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9 episodes with Michael Kenna
4 episodes with Michael Kenna
2 episodes with Michael Kenna
6 episodes with Michael Kenna
2 episodes with Michael Kenna
2 episodes with Michael Kenna
2 episodes with Michael Kenna
2 episodes with Michael Kenna
3 episodes with Michael Kenna
¡Prepárate para adentrarte en el fascinante mundo de la fotografía en blanco y negro! En este video, descubrirás la increíble biografía del legendario fotógrafo Michael Kenna, conocido como "El Poeta de la Fotografía en Blanco y Negro". Desde sus humildes comienzos hasta convertirse en uno de los maestros más aclamados de su arte, te sumergirás en su vida llena de pasión y creatividad. Acompáñame mientras exploramos sus obras maestras capturadas en todo el mundo, desde paisajes impresionantes hasta retratos cautivadores. Descubrirás los secretos detrás de su estilo distintivo y cómo logra transmitir emociones a través de las sombras y luces. No te pierdas esta oportunidad única de adentrarte en la mente brillante de Michael Kenna y dejarte inspirar por su arte atemporal. ¡Prepara tus ojos para un viaje visual inolvidable que te hará apreciar aún más el poder del blanco y negro! ¡Suscríbete ahora y no te pierdas esta experiencia fotográfica única! Para suscribirse al canal https://www.youtube.com/c/JhonVargasFotografia Mis Equipos Camara Sony Alpha A6000 Flash Elinchrom D-Lite RX 4/4 Softbox 60 x 60 Exposimetro Sekonic L-308S-U Grabadora Sony PX 470 Microfono Audio Technica ATR3350iS Lavalier Micrófono de solapa Pagina WEB www.johnvargasfotografia.com Email info@johnvargasfotografia Celular 3005051036 Estudio: Calle 48 14 61 Torre B 301B Bogota Colombia Sígueme en mis redes Facebook https://www.facebook.com/johnvargasfotografo Instagram https://www.instagram.com/johnvargasfotografia/ Pinterest https://es.pinterest.com/Johnvargasfoto/pins/ Eyeem https://www.eyeem.com/u/jhonvargas 500px https://500px.com/jhonvargas Canal que Busca promover la fotografía como un elemento cultural y artístico. Ademas que el Publico conozca de este fascinante mundo de la Fotografia en Colombia y el mundo. Aquellas personas que deseen participar del Canal favor ponerse en contacto conmigo para hacer un mundo de mejores fotógrafos. --- Send in a voice message: https://podcasters.spotify.com/pod/show/john-vargas-foto/message
Jason Langer is an American photographer best known for his psychological and noirish visions of contemporary photography of urban life. Langer apprenticed with renowned photographers, including Ruth Bernhard, Arthur Tess, and Michael Kenna. Langer is known his fine-art black-and-white photography. His latest book is titled Berlin. Resources Jason Langer Roy DeCarava Brea Souders Websites Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Support the work at The Candid Frame by contributing to our Patreon effort. You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .
HT1588 - Atypical Projects A.A. Milne and The Red House Mystery. Michael Kenna and Calais Lace, Eliot Porter and Eliot Porter's Southwest, Keith Carter and From Uncertain to Blue.
La puntata di oggi: cosa cambia nella fotografia col drone?Ho acquistato un drone, ma cosa cambia nell'approccio fotografico con questo apparecchio? Quanto devo spendere? Quali limiti incontro?Inoltre, continuo con la rubrica Quei Bravi Fotografi… alla fine di ogni puntata, vi presento un fotografo degno di nota! Questa volta ho scelto Michael Kenna, un fotografo inglese contemporaneo dalla stile molto particolare che vi stupirà! Aspetto le vostre domande e i vostri feedback. Buona luce a tutti!*******************************************I MIEI LINK:Cliccate qui per sostenere con un piccolo contributo volontario le spese del podcast: https://www.patreon.com/user?u=15429568 Email: andreageymet@gmail.com (da usare anche per un contributo con PayPal) Adobe Portfolio: https://andreageymet.myportfolio.compeopleofindia.myportfolio.comInstagram del podcast: https://www.instagram.com/passione_fotografia_podcast/ Le mie foto dei viaggi: https://www.instagram.com/the_solo_nomad/ I miei ritratti: https://www.instagram.com/andreageymet_ph/*******************************************IL SITO DOVE LEGGERE LE RECENSIONI DELL'ATTREZZATURA: https://www.juzaphoto.com*******************************************Il mio fornitore di fiducia: https://www.solodigitali.com*******************************************QUEI BRAVI FOTOGRAFI Michael Kennahttps://www.michaelkenna.comhttps://www.instagram.com/michaelkennaphoto/https://www.michaelkenna.comhttps://ilfotografo.it/news/alberto-korda-il-fotografo-personale-di-fidel-castro/
F-Stop Collaborate and Listen - A Landscape Photography Podcast
One of the most common questions I hear from other photographers is, "how can I monetize my photography?" It's a complicated question with many valid answers. Most importantly, it's crucial for photographers to understand some of the complex underpinnings, psychological challenges, ethical questions, and the impacts on creativity that often accompany monetization in landscape photography. This week on the podcast I had an amazing time talking with Israeli Landscape Photographer Ilan Shacham. Ilan is one of those photographers that flies under the radar and when you see their work for the first time you'll ask yourself why you have never heard of them before! Ilan made the challenging transition to becoming a full-time photographer in 2017 and in today's episode we delve deep into monetization and internal conflicts that can arise relating to monetization. On this week's episode, we discuss: Ilam's journey as a photographer, Why Ilan made the leap to become a full-time photographer and how that impacted his work, Ways in which monetization both helps and hinders his photography, Ways to overcome the challenges of monetization, Actionable ways to make money in landscape photography, Educating the public on the challenges of making good images, Photographing Israel as a landscape photographer, The implications of AI and photography, And a lot more! Other topics/links discussed on the podcast this week: Support the podcast on Patreon. Here is who Ilan recommended on the podcast this week: Michael Kenna. Ian Bramham. John Leech. Alex Bazeos. I love hearing from the podcast listeners! Reach out to me via Instagram, Facebook, or Twitter if you'd like to be on the podcast or if you have an idea of a topic we can talk about. We also have an Instagram page, a Facebook Page, and a Facebook Group - so don't be shy! We also have a searchable transcript of every episode! Thanks for stopping in, collaborating with us, and listening. See you next week. P.S. you can also support the podcast by purchasing items through our B+H affiliate link. Scroll down to see more of Ilan's excellent work!
In this episode of the Fine Art Photography Podcast, photographer Michael Kenna donates his entire body of work to France. Sources and Links LeFigaro, "Photographer Michael Kenna donates all of his work to France" La Gazette Drouot, "Photographer Michael Kenna Donates His Work to France" News in France, "Photographer Michael Kenna donates all of his work to France" Michael Kenna's Website Full episode transcripts are available on my photography blog here: icatchshadows.com How to Support the Podcast Make a one-time donation: https://ko-fi.com/keithdotson Subscribe on Patreon: https://www.patreon.com/keithdotson Buy a fine art print: https://keithdotson.com Buy a copy of my book: https://amzn.to/3jFnxqv (Amazon affiliate link) *Contains Amazon Affiliate links. I may earn a small commission on qualifying purchases. --- Support this podcast: https://anchor.fm/keith-dotson/support
In this episode of the Fine Art Photography Podcast, photographer Michael Kenna donates his entire body of work to France. Sources and Links LeFigaro, "Photographer Michael Kenna donates all of his work to France" La Gazette Drouot, "Photographer Michael Kenna Donates His Work to France" News in France, "Photographer Michael Kenna donates all of his work to France" Michael Kenna's Website Full episode transcripts are available on my photography blog here: icatchshadows.com How to Support the Podcast Make a one-time donation: https://ko-fi.com/keithdotson Subscribe on Patreon: https://www.patreon.com/keithdotson Buy a fine art print: https://keithdotson.com Buy a copy of my book: https://amzn.to/3jFnxqv (Amazon affiliate link) *Contains Amazon Affiliate links. I may earn a small commission on qualifying purchases. --- Support this podcast: https://anchor.fm/keith-dotson/support
“Chaumont-Photo-sur-Loire“ 5e éditionau Domaine de Chaumont-sur-Loire, Centre d'arts et de naturedu 19 novembre 2022 au 26 février 2023Interview de Solange Brihat, épouse de Denis Brihat,par Anne-Frédérique Fer, à Chaumont-sur-Loire, le 18 novembre 2022, durée 11'58.© FranceFineArt.https://francefineart.com/2022/11/22/3353_chaumont-photo-sur-loire/Communiqué de presseCommissaire de Chaumont-Photo-sur-Loire :Chantal Colleu-Dumond, directrice du Domaine et du Festival des Jardins de Chaumont-sur-Loire.Avec Michael KENNA, Denis BRIHAT, Éric BOURRET et FLORE.Cette cinquième édition de Chaumont-Photo-sur-Loire rassemble quatre artistes que l'attrait pour la nature a rendu patients, qu'ils aient décidé de l'envisager comme une construction mentale en s'attachant au paysage ou comme la somme d'éléments infiniment singuliers en effectuant des prélèvements dans l'environnement naturel. Certaines de ces images montrent des plans larges, alors que d'autres cristallisent autour d'un détail offrant au regardeur un spectacle tantôt macroscopique, tantôt microscopique, d'une montagne ou d'une fleur. Passée par le prisme photographique, la nature s'inscrit dans un cadre, qui à bien des égards évoque celui du tableau. Agissant comme un peintre, chaque photographe prélève une part du réel pour le magnifier ou le transformer en fiction, jouant sur les couleurs, effaçant le décor, mais aussi tout ce qui pourrait dater la prise de vue… Là où la mémoire devient floue, l'imagination s'envole. Les amateurs de Chaumont-sur-Loire connaissent l'engagement du Domaine en faveur de la beauté et du respect dû à la nature. Chaque édition de Chaumont-Photo-sur-Loire est donc l'occasion d'attirer l'attention de chacun sur le caractère précieux de notre environnement naturel, tout en célébrant des pratiques photographiques exceptionnelles.Ce respect est une composante majeure de l'oeuvre de Michael Kenna, qui réfute le mot “prise” pour insister sur le don. Le photographe, internationalement reconnu, récolte pour ainsi dire ce que la nature offre sans contrainte. Il laisse advenir à l'image le paysage qu'il donne à découvrir toujours dans un même petit format. Observateur impénitent, il est venu dans le Parc Historique du Domaine pour compléter la série des arbres qui sera présentée dans le Château. Dans un tout autre registre, les fleurs, les fruits et les détails naturels en majesté de Denis Brihat subjuguent. Telles des apparitions, ils émergent du blanc et s'affranchissent de tout milieu naturel. À peine reconnaissables, ils s'adonnent à des poses, sensibles modèles vivants. Immense artiste engagé dans son art et grand pédagogue, Denis Brihat crée des “tableaux photographiques”, fruits d'une quête tant esthétique que philosophique. Ils seront exposés dans les espaces de la Cour Agnès Varda. Les images proposées par Éric Bourret sont aussi d'une grande singularité. Elles proviennent de deux séries, dont l'une Arbos, totalement inédite, issue de ses promenades en bord de Loire et l'autre Primary Forest de ses marches dans les îles de la Macaronésie et des forêts primaires de Chine et de Finlande. Si le photographe arpente, des mois durant, la planète, c'est pour mieux saisir le mouvement de chaque territoire exploré. “La marche photographique rend lisible l'expérience du paysage traversé”, a-t-il coutume de dire. Chacune de ses images accueille une expérience physique, celle d'un oeil et d'un corps qui accompagnent la lente, mais inexorable révolution de la Terre. Ses grands formats seront présentés dans le Château. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
“Chaumont-Photo-sur-Loire“ 5e éditionau Domaine de Chaumont-sur-Loire, Centre d'arts et de naturedu 19 novembre 2022 au 26 février 2023Interview de FLORE,par Anne-Frédérique Fer, à Chaumont-sur-Loire, le 18 novembre 2022, durée 10'55.© FranceFineArt.https://francefineart.com/2022/11/22/3353_chaumont-photo-sur-loire/Communiqué de presseCommissaire de Chaumont-Photo-sur-Loire :Chantal Colleu-Dumond, directrice du Domaine et du Festival des Jardins de Chaumont-sur-Loire.Avec Michael KENNA, Denis BRIHAT, Éric BOURRET et FLORE.Cette cinquième édition de Chaumont-Photo-sur-Loire rassemble quatre artistes que l'attrait pour la nature a rendu patients, qu'ils aient décidé de l'envisager comme une construction mentale en s'attachant au paysage ou comme la somme d'éléments infiniment singuliers en effectuant des prélèvements dans l'environnement naturel. Certaines de ces images montrent des plans larges, alors que d'autres cristallisent autour d'un détail offrant au regardeur un spectacle tantôt macroscopique, tantôt microscopique, d'une montagne ou d'une fleur. Passée par le prisme photographique, la nature s'inscrit dans un cadre, qui à bien des égards évoque celui du tableau. Agissant comme un peintre, chaque photographe prélève une part du réel pour le magnifier ou le transformer en fiction, jouant sur les couleurs, effaçant le décor, mais aussi tout ce qui pourrait dater la prise de vue… Là où la mémoire devient floue, l'imagination s'envole. Les amateurs de Chaumont-sur-Loire connaissent l'engagement du Domaine en faveur de la beauté et du respect dû à la nature. Chaque édition de Chaumont-Photo-sur-Loire est donc l'occasion d'attirer l'attention de chacun sur le caractère précieux de notre environnement naturel, tout en célébrant des pratiques photographiques exceptionnelles.Ce respect est une composante majeure de l'oeuvre de Michael Kenna, qui réfute le mot “prise” pour insister sur le don. Le photographe, internationalement reconnu, récolte pour ainsi dire ce que la nature offre sans contrainte. Il laisse advenir à l'image le paysage qu'il donne à découvrir toujours dans un même petit format. Observateur impénitent, il est venu dans le Parc Historique du Domaine pour compléter la série des arbres qui sera présentée dans le Château. Dans un tout autre registre, les fleurs, les fruits et les détails naturels en majesté de Denis Brihat subjuguent. Telles des apparitions, ils émergent du blanc et s'affranchissent de tout milieu naturel. À peine reconnaissables, ils s'adonnent à des poses, sensibles modèles vivants. Immense artiste engagé dans son art et grand pédagogue, Denis Brihat crée des “tableaux photographiques”, fruits d'une quête tant esthétique que philosophique. Ils seront exposés dans les espaces de la Cour Agnès Varda. Les images proposées par Éric Bourret sont aussi d'une grande singularité. Elles proviennent de deux séries, dont l'une Arbos, totalement inédite, issue de ses promenades en bord de Loire et l'autre Primary Forest de ses marches dans les îles de la Macaronésie et des forêts primaires de Chine et de Finlande. Si le photographe arpente, des mois durant, la planète, c'est pour mieux saisir le mouvement de chaque territoire exploré. “La marche photographique rend lisible l'expérience du paysage traversé”, a-t-il coutume de dire. Chacune de ses images accueille une expérience physique, celle d'un oeil et d'un corps qui accompagnent la lente, mais inexorable révolution de la Terre. Ses grands formats seront présentés dans le Château. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
“Chaumont-Photo-sur-Loire“ 5e éditionau Domaine de Chaumont-sur-Loire, Centre d'arts et de naturedu 19 novembre 2022 au 26 février 2023Interview de Chantal Colleu-Dumond, directrice du Domaine de Chaumont-sur-Loire et commissaire de Chaumont-Photo-sur-Loire,par Anne-Frédérique Fer, à Chaumont-sur-Loire, le 18 novembre 2022, durée 7'35.© FranceFineArt.https://francefineart.com/2022/11/22/3353_chaumont-photo-sur-loire/Communiqué de presse Commissaire de Chaumont-Photo-sur-Loire :Chantal Colleu-Dumond, directrice du Domaine et du Festival des Jardins de Chaumont-sur-Loire.Avec Michael KENNA, Denis BRIHAT, Éric BOURRET et FLORE.Cette cinquième édition de Chaumont-Photo-sur-Loire rassemble quatre artistes que l'attrait pour la nature a rendu patients, qu'ils aient décidé de l'envisager comme une construction mentale en s'attachant au paysage ou comme la somme d'éléments infiniment singuliers en effectuant des prélèvements dans l'environnement naturel. Certaines de ces images montrent des plans larges, alors que d'autres cristallisent autour d'un détail offrant au regardeur un spectacle tantôt macroscopique, tantôt microscopique, d'une montagne ou d'une fleur. Passée par le prisme photographique, la nature s'inscrit dans un cadre, qui à bien des égards évoque celui du tableau. Agissant comme un peintre, chaque photographe prélève une part du réel pour le magnifier ou le transformer en fiction, jouant sur les couleurs, effaçant le décor, mais aussi tout ce qui pourrait dater la prise de vue… Là où la mémoire devient floue, l'imagination s'envole. Les amateurs de Chaumont-sur-Loire connaissent l'engagement du Domaine en faveur de la beauté et du respect dû à la nature. Chaque édition de Chaumont-Photo-sur-Loire est donc l'occasion d'attirer l'attention de chacun sur le caractère précieux de notre environnement naturel, tout en célébrant des pratiques photographiques exceptionnelles.Ce respect est une composante majeure de l'oeuvre de Michael Kenna, qui réfute le mot “prise” pour insister sur le don. Le photographe, internationalement reconnu, récolte pour ainsi dire ce que la nature offre sans contrainte. Il laisse advenir à l'image le paysage qu'il donne à découvrir toujours dans un même petit format. Observateur impénitent, il est venu dans le Parc Historique du Domaine pour compléter la série des arbres qui sera présentée dans le Château. Dans un tout autre registre, les fleurs, les fruits et les détails naturels en majesté de Denis Brihat subjuguent. Telles des apparitions, ils émergent du blanc et s'affranchissent de tout milieu naturel. À peine reconnaissables, ils s'adonnent à des poses, sensibles modèles vivants. Immense artiste engagé dans son art et grand pédagogue, Denis Brihat crée des “tableaux photographiques”, fruits d'une quête tant esthétique que philosophique. Ils seront exposés dans les espaces de la Cour Agnès Varda. Les images proposées par Éric Bourret sont aussi d'une grande singularité. Elles proviennent de deux séries, dont l'une Arbos, totalement inédite, issue de ses promenades en bord de Loire et l'autre Primary Forest de ses marches dans les îles de la Macaronésie et des forêts primaires de Chine et de Finlande. Si le photographe arpente, des mois durant, la planète, c'est pour mieux saisir le mouvement de chaque territoire exploré. “La marche photographique rend lisible l'expérience du paysage traversé”, a-t-il coutume de dire. Chacune de ses images accueille une expérience physique, celle d'un oeil et d'un corps qui accompagnent la lente, mais inexorable révolution de la Terre. Ses grands formats seront présentés dans le Château. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Jonathan Chritchley, is one of the foremost fine art photographers in the world today. His work is instantly recognisable and can be found in exhibitions, galleries, magazines, books, and fine art collections around the world. His regular clients include Ralph Lauren, Ritz Carlton and Vogue Magazine. Jonathan also speaks and presents his work at photography and sailing events worldwide, and he is the founder and owner of Capture Earth and Ocean Capture, two companies specialising in luxury photography workshops & tours. Jonathan was named one of the 'Top 100 Photographers of All Time' by both the UK's Sunday Times newspaper and Professional Photographer Magazine. His first book, SILVER, was published in 2014, and in 2016 he was made a Fellow of the Royal Geographical Society (FRGS). Our conversation covers the pivotal moments in Jonathan's life that led to him his signature style, how he creates his timeless images of horses, sailing boats and icebergs, the importance and value of staying on-brand and of course the stories behind some of his most beautiful images. This conversation came at just the right time for me and I picked up a few really important things from Jonathan. I'm sure you'll have a few takeaways as well from a truly unique photographer who's glass is always half-full. Here's my conversation with Jonathan Chritchely…. Show Notes Follow this week's guest at the following links: Website - https://www.jonathanchritchley.com (https://www.jonathanchritchley.com) Instagram - https://www.instagram.com/jonathanchritchley/ (https://www.instagram.com/jonathanchritchley/) Ocean Capture Workshops - https://www.oceancapture.com (https://www.oceancapture.com) Capture Earth - https://www.captureearth.com (https://www.captureearth.com) Connect with View Finders here: Episodes - http://www.viewfinderslive.com/podcast (www.viewfinderslive.com/podcast) Instagram - http://www.instagram.com/viewfinderspodcast (www.instagram.com/viewfinderspodcast) Tickets for the next View Finders Live Event - https://viewfinderslive.com (https://viewfinderslive.com) To save 10% off tickets for View Finders Live events, use the code VF10 Connect with me at: http://www.grahamdargie.co.uk (www.grahamdargie.co.uk) http://www.instagram.com/grahamdargie (www.instagram.com/grahamdargie) Additional show links Double Exposure: Feather, Iceland - https://www.instagram.com/p/CShVihdoiYg/ (https://www.instagram.com/p/CShVihdoiYg/) To Catch a Fish - https://www.jonathanchritchley.com/PORTFOLIO/TO-CATCH-A-FISH/1/caption (https://www.jonathanchritchley.com/PORTFOLIO/TO-CATCH-A-FISH/1/caption) Other links: Camargue - https://about-france.com/tourism/camargue.htm (https://about-france.com/tourism/camargue.htm) Richard Avedon - https://www.avedonfoundation.org (https://www.avedonfoundation.org) Hahnemuhle Paper - https://www.hahnemuehle.com/en/index.html (https://www.hahnemuehle.com/en/index.html) Bruce Weber - https://www.bruceweber.com (https://www.bruceweber.com) Ansel Adams - https://www.anseladams.com (https://www.anseladams.com) Rachael Talibart - https://rachaeltalibart.com (https://rachaeltalibart.com) Ragnar Axelsson - https://rax.is (https://rax.is) Hans Strand - https://www.instagram.com/hansstrandofficial/ (https://www.instagram.com/hansstrandofficial/) Michael Kenna - https://www.michaelkenna.com (https://www.michaelkenna.com) John Sexton - https://www.instagram.com/johnsextonphoto/ (https://www.instagram.com/johnsextonphoto/) Paul Sanders - https://www.discoverstill.com (https://www.discoverstill.com) Morris Rosenfeld - https://www.invaluable.com/artist/rosenfeld-morris-dr-ukvckwc4q8/sold-at-auction-prices/ (https://www.invaluable.com/artist/rosenfeld-morris-dr-ukvckwc4q8/sold-at-auction-prices/) The Gypsy Kings - http://www.gipsykings.com...
The 2022 OPTIC Outdoor, Photo/Video, Travel Imaging Conference or just “OPTIC 2022” is live and in-person again and we are excited to welcome the event's director, David Brommer, to the program. Brommer will give us a sense of the updated conference, which after two years online is now a fully hybrid in-person and online event. Of course, we at the B&H Photography Podcast look forward to being back at the live events and talking with the many photographers who speak and present their work. This year's OPTIC Conference runs from June 12–15, 2022, and includes presentations by Chester Higgins, Camille Seaman, Joe McNally, and many others. There are also opportunities to try the latest gear in specialized environments, expert-led panels, portfolio reviews, a sunset cruise, the OPTIC Challenge Print Competition, and OPTIC Signature Photo Walks sponsored by Lindblad Expeditions. Online participants can check the selection of available webinars. After our brief chat with Brommer, we present a very important encore episode—important in the sense that it was our first recording at OPTIC, back in 2016, and because we interviewed three incredible photographers and really began to understand the potential of our podcast. Our guests were Michael Kenna and, in another segment, Paul Caponigro and his son John Paul Caponigro. Each of these photographers offer wonderful insights into their creative processes and to speak with father and son artists is always a treat. Join us for this enjoyable conversation and register for OPTIC 2022 here. Today's episode is sponsored by Audio-Technica. Check out their AT2040 Hypercardioid Dynamic Microphone, ideal for podcasting! Guest: David Brommer Above photograph © Camille Seaman
Kirk McElhearn takes on the task of helping us understand and appreciate the appeal of black and white (monochrome) photography. In the first part of our conversation, Kirk talks about being a monochrome photography enthusiast, shows off a special camera, and how a background in non-digital photography and developing helped him appreciate it. (Part 1) This edition of MacVoices is brought to you by our Patreon supporters. Get access to the MacVoices Slack and MacVoices After Dark by joining in at Patreon.com/macvoices. Show Notes: Links: The Composition of Michael Kenna's Photographs: Leading Lines by Kirk McElhearn The Composition of Michael Kenna's Photographs: Centering by Kirk McElhearn The Semiotics of Black and White Photographs by Kirk McElhearn Some of Kirk's recent photos Guests: Kirk McElhearn writes about Macs, iPods, iTunes, books, music and more. He is a regular contributor to TidBITS, as well as several other web sites and magazines. He is an avid podcaster who's shows include The Next Track, The Committed, The Intego Mac Podcast, PhotoActive and The Zen of Everything. You can follow him on Twitter, and visit his personal web site, Kirkville. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
In our quest to better appreciate black and white (monochrome) photograph, Kirk McElhearn both talks about and shows some revealing examples of his own work. They perfectly illustrate some of the points Kirk makes, and helps us understand why what we might feel is less is actually more. Get ready…you are going to want to experiment with black and white photography yourself. (Part 2) This edition of MacVoices is brought to you by the MacVoices Dispatch, our weekly newsletter that keeps you up-to-date on any and all MacVoices-related information. Subscribe today and don't miss a thing. Show Notes: Links: The Composition of Michael Kenna's Photographs: Leading Lines by Kirk McElhearn The Composition of Michael Kenna's Photographs: Centering by Kirk McElhearn The Semiotics of Black and White Photographs by Kirk McElhearn Some of Kirk's recent photos Guests: Kirk McElhearn writes about Macs, iPods, iTunes, books, music and more. He is a regular contributor to TidBITS, as well as several other web sites and magazines. He is an avid podcaster who's shows include The Next Track, The Committed, The Intego Mac Podcast, PhotoActive and The Zen of Everything. You can follow him on Twitter, and visit his personal web site, Kirkville. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
In our quest to better appreciate black and white (monochrome) photograph, Kirk McElhearn both talks about and shows some revealing examples of his own work. They perfectly illustrate some of the points Kirk makes, and helps us understand why what we might feel is less is actually more. Get ready…you are going to want to experiment with black and white photography yourself. (Part 2) This edition of MacVoices is brought to you by the MacVoices Dispatch, our weekly newsletter that keeps you up-to-date on any and all MacVoices-related information. Subscribe today and don't miss a thing. Show Notes: Links: The Composition of Michael Kenna's Photographs: Leading Lines by Kirk McElhearn The Composition of Michael Kenna's Photographs: Centering by Kirk McElhearn The Semiotics of Black and White Photographs by Kirk McElhearn Some of Kirk's recent photos Guests: Kirk McElhearn writes about Macs, iPods, iTunes, books, music and more. He is a regular contributor to TidBITS, as well as several other web sites and magazines. He is an avid podcaster who's shows include The Next Track, The Committed, The Intego Mac Podcast, PhotoActive and The Zen of Everything. You can follow him on Twitter, and visit his personal web site, Kirkville. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
Kirk McElhearn takes on the task of helping us understand and appreciate the appeal of black and white (monochrome) photography. In the first part of our conversation, Kirk talks about being a monochrome photography enthusiast, shows off a special camera, and how a background in non-digital photography and developing helped him appreciate it. (Part 1) This edition of MacVoices is brought to you by our Patreon supporters. Get access to the MacVoices Slack and MacVoices After Dark by joining in at Patreon.com/macvoices. Show Notes: Links: The Composition of Michael Kenna's Photographs: Leading Lines by Kirk McElhearn The Composition of Michael Kenna's Photographs: Centering by Kirk McElhearn The Semiotics of Black and White Photographs by Kirk McElhearn Some of Kirk's recent photos Guests: Kirk McElhearn writes about Macs, iPods, iTunes, books, music and more. He is a regular contributor to TidBITS, as well as several other web sites and magazines. He is an avid podcaster who's shows include The Next Track, The Committed, The Intego Mac Podcast, PhotoActive and The Zen of Everything. You can follow him on Twitter, and visit his personal web site, Kirkville. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
In the very early days of the PhotoActive podcast, when Jeff was a nervous first-time podcast host, Kirk said to him, “It's OK. Once you do a hundred of these, you'll be better.” Well, here we are! Episode 100! To celebrate, we're showcasing some of our favorite episodes and sharing what we've learned from them. Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Follow the PhotoActive Instagram account (http://instagram.com/photoactive_podcast/) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-100)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Intego Mac Podcast (https://podcast.intego.com) The Next Track Podcast (https://www.thenexttrack.com) Write Now with Scrivener Podcast (https://podcast.scrivenerapp.com) Take Control of Scrivener 3 (https://www.takecontrolbooks.com/scrivener-3/) Episode 44: Minimalist Photographer Michael Kenna (https://www.photoactive.co/home/episode-44-kenna) Episode 74: Michael Kenna and His New Book 'Buddha' (https://www.photoactive.co/home/episode-74-kenna) Episode #8 - Gordon Laing on Taking Great Photos In Camera (https://www.photoactive.co/home/episode-8-gordon-laing) Episode #10 - Quintin Lake's Long Photo Walk (https://www.photoactive.co/home/episode-10-quintin-lake) Episode 82: Quintin Lake Returns (https://www.photoactive.co/home/episode-82-quintin) Episode 35: Martin Parr Shot My Portrait (https://www.photoactive.co/home/episode-35-parr) Episode 70: One-Light Portraits with Sandra Coan (https://www.photoactive.co/home/episode-70-coan) Episode 79: Professional Retouching with Lisa Carney (https://www.photoactive.co/home/episode-79-carney) Episode 78: Everyday Photo Retouching (https://www.photoactive.co/home/episode-78-retouch) Episode #5 - Wenmei Hill Interview (https://www.photoactive.co/home/episode-5-wenmei-hill) Episode 43: Autofocus with Rishi Sanyal (https://www.photoactive.co/home/episode-43-autofocus) Episode 54: Product Photography with Dan Bracaglia (https://www.photoactive.co/home/episode-54-bracaglia) Episode 85: Film Camera Love with Dan Bracaglia (https://www.photoactive.co/home/episode-85-film-bracaglia) Episode 65: Barney Britton on the Future of the Camera Industry (https://www.photoactive.co/home/episode-65-britton) Episode 67: Chris Niccolls on Making Videos about Photography (https://www.photoactive.co/home/episode-67-niccolls) Episode 86: Jordan Drake on Shooting Video (https://www.photoactive.co/home/episode-86-drake) Episode 92: Sensors and Megapixels with Richard Butler (https://www.photoactive.co/home/episode-92-butler) Episode #26 - RAW Power 2.0 (https://www.photoactive.co/home/episode-26-raw-power) Episode 38: Levels and Curves with Nik Bhatt (https://www.photoactive.co/home/episode-38-levels-curves) Episode 62: Photos App Extensions with Nik Bhatt (https://www.photoactive.co/home/episode-62-extensions) Rocky Nook (http://rockynook.com) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.
In episode 164 UNP founder and curator Grant Scott is in his shed considering transferable skills, film making, finding answers with photography and challenging the status quo. Plus this week photographer Jason Langer takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Arizona born American photographer Jason Langer's love of photography dates back to his childhood in Ashland, Oregon. Groomed on a Mamiya C330 twin-lens reflex, he developed his work in a makeshift darkroom cum hall closet in his family home before moving on to more advanced technology at the University of Oregon, where he earned a degree in photography. Following graduation, Langer worked as an apprentice and printer for some of the San Francisco Bay Area's most renowned photographers, including Ruth Bernhard, Arthur Tress, and Michael Kenna, who became a lifelong mentor and friend. Langer descends from a tradition of photographers—George Krause, Ralph Gibson, Roy deCarava, Bill Brandt, Matt Mahurin—who photograph what is physically happening in the world, but a world in which the unexpected appears for brief glimpses before returning to generally accepted social norms. Langer's work has appeared in numerous publications including American Photo, Life, The New Yorker, The New York Times, Time, and Vanity Fair. In addition, his in the permanent and private collections of the Rutgers University, Sir Elton John, Sir Mick Jagger, Yale University Art Gallery, and the Zimmerli Art Museum. He has published three monographs: Secret City (2006), Possession (2013) and Twenty Years (2015). He is currently working on a fourth book titled Berlin. Langer is also a sought-after photography mentor, having taught at the Academy of Art University for 12 years and Santa Fe Workshops since 2014. www.jasonlanger.com You can now subscribe to our weekly newsletter at https://www.getrevue.co/profile/unofphoto Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021
F-Stop Collaborate and Listen - A Landscape Photography Podcast
Welcome to episode 217 of F-Stop Collaborate and Listen! This week on the podcast I was joined by a Filipino-American photographer living in Southern California - Zoe Pamintuan. Zoe is a full-time teacher for middle-school children and has been a photographer since she was a child. Her photography has been heavily influenced by Joshua Tree National Park as well as architectural structures. Of late, she has been focused on black and white imagery and has been doing a lot of introspection with her photographic process to try to determine the meaning behind her work - a large focus of our conversation on today's show. Over on Patreon this week, Zoe and I discuss how to seek meaning in our photographs. You can listen to this bonus episode and hundreds more by supporting the show at $5 per month. Here's who Zoe recommended for the podcast this week: Bruce Percy. Michael Kenna. Huntington Witherill. Other items mentioned on the show: 1. Nature Photographer's Network Special Offer. 2. Exclusive 1:1 Experiences with Matt Payne. 3. Natural Landscape Photography Awards. 4. Zoe's Instagram. Support the show on Patreon. I love hearing from the podcast listeners! Reach out to me via Instagram, Facebook, or Twitter if you'd like to be on the podcast or if you have an idea of a topic we can talk about. Join the discussion over on Nature Photographer's Network! We have weekly discussions about each episode of the podcast. It's also free! We also have an Instagram page and a Facebook page for updates. We also have a searchable transcript of every episode! Thanks for stopping in, collaborating with us, and listening. See you next week. As a reminder, you can also support the podcast by shopping at B+H for your photography gear using our Affiliate Link.
Description In this episode we have another amazing guest photographer! Ben Felten joins the show to talk to us about his project Photosynthesis, fine art nude photography and his really exciting exhibition happening at the Blue Lotus titled NUDE STUDIES. Ben will be exhibiting along side local Hong Kong artist Au Tze Long and the World renowned Michael Kenna! The show opened on May 13th, 2021 and will be up until 13th June, 2021 - We strongly encourage Hong Kong based listeners to go check it out! Links Bio: Hong Kong based artist, photographer and musician Website: http://benoitfelten.com Instagram: @benfelten Facebook: https://www.facebook.com/bfshanghaiwide Photosynthesis Project: https://vimeo.com/534020782 Blue Lotus NUDE STUDIES exhibition: https://bluelotus-gallery.com/new-events/nudestudies Blue Lotus Instagram: @bluelotusgallery Follow us here! website: www.framefocusfoto.com Instagram: @framefocusfoto Facebook: Frame Focus Foto Email: framefocusfoto@gmail.com
How has the past pandemic year affected or changed your photography? Kirk and Jeff discuss not just cancelled trips and lost opportunities, but also the process of getting back into the habit of photography as we hopefully head toward a vaccinated, post-Covid reality. Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Subscribe to the PhotoActive Instagram account (http://instagram.com/photoactive_podcast/) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-88-year-that-was)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Episode #13 - Aspect Ratios and Why They're Important (https://www.photoactive.co/home/episode-13-aspect-ratios) Episode 74: Michael Kenna and His New Book 'Buddha' (https://www.photoactive.co/home/episode-74-kenna) Alec Soth Photographic Storytelling (https://www.magnumphotos.com/learn/course/alec-soth-photographic-storytelling/) Episode 77: Photo a Day Challenge (https://www.photoactive.co/home/episode-77-photo-a-day) Gordon Laing: Rode Wireless Go II review: PERFECT wireless mic? (https://youtu.be/aeVhepR6Tj4) Our Snapshots: Jeff: Rode Wireless Go Microphones (https://amzn.to/2N1ZMLr) Kirk: Alec Soth YouTube Channel (https://www.youtube.com/channel/UCHIxfgu7HE9_Tok9OGNrQ_g) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed, you’re automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.
早安，我是叶梓，今天是摄影早自习陪伴大家的第1544天。今天是周三，我们应该来谈一个有关审美的话题，今天想跟大家谈一个有关于我们用质感去填充画面中原本空无一物的空间这么一个话题。什么意思呢？就是说有的时候我们想让画面有点意境，我们就不会把这个事物填充在整个照片里的每一个角落，我们会出现大量的留白，对吧。我补充一下，这个留白的“白”字不是指的白色的白，是指的一种空间，那里边没有什么很确切的物体。实际上这个留白留出来的可能是黑，可能是蓝，可能是红……什么都可以，只要它是几乎空无一物的就行。那么这个留白留出来以后呢，画面主体当然就会变得比较突出，重点非常清晰，观众看这张照片不会需要很费力气，而且因为有大量空白，所以它有一个发呆的这么一种气氛在里面。但是如果你真的留的是纯白纯白的白，也就像下图这样，曝光过度的白，或者是那种纯黑纯黑的黑，是完全曝光不足的黑。那这个时候画面中真的是空无一物了，观众是眼睛看瞎了也看不出里边还有什么别的东西来。所以它们其实就没有必要在你的照片上花什么心思了，喵一眼就了解了。转身就走。image by Pexels from Pixabay这种真真正正的纯白、纯黑还有另外一个缺点，就是它没有了照片独有的、摄影独有的那一种真实感，因为世界上所有的物体都是有质感的。所谓质感其实就是指它的表面有一些独有的、细微的结构。比如说一个布的表面的质感跟石头的表面质感是完全不一样的。所以你拍下来的照片，如果背景是纯白纯黑的，那就意味着这个画面里真的是没有任何的质感。没有质感的画面看上去就是有点假的，有点像画的，至少也是P出来的，对不对？所以我们更希望的是画面中充斥着一些质感。就像下面我这张白莲花的照片是个陶瓷做的莲花，我跟这个莲花之间是隔了一块玻璃，玻璃上有冬天常常会见到的那种水雾凝成的小水珠。所以在这朵白莲花的左右两侧，你可以看到里面其实是有细节的，你仔细往里盯着看能看到水珠，也能看到一点点的颜色的深浅的变化等等，肯定不是空无一物的，那块也绝对不是曝光过度的。所以这样的画面就会耐看一些，不仅在手机上用小图的形式好看，而且把它放得很大很大挂在墙上的时候它依然是好看的。© 叶梓和它很类似的是我在我们家小区游泳池里面拍的一张照片，拍的是我的妻子李杜宇。我让她双手拍打水面，把空气带到水下来形成很多小气泡。气泡多了以后，我拍到的水里面就会有很丰富的一些质感，很好看。再加上这张照片其实是由一个小卡片机拍摄的，我把感光度调得很高，所以画面中也充斥着一些高感光度带来的颗粒感。© 叶梓这个就会启发我们，有的时候我们还真的挺喜欢感光度带来的的噪点的。你会发现在网上有很多照片都带有很强烈的噪点，而且还有很多大师的杰作，噪点也非常非常明显，我们看它的时候也并没有觉得有什么不妥。甚至是我们在后期处理软件中，Photoshop或者是Lightroom这种软件里面，你还会见到增加噪点的选项，这就足以证明噪点这个事它不见得是个坏处，有的时候我们需要。下一次你在拍摄这种大量留白的画面的时候，如果你觉得有点无聊，不妨试着增加一点噪点，感受一下它带来的质感变化会不会让画面变得感觉更好。最后还是提示一下，有一种情况是我们真的不想要噪点的，什么情况呢？就是拍风光的时候，因为这是以清晰为美的画面，我们需要它保持最好的画质，噪点这个东西是越少越好。这就是为什么有的风光摄影师在讲课的时候会提醒大家，一定要尽量用最低的感光度，一定要带上三角架去拍照的原因。但是但是呢，我也要再次提醒大家，法无定法，在风光摄影领域也确实有老手、有高手是特别喜欢用噪点来表达自己的。比如说来自英国的迈克尔·肯纳(Michael Kenna)，他的很多照片就有很强烈的噪点。© Michael Kenna那么今天我们的分享就到这里。顺便一提，昨天的语音有点问题，结尾的地方突然断掉了，所以今天我们在二条中重发，感谢大家的提醒。想加入我们摄影早自习微信群的同学可以加我的个人微信，我的微信号是：nihaoyelaoshi，加了我以后跟我说“影友入群”，我就会拉你进去。我为大家录制的更多摄影好课，请见“阅读原文”。今天是摄影早自习陪伴大家的第1544天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
早安，我是叶梓，今天是摄影早自习陪伴大家的第1544天。今天是周三，我们应该来谈一个有关审美的话题，今天想跟大家谈一个有关于我们用质感去填充画面中原本空无一物的空间这么一个话题。什么意思呢？就是说有的时候我们想让画面有点意境，我们就不会把这个事物填充在整个照片里的每一个角落，我们会出现大量的留白，对吧。我补充一下，这个留白的“白”字不是指的白色的白，是指的一种空间，那里边没有什么很确切的物体。实际上这个留白留出来的可能是黑，可能是蓝，可能是红……什么都可以，只要它是几乎空无一物的就行。那么这个留白留出来以后呢，画面主体当然就会变得比较突出，重点非常清晰，观众看这张照片不会需要很费力气，而且因为有大量空白，所以它有一个发呆的这么一种气氛在里面。但是如果你真的留的是纯白纯白的白，也就像下图这样，曝光过度的白，或者是那种纯黑纯黑的黑，是完全曝光不足的黑。那这个时候画面中真的是空无一物了，观众是眼睛看瞎了也看不出里边还有什么别的东西来。所以它们其实就没有必要在你的照片上花什么心思了，喵一眼就了解了。转身就走。image by Pexels from Pixabay这种真真正正的纯白、纯黑还有另外一个缺点，就是它没有了照片独有的、摄影独有的那一种真实感，因为世界上所有的物体都是有质感的。所谓质感其实就是指它的表面有一些独有的、细微的结构。比如说一个布的表面的质感跟石头的表面质感是完全不一样的。所以你拍下来的照片，如果背景是纯白纯黑的，那就意味着这个画面里真的是没有任何的质感。没有质感的画面看上去就是有点假的，有点像画的，至少也是P出来的，对不对？所以我们更希望的是画面中充斥着一些质感。就像下面我这张白莲花的照片是个陶瓷做的莲花，我跟这个莲花之间是隔了一块玻璃，玻璃上有冬天常常会见到的那种水雾凝成的小水珠。所以在这朵白莲花的左右两侧，你可以看到里面其实是有细节的，你仔细往里盯着看能看到水珠，也能看到一点点的颜色的深浅的变化等等，肯定不是空无一物的，那块也绝对不是曝光过度的。所以这样的画面就会耐看一些，不仅在手机上用小图的形式好看，而且把它放得很大很大挂在墙上的时候它依然是好看的。© 叶梓和它很类似的是我在我们家小区游泳池里面拍的一张照片，拍的是我的妻子李杜宇。我让她双手拍打水面，把空气带到水下来形成很多小气泡。气泡多了以后，我拍到的水里面就会有很丰富的一些质感，很好看。再加上这张照片其实是由一个小卡片机拍摄的，我把感光度调得很高，所以画面中也充斥着一些高感光度带来的颗粒感。© 叶梓这个就会启发我们，有的时候我们还真的挺喜欢感光度带来的的噪点的。你会发现在网上有很多照片都带有很强烈的噪点，而且还有很多大师的杰作，噪点也非常非常明显，我们看它的时候也并没有觉得有什么不妥。甚至是我们在后期处理软件中，Photoshop或者是Lightroom这种软件里面，你还会见到增加噪点的选项，这就足以证明噪点这个事它不见得是个坏处，有的时候我们需要。下一次你在拍摄这种大量留白的画面的时候，如果你觉得有点无聊，不妨试着增加一点噪点，感受一下它带来的质感变化会不会让画面变得感觉更好。最后还是提示一下，有一种情况是我们真的不想要噪点的，什么情况呢？就是拍风光的时候，因为这是以清晰为美的画面，我们需要它保持最好的画质，噪点这个东西是越少越好。这就是为什么有的风光摄影师在讲课的时候会提醒大家，一定要尽量用最低的感光度，一定要带上三角架去拍照的原因。但是但是呢，我也要再次提醒大家，法无定法，在风光摄影领域也确实有老手、有高手是特别喜欢用噪点来表达自己的。比如说来自英国的迈克尔·肯纳(Michael Kenna)，他的很多照片就有很强烈的噪点。© Michael Kenna那么今天我们的分享就到这里。顺便一提，昨天的语音有点问题，结尾的地方突然断掉了，所以今天我们在二条中重发，感谢大家的提醒。想加入我们摄影早自习微信群的同学可以加我的个人微信，我的微信号是：nihaoyelaoshi，加了我以后跟我说“影友入群”，我就会拉你进去。我为大家录制的更多摄影好课，请见“阅读原文”。今天是摄影早自习陪伴大家的第1544天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
早安，我是叶梓，今天是摄影早自习陪伴大家的第1544天。今天是周三，我们应该来谈一个有关审美的话题，今天想跟大家谈一个有关于我们用质感去填充画面中原本空无一物的空间这么一个话题。什么意思呢？就是说有的时候我们想让画面有点意境，我们就不会把这个事物填充在整个照片里的每一个角落，我们会出现大量的留白，对吧。我补充一下，这个留白的“白”字不是指的白色的白，是指的一种空间，那里边没有什么很确切的物体。实际上这个留白留出来的可能是黑，可能是蓝，可能是红……什么都可以，只要它是几乎空无一物的就行。那么这个留白留出来以后呢，画面主体当然就会变得比较突出，重点非常清晰，观众看这张照片不会需要很费力气，而且因为有大量空白，所以它有一个发呆的这么一种气氛在里面。但是如果你真的留的是纯白纯白的白，也就像下图这样，曝光过度的白，或者是那种纯黑纯黑的黑，是完全曝光不足的黑。那这个时候画面中真的是空无一物了，观众是眼睛看瞎了也看不出里边还有什么别的东西来。所以它们其实就没有必要在你的照片上花什么心思了，喵一眼就了解了。转身就走。image by Pexels from Pixabay这种真真正正的纯白、纯黑还有另外一个缺点，就是它没有了照片独有的、摄影独有的那一种真实感，因为世界上所有的物体都是有质感的。所谓质感其实就是指它的表面有一些独有的、细微的结构。比如说一个布的表面的质感跟石头的表面质感是完全不一样的。所以你拍下来的照片，如果背景是纯白纯黑的，那就意味着这个画面里真的是没有任何的质感。没有质感的画面看上去就是有点假的，有点像画的，至少也是P出来的，对不对？所以我们更希望的是画面中充斥着一些质感。就像下面我这张白莲花的照片是个陶瓷做的莲花，我跟这个莲花之间是隔了一块玻璃，玻璃上有冬天常常会见到的那种水雾凝成的小水珠。所以在这朵白莲花的左右两侧，你可以看到里面其实是有细节的，你仔细往里盯着看能看到水珠，也能看到一点点的颜色的深浅的变化等等，肯定不是空无一物的，那块也绝对不是曝光过度的。所以这样的画面就会耐看一些，不仅在手机上用小图的形式好看，而且把它放得很大很大挂在墙上的时候它依然是好看的。© 叶梓和它很类似的是我在我们家小区游泳池里面拍的一张照片，拍的是我的妻子李杜宇。我让她双手拍打水面，把空气带到水下来形成很多小气泡。气泡多了以后，我拍到的水里面就会有很丰富的一些质感，很好看。再加上这张照片其实是由一个小卡片机拍摄的，我把感光度调得很高，所以画面中也充斥着一些高感光度带来的颗粒感。© 叶梓这个就会启发我们，有的时候我们还真的挺喜欢感光度带来的的噪点的。你会发现在网上有很多照片都带有很强烈的噪点，而且还有很多大师的杰作，噪点也非常非常明显，我们看它的时候也并没有觉得有什么不妥。甚至是我们在后期处理软件中，Photoshop或者是Lightroom这种软件里面，你还会见到增加噪点的选项，这就足以证明噪点这个事它不见得是个坏处，有的时候我们需要。下一次你在拍摄这种大量留白的画面的时候，如果你觉得有点无聊，不妨试着增加一点噪点，感受一下它带来的质感变化会不会让画面变得感觉更好。最后还是提示一下，有一种情况是我们真的不想要噪点的，什么情况呢？就是拍风光的时候，因为这是以清晰为美的画面，我们需要它保持最好的画质，噪点这个东西是越少越好。这就是为什么有的风光摄影师在讲课的时候会提醒大家，一定要尽量用最低的感光度，一定要带上三角架去拍照的原因。但是但是呢，我也要再次提醒大家，法无定法，在风光摄影领域也确实有老手、有高手是特别喜欢用噪点来表达自己的。比如说来自英国的迈克尔·肯纳(Michael Kenna)，他的很多照片就有很强烈的噪点。© Michael Kenna那么今天我们的分享就到这里。顺便一提，昨天的语音有点问题，结尾的地方突然断掉了，所以今天我们在二条中重发，感谢大家的提醒。想加入我们摄影早自习微信群的同学可以加我的个人微信，我的微信号是：nihaoyelaoshi，加了我以后跟我说“影友入群”，我就会拉你进去。我为大家录制的更多摄影好课，请见“阅读原文”。今天是摄影早自习陪伴大家的第1544天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
This week we talk to landscape film photographer Angus Haywood about building his own darkroom in a shed behind his house, seeing the world in a square aspect ratio, and the pace and people you experience when shooting film. Guest: Angus Haywood (http://www.angushaywood.com/), Instagram (https://www.instagram.com/angus_haywood_photography/), Facebook (https://www.facebook.com/angushaywoodphotography) Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-76-haywood)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Bosham Gallery (https://boshamgallery.com) Episode 74: Michael Kenna and His New Book ‘Buddha’ (https://www.photoactive.co/home/episode-74-kenna) Piezography Inks (https://piezography.com) Our Snapshots: Jeff: Avalanche (https://cyme.io/avalanche-photo-conversion/) Kirk: - Kirk: Shooting in High ISO (https://fujifilm-x.com/global/stories/the-newest-film-simulation-acros/) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed, you’re automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.
We’re pleased to welcome back Michael Kenna to the PhotoActive podcast. In this episode, we chat with him about his new book Buddha, how the COVID-19 pandemic has affected a photographer that spends much of his time traveling, and the value of finding treasure in one’s photo archive. Guest: Michael Kenna (http://michaelkenna.net/) Instagram (https://www.instagram.com/michaelkennaphoto/) Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-74-kenna)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Michael's books mentioned in the podcast: Buddha (https://amzn.to/3kC9wYw) Rafu (https://amzn.to/33OybDp) Holga (https://amzn.to/30J6KsK) Mont St. Michel (https://amzn.to/2XPJMOB) Publishers: Prestel (https://prestelpublishing.randomhouse.de/PublishingHouse/Prestel/58500.rhd) Nazraeli press (https://www.nazraeli.com) Our Snapshots: Jeff: Sugru (https://amzn.to/30OEe8U) Kirk: MetaImage app (https://neededapps.com/metaimage/) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed, you’re automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.
Welcome to the Frame Focus Foto podcast! In this very first episode Digital Len and Analog Mike introduce themselves and talk about their photographic backgrounds! Sit back, relax and enjoy some photography chatter! Show Notes Olympus XA: https://en.wikipedia.org/wiki/Olympus_XA Canon Powershot A540: https://www.dpreview.com/products/canon/compacts/canon_a540 Fujifilm X100S: https://www.dpreview.com/reviews/fujifilm-x100s Canon 5D MkII: https://en.wikipedia.org/wiki/Canon_EOS_5D_Mark_II iPhone 11 Pro: https://www.apple.com/hk/en/iphone-11-pro/?afid=p238%7CsEL5YgUgd-dc_mtid_20925x0a40395_pcrid_437459955242_pgrid_79520504578_&cid=wwa-hk-kwgo-iphone-slid--Brand-iPhone11Pro-Evergreen- GoPro Hero 8: https://gopro.com/en/hk/shop/cameras/hero8-black/CHDHX-801-master.html Ulanzi (phone photography accessories): https://www.ulanzi.com Cathay Camera Club: https://www.cathaycameraclub.com Michael Kenna: https://www.michaelkenna.net/index2.php Alex Webb, The Suffering Of Light: https://aperture.org/shop/alex-webb-the-suffering-of-light Kelby One: https://kelbyone.com Chase Jarvis, The Best Camera: https://www.chasejarvis.com/project/the-best-camera/ Where to find us: Web: www.framefocusfoto.com Instagram: @framefocusfoto Twitter: @framefocusfoto Facebook: Frame Focus Foto
We encourage all of our listeners to register for the free digital online edition of the Outdoor Photo/Video Travel Imaging Conference (OPTIC) 2020 hosted by B&H and sponsored by Panasonic, Sony, Nikon, Canon, FUJIFILM, Godox, and many others. As most of you know, the B&H Photography Podcast has regularly attended this annual conference, in New York, and recorded wonderful interviews with the likes of Michael Kenna, Joyce Tenneson, and Ron Magill. This year, the conference will be held online, but still with an incredible lineup of photographers and speakers, including keynotes speakers Ami Vitale and Clyde Butcher. On today’s episode of the podcast, we offer a taste of the photographic insight found at OPTIC. First, we welcome wildlife and bird photographer Lisa Langell, who is also at Tamron and FotoPro Ambassador. With her photo gracing the cover of the current issue of Outdoor Photographer magazine, Langell discusses creating wildlife photography for the home and hotel décor market, about her favorite places in Alaska to photograph bear, and about the personal and interactive way she hosts seminars and webinars. She provides food for thought to those looking for new ways to photograph wildlife. After a break, we welcome National Geographic photographer and Sony Artisan of Light Pete McBride. McBride speaks of his amazing 750-mile walk across the Grand Canyon, which became a NatGeo story, and also a book and a feature-length documentary. At OPTIC you will get the full story—from “River to Rim”—along with images, but we also spoke with McBride about his long-term work shooting the world’s river systems; we gained some insight into aerial photography; and learned how his Sony a7RII weathered a year in the Grand Canyon—and with which he created not only a magazine story, but a book and a movie with that one camera. Also, do not forget to enter The B&H Photography Podcast Leica Photo Challenge for your chance to win a new Leica Q2 Digital Camera Guests: Lisa Langell and Pete McBride Photograph © Lisa Langell
On today's episode Tomash is talking to Michael Kenna, one of the most renowned fine art photographers out there.
In this episode Paul travels to the Bosham Gallery on the South Coast to chat with owner Luke Whitaker about their Michael Kenna ‘45 Year Retrospective’ exhibition. Michael Kenna (born 1953) is one of the most acclaimed landscape photographers of his generation. His photographs have been the subject of some 50 monographs and are held in the collections of over 100 museums worldwide. Kenna does not seek to present an accurate copy of the world, but to extract something original and emotive from it. He prints all his own work in the darkroom, ensuring that the tonality of his small, black and white images is evocative rather than informative, interpretive rather than documentary. Paul and Luke discuss some of Michael’s work, his process and how other photographers can be inspired by his consistency and aesthetic. Also, they discuss the reality of running a photographic gallery, what works and what doesn’t, along with how to finesse and create your own photographic style. Thanks as ever to WEX Photo Video & Fotospeed for supporting the show. We’ll be back in two weeks time when we catch up with a rising star in the Wildlife photography scene, Tom Mason.
We catch up with Elizabeth Roberts, editor of 'Black & White Photography' magazine, here in the latest episode. Paul chats with Elizabeth about what makes compelling photography, the importance of play and of course the state of the photographic press and the realities of running a magazine. Also in this show we mention the upcoming Linda McCartney exhibition up in Glasgow and also the Michael Kenna exhibition at the Bosham Gallery. Our next episode will be an interview with gallery owner Luke Whittaker discussing Michaels work and exhibiting in general. Many thanks for listening and to WEX Photo Video and Fotospeed for supporting the show. Check out www.thetogcast.com for more info.
The one where I chat to Michael Kenna, a third generation butcher in the heart of Kilkenny city about life on both sides of the counter.
Maybe you've used Apple Photos and are looking for more editing features, or perhaps you're in the Lightroom ecosystem and weary of subscription pricing. In this episode, Kirk and Jeff chat about other photo editing applications you may not be aware of. Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-45-editing-apps)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Episode 44: Minimalist Photographer Michael Kenna (https://www.photoactive.co/home/episode-44-kenna) The Composition of Michael Kenna’s Photographs: Leading Lines (https://www.kirkville.com/the-composition-of-michael-kennas-photographs-leading-lines/) Lightroom (https://www.adobe.com/products/photoshop-lightroom.html) Affinity Photo (https://affinity.serif.com/en-us/photo/) Luminar (https://skylum.com/luminar) Pixelmator Pro (https://www.pixelmator.com/pro/) Capture One Pro (https://www.captureone.com/en/) Alien Skin Exposure (https://www.alienskin.com/exposure/) Picktorial (http://picktorial.com) ON1 Photo Raw (https://www.on1.com) RAW Power (http://rawpower.app) The Ins and Outs of Non-destructive Editing in Photos for Mac and iOS (https://tidbits.com/2019/06/14/the-ins-and-outs-of-non-destructive-editing-in-photos-for-mac-and-ios/), by Nik Bhatt at TidBITS Picktorial 4.0 Review (https://www.macworld.com/article/3394881/picktorial-4-0-review-photo-editor-enhances-its-organizing-features.html), by Jeff in Macworld Capture One Pro 8.3 review: Aperture replacement light on library features, strong on editing tools (http://www.macworld.com/article/2953720/software-photography/capture-one-pro-8-3-review-aperture-replacement-light-on-library-features-strong-on-editing-tools.html) (old version) Episode 38: Levels and Curves with Nik Bhatt (https://www.photoactive.co/home/episode-38-levels-curves) Episode 26: RAW Power 2.0 (https://www.photoactive.co/home/episode-26-raw-power) Our Snapshots: Jeff: TPE (https://www.photoephemeris.com/), PeakVisor (https://peakvisor.com) Kirk: Holga (https://en.wikipedia.org/wiki/Holga) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed, you’re automatically entered. If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.
Michael Kenna has been photographing for 45 years, and is well known for his minimalist, black-and-white landscape photos. Kirk took a trip to Bosham, on the southern coast of England, to see a 45-year retrospective exhibit of his work, and to talk with Michael Kenna about his photography. Sponsor Neomodern: Neomodern treats your photos like art, offering simple, affordable concierge printing and framing. Neomodern works with you to make gorgeous work from your images that you'll be proud to hang on your walls. Go online or drop in to the gallery at 1898 Union Street in San Francisco. PhotoActive listeners can get 20% off any order using the code PODCAST! https://www.neomodern.com (https://www.neomodern.com) Guest: Michael Kenna (http://michaelkenna.net/) Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-44-kenna)) Michael Kenna - A 45-Year Retrospective, Bosham Gallery (https://boshamgallery.com/exhibitions/15/) Ripples and Reflections, Banbury, Oxfordshire, England 1973 (https://boshamgallery.com/exhibitions/15/works/image_standalone328/) Big Ben and Westminster Abbey, London, England 1975 (https://boshamgallery.com/exhibitions/15/works/image_standalone317/) Rafu (http://www.amazon.com/exec/obidos/ASIN/1590054989/kirkmcelhearn) Sadakichi's Docks, Otaru, Hokkaido, Japan 2012 (https://boshamgallery.com/exhibitions/15/works/image_standalone329/) Hillside Fence, Study 5, Teshikaga, Hokkaido, Japan 2004 (https://boshamgallery.com/exhibitions/15/works/image_standalone311/) Flying Bird over San Marco, Venice, Italy 1990 (https://boshamgallery.com/exhibitions/15/works/image_standalone308/) Moon Set, Lake Campotosto, Abruzzo, Italy 2015 (https://boshamgallery.com/exhibitions/15/works/image_standalone319/) Salvador Dali, The Persistence of Memory (https://www.moma.org/collection/works/79018) Winding Wall, Mont St. Michel, France 2004 (https://boshamgallery.com/exhibitions/15/works/image_standalone337/) Harold Edgerton (https://edgerton-digital-collections.org) Kussharo Lake Tree, Study 6, Kotan, Hokkaido, Japan 2007 (https://boshamgallery.com/exhibitions/15/works/image_standalone324/) Photo Book Review: Holga by Michael Kenna (https://photos.kirkville.com/photo-book-review-holga-by-michael-kenna/) Huangshan Mountains, Study 25, Anhui, China. 2009 (http://michaelkenna.net/gallery.php?id=8) Huangshan Mountains, Study 42, Anhui, China. 2010 (http://michaelkenna.net/gallery.php?id=8) Chrysler Building, Study 3, New York, New York, USA 2006 (https://boshamgallery.com/exhibitions/15/works/image_standalone302/) Flying Bird over San Marco, Venice, Italy 1990 (https://boshamgallery.com/exhibitions/15/works/image_standalone308/) Mont St. Michel, France 1991 (https://boshamgallery.com/exhibitions/15/works/image_standalone318/) Photo Book Review: Mont St. Michel, by Michael Kenna (https://photos.kirkville.com/photo-book-review-mont-st-michel-by-michael-kenna/) Photography Book Review: France, by Michael Kenna (https://photos.kirkville.com/photography-book-review-france-by-michael-kenna/) Le Notre's Gardens, France, 1987-2009 (http://michaelkenna.net/gallery.php?id=31) Quixote's Giants, Study 5, Campo de Criptana, Spain 1996 (https://boshamgallery.com/exhibitions/15/works/image_standalone334/) Chateau Lafite Rothschild, Study 6, Bordeaux, France 2012 (https://boshamgallery.com/exhibitions/15/works/image_standalone305/) Trees, Burford, Oxfordshire, England 1983 (https://boshamgallery.com/exhibitions/15/works/image_standalone333/) Recent Work (http://michaelkenna.net/gallery2.php?id=11) Six Flying Birds, Bath, Avon, England. 1987 (http://michaelkenna.net/gallery2.php?id=11) Michael Kenna's books (http://michaelkenna.net/publications.php#1) Rafu photos (http://michaelkenna.net/gallery.php?id=107) Ruth Bernhard (https://en.wikipedia.org/wiki/Ruth_Bernhard) Nazraeli Press (http://www.nazraeli.com) One Picture Book #92: Kussharo Lake Tree (http://www.nazraeli.com/opb/michael-kenna-one-picture-book-92-kussharo-lake-tree) Thanks to Luke Whitaker and Angus Haywood of Bosham Gallery for their warm welcome. And thanks to Michael for the ice cream. Our Snapshots: Jeff: Bypass the Camera Roll in iOS 13 (https://jeffcarlson.com/2019/06/03/bypass-the-camera-roll-in-ios-13/) Kirk: Forms of Japan: Michael Kenna (https://amzn.to/2KwflY4) Subscribe to the PhotoActive podcast mailing list at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed to the mailing list, you’re automatically entered. If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.
In this episode of PhotoActive, we have some specific ideas about photographing with constraints. Whether you’re looking to expand your knowledge of individual shooting features (such as aperture or shutter speed) or get out of a creative rut, imposing constraints on yourself can actually turn out to be a freeing exercise. Sponsor Gentlemen Coders RAW Power 2 lets you process raw files on your Mac with full control over Apple’s raw engine, offering features previously available only in Aperture. It has exceptional highlight recovery, as well as noise reduction, capture sharpening, gamut mapping, and more. RAW Power also works with JPEGs, TIFFs, and other standard image formats. RAW Power 2 runs as an extension in Apple Photos or as a standalone app. RAW Power 2 for iOS is a full photo library app that offers the same features, and works with your existing Photos library. Learn more at rawpower.app (https://rawpower.app). Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-36-constraints)) Production Note: We’ve decided to change the frequency of episode releases to fortnightly (every two weeks) due to current commitments we both have. Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) PhotoActive #10 - Quintin Lake’s Long Photo Walk (https://www.photoactive.co/home/episode-10-quintin-lake) Photo: Ripening (https://www.kirkville.com/photo-ripening/) PhotoActive #3 - Black and White (https://www.photoactive.co/home/hbjd5jmzachebladjpsfy37342j4fa) In the Real World (https://www.youtube.com/watch?v=Lq3N2KWAttU), the William Eggleston documentary PhotoActive #8 - Gordon Laing on Taking Great Photos In Camera (https://www.photoactive.co/home/episode-8-gordon-laing) Three Notable New Photobooks: Don McCullin, Michael Kenna, and Todd Hido (https://www.kirkville.com/three-notable-new-photobooks-don-mccullin-michael-kenna-and-todd-hido/) Our Snapshots: Jeff: Using iOS Shortcuts to Import Photos into Lightroom CC Mobile (https://jeffcarlson.com/2019/01/23/using-ios-shortcuts-to-import-photos-into-lightroom-cc-mobile/) Kirk: Bright Black World (http://www.amazon.com/exec/obidos/ASIN/159005475X/kirkmcelhearn), by Todd Hido Subscribe to the PhotoActive podcast mailing list at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed to the mailing list, you’re automatically entered. If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.
Guest: - Katrin Eismann (http://katrineismann.com) - Katrin's Instagram (https://www.instagram.com/katrin_eismann/) - School of Visual Arts (SVA) Digital Photography Program (http://www.sva.edu/graduate/mps-digital-photography) - Adobe Photoshop Restoration & Retouching (4th Edition) by Katrin Eismann, Wayne Palmer, Dennis Dunbar (https://amzn.to/2OzEMHl) Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show Notes: Kodak (Wikipedia) (https://en.wikipedia.org/wiki/Kodak) Apple QuickTake (Wikipedia) (https://en.wikipedia.org/wiki/Apple_QuickTake) Renowned film director Wim Wenders hits out at 'phone photography' (https://www.bbc.co.uk/news/av/entertainment-arts-45011397/renowned-film-director-wim-wenders-hits-out-at-phone-photography) Michael Kenna's photo of Stonehenge (https://huxleyparlour.com/works/stonehenge-wiltshire-england-1990/) Robert Capa: In Love and War (http://www.pbs.org/wnet/americanmasters/robert-capa-in-love-and-war/47/) Subscribe to the PhotoActive podcast mailing list at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you’ve already subscribed to the mailing list, you’re automatically entered. Our snapshots: Jeff: A Photojournalist's Field Guide: In the trenches with combat photographer Stacy Pearsall (https://amzn.to/2D9dvKB) Kirk: Paul Hart: Farmed (https://www.paulhartphotography.com/books/t8b014xmotw4ljcj1kv5wsyb2cewmj) If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.
Well, I survived Hong Kong. That’s about the best way to put it. If you listened to my previous shows you heard my conversation with Mia Beales with Guilin Photo Tours and how awesome that area of China is. You also heard about my other plans and what I was going to shoot there in HK. Virtually nothing went according to plan. To back up a bit, my initial goal with my journey was to show the opposite of what you expect to see from Hong Kong. In my head, I called it the “softer” side of Hong Kong. And to a large degree, I was successful. I was able to get out and hike some trails and photograph the lush landscape that you just don’t associate with Hong Kong. I was also able to find some fantastic structures along those trails, either where people live, or where they used to live. I started on Lantau Island. It’s such a beautiful place. And I had planned a very detailed itinerary and even designed it as a booklet and printed it so I’d have a copy for easy reference. I’ve done this before and it’s worked well. The main benefit is that in planning so much I have all these options and photo locations floating around in my head. So as I need to, I can alter the plan on a whim. And I did and it worked great. I still got to all my locations on Lantau Island, just not in the order I originally planned them. But that didn’t matter. I was having a blast exploring and seeing the side of Hong Kong that most people don’t even know about. Their hiking paths are rather interesting, and very well maintained. Lantau is rather mountainous, and these paths, for the most part, are raised concrete and rock paths that are about three to five feet wide. They’re so easy to follow you simply can’t get lost. And every 500m they have sign posts with numbers on them. If you get into trouble you just call emergency services, tell them the nearest sign post and they’ll know where you are. It’s great. I walked from the Po Lin monastery back towards my room in Mui Wo, about a nine mile journey. I only made it half way (to the main road) because I just kept stopping and shooting along the path and I was taking way to long to get this hike done. But I didn’t care. I was having the time of my life! This continued for a couple of days until my videographer friend showed up. My other intent for this trip was to shoot a series of training videos and he was going to help. I had a script all written for the main parts and then we’d get some more candid items as well. He showed up on Thursday, so that meant Friday and Saturday were essentially “recovery” days, although on Saturday we went to Macau and in total we walked about 11 miles! Then we got to shooting on Sunday and by Sunday evening we were doing wonderfully, things were really clicking. However, I woke up Monday morning completely sick. Totally and utterly sick. To make a long story short, I got food poisoning so bad I had to go to the hospital. I was upset, depressed, an assortment of emotions was running through me as I laid there trying to get better. I cancelled my China Excursion. After all, I know my health is more important than getting any shot, and I also know myself. I knew that I had a good chance of being released on Wednesday and with my need to get on the train to China on Thursday, that was just going to be too much. As I laid there I started thinking about a whole bunch of things. I had time, and thinking was about all I could do, that and watch meaningless TV. I thought about how this summer had led up to me going to HK, and what I planned to do after I got back. I became rather retrospective. I began to think, “what’s important here?” What can I still get out of this trip to HK, and more broadly, am I doing what I need to do in life to achieve my goals? What are my goals? And this is why this episode is called “turning point.” In that hospital bed I believe I was able to contemplate a few things and that started me down this mental journey of honing my ideas and getting things in line where they need to be. In reality my first decisions along this line took form in November 2017, when my business partner and I decided that it was time to either make it or break it as far as my company, Brent Rents Lenses, is concerned. I’d been working on that for 3.5 years at that time and things weren’t going as planned there either. We set a plan in motion that would either see growth, or, as it turns out, demise. So in July I announced that the company was closing. My job has also seen some changes. I’ve been working on reducing some of the “extra” stuff I do so I can spend more time on curriculum development. There’s so many things I’m responsible for that a regular faculty member isn’t and I’ve come to the point where I just had to start whittling away at things. So things were well on their way and the groundwork had been laid for me to vastly simplify my life. Closing things down at work so I can focus on my research and course development coupled with closing the company… They were painful decisions, but in the end, smart decisions. But what does this have to do with anything and why am I thinking about all this in a Hong Kong hospital bed? It boils down to one word. And that is failure. Or more pointedly, the fear of failure. I seemed that once again I’d failed. These other items I hadn’t really considered failure so much, especially not the decisions made at work to allow me to focus on what the school pays me to focus on. That was about reducing my overload. With the company, I’d come to terms with it. I was OK with it. Not a huge deal. But as I lay there the prospects of yet another item that was flopping on its face and I could do nothing about it. It got me thinking. Maybe it wasn’t the best thing for me to do, but it happened. I’m a man of faith. So my contemplation of these things certainly had a spiritual overtone to them as well. And I was in a faith-based hospital as well which did good for my soul, that’s for sure. The hospital chaplain visited and that certainly was uplifting, we actually had a few things in common. So I started forming some new goals and reforming existing ones. And these were larger ideas, not just focusing on my time there in HK. It involves my photography and it involves my work. And after having been back two weeks I think I finally have something that’s starting to take shape and something that makes sense. And after having been rather sour about the whole HK journey my thoughts were further galvanized. So here it goes. I figured I need a few things to happen. If I’m going to be serious about these things there must be some action. So I’ve identified a few of these things that need to happen, they are: I simply need to shoot more. I love the craft of photography. I love everything about it. However, compared to most of you, I rarely do it. I MUST do more. And so to do more of it, I welcome you all to post your planned outings in the Latitude facebook group. If you’re in the Pacific NW and I can make it, I’ll do what I can to get out there and join you. I was going to do just that with a listener who is currently at the Pendleton Roundup, one of the largest roundups around with over 75K people in attendance. There’s less than ¼ that number for their entire population! But alas it didn’t work out. My goal is to get out way more than I have in the past. And if I’m heading out on a shoot where I can have company I’ll make a mention in the facebook group as well. I need to write more. My blog and my podcast will possibly benefit from me writing more, but maybe I suck as a writer. I don’t know, but I’m going to do it anyway. I need to experience more. Whether it’s to travel someplace, alone or with the family. Getting out there is a driving force in my life. I need to do more of it. And that’s about it. It’s rather simple. My trimming things back this summer will ultimately help me achieve these goals. But I can’t do these immediately, at least not to the level I want to do them. I do have some projects that I must finish up before I can realize these three goals I just laid out. So, for the next six months or so I’ve decided to continue scaling back so that I can get these items out of the way and I can move forward. I’m pretty sure these “needs” will morph over this time as well and I’m OK with that. However, I’m not going to be a hermit, so there’s a few things that’s happening now. I’m still going to focus on that training video we were shooting in HK. I think we got enough done that I can still pull something together. My Croatia workshop is the only big workshop I’m doing this summer. I’ll have more on that later I’ve started advertising on my site about custom private workshops. Whether someone has a need that requires a skype conversation or if you’re looking to travel to my neck of the woods, hit me up. I’ll plan an experience for you or we can plan it together. I’ve decided that attending the Create Photography Retreat in Las Vegas this March won’t be possible, at least presently. This decision hurts the most. But planning a workshop and the lessons I’d want to present will simply take too much time between now and January and I had to let something go. Hopefully my situation can change, maybe one of my projects will get done more quickly than I expected, and things can change. I’m keeping my fingers crossed. My printing course is also still on the docket. It just got pushed back a bit. That’s one of my many projects I’ve been vaguely talking about. So that pretty much sums up my summer. One where pretty much nothing went according to plan and yet it’s all still falling into place. It tends to work out somehow J My time in the HK hospital also got me thinking specifically about my approach to photography in general. I claim that I like to be “thoughtful and purposeful” in my craft, but am I really? I think I still too often fall into a “spray and pray” shooting category, and sometimes I admit that’s needed. I had time to get rather philosophical and I recalled some images from Michael Kenna. If you haven’t seen his work, you absolutely should look him up. He’s one of my ultimate photography heroes. He’s an absolute master at simplifying the scene so the only items that are left are the ones that matter. And the images are so incredibly strong. He shoots B&W film and that too is awesome. I also turned to some of David DuChemin’s work. He too is an inspiration. You should look him up as well if you’re not familiar with his work. With these thoughts in mind, I knew I needed to rework my approach to my own photography. I believe I was already leaning this direction with my work in Hong Kong but as I was getting frustrated at my inability to be “efficient” at getting shots I knew something was awry with my outlook and my expectations. I then started thinking about my Croatia workshop and how that really wasn’t fulfilling my expectations either. My previous plan had us bouncing all over the place and not spending enough time going deep and really getting what we need to get out of a location. Allow me to read my new description here: Exquisite landscapes amidst rich culture and history… For me, this is what Croatia is about. On this tour you’ll be challenged to dig deep into the very fiber of what makes you a photographer. Whether you’re a beginner and you’re starting to explore what that means for you, or if you’re a seasoned shooter, you’ll be challenged to create a body of work that only you can create. There will be up to six students, and with that, there will be at least six different points of view on how to best photograph our locations. There will be times where you’ll feel frustrated. That happens frequently when we strive for perfection. I’ve crafted this photo workshop tour to provide ample time for you to not only discover a fantastic nation and its people, but to also discover something new about your photography. We do this through constant review and discussion as we’re shooting, and then with follow-up reviews afterwards. The plan is to spend enough time at each location to give you the opportunity to focus and hone your approach. I’d love for you to join me on this great journey as we experience the best photographic wonders Croatia has to offer. There’s also an optional jaunt into Montenegro and Bosnia-Herzegovina planned after the tour as well. So the main part of the journey is about slowing it down and my intent is to provide more time at the best locations Croatia has to offer. However, I couldn’t resist offering a brief optional jaunt into Montenegro and a good look at two of the best items Bosnia-Herzegovina has to offer too. All the info is available on my website. I’d be honored to have you along for the adventure. Well I hope this hasn’t been too much of an expose of my inner most thoughts, fears and dreams. I suppose if you made it this far you weren’t scared off too much. Anyway, I so greatly appreciate your support through listening to this show, and I hope you’ll think it worthy of sharing it with others. As for the immediate future I’ll be arranging more interviews with other photographers for the podcast. Those will happen later in October and November of this year. So my production will take a short dip as I get the school year up and running. Thanks again so much for being here. Until next time, happy shooting! Use this link for excellent gear at the Peak Design website. It helps support my podcasting efforts. Thanks! Use this link to get a free gift at checkout, plus it helps support my podcasting efforts. Thanks!
到底是什么动机让我们想拍黑白照片？【课程概况】时间：2018年7月21日-22日地点：深圳罗湖老街人数：12-20人学费：¥3870课程咨询微信：yannizhong课程咨询电话：186-7552-2837【学员要求】有摄影基础；喜爱街拍纪实摄影；相机机型不限。【报名方法】发送20张你的摄影作品至katofamily@163.com；题材不限、器材不限、后期不限；单张或组照均可；建议是生活/纪实/旅行类摄影作品；邮件标题格式：【报名特训】姓名+电话；邮件正文可附照片标题及说明；预报名请联系课程顾问（微信：yannizhong）缴纳100元预备报名费；收到录取通知邮件后缴纳剩余学费即可；未被选中的学员将会如数归还报名费。【更多详情】请关注微信公众号“摄影早自习”，回复：深圳 早安，我是叶梓，今天是摄影早自习陪伴大家的第810天，我将回答秦岭神树同学提的一连串的问题。 他说什么题材才适合拍黑白，还是说所有的题材都适合拍黑白？他说很多地方的摄影协会都是“一言不合就黑白”。我想他这里边还有一层意思。就是现在网上比较流行的说法“格调不够，黑白来凑”。最后他又说，目前这个阶段，他觉得彩色、颜色还是他画面中很重要的组成元素，完全去掉以后不利于他的表达和记录。我之前好像有谈过什么样的照片适合拍黑白，所以今天我们就换个角度来聊一聊。 首先肯定不是说某种题材适合拍黑白。所有的题材都有可能会有拍黑白比拍彩色好看的时候。比如说我之前就给大家举过的例子——英国的著名摄影师迈克尔肯纳，他拍的片子就绝大部分都是黑白的，而且还都是胶片拍的。他作为一个现代的摄影师，当然是有这个条件去拍彩色照片的，但是他却依然选择用黑白来拍风光。摄影：迈克尔·肯纳（Michael Kenna） 而在国内，很多人都会觉得风光就应该拍彩色的。那实际上你回头想一想，不就是蓝天绿草地再来个粉色的、黄色的或紫色的花吗？即便你拍黑白照片，这里面的颜色其实观众也是能想象得出来的。换句话说，那些颜色不是最重要的信息，不是缺一不可的信息。 不过话又说回来，从整体上来看，纪实摄影这个题材用黑白的形式来表现，比其它的题材可能要更常见一些。那为什么会这样子呢？黑白照片比起彩色照片来到底有什么样的一些特点呢？我们来做一些简单的分析。 首先，黑白照片因为去掉了色彩，所以会更简洁一些。比如说你想拍摄这个场景色彩在其中不仅不是一个加分项，而且还让整个照片变得更乱了，那么这个时候拍黑白照片就能巧妙地规避问题。比如说你现在拍一个人，这个人穿的比较素，但背景中有一个人穿着个大红棉袄，她明显就影响了我们对这个主体人物的注意力，那显然这个时候拍黑白会更好。pxhere.com 作者未知 第二种情况是这个场景中几何形状非常的漂亮，线条非常的漂亮或者是光影关系，亮部和暗部组成的形状非常漂亮，在这个时候，拍黑白照片看似是丢弃了一些色彩信息，有点可惜，但是实际上正是这种舍弃反而强调了这张照片的特点，因为不管是形状还是线条还是光影关系，都不需要用色彩来表现。pxhere.com 作者未知 黑白照片的第三个特色是因为它去掉色彩信息以后，我们看这张照片时就不会觉得它是简单的用肉眼能看到的那个世界，它已经对整个世界进行了某种加工，进行了某种有意识的选择，这使得摄影这件事儿和我们直接简单地去拷贝大自然的杰作有了一个非常明显的区分。 前者是经过艺术加工处理的，后者总会给人一种简单地复制的感觉。很多人拍风光照拍得非常漂亮，但是给别人看的时候就会说“这个风景好美，这是哪啊？我也要去！”你看，别人的注意力都在这个风光上，根本就没有在你的照片上，就好像这个作品的创作跟你没什么事似的。但黑白照片就不会这样子，他好像总是在暗示人们“我是有思想要表达的噢！你一定不要只看表象哦！你要去体会一下这个照片背后的魅力！”这样一来，如果有些摄影人不希望观众把注意力都只集中在那些构图、光线、色彩的问题上的话，他可能就会选择用黑白来拍照，指望大家能够更安静更严肃的去看待她的作品。 当然我们拍黑白可能还有很多别的原因。比如说在拍了很久的彩色照片以后，突然拍张黑白觉得很有新鲜感或者是很怀旧啦等等……熟悉我的同学可能知道我手头用的最习惯一台相机是叫徕卡MM，是一台只能拍黑白的数码相机，所以最近产出的很多照片都是黑白照，也被问了无数次“为什么要拍黑白”。为此我甚至写过一篇文章，文章的开头第一句话就是说我拍黑白这件事其实就像我换了一种肥皂洗澡一样，其实是不用跟任何人解释的。我的意思不是你们不该问啊，你们问什么样的问题我都非常乐意解答，我真正的意思是说有的时候我们选择拍彩色还是拍黑白，也就只是一种个人的喜好而已，没有必要把这个事情搞得过于复杂。 另外前段时间也有人在早自习的后台留言说到这个问题，他说“小时候是因为没有彩色照片的技术，所以被迫拍黑白片，现在能拍彩色了，不明白有的人为什么总是要去拍黑白照？”其实我们在做艺术创作的时候才不会管你这个技术是先来的还是后来的呢。你哪怕是几百年前就有了的雕塑和绘画艺术，我们现在不一样很喜欢吗？在艺术相关的技术领域里面，并不是说年轻的技术就一定比那些老的技术要好。 另外“一言不合就拍黑白”这件事其实我们也可以冷静地看待。多一些人喜欢拍黑白不是挺好的吗？可能人家现在拍的还不好，可能人家过于自信，但是每个人都有初学的时候。黑白摄影并不是那么的容易，喜欢的话你就拍，拍的不好就想办法拍的更好就行了。我们不盲目的崇拜黑白，也不应该对黑白抱有成见——认为那些去拍黑白的人就是为了装个样子。 那今天我们就聊这么多，接下来是活动通知：7月21日和22日，也就是下周六和下周日，我会在深圳举办“街头纪实摄影的特训营”，这是一种强度很高，教学方式非常新颖，而且真正能解决你的问题，帮你突破瓶颈的一种训练方式。事隔几年我又到了深圳授课，所以在深圳的小伙伴们就不要错过了。 今天是摄影早自习陪伴大家的第810天，我是叶梓，每天早上6：30，微信公众号“摄影早自习”不见不散。
到底是什么动机让我们想拍黑白照片？【课程概况】时间：2018年7月21日-22日地点：深圳罗湖老街人数：12-20人学费：¥3870课程咨询微信：yannizhong课程咨询电话：186-7552-2837【学员要求】有摄影基础；喜爱街拍纪实摄影；相机机型不限。【报名方法】发送20张你的摄影作品至katofamily@163.com；题材不限、器材不限、后期不限；单张或组照均可；建议是生活/纪实/旅行类摄影作品；邮件标题格式：【报名特训】姓名+电话；邮件正文可附照片标题及说明；预报名请联系课程顾问（微信：yannizhong）缴纳100元预备报名费；收到录取通知邮件后缴纳剩余学费即可；未被选中的学员将会如数归还报名费。【更多详情】请关注微信公众号“摄影早自习”，回复：深圳 早安，我是叶梓，今天是摄影早自习陪伴大家的第810天，我将回答秦岭神树同学提的一连串的问题。 他说什么题材才适合拍黑白，还是说所有的题材都适合拍黑白？他说很多地方的摄影协会都是“一言不合就黑白”。我想他这里边还有一层意思。就是现在网上比较流行的说法“格调不够，黑白来凑”。最后他又说，目前这个阶段，他觉得彩色、颜色还是他画面中很重要的组成元素，完全去掉以后不利于他的表达和记录。我之前好像有谈过什么样的照片适合拍黑白，所以今天我们就换个角度来聊一聊。 首先肯定不是说某种题材适合拍黑白。所有的题材都有可能会有拍黑白比拍彩色好看的时候。比如说我之前就给大家举过的例子——英国的著名摄影师迈克尔肯纳，他拍的片子就绝大部分都是黑白的，而且还都是胶片拍的。他作为一个现代的摄影师，当然是有这个条件去拍彩色照片的，但是他却依然选择用黑白来拍风光。摄影：迈克尔·肯纳（Michael Kenna） 而在国内，很多人都会觉得风光就应该拍彩色的。那实际上你回头想一想，不就是蓝天绿草地再来个粉色的、黄色的或紫色的花吗？即便你拍黑白照片，这里面的颜色其实观众也是能想象得出来的。换句话说，那些颜色不是最重要的信息，不是缺一不可的信息。 不过话又说回来，从整体上来看，纪实摄影这个题材用黑白的形式来表现，比其它的题材可能要更常见一些。那为什么会这样子呢？黑白照片比起彩色照片来到底有什么样的一些特点呢？我们来做一些简单的分析。 首先，黑白照片因为去掉了色彩，所以会更简洁一些。比如说你想拍摄这个场景色彩在其中不仅不是一个加分项，而且还让整个照片变得更乱了，那么这个时候拍黑白照片就能巧妙地规避问题。比如说你现在拍一个人，这个人穿的比较素，但背景中有一个人穿着个大红棉袄，她明显就影响了我们对这个主体人物的注意力，那显然这个时候拍黑白会更好。pxhere.com 作者未知 第二种情况是这个场景中几何形状非常的漂亮，线条非常的漂亮或者是光影关系，亮部和暗部组成的形状非常漂亮，在这个时候，拍黑白照片看似是丢弃了一些色彩信息，有点可惜，但是实际上正是这种舍弃反而强调了这张照片的特点，因为不管是形状还是线条还是光影关系，都不需要用色彩来表现。pxhere.com 作者未知 黑白照片的第三个特色是因为它去掉色彩信息以后，我们看这张照片时就不会觉得它是简单的用肉眼能看到的那个世界，它已经对整个世界进行了某种加工，进行了某种有意识的选择，这使得摄影这件事儿和我们直接简单地去拷贝大自然的杰作有了一个非常明显的区分。 前者是经过艺术加工处理的，后者总会给人一种简单地复制的感觉。很多人拍风光照拍得非常漂亮，但是给别人看的时候就会说“这个风景好美，这是哪啊？我也要去！”你看，别人的注意力都在这个风光上，根本就没有在你的照片上，就好像这个作品的创作跟你没什么事似的。但黑白照片就不会这样子，他好像总是在暗示人们“我是有思想要表达的噢！你一定不要只看表象哦！你要去体会一下这个照片背后的魅力！”这样一来，如果有些摄影人不希望观众把注意力都只集中在那些构图、光线、色彩的问题上的话，他可能就会选择用黑白来拍照，指望大家能够更安静更严肃的去看待她的作品。 当然我们拍黑白可能还有很多别的原因。比如说在拍了很久的彩色照片以后，突然拍张黑白觉得很有新鲜感或者是很怀旧啦等等……熟悉我的同学可能知道我手头用的最习惯一台相机是叫徕卡MM，是一台只能拍黑白的数码相机，所以最近产出的很多照片都是黑白照，也被问了无数次“为什么要拍黑白”。为此我甚至写过一篇文章，文章的开头第一句话就是说我拍黑白这件事其实就像我换了一种肥皂洗澡一样，其实是不用跟任何人解释的。我的意思不是你们不该问啊，你们问什么样的问题我都非常乐意解答，我真正的意思是说有的时候我们选择拍彩色还是拍黑白，也就只是一种个人的喜好而已，没有必要把这个事情搞得过于复杂。 另外前段时间也有人在早自习的后台留言说到这个问题，他说“小时候是因为没有彩色照片的技术，所以被迫拍黑白片，现在能拍彩色了，不明白有的人为什么总是要去拍黑白照？”其实我们在做艺术创作的时候才不会管你这个技术是先来的还是后来的呢。你哪怕是几百年前就有了的雕塑和绘画艺术，我们现在不一样很喜欢吗？在艺术相关的技术领域里面，并不是说年轻的技术就一定比那些老的技术要好。 另外“一言不合就拍黑白”这件事其实我们也可以冷静地看待。多一些人喜欢拍黑白不是挺好的吗？可能人家现在拍的还不好，可能人家过于自信，但是每个人都有初学的时候。黑白摄影并不是那么的容易，喜欢的话你就拍，拍的不好就想办法拍的更好就行了。我们不盲目的崇拜黑白，也不应该对黑白抱有成见——认为那些去拍黑白的人就是为了装个样子。 那今天我们就聊这么多，接下来是活动通知：7月21日和22日，也就是下周六和下周日，我会在深圳举办“街头纪实摄影的特训营”，这是一种强度很高，教学方式非常新颖，而且真正能解决你的问题，帮你突破瓶颈的一种训练方式。事隔几年我又到了深圳授课，所以在深圳的小伙伴们就不要错过了。 今天是摄影早自习陪伴大家的第810天，我是叶梓，每天早上6：30，微信公众号“摄影早自习”不见不散。
We talk about the many advanced features that the iPhone's camera contains, and explain some tips and shortcuts that can make your iPhone photos better. Sponsor Charcoal Book Club. Get 10% off a membership to regularly receive photo books. Go to www.charcoalbookclub.com (https://charcoalbookclub.com) and use the coupon code PHOTOACTIVE to get the discount automatically. Hosts: Jeff's website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson) Kirk's website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn) Show notes: See the full show notes, including photos, screenshots, and more, here (https://www.photoactive.co/home/episode-2-libraries). Specs for each iPhone model (https://www.theverge.com/circuitbreaker/2017/6/28/15885636/iphone-10th-anniversary-hardware-specifications-comparison-apple-ios) Use Portrait mode on the iPhone (https://support.apple.com/en-gb/ht208118) Apple Doesn't Want Coders Messing With iPhone Buttons — Sometimes (article about the Camera+ app using the volume buttons to trigger the shutter) (https://www.wired.com/2010/12/camera-plus-volume-snap/) Take and edit Live Photos (https://support.apple.com/en-gb/HT207310) Jeff's iPhone 8 Plus sample gallery (https://www.dpreview.com/samples/1713583606/iphone-8-plus-sample-gallery) HDR is enabled by default on the iPhone 8 Plus, and that's a really good thing (https://www.dpreview.com/articles/4326186527/hdr-is-enabled-by-default-on-the-iphone-8-plus-and-that-s-a-really-good-thing) PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/); find the secret word you need to join the group at the end of the podcast. Our snapshots: Apple how to Shoot on iPhone videos (https://www.apple.com/uk/iphone/photography-how-to/) Mont St. Michel, by Michael Kenna (https://photos.kirkville.com/photo-book-review-mont-st-michel-by-michael-kenna/) If you like the show, please subscribe in iTunes (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more.
Film Photography Podcast – Episode 186 - May 15th, 2018 Hello Pod People! It’s your favourite photography podcast, that’s right joining Michael Raso around the table today is Mat Marrash, Mark O’Brien, John Fedele, and Leslie Lazenby! We’ll be talking on the Lomo’Instant Automat Square Instant Camera, Holga: Photography by Michael Kenna, Alan Ross Workshops, Film Doctor, FPP Event 2018! Listener Letters and so much more! Stay tuned and stay caffeinated! Show Notes! - https://filmphotographyproject.com/podcast/
好作品重要的是情深，而不是景深。Michael Kenna 迈克尔·肯纳（michaelkenna.net）【自由摄影师】课程新班招生网页或APP登录网易云课堂，搜索“自由摄影师”或：http://mooc.study.163.com/smartSpec/detail/1001405003.htm【课程咨询】微信：hello-kato - 语音全文 -早安，我是叶梓，今天是摄影早自习陪伴大家的第758天。我今天想跟大家分享一个小故事，这个故事发生在某一年的中央美院的一个阶梯教室里面，那年是迈克尔·肯纳第一次来中国，他是一个英国的著名摄影师，在中央美院的做一个小型的演讲，主办方的是人民邮电出版社，所以我也是应邀坐在台下来听迈克尔·肯纳先生的演讲。迈克尔·肯纳一开始就秀了两台他所使用的相机，一台相机的是所谓的相机之王：哈苏，它的底片尺寸的是6×6厘米，它是一台中画幅的胶片相机，作为大师他用这样的相机的显然是不过分；不过呢，他还有第二台常用的相机叫做“Holga”，这台相机是在香港生产的，是所谓的lomo相机、玩具相机，虽然也是6×6厘米的中画幅的尺寸，但是呢，它的镜头是塑料制成的，它的光圈是恒定的不可以调整，它的快门速度也是恒定的，对焦只有三个挡：近、中、远只能靠估计，最搞笑的是它的后盖儿盖不紧的，经常性的会有漏光的现象，一会儿左边漏右边漏，所以大家就管它叫做“漏光大师”。Holga相机在淘宝上你可以轻易的花200块左右就可以买到，这台相机在迈克尔肯纳的创作过程中几乎占到一半的比重。哈苏503CW相机HOLGA 120N相机这个时候台下坐着的观众有大部分都是来自于中央美院的学生，然后还有一部分是来源于社会上的一些摄影爱好者，其中的就有一位年龄偏大的老大爷，桌子上是放了两台顶级的单反相机，都接着大炮筒（长焦镜头），身穿满是口袋的摄影背心。在提问环节里面的这位老大爷就提出了一个问题，他说：“迈克尔·肯纳先生，请问你这张照片用的是什么样的参数来拍摄的？光圈、快门、感光度分别是多少？”迈克尔肯纳倒是挺客气，就跟他一一详细解释了这些参数的设置，但是他补充了一句说：“我觉得摄影里面最不重要的就是参数。”主持人正准备叫第二个人提问的时候，老大爷又匆忙提出第二个问题，这个问题又是某某照片是用什么样的参数拍摄的？这一次肯纳先生就说这张照片就是Holga拍摄的，没有参数可言，并且他又强调了一遍说：“参数这件事情不是很重要”。你来我往大爷一共提出了三个关于拍摄参数的问题，这个时候台下其实已经有些嘘声了，那么大爷坐下的时候实际上是有些愤怒的，他坐在椅子上大声喊，对着周围的观众面红耳赤地叫着说：“他老说拍摄参数不重要，这怎么能不重要呢？参数就是最重要的事！”Photograph by Michael Kenna我当时的心情其实比较复杂的，一方面觉得大爷的执着比较可笑，而另一方面的确实也比较担心，因为他代表的其实是很大一个人群，有很多很多的摄影爱好者都会把自己学摄影的最重要的精力都放在相机的拍摄参数上，但是这个东西它本质上是使用工具的方法，它是没有办法给你带来艺术的核心价值的。相机使用这件事情其实特别的简单，它无非就是两件事，一件是曝好光，第二是对好焦，顶多再加一个不同的镜头的焦距效果，其他都是一些细枝末节的，或者是说在后期处理中能去做到的一些东西。你要想拍出一张成功的摄影作品，最好的是把你的心思多放在如何观察上，放在如何提高审美上，放在如何叙事上，放在什么值得拍上，放在怎么样去跟人沟通上，而不是过分关注器材这个工具到底如何使用上，那么为什么有那么多人都喜欢关注参数呢？我想就跟现在整个摄影圈子比较急功近利，比较浮躁是有关的，很多人拍照片的可能就是为了要在发图的时候多得到几个赞，他们可能觉得他们只要问到这个拍摄参数，就能拷贝其他人的成功之作，但是你知道那些摄影大作之所以成功，十有八九不是因为它的参数，是因为它背后的思想。Photograph by Michael Kenna前两天我在跟一位中央美院的教西方艺术史的老师在聊天的时候也说了这个问题，我当时在吐槽，我说：“现在好多摄影人就是没文化，也不看书，也没有什么思想想要表达的，他可能也没有什么世界观可言，就是想拍些漂亮照片就可以了，很多人你别说艺术史就连摄影史大概是个什么情况自己都搞不清楚，他们对这个世界对艺术这件事情是缺乏认知的。”我在这里所说的这个说的书不只是说摄影方面的书，尤其不是指那些技巧方面的书，那些书大家都看了不少，我是说那些真正的有深度的书，比如说那些摄影师的传记，比如那些艺术史方面的书，比如说艺术评论方面的书，或者说那些文学方面的书、哲学方面的书等等（叶梓荐书：什么值得读：叶梓力荐摄影书《黛安·阿勃丝传》、什么值得读：叶梓荐书《亨利·卡蒂埃·布勒松》）。你只有通过广泛的阅读你才能更加深刻的了解这个世界，才能让自己形成一个更敏锐的去体验生活的一种能力，从而获得一种更高的审美层次，更高的审美追求，讲白了就是只有你这个人的素质提高了，你的照片才可以变得更好。Photograph by Michael Kenna你看这就是我们从今天的小故事里能够学到的东西，回顾一下，昨天迈克尔肯纳先生的作品几乎有一半的作品是用价值200块的塑料相机拍摄的；其次，他在演讲和答疑过程中也反复强调了参数这件事情其实是不太重要的，他本人其实也不是太关注的，所以还是那句话说的好，重要的不是相机上的那颗镜头，是相机后面的那颗头，换句话说，一张好的摄影作品是情深，而不是景深。最后我把迈克尔肯纳先生的风光摄影作品也贴了一些在下方，大家可以感受感受，你可以在底部留言区告诉我们你觉得他拍的这个风光照跟你平时见过的那些美美的风光照有什么不同，你觉得这些照片的作者在拍风光的时候对大自然是一个什么样的情感。Photograph by Michael Kenna大家如果还有更多的摄影问题欢迎在底部扫描绿色二维码进入“摄影自习室”向我提问，对于对初学者而言，当然你们提出参数上的问题我是绝对不会嫌弃你们的，尽管问，毕竟学习摄影还是要一步一步的来。另外我们系统全面的摄影课《自由摄影师》也是一个非常好的学习途径，它几乎涵盖了所有摄影的必学知识，现在我们有两个版本，一个是精简版一个是PLUS版，一个更精简更实惠，一个更充实更完美。今天是摄影早自习陪伴大家的第758天，我是叶梓。每天早上6:30，微信公众号“摄影早自习”，不见不散。Photograph by Michael Kenna详询课程顾问小S（微信：hello-kato）【自由摄影师】课程网页或APP登录网易云课堂，搜索“自由摄影师”http://mooc.study.163.com/smartSpec/detail/1001405003.htm加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”更多有趣摄影知识，请关注微信公众号：摄影早自习，每天早上6：30，不见不散。
好作品重要的是情深，而不是景深。Michael Kenna 迈克尔·肯纳（michaelkenna.net）【自由摄影师】课程新班招生网页或APP登录网易云课堂，搜索“自由摄影师”或：http://mooc.study.163.com/smartSpec/detail/1001405003.htm【课程咨询】微信：hello-kato - 语音全文 -早安，我是叶梓，今天是摄影早自习陪伴大家的第758天。我今天想跟大家分享一个小故事，这个故事发生在某一年的中央美院的一个阶梯教室里面，那年是迈克尔·肯纳第一次来中国，他是一个英国的著名摄影师，在中央美院的做一个小型的演讲，主办方的是人民邮电出版社，所以我也是应邀坐在台下来听迈克尔·肯纳先生的演讲。迈克尔·肯纳一开始就秀了两台他所使用的相机，一台相机的是所谓的相机之王：哈苏，它的底片尺寸的是6×6厘米，它是一台中画幅的胶片相机，作为大师他用这样的相机的显然是不过分；不过呢，他还有第二台常用的相机叫做“Holga”，这台相机是在香港生产的，是所谓的lomo相机、玩具相机，虽然也是6×6厘米的中画幅的尺寸，但是呢，它的镜头是塑料制成的，它的光圈是恒定的不可以调整，它的快门速度也是恒定的，对焦只有三个挡：近、中、远只能靠估计，最搞笑的是它的后盖儿盖不紧的，经常性的会有漏光的现象，一会儿左边漏右边漏，所以大家就管它叫做“漏光大师”。Holga相机在淘宝上你可以轻易的花200块左右就可以买到，这台相机在迈克尔肯纳的创作过程中几乎占到一半的比重。哈苏503CW相机HOLGA 120N相机这个时候台下坐着的观众有大部分都是来自于中央美院的学生，然后还有一部分是来源于社会上的一些摄影爱好者，其中的就有一位年龄偏大的老大爷，桌子上是放了两台顶级的单反相机，都接着大炮筒（长焦镜头），身穿满是口袋的摄影背心。在提问环节里面的这位老大爷就提出了一个问题，他说：“迈克尔·肯纳先生，请问你这张照片用的是什么样的参数来拍摄的？光圈、快门、感光度分别是多少？”迈克尔肯纳倒是挺客气，就跟他一一详细解释了这些参数的设置，但是他补充了一句说：“我觉得摄影里面最不重要的就是参数。”主持人正准备叫第二个人提问的时候，老大爷又匆忙提出第二个问题，这个问题又是某某照片是用什么样的参数拍摄的？这一次肯纳先生就说这张照片就是Holga拍摄的，没有参数可言，并且他又强调了一遍说：“参数这件事情不是很重要”。你来我往大爷一共提出了三个关于拍摄参数的问题，这个时候台下其实已经有些嘘声了，那么大爷坐下的时候实际上是有些愤怒的，他坐在椅子上大声喊，对着周围的观众面红耳赤地叫着说：“他老说拍摄参数不重要，这怎么能不重要呢？参数就是最重要的事！”Photograph by Michael Kenna我当时的心情其实比较复杂的，一方面觉得大爷的执着比较可笑，而另一方面的确实也比较担心，因为他代表的其实是很大一个人群，有很多很多的摄影爱好者都会把自己学摄影的最重要的精力都放在相机的拍摄参数上，但是这个东西它本质上是使用工具的方法，它是没有办法给你带来艺术的核心价值的。相机使用这件事情其实特别的简单，它无非就是两件事，一件是曝好光，第二是对好焦，顶多再加一个不同的镜头的焦距效果，其他都是一些细枝末节的，或者是说在后期处理中能去做到的一些东西。你要想拍出一张成功的摄影作品，最好的是把你的心思多放在如何观察上，放在如何提高审美上，放在如何叙事上，放在什么值得拍上，放在怎么样去跟人沟通上，而不是过分关注器材这个工具到底如何使用上，那么为什么有那么多人都喜欢关注参数呢？我想就跟现在整个摄影圈子比较急功近利，比较浮躁是有关的，很多人拍照片的可能就是为了要在发图的时候多得到几个赞，他们可能觉得他们只要问到这个拍摄参数，就能拷贝其他人的成功之作，但是你知道那些摄影大作之所以成功，十有八九不是因为它的参数，是因为它背后的思想。Photograph by Michael Kenna前两天我在跟一位中央美院的教西方艺术史的老师在聊天的时候也说了这个问题，我当时在吐槽，我说：“现在好多摄影人就是没文化，也不看书，也没有什么思想想要表达的，他可能也没有什么世界观可言，就是想拍些漂亮照片就可以了，很多人你别说艺术史就连摄影史大概是个什么情况自己都搞不清楚，他们对这个世界对艺术这件事情是缺乏认知的。”我在这里所说的这个说的书不只是说摄影方面的书，尤其不是指那些技巧方面的书，那些书大家都看了不少，我是说那些真正的有深度的书，比如说那些摄影师的传记，比如那些艺术史方面的书，比如说艺术评论方面的书，或者说那些文学方面的书、哲学方面的书等等（叶梓荐书：什么值得读：叶梓力荐摄影书《黛安·阿勃丝传》、什么值得读：叶梓荐书《亨利·卡蒂埃·布勒松》）。你只有通过广泛的阅读你才能更加深刻的了解这个世界，才能让自己形成一个更敏锐的去体验生活的一种能力，从而获得一种更高的审美层次，更高的审美追求，讲白了就是只有你这个人的素质提高了，你的照片才可以变得更好。Photograph by Michael Kenna你看这就是我们从今天的小故事里能够学到的东西，回顾一下，昨天迈克尔肯纳先生的作品几乎有一半的作品是用价值200块的塑料相机拍摄的；其次，他在演讲和答疑过程中也反复强调了参数这件事情其实是不太重要的，他本人其实也不是太关注的，所以还是那句话说的好，重要的不是相机上的那颗镜头，是相机后面的那颗头，换句话说，一张好的摄影作品是情深，而不是景深。最后我把迈克尔肯纳先生的风光摄影作品也贴了一些在下方，大家可以感受感受，你可以在底部留言区告诉我们你觉得他拍的这个风光照跟你平时见过的那些美美的风光照有什么不同，你觉得这些照片的作者在拍风光的时候对大自然是一个什么样的情感。Photograph by Michael Kenna大家如果还有更多的摄影问题欢迎在底部扫描绿色二维码进入“摄影自习室”向我提问，对于对初学者而言，当然你们提出参数上的问题我是绝对不会嫌弃你们的，尽管问，毕竟学习摄影还是要一步一步的来。另外我们系统全面的摄影课《自由摄影师》也是一个非常好的学习途径，它几乎涵盖了所有摄影的必学知识，现在我们有两个版本，一个是精简版一个是PLUS版，一个更精简更实惠，一个更充实更完美。今天是摄影早自习陪伴大家的第758天，我是叶梓。每天早上6:30，微信公众号“摄影早自习”，不见不散。Photograph by Michael Kenna详询课程顾问小S（微信：hello-kato）【自由摄影师】课程网页或APP登录网易云课堂，搜索“自由摄影师”http://mooc.study.163.com/smartSpec/detail/1001405003.htm加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”更多有趣摄影知识，请关注微信公众号：摄影早自习，每天早上6：30，不见不散。
I want to provide some commentary on landscape photography so you’ll have a little context for tomorrow’s Artist Series video on David Brookover. Landscape photography is probably the longest running genre in the canon of photography. Being a landscape photographer usually means drawing instant comparisons to Ansel Adams or Michael Kenna. David Brookover is a very unique landscape photographer in his choice of medium and printing techniques. This will be a very unique artist series video from a truly inspiring photographer. Music from Epidemic Sound: https://goo.gl/v5wWKr
We're back with this bonus episode, part 2 of our chat with travel photographer Bruce Percy. After the initial interview in part 1 we switched the mics back on and chatted some more about some of Bruce's influences including Michael Kenna, and we also talked about his portraiture work and shooting film. We really hope you have enjoyed these two episodes with Bruce Percy, why not check out more of his work at www.brucepercy.co.uk and let him know you enjoyed listening. You can find him on Twitter or via his site. Sam & Paul will be back next week with the Take a View winner of 'The Landscape Photographer of the Year' award in 2016 - Matthew Cattell, why not subscribe to make sure you don't miss any episodes! As usual a big thanks to WexPhotographic.com for supporting the show, they are the UK's premier camera equipment supplier, make sure you check them out if you need new or used camera equipment. For more please visit www.TheTogcast.com, or follow us on Facebook or Twitter. Thanks for listening! The Togcast is hosted by photographers Sam Gregory and Paul Sanders, you can find them both on Facebook, Twitter & Instagram - why not pop by and say hello!
I wanted to open up a discussion of project or series-based photography as opposed to creating work as single images. Gabriel Wertman: http://www.wertmanphoto.com/
The OPTIC 2016 Imaging Conference provided numerous opportunities to talk with some of the most respected nature and landscape photographers working today, but the highlights of our two days at OPTIC had to be our chat with Michael Kenna, the event’s keynote presenter, and our conversation with Paul and John Paul Caponigro. It is unnecessary to summarize the work of these three photographers in any quick description but, suffice it to say, each is a master of his craft. While their work is distinctive and unique, it was wonderful to hear of their common vision, approach—and yes, spirituality—and for this reason, we present their conversations together. With Kenna we spoke of process, why he sticks with medium format film photography and what motivates and inspires his work. With the Caponigros, we touched upon the spirit of art, how to communicate with nature and, with Father’s Day in mind, how to let a child discover his or her own path to artistic expression. Join us for these two inspirational conversations. Guests: Michael Kenna (1:30 - 30:05) Paul and John Paul Caponigro (31:00-57:10) Photo Credit: Paul Caponigro (l) and John Paul Caponigro (r)
Every year, B&H hosts the OPTIC Imaging Conference, showcasing the best nature, landscape, and travel photography. The 2016 edition was a stellar outing, with presentations by the most interesting photographers working in those fields. It also serves as a chance for participants to put their hands on the latest cameras, lenses, and gear from the major manufacturers. In today's episode we talk with gear experts from the most respected camera, lens and accessory manufacturers. Sigma: 2:10 Fujifilm: 10:18 Canon: 16:40 ------------------------- Lensbaby: 24:40 Sony: 35:20 Panasonic: 45:35 ------------------------ Tiffen: 54:12 Tamron: 61:17 Nikon: 68:46 OPTIC is a wonderful opportunity to embrace photography, interact with incredible photographers, and play with the latest tools of the trade. This year, legends such as Michael Kenna and Paul Caponigro spoke and presented work, and we will be sharing our conversations with them and other photographers in future episodes, but today we feature a collection of our talks with representatives of the major camera and lens makers. And while we tried to have them divulge secrets for their as-of-yet-unannounced marvels waiting for us on the designer’s tables, we had to settle for updates on their newest cameras, lenses, filters, and adapters. We also snuck in some chat about the current and future state of the camera industry, and a few laughs to boot. Guests: Marc Farb, Michael Bulbenko, Rudy Winston, Ken Mitchell, Amy Klotsman, Tom Curley, Michael Cassara, K.T. Leung, Lindsay Silverman Photo Credit: Ralph Lee Hopkins
We're a day early and all over the map this week, with topics including rating photographs in a changing aesthetic, online vs offline creative communities, making vs. sharing and a continuation of last week's discussion about post-processing — specifically, how much is too much? Michael Kenna is our Photographer of the Week.
We’re a day early and all over the map this week, with topics including rating photographs in a changing aesthetic, online vs offline creative communities, making vs. sharing and a continuation of last week’s discussion about post-processing — specifically, how much is too much? Michael Kenna is our Photographer of the Week.
FujiLove podcast is all about Fujifilm X cameras, photography, passionate photographers and great conversations. This is the first episode of the FujiLove podcast. Tomash and Freek are talking about their Fujifilm stories, about the character of Fujifilm photographs, about Michael Kenna and about motivation (or its lack). EPISODE LINKS www.fujilove.com www.tomash.photography www.yourlocalphotographyguide.com Enjoy! Send us your comments to contactfujilove@gmail.com. We are looking forward to hearing from you!
Today I discuss the topic of influence and affinity, with regards to who influences me, who I feel I have an affinity with, and how I feel these things fit into our photography. Full Info: https://mbp.ac/382 Music by UniqueTracks
Today I discuss the topic of influence and affinity, with regards to who influences me, who I feel I have an affinity with, and how I feel these things fit into our photography. Full Info: https://mbp.ac/382 Music by UniqueTracks
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