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4 episodes with joe bennet
2 episodes with joe bennet
2 episodes with joe bennet
Tonight, Ireland will compete in the Eurovision semi-final, with Emmy Kristiansen performing ‘Laika Party'.But, have you ever wondered what it takes to win Eurovision?Joe Bennet, Musicologist, Writer, and Researcher analysed hundreds of Eurovision finalists, and joins Seán to talk to us about what songs work best for Eurovision…
Tonight, Ireland will compete in the Eurovision semi-final, with Emmy Kristiansen performing ‘Laika Party'.But, have you ever wondered what it takes to win Eurovision?Joe Bennet, Musicologist, Writer, and Researcher analysed hundreds of Eurovision finalists, and joins Seán to talk to us about what songs work best for Eurovision…
Professor Bruce David Forbes, an ordained minister, wrote Christmas: A Candid History to chronicle the many transformations of the beloved holiday over 2,000 years. He speaks with host Gil Gross about the genesis of Christmas from its pre-Christian roots in winter holiday traditions, through the birth of Jesus, to its emergence as a global phenomenon of gift-giving and media extravaganzas. And, musicologist Joe Bennet explains the art and science behind why we are so enamored by Christmas music.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Y como cada temporada, a final de cada mes es turno de nuestros monográficos y en este caso abrimos la puerta verde para hacerle un huevo a el Inmortal Hulk, la etapa en la que Al Ewing y Joe Bennet, con la ayuda ocasional de otros dibujantes, revisaban de arriba abajo al coloso esmeralda para darnos una especie de Hulk total, que aunaba conceptos de absolutamente todo el loco maremagnum de etapas de la historia del gigante verde y ponerlas de acuerdo en torno a una misma idea que se tornaba con un aire esotérico. Con el terror como punto de partida, el guionista británico y el dibujante brasileño, entre los años 2018 y 2021 revolucionaron por completo al personaje, a la vez que eran más fieles que nunca a prácticamente cada tebeo de Hulk publicado en sus más de 60 años de historia, en la que sin duda es su etapa más destacada en lo que vamos de siglo y ha pasado a formar parte del Olimpo verde junto con las de Peter David, Lee y Kirby o Mantlo y Buscema. La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 304 de ELHDLT Selección musical: 🎶 Avalanche, 🎶 Diamonds in the mine, 🎶 Sing another song, boys, de Leonard Cohen
Supereroi le leggende DC 96 "Crisi infinita parte 2", scritto da Geoff Johns, disegnato da Phil Jimenez, George Perez, Ivan Reis, Jerry Ordway e Joe Bennet, edito da RCS. Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/fumetti-e-dintorni/message
Welcome back to another episode of RX'D Radio, this week we're sitting down with the legendary Joe Bennett who Jordan describes as the “Marathon Man” of the coaching and education industry. He's someone who's been able to consistently dominate this industry year in and year out and in this episode, we're digging into the unique methods to his madness. To any coaches and trainers who care about leaving this industry better than you found it, episode 302 is one you don't want to miss. Instagram @hypertrophycoach Youtube https://www.youtube.com/c/HypertrophyCoach Website https://www.hypertrophycoach.com/ Programming Fluidity of Phases Monday, August 15 6:30 PM EDT Hosted by James Thayer and James Macintosh, Team Pre-Script Periodization is the cornerstone for long term client success. This one hour live webinar includes defining phase intentions, understanding programming blocks and creating fluidity between phases within a long term periodization model. Check out our Sponsor Vivobarefoot ! www.vivobarefoot.com/RXD If you're looking for a shoe for training, look no further then Vivo. Click the link and get 20% off your first order. Don't miss the release of our newest educational community - The Pre-Script ™ Collective! Join the community today at www.pre-script.com. For other strength training, health, and injury prevention resources, check out our website, YouTube channel, and Instagram. For more episodes, subscribe and tune in to our podcast. Also, make sure to sign up to our mailing list at www.pre-script.com to get the first updates on new programming releases. You can also follow Dr. Jordan Shallow and Dr. Jordan Jiunta on Instagram!
Hey there Acc-tion Heroes! While Nick is still away working on his masters, Marty and Tim hang out and talk about the comics they're digging. First up, The Thing #1 by acclaimed writer Walter Mosley, artist Tom Reilly, and super star colorist Jordie Bellaire!! Spoiler alert, it's real good.We also talk about:Immortal Hulk #50 by Al Ewing and Joe Bennet Spoiler: this is also good and Joe Bennet is a fascist.
In today's episode, I sat down with Joe Bennet. Topics of discussion include does strength potentiate muscle, does muscle potentiate strength, mechanisms of muscle growth and practical application, internal vs external cuing, altering range of motion for muscle growth, periodizing muscle growth, muscle protein synthesis, managing expectations and more. TIMESTAMPS 00:01 Introduction 08:21 What is your content strategy? 15:10 Does strength potentiate muscle growth? 18:20 Does muscle potentiate strength? 23:00 Mechanisms of hypertrophy and practical application 32:16 Internal vs external cues 40:53 Altering range of motion for muscle growth 49:21 Periodizing for muscle growth 57:54 Acute vs chronic increase in muscle protein synthesis 01:11:30 Managing expectations 01:17:34 Where can people find you? FOLLOW US Joe Bennett (Hypertrophy Coach) IG: https://www.instagram.com/hypertrophycoach/ YouTube: https://www.youtube.com/channel/UCRZC4kbD4lIVe02LL2H27Aw Website: https://www.hypertrophycoach.com/ Stacked Strength DM FOR COACHING: https://www.instagram.com/stackedstrength/ WEBSITE: https://www.stackedstrength.com/ INSTAGRAM: https://www.instagram.com/stackedstrength/ YOUTUBE: https://www.youtube.com/channel/UCBrMmbKtbwRtMtG3JRmw7bA
"Jannotta crafts an original, new jazz work that keeps things moving forward and interesting."- Chris Spector"Her writing offers an interesting perspective."- Sarah Ellen HughesThank you for dropping by my website. I hope you will take a look around and check out the music and the projects that have become the fabric of my life.To introduce myself . . .My life as a performer came very early as often happens with little girls. I started dancing at the age of 4. And I never stopped. I found the violin at the age of 9, and at 14, I fell in love with acting. My first “gig” at 15 was as a chorus dancer in a production of “South Pacific” at the Burbank Starlite Bowl in Los Angeles, where I'm from. I studied dancing throughout my life, studied acting from the age of 15, and began singing when I was in college because I needed a second instrument for my music major. I studied ballet with Swiss Ballet Master Dora Krannig and modern jazz with choreographer Joe Bennet. I've had a million teachers but these two were special. Dora taught me to breathe and Joe loved Jazz. I've studied with a lot of acting teachers as well but my favorites were radio star Lurene Tuttle, Gordon Hunt, and the amazingly introspective Susan Batson. But my singing teachers were few because I only really committed to one couple: Lee and Sally Sweetland, themselves studio singers. Thanks to them I have a technique that will never die. During my time of study and day jobs, I also attended Banff Center School of Fine Arts in Alberta, Canada, on a partial scholarship for musical theater. I won't mention how many odd jobs I had in order to get by, however being a door-to-door sandwich peddler and a cocktail waitress in a jazz dive were particular stand-outs. My paid acting gigs were few and my non-paid theater gigs were many. However, I was lucky enough to have a year's contract with the Los Angeles Shakespeare Festival where we did Children's Theater during the school year and Shakespeare in the Park during the summer. One of the best performances I ever had as an actress was with the Festival. Because we were partially funded by the City of Los Angeles, we had to take our Children's Improv Show to Terminal Island Maximum Security Prison because the Mayor's Office asked us to. We think the Mayor's Office thought we were taking Shakespeare to the inmates but our Shakespeare play wasn't ready yet. We were stuck with the improv show. Of course we had to change it up a little bit from children to felons. It was scary, it was risky, it was the greatest night I've ever had in the theater, and we got a standing ovation.After 22 years of the acting struggle, a funny thing happened. I sat in with a piano player at a Los Angeles restaurant and suddenly I had my first $50 jazz gig. No muss, no fuss. Just music. So I switched from acting to singing, took another day job, sang only jazz, and studied Charlie Parker solos. I also started writing.My 1st album, “Just Jazz” was released in 1996 when I began traveling to Europe to sing. It was in Switzerland that I landed distribution for this CD with TCB Music, The Montreux Jazz Label. My 2nd album, “Jazz at the Ranch,” also distributed by TCB, was a live concert performance at a National Park in the Santa Monica Mountains, a concert I gave once a year for 10 years. That album was released in 2001. I also produced the Back to Blues & Jazz Concert during this time as a benefit for environmental causes.My 3rd album, “Is It Magic?” put me on the arts grants super highway. The City of Ventura, where I now live, awarded me a Cultural Arts Fellowship in 2008, which partially funded this project. It also gave me the chance to write most of the music.In 2010, I received my 2nd arts grant from the Ventura County Arts Council: an Artist in the Community Partnership Grant. I partnered with a local homeless shelter and created a live performance piece entitled “Voices of the Homeless,” starring members of the homeless community and backed up musically by jazz improvisers listening to their stories. I then made a documentary about that performance, which was awarded the Earth Charter and the Arts Award in 2012 for activism through the arts.This leads me to my current project, “My Little Heart, Ruthie,” which had been sitting on the shelf since 1994. It is a story rhyme with music and illustrations, a little healing story for adults and kids. It will become a picture book in both hard cover and E-Book format. It also has an accompanying CD, which contains my narration (thank you Children's Theater) and jazz inspired musical suite (thank you Jazz and music theory), and will be available as both a physical CD and a digital download. Please check out the link on this website: https://www.tonijannotta.com/RuthieThank you again for dropping by and reading Long Winded Me. I hope you will look around the site. And please don't hesitate to email me if you have any questions at tonij@tonijannotta.comCheers and warm regards,ToniVOICE OF THE HOMELESS (Full Film)https://www.tonijannotta.com/documentaryTo buy her music, visitwww.cdbaby.com/cd/tonijannottaLike to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite http://filmmakingconversations.com/If you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby
Superhero authors, T.L. Heinrich and Jeremy Flagg rate comics and novels for the Pull List and present shows and movies for listeners to Geek Out over. For this episode’s Deep Dive,they are talking about the limited series, WandaVision now available on Disney+. Geekorama is Produced by Superhero-Fiction.com https://www.superhero-fiction.com THE PULL LIST Jeremy - The Immortal Hulk 1-5 - Creative team Al Ewing, Joe Bennet, Ruy Jose (Cover by Alex Ross) Pushing itself away from the typical action-adventure storylines in comics, this firmly falls into the horror genre. Bruce Banner got an arrow to the brain, leaving him a typical genius (as opposed to comic genius) and he struggles with the duality of his existence with the Hulk. The first few issues are a quality look into the mind of a vigilante, only dips into horror at a PG level. If you like the concept of the Hulk, then this is a must read as the art is amazing. However, five issues in and I find I’m getting a rehashing of the Hulk’s struggle. Where the 2018 run of Venom reinvented the ethos, this continues the same story line. Quality efforts all around, but because we’re not getting something new, I say 3.5 out of 5 Capes. Trish-A Court of Silver Flames by Sarah J. Maas- Oddly enough this book falls in line nicely with the aspects of trauma and grief that we’ll be touching on later in the show when we talk about WandaVision. This is the fifth book in the series and centers around Feyre’s sister, Nesta and Rhysands adopted brother, Cassian. The two fell in love in the third book in the series, but due to the trauma of war and loss, Nesta went into a destructive depression. The book is filled with healing and owning the strength that can come from our trauma, while also creating found family that not only understands our pain but can strengthen one another through to healing. And oh yeah: Some of the HOTTEST sex scenes I’ve ever read! 5 out of 5 capes. If you want more book suggestions stop by www.Superhero-Fiction.com and read our editorial reviews. GEEK OUTS Trish-One Night In Miami-Directed by Regina King- Film is adapted from a play by the same name and is almost entirely contained in one location, on the night when Muhammad Ali (still Cassius Clay in this movie) won the Heavy Weight title. The movie focuses on Cassius, Malcolm X, Sam Cooke and Jim Brown as they navigate turning points in all of their lives. The movie is directed by the transcendently talented Regina King (yes THAT Regina King) who should’ve gotten a best director nomination. Jeremy - Snyder Knows How to Script a Pee Break - I’ve mocked it long enough, it’s time to admit. Snyder’s Cut is better than the original. Now let me trash the film’s shoddy story, plot holes, and relish in a director’s masturbatory fantasy that he is the one true God. Where Whedon received a solid F, this struggles to reach a D-. Snyder can’t tell a coherent story in four hours? What does man need to make that happen? Evidence of what would go wrong with a first draft? Millions in reshoots? A studio saying, “Do whatever you want?” This film was never about making a quality film, it was, and will always be about Snyder being able to say, “I made a better shitty film than Joss Whedon.” Deep Dive - WandaVision: Grief and Female Power Like many, we can’t help but gush over this new chapter in Marvel’s ever-expanding universe. Elizabeth Olsen and Paul Bettany return as Wanda and Vision in this creative exploration into the world of grief. There is humor, sorrow, but most of all, a storyline that tugs at the heart, and creates a complex plot that empowers Wanda Maximoff, good and bad. Visit Superhero-Fiction to Discover Uncanny Superhero Stories Subscribe to Geekorama to Stay Up-to-Date on All Things Superhero iTunes | Spotify | Podbean | Youtube Follow Superhero-Fiction on Social Media Superhero-Fiction Facebook Page | Superhero-Fiction Facebook Group Trish Heinrich – Facebook | Instagram Jeremy Flagg - Facebook | Instagram
Josh and Travis fill in a Hulk-sized hole in the comic book reading with Al Ewing and Joe Bennet’s “Immortal Hulk” Volume 1. Just why has the Hulk eluded the boys for so long? What elements seem essential to the Hulk? And will the guys read more? Tune in and find out.
Zach & Searnold talk to cartoonist Mike Gray about... comics. The conversation naturally finds itself twisting and turning all over the place, but in a good way. The main focus is the new "Immortal Hulk" comic by Al Ewing and Joe Bennet. We also talk about Civil War, the Marvel Unlimited App, and how we know that Zach's 2-year-old is a reincarnated gangster.
On today's Stack podcast: Iron Man #1, You Look Like Death: Tales From The Umbrella Academy #1, Batman #99, Thor #7, Stillwater #1, Detective Comics #1027, Goosebumps: Secrets of the Swamp #1, Giant-Size X-Men: Storm #1, Big Girls #2, Justice League #53, Seven Secrets #2, The Immortal Hulk #37, Dryad #5, Catwoman #25, Once & Future #11, X-Men #12, Faithless II #4, The Amazing Spider-Man: The Sins of Norman Osborn #1, and Head Lopper #13. SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Transcript: Alex: What is up y'all? Welcome to The Stack. I'm Alex. Justin: I'm Justin. Pete: I'm Pete. Alex: And on The Stack we talk about a bunch of comics that have come out today. Pete: Sure do. Alex: We review them, unless they're DC comics, those rap scallions, they come out on Tuesdays. They go out for 24 hours. You already know about them. Justin: Yes, but you can read them today. You can read comics whenever you want. That's the freedom of the comic book industry. Alex: Right. And if you break into writer's brain, you can read comics that haven't even been made yet, man. You know what I'm talking about? Justin: Yes. I know what you mean by breaking into a writer's brain too. You talk about with like a hammer? Alex: Yeah, man. But six feet away, keep your safe distance. Let's get into this because I don't know where I was going. Pete: Wait, what? Yeah, what the fuck. Alex: I don't know where I was going with this, Pete. Iron Man, number one from Marvel written by Christopher Cantwell, art by Cafu. This is, as you can imagine, another new start for Iron Man, a back-to-basic start after the big robot war. And this book spends quite a bit of time with Tony Stark, the man, before it puts him in a classic Iron Man costume, throws him up against a new, old threat. What'd you think about this book? How'd you feel about this versus the last couple of years in Tony's life? Justin: I don't know if I'd call it an Iron Man costume, but other than that I think this is a fun book. I feel like Tony Stark is popping a little bit more here. He feels a little bit on his own, less tied up in a sort of the galaxy brain, worried about everything, stuff that he's mostly been in for the last few years and more just like the guy who puts on the suit. Pete: It's nice to see him not being a robot or a dead version of himself or whatever it is. It's nice to see Tony being Tony, but there's a lot of interesting things in this comic. I didn't really get past the sad girl playing her violin outside of an Apple store and then asked to leave where she was crying and walking away, that was fucking heartbreaking, man. That was cold as ice. But I'm interested to see what happens. The problem is what I didn't like was there was this moment where it was just like the movie where Tony Stark's like, “Oh yeah.” And then someone comes out to him at a party and was like, “Hey Tony, I got this thing to pitch you.” And he's like, “Yeah, yeah, yeah, later.” And then that person becomes the villain. And that was like we saw that in this comic as well. And I was like, “Well, it's kind of played out, but all right, I'll see what's up.” Alex: But it plays out differently, right? Because he turns around to the guy- Pete: A little differently. Alex: I mean, that's a classic Iron Man, Tony stark scenario. What I liked about this book is I spent most of the running time thinking we were going to be running out of time that I was like, “Jesus, why are they spending so much time on Tony Stark out of armor? Get to it already, you're going to run out of the page length here. But this was well paced. It was well thought out and they clearly gave it a little bit of extra time to breathe. You could spend time with Tony Stark before putting him in an action scenario. I don't know if it's going to pay out with the page length every issue necessarily like that, but it's refreshing and nice. Like you were saying Justin, to see him on a back-to-basics level, Tony stark, because we haven't really seen that in a very, very long time. Justin: Yeah. Reading this I was like, “Oh yeah, he used to be sort of a dude who dealt with his own stuff. And now he's been trapped in the Neanderthal age in a cave for a while.” Also a couple more details I love, Terrax as a villain. One of my favorite villain characters, cosmic villains, who you don't see hardly ever, like cool acts, cool look, cool looking dude. And I love the triangle shield in the first couple of pages and the Iron Man armor. Alex: I agree. Good stuff. Art by Cafu as well, yes. Pete: Yeah. The art was great. The moment where he, spoiler alert, flies through a helicopter blade was pretty bad ass. Alex: Yeah. All very cool stuff. Let's move on and talk about You Look Like Death: Tales from the Umbrella Academy, number one, from Dark Horse Comics, story by Gerard Way and Shaun Simon, art and colors by I.N.J. Culbard. This of course does not have the regular artists Gabriel Ba on Umbrella Academy. And that's because- Pete: Yeah, what the fuck. Alex: Hold on. You can probably tell from the title, this is a spinoff. This is a side story focusing on Klaus as he gets kicked out of the Umbrella Academy and heads off to Hollywood. Man, there's just a lot of fun. You got to love this, Klaus high on drugs. Justin: You know Alex is going to love this. The original Klaus head. Alex: I love Klaus. I also love going back to the Umbrella Academy after being so deep into the show with Umbrella Podcademy our Umbrella Academy podcast, to revisit the characters in the original format. It's like, “Oh right, Kraken's actually a badass and not just a sad sack. That's nice to see, that's fun.” Justin: Yeah. What's your favorite type of hero, bad-ass or sad sack? Alex: Great question. It's very much a toss up. Pete, you got to love the vampire buggy, right? Pete: Yeah. [crosstalk 00:05:44]. That was really fun. First of, [crosstalk 00:05:47]. Justin: Wait, hold up, Why'd you go to Pete for the vampire monkey? Alex: Because I was reading the book and I was like, “Pete's going to hate this, but he's going to like the vampire monkey.” Justin: Is that true? Pete: Well, I didn't hate it. I mean, what's upsetting is the father just kills me in this, just how cold this fucking dad is, it's hard to get past and it's just hammered all the time during the book, so it's tough. If this father had any compassion, these kids would have such a better chance in life, and it is just heartbreaking. Justin: Pete shitting on fatherhood, going after the whole enterprise. Pete: That's right. Just you guys better fucking get your shit together and fucking [crosstalk 00:06:33]. Alex: I just kicked out my son. I told him he was cut off. Justin: Wow. Alex: He headed to Hollywood. He got crazy high. Justin: Nice. He's going to love it out there. Pete: Yeah. Anyways, Klaus is fun. It's nice to revisit this a little bit, but I like Gabriel Ba. Justin: Are you crying, Pete? I love, the art really pops in this, especially once the story moves out to the West coast, I feel like the scenes are really great, really fun. Great all around. Alex: Yeah. Let's move on then to Batman number 99 from DC Comics written by James Tynion IV and art by Jorge Jimenez. This is the I think penultimate chapter of the Joker war storyline- Justin: It seems that way. Alex: … this is the Joker has basically destroyed Gotham city, taken over Bruce Wayne's fortune. Finally Batman and the crew are fighting bad Batman by appealing to his family saying, “I messed up, get back together with me all. Let's take this town.” Catwoman meanwhile is attacking financially trying to get the funds back. Man, this is the stuff that happens in this issue. And I almost don't want to spoil it, but particularly towards the end made me exclaim out loud. There are two moments towards the edge of the issue that I went, “Haha,” just like that, out loud. What'd you guys think about it? Pete: Well, I was really … This is a lot of fun. This book is great. Part of me does really want to kind of get back to the bat and cat stuff, that was kind of set up before this. So seeing them kind of a part is driving me crazy a little bit. But man, the whole start of this, like Joker rolling in his fucking limo, this is really insane to kind of see where things are right now. And it really does get you kind of like hyped for that and in such a great way. I mean the panels where Batman just kind of lands in front of the spot where he's supposed to be, so epic, so well done. I love this kind of show down kind of atmosphere that is being set up. And the reveal at the end was holy fucking shit. Justin: Yeah. James Tynion is such a tactical writer. He comes at the full story and the individual scenes with different angles than we've seen before. We get to spend more time with the Joker than I feel like we get to see normally. Normally the Joker is just cackling and plotting against Batman. In this we get to see a little bit more of him doing the logistical bits of his plan, and then executing in the way leading up to that last page reveal. And that stuff is fun and smart and makes this story seem fresh despite the fact that we've been … I want to say drowning in Joker for the past couple of years. Alex: Yeah. Well that, and also that it is another Gotham city is in flames story, but it's still … which we've seen a million times. I don't know why anybody lives there, but to your point, it's still feels dangerous. It still feels like it could go either way at the end of the day. Great, great stuff. Pete: Just before we move on, we were talking about some oh shit moments towards the end. But also some touching stuff that happens in this too just before Batman kind of gives his speech or right after it, someone gets a gift, very touching. Alex: You're talking about the Nightwing costume, right? Pete: Yeah, I am. I'm trying not to spoil it you fuck, but cool. Alex: Well, I mean, I think that's okay. We've already seen him in the costume several times because of the publishing schedule. But yeah, it's good bad family staff, James Tynion gets it. It works really well. This is a great issue. We went on to another one, Thor number seven from Marvel Comics written by Donny Cates and art by Aaron Kuder. This is pick it up after the death of Galactus last issue. And Thor's big vision, that some bad things are coming not just his way, but the Marvel universe's way. And he is throwing [inaudible 00:10:52] down on Broxton once again, because he feels like he is not worthy to pick it up. Turns out more people might be worthy to pick it up. As usual Donny Cates just find some fun, unique angles on his characters. And I love Aaron Kuder's art so much, just I love it. Every time it's just a pleasure to see his name. Pete: Yeah. It's very enjoyable. The art is fantastic. Sorry, Justin, I didn't mean to cut you off. Justin: No, please, it's your time to shine. Pete: Well, this is such a fun back and forth between Tony and Thor that I love very much. Yeah, this is what a cool kind of setup for this new kind of arc. Very excited to see where this goes. A little kind of twist on the unworthy. But I'm very much on board and it's also great to see the kind of blanking on his name there [crosstalk 00:11:55]. Yeah, thank you. I'm just going to say horse Thor. Justin: Speaking of Beta Ray Bill, when he takes his helmet off that dude's fucked. Alex: It's weird. Scary. Very weird. Yeah. I don't like it. He looks much less like a horse without his helmet. Justin: Yeah. And much more like a nightmare that I'm going to have tonight. I mean, this book reminded me of a conversation we've had a lot about Batman. Thor is a character that is often pretty serious. Like God dealing with God level things speaking in very heightened language, yet Donny Cates finds a way to make this fun. There's a lot of humor here and that Thor can play around, something we've been talking about a lot lately with Batman is like, why does it always have to be doom and gloom, there's room in our ability as fans to take two sides of a character, someone who takes their job seriously, but also likes to play around a little bit with his friends. And this book does a great job of keeping the action fun, the stakes high, I mean two issues ago, everything was hell. And now here we are where we're having fun with words on [inaudible 00:13:04]. Pete: Yeah, just leave words on the hammer, man. Alex: Words on the hammer, that's what I always say. Moving on to one that I know Justin is super psyched about, Stillwater number one from Image Comics written by Chip Zdarsky and art by Ramon K. Perez. Now this is a bit of a spoiler because they only eventually get around to it in the second half of the book, but it is the concept of the book is about a guy who loses his job, gets an inheritance or so he thinks, that brings him to the small town of Stillwater. And it turns out in the small town of Silverwater, nobody ever dies. Things get darker from there. Justin, talk about this book a little bit. Justin: I mean the art by Ramon K. Perez is so good. I love his work on everything that he does. I think the first book that really caught my eye he did was I think called Tale of Sand, I want to say, based on a Jim Henson script. And great book and this just art really shines. The story itself reminded me a lot of Lovecraft Country actually, the first two episodes of that, except with none of the race elements and it's just sort of spoiled white dudes doing the … going on a similar journey. But the way the story ends is exciting and curious what the next move is, if that make sense. Pete: Yeah, this is the new like, hey, I'm a prince, and if you send me money I'll send you money tenfold. When you get the letter that somebody died and there's inheritance, you don't fall for that. All right. That's a trap. It's clear. If you didn't know that person- Alex: Wait, sorry. Pete, did you just say somebody died and left me money? Let me know where I need to go to pick it up. Pete: Oh, okay, well you got to go to Stillwater. Justin: And let me say on the other side, Pete, your rich great uncle did die and you have to go get that money. You can't just leave that hanging there just because you're scared. Pete: I'm not going to fall for that, all right. It's some creepy town where- Alex: No, I back up what Justin is saying, this is true and accurate. And if you give us $50 right now, we'll tell you where to go. Pete: Oh, okay. All right. Well, I'll just Venmo you guys then. Alex: Yeah, that sounds great. Actually, you know what might be easier is if you gave us your credit card number. Pete: Oh okay, sure. Yeah, why don't I give it to you right over here? Alex: All right, go ahead. Pete: Five, five, five, five, five. Justin: It is weird it's all fives. It is crazy. Pete: Yeah. Alex: Wait, actually I had a question just to step back. Thor, I didn't try this yet. The phone number he puts down on me on [inaudible 00:15:52] for Tony, that's just like a regular two on two number, right? That's pretty weird. Justin: Yeah, let me, I guess you're right here. Two, one, two, nine, seven, zero, four, one, three, three. Alex: Ooh, I don't get any phone service down here. You want to give it a call? Justin: Yeah, I'll give it a call. Alex: Okay. That sounds great. Pete: Oh man, that's exciting. Alex: Yes. Meanwhile, I'll talk about Stillwater. This reminded me a little bit of Revival, the Tim Seeley book, just in terms of concept, which is a great book that everybody should check out. It does feel a little more [inaudible 00:16:26] and a little more focused on this character. I'm also sure Chip Zdarsky is aware of revival and trying to do something different in that. But I'm curious to see how it delineates itself from that going on, just in terms of the pure people coming back to life. You're about to call the number Justin? Justin: Yes. We have not planned this, so we truly have no idea what's going to come up here. Alex: There's going to be an old lady that's going to be like, “Hello.” Speaker 4: Yes, this is Iron Man. However, due to some big blonde jerk, I no longer use this number. But hey, nice try anyway. For all things Tony stark, please visit www.tonystarkironman.com, and try and stay safe out there, yeah. I'm busy enough as it is. Alex: Ah, that's fun. Justin: Is that Downey? Alex: That's cool. Maybe. Justin: It could be, it sounds like him. Alex: Yeah. Fun stuff. Good [inaudible 00:17:22] comic books. Pickup Stillwater number one, moving on to, this is going to be a mouthful, are you ready? Detective Comics number 1027 from DC Comics. This isn't an anniversary issue, so it's a bunch of stories. It is written by Peter J. Tomasi, Brian Michael Bendis, Matt Fraction, Greg Rucka, James Tynion IV, Kelly Sue DeConnick, Marv Wolfman, Grant Morrison, Tom King, Scott Snyder, Dan Jurgens and Mariko Tamaki. And the art is by Brad Walker, David Marquez, Chip Zdarsky, Eduardo Risso, Riley Rossmo, John Romita Jr., Emanuela Luppachino, Chris Burnham, Walter Simonson, Ivan Reis, Kevin Nowlan and Dan Mora. Justin: You read so fast, it sounded like you said Snot Snyder. Pete: It did sound like Snot Snyder. Alex: Oh man, thank you for picking on the thing that I screwed up out of 20 names. Justin: Alex, I just wanted to say, you really nailed it when you said Peter J. Tomasi, Brian Michael Bendis, Matt Fraction, Greg Rucka and the rest. Alex: I like this package. I know we talk a lot about short story [inaudible 00:18:30], this is like- Pete: Justin loves talking about nice packages. Justin: Wow. Alex: This is a good set of Batman stories. I was fully prepared to be like, “Yeah, I don't know, I like this one.” But I like most of them. Justin: Yeah. No, it was hard to pick a favorite as well. I really liked the masterclass story was a good use of the bat family where everyone really got to pop for a second. The Grant Morrison detective number 26 story was like- Alex: So funny. Justin: So fun. And I was like, “Oh, Grant Morrison. Yes. I haven't seen that Grant Morrison in quite a while.” Where it's just like finds a little fun bit and just needles it into a story. Alex: I mean, I'll mention with the idea of the story is as you can figure out, it's the guy who came to the issue before Batman and he's already to be the next big vigilante. He's going to be the silver ghost. He has the whole plan. He has his origin story. He has his motivation, everything. And then he goes out of his first mission and he sees Batman and he's like, “Ah, shit.” Justin: This guy's got good branding, good ears. Alex: To your point it's great, I want more of that out of Grant Morrison. I don't need crazy musical notes from Superman saving the universe anymore, just give me that fun stuff. He did that on Klaus as well at least at the beginning where it's just the simple idea of what if Santa was battle Santa. That's great, more of that fun stuff. Pete, which ones did you like? What are you into? Pete: I really loved the fraction happy returns, the Rocco rookie story was really great that we've had an eye on you was a awesome moment. Justin: That was cool. Pete: Love the shout-out to the old costume and generations fractured and the Dan Mora art and the gift, yes please, just fantastic. Alex: Yeah. Just such a good package across the board. Pete: It really is. It's one of those ones where you're like, “All right, a collection,” but then you're like, “Holy shit, this is worth it.” Alex: Yeah, pretty much every story is good. The art is great, definitely pick this up. Next step, Goosebumps: Secrets of the Swamp, number one from IDW written by Marieke Nijkamp, and art by Yasmin Flores Montanez. This is a new story, I guess, set in the Goosebumps universe. This is honestly something that is very much out of my wheelhouse. I never read Goosebumps as a kid or anything like that. But it's about a kid who is a gamer. She has one prosthetic arm, so clearly she feels uncomfortable about going outside. But she meets another friend who's a prominent gamer and they begin exploring their town that has some spooky monsters in it. What'd you think about this book? Pete: Well, yeah, I'm not really a big Goosebumps head, but I really like the start of this. This is a solid first issue. Does a great job of introducing interesting characters and then throwing into a shit show. And I understand like you look up to some hero, somebody you admire and they're like, “Oh yeah, kid, you want to roll with me? Guess what? We're going out into the nightmare that is this world.” Alex: And I appreciate you explaining all ages, mostly kids book as throwing them into a shit show. Pete: Well, what would you call that fucking swamp land that they live in? Justin: There's nothing wrong with swamp. Pete: I'm not saying that, but the swamp with monsters- Justin: What's so scary about a swamp, Pete? Because it feels it's moist. Pete: No, they have straight up monsters in their fucking swamp. Justin: But you seemed like hung up on the swamp. Pete: You're the one hung up [crosstalk 00:22:03]. Alex: Fill the swamp, fill the swamp. Justin: That is what you always cheer. Even your time cheerleading at Cornell University, you were a huge fill the swamp. Alex: See you, go big red. Pete: Oh my God. Justin: Just building out some of our background on the show. I liked this a lot, I also didn't read Goosebumps, so I don't know what Goosebumps brings to this story. It's just like a creepy story I guess, the branding on it, because this story of these people coming together sort of through gaming and then the gaming becoming real. And then they go on the swamp to face a monster, could stand on its own in a fun way. Pete: Yeah, it's a fun- Alex: [crosstalk 00:22:51] a story, like you said, I like the character, so I wanted a little more out of the story. But I feel like obviously we're going to get that in the second issue. Pete: Issue two is a good spot to look for that. Justin: Yeah. Wait for it. Alex: There you go. Let's move on to another one, Giant-Size X-Men: Storm, number one from Marvel, written by Jonathan Hickman and art by Russell Dauterman. Now we have talked incessantly, but these Giant-Size X-Men books about what is going on here, these seem like half finished stories. What is happening? Well, [inaudible 00:23:21] as one might say. Pete: Nope. Alex: No, but I would not say that. This issue- Pete: I also wanted to say though that this Jordan D. White said that this issue would change things for Storm forever. So there was a lot of hype going into this issue. Justin: Well, and can you pinpoint what that is? Pete: Yeah. Justin: What? Pete: Turns out Storm is sick and she's got some things going on, and it makes me very sad. Justin: Well, but she- Alex: No. Justin: But she's cured by the end, spoiler. Pete: Yeah. Is she though? Because it seems like that demon they pulled out of her is just going to grow. Alex: The only thing that I was going to say, just to kind of finish up the thing that I was saying that we can turn over to the rest of it, is this is finally bringing together some threads specifically from the Giant-Size X-Men issues. We get the Nightcrawler one, which focused a little bit on Cypher. We get the Storm one obviously which, or I guess it was the Jean Grey one maybe- Justin: I think so. Alex: I honestly don't remember. Whatever it was, it was a Storm story and they're finally picking up on that. And we also get the [inaudible 00:24:31] one picking up with that as well and started to loop all of these disparate threads together. Justin, what did you think about this? Because you've been very, critical is probably the wrong word, but I would say dubious at least about [crosstalk 00:24:44]. Justin: Yeah, surprised just in general that these have been sort of off the main character standalone stories or seemingly standalone stories. But to your point where you were just saying, I do think this amounts to a lot, it feels like, I don't know if maybe it's faded in our minds because of how much has happened in the X universe since the Dawn of X. But so much of those first issues were about sort of the artificial intelligence that will eventually destroy not only the mutants but the humans and be the real enemy. If humans and mutants can get over their shit and face AI. Justin: And it feels like maybe this is the moment where it starts. That being in the world which the whole premise of the world is that it accelerates time, it accelerates evolution. They pull this techno organic virus that Storm picked up in a recent issue where they went into … what is the place they went into? Alex: The orcas, I think. Justin: Yeah. Orcas and The Children of the Vault is what I was trying to think of. And she pulls this techno organic virus, The Children of the Vault also a hyper evolving hyper time place, and takes it to this other even more pocket dimension where the time extends, it happens even faster. And I think that is the AI evolution that will eventually lead to some of the real monsters that the X-Men face in the Dawn of X issues. And the people we have at the end of this issue, sort of being there are Phantom X, Phantom X's sort of twin, I guess. And then a random dude from AIM. Alex: Yeah. And the other thing that's kind of messed up about it, particularly as of a fan of the character is Cypher and Warlock seem to know what's going on and seem to be kind of cool with it, which is not great. There's definitely been some weird, potentially dangerous stuff going on with Cypher and Warlock over the course of this entire run. And that certainly seems to be the clearest tip of the hat to what's happening here. So yeah, I 100% agree with you, Justin. This is like, I think the important thing, it's surprising you said Storm, because I think the important thing is to the overall plot of what is happening with the X-Men line since the very beginning, versus necessarily Storm. Justin: Yeah. It feels like a bigger thing. That's why I always say, “Don't trust the guy that speaks all the languages.” He's up at the bar, he's talking to the bartender, ordering you a weird drink because he knows too much. Alex: But yeah, good issue. Particularly if you've been reading these Giant-Size X-Men books, if you've read House of X and Powers of X, you really like those. I think this is a good thing to pick up on to kind of get potentially the ongoing story. Let's move out to Big Girls Number two from Image Comic story and art by Jason Howard. I think we were pretty into but a little reserved on the first issue of this book, takes place in a post apocalyptic world where women grow to gigantic size, men also grow to gigantic size, but become monsters and are attacking one of the last remaining cities. We've been following one of the so-called Big Girls who was fighting back against them. We get more fleshed out about the world, this issue. I like this issue a lot more personally, because of the details and the nuance that it added. How'd you guys feel? Pete: Yeah, this is good because it's like, all right, now we're kind of really getting understanding of who's who, where's what type of situation. Justin: Who's big, who's little. Pete: Yeah. Men are monsters, women are saving the world, it's great. I do think though that the kind of reveal at the end is really what's going to kind of take this concept and kind of push it. But the art's great, the action's phenomenal. It's a interesting world, so I'm excited for more. But I'm glad that and agree with Zalben that issue too kind of like solidify things a little bit better. Justin: Yeah, I agree. I mean, it's nice to sort of, like you're saying, Pete, see the sides of where everyone is. We have our main character who's a little bit dubious about the status quo. And then we have this sort of rebel faction in the back half that is maybe- Pete: Also I was a little worried about how slow that one main character was to pull the trigger to save that other person's life there. I was like, thought that would be a bigger issue and might come back. Alex: We'll have to see what happens. Justin: I love the double page spread in the middle of the book of our main Big Girl being operated on, and sort of repaired like really- Pete: Oh yeah, that was fun, some of the like- Justin: Cowgirl as she's known. Pete: Yeah. Alex: Very Gulliver in that moment. Pete: Yeah, Gulliver, and I was going to say like, Fraggle Rock reminded me of the dozers a little bit. Alex: Yeah. [crosstalk 00:29:49]. Justin: You say Fraggle Rock a lot, just in general. Pete: Down at Fraggle Rock. Down at Fraggle Rock. Alex: Down at Fraggle Rock. Justin: That's not a criticism, that's just an open ended statement. Pete: Every time I walk by a construction society, I want to take a bite out of it, what? Justin: Every time I walk past a pile of garbage, I want to talk to you. Pete: Yeah. Justin: You walk past a construction site and you're like, “What up dozers?” And they're like, “Get the fuck out of here.” Alex: We're trying to build radishes here, come on. Justice League number 53 for DC Comics written by Joshua Williamson and art by Xermanico. This is tying into Dark Nights: Death Metal. This arc is called Doom Metal, and focuses on one mission of … I think it's fair to call them sub Justice League members, slash- Justin: Woo, spicy. Alex: Yeah, I'm sorry. [crosstalk 00:30:43]. Justin: Shots fired. Alex: It's Detective Chimp. It's hot girl. She's a member of the Justice League. But they are going after Perpetua's throne. Pete, you raised your hand, what would you like to say? Pete: I would say cute start, what a touching adorable start. Little Robin trying to sneak up on Batman [inaudible 00:31:05]. Justin: Great. I guess I agree with Pete technically. But I do like- Pete: I mean the POV angles, it really was a kid looking up at these heroes. I thought that was such great attention to detail that really gives- Alex: This really is not helping my theory that you don't read beyond the first page or two, Pete. Pete: Okay, fine. Justin: That's one conspiracy theory I can get behind. Pete: How about they born on a Doomsday panel that was later your dick, that was awesome. Alex: I mean that was page four. Justin: Oh, he's flipping through the book right now. Alex: How about this thing at the last page that I just looked at. Justin: Yeah. You see this UPC code on the back cover? Woo, did not see that coming. That's how you buy the book, they scan it. Alex: What were you going to say, Justin? Justin: Ah, yes. I thought Pete was going to have a slight rebuttal. Pete: No, I'm just enjoying how much you guys enjoy shooting holes in everything I'm trying to do. Justin: Trying to do? Alex: Oh man. Justin: What are you going to do? Pete: I don't know, give my opinion, but apparently it's not good enough because it only is stuff that happens in the beginning. Alex: It's a very good opinion. It's a very good opinion. I'm just doing a classic comic book club La Zalben. Justin: That's why they call him Alex La Zalben. I agree with Pete. There's a lot of fun of this book. I love this sort of … it feels like a side quest in a fantasy game or a fantasy series in a fun way. I could read a lot of this Death Metal stuff for maybe a long time. It's fun. [crosstalk 00:32:48]. Alex: It's surprising, right? Justin: Yeah. Alex: Because it's silly. Pete, you did bring up the born on a Doomsday, [inaudible 00:32:56] who are also Doomsdays, it's the sort of thing where you get to this point you're like, “This is so stupid, but it works at the same time.” It's just mashing your toys together, that's all it is. But they're having such a good time with it. It's fun to read. Justin: Aaron and Garney arm falls off, you put a Doomsday on. Alex: Exactly. All right. Let's move on to Seven Secrets number two from Boom! Studios written by Tom Taylor and art by Daniele di Nicuolo. We really like the first issue of this though. I think there's a little criticism from some of us about the end perhaps being a little confusing or not sure where it was going necessarily. But it is about a world where there's a secret society. They hold seven secrets. We're focusing on one character who's part of that, who is the son of two of the characters who hold two of those secrets. At least one of those characters dies in the last issue. And that there's a big villain who's trying to take them all down. We flash back this issue and get an origin. I thought not only was this issue great, but the cliffhanger was superb. One of the best that I've read in a really long time, the last sentence of the book, and made me even way more into this book than I was before. Pete: Wow. I read that like last part and was like, “Oh man, that's more heartbreaking than we need. You didn't need to do that at the end.” But I agree, this is information that we needed and it's important. Moving forward I'm glad they kind of took a breath to give us this kind of flashback type of thing. Yeah, I'm really into this book now. This issue got me more hyped about it. Justin: Yeah. Especially in an issue that felt like he was laying a lot of groundwork, it felt like sort of an exposition issue. A lot of like sort of drama in the King's court style drama. And then to end on that emotional, just build up to that last panel was really well done. Pete: I can't even look at … I'm sorry. Alex: No. All I was going to say was that I'd be really fascinated to hear how Tom Taylor structured this, because it almost feels like you have this very Harry Potter sort of training section that potentially would come first. Then you go out to the inciting incident, which is the thing where the society gets messed up. And then you follow through from there, but he flipped it. He went from first issue, the second issue and he reversed the order of them and it works so well, it's very, very smart. Justin: Yeah. The words I was trying to come up with earlier were palace intrigue. This issue is so much palace intrigue, and ending on a real strong emotional beat. Pete: I was just going to say that I can't look at a gold little ducky without getting choked up anymore. Alex: Oh man, sad stuff. Let's move on to something that probably creeps you the fuck out, Pete, the Immortal Hulk number 37 from Marvel- Pete: Oh, Jesus Christ. Alex: … written by Al Ewing Alan and art by Joe Bennett. The door is finally open. We finally know who the big villain of this book is. It's the leader of course. Pete: Yeah, of course it is. Alex: Or maybe it is. There might be something behind that. But the leader is looking to manipulate the green door the way that the Hulk and other gamma radiated heroes have been resurrected constantly, hence the Immortal Hulk of the title. While the Hulk is outside fighting in the real world, the leader is inside this hellscape or whatever is going on there. He has taken over Rick Jones. He has taken over … who's the second one he's taken over? I don't remember. Oh, he's taken over the irradiated guy, whatever the irradiated guy from the early on the run. Pete: Yeah, from the [crosstalk 00:36:57]. Alex: And there's nobody else that he's taken over as well that he hits at, we don't know who that is yet. But, oh God, I cannot say enough about how terrifying it is to read every issue of this book. Pete: Yeah, it's too much, man. It's too much. It's gone too far. It's gone too far. Justin: I love this book and the way, the sense of dread that's been building from issue one and it just keeps extending to end, not only with the writing, but the art, despite all of the body, just disaster that's happening on all these pages. You still get references too older Hulk artists. The last page feels like right out of the Hulk history, and so much of it, it feels just so big, every issue big and horrifying, just like I want everything to be. Alex: This is a very meta way of looking at it, but it is very exciting to be reading an all timer. You don't get that often when you're reading a book, but you read this book and you're like, “This is a Hulk run that people are going to talk about for decades.” This is going to be talked about in the same breath as Peter David's run, as the original run, as all these other classic runs of a Hulk and other characters. And I don't know how this is going to add up, I don't know where this could go. But being in the middle there between Al Ewing's writing and Joe Bennet's art, which is like Cronenberg-esque in exactly the right way. It's very exciting to read every issue of this book. Pete: Yeah, 100%. Alex: Great. Thanks. Glad you agree, Pete. Just [inaudible 00:38:50], no thanks. Pete: Well, I mean, I'm glad you guys are having fun. Alex: That's nice. Justin: Pete's scared. Pete: This is a horror book with one of my favorite characters, so you guys enjoy your time, I'll wait until we get Hulk. Justin: Is there another book you could read where the Hulk does something like, I don't know, like smash. Pete: No, I don't think there is. [crosstalk 00:39:13]. Alex: Dryad number five from Oni Press written by Kurtis Wiebe illustrated by Justin Osterling. I'll give a little pluggy plug here. Go check out our bonus episode where we talk to the team behind this book in the comic book club feed, it was a blast and a pleasure to talk to them about the last issue of the book, as well as the run. But Dryad number five, we have our main characters now in the city, they are battling folks, they are trying to figure out what's going on, the kids have no idea. There's a big twist as usual towards the end of this issue. What'd you think about this one? Justin: This book continues to go its own way. You cannot predict the storytelling here and it's fully into sci-fi, big sci-fi, Blade Runner-esque, corporate intrigue. And did not see that coming, curious with some still fantasy elements popping through. But it's one of the few books I feel like we read where it's like, “I have no idea where we're headed.” Pete: Yeah. It's very interesting. Each issue is kind of like its own thing, and what's great is you don't know what you're going to get when you pick up this book, but it continues to tell a story just somehow more creatively in different ways. It's impressive to kind of see this thing move forward. I continue to be impressed by the art and the storytelling. This one, we get a lot more action. And then some of the stuff that Zalben likes at the end, but like it's … Alex: What does that mean? Pete: You know what I'm talking about, that hot tub shit at the end, got a little weird that you're into. Alex: What? No, come on, Pete. I mean, that was pretty hot. Justin: I mean, I love a hot tub. I wish there was another book you were talking about [crosstalk 00:41:07]. Alex: You know what's best about that is the hot tub scene. The hot tub scene being cut between the guy who had his legs blasted off, I was like, “Fuck yeah. Give me more of that, inject that into my veins.” No, it was good, that was fine. That was a good Ted scene and fleshed out more about the world, but I'm way more into what's going on with the kids and what's happening at the end. Great, great stuff. Alex: Catwoman number 25 from DC Comics written by Ram V, an art by Fernando Blanco. This is a bunch of different things. This is tying into the Joker War. Almost an essential chapter of it, as we find out what Catwoman does with Bruce Wayne's money. But also setting up a new classic status quo for Catwoman that I thought was great. I like this book across the board. I had a little burp there at the end, I'm sorry. Justin: How dare you. Pete: Okay. I really love the amazing flashback sequences with the kind of tiger stuff that was almost like this orangest type painting kind of thing, that was really cool. Plus the way they kind of drew the action with Catwoman was really a lot of fun, where you're kind of on the same page, you see her kind of doing different moves. To me that's kind of like old school comic book style and I really enjoyed that. Justin: We talked about this a little- Pete: I also burped at the end, that was weird. Justin: That is weird you guys, gas management, gas management bros. Alex: Justin has covered for you. Justin: No, I am fully in charge. Pete: Oh God. Justin: I think we talked about this a little bit earlier when we were talking about the Batman books. But I want some resolution on the Batman Catwoman relationship, because it feels like we've been in this space because of whatever happened with changing up the creative teams when they did. We're in this place where it's like, wait, she's just moving his money around and sort of not hanging out, what's the deal? Want to know about their relationship. But aside from that sort of unrelated bother, this was an essential chapter I think. Seeing Catwoman doing this makes you understand the main story a lot more for the Joker War. Alex: Yeah, I agree. All right. Let's move into a little part of the show. And this is the end of the show here, which I like to call the Pete sandwich. And the reason I call it the Pete Sandwich is because we got a book Pete really wants to talk about, three books Pete does not want to talk about, and then a book Pete wants to talk about. Pete: Yeah, sandwich. Alex: Pull back the curtain a little bit. But let's get to it. Justin: And the best way to eat a sandwich is you start with the piece of bread that you really like, then you eat the middle, and then you get to the other piece of bread, which is the other thing you really like. Pete: Bread's nice, man. Sometimes nice, fresh bread makes everything better. Justin: You just mash the sandwich bread first into your face and chew your way up. Alex: Whenever I go to a deli, I'm like, “Hey, I'll have a Italian Hero. Then take the Salami and the pepperoni and the Capocollo, you throw that out, [inaudible 00:44:20] you throw that out.” Justin: Capocollo, I love it. Alex: You get rid of it. [crosstalk 00:44:24]. Justin: Just some slightly oily bread. Alex: [crosstalk 00:44:28], no, you put it out there and you throw it out. I don't like it. Oil and vinegar, you throw it out. Once & Future number 11 from Booms! Studios written by Kieron Gillen and illustrated by Dan Mora. Holy shit, the end of this issue is fucking insane, not to curse too much. But they have been fighting Grendel of the Beowulf myth, they took care of Beowulf. This issue, they fight, they take care of Grendel. You can kind of see where this is going. You know where this is going. But the way Dan Mora draws this is so horrific and so perfect. This issue is great. I like this series anyway, but this is one of my favorite issues in a while. Pete: Yeah. This is really just kind of back to what started this thing and made us love it so much, just unbelievable action. This amazing grandmother in the heart of it. I can't, I mean, if you don't like this book, I don't know what to tell you. This to me is great comics, unbelievable art, unbelievable storytelling. The action and violence is mwah, chef's kiss, just fantastic. I'm having so much goddamn fun with this book. Justin: Yeah. Shout-out to our interview with Kieron Gillen, where we talked about this book a lot. Because it really informs a lot of the process and it makes it so much richer to read this book, hearing him talk about it. Because you get to see in this issue the story that they're sort of caught up in and fighting catch up with them simultaneously. It feels like they've been sort of alongside the story or ahead of the story a little bit. And this last panel, last couple of panels or pages, you really see the story come up and be like, you're done, we got you here. And that's really satisfying to see on top of the fact that it's just a great action story and sequence and wildly bloody in a fun way. Alex: Yeah. So good. This is just great. Let's move on to the … sorry, I got a little sick there even thinking about a Capocollo of the stack. X-Men number 12 from Marvel Comics written by Jonathan Hickman and art by Leinil Francis Yu. In this issue- Pete: What the fuck? What the fuck is going on? Justin: Uh-oh. He's in [crosstalk 00:46:58]. Alex: This is a classic. Pete: No, no, no, no, no, this, okay, all right, fine. You're going to have fuck island, you're going to … you can't keep adding crazier shit on top of crazier shit. Alex: No, man. This is classic- Pete: You have to deal with it, you can't keep just fucking adding crazy shit. Justin: Can't you? Pete: How did Hickman say … how did he pitch [inaudible 00:47:22]. Okay guys, I'm going to change X-Men forever. And just when you think it can't get crazier, I'm going to keep adding crazier … I'm not going to deal with that, I'm just going to keep going to crazy town and then walk away. Alex: The reason I said this was the Capocollo is because it has the surprising, sliced peppercorns in the middle where you're like, “Whoa, where did that come from?” Justin: Woo, spicy. Alex: Yeah, classic X-Men book. As we all know, Apocalypse originally came from the dimension of our Rocco separate Island next door to- Pete: What the fuck. Alex: That has since had sex with and enjoyed with [inaudible 00:47:59]. His grandchildren have kept on his legacy. There is the opposite of apocalypse, the evil apocalypse, because as we all know, the apocalypse is good now. Justin: Famously heroic. Pete: What is happening? Alex: I don't know. Pete: This doesn't make any sense. Alex: This is definitely like, it's funny to read this after the past couple of the issues where Jonathan Hickman was like, “I don't know, [inaudible 00:48:26] is killing shit out of the moon or whatever,” I don't know what's going on. This is fun. They're just killing some plants. We're having a good time, isn't this fun? Pete: Is he throwing darts at a board? Alex: Yeah, this is fun [crosstalk 00:48:35]. He's like, “Did you forget that I'm Jonathan Hickman?” [crosstalk 00:48:43]. Justin: I think I can shout out everyone's favorite panel from this issue, for everyone's favorite page, excuse me. The info page sort of two thirds the way through where we list the [inaudible 00:48:54]. And it's an infographic where we find out about the summoners from the school of [inaudible 00:49:01], this world that we just invented and arrived at, and how you can either be a shitty summoner, a decent summoner or a kick ass summoner. And can summon Pete, this [inaudible 00:49:12] is fun. You can summon our hoard of elementals, and up to three major [inaudible 00:49:17]. Alex: It is wild that at the course of one issue Jonathan Hickman is like, “Oh yeah, Apocalypse had a wife and also a evil opposite Apocalypse who is going to kick off his Ten of Swords type thing or whatever, because there's all these powerful swords. It's not big deal. Anyway, let's go into a hole, it's all good.” And then it picked up this random game that he introduced and that got away from in the last issue is insane. Justin: Yeah. And he's like, “Oh, don't worry. In case you're of worry this isn't an X-men book focused on the heroic X-Men, don't worry because we got Banshee and Unus the Untouchable coming along for the ride.” Alex: Also they're all mutants and one of their powers is to never lose, which is crazy. Justin: That's a hell of a thing to say. Alex: Yeah. I mean, this is saying a lot. This was the most Jonathan Hickman issue of X-Men so far. Justin: I mean, it's a full on fantasy story at this point. That's why I think this issue is a real, is pointing us to what Ten of Swords is going to be, and it's going to be this. It's going to be epic grand scale battles with people and places that we don't know too much about and may never.” Alex: But that's okay. Well, all I'm going to say is, I've been enjoying this enough and this has been crazy enough that I'm willing to follow them down this rabbit hole into your insaneville that I don't understand. Justin: 100%. Alex: But I also think … Hold on. Pete, I do want to hear what you have to say, but the only thing that I want to say is you think back to nineties, two thousands, X-Men they were like, “Oh yeah, there's a mega level mutants. Oh yeah, now there's externals.” All of these things that we 20, 30 years down the road are like, yes, yes, that's part of canon and I get that and I understand that. That's what they're doing right now. That's what he is doing is he's adding in these insane details to the X-Men Mythos that decades down the road we're going to be like, “Yes, I remember that. That is Arakko. That's what happens there.” Justin: Alex, what are you crazy? Immortal mutants that don't know they're immortal that's normal. Ten Swords, that's insane. Can you imagine Ten Swords? Alex: You're right. I'm sorry. That's too bad. I apologize. Pete: I just want to start by saying I'm not willing to follow them into this crystal anus that they're walking into. All right. This is too insane. It's not an X-Men book. I don't know what the fuck's going on anymore. Justin: I guess I'm changing your birthday plans, Pete, because it's very similar to that. Pete: Okay. Well, I have no idea what the fuck is happening, who fuck is doing what. Cool. I'm glad people are having fun, but wake me when the X-Men show up. Alex: I don't usually like to talk about further episodes of The Stack, but next week we're going to be reading Dawn of X of Swords, Enter the Crystal Anus number one. And I hope you're going to read it, Pete. Justin: I have a feeling you're going to love it. I feel bad because the Crystal Anus is on my favorite bars in Brooklyn and it closed because of COVID. Pete: Oh, it's too bad. Alex: All right, let's move on to the … let's say salami of this particular Stack. Faithless number two, number four- Pete: Here we go. Alex: … from a Boom! Studios written by Brian Azarello and art by Maria Llovet. I feel like we were a little down on the last issue of Faithless. Justin, I'm talking specifically to you because Pete doesn't want to talk about this at all. This issue I thought was very good. This is, Faith finally shows off her art. She goes on a tour of Turin I believe, with maybe a demon or a fallen angel or something like that. Very weird, very dark. What were you going to say? Justin: I was going to say, I feel like what we've been talking about is it feels like this book has been spinning its wheels for a couple of issues where it's like, “We get it. She's an artist.” There's all these like dark clouds gathering around her with demonic intentions. But I think this issue, especially the back half for the back third, we get sort of what the book is about a little bit. And it's about her being this conduit through sex to connect with ghosts and sort of use them in her art. And that feels, knowing that is great, is helpful to maybe giving her a power in the story to guide it as opposed to just be this innocent washed up in all this chaos. Alex: Yeah. I mean it's interesting because it's kind of a battle for her soul type thing, right? They've been pretty clear about that, it's [inaudible 00:54:12] et cetera. But you have this master artist who is coming in, who is encouraging to go further in the darkness, versus she has this guy who comes out of the devil's door, but he's good in a way, he inspires her to be better. But it's fascinating, this is … Pete, you must've loved this issue, right? Justin: The devil's door was actually the back entrance to the Crystal Anus and again it closed forever. Pete: Yeah. I mean, what sucks is I thought we were going to kind of get away from all the madness a little bit and then it's like, “Oh, this is a nice date.” But then it's like, “Oh yeah, of course the dead person with an open head wound is going to still get some, because this is a fucking weird ass book.” Alex: It gives you hope though, right? If you ever [inaudible 00:55:03]. Pete: Yeah. I had a little hope and then the douchebag showed up at the end again. Alex: No, I mean if you ever get a head wound, you might still be on the market. Pete: Yeah, still bangable. Yeah, it's true. Just because you got an open head wound doesn't mean you still can't get some I guess is the moral- Justin: That's the spirit. Alex: That's what it says on my Tinder profile. Justin: Alex, you've been married for so long, you got to shut that Tinder profile down. Alex: I did actually not to veer into a true story. I don't think we're married yet, but we're definitely for like- Pete: How the fuck. Alex: No, I had a Nerve profile and four years into dating my wife right before I proposed to her I was featured on nerve as a single. And I was like, “Oh shit, oh no.” Pete: That's hilarious. Justin: Bummer, metal pocket the ring for a couple of weeks. Alex: Yeah. I honestly went on only like three or four dates before I shut it down off of that. But yeah, then we got married. Justin: That's a beautiful story and was a great toast at your wedding by the way. Alex: Thank you. All right. Let's move on to the serrano ham of The Stack. The Amazing Spider Man- Justin: Oh, this is a high-Class sub. Alex: It's a good sub. It's a brooklyn style sub. The Amazing Spider-Man, Sins of Norman Osborn number one from Marvel Comics written by Nick Spencer and art by Federico Vicentini. This is another essential chapter of the storyline it feels like, that I don't understand why it's a one shot other than them trying to maybe hit the timing right for anniversary issues or something. But Spider-Man is trying to save Norman Osborn. The spider family is trying to decide whether to stop him or not from the Sin-Eater. I thought this was very good. I've been liking this storyline quite a bit. Justin: I mean, I agree. I've been loving the Sin-Eater stuff, like such a departure from what Nick Spencer was doing before. This storyline is wild. There's so much happening here touching on a ton of continuity- Alex: So much stuff. Justin: The fact that the Sin-Eater kills negative man, and then adapts his powers, it's like, oh, you have to know, you have to have been reading Spider-Man for a long time to know what the fuck is happening. Pete: Yeah. Also it's just so much like stuff that you're like, oh, that could have been an ending, oh, that could have been an ending. And then the whole juggernaut thing is just such a couple panels that could have been such a huge thing. I was just really surprised at how much shit is jam packed in this issue and what the actual like oh shit reveal at the end is. There's just so much stuff packed in here, it's kind of surprising a little bit. Alex: Yeah. But it's a good issue, particularly if you've been reading Amazing Spider-Man, definitely pick this one up. Last one, back to the bread as we expected. Head Lopper number 13 from Image Comics story and art by Andrew Maclean. Pete, I got to say, there is no head lopping of this boo
Join me in todays episode where I interview Joe Bennet, more commonly known as the hypertrophycoach. We discuss all things muscle building around the lockdown and the equipment or lack of you may have. Throughout the episode Joe does a fantastic job at putting across his views in strictly laymans to developing their physique.A truly humble man and throughout the episode there are numerous examples of how passionate he is about helping others. This is evident not only in how he speaks but also the invaluable content he produces for FREE on a daily basis.@hypertrophycoach@vwphysiquewww.hypertrophycoach.comwww.vwphysique.com
En Zona Negativa queremos unirnos al movimiento Quédate en casa. Os proponemos pasar la cuarentena en nuestro club de lectura comiquera. En este programa hablaremos de Inmortal Hulk, de Al Ewing y Joe Bennet y al final del programa os diremos cuál será la lectura para el programa de mañana. Colaboradores: Nacho Teso, Raúl López, Igor Álvarez y Raúl Gutiérrez. Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!
En Zona Negativa queremos unirnos al movimiento Quédate en casa. Os proponemos pasar la cuarentena en nuestro club de lectura comiquera. En este programa hablaremos de Inmortal Hulk, de Al Ewing y Joe Bennet y al final del programa os diremos cuál será la lectura para el programa de mañana. Colaboradores: Nacho Teso, Raúl López, Igor Álvarez y Raúl Gutiérrez. Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!
Intro Hello and welcome to All Comics Considered, the comic book podcast with a heart of gold. Tonight, our madcap hosts talk about some of the books they’re reading that you, dear acction hero, should also go into? Pulls Marty The Other Side W: Jason Aaron A: Cameron Stewart Kree Skrull War W: Roy Thomas A: Sal Buscema Cable W: Gerry Duggan, A: Phil Noto Nick Hox Pox W: Jonathan Hickman A: Pepe Larraz A: R.B Silva Immortal Hulk W: Al Ewing, A: Joe Bennet Avengers Academy W: Gage, A: McKone Tim Strikeforce W:Tini Howard A: German Peralta
Today’s episode guests the incomparable hypertrophy coach, Joe Bennett; he joins Charlie as they explore the nuts and bolts of training, bodybuilding, and so much more. Tune in to get to know the gist of how to standardize volume, the importance of time under tension, and why splits are not that big of a deal. Joe also mentions the pros and cons of social media in the bodybuilding industry. By the end of this episode, you will also find out the three major things that Joe wishes he knew when he started his career. “People don’t standardize volume, reps, and sets. At the end of the day, results matter.” - Joe Bennett In this episode: How he got into bodybuilding and training Biggest influences in his career Joe’s thoughts about training His process in handling a client’s training Resources: Men’s Program Shreddin8 - www.shreddin8.com Women’s Program Sculptin8 - https://sculptin8.com/homeworkoutprograms Book Your Discovery Call Here Connect with Joe Bennett: Website - https://www.hypertrophycoach.com/ Facebook - https://www.facebook.com/hypertrophycoach/ Instagram - https://www.instagram.com/hypertrophycoach/ YouTube - https://www.youtube.com/c/HypertrophyCoach Connect with Charlie Johnson: Website - https://www.charliejohnsonfitness.com/ Facebook - https://www.facebook.com/CharlieJohnsonFitness/ Instagram - https://www.instagram.com/charliejohnsonfitness
Al Ewing, Chris Claremont, Joe Quesada, Allan Heinberg, Jimmy Cheung, Dan Slott, Marcos Martin, Tom DeFalco, Ron Frenz, Kelly Sue DeConnick, David Lopez, Pepe Larraz, Jason Aaron, Goran Parlov, Kurt Busiek, Cameron Stewart, Phil Lord, Christopher Miller, Javier Rodriguez, Peter David, Adam Kubert, Jeph Loeb, Tim Sale, Kieron Gillen, Doug Braithwaite, Rob Liefeld, Kathryn Immonen, Stuart Immonen, Jonathan Hickman, Dustin Weaver, Jeff Lemire, Gerry Duggan, Chris Samnee, Patrick Gleason, Roy Thomas, Rod Reis, Charles Soule, Steve McNiven, Toby Whitehouse, Alan Davis, Al Ewing, Daniel Acuña, Jesús Saiz, Ron Garney, Leonardo Romero, Christian Ward, Cory Smith, Mike Deodato, Steve Epting, Carlos Pacheco, Joshua Cassara, CAFU, Adam F. Golberg, Adam Riches, Ryan North, James Harren, Kareem Abdul-Jabbar, Raymond Obstfelds, Mattia De Iulis, Tom Taylor, Juann Cabal, Gail Simone, David Baldeón, David F. Walker, JJ Kirby, Jim Zub, Nick Bradhsaw, Chip Zdrasky, Eve L. Ewing… (Un segundo para coger aire, por favor…) (Sigue) Neil Gaiman, Mark Buckingham, Joe Michael Strazcysnki, Ed McGuinness, George Perez, Brad Meltzer, Juan Totino Tedesco, Mark Waid, John Cassaday, Joe Hill, Mike Allred, Walter Simonson, Taboo, Jeffrey Veregge, Alex Ross, Erik Larsen, James Monroe Iglehart, Oscar Martin, Jeremy Whitely, Irene Kom, Saladin Amhed, Steve Rude, Glen David Gold, Chris Mooneyham, Derek Landy, Paco Medina, Tini Howard, Kia Asamiya, Rainbow Rowell, Kris Anka, Donny Cates, Geoff Shaw, Matthew Rosenberg, Leinil Francis Yu, Jen Bertel, Ed Brisson, Jorge Fornés, Jason Latour, Joe Bennet, Patrick Zircher, Phil Noto, Salvador Larroca, Eduardo Risso, Leonard Kirk, Kelly Thompson, Gerry Conway… O lo que es lo mismo, Marvel Comics #1000
Al Ewing, Chris Claremont, Joe Quesada, Allan Heinberg, Jimmy Cheung, Dan Slott, Marcos Martin, Tom DeFalco, Ron Frenz, Kelly Sue DeConnick, David Lopez, Pepe Larraz, Jason Aaron, Goran Parlov, Kurt Busiek, Cameron Stewart, Phil Lord, Christopher Miller, Javier Rodriguez, Peter David, Adam Kubert, Jeph Loeb, Tim Sale, Kieron Gillen, Doug Braithwaite, Rob Liefeld, Kathryn Immonen, Stuart Immonen, Jonathan Hickman, Dustin Weaver, Jeff Lemire, Gerry Duggan, Chris Samnee, Patrick Gleason, Roy Thomas, Rod Reis, Charles Soule, Steve McNiven, Toby Whitehouse, Alan Davis, Al Ewing, Daniel Acuña, Jesús Saiz, Ron Garney, Leonardo Romero, Christian Ward, Cory Smith, Mike Deodato, Steve Epting, Carlos Pacheco, Joshua Cassara, CAFU, Adam F. Golberg, Adam Riches, Ryan North, James Harren, Kareem Abdul-Jabbar, Raymond Obstfelds, Mattia De Iulis, Tom Taylor, Juann Cabal, Gail Simone, David Baldeón, David F. Walker, JJ Kirby, Jim Zub, Nick Bradhsaw, Chip Zdrasky, Eve L. Ewing… (Un segundo para coger aire, por favor…) (Sigue) Neil Gaiman, Mark Buckingham, Joe Michael Strazcysnki, Ed McGuinness, George Perez, Brad Meltzer, Juan Totino Tedesco, Mark Waid, John Cassaday, Joe Hill, Mike Allred, Walter Simonson, Taboo, Jeffrey Veregge, Alex Ross, Erik Larsen, James Monroe Iglehart, Oscar Martin, Jeremy Whitely, Irene Kom, Saladin Amhed, Steve Rude, Glen David Gold, Chris Mooneyham, Derek Landy, Paco Medina, Tini Howard, Kia Asamiya, Rainbow Rowell, Kris Anka, Donny Cates, Geoff Shaw, Matthew Rosenberg, Leinil Francis Yu, Jen Bertel, Ed Brisson, Jorge Fornés, Jason Latour, Joe Bennet, Patrick Zircher, Phil Noto, Salvador Larroca, Eduardo Risso, Leonard Kirk, Kelly Thompson, Gerry Conway… O lo que es lo mismo, Marvel Comics #1000
El programa de hoy, gira en torno al "negro" en sus variadas connotaciones. Desde los 60's con Los Beatles y su tercer disco "For Sale" con el tema "Baby´s in black" del año 1964, atravesando las décadas siguientes junto al rock pesado que nos supo dar ACDC y llegando hasta el nuevo siglo de la mano de Calamaro y compañía. Además la tercera parte del especial de los Bee Gees. En los programas anteriores repasamos su primera época, el surgimiento, en la segunda ahondamos quizás en sus canciones más lindas aunque con no tanto éxito, y, en esta tercera, su etapa más Disco. Entre otros, sonaron temas de: Joe Bennet and the Sparkletones Los Bravos Rolling Stones AC/DC Amy Winehouse The Hollies Elvis Presley Charly García Virus Loquillo, Urrutia, Bunbury & Calamaro Especial Bee Gees
Cette semaine on part pour des aventures enflammées dans l’espace afin d’élever un bébé violet et changer l’histoire de la galaxie. Tout ça avec une Francis Château plus dangereux que jamais dans Cosmic Ghost Rider. Mais avant ça comme d’habitude une petite salve de news :-Le 1er trailer du film Joker de Todd Philips-Le retour d’une série Doom Patrol chez Vertigo-Urban qui change encore sa formule de kiosque-Et nous qui vous proposons de voir Avengers Endgame avec nous On passe au sujet de la semaine : Cosmic Ghost Rider! Attention l’épisode contient pas mal de spoilers sur le statut actuel du Punisher !Franck Castle a pas mal changé ces derniers temps, il a réussi à négocier avec l’enfer pour devenir le démon de la vengeance et avec Galactus pour devenir un de ses Héraults et obtenir des pouvoirs cosmiques, c’est pourquoi il est devenu le Cosmic Ghost Rider.Ce comics de Donny Cates et Dylan Burnett est un peu la suite direct du récit du même scénariste sur Thanos (que Charlie vous conseille fortement de lire). On se retrouve dans une histoire endiablées où pleins de personnages haut en couleurs vont essayer de mettre des bâtons dans les roues de Franck Castle qui a décidé qu’il devait remonter dans le temps pour élever lui-même un bébé Thanos afin qu’il ne devienne pas le vilains qu’on connait.En plus de ce titre, nous vous avons donné notre avis sur Immortal Hulk d’Al Ewing et Joe Bennet. Une bd sympathique mais qui met un moment à se lancer, ce qui donne un tome 01 assez mitigé. Petit rappel : Si vous êtes sur Montpellier le 25 avril, nous vous proposons de voir Avengers Endgame avec nous. Si ça vous intéresse inscrivez vous sur l’événement Facebook que nous avons crée.Dont voici le lien : https://www.facebook.com/events/786833198370318/ Si vous habitez sur Montpellier, que vous êtes disponible le lundi de 18H à 19h , n'hésitez pas à nous contacter à: contact@comicsdiscovery.fr peut être rejoindrez-vous notre équipe. Vous pouvez nous retrouver sur nos reseaux sociaux :Facebook : https://www.facebook.com/ComicsDiscovery/Twitter : https://twitter.com/comicsdiscoveryInstagram : https://www.instagram.com/comicsdiscovery/ Vous pouvez nous écouter sur :Spotify : https://spoti.fi/2Qb8ffDAusha : https://podcast.ausha.co/comicsdiscoveryItunes : https://apple.co/2zw9H1QDeezer : https://www.deezer.com/fr/show/55279 Sans oublier le replay en vidéo sur :Youtube : https://www.youtube.com/c/ComicsDiscovery Si vous voulez nous soutenir vous pouvez le faire sur :Tipeee:https://fr.tipeee.com/james-et-faye Et pour retrouver tout notre contenu vous avez nos sites web :ComicsDiscovery : http://comicsdiscovery.fr/Nos autres productions: http://jamesetfaye.fr/ Bonne écoute et à la semaine prochaine.
Back a bit sooner than predicted. We're starting up a new feature telling you all about our favorite web links. This episode, a review of tikibartv.com, my favorite internet TV show.Featured Artists: Toots and The Maytals, Pirate Dreams, Changes in Latitudes, The Cocabanana Band, Joe Bennet, NEW Jimmy Buffett and Sammy Hagar.EnjoyClick To Get #4
If you like this show, support it - https://members.majorspoilers.com/subscribe Share your thoughts about this episode - http://wp.me/p8YAd-1yU8 This week on the Major Spoilers Podcast: It’s a love story with BDSM themes! This week we take a look at Sunstone volume 1, Gotham Academy and Lumberjanes crossover, Gutter Magic #3, Heroes: Godsend #1, the Batman v Superman Dr. Pepper comic book, and House of Cards Season 4. Plus we ponder the question, “The Far Side or Calvin and Hobbes?” Save 10% on a new subscription to Loot Crate by going to www.lootcrate.com/Spoilers and using the code Spoilers Get involved with the Major Spoilers Podcast Network LINK NEWS Gotham Academy and Lumberjanes crossover this summer http://majorspoilers.com/2016/03/08/solicitations-gotham-academy-lumberjanes-crossing/ REVIEWS STEPHEN Gutter Magic #3 (of 4) Writer: Rich Douek Artist: Brett Barkley Publisher: IDW Publishing It's mayhem in the skies of Manhattan as Cinder and Blacktooth steal an airship to track down the elusive Oppenheimer. The only thing in their way is a vengeful sorceress, her legion of minions, and a rampaging dragon! MATTHEW HEROES: GODSEND #1 Writer: Joey Falco Artist: Roy Alaan Martinez Publisher: Titan Comics This 5-part story arc focuses on Farah from Heroes Reborn, delving into her past as we find out how she became the woman she is today. The story begins while Farah is a student in New York City in 2001 and terrorists destroy the World Trade Center... Life for the world and Farah will never be the same again... And how will she cope with discovering her camouflage powers? RODRIGO Batman v. Superman Dawn of Justice Doctor Pepper promotional comics Cristos Gage, Joe Bennet. ASHLEY HOUSE OF CARDS SEASON 4 In an election year, the stakes are now higher than ever, and the biggest threat they face is contending with each other If you want to suggest a trade paperback, you need to send an email to podcast@majorspoilers.com. That suggestion will go into the hopper and at least once a month, we’ll pick a number of suggestions for you to vote on, and at the end of the polling period, the book with the most votes will get the Major Spoilers Podcast treatment. DISCUSSION: Sunstone Volume 1 Two women deal with modern themes of sex, relationships, and fetishism in this erotic romantic comedy. So beware all who enter, because, to quote a few hundred thousand readers on DeviantArt: "I'm not into BDSM...but this story...I get it." Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. The Major Spoilers Store is located at majorspoilers.bigcartel.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!
If you like this show, support it - https://members.majorspoilers.com/subscribe Share your thoughts about this episode - http://wp.me/p8YAd-1yU8 This week on the Major Spoilers Podcast: It’s a love story with BDSM themes! This week we take a look at Sunstone volume 1, Gotham Academy and Lumberjanes crossover, Gutter Magic #3, Heroes: Godsend #1, the Batman v Superman Dr. Pepper comic book, and House of Cards Season 4. Plus we ponder the question, “The Far Side or Calvin and Hobbes?” Save 10% on a new subscription to Loot Crate by going to www.lootcrate.com/Spoilers and using the code Spoilers Get involved with the Major Spoilers Podcast Network LINK NEWS Gotham Academy and Lumberjanes crossover this summer http://majorspoilers.com/2016/03/08/solicitations-gotham-academy-lumberjanes-crossing/ REVIEWS STEPHEN Gutter Magic #3 (of 4) Writer: Rich Douek Artist: Brett Barkley Publisher: IDW Publishing It's mayhem in the skies of Manhattan as Cinder and Blacktooth steal an airship to track down the elusive Oppenheimer. The only thing in their way is a vengeful sorceress, her legion of minions, and a rampaging dragon! MATTHEW HEROES: GODSEND #1 Writer: Joey Falco Artist: Roy Alaan Martinez Publisher: Titan Comics This 5-part story arc focuses on Farah from Heroes Reborn, delving into her past as we find out how she became the woman she is today. The story begins while Farah is a student in New York City in 2001 and terrorists destroy the World Trade Center... Life for the world and Farah will never be the same again... And how will she cope with discovering her camouflage powers? RODRIGO Batman v. Superman Dawn of Justice Doctor Pepper promotional comics Cristos Gage, Joe Bennet. ASHLEY HOUSE OF CARDS SEASON 4 In an election year, the stakes are now higher than ever, and the biggest threat they face is contending with each other If you want to suggest a trade paperback, you need to send an email to podcast@majorspoilers.com. That suggestion will go into the hopper and at least once a month, we’ll pick a number of suggestions for you to vote on, and at the end of the polling period, the book with the most votes will get the Major Spoilers Podcast treatment. DISCUSSION: Sunstone Volume 1 Two women deal with modern themes of sex, relationships, and fetishism in this erotic romantic comedy. So beware all who enter, because, to quote a few hundred thousand readers on DeviantArt: "I'm not into BDSM...but this story...I get it." Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. The Major Spoilers Store is located at majorspoilers.bigcartel.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!
Fantastic Four Vol.3 #43 (Fantastic Four #472) from July 2001. "And the Walls Came Tumbling Down" by plotters Carlos Pacheco and Rafael Marin, scripter Jeph Loeb and guest artist Joe Bennet.
Espeluznante semana de LO MAL. Empezamos con Forever Evil #3, que llegaba al momento de empezar a contar algo y se ha destapado como un número de relleno. La trama apenas avanza, David Finch está flojísimo... Mal, mal, mal. J.M. Strackzynski lanza nueva colección en Image llamada Protectors Inc. Perpetra el cómic al dibujo Gordon Purcell. Y ambos se llevan la mención a la pedorreta de la semana. Strac se copia a sí mismo y vuelve a contar la historia de un grupo de personas normales que sin saber cómo adquieren superpoderes y se lían a palos entre ellos. Es como rehacer Rising Stars pero mal. Y Rising Stars era muy de los 90, así que realmente se han esforzado por hacerlo mal esta vez. Tampoco os creáis que Marvel se libra. Iron Man #18 de Gillen y Joe Bennet se casca la mitad del cómic en un futuro posible y acaban el tebeo con un reclutamiento para una especie de Mandarin Corps. No gracias. Dejadnos salir de esta colección. YA. La cosa mejora moderadamente (nada espectacular, pero algo es algo) en Amazing X-Men, donde Jason Aaron y Ed McGuinness traman el regreso a la vida de Rondador Nocturno. Al menos hay algo de oficio y buen humor detrás del cómic. Lo más reseñable de la semana ha sido Alex+Ada, nueva colección de Image a cargo de Jonathan Luna y Sarah Vaughn. Un joven de veintimuchos vive una vida relajada pero anodina en un futuro donde la inteligencia artificial y la tecnología en general está bastante avanzada, el mundo parece aburrido pero pacífico y el dinero puede permitirte comprarte androides de apariencia humana como el que le reglan al protagonista por su cumpleaños. Y como esta semana no había Noticia Chorra, desvariamos un poco sobre el reciente anuncio de Marvel de que van a hacer cuatro series basadas en otros tantos personajes Marvel de esos "street level": Daredevil, Jessica Jones, Luke Cage y Puño de Hierro.
Espeluznante semana de LO MAL. Empezamos con Forever Evil #3, que llegaba al momento de empezar a contar algo y se ha destapado como un número de relleno. La trama apenas avanza, David Finch está flojísimo... Mal, mal, mal. J.M. Strackzynski lanza nueva colección en Image llamada Protectors Inc. Perpetra el cómic al dibujo Gordon Purcell. Y ambos se llevan la mención a la pedorreta de la semana. Strac se copia a sí mismo y vuelve a contar la historia de un grupo de personas normales que sin saber cómo adquieren superpoderes y se lían a palos entre ellos. Es como rehacer Rising Stars pero mal. Y Rising Stars era muy de los 90, así que realmente se han esforzado por hacerlo mal esta vez. Tampoco os creáis que Marvel se libra. Iron Man #18 de Gillen y Joe Bennet se casca la mitad del cómic en un futuro posible y acaban el tebeo con un reclutamiento para una especie de Mandarin Corps. No gracias. Dejadnos salir de esta colección. YA. La cosa mejora moderadamente (nada espectacular, pero algo es algo) en Amazing X-Men, donde Jason Aaron y Ed McGuinness traman el regreso a la vida de Rondador Nocturno. Al menos hay algo de oficio y buen humor detrás del cómic. Lo más reseñable de la semana ha sido Alex+Ada, nueva colección de Image a cargo de Jonathan Luna y Sarah Vaughn. Un joven de veintimuchos vive una vida relajada pero anodina en un futuro donde la inteligencia artificial y la tecnología en general está bastante avanzada, el mundo parece aburrido pero pacífico y el dinero puede permitirte comprarte androides de apariencia humana como el que le reglan al protagonista por su cumpleaños. Y como esta semana no había Noticia Chorra, desvariamos un poco sobre el reciente anuncio de Marvel de que van a hacer cuatro series basadas en otros tantos personajes Marvel de esos "street level": Daredevil, Jessica Jones, Luke Cage y Puño de Hierro.
Amazing where I find our returned volunteers! I had the opportunity to meet with Joe Bennet, one of our Returned Volunteers at the Vancouver People's Summit on Main Street in Vancouver.. Joe, a Biology graduate from Queen's University in Ontario, spent a year and a half in Laos in 2004-2005 working in Natural Protected Areas and Fish Conservation. He is currently pursuing his PhD in Island Ecology. He talks about his experiences in Laos and how they made him appreciate not only the resilience and the ability of Laotians to work with limited resources, but also the benefits and liberties he enjoyed in his own home country. Thanks Joe it was good bumping into you. Hope to see you at our 50th reunion in Vancouver. Volunteer for a better world! Join CUSO-VSO, share skills and volunteer in 43 countries in Africa, Asia, the Pacific, Latin America and the Caribbean. Volunteers, donate, share skills.www.cuso-vso.org
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