Podcasts about Chrysler Building

Jutting out of a cold, dank city fog, a massive triangular monolith erupts from the skyline. The city of boxy, concrete apartment blocks below can't match up to the sheer size of this bizarrely shaped building, which reaches 1,083 feet into the sky. Despite its foreboding appearance, it's actually a hotel that's a little taller than France's Eiffel Tower or New York's Chrysler Building. With 3.9 million square feet of usable floor space and 3000 rooms, it's big enough to rival some of the largest hotels in the world! It was even designed to include casinos and nightclubs, so you'd think it'd be bustling with life! But despite its shiny façade, this hotel has never welcomed a single guest, and has actually laid empty for almost 30 years! With all that information, can you guess where this incredibly creepy hotel is? Well, brace yourself, because I promise you're not going to believe what I'm about to tell you. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“If this is to be a skyscraper… why not make it scrape the sky.”  This is the story of the race for the tallest building in New York City—in the world.  Erstwhile partners-turned-bitter rivals, architects William Van Alen and Craig Severance are both looking to build the tallest skyscraper in New York City. William is working with automobile titan Walter Chrysler to build his Chrysler Building; Craig is working with George Ohrstrom, a.k.a., the “Boy Wonder” of Wall Street”, to build the Manhattan Company Building at 40 Wall Street. It's a battle of engineering, wits, zoning, and egos, as each alters their plans with money being no object in the fight to construct the taller (and tallest) skyscraper in the world. But as these two rival teams duke it out, the city's beloved Waldorf-Astoria Hotel on 5th Avenue is going under. Something new is rising there—something that just might prove a late entry and dark horse winner in this race with… a mooring mast for airships at the top? Yes—the proposed Empire State Building is threatening to blow this race out of the water and change New York City's skyline forever. ____ Connect with us on HTDSpodcast.com and go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette  come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. HTDS is part of Audacy media network. Interested in advertising on the History That Doesn't Suck? Contact Audacyinc.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Welcome to ohmTown. The Non Sequitur News Show is held live via Twitch and Youtube every day. We, Mayor Watt and the AI that runs ohmTown, cover a selection of aggregated news articles and discuss them briefly with a perspective merging Science, Technology, and Society. You can visit https://www.youtube.com/ohmtown for the complete history since 2022.Articles Discussed:Taylor Swiftly buys back her own music catalog.https://www.ohmtown.com/groups/stockmarketeers/f/d/taylor-swift-has-bought-back-her-own-music-making-her-catalog-among-the-most-valuable-of-all-time/An Electronic Poker Tablehttps://www.ohmtown.com/groups/roundersgear/f/d/electronic-poker-table-on-display-at-wsop-raises-stakes-in-automation-of-las-vegas/The Chrysler Building is for Salehttps://www.ohmtown.com/groups/mobble/f/d/the-chrysler-building-has-towered-above-new-york-city-for-nearly-a-century-now-the-art-deco-skyscraper-is-for-sale/Disney Plus Perkshttps://www.ohmtown.com/groups/nonsequiturnews/f/d/disney-plus-new-perks-pile-on-discounts-and-other-bonuses/Middle Managers getting the Middle Fingerhttps://www.ohmtown.com/groups/nonsequiturnews/f/d/middle-managers-beware-the-great-flattening-layoff-trend-has-moved-beyond-big-tech-and-into-retailers-like-walmart/Final Frenchtasy Subgenrehttps://www.ohmtown.com/groups/warcrafters/f/d/clair-obscur-expedition-33-didnt-invent-final-frenchtasy-or-the-jrpg-the-newly-dubbed-subgenre-has-a-long-and-complicated-history/A Fake Facebook Eventhttps://www.ohmtown.com/groups/technologytoday/f/d/a-fake-facebook-event-disguised-as-a-math-problem-has-been-one-of-its-top-posts-for-6-months/The Market for a New Router is Troubledhttps://www.ohmtown.com/groups/smacktalk/f/d/in-the-market-for-a-new-router-here-are-13-models-to-avoid-according-to-the-fbi/Not the BEES!

Telescope domes are designed to keep the telescopes inside safe and on-target. But just because they’re practical doesn’t mean they can’t be beautiful. That’s especially true of some built in the 1930s. They were influenced by the design style that was all the rage – known today as art deco. The event that popularized art deco began 100 years ago this week – the International Exhibition of Decorative Arts and Modern Industries, in Paris. It was a showcase for French design in architecture, art, furniture, clothing, and other fields. Most countries participated. The only restriction: Everything had to be modern. The exhibition inspired a design wave across the United States. Popular examples include the Empire State Building and Chrysler Building in New York, along with trains, airplanes, cars, consumer goods, and more. Astronomy got into the act as well. The best-known example is Griffith Observatory, in Hollywood. Its domes and grounds have been featured in dozens of movies and TV shows. The domes of Palomar Observatory feature art-deco design as well, including the one that houses the 200-inch telescope – the largest in the world for decades. And no list is complete without our own McDonald Observatory. Its original dome was dedicated in 1939. It housed not only the observatory’s 82-inch telescope, but also labs, offices, and living space for the astronomers – all executed in beautiful art deco style. Script by Damond Benningfield

One hundred years ago today, an international exhibition opened in Paris called, "“L'Exposition internationale des arts décoratifs.” 16 million people attended the months long show, and the exhibition is credited with launching the famous Art Deco architectural movement that now defines the New York City skyline. Francis Morrone, architectural historian and NYU adjunct instructor, dives deeper into the history of New York Art Deco and listeners share their favorite local Art Deco building.

We have an adventure where Superman's decision making ability is anything but 'super' and we also dive deep into the new Daredevil show! Join us as we discuss...Our spoiler-filled reaction to the new Daredevil show and wondering if Kingpin will ever move into the Chrysler Building!Forever confusing the Phantom Zone and the Negative Zone!Superman has no mercy for confused alien bugs he accidentally releases into our dimension!If a woman has an arch, mid-Atlantic accent and that kind of makeup, she's almost automatically evil...wake up Superman!The X-Men TAS Podcast just opened a SECRET reddit group, join by clicking here! We are also on Twitch sometimes… click here to go to our page and follow and subscribe so you can join in on all the mysterious fun to be had! Also, make sure to subscribe to our podcast via Buzzsprout or iTunes and tell all your friends about it! Follow Willie Simpson on Bluesky and please join our Facebook Group! Last but not least, if you want to support the show, you can Buy Us a Coffee as well!

Perché la guglia del Chrysler Building fu assemblata in segreto all'interno dell'edificio? Come mai l'Empire State fu soprannominato "Empty State Building" durante la Grande Depressione? Quale grattacielo fu costruito con un piano per l'attracco dei dirigibili che non funzionò mai?In questo episodio vi svelo i segreti dei colossi che hanno ridisegnato il cielo di New York, dall'eleganza Art Deco del Chrysler Building alla rivoluzionaria forma triangolare del Flatiron, dall'imponenza dell'Empire State fino agli arditi grattacieli contemporanei.Vi racconterò le storie dei visionari ossessionati dalla conquista del cielo, degli architetti geniali e delle rivalità che hanno prodotto alcuni degli edifici più iconici del mondo.Un viaggio verticale attraverso un secolo di innovazione architettonica, competizioni spietate e ambiziosi progetti che hanno trasformato New York nella città dei grattacieli. E scoprirete quali di questi magnifici edifici offrono osservatori panoramici (di cui ho parlato in dettaglio nell'episodio 15).Per saperne di più leggi le guide su viagginewyork.it: i grattacieli di New York - gli osservatori di New York

The Chrysler Building, an Art Deco masterpiece rising above the New York City skyline, serves as a striking inspiration for painting. Its sleek, tapering silhouette, adorned with gleaming stainless steel and intricate geometric patterns, embodies a fusion of elegance and ambition. The building's iconic terraced crown, resembling sunbursts, plays with light and shadow, creating a dynamic contrast that captivates the eye. Whether depicted in the soft hues of a sunrise, the golden glow of dusk, or the deep blues of a midnight cityscape, the Chrysler Building symbolizes progress, innovation, and artistic grandeur. Capturing its form on canvas allows artists to explore themes of aspiration, urban beauty, and the timeless allure of architectural artistry.

fWotD Episode 2798: 1 Wall Street Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 1 January 2025 is 1 Wall Street.1 Wall Street (also known as the Irving Trust Company Building, the Bank of New York Building, and the BNY Mellon Building) is a skyscraper in the Financial District of Lower Manhattan in New York City, United States. Designed in the Art Deco style, the building is 654 feet (199 m) tall and consists of two sections. The original 50-story building was designed by Ralph Thomas Walker of the firm Voorhees, Gmelin and Walker and constructed between 1929 and 1931 for Irving Trust, an early-20th-century American bank. A 28-story annex to the south (later expanded to 36 stories) was designed by successor firm Voorhees, Walker, Smith, Smith & Haines and built between 1963 and 1965.The building occupies a full city block between Broadway, Wall Street, New Street, and Exchange Place. The limestone facade consists of slight inwardly-curved bays with fluting to resemble curtains. On the lower stories are narrow windows and elaborate entrances. The massing of 1 Wall Street incorporates numerous small setbacks, and there are chamfers at the corners of the original building. The top of the original building consists of a freestanding tower with fluted windowless bays. The facade of the annex is crafted in a style reminiscent of the original structure. The original building has an ornate lobby, known as the Red Room, with colored mosaics. Originally, the 10th through 45th floors were rented to outside tenants, while the other floors contained offices, lounges, and other spaces for Irving Trust. After 1 Wall Street was converted to a residential building, the upper stories were divided into 566 condominium apartments.At the time of its construction, 1 Wall Street occupied what was one of the most valuable plots in the city. The building replaced three previous structures, including the Manhattan Life Insurance Building, which was once the world's tallest building. After Irving Trust was acquired by the Bank of New York (BNY) in 1988, 1 Wall Street served as the global headquarters of BNY and its successor BNY Mellon through 2015. After the developer Harry Macklowe purchased the building, he renovated it from 2018 to 2023, converting the interior to residential units with some commercial space.The building is one of New York City's Art Deco landmarks, although architectural critics initially ignored it in favor of such buildings as the Empire State Building and the Chrysler Building. The exterior of the building's original section was designated as a city landmark in 2001, and the Red Room's interior was similarly designated in 2024. In addition, the structure is a contributing property to the Wall Street Historic District, a National Register of Historic Places district created in 2007.This recording reflects the Wikipedia text as of 01:10 UTC on Wednesday, 1 January 2025.For the full current version of the article, see 1 Wall Street on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Arthur.

In the eyes of the architecture critic Paul Goldberger, a building is a living, breathing thing, a structure that can have a spirit and even, at its best, a soul. It's this optimistic perspective that has given Goldberger's writing a certain ineffable, captivating quality across his prolific career—first at The New York Times, where he served as the paper's longtime architecture critic, winning a Pulitzer Prize in 1984; then as the architecture critic at The New Yorker from 1997 to 2011; and now, as a contributing editor at Vanity Fair. Goldberger is the author of several books, including Building Art: The Life and Work of Frank Gehry (2015), Why Architecture Matters (2009), and Building Up and Tearing Down: Reflections on the Age of Architecture (2009). He is also the chair of the advisory board of the Glass House in New Canaan, Connecticut, where we recorded this episode, our third “site-specific” interview on Time Sensitive.On the episode, Goldberger discusses the Glass House's staying power as it turns 75, the evolution of architecture over the past century, what he's learned from writing architects' obituaries, and the Oreo cookie from a design perspective.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Paul Goldberger[05:17] Glass House[05:17] Philip Johnson[07:06] Ludwig Mies van der Rohe[07:06] Farnsworth House[08:42] Brick House[12:37] Gordon Bunshaft[12:37] Lever House[12:37] Frank Lloyd Wright[12:37] Guggenheim Museum[13:18] TWA Flight Center[13:18] Kevin Roche[13:18] Ford Foundation building[13:18] CBS Building[15:17] Noyes House[16:17] U.N. Headquarters[17:50] Centre Pompidou[17:50] I.M. Pei[17:50] Louvre Pyramid[17:50] Frank Gehry[17:50] Guggenheim Bilbao[20:00] Walt Disney Concert Hall[23:20] Stuyvesant Town[24:24] “Oreo, at 75, the World's Favorite Cookie; Machine Imagery, Homey Decoration”[25:46] “Quick! Before It Crumbles!: An architecture critic looks at cookie architecture”[25:46] Nora Ephron[26:18] “Design Notebook; Commonplace Things Can Be Great Designs”[27:16] Bauhaus[29:10] Fallingwater[29:10] Richard Neutra[29:10] Lovell House[29:10] Gehry House[29:10] Louis Kahn[32:38] “Philip Johnson, Architecture's Restless Intellect, Dies at 98”[32:38] “Louis I. Kahn Dies; Architect Was 73”[35:30] Paul Rudolph[36:50] Zaha Hadid[37:22] “New Police Building”[38:19] Henry Geldzahler[41:31] Why Architecture Matters[43:21] Chrysler Building[47:28] Vincent Scully[48:18] Lewis Mumford[1:00:47] The City Observed: A Guide to the Architecture of Manhattan[1:00:47] World Trade Center[1:02:49] “Here Is New York” by E.B. White[1:05:33] Design: The Leading Hotels of the World[1:07:25] Ritz Paris[1:07:25] The Dylan Amsterdam[1:09:01] “Why Buildings Grow On Us”

Send us a textIn this episode we explore the life of Kathleen Clair, executive assistant to Pan Am founder and chairman Juan T. Trippe for over 32 years from 1948 to 1980. We will also hear a personal and private memories of Mr. Trippe and Kathleen. We are joined by two special guests that knew Kathleen well: Wendy Trippe Barr, the granddaughter of Juan and Betty Trippe and John Luetich, a board member of the Pan Am Museum Foundation, Museum Curator, and the son of Mary Luetich who worked with Kathleen for many years in the Pan Am Building.Both guests remember Kathleen at an early age and will share their intimate perspectives on this incredible woman. After the airline ceased operations in 1991, Kathleen worked tirelessly to preserve Pan Am history and was a founding member of the Pan Am Historical Foundation and worked with Juan Trippe's sons, Charlie and Ed, to preserve Pan Am's historic contributions to the history of flight.Several audio clips from an oral history interview of Kathleen recorded in 2003 are used in this episode. A special thank you to the Pan Am Historical Foundation for allowing us to use these recordings for this program. Another special thank you to our high school intern Michael Genter for his help in organizing the audio clips.Kathleen Clair was born on December 12, 1918 to her parents Ted and Kit Clair and would later become the devoted older sister of Phyllis and Donald. She graduated from high school in Englewood, NJ, in 1936 and then went on to the prestigious Katherine Gibbs School for women in 1937.After graduation, she stayed in Manhattan and spent the next 11 years as a secretary at various jobs. One of the many gifts of Kathleen that become invaluable in her career was her photographic memory. She remembered everything to the finest detail with instant recall.In late 1948, she applied for a job at the corporate offices of Pan Am, then in the iconic Chrysler Building. She was hired and worked for Mr. Trippe for 32 years until her retirement in 1980.In December of 2018, Kathleen celebrated her 100th birthday with family, friends and many Pan Am colleagues. A little over a month later, Kathleen M. Clair died peacefully on January 26, 2019, after 100 years of engaging life on her own terms.She is missed by her large extended family, the Trippe family, colleagues from Pan Am and the larger aviation community, and friends from her long and well-lived life.Support the show Visit Us for more Pan Am History! Support the Podcast! Donate to the Museum! Visit The Hangar online store for Pan Am gear! Become a Member! Follow us on Facebook, Instagram, and Twitter!A very special thanks to Mr. Adam Aron, Chairman and CEO of AMC and president of the Pan Am Historical Foundation and Pan Am Brands for their continued and unwavering support!

Bobby and Alex chat about the Chrysler Building, discuss the All-Star Game and an underwhelming home run derby, and parse a few (typically horrible) Rob Manfred quotes. Then, they're joined by friend of the show Kyle Bandujo to talk about his new book, "Movies with Balls: The Greatest Sports Films of All Time Analyzed and Illustrated." Finally, they finish with an infrastructure-centered rankin segment. Buy tickets to the Tipping Pitches Brooklyn Cyclones Meetup!!! ⁠⁠https://fevo-enterprise.com/event/bc24Tippingpitches⁠⁠ Tipping Pitches Chicago Cubs Meetup Form!!! ⁠https://forms.gle/j7iayhGgRY6WcEBg7⁠ Links: Buy Kyle's Book ⁠⁠⁠⁠Join the Tipping Pitches Patreon⁠⁠⁠⁠  ⁠⁠⁠⁠Tipping Pitches merchandise⁠⁠⁠⁠  Songs featured in this episode: Booker T & the M.G.'s — “Green Onions”

Join us as we venture back to 1982's New York City with David Carradine, Michael Moriarty, and most importantly Larry Cohen. A winged serpent has made it's nest in the belfry of the Chrysler Building and it's up to a cynical cop and jazz singer/piano player to save the city. 

In this episode, we discuss skyscrapers in the late 1920s, and the race to the sky. In this episode, we discuss 40 Wall Street, the Chrysler Building, and the Empire State Building. We hope you enjoy!

Dylan sits down with creator and host John Wilson about his travels, his favorite places and his HBO series that is part documentary, part memoir, part essay — and unlike any other show on TV. MORE: In their conversation, a few places come up that we've made episodes about. So if you want to hear about the Chrysler Building eagles, the House on the Rock or Organ Stop Pizza, click here, here and here.

Thu, 04 Apr 2024 07:45:06 +0000 https://brotherlytalk.podigee.io/11-new-episode 47b8622ef2ede9af9a23a1aac9000d09 Kreischende Möwen, blanke Schiffe und Chrysler Buildings, die den Ozean kreuzen. In dieser Folge bewegen wir uns recht viel im (Salz-)Wasser - vielleicht liegt's an den Tränen, die wir im Anschluss an die Nachricht von Haason Reddick's Wechsel von Midnight- zu Gotham Green vergossen haben. Haben die New York Jets den Philadelphia Eagles mit diesem Deal etwa ein Ei ins Nest gelegt? Wir schauen mal für euch nach und stellen fest: Von Untergangsstimmung kann (erstmal) nicht die Rede sein. Wir surfen lieber die Welle der Euphorie, freuen uns auf Bryce Huff und über die Vertragsverlängerung mit einem ehemaligen blauen Piraten: Eagles Safety Reed Blankenship. Außerdem: Timm stellt fest, dass die Eagles in Sachen Contract Extension mit DeVonta Smith voll auf Kurs sind. Flo hingegen ist bei einer Eagles Nachricht am 1. April mal kurz vom Kurs abgekommen. Selbst schuld, WENTZ man nicht so genau auf das Datum schaut, bevor man etwas glaubt! Und: Im PFF stellt Euch Timm diesmal die Schwester der Titanic vor und versucht, dem Chrysler Building das Schwimmen beizubringen. Viel Spaß mit Episode 11 vom "BROTHERLY TALK". Weitere aktuelle Infos auch auf unserem Instagram Kanal @brotherlytalk Für Feedback, Fragen, Anregungen, Lob und Kritik: Info.BrotherlyTalk@gmail.com full no

The Chrysler Building remains one of America's most beautiful skyscrapers and a grand evocation of Jazz Age New York. But this architectural tribute to the automobile is also the greatest reminder of a furious construction surge that transformed the city in the 1920s.After World War I, New York became newly prosperous, one of the undisputed business capitals of the world. The tallest building was the Woolworth Building, but the city's rise in prominence demanded new, taller towers, taking advantage of improvements in steel-frame construction and a clever 'wedding cake' zoning law that allowed for ever-higher buildings.Into this world came William Van Alen and H. Craig Severance, two former architectural partners who had unamicably separated and were now designing rival skyscrapers. Each man wanted to make the tallest building in the world.But Van Alan had the upper hand, backed by one of America's most famous businessmen -- Walter Chrysler. His automobiles were the coolest, sleekest vehicles in the marketplace. His brand required a skyscraper of radical design and surprising height.In 1930, the Chrysler became the tallest building in the world, a title it held until the Empire State Building.Just ten years ago, the Chrysler Building was the fourth tallest in New York City. Today, however, it's the thirteenth tallest building in the city. And that's because of a new skyscraper surge shaping the city's skyline, with supertalls making the skyscrapers of old feel very small in comparison.It can be bewildering to see the skyline change so rapidly. But that's exactly how New Yorkers felt exactly one century ago.Visit our website for pictures and other episodes

Synopsis“Pssst. Hey, buddy – wanna buy a bridge? No? Well, how about a clarinet concerto, then?”As most of us know, the Brooklyn Bridge is not for sale, but this New York icon has reputedly been sold to many unsuspecting visitors. After its opening in 1883, Harper's Monthly wrote, “The wise man will not cross the bridge in five minutes, nor in 20, [but] will linger to get the good of the splendid view about him.” American composer Michael Daugherty did just that and came up with a concerto for clarinet and wind ensemble that premiered in Ann Arbor, Michigan, and then, on today's date, in 2005 was performed at New York's Carnegie Hall.“Like the four cables of webs of wire and steel that hold the Brooklyn Bridge together,” Daugherty says, “my ode to this cultural icon [in] four movements: East (Brooklyn and Brooklyn Heights); South (Statue of Liberty); West (Wall Street and the lower Manhattan skyline); and North (Empire State Building, Chrysler Building and Rockefeller Center). In the final movement, I imagine Artie Shaw, the great jazz swing clarinetist of the 1940s, performing in the once glorious Rainbow Room on the 65th floor of the Rockefeller Center.”Music Played in Today's ProgramMichael Daugherty (b. 1954): Brooklyn Bridge; Maureen Hurd, clarinet; Rutgers Wind Ensemble; William Berz, cond. Naxos 8.57252999

Meg looks into the mysterious murder of Mike Malkan, proto-Jack Dorrian and doomed bon vivant. Jessica is slain by Frank Rich, the Butcher of Broadway, and celebrates the birth of a cult classic.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Er gilt als Mastermind der Architektur-Szene. Einer, der die Art, wie wir morgen wohnen und leben, ganz neu denkt: Der Hamburger Projektentwickler und Hochschul-Professor Dr. Georg Klaus mit einem spannenden Blick auf die Immobilien-Krise, die Benko-Pleite und Folgen für unsere Städte und uns alle. Es ist die größte Baupleite des Jahrzehnts! Die Insolvenz von Österreichs Immobilienkönig René Benko. Über 5 Milliarden Euro Schulden. Karstadt, Galeria Kaufhof, das weltberühmte KaDeWe in Berlin bis zum Chrysler Building in Manhattan: Alles wackelt. Sein geplanter Wolkenkratzer, der Elbtower in Hamburg, 245 Meter hoch soll er werden, über 950 Millionen Euro teuer: Es ist nur noch eine Geister-Baustelle. Niemand kann mehr zahlen! Und das alles in einer Zeit, in der Immobilienpreise ohnehin schon einbrechen, die Nachfrage nach Eigentumswohnungen gegen Null geht und weltweit Hunderte Millionen Quadratmeter an Büroflächen leer stehen, weil viele nur noch Homeoffice machen. Laut einer Studie des Kreditversicherers Allianz Trade ist die Zahl der Groß-Insolvenzen auf Rekordniveau. Die Rückgänge in der Bau-Branche: dramatisch. Was bedeutet das für uns alle? Für Mieter, für Eigentümer, für Investoren und für das Leben und Überleben in den Innenstädten? Darüber habe ich mit Star-Architekt Dr. Georg Klaus gesprochen. Er ist Co-Founder des international renommierten Planungsbüros Klaus und Schulz in Hamburg. Professor an der Hochschule in Hildesheim und Göttingen und am British Columbia Institute of Technology in Vancouver / Kanada. Seine Analyse: Warum Städte und öffentliche Räume ganz neu gedacht werden müssen. Die vielen Fehl-Planungen und was die auch über uns als Gesellschaft aussagen. Und wieso der Bürokratie-Irrsinn Innovationen verhindert? Dazu: Was passiert denn nun mit all den verwaisten Geschäften und Büros? Und warum es allein aus Nachhaltigkeitsaspekten keinen Sinn mehr macht, Einfamilienhäuser am Stadtrand zu bauen – das alles jetzt hier in TOMorrow. Also gehen wir in die Planung: Viel Spaß in der Wohnwelt von morgen, viel Spaß mit Zukunftsarchitekt Professor Dr. Georg Klaus.

Kat and Phoebe discuss a provocative underwear ad, a post-wall woman, and the stolen valor of a new book about fatphobia. Links:Mr. Underpants https://twitter.com/CalvinKlein/status/1742901431185584252Soooo… what is that building back there? Does anyone know?Phoebe on Mr. Underpants Senior: Kat's review of Kate Manne's Unshrinking (and why is Manne using “we” to describe the people who don't fit in airplane seats?) : https://unherd.com/2024/01/fat-positivity-is-a-fantasy/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit femchaospod.substack.com/subscribe

Ob das KaDeWe in Berlin, das Kaufhaus Oberpollinger in München oder das Chrysler Building in New York – Immobilien- und Handelsunternehmer René Benko stand mit seiner Signa Holding weltweit für die prestigeträchtigsten Gebäude und zählte zu den reichsten Menschen Österreichs. Doch wie hat der aus einfachen Verhältnissen stammende Tiroler es in den Club der Mächtigen und Reichen geschafft? Und wie konnte es nun dazu kommen, dass sein Imperium kollabiert und er Milliarden verliert? Über diese Fragen und noch viele mehr spricht Lilly Burger mit BUNTE-Politik-und-Wirtschaftsressortleiterin Katrin Sachse in der neuen Folge von BUNTE Menschen. Außerdem: Lilly Burger berichtet von ihrem Treffen mit Topmodel Adriana Lima und freut sich mit Palina Rojinksi über ihr frisches Liebesglück. Im Horoskop fragen wir die Sterne, wie sie zu einem Deal zwischen Immobilienmakler Marcel Remus und US-Rapper Kanye West stehen.

Igår skrev Aftonbladet om ketchupeffekter... Signa Holding GmbH är Österrikes största privatägda fastighetsbolag med tillgångar värderade till cirka 263 miljarder kronor (23 miljarder euro) vid utgången av 2022. Bolaget grundades 2000 av den tyrolske entreprenören René Benko och har sedan dess haft en exceptionell tillväxt. I dag slåss han för imperiets överlevnad. Nu förs ett sista samtal med investerare med förhoppningen att säkra en finansiell livlina och undvika en konkursvåg, uppger två personer med direkt kännedom om bolagets förhandlingar till nyhetsbyrån Bloomberg. Signas portfölj omfattar bland annat Chrysler Building i New York och tyska KaDeWe i Berlin. René Benko ska ha uttalat att hans strategi utgår från tanken att endast katolska kyrkan och drottningen, numera kungen, av England ska kunna skryta med en jämförbar portfölj av unika platser. Signas akuta pengabehov är uppe i nära 6,9 miljarder kronor (600 miljoner euro). Men sannolikheten för att hitta en lösning bedöms som låg, uppger anonyma interna källor och pekar ut imperiets komplexa kapitalstruktur och förpliktelser mot ett dussintal dotterbolag som en av svårigheterna. Tänk vad slumpigt att de har Credit Suisse/UBS som bank! De Fria är en folkrörelse som jobbar för demokrati genom en upplyst och medveten befolkning! Stöd oss: SWISH: 070 - 621 19 92 (mottagare Sofia S) PATREON: https://patreon.com/defria_se HEMSIDA: https://defria.se FACEBOOK: https://facebook.com/defria.se

Urban planner, Moses Gates, shares his unlikely experience with the residents of the 61st floor of one of New York City's most iconic buildings..

Episode 82 is LIVE, and this week Adam and Kevin finally watched the monster cult classic, Q: The Winged Serpent! This picture has so much good stuff in it, from the Harryhausenish creature that no one knows is living in the Chrysler Building, to the severed feet falling from the sky, to the hardboiled, fried, and scrambled detective team of Shaft and Kung Fu! Not to mention Mo from The Stuff! JOIN US. Everywhere you pod. It's Miller time! DBP Hosts: Adam Crohn: Instagram: @actoydesign / @ihavespokenpod / @mom_gave_them_away Kevin Krull: Instagram: @theotherkevinkrull Support the show directly on Patreon: https://www.patreon.com/deathbypodcast Death by Podcast Linktree: https://linktr.ee/deathbypodcast Follow us: Instagram: @deathbypodcast Twitter: @DeathByPodcast YouTube: @DeathByPodcast

Sequoia Simone from Fanatical Fics and But Make it Scary FINALLY makes her debut on The Newest Olympian to finish up Ch. 2 and get through a good chunk of Ch. 3 of Percy Jackson and the Last Olympian! Topics include: NYC hanging, The Bad Film, John Wick Chapter 4, surprises, Victor Wembanyama, SpongeBob, Thomas Hobbes, Tyson's social skills, dolphins, Po-sigh-don, Kevin Durant, crawfish dynamics, Twitch plays Pokémon, Lobsterus, Craig the Arm Guy, Jeff Bridges Hair Stylist #3, Teddy Roosevelt, None Pizza with Left Beef, custom shirts, The Chiron Collection, Beckendorf's legacy, Michael Boo, Swiss Miss, the Chrysler Building, Leroy, and more!   Thanks to our sponsor, Tab For a Cause! Raise money for charity in the easiest way possible at www.tabforacause.org/tno    Per-See Ya Later! Merch: www.thenewestolympian.com/patreon  TNO LIVE (SEQUOIA WILL BE THE CHICAGO GUEST): www.thenewestolympian.com/live    — Find The Newest Olympian Online — • Website: www.thenewestolympian.com • Patreon: www.thenewestolympian.com/patreon • Twitter: www.twitter.com/newestolympian • Instagram: www.instagram.com/newestolympian • Facebook: www.facebook.com/newestolympian • Reddit: www.reddit.com/r/thenewestolympian • Merch: www.thenewestolympian.com/merch   — Production — • Creator, Host, Producer, Social Media, Web Design: Mike Schubert • Editor: Sherry Guo • Music: Bettina Campomanes and Brandon Grugle • Art: Jessica E. Boyd   — About The Show — Is Percy Jackson the book series we should've been reading all along? Join Mike Schubert as he reads through the books for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over Greek mythology. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts!

Ever wondered if that used car you're eyeing is worth the investment? Join us as we chat with Patrick Olson of CARFAX to discover the secrets behind their vehicle history reports, used car listings, and the value of each car to help you make an informed decision. Plus, learn how their Car Care app can keep you up-to-date on your car's maintenance needs and recalls.  As we dive into the world of CARFAX, we explore their partnership with dealers and subscription models, as well as their mission to provide accurate data and consumer insights. We also discuss the current popularity of pickup trucks, large SUVs, and the emerging trend of smaller SUVs. Don't miss our conversation on the marketing of SUVs and CUVs, and how Carfax can guide first-time used car buyers in finding the right vehicle.  Finally, we discuss the various ways to search for cars with Carfax, such as by brand, price, location, and age, and how users can filter out cars with accidents or rental/commercial history. Patrick also sheds light on the Car Care app's EV maintenance features and shares a fun fact about the Chrysler Building's completion in 1930. Tune in for this informative and engaging conversation that will leave you empowered in your used car search.---- ----- Want more In Wheel Time Car Talk any time? In Wheel Time Car Talk is now available on iHeart Radio! Just go to iheart.com/InWheelTimeCarTalk where ever you are.----- -----Be sure to subscribe on your favorite podcast provider for the next episode of In Wheel Time Car Talk and check out our live broadcast every Saturday, 8a-11aCT simulcasting on iHeart Radio, YouTube, Facebook, Twitter, Twitch and InWheelTime.com.In Wheel Time Car Talk can be heard on you mobile device from providers such as:Apple Podcasts, Pandora Podcast, Amazon Music Podcast, Spotify, Google Podcasts, Stitcher, iHeart Radio podcast, TuneIn + Alexa, Podcast Addict, Castro, Castbox and more on your mobile device.Follow InWheelTime.com for the latest updates!Twitter: https://twitter.com/InWheelTimeInstagram: https://www.instagram.com/inwheeltime/https://www.iheart.com/live/in-wheel-time-car-talk-9327/https://www.youtube.com/inwheeltimehttps://www.Facebook.com/InWheelTimeFor more information about In Wheel Time Car Talk, email us at info@inwheeltime.comTags: In Wheel Time, automotive car talk show, car talk, Live car talk show, In Wheel Time Car Talk

In Episode 47, Michael and Julian talk about1.     Van Life. Have you thought about living in a van and traveling across America? Millions have this lifestyle2.     Skyscrapers. Competition between New York and Chicago started a worldwide trend for very tall buildings. We discuss building regulations, elevators, and our favorite buildingsOther Show NotesLearn more about how America's culture developed in Julian Bishop's High, Wide, and Handsome.Available here to buy as a paperback, ebook, or audiobook

I am so thrilled to have finally had the opportunity to interview the Greatest Boss of All Time. The manager who helped this spoonie shine like the top of the Chrysler Building. Giving credit where credit is due: Christine Miserandino revolutionized the chronic illness community by sharing her Spoon Theory with the world on her blog: https://butyoudontlooksick.com Because of her contribution, those suffering with chronic illness are often referred to as "Spoonies" and we often refer to energy stored and expended in units of spoons.If you'd like to be a guest, please reach out to Ann at GotAnySpoons@gmail.com

Imagine this: It's 1936 and you're taking a luxurious three day flight from Germany to the United States in the Hindenburg. But instead of landing in New Jersey as expected, you dock to the top of the tallest building in the world: the Empire State Building. This didn't actual happen — turns out that's a logistical and safety impossibility — but that didn't stop the builders of the Empire State Building from using the potential of a mooring mast to advertise the building. After all, they had to really stick it to the Chrysler Building. Matt and Emily are joined by the Museum's lighter-than-air flight curator to talk about airships, Zeppelins, mooring masts, and, a first for us, architecture! Sign up here for the monthly AirSpace newsletter AirSpace is made possible by the generous support of Olay.

This might be the single best pitch ever thrown.Like, not hyperbole. That might be the single best pitch ever thrown.Since Shohei Ohtani is beyond describing with words, numbers, music, electromagnetic fields… let's let baseball sit for a moment and focus on the home front.The folks at Hell Gate have presented a field of 64 for NYC hot takes, and, yeah, okay… it's good to have this forum because this could be an entire day's worth of tweets.So, I'm just gonna go through their bracket, give you the winners, and provide all the correct analysis along the way to find out the champion take. My analysis in bold, winners in italics.BROOKLYN REGION(1) The best pizza in NYC can be found at Domino's. Domino's is underrated, but no. vs. (16) No one should live remotely close to Newtown Creek or the Gowanus Canal. Probably, and Willets Pod just touched on this.(8) Free concerts are a trap. You get what you pay for. vs. (9) Coney Island is a better beach than the Rockaways. If you'd said Brighton Beach, maybe. Coney Island is a lousy beach.(5) There are too many bars in NYC. No, there are too many bars in close proximity to each other. vs. (12) Jazz in bars should be banned. This is ludicrous. Don't go to jazz bars, then.(4) Public urination should not be against the law. Correct, especially given the public bathroom situation in this town. vs. (13) Chinese food ranking: Sunset Park > College Point > Flushing > Chinatown. How are you even quantifying this? Remarkably stupid to even try wading into it. Go away.(6) We should bring back speed dating. Okay? Isn't that just what apps are now, basically? vs. (11) The City MUST subsidize beer at BRIC events (should cost no more than $5). Oh please.(3) You should be able to park for free at metered spots on Saturdays, too, not just Sundays. If anything, you should have to pay on Sundays, too. vs. (14) To find the best Italian food, look for an elderly man whose political views are not for public consumption. This is a lazy take, but at least it's not completely wrong.(7) Prospect Park > Central Park. In some ways, at least, sure. vs. (10) Prospect Park is boring and I don't want to go to your birthday picnic there. That's a you problem.(2) Rats are fine. They're not, but this is a better take than its more obnoxious opponent. vs. (15) If well drinks cost more than $10 at a bar, vandalism should be legal there. Good lord, people, dive bar attendance is not a personality.REGIONALS: (4) Legalize public urination > (8) Free concets are a trap; (7) Prospect Park > (14) Old racists know good food. Winner: (4) Public urination should not be against the law.MANHATTAN REGION(1) The Astor Place cube sucks. Yeah. vs. (16) East River park was falling apart and it's fine to rebuild it. They should expand the park and close the FDR forever.(8) The Oculus is actually pretty cool. But it still sucks. vs. (9) Cars should be banned below 96th Street. Cars should be banned on the entire island.(5) The NYU student who hated studying abroad in Florence is right – studying abroad sucks. This is another you problem. vs. (12) The Empire State Building is ugly and the Chrysler Building should be more famous instead. The Empire State Building is maybe the most overrated place in the entire city.(4) All Broadway musicals are terrible. Ludicrous blanket statement. vs. (13) Gramercy Park should be municipalized. And all of the key holders should be egged on opening day.(6) The Elizabeth Street Garden should absolutely become housing. Eh… there are so few gardens, and turning that one into housing is not going to solve anything, really. vs. (11) It's fine to wear open-toed shoes out and about. Grow up! Why are you looking at everyone's feet, Quentin? Mind your business.(3) The new white CitiBike e-bikes are too heavy and bumpy and bad. They look ridiculous, too. vs. (14) Tammany Hall was good. I'm gonna do the whole Matt Damon “do you like apples” scene if this becomes an actual topic.(7) Everyone should shop at Whole Foods – it's cheaper! This is just weird? vs. (10) We must drain and pave over the East River. Pave, no. Turn into a miles-long wildlife preserve? Let's talk.(2) The Vessel is actually cool/good/beautiful. No it ain't. vs. (15) Food halls are overrated. It's not exciting on I-95 and it's not exciting in the city.REGIONALS: (13) Municipalize Gramercy Park > (9) Ban cars below 96th Street; (3) Disappointing CitiBikes > (10) Drain and pave the East River. Winner: (13) Municipalize Gramercy Park.QUEENS REGION(1) George Santos rules. Way funnier than the last fascist we sent to Washington. vs. (16) Kiss > Ramones > Simon and Garfunkel. Put Simon and Garfunkel according to your taste, but the order is Ramones > Kiss, and that's not up for debate.(8) Clubs and dive bars should have a separate bathroom for people who want to do drugs. Suck it up. Or snort it up. Whatever. vs. (9) Breezy Point should be seized through eminent domain and turned into a public beach. Obviously.(5) People who say there's good BBQ in NYC are lying to themselves. It's not as bad as people make it out to be, but it's also not GOOD BBQ. vs. v(12) Either the Whitestone Bridge or the Throggs-Neck must be torn down – we can't have both. Put trains on them.(4) Street cleaning should always be just once a week. Duh. vs. (13) There are too many firehouses. What drugs were you doing in that bathroom?(6) The NYC public school year should end in May, not the end of June. Then they'd start in August, which is worse. vs. (11) The subway should have a smoking car. Deranged, but in the new weed capital of the world…(3) The Mets are not uniquely cursed. Oh baby, how much time do you got? vs. (14) Douglaston is on Long Island, not in Queens. You can't just make shit up and call it a take.(7) The Queens/Nassau border doesn't exist. This is a way better version of the 14 seed, and spiritually accurate. vs. (10) People that throw bread for pigeons are assholes. Mind your business.(2) Actually, the street numbers make sense, you just want an excuse not to go to Queens. It's a little confusing in Astoria, for about 30 seconds. But keep not coming to Queens, you don't deserve it. vs. (15) Sunnyside Spider-Man > Forest Hills Spider-Man. This isn't even a hot take, it's just true. Unfortunate matchup.REGIONALS: (4) Die, alternate side parking! > (1) George Santos; (3) Mets > (7) Queens/Nassau border isn't real. Winner: (3) The Mets are not uniquely cursed.THE BRONX REGION(1) Bill de Blasio is the best mayor NYC has ever had. LMAOOOOOOOOOOOOOOOOO. vs. (16) Riverdale is not in the Bronx. Spiritually, again, understandable, but stop arguing with maps.(8) The New York City Council should be dissolved. I'd like to hear more? Useless organization for the most part. vs. (9) The ferries are the best way to get around the city. From a comfort standpoint, absolutely.(5) The Yankees should allow facial hair, but only full handlebar mustaches and failing that their players must be completely hairless. Are we talking full body wax, too? vs. (12) City outdoor pools should be open year-round. In some form or another… yes.(4) The city's health rules for restaurants are too strict (and racist…….) The famously strict New York City restaurant health codes??? vs. (13) We should have corporal punishment for a select few absentee landlords, just to keep them all in line. Embrace having to live in the places they neglect as “corporal punishment,” and let's roll.(6) Showtime subway dancers deserve more love and respect. A lot of them suck. Standards have dropped. But they're still out there putting on better shows than Jerry Seinfeld reading a list of complaints. vs. (11) Staten Island should be given independence (come what may). Here's my hot take: Staten Island is actually good.(3) We need to give firefighters more things to do. THEY. FIGHT. FIRES. vs. (14) Park conservancies should be abolished. NIMBYs dressed up as environmental advocates. 100% accurate take.(7) Just make Marble Hill part of the Bronx, this is stupid. Unlike some of the others, this one is a good take. They changed the course of the Spuyten Duyvil Creek between the tip of Manhattan and the Bronx, and it left Marble Hill, once part of Manhattan Island, as part of the mainland. If you redraw the river, redraw the map. vs. (10) New York City should not have any zoos. Quite possibly the worst take on the list.(2) Bagels have become too big. You've become too weak. vs. (15) All cars entering the city must have internal horns that are louder than their external horns. It's really not the horns that are the problem, but love the idea.REGIONALS: (5) Yankees must be either mustachioed or fully hairless > (9) Ferries; (7) Marble Hill should be part of the Bronx > (14) Abolish park conservancies. Winner: (7) Just make Marble Hill part of the Bronx, this is stupid.CITY CHAMPIONSHIP(13) Gramercy Park should be a public park > (3) The Mets are not uniquely cursed.The nature of the Mets' cursing may not be unique, but the way they go about living through it sure is. Way too many of these takes were simply awful, so here's the First Four Out, as I see it anyway…Brooklyn: (17) The Nathan's on the Coney Island boardwalk is better than the main Nathan's on Surf Avenue.Manhattan: (17) They should've built that stadium at Hudson Yards even though NYC didn't get the Olympics, at least everyone expects the Jets to suck.Queens: (17) LaGuardia > JFK and it isn't even really that close. MUCH LIKE KENNEDY AIRPORT.Bronx: (17) Orchard Beach is the best beach in the city.Staten Island (1): The Hudson-Bergen Light Rail should be extended over the Bayonne Bridge and to the St. George ferry terminal along Richmond Terrace.But the champion of all NYC takes? Every road in the city with multiple lanes for automobile traffic should be reduced to one lane, with the rest of the space given to bikes, light rail, green space… anything but cars. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit willetspen.substack.com/subscribe

Diamond Feit returns to talk about Q: The Winged Serpent. One of my all-time favorite movies and, without question, the greatest movie ever made about a giant dragon that lives on top of the Chrysler Building and eats people. Larry Cohen was a mad genius.

William Strange is a Professor of Economic Analysis and Policy at the Rotman School. William is former Editor of the Journal of Urban Economics (with Stuart Rosenthal), and he served in 2011 as President of the American Real Estate and Urban Economics Association. He works in the areas of urban economics and real estate. His research is focused on agglomeration, industry clusters, labor market pooling, skills, private government, real estate development and real estate investment. In this episode we talked about: William's Background and how he got into Real Estate Rotman School Real Estate Program Paper Analysis of Skyscrapers Macroeconomic Outlook Urban Economics Resources Useful links: Book “Triumph of the City: How Our Greatest Invention Makes Us Richer, Smarter, Greener, Healthier, and Happier” by Edward Glaeser Book “The New Geography Of Jobs” by Enrico Moretti https://www.rotman.utoronto.ca/FacultyAndResearch/Faculty/FacultyBios/Strange.aspx Transcription: Jesse (0s): Welcome to the Working Capital Real Estate Podcast. My name's Jessica Galley, and on this show we discuss all things real estate with investors and experts in a variety of industries that impact real estate. Whether you're looking at your first investment or raising your first fund, join me and let's build that portfolio one square foot at a time. Ladies and gentlemen, my name's Jesse for Galley, and you're listening to Working Capital, the Real Estate Podcast. My guest today is William Strange. Will is a professor of economic analysis and policy at the Rotman School that's at the University of Toronto.   He's the former editor of the Journal of Urban Economics, and he served in 2011 as president of the American Real Estate and Urban Economics Association. He works in the area of urban economics and real estate. His research has focused on industry clusters, labor market, pooling skills, private government, real estate development, and real estate investment. Will, thanks for being here. How's it going?   William (58s): Thanks a lot for having me, Jesse. It's going great.   Jesse (1m 1s): Well, I appreciate you coming on. Like we said before the show, I thought there's a couple different areas of research that I thought we could jump into and, and I think the listeners would get a lot out of. But before we do that, why don't we kind of circle back to you in, in your current role at the University of Toronto and kind of what you're working on today, how did that all come to fruition? How did you get into, into this business of real estate?   William (1m 25s): Well, I got into real estate as an urban economist, so when I went to graduate school, my favorite undergraduate econ class was urban. I liked it because there are so many things going on in cities. Cities are just interesting organisms. And so I, I pursued a PhD at Princeton with Ed Mills, who is the father of the feet, modern field of urban economics. That ended up with me at U B C amongst the real estate folks. And I gradually came to understand just how interesting real estate is too, and just how much an urban economist will have to say about real estate, you know, both on the residential and commercial side.   I feel incredibly fortunate that I've lucked into a, a career as satisfying as this one has been.   Jesse (2m 8s): That's great. And the current role that you have at Rotman, so for people that aren't, aren't familiar, that's the, the business school at the University of Toronto. The, the teaching that you do there, is it predominantly undergrad is,   William (2m 21s): It's almost entirely MBA and PhD. I teach some vanilla economics, which I think is important too. Yeah. But, but we also teach a bunch of econ cla a bunch of real estate econ and real estate finance classes. One thing that I would say to your audience is I'm also the director of the Center of Real Estate at Rotman, and we periodically put on public events, we put on one on downtown recovery back in December that was addressing the different pace at which downtowns were repopulating as Covid fingers crossed, recedes.   And, and we were scheduled to do a housing market one with City Post in March, and we'll keep doing them as interesting policy issues emerge. We are, we, we welcome people from outside Rotman. Please come everybody.   Jesse (3m 12s): Yeah, that's great. The, and we want to jump into one of the papers that you did, you did regarding covid. Before we do that though, I'm curious, you know, people in our industry, when we think of schools that have a real estate program at the MBA or or higher level, you know, whether it's economics or finance or real estate, I think of, you know, Rotman, I think of Osgood. A lot of people have gone to Columbia and New York for their Ms. Red program. Has that, how long has that program been the real estate specific aspect of it? How long has that been something that has been at Rotman?   Because I, I feel like you guys were one of the first to actually have the, that specialization.   William (3m 48s): It's nice of you to say, but it was, it started building up when I came in 2001 and we've specifically p positioned ourselves to not duplicate other programs. Like I, I, I like the SCHOOK program very much, but there's no reason that we need to do something that's as specialized as their program is, given that they already have such a program that's, that's a good program. So what we have done is to set up a smaller real estate program. We have three electives of the 10 classes and MBA would take with the idea being that people in real estate benefit from taking things outside of real estate, you know, that a good real estate person needs to know about finance, a good real estate person needs to know about strategy and my various colleagues in Rotman can help in those ways very much.   Jesse (4m 33s): Yeah, no, that makes sense. So before we, we jumped on here, we, we talked about a paper that kind of pid my interest and it was just being in the commercial real estate world and it was a basically a, a paper analysis of skyscrapers. I thought before we jump into this Covid paper, we could talk a little bit about this, this paper that you did regarding skyscrapers.   William (4m 53s): The skyscraper paper is still pretty relevant. I mean, what it's motivated by is that we're living in a new era of skyscrapers that if you look at something online like the skyscraper page, you can see the big buildings that people are planning to build. The Empire State Building was the biggest building in the world for on the order of 40 years before the World Trade Center. It has since been sub topped by Burge Dubai. And there are other buildings that are, are also really large that are either recent or, or that are being planned.   The big question is, are these big buildings being built big because it's economical to do so? Or are they being built big for some other reason? You know, possibly ego reasons, possibly other stuff. And so we have analyzed skys, this is in my paper with Bob Helsley from UBC. In this paper we look at skyscrapers as a contest for who is the biggest, this, this is assuming that people want to be bigger than the other person. Let me give you a couple of historical examples of that.   I mean, people did look at whether h skyscrapers were economical in the 1930s after the big skyscraper wave of the twenties and thirties. That was mo allowed by things like structural steel and elevators. And we see there a lot of stuff that looks game theoretical. So one story is the story of the lower man of the Manhattan Company building, which is now Trump's lower Manhattan building. And, and, and the incredibly beautiful art deco Chrysler building.   And they were each built to be the biggest building in the world at the time. Manhattan Company building finishes first, so it has a ceiling on it, and they are very happy because the ceiling on the sky on the Chrysler Building is, is gonna be lower. So for some reason, the Chrysler building did not build an extra a hundred feet that would've made them bigger than the Manhattan Company building. And, and this has an added issue of personal interest, that the lead people on both of those projects hated each other. They used to be partners. There was a breakup of their partnership and, and not the owners of the buildings, but the architects despised each other.   Unbeknownst to the people who built the Manhattan Company Building with the Chrysler Tower, the most famous thing about it, if, if the readers Google it right now, you'll see it is the spire at the top. It was hidden inside the structure, so people didn't know what happened. And so they waited until the Manhattan Company building had reached its ceiling and then they raised like a giant middle finger, the spire of, of the Chrysler building, which made it an extra 50 feet taller than the Manhattan Company building. It's really hard to argue that there is some economic tenants paying rent sort of argument that would make you do something like that.   That's one example. Another example is the Empire State Building, which I mean we've all seen King Kong bu movies, so we know how the Empire State Building looks, but, but the, you may not know that the spire on top of the Empire State Building, which made it by a couple hundred feet bigger than the Chrysler Building when it was built, that was originally pretended to be a Zeppelin loading dock. So people would be taking international flights by blimp and, and on top of Manhattan where winds are pretty big, they, they would tie the Zeppelin on and then people would get off on on it.   No one ever did that. That was just totally a fiction to allow the building to be as big as it could possibly be. So in, in, in this paper, we look at that as what is called in game theory and all pay auction. That's an auction where you have to pay, even if you don't win in, in this case, you pay to build the building even if you don't win the race of having the very biggest building subsequent to our paper, which was theoretical. Others have looked in various ways for empirical evidence in the data, and there seems to be a lot of it around the moral of the story being some of these big buildings look like they should be built based on economics, or at least you can make a justification of building such a big building on economic grounds.   But there's a lot of evidence that people wanna build a little bit bigger than the other guy, even if it's not economical because of the prestige that seems to go with being the biggest building in a market or in the world or of a particular type. If you look online, you'll see all kinds of lists of, you know, biggest office building, biggest residential building, biggest building in Canada, biggest building in Toronto. It seems to be something that people do care about and not simply just the economics of, of building real estate space for tenants to use.   Jesse (9m 29s): Yeah, that's a fascinating story. I'm almost embarrassed to say I I had never heard of that. So they continued to build with regard to the Manhattan Chrysler, they continued to build hiding the spire within, within the   William (9m 41s): Envelope, within the structure because the seal structure, you know, you can have it own. And then they literally leveled it up. There's a, I forget who wrote it, but there was a book, there's a book on this whole episode, which I think is a fascinating story. Yeah.   Jesse (9m 51s): Oh, that's great. Yeah, that it's, it's interesting too, I'm reading a book right now that New Kings of New York by The Real Deal, and it talks about a lot about kind of the Trump era of New York when it was the, the basically push to build more and more price per square foot condos, high-end condos. And it was really almost a race of who could build the best, the the tallest. And it became a lot of, seemed to be a lot about ego rather than economics.   William (10m 16s): Yeah, I mean, I think ego matters in real estate. Look, I mean, I I'm just a professor, I just write papers. Somebody who actually builds tall buildings can, you know, look at this thing that they've built and I understand why people's personalities are invested in it and why, you know, they wanna build buildings that are deemed to be significant. I mean, for a long time the, the CN Tower was the biggest structure in the world, and people make a distinction between occupied buildings and unoccupied structures. And so, you know, clearly we in Toronto are, are not immune to building buildings for ego-based reasons.   Jesse (10m 51s): And it was there a distinction in your research between commercial skyscrapers as opposed to residential towers? Or, or was it,   William (10m 59s): I mean, the early ones were, were all commercial and, and well, I mean the Eiffel Tower shows people how structural steel lets you build stuff that's big and then the Woolworth building becomes the biggest building in the world. And then as supplanted, as I said a little while ago, briefly by the Manhattan Company building the, whatever the Trump building is in lower Manhattan and, and Chrysler, they were commercial. But now, now we see people building big residential buildings. I mean, it, it can be problematic. The, the, the former Sears Tower, and I'm having a brain cramp now about its current name, Willis Tower.   I believe it, it was renamed a while ago. It had a problem after its initial construction because it was big enough that the building swayed in the wind and, and this made people feel very uncomfortable. And so there was a period of time and it, it could continue. I'm not sure whether it is or the tallest, the, the, the highest suites in that building were used for storage because people didn't wanna be up there because it wiggled around too much. Yeah. And, and, and just made them uncomfortable for residential.   I mean, I don't know what your experience is, but I have a friend who was on the 40th floor of a Toronto building and which, you know, he thought was beautiful, gave him a view of the lake and so on and so forth. But during covid when you don't wanna be in the elevator with a lot of people or worse still, if the elevator is slower is not running, you know, 40 stories is a long ways to walk.   Jesse (12m 24s): Yeah, absolutely. Well the one with the Willis Towers kind of, that'd be Chicago too, so I I'm sure it, it, it'd get pretty windy up there. I think for us, if, if I'm not mistaken today, our first Canadian place, at least in the Toronto area.   William (12m 38s): Yeah. Ever since it's been built, that's been the biggest building in Canada and it's, it's of course commercial. Yeah. There are some things that I believe people are considering that might be bigger but haven't been built yet.   Jesse (12m 48s): So you, you mentioned something that you ask your class at Rotman question that I, right before we got on this call, I would, I would've failed and can pose the question to, to listeners that you normally ask your class at Rotman.   William (13m 2s): Well the, I mean, I I've said that this is an era of skyscraper construction and I've talked about the earlier one. And the question is what is it that it took for us to have skyscrapers? And it turns out there are two things that it took. It took structural steel and it took elevators. And before I ask the question, I can give you the elevator story because that is also one that's worth hearing. Sure. Elevators are old. They're like, they're like, Archimedes figured out how you could use pulleys to lift things. The problem with a, a classical elevator is if the cable was cut, the elevator would fall and whatever was on it, including humans would be destroyed.   And, and, and thus elevators were not used, you know, for large distances for human beings because it was just considered to be too dangerous. The name that most people will associate with elevators is Otis. And, and Otis went to the New York World's Fair in, I believe 1856, give or take two years. And he demonstrated his safety elevator. And the way he did it was he was pulled up in the elevator with a very sharp sword in his hand to about 40 feet with an audience watching him. And then he cut the cable above the, the rope that was on the elevator above himself and the audience went, Ooh, because the, they, they were sure that he was now going to fall to his death.   But the Otis elevator's innovation was, it didn't fall, it was a safety elevator and it had automatic brakes that would arrest it. Before that you wouldn't see apartment buildings that were any bigger than six stories. Cuz you know, six stories is a lot to walk up. You wouldn't wanna walk up 10. But now once you have elevators, vertical distance is not a barrier anymore. And that really changes the ability, the demand for big buildings on the supply side. This is my question, what was the biggest building in the world in 1850 around when the elevator was developed and before skyscrapers were, were started to be built?   So I'll leave leave you a minute to think about it. Look it up on Wikipedia or, or whatever the answer is that the biggest building in the world was the great pyramid from something like 1400 bc. Why is that worth mentioning? Because it's a masonry building and, and the key feature of masonry buildings is that the supporting walls on the lower floors have to get bigger and bigger as the building gets taller in or in order to bear the weight to say, to say nothing of earthquakes and other problems with masonry buildings, structural steel changes that structural steel lets you go up.   I mean it's, it's incredibly robust. We don't always use structural steel. Now the World Trade Center did not to, to its peril. It used much lighter framing. And that was one of the things that meant that the intense heat that the airplanes produced when they hit the building were able to bring it down. That's a worthwhile story to to point out because the Empire State Building was also hit by an airplane during World War ii, which people might not know about because the Empire State Building is still there. Yeah. It was foggy and a, a World War II bomber crashed into it, but because it was structural steel, it basically bounced off.   I mean, it was, was not good for the airplane and not good for the pilots, but it, it survived. But we've learned cheaper ways to build buildings subsequent to that without structural steel. And that seems to be one of the factors that's responsible for the skyscraper wave that we have seen in, in recent years with Birds Dubai. Now the tallest building in the world for a while, Taipei 1 0 1 was, was the biggest building in the world. You have very tall buildings being built in, in many Chinese cities, especially Shanghai.   People are building big buildings, you know, and, and part of it is the strategic thing that we talked about a minute ago in the case of Taiwan. I mean, if you read about that building, it's clear that this was a matter of great national pride. And so the Chinese were building it to make Taipei obvious as an important business city and to make, to make Taiwan an an important place. The same sort of thing in places like Birds Dubai, I mean, what will be the financial center in the Middle East, it's, it's not obvious what it would be having big buildings, you know, they're hoping that if they build it, people will come.   Jesse (17m 10s): Hmm. Yeah. That's fascinating. Well it was good to, good to jump on that cuz that paper I saw that the title and I was like, well it's got economics, it's got skyscrapers. So just being from the commercial real estate side of things, I thought it'd be something listeners get some value out of. Well, I   William (17m 24s): Mean, so for, for your readers who are in the industry, I mean, it's a valid question for folks to ask. Do the economics justify such big buildings? I mean, in, in a lot of cases they do. People were convinced that the, say the Empire State Building did, of course the Great Depression happened begin after the Empire State Building was started and before it was finished. And so the Empire State Building was financially rather a disaster. It was called the Empty State building for about the first 10 years because they had so much trouble tenanting it up.   And so this is something that market participants should ask themselves. Does the market support a big building or is there something else that's going on with the building's size?   Jesse (18m 2s): Yeah, well we're certainly going through a, you know, a different version of that in terms of some of the construction or or over construction in some of our major cities. And just trying to see if the, if the lease ups will, will actually, if the absorption will be able to fill those buildings.   William (18m 18s): Right. I mean, we had buildings that were designed pre covid and that came on the market in 2022 and are partly responsible for the slow absorption that we've seen in recent years. I mean that's a, a very valid point. I mean, a lot of my other research has dealt with the fundamentals of why people want to concentrate spatially. Hmm. So, I mean, in Canada, a huge amount of our population is in the three cities of Vancouver, Montreal and, and Toronto. Yeah. In, in the case of the US when people use satellite data to look at how much of the country is actually occupied.   So you're looking at data that reflects down on the land and the satellite can tell you, is this dirt or is this concrete? The US is a big country, 2% of it is developed. I suspect the number would be even smaller in Canada. But I haven't seen somebody use satellites to do that. So we have this situation when Toronto and Vancouver at least are incredibly expensive when households say that affordability is the biggest issue that they face economically, not just real estate, it's the biggest issue that they face.   And yet everybody keeps piling into Toronto no matter how expensive it is. And thus prices continue to go up and up. I mean, I think one of the silver linings we may see from Covid is, is that through Covid we have learned that remote work is possible, can't do everything remotely that you can do in person, but you can do a lot. And that to the extent that Covid allows people to do things remotely, you know, either at different places in the same city or even in different in in, in different cities completely.   That may make it less essential for everybody to be down at bay in Adelaide, you know, paying the high rents that people pay down there and thus paying the high housing prices that you have to pay to be close to bay in Adelaide for your job as an investment banker, you know, this is a possibility to un unlock value for folks by freeing them from the Toronto housing price death spiral that people have been dealing with for so many years.   Jesse (20m 19s): Yeah. And we're, and we're dealing with, so we have 84 offices predominantly in, in North America, but we are a global company. And it's one thing where you are taking a b class or a suburban office and converting it to industrial or residential. It's, it's another thing to have these massive towers in cities and just trying to figure out how we repurpose the space, whether, you know, and   William (20m 39s): People are sure talking about that and there's, there's certainly fortunes to be made in people who feel how to figure out how to do it. Right. But I mean, what I'm hearing, and I'm, I'm nobody's architect, but what, what I'm hearing is the challenge of the seven and a half foot ceilings that you might see in an office in a residential setting are really problematic. And you can make a lot of internal changes in the building, but dealing with the floors is, is hard.   Jesse (21m 1s): Yeah, absolutely. And I think some of what you just mentioned here touched on, I noticed another paper on, on your, on your link on U F T or on Rotman's website was entrepreneurship in cities. And, and I imagine that kind of ties into what you're, what you're talking about here, it's that question of why do we congregate in these   William (21m 18s): Metropolis that, that there's something in downtown Toronto that people are willing to pay for. The market tells us that this is valuable. Both the housing market and the commercial real estate market say that Toronto's expensive people aren't throwing away the money for no reason they're paying it because it's a good, good value. As expensive as it might be. I mean, I like my job in Toronto, thus I'm willing to pay a whole bunch of money for a house here cuz I have to live here in or in order to be able to teach in, in, in the Rotmans school. So that, and a whole bunch of other things.   But, but ever since the dawn of the internet, some people have been arguing that distance is dead. And and I think that's wrong. Distance isn't dead. Maybe it smells funny, but it isn't dead yet. And in, in thinking about Covid, there was a New York Times op-ed that Jerry Seinfeld wrote titled New York City Is Not Dead. He wrote this in response to a friend of his, a fellow who owned a comedy club arguing that New York City was dead. And in this case, I'm happy to say that I agree with Jerry that that places like New York and Toronto are for sure challenged by, by things that happen associated with C O V D.   You know, two years ago what we were worried about is making each other sick. We are less worried about that as the disease has become less virulent as we and as we become vaccinated. But you know, hopefully, you know, COVID is killing 500 Americans a day. I don't know how many Canadians it's killed killing a day. Are we are much healthier than America is in that particular regard. But in, in addition to that being a challenge for folks, the working from home phenomenon is almost certainly here to stay.   It's just incredibly valuable for people to stay home and write reports for a day instead of fighting traffic to drive 45 that's from North York downtown, and then do the same thing again in the afternoon. So anyway, Jerry's friend wrote an article saying New York was dead. You know, that that that the value of being close to other people was, was really being challenged. Seinfeld said, no, it wasn't. We did some work using contemporaneous data. So the only time in my life I've used absolutely fresh data off the process and I I now have more patience with other professionals who use that, who use that kind of data.   It's just a lot harder to do stuff with that. And we looked at something called the commercial rent gradient. So the commercial rent gradient is telling you how much rents are declining as you, you're moving away from, from the city center. And so, so in Toronto, rents are highest in the city center. They go down as they move away, they rise in suburban sub-centers. We were not able to get good Toronto data to do these calculations here, but we did do it in cities that are like Toronto in the us like New York and Toronto and in and in cities like that, the gradient might be 6%.   So my, my co-authors were American, so they made me do this with miles, but the result was rents are declining by roughly 6% a mile as you move away from the center of activity in the city. If, if the big cities are dead, you know, given the long term nature of commercial leases, we should see people demanding large discounts when they're signing up in the downtown or, or close to the downtown, not paying the premiums they previously paid with the onset of covid and work from home and stuff like that.   What we found was a little of that, but not a lot of it. What we found was that the gradient went down by about a sixth. It went down from about 6% to about 5%, but it's still a gradient. People are still signing leases in 2021 to pay a big premium to be downtown, which is suggesting that, you know, as mu as much fun as Zoom can be and as productive as Zoom can be, it's not the same thing as sitting next to the other person and, and hearing them talk with their clients and realizing there's some synergy with what you're after and what they're after, which is the kind of thing that people are paying big dollars to locate downtown and getting.   So our answer is so far the downtown is less attractive, but is still attractive in, in core dominated cities like Toronto. Now can I tell you that it's gonna be that way five years from now? Of course I can't And and we do promise I'm saying this to someone who will broadcast it. So I guess this promise has some credibility. We promise that once, I mean our intention was once Covid is behind us, do this again. We are realizing that Covid will not be behind us and we'll have to pick another time to do it again and see what the evolution of this is.   But thus far we're still seeing people attracted to large cities. One scenario would be that this is a continuation of a phenomenon that Toronto saw in the late eighties and the nineties when back office stuff got moved out of Toronto to Mississauga and then later to places that are farther away than Mississauga. You know, people thought, oh no, the downtown's going away. No. What we were doing was we were keeping only the people downtown who really need to be there, the people who really need to be there to interact with other folks, you know, that that's what really matters and not the fact that the physical files are located in the building there.   Yeah. So this may be the same kind of thing where downtown Toronto just becomes more and more rarefied. Yeah. You know, that the investment bankers stay there, but maybe not the middle managers now that, that that is a social issue that we have to engage with, you know, if Toronto just becomes a city of investment bankers and Uber drivers. Yeah. You know, which is sort of the story that I'm telling you. Yeah. But at least that evidence and that theory points us in the direction of that being someplace we could end up.   Jesse (27m 4s): Yeah, no, for sure. And I think for the, you know, kind of the anecdotal side of things, what we see on the street is we see leases being signed. We see that there is a bit of a spread between the bid ask, but it, but it's not at the discount, which we, you know, I have clients they call me and Yeah, especially in the middle, at the beginning and in the middle of Covid, they're expecting these 20%, 30% discounts, you know, on pricing and for leasing and they just weren't happening. Landlords were providing inducements, whether it was free rent allowances. But even today, we, we still see these leases being signed and if anything, the trend that I've seen with most of the clients in the downtown areas, whether it's New York, Boston, Toronto, is that there's a, you know, the term flight to quality gets thrown around a lot.   We're seeing a lot more of that. And we're seeing, I agree completely, we're seeing even four years ago where a startup might want to be in a trendy area in, in the periphery of Toronto or of New York, and we're starting to see more of them have transit as a component. Not that it wasn't important before, but it's, we're seeing that almost pretty much at the top of the list for these, for these tenants.   William (28m 5s): Yep. Transit matters and, and the businesses are deciding they wanna be where the accountants and the business lawyers and the, the bankers are, you know, because they need to interact with them all the time. So I mean, the flight quality, I've heard noises in that direction also that what we would see would be, look, people have been talking about the retail apocalypse for years about online shopping, cannibalizing brick and mortar retailing. Now, did that kill the Eaton Center? It didn't because the Eaton center's in a market position where people are still willing to go there, but it's gonna kill someone.   I've got,   Jesse (28m 37s): I've gotta go there today. There's   William (28m 39s): Good for you. I'm glad one of my predictions ends up being true. Yeah. But, but credit old, old, old fashioned malls, they're getting torn down and, and getting replaced with something different. And I think we could imagine that being something that would happen too. I mean, just something that the audience should think about more generally is that the way the downtown has been for the last 10 years is different than it was 30 years ago, you know, when you had back offices there and it's way different than it was a hundred years ago when there was still a lot of manufacturing activity in the downtown, taking advantage of the proximity to the lake and to shipping and stuff like that.   And so the notion that the downtown should be frozen in Amber as of 2000 or something like that is crazy. It's never been that way. It's gonna change as business changes. And that's a good thing. I mean, that's, that's a way that the ability of Toronto to deliver good, good jobs and high value business outcomes is crucial for all of Canada. And, you know, anything that we can do to make Toronto a better competitor to New York, Boston, and San Francisco very much, much serves Canada's interests.   Jesse (29m 42s): Absolutely. So I wanna be mindful of the time here, will, but I do wanna get to your, your paper, your, I I'm not sure if it's your most recent paper, the one on Covid, but maybe you could give us the   William (29m 54s): Covid one was the one I just talked about a second   Jesse (29m 56s): Ago. Okay. So, so in, in, so what, what was the ultimate thesis of that? Was it this, this divide that we're seeing as, I would say even kind of an inequality of a potential outcome of having downtown cores be predominantly bankers? Or was that, was that the, the other paper,   William (30m 13s): The focus was on whether downtown would still be as important as it used to be. And we looked at, I, I left out some of the results. The, in addition to looking at core dominated cities like Toronto, we also looked at much more spread out car oriented cities like LA and Dallas and stuff like that. And the pattern in, in those places was different. In those cases, the gradient was already smaller. It was, you know, two or 2% rather than the 6%. And it didn't change a lot after Covid, you know, because la the downtown is, is different than the rest of the city.   But LA is not a downtown dominated city the way that Toronto is at all. And Covid didn't affect those. We looked at some parallel results that weren't as parametric, if you'll forgive my geekiness, the gradient puts an exponential functional form to get a percentage decline from the downtown. But look, I mean, how, how are we to think about sub-centers in North York and Mississauga and Markham and places like that in, in, in relative to having one downtown at Bay and Adelaide.   So we also looked at the premium that tenants pay to be in a high density environment. So that's a, a more flexible, functional form. We basically got the same results, which is the value of density does get smaller just like the gradient gets smaller. But it by no means goes all the way to zero. Cities aren't dead yet. Now the changes are just starting and things may change a lot. We may finally, eventually end up in a circumstance where distance really is dead the way people have been saying it would be since the early nineties.   But we're certainly not seeing it yet. And, you know, looking at real estate markets is one way to understand that, you know, because people put it, put their, you know, people can talk about distance being dead, but that's just talk, I mean a tenant paying, putting down a guarantee on, on real estate lease that's putting their money where their mouths are and how much money they're willing to pay for the downtown versus someplace extra or for a dense non downtown location like Mississauga Center of Mississauga relative to somewhere more peripheral.   You know, what we're seeing is people are still willing to pay premiums for those things. This could change, but it did not change in the early years of covid. And you're telling me that your sources say that it's not changing right now yet either. So I think that's where we are as of this minute. Will it change, you know, who knows?   Jesse (32m 39s): Yeah, it's a very, it's kind of a fascinating time in the sense that it's, it's hard to get data points when we're, you know, fingers crossed coming out of Covid, but potentially entering a recessionary environment. So it's, you know, we're, we're positive in one, but then we're drawn back in another. And I'd be re remiss if I didn't ask, if I was speaking to economists and didn't ask a little bit about the kind of macroeconomic environment.   William (33m 2s): I'm not a macro economist, so I'll probably avoid, but by all means you can ask.   Jesse (33m 6s): But, but yeah, I mean, how do you see this? Or if you do at all as a, as a comparison to oh eight or oh one or the early nineties and, and, you know, we, we come out of something that was extraordinary, the pandemic, but now we're entering inflation numbers that we haven't seen in, in years.   William (33m 26s): I, I think it, it, it is absolutely to be worried about because inflation, as, as economists who know more about the stuff than I do have always said it, it reduces the information, content and prices reduces the incentives that price systems have. So it just makes capitalism work less well than it would have previously. So it's certainly a risk. I will say that the government's decision to stimulate the economy during covid kept us from having a recession. I, I mean, I don't know if you recall, but in May of 2020, the C M H C who know a lot about housing more, more than I know about housing, they, their projection said that they predicted housing prices would fall.   I think the number was 18% in, in the preferred model that they offered. Now, I didn't have a model, but that was my inclination also, and also my inclination of the colleagues that, you know, housing is a normal good. People buy more of it when they're rich and, and there, there it seemed closing people out of their workplaces is surely recessionary. So I I I told my neighbor who I like and respect, you know, I I think you should, if you're thinking about selling your house the next few years are, are problematic. I, I was wrong.   I mean, the PR prices went up by more than 30% in Toronto. Quality adjusted during that, you know, in, in part because the government tried to keep people from being killed. But now they've spent huge amounts of money and they can't spend like that forever. And economies don't stay in boom, forever, ever either. So there, you know, there there is uncertainty and, and there is risk.   Jesse (34m 60s): Yeah. Well, I guess, we'll nobody has a crystal ball here for this next year.   William (35m 4s): Especially not Microeconomists and, and people who spent a lot of their careers doing theorists doing   Jesse (35m 9s): Theater. No, I, I, I wouldn't I once sell yourself short. I feel like a lot of the insights come from, from the micro and, and get extrapolated. Well,   William (35m 16s): I, I, unlike micro, I just believe in, I mean, economist, I believe in the division of labor and there are other people who know more about macro than I do.   Jesse (35m 23s): Yeah. So Will, we're, we're gonna wrap up here. What I'd like to do is, first of all, for those that want to kind of learn more on, you know, urban, urban economics, urban planning seems to be a, a passion of yours. But just generally speaking, are there books or resources that you've used in the past that you think would be good recommendations for listeners if this is something they're interested   William (35m 43s): In? Yeah, there, there are a couple of them. And, and I'm, I'm giving you civilian friendly books Okay. That you could read to pass the time on an airplane and not, not a boring textbook. The two examples that come to mind immediately are a book called Triumph of the City by a guy at Harvard called Ed Glazer and another book called New Economic Geography by a guy at Berkeley called Enrico Moretti. They are both lucid explanations of the kinds of forces that we've been talking about. Now both of them are a little less real estate than our discussion has been, but they are about forces that feed into real estate markets.   I mean, someone who's a market participant has to be asking themselves why are people paying the premiums for the downtown? Will they continue to pay the premiums from the downtown? And, and if not, how can I trade on that perce perception? I mean, because there are clearly gonna be places where people who get priced out by Toronto go and those real estate markets are gon are, are, are going to be booms. I mean, I don't think people are gonna go to Vancouver to be cheap, although maybe they will go to Vancouver for warmer winter weather.   A question that I think is, is unsettled as of this moment is, do people who get priced out of Toronto go to someplace close to Toronto like Hamilton? You know, so you can drive in for a Wednesday meeting, but it's cheaper than Toronto is, or do you go somewhere or do you go to someplace like Montreal that is farther but is cheap for a big city? Or do you think about somewhere that's even farther still and, and, and cheaper still like Halifax. I mean the Maritimes are wonderful place a whole lot cheaper than Toronto.   And if a huge amount of your work is Zoom meetings, you know, for some people that location is, is gonna be the more economical place to   Jesse (37m 25s): Be. Yeah, that's, that's interesting. So I've, I've read Ed Glazer's book, I've, I have not read the New Economic Geography. So that definitely put on the reading list for those. Just interested in, in kind of your research will or the Rotman program in general, what, what's the best place to send? And we'll put a link in the show notes.   William (37m 46s): I mean, look, people can email me and I will either respond or not, depending on how many thousands of emails that I get. I mean, for admission to the programs, you know, we are recruiting students every year. I think our, our MBA program is fantastic. We have programs that work at the full-time level and get done faster, but we also have part-time programs that get done that, that work better for professionals. And I actually think there's a, the case for the part-time programs have become stronger in recent years because there's gonna be a lot more times when somebody can meet a professor in office hours on Zoom rather than having to schlep up to the Rotman school af after work.   But, but also we, we have these public events and googling Rotman events. I, I don't know what the le the link would be, but Googling Rotman events is gonna put you in touch with real estate things. But a lot of other things would be useful and we, we try to be good citizens. We're physically close to the center of business in Canada. It's what five subway stops or so to get up here. You know, we want people in the building and now that the building is open, I think people would find it a good use of their time to show up for some of the things that happen here.   I would also give a shout out to the New School of Cities that was formed separately of us at the University of Toronto. This attempts to include the stuff from my world on econ and real estate, but also architects and planning and things like that that also relate to cities. It is the first of its kind in the world, has a fantastic director and I think we'll do very cool things in time.   Jesse (39m 21s): My guest today has been Will Strange, will, thanks for being part of Working Capital.   William (39m 25s): Thank you very much.   Jesse (39m 36s): You so much for listening to Working Capital, the Real Estate podcast. I'm your host, Jesse for Galley. If you like the episode, head on to iTunes and leave us a five star review and share on social media. It really helps us out. If you have any questions, feel free to reach out to me on Instagram. Jesse for galley, F R A G A L E. Have a good one. Take care.

Urban planner Moses Gates shares his unlikely experience with the residents of the 61st floor of one of New York City's most iconic buildings.

In July 2011, an oil tanker traveling through the Gulf of Aden was attacked by pirates. The tanker's length was about the height of the Chrysler Building. It was carrying $100 million worth of fuel. And then, it all went to pieces. An explosion and fire broke out.Another story from Matt Campbell's book, Dead in the Water: A True Story of Hijacking, Murder, and a Global Maritime Conspiracy, was also showcased in the Tom Hank's movie, Captain Phillips. Matt shared with me the hidden system that powers seaborne trade. And how terrible crimes can occur often with no consequences.Topics Discussed:An Introduction to Matthew Campbell (00:00:00)The Little-Known Near-$40 Billion Industry (00:01:10)True Events from the Movie Captain Phillips — Starring Tom Hanks (00:07:34)InsuranceFraud Happening Since the Dawn of Time (00:17:27)The Human Cost of Getting Your iPhone Delivered (00:37:11)Guest Bio:Matthew Campbell is an award-winning reporter and editor for Bloomberg Businessweek magazine.His latest book —which he co-authors with Kit Chellel — is Dead in the Water: A True Story of Hijacking, Murder, and a Global Maritime Conspiracy.Resources Mentioned: Dead in the Water: A True Story of Hijacking,Murder, and a Global Maritime Conspiracy

In this episode of The Antidote, Amy and Grace connect with actress, podcaster, and beauty maven Ashley Blaine Featherson-Jenkins about how we all can benefit from a ‘hot girl walk', the act of surrendering, and falling in love with New York City again. Amy and Grace share their bummer news of the week –  racist backlash over The Lord of The Rings series on Amazon, and the state of Texas sending students home with DNA kits so their bodies can be identified “in case of emergency.” They also share their antidote: an overnight mask and showering at night.  This week's Creative Tap-In:  “A creative life is an amplified life.” -Elizabeth Gilbert Do you have a favorite antidote, or need an antidote suggestion? A question for Grace and Amy, or something you loved that Amy, Grace or one of their guests has said on the podcast? Share a message with The Antidote team: https://mpr.tfaforms.net/111 or tag us on Instagram with the hashtag #ThatsMyAntidote, or leave us a message on our hotline at 833-684-3683. Sponsors: BetterHelp Online Therapy -  betterhelp.com/ANTIDOTE FULL TRANSCRIPT Amy The world is a dumpster fire. I'm Amy. Grace And I'm Grace. Amy And we want to f---in help. Grace We're comedy writers in Los Angeles. And as a reflex to the madness on the news, we're keeping it positive, but opinionated. Amy We talk about cultural moments we love. Grace Talk to people we adore. Amy Crushes we have. Grace And self-care we stan. Amy During these trying times we all need to show that focuses on joy. Grace This is The Antidote. Hey, everybody. You're back for another week. Amy Ooh, I love. Wow. Grace given us Broadway. Give it up. Musical theater. Grace Give you some vocal stylings, I guess. I don't know what that was. But thank you for coming to The Antidote for yet another week, friends. Amy Yeah, and thank you guys for attending our live show in New York. Grace Oh, it's so great to see you. Amy The listeners who were able to make it. It was so awesome. For those who weren't able to attend. Stay tuned to our live show. We're going to be putting out a recording as a future episode. You can kind of experience it. You know, it won't be the same, but it'll be similar. Grace Yeah, but we'd love to do more live shows in 2023, so stay tuned and see when our next one is. Amy Yeah. Anyway, I know this is kind of old, but I guess I was just like going back. There are old texts or something. Grace and I saw the video of Maxwell breaking it down on stage with his niece. Grace Yes. I was like is Uncle season now here? Okay. He came to make the aunties first and Auntie Junior is like myself. Because I was like, ok Maxwell. And the funniest tweet that I thought about it was. Like when he was like. Doing his little Meghan thee stallion knees move Like they're like there's literally no song Maxwell has that justifies this cause, because somebody put it over this woman's work. So it's like. Amy And I just want to be like n---- stand up. Grace But like he, you know, we got all our jokes off our Black Twitter and Instagram. And so he responded, he's just like, Y'all could never and so he made it the Maxwell Challenge, I believe. Amy Oh, I love it because I love the Maxwell Challenge. I need to see some more men doing that. Well, need is doing a lot of work in that sentence, but I would not mind saying, but it really is a good season. Like you said. Grace I'm just really happy that Maxwell is getting his flowers. You know, new people are discovering Maxwell, those of us who are around the first time around, they're just like, Oh, Maxwell, I'm glad you still doing it. And I'm glad your knees are still good. Amy I actually really love that Maxwell is getting his flowers and all of the Zaddy's. I mean Ginuwine he out here. Grace Oh yeah. Same ol G. Amy And also Usher singing to Issa Rae on stage. Grace Oh she deserves all the songs right to her face. Amy I mean, I do love all these nineties men turn it up and also through dance, like dancing is a source of joy. We love to dance. And I know that our guest, you guys stay around for our guest, Ashley Blaine Feathers. And she actually talks about the joy of dance and our interview with her. So it'll be really fun to revisit this topic. Grace And beautiful, funny and profound. Queen. Yes. I can't wait for you to hear this interview. But honestly, Amy, we wouldn't need the antidotes if we didn't have something to get an antidote from. Amy Starting now, top with our bummer news of the week. First of all, this is an ongoing bummer news issue. Oh, gosh. But I feel like we just kind of got to talk about it a little bit. There's been so much racist backlash over the new Lord of the Rings series on Amazon. There have been all these trolls or like Middle-Earth, it has elves and hobbits and wizards, you know, fictional things. But people are having problems with the color skin of some of the actors being cast in the show. Much like people having problems with the fictional mermaid Ariel being a different color than they wanted to be. So there's an actor named Cynthia Robinson who portrays the Queen region of New Manaugh, I think is how it's pronounced. Cynthia Robinson portrays the Queen region of this fictional city, and people are mad at her in response to the backlash, she said. My focus, especially as more of the show has aired, has been the more joyful aspects of what this story means to people, end quote. And I love that she's turning it into a little bit more positive of a message. She's basically saying, block the haters and the real fans who like the work that they're doing, which I really appreciate. It can be really hard to be brought down by sh-- like this. But I do have to say, for a bunch of people who are like full nerds watching this stuff and I'm a nerd about a lot of things, but fantasy ain't my sh--, but it is fantasy. And so it always kind of rocks me a little weird when people are like, Oh, but this thing that is fantasy isn't what I find. Like Harry Potter, like Hermoine with her kinky hair. And I'm like, her name's Hermoine she might be Black, you know, like, doesn't really bother me. But I think it's because as Black people, we're used to imagining different types of worlds, and white people don't really have to. Grace Yeah. And I'm just sad. Like, when I hear that quote from her. Oh, it makes me think about is like all the many times as Black women that were expected to rise above that, we're expected to make a positive. We're expected to, like, not show if we are upset about racism. You know, I'm sure, you know, maybe in her quiet moments, she's not bothered by it. But in my quiet moments, I'm continuously bothered by it because I was just like, What do you want? Like, do you want do you want worlds where we don't exist? And I'm sorry, but we exist, you know, and because we exist on a lot of amazing things exists because Black people exist. Yeah. And I'm sorry that you want to be in a world where we don't exist, but you're not going to get that. Sorry. In 2022 and 2023. You're just not going to get it. Amy And not in the future and not in fantasy. Grace Exactly. And so my question is always like, are we still doing this? Like every single time, y'all do not look good. Whoever is making these racist statements, it doesn't make you look good. It doesn't make you look good to your friends. It doesn't make you look good. Your family members, maybe they all races too. But like all the justification about why. He's like, well, this would have been in Europe. Or whatever. No, it wouldn't have been in Europe because it is not real. And guess what? We were in Europe, too, back then. You know what I'm saying? Like that this whole, like, fantasy that we weren't in Europe or where we were in any of these places is a fantasy because we were there the entire time. Like. Amy I was Black. Grace You know what I'm saying? Even like Shakespeare wrote about the Moors, like you wrote Othello. We were there. We were there. So, like, this whole thing, like, you're just racist. Just stand ten toes down and say, I'm a racist piece of sh-- so we can know which way to categorize you and keep it moving. Like, it's just sad that these actors who are getting an amazing opportunity, like a lot of these times, like these actors, this is their first, like, big thing and they have to f---ing be subjected to all this backlash that doesn't have to do with them. They didn't cast themselves. Amy Yeah, they didn't cast themselves. Exactly. What you just said makes me think of people who are mad at Ariel and they're like, well, technically, the Little Mermaid was written by Danish Man and it's from Denmark, so shouldn't she be blind? And I'm just like, y'all are so weird. Like, I'm like, it's fictional. Grace She's a mermaid. I saw this tweet about how they didn't believe that Ariel would be black. And literally it was. So after all the Africans y'all threw in the ocean, y'all surprised the mermaid is Black. Amy Yeah, that's real. By that. Grace And that's by thatwitchbitch. Fair point, girl. Amy Fair point. Think we didn't learn how to live down there yet? And that's my issue is like they're using, like, nerd logic to try and justify their racism. And you're absolutely right. Like, just say you're racist. Like you're saying all these technically is an actual these and well, if you really think about it and it's like, no, no, now you're just not creative enough to imagine a world that could look different from you. So just admit that that's not the only bit of bummer news this week. There's also this coming out of my home state. Apparently, Texas parents have been given DNA kits to help identify their children. In case of an emergency.   Grace Damn.   Amy And I'm like, How f---ed up is this? The state of Texas is sending students home with DNA kits so their bodies can be identified in case of an emergency. Today has stated that, quote, The threefold pamphlets allow caregivers to store their children's DNA and fingerprints at home, which could then be turned over to law enforcement agencies and, quote, presumably in order to identify their bodies. It sends a clear message that the government of Texas is not going to do anything to stop these types of shootings from happening.   Grace I know Texas is such a red, red, red state, as blue as California, New York are is this red as Texas is? So here's the thing about this country, and I don't know how else to say it is. I just don't understand how some people think. Yeah. I really don't understand. So y'all would rather do this, then? Gun control. Mm hmm. Y'all would rather send your kids home with DNA kits, then be like, Hey, how about we don't let regular people have weapons of war? That's what you would rather have.   Amy When I think about this sh--, I get so, so frustrated. How do you feel, Grace?   Grace Yeah, terrible. I mean, that DNA kid thing is super, super, super, super sad. And then. Okay. Like, racism exists. We all know it, but every time it hits, it's still like a terrible moment in your day. How about you?   Amy Yeah, very much the same.   Grace Okay, let's get into the antidote.   Amy So this is the segment where we tell you about the culture we consumed and things we did this week that made us feel better about the bummer news, which we need. What was your antidote this week, Grace?   Grace Okay, so, you know, I'm away from home, which is great in many ways, but also sad anyways. And so, you know, when you're you're away from home, you pack your essentials and sometimes you don't you forget something back at home or whatever. And so what I've been enjoying as part of my self-care routine is an overnight mask. Ooh. So the one I have in L.A. is called Drunk Elephant. I like, you know, just smear that on is the last part of my evening skincare routine. But I left it in L.A. So I was telling my showrunner this this is the type of small talk that I subject my showrunner to. Bougie complaints. Like, Oh, I left my overnight meal and yeah.   Amy In my other abode.   Grace My God. So she's like, Oh, I actually have a recommendation for one that I really, really love. And she's a very beautiful lady and she has lovely skin. So I was just like, Oh, okay, let me tell Danielle, please tell me which one you like. And so she recommended this one buy fresh and it's the fresh black tea firming over night mask. And so all right, let's try it out. And it is so good.   Amy Really. Is it like a mask? Like a physical mask or like a cream or a gel?   Grace It's a cream.   Amy How it's go on?   Grace So basically every night I smear on some lactic acid, which is very hard about keeping your skin cheap. And then I do some like a retinol cream or whatever, and then I put on some hydration, but my skin is very, very dry, especially in the winter. And I'm in New York now, which means I'm in heating. So it's a very dry air. So I decided to try this out and oh, it goes on. It's like very thick. You know, I'm working on a show called Survival of the Fittest, so we like it thick. And so I smeared it on and oh my God, I woke up in the morning and my skin felt so buttery and they want you to rinse it off in the morning. So I was just like, okay, whatever feels buttery now, but when I get in the shower and I run there, it's going to feel like my normal ass dry skin again. But no, I rinsed it off and my skin still felt very hydrated, very soft, and yeah, it was just a really lovely thing. So now instead of being fat that I left my favorite overnight mask in L.A., I discovered this brand new one, which is really, really lovely, smells great, very hydrating. So, you know, I took a negative situation. I turned it into a positive.   Amy I agree with that. You definitely did. And, yeah, we need to be luxuriating in our skin. Yeah, why not? It sounds great.   Grace And so what is your antidote this week, Amy?   Amy Well, this is hilarious. It's actually kind of tied to yours. You know, I've been coming through with the real basic antidotes, but it's like when I'm thinking of, like, a choice that I make as opposed to a thing that I just do by routine or like that's in my schedule or that I wrote down on my to do list. But I'm like, This is a choice I'm making. This actually has become an antidote for me during production. I shower at night. I'm mostly like a morning shower. I like to shower to start my day to wake me up. But during production, our days start very early. So like my pick up on Monday is at 5:45 a.m.. So that means I got to wake up before that. So my antidote during production is that I shower at night and it kind of has like a twofold thing for me is that I get to kind of wash the day away like you're moving around. I sweat no matter what. Like, you're just, like, walking around really quickly, all day long, you're running back and forth. But by the end of the day, I feel like a little weird. Like, you know, it's just like, physically, I'm like I'm kind of, like murky, let's say, all over. And so showering at night is such like, I always think of a shower as something that wakes me up. But I will say that during production, I'm so damn tired, nothing is going to like, Oh, I can't sleep now. So I'm like, I shower at night and then I get to go to bed feeling really fresh and I'm not climbing in my bed all grimy. I'm like getting bad, feeling really, really good. And because it's winter, it's like cool sheets on my warm skin. I'm just like, Ooh, I love this. And then I haven't done an overnight mask. I've been washing my face in the shower, then I wash it in the morning, but now I'm like, Oh, maybe I should do an overnight mask and then just wash my face in the morning. And that'll still be like a refreshing little me moment before I start my day. But yeah, I love both are antidotes. Great, because they're both so simple and doable, but they are about like kind of like snatch and a little bit of self-care back from a busy day. And I just love that they're both about taking care of our bodies, which are the vessels through which we do all our work.   Grace And literally, you're teaching me something to I mean, I sometimes shower at night, but yeah, we have to get up bad early, bitch. Man, I'm not showering at night right now because, yeah, what I'm doing is like waking myself up like an extra 20 minutes early so I can have in the shower before work. Because even though I don't feel like it at that hour in the morning, I'm not going to penalize anybody else for that.   Amy Yeah.   Grace And no. But yeah, I'm going to start showering at night too.   Amy Yeah. Nice. Well, listeners, if you guys tried any of our antidotes at home, share them with us using the hashtag. That's my antidote. Or leave us a voicemail at 8336843683. And we'll be back after the break.   Grace Welcome back to The Antidote. We have a special guest today. Who is it, Amy?   Amy Our guest today is an actress, podcaster and beauty maven. You know her luscious bass from Netflix's Dear White People, NBC's Grand Crew and the movie Bad Hair. And she just debuted the first original podcast from the Oprah Winfrey Network called Trials Two Triumphs. She is still basking in newlywed bliss, the picks on idea. She loves therapy, documentaries and being an inspiration in every way she can get cozy. Take your plastic off the sofa and please welcome the Multi-hyphenate talent. Ashley Blaine Featherson Jenkins.   Ashley Blaine Featherson Jenkins Oh, yes. I mean, I. I mean, you guys have another career in life. I mean, you guys are going to be hosting the Oscars.   Amy From your lips to God's ears.   Grace From your lips to God's ears. Okay. You know.   Ashley Blaine Featherson Jenkins I mean. That was fantastic. I don't know if I've ever been intro'd any better.   Amy Well, you are easy to intro because that's how fantastic you are.   Grace I mean, everything we said was true.   Ashley Blaine Featherson Jenkins Y'all got me feeling like Beyoncé.   Amy That's why I had to sprinkle some references in there. Because you's a queen.   Ashley Blaine Featherson Jenkins Oh, thank you my sisters. Yes. Oh, I'm so excited to be here.   Grace Thank you. We're excited to have you. Well, she's very, very impressive, isn't she, Amy? But we aren't here to talk about your many, many, many accomplishments. We are here to get deep.   Amy Yeah, yeah. Let's check in first. How are you feeling today? Like, for real? Not small talk. Is there anything weighing on you? Making you feel good?   Ashley Blaine Featherson Jenkins Here's the tea. I am feeling amazing.   Amy Yes.   Ashley Blaine Featherson Jenkins It is. No, I really am. And I'm really happy that I. You know, last week I didn't feel amazing. Yesterday I did not feel amazing. I legit had like I was like kind of moping around, but I'm sad. I kind of start like, yeah, dragging my feet and like, you know, honestly, a lot of it's unconscious, but my husband Darryl will notice he was like, What's wrong? And I was like, I don't know what's wrong. And, and I, you know, I, I'm getting better at doing like. America has a problem, everyone. oh, yes. I mean, you know, here's the thing. I think it's all of the things, but I think I was just feeling really overwhelmed. And I'm one of those people that, like, I don't I'm trying to get better at feeling the hard stuff in the moment rather than letting it kind of seep in more and more. And so I didn't. So I let it out. I had a good cry and I feel fantastic. Today is the first of the month. Yeah. You know, bills are paid. You know, I look good. I smell good. Yeah.   Grace Okay, we can confirm she looks good as f---. Okay.   Amy Yeah, and she looks like she smells good. You know, we haven't gotten into smellavision yet, but. Yeah, I buy it.   Ashley Blaine Featherson Jenkins But, you know, I really this month, it's kind of taken me eight months of the year to do it. But this month I really have that feeling of like I feel extremely motivated to really feel build this month up with good death. I feel deeply inspired by I love that.   Amy I mean, I do think there's, you know, maybe it's the Renaissance, the fact we are in a period of like a bad like a black bitch renaissance. We are literally in that period right now.   Grace I just wanted to say I really love what you said, because I do think that every day that we wake up, we do kind of have a choice. Like, I love how you are already like framing your entire mom to be like, I'm going to fill this month up with goodness. And I bet because you have declared that you definitely will.   Amy Let's keep the good vibes going, y'all. We need that right now. This show is called The Antidote because life is hard and we all need different antidotes to deal with the bullsh--. So tell us, Ashley, what is your antidote? In other words, what is something non-work-related that's bringing you joy this week or this month?   Ashley Blaine Featherson Jenkins I am committing to doing Hot Girl Walks every day.   Amy I need more info about.   Grace What's a hot girl walk?   Amy What's a hot girl walk?   Ashley Blaine Featherson Jenkins Oh my goodness. So actually my friend JP Jennifer Pauline, who's just one of the most wonderful human beings in the world. She. So she invited me on a hot girl walk. Right. This is such an L.A. story. So she invited she was like, girl, we got to go for a walk. And I was like, yes. And I thought she was just like coining it that herself. You know? And I was like, that's what's up. But then she was like, No, it's a thing. So then, of course, I went to, you know where. Tiktok.   Amy Yes.   Ashley Blaine Featherson Jenkins Of course.   Grace Where the children tell us what's cool. Yes.   Ashley Blaine Featherson Jenkins Because I don't know what's going on. I'd be like, okay, let me go to Texas. And it's a whole trend that's going on where it's for anybody. But I you know, this this girl, I forgot her name, but she started this thing called a hot girl walks where you walk. Well, for her, it was four miles a day.   Amy Four miles? Oh, it's physically hot. I see.   Ashley Blaine Featherson Jenkins Yea, I don't think I can do four miles a day because that seems like a lot like I think, you know, if you live somewhere like New York, you can easily do that day in two days, whatever. But the point is, it's not about how far you go, how long you go. It's just about committing to going on a walk. That is not. The goal is not to change anything physically about yourself. The goal is really just to spend time with yourself and to think about yourself as being sexy and confident and strong and all of the good things you can think about yourself. And she suggests while doing so, listen to a podcast she actually has. That is like the thing you should do. And I, you know, I did it today and I get why the kids are doing it. I mean, I feel I mean, I feel lifted. Yeah, I am together. I'm gathered. I feel so great. I feel so great. And I think a lot of times, you know, I'm always, like, working out for, like, the physical part of it, you know, and not just because. I want to feel good or just spend time with myself, but it doesn't always have to be like strenuous exercise. Like I work out. It can just be I took a walk, 4.8, nine mile, you know. You know what I mean? Like it doesn't have to be a whole thing.   Amy You know, the best part about it, like the coining of it, of a hot girl. What? To me, I was like, Oh, I want to feel hot like my beautiful hot while I'm walking, as opposed to feeling like I'm working, if you will. Yeah, because I do a lot of walking, like you said, for exercise, but just to like be with myself and like look around, take in my surroundings, like enjoy my body's movement. I'll do a lot of that. And now I want to.   Grace That is so cool because you know what? I stopped walking as much because during like the early days of the pandemic, we still in this pandemonium, and now we got monkeypox. Okay? But we're about to talk about that right now.   Ashley Blaine Featherson Jenkins I cannot with the monkeypox.   Grace But during that time, I remember, you know, I was working at Insecure with this queen. And I remember we would have our our break for lunch. And I would always I would eat first and then I would go for a walk just to get out of the house for a bit. But I have stopped doing that so much. I mean, I love walking. I lived in New York for 15 years and I moved to this part of L.A. in particular so I could walk to the grocery store, walk to target, whatever. Right, right. But I stopped taking walks for pleasure. And I think this is a lovely reminder that I did enjoy it. Like sometimes I'll be walking down the street. I was like, one of those crazy people you would know was in my headphones because I would be either singing it loud or I would stop for a moment for a little dance break. Yeah, I didn't give a f---. I was just like. You can look at me if you want to.   Ashley Blaine Featherson Jenkins I love it. I love it. But that's the goal. Like, get back to that, you back to that. Like that's what I'm on. And.   Amy We're going to do.   Ashley Blaine Featherson Jenkins That's my antidote.   Amy I love that. Like Grace. We're going to go for a hot girl walk.   Grace Let's go for our girl walk. I mean, I won't make you hike because I know you don't like that, but you can go.   Ashley Blaine Featherson Jenkins No, it's a walk not a hike. It's not a hot girl hike.   Amy Well, now, since we're talking a little just a little bit, we'll get off the pandemic a little bit. But you got married in the pandemic. And I want to know, like the pandemic was like a testing ground. Yes, it was a testing ground for relations. Some somehow got further apart and some got closer together. Are there any lessons or things you've learned about sharing space with your partner during this crazy time?   Ashley Blaine Featherson Jenkins Oh, my goodness, I. I think the biggest like lesson is to be grateful for the time. You know, like Daryl and I had the perspective of, like. I remember early on in the pandemic, I remember he said to me, We better cherish this because we're probably never going to have it again. And he's right. You know, I don't know. You know, another time, hopefully we are not stuck in the house again in the same way during a pandemic. Right.   Amy Hold my collar y'all, I'm like, oh, my God, give me out this house.   Ashley Blaine Featherson Jenkins You all. She started hyperventilating. Okay. No. And but but I'm grateful that I had a partner who rather had been lamenting and was like, This is great. We get to spend time and, you know, just do things like we would dance around the house or, you know, like, I don't know, just binge watch things all day that we just don't have the time to do anymore, you know, stay up late. Yeah. You know, until the wee hours of morning into the wee hours of the morning. Just so many things that we look back on now and are like, that was a really crazy but beautiful time for us. And I think that it really so much good came out of it. You know, in the pandemic, we bought our first home, we got married, we honeymooned. We, you know, we've done so many, so many amazing things. And I think it taught us to like. What's for you? Even a pandemic can't stop humans. You know, like this ship is going to keep sailing, this ball is going to keep rolling. And it really is just about how you choose to receive it.   Grace What was your favorite thing like from that time, spending time in the house with each other? What was your favorite thing that you guys did together during that time?   Ashley Blaine Featherson Jenkins My husband Darryl's from Detroit, MI.   Grace Me too. Do you know where he's from in Detroit? Like which part?   Ashley Blaine Featherson Jenkins Yeah, he's from the east side of Detroit. Okay, cool. He grew up off of Hannah. Yeah, he went to Cass.   Grace Oh, he went to Cass Tech, okay.   Ashley Blaine Featherson Jenkins Okay, so he's like a real. He's a michigan guy. Okay, I went to Howard, and, you know, a lot of my a lot of my friends at Howard were from the Midwest and, you know, Detroit or Chicago. And so early on in Howard, I learned how to like hustle and all that type of stuff. So I found out in the pandemic, which I've known Daryl for almost 13 years, so I don't know how this went over my head. He didn't know how to hustle. And so I taught him, Oh.   Amy That's incredible.   Ashley Blaine Featherson Jenkins Sorry, Daryl, I'm exposing you to all the Detroit people. But I taught him how to hustle. Yes in our at the time, we were in, like, a little cute, but like a little non air conditioning apartment in Beverly Hills at the time. And so we were just hustling up in that one bedroom apartment and it was it was just like and I recorded us like I got my phone up in a row, like I have my hair wrapped, but I just was like, this is a memory we'll look back on and be like, Oh. What this is insane.   Grace You taught him how to hustle, that's so cute.   Ashley Blaine Featherson Jenkins That was a fun night. Yeah, yeah, that was a fun night.   Grace I mean, he should take you to the car show, like the auto show sometime, cause that's the big Detroit thing. Yes.   Ashley Blaine Featherson Jenkins I got to do that. So many things.   Amy I feel like that period in your life, like, obviously I don't I don't want to forget that the pandemic, a lot of people experience a lot of loss, but all of this like is about surrender. And you talk about that so much about how to surrender. And sometimes you don't have control. I mean, none of us had control over what was happening. Those of us who lost a lot and those of us who had the luxury to get introspective and like really sit with ourselves and you really got to surrender and have a partner through it, which is really beautiful. Yeah. And as we're, like growing now, are there ways that you find surrender in your day to day, even like the processing of emotions that you talked about, like having a rough month and having to cry it out? Is that a form of surrender for you? Like sitting in it.   Ashley Blaine Featherson Jenkins For sure. I think, you know, as you were talking, I was thinking about surrender. And like you said, it's a if you know me, if you listen to anything I say, I'm always saying I'm trying to get better at the art of surrender. But what I'm realizing is that, like, there's the step after surrender, right? So like, surrendering is giving it up and saying, okay, you know, Jesus, take the money, but. On the other side of the step after surrender, I think, is acceptance. And you have to accept whatever may come from the surrender. You can't surrender and then lack acceptance. Yeah. Because then you're kind of in the same between. Right. You're still not where you need to be. And so that's that's what I'm trying to work on. Tubas, like both of them. It's like surrendering and then being confident about the acceptance of whatever may come. And I do that in sometimes it's crying it out, sometimes it's talking it out. Sometimes it's actually saying it out loud, like. This is too much for me. You got it. Wow. Look, I can't. I can't do this or. You know what? I trust you more than I trust myself. So please, you know, order my steps. Sometimes it's bad, but I just, you know, honestly, surrender is a muscle. It's a muscle muscle that we all have to work.   Grace And the process of surrender, I really think, like in our work, in our business, I think it's so important to have that kind of perspective because there's so much that we cannot control. You know, you cannot control like who greenlights your stuff or you can't control like when you go into an audition whether you're going to get it or not. But like that act of surrendering, knowing that you're going to be okay or like that you're giving it over to a higher power to help you deal with it like that. I think it's so important rather than trying to control everything, because we in our human powers cannot we cannot control it.   Ashley Blaine Featherson Jenkins We just can't can't do it. No.   Amy Have you taken any good trips recently now that we get back outside?   Ashley Blaine Featherson Jenkins Oh, my gosh. So I just got back from Austin, Texas.   Amy Oh, I love Austin.   Ashley Blaine Featherson Jenkins Do you? It's not, you know, I don't know.   Amy Okay, well, here's what I'll say. Here's what I say. I'm from Texas, I'm from Dallas. And Austin is like the to me, it's the best parts of Dallas and with a little bit of California sprinkled in. So that's why I like Austin. But I'm curious, what's your take on it? I mean, I don't want you to, like, slammed the city.   Ashley Blaine Featherson Jenkins Well, no. no, no. I'm not going to slam the city. I my first time going was in, oh, 2017. We actually premiered Dear White People. There was my first time there at South by Southwest. And then I went I just went this past weekend on a my 15 and my 15 year anniversary trip with my line sisters. Yes. And my sister. So so it was amazing because I was with some of my favorite people on the face of the planet and we just had a good time. We're always going to make a good time wherever we go. So I did that. I've actually been traveling a time this year. I was in New York and May in like New York. I just.   Amy That's Grace's city.   Ashley Blaine Featherson Jenkins New York makes me feel I could cry thinking about New York. Something about New York.   Grace Thank you Ashley.   Ashley Blaine Featherson Jenkins I love that city. New York. If I literally would wake up like, good morning, New York.Like, I just I was skipping down the street, it was raining, and I was just like I was like that that video of Drew Barrymore in the rain.   Amy Yes.   Ashley Blaine Featherson Jenkins That's what I look like. And I wonder everyone's like clowning her for it. But I'm like, no, I understand why she felt like that. So I was in New York and then yeah, but I mean, I've been to New York many times, but something about this last trip, I was there for work, but I kind of made into like play and I just fell in love with New York all over again.   Grace New York is kind of like one of those places where, like, I lived there for 15 years before I moved to L.A. and New York was kind of one of those places. Like, I would still like ten, 12, 13, 14, 15 years, and I would just be walking down the street and I would like look up and see, like the Chrysler Building all lit, lit up. And I was like, Wow, I'm here. You know, I did it. I made it here. You know, it's like there's there's always just. Such a special energy that's there. So I completely get it in New York in the room.   Amy You mean, you don't do that on the 405?   Ashley Blaine Featherson Jenkins Question. Do you ever feel like that in LA?   Amy You don't do it on the 405? When you in traffic?   Ashley Blaine Featherson Jenkins Have you had the feeling of like, I'm here, I've made it like do you have that here.   Grace I mean, it's just a different feeling. I mean, like New York just has, like, things that you can look at. Whereas L.A., sometimes when I am like, you know, it's a pretty sunny day out and I'm driving down like a row of palm trees and I can see the Hollywood sign in the distance. I'm just like, okay, you cue L.A., like, Yeah, I'm here. I made it. You know, I used to always dream about Los Angeles as a little girl, so 100% I do have those moments. But yeah, right now I'm in a missing New York moment. So that really spoke to me.   Amy Wow, Ashley, I feel so much better now that we've talked to you.   Grace Yes, she's right.   Ashley Blaine Featherson Jenkins Ditto.   Grace It's still 2022, and it's due in 2022 things. But we feel so much better now that we've chatted with you today.   Amy Yes. Yes. Do you have anything coming up you want to tell us about anything you'd like to plug? You can even be something you just love, not something you've created.   Ashley Blaine Featherson Jenkins Oh, my goodness. Well, obviously, I have my podcast new episodes every Monday. Anywhere you listen to podcast trials to triumphs.   Amy And last but not least, where can people find you on the Internets?   Ashley Blaine Featherson Jenkins Oh, yes, you can find me at Ashley Blaine, B-L-A-I-N-E. Ashley spelled the original way. On Instagram and Twitter. Yeah, that's it. Yeah.   Amy Well, thank you so much, Ashley. This has been great talk.   Grace Thank you so much, Ashley.   Ashley Blaine Featherson Jenkins I adore you two. Thank you.   Grace Thank you. Bye. Okay to close us out. We're doing our creative tap in, which is our segment about creativity. Amy, are you ready for this week's quote?   Amy As ready as I'll ever be.   Grace Okay. Here we go. A creative life is an amplified life. That is by Elizabeth Gilbert. Say one more time. A creative life is an amplified life. Elizabeth Gilbert.   Amy Okay. I love Elizabeth Gilbert. She's the author of Big Magic. Right. We both know that. Yeah. Yeah, we both love that book. You told me about it. That's why I read it as you recommended it to me. So I'm a I'm a Liz Gill fan because of you. And I'm going to get a little literal on the quote amplified is like to increase the volume of turn something up. Mm hmm. So a creative life is a life that's been turned up a notch. And I agree with that. And I don't think it means having a creative career like you don't have to have a creative career to have a creative life. It's just how you creatively put things in your life, like what you do to express yourself creatively and to live creatively and to switch up your routine every now and then is going to like change, you know, raise the volume, raise the vibration on your life. So I think that is a very simple like, simply put quotes. But being creative raises your vibration is sort of how I am reading it. And I believe that is true. I strive to be creative, even beyond writing, however I can, even if not every day weekly, to try and just, like, keep my vibration high. And so I'm going to remember that. Liz. What about you, Grace? What does it make you think?   Grace Well, it makes me think about how often as writers, what we do is notice and amplify, you know? Oh, so we so we notice things that are going on in front of our eyes, in front of the world, you know? So I might walk down the street and just see, like, a guy or a girl like me dancing by herself. So I get to be I say down the street, and I make a character out of that. I'm just like, Oh, why is she dancing? Who is she? Where is she from? Is she happy, as she said? Is she dancing it out because, you know, something that happened in her life or is she just so joyously happy that she's dancing down the street like? So I think our job as artists at times is to take the things that happen in our lives, the things that we see, the things that we experience, and we amplify them to make art. So it makes me think of that, but it also makes me think of how blessed I feel to have creativity in my life. Yeah, because I feel like because I have creativity in my life, there are so many things that I can process, good or bad, through the lens of my creativity. Like even if I have a really bad experience, if I have a bad date, which I often did in New York, I was always on some bad dates, some man was ruining my day. But at the even in the midst of it, I would be like. You know, what is this, a character? You know what? I'm going to put this in something I write someday. So even though even when the bad things happen to me, I have the gift of being able to process it through my art. So when I hear creativity, a creative life is an amplified life. It just makes me think of all the ways that I can use what happens to me, good or bad, to to amplify, to create something that people can find some sort of relate ability in. Because, you know, we always say in writing that the specific is universal. So the things that happen in our everyday lives, if we can get specific, there's often people who can relate to it on some level, even if it's not exactly so. So, yeah, that's it kind of makes me think about, about the gift of being able to process trauma and joy through the lens of creativity.   Amy It was a simple quote, but I really love both our interpretations of it.   Grace Uh. Me too. Thanks for listening to the antidote. We hope this injected a little bit of joy into your week. I know it did mine. How about you, Amy?   Amy I feel good, girl. We should do this again sometime. Oh, we'll be here next week.   Grace And in the meantime, if you'd like to follow us on social, follow me. Grace. At Gracyact. That's G-R-A-C-Y-A-C-T.   Amy And follow me. Amy at AmyAniobi. That's A-M-Y-A-N-I-O-B-I and follow the show at theeantidotepod.   Grace That's thee with two E's.   Amy If you like, feeling good about yourself. Please subscribe at Apple Podcasts, Spotify, or wherever you get your podcasts.   Grace Goodbye.   Amy And next time you're out for a walk, twerk it out a little bit. And the antidote is hosted by us, Amy Ameobi and Grace Edwards. The show's production team includes senior producer Se'era Spragley Ricks and associate producer Jess Penzetta.   Grace Our executive producer is Erica Kraus, and our editor is Erika Janik. Sound Mixing by Alex Samson.   Amy Digital Production by Mijoe Sahiouni. Talent Booking by Marianne Ways. Our theme music was composed and produced by TT the artist and Cosmo The Truth.   Grace APM Studio executives in charge are Chandra Kavati, Alex Schaffert and Joanne Griffith. Concept created by Amy Aniobi and Grace Edwards.   Amy Send us your antidotes at AntidoteShow.org and remember to follow us on social media at theeantidotepod. That's thee with two E's.   Grace The Antidote is a production of American Public Media.   Amy What, what!

Militissa, Bogey, Kai and Elise formulate an incredible plan which absolutely can not go wrong. Right? RIGHT? The Cast for the Mini Campaign includes - Sean as Kai, Margie as ELise, Melinda as Militissa and Roger as Bogey.

Tap to Vote: Pat tells the horrifying tale of a Rhode Island vampire incident. Mike shares the strange method the Empire State Building used to steal the world's tallest building moniker from the Chrysler Building. Alex explains the origin of the Guinness Book of World Records. Facebook/Instagram/Twitter: @factoffpod thefactoffpodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We're learning all about Bremoir Watches over pours of mezcal with owner Patrick Bremer. The brand, which suggests that the Age of Art Deco should be remembered and celebrated, currently has a flagship model - The Lexington. We chat about its specs, inspiration (The Chrysler Building in NYC) and what it's like to be a newly formed company. Then, on-air, we select a winner for their recent giveaway, picking one lucky person as a new owner of a Bremoir Lexington. https://www.bremoir.com https://instagram.com/bremoir

Sunday Session: THE WIZ Released: 10/24/1978 The 8th film produced by MOTOWN PRODUCTIONS film/TV division of Berry Gordy's MOTOWN RECORDS. Diane Ross wass 33 Michel Jackson was 18 Nipsey Russell was 60 by the time the film made it's debut.. Filmed at NY State Pavillion, The Chrysler Building, Coney Island, NY Public Library Main Branch, Hoyt-Dchermerhorn Subway Station and the World Trade Center --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cassiedurwin/support

Guest commentators Arnie Niekamp & Matt Young are ready to party like it's 10BBY!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

法国埃菲尔铁塔“长个了”，增高六米达330米| The Eiffel Tower grows even higher, thanks to new antennaThe Eiffel Tower grew by six meters (nearly 20 feet) on Tuesday after engineers hoisted a new communications antenna at the very top of France's most iconic landmark.3月15日，工程师们在法国最具代表性的地标建筑埃菲尔铁塔顶部安装了一个新的通信天线，使其高度增加了6米。The tower, built by Gustave Eiffel in the late 19th century, now measures 330 metres after the DAB+ (digital audio) antenna was airlifted onto its peak by helicopter under a leaden sky.埃菲尔铁塔由古斯塔夫·埃菲尔在19世纪末设计建造。在灰蒙蒙的天空下，一段数字音频天线被直升机空运到塔顶，埃菲尔铁塔增高至330米。Live television images showed the helicopter lowering the antenna onto its base atop the tower, where workmen made it secure in an operation that lasted less than 10 minutes.现场电视画面显示，直升机将天线降到塔顶的基座上，不到10分钟，工作人员将其固定。The Eiffel Tower was 312 meters (1,024 feet) high when it was inaugurated on March 31, 1889.1889年3月31日，埃菲尔铁塔落成时高312米。During its construction, the Eiffel Tower surpassed the Washington Monument to become the tallest man-made structure in the world, a title it held for four decades until the Chrysler Building in New York City wastopped off in 1929.在建造过程中，埃菲尔铁塔超过了华盛顿纪念碑，成为世界上最高的人造建筑，这一头衔保持了40年，直到1929年纽约市的克莱斯勒大厦超越它。The wrought-iron lattice tower is among the most visited tourist sites in the world, according to TripAdvisor.据旅游网站猫途鹰称，埃菲尔铁塔是全球最具人气的景点之一。It has, however, also been used for broadcast transmissions for more than 100 years, with the height of its pinnacle changing numerous times as ageing antennas were replaced.然而，100多年来，埃菲尔铁塔也被用于广播传输，随着老化天线的更换，它的巅峰高度发生了多次变化。hoist英 [hɔɪst]；美 [hɔɪst]v.举起；抬起；拉起antenna 英[ænˈtenə]；美[ænˈtenə]n.触角，触须;天线leaden 英 [ˈledn]；美 [ˈlɛdn]adj.铅（灰）色的;沉闷的;沉重的;郁郁不乐的inaugurate英[ɪˈnɔːɡjəreɪt]；美[ɪˈnɔːɡjəreɪt]vt. 开创;创始;举行开幕典礼;举行就职典礼top off 英[tɔp ɔf]；美[tɑp ɔf](以特定方式)结束，完结

You're listening for the sister's best spring cleaning tips, but you're going to get a lot more than that. From our best cannabis recommendations to Lauren's bathroom vanity cleaning hacks, this episode will have your home shining like the top of the Chrysler Building. Hot topics: Cannabis, Hello Tushy, and the linea nigra If you love Cozy Conversations with The Sister Project and would like to show your support for the content created, please visit Anchor.com (link in show notes) for more information. Thank you! Resource Links: True Botanicals Moisture Lock Overnight Mask -Use our code THESISTERPROJ15 for 15% off. M-61 Vitablast C Serum Pads - Use our code THESISTERPROJ10 for 10% off. Hydraboost Gradual Tan Serum Resurrection Radiance Brightening Eye Cream Wana Gummies Hello Tushy Toilet Brush The Sister Project @thesisterproj Anchor: Support Our Small Business --- Support this podcast: https://anchor.fm/cozy-conversations/support

Our big topics this week are Uncharted starring Tom Holland and Mark Wahlberg, Our Flag Means Death the new TRUE?! pirate comedy on HBO Max, produced by Taika Waititi and starring Rhys Darby (Murray, present..) Fred Armison, and Leslie Jones. and the story of the 1980's Lakers - Winning Time: The Rise of the Lakers Dynasty. And that's not all, we also manage to find the time to chat about: God of Warcreative team  looks awesome, Rafe Judkins is a great name, Omar loves The Expanse, Iron Man and Children of Men are great movies, Upload season 2 coming March 11th, Omar is horrified at the thought of PB and pickle sandwiches, Playboy models (yay), who is Jerry West, the Chrysler Building???, A Discovery of Witches, Uncharted takes a legend of Magellan's gold on a seemingly awesome adventure, We talk Free Guy and West Side story, Greg learns that running in sand is as Tricky as a Run-DMC song, Alec gets musical, Rob and Greg get jiggy with Omar for his birthday, and sadly, Rob's heart is broken, and a Romanian of certain distinction gets birthday wishes from, Scott, Adri, Juubles, and Alec and he's still feeling weepy about it. Me Five Question of the week is all about Omar, so stick around and learn a little bit about our co-host. The Give Me Five Podcast is on Patreon. For just $5 you could join the fun in our patron only chat, and get early warning of our movie of the week and our top 5 list. There are other benefits too, so check it out here:  https://www.patreon.com/Givemefivepodcast Remember if you use our link (https://amzn.to/2KxR8OU) we get a little bit of money towards server costs at no extra cost to you. So go ahead and buy that Nicholas Cage Mermaid Pillow you definitely need.  Check out our website at givemefivepodcast.com We have a store! Check out our shirts, mugs, bags and phone cases here: Buy cool crap! We record using Squadcast. Squadcast is an easy to use, stable recording environment that allows you, your cohosts and any guests the ability to record out of the comfort of your own home. Just click the link and start talking with absolutely no lag. You can try it out using our link and it will help us out immensely. https://squadcast.fm/?ref=givemefive And you can always reach us at givemefivepodcast@gmail.com or at our Facebook Page : https://www.facebook.com/givemefivepodcast/  Opening Theme Opening theme: GLOW by DJ Ten (feat LeBrock and ULTRABOSS )

Luxushotels in Wien, Edel-Kaufhäuser in Berlin, das Chrysler Building in New York: Alles Teil des Imperium von René Benko, einem der erfolgreichsten Immobilienunternehmer in Europa. In den nächsten drei Folgen von »Inside Austria« beschäftigen wir uns mit dem rasanten Aufstieg des Selfmade-Multimilliardärs aus Österreich. In dieser Episode gehen wir zurück zu den Anfängen: Nach Innsbruck, wo René Benko in einem Arbeiterviertel aufgewachsen ist und über eine Ausbildung beim Finanzdienstleister AWD den Weg in die Immobilienwelt gefunden hat. Und wir schauen auf die Brüche, die seinen Wergegang kennzeichnen. Denn beinhartes Geschäftsgebaren und Korruptionsvorwürfe legen einen Schatten über seinen Werdegang. In der Podcast-Serie Inside Austria rekonstruieren der SPIEGEL und der österreichische STANDARD gemeinsam Fälle, Skandale und politische Abgründe in Österreich. Hier hören Sie die Geschichte über den wundersamen Erfolg von René Benko. Einen Überblick über Themen und Entwicklungen in Österreich finden Sie auf derstandard.at und auf spiegel.de. Mit dem Rabattcode Standard können unsere Hörer*innen jetzt drei Monate lang für 30 Euro das Angebot von SPIEGEL Plus testen und 50 Prozent sparen. Alle Infos dazu finden Sie auf spiegel.de/derstandardInformationen zu unserer Datenschutzerklärung

在喜马拉雅已支持实时字幕关注公众号“高效英语磨耳朵”获取文稿和音频词汇提示1.urban 城市的2.permanent settlements 永久定居点3.Jewish 犹太人4.dramatic skyline 引人注目的天际线5.architecture 建筑学6.district 地区7.headquarters 总部8.Statue of Liberty 自由女神像9.bustling 繁忙的原文New York CityNew York City is the largest city in the United States，and one of the largest cities in the world.The city of New York has a population of over seven million people，and the surrounding urban areas bring the total to about twenty million people.However，New York City is not merely a very large city；it is also known as one of the world's leading centers of financial，artistic，and media activities.Compared with most of the great cities of the world，New York is very young.The first permanent settlements were established during the seventeenth century，by settlers from the Netherlands.Those people named their town“New Amsterdam”.Soon，the colony was taken over by English settlers，who re-named the city“New York”.New York grew very quickly，and by the nineteenth century it was the largest city of the United States.New York was usually the place where new immigrants to the United States would arrive.In the nineteenth century，immigrants from Germany and Ireland were numerous in New York.In the early twentieth century，New York City was the home of many Jewish immigrants，and also immigrants from Italy.In addition，many African-American people arrived New York from other parts of the United States，and many persons came to New York form the American territory of Puerto Rico，a Spanish-speaking island in the Caribbean.In more recent decades，immigrants have arrived New York from places all over the world.One of the most famous features of New York City is its dramatic skyline.New York has more tall buildings，called“Skyscrapers”，than any other city in the world.Many of the tallest and most interesting building in New York-including the Woolworth Building，the Chrysler Building，and the Empire State Building were constructed during the early decades of the twentieth century.In addition to these impressive buildings，New York is also known for the huge bridges that join the island of Manhattan to the surrounding areas.The Brooklyn Bridge is the most famous of these remarkable and old bridges.Of course，New York is famous for much more than just its architecture.New York City's financial district，Wall Street，and its theatre district，centered on Broadway，are the most important in the United States.Center Park is one of the world's great urban parks，and the art galleries，museums，and concert halls are among the greatest to be found anywhere.The United Nations has its headquarters in New York City.People around the world recognized the famous Statue of Liberty，which stands on an island in the harbor of New York，and the bustling Time Square ，located in the mid-town Manhattan area.Visitors to New York find it to be an extremely busy，fast-placed city，and are struck by the extremes of wealth and poverty that surround it.Many people love New York City，but even those who would not want to live in New York do agree that it is a very interesting place.

在喜马拉雅已支持实时字幕关注公众号“高效英语磨耳朵”获取文稿和音频词汇提示1.urban 城市的2.permanent settlements 永久定居点3.Jewish 犹太人4.dramatic skyline 引人注目的天际线5.architecture 建筑学6.district 地区7.headquarters 总部8.Statue of Liberty 自由女神像9.bustling 繁忙的原文New York CityNew York City is the largest city in the United States，and one of the largest cities in the world.The city of New York has a population of over seven million people，and the surrounding urban areas bring the total to about twenty million people.However，New York City is not merely a very large city；it is also known as one of the world's leading centers of financial，artistic，and media activities.Compared with most of the great cities of the world，New York is very young.The first permanent settlements were established during the seventeenth century，by settlers from the Netherlands.Those people named their town“New Amsterdam”.Soon，the colony was taken over by English settlers，who re-named the city“New York”.New York grew very quickly，and by the nineteenth century it was the largest city of the United States.New York was usually the place where new immigrants to the United States would arrive.In the nineteenth century，immigrants from Germany and Ireland were numerous in New York.In the early twentieth century，New York City was the home of many Jewish immigrants，and also immigrants from Italy.In addition，many African-American people arrived New York from other parts of the United States，and many persons came to New York form the American territory of Puerto Rico，a Spanish-speaking island in the Caribbean.In more recent decades，immigrants have arrived New York from places all over the world.One of the most famous features of New York City is its dramatic skyline.New York has more tall buildings，called“Skyscrapers”，than any other city in the world.Many of the tallest and most interesting building in New York-including the Woolworth Building，the Chrysler Building，and the Empire State Building were constructed during the early decades of the twentieth century.In addition to these impressive buildings，New York is also known for the huge bridges that join the island of Manhattan to the surrounding areas.The Brooklyn Bridge is the most famous of these remarkable and old bridges.Of course，New York is famous for much more than just its architecture.New York City's financial district，Wall Street，and its theatre district，centered on Broadway，are the most important in the United States.Center Park is one of the world's great urban parks，and the art galleries，museums，and concert halls are among the greatest to be found anywhere.The United Nations has its headquarters in New York City.People around the world recognized the famous Statue of Liberty，which stands on an island in the harbor of New York，and the bustling Time Square ，located in the mid-town Manhattan area.Visitors to New York find it to be an extremely busy，fast-placed city，and are struck by the extremes of wealth and poverty that surround it.Many people love New York City，but even those who would not want to live in New York do agree that it is a very interesting place.

在喜马拉雅已支持实时字幕关注公众号“高效英语磨耳朵”获取文稿和音频词汇提示1.urban 城市的2.permanent settlements 永久定居点3.Jewish 犹太人4.dramatic skyline 引人注目的天际线5.architecture 建筑学6.district 地区7.headquarters 总部8.Statue of Liberty 自由女神像9.bustling 繁忙的原文New York CityNew York City is the largest city in the United States，and one of the largest cities in the world.The city of New York has a population of over seven million people，and the surrounding urban areas bring the total to about twenty million people.However，New York City is not merely a very large city；it is also known as one of the world's leading centers of financial，artistic，and media activities.Compared with most of the great cities of the world，New York is very young.The first permanent settlements were established during the seventeenth century，by settlers from the Netherlands.Those people named their town“New Amsterdam”.Soon，the colony was taken over by English settlers，who re-named the city“New York”.New York grew very quickly，and by the nineteenth century it was the largest city of the United States.New York was usually the place where new immigrants to the United States would arrive.In the nineteenth century，immigrants from Germany and Ireland were numerous in New York.In the early twentieth century，New York City was the home of many Jewish immigrants，and also immigrants from Italy.In addition，many African-American people arrived New York from other parts of the United States，and many persons came to New York form the American territory of Puerto Rico，a Spanish-speaking island in the Caribbean.In more recent decades，immigrants have arrived New York from places all over the world.One of the most famous features of New York City is its dramatic skyline.New York has more tall buildings，called“Skyscrapers”，than any other city in the world.Many of the tallest and most interesting building in New York-including the Woolworth Building，the Chrysler Building，and the Empire State Building were constructed during the early decades of the twentieth century.In addition to these impressive buildings，New York is also known for the huge bridges that join the island of Manhattan to the surrounding areas.The Brooklyn Bridge is the most famous of these remarkable and old bridges.Of course，New York is famous for much more than just its architecture.New York City's financial district，Wall Street，and its theatre district，centered on Broadway，are the most important in the United States.Center Park is one of the world's great urban parks，and the art galleries，museums，and concert halls are among the greatest to be found anywhere.The United Nations has its headquarters in New York City.People around the world recognized the famous Statue of Liberty，which stands on an island in the harbor of New York，and the bustling Time Square ，located in the mid-town Manhattan area.Visitors to New York find it to be an extremely busy，fast-placed city，and are struck by the extremes of wealth and poverty that surround it.Many people love New York City，but even those who would not want to live in New York do agree that it is a very interesting place.

Skyscraper Appreciation Day is the birthday of William Can Alen, the architect behind the construction of the Chrysler Building in New York City. The day was created so that the general public could admire the structural and architectural brilliance of skyscrapers. It also celebrates our ability to construct industrial masterpieces. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

2Stupid2Win & ThankMeLater are joined by over a billion UPX networth during recording of the podcast. Was Upland hacked? Listen now to find out. They discuss what to consider and how to use www.upx.world to evaluate offers made. nven0m stops in to talk about his auction win of the Chrysler Building. DjShorts joins the crew to discuss his full on takeover of Upland and how he will pass Dizzy! Listen now for all the excitement!