Podcasts about Jardins

In this interview, internationally acclaimed landscape architect Kathryn Gustafson reflects on her 45-year career and her unique ability to create distinctive sculptural landscapes that engage people at a fundamental level. She explains how the interplay of color, form, and volume provides intuitive information to the observer, drawing on her professional background in sculpture and tailoring to achieve artistic precision. Gustafson highlights the importance of designing public works that communities can "adopt" as their own, while striving to maintain artistic poetry amidst the challenges of a changing climate.Kathryn Gustafson brings over 45 years of distinguished practice as Founder of Gustafson Porter + Bowman. As an internationally-acclaimed landscape architect, Kathryn is renowned for bringing a unique ability to define a project's vision and creating distinctive sculptural landscapes which engage at a fundamental human level. Kathryn's work at Gustafson Porter + Bowman includes the Cultuurpark Westergasfabriek in Amsterdam, Diana, Princess of Wales Memorial Fountain in London, Parque Central in Valencia, Taikoo Place in Hong Kong and Site Tour Eiffel in Paris amongst other high-profile projects. Prior to establishing Gustafson Porter + Bowman, Kathryn worked in France from 1980 until 1997, where she was the lead landscape designer for the headquarters of Shell (1990), Esso (1992) and a model factory for L'Oréal (1993). Other significant works include the award-winning Jardins de l'Imaginaire in Terrasson la Villedieu (1995), which is classed by the French Ministry of culture as one of the most notable gardens in France. Her work at the public plaza in Evry (1991) was one of the first landscape projects worldwide to create a flexible space with water jets.Kathryn lectures internationally and is an Honorary Fellow of the Royal Institute of British Architecture, an honorary Royal Designer for Industry member, a medallist of the French Academy of Architecture and a Chartered Member of the Landscape Institute. She is the recipient of the Architects' Journal Jane Drew Prize 1998, the 2001 Chrysler Design Award, the 2008 ASLA Design Medal, the Arnold W. Brunner Memorial Prize for Architecture 2012, the 8th Obayashi Prize, Japan in 2014 and the 2019 Geoffrey Jellicoe Award. In 2021, she was elected as a member of the American Academy of Arts and Letters. In April 2026, 28 years after establishing Gustafson Porter + Bowman, Kathryn Gustafson is stepping back from her role as Founding Partner. She will continue in a consultancy role as a Founder of the practice.Support the showThank you for listening! Follow us through our website or social media!https://www.thecolorauthority.com/podcasthttps://www.instagram.com/the_color_authority_/https://www.linkedin.com/company/78120219/admin/

Fluent Fiction - French: Reunited Under Autumn's Melody: Navigating Nostalgia in Paris Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-09-27-22-34-01-fr Story Transcript:Fr: Éloise marchait doucement dans les Jardins du Luxembourg.En: Éloise walked slowly through the Jardins du Luxembourg.Fr: Les feuilles mortes craquaient sous ses pieds.En: The fallen leaves crunched under her feet.Fr: C'était l'automne, et les arbres étaient vêtus de couleurs chaudes.En: It was autumn, and the trees were dressed in warm colors.Fr: Le soleil se couchait, peignant le ciel de teintes orangées et rosées.En: The sun was setting, painting the sky with shades of orange and pink.Fr: Elle se rappelait les jours à jouer ici avec Luc, son ami d'enfance.En: She remembered the days playing here with Luc, her childhood friend.Fr: Elle avait entendu dire qu'il jouait dans un groupe de musique ici.En: She had heard that he played in a band here.Fr: Elle espérait le retrouver.En: She hoped to find him.Fr: Son cœur était lourd de nostalgie et d'espoir.En: Her heart was heavy with nostalgia and hope.Fr: À mesure qu'elle approchait des musiciens, elle entendit les douces mélodies d'une guitare, les notes d'un saxophone, et le battement régulier d'un tambour.En: As she approached the musicians, she heard the sweet melodies of a guitar, the notes of a saxophone, and the steady beat of a drum.Fr: Éloise s'arrêta un moment, observant le groupe.En: Éloise paused for a moment, observing the band.Fr: Ses yeux scrutaient chaque visage, cherchant des indices de familiarité.En: Her eyes scanned each face, searching for signs of familiarity.Fr: Elle vit un jeune homme au tambour.En: She saw a young man on the drums.Fr: Mathieu lui sourit, mais ce n'était pas Luc.En: Mathieu smiled at her, but it wasn't Luc.Fr: Elle parla avec lui quelques instants, espérant trouver des indices.En: She spoke with him for a few moments, hoping to find clues.Fr: Mathieu ne savait rien, malheureusement.En: Unfortunately, Mathieu knew nothing.Fr: Puis, elle se dirigea vers le joueur de saxophone.En: Then, she moved toward the saxophone player.Fr: Il avait des lunettes de soleil et un chapeau enfoncé sur la tête.En: He wore sunglasses and a hat pulled down over his head.Fr: Éloise sentit quelque chose d'étrange.En: Éloise felt something strange.Fr: Elle se mit à trembler légèrement.En: She began to tremble slightly.Fr: Ce saxophoniste cachait son visage.En: This saxophonist was hiding his face.Fr: Était-ce Luc qui se dissimulait ainsi?En: Was it Luc hiding like this?Fr: Éloise prit son courage à deux mains.En: Éloise gathered her courage.Fr: "Excusez-moi," dit-elle doucement.En: "Excuse me," she said gently.Fr: "Connaissez-vous un certain Luc?En: "Do you know a certain Luc?Fr: Cela fait longtemps que je le cherche."En: I have been looking for him for a long time."Fr: Le saxophoniste hésita, lui lança un regard fuyant avant de parler.En: The saxophonist hesitated, giving her an evasive look before speaking.Fr: "Je suis désolé," dit-il.En: "I'm sorry," he said.Fr: "Non, je ne connais pas de Luc."En: "No, I don't know any Luc."Fr: Mais Éloise n'était pas convaincue.En: But Éloise was not convinced.Fr: Elle regarda de plus près.En: She looked more closely.Fr: Le geste de la main, une petite cicatrice sur la joue...En: The hand gesture, a small scar on the cheek...Fr: C'était lui!En: It was him!Fr: "Luc!"En: "Luc!"Fr: s'écria-t-elle.En: she exclaimed.Fr: Luc soupira profondément, puis enleva ses lunettes.En: Luc sighed deeply, then removed his glasses.Fr: Un silence pesa entre eux.En: A silence lingered between them.Fr: "Éloise," dit-il finalement, avec une voix remplie de souvenirs et de regrets.En: "Éloise," he finally said, with a voice full of memories and regrets.Fr: Elle comprit à cet instant qu'il avait souhaité fuir son passé.En: She understood at that moment that he had wanted to escape his past.Fr: Luc expliqua qu'il avait dû repartir de zéro, laissant tout derrière.En: Luc explained that he had to start over, leaving everything behind.Fr: Mais Éloise lui sourit doucement.En: But Éloise smiled at him gently.Fr: "Je comprends," dit-elle.En: "I understand," she said.Fr: "Mais il est bon de te retrouver."En: "But it's good to find you again."Fr: Luc, ému, se révéla enfin, reconnaissant qu'une part de lui avait toujours souhaité ce moment.En: Luc, moved, finally revealed himself, acknowledging that a part of him had always wished for this moment.Fr: Les deux amis se prirent dans les bras, les larmes se mêlant aux rires.En: The two friends embraced, their tears blending with laughter.Fr: Éloise réalisa que les souvenirs précieux qu'elle conservait étaient beaux parce qu'ils appartenaient à un autre temps.En: Éloise realized that the precious memories she held were beautiful because they belonged to another time.Fr: Luc avait changé, et elle aussi.En: Luc had changed, and so had she.Fr: Ils se promettent de rester en contact, quoiqu'il advienne.En: They promised to stay in touch, no matter what.Fr: Ils se séparent, mais Éloise sait qu'elle a retrouvé une partie de son histoire.En: They parted ways, but Éloise knew she had found a part of her history.Fr: Les Jardins du Luxembourg continuent de résonner avec les accents joyeux de la musique et des retrouvailles, sous les couleurs chatoyantes de l'automne.En: The Jardins du Luxembourg continued to resonate with the joyful sounds of music and reunions, under the shimmering colors of autumn. Vocabulary Words:the gardens: les Jardinsthe leaves: les feuillesthe colors: les couleursthe shades: les teintesthe heart: le cœurthe nostalgia: la nostalgiethe hope: l'espoirthe musicians: les musiciensthe melodies: les mélodiesthe notes: les notesthe beat: le battementthe eyes: les yeuxthe face: le visagethe sunglasses: les lunettes de soleilthe hat: le chapeauthe courage: le couragethe scar: la cicatricethe cheek: la jouethe silence: le silencethe memories: les souvenirsthe regrets: les regretsthe past: le passéthe tears: les larmesthe laughter: les riresthe part: la partiethe history: l'histoirethe sounds: les sonsthe reunions: les retrouvaillesthe time: le tempsthe changes: les changements

Fluent Fiction - French: Unveiling Nature's Secret Treasures at Luxembourg Gardens Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-09-27-07-38-20-fr Story Transcript:Fr: Dans les Jardins du Luxembourg, l'air est frais en cet après-midi automnal.En: In the Jardins du Luxembourg, the air is fresh on this autumn afternoon.Fr: Les feuilles tombent doucement, recouvrant les chemins de rouge et d'or.En: The leaves fall gently, covering the paths with red and gold.Fr: Le soleil réchauffe les statues anciennes qui veillent sur les passants.En: The sun warms the ancient statues that watch over the passersby.Fr: Julien, un jeune étudiant en horticulture, passe ses journées à admirer la beauté des plantes et des fleurs.En: Julien, a young horticulture student, spends his days admiring the beauty of plants and flowers.Fr: Mais aujourd'hui, quelque chose de spécial l'attend.En: But today, something special awaits him.Fr: Alors qu'il s'affaire à nettoyer autour d'un vieux banc, quelque chose attire son attention.En: As he busies himself cleaning around an old bench, something catches his attention.Fr: Un coin de papier dépasse légèrement sous le banc.En: A corner of paper slightly protrudes from under the bench.Fr: Curieux, Julien s'y glisse et découvre une vieille carte.En: Curious, Julien slides over and discovers an old map.Fr: Elle semble ancienne, ornée de lignes complexes et de symboles mystérieux.En: It seems ancient, adorned with complex lines and mysterious symbols.Fr: Une note à côté dit : "Pour celui qui cherche, le trésor botaniquement précieux s'offre."En: A note beside it says: "For the one who seeks, the botanically precious treasure is offered."Fr: Excité, Julien court rejoindre Claire et Élodie, ses amis et camarades étudiants.En: Excited, Julien runs to join Claire and Élodie, his friends and fellow students.Fr: Ils se trouvent à la fontaine, discutant de leurs cours.En: They are at the fountain, discussing their classes.Fr: Claire est douée en cartographie et Élodie en botanique.En: Claire is skilled in cartography and Élodie in botany.Fr: "Regardez ce que j'ai trouvé !En: "Look what I found!"Fr: ", s'exclame-t-il.En: he exclaims.Fr: Ils s'empressent de décrypter la carte ensemble.En: They hurriedly start deciphering the map together.Fr: La carte mène à des zones peu connues des jardins.En: The map leads to lesser-known areas of the gardens.Fr: Certains endroits sont interdits au public, mais la curiosité gagne les trois amis.En: Some places are off-limits to the public, but curiosity takes over the three friends.Fr: "Que faisons-nous ?En: "What do we do?"Fr: ", demande Élodie.En: asks Élodie.Fr: "Peut-être que c'est risqué", ajoute Claire, hésitante.En: "Maybe it's risky," adds Claire, hesitating.Fr: Mais Julien, déterminé, propose : "Faisons-le discrètement.En: But Julien, determined, suggests: "Let's do it discreetly.Fr: Aucun risque, aucune récompense !"En: No risk, no reward!"Fr: Alors qu'ils avancent, le jardin révèle de nouveaux secrets.En: As they advance, the garden reveals new secrets.Fr: Sous des taillis denses et derrière des haies, ils découvrent un chemin oublié.En: Under dense thickets and behind hedges, they discover a forgotten path.Fr: Les instructions cryptiques sur la carte les guident vers une porte ancienne, à moitié cachée par le lierre.En: The cryptic instructions on the map guide them to an ancient door, half-hidden by ivy.Fr: C'est le moment de vérité.En: It is the moment of truth.Fr: Le cœur battant, Julien ouvre la porte lourde.En: Heart pounding, Julien opens the heavy door.Fr: Derrière, une petite pièce apparaît, et au centre, un coffre en bois.En: Behind it, a small room appears, and at the center, a wooden chest.Fr: Avec des mains tremblantes, ils l'ouvrent.En: With trembling hands, they open it.Fr: Pas d'or ni de bijoux, mais des sachets de graines précieuses.En: No gold or jewels, but packets of precious seeds.Fr: Une note en parchemin dit : "Pour préserver la botanique unique du jardin, prenez soin de ces trésors vivants."En: A note on parchment says: "To preserve the unique botany of the garden, take care of these living treasures."Fr: Julien sourit, ses doutes levés.En: Julien smiles, his doubts lifted.Fr: Il comprend désormais que ce ne sont pas seulement les richesses matérielles qui comptent.En: He now understands that material wealth is not all that matters.Fr: La valeur de ces graines rares signifie plus que tout.En: The value of these rare seeds means more than anything.Fr: Quatre inscriptions sur le parchemin mentionnent l'importance de préserver et de respecter la nature.En: Four inscriptions on the parchment mention the importance of preserving and respecting nature.Fr: En quittant les jardins ce soir-là, Julien est rempli de joie et de fierté.En: As Julien leaves the gardens that evening, he is filled with joy and pride.Fr: Il sait que sa passion pour l'horticulture est justifiée, et more importantly, il a gagné en confiance.En: He knows his passion for horticulture is justified, and more importantly, he has gained confidence.Fr: Les vraies richesses résident parfois dans ce que l'on chérit et cultive.En: True riches sometimes lie in what we cherish and cultivate.Fr: L'avenir de Julien s'annonce florissant, un peu comme ces graines précieuses qui, bientôt, trouveront leur terre.En: Julien's future looks promising, much like these precious seeds that will soon find their soil. Vocabulary Words:the air: l'airthe autumn: l'automnethe leaves: les feuillesthe statues: les statuesthe passersby: les passantsthe bench: le bancthe map: la cartethe note: la notethe fountain: la fontainethe cartography: la cartographiebotany: la botaniquethe reward: la récompensethe thickets: les taillisthe hedges: les haiesthe door: la portethe chest: le coffrethe parchment: le parcheminto preserve: préserverthe seeds: les grainesthe treasures: les trésorsto admire: admirerto entice: attirerthe instructions: les instructionscryptic: cryptiquethe truth: la véritétrembling: tremblantesthe wealth: la richesseto cultivate: cultiverto cherish: chérirflourishing: florissant

Fluent Fiction - French: Autumn's Palette: Finding Confidence in the Jardins du Luxembourg Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-09-26-22-34-02-fr Story Transcript:Fr: Dans un coin paisible des Jardins du Luxembourg, l'air d'automne flottait doucement, parfumé par l'odeur des feuilles mortes.En: In a peaceful corner of the Jardins du Luxembourg, the autumn air floated gently, scented with the smell of fallen leaves.Fr: Le parc était un tableau vivant de couleurs éclatantes, où l'orange et le rouge des feuilles contrastaient avec le ciel gris.En: The park was a living tableau of vibrant colors, where the orange and red leaves contrasted with the gray sky.Fr: C'était un jour parfait pour s'asseoir et dessiner.En: It was a perfect day to sit and draw.Fr: Lucien, assis sur un banc, observait la scène devant lui.En: Lucien, sitting on a bench, observed the scene before him.Fr: Crayon en main, il esquissait les contours délicats des arbres.En: Pencil in hand, he sketched the delicate outlines of the trees.Fr: Il était là pour capturer cette beauté éphémère.En: He was there to capture this ephemeral beauty.Fr: Pourtant, un doute constant le suivait, chuchotant que son art n'était pas assez bon.En: Yet, a constant doubt followed him, whispering that his art was not good enough.Fr: Non loin de là, Camille, qui visitait Paris pour trouver l'inspiration, cherchait un endroit tranquille pour dessiner.En: Not far away, Camille, who was visiting Paris to find inspiration, was looking for a quiet place to draw.Fr: Elle aperçut Lucien, seul, concentré.En: She noticed Lucien, alone and focused.Fr: S'approchant doucement, elle s'installa sur le banc voisin et commença à esquisser à son tour.En: Approaching gently, she settled on the neighboring bench and began to sketch in turn.Fr: Après un moment, Camille brisa le silence.En: After a moment, Camille broke the silence.Fr: "C'est paisible ici, n'est-ce pas ?"En: "It's peaceful here, isn't it?"Fr: demanda-t-elle avec un sourire chaleureux.En: she asked with a warm smile.Fr: Surpris, Lucien leva les yeux et hocha la tête.En: Surprised, Lucien looked up and nodded.Fr: "Oui, c'est toujours calme ici.En: "Yes, it's always calm here.Fr: C'est parfait pour dessiner."En: It's perfect for drawing."Fr: Ses mots étaient timides, mais quelque chose dans le regard de Camille l'encourageait à poursuivre.En: His words were shy, but something in Camille's gaze encouraged him to continue.Fr: "Je m'appelle Camille," dit-elle en tendant la main.En: "My name is Camille," she said, extending her hand.Fr: "Lucien," répondit-il en serrant sa main.En: "Lucien," he replied, shaking her hand.Fr: Une étincelle de curiosité s'éveilla en lui.En: A spark of curiosity awakened in him.Fr: Ils discutèrent de tout et de rien, le vent jouant avec les pages de leurs carnets.En: They talked about everything and nothing, the wind playing with the pages of their sketchbooks.Fr: Camille partagea son amour pour le design graphique et Lucien parla de la beauté qu'il voyait dans les petites choses de la vie quotidienne.En: Camille shared her love for graphic design, and Lucien spoke about the beauty he saw in the small things of daily life.Fr: Camille était fascinée par la sensibilité de Lucien.En: Camille was fascinated by Lucien's sensitivity.Fr: Elle lui demanda alors s'il pouvait lui montrer ses dessins.En: She then asked if he could show her his drawings.Fr: Lucien hésita, craignant la critique.En: Lucien hesitated, fearing criticism.Fr: Mais il se souvint des mots de sa sœur Sophie.En: But he remembered the words of his sister Sophie.Fr: Elle l'avait encouragé à s'ouvrir et à croire en lui-même.En: She had encouraged him to open up and believe in himself.Fr: Respirant profondément, il lui tendit son carnet.En: Breathing deeply, he handed her his sketchbook.Fr: Camille parcourut soigneusement les pages, admirant chaque trait, chaque ombre.En: Camille carefully went through the pages, admiring each stroke, each shadow.Fr: "C'est magnifique, Lucien.En: "It's beautiful, Lucien.Fr: Vous avez un vrai talent."En: You have a true talent."Fr: Lucien sentit une chaleur envahir son cœur.En: Lucien felt a warmth fill his heart.Fr: Les mots de Camille lui donnaient confiance.En: Camille's words gave him confidence.Fr: "Merci," murmura-t-il, touché.En: "Thank you," he murmured, touched.Fr: Ils parlèrent du lien entre la peur et la créativité.En: They talked about the link between fear and creativity.Fr: Camille évoqua ses propres doutes, ses propres combats.En: Camille spoke of her own doubts, her own battles.Fr: Lucien comprit alors que la vulnérabilité de partager son art pouvait mener à des connections sincères.En: Lucien then understood that the vulnerability of sharing his art could lead to sincere connections.Fr: Au coucher du soleil, alors que les derniers rayons dorés filtraient à travers le feuillage, Lucien et Camille décidèrent de se revoir.En: At sunset, as the last golden rays filtered through the foliage, Lucien and Camille decided to meet again.Fr: La promesse d'une nouvelle rencontre les laissait tous deux inspirés.En: The promise of a new encounter left them both inspired.Fr: Leur rencontre, dans ce coin serein des Jardins du Luxembourg, marqua un nouveau départ pour Lucien.En: Their meeting, in this serene corner of the Jardins du Luxembourg, marked a new beginning for Lucien.Fr: Il se sentait plus confiant, prêt à accueillir les nouvelles expériences et les belles surprises que la vie avait à offrir.En: He felt more confident, ready to welcome the new experiences and beautiful surprises that life had to offer.Fr: Et tout cela grâce à une simple conversation, à une feuille parmi tant d'autres dans un parc en automne.En: And all this thanks to a simple conversation, to a leaf among so many others in a park in autumn. Vocabulary Words:the corner: le cointhe air: l'airthe leaf: la feuilleconstrasted: contraientthe bench: le bancthe outline: le contourephemeral: éphémèrethe doubt: le douteto whisper: chuchoterthe gaze: le regardto nod: hocher la têtethe spark: l'étincellethe wind: le ventthe pages: les pagesto admire: admirerthe stroke: le traitthe shadow: l'ombrefascinated: fascinéethe talent: le talentto murmur: murmurertouched: touchéto evoke: évoquerthe connection: la connectionthe vulnerability: la vulnérabilitéthe foliage: le feuillagethe encounter: la rencontrethe promise: la promesseto filter: filtrerto awaken: s'éveillerto encourage: encourager

Fluent Fiction - French: Autumn Splendor Unveiled: Festival Triumph in Luxembourg Gardens Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-09-25-07-38-19-fr Story Transcript:Fr: Les jardins du Luxembourg étaient en éveil, habillés de mille couleurs d'automne.En: The Jardins du Luxembourg were alive, dressed in a thousand autumn colors.Fr: Les feuilles craquaient sous les pas des promeneurs et l'air était rempli du parfum réconfortant des marrons grillés.En: The leaves crunched under the feet of walkers, and the air was filled with the comforting scent of roasted chestnuts.Fr: Clémentine marchait rapidement, son esprit en effervescence avec des idées pour un festival d'automne mémorable.En: Clémentine walked quickly, her mind buzzing with ideas for a memorable fall festival.Fr: Fabienne, la chef, avait confié à Clémentine la tâche d'organiser le festival.En: Fabienne, the manager, had entrusted Clémentine with the task of organizing the festival.Fr: C'était une grande chance pour elle.En: It was a great opportunity for her.Fr: Elle voulait prouver qu'elle pouvait gérer avec succès un tel événement.En: She wanted to prove that she could successfully handle such an event.Fr: Mais Éloi, son collègue, se montrait sceptique.En: But Éloi, her colleague, was skeptical.Fr: "Tes idées sont risquées," disait-il souvent.En: "Your ideas are risky," he often said.Fr: Il craignait surtout le projet d'installation artistique en plein air de Clémentine.En: He was especially worried about Clémentine's outdoor art installation project.Fr: Les nuages menaçaient le ciel, alternant entre le gris et le bleu.En: The clouds threatened the sky, alternating between gray and blue.Fr: Clémentine était décidée.En: Clémentine was determined.Fr: Elle choisit de garder ses plans secrets, faisant confiance au dernier bulletin météo qui prévoyait une amélioration au moment crucial.En: She chose to keep her plans secret, trusting the last weather report which predicted an improvement at the crucial moment.Fr: Elle espérait que l'effet de surprise plairait à Fabienne et Éloi.En: She hoped the element of surprise would please Fabienne and Éloi.Fr: Le grand jour arriva.En: The big day arrived.Fr: Le ciel était couvert, l'atmosphère lourde d'incertitude.En: The sky was overcast, the atmosphere heavy with uncertainty.Fr: Clémentine hésitait.En: Clémentine hesitated.Fr: Devait-elle tout déplacer à l'intérieur, ou devait-elle faire confiance à la météo?En: Should she move everything indoors, or should she trust the weather?Fr: Elle prit la décision de continuer avec ses plans originaux.En: She made the decision to stick with her original plans.Fr: Les sculptures étaient prêtes, les stands attendaient les visiteurs, et un dernier soupir l'encouragea.En: The sculptures were ready, the stands awaited the visitors, and one last sigh encouraged her.Fr: Peu de temps avant l'ouverture, le vent chassa les nuages.En: Shortly before the opening, the wind chased the clouds away.Fr: Le soleil perça enfin, illuminant les jardins.En: The sun finally broke through, illuminating the gardens.Fr: Les feuilles dorées scintillaient et les visiteurs commençaient à affluer.En: The golden leaves sparkled, and the visitors began to pour in.Fr: L'art en plein air devint le point fort du festival.En: The outdoor art became the highlight of the festival.Fr: Les sourires de Fabienne et l'attention admirative d'Éloi récompensèrent Clémentine.En: The smiles of Fabienne and the admiring attention of Éloi rewarded Clémentine.Fr: Clémentine pourquoi rayonnait de fierté et confiance.En: Clémentine beamed with pride and confidence.Fr: Éloi, quant à lui, était moins méfiant envers de nouvelles idées après avoir vu le succès de l'événement.En: Éloi, on the other hand, was less wary of new ideas after witnessing the event's success.Fr: Clémentine avait réussi à captiver l'esprit d'automne dans les jardins du Luxembourg, et elle en était ravie.En: Clémentine had managed to capture the spirit of autumn in the Jardins du Luxembourg, and she was delighted.Fr: Fabienne lui adressa un simple signe de tête approbateur, une reconnaissance précieuse de son succès.En: Fabienne gave her a simple approving nod, a precious acknowledgment of her success. Vocabulary Words:the gardens: les jardinsthe walkers: les promeneursthe scent: le parfumthe chestnuts: les marronsthe manager: la chefthe task: la tâchethe event: l'événementthe colleague: le collèguethe project: le projetthe installation: l'installationthe sky: le cielthe weather report: le bulletin météothe element: l'effetthe surprise: la surprisethe sculptures: les sculpturesthe stands: les standsthe decision: la décisionthe wind: le ventthe clouds: les nuagesthe leaves: les feuillesthe visitors: les visiteursthe highlight: le point fortthe smiles: les souriresthe attention: l'attentionthe spirit: l'espritthe pride: la fiertéthe confidence: la confiancethe nod: le signe de têtethe acknowledgment: la reconnaissancethe autumn: l'automne

durée : 00:02:44 - À l'automne, dans le Vaucluse, les oiseaux migrateurs et ceux qui passeront l'hiver ont besoin de nourriture et d'abris. Aurélie Johanet de la LPO PACA explique comment transformer son jardin en véritable refuge pour notre biodiversité locale. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:46 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Neste episódio, Natasha Barzaghi Geenen e Guilherme Wisnik exploram a beleza e o encanto dos jardins japoneses. Da espiritualidade xintoísta à filosofia  zen-budista, descobrimos como esses espaços convidam à contemplação e ao silêncio e por que essa tradição tem tanto significado ainda nos dias de hoje. O episódio conta com as participações do produtor cultural Jo Takahashi, do arquiteto e paisagista Raul Pereira, da pesquisadora Cristiane Sato, do paisagista Raul Cânovas e da designer e artista plástica Jacqueline Terpins.  

durée : 01:00:04 - par : Priscille Lafitte - A la tête du domaine de Chaumont-sur-Loire - le château et le festival des jardins - Chantal Colleu-Dumond parle des liens forts qui unissent jardin et musique - notamment dans les jardins de William Christie à Thiré - et raconte ses souvenirs de concert dirigés par S. Celibidache et H. von Karajan. - équipe : Maud Noury, Claire Lagarde - invités : Chantal Colleu-Dumond Directrice du Domaine et du Festival des Jardins de Chaumont-sur-Loire Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:38 - La main verte - par : Alain Baraton - Alain Baraton, jardinier en chef du domaine national de Trianon et du parc du château de Versailles depuis 1982, répond aux questions de nos auditeurs. - invités : Alain Baraton Jardinier en chef du Domaine national de Trianon et du Grand parc de Versailles, chroniqueur sur France Inter. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Bon dia a tothom, bona tarda o bona nit, però agafa el cafè, el tè o la llet d'avellana del Baix Camp. Aquest és l'Infopodcast setmanal de les vil·les de la comarca del Baix Camp amb coproducció amb la Xarxa de Comunicació Local, perquè conegueu tota l'actualitat de la comarca L'entrada Infopodcast BXC | El jutjat obliga Mont-roig a actuar pel deteriorament del passeig de Jardins El Paradís ha aparegut primer a BXC Ràdio Ciutat de Reus - Ràdio Online.

Que se passe-t-il quand un jardinier échange avec un parfumeur…. Une rencontre, provoquée par un cuisinier. Un livre hors du commun « Un jardin comme un parfum » qui unit ces deux mondes… aux éditions Ulmer et préfacé par Olivier Roellinger. Concrètement, Pascal Garbe, jardinier, croise son regard du jardin avec celui de Jean-Claude Ellena, créateur de parfum et écrivain d'odeurs.Ce livre est une invitation à éveiller et à réveiller votre sens olfactif pour imaginer et créer votre jardin d'odeurs, muni d'un lexique ultra complet d'une 100 de plantes odorantes. Aujourd'hui, je retrouve avec bonheur Jean-Claude Ellena que je connais depuis longtemps.Saviez-vous que Jean-Claude est rentré chez Hermès par les jardins…avec Jardin en Méditerranée de la collection Parfums-Jardins. Il composera au total 5 Jardins.C'est un homme pudique, aux yeux vifs remplis de passion, qui écoute et se méfie des mots inutiles…. Et ses parfums, voir son style sont, à cette image ! Son écriture olfactive est simple mais bien sûr non simpliste. Écoutons-le sans plus tarderSoutenir Tatousenti :· Faire un don pour soutenir et encourager Tatousenti à continuer, cliquez ici· Site : www.tatousenti.com· Instagram : https://www.instagram.com/bettinaaykroyd/Production : Bettina Aykroyd Si cet épisode vous a plu, n'hésitez pas à laisser plein d'étoiles et un commentaire sur la plateforme Apple Podcasts et surtout à vous abonner grâce à votre application de podcasts préférée ! Cela m'aide énormément à faire découvrir Tatousenti à de nouveaux auditeurs et de nouvelles auditrices.Plan de l'épisode 0,07 : Intro générale1,28 : Intro de l'épisode3,25 : Qu'est-ce qu'un parfumeur ?7,31 : Les parfumeurs qui t'ont marqué ?9,56 : Rose Jean-Claude Ellena12.09 : Qu'est-ce qui vous réunit tous les 3 soit Olivier Roellinger et Pascal Garbe13.52 : Impressions du jardin de Pascal15.33 : Le message du livre 20.25 : Point de rencontre et de divergence entre composer un parfum et composer un jardin 26.00 : Les jardins chez Hermès pour la collection Parfum - Jardin Tatousenti, le podcast qui agite le parfum Tatousenti podcast explore le monde du parfum dans tous ses sens. Le sens de l'innovation, de la créativité et de l'audace. Chaque semaine, Bettina donne la parole à celles et ceux qui créent et imaginent le parfum de demain. On y parle parfum, saveurs, ingrédient, odeur, émotion, développement durable avec les parfumeurs et des chefs d'entreprise, des chocolatiers, des chefs cuisiniers à titre d'exemple.Bettina Aykroyd, franco-britannique et expert odeur, parfum et saveurs. Mon motto : pour bien sentir, il faut se sentir bien.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Au programme de l'émission du dimanche 13 septembre 2026 :ENTRETIEN : BAPTISTE FAMERY / comédien, musicien, chanteur /SPECTACLE Salle d'attente (18, 19 /9) (Isabelle Royer)REVUE DE PRESSE : L'IA ne remplacera pas l'artiste (JM. Schaeffer) (Isabelle Royer)AGENDA : les serres des Jardins suspendus (Isabelle Royer)

durée : 00:05:24 - La main verte - par : Alain Baraton - Alain Baraton, jardinier en chef du domaine national de Trianon et du parc du château de Versailles depuis 1982, répond aux questions de nos auditeurs. - invités : Alain Baraton Jardinier en chef du Domaine national de Trianon et du Grand parc de Versailles, chroniqueur sur France Inter. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:01:57 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:02:09 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:01:48 - Les journaux de France Culture - Les Français ont souffert de chaleurs historiques cet été. Et la végétation n'a pas été épargnée. Au château de Versailles, les conséquences de la sécheresse sont déjà visibles, des jardins aux pelouses du parc, en passant par les arbres centenaires qui structurent le domaine. - équipe : Gabriel Upravan, Éric Chaverou Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

C'est un art que l'on retrouve dans plusieurs régions du monde, vieux de plusieurs siècles, et pourtant peu à peu oublié : celui de la plumasserie – ou le fait de transformer des plumes en objets d'ornement, parures, vêtements et autres créations époustouflantes. En France, cet art connaît aujourd'hui un renouveau, grâce notamment au travail de Nelly Saunier, passée maître d'art et dont les créations peuplent, en ce moment, le château de Josselin en Bretagne et le musée du Quai Branly-Jacques Chirac à Paris.  Ce qui frappe d'abord dans l'atelier de Nelly Saunier, c'est cette immense bibliothèque de près de 6 mètres de haut, où s'empilent des dizaines de boîtes. Seulement ici, pas de livres : que des plumes ! « Je serais incapable de dire combien il y en a, réfléchit Nelly Saunier. Mais je sais qu'il y a ici 350 boîtes de plumes, et qu'elles sont toutes relativement pleines. » Comprendre : il y a ici des milliers de plumes, de toutes les formes, de toutes les tailles, de toutes les textures et de toutes les couleurs, qu'il lui faut sourcer, laver, trier, puis déployer dans leur écrin en attendant de pouvoir les utiliser. Un univers quasi-magique dont cette plumassière ne se lasse pas : « C'est une passion sans fin, sourit cette pétillante sexagénaire. Même aujourd'hui, je suis toujours surprise par ce que les oiseaux ont à offrir. Il y a une infinité de couleurs, de textures, de nuances… » Plus de quarante ans après ses débuts, Nelly Saunier a toujours des étoiles dans les yeux pour parler de son métier. Une vocation découverte dès l'adolescence Pour la plumassière, la révélation s'impose à 14 ans, comme « une évidence » : « Je cherchais un métier, quelque chose que je puisse faire de mes mains. J'ai choisi la plumasserie, qui me reliait à mon univers d'enfance, c'est-à-dire les arbres et les oiseaux. » Peu à peu, Nelly Saunier apprend à donner une seconde vie aux plumes qui l'émerveillent tant, et à les « transcender » en leur donnant une nouvelle forme : vêtements, cadrans de montre, parures de bijoux, chapeaux et autres trompe-l'œil. Pour ce faire, elle manie expertement les cinq outils principaux du plumassier : un couteau tranchant, un couteau émoussé – « ​​​​​​​pour faire friser les plumes » –, des ciseaux, un réglet et une pince. Même si, ajoute-t-elle avec une pointe de malice, «​​​​​​​ ​​​​​​​l'art de la plume permet d'être créatif et d'inventer ses propres outils, ses propres façons de faire. » Seulement voilà, à l'issue de sa formation, un vrai défi s'impose : à l'époque, l'art de la plumasserie est considéré comme un peu désuet. «​​​​​​​ ​​​​​​​Mais moi, j'y ai toujours cru ! », se souvient celle qui, avec le temps, est passée maître d'art. «​​​​​​​ ​​​​​​​Alors, comme je préfère le "faire", plutôt que de discourir, j'ai fait : j'ai répondu à des commandes d'horlogers, de designers, de couturiers, de joailliers…, de nombreux domaines où j'ai pu impulser l'idée qu'on pouvait faire vivre l'art de la plume autrement. » Pari réussi : aujourd'hui, parmi les clients de Nelly Saunier, on compte de nombreuses maisons de luxe, de Gucci à Louboutin en passant par Hermès, Givenchy ou Jean-Paul Gaultier. Autant de collaborations qui ont donné une visibilité à l'artisane autant qu'à son art. «​​​​​​​ ​​​​​​​J'en vois beaucoup, désormais, qui s'y mettent, sur les réseaux sociaux… Tant mieux, si cela fait des émules ! », s'enthousiasme-t-elle. L'importance du lien à la nature Cette réussite donne aussi à Nelly Saunier la liberté de façonner des créations plus personnelles, de véritables œuvres d'art ne répondant à aucun impératif. Des pièces qui incluent toujours un morceau de nature glané au gré de balades en forêt ou en bord de mer : «​​​​​​​ ​​​​​​​Je ramasse ce que la nature me donne, et qui est arrivé au bout d'un cycle de vie. » D'où la présence, dans son atelier, de morceaux de bois pétrifié, de galets ou de brindilles. «​​​​​​​ ​​​​​​​J'en fais ce que j'appelle des natures transformées », explique-t-elle. Ici, une branche morte devient un tronc d'arbre dont les tiges, faites de barbes de plumes, portent des feuilles aux couleurs excentriques, turquoises, orangées ou vertes. «​​​​​​​ ​​​​​​​C'est mon grand dada de jouer avec ce que la nature m'a offert en termes de nuances, de textures, de motifs… Dans mon sujet, les plumes deviennent des fleurs, des feuilles, des pétales, des fruits… tout ce que l'on veut, en fait ! » Entre ses mains, l'oiseau, insaisissable, devient plus proche et révèle une partie de ses secrets. «​​​​​​​ ​​​​​​​Ça me fascine, cette histoire d'oiseau. Ça ne me quittera jamais », souffle enfin Nelly Saunier. Avant de revenir à ses plumes, sa manière à elle de tutoyer les cieux. Nelly Saunier x Jardins, au château de Josselin (Bretagne) jusqu'au 31 août 2026. Plumes du Paradis, au musée du Quai Branly-Jacques Chirac jusqu'au 8 novembre 2026.  À lire aussiL'art de la plume sans limites par Fanny Litzia, artiste et plumassière

C'est un art que l'on retrouve dans plusieurs régions du monde, vieux de plusieurs siècles, et pourtant peu à peu oublié : celui de la plumasserie – ou le fait de transformer des plumes en objets d'ornement, parures, vêtements et autres créations époustouflantes. En France, cet art connaît aujourd'hui un renouveau, grâce notamment au travail de Nelly Saunier, passée maître d'art et dont les créations peuplent, en ce moment, le château de Josselin en Bretagne et le musée du Quai Branly-Jacques Chirac à Paris.  Ce qui frappe d'abord dans l'atelier de Nelly Saunier, c'est cette immense bibliothèque de près de 6 mètres de haut, où s'empilent des dizaines de boîtes. Seulement ici, pas de livres : que des plumes ! « Je serais incapable de dire combien il y en a, réfléchit Nelly Saunier. Mais je sais qu'il y a ici 350 boîtes de plumes, et qu'elles sont toutes relativement pleines. » Comprendre : il y a ici des milliers de plumes, de toutes les formes, de toutes les tailles, de toutes les textures et de toutes les couleurs, qu'il lui faut sourcer, laver, trier, puis déployer dans leur écrin en attendant de pouvoir les utiliser. Un univers quasi-magique dont cette plumassière ne se lasse pas : « C'est une passion sans fin, sourit cette pétillante sexagénaire. Même aujourd'hui, je suis toujours surprise par ce que les oiseaux ont à offrir. Il y a une infinité de couleurs, de textures, de nuances… » Plus de quarante ans après ses débuts, Nelly Saunier a toujours des étoiles dans les yeux pour parler de son métier. Une vocation découverte dès l'adolescence Pour la plumassière, la révélation s'impose à 14 ans, comme « une évidence » : « Je cherchais un métier, quelque chose que je puisse faire de mes mains. J'ai choisi la plumasserie, qui me reliait à mon univers d'enfance, c'est-à-dire les arbres et les oiseaux. » Peu à peu, Nelly Saunier apprend à donner une seconde vie aux plumes qui l'émerveillent tant, et à les « transcender » en leur donnant une nouvelle forme : vêtements, cadrans de montre, parures de bijoux, chapeaux et autres trompe-l'œil. Pour ce faire, elle manie expertement les cinq outils principaux du plumassier : un couteau tranchant, un couteau émoussé – « ​​​​​​​pour faire friser les plumes » –, des ciseaux, un réglet et une pince. Même si, ajoute-t-elle avec une pointe de malice, «​​​​​​​ ​​​​​​​l'art de la plume permet d'être créatif et d'inventer ses propres outils, ses propres façons de faire. » Seulement voilà, à l'issue de sa formation, un vrai défi s'impose : à l'époque, l'art de la plumasserie est considéré comme un peu désuet. «​​​​​​​ ​​​​​​​Mais moi, j'y ai toujours cru ! », se souvient celle qui, avec le temps, est passée maître d'art. «​​​​​​​ ​​​​​​​Alors, comme je préfère le "faire", plutôt que de discourir, j'ai fait : j'ai répondu à des commandes d'horlogers, de designers, de couturiers, de joailliers…, de nombreux domaines où j'ai pu impulser l'idée qu'on pouvait faire vivre l'art de la plume autrement. » Pari réussi : aujourd'hui, parmi les clients de Nelly Saunier, on compte de nombreuses maisons de luxe, de Gucci à Louboutin en passant par Hermès, Givenchy ou Jean-Paul Gaultier. Autant de collaborations qui ont donné une visibilité à l'artisane autant qu'à son art. «​​​​​​​ ​​​​​​​J'en vois beaucoup, désormais, qui s'y mettent, sur les réseaux sociaux… Tant mieux, si cela fait des émules ! », s'enthousiasme-t-elle. L'importance du lien à la nature Cette réussite donne aussi à Nelly Saunier la liberté de façonner des créations plus personnelles, de véritables œuvres d'art ne répondant à aucun impératif. Des pièces qui incluent toujours un morceau de nature glané au gré de balades en forêt ou en bord de mer : «​​​​​​​ ​​​​​​​Je ramasse ce que la nature me donne, et qui est arrivé au bout d'un cycle de vie. » D'où la présence, dans son atelier, de morceaux de bois pétrifié, de galets ou de brindilles. «​​​​​​​ ​​​​​​​J'en fais ce que j'appelle des natures transformées », explique-t-elle. Ici, une branche morte devient un tronc d'arbre dont les tiges, faites de barbes de plumes, portent des feuilles aux couleurs excentriques, turquoises, orangées ou vertes. «​​​​​​​ ​​​​​​​C'est mon grand dada de jouer avec ce que la nature m'a offert en termes de nuances, de textures, de motifs… Dans mon sujet, les plumes deviennent des fleurs, des feuilles, des pétales, des fruits… tout ce que l'on veut, en fait ! » Entre ses mains, l'oiseau, insaisissable, devient plus proche et révèle une partie de ses secrets. «​​​​​​​ ​​​​​​​Ça me fascine, cette histoire d'oiseau. Ça ne me quittera jamais », souffle enfin Nelly Saunier. Avant de revenir à ses plumes, sa manière à elle de tutoyer les cieux. Nelly Saunier x Jardins, au château de Josselin (Bretagne) jusqu'au 31 août 2026. Plumes du Paradis, au musée du Quai Branly-Jacques Chirac jusqu'au 8 novembre 2026.  À lire aussiL'art de la plume sans limites par Fanny Litzia, artiste et plumassière

Clausurats els horts urbans que l'Ajuntament d'Illa cedia des dels anys 40. El batlle justifica la decisió per seguretat, enmig de crítiques per la mesura. L'antic adjunt a la batllia per matèries de seguretat, Jeroni Parilla, explica la situació en una entrevista a Ràdio Arrels.

Claude Debussy: Estampes, No. 3. Jardins Sous la PluieAlexander Panfilov, pianoMore info about today's track: Naxos 8.573846Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Each year, millions of gardeners prowl the globe seeking ‘aha!' moments that they can bring back to their own gardens at home. Are you one of them?Leslie has been visiting gardens abroad for decades, and over the last two years, Marianne has built a company dedicated to bringing great gardens to great groups of people. Together they're heading to Normandy next week to see gardens such as Giverny, Jardins d'Etretat, Chateau de Boutemont, Le Jardin Plume, and Chateau Champ de Bataille. And they want to do it right.So what is the BEST way to see a garden when you finally decide to go? Do you study? Do you wing it? Do you spend hours behind your phone taking the perfect shot only to find you can't remember the garden because you never experienced it? And what on earth do baby faces have to do with a garden anyway?!? Thankfully, you don't need a visa or a VISA to journey with them today. All aboard! Next stop: Garden Inspiration!

durée : 00:09:10 - Les Matins de France Culture - par : Julie Gacon - A l'occasion du Festival International des Jardins de Chaumont-sur-Loire, la réalisatrice Momoko Seto présente sa création : un jardin baptisé "Planètes". - équipe : Sam Baquiast, Anouk Milliot, Sarah Masson, Rodi Eken, Léa Capuano, Romain Rincon Hernandez, Salomé Erbs - invités : Momoko Seto Réalisatrice et plasticienne Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:01:48 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Durant aquest primer semestre de 2026, Lloret de Mar ha estat l’escenari de més de vint rodatges, amb produccions destacades com El Mundo Era Nuestro, un llargmetratge ambientat en la Segona Guerra Mundial que es va gravar entre els Jardins i la Casa de Santa Clotilde, des de finals de juny fins a principis de juliol. En els primers sis mesos de l’any, al nostre municipi s’hi han rodat pel·lícules, sèries, espots publicitaris, videoclips i sessions fotogràfiques, la gran majoria a càrrec de marques internacionals com Nike, Bershka, Desigual i Kawasaki, entre d’altres. A més, també hem pogut veure Lloret a la pantalla petita amb diversos programes de televisió, com ara El pla seqüència de 3Cat, amb Nina i Jordi Basté; la sèrie documental, un País d’Altura, també de 3Cat; o les imatges de recurs de la setena temporada de Crims. Elizabeth Keegan, gerent de Lloret Turisme, en fa una valoració molt positiva d’un impacte que «arriba sempre fora de temporada alta» i que «suposa per Lloret una promoció internacional». «Valorem molt positivament tant la diversitat de tipologia de rodatges com la diversitat de localitzacions, després d’aquests vint anys de la Lloret Film Office».Elizabeth Keegan Una vegada més, els espais més sol·licitats per als rodatges han estat els Jardins de Santa Clotilde, la cala de Sa Boadella i la platja de Santa Cristina, a més de Cala Canyelles, Treumal i la casa museu Can Font. Paisatges del nostre litoral, que els mateixos professionals de l’audiovisual poden fer passar per països com Tailàndia, Mèxic, la mateixa Costa Brava o el Marroc. «La versatilitat d’aquestes cales naturals que tenim a Lloret de Mar i que tant sorprenen la gent i la proximitat amb Barcelona, ens fa ser un punt diferencial respecte a altres racons del litoral català».Elizabeth Keegan Precisament la tardor passada, explica, també van rebre la visita de diversos localitzadors amb seu a Barcelona, interessats a conèixer espais diferents dels habituals. Entre d’altres, van visitar les entranyes de la piscina municipal, amb totes les instal·lacions i canonades, així com indrets singulars i poc coneguts, com el paratge de Sant Pere del Bosc, on ja s’hi han fet diversos rodatges. Més d’una vintena de rodatges que, ben segur, contribueixen a desvincular Lloret de Mar de la imatge associada únicament al turisme mediterrani, amb tòpics com l’oci nocturn o el turisme jove. «Quan la gent veu a les pantalles alguns dels racons de casa nostra on en destaca el paisatge, la natura, unes platges de primer nivell i també un gran patrimoni cultural, ens dona una credibilitat que no tenim nosaltres per si sols».Elizabeth Keegan Tot plegat és possible gràcies a la Lloret Film Office, que ofereix un ampli ventall de serveis gratuïts i especialitzats per facilitar els rodatges de produccions audiovisuals, tant nacionals com internacionals, al municipi. Aquest servei, impulsat per Lloret Turisme, està en funcionament des del 2005. «Hi ha un posicionament pel que fa a Catalunya molt professional i amb molt bona imatge de marca per part de l’equip del Film Office».Elizabeth Keegan Són declaracions d’Elizabeth Keegan, gerent de Lloret Turisme.

Avui dimarts ens fem ressò que Lloret de Mar ha estat la seu de més de vint rodatges en aquest primer semestre del 2026. Entre les produccions destaca ‘El mundo era nuestro', un llargmetratge musical ambientat en la Segona Guerra Mundial, que es va dur a terme a finals de juny i principis de juliol al Jardins i la Casa de Santa Clotilde. Aquest projecte se suma als més de vint rodatges que s'han fet a Lloret en els primers sis mesos de l'any, entre cinema, sèries, espots, videoclips i sessions fotogràfiques. La majoria han anat a càrrec de grans marques internacionals com Nike, Bershka, Desigual i Kawasaki, entre altres. A més, Lloret també ha estat escenari de diversos programes de televisió, entre els quals destaca ‘Pla seqüència', amb Nina i Jordi Basté a La 2Cat; la sèrie documental ‘Un país d'altura' de 3Cat; o les imatges de recurs de la setena temporada de ‘Crims'. Ho valorem amb Elizabeth Keegan, gerent de Lloret Turisme. Altres temes d'interès: Ciutadania: Coneixem la lloretenca Roser Frigola, que ha fet un canvi de vida arran de quedar-se embarassada. Ha canviat radicalment de feina i, a més, posa per davant la sostenibilitat. Ella mateixa ens ho explica. Esports: Sabem com va ser el bon paper que van realitzar els nedadors del Club Natació Lloret en la vintena edició del Trofeu de Sabadell.

Comment une forteresse médiévale est-elle devenue l'un des grands châteaux de plaisance de Bourgogne ?Dans la vallée de l'Armançon, Tanlay nous entraîne au cœur d'une histoire mouvementée. À partir de 1559, François d'Andelot, l'un des chefs protestants des guerres de Religion, entreprend d'élever une nouvelle demeure. Sa mort interrompt brutalement le chantier.Près d'un siècle plus tard, le financier Michel Particelli d'Hémery acquiert le domaine. Il en confie l'achèvement à Pierre Le Muet. L'architecte relève le défi avec habileté : poursuivre l'œuvre de la Renaissance sans en effacer le dessein.Jardins, canal, décors, incendie, restaurations et transmissions familiales enrichissent encore cette aventure architecturale jusqu'à nos jours.Ce nouvel épisode de Com d'Archi vous invite à découvrir un château exceptionnel, façonné par les guerres, les fortunes et les ambitions de ceux qui l'ont habité.Episode d'Anne-CharlotteImage teaser DR © CACCHIONE AntonioMontage son et identités sonores : Com d'Archi podcast____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans cet extrait de l'épisode [Chaud Devant #2 - Manger à Lille sous 50°C], Basile Decrock , producteur de fruits et légumes bio aux Jardins de Basile (Nord) explique sa vision de la permaculture sous 50°C, entre arboforesterie, autonomie en ressources et irrigation intelligente. Comment les producteurs et paysans vont-ils devoir s'adapter face au réchauffement climatique ? Qu'est ce que cela changera pour le consommateur ? Comment gérer des parcelles de fruits et légumes lors de fortes chaleur ? Quelles sont les astuces concrètes pour adapter son exploitation face à ces températures ? Bonne écoute ! *** Pour nous soutenir : - Abonnez-vous à notre podcast ; - Donnez votre avis en mettant des étoiles et des commentaires sur votre plateforme d'écoute préférée ; - Parlez d'Écotable et de son podcast autour de vous ; - Allez manger dans nos restaurants vertueux et délicieux ! *** Écotable est une entreprise dont la mission est d'accompagner les acteurs du secteur de la restauration dans leur transition écologique. Elle propose aux restaurateurs une palette d'outils sur la plateforme www.ecotable.fr/proÉcotable possède également un label qui identifie les restaurants écoresponsables dans toute la France sur le site www.ecotable.frHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Prendre soin du système racinaire, la clé de l'harmonie des dynamiques naturelles des jardins.Dans cette conversation passionnante avec ma botaniste Véronique Mure, on découvre comment le règne végétal nous invite à repenser nos pratiques et nos standards esthétiques.Avec Olivier Filippi, Véronique est à l'origine des derniers aménagements des jardins du Fort Saint Jean à Marseille, premiers jardins de France conçus sans goutte à goutte. Une preuve vivante qu'il est possible de préserver nos sols et de dire adieu à des kilomètres de plastique inutiles, tout en célébrant la résilience naturelle des plantes méditerranéennes.Avec des plantes bien choisies, dotées de systèmes racinaires robustes et adaptées à leur environnement, l'arrosage peut devenir superflu.Véronique, dans cet épisodes, nous permets de saisir que nous pourrions tout à fait nous passer d'un tas de pratiques toxiques et impactantes qui continuent de polluer nos sols.Honorer sa force et préserver ce lien précieux avec le vivant, voilà l'appel majestueux que partage avec nous Véronique Mure !Quelqu'uns des jardins sur lesquels Véronique est intervenue :Mémoires de garrigue au Pont du Gard : un parcours d'interprétation de 2,4 km qui offre des clés de compréhension sur l'histoire et le développement des paysages méditerranéens depuis l'époque romaine.Fort Saint-Jean à Marseille : Jardin des MigrationsAu sein du MuCEM, elle a collaboré avec l'agence APS et le pépiniériste Olivier Filippi pour concevoir le Jardin des Migrations. Ce jardin met en valeur la diversité végétale méditerranéenne et raconte l'histoire des échanges de plantes autour de la Méditerranée. Il est pensé et livré sans goutte à goutte. C'est le seul en France !Trames vertes et bleues de Montpellier et Saint-Étienne : elle a contribué à l'élaboration de ces corridors écologiques visant à renforcer la biodiversité urbaine.Plan de paysage du Minervois : elle a travaillé sur ce projet visant à préserver et valoriser les paysages caractéristiques de cette région.Domaine du Rayol : Le Jardin des MéditerranéesAu Domaine du Rayol, Véronique Mure anime des ateliers et formations, notamment sur le jardin sec et l'initiation à la botanique.Les ouvrages de Véronique Mure : https://editions.atelierbaie.fr/livres?swoof=1&pa_categorie=livresLe compte Instagram de Véronique : https://www.instagram.com/veroniquemure?igsh=MXh6ZXBoZTlodXJrZw==----Rejoins-moi dans le Social Club ! Un format plus brut, plus intime, où je partage ce que je ne dis nulle part ailleurs :• les dessous de mes rencontres• des réflexions sur l'art de vivre du new normal : beau et soutenable• des gestes simples mais puissants du quotidien• des pistes concrètes pour aligner goût et éthique lorsqu'on esthète, design, art et architecture lover !

Bienvenue dans ce nouvel épisode de Chaud Devant, porté par la Communauté Écotable. Tourné durant l'événement Chaud Devant ! Manger à Lille sous 50°C du 24 mai 2025, il s'attaque à un emblème de la gastronomie lilloise qui tient difficilement le test de l'adaptation climatique : le Welsh. Pain, bière, fromage et jambon : quel avenir pour cette audacieuse superposition dans un futur surchauffé ? Pour répondre à cette épineuse question, nous avons rassemblé autour de la table un boulanger solaire, Arnaud Creto de NeoLoco, une fabricante de Maroille , Véronique Juste de La Ferme des Bahardes, un maraîcher biologique, Basile Decrock des Jardins de Basile et une brasseuse, Laurine Lemahieu de NovaPinte. Ensemble, ils décortiquent l'influence actuelle et les conséquences à prévoir du changement climatique sur leur artisanat respectif et nous permettent ainsi d'entrevoir quel serait... le welsh du futur ? Modération: Aline Archelin *** Pour nous soutenir : - Abonnez-vous à notre podcast ; - Donnez votre avis en mettant des étoiles et des commentaires sur votre plateforme d'écoute préférée ; - Parlez d'Écotable et de son podcast autour de vous ; - Allez manger dans nos restaurants vertueux et délicieux ! *** Écotable est une entreprise dont la mission est d'accompagner les acteurs du secteur de la restauration dans leur transition écologique. Elle propose aux restaurateurs une palette d'outils sur la plateforme www.ecotable.fr/proÉcotable possède également un label qui identifie les restaurants écoresponsables dans toute la France sur le site www.ecotable.frHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:05:54 - La main verte - par : Alain Baraton - Le jardinier Alain Baraton répond à des questions d'auditeurs et nous parle de la 10e édition de Jardins ouverts qui invite à découvrir autrement plus de 200 jardins franciliens. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

#170 Montreal Day 2: Old Montreal, St. Helen's Island & Travel Tips Planning a trip to Montreal? In this episode of the Everyday Bucket List Podcast, Karen and Rich share highlights from day two of their adventure, including Old Montreal, St. Helen's Island, and the beautiful floral sculptures at the Jardins des Floralis. If you're following this travel series, check out Episode 167 to hear how the trip began. Each episode can also be enjoyed on its own. In this episode: Exploring Old Montreal and Notre-Dame Basilica Lunch at Le Petit Dep Ferry vs. Metro to St. Helen's Island Visiting the Jardins des Floralies The Old Port boardwalk and zipline Trying authentic Montreal poutine Travel dos and don'ts to save time Karen and Rich share what they learned while exploring the city, including a ferry scheduling mistake that changed their plans, simple French etiquette tips, and why the Metro may be a better option if you're on a tight schedule. They also discuss visiting the famous giant floral sculpture, strolling the Old Port, and ending the day with authentic poutine before sharing one of their biggest tips: visit Notre-Dame Basilica earlier in the day so you don't miss it before closing. Whether it's your first trip to Montreal or you're looking for fresh travel ideas, this episode is full of fun things to do and practical tips to help you make the most of your visit. CLICK THE LINKS BELOW OR CUT AND PASTE THEM INTO YOUR BROWSER: Binge-listen to my Summer Travel Playlist: https://spoti.fi/4dHAaKf Binge-listen to my USA Travel Podcast Episodes: https://bit.ly/4fyfh53 Listen to Next: Planning a Martha's Vineyard Vacation: Tips for All Budgets (Ep 123) Places to Visit in Connecticut for Your Next Bucket List Trip (Ep 121) Why a Providence, Rhode Island Visit is Definitely Worth It! (Ep 35) Discover Fun Things to Do in Rhode Island (Ep 54) Montreal Part 1 (Ep 167) RESOURCES: If you'd like to support my work, check out: https://buymeacoffee.com/edbl Grab a copy of The Everyday Bucket List Book: https://amzn.to/3vwxz2K If you'd like a voiceover or video content for your product or service, click here. Connect with me: Website: KarenCordaway.com Twitter (X): @KarenCordaway https://x.com/karencordaway Pinterest: @Everyday_Bucket_List https://www.pinterest.com/EverydayBucketList/ TikTok: @Everyday_Bucket_List https://www.tiktok.com/@everyday_bucket_list If you're enjoying this podcast, please rate and review it. Your feedback helps us know what episodes you'd like to hear next. Disclaimer: Some of the outbound links financially benefit the podcast. Using our links is a small way to support the show at no additional cost to you. I only recommend products, services, and resources I personally use and would recommend to close friends and family. Thank you for your support. https://karencordaway.com/disclaimer/  

L'estiu no atura les activitats al Prado, de fet gairebé les augmenta i sobretot les centra en programació musical. Aquest diumenge 5 de juliol es dona sortida a una nova edició dels Capvepres Musicals, cinc concerts d'artistes locals o del territori. El 5, 12 i 19 de juliol i el 2 i 9 d'agost els Jardins del Prado oferiran concerts d'estils musicals diversos a les set del vespre i amb un preu d'accés de 5€ amb consumició inclosa, 3€ pels socis. Més enllà dels capvespres el saló teatre acollirà aquests any, per primera vegada, els concerts Candelight, concerts únics sota la llum de les espelmes a la que s'hi afegeix el Prado com una de les 100 úniques seus que té repartides pel món. També durant els mesos de juliol i agost el teatre acollirà el Mediterranian Guitar Festival, totes dues activitats mantenen un públic fidel i no sempre local. Les entrades poden adquirir a través del web del Prado o directament al web de Fever i les del Mediterranian Guitar Festival al seu web. N'hem parlat amb Carme Artigas, Presidenta del Prado. L'entrada La música omple l’agenda d’activitats d’estiu del Prado ha aparegut primer a Radio Maricel.

El Cicle Imprescindibles inclou aquest 2026 dotze propostes musicals i de dansa en el marc del Festival Terramar Caixabank entre el 31 de juliol i el 12 d'agost. A l'espera del que passi l'any vinent amb aquest Festival, tenint en compte la fi de la licitació i la possible marxa dels Jardins de Terramar, la seva coordinadora, Núria Escarp, assegura que els Imprescindibles continuaran formant part de l'agenda cultural sitgetana. Mentrestant aquest any la proposta inclou actuacions que van des del rap fins al reguetton, passant pels boleros o la bossa nova i per descomptat també per la dansa. En tots els casos les actuacions es duran a terme a l'espai Village del Festival, als Jardins de Terramar, i partir de les 20h amb un preu d'accés de 5€. N'hem parlat amb Núria Escarp. L'entrada Nova edició del Cicle Imprescindibles que assegura continuïtat en el temps passi el que passi amb el Festival Terramar ha aparegut primer a Radio Maricel.

Fluent Fiction - French: Finding Serenity Amongst the Flowers: A Park's Healing Embrace Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-06-25-22-34-02-fr Story Transcript:Fr: Le soleil brillait doucement sur les Jardins du Luxembourg.En: The sun gently shone over the Jardins du Luxembourg.Fr: Les arbres étaient verdis, les fleurs éclataient de couleurs, et les rires des enfants jouaient avec le vent.En: The trees were green, the flowers burst with colors, and the laughter of children danced with the wind.Fr: C'était un endroit parfait pour une promenade estivale.En: It was a perfect place for a summer walk.Fr: Lucien marchait lentement sur le sentier gravelé.En: Lucien walked slowly along the gravel path.Fr: Il avait besoin de ce moment, loin du tumulte de ses pensées.En: He needed this moment, away from the turmoil of his thoughts.Fr: La nature apaisait son esprit tourmenté par la perte récente d'un être cher.En: Nature soothed his mind, tormented by the recent loss of a loved one.Fr: Il cherchait une paix intérieure, quelque chose pour combler ce vide qui pesait lourd sur son cœur.En: He sought inner peace, something to fill the void weighing heavily on his heart.Fr: En s'approchant d'un banc ombragé sous un grand chêne, Lucien s'arrêta.En: Approaching a shaded bench under a large oak tree, Lucien stopped.Fr: Il s'assit, ferma les yeux un instant, écoutant le chant des oiseaux et la brise légère.En: He sat down, closed his eyes for a moment, listening to the song of the birds and the gentle breeze.Fr: Puis, il ouvrit les yeux et observa autour de lui.En: Then, he opened his eyes and observed his surroundings.Fr: Non loin, un jeune couple discutait avec enthousiasme.En: Not far away, a young couple was chatting enthusiastically.Fr: Sophie et Émile semblaient rayonner de bonheur.En: Sophie and Émile seemed to radiate happiness.Fr: Leurs voix, une douce mélodie, flottaient dans l'air.En: Their voices, a sweet melody, floated in the air.Fr: Lucien n'avait pas voulu écouter, mais une phrase attrapa son attention.En: Lucien hadn't intended to listen, but a phrase caught his attention.Fr: Émile disait : "La vie est courte, chérissons chaque instant.En: Émile was saying, "La vie est courte, let's cherish every moment.Fr: Ce n'est que maintenant qui compte vraiment."En: Only now truly matters."Fr: Ces mots résonnèrent dans l'esprit de Lucien.En: These words resonated in Lucien's mind.Fr: Il se mit à réfléchir aux souvenirs heureux qu'il avait.En: He began to reflect on the happy memories he had.Fr: Oui, la douleur était là, mais il se souvenait aussi des rires, des joies, des petits moments partagés.En: Yes, the pain was there, but he also remembered the laughter, the joys, the little moments shared.Fr: Sophie sourit à Émile, et sa simplicité illuminait leur conversation.En: Sophie smiled at Émile, and her simplicity illuminated their conversation.Fr: Lucien sentit un poids se détacher de ses épaules.En: Lucien felt a weight lift from his shoulders.Fr: Il comprit que pour aller de l'avant, il devait embrasser ces beaux souvenirs et laisser le reste s'envoler.En: He understood that to move forward, he needed to embrace those beautiful memories and let the rest soar away.Fr: Inspiré par Sophie et Émile, Lucien se leva du banc.En: Inspired by Sophie and Émile, Lucien rose from the bench.Fr: Il se sentait plus léger, en harmonie avec le parc autour de lui.En: He felt lighter, in harmony with the park around him.Fr: Il était prêt à tourner la page, à marcher vers un avenir plus lumineux.En: He was ready to turn the page, to walk towards a brighter future.Fr: Le soleil continuait de briller, et, dans le cœur de Lucien, une nouvelle sérénité avait trouvé sa place.En: The sun continued to shine, and in Lucien's heart, a new serenity had found its place. Vocabulary Words:the sun: le soleilthe garden: le jardinthe tree: l'arbrethe flower: la fleurthe laughter: le rirethe wind: le ventthe walk: la promenadethe gravel: le gravierthe turmoil: le tumultethe mind: l'espritthe loss: la pertethe bench: le bancthe oak: le chênethe song: le chantthe breeze: la brisethe couple: le couplethe happiness: le bonheurthe air: l'airthe phrase: la phrasethe moment: l'instantthe memory: le souvenirthe pain: la douleurthe joy: la joiethe simplicity: la simplicitéthe conversation: la conversationthe shoulder: l'épaulethe harmony: l'harmoniethe park: le parcthe future: l'avenirthe serenity: la sérénité

Aujourd'hui, Emmanuel de Villiers, entrepreneur, Charles Consigny, avocat, et Joëlle Dago-Serry, coach de vie, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Tanquem temporada amb l'especialista en arbres i col·laborador habitual Edu Arnal i amb la visita de l'ambientòleg i expert en disseny de jardins mediterranis de baix manteniment i baix consum d'aigua, Ricard Vila. D'entrada el punt de partida no el veuen positiu, l'estat de salut de la jardineria urbana de Sitges és altament millorable i d'entrada passaria per un canvi de model, per obviar referències nord-europees basades en gespa i roses i centrar-se en models mediterranis adaptats a la situació climatològica del nostre territori. El canvi però va més enllà, reivindiquen la consulta prèvia als professionals experts i una veritable inversió que, asseguren, si d'entrada no escatima a la llarga permet estalvi. Parlem de jardineria urbana amb aquests dos sitgetans apassionats del verd urbà. L'entrada Món Verd: És possible millorar els jardins urbans de Sitges? els experts Edu Arnal i Ricard Vila parlen clar ha aparegut primer a Radio Maricel.

Where in the world am I? In San Diego, talking about Sao Paolo, Brazil Welcome back to the  Dr. Mary Travelbest Guide podcast. The FAQ is: Leslie asked, "After my injury/ operation, I'm concerned about travel. Can you tell me how hard it is to resume my former Step (1-5) for Travel? How should I set my expectations for future travel after I am healed? Answer:  The step for your next travel may be different than your last trip. For example, you may have been on an African safari, and that was a Step 5. Now you have had a broken bone, or you have had surgery, and you are wondering how to get back out there on your next adventure. You may need to re-group, drop down a step or two, and figure out your confidence again. You can always go on an overnight trip to a nearby city and start with Step 1 travel once again. There may be some things you missed or never saw that you've been meaning to visit, and now would be a good time to do so. I am not a medical doctor, so follow your doctor's advice on travel.   60-second confidence challenge Your challenge today, Confidence Challenge in Sao Paulo If you like today's Confidence Challenge, my book series delves deeper into health and wellness, while moving through the 5 steps to solo travel, from easy to more challenging, with foreign language communication tips and ways to improve your fun while solo, including areas like Sao Paolo, Brazil. You can find the series at the link in the description.    See Book A for addressing this concern. Look for Part C, which is coming soon. Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. It's a several-part series. Today's destination is São Paulo, Brazil.   São Paulo is the capital of Brazil and home to 22M people, a Step 5 destination.   São Paulo is worth seeing for women who like culture, neighborhoods, museums, and food, but it is not the easiest first-choice city in South America for a solo woman over 50. It can feel gray, crowded, and tiring. The traffic is real. The scale is real. The safety concerns are real. But if you stay in the right area, move with intention, and do not try to conquer the whole city, you can have a rich two-day visit that feels strong, smart, and independent.   I booked a cheap place on a travel website in São Paolo near the airport. Please listen to my mistakes at the end to understand why not to do that.   If you just arrived, you may want to take the metro into town. Get a 24-hour pass for about $.-5 Or just buy individual tickets. Metro here is free for people over 60, so just show your passport upon arrival at the station. I have a story at the end about that also.   If you are planning to go, here is a 2-day itinerary, along with a few of my comments. Day 1: Start with the easier parts of the city Morning: Avenida Paulista and MASP area Begin on Avenida Paulista because it is one of the city's best-known and most practical starting points for a solo visitor. It is central, busy, and lined with museums, cafes, shops, and hotels. MASP is one of the city's landmark museums and a strong anchor stop, rather than just wandering without a plan. São Paulo's official visitor materials also highlight Paulista as one of the city's defining areas. Midday: Long lunch instead of overpacking the day Do not try to "do São Paulo" in one sweep. Build in a proper lunch near Paulista or Jardins. This city can wear you out. Traffic, sidewalks, noise, and decision fatigue are real. Afternoon: Parque Ibirapuera Head to Ibirapuera Park for a calmer second half of the day. Official city materials list it among the major attractions, and it is a better late-afternoon choice than pushing deeper into more chaotic areas when your energy is lower. Evening: Dinner close to your hotel This is where I would be critical. São Paulo is not the city where I would tell a solo woman to "go out and see what happens" at night. Have dinner in a well-reviewed area near where you are staying, and use a car service back if needed.  Day 2:  Morning: Liberdade Liberdade is one of São Paulo's signature neighborhoods and gives you a different side of the city. Go in the morning, when you are fresh, and the area feels more manageable. It is photogenic and culturally distinct. It felt like an asian-like atmosphere for me. I felt the Japanese and other asian cultural influences, which made it different than other parts of the city. What to watch out for: Do not confuse "interesting" with "relaxing." Some parts can feel crowded, messy, and overstimulating. Keep valuables out of sight and do not stand around consulting your phone at the curb. Lunch: Stay put, then move intentionally Have lunch there or in a nearby planned stop. Avoid zigzagging across the city without a clear reason. In São Paulo, too much transit can waste time and cause more hassle. Afternoon option A: Municipal Market, if you like food stops The Mercado Municipal is iconic and worth considering for a focused visit, not an all-day outing. Go, sample, look around, then leave. Afternoon option B: Easier finish in Jardins or back to Paulista If you want a smoother second day, return to a more polished area such as Jardins or the Paulista zone. This is the better choice if you are tired, jet-lagged, or feeling cautious. Evening: End early I would lean toward Paulista/Jardins rather than picking a cheaper stay in a less convenient area. That is not because those neighborhoods are risk-free. They are not. It is because being in a more established, service-rich area usually makes solo travel simpler and lowers friction. São Paulo can be rewarding, but it is not a city to treat casually. Official advisories warn about crime, including street crime, and São Paulo's own Metro provides a dedicated safety reporting channel, which tells you something important: security is an active issue, not an afterthought. "São Paulo is not the city to improvise, but it is a city that rewards a solo woman who travels with judgment." This is not the kind of destination I would describe as easy. It is not relaxed. It is not as charming as some other cities in Brazil. And it is definitely not a place where I would suggest that a solo woman just show up and wander around without a plan. But here is the honest part. Interesting does not always mean comfortable. Some areas can feel crowded and overstimulating. So go early, stay alert, and do not stand on a sidewalk corner looking down at your phone like a lost tourist. São Paulo can be rewarding, but it is not casual travel. You need to pay attention. I would not wear flashy jewelry. I would not hold my phone out while walking. I would not arrive in a brand-new neighborhood after dark. And I would not assume that a place is fine just because it looks busy. Busy does not always mean safe. Another point for women over 50: choose your hotel area carefully. I would spend a bit more to stay in a better-located neighborhood rather than save money and make every outing harder. In a city like São Paulo, convenience is not a luxury. It is part of your safety strategy. São Paulo is better for the traveler who can say, "I do not need this city to entertain me every minute. I just want to experience it intelligently." If you go, keep your schedule realistic, stay alert, and let the city come to you in pieces. You do not need to conquer São Paulo. You just need to experience the right parts of it with confidence. I was able to store my luggage at the airport for the day for about $10. Worth it, so I did not have to carry it all day. The storage is in Terminal 2: Arrivals. Turn left. Luggage storage- "Guarda-Volumes", near parking garage entrance at far end of terminal.    There is an express train from Luz to the city every 2 hours. It's called. "GRU Airport train " Or CPTM. Take the free GRU SHUTTLE BUS. See show notes for many details. Espresso aeroporto, 60 mins long was the ride. https://en.wikipedia.org/wiki/S%C3%A3o_Paulo_Museum_of_Art https://artsandculture.google.com/story/RAURhHm2wnzb1g   https://en.wikipedia.org/wiki/Jardim_da_Luz   https://www.tripadvisor.com/Attraction_Review-g303631-d311969-Reviews-Pinacoteca_do_Estado_de_Sao_Paulo-Sao_Paulo_State_of_Sao_Paulo.html When I first arrived in Luz, I got off at Luz station. Beautiful building. Ornate. The Portuguese Language Center was located there, too, in the Parque de Luz. The police were guarding, but felt safe. Beautiful trees and a fresh smell after the rain. Walked to the Pina Art Museum. Lots of school groups. Modern. Plus some traditional: films, sculptures, paintings, 3d designs. Walked over a bridge to a long street still close to Luz. Walked about a mile. Stores and parking garages mostly. Optical, toys, and industrial products. Found Church of San Bento. Praying for them and others in this beautiful building. No video allowed. —————— My three Sao Paolo  missteps:    Spilling yogurt all over me early in the morning. Table, clothes, floor, everywhere. What a mess. Be more careful around yogurt containers.   In the San Bento metro station, the  Woman at the counter would not give me free subway access. She sent me to the ticket booth to buy a ticket. I showed my passport there, and she said,  Go back there. So I did. I told her my age. Finally, she smiled and let me pass. Maybe I looked too young for the free transport.   Booking a room near the airport that was not in a good neighborhood. Lots of reasons not to walk at night. Bars on the doors and windows here.   Thanks for listening, and I'll see you on the next journey. AI was used to select some of the suggestions for this episode.   Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest on YouTube In the news  

durée : 00:10:04 - Les émissions culturelles de France Culture - par : Sophie-Catherine Gallet - Comment raconter la mélancolie et la douceur des parcs et des jardins ? L'écrivain Hervé Le Tellier, le peintre Alexandre de Broca et le musicien Sylvain Moser proposent un guide dans quinze parcs et jardins parisiens dans leur ouvrage "Jardin sauvage et autres parcs parisiens" paru chez Gallimard. - réalisation : Laurence Malonda, Zoé Couppé - invités : Hervé Le Tellier Écrivain français, Prix Goncourt 2020 pour "L'anomalie" Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:14 - La main verte - par : Alain Baraton - Les vendredi 5, samedi 6 et dimanche 7 juin 2026 : rendez-vous dans plus de 2800 parcs et jardins en Europe. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:04 - La main verte - par : Alain Baraton - Les vendredi 5, samedi 6 et dimanche 7 juin 2026 : rendez-vous dans plus de 2800 parcs et jardins en Europe. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:36:29 - Le téléphone sonne - Ce week-end, les Rendez-vous aux jardins reviennent pour leur 23e édition, dans plus de 2 800 parcs et jardins en Europe. L'occasion de se demander pourquoi les jardins prennent autant de place dans nos villes comme dans nos vies. - réalisation : Fabienne Sintes, Thomas Lenglain, Pierre Dessertenne, Mathias Dubois, Marius Serieys, Philippe Lefébure - invités : Ophélie Damblé Pépiniériste, vidéaste créatrice de la chaîne "Ophélie - Ta Mère Nature", Alain Baraton Jardinier en chef du Domaine national de Trianon et du Grand parc de Versailles, chroniqueur sur France Inter. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Bienvenue dans cet épisode très spécial, un épisode spécial sur le thème du jardin

Fluent Fiction - Catalan: From Despair to Inspiration: A Spring Awakening at Montjuïc Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-05-26-22-34-02-ca Story Transcript:Ca: Adrià es va despertar aquell matí de primavera amb el cor pesat.En: Adrià woke up that spring morning with a heavy heart.Ca: S'havia quedat sense feina feia poc i cada dia estava més intranquil.En: He had recently lost his job and was feeling more and more anxious each day.Ca: La vida semblava haver perdut el sentit, i les parets del seu petit pis l'oprimien.En: Life seemed to have lost its meaning, and the walls of his small apartment were suffocating him.Ca: Aquell dia, però, hi havia la Festa de Primavera als Jardins de Montjuïc.En: That day, however, the Spring Festival was taking place at the Jardins de Montjuïc.Ca: Sense lligams i amb el desig de trobar inspiració, va decidir anar-hi.En: Untethered and with the desire to find inspiration, he decided to go.Ca: El sol brillant es reflectia en els colors vius de les flors que omplien els jardins.En: The bright sun reflected in the vivid colors of the flowers that filled the gardens.Ca: Les olors de les roses i les clavellines es barrejaven amb l'aroma de les paradetes de menjar que oferien paella i xurros.En: The scents of roses and carnations mingled with the aroma of food stalls offering paella and xurros.Ca: Adrià passejava entre la gent, admirant les obres d'art de les paradetes.En: Adrià strolled among the people, admiring the artworks at the stalls.Ca: Va notar que el festival estava ple de vida i energia.En: He noticed that the festival was full of life and energy.Ca: De sobte, una veu coneguda el va apartar de les seves preocupacions.En: Suddenly, a familiar voice pulled him away from his worries.Ca: "Adrià!En: "Adrià!Ca: ", va exclamar algú amb alegria.En: ", someone exclaimed joyfully.Ca: Era Marta, una amiga de la universitat que no havia vist des de feia anys.En: It was Marta, a friend from university whom he hadn't seen in years.Ca: Marta, sempre optimista i vivaç, havia seguit el seu somni de ser artista i ara exposava les seves pintures.En: Marta, always optimistic and lively, had pursued her dream of becoming an artist and was now exhibiting her paintings.Ca: Els seus quadres eren plens de colors brillants i de vida, un contrast perfect amb el seu estat d'ànim recent.En: Her paintings were full of bright colors and life, a perfect contrast to his recent mood.Ca: Adrià i Marta van parlar llargament, recordant vells temps.En: Adrià and Marta talked at length, reminiscing about old times.Ca: Marta li va explicar com havia lluitat per seguir el seu camí malgrat les dificultats.En: Marta shared how she had fought to follow her path despite the difficulties.Ca: Amb cada paraula, Adrià sentia com les seves pors s'esvaïen lentament.En: With each word, Adrià felt his fears slowly dissipating.Ca: "Les decisions poden ser difícils, però res és tan preciós com viure la teva passió", li va dir Marta mentre observaven el sol ponent-se, tenyint el cel d'un taronja esplèndid.En: "Decisions can be tough, but nothing is as precious as living your passion," she told him as they watched the sun setting, painting the sky with a splendid orange.Ca: Animat per la conversa i per l'entorn inspirador dels jardins, Adrià va sentir com una llum s'encenia dins seu.En: Encouraged by the conversation and the inspiring surroundings of the gardens, Adrià felt a light ignite within him.Ca: Havia somiat fa tant de temps amb estudiar art, però la por sempre l'havia frenat.En: He had dreamed for so long of studying art, but fear had always held him back.Ca: No obstant, el coratge de Marta li havia ensenyat que l'únic camí per ser feliç era seguir el cor.En: However, Marta's courage had taught him that the only way to be happy was to follow his heart.Ca: Amb un somriure i el cor lleuger, Adrià es va acomiadar de Marta.En: With a smile and a light heart, Adrià said farewell to Marta.Ca: Sabia que hi havia pres una decisió important.En: He knew he had made an important decision.Ca: Li quedava un camí llarg per recórrer, però ara estava ple de confiança i un renovat sentit de propòsit.En: There was a long road ahead, but now he was filled with confidence and a renewed sense of purpose.Ca: Els jardins de Montjuïc a la primavera l'havien retornat a la vida.En: The Jardins de Montjuïc in spring had brought him back to life. Vocabulary Words:the morning: el matíthe heart: el coranxious: intranquilthe walls: les paretsthe apartment: el pisuntethered: sense lligamsthe desire: el desiginspiration: inspiracióto stroll: passejarthe artworks: les obres d'artthe stalls: les paradetesto admire: admirarthe festival: el festivalthe energy: l'energiajoyfully: amb alegriaoptimistic: optimistalively: vivaçthe paintings: les pinturesthe contrast: el contrastto reminisce: recordar vells tempsthe passion: la passióthe sunset: la posta de solto ignite: encendrethe courage: el coratgethe confidence: la confiançathe purpose: el propòsitthe garden: el jardíthe spring: la primaverathe fear: la porprecious: preciós

fWotD Episode 3306: Figure skating at the 2022 Winter Olympics – Team event Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 24 May 2026, is Figure skating at the 2022 Winter Olympics – Team event.The figure skating team event at the 2022 Winter Olympics was held between 4 and 7 February at the Capital Indoor Stadium in Beijing, China. The team event consisted of competitions in men's singles, women's singles, pair skating, and ice dance. Skaters and teams earned points based on their placements in each event, and the medalists were determined based on the total points earned. The team representing the Russian Olympic Committee originally finished in first place, while the team from the United States finished second, and the Japanese team finished third. However, when it was revealed that a positive test confirming the presence of a banned substance was received from a sample submitted by Kamila Valieva of Russia, the medal ceremony was postponed. After nearly two years of litigation, Valieva's scores were stricken and the newly tabulated results placed the American team first, the Japanese team second, and the Russian team third. The American and Japanese teams finally received their medals at a ceremony held at the Jardins du Trocadéro in Paris during the 2024 Summer Olympics.This recording reflects the Wikipedia text as of 01:10 UTC on Sunday, 24 May 2026.For the full current version of the article, see Figure skating at the 2022 Winter Olympics – Team event on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Amy.

===La biennale Bâtir Vivant a fermé ses portes le 12 avril dernier ! Elle a ete initiée par l'Institut pour un Design Soutenable et produite par Artistik Bazaar.Elle fut consacrée aux innovations matériaux sans empreinte plastique ni chimie lourde de synthèse.Avec cette grande exposition (1200m2), l'intention est de sensibiliser les industriels, ingénieurs, décideurs et étudiants aux alarmes des scientifiques sur les enjeux de l'empreinte plastique spécifiquement dans les intérieurs.Vous avez surement vu passer l'étude du CNRS de Toulouse (Yakovenko et al., 2025) qui vient d'actualiser l'ampleur de notre exposition. Nous inhalons 100 fois plus de particules qu'estimé, principalement à cause de l'érosion chronique des objets qui nous entourent. Aussi pour accélérer la baisse notre exposition à ces molécules, Bâtir Vivant a mis en lumière les dernières innovations indépendantes de matériaux qui n'en contiennent aucune…une terra incognita aux multiples potentiels et riche d'espoir !L'intégralité de la curation Design soutenable (par Hélène Aguilar) et Artistique (par Marie-Cassandre Bultheel) est disponible en détail sur le podcast BÂTIR VIVANT —Par l'Institut pour un Design SoutenableCopilotépar Hélène Aguilar et Marie-Cassandre BultheelProduit par Artistik BazaarMécènes : Ministère Culture, Roka, Estia, Plendi by Vinci, Fosvia, Norea Environnement, Paris Office Project, La France Continue, Ligne Roset, Manufacture de Tourly, Fondation LAccolade, Fondation Placoplatre, Adra Studio, Xxo, Bignon Lebray, Eiffage Construction, NL Pays-BasPartenaires : Arte, Le Figaro, Mover, SayWho, G-on et G-on LifePartenaires scénographiques : BC Materials, Sammode, Horticulture & Jardins, Atelier Échelle Un, Boutures, Adaozan, Seta Zandi, GaltaneHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On se retrouve pour un nouvel épisode "10 questions", les épisodes du Chantier dans lesquels je pose 10 questions-clés à un expert sur un sujet qui devrait vous intéresser si vous vous lancez dans des travaux !Et cette semaine, j'ai invité à mon micro Fanny de Clair Lagon pour vous parler d'une solution pour aménager et embellir un extérieur, que vous soyez un particulier pour votre maison, un architecte pour vos futurs projets, ou un professionnel pour un hôtel, restaurant ou lieu de réception !Je parle des lagons naturels, ces lagons que l'on peut créer et implanter dans un jardin, qui visuellement, changent tout, et qui permettent de se baigner dans une eau translucide sans produits chimiques... Je vous laisse voir la beauté de ces lagons ci-dessous, et écouter mes 10 questions à Fanny, experte sur le sujet des lagons naturels !*****NOTES DE L'ÉPISODE******- Voir les réalisations de Clair Lagon : clair-lagon.com- Suivre Clair Lagon sur Instagram : @clairlagon- Suivre Le Chantier sur Instagram : @lechantierpodcast- Si vous aimez ce podcast, vous pouvez :laisser 5 étoiles ⭐⭐⭐⭐⭐ et votre avis en quelques mots sur Apple Podcasts ou Spotify, ça m'aide énormément !me soutenir sur Patreon à partir de 3€ par mois : rendez-vous sur patreon.com/LeChantierpodcastProduction & montage : Anne PontyÉpisode diffusé le : 24 avril 2026Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Parisienne jusqu'au bout des ongles, la marquise de Sévigné n'en a pas moins su goûter les plaisirs de la campagne, notamment dans son charmant château des Rochers, en Bretagne. Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Kiera is joined by the tooth-healer himself, Jason Dent! Jason has an extensive background in pharmacy, and shares with Kiera where his pharmaceutical experience has bled over into dentistry. This includes the difference between anti-quag and anti-platelet and which medications are probably safe, what to do to shorten the drag time in the pharmacy, how to write prescriptions most efficiently, and more. Episode resources: Subscribe to The Dental A-Team podcast Schedule a Practice Assessment Leave us a review Transcript: The Dental A Team (00:00) Hello, Dental A Team listeners. This is Kiera and today is a really awesome and unique day. It is, think the second time I've had somebody in the podcast studio with me live for a podcast and it's the one and only Jason Dent. Jason, how are you? I'm doing well. Good morning. Thanks for having me. It is crazy. I I watch Instagram real like this all the time where people are like in the podcast and they're hanging out on two chairs and couches and now look at us. We're doing it. Cheers. Cheers.   That was a mic cheer for those of you who are only listening, but yeah, Jace, how does this feel to be on the podcast? It's weird. Like I was not nervous at all talking about it. I got really nervous as soon as you hit play. So if I stumble over my words, please forgive me ahead of time. Well, Jason, I appreciate you being on the podcast because marketing had asked me to do a topic about teledentistry and I was like, oh shoot, that's like not my forte at all. so   You and I were actually chatting in the hot tub. call it Think Tank session and you and I, we have a lot of good ideas that come from that Think Tank. A lot of business. no phones. That's why. We do leave our phones out. But I was talking to Jason and this is actually a podcast we had talked about quite a while ago. Jason has a lot of information on pharmacy. And if you don't know, Jason isn't really, we were going through all of it last night. It's kind of a mock in the tub. And I think it's going to be great because I feel like this is an area, I'm working at Midwestern and   knowing about how dentists, pharmacology was surely not your favorite one. Jason actually helps a lot of dentists with their clearances. And so we were talking about it and I like it will just be a really awesome podcast for you guys to brush up on pharmacology, different things from a pharmacist's side. So Jason, welcome. Thank you. Yeah, no, we were talking about it and here's like, what should I talk about on the podcast next? I have all these different topics and she's like, what do you know? And the only real interaction I have with dentists is doing clearances for procedures. We get them all the time, which makes sense.   Lots of people are on blood thinner, I've always told Kiera, like, hey, I could talk about that. Like, that's kind of a passion of mine. I'm not a dentist. Or my name is Jason Dent. So in Hebrew, Jason means tooth. No, no, no, sorry. Nerves are getting to me. Jason means healer and Dent means tooth. So my name means tooth healer. So, here's a little set. Hold on, on, hold Can we just talk about? I brought that up before you could talk about it more. So.   My name means tooth healer but I did not become a dentist. I know you wanted me to become a dentist. did. I don't know why. I enjoy medicine. I know what you're going to get to already. The things you're going to ask me. There's been years of this. But nevertheless, that's my name. We'll get that out of the way. But you did give me a great last name. So I mean, it's OK. You're All is fair and love here. SEO's up for that. But yeah, Jason, I'm going to get you right into the show. And I'm going to be the host. And we're going to welcome to the podcast show. Jace, how are you?   Good, good, good. Good, good, good. So by getting into clearances, right? This is what you're kinda talking about with you know, before we get to clearances, I actually wanted Jason, for the listeners who don't know you, who haven't talked to you, who don't know, let's kinda just give them like, how did you go from, Kiera wanted you to be a dentist, to now Jason, you are on the podcast talking as our expert on pharmacy. fantastic. I've always really loved medicine, a ton. As a kid getting headaches and taking Excedrin, like you just feel like a miserable pile of crap.   and then you take two pills and all of a sudden you feel better. Like that's amazing, like how does that happen? Also getting ear aches as a kid, just being in so much pain and then taking some medicine and you start feeling a lot better. I always had a lot of appreciation for that. I've always been mechanically inclined. I went to, started doing my undergrad and took biology and learned about ATP synthase, which is a spinning enzyme that's inside the mitochondria, like a turbine engine. I used to work on small engines on my dirt bike and thought that is so cool. So I really got wrapped up into chemistry.   All the mechanics of chemistry really pulled me in. I'm not getting goosebumps. checking. I usually get goosebumps when I think about chemistry. But it's so cool. You think an engine's awesome, like pistons and camshafts and pressures, the cell is the same thing. It's not as loud, so it's not as cool. But it's fascinating. that's why we're like. ⁓   chemistry and really got into coagulation. So I did my residency after pharmacy school. we went to Arizona for three years. ⁓ You did and your main focus, you were never wanting to be the guy behind the counter. No, I haven't done that. Yeah. No, I love them though. I've always really want to go clinical. ⁓ But I love my retail ⁓ pharmacists. They're amazing resources. And ⁓ I use the retail pharmacist every day still to this day, but I went more the clinical route, really love the chemistry aspect of it.   did my doctorate degree and then I did my residency in Reno. Reno's kind That's how we got here everybody. Welcome to Reno. Strategically placed because I was really interested in critical medicine and where we're located we cover a huge area. So we pull in to almost clear, we go clear to Utah, clear to California, all of Northern Nevada. We get cases from all over. So we actually are kind like the first hub of care for lot of areas. So we really get an eclectic mixture of patients that come in that need-   all kinds of different cases that are coming to them. So it's what I really wanted. So I did my residency in critical care there. And then for the next 10 years, I worked in vascular medicine with my final five years being the supervisor of the clinic. Ran all the ins and outs of that. So my providers, two doctors were on our view. So when we talk about dentistry, talk about production, those kinds of things, totally get it. My doctors were the exact same way, my vascular providers. ⁓   There's some pains there, right? You wanna be seeing patients as much as possible, being able to help as many people, keeping the billing up. And had other nurse practitioners, four practitioners, a fleet of MAs, eight pharmacists. We also had that one location we had, going off the top of my head, I think we had eight locations running as well. And we took care of all the different kinds of vascular cases that came to us. Most common was blood clots, ⁓ which is just a...   which is an easier way of saying VTE. There's so many different ways to say a blood clot. Like you might hear patients say, I've had a PE or a DVT or a venous thromboembolism or a clot in my leg, right? They're all clots, but in different locations. Same with an MI, and MI can be a clot as well. ⁓ there's a lot of, everybody's kind of saying the same thing, but sometimes the nomenclature can make it sound hard, but it really is actually pretty simple.   No. And Jason, I love that you went through, you've been in like, and even in your, ⁓ when you were getting your doctorate, you were in the ER. You also worked in retail pharmacy. remember you having a little sticker on your hand. And retail pharmacy, I have a lot of respect for those guys. They have a lot of pressure on them. and then you also, ⁓ what was that test that you had to take that? I don't know. You were like studying forever for it. ⁓ board certification for, ⁓ NABP. Yeah. So I did that board certification as well.   And now you've moved out of the hospital side onto another section in your career. Now in the insurance, right? So it's really, really interesting. So now I'm on the other side reading notes and evaluating clinical appropriateness and trying to help patients with getting coverage and making those kinds of determinations. So yeah, I've really jumped all over. Really love my clinical days. I know. don't I don't I do miss them. But yeah, kind of had a good exposure to a lot of.   pharmacy a lot a lot of dentists actually with all the places that come through which Jason I really appreciate that and honestly I know you are my spouse and so it's fun to have you on but when I go into conversations like this I don't know any of this information and so finding experts and Jason I think here's me talk more about dentistry and my business than I do hear about him on pharmacy so as we were chatting about this I really realized you are a wealth of knowledge because you've been on the clinical side so you've done a lot of patient care and you've seen how   medications interact and I know you've had a few scares in your career and ⁓ you've known some physicians that have had a few scares and ⁓ you've seen plenty of patients pass away working in the ER and gosh in Arizona drownings were such a big deal. I remember when you were in the ER on your rotations I'd be like who died today? Like tell me the stories and you've really seen and now going on to the insurance side I felt like you could just be such a good wealth of knowledge because I know dentists are sometimes so   I would say like maybe just a little more anxious when it comes to medications. I know that dental students from Midwestern were like here was like four months and we had to like pass it, learn it. And Jason, you've done four years plus clinical residency, plus you've been in it. And something I really love about Nevada Medicine is they've been so collaborative with you.   like your heart, your cardiologist, they diagnose and then they send to you to treat with medicine and... Yeah, I've been really lucky being here in Reno too. The cardiology team has been amazing to work with. We started a CHF program, sorry, congestive heart failure program for patients. So we would collaborate with cardiologists. They'd see the cardiologists and then they send them to the pharmacist to really manage all the medications. So there's pillars of therapy ⁓ called guideline directed medical therapy and the pharmacist would take care of all that. So that's gonna be your...   your beta blockers, your ACEs, your ARBs, your Entresto, which would be a little bit better, spironolactone. So just making sure that all these things are dosed appropriately, really monitoring the heart, and make sure that patients are getting better. we've had real positive outcomes when the, sorry, this is totally off topic. do, talk about that study. When we looked at when patients were coming to see our pharmacists in our clinic that we started up, the patients were half as likely to be readmitted. And this was in 2018, and our pharmacists,   We're thinking about all the medications. We're usually adjusting diabetes medications too at the same time. Just kind of naturally just taking care of all the medications because we kind of got a go ahead from the providers, a collaborative practice agreement that we could make adjustments to certain medications within certain parameters. So we weren't going rogue or maverick, but we were definitely trying to optimize our medications as much as possible. And then years later, some studies came out with, I'm sure you've seen Jardins and Farseegh. not trying to, I'm not.   I don't get any kickback from them. I have no conflicts to share. But because our pharmacists were really optimizing that medication, those medications were later shown to reduce hospitalizations and heart failure, even though they're diabetes medications. Fascinating. So it wasn't really the pharmacists. It was just the pharmacists doing as much as they can with all the tools that were in front of them. And then we found out that the patients were going back to the hospital.   half as much as regular patients. So, yeah, being here, it's been so amazing to work with providers here. the providers here want help, want to help patients, don't have an ego. I mean, I just, it's awesome. I love it. I do love how much I think Jason sees me geek out about dentistry and I watching Jay's geek about his pharmacy and how much he loves helping patients. And ⁓ really that was the whole idea of, all right.   Dentistry has pharmacy as a part of it. And I know a lot of dentists are sending in clearances and I know working in a chair side, it would be like, oh no, if they're on warfarin or on their own blood clot, you guys, honestly don't even know half of what I'm talking about because this is not my jam, which is why Jason's here. But I do know that there was always like, well, we got to talk with their provider. And so having Jason come in and just kind of explain being the pharmacist that is approving or denying or saying yes or no to take them off the blood thinners in different parts, because you have seen several dental   I don't know what they're called. What is it? Clarence's? that what comes to you? don't even know. All day my mind, it's like, here is the piece of paper that gets mailed to you to the pharmacist and then you mail it back. So whatever that is. But Chase, let's talk about it because I think you can give the dentist a lot of confidence coming from a pharmacist. What you guys see on that side. When do you actually need to approve or disapprove? Let's kind of dig into that. Yeah. Well, first of all, I think I'm not a replacement for any kind of clinical judgment whatsoever. Every patient's different. But the American Diabetes Association, you   I work with diabetes a lot. American Dental Association has some really great guidelines on blood thinners and I would always reference them. I actually looked at their website today. Make sure I'm up to speed before I get back on this again. They have resources all around making decisions for blood thinners. And I think the one real important thing in putting myself in the shoes of a dentist or any kind of staff that's around a patient that's in a chair, if they say I'm on a blood thinner, right, a flag goes up. At least in my mind, that's what goes up.   Like, okay, how do we get across this bridge? And I think the important thing to really distinct right then when they say they're on a blood thinner is that is kind of a slang word for a lot of different medications, right? Like it's the overarching word that everybody pulls up saying, I'm on a blood thinner. It's like, okay, but I don't know what say. It's like, I have a car. You're like, okay, do you have a Mazda? Do you have?   Toyota, Honda, what do you have? or even worse it'd be like saying I have a vehicle, right? So when somebody says they're on a blood thinner, it opens up a whole box of possibilities of what they're Blood thinners are also, doesn't, when they're taking these types of medications that are quote unquote a blood thinner, it doesn't actually thin the blood, like adding water to the blood, if that makes sense, or like thinning paint, or like thinning out a gravy, right? It doesn't do the same thing. Blood thinners, really what they're doing is they're working on the blood, which.   which is really cool, try not to tangent on that. ⁓ When they're working on the blood, it's not thinning it per se, but it's making it so that the proteins or platelets that are in it can't stick together and make a cloth quite as easy. So whenever somebody's on a blood thinner, I usually ask, what's the name of the blood thinner that you're on? It's not bad that they use that slang, that's okay, on the same page, but it's really broken into two different classes. There's anticoagulant and antiplatelet.   And a way to kind of remember which is which, when residents would come through our clinics, the way that I teach them is a clot is like a brick wall. You know, it's not always a brick wall. Usually the blood is a liquid going through. But once they receive some kind of chemical message, it starts making a brick wall with the mortar, which is the concrete between the and the bricks, the two parts. When it's an anti-quagent, it's working on that mortar part. When it's an anti-platelet, it's working on the bricks part, right? You need both to make a strong clot or strong brick wall.   But if you can make one of them not work, obviously like if your mortar is just water, it's not working, right? You're not gonna make a strong brick wall. So that's kind of the two deviants right there. So that's what I do in my mind real quickly to find out because antiplatelets are usually, so that's gonna be like your Plavix, Ticagrelor, Brilinta. And hold on, antiplatelets are bricks? Good job, bricks. They're the bricks. And so the reason I was thinking you could remember this because I'm, antiplatelets, it's a plate and a plate is more like a brick.   And anti coagulant, I don't know why quag feels like mortar to me, like quag, like, know, it's like slushy in the blood, like it's coagulating. It's a little bit of that, like, honestly, I'm just thinking like coagulated blood is a little bit more mortar-ish. And so platelet is your plate, like a brick, and anti-quag is like.   the gilly between the bricks. Okay, okay, I got it. Yeah, so there's an exception to every rule, but when they're on that Don't worry, this is Kiera, just like very basic. You guys are way smarter listening to this, and that's why Jason's here. No, no, you helped me pass pharmacy school. When we were doing all the top 200, you helped me memorize all know what flexorill is, all right? That's a muscle relaxant. Cyclo? I don't know that part. It's a cyclo, because you guys are cycling and flexing. I don't actually know. just know it's a muscle relaxant, so that's about as far as I got. When we're looking at antitick platelets, so that's the brick part, so that's going to be your, you know,   Hecagrelor, Breitlingta, Clopidogrel is the most common one. It's the cheapest one, so probably see that one the most. Those, I mean, there's an exception to every rule, but that's generally being used after like a stent's placed in the heart. It can be used for VTE, there's some out there, but that's pretty rare. But also for some valves that are placed in the hearts, it can be used for that as well. So antiplatelet, really thinking more like a cardiac event, right? Like I said, there's always an exception to every rule, but that's kind of where my mind goes real quickly, because we're gathering information from the patient.   They're on anticoagulant. Those are like going to be the new ones that you see commercials for all the time. So Xeralto, Alequis, those are the two big ones right now. They're replacing the older one. And also we were supposed to do a disclaimer of this is current as of today because the ADA guidelines do change. this will be current as of today. And Jason, as a pharmacist, is always looking up on that. I had no clue that you are that up to speed on dental knowledge. so just throwing it out there that if you happen to catch his podcast,   a few years back that obviously check those guidelines for sure. But the new ones are the Xarelto and Eloquist. They're replacing the older ones of warfarin. Warfarin's been around for a really long time. We've seen that one. Those are anti-coagulants. So when you're looking, when a patient says that, generally they're on that medication because they've possibly had a clot in the past or they have a heart condition called atrial fibrillation. Those are kind of the two big ones. Like I said, there's always caveats to it, but that's kind of where my mind goes real quickly. And then,   as far as getting patients cleared, the American Dental Association has really good resources on their website. You can look at those and they're always refreshing that up. They even say in their own words that there's limited data around studying patients in the dental chair and with anticoagulants or anti-platelets. It's pretty limited. There's a few studies, some from 2015, some from 2018. There's one as recent as 2021, which is nice. But really, all of those studies come together and it's really more of an expert consensus.   And with that expert consensus, they have kind of simplified things for dentistry, which is really nice. ⁓ comparing that to, we have more data for like total hip replacement, total knee replacement. We have a lot of data and we know really what we should be doing around then. But going back to dentistry, we don't have as much information, so they always say use clinical judgment, but they do give some really great expert guidance on that. So if a patient's on an anticoagulant, ⁓   they generally recommend that it doesn't need to be stopped unless there's a high bleeding risk for a patient. as a provider or as a clinician in the practice, you can be looking at high bleeding risk. Some things that make an oral procedure a little bit lower risk is one, it's in the compressible site, right? Like we can actually put pressure on that site. That's the number one way to stop bleeding is adding pressure. It's not like it's in the abdominal cavity where we can't get in and can't apply pressure. So number one, that kind of reduces the bleeding risk.   is number one. Two, we can add topical hemostatic agents. Dentists would know that better than me. There's a lot of topical ways to do that. So not only pressure, but there's those things as well. And also, but there are some procedures that are a little bit more likely to bleed. And that's where you and dentists would come in hand in What's the word in APO? Oh, the APOectomy. I got it right. Good job. like, didn't you tell me last night that the ADA guideline was like what?   three or four or more teeth? great question. So you can extract one to three teeth is what their expert consensus One to three teeth without. Without really managing or stopping anticoagulation or doing anything like that. I think that's some good guidance from them. I'm gonna add a Jasonism on that though. So with warfarin, I do see why dentists would be a little bit more conservative or worried about stopping the warfarin because warfarin isn't as stable as these newer agents. Warfarin, the levels.   quote unquote levels can go really high, they can go really low. And if the warfarin levels are high, they're more likely to bleed. So I do think it makes sense to have a really recent INR. That's how we measure what the warfarin's doing. I think that makes a lot of sense, but the ADA guidelines really go into the simplification version of all these blood thinners. Generally, it's recommended to not stop them because the risk of stopping them outweighs the benefit of stopping them in almost every case. Almost every case.   ⁓ So when you're with that patient, right, they say I'm on a blood thinner, finding out which kind of blood thinner that they're on, you find out that they're on Xeralto, right? How long have you been on Xeralto for? I've been on it for years. You don't know exactly why, but if they haven't had any recent bleeding, you're only gonna remove one tooth. ⁓ You can do what's called a HasBlood score. That kind of looks at the bleeding risk that they'd have. That'd be kind of going a notch above, but in my mind, removing one tooth isn't a real serious bleeding risk. I'd love to hear from my dentist friends if they...   disagree, right, but ADA says one to three tooth removals, extractions, that's the fancy word. Extractions, yeah, for extracting teeth out. Is not really that invasive. Sure. It's not that high risk, so it's usually perfectly fine. So if a patient was on Xarelto, ⁓ no other, this is in a vacuum, right? I'm not looking at any other factors, which you should be looking at other factors. I would be perfectly fine to just remove one to two.   And when those clearances come in, because dentists do send them, talk about what happens. You guys were working in the hospital and you guys would get these clearances all the time. do. We get them so often. I mean, we get like four or five a day. We'd love to give it to our students, student pharmacists, and ask them what to do. And they would usually look up the American Dental Association guidelines and come up with something. We're like, yep, that's what we say too. In fact, we say it so many times a day that we have a smart phrase.   which just blows in the information real quickly and faxes it right back to the So it's like a copy paste real quick. So what I wanted to point out when Jason told me this is dentists like hearing this and learning this, this can actually save you guys a ton of time to be able to be more confident, to not need to send those clearances on. And we were actually talking last night about how I think this might be a CYA for dentists. like, as we were talking, I think Jason, you seeing so many other aspects of medicine, like you've literally seen patients die, you've seen other areas.   And so coming from that clinical vantage point, we were realizing that dentists, we are so blessed to live in an injury. I enjoy dentistry because possibly there's someone dying, not super high, luckily in dentistry. The only time that I have actually had a doctor have a patient pass away, and it was only when they were completely sedated and doing ⁓ some other things, but that was under the care of an anesthesiologist. And so that's really our high, high risk. And so hearing this, Jason,   That was one of the reasons I wanted him to come on is to give you doctors more confidence of do we have to always send to a pharmacist? I mean, hearing that on the pharmacy side, they're just sending these back and not to say to not see why a to not cover this because you might be questioning like, well, do I really need to? But you also were talking about some other ways of so number one, you guys are just going to copy back the 88 guidelines. So so 88 guidelines. Yeah. And I think that that gives a lot of confidence to a provider or a dentist is that you can go to the 88 guidelines and read them, right? Like you're listening to some   nasally monotone pharmacist on a podcast. Rumor has it, people love him at the hospital. were like, you're the voice, he's been told he has a good radio So for the clinic, I was the voice. Like, yeah, you've reached the vascular clinic, right? And they're like, oh my gosh, you're the voice. But sorry, you me distracted. That'll be your next career, Jace. You're going to be a radio host. OK. I would love that. I love music. But you're hearing from a nasally guy, but you can actually read the ADA guidelines. You just go right to the ADA, click on Resources, and under Resources, it has the   around anticoagulants, I think that's the best way to get a lot of confidence about it because they have dentists who are the experts making calls on these. I'm just reiterating what they say, but I think it makes a lot of sense to help providers. And the reason why my heart goes out to you as well is having the providers that used to work underneath me, they're always looking for our views, which is a fancy way of making sure that they're drilling and filling. Can I say that? Yeah, can say drilling and filling. They're being productive, right? They're being productive, right?   They're always looking to make sure if a patient's canceling, like get somebody in here. Like I need to be helping people all day long. That's how I, we keep the lights on. That's how I help as many people. And so if you have a patient coming in the chair and it has an issue, they say I'm on Xeralto. Well, you can ask real quickly, why are you on Xeralto? I had a clot 10 years ago. my gosh. Well, yeah, we're pretty good to go. Then I'm not worried. We're only removing one tooth or we're just doing a cavity or a cleaning. Something like that. Shouldn't be an issue whatsoever because there's experts in the dental. ⁓   in the dental society, the ADA guidelines that recommend three teeth or less, minimally invasive. They really recommend if it's gonna be really high bleeding risk. And clinically, that's where you would come in, ⁓ or yourself. know, apioectomy is one that's like on the fence line. I don't know where implants set. though, and like we were talking, implants aren't usually like a date of procedure. Most people aren't popping in, having tooth pain, and we're like, let's do an implant. Now sometimes that can be the case, but typically that one's gonna have   a few other pieces involved. And so that is where you can get a clearance if you want to. ⁓ But we were really looking at this of like so many dentists that I know that you've seen will just send in these clearances because they are. And I think maybe a way to help dentists have more confidence is because you know, I love routines. I love to not have to remember things. So why don't we throw it in, have the team member set it up where every quarter we just double check the ADA guidelines. Are there any updates? Are there any other things that we need to do on that? That way you can just see like   getting into the language of this, of what do I need to do? Because honestly, you guys, know pharmacy was not a big portion for it, so, recommending different parts, but I think this is such a space where you can have confidence, and there's a few other things I wanna get to, and I you- I some pearls too. Okay, go. I'm so when she get me into talking about drugs, I'm not gonna stop. So, some other things around that too is these newer blood thinners like Xarelto Eloquist, they now have reversal agents, so a lot of providers in the past were really worried about bleeding because we can't turn it off. We can turn those off. Warfarin has reversal as well, right?   So I'm looking at these patients. It's really low risk. It's in the mouth, generally speaking. Very rarely are they a high bleeding risk. Now if you're doing maxillofacial surgery, this does not apply, right? This does not apply whatsoever. you're like general dentist, you're pediatric dentist. Yeah, yeah, and it's kind of on the fly. So just trying to really help you to be able to take care of those patients on the moment, have that confidence, look at the ADA guidelines, have that in front of you. I don't think it's a bad thing to ever...   check with their provider if you need to. If you're thinking, I feel like I should just check with the provider, I would never take that away from you. But I just want to kind of steer towards those guidelines that I have to help. But what did you want to share? No, yeah, I love that. And I think there were just a few other nuggets that we were chatting about last night that can help dentists just kind of get things passed a little bit easier. So you were mentioning that if they were named to their cardiologist, what was it? was like, who is the last? Great question. Yeah, when a patient's on a blood thinner,   It could be prescribed by the cardiologist. It could be prescribed by the family provider or could have been punted to like a vascular clinic like where I was working. It can go to any of those. And when you send that fax, right, if it goes to the cardiologist and it's supposed to go to the family care provider, like it just kind of goes, goes nowhere, right, from there. So I think it's a really good idea to find out who prescribed it last. If the patient doesn't know who prescribed their blood thinner last, you can call their pharmacy. I call pharmacies all day long.   I have noticed in the last year, they are way easier to get a hold of, which has made my job a lot easier, working on the insurance portion. So reaching out to the pharmacy, finding out who that provider is and sending it to them, because they should be able to help with that. I thought that was a good shift in verbiage that you had of asking instead of like the cardiologist, because that's who you would assume was the one. But you said like so many times you guys would take care of them, and then they go back to family practitioner, and you guys would get the clearances, but you couldn't clear because you weren't overseeing. So just asking the patient.   who prescribed their medication for them last time. That way you can send the clearance to the correct provider. then- And they might not know. You know patients, right? They're like, I don't know, my mom's or else, I don't know who gave it to me. Somebody told me I need to be on this. But at least that could be another quick thing. And then also we were talking last night about-   ⁓ What are some other things that dentists can do when like writing scripts to help them get what I think like overarching theme of everything we discussed is one how to help dentists have less I think drag through pharmacy. ⁓ Because pharmacy can take a little while and so perfect we now know the difference between anti-quag and anti-platelet. We know which medications are probably safe. We know we can check the ADA guidelines so that we were not having to do as many clearances. We also know if they're on a medication to find out and we do need a clearance.   who we can go to for the fastest, easiest result. And now, in talking about prescriptions, you had some really interesting tips that you could share with them. Yeah, so with writing prescriptions, right, pharmacies are pharmacies. So I'm not gonna say good thing or bad thing. There are challenges working with pharmacies. I'm not gonna play that down at all. ⁓ If you're writing prescriptions and having issues and kickbacks from pharmacies, there's some interesting laws around ⁓ writing prescriptions. Say that you're trying to ⁓ prescribe   augmentin, you know, 875 BID, and you tell the patient, hey, I want you to take this twice a day for seven days, and then you put quantity of seven, because you're moving fast, right? You want it for seven days, quantity of seven. Quantity would actually be 14, right? It's not that big of a deal. Anybody with common sense would say if you're taking a pill for twice a day for seven days, you need 14 tablets. But LAHA doesn't allow pharmacists to make that kind of a change, unfortunately. They have to follow what you're saying there. So you're going to get a...   An annoying callback that says, you wrote for seven tablets. I know you need 14. Is that OK? Just delays things, right? So ⁓ I really like the two letters QS. That's Q isn't queen. S isn't Sam. Yeah. It stands for quantity sufficient. So you don't have to calculate the amount of any medication that you're doing. So for me, as a pharmacist, when I was taking care of patients, I hated calculating the amount of insulin they would need for an entire month. So I would say.   Mrs. Jones needs 15, I'd say 15 units ⁓ QD daily. ⁓ And then I say QS, quantity sufficient, ⁓ 90 day supply through refills. So the pharmacy can then go calculate how much insulin that they need. I don't have to even do that. So anytime you're prescribing anything, I like that QS personally. So that lets the pharmacy use ⁓ common sense, as I like to call it, instead of giving you a call. I think that's super helpful. I also thought of one thing too.   going back to blood thinners is when it's kind of like a real quick, like they're not gonna have you stop the blood thinner at all. like you're seeing if you can stop the blood thinner for a patient, there's some instances it's just not gonna happen. And that's whenever they've been, they've had a clot or a stroke or a heart attack within the last three months. Three months. Yeah, that's kind of like the.   Because so many people are like, they had a heart thing like six years ago. And so I think a lot of my dentists that I worked with were like, we got to stop the blood thinners. But it sounds like it's within three months. Yeah, well, I'm just the time. Like this is general broad strokes. What I'm just trying to say is when you want to expect a no real quick. Got it. Right. So because benefits of stopping a blood thinner within those first three months of an event is very, very risky versus the, you know, the benefit of reducing a little bit of blood coming out of the mouth. Right. Like that's not that bad.   when somebody's had a stroke or a heart attack or pulmonary embolism, a clot in the lung, like we can't replace the lung, heart or brain very easily. We can replace blood a lot better. We've got buckets of it at most hospitals have buckets of it, right? So I'm always kind of leaning towards I'd rather replace blood than tissue at all times. So that's kind of a quick no. If they've had one those events in the last three months, we are really, really gonna watch their brain instead of getting.   root canal, right? Like really worried about them. So you'll just say no. And they could the dentist still proceed with the procedure or would you recommend like a three month wait? Or is it provider specific way the pros and cons because sometimes you need to get that tooth out. Great question. think then it's going to come into clinical. That's that's when you send in the clearance, right? Like, and it's great to reach out to the provider who's managing it for you. But I think it's kind of good to know exactly when you get a quick no quick no is going to be less than three months.   ⁓ Or when it's going to be like a kind of a typical, yeah, no problem. If it's been no greater than six months, they're on the typical anticoagulants or alto eloquence. Nothing crazy is going on for them. You're only removing two teeth. This is very, very low risk. But again, I'd urge everybody to read the ADA guidelines. That way you feel more comfortable with it. I'm not as eloquent as they do. They do a real good job. So I don't want to take any of their credit. I think they do a real good job of simplifying that and making you feel confident with providing.   more timely care for patients. Which is amazing. And Jayce, one last thing. I don't remember what it was. You were talking about the DEA and like six month rule. yeah. Let's just quickly talk about that and then we'll wrap this because this is such a fascinating thing for me last night. Yeah. So when comes to prescribing controlled substances, most providers have to have a DEA license. OK. First of all, though, what's your take on dentist prescribing controlled substances? ⁓ I don't think, you know, I worked on the insurance side of things. Right. And I look at the requirements for the   as the authorizations, what a patient, the criteria a patient needs to hit in order to qualify for certain medications. A lot of times for those controlled substances, they have pretty significant issues going on, like fibromyalgia or cancer-related pain or end-of-life care versus we don't, in all my scanning thread, I don't have a ⁓ perfect picture memory. Sure. But I don't usually see oral.   pain in there. There is some post-operative pain that can be covered for those kind of medications but I really recommend to keep those lower and in fact in a lot of our criteria it recommends you know have they tried Tylenol first, they tried, have they filled NSAIDs or are they contraindicated with the patient. So really they should be last line for patients in my two cents but there's always going to be a caveat to the rule right? Of course. comes through that has oral cancer and you're taking   like that would make sense to me. Got it, so then back to the DEA. Yeah, okay. Okay, ready. So as a provider, you should be checking the, if you're doing controlled substances, you should be checking the prescription drug monitoring program, or sometimes called the PDMP, looking to see if patients are getting ⁓ controlled substances from another provider. So it's really just a check and balance to make sure that they're not going from provider to provider to getting too many narcotics and causing self harm or harm to others.   And so with checking that PDMP before prescribing, I think a lot of providers do that. A lot of softwares that I'm aware of, EMRs, electronic medical records, sometimes have links so that you can do that more quickly. However, I don't think it's as intuitive that they need to be checking that every six months in some states. And like here in Nevada, you're supposed to be checking it every six months, not for a patient, but for your actual DEA registration to see if anybody else is prescribing underneath you. Because if you don't check that every six months, you could get in some serious trouble with...   not only DEA, but even more the Board of Pharmacy and your state. Now, I don't know all 50 states, so I check with your state to see if you need to be checking that every six months, but set an alarm just to check that real quickly, keep your nose clean. ⁓ I've had providers, I've had to remind to do that. And if somebody was using your account, prescribing narcotics, you'd never know unless you went and checked that PDMP.   Yeah, I remember last night you were like, and if that was you, I would not want to be you. The Board of Pharmacy is going to be real excited to find you. So that was something where I was like, got it. So, and we all know I'm big on let's make it easy. And Jason, I love that you love this so much and you just brought so much value today. And like also for me, it's just fun to podcast. fun. Yeah. But I got a nerd out on my world a little bit. Bring it into yours. I work with dentists or at least you know, when I was working in Vascular Clinic all day long. Great questions that would come through. Yeah.   So I think for all of us, as a recap on this is number one, I think setting yourself ⁓ some cadences. So maybe every quarter we check our ADA guidelines and we check our, what is it, PDMP. PDMP. so each state, so they call it Prescription Drug Monitoring Program. We need that. Yeah, but there are different acronyms in different states, though. That's just what it's called in Nevada. I forget what it is in California, but you can check your state's prescription monitoring program, make sure that opioids aren't being prescribed under your name. Got it. So we just set that as a cadence.   We know one to three teeth most likely if they're on a blood thinner is According to the 88 as of today is good to go You know things that are going to get a quick know are going to be within the last three months of the stroke the heart attack or the Clot I'm thinking like the pulmonary embolus. Yeah, that's what we're trying to prevent   Those are gonna be quick knows and then if we're prescribing, let's do QS. We've got quantity is sufficient so that we're not getting phone calls back on those medications that we are. And then on narcotics, just being a bit more cautious. Of course, this is provider specific and in no way, or form did Jason come on here to tell you you are the clinical expert.   Jason's the clinical expert on medications. And if you guys ever have questions, I know Jason, you geek out and you want to talk to people so that anyone wants to chat shop. Be sure to reach out and we'll be able to connect you in. we've even talked about possibly, so let me know listeners. You can email in Hello@TheDentalATeam.com of ask a pharmacist anything. I talked to Jason. I was like,   We'll just have them like send in questions and maybe get you back on the podcast or we do a webinar. But any last thoughts, Jace, you've got of pharmacy and dentistry as we as we wrap up today? No, I think that's pretty much it. So check the ADA guidelines. I think it's really good to have cross communication between professions. Right. If you're working with the pharmacy, CVS, Walgreens or something like that or Walmart, I know that it can be challenging. Right. They're under different pressures. You're under different pressure. So I think ⁓ just coming in with an understanding, not being angry at each other.   you know what mean, is super beneficial and working together. When it comes to it, every dentist that I've talked to is actually worried about their patient. Every pharmacist that I've worked with is really worried about the patient as well. So we're trying to accomplish the same thing, but we have different rules and our hands are bound in different ways that annoy each other, right? Like I know Dr. Jones, want 14 tablets, but you said seven. And I know Common Sense says I should give them 14, but I've got to make that change.   knowing that their hands are tied by the law. They can't use as much common sense, which is aggravating. I mean, that's why I love what I gotta do here. I gotta just kind of help a lot more and use common sense and improve patient care. But those kinds of things I think are really beneficial as you work together and then not being so afraid of blood thinners, right? So I think those guidelines do a great job of giving you confidence and not worrying about the side effects. And there's a lot of things that you can do locally for bleeding.   You have a lot of control over that. I think that's pretty cool, the tools they have. Yeah. And at the end of the day, yes, you are the clinician. You are the one who is responsible for this. so obviously, chat, but I think collaborating, talking to other pharmacists, talking to them in your state, finding out what are the state laws, things like that I think can be really beneficial just to give you peace of mind and confidence. And again, dentistry, are maybe a bit more risk adverse because luckily we don't have patients dying That's great thing. Yeah, that's fantastic. I want my dentists to be risk adverse. I think so too. But Jason, I appreciate you being on the podcast today.   And for all of you listening, ⁓ more confidence, more clarity, more streamline to be able to serve and help our patients better. if we can help you in any way or you've got more questions, reach out Hello@TheDentalATeam.com. And as always, thanks for listening. I'll catch you next time on the Dental A Team podcast.