Podcasts about Daydream Nation

En el programa nos encanta hablar de discos que marcan generaciones y la Gen X sin dudas estuvo atravesada por Sonic Youth y la propuesta de Daydream Nation. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

Tuvimos que romper la promesa de este año porque la realidad lo pedía. Nos comunicamos con Gala Garriga, abogada y militante peronista, que nos contó todos los detalles sobre la causa Vialidad por la cual Cristina Kirchner fue condenada. Además, rememoramos el gran Daydream Nation de Sonic Youth y su influencia en la música de los 90/2000. Mati estuvo viendo temporadas nuevas de Los Simpson y recomienda la Casita del Terror de la temporada 35. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

En este episodio de El Cancionero de Kurt, profundizamos en el influyente legado de Sonic Youth, centrándonos en su innovador álbum Daydream Nation, uno de los 50 favoritos de Kurt Cobain. A través de conversaciones con artistas como Javier Sisti Ripoll de 107 Faunos, Guillermo Ruiz Díaz de El Mató a un Policía Motorizado y las perspectivas de la periodista cultural Luli Serrano, exploramos cómo Sonic Youth redefinió los límites del rock al fusionar punk, arte y cultura pop, y cómo su impacto resonó en toda América Latina, inspirando a una nueva generación de músicos. Equipo: Host: Albina CabreraProductora asistente: Gisela Casa MadridEditor: Dusty HenryProductor de audio: Roddy NikpourPodcast manager: Isabel KhaliliDirector editorial: Larry Mizell Jr. Apoya este podcast: kexp.org/elsonido Support the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Albums discussed are Toots & The Maytals ‘Funky Kingston' (32:36), and Sonic Youth ‘Daydream Nation' (19:45). And we discuss the new song ‘Punish' from Ethel Cain (23:46). *This episode was recorded on December 7th, 2024 For all of Mutlu's tour dates and tickets visit ⁠https://www.mutlusounds.com/ To suggest an album for CLRC hit the link below or leave it in the Apple Reviews or Spotify Comments: ⁠⁠https://www.rightstorickysanchez.com/p/album-review-and-interview-index⁠⁠ The intro music is "I Should Let You Know" by Marian Hill. This is Carl Landry Record Club episode #155

Martin Douglas dives into Daydream Nation by Sonic Youth. When it comes to art punk, indie rock, or alternative rock, there are few bands more widely influential than Sonic Youth, who were also directly involved with Nirvana's emergence into the mainstream. The bands were signed to both the same record label and the same management company.  Hosts: Dusty Henry and Martin DouglasAudio producers: Martin Douglas and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

This week we're back to reviewing classic albums. But we're doing something a little different this week.    We're covering Sonic Youth's 5th album, 1988's "Daydream Nation"    This is an album Jacob had never heard before...nor knew existed. His only relationship to this album was seeing the album art displayed on the Simpson's episode where Homer went to Lalapolooza, lol.    So with that said Jacob had a week to see if he even liked this or not and Art did MOST of the heavy lifting with the research this week.    This album is widely regarded as one of the greatest albums ever made. Many music critics gave it a perfect score and one magazine even named it the BEST album of the 1980's. I (Jacob  speaking) don't know about any of that but Art agrees. So with out further ado ....."Daydream Nation"   As always follow us on the stuff Merch Store- http://tee.pub/lic/doEoXMI_oPI Patreon- https://www.patreon.com/Artandjacobdoamerica Website- https://artandjacobdoamerica.com/ Network- https://podbelly.com/ Instagram- https://www.instagram.com/artandjacobdoamerica YouTube Channel- https://www.youtube.com/channel/UC0rT6h3N2pWtlkxaqgIvaZw?view_as=subscriber Twitter- https://twitter.com/ArtandJacobDoA1 Facebook- https://www.facebook.com/artandjacobdoamerica/   ALSO! Make sure you're checking out our sponsors  https://cavemancoffeeco.com  Use Promo Code "AMERICA" for 15% Off  

Thurston Moore is one of the most famous names in rock. With Kim Gordon and Lee Ronaldo, he formed Sonic Youth, one of the definitive art rock bands... yes, ART rock. Sonic Youth album covers famously spotlighted artists, from Gerhard Richter's candle on the cover of 1988's Daydream Nation to Raymond Pettibon's cartoon couple on the cover of 1990's Goo to Mike Kelley's stuffed animal on the cover of 1992's Dirty to Marnie Weber's collage for 1998's A Thousand Leaves. Well, now Moore is back, putting out a new dreamy solo album titled Flow Critical Lucidity, and true to form, the cover is another literal work of art: a photo of a sculpture of what appears to be metal helmet, studded with tuning forks. This is a work called Samurai Walkman, by the artist Jamie Nares. Nares is a figure of major cachet herself. She only just had a film retrospective at the Museum of Modern Art here in New York in the summer. Back in 2020, her fantastic 2011 video Street was the first film to be projected on the exterior of the Metropolitan Museum of Art—Thurston Moore, in fact, did the soundtrack to that film. Nares and Moore have a fruitful history of collaboration together, having both come up in the chaotic, experimental No Wave scene of the 1970s, and this week they join Ben Davis on the podcast to discuss. We're also thrilled to announce the launch of Art Market Minute, our new micro-podcast, hosted by news editor Margaret Carrigan. It offers a weekly snapshot of essential art market news, expertly compiled by the Artnet PRO editorial team. You can find it wherever you get your podcasts every Monday.

Thurston Moore is one of the most famous names in rock. With Kim Gordon and Lee Ronaldo, he formed Sonic Youth, one of the definitive art rock bands... yes, ART rock. Sonic Youth album covers famously spotlighted artists, from Gerhard Richter's candle on the cover of 1988's Daydream Nation to Raymond Pettibon's cartoon couple on the cover of 1990's Goo to Mike Kelley's stuffed animal on the cover of 1992's Dirty to Marnie Weber's collage for 1998's A Thousand Leaves. Well, now Moore is back, putting out a new dreamy solo album titled Flow Critical Lucidity, and true to form, the cover is another literal work of art: a photo of a sculpture of what appears to be metal helmet, studded with tuning forks. This is a work called Samurai Walkman, by the artist Jamie Nares. Nares is a figure of major cachet herself. She only just had a film retrospective at the Museum of Modern Art here in New York in the summer. Back in 2020, her fantastic 2011 video Street was the first film to be projected on the exterior of the Metropolitan Museum of Art—Thurston Moore, in fact, did the soundtrack to that film. Nares and Moore have a fruitful history of collaboration together, having both come up in the chaotic, experimental No Wave scene of the 1970s, and this week they join Ben Davis on the podcast to discuss. We're also thrilled to announce the launch of Art Market Minute, our new micro-podcast, hosted by news editor Margaret Carrigan. It offers a weekly snapshot of essential art market news, expertly compiled by the Artnet PRO editorial team. You can find it wherever you get your podcasts every Monday.

This week we listened to Daydream Nation by Sonic Youth, Live Through This by Hole, Vs. by Pearl Jam, and The Real Thing by Faith No More. We hope you enjoy the episode, Courtney Love sucks. Title music and artwork by Rob Fortune Direction by Jack Falcon Editing and soundboard autism by JoMo

jD is back and he's joined by Daniel from Chicago to discuss his Pavement origin story and dissect track number 38. Transcript: [0:00] Hey, it's JD here, and I just wanted to throw something down, somewhat of a challenge to all you musically inclined folks out there.We are going to be doing a pod list again this year, and a pod list is simply a podcast playlist.It's a pod list. The previous four pod lists have consisted of talented members of our Pavement community submitting songs that they have covered from the Pavement oeuvre.Pavement adjacent songs are also welcome. So you could do PSOI, you could do Jicks, you could do Malcolm is Solo.Anything is fair game, truly. So get your band together or grab an acoustic guitar and just play your fucking guts out.From there, submit the song to me by email and we'll go from there.So please submit those songs, jd at meetingmalkmus.com, or even better, use wetransfer.com if it's a big WAV file. And WAV files are what I prefer.That will work out just magnificently. That's what she said.Podlist 5 coming July 8th. So get those songs in and be a part of something special. Thanks so much.Now, on with the show.Track 3:[1:24] Previously on the pavement top 50.Track 2:[1:27] What do you have to say dan from rochester about playbook oh man so um first of all when i i listened to this a lot this week and there's three versions so i did some some deepdiving into comparing the different like studio versions that are out there but the first thing that surprised me was the length is relatively short it's slightly less than three and a half minutesand to me that song always felt like very epic.Track 3:[1:58] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown.Track 4:[2:05] Hey, it's J.D. here, back for another episode of our Top 50 Countdown for the seminal indie rock band, Pavement.Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballots.I then tabulated the results using an abacus and a six-pack.[2:24] Okay, there were only four left, but I was thirsty. see how will your favorite pavement song fare in the ranking you'll need to tune in to find out so there's that this week we're joinedby pavement superfan daniel daniel how are you doing motherfucker uh doing good how are you i am excellent today it's a bright and sunny day out i did a 10k walk it's uh just fantastic itis a good day it's like i'm in chicago and it's uh 50 degrees and so that's like summer so yeah right to have that in february is like just another another planet it's amazing yeah so let's getright into this let's talk about your pavement origin story daniel from chicago i am from a town in the south called montgomery alabama Okay.And I'm also 45, late Gen Xer.Discovering music in the early 90s, you really had to try to search out cool stuff, and especially in a shitty town like Montgomery, Alabama. Alabama.[3:42] There were like only one record store that was independent and you kind of had to like know a person to get there. And.[3:52] So that's a big part of my origin story is I am from a shitty place.And the more I get to know pavement, I realize that Stockton is a lot like Montgomery.It's strip malls and crime and not a lot to do, not a lot of real culture.So I see that connection now.When I was a teenager, I was into classic rock like Neil Young and Bob Dylan and Steve Miller Band, I guess, was my intro to what my dad showed me about rock and roll.But I started 10th grade and I noticed a guy had the iconic pavement sunny side up shirt. Right.And I said, this guy knows something. He kind of shined with this aura.And at the time, I didn't know much about indie rock or alternative rock.But I knew a lot about film.I was into Tarantino, and that led me to John Woo and other independent film.[5:17] I knew a lot about beat literature, like Kerouac and Ginsberg, Burroughs.So we met, and he helped me with the pavement and the Sonic Youth. We traded CDs.I traded VHS, independent film, with him.And we eventually started a shitty noise band in his garage.Oh, that is so cool. Yeah. Yeah. And we talked about Pavement and Sonic Youth, Daydream Nation.At the time, I think Crooked Rain was the big one, and Wowie was pretty big on our playlist.List um but i'm really thankful for that meeting and his taste was just um beyond anything of people from montgomery so i that's my story and i i continue to love pavement my entire lifehas been my favorite band and i felt very special uh having them as a part of my life and i i'm not sure who it was that said.[6:38] I think it might be Mark Arm from Mudhunt Honey said, when you listen to Pavement, you feel smarter.And I feel like I'm in on some kind of secret.Yeah. And I feel enlightened when I listen to Stephen Moutmiss and his poetry and his lyrics.I feel smarter. And coming from a place of like education was not valued and no culture, it meant a lot for me to like have pavement as this kind of avant-garde art band that led me todifferent bigger cities and bigger ideas.Is so so what was take take me through your experience daniel take me through that so you saw him wearing the sunny side up shirt what was the first spin like like what did you spin firstif you remember i remember and and what was going on in your head when you heard it i got crooked crooked rain crooked rain first and i remember the disc and people these days missout on the artwork of the disc right it's got that layer of like kind of red and maroon art.[8:01] And i spun it and i was like first off i've never heard uh a vocalist sound like this before right and i was like is he singing or is he like speaking um and they're in the liner notesthere's a picture of like a singer but i always thought it was that that was mouth mess or that was spiral stairs i wasn't sure but it turns out it's like just a random collage um i wasn't sure ifthe the singer was playing guitar or was just like singing.Wow. Like something from a different world completely. And unlike any music.[8:46] That i've uh ever encountered even since it's um now i can kind of associate what not miss was doing with like lou reed yes big time uh but at the time it was just like what is thisvocalist doing and then there were parts of the guitar playing it was like kind of dissonant guitar and i was like is are these guitars even in tune like it sounds like noise in some parts but somelodic and others and so melodic and others and that's their secret yeah um.[9:25] And then i started listening to the lyrics um the first song that comes to mind i wrote on my uh we used to have book covers of paper to cover the book i wrote the entire uh lyrics forstop breathing this is like the most poetic I don't know what he's talking about but I was also I went to it like an art high school and I was in creative writing and I would do my best to tryto emulate in my poetry what mountainous was doing with like his prose or his lyrics right Right, okay.So he was talking about, I think, stuff around a father-son relationship in that song, and I had struggles with my dad, and as we all probably do.Sure. And I was like, abstractly, he's talking about stuff that is really hitting home.And so there were some songs I didn't get at first, like...[10:39] But yeah we'll talk about some of that stuff later sure okay yeah um so that was your first experience with them and crooked rain what a great jumping off point and just to followup on you know like who's playing what and what are they doing it wasn't like you could tune into mtv at the time and see a great deal of pavement you know and and sort of match it uplike you could with with other bands.You know, in this case, they were so rarefied.It would be tough to get your hands on, you know, live footage or anything like that. So that leads me to my next question.When did you see them live? Did you see them live?First, my first concert by them was.[11:28] It must have been early my first semester at auburn university i went uh started uh 97, i went to birmingham alabama at a place called the nick i think that's what it is and so it musthave been september or october of 1997 and it was a like maybe uh, 100, 200 person venue. It was a very small venue.And me and my two friends from Auburn, we got there nerdy, super early and waited at the rail of the front row.[12:18] And it turns out that we were right across from Spiral Stairs guitar setup.Okay. And it was in support of Right in the Corners.So, amazing show.I think at the time, what they were doing was they were playing about 15 songs with an encore of three songs. And they played Credence.Sinister Purpose was their cover that they played.And they they had their set list on paper plates which i thought was very diy and cool and spiral at the end of the set uh he picked up his paper plate threw it like a frisbee and i caught it soi had the the set list i don't have it anymore but oh damn one time it was in my dorm it was in a collection as i moved around the country of course of course but i wish i had had thatamazing moment.Probably, I would say it's probably my third or fourth concert ever. Um, and.[13:35] I went to REM and Radiohead in support of Monster. That was my first.So it's in good company.Yeah, I bet. So how did you find like-minded people in uni?Was it easy or did you have to seek them out like you did in high school?Or how did you find your compatriots to go to that show with?This is so funny. uh the first day of english class the teacher asked what what what do we like and get to know you ice icebreaker questions and me and this guy cleave we both put thesame bands we really liked pavement number one lemon heads number two rem number three we we wrote those identically, and it's it's like this uh serendipitous kind of thing happenedwith us and we became, very close friends and at the time he was like really into pink floyd and i said hey man you got to get really back into pavements better than pink floyd so weobsess over our mutual love of malchmas and uh pavement so that that's how that connection happened but other times in my life i've never really found someone who says pavement's myfavorite band and maybe you're my probably my.[15:04] Like third person i they always seem to be like a french band no one is like so obsessed like i am or possibly you are.And that's okay with me. Like, this is something, it's very special kind of in this time where everything feels like homogenized.I'm glad that this is a special thing for a few of us.Yeah, I think so too. We can unite in that, unite in our solodom.In our solitude. dude. Um, What's your go-to record these days?[15:51] Well, it's grown. It's changed over time. Of course. As it should, probably.I think the most bang for your buck and artistic expression of what they represent is Wowie Zowie.Sure. Yeah, I can get behind that. It is their version of the White Album in that it is so many different genre attempts.And it feels loose it feels fun um it's thematically all over the place yeah and, i just it just feels like a real expression of what they were going for as a band yeah i i i'm not sure if it's likethe best album but for me i think it feels like pavement and what they wanted um and the the go-to for me i hope it makes your list is uh grave architecture okay i find that to bequintessential uh a pavement song but yeah Yeah, it's just so all over the place and wacky that I love it.What do you say we take a quick break and we come back on the other side of track number 38?Sounds good. All right, cool.Track 3:[17:18] Hey, this is Bob Mustanovich from Pavement. Thanks for listening.And now on with a countdown.Track 2:[17:26] 38.Track 4:[20:04] Alright, track 38 is Date with Ikea, the first spiral jam on the countdown.It's the fifth from Pavement's fourth record, Bright in the Corners, after Blue Hawaiian at 50, Embassy Row at 44, Old to Begin at 43, and Starlings of the Slipstream at 40.Without further ado, number 38, Date with Ikea.Daniel from Chicago.Hey. Talk to me about your experience with this song.Well, it was the first Pavement album that I was able to buy on its release date.So it has a special place.It was released, I think it's April 17th, 1997.97 and i good went to my local mall and walked in and bought this album and, it's a banger it's a really fucking good album and 100% it's it it rocks and this song is a rocker and you feellike there's some shimmering layered guitar going on yeah Yeah. Um.[21:30] I'm not sure what the song's about. It feels like... Tough to discern.At the time, I didn't know what Ikea was.Now I know. I think it's a Norwegian furniture store, wholesale furniture.[21:50] So now I think I know what the meaning of the song is.Because I've had a date with Ikea. I bought a house, and I've had to go to Ikea to celebrate needing furniture.And I remember going to Ikea going, oh, this is what the song is about.Maybe domestication.Maybe it's a union.I like domestication. Yeah. But the lyrics are about a relationship strife.The actress is always breaking things. That made me think something's going wrong in the relationship or he's annoyed with his partner.Not sure. But Spiral's songs have always had their own feel to them.And this feels like a quintessential uh spiral stairs song not what what else does it sound like in those years maybe uh like super chunk like no pocky for kitty, i don't know if you know ofany other bands that might sound like but.[23:08] No, because it's tough, because his cuts sort of stand alone on a pavement record, because they're so radically different than the stuff that SM does, right?I think that's what I'm trying to get at, yeah.[23:24] But lyrically, you can go down the same bottomless pit with both of their lyrics.I think Malk tends to be, he's got the turn of phrase, right?He's got the gift for a turn of phrase in a way that Spiral doesn't necessarily have the same horsepower at this stage in the game.If you listen to PSOI, like that first record, All This Sounds Gas, man, is he firing on all cylinders on that record.I think so. So that is prime beef.And I love it. Uh, his two outings on brighten the corners are both, you know, I think they're both a great jumping off point for what you need to get from, from spiral. That's just my take.I think you're right. Uh, the idea that it can be on the same album and feel so different.[24:25] Right. And I'm okay with that. Sort of their secret weapon in a way, right i think so i there and i'm in a lot of ways i'm not sure uh spirals influence on what mountainous does that'skind of a mystery i i believe it showed up more on probably slanted and yeah the early stuff yeah the eps off the top i think they were much more collaborative collaborative but i'm likingwhat i hear this this is a rocker this feels like it's got the.[25:04] Almost like a classic rock feel to it of maybe tom petty in there and the heartbreakers, but um got the sing-along chorus here's the a weird thing about uh the spiral Spiral stuff.When I would go to the shows, the crowd would cheer so much for Spiral.It was almost like we were rooting for this underdog.[25:40] And when spiral was playing his, uh, cuts like mountainous, what it seemed like he didn't know what he was supposed to be doing.He would not, he wouldn't have a guitar part to it. He, he would just kind of like Panama. I'm playing guitar.And, but I noticed how much the crowd would get behind, uh, like spirals chance to shine.Shine so you happen to see any dates on the most recent tour in 2022 i did i saw one of the chicago okay i found that steve was much more uh on board with the spiral stuff if if for lack ofa better term if he wasn't on board in the earlier years and i don't know that i'm i'm prescribing that on him.I shouldn't, but I sort of am.And I just feel like they were much more cohesive, like band-wise, this time out.I saw the same thing, and I think I read in interviews where Mountmess before had seemed kind of apprehensive to put his ball in the pavement court, per se.He was very much on board with being a band that was reuniting and good vibes in general yeah but at the time i think what you notice about uh.[27:07] Bright in the corners is oh he's starting to get his own voice mountainous right and it's, it has to feel um daunting to have other people in the band wanting to collaborate whenyou're you're like really finding your groove.So with Wowie, there's, I think, maybe one spiral cut, Brighton two, but then with Terror zero, you're starting to see, Mount Missus realizing that I have something to say and I want it tobe the singular vision.[27:53] That's just my take. I add a lot of meaning and interpretation that might not be there.No, that's what we do with our favorite bands, right?They add, they give us that to sort of interpret. But I feel like.[28:09] Mount miss really was hitting his groove and maybe spiral was hitting his groove as well and they just it was a sign that they needed to take some time off hey listen i don't want tomake this comparison too apt but it's interesting to me that having watched the beatles documentary george is shut out of that song and then he immediately rips off all things must passwhich which is a double record, which just shows like how he had all these songs in the bag.And it's like, how did John and how did John and Paul not include any of his stuff on Let It Be?And then, you know, 40 years later or 30 years later, you have Terror Twilight, which I think is sorely lacking a spiral song.Like, I think that there's part of that record that, that, you know, because a lot of people, it's their number five.And I think it's their number five, because it doesn't sound like a pavement record, necessarily.It sounds lush and rich, production-wise.I continue to call it a beta test for Steve's first solo record.[29:27] It's just interesting to me that it's lacking this something, and I think that something is a Spiral Gem. you might be on to something with that.And, and I'm, I'm, I'm, while I'm glad they both had a great solo careers, um, it is, it's sort of missing something.Yeah. So where do you think in terms of the ranking, this comes in at 38, what do you think, uh, is it properly rated?Is it overrated? Is it underrated? Uh.[30:02] I'm a little, I've been thinking about this. I think it might be overrated.If you would have asked me in 1997, I would have said it should be up there in the 30s.I don't think this has aged for me as well as it should have. I don't know.[30:25] Nowadays, I listen to Brighton and I go, what's the song three on there?Oh, he had to ask me that.I'm cool and underqualified is who I am. I don't have that stuff at my fingertips. No, I've got this.So if you listen to Transport is Arranged. Okay.Going right into Old to Begin. Yeah. Those...It kind of is in between transport and old to begin.And I feel like those are like way stronger songs.Like, and also those are songs where Malcolm is really starting to have his own voice.And it's like very unique rock.And I think those songs, since I heard old to begin, it's like 44 or 43.I I think it's I think those two songs Transport and Old to Begin, are better than Date with Ikea so for some reason I'm feeling like.[31:40] The lack of cohesion of this album, give it a shot, listen to it without Date With Ikea.It's a different album, and it's an interesting choice by the engineers and the producers to put Date in between those two.I think it should be ranked lower. I'm sorry, JD. No, that's okay.That's why I asked the question.[32:08] Hopefully uh transport somewhere in the top 50 i think that's such a a fucking rocker and it's so heavy at the end um but yeah i would put date and probably in my uh, a little bitlower would it crack the top 50 still i don't think so i if i'm going to be completely honest it's going to be in the lower 50 maybe 60s or 70s okay wow you heard it here here first folks stilllove it chicago still love it though it's one of his children but he just disparaged it uh daniel do you have anything that you would like to plug at all is there anything that you're known foron the internet or oh let me tell you i am a therapist here in chicago and i uh as you can see by my uh many plaques on the wall i'm trained to do uh psychotherapy Therapy in the westernsuburbs of Chicago.If you know anyone that wants therapy or wants to try it out for the first time, I specialize in anxiety, depression, addiction, and men's issues.Oh, boy. I ticked a few of those boxes.[33:26] My greatest hits right there. Yeah. Well, it's been great talking to you, and I really appreciate you taking the time to do this. So thanks for that.Thank you for having me on. It's my pleasure.Wash your goddamn hands.Track 3:[33:43] Thanks for listening to Meeting Malcomus, a pavement podcast where we count down the top 50 pavement tracks as selected by you.If you've got questions or concerns, please shoot me an email.JD at meetingmalcomus.com.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This month on Conversations from the Pointed Firs host Peter Neill sits down with Kristie Billings. A wearer of many hats, Kristie is a long-time DJ for ‘Daydream Nation' on the WERU Community Radio in Orland, Maine. From small-town grocery clerk to working in a fish market, owning her own shoe store, being an Arts Educator at a local theater, a lobster fisher, and an antiques seller, Kristie has done it all. Kristie comes from a long line of lovers of the sea: fishermen, clamdiggers, and sardine packers. The ocean is home. She is a poet, a photographer, and a year-round swimmer. She is currently living in Ellsworth, Maine, and a native of Stonington, on Deer Isle in downeast Maine. A great lover of music, art, and life, Kristie is drawn to beauty, even in the ordinary, the mundane and the unnoticed. Her latest book, "Sea Witch: Photographs, Poems and Forget Me Nots from a Mainer Growing Up" (Seaport Books, Nov 2023) is filled with images and words of the sea, nature, folk art, dolls, loss, grief, love, acceptance, rage, music, and life. 

In the year 18th October 1988, Sonic Youth released their fifth studio album. Recorded in New York City, this experimental rock masterpiece showcases the band's signature blend of noise and melody, capturing the turbulent spirit of the late 1980s underground music scene. With tracks like "Teen Age Riot" and "Candle," Sonic Youth pushed the boundaries of alternative rock and solidified their status as pioneers of the genre. Let's talk Sonic Youth, Daydream Nation!

Hey folks, we are here to show you how to slow down videos in incognito mode and to be the best Sonic Youth Podcast when we cover Daydream Nation (closing time is not on this album.)     We find out why Aaronswife@gmail.com dressed up like Prince, why Beavis and Butthead are big again, and Aaron talks about the new Andre 3000 album. Russ is off to the record store, Aaron blows our mind with Turnstile, and Rob has an ALL TIME ROLLING GOING.    Then we talk sonic youth and we talk about albums that cost so much money that you could have bought some Mommy's milk (maybe too much!) The three guys ignore Rob and do a state capital bit and Matt shows his the list he put so much work into about State Capitals.    Then Aaron gives a vague memory and we waste a bunch of time looking it up.  Call the BecK line 802 277 BECK   Don't get so mad you toss that ring into a river and dig into a breadbowl of an episode when we talk about both Simon and Garfunkle when we become the best podcast about Bridge Over Troubled Water (its a metaphor.)        

"Daydream Nation" by Sonic Youth is a groundbreaking and influential album that emerged in 1988, showcasing the band's signature blend of noise-rock, alternative, and avant-garde elements. With its intricate guitar work, dissonant textures, and poetic lyrics, the album defies conventional musical structures, offering a sonic journey that captures the spirit of the late '80s alternative music scene. Sonic Youth masterfully balances noise and melody, creating an atmospheric and experimental landscape that remains a touchstone for those exploring the intersection of art and punk rock. "Daydream Nation" stands as a testament to Sonic Youth's ability to push musical boundaries while crafting a work that continues to resonate with fans and inspire generations of alternative and indie musicians.Listen to the album: ⁠https://open.spotify.com/album/3BYlBcND6PeKoW6ZODjZO3Website: ⁠https://www.polyphonicpress.com⁠Contact: ⁠polyphonicpressmusic@gmail.com⁠Support: ⁠https://www.buymeacoffee.com/polyphonicpressSupport this podcast at — https://redcircle.com/polyphonic-press1229/donations

Moms, this episode is not for you. The cream always rises to the top and this week's strange brew is no different when we become the best podcast about Cream and the 170th greatest album of all time, Disraeli Gears.   But before we get to the album, we spend our first crappy hour sharing our thoughts on local building code inspectors, Snoop Dogg giving up smoke, how long it should take someone to eat a 32 ounce jar of Duke's Mayo, and the best foods to have delivered. We also become the best podcast about the Beatles final song, when we discuss the creation of Now and Then, and release four other unheard Beatles tracks that will leave you tappin' your toes.    Then at (59:00) we enter a world of pain when we discuss Cream's second studio album, Disraeli Gears. We cover Cream's status as a supergroup, Eric Clapton's guitar skills, and the best songs from Guitar Hero III-Legends of Rock.     Next week's episode is guaranteed to be total trash when we become the best Sonic Youth podcast and discuss the alternative rock band's 1988 album, Daydream Nation.      

Thurston Moore is a founding member of the band Sonic Youth and the author of a new memoir entitled Sonic Life, available from Doubleday Books. Moore helped found Sonic Youth in New York in 1981 and spent the ensuing thirty years at the vanguard of alternative rock, influencing and inspiring such acts as Nirvana, Pavement, the Yeah Yeah Yeahs, My Bloody Valentine, and Beck. The band's album Daydream Nation was chosen by the Library of Congress for historical preservation in the National Recording Registry in 2006. Moore is involved in publishing and poetry and teaches at the Summer Writing Workshop at Naropa University in Boulder, Colorado. He divides his time between the USA and England. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

SONIC YOUTH – EVOL with special guest Dave Hallam This interview took place before and after we listened to the vinyl album. EVOL – Sonic Youth  Released in May 1986, Evol is the third full-length studio album by Sonic Youth. A raucous but beguiling mix of dissonance, attitude, weird guitar tunings, and beating rhythms (it was their first album with drummer Steve Shelley). Sonic Youth have been lauded by the likes of David Bowie who described them as the most Important group of the 1980s. Sonic Youth released two further albums in the Eighties, Sister and Daydream Nation, but in the opinion of the website Pitchfork,  Evil is “the true departure point of Sonic Youth's musical evolution … where the seeds of greatness were sown”. With special guest DAVE HASLAM Dave Haslam is a DJ and writer whose 2018 memoir ‘Sonic Youth Slept on My Floor' was hailed as book of the year by Gilles Peterson – he's also the author of several other full-length and short format books. He staged two Sonic Youth shows in Manchester, in May 1986 and June 1987. He interviewed the band in Leeds for his fanzine and reviewed EVOL for ‘NME' on its release. In the interviewer's chair was RYAN WALKER. Happy Trails.  This event took place on 27th July 2023 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire. To find out more about the CAT Club please visit: www.thecatclub.co.uk This podcast has been edited for content and for copyright reasons. Happy Trails.

Natasha Calis recently joined host Elias in the cave! You can see Natasha star as flight nurse 'Haley Roberts' who's new to the team, but with heart and smarts, proves herself to be a fighter now streaming on Paramount+ 'SkyMed' SkyMed - Inspired by real-life experiences from the lens of SKYMED creator Julie Puckrin, the series follows the triumphs, heartbreaks, and tribulations of budding nurses and pilots flying air ambulances to remote Northern Canada, weaving together intense character journeys with high-stakes medical rescues. At 20,000 feet in the air, these medical responders are challenged with relying on each other for survival. The series stars Natasha Calis as Hayley, Morgan Holmstrom as Crystal, Thomas Elms as Nowak, Kheon Clarke as Tristan, Praneet Akilla as Chopper, Rebecca Kwan and Emma, Ace "Aason" Nadjiwon as Bodie, Mercedes Morris as Lexi, Braeden Clarke as Jeremy. From a young age, Natasha has already made an impressive mark in both film and television. She starred in Sam Raimi's feature film "The Possession" for Lionsgate, which opened #1 two weeks in a row and still has the second-best Labor Day Weekend Box Office of all time. Calis' performance garnered rave reviews. The film, directed by award-winning Danish director Ole Bornedal, also starred Kyra Sedgwick and Jeffrey Dean Morgan. In 2013, Calis starred opposite Oscar-nominated actors Michael Shannon and Samantha Morton in "The Harvest," directed by John McNaugton. The film centers on a young girl (Calis) who challenges the family next door when she befriends their sick son who is kept in a secluded environment, leading her to the discovery of the boy's dire circumstances. Her film credits include "Donovan's Echo," starring opposite Danny Glover and Bruce Greenwood, which premiered at the 2011 Vancouver and Calgary International Film Festivals, and a role opposite Kat Dennings and Andie MacDowell in the independent film "Daydream Nation."   Calis' television work includes the NBC adaptation of "The Firm" starring opposite Josh Lucas, Molly Parker, and Juliette Lewis. Calis made her debut to television in the ABC Family TV movie "Christmas Caper." Her other television credits include "The Good Doctor" on ABC, "Supernatural" on the CW, the mini-series "Impact" for ABC opposite Natasha Hendstridge, the SyFy mini-series "Alice," and UPtv's "Ties That Bind" opposite Kelli Williams.   You can watch this interview on YouTube  https://youtu.be/hRRHuD0SMg0 Have a question? Email us  themccpodcast@gmail.com Follow us on Social Media for the latest show updates  www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com  www.youtube.com/c/TheManCaveChronicleswElias  

"I know you probably think I'm a manipulative bitch for sleeping with two guys, but try looking at it this way: the sexual revolution is just like any other revolutionthere's gonna be casualties.”This week we're talking about a forgotten teen film from 2010, misunderstood at the time for its progressive themes and imperfect protagonist. Kat Dennings' Caroline Wexler is the anti-manic pixie dream girl, and a character often regulated to being a "bad influence." We discuss our own "bad girl" moments of high school, in particular, inappropriate relationships with much older partners.--------Become a Patron! www.patreon.com/thisendsatprom---------Find the Show on Twitter & Instagram: @ThisEndsAtPromBJ Colangelo —Twitter & Instagram: @BJColangeloHarmony Colangelo — Twitter & Instagram: @Veloci_trap_tor----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

Is there a better first song on an album than Sonic Youth's Teenage Riot? Join Cole Sefton from Toronto indie darlings Sham Family as we discuss one of the most important albums ever! That's right, ever! No hyperbole. Disagree? Listen to our chat and we think you will come around. And remember to check out our playlist after you listen!

Sonic Youth singer & bassist Kim Gordon revisits the era that helped spawn her noise rock band's critically-acclaimed 1988 album Daydream Nation. Follow Kim on Instagram: https://www.instagram.com/kimletgordon/ Follow Kim on Twitter: https://mobile.twitter.com/kimletgordon Check out Kim's website: https://kimaltheagordon.com/ Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show website: http://the500podcast.com

Joel Shadbolt from L.A.B. joins us on the pod this Friday! The reggae and soul five piece have only seen their audience grow over the last few years and recently released their fifth studio record Five (which went to Number 1 in NZ). They're now about to embark on a long overdue Australian tour, including stops at Womadelaide and Bluesfest. In today's episode, we're speaking with frontman Joel about the ever evolving sound of the band, how COVID weirdly worked in their favour and we discuss the music of Eric Clapton.You can listen to Five here.You can catch L.A.B. on tour here.L.A.B. Instagram: @l.a.b.L.A.B. Facebook: @l.a.b.Thanks again to Joel and L.A.B. for their time. We also want to give a special shout out to Stacey at Daydream Nation for her assistance with this episode.You can help support This Song Is Yours at our Patreon here.You can follow us on the socials below:TSIY Insta: @thissongisyoursTSIY FB: @thissongisyoursTSIY TikTok: @thissongisyours See acast.com/privacy for privacy and opt-out information.

S02E23  – Helstu upplýsingar: www.bestaplatan.com/pistlar  – Heimsækið www.bestaplatan.com fyrir allt eldra efni.

Episode Summary Nat & Jesse talk about pop music they like because we are stereotypically music nerds who don’t listen a lot of pop music. Edited by Nat Shownotes by Jesse Show Links Justin Timberlake on SNL – Immigrant Tale Pharrell Williams – Wikipedia The Black Eyed Peas – “Where is the Love?” – YouTube Captain EO – Wikipedia You guys, Nat wasn’t hallucinating this. OMG. Kelly Clarkson – “Since You’ve Been Gone” – YouTube Drive Like Jehu – Wikipedia is so good, you guys. Imogen Heap – “Hide & Seek” – YouTube “mmmmmmmm whachusayyyyyyyyy”; Marissa shoots Trey on The O.C. – YouTube Frou Frou – Wikipedia Kraftwerk – Wikipedia Detroit Techno – Wikipedia Belleville Three – Wikipedia Global Underground – Wikipedia Katy Perry – “Teenage Dream” – Wikipedia The dude from Reliant K dated Katy Perry – Wikipedia Sonic Youth – “Daydream Nation” – Wikipedia Sex Pistols were a boyband Why Doesn't Pitchfork Review Artists Like Taylor Swift (Unless They're Covered by Ryan Adams)? Mountain Goats “No Children” on TikTok “Head Like a Hole” + “Call Me Maybe” mashup – YouTube (This is so good y’all) Carly Rae Jepsen – “Emotion” – Wikipedia Give Carly Rae Jepsen a sword Why grown-ass men get so emotional about Carly Rae Jepsen Tool “Stinkfist” + Taylor Swift “We are never getting back together” mashup – YouTube Justin Bieber vs. Slipknot - “Psychosocial Baby” – YouTube Joe Pera discovers The Who – YouTube Nat’s weekly pick — Apparently the entire Wire discography – Wikipedia Jesse’s weekly pick — Taylor Swift – “Red” – Wikipedia Recorded on Sunday, November 11, 2021.

Dreaming of manslaughter, Kyle Rittenhouse, and two outdoor gigs. The song at the end of the episode is Coming Undone by Violet Moons (Live at The Dive Motel).

Musician and artist Kim Gordon is known for being the coolest person in the room. She is one of the co-founders of Sonic Youth, the band that pioneered alternative rock for 30 years with albums like “Daydream Nation” (1988) and “Goo” (1990). Today, Gordon is focused on her solo work as well as new noisy and avant-garde collaborations. Here the music icon breaks down how she made the satirical song “Air BnB,” a single from her debut solo album “No Home Record,” in this rare glimpse into her creative process.  Watch and Listen to more from American Masters.

Our guest today is one David “Vlad” Urban - Vocalist, Guitarist, and keyboard player in the Shoegaze / Postpunk trio - Waking Lily. He is also a member of the Experimental Electronic Dirge Duo known as Filament Band.For our conversation today, we are going to be discussing Daydream Nation: the 5th studio album by American alternative rock band Sonic Youth, which was released on Enigma Records on October 18, 1988.Daydream Nation has since been widely considered to be Sonic Youth's greatest work and was chosen by the Library of Congress to be preserved in the National Recording Registry in 2005. Enjoy!

No episódio de hoje, falamos de um dos discos mais amados não só dos fãs de Sonic Youth mas também dos fãs de rock indie dos anos 80. Daydream Nation foi lançado em 88 e foi o disco que fez de fato pegar fogo a bomba de rock alternativo onde sairia dela as maiores bandas que dominaram o rock no fim dos anos 80 e início dos anos 90. Clássicos da banda estão nesse disco trazendo tudo que há de melhor dessa banda tão amada pelo Noizecast. Siga no Instagram: @noizecast_ . Feito por: Bruno Fonseca (@brunfonsecaxx) e Victor Silveira (@victorrevisited). Arte e Design: Alex Almeida (@alxmd)

We are extremely lucky to have London Grammar on for Episode 31. The band are releasing their third record Californian Soil next week, and have just announced an Australian tour for 2022! Hannah Reid from the band joins us to discuss power dynamics within the band, misogyny in the music industry and how America influenced the new record . She also tells us what she's currently listening to!You can listen to London Grammar here.You can pre-order Californian Soil here.You can purchase tickets for their 2022 tour here.London Grammar Instagram: @LGLondon Grammar FB: @LGThanks again to Hannah Reid for her time and to London Grammar. We also want to give a special shout out to Stacey from Daydream Nation for her assistance with this episode.You can follow us on This Song Is Yours socials below:TSIY Insta: @thissongisyoursTSIY FB: @thissongisyoursTSIY TikTok: @thissongisyours See acast.com/privacy for privacy and opt-out information.

All the way from Moscow, we have Alex from Stone Submarines! The psych-rockers from Russia have just released their new single Forever Mine. In Episode 30, we're talking about the psych-rock scene in Russia, the augmented reality game they released last year and his love of The Flaming Lips!You can listen to Stone Submarines here.You can play their Empty Vessel AR Game here.Stone Submarines Instagram: @stonesubmarinesStone Submarines FB: @stonesubmarinesThanks again to Alex and Stone Submarines for their time and a special shout out to Stacey from Daydream Nation for her assistance with this episode.You can follow us on This Song Is Yours socials below:TSIY Insta: @thissongisyoursTSIY FB: @thissongisyoursTSIY TikTok: @thissongisyours See acast.com/privacy for privacy and opt-out information.

The second round of deliberations for the Late '80s Arena and Club divisions get underway including a long overdue defense of Daydream Nation! Vote on your picks on Twitter @andyhearsit Full bracket and methodology available at actn.wordpress.com

Our final set of round 1 competition features such albums as Surfer Rosa, Daydream Nation, Rhyme Pays, Skylarking, and many more!  Which albums will make it through to round 2?  Vote on your picks on Twitter @andyhearsit Full bracket and methodology available at actn.wordpress.com

Taking inspiration from the more extreme ends of guitar music, namely early-hardcore, dissonant no-wave, and a performance ethic that saw nothing wrong with playing the same note of feedback for half an hour, Sonic Youth were the Velvet Underground for the materialistic 1980s. Tune in as Colleen is joined by Sonic Youth founding member Thurston Moore to look back at 30 years of ‘Daydream Nation’. For more on your favourite records, visit classicalbumsundays.com.

Taking inspiration from the more extreme ends of guitar music, namely early-hardcore, dissonant no-wave, and a performance ethic that saw nothing wrong with playing the same note of feedback for half an hour, Sonic Youth were the Velvet Underground for the materialistic 1980s. Tune in as Colleen is joined by Sonic Youth founding member Thurston Moore to look back at 30 years of ‘Daydream Nation'. For more on your favourite records, visit classicalbumsundays.com.

Holy moley we are thirstin' for Thurston, krazy for Kim, and longing for Lee on this installment of OMYAC. Abe Taber of Nickelbackin' joins the Old Boys as we review Sonic Youth's 1988 magnum opus "Daydream Nation". Other lively discussions broach the work of world-renowned saxophonist Dave Sanborn, subjective experiences with 5G, and Mike Watt's comical pronunciation of the word "window".

In this episode of Lost and Sound, I spoke with Thurston Moore, founder member of the iconic Sonic Youth, now living in London where he’s inspired by the city’s improv scene. I remember as a kid handing over my pocket cash for a copy of the band’s album Daydream Nation and being blown away by the way they played rock music, suddenly, it seemed there were no rules, and that appealed massively. His latest album, By The Fire is incendiary and was recorded just before lockdown. We spoke in late October and had a really good chat about the dimensions of sound, New York’s post punk scene, improvisation, his thoughts about the future of live performance and the uncannily accurate future predicted in The Simpsons, amongst other things. A true sonic architect, he was a real gentleman in conversation and I hope you enjoy listening. Thurston Moore Lost And Sound music by E S OThis episode is sponsored by talentful.com And hosted by bearradio.org , home of English language podcasts from Berlin

Sonic Youth were part of a vanguard of bands in the late 80s redefining what guitar music and American rock could sound like. In this episode, we look at more recent artists that wield Distortion with a similar verve to Sonic Youth: Silversun Pickups and Mitski. We discuss how such heavy, fuzzy effects can increase emotional impact. We also realize that Rock Band II has to be the subject of a future Deci’s Midnight Runners.

Our interview in full with the talented Mr Nick Sansano who moved from hip hop engineering to producing a landmark album in alternative rock. How did that happen and how did they make their masterpiece

Spirit desire... Sonic Youth's 5th album was released on October 18th 1988 and changed the trajectory of rock. Blending the avant garde, dissonant noise rock and punk it was a game changer in alternative rock. We revisit this high watermark for the band and are joined by the man who recorded the album at Greene St studios in New York City, Nick Sansano. He tells of how the album was made and how he worked with the band to get the sounds and results we hear today.... We will fall

Monday's Bombshell (Bombshell Radio)Generating Steam HeatBombshell Radio 4pm EST 9pm BST 1pm PDT bombshellradio.com GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioRoger Miret & The Disasters-New York Belongs To Me (From the self titled Hellcat Records album 2002)BODEGA-Knife On The Platter (From the Whats Your Rupture Records EP ‘Shiny New Model’ 2019)Parquet Courts-NYC Observation (From the Rough Trade Records album ‘Wide Awake!’ 2018)The Strokes-New York City Cops (From the Rough Trade Records album ‘Is This It’ 2001)UK Subs-New York State Police (B side of the Gem Records 7’’ ‘Teenage’ 1980)The Clash-Broadway (From the CBS Records album ‘Sandinista!’ 1980)Billy Bragg-Why We Build The Wall (From the Cooking Vinyl Records EP ‘Bridges Not Walls’ 2017)Jerry Harrison-Things Fall Apart (From the Sire Records album ‘The Red And The Black’ 1981)Lou Reed-Walk On The Wild Side (From the RCA Records album ‘Transformer’ 1972)The Brats-Bang Bang Bullet (From the Rave Up Records album ‘Criminal Guitar’ 2002)The Idols-You (Ork Records 7’’ 1979)Harry Toledo-Knots (From the CBS Records album ‘1976 Maxs Kansas City’ 1976)Sonic Youth-Teenage Riot (From the Blast First Records album ‘Daydream Nation’ 1988)Basic Bitches-You Know I’m Right (From the self released EP ‘Relatable Content’ 2019)The Randoms-Lets Get Rid Of New York (Dangerhouse Records 7’’ 1977)

You Have To Hear This! is hosted by Ryan Terry and Lucas Cottet and produced by Fredonia Radio Systems. Aired November 17th, 2019, on 88.9 WCVF. This week, Ryan and Lucas discuss Schlagenheim by Black Midi and Daydream Nation by Sonic Youth, as well as what we think the best albums of the year are. Next episodes albums are Antisocialites by Alvvays and Infest the Rats Nest by King Gizzard and the Lizard Wizard. Instagram: https://www.instagram.com/youhavetohearthispodcast/ Ryan's Instagram: https://www.instagram.com/rterry11558/ Lucas' Instagram: https://www.instagram.com/__lucasc__/ Podcast art done by Emilia Laraiso Music by Evan Donnelly Ryan is also in the show Terry Talks Podcast, and similar shows worth listening to are You Have To Watch This! and Stories Worth Sharing, hosted by Clayton Terry Songs Played: 953 and Near DT, MI by Black Midi, Teenage Riot and Candle by Sonic Youth and IGOR'S THEME by Tyler, The Creator. Thank you to Anchor for making this podcast possible.

Buckle up, kids! This week is amaaaaaaaaaaazing!! I had a chat with actor Pandora Colin about her love for Blondie's Parallel Lines, Sonic Youth's Daydream Nation and the Beastie Boys' Check Your Head. Can you handle all of that musical greatness in one episode? Only one way to find out!! I also talk about sunny music that belies a darker lyrical meaning. "Well, that's an added bonus!", you say? I agree! Links: Pandora Colin Parallel Lines Daydream Nation Check Your Head How Will I Know Chernobyl Kiah Victoria

I hung out with Meredith Graves, Ray McAndrew and Shaun Sutkus from Syracuse, New York punk band Perfect Pussy one windy summer day as the band took a smoke break. The band tour van was noticeably dented from a collision, so we sat on the grass in the sun. Perfect Pussy began as a "fake band" that singer Meredith Graves pulled together for her film director friend Scott Coffey's 2013 film, Adult World. But Perfect Pussy ended up becoming a real project and the band were quickly touring North America. Lead singer Meredith Graves was also very vocal about the abuse of power by older men in the music industry--when it was something that people were afraid to do. https://pitchfork.com/thepitch/515-sun-kil-moon-yells-at-cloud-war-on-drugs-suck-my-cock-and-the-language-of-male-violence/ What happened to the tour van? Why did Meredith choose that band name? What was it like to get such quick success? How did Meredith react to pressure to be the focal point of the band? Which song does everyone think about is about sex (when it's really about something else)? What was it like for the band when Meredith decided to call out bad behavior in her hometown music scene? Which Perfect Pussy song is "the hard one" to play? Which song did Ray want to sound like Sonic Youth's "Daydream Nation"? What is "band feelings time"? Which Perfect Pussy song is the first Meredith duet with... Meredith? You'll have to listen to find out. Tracks played on the radio edit of the show... 1) Perfect Pussy, Say Yes to Love (2014) "Driver" 2) Perfect Pussy, Say Yes to Love (2014) "Advance Upon the Real" 3) Perfect Pussy, I Have Lost All Desire for Feeling (2013) "i" 4) Perfect Pussy, Say Yes to Love (2014) "Interference Fits" 5) Perfect Pussy, I Have Lost All Desire for Feeling (2013) "iii" NO songs CANCON

I hung out with Meredith Graves, Ray McAndrew and Shaun Sutkus from Syracuse, New York punk band Perfect Pussy one windy summer day as the band took a smoke break. The band tour van was noticeably dented from a collision, so we sat on the grass in the sun. Perfect Pussy began as a "fake band" that singer Meredith Graves pulled together for her film director friend Scott Coffey's 2013 film, Adult World. But Perfect Pussy ended up becoming a real project and the band were quickly touring North America. Lead singer Meredith Graves was also very vocal about the abuse of power by older men in the music industry--when it was something that people were afraid to do. https://pitchfork.com/thepitch/515-sun-kil-moon-yells-at-cloud-war-on-drugs-suck-my-cock-and-the-language-of-male-violence/ What happened to the tour van? Why did Meredith choose that band name? What was it like to get such quick success? How did Meredith react to pressure to be the focal point of the band? Which song does everyone think about is about sex (when it's really about something else)? What was it like for the band when Meredith decided to call out bad behavior in her hometown music scene? Which Perfect Pussy song is "the hard one" to play? Which song did Ray want to sound like Sonic Youth's "Daydream Nation"? What is "band feelings time"? Which Perfect Pussy song is the first Meredith duet with... Meredith? You'll have to listen to find out. Tracks played on the podcast edition of the show... 1) Perfect Pussy, Say Yes to Love (2014) "Driver" 2) Perfect Pussy, Say Yes to Love (2014) "Dig" 3) Perfect Pussy, Say Yes to Love (2014) "Advance Upon the Real" 4) Perfect Pussy, I Have Lost All Desire for Feeling (2013) "i" 5) Perfect Pussy, Say Yes to Love (2014) "Interference Fits" 6) Perfect Pussy, I Have Lost All Desire for Feeling (2013) "iii" NO songs CANCON

Hold on to your butts-It’s the Album of the year Podcast SEASON 2 DEBUT! We start off by recapping how we spent our holiday season (1:06) Marty talks of binging pierogis in Tennessee with his family (1:26) Kris’s Norwegian heritage delicacy, Lutefisk, (2:15) Marty visiting the Moog Synthesizer factory in Asheville, NC (5:10). Charging forward, we introduce our special guest, James Rawson! (8:21) James tells us a bit about himself and his music background playing in his band, Timonium, and working at Tower Records in Los Angeles (16:50) Marty reminisces on his days playing (not very well) in bands in and around Cincinnati, Ohio (24:11). We then delve into the charts of the year we’ve decided to tackle for the season 2 premier-1988! ((29:57) Kris breaks down the complexities of UB40’s “Red, Red Wine” (31:33). We then languish over the good, the bad, and the ugly of the billboard top 100, from INXS to Debbie Gibson, and back again (39:08). Next, we move onto Jame’s pick for 1988, Talk Talk’s magnum opus, “Sprit of Eden”. (67:00) After breaking down this proggy, jazzy, bluesy, mystifying and beautiful album, Kris is up next with a landmark hip hop album by Public Enemy, “It takes a Nation of Millions to Hold us Back” (1:11:28) Last but not least, Marty brings it home with early Indie rock statement, Sonic Youth’s “Daydream Nation” (1:41:05). Don’t sleep on season 2!

October 1988 Anniversaries

Completamos terna colaboracionista: el Profesor Abad inaugura La Cinta con CCR, rememorando lo pesados que éramos grabando cassettes a gente que no lo supo agradecer nunca. EL Sr Rus por su parte cuelga el Colt y carga el Magnum 44, dando pistoletazo de salida (el juego de palabras era impremeditado) a La Noche Se Mueve, un recorrido por el thriller yankee setentero. Además celebramos 30 ñazos de Daydream NAtion y reseñamos Nos Vemos en el Baño, de Lizzy Goodman. Play List 1 Tropical Fuck Storm - Chamaleon Paint 2 Sonic Youth - Eric's Trip 3 Mooney Suzuki - 99% 4 LCD Soundsystem - All My Friends 5 Credence Clearwater Revival - Looking at My Back Door 6 CCR - Long As i Can See The rain 7 CCR - Wrote A Song For Everyone 8 CCR - Up Around The Bend 9 Lalo Shrifin - Bullits Theme

Felipe y Diego nos hablan de Daydream Nation de Sonic Youth: en el verano de 1988, se grababa una de las biblias del rock alternativo, con una variedad de matices patente en temas como Teen Age Riot, Silver Rocket o Hey Joni.

From a small, dusty box similar to a contact-lens case, she took a fresh iDreams bindi, a self-adhesive circlet displaying the iDreams logo: a stylized human head wreathed in fluffy clouds and displaying a Third Eye… This episode of the Drabblecast explores the relationship between technology and romance. In the Drabble, cryotechnology brings new dimensions […]