Podcasts about Huizinga

Teria sido bom se em vez de cigarros e outros vícios ocasionais, tivéssemos aprendido um instrumento, desses que puxam por nós, tornam mais fértil a solidão, e nos levam por lugares perdidos à boleia do som, frequentando uma gente que prescindiu de se fazer interessante, de se explicar, coleccionar temas e opiniões, mas que prefere outro ângulo do mundo, outras frequências, promete o sangue a uma circulação mais vasta, prescindir do teatro de quem está aí para nos dizer uma e outra vez quem é, antes tornar-se um nativo do fundo, das regiões que acatam todo o balanço, gostam de ranger com o mundo. A música bem pode ser uma forma de jogo que persiste até mais tarde na vida. Quem forma bandas ou acede a essa promiscuidade tão fluída das formações que despontam de forma ocasional, acidental, são os miúdos que se defendem da realidade através dessas formas de recreio sonoro. Devemos pensar na teoria dos círculos mágicos de que fala Huizinga, esses que se desenham numa situação de jogo, o qual não apenas gera uma zona nova, sujeita a outras leis ou regras particulares, mas também se extrai do contexto geral, e admite possibilidades mais profundas de recreação, activando modos de atenção particularmente fortes que, para alguns, são negativamente associados a formas de distracção frívolas, superficiais e improdutivas. Ao longo da história, como lembra Patrícia Gouveia, no catálogo da exposição Playmode, brincar e jogar foram habitualmente considerados opostos à disciplina, ao trabalho, à seriedade. Mas, em Homo Ludens, Huizinga vincou como “o conceito de jogo pertence a uma ordem mais elevada do que a seriedade dado que esta procura excluir a ideia de jogo, enquanto que o jogo pode perfeitamente integrar a ideia de seriedade”. Esta seriedade do jogo nada tem que ver com uma questão de produtividade, eficiência, ou qualquer dessas medidas do enredo capitalista. Huizinga preferia evocar a forma de envolvimento do jogador em formas de acção sublime e sagrada com a mais alta seriedade, arrebatamento e absorção. É esse modo de sublimar e de construir um enredo alternativo que integra uma série de propriedades mágicas e autonomiza os círculos do jogo. “Perfeito é não quebrar a imaginária linha”, escreveu Sophia. Assim, o jogo é um ensaio rebelde, um impulso de transformação decisiva, que pensa por propor um outro modo, mudar, escapar, dar margem para uma ficção que chega a ser para nós bem mais decisiva, bem mais absorvente e cativante. Como assinalava alguém, no jogo há qualquer coisa “em jogo” que transcende as necessidades imediatas da vida e que confere sentido à acção. Em certo sentido podemos encarar o futebol como um jogo que foi levado ao extremo e se impôs como uma espécie de civilização ficcional, com a sua mitologia própria, os seus heróis, e a sua carga de epicidade estupenda, que serve um recreio àqueles que viram o caminho para a infância e as liturgias do jogo serem-lhes proibidas. Em O Jogo da Glória, Carlos Maria Bobone nota como o desporto tem para nós “esta função escandalosa de oferecer uma escapatória ao destino e mostrar que, pelo menos, podemos criar qualquer coisa que nos diverte a partir de todo o mal que fazemos”… Mas e porquê? “Porque a vida em geral precisa de alívio, precisa que nos libertemos das suas finalidades, é que um desporto como o futebol pode ser tão apelativo. Não há nada necessário em chutar uma bola, nada funcional em marcar um golo. Um desporto destes liberta de uma obrigação mais geral de viver a vida e do peso dessa obrigação.” Neste episódio vamos andar à volta destas possibilidades de recreação e de ficção, nos modos mais ou menos subtis de insubordinação, e para isso, contámos com o apoio do Benjamin-velhinho, este reaccionário erudito, que se tem desdobrado entre ensaios de algum fôlego sobre aspectos mais ou menos centrais da cultura, sempre de forma esclarecida e saborosa. Também tem mantido uma empenhada acção crítica, e é alguém que traz um relógio de pulso que se ouve pela sala como um metrónomo. Ora, se queremos saber que horas são, qual é a nossa circunstância presente, devemos reconhecer que qualquer época deve, necessariamente, ser aferida através de uma relação crítica. “É unicamente através dela que a humanidade se pode tornar consciente do ponto a que chegou”, diz-nos Oscar Wilde. “É a Crítica, como sublinha Arnold, que cria a atmosfera intelectual de uma época. É a Crítica, como espero vir a sublinhá-lo eu um dia, que faz do espírito um instrumento preciso. Nós, com o nosso sistema educativo, derreámos a memória com uma carga de factos desconexos, e tentámos transmitir esforçadamente os conhecimentos que esforçadamente adquirimos. Ensinamos as pessoas a lembrar-se, nunca as ensinamos a crescer. Nunca nos ocorreu tentar desenvolver no espírito uma qualidade de apreensão e discernimento mais subtil.”

Bu bölümün sponsoru Wings!Wings'le dünyanın herhangi bir yerinde yemek yerken ayrıcalıklı olmanın da keyfine varabilirsiniz. Çünkü Wings kart sahiplerinin dünyadaki tüm restoranlarda %15'e varan indirim hakkı var.Eğer siz de dünyada farklı lezzetleri keşfetmeyi, yapılacaklar listenize tikler atmayı sevenlerdenseniz Akbank Mobil'den Wings'e başvurabilir veya öncesinde bu link'ten Wings fırsatlarını inceleyebilirsiniz. Evet, bu bölümde kültür hakkında konuşuyorum.Size kültürlerin doğuşuna dair iki farklı teori anlatmak istedim.Biri kültürün oyundan doğduğunu ileri süren Huizinga'nın Homo Ludens'i.Diğeri ise Richard Dawkins'in hayli iddialı "Memetik Teori'si.Buyurun...Biliyorsunuz Yeni Haller sizlerin desteğiyle yayın hayatına devam eden bir podcast kanalı.Beni aşağıdaki link'lerden destekleyebilirsiniz:www.patreon.com/yenihallerYeni Haller'in bir de Buy Me A Coffee hesabı var artık. Buradan destek olmak çoook daha kolay. Patreon'da sorun yaşayanlar için açtım efendim. Buyurun:https://www.buymeacoffee.com/yenihallerBölümde bahsi geçen Yeni Haller'in T24 Youtube kanalındaki özel içeriklerine şuradan ulaşabilirsiniz:T24 Youtube Yeni Haller ListesiBana ulaşmak için:https://www.instagram.com/eray_ozerhttps://twitter.com/ErayOzeryenihallerpodcast@gmail.com

Deze aflevering staat in het teken van het leven van Carissa Huizinga. Na een ontzettend zware jeugd, waar ze ons uitgebreid over vertelt, heeft ze vele jaren later de veiligheid van Gods aanwezigheid leren kennen. Op z'n zachtst gezegd een wonder als je het levensverhaal er naast legt. Een indrukwekkend aflevering waar je stil van wordt, in vele opzichten. ACHTERGROND: Om de twee weken nodigen Klaas-Jan ter Veen en Dennis de Valk iemand uit die een kijkje geeft in de arena van het alledaagse leven. De gastheren kloppen aan bij gemeenteleden en gasten om samen in gesprek te gaan. Daarnaast geeft Roelof Alkema iedere aflevering een inspirerende boodschap aan de kijker en luisteraar en nemen we je mee in onze favoriete muziek met ‘Liedje erin, liedje eruit'. Een podcast over mensen en geloof. Over de kwetsbaarheid, maar ook over de vreugde van het leven. Ga naar: https://spoti.fi/3xU3cHE om de lijst te beluisteren! Wil je meer informatie over deze en andere podcasts van De Stadskerk? Ga dan naar https://www.destadskerk.nl/podcast.

Agrariër Kees Huizinga woont en boert al ruim 20 jaar in Oekraïne. Van zijn 500 man personeel is al 10% naar het front gestuurd en zijn enkelen ook aan het front gesneuveld. Voor de kerst is hij in Nederland en spreekt hij met Martijn de Greve. Sven op 1 is een programma van Omroep WNL. Meer van WNL vind je op onze website en sociale media: ► Website: https://www.wnl.tv  ► Facebook: https://www.facebook.com/omroepwnl  ► Instagram: https://www.instagram.com/omroepwnl ► Twitter: https://www.twitter.com/wnlvandaag ► Steun WNL, word lid: https://www.steunwnl.tv ► Gratis Nieuwsbrief: https://www.wnl.tv/nieuwsbrief 

Vad söker vi i konsten: en spegelbild av världen eller ett redskap att förändra den med? Kulturredaktionens Mårten Arndtzén ser hur aktivism och idealism riskerar att tränga ut leken ur kulturen. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Ursprungligen publicerad den december 2019. I filmen Shadowlands (1993) finns en scen som aldrig släppt taget om mig. Den amerikanska poeten Joy Gresham är på besök hos sin litterära idol och blivande make, C.S Lewis, i Oxford. Med sig har hon sonen Douglas, en pojke i bokslukaråldern som förtrollats av den brittiske författarens berättelser om det magiska landet Narnia. I den här scenen hittar Lewis pojken på vinden i sitt hus. Han har just sökt igenom ett gammalt klädskåp - precis ett sådant som bildar porten till Narnia i den första boken, Häxan och lejonet. Det här skåpet är förstås bara ett skåp. Och för Douglas, en besvikelse av metafysiska proportioner. Passagen mellan världar är en arketyp med djupa och vitt förgrenade, kulturella rötter. Dess förutsättning är förstås gränsen, den klara åtskillnaden mellan en ordning och en annan. Verklighetens och fantasins, det heligas och det profanas, vardagens och festens. Utan gränsen är också varje form av lek omöjlig. Det slår den nederländske kulturhistorikern Johan Huizinga (1872–1945) fast i sin klassiska essä "Homo ludens", den lekande människan, från 1938: "Arenan, spelbordet, trollkretsen, templet, scenen, filmduken" - ja, till och med domstolen pekar han ut som en lekplats, otänkbar utan sin ram, "avgränsat, inhägnat, heligt område där särskilda regler gäller". Regler som inte tål något tvivel, för då störtar lekvärlden samman. Man kan tänka sig en fotbollsmatch där någon rullar in en andra boll på planen, eller ett schackparti där oenighet uppstår kring vilken regel som helst. Ändå är leken motsatsen till byråkrati. Dess väsen ligger i förmågan att entusiasmera, det roliga är dess mening. Dess första kännetecken är att den är fri, ja t.o.m frihet, skriver Huizinga. Hur går det ihop? Huizinga återger en anekdot, där en far försöker närma sig sin fyraårige son, som sitter på den främsta av en rad stolar och leker tåg. "Pappa", säger pojken "du får inte pussa lokomotivet, för då tror vagnarna att det inte är riktigt". Här finns alltså, redan hos ett litet barn, en ganska avancerad, dubbel blick på världen: pojken vet mycket väl att stolarna inte är tågvagnar. Och samtidigt är de det, så länge lekens rum kan fredas. Gränsen upprätthållas. Jag vet inte om pojken i Shadowlands, Douglas, hade låtit sig tröstas av detta - men ur lekens perspektiv fungerar klädskåpet verkligen som en passage till andra världar, så länge man accepterar att det bara är ett vanligt skåp. Också. Leken är, menar Huizinga, äldre än kulturen. Ja än själva mänskligheten, eftersom även djur leker. Men just den där dubbla blicken tycks gå förlorad i den civilisatoriska utvecklingen, på åtminstone ett av lekens områden: kultens. Inom antropologin finner Huizinga belägg för att den är verksam inom det man på hans tid kallar primitiva kulter. Den gamla tidens tro på andeväsen tycks inte vara helt igenom bokstavlig utan mer likna just leken, med dess dubbla blick på världen. I de moderna, monoteistiska religionerna krymper det förhandlingsutrymmet. Hashem, Allah och Kristus kan inte både finnas och inte. I konsten ser Huizinga också en nedgång, även om den kommer betydligt senare: sedan 1700-talet har konsten "förlorat mer än den vunnit av lekkvalitet", skriver han. Orsaken är inte minst dess allt högre, kulturella status: "Något av dess eviga barnslighet gick förlorat i den självsäkra kännedomen om egna benådade uppgifter". Homo Ludens kommer alltså ut 1938. Året innan har Berthold Brecht för första gången prövat sin "verfremdungseffekt" på scen: det dramaturgiska greppet att slå hål på illusionen och bryta igenom den så kallade fjärde väggen, till exempel genom att skådespelarna vänder sig ut mot salongen och talar direkt till publiken. Det här är bara ett av den konstnärliga modernismens oräkneliga angrepp på gränsen mellan konst och liv. Just den gräns förutan vilken ingen lek, i Huizingas mening, är möjlig. Men så är konsten inte heller någon lek, för Brecht. Inte ens en spegelbild av världen, utan en hammare att forma den med. Så här en dryg mansålder senare tycks det inte längre vara konstnären som håller i hammaren, utan publiken. Det är i varje fall den bild som förmedlas i den tyske konstkritikern Hanno Rauterbergs uppmärksammade essä "Hur fri är konsten? Den nya kulturstriden och liberalismens kris". Som så många gånger förr står striden om konstens frihet, det nya är varifrån attackerna mot den kommer. Inte längre, i första hand, från konservativa opinioner eller klåfingriga makthavare. Utan från de delar av publiken som kan åberopa någon form av utsatthet eller underordning. Rauterbergs essä är uppbyggd kring ett pärlband av exempel på, ofta framgångsrika, censurkrav som rests av eller för ursprungsbefolkningar, afroamerikaner, känsliga studenter, kränkta kvinnor och plågade djur. Upplösningen av gränsen mellan konst och liv har, menar Rauterberg, lett till en förväntan att konsten ska representera livet - men inte som spegel, alltså som det är - utan istället som det borde vara. Konsten blir en kompensatorisk inrättning, museerna ett slags "rena" platser i en smutsig värld. En liknande förväntan kan man se på litteraturen, i debatter kring prestigefulla priser och bokmässor. Liksom på teatern och inom televisionen, när övergreppsanklagade skådespelare ersätts eller klipps bort. Konstens frihet krymper som en följd av förväntningarna på dess förmåga som hammare - utan att livet för den skull verkar låta sig formas i någon större utsträckning. När modernisterna gav sig på gränsen mellan konst och liv var syftet inte alltid så instrumentellt. Tag Marcel Duchamp och hans ready-mades; cykelhjulet, flasktorkaren och urinoaren. Föremål som leker med konstens gräns mot livet, som - snarare än att försöka forma världen i någon bestämd riktning - tycks vilja öppna den för något av konstens frihet. Först efter kriget får de sin ikonstatus som konstbegreppets nemesis - beviset för att allt kan vara konst, att gränsen bara är en konvention. Vilket inte alls verkar ha varit Duchamps avsikt: intervjuad av konstkritikern Pierre Cabanne säger Duchamp att han aldrig avsåg att upphöja cykelhjulet och flasktorkaren till konst. "Det skedde bara i distraktion", säger han, "som förströelse". Den här intervjun görs i mitten av 1960-talet, när Duchamp för länge sedan lagt konsten på hyllan och istället gjort sig en semi-professionell karriär som schackspelare - en verksamhet som till punkt och pricka stämmer in på Johan Huizingas lekbegrepp: tydligt avgränsat från livet och absolut regelstyrt. Det var vad alla trodde - fram till året efter hans död. 1969 invigs det verk Duchamp i hemlighet arbetat på i över två decennier, Étant donnés, på konstmuseet i Philadelphia, USA. För att se det måste man först passera igenom den särskilda sal museet har för Duchamps arbeten; ett slags initiation, där vi träder in i just den här konstnärens speciella värld. Längst in i hörnet öppnar sig salen mot ett litet rum. Det är tomt, men i ena änden avslutat med en kraftig port i trä. Hårt väderbiten, uppenbart uråldrig, tycks den utlova passage till någon helt annan slags plats. Vi kan se den genom två små titthål i dörren: ett märkligt landskap badande i krispigt ljus, och med detaljer som kan oroa eller attrahera eller både och - som en naken kvinnokropp på en bädd av kvistar. Men närmare än så kommer vi inte: dörren saknar handtag. Vi kan förstås slå in den, och tvinga oss in. Men då skulle illusionen brytas, och istället för en värld skulle vi få en konstruktion; istället för ett mysterium: en atrapp. Vi skulle ha brutit mot reglerna, och överskridit gränsen. Och "så snart reglerna sättas åsido", konstaterar Johan Huizinga, "störtar lekvärlden samman. Då är leken förbi". Precis intill titthålen har träet i dörren en annan nyans, kanske är det spår av besökarna? Ett halvt sekels slitage från lekande människor. Mårten Arndtzénmarten.arndtzen@sr.se

Anno 2024 vliegen de crises ons om de oren. Wie het nieuws volgt, wordt er moedeloos van. Precies hierover gaat de Huizinga-lezing, dit jaar gegeven door hoogleraar Beatrice de Graaf. Ze probeert juist de lichtpunten te zien. Hoe ze dat doet? Sven op 1 is een programma van Omroep WNL. Meer van WNL vind je op onze website en sociale media: ► Website: https://www.wnl.tv  ► Facebook: https://www.facebook.com/omroepwnl  ► Instagram: https://www.instagram.com/omroepwnl ► Twitter: https://www.twitter.com/wnlvandaag ► Steun WNL, word lid: https://www.steunwnl.tv ► Gratis Nieuwsbrief: https://www.wnl.tv/nieuwsbrief 

Gawain's adventure consists of two contests or games. Huizinga's Homo Ludens: human culture as play, as game-playing. But for real stakes. Gawain is really striving not for a prize or fame but for loyalty to virtue. He comes short because he is human and imperfect, but we must strive anyway, or nothing is achieved. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support

Zonder speelse levenshouding verliezen we beschaving, waarschuwde Johan Huizinga in zijn boek Homo Ludens uit 1938. Spel vraagt om samenwerking, spel is een uitnodiging tot relativeren, spelen is een kenmerk van vrijheid en is alleen al daarom een onontbeerlijk element van een gezonde samenleving. Huizinga zag in zijn tijd - vlak voor de Tweede Wereldoorlog - het tegenovergestelde gebeuren: hang naar sensatiezucht en gemakkelijk te verteren meningen, een gebrek aan humor en onverdraagzaamheid tegenover groepsgenoten. Is er ruimte voor het spel in een samenleving waarin doelmatigheid koning is? Hoe spelen wij? Kunnen we de fluïditeit en dubbelzinnigheid van het spel nog accepteren? Welke rol spelen valsspelers en spelbrekers? En mag je nog spelen met je vijanden? In krap een uur onderzoekt presentator Arnon Grunberg deze vragen met Vlaamse en Nederlandse denkers. Deze aflevering van Het Filosofisch Kwintet is een samenwerking met deBuren die met het festival We zullen doorgaan het twintig-jarige bestaan viert.   Meer over de aflevering en de gasten vind je op onze site (https://www.human.nl/het-filosofisch-kwintet/kijk/overzicht/seizoen-2024/extra-uitzending.html).

Deepdive zum Thema Gesundes-Herz-Gesetz und Präventionsmaßnahmen in Deutschland mit Oliver Huizinga, Leiter der Abteilung Prävention im AOK-Bundesverband 00:00:00 Intro 00:01:00 Fehlende Prävention in Deutschland 00:03:30 Das Gesunde-Herz-Gesetz 00:05:00 Gesundheitsförderung vs Früherkennung 00:09:00 Risikofaktoren & Screening bei Herz-Kreislauf-Erkrankungen 00:12:00 Public Health vs Individualgesundheit 00:18:00 Sinnvolle Präventionsmaßnahmen 00:18:30 Prävention in der Schule 00:22:00 Gesetzliche Regeln 00:25:00 Gesundheitsförderung durch gute Vorbilder 00:29:00 Prävention muss gestärkt werden! 00:31:00 Outro Instagram: ⁠⁠⁠⁠https://www.instagram.com/med.alessandro/⁠ Youtube: https://www.youtube.com/channel/UCSusVamtMAp5WTumwU-dRiw Linked-In von Oliver Huizinga: https://www.linkedin.com/in/oliver-huizinga-340902206/

Chronic inflammatory demyelinating polyradiculoneuropathy (CIDP) can be difficult to distinguish from autoimmune nodopathy. In this podcast, Dr. Saima Chaudhry (1) is joined from the Netherlands by Dr. Ruth Huizinga (2) and Dr. Maarten Titulaer (3), to discuss their article, "Clinical relevance of distinguishing autoimmune nodopathies from CIDP: longitudinal assessment in a large cohort". They start with explaining what an autoimmune nodopathy really is, patient features to look out for, and the typical testing process for identifying CIDP. (1) Warren Alpert Medical School, Brown University, Rhode Island, USA (2) Department of Immunology, Erasmus MC, University Medical Center, Rotterdam, The Netherlands (3) Department of Neurology, Erasmus MC, University Medical Center, Rotterdam, The Netherlands Please subscribe to the show on Apple Podcasts, Spotify or find it on your platform of choice. Your feedback and reviews are very appreciated. Follow JNNP on twitter: @JNNP_BMJ  

Martijntje Smits in gesprek met fotograaf Dolph Kessler naar aanleiding van zijn boek 'Oorlog of vrede, willen winnen of gelijkspel'. Over een op vrede gerichte preventieve dialoog in de Russisch-Oekraïense Oorlog. Bronnen en links bij deze uitzending: - Website van Dolph Kessler: https://www.dolphkessler.nl/ - Bestel hier het boek 'Lviv, stad van paradoxen' van Kessler: https://www.wijdemeer.nl/product/dolph-kessler-lviv-stad-van-paradoxen/ - Bestel hier het boek 'Oorlog of vrede, willen winnen of gelijkspel' van Kessler: https://www.wijdemeer.nl/product/dolph-kessler-oorlog-of-vrede-willen-winnen-of-gelijkspel/ - Over de escalatieladder van Glasl (Engelstalig): https://en.wikipedia.org/wiki/ Friedrich_Glasl%27s_model_of_conflict_escalation - Bestel hier het boek 'Homo ludens' van Huizinga: https://www.walburgpers.nl/nl/book/9789048511891/homo-ludens - Bestel hier het boek 'Kernoorlog' van Jacobsen: https://uitgeverijprometheus.nl/boeken/kernoorlog-paperback/

Church is Asleep of the Ai Fake Trinity – Knowledge will increase, As the Days of Noah DNA Corruption, One Mind with the Ten Kings..   It's in Daniel 2, last Beast System 41 And whereas thou sawest the feet and toes, part of potters' clay, and part of iron, the kingdom shall be divided; but there shall be in it of the strength of the iron, forasmuch as thou sawest the iron mixed with miry clay. 42 And as the toes of the feet were part of iron, and part of clay, so the kingdom shall be partly strong, and partly broken.43 And whereas thou sawest iron mixed with miry clay, they shall mingle themselves with the seed of men: but they shall not cleave one to another, even as iron is not mixed with clay. Christian News Organization Dismisses the Ai Fake Trinity Risk https://www.christianitytoday.com/ct/2023/october/artificial-intelligence-robots-soul-formation.html Some Notes we cover in the VCAST from the Article:  “Considering artificial intelligence as a “power and principality,” he says, allows us to better see both its opportunities and its dangers, the ways it might shape our everyday experiences.”  “Considering artificial intelligence as a “power and principality,” he says, allows us to better see both its opportunities and its dangers, the ways it might shape our everyday experiences.” Perhaps it's helpful to think of our chatbot companions not as discrete entities but as a collective force to be reckoned with. “We're not fighting flesh and blood; we're fighting spiritual powers and principalities,” Huizinga argues.  “The fact that people are scared that the things that we create in our image would rise up and rebel against us, to me, is an incredible apologetic for the truth of the Bible,” he says. “Where did we get that idea if it weren't baked into the cosmos?” Church is asleep with the Beast System We talk Luciferase, 5G fake holy ghost, transhumanism, nano tech, ai little all knowing god, Quantum Computers speaking to other dimensions that runs ai and  Daniel 2 of the fourth beast system. Article Misses the Nano Tech, 5G fake Holy Ghost, Quantum Computers Talking to Other Dimension. After scientifically observing what they called “vaccines” under the microscope, La Quinta Columna concludes humans have been injected with what they are calling a “liquid interface” of a massive implantation of the humans species by another species, which they suggest are demons. They have compared an implant inside a person who has experienced the “alien abduction” phenomenon and the COVID injection contents, and found the components to be the same.  They advise the aim is to have control over the human head and central nervous system, because it leads to, and I quote, “demonic possession.” They say 5G is essential to this control of humans through this demonic technological control.     Source:  Zee Media  

Thor Rydin joins to talk about his new book, The Works and Times of Johan Huizinga (1872- 1945): Writing History in the Age of Collapse (Amsterdam UP, 2023). This book offers a new perspective on the Dutch cultural historian Johan Huizinga (1872-1945), who remains one of the most famous European historians of the twentieth century. Huizinga's lifetime was marked by dramatic transformations of Europe's cultural, religious, geographical and political landscapes: war, modern commercialism, industrialization, industrial urban planning, nationalism and fascism had shattered the truisms, moral codes and expectations with which Huizinga and his generation of well-to-do Europeans grew up. This book examines how these 'experiences of loss' affected and informed Huizinga's works. By centring such experiences rather than matters of character or social roles, the book offers an original image of an iconic historian but also considers him as a window into his times. Most centrally, this book contends that Huizinga's historical works helped to accommodate and give meaning to his own experiences of loss and rupture, thus offering him a way of life in turbulent times. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Thor Rydin joins to talk about his new book, The Works and Times of Johan Huizinga (1872- 1945): Writing History in the Age of Collapse (Amsterdam UP, 2023). This book offers a new perspective on the Dutch cultural historian Johan Huizinga (1872-1945), who remains one of the most famous European historians of the twentieth century. Huizinga's lifetime was marked by dramatic transformations of Europe's cultural, religious, geographical and political landscapes: war, modern commercialism, industrialization, industrial urban planning, nationalism and fascism had shattered the truisms, moral codes and expectations with which Huizinga and his generation of well-to-do Europeans grew up. This book examines how these 'experiences of loss' affected and informed Huizinga's works. By centring such experiences rather than matters of character or social roles, the book offers an original image of an iconic historian but also considers him as a window into his times. Most centrally, this book contends that Huizinga's historical works helped to accommodate and give meaning to his own experiences of loss and rupture, thus offering him a way of life in turbulent times. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Thor Rydin joins to talk about his new book, The Works and Times of Johan Huizinga (1872- 1945): Writing History in the Age of Collapse (Amsterdam UP, 2023). This book offers a new perspective on the Dutch cultural historian Johan Huizinga (1872-1945), who remains one of the most famous European historians of the twentieth century. Huizinga's lifetime was marked by dramatic transformations of Europe's cultural, religious, geographical and political landscapes: war, modern commercialism, industrialization, industrial urban planning, nationalism and fascism had shattered the truisms, moral codes and expectations with which Huizinga and his generation of well-to-do Europeans grew up. This book examines how these 'experiences of loss' affected and informed Huizinga's works. By centring such experiences rather than matters of character or social roles, the book offers an original image of an iconic historian but also considers him as a window into his times. Most centrally, this book contends that Huizinga's historical works helped to accommodate and give meaning to his own experiences of loss and rupture, thus offering him a way of life in turbulent times. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Thor Rydin joins to talk about his new book, The Works and Times of Johan Huizinga (1872- 1945): Writing History in the Age of Collapse (Amsterdam UP, 2023). This book offers a new perspective on the Dutch cultural historian Johan Huizinga (1872-1945), who remains one of the most famous European historians of the twentieth century. Huizinga's lifetime was marked by dramatic transformations of Europe's cultural, religious, geographical and political landscapes: war, modern commercialism, industrialization, industrial urban planning, nationalism and fascism had shattered the truisms, moral codes and expectations with which Huizinga and his generation of well-to-do Europeans grew up. This book examines how these 'experiences of loss' affected and informed Huizinga's works. By centring such experiences rather than matters of character or social roles, the book offers an original image of an iconic historian but also considers him as a window into his times. Most centrally, this book contends that Huizinga's historical works helped to accommodate and give meaning to his own experiences of loss and rupture, thus offering him a way of life in turbulent times. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Thor Rydin joins to talk about his new book, The Works and Times of Johan Huizinga (1872- 1945): Writing History in the Age of Collapse (Amsterdam UP, 2023). This book offers a new perspective on the Dutch cultural historian Johan Huizinga (1872-1945), who remains one of the most famous European historians of the twentieth century. Huizinga's lifetime was marked by dramatic transformations of Europe's cultural, religious, geographical and political landscapes: war, modern commercialism, industrialization, industrial urban planning, nationalism and fascism had shattered the truisms, moral codes and expectations with which Huizinga and his generation of well-to-do Europeans grew up. This book examines how these 'experiences of loss' affected and informed Huizinga's works. By centring such experiences rather than matters of character or social roles, the book offers an original image of an iconic historian but also considers him as a window into his times. Most centrally, this book contends that Huizinga's historical works helped to accommodate and give meaning to his own experiences of loss and rupture, thus offering him a way of life in turbulent times. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Thor Rydin joins to talk about his new book, The Works and Times of Johan Huizinga (1872- 1945): Writing History in the Age of Collapse (Amsterdam UP, 2023). This book offers a new perspective on the Dutch cultural historian Johan Huizinga (1872-1945), who remains one of the most famous European historians of the twentieth century. Huizinga's lifetime was marked by dramatic transformations of Europe's cultural, religious, geographical and political landscapes: war, modern commercialism, industrialization, industrial urban planning, nationalism and fascism had shattered the truisms, moral codes and expectations with which Huizinga and his generation of well-to-do Europeans grew up. This book examines how these 'experiences of loss' affected and informed Huizinga's works. By centring such experiences rather than matters of character or social roles, the book offers an original image of an iconic historian but also considers him as a window into his times. Most centrally, this book contends that Huizinga's historical works helped to accommodate and give meaning to his own experiences of loss and rupture, thus offering him a way of life in turbulent times. This book is available open access here.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Voormalig teammanager Theo Huizinga is te gast en hij praat mee over de wedstrijd tegen VVV. Heeft Blokzijl definitief een basisplaats verdiend? Ook bespreken we de rol van Rui Mendes.En hoe zit het eigenlijk met de nieuwe directeur van FC Groningen? Waarom duurt het allemaal zo lang? Stefan stelt de mensen gerust. Theo laat ook zijn licht schijnen over de aanstelling van de nieuwe teammanager maar het belangrijkste waarom hij er is: de bekendmaking van de club waar de wedstrijd tussen Oud-FC Groningen en het RTV Noord 'Sterrenteam' wordt gespeeld.

Nog maar 113 dagen tot de Spelen! We gaan nog eens naar de tatami, met deze keer een heel bijzondere gast: Olympisch kampioen en judo-legende Mark Huizinga. Hij vertelt over de dag dat hij goud won in Sydney 2000 en zijn 'judo-vader' Chris de Korte.Ook pleit Huizinga voor erkenning voor Angelique Seriese, die nooit een echte gouden medaille kreeg omdat vrouwenjudo in '88 een demonstratiesport was. "Dit kan echt niet. Dit moeten echte Olympische medailles worden. Dat zou een heel mooi statement zijn."En natuurlijk beschouwingen we voor op judo voor Parijs. Welke partijen kun je écht niet missen?Eerder maakten we al deze héle fijne aflevering over twee grote judo-kampioenen van 1964 en 1972: Anton Geesink en Wim Ruska. Leuk om die eerst, of in elk geval óók te luisteren.Bekijk hier het goud van Huizinga in Sydney 2000En bekijk hier de Andere Tijden Sport over Chris de KorteWe kregen post van Tyrone Sterkenburg, de helft van onze Grieks-Romeinse-Worstel-tweelingWillem geeft tips voor wie naar Parijs wil afreizenHeb je vragen, opmerkingen, rectificaties? Laat het ons weten via @chefsdemission op Instagram.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Theo Huizinga en Henk Hagenauw, de dragers van Oud-FC Groningen, zijn te gast. De respectievelijk voormalig teammanager en verzorger van de FC doen een oproep aan de luisteraar: bij welke amateurvereniging kan het duel tussen Oud-FC Groningen en het 'sterrenteam' van RTV Noord plaatsvinden? Uiteraard komt het duo met tal van anekdotes over Martin. Want hoe zat het ook alweer met het plasverhaal in de bus op trainingskamp? Ook de actualiteit komt ter sprake. FC Groningen staat voor een loodzwaar programma, maar dat is niet per se een nadeel. En hoe ziet het 'compositie-overleg' er voortaan uit? 

Deel 4 t/m 6 van de verslavende, grappige en spannende feelgoodserie van Marijke Vos: Cleo Huizinga, privédetective. Uitgegeven door HarperCollins Spreker: Susan Muskee

How do we frame AI systems that do the work we want but still remain good. The term Righteous AI is a way to view beneficial AI through the Christian lens. The post Episode 168 Righteous AI with Gretchen Huizinga first appeared on Lanier Theological Library.

How do we frame AI systems that do the work we want but still remain good. The term Righteous AI is a way to view beneficial AI through the Christian lens. The post Episode 168 Righteous AI with Gretchen Huizinga first appeared on Lanier Theological Library and Learning Center.

Cleo Huizinga, privédetective is een zesdelige feelgoodserie van Marijke Vos, auteur van Wedden dat ik blijf, Eens in je leven en de Ridgewood Hall-serie. Uitgegeven door HarperCollins Spreker: Susan Muskee

Do you want to tap into your unique energy type to achieve greater success in your business? Are you ready to unlock the key to harnessing your individual energy for maximum results? Join us as guest expert Nicoline Huizinga shares the solution to understanding your unique energy type so that you can unleash your full potential and achieve the success you desire. Get ready to transform your business and take it to new heights by aligning with your authentic energy type.About Nicoline Huizinga:Nicoline Huizinga is a certified business mentor, Human Design coach, speaker, and author of the book series ‘Flick the F*ck It Switch'. She ignites the fire in entrepreneurs by helping them tap into their core, embrace their unique skills and talents, and take action on a personalized strategy so that they are able to run a successful business on their own terms. With her 12+ years of experience, creative mind, and strong intuition, Nicoline always has an answer to any question that business owners may have.In this episode, Jennie and Nicoline discuss:Tap into Your Unique Energy TypeUnderstanding and leveraging your unique energy type is a central tenet of Nicoline's teachings. Honor True Nature for Business SuccessEmbracing your authentic self not only enhances your decision-making abilities but also aligns your actions with your core values, thereby setting the stage for a sustainable and successful enterprise.Align Business Strategies with Energy TypeKeeping your business strategies aligned with your individual energy type can make a tremendous difference to your success and satisfaction levels. In this episode, you will be able to:Discover the power of understanding your unique energy type in human design for greater success in business.Align your business strategies with your energy type to unlock your full potential and achieve extraordinary results.Harness the power of knowing and honoring your true nature in business to attract the right customers and opportunities.Learn how to apply human design principles in direct sales and MLM companies to create a thriving and fulfilling business.Unlock the significance of human design in coaching and personal development to enhance your ability to help others and reach new levels of success."Your energy type is a powerful tool for success in business. Embrace it and use it to your advantage." – Nicoline HuizingaCONNECT WITH NICOLINE:Facebook Name: https://www.facebook.com/nicoline.huizinga.1Facebook Business Page: https://www.facebook.com/nicolinehumandesigncoachhttps://www.facebook.com/groups/humandesignbusinessacceleratorLinkedIn URL: https://www.linkedin.com/in/nicolinehuizinga-business-clarity-strategist/Instagram Handle: https://www.instagram.com/nicoline_huizinga/CONNECT WITH JENNIE:Website: https://badassdirectsalesmastery.com/Email:  jennie@badassdirectsalesmastery.comFacebook personal page: https://facebook.com/jbellingerPLFacebook podcast page: http://facebook.com/BadassDirectSalesMasteryFacebook group for Badass Crew: https://facebook.com/groups/BadassDirectSalesMomsInstagram: https://instagram.com/BadassDirectSalesMasteryPersonal Instagram: https://instagram.com/jenniebellingerLinkedIn: https://linkedin.com/in/BadassDirectSalesMasteryShow Notes by Podcastologist: Hanz Jimuel AlvarezAudio production by Turnkey Podcast Productions. You're the expert. Your podcast will prove it.

Learn why all beer is different, but all beer is also the same, with Kinslahger Brewing Company Co-Owner Keith Huizinga. 01:16 Beer Myth: Are all beers the same? Brian, Katherine, and Keith answer the question definitively… or do they? Catch a healthy helping of SCIENCE to start the show.  08:08 Kinslahger Brewing Company: Keith shares the story of how he became increasingly interested in beer during his travels in Europe. He talks about his brewery's unique approach to crafting a diverse range of beers like their Chicago Common. Keith also talks about the history and evolution of the Oktoberfest style of beer before discussing the history of his own brewery, including how the building was restored. On top of all that, Keith discusses the latest beer trends, the world of wild fermentation, and a story about a collaboration with a local yeast company that resulted in a uniquely flavored beer. 47:22 This Week in Bad Customer Behavior: Katherine tries to understand why human adults would mistreat her brewery's shuffleboard table in the bizarrely specific way they decided to mistreat it. Don't miss the end of this episode, because Keith and Brian keep the laughs – and the beer – flowing! About Kinslahger Brewing Company: Established in 2016, Kinslahger Brewing Company is a lager focused craft beer brewery and taproom in the Chicago suburb of Oak Park, Illinois. Learn more on their website at https://kinslahger.com/  If you enjoyed this episode, then please tell at least one friend about the show! And if you're a brewer or know any brewers who would like to share their story on the podcast, then email craftybrewerspod@gmail.com. We're always happy to hear from you! You can also follow Crafty Brewers on Instagram at https://instagram.com/crafty_brewers_pod

From Writer's Block to Two Finished Books

Nicoline Huizinga is a certified business mentor, Human Design coach, speaker and author of the book series ‘Flick the F*ck It Switch' based in the Netherlands. She ignites the fire in entrepreneurs by helping them to tap into their core, embrace their unique skills and talents and to take action so that they are able to run a successful business on their own terms. With her 12+ years experience as a business owner, her creative mind and strong intuition, Nicoline always has an answer to any question that business owners may have. Nicoline loves reading, cold water swimming and enjoys James Bond movies as a guilty pleasure. Apart from her native tongue Dutch, Nicoline is fluent in English, German and French, and studies Spanish.Connect with NicolineWebsite:  nicolinehuizinga.com Instagram:  @nicoline_huizinga Facebook: @nicolinehumandesigncoach LinkedIn:   linkedin.com/in/nicolinehuizinga YouTube:  youtube.com/c/NicolineHuizinga Support the showThanks for listening! To book a free consultation with Aideen visit www.confidenceinsinging.com.

Meet Nation Member Suzy Huizinga!! This week's Strava Leaders: Most Miles: 194.1 RAFA Most Time: 33:42:45 Jon Willman Most Vert: 21,788 jon Willman Great job everyone!! Sidenote: the shopping banner is no more. So instead, there is a page of recommendations of things we like.  Shop there or from there!  https://www.tenjunkmiles.com/tjm-recommendations

Nicoline Huizinga is a certified business mentor, Human Design coach, speaker and author of the book series ‘Flick the F*ck It Switch'. She ignites the fire in entrepreneurs by helping them to tap into their core, embrace their unique skills and talents and to take action on a personalized strategy so that they are able to run a successful business on their own terms. Connect with Nicoline: Website: https://www.nicolinehuizinga.com Try out myBodyGraph at myBodyGraph.com

Softdrinks, Snacks und Fertigmahlzeiten sind häufig ungesund. Oliver Huizinga von der Deutschen Adipositas Gesellschaft plädiert daher unter anderem für eine Zuckersteuer auf Softdrinks und eine Werbeeinschränkung für ungesunde Lebensmittel.Huizinga, Oliverwww.deutschlandfunkkultur.de, InterviewDirekter Link zur Audiodatei

On this episode we have a former teammate of mine Jon Huizinga.  Jon comes on the show to chat about his pro career, sidearm pitching, signing with the Brewers at the age of 34, becoming pitching guru at Fuel Factory, spending time in Sedona AZ.Brought to you by Jbirdy Baseball Clothing...make sure to give them a follow on social media and check them out at www.jbirdy.caThank you everyone for listening! Geoff Freeborn

Can human design help you find the formula for your frequency?

This week's guest is Kornelis “Kees” Huizinga, a member of the Global Farmer Network and farmer in central Ukraine. Since moving to Ukraine two decades ago, Kees Huizinga have seen exponential increases in planted area and production per hectare making them a major player in global markets. But Russia's invasion of the country has brought major hardship on Ukraine farmers in the loss of crops, livestock and infrastructure. Many Ukraine farmers have been lost not just in battles but while tending their fields and caring for livestock. Kees says farmers today identify with their grandfathers who fought for freedom during World War II. And he emphasizes the need to continue supporting Ukraine's military.

This week's guest is Kornelis “Kees” Huizinga, a member of the Global Farmer Network and farmer in central Ukraine. Since moving to Ukraine two decades ago, Kees Huizinga have seen exponential increases in planted area and production per hectare making them a major player in global markets. But Russia's invasion of the country has brought major hardship on Ukraine farmers in the loss of crops, livestock and infrastructure. Many Ukraine farmers have been lost not just in battles but while tending their fields and caring for livestock. Kees says farmers today identify with their grandfathers who fought for freedom during World War II. And he emphasizes the need to continue supporting Ukraine's military.

Life in Ukraine changed dramatically in February of 2022. Kees Huizinga has challenges like his American counterparts do with higher inputs, energy and equipment costs, but the big hurdle has been exports. Bombs have damaged ports and other infrastructure and forced adaptations

Welcome back to the Convivial Society. In this installment, you'll find the audio version of two recent posts: “The Pathologies of the Attention Economy” and “Impoverished Emotional Lives.” I've not combined audio from two separate installments before, but the second is a short “Is this anything?” post, so I thought it would be fine to include it here. (By the way, I realized after the fact that I thoughtlessly mispronounced Herbert Simon's name as Simone. I'm not, however, sufficiently embarrassed to go back and re-record or edit the audio. So there you have it.)If you've been reading over the past few months, you know that I've gone back and forth on how best to deliver the audio version of the essays. I've settled for now on this method, which is to send out a supplement to the text version of the essay. Because not all of you listen to the audio version, I'll include some additional materials (links, resources, etc.) so that this email is not without potential value to those who do not listen to the audio. Farewell Real LifeI noted in a footnote recently that Real Life Magazine had lost its funding and would be shutting down. This is a shame. Real Life consistently published smart and thoughtful essays exploring various dimensions of internet culture. I had the pleasure of writing three pieces for the magazine between 2018 and 2019: ”The Easy Way Out,” “Always On,” and “Personal Panopticons.” I was also pleasantly surprised to encounter essays in the past year or two drawing on the work of Ivan Illich: “Labors of Love” and “Appropriate Measures,” each co-authored by Jackie Brown and Philippe Mesly, as well as “Doctor's Orders” by Aimee Walleston. And at any given time I've usually had a handful of Real Life essays open in tabs waiting to be read or shared. Here are some more recent pieces that are worth your time: “Our Friend the Atom The aesthetics of the Atomic Age helped whitewash the threat of nuclear disaster,” “Hard to See How trauma became synonymous with authenticity,” and “Life's a Glitch The non-apocalypse of Y2K obscures the lessons it has for the present.” LinksThe latest installment in Jon Askonas's ongoing series in The New Atlantis is out from behind the paywall today. In “How Stewart Made Tucker,” Askonas weaves a compelling account of how Jon Stewart prepared the way for Tucker Carlson and others: In his quest to turn real news from the exception into the norm, he pioneered a business model that made it nearly impossible. It's a model of content production and audience catering perfectly suited to monetize alternate realities delivered to fragmented audiences. It tells us what we want to hear and leaves us with the sense that “they” have departed for fantasy worlds while “we” have our heads on straight. Americans finally have what they didn't before. The phony theatrics have been destroyed — and replaced not by an earnest new above-the-fray centrism but a more authentic fanaticism.You can find earlier installments in the series here: Reality — A post-mortem. Reading through the essay, I was struck again and again by how foreign and distant the world of late 90s and early aughts. In any case, the Jon's work in this series is worth your time. Kashmir Hill spent a lot of time in Meta's Horizons to tell us about life in the metaverse: My goal was to visit at every hour of the day and night, all 24 of them at least once, to learn the ebbs and flows of Horizon and to meet the metaverse's earliest adopters. I gave up television, books and a lot of sleep over the past few months to spend dozens of hours as an animated, floating, legless version of myself.I wanted to understand who was currently there and why, and whether the rest of us would ever want to join them. Ian Bogost on smart thermostats and the claims made on their behalf: After looking into the matter, I'm less confused but more distressed: Smart heating and cooling is even more knotted up than I thought. Ultimately, your smart thermostat isn't made to help you. It's there to help others—for reasons that might or might not benefit you directly, or ever.Sun-ha Hong's paper on predictions without futures. From the abstract: … the growing emphasis on prediction as AI's skeleton key to all social problems constitutes what religious studies calls cosmograms: universalizing models that govern how facts and values relate to each other, providing a common and normative point of reference. In a predictive paradigm, social problems are made conceivable only as objects of calculative control—control that can never be fulfilled but that persists as an eternally deferred and recycled horizon. I show how this technofuture is maintained not so much by producing literally accurate predictions of future events but through ritualized demonstrations of predictive time.MiscellanyAs I wrote about the possibility that the structure of online experience might impoverish our emotional lives, I recalled the opening paragraph of the Dutch historian Johan Huizinga's The Waning of the Middle Ages. I can't say that I have a straightforward connection to make between “the passionate intensity of life” Huizinga describes and my own speculations the affective consequences of digital media, but I think there may be something worth getting at. When the world was half a thousand years younger all events had much sharper outlines than now. The distance between sadness and joy, between good and bad fortune, seemed to be much greater than for us; every experience had that degree of directness and absoluteness that joy and sadness still have in the mind of a child. Every even, every deed was defined in given and expressive forms and was in accord with the solemnity of a tight, invariable life style. The great events of human life—birth, marriage, death—by virtue of the sacraments, basked in the radiance of divine mystery. But even the lesser events—a journey, labor, a visit—were accompanied by a multitude of blessings, ceremonies, sayings, and conventions. From the perspective of media ecology, the shift to print as the dominant cultural medium is interpreted as having the effect of tempering the emotional intensity of oral culture and tending instead toward an ironizing effect as it generates a distance between an emotion and its experssion. Digital media curiously scrambles these dynamics by generating an instantaneity of delivery that mimics the immediacy of physical presence. In 2019, I wrote in The New Atlantis about how digital media scrambles the pscyhodynamics (Walter Ong's phrase) of orality and literacy in often unhelpful ways: “The Inescapable Town Square.” Here's a bit from that piece: The result is that we combine the weaknesses of each medium while losing their strengths. We are thrust once more into a live, immediate, and active communicative context — the moment regains its heat — but we remain without the non-verbal cues that sustain meaning-making in such contexts. We lose whatever moderating influence the full presence of another human being before us might cast on the passions the moment engendered. This not-altogether-present and not-altogether-absent audience encourages a kind of performative pugilism.To my knowledge, Ivan Illich never met nor corresponded with Hannah Arendt. However, in my efforts to “break bread with the dead,” as Auden once put it, they're often seated together at the table. In a similarly convivial spirit, here is an excerpt from a recent book by Alissa Wilkinson: I learn from Hannah Arendt that a feast is only possible among friends, or people whose hearts are open to becoming friends. Or you could put it another way: any meal can become a feast when shared with friends engaged in the activity of thinking their way through the world and loving it together. A mere meal is a necessity for life, a fact of being human. But it is transformed into something much more important, something vital to the life of the world, when the people who share the table are engaging in the practices of love and of thinking.Finally, here's a paragraph from Jacques Ellul's Propaganda recently highlighted by Jeffrey Bilbro: In individualist theory the individual has eminent value, man himself is the master of his life; in individualist reality each human being is subject to innumerable forces and influences, and is not at all master of his own life. As long as solidly constituted groups exist, those who are integrated into them are subject to them. But at the same time they are protected by them against such external influences as propaganda. An individual can be influenced by forces such as propaganda only when he is cut off from membership in local groups. Because such groups are organic and have a well-structured material, spiritual, and emotional life, they are not easily penetrated by propaganda.Cheers! Hope you are all well, Michael Get full access to The Convivial Society at theconvivialsociety.substack.com/subscribe

In this conversation we take up Shakespeare's nearly infinite capacity to educate liberally all who encounter his works in deep and sustained ways. We also consider how Shakespeare liberally educates us in ways that complement how Dante teaches us. With particular attention to As You Like It, we examine how play—the play of supposition and the play of analogy—can be transferred to the classroom by the best teachers. Along the way, we consider the contributions to this topic made by Pieper, Huizinga, Gadamer, Sister Miriam Joseph, and Altman. Links of Potential Interest: John Huizinga, Homo Ludens: A Study of the Play-Element in Culture Josef Pieper, Leisure the Basis of Culture Hans Georg Gadamer, The Relevance of the Beautiful and Other Essays Sister Miriam Joseph, Shakespeare's Use of the Arts of Language Joel Altman, The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama

Tiny. Daily.

Reformation Day Lecture

Reformation Day Lecture

EMAIL US with any comments, suggestions or ideas! Thanks!>>>>>>>>>>>>Edwin Huizinga; friend, violin player, music teacher, performer and impresario!We sit in Emil's Canyon talking about Bach, Vivaldi, childhood, Suzuki method, sounding good, sounding bad, having fun, learning and making music a way of life.The piece that Edwin plays in the intro and outro is from the 'Meditation' in Massenet's opera THAIS.Please share with friends.To see and hear more of Edwin go HERE!Support the show

Ze was Miss Universe Nederland, werd daarna presentatrice maar vond pas later haar grote passie: de fotografie. Inmiddels is Paulien Huizinga internationaal succesvol als fotograaf, en exposeert zij haar werk door heel Europa. In Daphne op Donderdag vertelt Paulien op aanstekelijke wijze over haar leven, en hoe ze halverwege de veertig pas wist ‘wat ze later wilde worden.'

What is liberal education? And what is it not? In this conversation Margarita Mooney Suarez introduces her vision of liberal learning by considering the nature of the person whom we educate, the means of liberal learning, and the challenges that liberal learning faces today. Along the way, we consider what role imitation, play, humor, and imagination fulfill in liberal education and what we might continue to learn from Maritain, Newman, Huizinga, and St. Benedict. And how do all of these elements and sources enable us to (1) educate the integrated human person who possesses both a transcendent dimension and telos, (2) attain an integrated vision of all things, and (3) enter into the dance that transports us between focused forms of knowing—through the disciplines—and the contemplative vision of the whole? Links of Potential Interest: Margarita Mooney Suarez's personal website Scala Foundation Abigail Adams Institute Newman, The Idea of a University, Rise and Progress of Universities, and The Benedictine Essays Huizinga, Homo Ludens Maritain, Education at the Crossroads

@Scramblin University - Episode 37 - CoffeeTalk with Keith Huizinga on UnSchooling UnSchooling - Start Here https://www.johnholtgws.com/ VALUE FOR VALUE EXCHANGE PORTALS Arrr zs1z28a8ktrp8r98a7259ejuyz2fsh8utcvjud9fxynypwlhw54455jlgyjz29zta06wz666ch6406 BTC 1Fc1NrrNBrxhUdSoNxNrTaHDtbAzvyhsAW LTC LX6zG64ZiFDf411s9ygqfXrKyobhmUxS2Y BCH bitcoincash:qpzp607fllzxe64m2mhg7l5c28asukjjkqaw289esh DASH XpJgKkoyYap8284mDYHL3spisUTuD7aiCq XMR 42QtjkQpDQj3CnDueAJi7f1uCK69u7VsXDVuMyhB2pdXSZjXGVuE5bm2AN1BP2xiC626e4zZ1LKGMZAwr8kekpWmEWaLY8A If you LOVE Specialty Coffee. Order here. Or Share the link with a friend. https://www.foodforestfarms.com/index.html To Support Psychedelic PTSD Research - Buy this Awesome Tee: https://foodforestfarms.com/store/p119/Drug_War_Veteran_-_T_Shirt_.html Or if you use Cannabinoid Products. Use this Link. https://www.foodforestfarms.com/cannabinoid-natural-foods.html Or if you are visiting the PNW and need a chill Air BnB close to i-5 south of SeaTac. Come Stay with us. https://www.airbnb.com/rooms/33254319 Or if You or friends/family are going to CAMP in the PNW. Enjoy our 10 acres of magic. Book our HipCamp here: https://www.hipcamp.com/en-US/washington/food-forest-farms-hideaway/camp-suneekee GROUP CAMP / EVENT SPACE- Need a Camp for more than 100 people? Go Here: https://www.foodforestfarms.com/camp-suneekee.html Or if you've heard about theSquatchFEST and are curious, come join the community. Ask how to attend. https://t.me/+OqlGxc59OF9jMTYx LOVE COFFEE? Want to learn? Start here: https://www.airbnb.com/experiences/812491?sectionId=6af727d5-24f1-42b5-b14f-96185f3c77cb THANK YOU - for spending your TIME with us --- Send in a voice message: https://anchor.fm/scramblinuniversity/message

Imagine planting corn and seeing fighter jets coming at you. Listen as I talk with Ukrainian farmer Kees Huizinga

Creating content from scratch is time-consuming because there are many great websites that you can buy. How to find them? Derek J Huizinga shares his valuable insights. He is originally from Michigan and now he is located in Orlando, Florida. Acquisition and business analysis are what he does. He spends his time reviewing and acquiring…

In this episode I talk with Edwin Huizinga, violinist, about his new album Alma, and other things. At the end we play Andante from J.S. Bach's second sonata for solo violin, arranged by me for two violins. Music available at www.bachfor2.com. It's in Volume 2. recorded in Wilmington, Delaware. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/martin-davids/support