Podcasts about elizabeth how

Encore Presentation from September 1st Patrick reports about the disturbing news that 20 Major League Baseball teams are raising money to provide “medical sex changes” for minors. He also celebrates being on the air for 10 years and answers questions about Eucharistic ministers and why he receives on the tongue. 20 MLB Teams Are Raising Money To Provide ‘Medical Sex Changes' For Minors Richard – In Mark 9:24, how does the father's unbelief translate with those who struggle with the faith today? Elizabeth – How do I know if I'm living in an invalid marriage? Dan - How can understand the relationship between Mary and the Holy Spirit? It's the 10th Anniversary of The Patrick Madrid Show! Izabella 7-years-old - Why do we receive on the tongue? Marilyn - What do you think about Eucharistic ministers to the home bound?

 Welcome to Ipswich, Massachusetts, the "Birthplace of American Independence!"  The area was part of the Massachusetts Bay Colony that was settled in 1630 by the Puritans.  Ipswich was established in an area that the local Native Americans called Agawam.  The town is 30 miles North of Boston on the Atlantic coast, and 11 miles South of Newburyport (our Disney Trash Water episode in season 1).   Early settlers were predominantly farmers, fishermen, and shipbuilders.  In 1684 the governor of the colony, Edmund Andros, imposed a tax on the colonists.  The citizens of Ipswich, led by Reverend John Wise, revolted and refused to pay the taxes.  The town leaders were arrested and taken to Boston.  The tax proved to be unpopular across the colony and was ultimately rescinded.  Andros was sent back to England.  This uprising led to the town's nickname,"The Birthplace of American Independence."  Ipswich is located about 15 miles from Salem, home of the Salem Witchcraft Trials.  Many of the accused witches were housed in the jail at Ipswich.  One resident of Ipswich, Elizabeth How, was hanged for witchcraft in 1692.  John Proctor, who was also hanged for witchcraft in Salem, was raised in Ipswich.  The oldest part of town has remained substantially intact with more "First Period" houses than any other community in America.  The town has four contiguous historic districts in the oldest part of town dating back to the 17th century.  Ipswich's history includes stories from nearly every major event in American history, a few ghost stories, and other local legends to sweeten the pot.  We hope you enjoy our trip to Ipswich! 

I wanted to start the new year off strong and today's guest is exactly that: strong and an inspirational force. We first met as morning reporters in Los Angeles. We were not just trusted colleagues, but friends. I'm excited to share her empowering energy to help you kickstart 2022. She is a multi-lingual Emmy award-winning television reporter, talk show host, media expert, special needs advocate, speaker and so much more. From the KTLA Morning News and Fox 11's Good Day LA in Los Angeles to hosting her own nightly talk show on CNN Latino, Sunday morning with Elizabeth Espinosa on KFI-AM 640 and Studio So Cal on PBS she is has always been a powerful voice in the world and for those around her. She is currently the executive director of communications for the largest sheriff's department in the nation, LA County. Being a daughter of immigrant parents like I am, Elizabeth has learned that hardships can shape us and define our purpose rather than hold us back. Growing up with a brother with disabilities, she also learned how to use her power to be an advocate for others. "They can't ignore you when you do your best." - Elizabeth Espinosa In today's show, join us as we go behind the scenes of our morning news days, listen to the lessons she learned throughout her media career and the ones by being an advocate for herself and others. She shows you how to stay true to yourself and step into your power in all parts of your life. We discuss how she navigates the world of special needs advocacy, the importance of intention and family and she also shares the secret that Oprah taught her that keeps her grounded and focused. “I felt like someone had poured all of this water on my blueprint.” - Elizabeth Espinosa Show Notes: How Elizabeth Espinosa became a reporter What is it like growing up with a special needs sibling How to navigate the world of special needs advocacy How to step into your power What is the process of finding your voice What was the turning point for Elizabeth How to stay true to yourself "I have to tell myself often that slow is fast." - Elizabeth Espinosa 3 Pieces of Advice or Action Steps: Learn your craft Work on your craft Love and accept yourself "Life is a series of therapy." - Elizabeth Espinosa Brand and Resource Mentions: Listen to The Power of The Only Episode 54: The Power of Rejuvenation Learn more about Natalie's Voice-Speaking For The Silenced Connect with Elizabeth Espinosa: LinkedIn | Instagram | Twitter Thanks for being a part of this bold and powerful conversation on The Power of The Only! Whether you feel like the only one in your company, industry, or community or the only woman in the room, we're here to support you in stepping up, speaking up through power, presence and representation and to make an impact in your personal and professional life. Want even more insider tips, resources, and training to help you own your voice and power and step into your leadership.  Join me in my free, invite-only  YOU, Amplified!™ community! You can also join the conversation on Facebook, Instagram, YouTube, and Twitter. Learn more about this episode of The Power of The Only with Angela Chee at www.angelachee.com/55

Thank you for joining us for our 2nd Cabral HouseCall of the weekend! I'm looking forward to sharing with you some of our community's questions that have come in over the past few weeks… Let's get started!    Victoria: Hi Dr. Cabral, Someone I know has been in the hospital with double pneumonia and tuberculosis. The antibiotics weren't helping for awhile so they had to put her in an induced coma for a week and on a ventilator to keep her alive. Eventually, she left the hospital but then her ankles started hurting. After review by doctors, they found something called "mycobacterium haemophilum" that could be possibly infecting / eating away at her bone. They only had one very unfortunate solution for this to prevent it spreading to the rest of her body. I have a few questions. I know you are not supposed to give medical advice -- so I won't be asking for medical advice. If she would look to help to fix this dis - ease in her body naturally, what do you think the best solutions would be to start? I am trying to get some kind of a Naturopathic doctor to start working with her. Looking for any possible guidance though you may have. Wondering if this happened because of all the antibiotics she was pumped (7+ kinds) to keep the other infections at bay imbalanced her microbiome and body dramatically. She has also had an autoimmune disease for most of her life in which she has been on a strong steroid for (15+ years). Thank you so much for your input.. really appreciate your time on this. Joanna: Hi Dr Cabral Could you please explain how someone can have an issue with sulphur detoxification and why they get symptoms with foods high in sulphur? What is the underlying cause of this? How do you go about Correcting this? Does this have a correlation with sibo? Plus what is hydrogen sulfide bacteria and how does occur? Many thanks for your help Charonne: Hi doctor Cabral, I hope you're doing great! I was wondering if you could maybe give me some advice on the following: I (42 y.o. F) always have cold hands and feet - especially during the winter. In those cold months, my fingers will often swell up and look inflamed from the cold. I know that it has to do with my low thyroid and a very low blood pressure. I'm working on this with my health practitioner, but it's going slowly, so I would really love to know if you know of any great natural remedies to get and keep my hands and feet warm. Thanks so much in advance for your answer, and for everything you do! Especially for creating the CBO protocol! I'm almost finished with it, and my digestion has never been better! :) Charonne Anonymous: Hi Doc, Thanks for everything! (I know this is a family show so I will try to phrase my question in the right way. Choose the best alternative for your preferences.) Alternative 1. Are there any underlying root cause to sexual fetish'm? Alternative 2. Are there any underlying root cause to why some people have a “fruitful desire” in which gratification is linked to an abnormal degree to a particular object, item of clothing, part of the body, etc? TIA! Elizabeth: How do you know what your exact body type is? As well as what is better to do to lose weight carb cycling or macroing? I've put on 40lbs , 54 yrs metabolism is shot :( Laura: Hello! I'm a 27 year old Vata. My at-home saliva test showed low cortisol in the AM and higher than optimal at night. I know this is adrenal fatigue and I've listened to all of your shows on this. I feel exhausted in the morning but still anxious so I chose not to go for adrenal energy support. I already do the daily foundational protocol level 3 with magnesium before bed and zinc at dinner time. I've done the CBO & CBO finisher and do my seasonal detoxes as well. Any recommendations for raising my cortisol levels in the morning naturally? I already bought the light box but not sure what else to do as I really feel very tired in the morning (and caffeine worsens my anxiety). Sleep is good, 7-7.30h of sleep every night with 90 mins of REM and 2h of Deep. Thank you for tuning into this weekend's Cabral HouseCalls and be sure to check back tomorrow for our Mindset & Motivation Monday show to get your week started off right! - - - Show Notes & Resources:  http://StephenCabral.com/2158 - - - Dr. Cabral's New Book, The Rain Barrel Effect https://amzn.to/2H0W7Ge - - - Join the Community & Get Your Questions Answered: http://CabralSupportGroup.com - - -  Dr. Cabral's Most Popular At-Home Lab Tests: > Complete Minerals & Metals Test (Test for mineral imbalances & heavy metal toxicity) - - - > Complete Candida, Metabolic & Vitamins Test (Test for 75 biomarkers including yeast & bacterial gut overgrowth, as well as vitamin levels) - - - > Complete Stress, Mood & Metabolism Test (Discover your complete thyroid, adrenal, hormone, vitamin D & insulin levels) - - - > Complete Stress, Sleep & Hormones Test (Run your adrenal & hormone levels) - - - > Complete Food Sensitivity Test (Find out your hidden food sensitivities) - - - > Complete Omega-3 & Inflammation Test (Discover your levels of inflammation related to your omega-6 to omega-3 levels)

If you are traveling this holiday season to juggle seeing more than one part of your extended family in a short amount of time, you may relate to this question from Elizabeth: How do you tackle splitting time between families over the holidays, especially with a newborn? Both sets of grandparents live in the same town, but how do we decide when it's time to leave one place and go to the next? It's already tough keeping up eating and napping schedules when we're away from home. We hate to feel like we are disappointing anyone at this time of year, but little kids make it pretty much impossible to our extended families as much as they'd like. The key to making family visits as smooth as possible is to plan ahead, and then manage expectations. Sit down with your partner and decide which family members you can see at which times, making your children's meal and nap schedules a priority. If your families are far apart, this may involve alternating holiday visits ("we'll see your family at Thanksgiving and then mine at Christmas"). You can factor in which holidays are particularly important to individual families into your travel decisions, but this is a decision for you and your spouse to make together and then present as a united front. If weather or extra-long naps mess with your schedule, of course you can change your plans. But it's easier to improvise changes to a plan already in place than to make those plans up as you go along. Will this mean that everyone is happy with your choices? No, it won't. Will this mean that no one will make passive-aggressive comments about they just wish you didn't have to leave? Unfortunately, it will not. There will always be some push back from extended family members who may feel shortchanged about how you choose to split time at the holidays. But a good plan and firm boundaries around it, and what choices work for your immediate family, will make your holiday travel a bit calmer. Special thanks to our "Question of the Week" sponsor: Jane.com is a boutique marketplace featuring the latest in women's fashion, accessories, home decor, children's clothing, and more. By shopping at jane.com, you support small businesses, 1500 of which are women-owned. And you will not believe the prices! Visit jane.com/laughing. Learn more about your ad choices. Visit megaphone.fm/adchoices

(Elizabeth) How did Joel Chandler Harris's stories on Br'er Rabbit, Br'er Bear, and Br'er Fox go from beloved to problematic in the mid-twentieth century? In this episode, Elizabeth traces the story of how Joel Chandler Harris's work became Song of the South.     Click here for tips for Teaching with Podcasts! Or here to buy some FH Merch! We are now on Youtube with accessible captions checked by members of our team! And you can find out how to support us through our FH Patreon to help keep our content open access!

In today’s episode, we’ll talk about one of the most important tasks in our workflow. Whether you’re a translator, an interpreter, a copywriter, or if you offer any other language-related services, you have to do your fair share of research. In fact, when we don’t do our research, it shows in the final product. So, today we’ve invited a colleague to join us. She really impressed us at the last two ATA conferences with her knowledge and smart tips on improving your online research. Elizabeth Adams graduated with a degree in Russian in 1998 and moved to Moscow. It was an interesting time and place to be looking for work as a translator, and she ended up translating and editing for a wide range of companies, reading constantly, and learning on the job. Twenty-two years and three children later, her translation business focuses on plain English translations of Russian legal texts, from laws and court rulings to contracts and discovery documents. Here’s a summary of our conversation with Elizabeth:How and when Elizabeth started her freelance translation career, how it has evolved over timeWhat her typical workday looks like and what changes she had to make due to the COVID-19 pandemicWhat smart habits help Elizabeth draw boundaries between work and personal lifeWhat other smart habits have been helpful in her careerHow to ask clients the right questions when it comes to the research you need to do for a translationWhat steps translators should take when it comes to analyzing our translation projects to guide our research strategy betterHow to decide what tools and resources to use for our researchWhat to do if you lack the time to conduct proper research for your translation projectsElizabeth’s tips, tricks, and favorite tools for better online researchResources we mentioned in this episode:Elizabeth’s websiteConnect with Elizabeth on LinkedIn, Twitter, and ProZHow to set up a Google alertPerfectIt: editing and proofreading toolWordRake: editing for clarityCopernic: desktop search solutionJoin our email list to receive a free guide from Elizabeth Adams: “Search Tips for Translators”For a full list of resources, visit the show notes page for this episode: https://smarthabitsfortranslators.com/podcast-episodes/37

Today's question comes from Elizabeth: How do you address sneakiness? Having some trouble with rule-breaking lately. Things that are not totally off-limits but do have limits, like candy or screens, are appearing in bedrooms after the adults go to sleep. It's driving me batty and I'd appreciate any advice! Sneakiness in our kids can really set us off as parents. The idea that our children would directly defy our carefully established rules is often really upsetting. The good news? Our kids, especially when they are young, tend to be really, really bad at being sneaky. This means that we're going to discover the wrappers or the left-behind screens they've been attempting to hide pretty much every time. So how do we react? Margaret suggests a three-step approach: React calmly. Don't give your kiddo the satisfaction of seeing you blow your top. Offer an alternative. ("If you are hungry at night, let's start having something right before bed.") Respond with consistent consequences. ("Every time I find a screen upstairs in your room, you will have no screens at all the following day.") By taking the emotion out of your interaction, and giving your kids consistent negative outcomes, you'll remind them of the boundaries that exist, and make the sneakiness and boundary-testing less interesting. Send us your parenting questions- we might answer yours next! Email us- questions@whatfreshhellpodcast.com. * Leave us a rating or review in your favorite podcast app! * Join us on Facebook: https://facebook.com/whatfreshhellcast * Instagram: https://instagram.com/whatfreshhellcast * YouTube: https://www.youtube.com/c/WhatFreshHellPodcast * Pinterest: https://pinterest.com/whatfreshhellcast * Twitter: https://twitter.com/WFHpodcast * questions and feedback: info@whatfreshhellpodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

(Christine and Elizabeth) How do modern films portray revolutions? What are some of the things regularly included - and just as regularly left out? In the first of this special pair of episodes Elizabeth and Christine step away from their scripts and join Gil and Rutger of Pod Academy for a Summer Special conversation about 2000’s The Patriot and 2012’s Les Miserables. Christine and Elizabeth are joined by Gil and Rutger of Pod Academy Want Footnoting History merch? Check https://www.teepublic.com/stores/footnoting-history/ Able to support us through Patreon? You can find us here:  https://www.patreon.com/Footnoting_History

Modern medicine now recognizes the menstrual cycle as the fifth vital sign. By simply paying attention to what our periods are telling us, we greatly increase our body literacy and quickly regain the deep self knowledge that is our birthright. Whether you want to avoid pregnancy, optimize your chances for conception, or gain insight into the state of your health, cycle charting and fertility awareness is a safe, effective, and empowering choice. IN THE INTRO: Why rest is vital for bleeding bodies IN THE INTERVIEW: How Naturopathic medicine synchronistically found Dr. Elizabeth How getting pregnant despite being on hormonal contraceptives (HC) brought fertility awareness (FA) into her life Root cause healing v masking symptoms The deceptive history of the pill (it’s not your period, it’s a “withdrawal bleed” calculated for a specific psychological purpose) What HC actually does in the body is completely shut down communication between the ovaries and the brain, which has many consequences Millions of women have been told that the pill tricks the body into thinking you’re pregnant, but women’s bodies aren’t that dumb IUDs and inflammation There isn’t one hormone in the body that HC doesn’t effect; it creates full body dysregulation Common side effects of HC- including changing your physical anatomy down there (!) The adverse effects build the longer you’re on HC Dr. Elizabeth blows my mind and connects a lot of dots for me by explaining what happened to me when I got the depo provera shot at age 17 The menstrual cycle is now recognized by modern medicine as the fifth vital sign, and FA gives crucial insight into our overall health FA is *not* the rhythm method, and is 99.4% effective when used correctly A deep dive into what happens in the body each month during the menstrual cycle How FA both frees and empowers female bodied folk When our periods are used against us Tuning into and honoring our natural cycles of creativity and rest Breaking down the two key tracking methods of FA: cervical mucus and basal body temperature How long to chart before you rely solely on FA for birth control We aren’t raised to trust ourselves How charting your cycle and fertility signs can alert you to health problems that might otherwise go unnoticed, shine light on whether infertility is caused by lack of conception or by recurrent miscarriage, and help you know right away if you’ve gotten pregnant LINKS: Dr. Elizabeth Wade’s website Dr. Elizabeth on Instagram Medicine Stories Patreon (podcast bonuses!) My website MythicMedicine.love  Episode 20 of Medicine Stories- Herbalism, Menstruation, and Innate Knowing w/ Kami McBride Take my fun Which Healing Herb is Your Spirit Medicine? Quiz Medicine Stories Facebook group Mythic Medicine on Instagram Music by Mariee Sioux (from her beautiful song Wild Eyes) (If you're seeing this on an app that doesn't support links, find this episode at https://mythicmedicine.love/ to get them)

In the 20th episode of the podcast, we are focusing on May 31, 1692. In Salem Village, the newly arrested accused, one by one have their pre-trial examinations including Philip English, Elizabeth How, Martha Carrier and Captain John Alden. Other magistrates from the upcoming Court of Oyer and Terminar are present for these pre-trial examinations.  […]

Amidst a string of mediocre-to-bad articles about fandom in mainstream publications, Flourish demands answers from Elizabeth: How does one of these things get made? They discuss different kinds of publications, pitching, editing, differences between academic and journalistic writing, and fandom’s tall poppy syndrome. They also respond to a listener who asks whether there’s a statistical way to determine a fandom’s percentage of “filthy kinksters.”

3 Lessons from Elizabeth - How to move from jealousy to joy.

(Elizabeth) How could a line of latitude become a rallying cry for war in the 19th century? Elizabeth examines the Oregon Border Dispute and explains the myths and passions surrounding the slogan.

Stand-up comedian and author Dave O'Neil talks to host Elizabeth Harris at his office at The Grandview Hotel, Fairfield, against a backdrop of motorcycles revving their engines, doors opening and closing, and phones ringing, about: His latest book, The Summer of '82, a tribute to post-VCE life in the 80s and the shenanigans of his youth How to get started as a stand-up comedian Tips for dealing with hecklers when you're performing His days performing in the band Captain Cocoa, the Devo "Energy Dome" train encounter, and how he feels about being recognized in public His upcoming TV show. Find out more about Dave's work at DaveONeil.com.au. FULL TRANSCRIPT Elizabeth: Welcome to Writers’ Tête-à-Tête with Elizabeth Harris, the show that connects authors, songwriters and poets with their global audience. So I can continue to bring you high-calibre guests, I invite you to go to iTunes or Spotify, click Subscribe, leave a review, and share this podcast with your friends. Today I’m thrilled to introduce one of the funniest and most entertaining men I’ve ever had the pleasure to meet – Dave O’Neil. Dave: Gee, that’s a big introduction. I’ve met funnier. Elizabeth: There’s more Dave. Dave O’Neil has been in the business of comedy for 20 years, and is one of Australia’s most recognizable stand-up comics, having put in 15 Melbourne international comedy festivals and dozens of comedy clubs nationally. On screen you will have seen Dave as Team Captain in the ABC TV comedy quiz show Tractor Monkeys, as well as dishing out life advice in The Agony of Life, The Agony of Modern Manners, The Agony of The Mind, Can of Worms, plus messing about on Adam Hills In GorDave Street Tonight and Good News Week. He is probably most well-known for the honour of being the guest with the most appearances (over 50) on ABC TV’s ever popular Spicks & Specks. Dave O’Neil, welcome to Writers’ Tête-à-Tête with Elizabeth Harris. Dave: Welcome. Thank you. Lovely to be here. Pleasure to be called a writer, as opposed to a comedian. Elizabeth: Well, isn’t this your fifth book? Dave: Yeah yeah, two were kids’ books. My partner and I did them in Australia before we had kids. Elizabeth: When you had more time. Dave: We had more time, that’s right. And one’s called Lies That Parents Tell You, so I wouldn’t write that now. My daughter sits up in bed reading it and quotes it back to me. Elizabeth: How old is she? Dave: Ten. Yes, it’s tough. Elizabeth: I was at Kaz Cooke’s book launch about … Dave: On girl power? Yeah, she’s great. I’ve got to buy that book! Elizabeth: So Dave, you’ve been through so much in your career, but today I want to concentrate on your hilarious book, The Summer of ’82. Dave: Sure. Elizabeth: It’s a real feel-good book, and you cover some intense themes. Discipline. Masculinity. Sexuality. Mateship. Stalking. Dave: Stalking – that’s right. I followed a girl in Mildura. Back then it wasn’t known as “stalking”; it was known as “unrequited love”. Sexuality – there’s not much sexuality going on in there, I can tell you that. There’s a lack of activity in that department, that’s for sure. Elizabeth: You were talking about how you were giving advice to 17-year-old virgins. Dave: That’s right. A little girl at school would ask me for romance advice. I was like, that’s not who you go to for romance advice. You see, I was a nice guy, so the girls talked to me. Elizabeth: We like nice guys. So getting back to this book: What inspired you to write it, and what’s your favourite memory from summer? Dave: I always wanted to write a memoir from the 80s, and I wrote a few chapters and put it aside. I saw that TV show This is England on SBS, about the young guys growing up in the Housing Commission area, and I thought I’ve got to write something like that, because that’s in my era. But their show ended with incest and murder, whereas that never happened to me, so I thought why not write a more positive recollection of that time. So I wrote a few chapters and put it aside. And then my son started high school, and so you go to the local high school and it brought back all these memories from when I was in high school. Elizabeth: At Mitcham High? Dave: I went to Mitcham High, yeah. Back then we had a choice of the tech or the high school, and if you were Catholic, you went to Catholic school. We weren’t Catholic. So now, and I’m talking about the government schools, not the private schools – you can choose from 3 or 4 around here, so you go to this school or that school, and they’re all the same basically. They haven’t changed much since 1982. They look the same. You’ve got the oval, the canteen, big classrooms, kids sitting around, so they haven’t changed at all, so I thought I should write that book again. It brought back all those memories, and so my son started school, and that’s why I did it. That’s why. Elizabeth: Now we know. Dave: It’s just something to do. As comedians, we’ve got to have something to do, apart from studio gigs. Elizabeth: That’s good. So talking a bit about your children, you mentioned your parents Kev and Joyce – “Joyce the Voice”. Dave: Yep, “Joyce the Voice”. Elizabeth: And what I’m wondering now is, are you parenting your children differently from how you were parented then? Dave: Definitely, definitely. We got hit for a start. Elizabeth: What with? Dave: A belt. So Kev would get very angry – it’s in the book – he would get very angry, come running in in a singlet, trying to hide his nether regions, swinging a belt above his head, and whack us in the ... Elizabeth: My dad had a strap up on the fridge. I think we had a very similar upbringing. Dave: I don’t hit my children, but obviously parenting your kids back then was a bit easier, because you’d just say “I’ll hit you”, and that was a full stop to the conversation, whereas all I can do is yell at them. Elizabeth: How about cracking some jokes – does that work? Dave:  Yeah, crack some jokes, try and alleviate the situation, but my daughter in particular doesn’t like that. Elizabeth: Is that because she’s heard them all before? Dave: Yeah, she’s heard them all before. “It’s not funny Dad!” My mum and dad were pretty involved with us. My dad was a Scout leader and staff, so we spent a fair bit of time with him. He was a good role model, and Joyce was introvertly involved in our lives. But he’s even more involved these days – at school pickup and all that. There’s a lot more dads involved now. Elizabeth: That’s fantastic, so you’ve got that support as well. When we met at your book launch, you told me that you only know comedians. Dave: It’s true. I don’t know any writers really. Elizabeth: Well, you know me. Dave: I know you. And I know Arnold ... who lives around here, who wrote Scheherezade Cafe. He's famous! (Ed: Cafe Scheherazade by Arnold Zable) Elizabeth: Maybe you can introduce me to Arnold. Is that like Arnold on Happy Days? Dave: (Laughs) He’s had a book out called Fido – the Box of the Fido. Elizabeth: I can’t believe I made Dave O’Neil laugh. Dave:  So I see him on the street here, in Fairfield, and I talk to him about writing and stuff. Elizabeth: That brings me to something about fame. You’re a very famous star. Dave: Not that famous. Elizabeth: Well, we think you are. So, what we want to know is, do you like being recognized when you’re out and about, or does fame have a downside? Dave: No, my level of fame is pretty small, so people like Dave Hughes or Glenn Robbins, or Carl Barron for instance – they can get hassled all the time. Elizabeth: Well, in my network, I have a number of people who would love to meet you. Dave: Really? Well, tell ’em I’m around. Elizabeth: And they’re going to be really disappointed that here we are, at the Grandview in Fairfield – it’s a stunning place, gorgeous building, lovely people. Dave: They’re nice people here. Elizabeth: Michael? Dave:  Michael and Noah, yep. Elizabeth: Jenny? Dave: Michael, Noah and Jenny – they’re all the higher level management here. Elizabeth: They are, and they made me feel very, very welcome. Made me a coffee. Smiled and when I offered to pay, wouldn’t take my money. It’s fantastic! Dave: Ah that’s good. I didn’t tell them – you tell someone and they pass it on. It’s all on my tab, probably. My level of fame is not that high. Occasionally when you go interstate – the more you go interstate like Queensland – people get excited about you, but certainly around Fairfield Road, no one cares about you. Elizabeth: Well, they could have chimed some…”Captain Cocoa”… Dave:  What, with the band? That’s right. Well when the band broke up, someone did say, “How is Dave O’Neil going to be famous now?” Ambition for fame… Elizabeth: Let’s stop right there. Was it to meet girls? Dave: Probably. Definitely not music. We went and saw bands, and just thought: Why can’t we be in a band? And the guy at high school was … famous 80s band … “hands up in the air”…I didn’t see it. And so we thought, that’s the way to meet girls, get up on stage. Elizabeth: Did it work? Dave: Well, I met Sonia, who…but anyway, definitely does work. Being in a band definitely does give you the attention you want as a teenager. We used to play at Catholic girls’ schools …dances …You didn’t have to be good; we weren’t good musicians. Elizabeth: I want to talk about Sonia. You did invest a lot of time and you write about that in your great book. Then you say you end up having a better relationship with her younger brother. Dave:  Well, that’s right. What happened was that I hitchhiked to Mildura to see her on New Year’s Eve to surprise her. And she was surprised, particularly her dad. And they gave me a lift to the caravan park where I stayed for New Year’s Eve. And the younger brother – I can’t remember his name – he was a great kid, and so we got on really well. He’s probably a year, two years younger than me. Was it Shane – Shane? So we ended up hanging out together. Elizabeth: Was it Malcolm? Dave:  Malcolm, that’s right. And we got on really well, whereas Sonia and me didn’t get on well. Elizabeth: Well, that might have something to do with the boyfriend too. Dave: She had a boyfriend who I also got on well with. Probably married, those guys. So, yeah, good times. Elizabeth: So getting back to that, I just want to know, for all those young men who think they’ll never get a date, much less have a child: you’ve had three, haven’t you? Dave: Yes. Elizabeth: What dating advice can you offer? Dave:  Dating advice? That’s a good one. It’s been so long since I’ve gone on a date…not since the 80s. Surprise question – dating advice. Ask someone out – you know a good thing is to ask someone out for a drink or for something during the day. That’s what I read on some dating websites. Ask someone out during the day where there’s no pressure. At night I think there’s a fair bit of pressure. I reckon ask them out for a drink during the day or late afternoon. Elizabeth: What about a play date? Dave: Well, if you’re parents, definitely. Elizabeth: That seems to work well. Dave: Yeah, I think in our age group - I Dave’t know how old you are, but I’m middle-aged – there’s definitely a bit of that going on with divorce and separated parents. And fair enough. Elizabeth: And there’s a really good place to go in St Kilda called St Kilda Adventure Playground. Dave: Oh, I’ve never been there! Elizabeth: It’s great. Dave: That’s great. Elizabeth: And there’s a fellow who runs it – he’s a youth worker but he’s also a musician. Adrian Thomas. Check him out – he’s fantastic. So what do you like to do in your spare time? Dave: I like to watch TV. Elizabeth: Yourself perhaps? Dave: Not myself. I don’t like watching myself. I did a spot on one of those comedy galas this year. I hadn’t seen it; I watched it, I thought it was pretty good. I’m pretty happy … I was judge of myself. Elizabeth: Of course it’s good. Dave: What happened is…so I spend a lot of time with 3 children. Once I get them to bed at night, or if I’m home during the day, I do like to watch a bit of TV. And I watch a mixture of – I watch a few movies but more serious these days. There’s a mixture of comedies and drama. I do like a good drama, you know like Vikings or something like that. Elizabeth: I’m a fan of Doc Martin myself because I’m a nurse. Dave: Oh ya Doc Martin. Is he Aspergers? Yeah, must be Aspergers. I’ve been watching … the comedy show … it’s quite funny … so I watch that, get some laughs out of that. What else have I been taping…oh yeah…West World on Foxtel. Elizabeth: Oh yes. More fun to watch yourself, you know. Dave: Watch yourself? Yeah, no thanks. Elizabeth: What I’d love you to do is share an excerpt from your great book. Dave: Sure. Do you want me to read it to you or tell you it? Elizabeth: Whatever works for you. Dave: I’ll tell you a story. This is the story of The Bomb, the laying of The Bomb. Basically, what happened was we finished school and we went home. No, we went and registered for the dole, and then we went home. Elizabeth: As we all did. Dave: And my kids said to me, “How did you know how to make bombs before the internet?” Well, we didn’t need the internet. We had this chap called Brian every night, 6 o’clock. He used to tell us everything we needed to know on the Channel 9 news every night. Elizabeth: Can you sing the song? Dave: (Sings) “Brian told me, Brian told me, Brian told me so I know everything I need to know, cos Brian told me so.” Elizabeth: Great tone. Dave: Great tone, yeah, I wasn’t just a comedian; I was a singer. So you can imagine these four teenage boys and Mum and Dad, and we couldn’t see the TV – Dad was the only one who could see the TV – we could hear it. He positioned himself in the chair that sits there. So we could hear it. We heard this Brian guy say: “Two boys were arrested today in suburban Adelaide for making homemade bombs.” We were like, oh my God, you could hear a pin drop in the house. Then he told us how to make it, by using chlorine and brake fuel. We were looking at each other, like, we’ve got chlorine – we’ve got a pool – and we’ve got brake fluid; Dad’s a Trades teacher. “So can we please be excused from the table, Dad?” Within 10 minutes we were making bombs. So the next day we got my mates together and we made – we decided to up the ante and make some really big bombs. And we made this great bomb, but we didn’t want to throw it; we were gutless like any terrorist organization, so we recruited younger, stupider people like Phil, who lived in the house backing here on the paddock. He stuck his head over and said, “What are yous guys doing?” So we got him to throw the bomb, and he threw it. And it bounced – boom, boom – and it sat there, and then it went BANG! Real loud explosion, the biggest one we’d made. It showered us with dirt, and we were all laughing, and the neighbours came out. An old lady said, “It shook the foundations of my chook shed!” And we’re like “It works!” And then the cops turned up. We heard it. The car screeched up, the doors go, a cop pulls out, and we recognized him – he went to our high school, he was one of my Dad’s Scouts from his Scout trips – obviously he was in his twenties now. Darren, his name was. And he gets out, and it was the easiest case he’d ever solved. He looked at the bomb, then he looked at our house, and he was like “Oh yeah, case solved.” And then Dad had rocked up. Dad thought Darren had just dropped in to see his former Scout leader, and Dad goes up to him and goes, “G’day Darren, how are you?” And Darren goes, “Ah, this is no social visit Kevin. Do you recognize these containers?” “Yeah, they are my sons’, sitting in the garage.” And we were like, “Oh no…” So we went to the police station. And the bomb expert from India was on the site, and he couldn’t work out what was in the bombs. And he said, “What’s in the bombs?” “Chlorine and brake fluid.” And he’s like “How’d you know how to do that?” And we went, “Brian told me.” “RIGHT, WHO’S BRIAN?!” So we sang: “Brian told me, Brian told me, Brian told me so”. I love that story. Elizabeth: Such a great tune, isn’t it. Dave: Yeah, it’s a great tune, and they used it in Sydney too, you know. Brian Henderson. Value for money. That’s in the book – lots of detail about the 70s and 80s in The Summer of ’82. Elizabeth: See, that crime history continued because being from a family of four boys … your brother Mark captured my attention. Dave:  Yeah Mark’s quite a character in the book. That’s what my mum said the other day: “You were the worst, and now you’re the best.” He’s very good with Mum and Dad. Elizabeth:  He was a slow starter. Dave: He was a slow starter, classic middle child out of four boys, and he was very naughty. Got in trouble a lot with the police and he got kicked out of school for setting fire to the chemistry lab. He was meant to be getting changed for Oklahoma I think it was, and he set fire to the lab, and got kicked out. Elizabeth: See, I’d actually like to read this – I know you don’t like to, but I do. Dave:  Go on. Elizabeth: Page 88 – you write: “We’re talking about a kid who’s kicked out of school for setting fire to the chemistry lab while he was meant to be getting changed for his part in the school musical. Hmm, there’s young Mark in the lab where he’s supposed to be putting on his farmer’s overalls to sing in Oklahoma. Wait! The chemicals are too tempting, so it’s time for a quick experiment. Va-voom! Up in flames the lab goes.” See, I have a brother who is an illustrator. His name is Bernie Harris, and he’s going to illustrate my second children’s book which will be out next year. But he’s similar to Mark in that he used to enjoy lighting the Bunsen burners in the chemistry lab. Dave:  Ah yeah, they’ve still got Bunsen burners too. Yeah, Mark was very naughty. Elizabeth: So the difference between our brothers was that he wasn’t caught. Dave:  Yeah, right, Mark was caught. Elizabeth: But you had your own way of managing Mark when your parents were away. Do you call it “MYOB Night” or “M.Y.O.B. Night”? Dave: Oh. Make-Your-Own? Make-Your-Own. Elizabeth: You were very inventive Dave, and strategic in managing your brother. Dave: Yeah, he was put in charge of us when Mum and Dad went on holidays, and at that stage he was an apprentice at Telstra. And so he would invite his mates over for a card night. And I was working in a factory and I had to get up early. And he was like … Elizabeth: You get Endangerment, don’t you? Dave: Yeah, I was working in a factory and you look at the pay packet and we got Heat Allowance and Dust Allowance. It wasn’t a great job but it was certainly a wakeup call. If I’d done the job at the start of Year 12, I probably would have studied more, I think. Should have done that. But Mark … Elizabeth: There was something about connectors and fuses, I think. Dave: Ah yeah. He invited his mates over for cards and they were having this big party, and I pulled the fuse out of the fuse box, threw it out on the lawn, and went back to bed. And the music went (mimics sound of music dying out suddenly)… And he blamed the neighbor of course. So I think when he read the book, he found out it was me. Elizabeth: It was brilliant. So that job, crawling through those … crawling through those tunnels. And the hot dog … Dave: Hot dog shop. Elizabeth: With Cindy. Dave: With Cindy. So I got a job in a hot dog shop: Alecto Hot Dogs on Toorak Road. People from Melbourne may remember. Elizabeth: Sorry I don’t remember. Dave: You don’t remember Alecto Hot Dogs ’92? Yum. So I worked at Alecto Hot Dogs with a girl named Cindy, whom I eventually went out with. She was dressed up like Boy George or Hazie Fantazie and she had all these outrageous outfits. Turned out she was from Mitcham where I lived; I’d just never met her. She was a Catholic and I was Protestant. Different sides of the railway track. So that was very exciting. But I eventually got sacked from the hot dog shop because the owner accused me of stealing the rolls and selling them to an opposition shop, when in fact I was just eating them. Elizabeth: Was there proof of that? Dave: Yeah, I was eating them. But then my twin brother was also working there – I have a twin – and he got a full-time job so I just took his job, the part-time job, and kept turning up as him. Elizabeth: Are you identical? Dave: Yeah. And they’d say “Didn’t I sack you?” And I’d say “No, that’s my brother.” He’d probably be 20 kilos lighter than me now. He lives in Switzerland; he works for Red Cross. He’s the good twin; I’m the bad twin. He’s doing good stuff. Elizabeth: The ability to make people laugh is such a gift, and not everybody can do it. Dave: Not everybody can do it. It takes practice. Eizabeth: So tell me about that. Dave: Making people laugh? When I was at school, I was pretty funny, and when I was at uni and stuff, a few girls said “You should be a stand-up comedian – you’re quite funny.” Now when you’re in your twenties and girls say that, that’s a call actually. Elizabeth: Means something, doesn’t it. Dave: Yeah it’s a call actually. You should do it. And so I always wanted to do it; I didn’t know it was a job. I had no idea, especially in the 70s – comedy wasn’t prevalent, it was fringe. There are a few comedy clubs that have started, but maybe one work function with comedians. We’ve seen comedians on Scout camps; we used to have comedians turn up to do gigs on Scout camps. So it was definitely something I wanted to do; I just didn’t know how to do it. I thought it was something too out of my reach, but turned out anyone could do it, if you wanted. Elizabeth: For those that want to launch their comedic careers, is it really the hard slog of gigs and being heckled? And if so, what’s the best way of dealing with the heckling? Dave: Well I don’t get heckled much anymore, but certainly when you start out, and you’ve got to do a lot of bad gigs – they call them “Open Mic Nights “. Anyone can get up and do it – and if you have an inkling, there’s plenty of them around now, more so than when I started. I would advise people to go and have a look first, and then approach the person running the night and ask to go on the next week and just jump up – write some stuff down and jump up and do it. The hecklers? Best thing to do with hecklers: repeat what they say. So they say: “You’re a fat idiot.” And you say “What did you say, mate? I’m a fat idiot?” Which lets everyone in the room hear what they say. Because a lot of hecklers do it so no one else can hear what they say, especially in a big room. “You’re a blah-blah.” “Oh really, mate.” And so you repeat what they say, and then you think of something really quick to say back. It doesn’t even have to be that funny; it just has to be quick. I can’t think of any Elizabeth: On the front cover of this great book, you are pictured wearing a Devo Energy Dome, Dave. Can you explain the impact it had in your life, and what the proclamation “Are We Not Men?” means? Dave: “We are Devo”. I don’t know what it means – just something they say in one of their songs – album name. Elizabeth:What it means more so on the train? Dave: Oh on the train! We went and saw Devo. They had a 9-day tour; they had a few No. 1 hits in Australia. Elizabeth: What were they? Dave:  “Whip It”. “Girl U Want”. Elizabeth: You’re not going to sing to me. Dave:  No. “Whip It cracked that whip…one sat on the greenhouse tree…” Elizabeth: Did you bring your guitar? Dave: No. I play the bass. Anyway, so we went and watched Devo. It was a great night and we were all dressed up in our best; we were slightly alternative kids. Elizabeth: Does that mean you used to wear makeup? Dave: No, I didn’t wear makeup, but I had makeup on that night because I’d been rehearsing for The Game Show, which is a TV show. They’re really cool people…and so we dressed up in our best trendy gear: nice jeans and lemon vintage jumpers. Elizabeth: Lemon. Dave: Lemon vintage; might have had a pink one if someone was in a brave mood. Then we had these homemade Devo hats, these red flower pots Mum had made. Elizabeth: Joyce made them! Dave:  Joyce made them. Crafty. And so we were on the train. We were on a high, singing these Devo songs. Unfortunately for us, The Angels and Rose Tattoo were playing the Myer Music Bowl that night, and all their fans had gone on to Richmond, so this was a classic case of “last train out”. Elizabeth: For those that weren’t kids in the 80s, tell me about The Angels and Rose Tattoo and Henry Anderson. Dave: Yeah, bald-headed guy, tattoos. They’re basically hard rock; they’re a great band. They have fans who are hardcore bogans, so guys from the outer suburbs in mullets, stretch jeans, moccasins – tough guys. Elizabeth: What sort of suburb are we talking about? Dave:  We’re talking about Moroolbark, Lilydale, Ringwood. I grew up in Mitcham – there are plenty of them in Mitcham, so they would get on the train and they would look at us and be like, “What the … who are these guys?” And so we were like their enemy. And so one of them came over and he didn’t know where to start, so he started at the shoes. “Where did you get your shoes from?” And I’m like “The shoe shop.” And he’s like “No, you got them from the op shop.” Like that was an insult. I wanted to ask “Where did you get your language from? Your nan’s wardrobe?” But I didn’t say that. I was hoping my Energy Dome would transform itself and he would get picked up and thrown out of the window. Elizabeth: But it didn’t work. Dave:  It didn’t work. And he’s like “Do you have makeup on?” And I went “Why would I have makeup on?” I did have makeup on. So I had come from The Game Show rehearsal and I did have foundation and lipstick on, and I had forgotten to take it off. And he goes “I’m going to bash you!” And at that point in the book – when I do it live, it’s different – … came through the carriage. He was the tough guy from high school – he’s now a lawyer – and he came through the carriage, and he was a big Greek guy, and he was a big Devo fan so we got on very well. And he was like “What are you…?” and he pushes this guy aside – “What are you doing to him?” And then these guys “Yeah, nah, nah…” and then we pull up at the station. They pull the door open and he fell out on the wrong side of the track - the tough guy. Classic tough guy move – they pull the door when they’re not meant to, and then jump out. He jumped out on the wrong side of the tracks and fell on the tracks so all his mates laughed: “Yer, Gary!” Elizabeth: Oh, his name was Gary. Dave:  Yeah, Gary, classic name. And then everyone was like “Are we not men?” And then we were like “Yeah, we are Devo!” and we were chanting on the train. Good times. Elizabeth: Well, the whole book’s great, cause I’ve read it cover to cover. Dave:  Oh, good on you. You’re the only one. Elizabeth: No, I’m sure many, many people will be reading it, especially after our podcast goes live. Dave: Cool. Elizabeth: No, truly. What’s your next project, Dave? Dave:  I’ve written a TV show that I’m going to film soon. I’m just doing a pilot though; it’s based on my life as a stand-up and dad, so we’re going to film it soon, in December. Elizabeth: Can you talk about the people involved in it? Dave:  Oh yes of course, it’s based on my life as a comic, so I play myself. Glenn Robbins is in the first episode - he plays himself, because I’m always trying to get him to do charity gigs. He plays himself. Brendan Fevola - he plays himself. Well, it’s all based on an incident where I did a football club gig 15 years ago, where I insulted … I didn’t know Lance Whitnall - Carlton legend – came from that club – that was his original … and his mum was there when I made it. So I’m using Brendan Fevola in this. I’m too scared to ring Lance Whitnall, let’s be honest. So I know Brendan Fevola and I rang him, and he’s like “Yeah, yeah, no worries!” So that’s going to be out next year. I’m also working on a comic novel – I’ve written a chapter of a comic novel. I had no plans to do it at all, but I got this idea, so I started writing it, and I think it’s pretty funny. Elizabeth:  Of course it’s funny – it’s you. What else would it be? Dave:  And again it’s a satire based on the entertainment industry. Elizabeth:  That would be interesting, and funny. Dave:  I’ve got to change everyone’s name. Elizabeth: Are these people going to be recognizable? Dave:  Yes. Elizabeth: Of course they are. (Laughter) Dave:   There’s an amalgamation of people in there – part me, and other people, you know. Elizabeth:  Composite characters. Dave: Composite characters, so you don’t get sued. Elizabeth: So do you have a website or blog where my listeners can find out more about your work? Dave: Yes. Just go to my Facebook page. I update my Facebook page a lot. It’s “Dave O’Neil”. But if you just go to my website – dave-o-neil-dot-com-dot-au - there’s a link to my Facebook page. I don’t update my website that much, but I do update Facebook a lot because it’s so easy. I’ve got a public page, like a fan page. I don’t spend any time on my personal page at all. Elizabeth: So Dave, this is a signature question I ask all my guests because of my book, Chantelle’s Wish: What do you wish for, for the world … Dave:  World peace. Elizabeth:  … and most importantly, for yourself? We’ll start with you. Dave:  For the world? Well, as Rodney King once said, why can’t we all just get along? Elizabeth: Good point. Dave: That’ll be good, if everyone got along. I don’t see wars stopping, but if we just looked after the – I saw this great documentary about astronauts, and this astronaut, when he was up in space, he looked at the earth and he said, “It’s like an oasis, and we’re killing it.” So, interesting from an astronaut, ‘cause they’re like military guys, you know what I mean? So if we could look after the planet, that would be good, but I don’t know what I can do, you know. I do the occasional benefit. Elizabeth: I was going to say you mentioned fundraising; let’s talk about that. Dave: More of my benefits are for schools - local schools and kinders, that’s what I do, just because I’m in that world. Elizabeth:  They must love that, though. That really helps them. Dave:  I do benefits, and I’ll tell you what, if the benefit’s no good, I just get up on stage and I say: ‘I’m here to support the cause. See you later!” Some of the people have benefits in bars, and people are talking and not listening, and I think, “What’s the point?” Elizabeth: Well, I’d like to invite you to help us out. Pat Guest – he’s a children’s author, and he has a son, Noah, who has Duchenne’s Muscular Dystrophy, and we are creating an event where Rosalie Ham, author of The Dressmaker, will be there. Dave:  Oh wow. Elizabeth: She’s got a book out called There Should Be More Dancing. Aric Yegudkin and his wife Masha will be dancing, so he would like to do a bit of … Dave:  Sure. Elizabeth:  And all the donations will go to Duchenne’s Muscular Dystrophy to help those kids, because unfortunately that is terminal. Dave: Alright. Elizabeth: And I’ve nursed a couple of those children, so it’s … Dave: Full on. Elizabeth: It is full on. Dave: Yeah, I can help with that. Elizabeth: Thank you. So thank you Dave O’Neil. Dave:  Thank you for having me. Elizabeth:  It’s been an absolute delight. Dave O’Neil, thank you very much for guesting on Writers’ Tête-à-Tête with Elizabeth Harris. Dave:  Thank you. [END OF TRANSCRIPT]

(Elizabeth) How did passenger pigeons, which numbered in the millions in the mid-19th century, become extinct in just over 50 years? Elizabeth explains the birds’ sudden decline as she discusses the life and death of Martha, the last passenger pigeon.

Patrick Guest is an Australian children's author, Olympic physiotherapist, and father of three. He is most noted for his children's books That's What Wings Are For - dedicated to children with Duchenne Muscular Dystrophy, and their parents, and The Ricker Racker Club, written for his boys when their baby sister joined the family. Find out more about Patrick's work at PatrickGuest.com.au. What you'll learn: 1. What Patrick's first career was, and why he gave it up for writing.2. The true story that inspired Patrick to write That's What Wings Are For.3. How The Ricker Racker Club is being used to touch and inspire school children in Melbourne, Australia. 4. What success means to him. FULL TRANSCRIPT Elizabeth: Welcome to Writers’ Tête-à-tête with Elizabeth Harris, the show that connects authors, songwriters and poets with a global audience. So I can continue to bring you high-calibre guests, I invite you to go to iTunes, click Subscribe, leave a review, and share this podcast with your friends. I’m delighted to introduce children’s author Patrick Guest (PG) – father of three, Olympic physiotherapist, children’s author. Patrick Guest – born into an ever loving, ever growing family, 7 siblings, in the beachside suburb of Seaford, Melbourne, Australia. Patrick was blessed with all the things that make a childhood magical – plenty of family, friends and freedom to explore this wonderful world. An assortment of careers along the way – cobbler, elephant washer, failed accountant, anatomy demonstrator at Monash Uni, national team physio for Mozambique. Little wonder he’s been dubbed the Forrest Gump of Frankston. Adventures and stories seem to follow him around and now he’s writing them down. 5 books, (signed with a little hair) in the past 2 years, many more in the pipeline. Patrick Guest, welcome to Writers’ Tête-à-tête with Elizabeth Harris. Patrick: Great to be here, Elizabeth. Elizabeth: Great to have you here, Patrick, on this lovely sunny day in Melbourne, believe it or not, we’ve got the sun. Patrick, we recently discovered we attended the same secondary college.  Patrick: We did. Elizabeth: I had to smile when I read you initially became an accountant. Please tell my listeners about that transgression - and how you escaped. Patrick: Ah, the transgression. Let’s start with that. Look. Fear, insecurity, there was a recession kicking in. But really I think, as a 17-year-old, having to work out what subjects to choose, I didn’t know how to make that decision at 17. Elizabeth: So you did Economics … is that right? Patrick: Economics, Accounting, Legal Studies, Maths. I was really probably inspired at that time by my favourite TV show, Family Ties – Michael J. Fox. Elizabeth: Wasn’t he great? He’s great. Still. Patrick: At the time, I think back now – what a dork he was – it probably says a lot about what a dork I was and still am. I thought he was cool. Elizabeth: He was funny, and you’re funny. Patrick: He was cool, and I thought “Who do I want to be like?”, and I thought “Michael J. Fox”. I went down the corporate path, which was a terrible decision. I don’t regret it – I made some friends for life, and I realized early on that money doesn’t make you happy. Elizabeth: It’s such an important lesson at that age, isn’t it, cause many people learn that quite late, if at all. Patrick: Yeah, so that’s something that has stayed with me, and I’m really grateful. Elizabeth: Was there a pivotal moment when you realized “This accounting thing is just not me”? Was there an incident? Patrick: There was. Elizabeth: Can you share that, or is that private? Patrick: No, no, let’s share this. It’s all about sharing in this session. So I’m walking down Flinders St Station, and I’m walking down in my suit and tie, down the ramp… Elizabeth: How old were you at the time? Patrick: It would have been in my first year out of graduation, maybe 22 or something. 21, 22. Walking down the ramp, with cattle class, just walking down, we were all off to work. Against the flow, this lady came through the crowd and just gently put her hand on me and said, “Smile!” Elizabeth: (Laughter) I promise you it wasn’t me. Patrick: She just said “Smile” and I’m walking down – I must have looked so miserable. Elizabeth: Was she an angel or a real person? Patrick: I don’t know. But I hear where you’re coming from there, because from that moment – and I blame Banjo Patterson – and maybe my dad for putting me onto Banjo. Elizabeth: Why? It’s good to blame other people, isn’t it? Patrick: My favourite Australian poem would be The Great Clancy of the Great Overflow… Elizabeth: Oh wonderful. Patrick: …And where Banjo writes: And the hurrying people daunt me, and their pallid faces haunt me   As they shoulder one another in their rush and nervous haste, With their eager eyes and greedy, and their stunted forms and weedy,    For townsfolk have no time to grow, they have no time to waste.   So that poem was just ringing in my ears as I was off to the office sitting there, and from that moment I had come to the end of my fancy – I had a lot to change with Clancy. But I doubt he’d suit the office, Clancy of the Overflow. And for someone who had had that instilled in him, the spirit of adventure at a very young age, and parents – wonderful parents that had fostered that– and here I am in this shoebox, little partitioned office thing, and it just wasn’t for me. Elizabeth: Soul-destroying. Patrick: Soul-destroying. For some people it isn’t, and some of my best friends have continued along that path, and it’s a great path for them, but for me it wasn’t. Elizabeth: We need everybody, don’t we, the array of professions and tradespeople, everybody to do their bit. But you had much more important things in store, Patrick. Which brings me to – our school was really quite traditional in lots of ways, being a Catholic coed college, with all the gender bias that goes with that. And I remember going back to Economics, and I remember being one of the few girls in Chemistry and Economics, because it was always the boys who were going to be the accountants, and the girls were going to be teachers or nurses. And in fact I did go on to be a nurse, but I was very happy to do that. So to me in our school, there was a real gender bias. And you address this in your fantastic book, The Ricker Racker Club. Can you tell us more about this great book please? Patrick: The Ricker Racker Club is based on a real club, invented by real people: my two boys, Noah and Reuben. So Noah and Reuben were roughly 4 and 3 at the time when the Ricker Racker Club was formed. And there was one hard and fast rule: No Girls. (Laughter) There were a few other rules: do something incredibly brave, do something incredibly kind, but the real rock-solid rule was No Girls. And then what happened… Elizabeth: I’m sure that’s changed now. Patrick: …They had themselves a sister, little Gracie. Gracie was born, and really the story of The Ricker Racker Club is what happened next after Gracie. Now Gracie is perfectly named. She is pure grace, she is pure joy. She does have an intellectual disability, and her capacity for joy is extraordinary. And she would – as happens in the book – walk up to the wolf next door and give the wolf a big hug. Her courage, her kindness, her unique joy, won the boys over very quickly. They won us all over, and the story sprung from there. Really, it’s a celebration of the joys of being a kid, and the innocence of these rules. They’re not coming from a nasty place, these rules – just boys being boys. But then, just the power of kindness, if there’s one thing that runs through all my books, it’s the power of kindness… Elizabeth: Yes, definitely. Patrick: …to change hearts. So that’s how that happened. And really The Ricker Racker Club is about a father saying to his two sons, “Be good to your sister.” Elizabeth: And you do it so well, Patrick. Patrick: And so it’s done really well. Elizabeth: When did you know you wanted to be a writer? Patrick: From the moment I could write. So I started very young. I do remember a series, ‘Powerful Patrick’. And I must have been about 5 or 6. I was doing the pictures back then and I was stapling them together, making these little books. And I’m sure Mum and Dad delighted in them. But I’m not sure anyone else did. Elizabeth: Have you still got them? Patrick: I haven’t been able to find them. Elizabeth: Oh no. Patrick: I hope I can find them one day. Mum was always a little bit of a hoarder, so it’ll be somewhere in the house. They’re still in the same place I grew up in, so they’ll be somewhere in that house. So I’ve been a natural storyteller my whole life. The vehicle for that telling a story was just verbal stories and emails and love letters to Lisa my wife … I’ve always found a way to put things on paper. But certainly through the barren accounting years, then really trying to work out where my lane was that had been lying dormant, and then the birth of Noah – my first son, Noah – came a flood of stories and the desire to get these things down on paper. The rest is history. Elizabeth: What was it particularly about that event - the birth of Noah – that opened the floodgates, so to speak? Patrick: Well the birth itself…even before the birth I was starting to work on a book. But it’s, I think it’s just this natural, just as we have a desire to breathe, have food and water, a desire to be heard and understood, and then as a parent, it’s just this innate desire to share stories and to bond through stories. Elizabeth: Legacy. Patrick: Legacy. What my dad did was the same with me. My grandfather – I vividly remember my grandfather declaring over me that “You’re going to be an author one day.” Elizabeth: Oh wow. Did he write? Patrick: My grandfather, no. It was more my grandmother – she was a gifted storyteller. She kissed the Blarney Stone a few times, Ma, and... So it’s flowed through, that Blarney Stone – the kissing of the Blarney Stone gift has been passed through, through Grandmother to my dad. Elizabeth: We have a similar heritage then. Patrick There you go. And I can see it in my kids as well. Noah and Reuben, they love telling stories and they love hearing stories. So it’s been passed on for sure. Elizabeth: That’s fantastic. Can you advise all the aspiring writers out there how to get started, and more importantly, how to keep going? Patrick: How to get started… I can only speak, maybe quote Oscar Wilde: “Be yourself. Everyone else is taken.” So I can only speak from the authority of my own experience. I don’t have a technique or a tactic or a ritual that I go through. I pray. I pray, and one thing that I’ll say to people when asked this question – again I don’t want to get too preachy here – but if you want to get creative, it helps to get in touch with your Creator. That’s all I can say. That might be a bit controversial but for some ears, but that’s what works for me. I don’t get on my knees and say “God, give me another book!” Elizabeth: “Give me a bestseller or a …” Patrick: “Give me a bestseller!” What I actually do is I surrender my agenda. Elizabeth: So ego is left aside. Patrick: Ego is left aside, and any preconceived ideas are left aside. So I’m not sitting there going “Give me inspiration”. I’m giving myself out, and saying “Take away”. Elizabeth: Use me, as a conduit. Patrick: “Use me”, and if that’s to be the best barista in Mornington, or go back to my cobbling beginnings, or elephant-washing beginnings, so be it. So most of – no, really all of – my flashes of inspiration you could say… There’s that great poem by Rumi, Listening, where he says, “When that voice speaks, may I sell my tongue and buy a thousand ears.” So when I’m hearing that voice, that is always followed by a period of prayerfulness or meditation which just opens up that creativity. Sounds easy. I know when I hear that voice, and I sell my tongue, I know that there’s a double emotion. Joy, and dread. Because I know that I’m in for some hard work. Elizabeth: ‘Cause writing can be hard work, can’t it. And the discipline that’s required – and you know you may not particularly feel like writing that day – but you have to put one foot in front of the other and keep going. Patrick: Yes, so back to the question, which was “How do we keep going?” How do we start? For me, I don’t really start until I’ve heard the voice, I’ve heard that voice, I’ve heard that spark of inspiration. How do I keep going? I know that I won’t have peace until it’s done. So I’m listening to that voice but I also know that it’s a collaboration after that. So I’m seeking opportunities to get it on paper or get it onto the computer. And they are taken in the busyness of my life with 3 young kids and a fulltime job as a physio. I have to be creative just to find that time. So often it’s my wonderful patients – patient patients – lying on the physio plinth – and I’ll just seek an opportunity to say, “Now that you’ve got all those needles all over you, there’s no way to run out of here. Would you mind listening to my latest? What do you think of it?” Elizabeth: Do they come back for another appointment after that, Patrick? Patrick: Normally they do. I don’t think I’ve managed to scare anyone off yet. Elizabeth: I might need to book for a session. Do I have to have a needle? Patrick: Not always, but it does – has that influence on my clinical judgment. Might be, if I’m honest. But I call it ‘bibliotherapy’. That works well, so I’m looking for opportunity. Sometimes I’ll pull the car over and send myself a text message for a sentence. Or middle of the night, off to the computer, or scribbling in bed on a bit of paper. I don’t have a routine about how to get these things down. Elizabeth: 2 a.m. is a common time for me to receive a sentence too. Patrick: In the shower can be a good place – you can scratch it into the wall, into the mist, write it down, whatever it is. But I’m in the posture of seeking the opportunity to find that time to write that down once I’ve heard that voice. Elizabeth: Can we talk about your work – who you work with, the wonderful men and women that you care for? Can we talk about that? Patrick: Yes, so 2 days a week, I work at the medical centre at Victoria Barracks, which is a service based in Melbourne. They are wonderful, so when I first started working for the military, I had a bit of a chip on my shoulder about war and the work of the military. Elizabeth: In what way? Patrick: I’d been a bit of a hippie, a bit of a peace lover, a bit biased against the war machine, or whether it’s a valuable service that the Army and Navy and Air Force offer. And then you get to meet these people and hear their stories. Elizabeth: Amazing. Patrick: Amazing, the sacrifice made. I see the plague of PTSD is becoming more public or known as an extension of the epidemic of general mental health problems in the world. As a physio you get a front row seat really, and you get the rare – it’s a real privilege to offer probably two of the greatest needs of the human being: to be heard and understood, and to be touched. Elizabeth: Yes. Beautiful. Patrick: To be touched. There aren’t many mainstream medical professionals that offer both. So as a physio you’re in a really good place and space to offer that service and in that way to gather stories. So in that way it does feed into the other half of my career, which is becoming more than half really, the writing side of things, and the gathering of stories from the confessional plinth is part of that, and the sharing of stories is part of that. Elizabeth: They’re exceptionally lucky to have you. Patrick: Goes both ways. Elizabeth: You’ve had wonderful success with your book sales. What does success mean to you? Patrick: About three bucks fifty? (Laughter) So I remember when my amazing editor and publisher Margrete Lamond sat me down – we met face to face for the first time – she’s based in New South Wales – one of her first pieces of advice was “Don’t give up your day job!” Elizabeth: I’ve had the same advice before. Patrick: So in terms of success it’s been humbling and mind-blowing to think that That’s What Wings Are For – my first book – has cracked the magical 10,000 books sold in Australia within 6 months. Elizabeth: Wow. Congratulations. That’s wonderful. Patrick: So now we’re into our second year of sales. I’m not sure where we’re up to now, but has been picked up internationally and translated internationally to Chinese and Korean and several other languages. What does it mean to me? It means that – it gives me a voice, a chance to talk to your lovely self, and to visit schools. I love that side of being a writer. Most writers are more comfortable in a darkened room tapping away. To my surprise, I was a very reluctant public speaker but I absolutely love going out to the schools. On Wednesday, I had a full school assembly, hundreds of kids there, and the audience and ability to speak and share… Elizabeth: ‘Cause you make that fun, don’t you. We’re just going back to The Ricker Racker Club for a moment, and can we know how you make that fun for the kids? ‘Cause the parents listening there would be really interested – we know we’re there to do hard work but school can be fun as well. So how do you make it fun for them, Patrick? Patrick: Well, The Ricker Racker Club – I invite everyone to join this very exclusive club, The Ricker Racker Club, IF they pass the test. So I read the story, but along the way we pause and issue challenges to the members of the audience to come up on behalf of the whole school, see if they can pass this test. So we follow the story. And one of the characters is Max, and in the first week he sticks his head into the fox’s hole. So I make up a little fox’s hole, and find a willing kid to stick his head into this fox’s hole. The whole school are counting 20 seconds and I bring out this little stuffed fox. So the poor kid doesn’t know I’m tiptoeing up behind him and “Raaaahhh!” Elizabeth: (Laughter) Do you get a lot of screams? Patrick: We get a few of those, and then the villain of the book is this wolf next door, which is based on a great German Shepherd that lived next door to me, and I have the scar to prove, the moment the basketball flew over the fence. I rescued the basketball – and Chance (the dog’s name was Chance) – got me. And so the wolf next door – it would normally have a wolf suit – and it’s normally the PE teacher who dresses up as a wolf. Elizabeth: Would you go to our school? They’d love you. Patrick: I’d love to. Elizabeth: Ours is a service school, so you’ll like it. Ours is a service school, so we have a lot of service families that go to... Nice connection for you. Patrick: I’d love to come out. Absolutely. So the kids build up and up and at the end, “Who wants to join this club?” “Yeah!” “Who wants to learn the secret password?” “Yeah!” So I force it down a little and say, “Unfortunately you haven’t done quite enough yet.” Elizabeth: (Laughter) Oh my, the kids will go “Oh what?” Patrick: So it’s a case of “Do not put up your hand, do not raise your hand, unless you are extremely brave.” All the hands go up. “I mean it, I’m warning you now – extremely brave.” Elizabeth: What age group are we looking at, with the hands going up? Patrick: Prep, all the way to 6. Elizabeth: The whole school, wow. Patrick: At this point, some of the Grade 6s I can tell – folded their arms; it’s a bit babyish for them. So picture it: I do target them a bit at this point. So I’ll normally look for the guy who’s lost interest – the kid can be too cool for school here. And I’ll grab this fellow and bring him up. “So on behalf of the school, let’s talk about Courage. Courage comes in many forms. You’ve already demonstrated Courage by standing up in front of the whole school. But Courage comes in many forms. The courage to make a mistake when you know it’s going to get you in trouble. You’re scared of something. And then there’s taste buds. So we go back to Week 3, if you were listening, what did Zack do in Week 3?” And he’ll say “I’m sorry, I can’t remember.” Again in a loud voice, “What did Zack do in Week 3?” And you get the book out again: Zack drank a tomato sauce milkshake. At this point I’m standing behind him with milk, and then I bring out the tomato sauce. And what’s he do now? At this point he’s shaking his head ‘no’. And the school have already started the chant without encouragement: “Drink! Drink! Drink! Drink!” So I make this milkshake, this foaming tomato sauce milkshake… Elizabeth: Oh no. Patrick: And I pause again and say “Unfortunately my friend, Zack did that for one person. You’re doing it for 700 people right now. That’s not enough. So I look around – I shop for the largest Brussel sprout I can find. And I bring out this Brussel sprout, drop it into the tomato sauce milkshake, and present it to this fellow. Elizabeth: Poor kid. Patrick: The poor kid. Originally, I used this – it occurred to me that this is peer group pressure of the highest order. So I now use this as an opportunity for this poor unfortunate kid to – they’re saying no at this point – I really esteem that courage. I say “Look, you have done something extraordinarily brave. Everyone here at some point is going to face a baying crowd of people saying ‘Drink! Drink!’ or whatever. Elizabeth: That’s so clever, Patrick. Patrick: And to say no in the face of that, is true Courage. So I give him a round of applause and he sits down. “Now who wants to be a legend?” (Laughter) So someone else comes up. Or I’ll turn it into the “What would the kind person do now?” Or even better. “Maybe there’s a teacher in the audience…” Elizabeth: So what I’ll do is I’ll leave it there, because if the school listens to that one they won’t book you. I will leave them in suspense. When I first read That’s What Wings Are For, I was sitting in a coffee shop, with tears rolling down my cheeks. The other patrons respectfully averted their eyes. And you know you’ve found a great book when so much emotion is ... Can you please tell us about your inspiration for That’s What Wings Are For? Patrick: So That’s What Wings Are For … Maybe I can mention one of my favourite poems of all time, which is The Hound of Heaven. The Hound of Heaven, for those who don’t know, written more than a hundred years ago by a homeless opium addict in London, Francis Thompson. So he was asking the big question: how could a loving God allow such suffering in the world, and particularly in his own life? And the penny starts to drop about halfway through. He says maybe, just maybe, You allow us in Your love to burn and burn until we become charcoal, and You pick us up and You create Your masterpiece. So That’s What Wings Are For – I’m not calling it a masterpiece – it certainly came from a burning charcoal in process. And that process was the great sadness in my life. My son Noah has Duchenne Muscular Dystrophy, which is a devastating condition that involves the wasting of muscles. And the heart’s a muscle, and it’s a devastating disease. So in light of that I was asked to write a book about a certain blue dragon Bluey, who is the mascot for all the families affected by this devastating disease. So I was working on another book at the time, and I was asked to write this book. And I jumped at the chance, but I also knew there was a heavy responsibility writing that. So really you can look globally at that and look at the whole community impacted by that, but really it was a love letter from a father to a son. Elizabeth: Beautiful. Patrick: And that’s how it was written, and that is something I do say when I go out to the schools. You’ve heard Ricker Racker – it’s quite a boisterous, joyous occasion. When I go out to talk about That’s What Wings Are For, I basically start off in a fun way, and then I bring it back sharply and I say, I bring out Bluey, the actual mascot, a blue plush teddy, and I say “I actually met Bluey on the worst day of my life.” And to have a school go from being quite boisterous, and the teachers go “Shh! Shh! Shh!” to your pin drop in one sentence… Elizabeth: Wow, that’s powerful. Patrick: They get it. They get it. From the preppies all the way up to the Grade 6s, they get it, and there’s a real reverence suddenly about the book and why it was written. And then I explain what’s happened from there and we go from there. I still struggle to read it without crying, but they are tears of – what will I say - I heard this line yesterday – “what we sow with tears, we reap with shouts of joy”. And there’s something joyous – it’s bigger than me, this thing. It’s bigger than me. Elizabeth: What you’ve created is magnificent. Patrick: Thank you. Elizabeth: You’re welcome. You mentioned in an interview that 80% of That’s What Wings Are For was written over breakfast with your family, and then one sentence that brought tears to your eyes took you 3 months to write. Can you please share that sentence with my listeners and what it was that finally led you to discover the sentence that made you cry? Patrick: What it was was my incredible ego. I just – it went to my head. The idea of being a published author and all this went absolutely to my head. Elizabeth: Well you are only human after all. (Laughter) Patrick: Well, I’m sitting back there, I’m imagining red carpets, imagining walking up the stairs. It was shocking! And here I am, I’ve written a book for my sick kid, and my ego’s having a field day. At this point I hadn’t even had the manuscript finished… Elizabeth: You were strutting around… Patrick: It was appalling. I’m embarrassed about it, at the way I was carrying on in my head anyway. So we needed – Bluey needed a reason to be doing what he did ultimately, which is find a reason for his wings. And I was trying all these sentences about sending him off to Margrete, and very gently and respectfully she would be saying “That is rubbish.” (Laughter) Elizabeth: Thanks Margrete. She just knew there was more to you – she knows how deep you are. Patrick: She knew how to push the buttons and what’s right. And equally my wife Lisa as well. And more so my wife Lisa, she has a great ability to tell me when I’m writing something that’s rubbish - and good as well. Elizabeth: Good. Patrick: So the to-ing and fro-ing went on for months. And then I had this moment of “You complete goose! What are you doing?” And certainly at that moment I decided that every cent from this book would be given to charity, which it always should have been anyway, and I made that decision, and entered some prayer and reflection, and within really minutes of making that decision – within minutes – I was given this sentence. And I have to set the context of that time. And at the time we had a crudely termed … we called it a ‘year of adventure’ – you could call it a bucket list, and we were doing all sorts of things around the world. So the sentence – Bluey was coming back from the Royal Children’s Hospital. It was broadened to be a magical building filled with magical creatures with all sorts of ailments. So at that moment when Bluey looks out, and when I’m reading the story to the school, I’ll have people close their eyes and put their hands on their hearts, and feel. Elizabeth: Which I’m going to do now. Patrick: And if you keep feeling, you’ll feel something. You may not feel it straightaway, but if you keep trying, you’ll get there. You’ll feel something warm and fuzzy. And that feeling has a name; it has lots of names. Kindness, and hope, and love, and what happens – and at this moment, Bluey looks across, and I share this sentence: “Bluey saw the boy’s soft, floppy legs, and at that moment, something happened in Bluey’s heart. He stopped for that moment thinking so much about his own situation, and he looked inward. He looked out, and saw this boy sharing a similar path. That word ‘empathy’. That changed everything for Bluey; it helped him work out what his wings were for.” So we go on from there. Elizabeth: Beautiful. That compassion for another person. The author-illustrator relationship is such a pivotal one. Can you describe what is important to you in such a relationship? Patrick: Respect, and trust, and space. So ‘let there be space in your togetherness’. Certainly for the first two books – the first one, Daniella Germain, extraordinary talent. And then the same with Nathanial Eckstrom, rising superstar of the illustration world. So first book, I had no contact at all with Daniella until after all the illustrations were done. Had no input into the illustrations at all. So in terms of relationship, it’s one of trust. Slightly different with the second book – some feedback. Poor Nathanial, I saw his amazing illustrations, but – and it was amazing that he managed to draw my 3 kids without having seen a photo of them, quite accurately – except for Gracie wears glasses. And I just politely asked whether he might pop glasses on Poppy (Gracie is named Poppy in the book). So he went back and put glasses on. Then I had a look at that and thought, “No. Makes her look too old now. Can you take the glasses off?” So that was a bit of a diva moment for me, I suppose. But other than that it really is letting go and not being too precious and trusting in the selection of the illustrator – that’s up to the publisher – and I trust Margrete to make that decision, and she hasn’t failed me yet. I know how she is with me with the words, and she’s that way again with the illustrator. Elizabeth: What a wonderful person to find! Patrick: She is great, she’s fantastic. Elizabeth: What are you working on at the moment? Patrick: Well, the undercurrent to all the picture books that have been picked up in the last couple of years has been a novel for children called The Last Secret of Ernie Pigwinkle, and I’ve been working on the story for more than 10 years. And it comes and goes, and then another idea overrides that. But I keep coming back to The Last Secret of Ernie Pigwinkle. That is lying dormant again, but I know I will go back to that, so there’s always that in the background. That story is the story of an old man who loves to tell stories. And he has this great secret. Great secret, that he's burning with this secret, to share it with his grandson Arthur. Long story short, he gets invited to the World Storytelling Competition in Marrakesh, Morocco, up against the greats of storytelling. Professor Chinwag from China, Lord Blabbermouth from England. I won’t give too much away, but he makes it to the final and he tells this great secret, but the secret is revealed slowly as the story goes along. Elizabeth: Suspense right through… Patrick: Right through. It has been a lot of hard work, also joy, and I have a sense that one day it will happen. I’ve also recently finished another picture book manuscript that is very, very dear to my heart, called Tiny Dancer. Elizabeth: The Elton John song. Patrick: The Elton John song, so hopefully Sir Elton will approve, and that’s really dear to my heart, and I’m in an acquisitions meeting on that one. And we’re in the process of illustrating and that process does involve some word changes. My next release which will be next year, I thought that was going to be a book called The Second Sky. It sounds like – based on this week’s emails – it sounds like it will be called Rabby the Brave. Elizabeth: You’re just prolific – you’re pounding on aren’t you, one after the other. Patrick: Look, it’s been a blessed couple of years. There’s been a very rich vein of inspiration and creativity that’s happening at the moment. Really grateful. Elizabeth: We’re very, very pleased too, I must say. Can’t wait to read them. What do you like to do in your spare time to unwind from all this work you’re doing – the physio work with the military, your family, and all this wonderful writing you’re doing? What do you do to unwind? Patrick: I’m clinging to my childhood in terms of chasing a bouncy ball around. I still play basketball. There’s a competition going on in Victoria Barracks actually, so at the ripe old age of 45, I’m taking on the burly soldiers, I’m taking on the burly soldiers in this basketball competition. Elizabeth: Well you have to keep up on being brave. (Laughter) Patrick: I love it. I must say I’m shamelessly, every goal I score – there aren’t many of them – I’m celebrating them like they could be my last. So there’s the fist pump and the whooping after every goal I score. And would you believe I’m still sort of – don’t let Lisa know but I’m still playing football. Full contact. There’s a wonderful competition – Reclink, midweek, battlers’ competition. You may have heard of the Choir of Hard Knocks – Reclink was spawned from it and there’s a football league for battlers, whether it be homeless refugees or people battling addiction. So we’ve set up a team in Frankston, and I’ve been the … Elizabeth: You are brave. (Laughter) Patrick: Madness, absolute madness. And so I’ve been the physio, the chaplain, the halfback flank and the water boy, whatever goes on, whatever’s needed for that team. And there’s just something primal about playing Australian Rules football that I just can’t let go of. And if I ever get the chance, I’ll go out surfing as well. Elizabeth: Isn’t it great to tap into that raw energy and just let yourself go? Patrick: It is. With surfing, it’s one of the few pastimes or sports where you spend 95% of the time staring at the horizon. So you get a chance to unwind – then it goes from the serenity to scrambling for your life. It’s great. Elizabeth: It’s a bit of a metaphor, isn’t it? Patrick: It’s great. Yes, so those are the 3 main things. Elizabeth: Do you want to remain in the children’s book genre? Patrick: Absolutely. Maybe one day a book for grownups, but certainly at the moment I’m loving – when you write a picture book, you are writing for grownups – you’re writing for two generations. Elizabeth: It’s that connection, I think, with parent-child. It’s so special. And you both learn so much when you’re reading together. Patrick: Absolutely. And I’ve been trying to make the transition from picture books into early readers, and I’ve found that quite hard. I might have to leapfrog that and go into older early readers. Because to go from a picture book to an early reader is – you got to dumb it down. You really have to dumb it down. That’s a crude way of saying it, but you do. There are certain concepts you have to avoid, and using poetry or metaphors is a bit more tricky. So maybe that’s not for me, that niche. So certainly The Last Secret of Ernie Pigwinkle is for an older reader, an older young reader. And then the picture books as well. I might stick to those, to genres within the broader children’s book genre for now. We’ll see what happens after. Elizabeth: You’re so insightful. Because you haven’t actually studied Creative Writing or completed a formal uni degree in writing, and yet your knowledge is so vast. Is you’re your intuition at play again, do you think? Patrick: Not sure. I think it’s a blessing. Don’t want to use the word ‘gift’, but I think it’s nothing to be proud of if it’s a gift. Elizabeth: I really have to disagree, because so many people are given, receive gifts, it’s then what you do with that gift. And so many people do not do anything with what they’ve been blessed with. I do think you can claim that proudly and whoop, like on a footy field. (Laughter) Patrick: Maybe. I do love whooping when there’s a sense of victory, a sense of accomplishment – once you finish that manuscript, submit to send, and you know it’s off, and have such a beautiful relationship with Margrete. I should mention Alyson O’Brien, who is also with Little Hare – I’m increasingly involved with her. I know that they will read it and give it the full attention and get back to me quite quickly, so that agonizing wait has been reduced to, in some cases, a few hours now, which is great. Elizabeth: It’s cause you’re so clever, and they know it. Do you have a website or blog, Patrick, that my listeners can go to find out more about your wonderful work? Patrick: Yes, there’s a shiny new website, “Patrick Guest dot com dot au”. I know nothing about the technical side of websites, and a great friend of mine, Jeffrey County, has helped set that up, and it’s sparkling. Elizabeth: Aren’t tech people great? I’m not one of those. Patrick: Absolutely not. Absolutely not. There’s no way I could do that. So that’s up and running now, so there’s opportunity to email me and contact me through that. Happy to do that. Elizabeth: Patrick, this is a signature question that I ask all my guests. What do you wish for, for the world, and most importantly, for yourself? Patrick: That’s a big one. Look, the first thing that springs to mind is a cure for Duchenne Muscular Dystrophy. Elizabeth: I’m with you. Patrick: That would be the first thing. But if I thought more about it, more broadly… Maybe I could go back to Ernie Pigwinkle, The Last Secret of Ernie Pigwinkle. So I’ll give away a little bit, so we get to the end of the story. We’re at the World Storytelling Championships, so Ernie, this old man from Ballarat, has made the final and won, thanks to his grandson. So the secret starts off as “Do you know why dogs wag their tails?” We move on from there to “Why dogs and cats fight – the origins of war”. Then he finishes with a little song, a little poem he says to the world: It’s a war that’s continued to this very day. It’s a shame that Dog and Cat couldn’t think of a way To listen and learn and be understood, And love one another as all of us could. You don’t have to carry on like a dog or a cat. You’re not a baboon or as blind as a bat. There’s a heart in your chest and a brain in your head. So before you lose faith, hold on instead. Hold on to your faith in the goodness of others. Never give up on your sisters and brothers. You’ll see for yourself, as sure as the sun, That there’s something worth loving in everyone. He says that. Elizabeth: I need a box of tissues. [Laughter] Oh Patrick, my goodness, that’s so beautiful. Thank you for sharing that. Patrick: That’s the world premiere of The Last Secret of Ernie Pigwinkle and… Elizabeth: What a coup on Writers’ Tête-à-tête with Elizabeth Harris. Wow, Patrick! Superb. Patrick Guest, thank you so much for joining me on “Writers Tete-a-Tete with Elizabeth Harris”. We look forward to more of your stunning work. I totally agree with you: hugging is what wings are for. Thanks for tuning in everyone, and may your wishes come true. [END OF TRANSCRIPT]

We've got a great group of community questions lined up for this weekend and I'll be tackling the first 4 on today's #CabralHouseCall! Here are our questions for the day: 1. Aimee: How do you get rid of chronic ear aches/infections?  2. Teresa: Should I still eat after my workout even if I don't finish until 9:30pm? 3. Elizabeth: How do you get rid of a distended stomach that is not caused by bloating? 4. Dee: Can you recommend a natural and vegan firming/anti-aging cream? Or a homemade recipe for one? Enjoy the Q&A and all the tips along the way! - - - Show Notes: http://StephenCabral.com/238 - - - Get Your Question Answered: http://StephenCabral.com/askcabral