Podcasts about mazurkas

TOM'S PODCAST #56:  AN EXPERIMENT IN TASTING CHOCOLATEIn today's podcast, I start with one of Chopin's Mazurkas, a dance form that, put to music, recreated his love for his native country, Poland.  Chocolate is my mazurka, as I learned to love chocolate at an early age and now here I am at 54 running my own chocolate store in Southern France and an American non-profit dedicated to making the African cocoa-growing village a chocolate-producing village.In this podcast, I talk about a powerful tool used by the food industry to determine a customer's potential response to a food.  Called a hedonic test, it reveals a customer's preference.  In this case, I have my customers taste two chocolate squares, one made from a Nestlé dark chocolate and the other from the factory in N'Douci, Côte d'Ivoire.  As always, we are looking to help African cocoa farmers become African chocolate makers.  Join the revolution by donating to the cause!1.   Go to www.projecthopeandfairness.org and click on the Donate button.     -OR- 2.  Send a check to: Donations, PH&F, 1298 Warren Road, Cambria, CA 93428. LISTEN:  https://www.buzzsprout.com/1057903/14435370Write to me at tom@projecthopeandfairness.orgTo learn more, visit www.projecthopeandfairness.org

On this week's episode of Inside the Music, Derek continues to explore the works of Frédéric Chopin, this time his famed Mazurkas, featuring live CRC performance by pianists Rafal Blechacz, Arnaldo Cohen, and Jonathan Biss.Four Mazurkas, Op. 24Rafal Blechacz [4/8/2018 performance]Prelude in A Major, Op. 28, No. 7Arnaldo Cohen [10/23/2004 performance]Three Mazurkas, Op. 56Rafal Blechacz [10/26/2014 performance]Three Mazurkas, Op. 59Jonathan Biss [4/15/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

CHOPIN: Barcarola en Fa sostenido mayor, Op. 60 (8.27). G. Cziffra (p.). Scherzo nº 4 en Mi mayor, Op. 54 (12.04). C. Arrau (p.). Polonesa en La bemol mayor, Op. 53 “Heroica” (6.46). N. Freire (p.). 4 Mazurkas, Op. 33 (9.27). V. Ashkenazy (p.). Vals nº 3 en Re bemol mayor, Op. 70 (2.25). M.-J. Pires (p.).Escuchar audio

Interpreten: Yulianna Avdeeva Label: Pentatone EAN: 8717306262330 Mit dem ersten Platz des internationalen Chopin Wettbewerbes in Warschau im Jahr 2010 ist der Pianistin Yulianna Avdeeva der internationale Durchbruch gelungen. Seither ist sie in den bedeutendsten Konzertsälen der Welt unterwegs und hat CDs bei Mirare, der Deutschen Grammophon und seit geraumer Zeit im Label Pentatone veröffentlicht. Hier ist auch ihre jüngste Aufnahme, Voyage, erschienen, auf der sie zu Musik von Frédéric Chopin zurückkehrt. Ach was war das für eine Aufregung damals 2010. Yulianna Avdeeva als Siegerin des Chopin Wettbewerbes, obwohl doch ein anderer, ein junger Österreicher!, als Sieger der Herzen auch Gewinner des ersten Preises werden hätte müssen. Ich möchte gar keine alten Wunden aufreißen, aber es war schon eine interessante Art und Weise, auf die Avdeevas Karriere losgegangen ist. Die vergangenen knapp 15 Jahre haben allerdings bewiesen, dass sie durchaus eine würdige Gewinnerin und gleichermaßen eine würdige Vertreterin der Chopin'schen Klavierkunst war und nach wie vor ist. Mit Voyage setzt sie aktuell ihre Reise mit Chopin fort. War es damals ihr harter Anschlag, der bei vielen Kritik hervorgerufen hat, so ist Chopins Musik bei Avdeeva nun eher auf der weicheren Seite angelegt. Auf einem legendären Steinway CD-18, der einmal im Besitz Vladimir Horowitz‘ gewesen ist, hat Avdeeva späte Werke von Chopin teils zum ersten Mal, teils wieder aufgenommen. Die Opera 58 bis 62, also von der großen h-Moll Sonate Nr. 3 über drei Mazurkas, die Barcarolle und die Polonaise-Fantaisie bis zu den zwei Nocturnes. Avdeeva hat den Klang für sich entdeckt und genießt es hörbar, in den träumerischen Klangwelten vor allem der Nocturnes aber auch der Mazurkas zu baden. Sie lässt jedoch dabei nichts an Virtuosität vermissen und greift hin und wieder doch auch, vor allem in der h-Moll Sonate, ein bisschen kräftiger in die Tasten. Eine großartige Zwischenstation auf der Yulianna Avdeevas Reise mit Musik Chopins, die für die Pianistin, wie sie selbst sagt, nie zu Ende sein wird. (mg)

CHOPIN: 3 Mazurkas, Op. 56 (11.52). M. Pollini (p.). Sonata para piano nº 2 en Si bemol menor, Op. 35 (21.35). V. Horowitz (p.). Scherzo nº 3 en Do sostenido menor, Op. 39 (7.07). S. Hough (p.).Escuchar audio

Send us a Text Message.Quick bonus episode to invite you to My Favorite Chopin Sunday night on YouTube Live in memory of my mom.https://www.youtube.com/live/E92z-cyEgWMAdd to your calendar of choice here.

A discussion of Arthur Rubinstein's three integral recorded versions of Chopin's Mazurkas. Here are download links for all three cycles: 1. https://www.prestomusic.com/classical/products/8079160--rubinstein-collection-vol-6-chopin-mazurkas-scherzos; 2. https://www.prestomusic.com/classical/products/8079130--rubinstein-collection-vol-27-chopin-mazurkas-impromptus; 3. https://www.prestomusic.com/classical/products/7933105--rubinstein-collection-vol-50-chopin-51-mazurkas

durée : 00:20:00 - Disques de légende du vendredi 14 juin 2024 - Arthur Rubinstein enregistrera trois versions des Mazurkas de Frédéric Chopin

The 19th century was an exciting time for classical musicians. Urban centres across Europe and the New World were expanding rapidly, creating a profitable music circuit for touring performers – particularly if you had the talent and star-power to attract audiences in large numbers! A new breed of performer began to emerge: extraordinary virtuosos whose dazzling abilities made them into international sensations. Liszt, Chopin, Clara Schumann and Paganini are among the names best remembered today but there were many others. This week, Donald Macleod explores the life and music of four more 19th century ‘showstoppers' who were equally celebrated in their day, and who also turned their talents to composing.Music Featured: Teresa Carreño: Vals gayo Teresa Carreño: Florence, Cantilène Op.34 Teresa Carreño: Souvenirs de mon pays, Op. 10 Teresa Carreño: Le printemps, Op. 25 Teresa Carreño: String quartet in B minor: I. Allegro, II. Andante Teresa Carreño: Elégie Op. 22, No. 6, ‘Plaintes au borde d'une tombe' Teresa Carreño: Little Waltz ‘Mi Teresita' Elias Parish Alvars: Introduction, Cadenza & Rondo (extract) Elias Parish Alvars:Grand March Op.67 Elias Parish Alvars: Grand Duo on Donizetti's Linda di Chamounix, Op.65 Elias Parish Alvars: Harp Concerto in E flat Op.98, I. Allegro brillante Elias Parish Alvars: Grand Study in Imitation of a Mandolin Op.84 Maria Szymanowska: Polonaise in C major Maria Szymanowska: Prélude No. 18 in E major Maria Szymanowska: 24 Mazurkas, Nos. 21-24 Maria Szymanowska: Caprice sur la romance de Joconde in E major Maria Szymanowska: Fantaisie in F major Maria Szymanowska: Cotillon, ou valse figurée Maria Szymanowska Nocturne in B flat major Maria Szymanowska: 18 Dances of Different Genres, Nos. 9-12 & No.18 Joseph Joachim: 3 Stücke, Op.2, No.1, Romanze Beethoven: Violin Concerto in D major (1st movt cadenza by Joseph Joachim) Joseph Joachim: Notturno Op.12 Joseph Joachim: Quartettsatz Joseph Joachim: Violin Concerto No.2 in D minor, Op.11 'A la hongroise': III. Finale alla Zingara: Allegro con spiritoPresented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Greatest Showstoppers https://www.bbc.co.uk/programmes/m001th7gAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Chopin's collection of Mazurkas is an important manifestation of his Polish identity, comprising a range of musical elements from the traditional folk dance. In this video we'll look closer at the somewhat peculiar and haunting Mazurka in A minor, Op. 17 no. 4. With pianist Henrik Kilhamn. Video: https://youtu.be/znXaTwHMvj4

Mazurkas represent the pinnacle of Chopin style and a special opportunity for expressing his personal feelings towards life, time, and his country. In this episode I will investigate a Mazurka and gather insights into Chopin's whole poetic world, richness of craft and depth of artistry.After going into details, I will perform the Mazurka. Here a recording by the great pianist Stanislav Bunin: https://open.spotify.com/track/5V1a46tfY5VsWJfpcFDTbG?si=de729e1bc8c445a3Where is the Music Podcast is the home of musical investigation.It is available on all major platforms:SPOTIFY https://open.spotify.com/show/1kBBFkibFPLXPG7xPT39SdAPPLE https://podcasts.apple.com/us/podcast/where-is-the-music/id1686494630YOUTUBE https://youtube.com/playlist?list=PLqRrwZuZFOqwXI4pJurmVn8NvXFD_Wr52TUNEIN http://tun.in/ptYNhLinks to my work:Music, concerts and blog: https://www.albertoferro.com/YouTube: https://www.youtube.com/channel/UCSwjhqixWMo4Fs-qwQM9BPAInstagram: https://www.instagram.com/alberto.l.ferro/Facebook: https://www.facebook.com/alberto.l.ferroSpotify: https://open.spotify.com/artist/2hBpLXGCZigUh0wForJFiU

A little bit of a folk twist coming up in this episode of The Debrief as we're at the Mazurkas of The World Festival in Warsaw. The festival is a folk celebration which lasts for four days at the end of April, with concerts, dances, singing and instrument workshops, children's activities, even an all-night folk dance party. One of the highlights of the Mazurkas of The World Festival is the folk instrument fair. In this episode, host John Beauchamp meets with two folk instrument makers – Jakub Podskarbi and Edward Reszke – and also with one of the festival's organisers and folk musician Piotr Piszczatowski. We also listen in on one of the groups taking part in the festival, the Wesołe Mazurki children's folk group from Warsaw's Praga district.

纽约也终于开始有冬天的感觉了～✌️这个冬天去看场演奏会吧！ 在纽约的朋友不知道听什么？那就一起来陈涵在林肯中心的演奏会！来！直接上购票链接。注定是一个被钢琴家陈涵治愈的冬天，我们抱团取暖。:)更多的陈涵:一起去看Han的演奏会 - Concert 1一起来听Han的播客 - Migration Music来不了现场的，一起来听Han的弹奏录制版- Introduction et Polonaise de l'opéra 'I puritani', S.391- 3 Serenades, op. 22: No. 1. Andante con moto- 3 Mazurkas, Op. 27: No. 1, —主播: 阿水 & 懒懒嘉宾: 陈涵剪辑: 懒懒联系我们：yuppieyawns@gmail.com我们还在：Apple podcast: 雅痞不痞/Yuppie Yawns喜马拉雅: 雅痞不痞Spotify: 雅痞不痞/Yuppie YawnsHimalaya: Yuppie YawnsInstagram: yuppieyawnspodcast小宇宙: 雅痞不痞Disclaimer: This content is not sponsored

Cada mañana nuestro programa “Obras de Cámara” les invita a escuchar una selección del amplio repertorio de composiciones para conjuntos instrumentales escritas por destacados músicos a lo largo de la historia.  Producción y selección realizada por Carolina Valdés.  Lunes a viernes a las 9:30 hrs. en el 95.1 FM y www.radioudec.cl

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"A la mazur", c'est le titre du nouveau disque du pianiste Gaspard Dehaene. Cet enregistrement propose notamment 3 cycles de mazurkas ainsi que des pièces au cœur desquelles il y a une mazurka. A l'occasion de la sortie de cet album, j'ai interrogé l'artiste sur l'histoire de la mazurka et ce qu'elle represente pour chopin.  Crédits : - Production et réalisation : Anne-Sandrine Di Girolamo ✉️ vade@vaderousseau.com - Musique : Jahzzar - Boulevard St Germain. CC by SA - Design des vignettes : Jean-Louis Duralek  (c) Anne-Sandrine Di Girolamo / VADÉ / GANG FLOW Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

DescriptionOver the years 1825–1849, Frédéric Chopin wrote at least 59 Mazurkas for piano, based on the traditional Polish dance. But his unique style differed significantly from the original. Join me, as we take a minute to get the scoop!Fun FactIn 1921, Béla Bartók published an essay in which he said that Chopin "had not known authentic Polish folk music." Bartók suggested that Chopin instead had been influenced by national, and not folk music.About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)

Conocemos al primer poeta para piano, Frédéric Chopin, compositor polaco recordado por sus exquisitas piezas para este instrumento de teclas. Si te gusta el piano, éste compositor te va a gustar.  Lo que vas a escuchar en este episodio: 00:35  3 Waltzes, Op. 34: No. 1 in A-Flat Major (Vivace), interpretado por Stephen Kovacevich. 04:33  4 Mazurkas, Op. 30: No. 3 in D-Flat Major (Allegro non troppo), interpretado por Ronald Smith. 06:04  Waltz in A-Flat Major, Op. 42 (Vivace), interpretado por Stephen Kovacevich.  09:48  3 Nocturnes, Op. 9: No. 2 in E-Flat Major (Andante), interpretado por Samson François.  10:37  Piano Sonata No. 2 in B-Flat Minor, Op. 35, "Funeral March": III. Marche funèbre (Lento), interpretado por Mikhail Pletnev. 11:40  24 Preludes, Op. 28: No. 16 in B-Flat Minor (Presto con fuoco), interpretado por Garrick Ohlsson.  12:35  12 Etudes, Op. 10: No. 12 in C Minor, "Revolutionary" (Allegro con fuoco), interpretado por Andrei Gavrilov.  13:48  12 Etudes, Op. 25: No. 2 in F Minor (Presto), interpretado por Claudio Arrau.  14:08  12 Etudes, Op. 10: No. 1 in C Major (Allegro), interpretado por Andrei Gavrilov.  14:31  12 Etudes, Op. 25: No. 3 in F Major (Allegro), interpretado por Claudio Arrau.  16:16  3 Waltzes, Op. 64: No. 1 in D-Flat Major, "Valse Minute" (Molto vivace), interpretado por Ingrid Fliter. 15:32  12 Etudes, Op. 10: No. 3 in E Major, "Tristesse" (Lento ma non troppo), interpretado por Andrei Gavrilov. 16:13  24 Preludes, Op. 28: No. 14 in E-Flat Minor (Allegro), interpretado por Garrick Ohlsson.  16:39  24 Preludes, Op. 28: No. 19 in E-Flat Major (Vivace), interpretado por Garrick Ohlsson.    Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :)  No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.  Y si quieres aprender más sobre música clásica, aquí puedes comprar tu primera y fácil guía sobre este tipo de música: https://www.miguiademusicaclasica.com/  Síguenos en: Facebook, Twitter, Instagram y Pinterest.   

durée : 02:58:27 - Été Classique Matin du lundi 23 août 2021 - par : Judith Chaine - Voyages aux pays de l'Est avec la Pologne, la Russie, la Tchécoslovaquie qui nous plongent dans leurs opéras, pièces pour piano et autres Mazurkas. Place aussi à la musique baroque aux côtés de Claudio Monteverdi, Jean-Philippe Rameau et Henry Purcell. Une matinée aux riches couleurs... - réalisé par : Max James

Dessa is a singer, rapper, writer, speaker, science and philosophy connoisseur, podcast host, and ice cream flavor inventor. (Her flavor is Dessa’s Existential Crunch which consists of crème fraîche, brown sugar ice cream, Jameson Irish Whiskey, Disaronno Amaretto Liqueur, and a cashew and praline pecan brittle crunch). Dessa has made a career of bucking genres and defying expectations — her résumé as a musician includes being part of the Doomtree collective, a solo artist with performances at Lollapalooza and Glastonbury, co-composer of pieces for 100-voice choir, performances with the Minnesota Orchestra, and top-200 entries on the Billboard charts. She also contributed to the #1 album The Hamilton Mixtape. As a writer, she published a memoir-in-essays called My Own Devices which was released in 2018 in addition to two literary collections along with many articles in journals such as The New York Times and National Geographic Traveler. And now she is the host of a new podcast that explores “why we do the things we do” called Deeply Human. The podcast is a fun exploration of a number of topics and brings in experts to help explain why we behave the way we do. We wanted to talk to Dessa before we knew about her podcast. Here is part of the e-mail that we sent to her publicist to ask for an interview: “While it may seem a bit off-brand for us to ask for an interview with Dessa, we think that it would be fascinating, and we’d love to talk to her about the intersection of music and emotion.   While we typically interview behavioral science researchers and practitioners, we often interview what we call “accidental behavioral scientists.”  These are people who are applying the aspects of behavioral science to their work without really knowing that they are doing it. Dessa captures a lot of our human experience in her lyrics and discussing that would be a wonderful way of exploring this concept. We would also love to talk to her about her experience with the scientific fMRI research that she talks about in her essay, “Call of your ghost.” Our conversation with Dessa examined a wide range of topics – moving from her podcast, to music’s ability to create synchronicity between people, to how we can’t compare subjective experiences, to how emotional connection comes from dropping veils and getting out of our “practiced mirror face.”  This is an episode that you definitely don’t want to miss. © 2021 Behavioral Grooves   Links Dessa: www.dessawander.com or www.doomtree.com Deeply Human: wherever you get your podcasts from Lute: https://en.wikipedia.org/wiki/Lute The Diary of Ann Frank: https://en.wikipedia.org/wiki/The_Diary_of_a_Young_Girl Alan Alda: https://en.wikipedia.org/wiki/Alan_Alda Helen Fisher: https://en.wikipedia.org/wiki/Helen_Fisher_(anthropologist) Barry Schwartz: https://en.wikipedia.org/wiki/Barry_Schwartz_(psychologist) Oxytocin: https://en.wikipedia.org/wiki/Oxytocin_receptor EEG: https://en.wikipedia.org/wiki/Electroencephalography QEEG: https://en.wikipedia.org/wiki/Quantitative_electroencephalography Autism: https://en.wikipedia.org/wiki/Autism Epilepsy: https://en.wikipedia.org/wiki/Epilepsy Penijean Gracefire: https://penijean.com/home Cheryl Olman: http://www.neuroscience.umn.edu/people/cheryl-olman-phd fMRI: https://en.wikipedia.org/wiki/Functional_magnetic_resonance_imaging Neurofeedback: https://en.wikipedia.org/wiki/Neurofeedback Harry Haslow – Wire Monkey experiments: https://en.wikipedia.org/wiki/Harry_Harlow Research on Emotion and Narrative - https://www.researchgate.net/publication/325962169_Emotion_and_Narrative_Perspectives_in_Autobiographical_Storytelling Drummer Boy (Military): https://en.wikipedia.org/wiki/Drummer_(military) “Rock ’n’ Roll but not Sex or Drugs: Music is negatively correlated to depressive symptoms during the COVID-19 pandemic via reward-related mechanisms”: https://tinyurl.com/yw4v5avs Pew Research (2016) The Joy and Urgency of Learning: https://www.pewresearch.org/internet/2016/03/22/the-joy-and-urgency-of-learning/ Common Biases and Heuristics: https://docs.google.com/document/d/1XHpBr0VFcaT8wIUpr-9zMIb79dFMgOVFRxIZRybiftI/edit?usp=sharing    Musical Links Dessa “Fighting Fish”: https://www.youtube.com/watch?v=I9bwKI-fb7k Dessa “The Chaconne” (Kurt’s favorite version of the song with Aby Wolf and Jeremy Messersmith): https://www.youtube.com/watch?v=F8dt8mY2WiQ London Bulgarian Choir: https://www.youtube.com/watch?v=2GEDbKe038o Lady Midnight “Bloodsong”: https://www.youtube.com/watch?v=oRb6Uqsvq5w Chopin’s Mazurkas: https://www.youtube.com/watch?v=H5D46aHhRDM Erik Satie “Gymnopédie No. 1”: https://www.youtube.com/watch?v=TL0xzp4zzBE “Hamilton” soundtrack: https://www.youtube.com/watch?v=aPSWZUExZ8M “Hamilton Mix Tape”: https://www.amazon.com/Hamilton-Mixtape-Explicit-Various-artists/dp/B01M3XVPL4 Dessa Live - https://www.youtube.com/watch?v=Q5n1lsfZI3A Mayada “Haydn Sonata in D”: https://www.youtube.com/watch?v=NpTfxMmBsLY Chopin “Mazurka Op. 68 n. 2”: https://www.youtube.com/watch?v=VL4_uD0Vp5U Yann Tiersen “La valse d'Amélie”: https://www.youtube.com/watch?v=uj9BihmugmI Tim Houlihan “I Get Lonesome, Too”: http://www.timhoulihan.com/music  

Old First Concerts podcast no. 29recorded February 25, 2021featuring music by Frédéric Chopinrecorded at celebrations of his birthday organized by the San Francisco Chapter of the Chopin FoundationKevin Kenner, pianoPolonaise in F-sharp minor, Op. 44Mazurkas, Op. 7 & Op. 6recorded on March 3, 2019Ning An, pianoBallade No. 1 in G minor, Op. 23Ballade No. 4 in F minor, Op. 52recorded February 19, 2016Tao Lin, piano4 Mazurkas, Op. 68Largo & Finale from Sonata No. 3 in B minor, Op. 58recorded February 22, 2009Claire Huangci, pianoAndante spianato et grande polonaise brillianterecorded February 22, 2014Lo-An Lin, pianoPolonaise-Fantasie, Op. 61recorded February 24, 2014

durée : 01:58:43 - Relax ! du mercredi 16 septembre 2020 - par : Lionel Esparza - Au programme, des choix d'auditeurs et des nouveautés discographiques, avec en particulier deux coups de cœur : les Variations Goldberg de Bach par Lang Lang et des Mazurkas de Chopin par Lukas Geniusas. Et notre légende du jour : Les Quatre Saisons de Felix Ayo et son ensemble I Musici en 1959. - réalisé par : Antoine Courtin

durée : 01:57:53 - Été Classique Matin du lundi 06 juillet 2020 - par : Judith Chaine - Pour ce premier voyage proposé toute cette semaine par Judith Chaine, nous commencerons par l’Italie avec Antonio Caldara, puis nous irons en Russie avec Rimski-Korsakov et Tchaïkovski, en Auvergne avec Canteloube, en Pologne avec les Mazurkas de Chopin, pour finir … aux USA avec Ennio Morricone. - réalisé par : Benjamin Hû

durée : 01:57:42 - En pistes ! du mardi 08 octobre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin dans En Pistes : Des Etudes, des Polonaises et des Mazurkas de Chopin sous les doigts du pianiste polonais Szymon Nehring, Chopin encore, et ses deux premiers concertos interprétés par Hans Richter-Haaser et Nikita Magaloff, les Quatre saisons de Vivaldi par Leila Schayegh... - réalisé par : Lionel Quantin

durée : 01:58:53 - Relax ! du vendredi 31 janvier 2020 - par : Lionel Esparza - Petit portrait du pianiste américain Earl Wild, disparu il y a dix ans. Il est resté célèbre pour ses transcriptions d'airs de Gershwin, et pour ses nombreuses apparitions sur les chaînes de télévision américaines. Et notre légende du jour est la version des Mazurkas de Chopin par Arthur Rubinstein. - réalisé par : Antoine Courtin

durée : 00:15:57 - Disques de légende du vendredi 31 janvier 2020 - Le pianiste polonais Arthur Rubinstein enregistre pour la première fois les Mazurkas de Frédéric Chopin entre 1938 et 1939.

Donald Macleod explores the myriad influences on the life’s work of Karol Szymanowski. The reshaping of Europe at the end of the First World War had a defining effect on Polish composer Karol Szymanowski. As Europe was being reapportioned, the comfortable world he’d known up to that point disappeared for good. His family’s comfortable and cultured life disappeared, their assets wiped out by the October Revolution. From that point on, Szymanowski ceased to be a man of some privilege, able to compose in the relative seclusion of his family’s estate in what was then part of Ukraine. He needed to support himself and his mother and sisters but he found himself ill-equipped temperamentally to deal with this dramatic change in his lifestyle. He became increasingly weighed down by illness, quite probably tuberculosis. That, coupled with a chain-smoking habit and struggles with alcoholism, were to take their toll. He died in poverty at the age of just 54 in 1937. Across the week, Donald Macleod explores five distinct influences on Szymanowski’s music, starting with his formative years growing up in a family with a passion for the arts. As a young student, his studies in Warsaw led him towards the language of Richard Strauss and Max Reger, while his love of travel directed him towards impressionism, the ancient world and the Orient. Meeting Stravinsky in Paris and hearing the Ballets Russe was another turning point, as was in his later years in particular, his commitment to establishing a national musical voice for the newly formed country of Poland. Music featured: Study in G flat major, Op 4 No 2 The Swan, Op 7 L’île des sirènes (Métopes, Op 29) Violin Concerto No 1, Op 35 Songs of a Fairytale Princess, Op 31 Mazurka, Op 50 No 11 Desires; The infatuated east wind; Dance (Love Songs of Hafiz, Op 26) Concert Overture in E major, Op 12 Piano Sonata No 2 in A major, Op 21 (2nd movement) Symphony No 2 in B flat, Op 19 (1st movement) La fontaine d’Aréthuse (Mythes, Op 30) Sérénade de Don Juan (Masques, Op 34) Demeter, Op 37b String Quartet No 1 in C major, Op 37 (3rd movement) Symphony No 3, Op 27: The Song of the Night Study in B flat minor, Op 4 No 3 Penthesilea, Op 18 Thème varié 'Caprice No 24' (Three Paganini Caprices, Op 40) King Roger, Act 1 (excerpt) King Roger Act 2 (excerpt) Mazurkas, Op 50 Nos 1, 3, 6 Wanda, Op 46b No 5 Whip on the horse, Op 58 No 4 String Quartet No 2 (2nd movement) Harnasie, Op 55 (Tableau 1: In the mountain pasture) Symphony No 4, Op 60, 'Sinfonie concertante' (1st movement) Stabat Mater (excerpt) Mazurka, Op 62 No 1 Presented by Donald Macleod Produced by Johannah Smith for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Karol Szymanowski https://www.bbc.co.uk/programmes/m000dj02 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

durée : 01:57:42 - En pistes ! du mardi 08 octobre 2019 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Ce matin dans En Pistes : Des Etudes, des Polonaises et des Mazurkas de Chopin sous les doigts du pianiste polonais Szymon Nehring, Chopin encore, et ses deux premiers concertos interprétés par Hans Richter-Haaser et Nikita Magaloff, les Quatre saisons de Vivaldi par Leila Schayegh... - réalisé par : Lionel Quantin

durée : 00:13:25 - Le Disque classique du jour du lundi 30 septembre 2019 - C’est avec Chopin que le monde musical a découvert Pavel Kolesnikov. Son disque, regroupant un bouquet de mazurkas, avait impressionné les mélomanes de la planète piano. Il avait été couronné par un diapason d’or de l'année 2016. Depuis, le jeune russe a enregistré Beethoven, Tchaïkovsy et Couperin. - réalisé par : Olivier Guérin

durée : 01:59:19 - Musique matin du vendredi 02 août 2019 - par : Gabrielle Oliveira-Guyon - Au fil de ses trois concerts à la Côte Saint André dans le cadre du Festival Berlioz, le pianiste confrontera l’intégrale des Mazurkas ainsi que les Valses de Chopin, mais aussi les Davidsbündlertänze, Humoresque et Papillons de Schumann. - réalisé par : Gilles Blanchard

Donald Macleod explores “the poet of the piano”, Fryderyk Chopin. Donald starts this week’s episode with a look at how Chopin’s Polish heritage shaped his music. Although he left the country at the age of 20, dance forms like the polonaise and mazurka left a strong mark on his writing. Next, we catch fleeting glimpses of the composer through his letters, and his relationship with his instrument, the piano. Chopin’s reticence to perform made his rare appearances extremely lucrative, but he much preferred the more intimate and sociable surroundings of the salon, where his trademark light touch could be appreciated to the full. We hear about Chopin through the eyes of his most illustrious contemporaries – his lover George Sand, and fellow composers Franz Liszt and Robert Schumann. To end, stories of the composer’s ever-feeble health – Berlioz is supposed to have said Chopin was “dying all his life” – which makes the scale of his achievement all the more heroic. Music featured: ‘Życzenie’ (The maiden’s wish), Op 74 No 1 Piano Concerto No 2 in F minor, Op 21 (3rd mvt, Allegro vivace) 4 Mazurkas, Op 17 Polonaise No 5 in C minor, Op 40 No 2 Polonaise No 6 in A flat, Op 53 (‘Heroic’) Ballade No 4 in F minor, Op 52 2 Mazurkas (Mazurka in G; Mazurka in B flat) Piano Concerto No 1 in E minor, Op 11 (2nd mvt, Romance—Larghetto) Preludes, Op 28 3 Mazurkas, Op 50 (No 1 in G; No 2 in A flat; No 3 in C sharp minor) 2 Nocturnes, Op 55 (No 1 in F minor; No 2 in E flat) Etude in A flat, Op 25 No 1 (‘Aeolian Harp’) ‘Krakowiak’: Grand Concert Rondo in F, Op 14 Mazurka in B minor, Op 33 No 4 Andante spianato, Op 22 No 1 Impromptu No 3 in G flat, Op 51 Nocturne in F sharp minor, Op 48 No 2 Barcarolle, Op 60 Etude in C, Op 10 No 1 Ballade No 2 in F, Op 38 Variations in B flat major on ‘La ci darem la mano’, from Mozart's opera Don Giovanni, Op 2 Scherzo No 4 in E, Op 54 Sonata in G minor for piano and cello, Op 65 (2nd and 3rd movements) Mazurka in G minor, Op 67 No 2 2 Nocturnes, Op 27 (No 1 in C sharp minor, Larghetto; No 2 in D flat, Lento sostento) Scherzo No 3 in C sharp minor, Op 39 Ballade No 3 in A flat, Op 47 Sonata No 3 in B minor, Op 58 (3rd movement, Largo) Waltz in E flat, Op 18 (‘Grande valse brillante’) Berceuse, Op 57 Presented by Donald Macleod Produced by Chris Barstow for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Fryderyk Chopin https://www.bbc.co.uk/programmes/m00066mv And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

W pierwszy odcinku rozmawiamy z przedstawicielami jednej z największych firm cateringowych w Polsce czyli Mazurkas Catering 360. Naszymi rozmówcami są Krzysztof Nosek oraz Mariusz Pietrzak, którzy opowiadają m.in. o organizacji szczytu NATO w Polsce w 2016 roku.

Gościem audycji jest Krzysztof Nosek, który ma duże doświadczenie w gastronomii, szczególnie hotelowej. Pełni funkcje dyrektora F&B, a prywatnie fascynuje się analityką, danymi giełdowymi, gospodarką. W tej audycji opowiada jak ważne są liczby w pracy hotelarza.

Our 275th episode, which aired on October 28, 2018. Breabach – The Oban Ball, Frenzy of the Meeting The Fables – Feller From Fortune, St. John’s David Power – The Moving Bog/The Ladies’ Pantalettes, The Eighteen Moloney Danu – Jack Coughlan’s/Kilteery/Michele O’Sullivan’s, Ten Thousand Miles Angela Usher – Cillian’s Step/Kitty’s Twelve Roses/The Gort Mile, The Gort Mile Boys of the Lough – The Leitrim Queen, Farewell and Remember Me Martin Hayes Quartet – Brennan’s Reel, The Blue Room Le Vent du Nord – Train de Vie, Les Amants du Saint Laurent Boxing Banjo – Mouse in the Kitchen, Round #1 Sarah Baughan – Norland Wind, Elmwood Station Vincent Campbell – Vincent Campbell’s Mazurkas, The Brass Fiddle Charlie MacCuspic – Cabot Trail Ceilidh, Cabot Trail Ceilidh T With the Maggies – Farewell Farewell, T With the Maggies

Data Scientist Vincent Lostanlen recommends Katherine Kinnaird's “Aligned Hierarchies: A Multi-Scale Structure-Based Representation for Music-Based Data Streams”, published in the proceedings of ISMIR (2016). Vincent and Finn interview Dr. Kinnaird about this method for abstracting structure in music through repetition, how it has been implemented for fingerprinting on Chopin's Mazurkas, and how Aligned Hierarchies could be used for other tasks and on other musics. Show notes Recommended article: Kinnaird, K. M. (2016). Aligned Hierarchies: A Multi-Scale Structure-Based Representation for Music-Based Data Streams. In ISMIR  (pp. 337-343). http://m.mr-pc.org/ismir16/website/articles/020_Paper.pdf Interviewee: Dr. Katie Kinnaird, Data Sciences Postdoctoral Fellow, Affiliated to the Division of Applied Mathematics at Brown University twitter @kmkinnaird ‏ Co-host: Dr. Vincent Lostanlen, Postdoctoral Researcher at the Cornell Lab of Ornithology, Visiting scholar at MARL at NYU, twitter: @lostanlen Papers cited in the discussion: M. Casey, C. Rhodes, and M. Slaney. Analysis of minimum distances in high-dimensional musical spaces. IEEE Transactions on Audio, Speech, and Language Processing, 16(5):1015 – 1028, 2008. J. Foote. Visualizing music and audio using self- similarity. Proc. ACM Multimedia 99, pages 77–80, 1999. M. Goto. A chorus-section detection method for musical audio signals and its application to a music listening station. IEEE Transactions on Audio, Speech, and Language Processing, 14(5):1783–1794, 2006. P. Grosche, J. Serrà, M. Müller, and J.Ll. Arcos. Structure-based audio fingerprinting for music retrieval. 13th International Society for Music Information Retrieval Conference, 2012. Time Stamps [0:00:10] Intro with Vincent Lostanlen [0:17:22] Interview: Origins of the Aligned Hierarchies [0:30:22] Interview: Implementation & Fingerprinting on the Mazurkas [0:52:55] Interview: New applications and developments for Aligned Hierarchies [1:02:57] Closing with Vincent Lostanlen Credits The So Strangely Podcast is produced by Finn Upham, 2018. The closing music includes a sample of Diana Deutsch's Speech-Song Illusion Sound Demo 1.

- Construyendo en Polonia y volando a Bielorrusia - Constructing in Poland and flying to Belarus "src":"http://www.mundimapa.com/joomla/plugins/dewplayer.swf?mp3=https://archive.org/download/Mundofonias2017025/Mundofonias2017025.mp3" Hoy entrevistamos a Piotr Piszczatowski, responsable de la Feria de Constructores de Instrumentos que se celebra en Varsovia, dentro del Festival Todas las Mazurkas del Mundo, al que asistirá Araceli. También hablamos con el músico bielorruso afincado en Galicia Vadim Yukhnevich y de su proyecto Volando Libre. Antes, habíamos abierto con la transculturidad hetrerodoxa de Hudna. Today we interview Piotr Piszczatowski, in charge of the de Instrument Makers Fair, to be held in Warsaw, during the All the World's Mazurkas Festival, at which Araceli will be attending. We also chat with the Belarussian musician living in Galicia Vadim Yukhnevich, about his project Volando Libre. Before, we had started with the hetedrodox transcultural proposal of Hudna. Hudna - Blue 9/8 - Kaynas?ma Józef Zieli?ski - Kujawiak: O nie bede pas?a byd?a kole miasta - Melodie ziemi kujawskiej [VA] Sowa Family Band - Wolny starodawny - Polish folk music: Rzeszowskie; Songs and music from Pi?tkowa Janusz Prusinowski Trio - Taniec rubina - Serce Kazimierz Andrejczak - A za wolóm moje wo?ki - Piesni Puszczy Kurpiowskiej [VA] Vigüela - A la Marijuana - Temperamento Kapela Metów - Ogrywka chmielowa - Muzyka ?róde? vol. 31 / Sources of Polish folk music [VA] Sowa Family Band - Polka suwana - Polish folk music: Rzeszowskie; Songs and music from Pi?tkowa Janusz Prusinowski Kompania - Mazurek ciarkowskiego - [directo inédito / unreleased live recording] Volando Libre - Danza de los mercaderes - Miel y jengibre Volando Libre - Aire del camino - Miel y jengibe Entrevistas / Interviews: Piotr Piszczatowski, Vadim Yukhnevich Foto: / Photo: Piotr Piszczatowski por/by Isa saiz La información de cada pieza se presenta en este formato: Artista/Grupo - Canción - Álbum. Each track's info is presented in this format: Artist/Band - Track - Album

Mundofonías Abr 2016 #8 - Mazurcas en Varsovia, ExiB y paseo afroibérico - Mazurkas in Warsaw, ExiB and Afro-Iberian walk Crónica de nuestro paso por el Festiwal Wszystkie Mazurki ?wiata (Festival Todas las Mazurcas del Mundo) celebrado en Varsovia, noticias del próximo ExiB Música que se celebrará en Évora (Portugal), un recuerdo hacia Papa Wemba y más músicas africanas e ibéricas. A report of what we've seen at the Festiwal Wszystkie Mazurki ?wiata (All the World's Mazurkas Festival) held in Warsaw, some news about the next ExiB Música to be held in Évora (Portugal), a tribute to Papa Wemba and more African and Iberian music. Kimi Djabaté - Kanamalu (Kanamalu) Papa Wemba - Excuse me (New morning) [in memoriam] T?gie Ch?opy - G?sacki (Dansing) Kapela Brodów - Mazur ?ydowski (Muzikaim) Kapela Maliszów - Wi?zanka mazurków kacpra malisza (Mazurki niepoj?te) Janusz Prusinowski Trio - Musia?a? ty, dziewce, co umie? (Po kolana w niebie) Celina da Piedade - Macela (O cante das ervas) Las Çarandas - Canção dos tosquiadores (Hai que beilar!) Deolinda - Dançar de olhos fechados (Outras histórias) Hermanos Cubero - Maldita urraca (Arte y orgullo) Ana Alcaide - La lamia de Kobate (Leyenda) Milo ke Mandarini - Señálame un sitio / Ussak zeybek (La vereda de la gitana)

This week we present an all-mazurkas program as part of our Polish American Heritage Month celebration. The mazurka is a dance form that originated in Poland, although most of the pieces on this week’s show come from Mexico.

David Owen Norris recommends a version from recordings of Chopin's Mazurkas

WPAS speaks with Russian pianist Evgeny Kissin about his March 1st performance at The Kennedy Center. His program features Prokofiev’s Piano Sonata No. 8, Three Pieces from Romeo and Juliet, Chopin’s Polonaise-Fantasie in A-flat, plus select Mazurkas and Études. Tickets at 202-785-WPAS or WPAS.org.

The tradition of the East-Central European carol is long and distinguished, if barely appreciated elsewhere. What are its characteristics, its relationships to different religious denominations, folk cultures and poetry?