Podcasts about National Recording Registry

Records selected for the National Recording Registry in 2024 and 25.  Including: Aloha Oe by the Hawaiian Quintette, Clarinet Marmelade by Jim Europe, Rose Room By the Benny Goodman Sextette, Rudolph the Red Nosed Raindeer by Gene Autry and Rocket 88 by Jackie Brenston.

Get geeky and get awesome as the AwesomeCast crew dives into home dessert tech, theme park tricks, and tech-infused Vegas experiences!

Get geeky and get awesome as the AwesomeCast crew dives into home dessert tech, theme park tricks, and tech-infused Vegas experiences!

James Leary, Emeritus Professor of Folklore and Scandinavian Studies, American Folklore Society's representative on the Advisory Board for the National Recording Registry, Library of Congress announced this year's 25 entries […] The post First Asian American Entries to the National Recording Registry appeared first on WORT-FM 89.9.

Paul, Leo, and Richard get into new Windows features (thanks to the Feature Tracker), hardware shifts for Microsoft/Intel/Apple, AI moves from OpenAI/Apple/Adobe, Notion Mail, a Hawaiian drink, the National Recording Registry, rice cookers, and electronic timer tunes! Windows 11 Feature Tracker. Since we last talked, Microsoft has announced the following new features for Windows 11: Semantic search can now search for Windows settings using natural language - Dev and Beta (24H2) channels, no clear stable date but guessing June Narrator can more accurately describe images by detailing the people, objects, colours, text, and numbers in them, Snapdragon X only, same builds as above Snipping Tool with "Text extraction" in the capture bar - This in Canary now, but it was in at least Dev previously, this could ship in stable at any time, it's an app Recall (preview) and Click to Do (preview) head to the Release Preview channel (24H2) - Expect this in May Patch Tuesday Narrator speech recap, Phone Link/Start integration, File Explorer Home updates, Windows Share with Edit all head to Release Preview (23H2) - Expect these in May Patch Tuesday - They were added to Beta channel (23H2) a few days earlier Plus, Microsoft Edge is up to 9 percent faster at web rendering and we're having a fiesta Also, the Windows 95 startup/logout chime has been inducted into the National Recording Registry Hardware Surface Hub OG hits EOL this year just like Windows 10 First major change under new Intel CEO What's a computer? The iPad, supposedly, but we'll see Everything's fine, but Google laid off hundreds in Pixel/Android group AI Apple is making big changes so that Apple Intelligence will actually be intelligent Adobe is going agentic too OpenAI is creating its own social network because the world needs another social network OpenAI announces three GPT-4.1 models - may retire GPT-4 soon - plus now o3 and o4-mini models ChapGPT gets an image library and a memory Claude gets Research and Google Workspace integration Meta will start training its AI models with EU data, wink wink Xbox and games Xbox app on mobile will soon let you buy games (!) and add-on content, join Game Pass, and redeem perks. Did Microsoft get a concession from Apple/Google?? COD: Modern Warfare II (OG) and more are coming to Game Pass in the next few weeks Xbox announces Doom: The Dark Ages limited edition accessories Sea of Thieves is coming to Battle.net Sony forced to raise the price of PS5 in three locales Tips and Picks Tip of the week: Think like an individual, not an enterprise App pick of the week: Notion Mail RunAs Radio this week: How to Not Hate PowerShell with Barbara Forbes Brown liquor pick of the week: 12th Hawaii Distiller's Reserve Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: 1password.com/windowsweekly uscloud.com

Paul, Leo, and Richard get into new Windows features (thanks to the Feature Tracker), hardware shifts for Microsoft/Intel/Apple, AI moves from OpenAI/Apple/Adobe, Notion Mail, a Hawaiian drink, the National Recording Registry, rice cookers, and electronic timer tunes! Windows 11 Feature Tracker. Since we last talked, Microsoft has announced the following new features for Windows 11: Semantic search can now search for Windows settings using natural language - Dev and Beta (24H2) channels, no clear stable date but guessing June Narrator can more accurately describe images by detailing the people, objects, colours, text, and numbers in them, Snapdragon X only, same builds as above Snipping Tool with "Text extraction" in the capture bar - This in Canary now, but it was in at least Dev previously, this could ship in stable at any time, it's an app Recall (preview) and Click to Do (preview) head to the Release Preview channel (24H2) - Expect this in May Patch Tuesday Narrator speech recap, Phone Link/Start integration, File Explorer Home updates, Windows Share with Edit all head to Release Preview (23H2) - Expect these in May Patch Tuesday - They were added to Beta channel (23H2) a few days earlier Plus, Microsoft Edge is up to 9 percent faster at web rendering and we're having a fiesta Also, the Windows 95 startup/logout chime has been inducted into the National Recording Registry Hardware Surface Hub OG hits EOL this year just like Windows 10 First major change under new Intel CEO What's a computer? The iPad, supposedly, but we'll see Everything's fine, but Google laid off hundreds in Pixel/Android group AI Apple is making big changes so that Apple Intelligence will actually be intelligent Adobe is going agentic too OpenAI is creating its own social network because the world needs another social network OpenAI announces three GPT-4.1 models - may retire GPT-4 soon - plus now o3 and o4-mini models ChapGPT gets an image library and a memory Claude gets Research and Google Workspace integration Meta will start training its AI models with EU data, wink wink Xbox and games Xbox app on mobile will soon let you buy games (!) and add-on content, join Game Pass, and redeem perks. Did Microsoft get a concession from Apple/Google?? COD: Modern Warfare II (OG) and more are coming to Game Pass in the next few weeks Xbox announces Doom: The Dark Ages limited edition accessories Sea of Thieves is coming to Battle.net Sony forced to raise the price of PS5 in three locales Tips and Picks Tip of the week: Think like an individual, not an enterprise App pick of the week: Notion Mail RunAs Radio this week: How to Not Hate PowerShell with Barbara Forbes Brown liquor pick of the week: 12th Hawaii Distiller's Reserve Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: 1password.com/windowsweekly uscloud.com

Paul, Leo, and Richard get into new Windows features (thanks to the Feature Tracker), hardware shifts for Microsoft/Intel/Apple, AI moves from OpenAI/Apple/Adobe, Notion Mail, a Hawaiian drink, the National Recording Registry, rice cookers, and electronic timer tunes! Windows 11 Feature Tracker. Since we last talked, Microsoft has announced the following new features for Windows 11: Semantic search can now search for Windows settings using natural language - Dev and Beta (24H2) channels, no clear stable date but guessing June Narrator can more accurately describe images by detailing the people, objects, colours, text, and numbers in them, Snapdragon X only, same builds as above Snipping Tool with "Text extraction" in the capture bar - This in Canary now, but it was in at least Dev previously, this could ship in stable at any time, it's an app Recall (preview) and Click to Do (preview) head to the Release Preview channel (24H2) - Expect this in May Patch Tuesday Narrator speech recap, Phone Link/Start integration, File Explorer Home updates, Windows Share with Edit all head to Release Preview (23H2) - Expect these in May Patch Tuesday - They were added to Beta channel (23H2) a few days earlier Plus, Microsoft Edge is up to 9 percent faster at web rendering and we're having a fiesta Also, the Windows 95 startup/logout chime has been inducted into the National Recording Registry Hardware Surface Hub OG hits EOL this year just like Windows 10 First major change under new Intel CEO What's a computer? The iPad, supposedly, but we'll see Everything's fine, but Google laid off hundreds in Pixel/Android group AI Apple is making big changes so that Apple Intelligence will actually be intelligent Adobe is going agentic too OpenAI is creating its own social network because the world needs another social network OpenAI announces three GPT-4.1 models - may retire GPT-4 soon - plus now o3 and o4-mini models ChapGPT gets an image library and a memory Claude gets Research and Google Workspace integration Meta will start training its AI models with EU data, wink wink Xbox and games Xbox app on mobile will soon let you buy games (!) and add-on content, join Game Pass, and redeem perks. Did Microsoft get a concession from Apple/Google?? COD: Modern Warfare II (OG) and more are coming to Game Pass in the next few weeks Xbox announces Doom: The Dark Ages limited edition accessories Sea of Thieves is coming to Battle.net Sony forced to raise the price of PS5 in three locales Tips and Picks Tip of the week: Think like an individual, not an enterprise App pick of the week: Notion Mail RunAs Radio this week: How to Not Hate PowerShell with Barbara Forbes Brown liquor pick of the week: 12th Hawaii Distiller's Reserve Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: 1password.com/windowsweekly uscloud.com

Paul, Leo, and Richard get into new Windows features (thanks to the Feature Tracker), hardware shifts for Microsoft/Intel/Apple, AI moves from OpenAI/Apple/Adobe, Notion Mail, a Hawaiian drink, the National Recording Registry, rice cookers, and electronic timer tunes! Windows 11 Feature Tracker. Since we last talked, Microsoft has announced the following new features for Windows 11: Semantic search can now search for Windows settings using natural language - Dev and Beta (24H2) channels, no clear stable date but guessing June Narrator can more accurately describe images by detailing the people, objects, colours, text, and numbers in them, Snapdragon X only, same builds as above Snipping Tool with "Text extraction" in the capture bar - This in Canary now, but it was in at least Dev previously, this could ship in stable at any time, it's an app Recall (preview) and Click to Do (preview) head to the Release Preview channel (24H2) - Expect this in May Patch Tuesday Narrator speech recap, Phone Link/Start integration, File Explorer Home updates, Windows Share with Edit all head to Release Preview (23H2) - Expect these in May Patch Tuesday - They were added to Beta channel (23H2) a few days earlier Plus, Microsoft Edge is up to 9 percent faster at web rendering and we're having a fiesta Also, the Windows 95 startup/logout chime has been inducted into the National Recording Registry Hardware Surface Hub OG hits EOL this year just like Windows 10 First major change under new Intel CEO What's a computer? The iPad, supposedly, but we'll see Everything's fine, but Google laid off hundreds in Pixel/Android group AI Apple is making big changes so that Apple Intelligence will actually be intelligent Adobe is going agentic too OpenAI is creating its own social network because the world needs another social network OpenAI announces three GPT-4.1 models - may retire GPT-4 soon - plus now o3 and o4-mini models ChapGPT gets an image library and a memory Claude gets Research and Google Workspace integration Meta will start training its AI models with EU data, wink wink Xbox and games Xbox app on mobile will soon let you buy games (!) and add-on content, join Game Pass, and redeem perks. Did Microsoft get a concession from Apple/Google?? COD: Modern Warfare II (OG) and more are coming to Game Pass in the next few weeks Xbox announces Doom: The Dark Ages limited edition accessories Sea of Thieves is coming to Battle.net Sony forced to raise the price of PS5 in three locales Tips and Picks Tip of the week: Think like an individual, not an enterprise App pick of the week: Notion Mail RunAs Radio this week: How to Not Hate PowerShell with Barbara Forbes Brown liquor pick of the week: 12th Hawaii Distiller's Reserve Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: 1password.com/windowsweekly uscloud.com

Paul, Leo, and Richard get into new Windows features (thanks to the Feature Tracker), hardware shifts for Microsoft/Intel/Apple, AI moves from OpenAI/Apple/Adobe, Notion Mail, a Hawaiian drink, the National Recording Registry, rice cookers, and electronic timer tunes! Windows 11 Feature Tracker. Since we last talked, Microsoft has announced the following new features for Windows 11: Semantic search can now search for Windows settings using natural language - Dev and Beta (24H2) channels, no clear stable date but guessing June Narrator can more accurately describe images by detailing the people, objects, colours, text, and numbers in them, Snapdragon X only, same builds as above Snipping Tool with "Text extraction" in the capture bar - This in Canary now, but it was in at least Dev previously, this could ship in stable at any time, it's an app Recall (preview) and Click to Do (preview) head to the Release Preview channel (24H2) - Expect this in May Patch Tuesday Narrator speech recap, Phone Link/Start integration, File Explorer Home updates, Windows Share with Edit all head to Release Preview (23H2) - Expect these in May Patch Tuesday - They were added to Beta channel (23H2) a few days earlier Plus, Microsoft Edge is up to 9 percent faster at web rendering and we're having a fiesta Also, the Windows 95 startup/logout chime has been inducted into the National Recording Registry Hardware Surface Hub OG hits EOL this year just like Windows 10 First major change under new Intel CEO What's a computer? The iPad, supposedly, but we'll see Everything's fine, but Google laid off hundreds in Pixel/Android group AI Apple is making big changes so that Apple Intelligence will actually be intelligent Adobe is going agentic too OpenAI is creating its own social network because the world needs another social network OpenAI announces three GPT-4.1 models - may retire GPT-4 soon - plus now o3 and o4-mini models ChapGPT gets an image library and a memory Claude gets Research and Google Workspace integration Meta will start training its AI models with EU data, wink wink Xbox and games Xbox app on mobile will soon let you buy games (!) and add-on content, join Game Pass, and redeem perks. Did Microsoft get a concession from Apple/Google?? COD: Modern Warfare II (OG) and more are coming to Game Pass in the next few weeks Xbox announces Doom: The Dark Ages limited edition accessories Sea of Thieves is coming to Battle.net Sony forced to raise the price of PS5 in three locales Tips and Picks Tip of the week: Think like an individual, not an enterprise App pick of the week: Notion Mail RunAs Radio this week: How to Not Hate PowerShell with Barbara Forbes Brown liquor pick of the week: 12th Hawaii Distiller's Reserve Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: 1password.com/windowsweekly uscloud.com

Paul, Leo, and Richard get into new Windows features (thanks to the Feature Tracker), hardware shifts for Microsoft/Intel/Apple, AI moves from OpenAI/Apple/Adobe, Notion Mail, a Hawaiian drink, the National Recording Registry, rice cookers, and electronic timer tunes! Windows 11 Feature Tracker. Since we last talked, Microsoft has announced the following new features for Windows 11: Semantic search can now search for Windows settings using natural language - Dev and Beta (24H2) channels, no clear stable date but guessing June Narrator can more accurately describe images by detailing the people, objects, colours, text, and numbers in them, Snapdragon X only, same builds as above Snipping Tool with "Text extraction" in the capture bar - This in Canary now, but it was in at least Dev previously, this could ship in stable at any time, it's an app Recall (preview) and Click to Do (preview) head to the Release Preview channel (24H2) - Expect this in May Patch Tuesday Narrator speech recap, Phone Link/Start integration, File Explorer Home updates, Windows Share with Edit all head to Release Preview (23H2) - Expect these in May Patch Tuesday - They were added to Beta channel (23H2) a few days earlier Plus, Microsoft Edge is up to 9 percent faster at web rendering and we're having a fiesta Also, the Windows 95 startup/logout chime has been inducted into the National Recording Registry Hardware Surface Hub OG hits EOL this year just like Windows 10 First major change under new Intel CEO What's a computer? The iPad, supposedly, but we'll see Everything's fine, but Google laid off hundreds in Pixel/Android group AI Apple is making big changes so that Apple Intelligence will actually be intelligent Adobe is going agentic too OpenAI is creating its own social network because the world needs another social network OpenAI announces three GPT-4.1 models - may retire GPT-4 soon - plus now o3 and o4-mini models ChapGPT gets an image library and a memory Claude gets Research and Google Workspace integration Meta will start training its AI models with EU data, wink wink Xbox and games Xbox app on mobile will soon let you buy games (!) and add-on content, join Game Pass, and redeem perks. Did Microsoft get a concession from Apple/Google?? COD: Modern Warfare II (OG) and more are coming to Game Pass in the next few weeks Xbox announces Doom: The Dark Ages limited edition accessories Sea of Thieves is coming to Battle.net Sony forced to raise the price of PS5 in three locales Tips and Picks Tip of the week: Think like an individual, not an enterprise App pick of the week: Notion Mail RunAs Radio this week: How to Not Hate PowerShell with Barbara Forbes Brown liquor pick of the week: 12th Hawaii Distiller's Reserve Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: 1password.com/windowsweekly uscloud.com

Sex Toy bill in Texas… Meta limits live streaming on Facebook… Former Meta employee testifies / Sarah Wynn-Williams / New Book “Careless People”... Government Financial Hack…Doctors' office hack… Donated Womb gives birth… How my mind works? National Recording Registry new additions… Email: ChewingTheFat@theblaze.com Who Died Today: Ray Shero 62 / Alice Tan Ridley 72… Death toll rises in DR… Hippos in the DRC update /Congolese rare earth?... www.blazetv.com/jeffy Promo code Jeffy... Weight Watchers going bankrupt?...Boris Johnson pecked by an Ostrich…Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the Woody and Wilcox Show: Chelsea's theme music; Kevin Harlan's Ron Burgundy moment; Windows sound added to the National Recording Registry; Bill Belichick's girlfriend is competing in the Miss Maine competition; Odd things left behind in Ubers; Wife of Weezer's bassist arrested for murder; And more!

Welcome back to another week y'all! This week our #OTWEEKLYPLAYLIST has sounds from Melanie Fiona, Flying Lotus, Lil Durk, & SiR! During #MUSICNEWS we discuss this weekend's upcoming Coachella line up including updates from FKA Twigs. We also discuss Mary J. Blige's "My Life" album being added to the National Recording Registry via the Library of Congress! In #THEBLACKNESS we shine a #QUEENSPOTLIGHT on Kandi Burruss for sitting on top of Broadway with her husband Todd Tucker making history producing the highest selling Broadway play of all time with "Othello," at $2.8million from previews alone! Follow Us: All Links: https://linktr.ee/otwweekly Instagram/Twitter: @onthewayweekly FB: facebook.com/onthewaypod | Youtube: https://bit.ly/3CWxgPZ Website: instinctent.com/ontheway | www.mochapodcastsnetwork.com/ontheway Sylvee - @sweatbyvee Kahlil - @kahlilxdaniel | www.kahlildaniel.com | www.facebook.com/kxdmusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean talk about the albums and songs added to the Library of Congress National Registry and who will host this year’s American Music Awards. They also share details about Kenan Thompson’s health issue and the return of […]

Got a question? Send me a text to answer on the show!Keri Hilson Clears Up Song Drama, MJB's "My Life" Added to National Recording Registry, & More Trending Topics***Also Never Ever Met, Million Dollar Secret, and Movie News***https://www.internalramblespodcast.com

(Intro) Throwback to Magazines (5TYNTK) Augusta School Board Debate, Houlton Labor & Delivery, Maine Made Torpedo Bats, Boar's Head Payout, McD's Lemonade (Dirty) Cardi B posts tribute to D.R. tragedy, Frank Ocean's Billboard, Drake beats Beatles, Ed Sheeran on Call Her Daddy, National Recording Registry, LeBron Barbie (Topic) What song genuinely scared you as a kid? (Outro) Brains For Bank

We're diving into the chaos today! Listeners share the one sentence or mantra that's stuck with them , and we talk about the wild behavior popping up in Minecraft movie theaters. The National Recording Registry revealed its 2025 inductees. Do you remember these sounds? Plus, Michelle from Bethesda shares a Crazy First Date with a self-proclaimed vain guy who has major Napoleon energy. And of course, we open phones to vent about the most annoying movie theater habits.

Minecraft To Rule Theaters Again, The Last Of Us Renewed For Season 3, Mattel Announces LeBron Doll, National Recording Registry, Maroon 5 To Release New Album, Twilight Concert Tour…See omnystudio.com/listener for privacy information.

On this episode: A US-Russia dual national as been freed in a prisoner swap between Moscow and Washington; President Donald Trump is intensifying his efforts to punish his critics by signing a pair of memoranda directing the Justice Department to investigate two officials from his first administration and stripping them of any security clearances they may have; Luka Doncic makes an emotional return to Dallas with the Los Angeles Lakers; and music is added to the National Recording Registry. The United States and China are locked in a faceoff over tariffs. No one wants to blink first. Hegseth says China's military presence in western hemisphere is 'too large.' Appeals court clears the way for the Trump administration to fire thousands of probationary workers. House GOP holdouts threaten Trump’s ‘big, beautiful’ budget bill as Speaker Johnson postpones vote. Democrats on Capitol Hill are blasting President Donald Trump's tariff policy, Trump is taking a bit of a victory lap. Federal Reserve could be in 'difficult' spot with higher prices, slower hiring. Trump administration halts $1 billion in federal funding for Cornell, $790 million for Northwestern. Senate confirms former Arkansas Gov. Mike Huckabee as Trump's ambassador to Israel. FDA reverses course on telework after layoffs and resignations threaten basic operations. Microsoft says it's 'slowing or pausing' some AI data center projects, including $1B plan for Ohio. Woman can testify Weinstein used force to rape her despite his acquittal, judge rules. A California soccer coach charged in a 13-year-old's death is accused of assaulting other teens. A micromoon will grace the night skies this weekend. Wall Street's euphoria sends US stocks to historic gains after Trump pauses most of his tariffs. Luka Doncic shines in his Dallas return, a three-time NBA MVP posts another dominant triple-double, a clutch home run and a blowout win in baseball, a wild back-and-forth on the ice in St. Paul and an NFL star is involved in a domestic dispute.  The Masters ends the 9-month wait for golf's most anticipated major. Pedro Martinez says he has family members unaccounted for in Dominican nightclub roof collapse. Defense chiefs from around 30 countries expected at NATO for talks on a future Ukraine force. Suspected US strikes in Yemen kill at least 10 people, Houthi rebels say. Pope Francis meets privately with King Charles and Queen Camilla during his Vatican convalescence. UK royals meet Italy's president and enjoy a special tour of Rome's Colosseum. —The Associated Press About this program Host Terry Lipshetz is managing editor of the national newsroom for Lee Enterprises. Besides producing the daily Hot off the Wire news podcast, Terry conducts periodic interviews for this Behind the Headlines program, co-hosts the Streamed & Screened movies and television program and is the former producer of Across the Sky, a podcast dedicated to weather and climate. Theme music The News Tonight, used under license from Soundstripe. YouTube clearance: ZR2MOTROGI4XAHRX

Wednesday briefing: Trump's new tariffs take effect; Supreme Court; National Recording Registry; dire wolves, debunked; and moreRead today's briefing.If you're not a subscriber, click here to start.

AP correspondent Mike Hempen reports the National Recording Registry has announced its 2025 class of inductees.

Send us a textAndy assigns Jeremy: Ellington at Newport 1956 by Duke Ellington Jeremy assigns Andy: Superfly (Soundtrack from the Motion Picture) by Curtis MayfieldAAJLTM Theme Music by Ryan Robinson.Follow him here: https://www.instagram.com/ryrobrawAAJLTM Original Images by Jade Armstrong.Follow her here: https://www.instagram.com/fxmint.art

TONY AWARD®, United States Congressional Record & National Recording Registry of the Library of Congress, Hollywood Walk of Fame Inductee!! Happy Holiday'sPresidential Life Time Achievement Award, In Addition, Joseph Biden Public Service Award.The Music Historian in ME Loves to Talk to the Legends. She was recently on Tamron Hall's Show & Melba's Back & Touring in 2025.Melba has NEW Music Compilation called "Imagine'. Already Topping the American & British Soul charts.Melba Moore has done it all, twice. At the tender age of 10, Melba notes that it was then that she was introduced to music and that “I didn't have any music in my life before my mother married my stepfather. He introduced music into our home and into my life.” From that moment forward, Melba began to develop her 5-octave, note-holding soprano that would soon bring audiences to their feet. Theater: Won a Tony Award for best featured actress in a musical for her role in the musical "Purlie," Replaced  Diane Keaton in  the Broadway musical "Hair" Was first African American woman to play the female lead in the musical "Les Misérables" on Broadway. The Newark, NJ Arts High School graduate started doing recording sessions after a chance meeting with singer/songwriter/composer Valerie Simpson (of Ashford & Simpson).  That opportunity in the studio led Melba in the company of the Broadway musical “HAIR!” First in the ensemble of the show, Melba's name was tossed into the conversation when actress Diane Keaton left the show and Melba took the female lead and broke all the rules, being the first Black woman to replace a white actress in a featured role on Broadway. The journey of Melba's career took her meteorically from there to the lead of “PURLIE,” a musical adaptation of a play written by acting husband and wife pioneers Ossie Davis and Ruby Dee.  That role and its musical soundtrack would earn Moore a Grammy nomination as Best New Artist in 1971 and a Tony Award for Best Featured ActressTelevisionStarred in her own sitcom, "Melba Melba's Career continues with 2025 including  Live Apperances at 54 Below in New York City Plus other Venues  MelbaMoore.com© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

For this in depth conversation with Milestones: Celebrating the Culture, celebrated trumpeter Jeremy Pelt returns to discuss the monumental legacy of Lee Morgan and his groundbreaking 1964 album The Sidewinder. Pelt shares his personal journey with Morgan's music, insights on the unique sounds of some of our favorite legends, and the elements that made The Sidewinder a crossover hit. The discussion also explores Morgan's role in Art Blakey's Jazz Messengers, the challenges and triumphs of creating iconic jazz records, and the significance of developing a working band. We discuss Morgan's broader discography, influential sideman work, and how The Sidewinder shaped jazz and popular music culture. The conversation touches on the enduring recognition of Morgan's music, including the recent inclusion of The Sidewinder in the National Recording Registry.

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this our 256th episode, our returning guest is Tom Maxwell. You first heard Tom Maxwell on Episode 224. In the 1990s, Tom was a member of the hot jazz indie band Squirrel Nut Zippers and wrote their hit song “Hell,” which peaked at no. 13 on the Billboard Hot 100 and propelled the band to multi-platinum status. The Zippers were inducted into the North Carolina Music Hall of Fame in 2021. After Tom left the Zippers, he composed for television and motion pictures. Now Tom is a writer who specializes in creative nonfiction with an emphasis on music and musicians. He has contributed to Longreads, Al Jazeera America, Salon, Slate, The Oxford American, The Bitter Southerner, Tape Op, and AARP Magazine, among others. He is a faculty member of the North Carolina Writers Guild and a contributor to the National Recording Registry of the Library of Congress. Along with his partner Brooklyn, Tom is the creator of “Shelved,” an Audible podcast produced by Gunpowder & Sky. His first book, “Hell: My Life in the Squirrel Nut Zippers,” was published in 2014. His latest book, “A Really Strange and Wonderful Time,” a nonfiction book about the '90s Chapel Hill music scene was published by the Hachette Book Group in 2024. Follow me on Bluesky: bsky.app/profile/robaburg.bsky.social Follow me on Mastodon: newsie.social/@therobburgessshow Check out my Linktree: linktr.ee/therobburgessshow

Ukraine's operation into Russian territory is now in its second week – its deepest and most significant incursion into the country since Moscow's full-scale invasion began. We hear rare testimony from a local official inside Kursk, and speak to a senior Russian diplomat.Also tonight:The story of the British man who spent 38 years in prison in the US – despite a judge finding he was innocent of the crime;And the congressman who's on a mission to get more music by Latin artists inducted into America's National Recording Registry…

Phish's three-night run at Alpine ValleyLarry Mishkin features a Grateful Dead concert at a "funky" venue on July 29, 1994, at Buckeye Lake, Ohio.  The Grateful Dead opened with "Rain" by the Beatles, reflecting their admiration for the Beatles' music. "Rain," primarily written by John Lennon, was a song exploring themes of reality and illusion and was notable for its use of reverse audio effects. The Grateful Dead incorporated several Beatles songs into their performances, demonstrating their appreciation for the band.The conversation touches on the Grateful Dead's setlist, which included several opening songs like "Feel Like a Stranger" and "Bertha." The speakers recall personal experiences and the excitement of attending these concerts, sharing memories of Buckeye Lake as a vibrant venue despite unpredictable weather. The conversation transitions to "Wang Dang Doodle," a blues standard written by Willie Dixon and performed by artists like Howlin' Wolf and Koko Taylor. The Grateful Dead's affinity for blues music and their ability to blend various musical influences into their performances is highlighted. Larry changes his focus and shifts to a discussion about the band Phish, detailing a recent three-night run at Alpine Valley. He express his excitement and nostalgia for the venue, sharing experiences of attending concerts there over the years. The recap of Phish's performances includes a detailed analysis of the setlists, noting songs like "46 Days," "Moma Dance," "Cities," "Cavern," "Axilla," "Down with Disease," "Bathtub Gin," and a cover of Led Zeppelin's "Good Times Bad Times." Larry's enthusiasm is evident as he recount the energy and musicianship of Phish, highlighting the unique experience of attending their concerts and the connection it fosters among fans.  Grateful DeadJuly 29, 1994  (30 years ago)Buckeye Lake OhioGrateful Dead Live at Buckeye Lake Music Center on 1994-07-29 : Free Download, Borrow, and Streaming : Internet Archive  INTRO:                                 Rain                                                Track #1                                                :26 – 2:10 John Lennon wrote most of "Rain." It was his first song to get really deep, exploring themes of reality and illusion - after all, rain or shine is just a state of mind.Written by John “about people moaning about the weather all the time” as he was becoming more in tune with his role as a social leader – as is evidenced by the lines “I can show you” and “Can you hear me”Played 29 timesFirst:  December 2, 1992 at McNichols Sports Arena, Denver, CO, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:                    Wang Dang Doodle                                                Track #4                                                4:03 – 5:43 "Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat.[1] It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart.[2] "Wang Dang Doodle" became a blues standard[3] and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023. In 1995, Taylor's rendition was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recording – Singles or Album Tracks" category.[17] The Foundation noted that the song was the last blues single produced by Dixon to reach the record charts, and "became Koko Taylor's signature crowdpleaser, inspiring singalongs to the 'all night long' refrain night after night".[17]Taylor's version of "Wang Dang Doodle" was selected by the Library of Congress for preservation in the National Recording Registry in 2023.[18]Chuck Berry, Bruce Hornsby, John Popper, Bob Weir of the Grateful Dead and Willie Dixon's daughter, Shirley Dixon, performed "Wang Dang Doodle" in tribute to Willie Dixon at the 1994 Rock & Roll Hall of Fame induction ceremony.In his autobiography, I Am The Blues, Willie Dixon says;Wang Dang Doodle meant a good time. Especially if a guy came in from the South. A wang dang meant having a ball and a lot of dancing, they called it a rocking style so that's what it meant to wang dang doodle. Wang Dang Doodle was first performed by the Grateful Dead in August 1983. The song was played only a few times each year through the rest of the 1980's. From 1991 onwards it was performed more often averaging about 15 performances a year through to 1995.  Played: 95 timesFirst:  August 26, 1983 at Portland Memorial Coliseum, Portland, OR, USALast:  July 8, 1995 at Soldier Field, Chicago, IL, USA  MUSIC NEWS: Phish shows, Friday and Saturday night at Alpine ValleyRIP – John Mayall  SHOW No. 2:                    Althea                                                Track #7                                                9:40 – end                                                 INTO                                                 Eternity                                                Track #8                                                0:00 – 1:39 Co-writing a song with one of your personal heroes—that seems like a dream come true.Willie Dixon (1915-1992) was one of the preeminent blues songwriters and performers of all time. The Grateful Dead covered a fairly lengthy list of his songs, attesting to his influence on the band: “Down in the Bottom,” “I Ain't Superstitious,” “I Just Want to Make Love To You,” “Little Red Rooster,” “The Same Thing,” “Spoonful,” and “Wang Dang Doodle.” Plus a couple they only played once, or only in soundcheck.The song was written during the sessions for Rob Wasserman's Trios album. “Guitar Player” magazine ran an interview with Weir in 1993:I had this chord progression and melody that I wanted to run by Willie to see if he liked it .... he did, so he started dashing off words. He wanted me to run a certain section by him again and stuff like that, and we started working on a bridge. Then he dashes off this sheet of lyrics and hands it to me. Now I'm really stoked to be working with the legendary Willie Dixon and I'm prepared for just about anything.He hands these lyrics to me and I'm reading through them. And they seem, you know, awfully simplistic. Like there wasn't a whole lot to them........Now he wants me to read through it and sing the melody I have and see if they fit. And so I started singing through these simplistic lyrics, and that simplicity takes on a whole other direction.By the time I had sung through them, it's like my head is suddenly eons wide. I can hear what's happening just sort of echoing around in there and I'm astounded by the simple grace of what he has just presented to me. I'm sitting there with my mouth open literally, and Willie's laughing. He's just sitting there laughing, saying, 'Now you see it. Now you see it. That's the wisdom of the bluesPlayed:  44 timesFirst:  February 21, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 3:                    I Want To Tell You                                                Track #11                                                0:00 – 1:35 "I Want to Tell You" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written and sung by George Harrison, the band's lead guitarist. After "Taxman" and "Love You To", it was the third Harrison composition recorded for Revolver. Its inclusion on the LP marked the first time that he was allocated more than two songs on a Beatles album, a reflection of his continued growth as a songwriter beside John Lennon and Paul McCartney.When writing "I Want to Tell You", Harrison drew inspiration from his experimentation with the hallucinogenic drug LSD. The lyrics address what he later termed "the avalanche of thoughts that are so hard to write down or say or transmit".[1] In combination with the song's philosophical message, Harrison's stuttering guitar riff and the dissonance he employs in the melody reflect the difficulties of achieving meaningful communication. The recording marked the first time that McCartney played his bass guitar part after the band had completed the rhythm track for a song, a technique that became commonplace on the Beatles' subsequent recordings.George Harrison wrote "I Want to Tell You" in the early part of 1966, the year in which his songwriting matured in terms of subject matter and productivity.[2] As a secondary composer to John Lennon and Paul McCartney in the Beatles,[3] Harrison began to establish his own musical identity through his absorption in Indian culture,[4][5] as well as the perspective he gained through his experiences with the hallucinogenic drug LSD.[6] According to author Gary Tillery, the song resulted from a "creative surge" that Harrison experienced at the start of 1966. In his autobiography, I, Me, Mine, Harrison says that "I Want to Tell You" addresses "the avalanche of thoughts that are so hard to write down or say or transmit".[1][12] Authors Russell Reising and Jim LeBlanc cite the song, along with "Rain" and "Within You Without You", as an early example of the Beatles abandoning "coy" statements in their lyrics and instead "adopt[ing] an urgent tone, intent on channeling some essential knowledge, the psychological and/or philosophical epiphanies of LSD experience" to their listeners.[13] Writing in The Beatles Anthology, Harrison likened the outlook inspired by his taking the drug to that of "an astronaut on the moon, or in his spaceship, looking back at the Earth. I was looking back to the Earth from my awareness." Played: 7 timesFirst:  July 1, 1994 at Shoreline Amphitheatre, Mountain View, CA, USALast:  May 24, 1995 at Memorial Stadium, Seattle, WA, USA MJ NEWS  SHOW No. 4:                    Standing On The Moon                                                Track #19                                                7:23 – 9:00 Garcia/Hunter tune from Built To Last (1989) Played:  76 timesFirst:  February 5, 1989 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA  OUTRO:                               Quinn The Eskimo                                                Track #21                                                2:28 – 4:17 "Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written and first recorded by Bob Dylan in 1967 during the Basement Tapes sessions. The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann,[4] which became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.The subject of the song is the arrival of Quinn (an Eskimo), who prefers a more relaxed lifestyle [" jumping queues, and making haste just ain't my cup of meat"] and refuses hard work ["Just tell me where to put 'em and I'll tell you who to call"], but brings joy to the people.Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents.[5] Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme". A 2004 Chicago Tribune article[6] said the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann,[7] who released it as a single in the US on 8 January 1968 under the title "Mighty Quinn".[8] A UK single followed within a week.[8] The Manfred Mann version reached No. 1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week.[9] It also charted on the American Billboard Hot 100 chart, peaking at No. 10, and reached No. 4 in Cash Box. Cash Box called it a "funky-rock track" with "a trace of calypso [to] add zest to a tremendous effort."  Played:  59 timesFirst: December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

"Cannabis, COVID, and Concerts: A Grateful Dead Fan's Journey"Larry Mishkin is back from a break spent in South Carolina with his granddaughter he shares his experience of contracting a mild case of COVID, attributing his quick recovery to his cannabis use. He references studies suggesting that certain strains of sativa marijuana may mitigate COVID symptoms.The episode features a detailed discussion of a special Grateful Dead concert from July 15, 1989, at Deer Creek Music Theater in Noblesville, Indiana. Larry reminisces about the venue, the band's setlist, and the memorable experience shared with friends. He highlights key performances from the show, including "Bertha," "Greatest Story Ever Told," "Candyman," "Walkin' Blues," and others.Larry also covers recent music news, mentioning Melissa Etheridge's performance in Colorado and her upcoming summer tour. He shares updates on the String Cheese Incident's New Orleans-themed show at Red Rocks and Phish's recent appearance on The Tonight Show with Jimmy Fallon, where they performed "Evolve" from their new album. Grateful DeadDeer Creek Music Theater CenterNoblesville, INGrateful Dead Live at Deer Creek Music Center on 1989-07-15 : Free Borrow & Streaming : Internet Archive With:  Judy, Andy K., Lary V., AWell and others First Dead show ever at Deer Creek which had just opened that year.  Became a regular stop on the Dead's summer tour thereafter and one of the favorite places for the Deadheads given its relatively small size as compared to the stadium venues that soon became the norm for summer tours.  Ironically, two days after this one-off Dead played their final 3 shows at Alpine Valley, switched to Tinley Park in 1990 and then starting in 1991 Chicago summer  tour shows were confined to Soldier Field with 60,000 attendees. INTRO:                                 Bertha                                                Track #2                                                1:20 – 3:00 Garcia/Hunter – first appeared on Grateful Dead (live) aka Skull and Roses or Skullfuck (1971)Played: 401First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 27, 1995 at the Palace of Auburn Hills, Detroit, MI  SHOW No. 1:                    Walkin Blues                                                Track #5                                                1:38 – 3:20 "Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. "Walkin' Blues" was not a commercial success when it was issued as a "race record" marketed to black listeners.  However, the song was received with great enthusiasm by a small group of white jazz record collectors and critics. Producer John Hammond chose "Walkin' Blues" and "Preachin' Blues" as the records to be played at his 1938 From Spirituals to Swing concert, when Johnson himself could not appear (Johnson had died a few months earlier).[15] The 1961 Johnson compilation album King of the Delta Blues Singers was marketed to white enthusiasts. According to most sources, John Hammond was involved in the production and the selection of tracks. The album included the two House-style songs and a song with House-style guitar figures ("Cross Road Blues" and excluded songs in the commercial style of the late 1930s. Notable exclusions were Johnson's one commercial hit, "Terraplane Blues", and two songs which he passed on to the mainstream of blues recording, "Sweet Home Chicago" and "Dust My Broom". Dead first played it in 1966, once in 1982 and 4 times in 1985.  Then, beginning in 1987 it became a standard part of Dead song lists, peaking in 1988 when it was played 23 times.  Became one of Bobby's early first set blues numbers with Minglewood Blues, CC Rider and Little Red Rooster. Played: 141First:  October 7, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA   SHOW No. 2:                    Crazy Fingers                                                Track #12                                                4:30 – 6:12 Pretty standard second set song, usually pre-drums.  Fist played in 1975, a few times in 1976 and then dropped until 1982 at Ventura County Fairgrounds (day after my first show).  Played 7 times that year, dropped until 1985 (10 times), then dropped until 1987 and then played regularly until the end.  Great tune, Jerry often forgot the lyrics and this version is great because Bobby saves him on the lyrics when Jerry starts to go astray.  Good fun considering how many times Bobby would forget the words to his songs. But one of those things you remember if you see it happen Garcia/Hunter, released on Blues For Allah (Sept. 1, 1975)Played: 145 timesFirst:  June 17, 1975 at Winterland Arena, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis)  SHOW No. 3:                    Truckin                                                Track #13                                                7:00 – end Hunter/Garcia/Weir/Lesh/Kreutzman (Pigpen went inside to take a nap) by the side of a pool.Released on American Beauty (November, 1970) final tune on the albumPlayed: 532 timesFirst:  August 17, 1970 at Fillmore West, San Francisco, CA, USALast:  July 6, 1995 at Riverport Amphitheatre in Maryland Heights, MO                                                  INTO                                                Smokestack Lightning                                                Track #14                                                0:00 – 0:36  "Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf (Chester Burnett) in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it.  Recorded at Chess Records in Chicago and released in March, 1956 with You Can't Be Beat on the B side. Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s,[1] when he was performing with Charley Patton in small Delta communities.[1] The song, described as "a hypnotic one-chord drone piece",[2] draws on earlier blues, such as Tommy Johnson's "Big Road Blues",[3] the Mississippi Sheiks' "Stop and Listen Blues",[4] and Charley Patton's "Moon Going Down".[5][6] Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In a song review for AllMusic, Bill Janovitz described "Smokestack Lightning" as "almost like a distillation of the essence of the blues... a pleasingly primitive and raw representation of the blues, pure and chant-like. Wolf truly sounds like a man in otherwise inexpressible agony, flailing for words."[8] In 1999, the song received a Grammy Hall of Fame Award, honoring its lasting historical significance.[13]Rolling Stone magazine ranked it at number 291 in its list of the "500 Greatest Songs of All Time"[7] and the Rock and Roll Hall of Fame included it in its list of the "500 Songs that Shaped Rock and Roll".[14] In 1985, the song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category[15] and, in 2009, it was selected for permanent preservation in the National Recording Registry of the U.S. Library of Congress. Janovitz also identifies "Smokestack Lightning" as a blues standard "open to varied interpretation, covered by artists ranging from the Yardbirds to Soundgarden, all stamping their personal imprint on the song".[8] Clapton identifies the Yardbirds' performances of the song as the group's most popular live number.[17] They played it almost every show, and sometimes it could last up to 30 minutes. Dead often played it out of Truckin, would also play the blues tune Spoonful out of Truckin. Played:  63 timesFirst:  November 19, 1966 at Fillmore Auditorium, San Francisco, CA, USALast:  October 18, 1994 at Madison Square Garden, New York, NY, USA   SHOW No. 4:                    Space                                                Track #17                                                7:45 – 9:20  On November 28, 1973, Grateful Dead guitarist Jerry Garcia and drummer Mickey Hart staged a performance at San Francisco's Palace Of Fine Arts. At the time, Hart – whose 80th birthday is today – was on a sabbatical from the Dead, having last performed in public with Garcia and the band in February 1971. Hart would rejoin the Dead for good in October 1974.A poster promoting the concert shows a clean-shaven Garcia dressed in black beside an equally freshly shaven Hart wearing all white. At the bottom of the advertisement was printed “An Experiment in Quadrophonic Sound.”Hart recalled his experience at the duo concert with Garcia in 1973 that was not only a Seastones precursor but also planted the seeds for the band's mind-bending “Space” jams.“There were so many exciting that we've done together. Adventurous musical things. He was also into adventure and creating new spaces, so we had that in common. We got together many times out of the ring – where he first discovered synthesizers, being able to synthesize his guitar, which led to MIDI.“The first concert we did was in 1973. It was just a duo. He got an Arp [Odyssey], an electric instrument, a keyboard, and he plugged his guitar into it and that was the first time I had heard his guitar I had heard his guitar running through sophisticated synthesizers.“I just thought of that concert, which kind of was the beginning of ‘Space' – ‘Drums' and ‘Space' actually – it might have been the very beginning of it. And I think of that on his birthday, the seminal things we did together.” After the November 28, 1973 concert, the Grateful Dead began to occasionally incorporate elements of a “Space” jam into their shows. In January 1978, Dead shows almost always included a nightly “Drums” jam paired with a freeform “Space” jam, consistently showing up mid-second set throughout the rest of their career. Played:  1086First:  March 19, 1966 at Carthay Studios, Los Angeles, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL   OUTRO:                               Brokedown Palace                                                Track #22                                                5:04 – 6:43  The lyric to “Brokedown Palace” was written by Robert Hunter as part of a suite of songs that arrived via his pen during a stay in London in 1970. He entitled it “Broke-Down Palace,” and now that it exists as a piece of writing, it seems to have always existed. It was composed on the same afternoon as “Ripple” and “To Lay Me Down,” with the aid of a half bottle of retsina.Its first performance was on August 18, 1970, at the Fillmore West in San Francisco, and became a staple of the live repertoire. After the 1975 hiatus, “Brokedown Palace” appeared almost exclusively as the closing song of the show, as an encore. It had the effect of sending us out of the show on a gentle pillow of sound, the band bidding us “Fare you well, fare you well…”Garcia/HunterReleased on American Beauty (Nov. 1970) Played: 219 timesFirst:  August 18, 1970 at Fillmore West, San Francisco, CA, USALast:  June 25, 1995 at RFK Stadium in Washington, D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Library of Congress is famous for its collection of American cultural treasures.      Each year, the National Recording Registry at the Library of Congress chooses just 25 pieces of audio to showcase the rich heritage of America's recorded sound.   Every year, in partnership with the Library of Congress, 1A profiles some of the newest inductees into the National Recording Registry. Think of it as the country's audio "hall of fame." We profile some of this year's entries from notable artists, including Bill Withers, Blondie, Jefferson Airplane, Lily Tomlin, and Bobby McFerrin. Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

TONY AWARD®, United States Congressional Record & National Recording Registry of the Library of Congress, Hollywood Walk of Fame Inductee!!Presidential Life Time Achievement Award, In Addition, Joseph Biden Public Service Award.The Music Historian in ME Loves to Talk to the Legends.Melba's Back & Touring Summer & Fall 2024.Melba has NEW Music Compilation called "Imagine'. Already Topping the American & British Soul charts.Melba Moore has done it all, twice. At the tender age of 10, Melba notes that it was then that she was introduced to music and that “I didn't have any music in my life before my mother married my stepfather. He introduced music into our home and into my life.” From that moment forward, Melba began to develop her 5-octave, note-holding soprano that would soon bring audiences to their feet. Theater: Won a Tony Award for best featured actress in a musical for her role in the musical "Purlie," Replaced  Diane Keaton in  the Broadway musical "Hair" Was first African American woman to play the female lead in the musical "Les Misérables" on Broadway. The Newark, NJ Arts High School graduate started doing recording sessions after a chance meeting with singer/songwriter/composer Valerie Simpson (of Ashford & Simpson).  That opportunity in the studio led Melba in the company of the Broadway musical “HAIR!” First in the ensemble of the show, Melba's name was tossed into the conversation when actress Diane Keaton left the show and Melba took the female lead and broke all the rules, being the first Black woman to replace a white actress in a featured role on Broadway. The journey of Melba's career took her meteorically from there to the lead of “PURLIE,” a musical adaptation of a play written by acting husband and wife pioneers Ossie Davis and Ruby Dee.  That role and its musical soundtrack would earn Moore a Grammy nomination as Best New Artist in 1971 and a Tony Award for Best Featured ActressTelevisionStarred in her own sitcom, "Melba Melba's Career continues with 2024  Live Apperances at 54 Below in New York City this Spring/Summer  MelbaMoore.com© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Harvey Brownstone conducts an in-depth Interview with Felipe Rose, Original Member of “The Village People” About Harvey's guest: Today's guest, Felipe Rose, is an original member of one of the most phenomenally popular and beloved music groups of all time:  The Village People, who brought us many unforgettable hits we just couldn't stop singing and dancing to, including “YMCA”, “San Francisco”, “In the Navy”, “Macho Man”, “Go West”, “Everybody Is a Star in Hollywood”, “I Am What I Am”, and many more.   They had some of the biggest hits of the 70s, and of course, the Village People starred in the classic 1980 movie, “Can't Stop the Music”.  Our guest was dressed as an Indigenous American, along with his bandmates Alex Briley, the military man, David Hodo, the construction worker, Randy Jones, the cowboy, Glen Hughes, the leather man, and lead singer Victor Willis, who was sometimes a cop and sometimes a naval officer.   The Village People had enormous success, with 25 gold and platinum records, an American Music Award, 2 Billboard Music Awards, a George M. Cohan Entertainer of the Year Award, and a star on the Hollywood Walk of Fame.  And in 2020, the American Library of Congress inducted the song “YMCA” into the National Recording Registry, which preserves audio recordings considered to be "culturally, historically, or aesthetically significant."   In addition to his work with the Village People, our guest has had a great solo music career, recording singles including “Trail of Tears”, "We're Still Here," “Red Hawk Woman”, "Going Back to My Roots," “Dance Again” - and now, his brand new single, “That's What You Are”.    This single, which was released on June 21, is now available on every major music streaming platform.  Our guest has won 5 Native American Music Awards and in 2008, he was inducted into the Native American Music Hall of Fame. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Felipe Rose, go to:https://www.feliperose.com/https://www.facebook.com/FelipeRoseFanClubhttps://www.instagram.com/feliperoseofficial/https://twitter.com/FelipeRoseFanc1https://www.youtube.com/channel/UCsFswLfPoVnj3U2IX9ijlAghttps://www.tiktok.com/@feliperoseofficial #FelipeRose    #harveybrownstoneinterviews

The Library of Congress' National Recording Registry is more than just a collection of music and sound — it's a reflection of who we are as a country. In April, two new Spanish language songs were added to the registry: Juan Gabriel's "Amor Eterno" and Héctor Lavoe's "El Cantante."This week on Alt.Latino, Felix and Ana take the opportunity to dive into the Spanish language songs that have made it into the historic collection, as well as share their dream picks for what should be chosen next.Songs featured in this episode:•Héctor Lavoe, "El Cantante"•Juan Gabriel, "Amor Eterno (En Vivo [En el Palacio de Bellas Artes])"•Buena Vista Social Club, "Chan Chan"•Buena Vista Social Club, "Orgullecida"•Buena Vista Social Club, "El Carretero"•Santana, "Oye Como Va"•Lydia Mendoza, "Mal Hombre (Cold-Hearted Man)"•Dizzy Gillespie feat. Chano Pozo, "Manteca"•Ivy Queen, "Quiero Bailar"•Jose Feliciano, "El Reloj"Audio for this episode of Alt.Latino was edited and mixed by Joaquin Cotler, with editorial support from Hazel Cills. Our project manager is Grace Chung. NPR Music's executive producer is Suraya Mohamed. Our VP of Music and Visuals is Keith Jenkins.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Library of Congress' National Recording Registry is more than just a collection of music and sound — it's a reflection of who we are as a country. In April, two new Spanish language songs were added to the registry: Juan Gabriel's "Amor Eterno" and Héctor Lavoe's "El Cantante."This week on Alt.Latino, Felix and Ana take the opportunity to dive into the Spanish language songs that have made it into the historic collection, as well as share their dream picks for what should be chosen next.Songs featured in this episode:•Héctor Lavoe, "El Cantante"•Juan Gabriel, "Amor Eterno (En Vivo [En el Palacio de Bellas Artes])"•Buena Vista Social Club, "Chan Chan"•Buena Vista Social Club, "Orgullecida"•Buena Vista Social Club, "El Carretero"•Santana, "Oye Como Va"•Lydia Mendoza, "Mal Hombre (Cold-Hearted Man)"•Dizzy Gillespie feat. Chano Pozo, "Manteca"•Ivy Queen, "Quiero Bailar"•Jose Feliciano, "El Reloj"•Audio for this episode of Alt.Latino was edited and mixed by Joaquin Cotler, with editorial support from Hazel Cills. Our project manager is Grace Chung. NPR Music's executive producer is Suraya Mohamed. Our VP of Music and Visuals is Keith Jenkins.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Richard Syrett Show, May 15th, 2024 HOW NATIONS ESCAPE POVERTY The miraculous transformation of two seemingly disparate nations —Poland and Vietnam— from socialist sinkholes of misery into vibrant, prosperous, opportunity-rich economies https://nations-escape-poverty.com Ranier Zitelman, German historian sociologist, multiple best-selling author whose books include: Hitler's National Socialism, The Power of Capitalism and In Defense of Capitalism.. His latest book is How Nations Escape Poverty. THE CULT OF CLIMATE CHANGE Twenty-one years into Australia's official permanent drought, drought is at an historical low. The press says Arizona has become too hot for people to live. Meanwhile...it is still snowing on May 11 and people are still skiing. Tony Heller, Founder of Real Climate Science dot com We should follow New Zealand on housing and free up more land for growth https://financialpost.com/opinion/canada-new-zealand-housing-free-up-land  Wendell Cox – Senior Fellow with the Frontier Centre for Public Policy with expertise in housing affordability and municipal Policy https://fcpp.org/ OPEN LINES Mirrored image of King Charles' new portrait 'reveals face of Baphomet'  https://www.wnd.com/2024/05/creepy-mirrored-image-king-charles-new-portrait-reveals-baphomet-face/ THIS WEEK IN ROCK HISTORY May 13th In 1967, The Monkees' second album, More of The Monkees, hit No.1 on the UK chart. Interestingly, there were only four albums that reached the top spot that year: The Sound of Music soundtrack, which spent 17 weeks at No.1, The Beatles' Sgt. Pepper's Lonely Hearts Club Band for 25 weeks, and The Monkees' first and second albums.  May 13th In 1967, The Supremes scored their tenth No.1 single in the US with “The Happening,” the theme song to the 1967 film of the same name. It was the final single under the name “The Supremes,” as the group changed their name to “Diana Ross & The Supremes” before their next release.  May 14th In 1988, Led Zeppelin reunited for Atlantic Records' 40th-anniversary party at Madison Square Garden, appearing with drummer Jason Bonham, who stood in for his late father, John Bonham. Their second reunion since splitting, the band's performance was disorganized and tense, as Jimmy Page and Robert Plant had argued about playing “Stairway to Heaven” prior to performing. Page described the appearance as “one big disappointment” and Plant agreed, noting that “the gig was foul.” Foreigner, Genesis, Ben E. King, and Wilson Pickett were among the other acts taking the stage.  May 16th On this day in music, May 16, 1966, The Beach Boys released their 11th studio album, Pet Sounds. Written, produced, and arranged primarily by Brian Wilson, the album was revolutionary for a variety of reasons – including its broad use of instrumentation (including a synthesizer, theremin, bike bells, and even soda cans), as well as Wilson's ambitious production techniques, which found him turning the studio into an instrument itself. Featuring hits like “Wouldn't It Be Nice” and “God Only Knows,” the album was transformative within the music industry and within popular culture, influencing countless producers, engineers, songwriters, and musicians. Today, it is considered to be among one of the greatest albums of all time, while it was added to the National Recording Registry in 2004.   Jeremiah Tittle, Co-Host of “The 500 with Josh Adam Myers” Podcast, CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Ken from the Sounds of Christmas celebrates another Christmas song being added to the National Recording Registry with a look at the history of "Rudolph the Red-Nosed Reindeer", including some of the other songs Rudolph has made appearances in!Previous podcast episode on Christmas music already added to the National Recording Registry: National Record Registry episodePrevious episode on "All I Want For Christmas Is You:  All I Want For Christmas Is You episode Nominate songs to the National Recording Registry Songs mentioned in this episode:Jars of Clay "Smells Like Rudolph"Johnny Horton "They Shined Up Rudolph's Nose"Ebenezer Scrooge Appreciation Society "Hang On Rudolph"Father Guido Sarducci "Santa's Lament"Stephen Bishop "Rock Little Reindeer"Matt Dusk "Rockin' Rudolph"Ryan McAllister "My Name Is Blitzen"Bag of Toys "Rudolph"Robbie Williams "Rudolph"Theocracy "Rudolph vs. Frosty"Laura Cheadle "Red Ain't Everything (The Rudolph Blues)"Sia "12 Nights"Show links:Listen to the Sounds of Christmas stationFind the Sounds of Christmas podcastConnect with the Sounds of Christmas on social mediaCheck out all the artists that made the 2023 season of the Sounds of Christmas station possibleSupport the Show.

The National Recording Preservation Board every year adds 25 recordings to the Recording Registry for songs that represent culture of the times. Learn more about the registry here.

The National Recording Preservation Board every year adds 25 recordings to the Recording Registry for songs that represent culture of the times. Learn more about the registry here.

Kruser celebrates The Cars self titled album getting inducted into the National Recording Registry in the Library of Congress and Bill Meck joins Kruser to talk about a movie about...bigfoots?...bigfeet?...a family of sasquatches in hour 2.  See omnystudio.com/listener for privacy information.

Amanda Seales tackles pressing social issues and current events such as the debate surrounding professional women's basketball players' salaries compared to men, the implications of states restricting abortion and divorce rights, and Clarence Thomas being absent from court.   Listen, Laugh, and Learn on The Amanda Seales Show!   If You Have A Comment Leave Amanda A Message At 1 855-Amanda-8 That's 1-855-262-6328   FOLLOW ALONG AS WE COVER:   (04:15) - Blackurate News: The U-S Supreme Court declined to hear an appeal by Black Lives Matter activist Deray McKesson.   (10:00) - Blackurate News: Caitlin Clark's WNBA rookie contract with the Indiana Fever is notably lower than the contracts of male NBA players despite being the number 1 draft pick.   (14:05) - Why You Bringing Up Old Ish Recorded (19:31) - 60 Second Headlines Story 1: University of Southern California's valedictorian - Asna Tabassum (Tuh- bah-some) - will not be allowed to address her class during graduation. Story 2: The Supreme Court is considering whether the charge “obstruction of an official proceeding” should be applied to the January 6th rioters. Story 3: Philly successfully banned the largest ghost gun manufacturer from selling parts in the city. Story 4: Biggie's 1994 album “Ready to Die” now has its permanent place in history as it's inducted to the National Recording Registry at the Library of Congress.   (24:00) - We Up, We Up, We Up!   (25:20) - Blackurate News: Four states have restrictions on divorce during pregnancy, and all four now also have near-total bans on abortion, posing dangers for victims of domestic violence.   (29:49) - Supreme Splainin   (32:54) - Big Up, Let Down Big Up - Goes to whatever kept Clarence Thomas from showing up to work on Monday. Let Down - Goes to fake beauty standards. (Literally) (36:18) - Callers (38:23) - Introduction - We Up, We Up, We Up!! (39:59) - Am I Trippin Pt 1 Call (43:55) – Blop Quiz   (47:18) – We Hear From Our Callers   (49:44) - And the Word of the Day is…   (52:17) - Politicians Say the Smartest Things FOLLOW THE SHOW ON ALL SOCIALS: @Sealessaidit @Amandaseales @thesupremeexperience If You Have A Comment Leave Amanda A Message At 1 855-Amanda-8 That's 1-855-262-6328  See omnystudio.com/listener for privacy information.

 In Other News with Ethan: US Library of Congress release this years National Recording Registry class, the Justice Dept. going after LiveNation, OJ Simpson's Bronco for sale, Apple is fixing a software glitch, and a star exploded.

In the 2nd hour of the Marc Cox Morning Show: Local News bias shows in their headlines SLU will allow Dylan Mulvaney but not people like Matt Walsh Nicole Murray from the Gordon Deal Show, gives a market update In Other News with Ethan: US Library of Congress release this years National Recording Registry class, the Justice Dept. going after LiveNation, OJ Simpson's Bronco for sale, Apple is fixing a software glitch, and a star exploded. Coming Up: David Gregory and Jake Novak

Librarian of Congress Carla Hayden revealed the latest additions to the National Recording Registry, showcasing the legacy of influential Black artists. Among the chosen 25 recordings are iconic works by legends such as the Notorious B.I.G., Doug E. Fresh, Slick Rick, and Bobby McFerrin. Included in the registry is the groundbreaking debut album "Ready to Die" by the Notorious B.I.G., marking a significant milestone in hip-hop history. Doug E. Fresh and Slick Rick's timeless single "La-Di-Da-Di" also earns its place, recognized as one of the most sampled recordings in music history. Additionally, Bobby McFerrin's uplifting 1988 hit "Don't Worry, Be Happy" is honored for its enduring critical acclaim and widespread appeal across generations. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean talk about a new song that was recorded by Sean Ono Lennon and James McCartney, as well as Travis Kelce’s new game show. They also discuss the newest songs inducted in the National Recording Registry and […]

AP correspondent Margie Szaroleta reports on the Library of Congress preserving songs in the National Recording Registry.

TONY AWARD®, United States Congressional Record & National Recording Registry of the Library of Congress, Hollywood Walk of Fame Inductee 2023!!Presidential Life Time Achievement Award, In Addition, Joseph Biden Public Service Award.The Music Historian in ME Loves to Talk to the Legends.Melba has NEW Music Compilation called "Imagine'. Already Topping the American & British Soul charts.Melba Moore has done it all, twice. At the tender age of 10, Melba notes that it was then that she was introduced to music and that “I didn't have any music in my life before my mother married my stepfather. He introduced music into our home and into my life.” From that moment forward, Melba began to develop her 5-octave, note-holding soprano that would soon bring audiences to their feet. Theater: Won a Tony Award for best featured actress in a musical for her role in the musical "Purlie," Replaced  Diane Keaton in  the Broadway musical "Hair" Was first African American woman to play the female lead in the musical "Les Misérables" on Broadway. The Newark, NJ Arts High School graduate started doing recording sessions after a chance meeting with singer/songwriter/composer Valerie Simpson (of Ashford & Simpson).  That opportunity in the studio led Melba in the company of the Broadway musical “HAIR!” First in the ensemble of the show, Melba's name was tossed into the conversation when actress Diane Keaton left the show and Melba took the female lead and broke all the rules, being the first Black woman to replace a white actress in a featured role on Broadway. The journey of Melba's career took her meteorically from there to the lead of “PURLIE,” a musical adaptation of a play written by acting husband and wife pioneers Ossie Davis and Ruby Dee.  That role and its musical soundtrack would earn Moore a Grammy nomination as Best New Artist in 1971 and a Tony Award for Best Featured ActressTelevisionStarred in her own sitcom, "Melba Melba's Career continues with2024  Live Apperances at 54 Below in New York City this Spring.   MelbaMoore.com© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

OK, it isn't rock music, but the Soundtrack to "Saturday Night Fever" was a tremendously successful album both commercially and critically, and it had a major impact in popular culture of the later 70's.  The theatrical release of the movie actually went back to December of 1977, but it was the winner of the Grammy Award for Album of the Year in February 1979, one of only three soundtrack albums to do so.  Composed by the Bee Gees and prominently featuring that band, this soundtrack is the second-best selling of all time behind "The Bodyguard."  The Bee Gees actually didn't get involved with the film until it was in post-production.  John Travolta was dancing to Stevie Wonder and Boz Scaggs when the scenes were filmed.  Columbia Records refused legal clearance for Scaggs material because they were pursuing another disco movie at the time, and the Bee Gees were commissioned to write the songs for the film.  The brothers Gibb wrote the songs primarily in a single weekend.  The resulting success would change the trajectory of both the Bee Gees and actor John Travolta.  The Bee Gees would become a group often compared to the Beatles in the late 70's.  Travolta, already well known for his role in the television series "Welcome Back, Kotter," would become an A-list celebrity and a household name.In 2013 the album was added to the National Recording Registry in the Library of Congress for preservation.Lynch is responsible for this travesty, as the other participants do so under protest.  Support your local rock band, folks! Night FeverThis song was originally called "Saturday Night," but Robin Gibb was concerned about that name because of the number of songs already bearing the name.  "Night Fever" was inspired by Percy Faith's "Theme from 'A Summer Place'", and it spent 8 weeks at the top of the Billboard charts.How Deep Is Your LoveThis pop ballad was released in September of 1977, ahead of the movie.  It had hit the top of the Billboard Hot 100 by Christmas Day of 1977, remained there for 3 weeks, and spent 17 total weeks in the top 10.  Barry Gibb has commented that this is his favorite Bee Gees song.  It won Best Pop Performance by a Group at the February 1978 Grammy awards.You Should Be DancingPrior to their involvement with the "Saturday Night Fever" soundtrack, the Bee Gees first released this track on their album "Children of the World" in 1976.  This is the song playing when Travolta takes over the disco dance floor. Jive Talkin'Here is another song that had been previously issued before the soundtrack was released.  The lead single from the album "Main Course" was released in May 1975, long before "Saturday Night Fever."  The song was originally called "Drive Talking," and the rhythm was inspired by the sound the band's car made crossing the Julia Tuttle Causeway as they traveled to the studio in Miami. ENTERTAINMENT TRACK:Dancing Queen by ABBAA mockumentary called "ABBA:  The Movie" was in the theatres at this time in the U.S. STAFF PICKS:Is She Really Going Out with Him by Joe JacksonWayne gets the staff picks going with a song that asks why good looking women date horrible men.  Joe Jackson is often confused with Elvis Costello, another artist releasing albums at the time.  This is Jackson's debut single from his debut album, "Look Sharp."The Gambler by Kenny RogersBruce brings us Kenny Roger's signature song.  Songwriter Don Schlitz wrote this song in 1976 and it was recorded by several musicians including Johnny Cash before Rogers took it to number 1 on the country charts and number 16 on the Billboard Hot 100.  The gambler looks through life through the lens of poker, knowing "every hand's a winner, and every hand's a loser," and of course "you've got to know then to hold 'em, know when to fold 'em."Stumblin' In by Chris Norman and Suzi QuatroRob's staff pick is the sole top 40 hit by female rock pioneer Suzi Quatro, and Norman's only hit outside of his previous band, Smokie.  This duet made it to number 4 on the Billboard Hot 100.  Both singers have a smoky vocal sound.Do You Think I'm Sexy? by Rod StewartLynch notes Stewart's ability to surf the waves of popularity with this staff pick.  While Rod Stewart honed his craft in the rock genre, he achieved both popularity and notoriety with his polarizing choice of embracing disco music in the late 70's.  Today this song remains one of his most popular tunes. INSTRUMENTAL TRACK:Pegasus by The Allman Brothers BandThe Allman Brothers were decidedly NOT a disco band in this instrumental jam. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Is it an earworm or an icon? The Super Mario Bros. theme is the soundtrack to many childhoods and has remained resonant today. Recently inducted into the Library of Congress's National Recording Registry, the song was not easy to write. Video game composer Koji Kondo faced musical and technical challenges in creating the song. Columnist Ben Cohen talks to New England Conservatory musicologist Andrew Schartmann about how Kondo created this lasting and genre-changing piece of music. What do you think about the show? Let us know on Apple Podcasts or Spotify, or email us: FOEPodcast@wsj.com  Further reading: The Mind Behind the Music You Can't Get Out of Your Head  Learn more about your ad choices. Visit megaphone.fm/adchoices

"Changing Beats: Goose's Drummer Departure and New Musical Ventures"Larry Mishkin dives into a live performance of the Grateful Dead's Mardi Gras Show from 1986. The discussion highlights the additional set by The Nevels, a brief comparison of songs played, and the significance of the venue, Kaiser Convention Center. The conversation transitions to Goose, a contemporary jam band, announcing a change in drummers and their new album release. Larry also touches on the Grateful Dead's record-breaking achievement of having the most Top 40 albums on the Billboard 200. Lastly, it explores the origins and themes of the Grateful Dead's song "Cassidy," drawing connections to individuals associated with the band and the Beat Generation. Throughout, there's a mix of musical analysis, historical context, and personal anecdotes, offering a comprehensive exploration of the music and culture surrounding these iconic bands plus the latest cannabis news. Grateful DeadFebruary 12, 1986 (38 years ago)Henry J. Kaiser Convention CenterOakland, CAGrateful Dead Live at Henry J. Kaiser Convention Center on 1986-02-12 : Free Download, Borrow, and Streaming : Internet Archive Show Title:  Dead and the Neville Brothers Rock Oakland Celebrating Mardi Gras A short Dead show by Nevilles played a set after turning it into a marathon evening of great music  INTRO:              Sugaree                           Track #3                           Start – 1:35                            Jerry comes out smoking on this crowd favorite to get things rocking (second song after Hell in a Bucket).  Released on the Jerry's first solo album, Garcia, in January, 1972.                            Played 362 times                           1st at on July 31, 1971 at the Yale Bowl in New Haven, CN six months before its release                           Last played on July 8, 1995 at Soldier Field in Chicago Kaiser Convention Center is a historic, publicly owned multi-purpose building located in Oakland, California. The facility includes a 5,492-seat arena, a large theater, and a large ballroom.[2] The building is #27 on the list of Oakland Historic Landmarks.,[3] and was listed on the National Register of Historic Places in 2021.[4]The building is located at 10 10th Street, in the Civic Center district of the city. It is next to the Oakland Museum, Laney College, Lake Merritt, and near the Lake MerrittBARTstation.he Beaux-Arts style landmark was built in 1914; the architect was John J. Donovan.[3] The structural engineer was Maurice Couchot.[5] Originally known as the Oakland Civic Auditorium, it was renamed in honor of Henry J. Kaiser after a 1984 renovation.The city closed the facility in 2006 and its future was uncertain for a decade.[1] In 2006, Oakland voters defeated a ballot proposition advocating a library space in the building.The facility was owned by the City of Oakland until 2011, when it was sold to the local redevelopment agency for $28 million.[6] However, the redevelopment agency was dissolved by the State of California in 2012,[7] so ownership reverted to the city of Oakland.In 2015 the city chose a local developer, Orton Development, Inc. to renovate the facility. The plans are to turn it into a commercial space, with the Calvin Simmons Theater being renovated as a performing arts venue. The building is also supposed to be registered as a national historic landmark.In the 1950s and 1960s the Roller Derby played there hundreds of times. Elvis Presley performed at the convention center on June 3, 1956, and again on October 27, 1957. On December 28, 1962, Martin Luther King Jr. spoke to an audience of 7,000 at the auditorium to mark the 100th anniversary of the Emancipation Proclamation.[13]Ike & Tina Turner performed at the Oakland Auditorium on January 13, 1967.From 1967 through 1989, the Grateful Dead, an American rock band, performed at the convention center 57 times. Their first 23 concerts at the convention center were billed at "Oakland Auditorium", and later, starting in 1985, the venue changed to "Henry J. Kaiser Convention Center". In the 80's the band started performing "runs" of shows over the course of three to seven days.[                    SHOW No. 1:    Tons of Steel                           Track # 4                           1:07 – 2:40               A “new” Brent song, released on In The Dark in 1987.  Love the harmonizing with Phil – “She wasn't built to travel at the speed a rumor flies, these wheels are bound to jump the tracks, before they burn the ties.”  Crowd loves it too – any excuse to hear Phil sing – this is just about a month before the Hampton show where Phil broke out Box of Rain, Deadheads couldn't get enough of him. David Dodd:Brent wrote the words and music for “Tons of Steel.” It was first performed on December 28, 1984, at the Civic Auditorium in San Francisco (now Bill Graham Civic). The other first in the show was "Day Tripper." I was there! It sounded like a hit to me. But then, I was completely disconnected from whatever it was that passed for hit-making in the 1980s.It was performed fairly regularly throughout 1985 through September 1987, making its last appearance on September 23 at The Spectrum in Philadelphia. That seems odd to me, because it was dropped from rotation just a little more than two months after it was released on In the Dark, in July. Any thoughts?So, it's a song about a train. One of the prime motifs in Grateful Dead lyrics. Quick—name five Grateful Dead songs with trains! No peeking!What do trains evoke in Dead lyrics? Everything from danger (“Caution,” “Casey Jones”) to adventure (“Jack Straw”) to love (“They Love Each Other”) to farewell (“He's Gone”) to whatever that thing is that we feel when Garcia sings about wishing he was a headlight... (and take a look at the back cover of Reflections sometime).                           Played 29 times                           First played December 28, 1984 S.F. Civic Auditorium (NYE run)                           Last played September 23, 1987 at the Spectrum, Philly  SHOW No. 2:    Cassidy                           Track #6                           2:20 – 4:09 "Cassidy" is a song written by John Barlow and Bob Weir[1] and performed by the Grateful Dead, Ratdog, and Phil Lesh & Friends.[2] The song appeared on Bob Weir's Ace, and the Grateful Dead's Reckoning and Without a Net albums.[3]The song was named after Cassidy Law, who was born in 1970 and was the daughter of Grateful Dead crew member Rex Jackson and Weir's former housemate Eileen Law.[1] The lyrics also allude to Neal Cassady, who was associated with the Beats in the 1950s[4] and the Acid Test scene that spawned the Grateful Dead in the 1960s. Some of the lyrics in the song were also inspired by the death of Barlow's father.[5]The song was quoted in the admiring and admirable obituary of Barlow in The Economist.One of my favorite songs, a great sing a long.I really like this version because it gets nice and trippy.  Always good for a helping define the mood of the show, usually about mid to late first set.  A very fun tune.                           Played 339 times                           1st:  March 23, 1974 at the Cow Palace in Daley City, just outside S.F.                           Last:  July 6, 1995 Riverport Amphitheatre, Maryland Heights, MO outside of St. Louis   SHOW No. 3:    Willie and the Hand Jive                           Track # 14                           1:23 – 3;05 Played with the Neville Bros. but without Phil who left the stage for this one song. Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the Billboard Hot 100 chart and #5 on the Billboard R&B chart.[1][2] The song has a Bo Diddley beat and was partly inspired by the music sung by a chain gang Otis heard while he was touring. The lyrics are about a man who became famous for doing a dance with his hands, but the song has been accused of glorifying masturbation,[2]though Otis always denied it.[3] It has since been covered by numerous artists, including The Crickets, The Strangeloves, Eric Clapton, Cliff Richard, Kim Carnes, George Thorogood, The Bunch, and in live performances by The Grateful Dead.[4][5] Clapton's 1974 version was released as a single and reached the Billboard Hot 100, peaking at No. 26. Thorogood's 1985 version reached No. 25 on the BillboardRock Tracks chart. The lyrics tell of a man named Willie who became famous for doing a hand jive dance.[1][2] In a sense, the story is similar to that of Chuck Berry's "Johnny B. Goode", which tells of someone who became famous for playing the guitar and was released two months before "Willie and the Hand Jive".[1] The origin of the song came when one of Otis' managers, Hal Ziegler, found out that rock'n'roll concert venues in England did not permit the teenagers to stand up and dance in the aisles, so they instead danced with their hands while remaining in their seats.[2][5] At Otis' concerts, performers would demonstrate Willie's "hand jive" dance to the audience, so the audience could dance along.[2] The dance consisted of clapping two fists together one on top of the other, followed by rolling the arms around each other.[2] Otis' label, Capitol Records, also provided diagrams showing how to do the hand jive dance. Eric Clapton recorded "Willie and the Hand Jive" for his 1974 album 461 Ocean Boulevard. Clapton slowed down the tempo for his version.[12] Author Chris Welch believes that the song benefits from this "slow burn".[12]Billboard described it as a "monster powerful cut" that retains elements from Clapton's previous single "I Shot the Sheriff."[13]Record World said that "Clapton slowly boogies [the song] into laid-back magnificence. George Thorogood recorded a version of "Willie and the Hand Jive" for his 1985 album with the Destroyers Maverick.[27] His single version charted on the Hot Mainstream Rock Tracks chart, peaking at #25, and reached #63 on the Billboard Hot 100 chart.[1][28]Allmusic critic James Christopher Monger called the song one of Thorogood's "high points. Other artists who covered the song include: Johnny Rivers, New Riders of the Purple Sage, The Flying Burrito Brothers, Sandy Nelson, The Tremeloes, Amos Garrett, Ducks Deluxe and Levon Helm.[4]Lee Michaels released a version of the song on his 1971 album, 5th                            To my surprise, played 6 times by the band, all in '86 and once in ‘87                           This is the fist time they ever played it                           Last:  April 4, 1987 at the Centrum in Worcester, MA                SHOW No. 4:   In the Midnight Hour                           Track # 16                           2:20 – 4:01                            Played with the Nevilles, Phil back on stage                           Again, Jerry's playing really stands out.  "In the Midnight Hour" is a song originally performed by Wilson Pickett in 1965 and released on his 1965 album of the same name, also appearing on the 1966 album The Exciting Wilson Pickett. The song was composed by Pickett and Steve Cropper at the historic Lorraine Motel in Memphis, later (April 1968) the site of the assassination of Martin Luther King Jr. Pickett's first hit on Atlantic Records,[1] it reached number one on the R&B charts and peaked at number 21 on the pop charts. Wilson Pickett recorded "In the Midnight Hour" at Stax Studios, Memphis, May 12, 1965. The song's co-writer Steve Cropper recalls: "[Atlantic Records president] Jerry Wexler said he was going to bring down this great singer Wilson Pickett" to record at Stax Studio where Cropper was a session guitarist" and I didn't know what groups he'd been in or whatever. But I used to work in [a] record shop, and I found some gospel songs that Wilson Pickett had sung on. On a couple [at] the end, he goes: 'I'll see my Jesus in the midnight hour! Oh, in the midnight hour. I'll see my Jesus in the midnight hour.'" and Cropper got the idea of using the phrase "in the midnight hour" as the basis for an R&B song.[3] More likely, Cropper was remembering The Falcons' 1962 song "I Found a Love," on which Pickett sings lead and says "And sometimes I call in the midnight hour!" The only gospel record Pickett had appeared on before this was the Violinaires' "Sign of the Judgement," which includes no such phrase.[4]Besides Cropper, the band on "In the Midnight Hour" featured Stax session regulars Al Jackson (drums) and Donald "Duck" Dunn (bass). According to Cropper, "Wexler was responsible for the track's innovative delayed backbeat", as Cropper revamped his planned groove for "In the Midnight Hour" based on a dance step called the Jerk, which Wexler demonstrated in the studio. According to Cropper, "this was the way the kids were dancing; they were putting the accent on two. Basically, we'd been one-beat-accenters with an afterbeat; it was like 'boom dah,' but here was a thing that went 'um-chaw,' just the reverse as far as the accent goes."[5]Pickett re-recorded the song for his 1987 album American Soul Man."In the Midnight Hour" t has become an iconic R&B track,[citation needed] placing at number 134 on Rolling Stone's list of the 500 Greatest Songs of All Time,[citation needed] Wilson Pickett's first of two entries on the list (the other being "Mustang Sally" at number 434).[citation needed] It is also one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll,[citation needed] Pickett's only such entry. In 2017, the song was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant."[7] In 1999, "In the Midnight Hour" recorded in 1965 on Atlantic Records by Wilson Pickett was inducted into the Grammy Hall of Fame. Covers:·        The Grateful Dead regularly performed the song in concert from 1967 onwards, most notably with extended improv vocals by frontman Ron "Pigpen" McKernan.  It was occasionally the Dead's “midnight song” at their NYE shows – I saw them do it in 1985 at midnight on the 31st. Fun way to start the new year although I was always partial to Sugar Mag at NYE midnight.                            57 times played                           1st: December 10, 1965 at the Fillmore in S. F.                           Last:  October 17, 1994 at MSG, NYC OUTRO:            Johnny B. Goode                           Track #17                          Start – 1:40               We just featured this song from a different show, but this version demands recognition.  Played with the Nevilles – great mash up of musicians, singers, the whole thing is just great. Interestingly, not the encore, but the last song of the second set (US. Blues was the encore, a ripping version, but no Neville Bros so I went with JBG instead to hear them one more time). Chuck Berry tune                                                                            Dead played it 283 times                        First played: September 7, 1969 at The Family Dog at the Great Highway, S.F.                        Last played:  April 5, 1995 at the Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Thurston Moore is a founding member of the band Sonic Youth and the author of a new memoir entitled Sonic Life, available from Doubleday Books. Moore helped found Sonic Youth in New York in 1981 and spent the ensuing thirty years at the vanguard of alternative rock, influencing and inspiring such acts as Nirvana, Pavement, the Yeah Yeah Yeahs, My Bloody Valentine, and Beck. The band's album Daydream Nation was chosen by the Library of Congress for historical preservation in the National Recording Registry in 2006. Moore is involved in publishing and poetry and teaches at the Summer Writing Workshop at Naropa University in Boulder, Colorado. He divides his time between the USA and England. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices