Podcasts about Gardu

En entrevista con Daniel Guerra en ausencia de Ana Francisca Vega para MVS noticias, Moisés Garduño, experto en Oriente Medio, habló de Israel que lanzó ataques aéreos en Irán, incluidos blancos nucleares y mandos militares. ¿Estamos ante una guerra regional? See omnystudio.com/listener for privacy information.

Analizamos cómo puede reaccionar Irán a los ataques de Israel y su situación actual con Moisés Garduño, doctor en Estudios Árabes e Islámicos Contemporáneos por la Facultad de Filosofía de la Universidad Autónoma de Madrid y maestro en Estudios de Asia y África con especialidad en Medio Oriente por el Colegio de México. Es experto además en Irán.Escuchar audio

Redes Sociales:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter (X)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

¡Fashion Tribe! ¿Estás aprovechando el poder del e-commerce para hacer crecer tu marca?Nuestra invitada de hoy, Raquel Garduño, nos comparte cómo pasó de soñar con moda a liderar e-commerce en firmas como Tommy Hilfiger, CLOE y Steve Madden.

Sergio Salomón Céspedes, nuevo titular del INM, confirmó confirmó una revisión de la gestión de Francisco Garduño. "Es obligación”, dijo.

Tonatiuh Guillén, académico del Programa Universitario de Estudios del Desarrollo UNAM y excomisionado del Instituto Nacional de Migración

Donald Trump, que en su primera legislatura abandonó el acuerdo nuclear alcanzado conIrán en 2015, pretende ahora que Teherán vuelva a la mesa de negociación si no quieren sufrir consecuencias más contundentes. Hablamos de ello con Moisés Garduño, Doctor en Estudios Árabes e Islámicos Contemporáneos por la Facultad de Filosofía de la Universidad Autónoma de Madrid y maestro en Estudios de Asia y África con especialidad en Medio Oriente por el Colegio de México.Escuchar audio

Impune, Garduño: indemnizaciones por muerte de migrantes en Cd. Juárez, con cargo al erarioEnlace para apoyar vía Patreon:https://www.patreon.com/julioastilleroEnlace para hacer donaciones vía PayPal:https://www.paypal.me/julioastilleroCuenta para hacer transferencias a cuenta BBVA a nombre de Julio Hernández López: 1539408017CLABE: 012 320 01539408017 2Tienda:https://julioastillerotienda.com/ Te invitamos a que visites nuestro perfil en Patreon. Solo da clic aquí Hosted on Acast. See acast.com/privacy for more information.

En entrevista para MVS Noticias con Sheila Amador, en ausencia de Luis Cárdenas, Marcos Zavala, abogado de la fundación para la justicia y el estado democrático de derecho, habló sobre el Tribunal confirma suspensión al proceso de Francisco Garduño.See omnystudio.com/listener for privacy information.

En entrevista para MVS Noticias con Luis Cárdenas, Mario Maldonado, habló sobre la inexplicable ratificación de Garduño en migración. "Me parece que es inexplicable, inentendible, que la presidenta Sheinbaum lo haya ratificado, aunque sea por unos meses como titular del Instituto Nacional de Migración", comentó Maldonado. En su intervención, señaló que desde hace 105 días el INM opera con dos titulares, Garduño, quien proviene del gobierno de López Obrador, y Sergio Salomón, quien fue designado por Claudia Sheinbaum para ocupar el cargo de director del instituto. "Este instituto va a cambiar de nombre, se llamará ahora Instituto de Apoyo a la Movilidad Humana", añadió Maldonado.See omnystudio.com/listener for privacy information.

A DOS AÑOS DEL INCENDIO EN LA ESTANCIA DEL INSTITUTO NACIONAL DE MIGRACIÓN DE CIUDAD JUÁREZ, CHIHUAHUA, QUE PROVOCÓ LA MUERTE DE 40 HOMBRES MIGRANTES, EL COMISIONADO DEL INSTITUTO, FRANCISCO GARDUÑO YÁÑEZ, RECONOCIÓ “EN MI VIDA QUEDÉ MARCADO”. TAMBIÉN ASEGURÓ QUE, PESE A QUE TANTO ORGANIZACIONES CIVILES COMO MEDIOS DE COMUNICACIÓN “YA ME PROCESARON”, ÉL SE DEFINE COMO “UN DEFENSOR” DE DERECHOS HUMANOS”. EL COMISIONADO INFORMÓ QUE EL PRÓXIMO 16 DE ABRIL SE REALIZARÁ UN ACTO DE DISCULPA PÚBLICA.See omnystudio.com/listener for privacy information.

A dos años del incendio en un albergue migratorio, en Ciudad Juárez, Chihuahua, en el que murieron 40 personas, Francisco Garduño, el comisionado del INM, anunció que ofrecerá una disculpa pública el próximo 16 de abril, y que se han destinado 240 mdp a reparar los daños.See omnystudio.com/listener for privacy information.

The following article of the Agribusiness & Food industry is: “How AI Can Close the Financing Gap in Emerging Markets” by  Hugo Garduño, CEO, Verqor. (AA1374)

Mantienen al impugnado Garduño a cargo del INM// Rocha Moya: no pienso renunciarEnlace para apoyar vía Patreon:https://www.patreon.com/julioastilleroEnlace para hacer donaciones vía PayPal:https://www.paypal.me/julioastilleroCuenta para hacer transferencias a cuenta BBVA a nombre de Julio Hernández López: 1539408017CLABE: 012 320 01539408017 2Tienda:https://julioastillerotienda.com/ Te invitamos a que visites nuestro perfil en Patreon. Solo da clic aquí Hosted on Acast. See acast.com/privacy for more information.

Lorena Cano, coordinadora de la clínica Jurídica del instituto para las Mujeres en la Migración

Conversamos con el profesor Moisés Garduño García de la Universidad Nacional Autónoma de México, y con Joseph Hage, experto en Medio Oriente y terrorismo. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tras la presentación del Plan México hay una serie de dudas que genera, una de ellas es sobre el crecimiento sin reforma fiscal. El siguiente es la competitividad de productos mexicanos contra productos chinos. Por último, el crédito a pymes en un país donde hay tantas micro empresas que no pagan impuestos. El análisis de Maricarmen Cortés. Las lluvias en el Valle de México permitieron que las zonas altas se pintaran de blanco y dos de las más importantes montañas regalaron postales que a miles de capitalinos encantaron al ver al Popocatépetl y al Iztaccíuatl nevados. A dos años del incendio ocurrido en una estación del Instituto Nacional de Migración de Ciudad Juárez que dejó 39 personas muertas, el todavía titular de Migración, Francisco Garduño, negó ser el responsable de la tragedia y dijo que los responsables ya están en prisión. Asegura que no ha sido notificado de dejar el cargo por parte de la Presidencia y aclaró los montos otorgados a los deudos que ascienden a 300 millones de pesos. Al menos cinco personas fueron asesinadas en el municipio de Huitzilac, Morelos mientras hacían proselitismo. Cuatro hombres y una mujer recibieron impactos de bala mientras difundían información como parte de la elección de Bienes Comunales. La compra bianual licitada por el gobierno de México para combatir el desabasto de medicamos empezará la distribución de medicinas a partir del 1 de marzo, explicó el subsecretario de Salud, Eduardo Clark. Asegura que se comprarán 244 millones de medicamentos los cuales serán entregados a hospitales públicos. Clark dijo se han entregado piezas desde los primeros días de enero pero la mayor entrega es a partir de marzo. Otra jornada violenta en Sinaloa luego de registrarse ocho muertos. Al tiempo, colgaron un par de mantas con letras rojas dirigidas a la presidenta Claudia Sheinbaum para denunciar la colusión de mandos militares con uno de los grupos criminales en disputa. A pesar de ello, las acciones para frenar la violencia y devolver la tranquilidad al estado se mantienen, ya que lograron detener a cinco personas y asegurar 15 armas y 700 cartuchos útiles. El reporte de Felícitos Trujillo. Todo esto y más en Ciro Gómez Leyva por la Mañana. Grupo Fórmula #AbriendoLaConversación

La Garduña con Gaspar Cuartero. Durante años se consideró la organización secreta más peligrosa de España. Sin embargo, ninguna fuente documental avala su existencia. ¿Existió en realidad? Durante años se consideró la organización secreta más peligrosa de España. Sin embargo, ninguna fuente documental avala su existencia. ¿Existió en realidad? Sevilla, agosto de 1821. Siguiendo el rastro de una joven secuestrada, la Policía irrumpió en la residencia de un conocido personaje de la sociedad hispalense. Allí, además del cadáver de la infortunada, los agentes hallaron un libro donde se relataba la asombrosa historia de una sociedad secreta y criminal con un poder omnímodo. Aludimos a la Garduña, palabra cuya mención evoca todavía hoy algunos de los más horrendos crímenes cometidos en España durante siglos enteros. A mediados del siglo XVI esta mafia se asentó en Sevilla, la metrópoli más rica de Occidente gracias al oro y la plata que llegaban a espuertas desde las Indias. Y allí siguió actuando hasta 1821, cuando se produjo la redada que sirvió para desarticularla de modo definitivo. La historia de la Garduña se había considerado verdadera hasta hace poco. Avalada por estudiosos de prestigio, figuraba en las enciclopedias más rigurosas. La fama de la Garduña llegó a ser tal que incluso la Guardia Civil calificó a la banda como «peligrosísima asociación de delincuentes» en 1914. Pero aun así, no existe hoy una fuente documental que confirme su existencia. Contamos solo con el testimonio de Manuel de Cuendias, el presunto oficial de cazadores que detuvo al Gran Maestre de la hermandad en Sevilla. ¿Pero sabemos quién fue este hombre? Una historia de ficción Como averiguó el acreditado antropólogo Julio Caro Baroja, Cuendias era un exiliado liberal que sobrevivió en Francia impartiendo clases de idiomas. Obligado a huir de España durante el reinado absolutista de Fernando VII, tras ser condenado por redactar un manifiesto contra la subida de precio del pan, probablemente no estuvo en Sevilla en 1821 y ni siquiera fue agente de la autoridad. Actuó para la iglesia y poder. El caso de Baniel Bettex en la montaña de Bugarach- He aquí un pequeño archivo que se encontró, que data de diciembre de 1985. Daniel Bettex pide a Didier Héricart de Thury que le entregue el ektracromo del cuadro de Nicolas Poussin, “ Los pastores de Arcadia ”. En el camino, él le cuenta sus convicciones sobre el propósito de su investigación. ¡O encuentre EL TEMPLO SAGRADO DE OESTE! Recordemos que Daniel Bettex era este ciudadano suizo, cuya función en el aeropuerto de Ginebra le había permitido encontrarse con Moshe Dayan, quien le había advertido sobre el peligro de acercarse al Arca de la Alianza, en caso de su descubrimiento. Sabemos que Daniel Bettex dirigió sus investigaciones a los meandros subterráneos de la montaña Bugarach. Se dice que habría sido fatal para él. Excepto que murió en su casa, en Suiza, por causas naturales. Revista digital La tortuga Avui. www.latortugaavui.com Redes: Instagram: area-hermetica-radio. Facebook grupo Secrets del Pirineu Telegram: [https://t.me/.../FSW-COI...//t.me/joinchat/FSW-COI-ZiUtQ0Aj) Ràdio Caldes 107.8 fm, Radio Granollers a la carta, por TDT para las comarcas del Vallès canal 515 y por internet: www.radiocaldes.cat y Ràdio Granollers a la carta. areahermeticaradio@gmail.

En el episodio del 23/12/24 hablamos de: Oposición mezquina celebra amenazas de Trump | Caen más por operación enjambre | Garduño vs Solalinde | Bienvenidas heroínas y héroes paisanos.

This episode is a deep dive into character acting with the esteemed Anna Garduño, a voiceover artist and coach. The BOSSES share their invaluable insights on mastering the art of engagement in voice acting. Anne and Anna emphasize the importance of enthusiasm and authenticity, and use examples from industry legends to discuss how to breathe life into every line by using script analysis and character creation. The BOSSES also dispel the myth that success in animation voice acting is about being a celebrity, emphasizing that unique and authentic acting choices are what leads to booking success. 00:02 - Jen Keefe (Ad) Hi Anne, this is Jen Keefe from Real Women's Work Podcast. I just wanted to come on and say thank you, thank you, thank you for the series you're doing on AI and voice. I've listened to VO Boss Podcast for a few years now and it's always been informative and helpful, and not only is this series not an exception to that, but it is just the cherry on top. It has been so comforting and helpful to learn about this industry and I just thank you for taking all of the time you must have taken to research and understand, to know what questions to ask so that we're all better informed. It is just awesome, awesome, awesome. I feel excited and confident going forward into the future in the VO industry, all because of this series that you're doing. So, thank you, into the future in the VO industry, all because of this series that you're doing.  00:46 - Anne Ganguzza (Host) So thank you, hey, how's it going? Bosses Anne Ganguzza here. Elevate your voiceover game with our VIPeeps membership. With VIP membership, you can access our extensive library of over 350 hours of pre-recorded workshops. Whether you're interested in commercials, promos, character animation, audioos, character animation audiobooks, video games, corporate narration, audio description or dubbing, our workshops cover it all. Plus, as a VIPeeps member, you'll enjoy a 15% discount on current workshops and complimentary free monthly workshops to further develop your skills. Join VIPeeps today at vopeepscom and take your voiceover career to new heights.  01:31 - Intro (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO Boss. Now let's welcome your host, Anne Ganguzza.  01:50 - Anne Ganguzza (Host) Hey everyone, welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and I am here today with very special guest. I'm so excited, Anna Garduno. Anna, thank you so much for joining me today. Thank you.  02:04 - Anna Garduno (Guest) I was completely thrilled when you asked me because the truth is it's been a bit of a goal, a little career goal. To please get me on with the boss.  02:12 - Anne Ganguzza (Host) Oh, I love it, oh my gosh. Well, bosses out there. For those of you that are not familiar with Anna, Anna is a boss. I was just saying this before you came out of the womb.  02:20 A boss, Hilarious you came out of the womb a boss, but recorded her first radio spot when you were 15 years old, shot your first TV job at 17, and currently teaches classes for VO, commercials, animation, promos, narrations and games, and has been nominated Best Voice Over Teacher two years in a row by the readers of Backstagecom. And I wore my Teach, love and Inspire shirt just for you today, Anna. I love it Again. I love the cougar aspect it's a little bit of that sexy?  02:52 - Anna Garduno (Guest) come on, make it happen.  02:54 - Anne Ganguzza (Host) fabulous, you got to add that little bit of flair to it. But, gosh, anybody that knows me knows how much I love teaching. It's so important. It is who I think. I was born to be a teacher and I love talking to other teachers, such as yourself and bosses. So the combination teacher boss love it, absolutely love it. So thanks, first of all, for being here. I know you've got a busy schedule and you know what's interesting. Another fact that you wrote in your bio is that your students have booked over a million dollars in jobs and continue to thrive, which is such a great. I love that you have a number.  03:29 - Anna Garduno (Guest) Well, I imagine that yours have too, and absolutely because I'm sure your students every week say hey, I booked this. Hey, I booked this.  03:38 - Anne Ganguzza (Host) Hey, I booked this. They do, thankfully. Yes, I'm grateful for that. And when?  03:40 - Anna Garduno (Guest) you really think about it when you've been teaching for years, as you and I both have, because I started keeping track, really, and I was actually like, oh well, this is exciting and encouraging. I know you're such an encouraging teacher and there's so many cynics out there and I like to be encouraging. Come from joy, Come from possibility.  03:58 I believe in that too, you know it's so important and I think when people see that they go. Oh, because once in a while I hear people say does anyone really make money in voiceover? And I try not to laugh. Yeah, there's a reason, it's a global industry. So, yes, get that negative interject out of your head Absolutely and go forward.  04:18 - Anne Ganguzza (Host) You know what's so very interesting. Now I'm going to tell you. I was in Pilates this morning and there was a substitute that came in and she was teaching. I'm all about teaching, she was teaching, but she was teaching with a very like kind of monotone sort of and this, and then next we'll put our left toe over our right ear while simultaneously rotating our hip. The whole class, I mean, we're talking 45 minutes of no emotion, and I understand that she was trying to maybe put us in a Zen mode, right, but it was.  04:46 - Anna Garduno (Guest) Pilates Maybe sleepy, not meditation.  04:49 - Anne Ganguzza (Host) And she was really good. Like technically she was really good. But she was shouting out all these instructions and I was listening so hard because her voice was so like even keel, with no like real I would call it elevating the teaching moments. So I was listening so hard, I was exhausted, mentally, okay, and physically. But at the very end, right after this, I had decided, like literally 10 minutes into it, I don't like this class, I don't like this teacher. She's not like. I don't feel an emotion, I don't feel encouragement, I don't feel anything. And when she was done she said oh my God, you guys did so good. And then I immediately loved her and I thought why. You know what I mean. So it really made me reflect on being a teacher for my students and also for the whole e-learning genre. And anybody knows I'm like a broken record, like you have to be everyone's favorite teacher.  05:36 You do, you just do Not just if you teach, but if you're doing e-learning, and so you've got to bring that emotion and that point of view, which I consider and let's have a discussion on this I consider that to be the frosting on the cake, that's the top element when you are there as an actor, right, that is what you're bringing to the copy, no matter what genre you're in.  05:55 - Anna Garduno (Guest) Oh, absolutely. And you bring up such an important point because this I know exactly what you mean. I've had teachers exercise teachers like that also, and I think one of the most challenging things in our industry right now, in whatever genre and I'm sure you've come across this, but correct me if I'm wrong where people say we want it natural, we want it real, yeah, yeah. And actors unfortunately misinterpret that and think, oh, passive, yes, oh, my god, that's casual, so it sounds like you have this passive teacher right now, nobody's passive in life.  06:24 We speak for a reason. We have a lot of musicality in our voice. Even if we're calm and relaxing, there's an intention behind it, even if it's the poppy reed.  06:32 - Anne Ganguzza (Host) I'm just saying I'm just saying the poppy reed has dynamics to it. Oh my God, so much If you were to score that reed and really try to copy it.  06:40 - Anna Garduno (Guest) She goes up, she goes down, she takes pauses. There's all of this musicality. It's not a sleep, and so you bring up a really good point. You have to be engaged with who you're talking to and then it's engaging and it brings people along. Voice work is communication, obviously, but I find too that people get so quiet Sometimes they're disconnected from their breath and not to be too focused about it. But your breath is literally like your life force. So I'm not saying yell, but be connected, and that's why my little company is called Voice Forward, like send your voice forward. You want to connect through the microphone, through whatever, to that other person. You don't want your energy to go here and hi.  07:19 - Anne Ganguzza (Host) I'm halfway to you.  07:20 - Anna Garduno (Guest) And then you stop. You don't want that.  07:21 - Anne Ganguzza (Host) And it's so interesting. I think about it as an older, more mature woman, about communication, right. I mean today everybody's texting right, and it's the communication is changing. But I also feel that for us as voice actors right, our voice is so, so important, and especially in this world of technology and digital everything and synthetic voices right, technology and digital everything and synthetic voices right I think it's more important than ever that our voices really keep that engagement, keep that human aspect of emotion and point of view, because that's what makes us interesting.  07:54 And, honestly, when I choose what I'm going to listen to on a day-to-day basis, honestly it has to be interesting to me and, I think, right for your listener. When you're being engaging and you're behind the mic reading a commercial whatever you're doing a commercial, e-learning corporate you have to connect with that listener to get their attention. Otherwise, I mean, it's always self-serving. Because why do I listen to somebody? Well, I listen to somebody because they've got something that I need right. Either they're educating me or they're entertaining me, right, and hopefully both at the same time. Those are the best teachers and that would be great. So I need to have a reason to listen. And so if you're coming at it from behind the mic where you're like, no, listen to my beautiful voice, you're not connecting.  08:38 And I think that today more than ever, we need to connect and we need to be the actor, and I know that you put in your notes that this is something that you wanted to discuss today about. How can we, as voice actors, get there? I have my methods. I stand on my soapbox all the time and say it's so important, more important than ever, to really bring that connection. Let's talk about how you have your students. How do you elevate your students to be able to do that?  09:03 - Anna Garduno (Guest) Okay, sure, well, I have. There's a couple of things you know. We all come to this as actors. My training, my background, everything is an actor, particularly a theater actor.  09:11 I've been blessed to work with incredible teachers through the years, primarily with Larry Moss and Patsy Rodenberg, who's you know, the premier voice Shakespeare teacher in the world and Stella Adler, who's all about script analysis right For teaching or plays and theater and film, and that's what we do, right, we get a script and then how do we communicate best? And there's two basic things that she talks about that are very rudimentary, that I like to give my students a place to start, which is when you look at text, what is your point of view about people, places, objects and events that you're talking about? Right? So that's how you start, because so often people can do sort of like hi, I'm a generic, happy read sort of like this or I'm a very generic seductive read you know whatever it is.  09:53 So you don't want to be generic, right? So the easiest example is something like about the people I'm talking about. Let's say you have a thing where you say and it's the best ice cream from Ben and Jerry's. So many people do. And I say, well, pretend that Jerry's your absolute best friend and he's a bit of a goofball. So from Ben and Jerry, you know what?  10:09 - Anne Ganguzza (Host) I mean, you know Jerry.  10:11 - Anna Garduno (Guest) Just that. Or say you have a thing where you say so my husband came home with a new computer. Now, if the ad is about the right computer, right, then you're going to say husband, he did a great thing. Now say but the wrong, the anti-commercial, so my husband came home with a new computer.  10:28 - Anne Ganguzza (Host) What is your point of view?  10:29 - Anna Garduno (Guest) about the husband and about the new computer. I mean, it's so basic. And then also, where you are is who you are is a big way to connect to a script too. And are you a CEO talking to another CEO about finance? Or are you that reassuring financial advisor for someone who's really nervous making their first investment?  10:48 Because you can have the exact same text but depending on who you're talking to and I'd like to think like what are you wearing? Really helps me personally. There's a million ways in, but I know if I'm playing a character on TV or something or movie that's like in a full-on business suit, I'm going to stand differently, I'm going to present differently.  11:06 My tone of voice is going to be different, whereas if I'm playing, like you know, the hippie chick from Laurel Canyon which I mentioned, who I am, it's going to be a whole different vibe, a whole different thing. So these are two very simple things that you can look at text right away and circle oh wait, here's the event, here's the object. Or in an animation example, I have a piece of copy I like to work on where someone's putting together a potion you know like to get revenge on somebody, and one of the lines is my potion will be ready and one of the lines is one more lizard leg and my potion will be ready. And so often people will go one more lizard leg and my potion will be ready, right? So I would say, you know, the people who wrote this copy, whatever it is, are often the people hiring you, right? Which wasn't always the case so often, right? So if you can make their text pop out just a little bit, because they could have said anything, they could have said one more batling, one more toad head, they could have said anything, but they said lizard leg.  11:57 And I always joke with my students. They got that approved. You know, disney approved lizard leg. They think they're going to get a bonus at the end of the year for coming up with lizard leg and plus, it's funny, with the two L's, you know lizard leg and the G. So instead of just saying one more lizard leg and my thing is ready, how about you take the number one and it's like you're thinking about it, right, and you go one more and you're looking at your stuff in your mind.  12:22 - Anne Ganguzza (Host) Lizard leg. Lizard leg.  12:23 - Anna Garduno (Guest) Exactly so. It's specifically a lizard leg. So it's really simple and it's what we do in life when we talk about you know, I got these new glasses that I love. I got these new glasses. You know what is your point of view, and so that's the basic thing that I do with people all the time how do you feel about what you're talking about? Not moody, how do you feel, but literally.  12:44 - Anne Ganguzza (Host) I love that. How do you feel it's so important? And how you feel changes and can evolve from the start of your sentence to the end of your sentence can absolutely evolve and it can evolve throughout the script. So I feel like what you're really talking about is, first of all, we need to assess the script, right. We need to assess what's the purpose. The script, right, we need to assess what's the purpose. Why are we saying these words? Right? Who are we saying them to? And again, changing who we're saying them to can make all the difference in the world.  13:11 And what I like to also say is that, like, especially in corporate like, no, you're not talking to your best friend. I need you to be engaging, but Sally could give a crap about SAP. Sally doesn't even know what SAP does or who they are or what they make, right, right? So don't talk to Sally because it's not relevant to Sally, right? And so that whole conversational talk to your best friend. Yes, they may put that in specs, but in reality, you need to talk to the person that's going to benefit from listening to the context of the script, right? So what's the purpose? Are you trying to sell a product? Are you trying to explain how it works, you know, and who is it that needs to listen to that?  13:47 And I had a discussion with La the other day, la Lapidez and we were talking about there's always stakes, right, there's always stakes in the script, and so you've got to know what those stakes are as an actor, right, I mean, we are actors. It is not enough to just read that. And I love how you did the melody in the head about the lizard One more lizard. And it's funny because in our head that's the melody we all hear and I swear we're all on the same wavelength, right. One more. Where does that come from? I don't know, because we read the words and we feel like, oh, initially this is where the emphasis has to go Right, but in the real world we're thinking about things. Well, every sentence is a new idea.  14:25 - Anna Garduno (Guest) Exactly Every sentence is a new idea, and when you're reading or anything like that, and so that's another thing I say is it's a new idea and also a good example of you bring up such a good point about talking to a friend Like what does that mean? Or conversational, what does that mean? And I always say to people going back to you have different kinds of conversations.  14:38 - Anne Ganguzza (Host) Every day.  14:38 - Anna Garduno (Guest) We have conversations every day Exactly, and I tell my students, like, say, you get an audition for Lexus and Subaru the same day and the specs are going to be pretty similar, conversational, real, talking to a friend blah, blah, blah. But Lexus, as we know are usually kind of seductive and a little bit like this and all that. And so I'll say to one student what do you call that? Like, I always have my students come up with titles or names for different types of reads.  15:01 - Anne Ganguzza (Host) Right, what's that?  15:02 - Anna Garduno (Guest) read yeah, and one of my students had the best thing ever. He said I call that my I've earned it guy. Is that great?  15:08 - Anne Ganguzza (Host) Oh, I like it.  15:09 - Anna Garduno (Guest) Yeah, Now the I've earned it guy is right next door to what I like to call the. I know you want it, so it's the same volume, the same note of your voice right the same sound, but there's a slightly different intention. And then the Subaru, which is getting a little more rugged now, but Subaru, as you know, they always end with that love. It's what makes a Subaru.  15:30 - Anne Ganguzza (Host) Yeah, yeah, yeah, it's the family. Family You've got like dogs and kids, exactly, you know, on a picnic Soccer equipment.  15:37 - Anna Garduno (Guest) Yeah, sauger equipment, exactly so I always call that one like the kind of the save the planet mom, yeah, yeah. And what I tell students is those styles cross different brands. So the person who does the Subaru, the save the planet, mom is going to do Kashi, seven whole grains on a mission, and Patagonia and all that. You see they're both having conversations. So I know you know this, but I find to be able to come up with names for the different types is helpful.  16:03 - Anne Ganguzza (Host) Well, and characters You've given a character to it, which is great, rather than I want this sexy read or this seductive read. You've given it a character which I think gives it more definition.  16:13 And I think when you're analyzing, too many of us run into our studios and like, oh, I got it and they play to that melody in their head. Right, they play the melody in the head that probably 90% of everybody that is going in their studios doing the same darn thing. And we've all talked about what do casting directors want? They want to be able to hear something different than 200 of the same kind of melodies right, and so if you're coming up with a different melody or a different story, that's immediately oh cause for, yeah, I'm shortlisting.  16:44 I can tell you me as a casting director, every time I hear somebody that enters into a script and I can tell they've got a story, I'm like shortlist Because there's an actor, there's an actor, there's an actor.  16:53 - Anna Garduno (Guest) And it's about having that point where you bring up a really good point, too, about how do you make your reads stand out, and At that point you bring up a really good point too, about how do you make your reads stand out. And I'm very big on playing with pace, particularly in the first sentence.  17:02 Yeah, yeah, yeah, Almost any first sentence you can play with pace, because often a sentence as you were saying, looking at the text has two ideas in it. So like to use an animation example. I have a piece of copy I love to work with. The first sentence is hey, you know what's the best thing, about being a jellyfish, so that's it right.  17:18 So everyone kind of usually does it that way, like enthusiastic surfer jellyfish. Now, if you just play with pace and you go, you know what's the best thing about being a jellyfish yeah, yeah, yeah, like all of a sudden he's mischievous, or the other way you do it fast.  17:34 You know what's the best thing about being a jellyfish. So already that first sentence is engaging yes, so little things like that. No, I wanted to ask you, anne, I found and you probably come across this too a couple months ago I started working with students on animation who were getting this spec which I thought was hilarious where they would say we want it like you're in a movie, but louder. And my poor students would be like what does that mean? We want in a movie? And I like, when casting people not you, of course, but some people you know don't act, just do it like you're in a movie.  18:06 - Jen Keefe (Ad) Okay.  18:06 - Anna Garduno (Guest) You're. You're acting in a movie, just so you know. So I was sitting there, I go. What do they mean? And I it was what we talked about earlier it means to not be passive, you're told do less, so they've been getting reads. Yeah, yeah, yeah, you're told do less. So they've been getting reads, obviously, from people being very quiet, very hello. I have a mic right here.  18:21 - Anne Ganguzza (Host) Yes hi, yes hi.  18:22 - Anna Garduno (Guest) I'm going to read like this yeah, exactly, and it's like I'm in a movie and I don't have to do anything.  18:27 - Anne Ganguzza (Host) And it's so boring, or you're in a movie theater where you have to be quiet.  18:32 - Anna Garduno (Guest) Yes, exactly. So what they mean is Point of view, don't be passive. Yeah, so they were getting all these under, these de-energized voices, and of course, it's not engaging at all.  18:44 - Anne Ganguzza (Host) And you can be quiet and have a ton of energy. I mean, it's so much about the energy, but it really has nothing to do with volume, right? The energy of the Well, I use a term.  18:52 - Anna Garduno (Guest) I say to people you need more vocal vitality. I don't mean louder, I mean vocal vitality, and it's exactly what we're talking about. You need to have presence in that you're engaged with whoever you're talking to on the other side of that copy, because you're never just talking to yourself, ever Exactly.  19:07 - Anne Ganguzza (Host) I mean, let's talk storytelling. I mean, how important is storytelling? I mean I say it all the time, like I think exhaustively, yeah, but there's storytelling in every like, everything, everything everything right?  19:20 - Anna Garduno (Guest) Yes, absolutely. And also, you're always in the middle of a conversation, too, even if it's e-learning. You've already been talking to somebody about something and now we just happen to pick up the conversation in the middle.  19:29 - Anne Ganguzza (Host) Oh, I love that. I'm always telling people you don't start a script with once upon a time because, right, like cause, that means you just, oh, I thought of it and I'm going to go into a monologue, right, Right. And that means you're not going to engage.  19:41 If you're going to go in you're like that friend that doesn't shut up. You're like, hi, it's all about me, me, me, me, me, me, and I'm just going to talk and I'm not going to allow you to interact at all with me. And I didn't even hear what you said.  19:55 - Anna Garduno (Guest) It was tiring for the listener.  19:58 - Anne Ganguzza (Host) Exactly, exactly, and so you do have to start in the middle, and that's why I'm always saying that moment before right.  20:04 - Anna Garduno (Guest) It's so important, which is your basic acting thing. Right, like what happened before you came in the door, the scene, what happened, like how was the drive over?  20:11 - Anne Ganguzza (Host) Yes, and I'm like no, no, no, no, no. I hear the events that are happening. Tell me what the other person said and then how you responded. And I don't want you to respond with the first word. I want you to respond with maybe something that's rolling into the first word of the script.  20:30 Yeah, give yourself a lead in, because then it doesn't sound like the note like once and we all start on that same pitch. Right, I broke it down technically into musical notes, but still, you don't need to start like, hi, I'm just starting to talk.  20:45 - Anna Garduno (Guest) Yeah, you know no, of course not, but see, the moment before is really important. I imagine you do this with your students too. One of the benefits of doing these auditions at home and working at home is you can try a lot of things, which is and you can also give yourself a lead in, sometimes so that you are literally starting in. You say absolutely.  21:04 Don't stress about that credit card. Let me look. Let me look at the credit card. Like I have a piece of copy that starts out Wait, did you book the bartender? $200 last week. Like that's a good sentence, actually, but how much better is it if you imagine that your friend's upset crying. They're freaking out, Exactly. Listen, let me see you grab it. You go, okay, let me look at this for a minute. Wait, did you? $200? Which really means like, how drunk were you, Dear God?  21:30 - Jen Keefe (Ad) what was that about?  21:32 - Anna Garduno (Guest) And it's just taking that extra moment to put yourself in this situation Absolutely. And then, because you do it at home, you can do that lead in and cut it out. And that's one of the benefits, I think, of doing these auditions at home Because, as you know, in the in-person auditions which are starting up again thank God a little bit you usually get one shot and you can't do that lead in ahead of time.  21:51 - Anne Ganguzza (Host) Well, exactly so. We've talked about the moment before, which, again, I think is so important. We've talked about storytelling. What other things would you say are important for a voice actor to know today in order to get noticed and stand out?  22:06 - Anna Garduno (Guest) Okay, well, this is such a basic thing. It's going to sound so silly, but it's very important to do some homework. We'll just talk right now about two areas, about commercial and animation, but this is true for everything. Actually, listen to what is actually on the air to hear what the styles are, what the tones are and everything. I have students and I'm sure you do too Some, you know, women students who've gone off and raised children and they're coming back 20 years later, right, and everything is like it's in the eighties or the nineties. It's so amped up. I'm like, okay, have you actually heard a commercial? And I'm shocked at how people say, well, no, I stream.  22:43 - Anne Ganguzza (Host) I don't watch TV. Yeah, I don't watch TV. What?  22:46 - Anna Garduno (Guest) What does it matter with you? And what's so nice is you can that's research, yes, and also watch some different animation too, because, as we know, that natural voice, right, which is sort of the BoJack Horseman model, and then there's, you know, slightly more character-y things like in Spongebob, and then there's super cartoony, right. I am shocked at how many people do not actually pay attention to cartoons and they'll say, well, there's so many. How do I start? I go okay, watch movie trailers.  23:12 Watch the movie trailer, for inside out it's three minutes. There's five women and five men. Watch that and take notes. Don't just watch it passively. Write down what are the archetypes, what are the things, and then you put a check mark. So I'm very surprised at how people don't do their research. And I also tell my students it doesn't take long. If you spend half an hour a week listening to commercials in a very specific way and half an hour a week to different animation, listen to 10 minutes of three different shows and take notes on them, you do that for a month solid. Oh my God.  23:43 You have such a better foundation than everybody else. Oh my gosh, it's a very basic thing It'd be hard to audition for a play if you'd never seen a play Right. It would be hard to audition for an hour-long TV show if you hadn't watched hour-long TV in 20 years. You had no idea what those shows are like, because they're different than what they used to be.  24:01 - Anne Ganguzza (Host) And before you run into audition for no Matter what, can you take five to ten minutes to just look up the brand yes and look and see what's their website look? Like what is the product that you're talking about actually do. Do you know the product? Are you familiar with it? What is their demographic? Who are they trying to sell to? I mean, there's so much backstory.  24:22 Again, it's almost like you're doing character study right, but you're doing it about the brand because the brand is looking for a voice. Even if there are casting specs, right, you can always go to a brand and find out, like, who are they selling to and how are they trying to do that by just literally a Google search. Absolutely, and I don't see why people don't take the time to do that. I mean it could take literally five to ten minutes before you rush in and everybody's like I've got to get the audition in. I've got to get the audition in, but do the homework first. Spend five or ten minutes. I don't think that you're going to miss the timing. I mean, I know people are like I've got to get it in first.  24:52 - Anna Garduno (Guest) Also, it's going to be much more efficient. Right, you take five, ten minutes, so like, oh, what is this new? Obviously, I don't know anything about tech stuff. So what is this new tech thing about? I need to find out what it is, and then you can do almost anything in three to four. Takes Almost you know after that.  25:06 So it's not going to take you that long. But I think one of the things I recommend my students do is so that you're not always in a rush right, trying to do the audition and get all this stuff in is set aside a specific time, wednesday morning from 10 to 1030. I'm going to look at ispottv and I'm going to watch 10 car ads in a row and I'm going to write down the differences between them. So if you just set a specific time, then it's part of your ongoing kind of homework and then when you get that audition for Lexus or Jeep you've already seen it and you know what it is.  25:40 And you're like oh, or you can say oh, this is like the absolute vodka ad I just watched. Okay, and that's what that is. So you're not playing catch up. Yeah, and it's the only area of acting I've ever come across and where you can get better at it really fast, because if you have a good ear, you can hear, like students where I've done this myself right, I think I'm sounding very sexy, yeah yeah, and I just sound sad, sad and depressed.  26:07 I'm like, okay, that's bad. Or I'm trying to be enthusiastic and I sound crazy, like I've had 15 cups of coffee, so you can hear it and you can adjust it immediately and that's so satisfying. I mean, I love to do dialects, as I know you do, and you know dialects takes years to really be super great at them. And this is another area about the voiceover world is you can move forward very quickly if you are just consistent, consistent with your study consistent with your class?  26:40 - Anne Ganguzza (Host) Yes, absolutely.  26:42 - Anna Garduno (Guest) Consistent instead of stopping and starting all the time.  26:44 - Anne Ganguzza (Host) I love that. I love that and I try to tell my students you know, look, it's better for you to do one or two scripts a day because I give homework right. And I say it's better for you to do one or two scripts a day because I give homework right. Yeah, and I say it's better for you to do one or two scripts a day, then wait until the night before and then do all the scripts at the same time, because then you're in the same performance mode, right.  26:58 - Jen Keefe (Ad) You're just like, oh God, I've got to get my homework done.  27:00 - Anne Ganguzza (Host) I've got to get my homework done and so I'm going to listen to you. And so one of the reasons why I give homework is to hear, for me I'm vocally branding my students as well, so that we're prepping for the demo. Right, I want to hear them talking about Toyota or I want to hear them talking about Subaru or some other brand and I want to say, okay, I hear that, you know, and for me it's just a creative thing where I'm like, yes, I can hear that she sounds great with that brand, and so now we're going to focus on a spot on our demo for that brand. And so I give lots of homework because, number one, you should be able to practice what we're doing in between our sessions. Otherwise, like you want me to just live direct you once a week, that just, I mean, I don't feel that you're going to progress quickly.  27:45 - Anna Garduno (Guest) Well, what you're talking about, anne, is giving them the structure and the tools to become their own best director. Exactly that's what you're talking about, and that is a gift to give to students.  27:55 - Anne Ganguzza (Host) Thank you for calling homework being a gift. I love that. Oh, it is a gift. Yeah, I love that, and also I always say to people it's optional okay. I don't want to stress you out, yeah me too.  28:03 - Anna Garduno (Guest) I don't want to stress you out, but you're giving them. It was a new student, they go. Well, I just need to be. You know, if I have a director or a cast member, they tell me what to do. And I said to them okay, well, what might they say? And she said, well, they would tell me to be more conversational. I said, okay, and then what would you do? Blank face, yeah, and everyone's different. Like for me to be more conversational. In general, I have to slow down and I have to bring my voice down just a little bit.  28:31 Other people have to go faster.  28:38 - Anne Ganguzza (Host) Typically people pitch up when they're reading. That's just a, I think, human nature kind of thing, but you're right. And then sometimes they just go fast through everything or they go too slow through everything and then they sound too consistent. Consistency is like. I think I can't be stagnant in my business. That's the death of my business, and I think consistency might be the death of a voice actor. Because you can't be consistent in any sound right, because then it sounds robotic, it sounds with no point of view, there's no right, it's rhythm, and point of view is everything.  29:05 - Anna Garduno (Guest) I think Point of view drives the rhythm and sometimes the rhythm is like there's one style that sort of is kind of the opposite of all we're talking about a little bit is I call it a cello read Is that Eternity by Calvin Klein?  29:16 - Jen Keefe (Ad) Right when they just say do less, do less, do less.  29:18 - Anna Garduno (Guest) Right, hi, yes Hi, I'm not going up or down, but that's its own rhythm.  29:22 - Anne Ganguzza (Host) So that's why I call it a cello.  29:24 - Anna Garduno (Guest) So if somebody plays one note on a cell, that's what it is. Yeah, it's like that. So even that is a very specific point of view.  29:32 - Jen Keefe (Ad) Yeah, absolutely.  29:35 - Anna Garduno (Guest) And it makes it dynamic because you're right, if you're just consistent all the way through the same way, it's so boring, yeah, you just stop. It loses any kind of dynamic.  29:42 - Anne Ganguzza (Host) It loses point of view too Correct, it really does.  29:44 - Jen Keefe (Ad) Oh, absolutely yeah.  29:53 - Anne Ganguzza (Host) It's interesting how musical it can be and then yet I don't want my students to approach it necessarily musically. I want them to approach it like an actor, because if you can do that, then ultimately things just fall into place. When you're responding to something, you're acting is reacting. When you're reacting right and you're reacting with the lines in the script, it falls together naturally. It really does.  30:08 And so the rhythm and the melody just fall together, and the emphasis on the words. It just falls together Like it's an easy thing for me to say. However, somehow, when people get words in front of their face, yes, because I was taught to read aloud, you know, in grade school, and I was like yes, me, I love to read, I'm a good reader, and let me hello, I'm going to read my text now, and so you have no time to put a point of view on when you're just reading from left to right, you don't know what the story is. There's no history there, there's no. Who are you talking to? Well, I'm just reading to the air, right?  30:40 - Anna Garduno (Guest) Well, I think you bring up also a really good point too. The approach isn't after the voice will follow the musicality, all that will follow. And something that's a particular challenge is since when we're reading or working, a lot of times we have headphones, so we're hearing ourselves while we're talking and there's a big temptation to be the director, the producer, all at once while you're literally saying your words absolutely you have to not do that.  31:02 So I'm a big advocate just put one headphone on, because you don't ever hear what you actually sound like through your head or your headphones. It's close because you're listening through the speaker of your head, right? So that's that's. The other thing, too, is I tell students don't judge your read like. Listen to it back first before you start making adjustments, or you stop in the middle or you change it or something.  31:21 - Anne Ganguzza (Host) Yeah, that's good, I like that. Wait until you're done. I have the advice, which is interesting I get the one ear on, one ear off. For some people yeah, for some people, because for me, when I was initially starting, I had a lot of like noises coming out and I was evaluating my booth and so I couldn't tell if there was noise and also being directed right. So when you're directed, you kind of have to have your headphones on.  31:42 - Anna Garduno (Guest) Oh no, absolutely Right, You've got to be able to hear the direction.  31:44 - Anne Ganguzza (Host) So I always say your headphones are amplifying your sound, yes, and so if you get used to not listening to your sound and you're into the storytelling, it won't matter if you have headphones on or not. But that's a hard thing for people to do sometimes, because I know when I first started hi, oh, I love this. It's amplifying my voice, you know that kind of thing and it just gets to be a little egocentrical there for a minute. But I don't think any voice acting really should be egocentrical at all. It's something you are gifting right to the person who is listening to you and that is a gift you give to them. It's not about you listening to yourself.  32:20 - Anna Garduno (Guest) Well, even though you're just doing one side of the conversation. You're in fact interacting. Yeah, you are always interacting, and that's when they say talking to a friend. That's what they're trying to say is you're talking about this paper towel is going to soak up that spilled wine. Because you just came to your friend and said, oh my God, I spilled red wine all over my couch, I don't know what to do. You say, oh well, actually this thing is going to help you. You're interacting. Right, it's not about you at all. And it is a challenge sometimes not to fall either, to fall in love with your own voice or to decide.  32:49 You hate everything about it which is also not helpful.  32:52 - Anne Ganguzza (Host) That's so true. So you have to not judge.  32:54 - Anna Garduno (Guest) You have to wait and listen back and then see do I sound like I'm engaging with someone? Because you're always talking, like you say, for a reason. You know, even in animation stuff. You know I was talking to someone the other day about BoJack Horseman because that's such a common spec.  33:10 You know they say we want to like bojack horsemen, not rugrats and things like that. And I had somebody once I think was at sad foundation, wasn't a regular student said, and they said, well, you know, will arnett, they just hired him because you know he's just will arnett all the time. And you know what I said. I said, okay, I see why you're saying that, but my guess is a lot of people would like to play bojack. I bet chris rock would have loved it, paul rudd would have loved it.  33:28 Paul Rudd would have loved it. Owen Wilson would have loved it. There's a lot of comedic Seth Rogen, there's a lot of guys, and Willa and I get it, not because of the sound of his voice, but because he created a character that was engaging. So don't self-sabotage by saying, oh, it's a star. That's all they do. Don't diminish their work and don't diminish your possibility to do work as good, absolutely.  33:52 - Anne Ganguzza (Host) So I think that that's really interesting. Oh, I love that. I love that. Gosh, Anna, I could talk all day to you.  33:58 - Jen Keefe (Ad) Well, that's why we're going to get together and have cocktails and dinner.  34:00 - Anne Ganguzza (Host) There we go Well, there we go Well. I have to say thank you. So so much. Thank you so much and I know that it's been a pleasure having you on. Now you've got a special offer for boss listeners. I do Special offer.  34:12 - Anna Garduno (Guest) Talk to us about that a little bit so for boss listeners. You get 10% off any classes, 10% off any private coaching or things like that, and also 10% off any demos you may want to work on or refresh or anything like that. Just say that you're a fan of the boss lady. The queen herself Love it and I'm very happy to do that. And you can reach me through.  34:33 - Anne Ganguzza (Host) My direct email is AnnaVoiceForward at gmailcom, and just say hey, heard you on the boss, and we'll put that link in the show notes as well to get to your website. And so thank you so much, anna, for being with us today, and I look forward to working with you more in the future. For sure I want to have you as a VO Peeps guest director too, so coming up, so I'll be sending you that schedule. Yay, I would love that. So perfect. Thank you so much. Thank you so much, and so a big shout out to our sponsor, ipdtl. You too can connect and network like bosses. Find out more at IPDTLcom. Bosses. Have an amazing week and we'll see you next week. See you next week, bye, thank you.  35:20 - Intro (Announcement) Join us next week for another edition of VO Boss with your host, anne Ganguza, and take your business to the next level. Sign up for our mailing list at VOBosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast-to-coast connectivity via IPD TL.   

El relevo de Francisco Garduño en el INM se retrasa; su permanencia responde a intereses estratégicos con miras a EE.UU. y Trump.

Detienen a tres presuntos implicados con el asesinato de la abogada Oralia Pérez Garduño Liberan a excomandante de la Policía Ministerial de Guerrero tras ser acusado por la desaparición de los 43 normalistas de Ayotzinapa Estoy firme y fuerte afirma Luiz Inácio Lula da Silva tras ser intervenido Más información en nuestro podcast 

In this episode, Yonathan Moya of Border Perspective sits down with César Garduño, Coordinator of the Missions Department at Río Grande Bible College. Originally from Toluca, Mexico, César shares his inspiring journey into missions, fueled by his passion for God's global purpose. With a unique perspective shaped by his background in International Relations, Biblical Studies, and Migration and Refugee Care, César discusses the transformative work of mobilizing Latin-American students to reach the unreached. This conversation delves into the challenges and opportunities in mission work and the call for Latin America students to rise as a missionary force in today's world.

Inicia campaña en Edomex para tramitar licencia de Conducir para Servicio Particular Fallece la artista Sarah Cunningham en Londres  Sabías que México es el segundo país con mayor diversidad cultural del mundoMás información en nuestro podcast

Los ataques de Israel a Gaza y Líbano indican un posible conflicto de gran escala en la región. Moisés Garduño García, experto en temas de Oriente Próximo, describe el impacto de Estados Unidos y de China en este conflicto y el papel de Irán en esta guerra.

En entrevista para MVS Noticias con Ana Francisca Vega, Pablo Vázquez Camacho, titular de la SSC-CDMX, habló sobre la violencia que sacude la Ciudad de México, asesinan a la abogada Oralia Pérez Garduño en viaducto y balean a tres personas en las calles del Centro Histórico.See omnystudio.com/listener for privacy information.

Iniciamos la conversación con Salvador Camarena –periodista– nos informa sobre el estado de Diana Sánchez Barrios, activista y lideresa de comerciantes del Centro Histórico, quien fue víctima de una agresión y permanece hospitalizada. Camarena destaca su defensa tanto de los vendedores ambulantes como de la comunidad transgénero.  Arturo Ángel –periodista independiente en EUA– reporta la primera audiencia del narcotraficante Ismael "El Mayo" Zambada ante la corte federal de Brooklyn. El capo, cofundador del Cártel de Sinaloa, enfrenta 17 cargos por delitos como narcotráfico y lavado de dinero. El juicio continuará el 15 de enero, con una posible sentencia de cadena perpetua o pena de muerte. Anabel Hernández –periodista– revela que en 2010 advirtió a Calderón sobre los vínculos de Genaro García Luna con el Cártel de Sinaloa. “Le probé con documentos que era corrupto y les prestaba hombres armados”, declaró. Marko Cortés –senador y presidente de Acción Nacional– llama al expresidente Felipe Calderón a regresar a México y aclarar su relación con Genaro García Luna. Cortés pidió una disculpa pública por haberle otorgado un puesto de alto nivel en su gobierno. “Los indignados somos los mexicanos y los panistas; es hora de una explicación clara", sentenció el senador. David Fuentes –periodista y reportero de “El Universal”– informa sobre el asesinato de Oralia Pérez Garduño, abogada penalista, en la colonia Roma Sur. La víctima fue interceptada por motociclistas mientras conducía una camioneta, recibiendo múltiples disparos. La Fiscalía de la CDMX ha iniciado una investigación, y las autoridades desplegaron un cerco virtual para localizar a los agresores. Programa transmitido el 18 de octubre de 2024. Escucha el Noticiero de Nacho Lozano, en vivo de lunes a viernes de 1:00 p.m. a 2:00 p.m. por el 105.3 de FM. Esta es una producción de Radio Chilango.

Día violento en la CDMX. Primero, la diputada Diana Sánchez Barrios fue atacada a tiros en la calle Motolinia, en pleno Centro Histórico. De acuerdo con las autoridades, el tiroteo dejó un saldo de tres personas heridas, entre ellas la legisladora, hija de la lideresa de los tianguistas capitalinos, Alejandra Barrios.Casi al mismo tiempo, y a tan solo unos kilómetros de distancia, fue asesinada la penalista y activista Oralia Pérez Garduño. Según los reportes, un grupo de sicarios a bordo de motocicletas disparó en repetidas ocasiones contra la camioneta en la que circulaba la activista sobre la avenida Viaducto.En ambos casos, no se ha detenido a ningún responsable. Hosted on Acast. See acast.com/privacy for more information.

Episodio 24 de nuestra mesa de análisis Contradebate con Miguel Badillo, Nancy Flores y Zósimo Camacho: - Garduño debería separarse del INM; Abrirán archivos del Cisen; Córdova en la UNAM; Edmundo Jacobo- Transmisión 29 de marzo de 2023 Contralínea en vivo se transmite de lunes a viernes a partir de las 10:00 hrs (hora del centro México), y nuestra mesa de análisis #Contradebate es cada lunes, miércoles y viernes a las 13:00hrs (tiempo centro de México). Estamos en Facebook, YouTube, Twitter, TikTok, Spotify, Apple Podcast, Ivoox e Instagram como Contralínea. Encuentra todo nuestro contenido en: https://contralinea.com.mx/

En entrevista para MVS Noticias con Ana Francisca Vega, Yesenia Valdez, coordinadora de Defensa Integral de la Fundación para la Justicia, habló sobre que a 16 meses del incendio en la estación migratoria de Ciudad Juárez, el titular del INM, Francisco Garduño, buscó por segunda ocasión cerrar anticipadamente el proceso penal en su contra por este caso. "Por segunda ocasión la defensa del señor Francisco Garduño, aún comisionado del Instituto Nacional de Migración, solicitaron algo que llamamos suspensión condicional", dijo.  Comentó que esta suspensión condicional es un derecho de cualquier imputado para poder obtener una salida alterna al proceso penal al que es sujeto, y es imputado de un delito menor. See omnystudio.com/listener for privacy information.

En entrevista con Pamela Cerdeira, para MVS Noticias, José Arturo Gómez Padilla, coordinador de programas de Asylum Access Mexico, organizaciones denuncian que Francisco Garduño busca zafarse de proceso por el incendio en estación migratoria de Ciudad Juárez.See omnystudio.com/listener for privacy information.

Cinco medallas fueron las que obtuvo la delegación mexicana en París 2024 pese a todo. Los nuestros se midieron tú a tú con atletas que reciben todo y gracias a eso hubo varios resultados donde los mexicanos quedaron entre los primeros 10 lugares. El reporte de Enrique Burak.La carta de Ismael ‘el Mayo' Zambada publicada en Los Angeles Times dejó mal parado a los gobiernos de México y Estados Unidos tanto a nivel local como a nivel nacional. Ciro Gómez Leyva plantea preguntas y escenarios sobre el cómo llegó ‘el Mayo' al país vecino, dónde estaba Rubén Rocha Moya y cómo es que ni los gobiernos de AMLO ni Joe Biden saben cómo es que un avión privado cruzó la frontera de manera inadvertida.Francisco Garduño es uno de los 11 acusados por la muerte de 40 migrantes en la estación del INM de Ciudad Juárez. A diferencia de los otros acusados, el titular del instituto no está acusado de homicidio y sus delitos no son graves, por lo que Garduño quiere únicamente pagar una parte de los daños al edificio y en parcialidades para así terminar con su proceso penal.Luego de su derrota en las elecciones para ser senadora por Sonora en la bancada del PAN, la excomunicadora Lilly Téllez confirmó que sí tendrá un escaño en la cámara alta. Sin embargo, explica que su ella y la oposición, serán testimoniales al no tener suficientes votos y da por hecho que la sobrerrepresentación de Morena es un hecho consumado desde Presidencia.Luego de su derrota en las elecciones para ser senadora por Sonora en la bancada del PAN, la excomunicadora Lilly Téllez confirmó que sí tendrá un escaño en la cámara alta. Sin embargo, explica que su ella y la oposición, serán testimoniales al no tener suficientes votos y da por hecho que la sobrerrepresentación de Morena es un hecho consumado desde Presidencia.Cada vez hay más preguntas sobre cómo fue capturado Ismael ‘el Mayo' Zambada. Una de las narrativas sobre su detención ha sido despejada a partir de una carta filtrada por parte de la defensa del capo donde se confirma que le gobierno de López Obrador tenía información sobre el hecho. En la misiva se lee que ‘el Mayo' andaba con tranquilidad y se reunía con plena confianza con altos funcionarios y gobernadores incluido Rubén Rocha Moya.López Obrador quiso atajar las revelaciones de 'El Mayo' Zambada publicadas en Los Ángeles Times donde, entre otras cosas, se habla de una cercanía entre el gobernador de Sinaloa, Rubén Rocha Moya, con el capo. Ciro Gómez Leyva ironizó sobre los dichos de AMLO y cuestionó que todo se vincule a una supuesta campaña de desprestigio en contra del presidente.Grupo Fórmula #AbriendoLaConversación

Nos invitan al Festival ACNUR

La Corte Internacional de Justicia le ordenó a Israel detener "inmediatamente" su operación en Rafah. El especialista en asuntos del Oriente Medio y académico de la Universidad Nacional Autónoma de México (UNAM), Moisés Garduño García, explicó el impacto de este fallo en entrevista con Carmen Aristegui. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Qué alegría fue poder compartir micrófonos con Uds.. y contribuir hermosas anécdotas sobre momentos especiales en el ministerio! 

Para Moisés Garduño García, especialista en Asuntos de Medio Oriente y académico de la Universidad Nacional Autónoma de México (UNAM), los recientes incidentes ocurridos en la guerra entre Israel y Hamas agudizan la situación en toda la región. En entrevista con Carmen analizó el reciente ataque israelí en contra de la embajada de Irán en Siria. Learn more about your ad choices. Visit podcastchoices.com/adchoices

El presidente de Estados Unidos, Joe Biden, manifestó su indignación por el reciente ataque israelí en Gaza que mató a siete trabajadores humanitarios de la organización sin ánimo de lucro World Central Kitchen. Moisés Garduño García, especialista en Asuntos de Medio Oriente y académico de la Universidad Nacional Autónoma de México (UNAM), analizó en entrevista con Carmen Aristegui si las declaraciones del mandatario estadounidense marcan un distanciamiento del Gobierno del primer ministro de Israel, Benjamín Netanyahu. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Moisés Garduño García, profesor del Colegio de México y especialista en asuntos de Medio Oriente, explicó en entrevista con Carmen Aristegui los detalles de las audiencias que desarrolla la Corte Internacional de Justicia (CIJ) sobre la legalidad de la ocupación de los territorios palestinos. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tras la respuesta militar de Estados Unidos contra Iraq y Siria, que este viernes atacó unos 85 objetivos, Moisés Garduño García, profesor de la Universidad Nacional Autónoma de México (UNAM) y especialista en asuntos del Oriente Medio, explicó en entrevista con Carmen Aristegui algunos posibles escenarios a desarrollarse en la región del Medio Oriente, afectada ya por el conflicto entre Israel y Hamas, que comenzó el pasado 7 de octubre. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gracias Jorge Y Martin por su colaboración y aportación a este episodio! Estuvo alegre y fue de mucha bendición! 

Para Moisés Garduño García, profesor de la Facultad de Ciencias Políticas y Sociales de la UNAM, si Israel decide invadir Gaza por tierra, el desenlace podría ser catastrófico en términos de pérdidas humanas. El académico, experto en Estudios Árabes e Islámicos Contemporáneos, opina que una incursión terrestre podría entorpecer cualquier intento de paz.Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

This week I'm finishing up my conversation with Chono Garduño. --- Love Tattoo 408? Here are the best ways to support the show! Leave a 5 star rating on Spotify or Apple Podcasts (it takes ~10 seconds). Tell your tattoo-loving friends and family about it! Get 15% off when purchasing tattoo healing products from saniderm.com with the code "tattoo408" Leave a tip! Follow Tattoo 408 on Instagram, TikTok, and Youtube. DM your address and get stickers in the mail! Thank you to Tessia Spisak for our logo and to mint.beats for our music. Tattoo 408 is produced by Ethan Gregory Dodge. © 2023 under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

This week I'm talking with Chono Garduno about his 35 year tattooing career. Born and raised on San Jose's East Side, Chono got his start tattooing on homemade machines in the streets. --- Love Tattoo 408? Here are the best ways to support the show! Leave a 5 star rating on Spotify or Apple Podcasts (it takes ~10 seconds). Tell your tattoo-loving friends and family about it! Get 15% off when purchasing tattoo healing products from saniderm.com with the code "tattoo408" Leave a tip! Follow Tattoo 408 on Instagram, TikTok, and Youtube. DM your address and get stickers in the mail! Thank you to Tessia Spisak for our logo and to mint.beats for our music. Tattoo 408 is produced by Ethan Gregory Dodge. © 2023 under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International license.

1. Senadores morenistas suplantan al senado en mesas de plástico. 2. Garduño sometido a proceso penal, pero firme en el INM. 3. La traición de López a todos los que lo apoyaron. 4. La trampa del discurso. 5. Los casos impunes de corrupción en el obradorato. 6. López acepta que hubo contratos para los amigos de sus hijos. 7. Lo que viene. 8. Buylla dice que hay vacuna mexicana, OMS declara fin de la pandemia. 9. Monreal se declara nada, y ya. 10. López manda carta a Biden quejándose de financiamiento a OSCs mexicanas. Hosted on Acast. See acast.com/privacy for more information.

¿Garduño seguirá libre y en el INM?

¿Qué ocurrió el fin de semana?... Francisco Garduño, titular del Instituto Nacional de Migración, fue vinculado a proceso por el delito de ejercicio ilícito del servicio público por la tragedia en la estación provisional de Ciudad Juárez, donde murieron 40 personas… Garduño seguirá su proceso en libertad y sólo acudirá a firmar cada quince días. En Tamaulipas… Un comando con decenas de camionetas con delincuentes incursionó la mañana de ayer en el municipio de San Fernando… En tanto, otros delincuentes realizaron bloqueos viales cerca de los cuarteles militares en Reynosa y Matamoros… Dos presuntos delincuentes fueron abatidos en San Fernando, mientras que en Matamoros, el transporte público se paralizó durante la mañana porque sus unidades se usaron en los bloqueos. En Nayarit… 18 personas murieron y 30 más resultaron heridas luego de desbarrancarse el autobús de turistas en el que viajaban… El camión cayó 15 metros a un costado de la carretera federal 200 en el municipio de Compostela. En otras cosas… El INE aprobó el registro como Agrupación Política Nacional de “Humanismo Mexicano”, liderada por miembros de la iglesia de la Luz del Mundo, cuyo fundador, Naasón Joaquín García fue condenado en Estados Unidos a 16 años y ocho meses de cárcel por abuso infantil… Este proceso ante el INE es la antesala para el registro como partido político… “Humanismo Mexicano” está encabezada por el diputado de Morena, Emmanuel Reyes, quien también es miembro de la Luz del Mundo. Y el canciller Marcelo Ebrard, insistió que Morena debe definir los plazos y las reglas para elegir al candidato a la presidencia para 2024… “Una de dos, o hay encuesta o hay favorita, no se pueden las dos cosas y para saber si es favorita, pues, hay que preguntarle al pueblo”, dijo Ebrard en referencia a la jefa de Gobierno, Claudia Sheinbaum, a quien las encuestas la ubican con una ventaja.

Elías Camhaji, periodista de El País

La Fiscalía General de la República informó que se citó a comparecer al titular del Instituto Nacional de Migración, Francisco Garduño, el próximo viernes 21 de abril por el incendio en la estación migratoria provisional de Ciudad Juárez, donde murieron 40 personas… Garduño es señalado de ejercicio ilícito del servicio público, delito que no amerita prisión preventiva, por lo que podría seguir su proceso en libertad… Por cierto, ayer fueron detenidos tres funcionarios de Migración por el incendio de Ciudad Juárez… Se trata de: Eduardo Apodaca, jefe de recursos materiales de la estación migratoria; Juan Carlos Meza, coordinador del grupo beta de protección a migrantes y la agente Cecilia Rivera… Los tres están acusados de homicidio y lesiones, por lo que no alcanzan libertad bajo fianza… Falta por detener a Salvador González, delegado del Instituto en Chihuahua…

Mensaje Especial con el Pastor Raúl Garduño Basado en Mateo 20:17-28

Mensaje Especial con el Pastor Raúl Garduño Basado en Mateo 20:17-28