Podcasts about Backspin

Play Pause DonateDownloadShare var srp_player_params_682833ef95d9a = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_682833ef95d9a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-682833ef95d9a"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-682833ef95d9a"); } Just when you thought we'd emptied the vault of bangers from this era, BackSpin Volume 7 comes stomping in with another round of club anthems that defined the dancefloors of 2009 and 2010. This was not a chill period in dance music—it was a full-throttle takeover. These weren't just tracks you heard in the club; they were the soundtracks to pre-games, afterparties, breakups, hookups, and everything in between. By this point, Electro House had become the default language of clubland. It didn't matter if the artist was an underground favorite or a Disney Channel graduate—everyone wanted in on the energy. And with remixers like Dave Audé, Mike Rizzo, Jody den Broeder, and Jump Smokers consistently delivering top-shelf work, the line between pop and club music completely vanished. Remix Culture Was King Let's be real—some of these tracks hit harder in their remixed versions than the originals ever could. Usher's “DJ Got Us Fallin' In Love” was already slick, but Jump Smokers cranked it up with a glammed-up club version that dominated summer playlists. Christina Aguilera's “Not Myself Tonight” might've been polarizing on radio, but Jody den Broeder turned it into a pulsing floor-filler with an edge. Black Eyed Peas continued their chart domination with “Imma Be” and “Meet Me Halfway,” both of which got remixed within an inch of their lives—one dirty, one dreamy, and both undeniable. And let's talk about Lady Gaga, who basically lived on the dance charts during this period. You'll find three of her biggest tracks here—“Bad Romance,” “Paparazzi,” and “Love Game”—all reworked by Dave Audé into high-energy triumphs that left no corner of the dancefloor untouched. https://www.youtube.com/watch?v=Kszwg8u9--w The Rise of Selena Gomez One of the most fascinating shifts during this period was the arrival of Selena Gomez—best known at the time as a squeaky-clean Disney princess. But her early releases with The Scene were smart, polished pop that lent themselves surprisingly well to club remixes. “Round & Round” and “A Year Without Rain” became club favorites thanks to 7th Heaven and Dave Audé, respectively, who transformed them into soaring dance tracks without stripping away her youthful charm. Selena's transition from Disney darling to legitimate pop artist began here, and the clubs were ready to embrace her. Ke$ha's Party Nation Also bursting into the scene like a glitter bomb was Ke$ha, whose breakout hit “TiK ToK” became a global party anthem. Fred Falke's remix gave it just enough disco-drenched sophistication while keeping its messy, rebellious spirit intact. Ke$ha's arrival signaled a new wave of club pop—raucous, unfiltered,

Play Pause DonateDownloadShare var srp_player_params_682833ef967a7 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_682833ef967a7 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-682833ef967a7"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-682833ef967a7"); } It's time once again to rewind the clock and fire up your favorite dance memories with Volume 6 of our BackSpin series, spotlighting the electric surge of Electro House and other club-defining hits from the early millennium. This installment zeroes in on 2009–2010—two powerhouse years that marked a massive turning point for electronic dance music and the global club scene. By this point, the shimmering dominance of the big room anthems helmed by remix legends like Thunderpuss, Hex Hector, and Victor Calderone had begun to fade. Their reign throughout the late '90s and early 2000s had set the standard for peak-hour energy, but by 2009, a new breed of producers began rewriting the rulebook. The Electro House Revolution This was the moment when Electro House officially took center stage. David Guetta broke into the U.S. mainstream and never looked back, while the Swedish House Mafia began building their empire brick by brick. Artists like Bimbo Jones, Jody den Broeder, Wideboys, Jump Smokers, Mike Rizzo, and Wawa steadily made names for themselves by turning pop into gold—remixing everything from the obvious club fodder to unexpected chart-toppers. Their influence was unmistakable. If their names were attached to a remix, you knew you were in for something massive. What made this shift so monumental is that the remixers became just as famous—if not more so—than the original artists. Guetta and Swedish House Mafia didn't just fill clubs; they packed stadiums and headlined the very festivals that were just beginning to explode in North America. Electronic music wasn't just for the underground anymore—it was pop. Commercial Kings of the Club Charts Yet, while Guetta and SHM were scaling the highest heights, others carved out their own niche—less flashy but no less effective. Remix powerhouses like Cahill, Moto Blanco, and Dave Audé were hitting hard and consistently. Their mixes dominated Billboard's Dance Club charts and brought just the right balance of commercial accessibility and dancefloor credibility. Moto Blanco leaned heavily into Disco House—reinventing the genre with crisp, soulful vocals over chugging basslines and glittery synths. Meanwhile, Cahill and Dave Audé turned pop tracks into pure club fuel, often elevating songs far beyond their original versions. These guys weren't interested in the spotlight—they were all about the sound. And club DJs and promoters knew: if you needed a floor-filler, you grabbed a remix from one of them. Pop Royalty Ascends This stretch also marked a major shift in pop culture, with a new generation of women dominating both the charts and the dancefloor. Rihanna was rising like a phoenix,

With over 40 appearances at the Masters as a player and commentator, Ian Baker-Finch knows Augusta better than Larry and Gary know their ensuites! So who better than the great man to tell us about Rory's victory? The boys share their own views on this years Masters and rank the 4 majors on personal preference […] The post Backspin Golf Podcast Episode 58 first appeared on Inside Golf. Australia's Most-Read Golf Magazine as named by Australian Golfers - FREE.

In this episode of Backspin, Larry and Gary talk with the most recent winner on the Challenger PGA Tour of Australasia, James Conran and his dramatic final shot to claim victory. High Performance Manager of Golf NSW, Khan Pullen was there with Larry during the Ford Women's NSW Open watching the emergence of a potential […] The post Backspin Golf Podcast Episode 57 first appeared on Inside Golf. Australia's Most-Read Golf Magazine as named by Australian Golfers - FREE.

Play Pause DonateDownloadShare var srp_player_params_67e498a67328e = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_67e498a67328e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-67e498a67328e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-67e498a67328e"); } Party Favorz is back with Volume 5 of our BackSpin series, spotlighting standout cuts from the golden age of Dance Club Songs. This edition focuses squarely on the biggest dance and club hits from 2007 to 2008—an era that bridged the raw energy of Electro House with the tail end of the millennium's peak clubbing scene. If you were anywhere near a dancefloor during this time, chances are you'll recognize most—if not all—of the tracks included here. Each one dominated the Billboard Dance Club Songs chart and captured the diverse pulse of the scene. From euphoric anthems to deep, soulful grooves, this was a period where musical experimentation met mainstream success. A Deep Cut That Still Resonates One of the undeniable standouts in this set is The Cure & The Cause by Fish Go Deep featuring Tracey K. While the original release had multiple remixes, it was DJ Meme's version that truly left its mark. Known for channeling the Salsoul era with real string sections and deep, disco-rooted energy, Meme's remix paid tribute to the late ‘70s underground—offering something completely unique in a sea of Electro House and Big Room soundscapes. Its lush arrangement made it a refreshing outlier, a reminder of the artistry that once dominated dance floors way back in the day. Extended Mixes That Kept Us Moving Another thing that sets this era apart? The length of these tracks. Seriously—they were long. We're talking 8 to 10-minute versions that DJs could ride for ages, keeping the energy high and the transitions smooth. The early Electro House movement embraced this approach, making sure partygoers stayed glued to the dancefloor for extended stretches. While we aimed to preserve the integrity of the originals, we also made a few light edits for the sake of flow. For example, The Cure & The Cause originally clocked in at a full 10 minutes. A more accessible 6+ minute edit was released later, and that's the version featured in this volume. How Streaming Changed the Club Mix As streaming platforms took off in the late 2000s, track lengths shrank. The push for more plays led to songs being chopped down to under three minutes—great for radio-style streaming, but awful for club DJs. This unfortunate trend carried over to remix culture. While we've bounced back a bit, with the average remix now hovering around five minutes, it's still not quite where it used to be. The reality is, shorter edits limit a DJ's flexibility. When you're forced to use effects or create unnatural transitions just to make a mix work, it can pull the listener out of the experience. Ideally, we'd find a sweet spot around seven minutes—long enough to build momentum,

Play Pause DonateDownloadShare var srp_player_params_67e498a673d6e = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_67e498a673d6e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-67e498a673d6e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-67e498a673d6e"); } Party Favorz is back with another round of our BackSpin series, this time moving into the transformative era of 2007 to 2008—an especially meaningful period as it marks the birth of this very podcast. These were the years that saw dance music shifting dramatically, with the big room circuit style starting to cool off just as Electro House began rising from the underground and taking over mainstream dance floors. But the evolution wasn't one-dimensional. This era ushered in a diverse set of trends that helped shape the sound of modern dance. It was the rise of remix royalty like Freemasons, Moto Blanco, and Cahill. Each brought their own distinct flair to the genre. Freemasons blended traditional House with Electro influences, Moto Blanco leaned deep into shimmering Disco House, and Cahill straddled both worlds with a clean, pop-forward edge. Their remixes were everywhere—especially for big-name artists. Back then, the bigger the artist, the more labels were willing to shell out for high-profile remixers. That is, until budgets began shrinking and labels stopped cutting those massive checks. Fast-forward 15 years, and platforms like SoundCloud changed the game again. Suddenly, bootleg remixes became marketing tools, not just club exclusives. DJs had to hustle to make a name for themselves—often remixing tracks for free in the hopes of being discovered or landing a record deal. A Remix Renaissance During this same stretch, a powerhouse of remixers emerged and defined the dancefloor. Bimbo Jones, Seamus Haji, Soul Seekerz, Wideboys, Dave Audé, Jody den Broeder, and a revitalized StoneBridge (whose roots go back to the '90s) were dropping fire left and right. Meanwhile, some of the biggest names from the big room era still held their ground. Chris Cox (post-Thunderpuss), Ralphi Rosario, Tony Moran, Johnny Vicious, and DJ Escape kept delivering heavy, floor-shaking anthems that balanced out the sleeker, more polished productions coming from the Electro and Disco House scenes. This blend of sounds made for one of the most diverse periods in dance music—something we haven't quite seen repeated since. A Pop Diva Takeover The pop landscape at the time wasn't sitting quietly either. Britney Spears was staging a massive comeback, Beyoncé and Rihanna were dominating charts globally, and Robyn was redefining what electro-pop could be. Their tracks became essential remix material and ruled dance floors from coast to coast. We've packed both volumes of this series with heavy doses of these queens because, frankly, they owned this era. Now, if you're looking for a broader reflection of each year's biggest dance anthems,

Gary and Larry review the Aussie's results overseas so far in 2025 and talk about Donald Trump and the merger with the PGA Tour and LIV. Speaking of LIV – Star and Ripper Golf Club's twinning team member, Matt Jones chats to the boys about playing golf for $25 million in the middle of the […] The post Backspin Golf Podcast Episode 56 first appeared on Inside Golf. Australia's Most-Read Golf Magazine as named by Australian Golfers - FREE.

Geh jetzt auf Flaconi!!● Deutschland: Einfach und entspannt Beauty und Parfum auf www.flaconi.de shoppen: Mit dem Code “ANIMUS10” sparst du biszum 14.02.2025 10 % ab einem Mindestbestellwert von 59 €.*● Österreich: Einfach und entspannt Beauty und Parfum auf www.flaconi.at shoppen: Mit dem Code “ANIMUS10” sparst du biszum 14.02.2025 10 % ab einem Mindestbestellwert von 59 €.*● Schweiz: Einfach und entspannt Beauty und Parfum auf www.flaconi.ch shoppen: Mit dem Code “ANIMUS10” sparst du biszum 14.02.2025 10 % ab einem Mindestbestellwert von 59 CHF.*● *Der Rabatt gilt nicht auf ausgeschlossene Marken und Produkteund ist nicht mit anderen Aktionen kombinierbar.Ausgeschlossene Marken & Produkte: BYREDO, CHANEL, Creed, CliveChristian, DR. BARBARA STURM, Dyson, INITIO, Kevin.Murphy, MaisonFrancis Kurkdjian, Laboratorio Olfattivo, LES BAINS GUERBOIS, MaisonTahité, Liquides Imaginaires, Parfums de Marly, Miller et Bertaux, Sensai,XERJOFF, Roberto Ugolini,L'Oréal Professionnel Paris SteamPod 3.0 & 4.0,ghd duet style black & white, ghd Platinum, Lancaster Ligne PrinDen Podcast als Video findest du auf Patreon:https://www.patreon.com/DerAnimusPodcastAlle Infos zu liebdich:https://liebdich-official.com/https://www.instagram.com/liebdich_official?igsh=MW1sdzZtbXczOXJ5Zw==Kooperationen/Anfragen: deranimuspodcast@gmail.com Animus auf SocialMedia:Instagramhttps://www.instagram.com/animus Hosted on Acast. See acast.com/privacy for more information.

Wie fühlt es sich an, nach über 30 Jahren Karriere loszulassen? Moses Pelham veröffentlicht mit “Letzte Worte” sein finales Album. Natürlich spricht er darüber mit Niko BACKSPIN im neuen BACKSPIN Stammtisch. Es geht um seine Legacy, sein selbstbestimmtes Karriereende und natürlich das neue Album. Viel Spaß!

There is no-one more in the “loop” than the humble “looper” (Caddy) and the boys chat with one of the best , Rance De Grussa. The Aussie has toted for the likes of Minjee Lee, Jason Scrivener and recently for two 20 year-olds who nearly won the Aussie Open and PGA – Sth Africa's Aldrich […] The post Backspin Golf Podcast Episode 55 first appeared on Inside Golf. Australia's Most-Read Golf Magazine as named by Australian Golfers - FREE.

In der neuesten Folge von „Was ist Rap für dich!?“ spricht Niko BACKSPIN mit Fynn Kliemann über seine Rap-Sozialisierung auf dem Dorf, erste Cypher-Erfahrungen und die Bedeutung von Sampling in seiner Musik. Sie werfen einen Blick auf Fynns musikalische Karriere und widmen sich der ewigen Debatte: Wer ist der GOAT? Eine Folge voller Anekdoten, Leidenschaft und Hip-Hop-Kultur, die du nicht verpassen solltest!

Zu Gast ist Niko Backspin. Niko ist eine bedeutende Persönlichkeit in der deutschen Hip-Hop-Szene, bekannt als Journalist, Medienunternehmer und kultureller Influencer. Seine Karriere ist geprägt von vielfältigen Aktivitäten und Errungenschaften: ## Medien und Journalismus Niko Backspin ist Head of BACKSPIN, dem ältesten noch aktiven deutschen Hip-Hop-Magazin, und leitet es bis heute. Seit Januar 2024 ist er zudem Chief Cultural Officer und Managing Partner bei Serviceplan Culture. Als Gründer und CEO von NikoMedia OHG betreibt er auch ein eigenes Medienproduktionsunternehmen. ## Medienplattformen Unter der Marke BACKSPIN hat Niko verschiedene Medienkanäle entwickelt: - BACKSPIN Magazin (Printausgabe) - Backspin TV (YouTube-Kanal) - Backspin FM (Online-Radioformat) - Backspin Podcast ## Fachliche Expertise Niko Backspin ist bekannt für seine Interviews mit prominenten deutschen Rap-Künstlern wie 187 Strassenbande, Fler und Bushido. Er produziert Dokumentationen über Rapper wie Marteria und Jalil. Zudem ist er Head of Music für die European League of Football und moderiert die Content-Serie "Back to Tape" in Zusammenarbeit mit Porsche AG. ## Kultureller Einfluss In der internationalen Rap-, Breakdance- und Graffiti-Szene genießt Niko Backspin hohes Ansehen. Er hat sich auf kulturelles Marketing spezialisiert und erforscht die Schnittstelle zwischen Marken und Kultur. Sein berufliches Motto betont das Verständnis dafür, wie Marken von der Kultur lernen und umgekehrt. ## Persönliche Marke In sozialen Medien und beruflichen Netzwerken präsentiert er sich mit dem Slogan "Y'all think Small, I think Biggie" und verwendet Hashtags wie #NikoKnows und #CulturalMarketing. Niko Backspin hat sich als einflussreiche Stimme in der deutschen Hip-Hop-Kultur etabliert und verbindet erfolgreich Journalismus, Medienproduktion und kulturelles Marketing.

Wenn es um Graffiti geht, ist er eine absolute Legende! Seit 35 Jahren ist Daim als Künstler aktiv. Im Laufe der Zeit hat sich seine Arbeit weiterentwickelt. Aus dem Yard in die Museen und Galerien. Aktuell ist sein Weg in der Ausstellung “Daim Retrospective - 35 Years of Graffiti Art” zu sehen. Im neuen BACKSPIN Stammtisch spricht er mit Niko über seinen Weg, die fortlaufende Professionalisierung der Graffiti-Szene und ein neues Projekt, die Triple Vinyl Compilation “Eine Stadt wird bunt. Hamburg Hip-Hop History 1989 - 1999”.

Aaaa, the humble tee. Is it the most overlooked piece of a golfers arsenal? Larry exposes the truth about this little friend. The Ripper GC has a Lead Social Media personality named Adrian Millerick and the boys chat with him about not only his role and how it works, but how a Pom from London […] The post Backspin Golf Podcast Episode 54 first appeared on Inside Golf. Australia's Most-Read Golf Magazine as named by Australian Golfers - FREE.

Play Pause Support the PodcastDownloadShare var srp_player_params_677258bf30fe2 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258bf30fe2 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258bf30fe2"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258bf30fe2"); } Party Favorz is back with Volume 3 of our BackSpin series, bringing you Electro House classics along with a mix of Millennial dance club hits from 2005-2006. I hadn't realized just how dominant the Rock Dance influence was during this time, but looking back, it was everywhere. Many tracks from that era didn't make it into these two volumes, but one that certainly stands out (next to Kelly Clarkson's “Since You've Been Gone” on Volume 2) is the Jacques Lu Cont Thin White Duke remix of “Mr. Brightside” by The Killers. This song was massive, and you practically couldn't escape it. This period also marked the rise of another French DJ besides David Guetta: Bob Sinclar. Though he'd been honing his craft since the late '80s, it wasn't until this era that he seemingly exploded onto the scene with hits like “Love Generation,” “World, Hold On (Children of the Sun),” and “Rock This Party (Everybody Dance Now).” His meteoric popularity even led to him headlining one of Hugh Hefner's parties at the Playboy Mansion. The event was later released as a two-volume set of House and Disco, aimed at the jet-set crowd. David Guetta, of course, is also in the mix here with some of his early work, including Juliet's “Avalon” and the huge “Love Don't Let Me Go.” As promised, we replaced the rock version of Roger Sanchez's “Turn On the Music” with the Axwell Electro House remix, which was the go-to version at the time. Paul Oakenfold (another 90s mainstay) was enjoying renewed success during this era, hitting #1 with “Faster Kill Pussycat,” featuring the incredible vocals of Brittany Murphy (may she rest in peace). For those wondering where this year's earlier hit “Perfect (Exceeder)” originated — it's straight from this time period, and we've included the Martijn Ten Velden remix, which stays true to the original but is more DJ-friendly. We also have to give major props to Peter Rauhofer (may he rest in peace) for his prolific output during this time. His remixes, which blended Progressive and Electro House, had wide appeal across dance floors. We've highlighted his stellar work on “Beautiful” by Christina Aguilera, “Killer” by Seal, and “Maneater” by Nelly Furtado — all of which hit #1 on the Dance Club charts. While we wanted to include his remix of the Vanity 6/Prince-penned “Nasty Girl” by Inaya Day, we decided it was a bit too much from one producer. Two DJ duos that went on to achieve massive success are Moto Blanco, represented here with Mary J. Blige's “Be Without You” (originally credited as Bobby Blanco), and Freemasons, who shine on Beyoncé's “Deja Vu” and Faith Evans' sassy “Mesmerized” — a personal favorite.

Marina Buzunashvilligehört ohne Zweifel zu DEN Größen in der Musikbranche. Über Jahre hat sie diverse Artists wie Haftbefehl oder Kool Savas bei der PR unterstützt. Ihr Leben und ihre Erfahrungen hat sie jetzt aufgeschrieben. Das neue Buch “Die Bossin" ist ab sofort überall erhältlich. Warum sie dieses Buch geschrieben hat, wie planbar ihr Erfolg war und welche Widerstände sie dabei überwinden musste, erzählt sie Niko BACKSPIN in der neuen Folge BACKSPIN Stammtisch. Viel Spaß!

Play Pause Support the PodcastDownloadShare var srp_player_params_677258bf31e76 = {"title":"","store_title_text":"","albums":[],"hide_artwork":"true","sticky_player":"true","show_album_market":0,"show_track_market":"true","hide_timeline":0,"player_layout":"skin_boxed_tracklist","orderby":"date","order":"DESC","hide_album_title":"true","hide_album_subtitle":"true","hide_player_title":"true","hide_track_title":"true","show_publish_date":"false","show_skip_bt":"false","show_volume_bt":"false","show_speed_bt":"false","show_shuffle_bt":"false","use_play_label":"true","use_play_label_with_icon":"true","progressbar_inline":"true","spectro":"","hide_progressbar":"true","main_settings":"||"} var srp_player_params_args_677258bf31e76 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-677258bf31e76"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-677258bf31e76"); } At long last, Party Favorz is back with our latest BackSpin, featuring Electro House classics and other dance hits from the early millennium. This set specifically focuses on 2005-2006. Electro House had already been bubbling up from the underground, but by 2005, we saw the rise of future DJs who would later become household names. People like David Guetta, Axwell, Kaskade, Fedde Le Grande, and Dave Aude, to name a few. This period also brought me back into the scene after having dropped out because the music from 2002-2004 had become too druggy, dark, and frankly, depressing. I just wasn't feeling what Stephane K & Creamer were putting out at the time. It wasn't until Rick was out of town, and I went to a gay club in Atlanta with my bestie, LeAnn, that I realized the music was shifting. Hearing the Freemasons mix of "Lovin' You More" and "Mesmerized" lit a spark in me, and I knew the landscape was changing—bringing back my excitement for the scene. By this time, the big room stylings of Thunderpuss (Barry Harris and Chris Cox) had come to an end. However, Chris Cox carried on with their big tribal sound, while Victor Calderone, Hex Hector, Tony Moran, and Ralphi Rosario continued topping the Dance Club charts. Peter Rauhofer ventured into darker, progressive sounds—sometimes hitting the mark, other times not—but he was still in high demand, commanding high prices for his shows. If you're craving those memorable hits, Party Favorz has you covered. Check out our Top Dance Songs of 2000-2009 and Top Dance Songs of 1996-1999 sections, where you'll find the biggest chart-toppers in the U.S. For those more into the circuit anthems from this era, head over to our Classic Circuit Anthems section, where a 4-volume set awaits to blow you away. Over the next several years, the production styles of these early 2000s pioneers began to fade, making room for newer DJs like Avicii, Deadmau5, Calvin Harris, Soul Seekers, Wideboys, Freemasons, Moto Blanco, Seamus Haji, and soon after, Swedish House Mafia, among many others. The following decade was truly an exciting time for the Dance Club scene, with EDM becoming the dominant genre, alongside massive festivals that resembled rock concerts. One thing that didn't change was the length of the songs. Unlike today's musical landscape, where dance tracks often clock in at under 4 minutes, DJs back then continued the tradition of long, epic songs, just like their predecessors. I did very little editing here to let listeners experience true club mixes, with full builds and progression, instead of the short, catchy hooks that dominate now. It's worth noting that while Electro House didn't completely dominate the ...

So what's going on with the Internationals Captain, Mike Weir and his disregard for the Aussies? Larry and Gary are more than a little pi..ed with the Canadian Legend's selections and explain why! On the opposite side of the ledger, the hosts applaud the victory of the all Australian LIV Golf team, “The Rippers” and […] The post Backspin Golf Podcast Episode 53 first appeared on Inside Golf. Australia's Most-Read Golf Magazine as named by Australian Golfers - FREE.

Live Recorded Set from VirtualDJ Radio Hypnotica

Sommerpause; große Fehler und neue Pläne; Themen Abseits des Spielfeldes; Menschen aus der Fußballwelt; Herausforderungen; Bundesligastart; Frustrierender Ticketkauf; Erwartungen an die neue Saison. Viel Spaß mit der Folge!

NewClub > https://www.newclub.golf NewClub Pilgrimage > https://www.golfgenius.com/ggid/pilgrimage2025 NewClub Charity Classic > https://www.golfgenius.com/ggid/charityclassic2024 Summary In this conversation, Matt and Kevin discuss their approaches to managing their to-do lists and balancing work and family life. They share strategies for prioritizing tasks, breaking down long lists into smaller, more manageable ones, and scheduling time for essential activities. The conversation turns to golf as Matt and Kevin discuss the upcoming golf trips to Sand Valley for the NewClub Summer Medal and the pilgrimage to St. Andrews. Matt expresses his excitement about playing Sedge Valley and his curiosity about the Lido. They highlight the importance of pace of play and the unique experiences these courses offer. They also mention the upcoming fixtures for New Club and the thoughtful selection process behind them. Chapters 00:00 Introduction and Catching Up 03:19 Mastering the Art of To-Do Lists and Prioritization 11:14 Balancing Work and Family: Strategies for Success 17:32 Creating Boundaries: Separating Work and Home Life 23:03 Scheduling for Success: Making Time for What Matters 28:52 The State of Professional Golf and the Return of Tiger Woods 31:20 The Inspiring Comeback of Tiger Woods 43:15 Excitement for Sand Valley and the Pilgrimage to St. Andrews 50:27 Anticipation for Sedge Valley and Rainer and McDonald Courses 56:15 The Importance of Pace of Play in Golf 01:05:37 Thoughtful Selection of New Club's Fixtures

In der neuen Folge BACKSPIN Stammtisch haben sich Niko und Katha zwei Freunde des Hauses eingeladen. Pimf und Johannes Strate veröffentlichen zusammen einen Song und können deshalb genau erklären, wie man 2024 eigentlich am besten mit Rap zusammenarbeiten kann. Die vier sprechen über das Community-Gefühl im Hip-Hop und wie Rapper:innen eigentlich auf ihre Künstlernamen kommen. Es geht um die Tapefabrik 2024 und um den 20jährigen Geburtstag von Melbeatz' "Rapper's Delight". Viel Spaß!

Wer ist BACKSPIN eigentlich? In einem etwas anderen BACKSPIN Stammtisch wird aus dem Nähkästchen geplaudert, denn wir beantworten euch diese Frage in einem internen Gespräch. Diesmal hat Yannick nicht wie sonst Niko an seiner Seite, sondern seine drei Kolleginnen Johanna, Emma und Katha, die gemeinsam die BACKSPIN Redaktion bilden. Ihre Leidenschaft für die Rap-Szene leben die drei unter anderem in ihrem gemeinsamen Podcast Weekly aus und schwelgen mit Yannick in Erinnerungen, wie eigentlich alles angefangen hat. Sie geben außerdem Einblicke, wie man als Journalist:in in der Szene Fuß fassen kann, diskutieren über die Doppelmoral im Rap und ob die Rap-Blase geplatzt ist. Viel Spaß bei der ganzen Folge!

Früher war Hip-Hop im Film nur der Soundtrack, später dann Teil der Handlung. Und heute stehen diverse Artists aus der Kultur selbst vor der Kamera! Genau wie unsere beiden Gäste von dieser Woche: Lary und Booz. Beide musikalische und kreative Multitalente, stehen sie jetzt für die neue Mockumentary “Player of Ibiza” gemeinsam vor der Kamera. Wie sich die beiden Welten Musik und Schauspiel verbinden lassen, wie ihnen Hip-Hop dabei hilft und was euch auf Larys neuem Album “Stereo Noire” erwartet, hört ihr in der neuen Folge BACKSPIN Stammtisch. Viel Spaß!

Im neuen BACKSPIN Stammtisch wird es heute philosophisch! Niko und Yannick haben sich zwei ganz besondere Gäste eingeladen und zusammen stellen sie sich die Frage: Wie wird eine künstlerische Idee zur Wirklichkeit? Yung Kafa und Kücük Efendi sind in der Rapszene bisher als anonyme Cartoons mit hochgepitschter Stimme bekannt und erzählen heute, was hinter der Maske steckt und wie sie ihre Vision umgesetzt haben. Wie haben YKKE ihre erste Live-Tour wahrgenommen und was genau ist eigentlich ein Traumfeature? Viel Spaß bei einem Stammtisch der anderen Art!

Große Bühnen bespielt und schon eine beachtliche Fanbase aufgebaut und dann nochmal von vorne anfangen? So fühlt es sich zumindest manchmal an, wenn Künstler:innen aus Gruppen oder Duos ein Soloprojekt starten. Im neuen BACKSPIN Stammtisch mit Niko und Yannick beantworten König Boris und 9inebro die Frage, wie man sich als eigenständiger Artist emanzipiert und warum man sich für diesen Weg entscheidet. Ist es Kunst, wenn man alte Songs recycelt? Ist Deutschrap wirklich netter geworden? Und welcher absolute Classic wird diese Woche 30 Jahre alt? Schaltet ein in eine neue Stammtisch-Runde!

Selfmade, independent und breit aufgestellt. Sich selbst und seine Kunst eigenständig nach vorne zu bringen, ist der Traum von vielen. Aber was ist dabei eigentlich der Hustle? Sowohl das Szene-Multitalent und “Schweizer Taschenmesser” Julia Gröschel als auch Rapper Ulysse, der kürzlich sein independent Album “Moi vs.Moi” herausgebracht hat, wissen um die Schwierigkeit von selbstbestimmten Arbeiten. Im neuen BACKSPIN Stammtisch sprechen die beiden mit Niko und Yannick über die Erwartungen von innen und außen, was man gegen Motivationsprobleme macht und wie man sich selbst am besten vermarktet. Viel Spaß!

Straßenrap hatte schon immer eine große Klappe. Aber wie viel steckt eigentlich dahinter? Heute gibt es Artists wie Dea Bbz oder Celo Minati, die in ihren Texten Straßen-Attitüde mit persönlichen und teilweise gesellschaftskritischen Inhalten vermischen. Im neuen BACKSPIN Stammtisch sprechen die beiden mit Niko und Yannick über Haltung, persönliche Vorbilder und wie viel weicher Kern hinter den harten Schalen steckt. Viel Spaß!

Die Festival-Saison 2024 steht vor der Tür - und damit auch die Tapefabrik! Zu diesem Anlass haben Niko und Yannick zwei besondere Gäste für diese Folge eingeladen, um über das Festival zu quatschen, das Untergrund aus Prinzip und für viele Hip-Hop Heads ein jährliches Klassentreffen ist. Alexa ist aus Liebe zum Hip-Hop an der Organisation des Festivals beteiligt, Rapper Galv feiert dieses Jahr auf der Tapefabrik sein Album-Release und moderiert die Main Stage. Die Vier unterhalten sich darüber, wie viel Herzblut in der Tapefabrik steckt und worauf sich die Besucher:innen dieses Jahr freuen dürfen. Viel Spaß beim Anhören!

Wie gut verstehen sich Rap & Rock? In der neuen Folge haben wir versucht, diese Frage zu klären und dazu die optimalen Gäste eingeladen. Alligatoah: ursprünglich Rapper, der bald sein neues Album “Off” mit Rock und Nu Metal Einflüssen droppt. Außerdem Totze: Bassist der Punk-Rockband Beatsteaks, DJ und begeisterter Hip-Hop-Fan. Zusammen mit den Hip-Hop-Experten Niko und Yannick wurde geklärt, welche Gemeinsamkeiten und Unterschiede die Genres haben, was die besten Crossover-Projekte waren und ob der Trend gerade wieder in diese Richtung geht. Was Totze heutzutage in Raptexten vermisst und was Alligatoah mit Cringe-Zyklen meint, erfahrt ihr in der neuen Folge. Viel Spaß!

Wie real ist Straßenrap heute? Mit dieser Frage wurde der aktuelle BACKSPIN Stammtisch eröffnet, ausnahmsweise in neuer Konstellation: Weil Niko am Flughafen festsaß und wir euch trotzdem nicht hängen lassen, ist Lena aus der Redaktion eingesprungen. Mit Yannick und den Rapperinnen Adden und Sazou wurde über Authentizität im aktuellen Rapgame diskutiert. Außerdem ging es darum, wie viel Wichtigkeit der Meinung von anderen zugeschrieben wird und woran das liegen könnte. Adden und Sazou sind ab 15.03. neben anderen auf dem Tape von “Gerda” zu Hören, dem Zusammenschluss der Producer von The Krauts und Tutti Bounce. Wenn ihr mehr über das Tape erfahren wollt, bevor es droppt, hört die Stammtisch-Folge!

Wie kann man Hip-Hop lernen? Diese Frage diskutieren Niko und Yannick in der neuen BACKSPIN Stammtisch Folge zusammen mit den Gästen Tim Dollmann von der HipHop Academy Hamburg und Drob Dynamic von der Berlin HipHop Akademie. Beide haben es sich zur Aufgabe gemacht, mit Workshops und Coaching-Sessions die Disziplinen und Werte der Hip-Hop Kultur an Kids und Jugendliche zu vermitteln. Am Ende der Arbeit steht die Veröffentlichung eines eigenen Sampler und sogar professionelle Hilfe beim Einstieg ins Berufsleben werden geboten. Wie die Arbeit der beiden Akademien genau aussieht, welchen persönlichen Antrieb unsere Gäste dabei haben und wie lebensverändernd Hip-Hop sein kann, hört ihr in der neuen Folge. Viel Spaß!

Wie verändert sich die Relevanz von Kunst in Krisenzeiten? Und warum braucht es sie vielleicht gerade jetzt? Um das zu diskutieren, haben Niko und Yannick zum aktuellen BACKSPIN Stammtisch zwei besondere Gäste eingeladen. Micha Fritz, Mitgründer von Viva con Agua, und Musikerin Marie Curry, die lange Teil der Hip-Hop Gruppe Neonschwarz war und seit neuestem Solo unterwegs ist. Beide sind auf ihre eigene Art politisch aktiv. Welche Verantwortung sie in Kunst hinsichtlich politischer Veränderung sehen, und warum Hip-Hop in ihren Augen ein wichtiges Sprachrohr bleibt, könnt ihr in der Folge hören. Außerdem spricht Marie darüber, wie ihr neues Album “Cameo” Menschen Mut machen soll, und Micha träumt von einem Marketing-Massaker. Viel Spaß bei der Folge!

Diese Woche sind zwei Gäste mit internationalem Flair im BACKSPIN Stammtisch zu Gast. Erci E. war mitte der 90er Jahre mit seiner Gruppe Cartel nicht nur in Deutschland, sondern vor allem in der Türkei sehr erfolgreich. Scor, kommt ursprünglich aus Bremerhaven, emigierte nach China und rappt dort erfolgreich auf der Landessprache. Die Runde vollenden natürlich Niko und Yannick, die ihren Classic der Woche, „The Slim Shady LP", besprechen und spannende Fragen an unsere internationalen Gäste stellen. Welche Rolle Hip-Hop bei der Integration der beiden Gäsze gespielt hat und welche großen kulturellen Unterschiede in der Szene herrschen, hört ihr in der Folge. Viel Spaß!

Wie bringt man die eigene Stadt auf die Deutschrap-Karte, wenn es nicht gerade Hamburg, Berlin oder Frankfurt ist? Dieser Frage widmen sich Niko und Yannick in der neuen Folge BACKSPIN Stammtisch zusammen mit Ruhrpotts Finest, Lakmann. Ebenfalls aus Witten und mit von der Partie ist El9Six, und die Beiden erzählen, was den Ruhrpott ausmacht. Welchen Stellenwert ihre Umgebung für sie hat, warum ihre Musik klingt, wie sie klingt und was ein kleines gallisches Dorf damit zu tun hat, könnt ihr in der neuen Folge hören. Viel Spaß!

Gibt es eine Formel für erfolgreiche Produktionen? Und gibt es Differenzen zwischen dem künstlerischen Anspruch und dem kommerziellen Erfolg? Um diesen Fragen nachzugehen, haben sich Niko und Yannick dieses Mal mit Miksu und Jumpa am Stammtisch getroffen, um über die Erfahrungen der beiden Musikproduzenten in ihrer Branche zu sprechen. Welche Producer Vorbilder sie beeinflusst haben und warum es wichtig ist, sich face to face in Studios zu treffen, erfahrt ihr in der neuen Folge. Viel Spaß!

Wofür steht Hamburg, und wie klingt die Hansestadt? Um dieser Frage in der neuen Folge BACKSPIN Stammtisch nachzugehen, haben Niko und Yannick zwei Gäste eingeladen, durch deren Adern Elbwasser fließt: Tom Hengst und Katlix. Die Beiden verbindet nicht nur musikalisch viel mit der Stadt. Gemeinsam diskutieren sie, warum sich der Hamburger Sound gerade dadurch auszeichnet, dass alle ihr Ding machen, und dass sie die Hamburger Kühle feiern und sich trotzdem manchmal mehr Support unter Hamburger Artists wünschen. Außerdem wird in der Runde besprochen, warum Kunst auch in einer Welt, die unterzugehen droht, einen wichtigen Stellenwert hat. Viel Spaß beim Anhören!

Strap in, Brujas, as we enter the cosmic whirlwind of Mercury Retrograde from December 12th to January 1st! In this episode of our podcast, we're unraveling the mysteries of Mercury's backspin and sharing essential survival tips to help you ride out the retrograde wave.

#94 Beats, Reime & Lebenslinien: Im Rhythmus mit Niko (Hüls) BackspinNiko Hüls, auch bekannt als Niko Backspin, ist eine prägende Figur im dynamischen Universum des deutschen Hip-Hops. Mit einer Leidenschaft, die weit über das normale Maß hinausgeht, und einer unverkennbaren Liebe zur Musik, hat er sich als kreativer Pionier und respektierte Persönlichkeit in der Szene etabliert.Mit einem untrüglichen Gespür für den Pulsschlag der Hip-Hop-Kultur gründete er das Hip-Hop-Magazin "Backspin". Dieses Magazin erwuchs aus den bescheidenen Anfängen eines Printmediums zu einem umfassenden Multimedia-Unternehmen, das seine Botschaften und Inhalte über diverse Plattformen, einschließlich YouTube und diverse Online-Portale, verbreitet.Niko ist nicht nur ein Bewahrer der Hip-Hop-Kultur, sondern auch ein Brückenbauer, der es versteht, Gespräche zu initiieren und unterschiedliche Perspektiven zusammenzuführen. Er ist ein gefeierter Autor und ein Journalist mit einer besonderen Gabe, authentische und tiefgründige Interviews zu führen. Seine Gespräche mit nationalen und internationalen Hip-Hop-Größen zeugen von Respekt und einer tiefen Verbundenheit mit der Kunstform.Mit seiner Arbeit hat Niko Backspin weitreichende Spuren in der Musiklandschaft hinterlassen und das Genre in Deutschland entscheidend mitgeprägt. Dabei ist er stets ein Verfechter der authentischen Selbstexpression und ein eifriger Förderer junger, aufstrebender Talente. Seine Vision von einer inklusiven und diverse Musikszene hat dazu beigetragen, die Bedeutung des Hip-Hops in Deutschland zu festigen und zu erweitern.In der dynamischen und sich ständig wandelnden Welt des Hip-Hops bleibt Niko ein unermüdlicher Entdecker, ein scharfsinniger Beobachter und ein unerschütterlicher Botschafter der kulturellen Vielfalt und kreativen Freiheit. Er repräsentiert den pulsierenden Rhythmus einer Kultur, die sich ständig weiterentwickelt und dabei die kulturellen, sozialen und musikalischen Grenzen ständig neu auslotet.Niko Hüls ist eine lebende Legende, ein Meister seines Fachs und eine unverzichtbare Stimme in der deutschen Hip-Hop-Gemeinschaft, deren Einfluss und Wirken weit über die Grenzen der Musikszene hinausreicht. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Justin and Tyrone settle the debate. We hear Milwaukee's first hip-hop song in full and put an end to this journey for Milwaukee's first hip-hop song.

The leader of one of hip-hop's greatest groups, Arrested Development's Speech talks about the impact that Milwaukee had on him, and the impact he had on the city and the world.

Controversy swirls around Milwaukee's first hip-hop song. A group of MCs, DJs and musicians who were there weigh in on the scene, the time, and the true beginning of hip-hop in Milwaukee.

A businessman with a business plan finds a group of energetic local kids who model themselves on James Brown and convinces them to record what might be Milwaukee's first hip-hop song.

A fertile music culture in Milwaukee lays the groundwork for a new art form. In the early '80s there is an opportunity to make Milwaukee into the next Motown -- it just needs one charismatic entrepreneur to take advantage of it.

We begin the search for Milwaukee's first hip-hop song. But first we have to understand the origins of hip-hop before it got to Milwaukee, and the fertile ground for the genre that Milwaukee provided in the early '80s.

This is the 5th episode in our 8-part series on doubles strategy.Part 1, Time: https://www.buzzsprout.com/1375636/12544725Part 2, Movement: https://www.buzzsprout.com/1375636/12723935Part 3, Position: https://www.buzzsprout.com/1375636/12772002Part 4, Power & Pace: https://www.buzzsprout.com/1375636/12815640How does spin affect what you do on the doubles court? What are the best ways to use spin to win in doubles?In this episode, I discuss my favorite times to use different spins on the tennis ball to force errors from the opponent and set my team up to win.Listen for answers to these questions and more.What types of spin serves are best in doubles?How can you use spin from the baseline to get to the net and win more points?Why do you miss volleys in the net? Or why do they float up high instead of driving through the court?How can you develop a more consistent overhead?These tips will help you know what to practice and how to use topspin, backspin, and slice in doubles.**Doubles Ebooks** These guides offer proven advice to improve your doubles strategy.25 Winning Doubles Tactics:  https://www.thetennistribe.com/25-winning-doubles-tactics/Return Strategy for Doubles: https://www.thetennistribe.com/return-strategy-for-doubles-ebook/Serve Strategy for Doubles: https://www.thetennistribe.com/serve-strategy-for-doubles-ebook/Net Play Strategy for Doubles: https://www.thetennistribe.com/net-play-strategy-for-doubles-ebook/***Download your free doubles guide to learn how to force errors and get more easy volleys at TheTennisTribe.com/doubles-guide/. ***Tennis Gear reviews: The best racquets, shoes, bags, & moreRead our written doubles lessons hereSubscribe to our YouTube Channel for video lessons

"Do you need a non-stop music mix to get you through your day/week/workout/commute? Do you appreciate House Music from Around the World? Do you enjoy a variety of styles, flavors, and one-of-a-kind edits/remixes? Subscribe, hit play, and enjoy!" - DJ MIDIMACKMIDI's FUNKY FAVs Vol. 6 (Ep 233) Playlist:Do It To Me by Angel Moraes feat. Tonia (Ep 90)Showbiz by Yuksek (Ep 85)Funky Don by Angelo Ferreri (Ep 91)It's Alright by DJ Fopp/Danele Danieli (Ep 92)Where I'm Going by Karl8/Andrea Monta/Ramon Riera (Ep 86)Who Is He? by Alaia & Gallo/Kevin Haden (Ep 02)Give Me You Love by Earth N Days (Ep 89)Izinque by Angelo Ferreri (Ep 91)Don't Be So Hard on Yourself by Jess Glynne (Ep 01)This Groove by DJ Dan/Mike Balance (Ep 01)Money Maker by Throttle (Ep 04)On You by Alex Kenji (Ep 87)In Arms by Ferreck Dawn/Robosonic (Ep 90)Feel So Good by Samuele Sartini/Smashing Beat (Ep 84)Down Like The River by Antonio Giacca (Ep 04)Levels by The Journey Men (Ep 86)BeMyne by Robbie Dox (Ep 87)Glad To Win by Block & Crown/Chris Marina (Ep 85)Give It To You by Popcorn Poppers/Kim Morgan (Ep 87)Lost My Mind by Vasco C/DiMO (BG) (Ep93)What Am I Gonna Do by Peter Brown (Ep 01)Don't Let Go by Knoe 1 (Ep 07)KEEP PUSHIN' by Matt Smallwood (Ep 05)Look At You by Stefano Mango/Simon Adams (Ep 05)Moses by Kelly G./Sharon Pass (Ep 83)Don't Give Up by DJ Hal (Ep 85)Jazzy Azz Muzik by Disco Ball'z (Ep 90)Rise by Eddie Amador (Ep 09)Do It Anyway by Ben DJ (Ep 09)Bad 4 Me by Bear Who?/Fuzzy Cufflinxxx (Ep 84)I Love House Music by Leandro Da Silva (Ep 02)Backspin by Robin Feelgood (Ep 88)Fragments by Johnny Fiasco (Ep 03)WeekND by Sven Scott (Ep 91)Fresh by DJ Dan/Hazzaro (Ep 87)Get It Girl by Kevin Andrews (Ep 87)We Hurt Each Other by Mathew Anderson (Ep 06)Guitarol by Marc Palacios/DJ Kone/Angel Heredia (Ep 09)I House You by AlexZ (Ep 90)The Love by Marco Santoro (Ep 02)La Reina by J8Man/Alex Bosar (Ep 90)La Cumbiambera by Kryder/Cato Anaya (Ep 93)Mama Say, Say Wot by Block & Crown/Scotty Boy (Ep 81)House Music Saved My Life by Back & EM PI (Ep 91)Hands Together by Gershon Jackson/Reset Preset (Ep 85)Lazy by Gary Caos/Simioli/Ima (Ep 07)What You Want by Vince Melo (Ep 06)The Answer by Mirko and Meex (Ep 01)Fantastique by Dirty Disco Stars (Ep 03)Space by Leandro Da Silva/Luca Deboanaire (Ep 06)The Other Side by Olav Basoski (Ep 92)Never Let You Go by Jangatha (Ep 09)I Told Ya by Alex Whisper/Mick Teck (Ep 07)Fly Me High by Deep Criminal (Ep 93)Dance by Mike Newman/Kobretti (Ep 87)Heat It by Jay Vegas (Ep 03)www. themixbagpodcast.comwww.patreon.com/djmidimackThank you for listening!

In a world where tennis courts are king, one man struggles against the odds. He trudges forward daily doing his best to build a pickleball empire and overcome the obstacles of a competitive market and multiple naysayers. (Admit it. . .you just read that in the "in a world" voice, right?) ;) Our job is done here! Moving on . . .  In this episode, you will learn: 1. The potential for pickleball to generate significant revenue streams from multiple sources, including membership dues, tournaments, and food and beverage sales. 2. The importance of relationships in the fitness industry, and how Sean used them to grow his businesses over the years.  3. The importance of feasibility studies when considering a new business venture, and how he  used them to validate his pickleball idea. "There is a gross imbalance in the court supply & demand model right now," Graham states. "The number of people coming into the game and making a lateral move from tennis and racquetball and squash . . . putting it anywhere in the country, about anywhere from 300 to 1000 people per court, depending on where you're at. Down in Florida, you go to the villages, or you come up to where I'm going to play tonight, it's going to be 65, 75 people for six courts. So I see the big picture in providing the courts." Graham is a veteran health club operator who learned the business working at his Dad's club. His new venture is Backspin Pickleball.  He has a wealth of experience in the industry, and is passionate about helping others and mentoring new entrepreneurs. His Dad was an entrepreneur who owned a chain of clothing stores and then opened up the a racquetball club in Fairfield, Connecticut. He followed in his father's footsteps, working in the family business and eventually started his own consulting company. Sean was introduced to pickleball by a friend and was immediately hooked. He saw the potential for pickleball to become a big business, so he opened his own club and things took off! He's been quite successful so far, but sees a lot of room for growth and encourages others in the HALO sector to look at this very seriously.  Other episodes you'll enjoy: Lynn Cherry: Pickleball Fire podcast. Connect with Sean. Loved this episode? Leave us a review and rating here. Click here to download transcript. 

This month's theme was a challenge to Choose Your Own Theme and create a vinyl set based on that. We also discussed the best ways to curate a playlist, and reminisced about our favorite memories of sharing and receiving mixtapes and mix CDs.  -SEGMENTS & TIMESTAMPS-The Records We Brought: (00:35:02)Toni: Santigold - Master of My Make-Believe, Rochelle Jordan - Play With The Changes, Drake & Future - WATTBAAdrian: NxWorries - Yes, Lawd!, Kaytranada - 99.9%, Khruangbin - Con Todo El MundoBadr: SG Lewis - Times, Outkast - Aquemini,  Luiz Bonfá and Stan Getz -Jazz Samba Encore!The Backspin (the songs we have on repeat): (00:41:23)Toni: Yaya Bey - 'meet me in brooklyn'Yanira: Michelle Branch - Not My LoverFreddie: Unknown Mortal Orchestra - Weekend RunAdrian: Smino - Pro FreakBadr: NxWorries (Anderson .Paak & Knxwledge) - Where I GoGET IN TOUCH WITH US

In this weeks episode, Dan & Trevor are forced to battle the elements to effectively record their last interstate podcast. In actual baseball talk, Trevor professes his love for Alex Bregman, and deep dives into what makes him such a special talent. Make sure to like, subscribe, & share the podcast, as well as follow on twitter @backsidegb!