ IKEA Harajuku https://www.ikea.com/jp/ja/stores/harajuku/ 茶亭 羽當　https://www.instagram.com/hatou_coffee_shibuya 渋谷PARCO　https://shibuya.parco.jp/　 OIL by 美術手帖　https://oil-gallery.bijutsutecho.com/ itimi（ヴィンテージショップ）https://www.itimi.jp/ さいめ https://www.instagram.com/saime0515/ ---------------------------------------------------------------- The Potluckへのリクエスト、感想などはハッシュタグ #ThePotluck または匿名メッセージサービス「マシュマロ」からも受け付け中です。下記URLからどうぞ。https://marshmallow-qa.com/thepotluckus また、PayPal.meでサポートも募集中です！頂いたご支援は配信機材への投資やコンテンツの拡充に活用させていただきます！ https://paypal.me/thepotluckus ---------------------------------------------------------------- Twitter：@thepotluckus Instagram：@thepotluckus

今回はメイントピックとして、Rieが1週間ほど滞在したロサンゼルスで感じた、変化を続ける現地のリテール事情についてお話しています。後半では、Nagisaが行ってきた北海道・ニセコの話を。ここ10年ほどで外国からの投資が加速するリゾート地で感じたこととは。 【今回話題にのぼった記事、サービスや企業など】 Revolve Brings Back Its Social Club, Now Open to the Public https://wwd.com/fashion-news/fashion-scoops/revolves-social-club-open-1235129233/ Dior Beauty Fêtes Its New L.A. Pop-Up With a Star-Studded Party https://www.vogue.com/slideshow/miss-dior-la-fragrance-pop-up Toms Shoes Closes Venice Location https://www.westsidecurrent.com/venice/toms-shoes-closes-venice-location/article_a6513f60-7947-11ec-b8aa-33239f45fbf7.html TOMS https://www.toms.com/ Glossier https://www.glossier.com/ Glossier LA https://goo.gl/maps/SatuTdguEYKUEVKJ9 【今回のWell Design Products】 Well Design Productsは今回はおやすみ。 テーマのリクエストがありましたら、TwitterやInstagramのコメント、マシュマロなどからお気軽にどうぞ！ ---------------------------------------------------------------- The Potluckへのリクエスト、感想などはハッシュタグ #ThePotluck または匿名メッセージサービス「マシュマロ」からも受け付け中です。下記URLからどうぞ。https://marshmallow-qa.com/thepotluckus また、PayPal.meでサポートも募集中です！頂いたご支援は配信機材への投資やコンテンツの拡充に活用させていただきます！ https://paypal.me/thepotluckus ---------------------------------------------------------------- Twitter：@thepotluckus Instagram：@thepotluckus

Y'all hear about Badminton? Girls be No Use!

Timestamps 3:16 Lead-in Discussion 7:40 Max Heart 12:42 Suite 33:22 Star Twinkle Lead-in Discussion We pitch a PreCure season focused on animals and kindness Max Heart We cover episode 4, and spend most of the time talking about Nagisa's art skills and how mean everyone is to her. Also, it seems Hikari is closing in on the secret of PreCure. Suite PreCure We cover episodes 9 & 10, focusing on Kanade trying to imitate Hibiki (and bribe Hummy) to get her own Belltier. Then, the pair teach some kindergartners by becoming gorillas! Oh, and Siren discovers what warmth is and develops a crush. And is also a bad boss. Star Twinkle PreCure Kat has watched up to episode 21, which introduces the season's mid-season cure. We discuss how much she's liked it so far, favorite characters, as well as potential weaknesses of the season.

Nagisa is the gangster we needed along the way.   Email us questions at: ATH@animetraphouse.com Website: https://www.animetraphouse.com/ Youtube: https://www.youtube.com/channel/UCBxyHzwu2Yx81Ycbfd-xulw Discord: https://discord.gg/QBbpA3Q Twitch: https://www.twitch.tv/theanimetraphouse Facebook: https://www.facebook.com/RealAnimeTrapHouse/ Twitter: https://twitter.com/animetraphouse IG: https://www.instagram.com/anime_trap_house/ Patreon: https://www.patreon.com/AnimeTrapHouse

Nagisa Ōshima's follow-up to last week's In the Realm of the Senses is less sexually explicit and harder to pin down politically than that work, but Empire of Passion is still an interesting tale of greed and ghosts.

There was a moment in Nagisa Ōshima's obscenity trial for the printed script edition of In the Realm of the Sense where the director apologizes to the judges and police, saying, essentially, "I showed the script to all my colleagues and none of them found it titillating, so I'm sorry you guys got turned on." And I don't think he's just having a laugh at their expense. The film is certainly full, nearly wall to wall, of sex, unsimulated even, but being full of sex and being sexy are different things, and Ōshima has a different goal.

Hosts John Cribbs & Christopher Funderburg sit down to pay tribute to one of the greatest screenwriters who ever lived, Jean-Claude Carrière. When Carrière recently passed away the hosts decided to pick a handful of the writer's films to discuss as a way of exploring his long and incredibly varied career. From his career-defining work with Luis Buñuel to his long-running associations with filmmakers including Miloš Forman & Pierre Étaix to his more off-beat one-off projects, few screenwriters were as fearless & unpredictable. Carrière's career began in the early 60's & spanned decades - he kept working right up until the end, with screen credits as recently as 2019. This is our remembrance of the novelist, ghost-writer, conversationalist, adapter and screenwriter who collaborated with everyone from Umberto Eco to Nagisa Ōshima to the Dalai Lama. Rest in peace, Carrière. Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on Twitter: twitter.com/thepinksmoke Christopher Funderburg on Twitter: twitter.com/cfunderburg John Cribbs on Twitter: twitter.com/TheLastMachine Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”