Podcast appearances and mentions of ralph gibson

Dr. Wiktoria Michałkiewicz is an interdisciplinary expert with extensive international experience in storytelling, talent management, journalism, and photography. Alongside her academic achievements—holding five degrees, including a PhD in Sociology, an MA in Social Anthropology, and an MA in Cultural Studies from esteemed institutions such as Stockholm University, Universitat Autònoma de Barcelona, Lumière University Lyon 2, and Jagiellonian University—she has established a remarkable career as a contributing editor for prestigious international magazines like National Geographic, Harper's Bazaar, and Vogue. Additionally, she has excelled as a film and photography producer, talent agent, and exhibition curator. Dr. Michałkiewicz has played a pivotal role in producing and curating exhibitions for renowned artists, collaborating with international festivals and institutions. Her diverse expertise extends to consulting and editing award-winning books, as well as serving as a PR and communications specialist. In one of her notable recent roles, she was part of Fotografiska Stockholm and Fotografiska International, contributing to its global expansion to Tallinn and New York. In 2021, she founded REZO, a consulting agency specializing in global career strategies for visual artists, talent management, international art PR, and art advisory services. Operating globally from Warsaw, Stockholm, and Lisbon, she continues to make a significant impact in the art world. Over the past 15 years, Dr. Michałkiewicz has collaborated with both legendary and emerging artists, contributing to their projects in various capacities—from curating exhibitions and producing films to editing books and developing communication and marketing strategies. She has been involved in institutions and festivals such as the Nordic Light Festival in Norway, Landskrona Foto Festival, Leica Gallery, and Fotografiska, working on exhibitions featuring artists like Albert Watson, Platon, Greg Gorman, Ralph Gibson, Ragnar Axelsson, Paul Nicklen & Cristina Mittermeier, Chris Rainier, Paul Hansen, James Nachtwey, Sebastião Salgado, and Ellen von Unwerth. Her international strategy and art PR work include collaborations with artists such as Kacper Kowalski, Cooper & Gorfer, Bastiaan Woudt, Maciej Markowicz, Lisen Stibeck, and Erle Kyllingmark. As an editor and consultant, she has contributed to award-winning book projects, including “Arche” by Kacper Kowalski, which was nominated for the prestigious Les Prix du Livre at Rencontres d'Arles 2022. Dr. Michałkiewicz's projects have garnered numerous accolades, including Cannes Lions, Prix du Livre Les Rencontres d'Arles (nomination), and Sony World Photo Awards (1st Prize Landscape). She has also served as a jury member and portfolio reviewer at national and international competitions, further solidifying her influence and reputation in the art photography industry.   REZO Art and Photography Management Agnecy http://rezo.pl/en/ Follow Wiktoria on Instagram to keep up date with her international activities https://www.instagram.com/wiktoriami/   Michael Dooney https://beacons.ai/michaeldooney   This episode of Subtext & Discourse Art World Podcast was recorded on 3. November 2024 between Perth and Lisbon. Portrait photo by Knut Koivisto

Ed Justice Jr. discusses his 50+ year career in photography, sharing his early experiences in motorsports photography and his admiration for photographers like Ralph Gibson. He emphasizes the importance of finding one's own unique voice and style in photography, drawing parallels to musicians like the Beatles and comedians like Jay Leno. Show Clip from The Paris Chong Show with Ed Justice Jr. https://youtu.be/fN8zCCKeihw https://www.theparischongshow.com

Puntata 169 - Quali sono gli errori più comuni in post-produzione?Oggi vi porto il frutto di anni di osservazione delle foto sui social: ho voluto riflettere su quali fossero gli errori più comuni nelle foto che vedo scrollando tutti i giorni. Ecco quelli che mi sono sembrai i più frequenti.Prosegue la rubrica Quei Bravi Fotografi, oggi vi parlo del grande Ralph Gibson, il "dio delle piccole cose", un fotografo d'arte che ha costruito una intera carriera (e uno stile inconfondibile) sulla valorizzazione dei dettagli. Trovate i suoi riferimenti in descrizione.Aspetto le vostre domande e i vostri feedback. Buona luce a tutti!*******************************************I MIEI LINK:Cliccate qui per sostenere con un piccolo contributo economico alle spese del podcast e ottenere dei benefici esclusivi: PatreonEmail: andreageymet@gmail.com (da usare anche per un contributo con PayPal)Portfolio:https://andreageymet.myportfolio.compeopleofindia.myportfolio.comInstagram del podcastLe mie foto dei viaggi: viaggiI miei ritrattiIl mio profilo Thread: @andreageymet Il gruppo Telegram*******************************************Se volete farmi un regalo, cliccate sulla mia lista amazon*******************************************IL SITO DOVE LEGGERE LE RECENSIONI DELL'ATTREZZATURA: Juza Photo******************************************* Il mio fornitore di fiducia: Solo Digitali(chiedere di Paolo a nome mio) ******************************************* Quei Bravi Fotografihttps://www.ralphgibson.comhttps://ilfotografo.it/il-fotografo/a-tu-per-tu-con-ralph-gibson/https://www.instagram.com/ralphgibson_photography/

Thierry Bigaignon est un galeriste parisien d'art contemporain photosensible et dans cette conversation nous revenons sur le début de sa carrière professionnelle en communication, l'ouverture de sa galerie, les évolutions et particularités de sa galerie qui a une librairie curatée, une veste de galeriste, une identité olfactive et des réserves ouvertes au public. On a parlé aussi des défis qu'il rencontre de renouveler sa clientèle de collectionneurs, son ambition de hisser sa galerie au rang d'un leader et il nous explique pourquoi il souhaite amener la photo vers l'art contemporain. Vous retrouverez aussi des conseils si vous souhaitez lancer votre galerie ou travailler avec un galeriste. Très bonne écoute !1' – Son environnement familial, sa formation en science politique et histoire et son début de carrière professionnelle dans la communication en Angleterre et Paris.7' – Le début de sa galerie : « J'ai arrêté mon agence en communication car j'avais l'impression d'être le seul passionné dans la salle. J'ai décidé de créer ma galerie car dans une galerie, on parle entre passionnés. »9'10 – Les débuts de la galerie à l'hôtel de Reitz et l'histoire de son exposition inaugurale avec Ralph Gibson.21'30 – Son ambition : envie de se hisser au rang d'un leader. « Le propre des galeries est d'être des petites entreprises qui agissent comme des grandes. Il existe une dichotomie entre la taille des entreprises dans le marché de l'art et le marché mondial que l'on vise. »28'- Pourquoi il souhaite amener la photo vers l'art contemporain.34' – Une des particularités de sa galerie : une librairie curatée qui se renouvelle tous les trois mois.44' – Ses stratégies pour rester pertinent dans le marché de l'art : création d'une veste de galeriste et travail sur une identité olfactive diffusé dans la galerie/librairie et dans les foires.50'30 – Les défis auxquels il fait face en tant que galeriste :Mutation des collectionneurs : travail pour se rapprocher des collectionneurs millennials pour maintenir sa clientèle de collectionneurs.Mutation technologique qui touche le métier de galeriste et l'art lui-même car on est dans une période de changement technologique importante et le galeriste est un passeur entre le monde de la création et les acheteurs.Instabilité politique. Quand on veut promouvoir des artistes à l'étranger, on doit se poser la question, est-ce qu'on fait les bons choix ?57'40 – S'il était artiste et qu'il souhaite montrer son travail à un galeriste, il essayerait de faire une liste des galeries qui correspondent à son travail, aller à toutes les expos, comprendre comment la galerie fonctionne et rencontrer les autres artistes de la galerie. Je ferai des expos collectives en centre d'art et je ferai des livres avant même d'être en galerie. Un galeriste ne va pas montrer d'artiste qui n'a jamais montré son travail.1'00'00 – Ses conseils pour les jeunes ou futurs galeristes : C'est un métier très difficile économiquement et la passion ne suffit pas. Il faut avoir le cœur solide et le sens des responsabilités.Le site de Bigaignon: https://bigaignon.com/Pour vous inscrire à la newsletter du podcast : https://bit.ly/lesvoixdelaphotonewsletterPour suivre l'actualité du podcast : https://bit.ly/lesvoixdelaphotowebsiteEt vous pouvez retrouvez le podcast sur Instagram, Facebook et LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Linda Troeller joins me to talk about her book, SEX. DEATH. TRANSCENDENCE., published by TBW. Linda has a storied life in photography from her early self-portraiture, to her book, The Erotic Lives of Women, and now to Sex. Death. Transcendence., Linda has been exploring the female gaze since the early 1970's. We talk about her ideas on self-portraiture, healing waters, and her amazing time at the Chelsea Hotel, all of which have led to their own publications. https://sites.google.com/view/lindatroeller/sex-death-transcendence?authuser=0 https://tbwbooks.com/collections/single-titles/products/sex-death-transcendence This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Linda Troeller's art projects focus on self-portraits, women's and social issues. She made the Chelsea Hotel her base for 20 years, curating an exhibition for the 125thAnniversary, “Chelsea Hotel Through the Eyes of Photographers,” and publishing a monograph, “Chelsea Hotel Atmosphere – An Artist's Memoir,” 2007 and a new book, “Living in the Chelsea Hotel, Schiffer Publishing, 2015 that won the International Photo Award, 2016. She had a major exhibition at Leica Gallery, Los Angeles, Ilon Art Gallery, Harlem, 2018 and Laurence Miller Gallery, NYC and Museum of.Sex, NYC. Aperture published her Pictures of the Year award winning images in “Healing Waters,” exhibited at their Burden Gallery, NYC and powerhouse Books published her next book, ‘Spa Journeys,” 2004. Her book, “Erotic Lives of Women,” Scalo, Zurich, 1998 was reviewed as one of the “most gutsy and imaginative books of the decade,” NYTimes. The exhibition opened at Fotohof Gallery, Salzburg traveling to Berlin and Weimar, Germany. Her second book on women, Orgasm, Daylight, 2014 was introduced at the Filter Photography Festival and is in major libraries from Kinsey to Harvard to National Museum of Women in the Arts.' She received a New Jersey Arts Grant and the Woman of Achievement Award from Douglass College, in 1991 for her TB-AIDS DIARY, a series of photo-collages in Color Polaroid that helped prevent discriminative stamping of HIV in passports. It was exhibited at Fotofest, Houston and over fifty galleries and covered in the Asbury Park Press and Trenton Times to European Photography Magazine. The set of 19 prints was recently acquired by the Norton Museum of Art permanent collection, West Palm Beach, Florida. She photographed three Fashion Catalogues for the Apolda Museum, Germany and exhibited “Apolda Fashion, 2005” at Centro Colombo Gallery, Medellin in 2006. She returned to Colombia to teach self-portraiture to women in poverty in 2010 for the University of Antioquia. She has an ongoing series of self-portraits, “Self-Reflection.” She has lectured at School of Visual Arts, NYU, Parsons, Yale, Salzburg Summer Art Academy, New Orleans Photo Alliance, Ryerson University, Toronto and was a professor of photography at Stockton College of New Jersey, Indiana University, and Bournemouth College, England. She has a MFA, School of Art, and MS, Newhouse School, Syracuse University and BS from Reed School of Journalism, West Virginia University. She was an assistant at the 1974 Ansel Adams Workshops for Ralph Gibson and in 1987 for Annie Leibovitz and David Hockney. Her photographs are in corporate and private collections such as the Museum of Fine Arts, Houston, American Express, Johnson & Johnson, Library of Congress and is in archives such as Special Collections Bird Library, Syracuse University. She graduated from Toms River High School which named her to their Hall of Fame, and resides in New York City and New Jersey.  Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

In episode 304 UNP founder and curator Grant Scott is in his shed speaking with master printer Bob Tursack about all aspects of photographic printing including photo books, fine art printing, digital, analogue and lithographic. They also discuss photographer expectations, good practice and the photographer/printer relationship. Bob Tursack, is the CEO of the high-end printing company Brilliant Graphics. He is a third-generation printer who grew up in the Philadelphia suburbs who became interested in photography when he was in junior high. He had his first darkroom in sixth grade and attended the Ansel Adams workshops in Carmel, the Maine Photography Workshops, and other photography courses. Tursack's father founded Tursack Printing, commercial printers, in 1959, and Bob began training on the small press as a teenager. But his real passion was for fine art prints, and he ultimately sold the company in 1998. Tursack started Brilliant Studio in 2000, in his basement, planning to make prints for artists and photographers as a one-man band. But the business quickly grew, and he soon founded Brilliant Graphics, to produce brochures, catalogues, posters, and books. The company now has 72 employees. Tusack has worked with photographers including Sally Mann, Ralph Gibson, George Tice, Steve McCurry, Emmett Gowin, Mark Seliger and institutions including The National Gallery, Washington, DC, Metropolitan Museum of Art, NYC, The Hermitage Museum, Princeton University Art Museum, Los Angeles County Museum of Art, Massachusetts Institute of Technology, University of Pennsylvania Press, Yale University Press, and The Andy Warhol Foundation. https://brilliant-graphics.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on pre-sale. © Grant Scott 2024

Kreatives Design wird oft missverstanden, da es ähnlich wie Kunst funktioniert. Obwohl es viele Gemeinsamkeiten gibt und ein „Werk“ auch manchmal beides zugleich sein kann gibt es doch wichtige Unterscheidungen die verstanden werden müssen. Im Wesentlichen sendet Kunst an jeden eine andere Botschaft und lässt viel Interpretationsspielraum. Design hingegen, hat vor allem eines: die Aufgabe Ihre Botschaft im Markt zu kommunizieren. Künstler machen was sie wollen, Designer wollen was sie machen. Sagt Kurt Weidemann. Aber ist es wirklich so einfach? Wo sehen wir den entscheidenden Unterschied, oder aber die Gemeinsamkeiten zwischen Kunst und Design? In unserer neuen Folge von Grid. Design als Podcast sehen wir uns die Unterschiede und Überschneidungen von Kunst und Design an und sprechen mit Designer:innen über Möglichkeiten wie Beruf und Leben im Spannungsfeld von Kunst und Design gestaltet werden können – wie immer subjektiv, stets mit Anspruch, aber ohne Wissenschaft. Mit Dank an unsere Gäste Amélie Graef und Thomas Poschauko! shownotes: Amélie Graef _ http://reallyreallynice.de/ Thomas Poschauko _ https://www.poschauko.de/ Christian Benecke _ https://christianbenecke.com/ Cy Twombly _https://www.museum-brandhorst.de/ausstellungen/cy-twombly/# Ralph Gibson _ https://www.ralphgibson.com/ Olafur Eliasson _ https://olafureliasson.net/ Konrad Klapheck _ https://www.monopol-magazin.de/konrad-klapheck-gestorben Carlos Cruz-Diez _ https://cruz-diez.com/ Themen und Tipps gern an: grid@ralfbeuker.com

"The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I was fortunate to be able to visit the original Lascaux Cave in the Dordogne. And in any of these paleolithic caves, we find there are certain themes there that seem to be, as long as humanity has been on planet earth: there's always been war, there's always been migration. There's always been a search for God, a form of worship, and there's always been a fear of the apocalypse, the end of the world, which if you open up Paris Match tomorrow or the New York Times on the front page, you'll find those four subjects are still being addressed.Now, we're talking about BC up to today. Now, of course, things are moving much faster now than they did 40, 000 years ago. But I think that capitalism, which created much of this pollution, will find a way of sustaining itself in cleaning up all this pollution."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Ralph Gibson has photographed The Beatles, Lou Reed (with whom he also made the documentary Red Shirley), Laurie Anderson, and created album artwork for Joy Division. Gibson composes and plays his own music.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have a music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have a music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere."Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Ralph Gibson has photographed The Beatles, Lou Reed (with whom he also made the documentary Red Shirley), Laurie Anderson, and created album artwork for Joy Division. Gibson composes and plays his own music.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I believe that AI will be an incredibly useful tool. Humanity has endured primarily because of its inherent characteristics. I see things like NFTs and AI and Spotify and file sharing, and there was a time when I moved to New York where I could drift through the empty museum galleries of the moment, and have my epiphanies. Now you go to the same museum, it's like the Tokyo subway. You're, you know, it's a bunch of sardines. That's what's happening because there are too many people in the world for the delivery system to any longer be affected. Museums are delivery systems. We're moving into a world of the private museum now because the great collectors are building their own museums.I am happy to report since I've seen you, I have a museum in South Korea in my name. So, you know, I'm funneling, channeling, putting hundreds and hundreds of prints into this museum in Busan in an attempt to personalize the situation, but by the time you've got eight billion people living on the planet Earth for a hundred years, which I plan to do. There's a lot of people like me. We know that people are living longer now thanks to medicine and nutrition. I do tend to think that with file sharing, more people are listening to more music than ever before. You would have previously had to put a Tower Records on every street corner in order to effectively distribute that much music. Now, with NFTs, obviously, I, as the artist, as the audience spreads for a work of art quite often the content goes down. You could have a photograph and sell the original print and have 100 percent of your attention, or it could be reproduced on the cover of the New York Times at 72 dpi, 3 by 4 inches, and you'd get some of it, but you wouldn't get the whole thing, but a million people would see it. Now with the digital situation, working digitally, if the image stays in that digital space permanently, the only real shortcoming is the excessively bright, heavy saturated screen on your computer that tends to exaggerate things a bit."How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."I believe that AI will be an incredibly useful tool. Humanity has endured primarily because of its inherent characteristics. I see things like NFTs and AI and Spotify and file sharing, and there was a time when I moved to New York where I could drift through the empty museum galleries of the moment, and have my epiphanies. Now you go to the same museum, it's like the Tokyo subway. You're, you know, it's a bunch of sardines. That's what's happening because there are too many people in the world for the delivery system to any longer be affected. Museums are delivery systems. We're moving into a world of the private museum now because the great collectors are building their own museums.I am happy to report since I've seen you, I have a museum in South Korea in my name. So, you know, I'm funneling, channeling, putting hundreds and hundreds of prints into this museum in Busan in an attempt to personalize the situation, but by the time you've got eight billion people living on the planet Earth for a hundred years, which I plan to do. There's a lot of people like me. We know that people are living longer now thanks to medicine and nutrition. I do tend to think that with file sharing, more people are listening to more music than ever before. You would have previously had to put a Tower Records on every street corner in order to effectively distribute that much music. Now, with NFTs, obviously, I, as the artist, as the audience spreads for a work of art quite often the content goes down. You could have a photograph and sell the original print and have 100 percent of your attention, or it could be reproduced on the cover of the New York Times at 72 dpi, 3 by 4 inches, and you'd get some of it, but you wouldn't get the whole thing, but a million people would see it. Now with the digital situation, working digitally, if the image stays in that digital space permanently, the only real shortcoming is the excessively bright, heavy saturated screen on your computer that tends to exaggerate things a bit."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Claude Lévi-Strauss the great social anthropologist has made this sort of thing clear: Society changes and with it the context through which we observe something has changed as well. And so I like the role of art in society and my relationship to my society and to art in my society. Now I'm interested in this phase of my life and how does the mind influence the mind? In that book, Self Exposure, one of the things I did realize as I was writing it: all autobiographies are chronological and anecdotal. That's the way they unfold. And I realized that there were certain decisions I had made along the way that were crucial. And there was really only a handful of them. But I was very fortunate because I had that initial desire to be a photographer. I don't even know if it was a desire. I think it was something much further beyond that. I would have to say it was more of a...I didn't really choose photography, it sort of chose me, you know. I mean, nolo contendere. I just did what I knew I had to do. There was a sense of devoir, you know, you just do it. I wouldn't be able to effectively delineate where my life ends and photography begins. They're one and the same. If my eyes are open, I'm seeing. If I'm seeing, I'm essentially in that valence within which, or from within which come the images." How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea.www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."Claude Lévi-Strauss the great social anthropologist has made this sort of thing clear: Society changes and with it the context through which we observe something has changed as well. And so I like the role of art in society and my relationship to my society and to art in my society. Now I'm interested in this phase of my life and how does the mind influence the mind? In that book, Self Exposure, one of the things I did realize as I was writing it: all autobiographies are chronological and anecdotal. That's the way they unfold. And I realized that there were certain decisions I had made along the way that were crucial. And there was really only a handful of them. But I was very fortunate because I had that initial desire to be a photographer. I don't even know if it was a desire. I think it was something much further beyond that. I would have to say it was more of a...I didn't really choose photography, it sort of chose me, you know. I mean, nolo contendere. I just did what I knew I had to do. There was a sense of devoir, you know, you just do it. I wouldn't be able to effectively delineate where my life ends and photography begins. They're one and the same. If my eyes are open, I'm seeing. If I'm seeing, I'm essentially in that valence within which, or from within which come the images." www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are?Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world's leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland.Gibson's works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea."The way I measured time for a very large part of my life was I was always in preparation. I remember as a child I was preparing to make my first communion, then I was preparing to go to junior high. There are always these lapses that existed ahead of us, where we were progressing through time predicated on noteworthy events. So I was always functioning as though there was going to be a significant event, which occurred in some kind of concept of the future. And that coincided in parallel with the fact that when you're young, you feel essentially immortal because the idea of being old or dying is so abstract. It's so far away. So now that I'm in this phase of my life where all I'm interested in doing is maintaining my health, doing my push-ups, and profiting from as much time as I have left. Because now I'm at the very peak of my powers as a photographer. I'm getting pictures much faster and in greater ratio, and I'm moving through the experience at a rate that I always had yearned towards. And in terms of exhibitions and publications and all that I had everything I wanted when I was 40."www.ralphgibson.comwww.deichtorhallen.de/en/ausstellung/ralph-gibsonwww.gibsongoeunmuseum.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Ralph Gibson (*1939) ist einer der interessantesten und vielseitigsten Fotografen unserer Zeit. Aufgewachsen in in der glamourösen Filmwelt Hollywoods der 40er- und 50er-Jahre, fotografiert Gibson sinnliche und surrealistische Bilder, die von seinem spielerischen Umgang mit Licht und Schatten geprägt sind. Die Dokumentation der Realität oder das Erzählen von Geschichten interessiert Gibson weniger; er selbst bezeichnet sich als Formalist. Heute faszinieren ihn vor allem die Ausdrucksformen der digitalen Fotografie. Eine weitere Leidenschaft von Ralph Gibson ist die Musik: Als Gitarrist hat er mit Größen wie Lou Reed und Leonard Cohen gespielt. In dieser Episode von DAST IST KUNST spricht Friederike Herr mit Ralph Gibson über seine Anfänge als Fotograf und wie es ihm gelungen ist, eine unverwechselbare Bildsprache zu entwickeln. Das Gespräch ist in englischer Sprache zu hören. Hinweis in eigener Sache: In dieser Podcast-Folge verwendet unser Gast eine Umschreibung für Menschen mit Lernschwierigkeiten, die als beleidigend empfunden werden kann. Es handelt sich um ein Zitat aus den 60er-Jahren, das der Darstellung der damaligen Zeit entspricht. Daher halten wir es für vertretbar, diese Stelle nicht zu kürzen, obwohl wir uns der Problematik dieses Sprachgebrauchs bewusst sind. Die Deichtorhallen Hamburg positionieren sich gegen jede Form der Diskriminierung.

Was wir nicht wussten, ist dass Nicolas Semak gestorben ist, während wir diese Sendung aufgezeichnet haben. Darin: Auch Toby hat ein neues Spendenkonto und ein Office in München – Holgi hat einen Podcast über Teilhabe gemacht – Konzentrationslager – Holgi war in Italien – Toby hat einen Fotoworkshop gemacht – Analogfotografie (Perfekta II, Ralph Gibson […]

Was wir nicht wussten, ist dass Nicolas Semak gestorben ist, während wir diese Sendung aufgezeichnet haben. Darin: Auch Toby hat ein neues Spendenkonto und ein Office in München – Holgi hat einen Podcast über Teilhabe gemacht – Konzentrationslager – Holgi war in Italien – Toby hat einen Fotoworkshop gemacht – Analogfotografie (Perfekta II, Ralph Gibson […]

  1.ª parte:   1 - Julia Holter - Have You In My Wilderness - How Long? 2 - Jonny Greenwood - There Will Be Blood (OST) - Open Spaces 3 - Kama Aina - Club Kama Aina - Millport 4 - Virginia Astley - From Gardens Where We Feel Secure - A Summer Long Since Passed 5 - Lotte Kestner - Best of: Requested Cover Songs - How To Disappear Completely (Radiohead) 6 - Grouper - Dragging a Dead Deer Up A Hill - We've All Time To Sleep 7 - Shelley Short - A Cave, A Canoo - Interlude 8 - Shelley Short - A Cave, A Canoo - Tap The Old Bell 9 - Dirty Three - Cinder - Last Dance 10 - Laura Gibson - If You Come To Greet Me - The Longest Day 11 - Shearwater - The Great Awakening - Xenarthran 12 - Arab Strap - Aphelion - Flutter 13 - Thalia Zedek - Been Here and Gone - 1926 14 - The Weather Station - How Is It That I Should Look At The Stars - To Talk About    2.ª parte:   15 - Rosa Anschütz - Goldener Strom - Sold Out 16 - 2muchachos - Prespring - Thaw 17 - Rosa Anschütz - Goldener Strom - Bleeding 18 - Holland Andrews - Forgettings - Transform Forever 19 - Holland Andrews - Forgettings - Far Place 20 - El Perro del Mar - From The Valley To The Stars - Do Not Despair 21 - Anna Von Hausswolff - The Miraculous - En Ensam Vandrare 22 - Emma Rtuh Rundle - Engine of Hell - Dancing Man 23 - Rafael Anton Irisarri - Daydreaming - Lumberton 24 - Thom Yorke - Peaky Blinders (OST) - 5.17 25 - Harold Budd & Brian Eno - The Pearl - Late October 26 - Brian Eno - Apollo (Atmospheres & Soundtracks) - An Ending (Ascent) 27 - Helena Deland - Someone New - Clown Neutral 28 - Colleen - Les Ondes Silencieuses - Sea of Tranquility 29 - Joan Shelley - The Spur - Amberlit Morning (feat. Bill Callahan)   * imagem de (image by) Ralph Gibson

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure.The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

"Whatever I do, quite often I say– Is this good for my work? Should I go here? Should I do that? When I had my initial debut, I became known for a book called The Somnambulist. I took 24 of those pictures in one weekend and then I worked for three years on the next 24."Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure. The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure.The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

"Whatever I do, quite often I say– Is this good for my work? Should I go here? Should I do that? When I had my initial debut, I became known for a book called The Somnambulist. I took 24 of those pictures in one weekend and then I worked for three years on the next 24."Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure. The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure.The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

"Whatever I do, quite often I say– Is this good for my work? Should I go here? Should I do that? When I had my initial debut, I became known for a book called The Somnambulist. I took 24 of those pictures in one weekend and then I worked for three years on the next 24."Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure. The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

In episode 164 UNP founder and curator Grant Scott is in his shed considering transferable skills, film making, finding answers with photography and challenging the status quo. Plus this week photographer Jason Langer takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Arizona born American photographer Jason Langer's love of photography dates back to his childhood in Ashland, Oregon.  Groomed on a Mamiya C330 twin-lens reflex, he developed his work in a makeshift darkroom cum hall closet in his family home before moving on to more advanced technology at the University of Oregon, where he earned a degree in photography.  Following graduation, Langer worked as an apprentice and printer for some of the San Francisco Bay Area's most renowned photographers, including Ruth Bernhard, Arthur Tress, and Michael Kenna, who became a lifelong mentor and friend. Langer descends from a tradition of photographers—George Krause, Ralph Gibson, Roy deCarava, Bill Brandt, Matt Mahurin—who photograph what is physically happening in the world, but a world in which the unexpected appears for brief glimpses before returning to generally accepted social norms. Langer's work has appeared in numerous publications including American Photo, Life, The New Yorker, The New York Times, Time, and Vanity Fair.  In addition, his in the permanent and private collections of the Rutgers University, Sir Elton John, Sir Mick Jagger, Yale University Art Gallery, and the Zimmerli Art Museum. He has published three monographs: Secret City (2006), Possession (2013) and Twenty Years (2015). He is currently working on a fourth book titled Berlin. Langer is also a sought-after photography mentor, having taught at the Academy of Art University for 12 years and Santa Fe Workshops since 2014. www.jasonlanger.com You can now subscribe to our weekly newsletter at https://www.getrevue.co/profile/unofphoto Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). What Does Photography Mean to You? including 89 photographers who have contributed to the A Photographic Life podcast is on sale now £9.99 https://bluecoatpress.co.uk/product/what-does-photography-mean-to-you/ © Grant Scott 2021

Special guest Ralph Gibson joins Lee on this episode of The Originals with Lee Skolnick. Originally aired on: May 23rd, 2021

Ibarionex is a professor, photographer and host of the Candid Frame podcast. For the last 15 years TCF has hosted, what seems to be, every living legend in photography history. Mary Ellen Mark, Joel Meyerowitz (three times), Elliott Erwitt, Gus Powell, Guy Webster, Valerie Jardin, Jeff Mermelstein, Dan Winters, Ralph Gibson are on the shortlist of greatest photographers of all time and Ibarionex has hosted them all. Ibarionex was amongst the first names to be on my guest list since the beginning of this podcasting journey so it was an honor to finally have him hangout. Enjoy this wonderful conversation.

Ponerse frente a alguien para registrar quién es y qué siente, conscientes de que para lograrlo hay que empezar por mostrarse uno mismo y de que el resultado depende de una comunicación sincera, de una conexión que trasciende el hecho de fotografiar. Hacer un retrato es mucho más que sostener una cámara y pulsar el botón de disparo. Charo Guijarro, mi invitada en la novena entrega de Calle Oscura, lo sabe muy bien. No hay más que ver sus imágenes y escuchar sus palabras. En este episodio hablamos de - Que un selfie no es un autorretrato. - Todo lo que podemos aprender (de nosotros mismos) al fotografiarnos. - La relación entre memoria y Fotografía. - Que hacer fotografías es en realidad una forma de vivir. - Cómo fijamos recuerdos a través de la cámara. - La importancia de fluir y no controlar cada detalle. - Las conexiones entre los lugares, la luz y las personas. - La censura (y la autocensura). - Que desnudarse implica mostrar no solo la piel… - Y deshacerse de mucho más que la ropa que nos cubre. Y, como siempre, de tantas otras cosas que salieron a nuestro paso. Quién me acompaña Charo Guijarro nació en Cuenca en 1973 y vive entre Madrid y Albacete. Se presenta a sí misma como una mujer como una cámara y eso lo explica todo. Porque Charo fotografía como una forma de reivindicar lo natural y de empoderar a las mujeres, reescribiendo la historia del retrato y del desnudo, históricamente definida desde un punto de vista masculino. Las imágenes de Charo parten de la piel, y desde ahí van todavía más dentro. Encuentra y sigue a Charo Guijarro en las redes: - Su web, donde recoge trabajos y proyectos (charoguijarro.com). - Su perfil en Instagram: @charoguijarro_ (www.instagram.com/charoguijarro_/). Referencias y enlaces Autores - Alois Goglar (aloisglogar.es/). - Beatriz Sánches Miguel. - David Sagasta Mora. - Harry Callahan. - Jeanloup Sieff. - Miguel Vidal (jotabarros.com/aprende-fotografia-retrato-miguel-vidal/). - Ralph Gibson. - Saul Leiter (jotabarros.com/saul-leiter-fotografo-calle-alma-pintor). Muchas gracias por tu escucha Si te ha gustado este capítulo de Calle Oscura, deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar este podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Ahí abajo tienes los comentarios, para seguir conversando sobre los temas abordados con Charo. Muchas gracias por estar ahí, al otro lado. Hasta pronto. Jota.

Its hard to imagine a more ideal guest for a photography podcast than the wonderful Ralph Gibson.  Gibson checks all the boxes—a straight-up master of the medium, a man of insights and tales, with a comprehensive understanding of photography from the nuts and bolts to the conceptual rigors. After training in the Navy, he assisted the great Dorothea Lange in the darkroom, but found his calling as an artist, staying true to his voice, and founding a publishing house for his seminal photo book, The Somnambulist, and those of many other artists, including Larry Clark, Mary Ellen Mark, and Duane Michals. On this episode of the B&H Photography Podcast, we speak with Gibson about Robert Frank and Dorothea Lange, about establishing a visual signature, “broken focus,” and of course, about his trusty Leica systems. We also touch on his relationship with musician and artist Lou Reed, 50mm versus 75mm lenses, deconstructing the tropes of photography, and the connections between music and photography. This was a conversation we wished could have continued for hours, and we suggest you consider one of Gibson’s bookmaking workshops or simply dig into his incredible body of work, perhaps starting with his latest book, Sacred Land: Israel Before and After Time. Join us for this wide-ranging and inspiring conversation, and as Gibson states, “I always believed that if I stayed true to my work, everything else would fall into place.” Guest: Ralph Gibson Photograph © Ralph Gibson  

Join me for a great discussion with Sony Artisan and international master photographer Scott Robert Lim.Sony Artisan and international master photographer Scott Robert Lim is a certified educator and has over 70 international awards to his name, including Top Ten Most Influential, Kodak Award, World's Top Wedding Photographers, and has been a judge at many international photography competitions. His work has been published and viewed by thousands all over the world and is a popular speaker around the world. For the last decade, he has dedicated his career to developing world-class photographers and loves teaching photographers of all levels. He has an energetic and charismatic speaking style and is an industry leader in photography education.Scott Robert Lim's Links:https://scottrobert.smugmug.com/https://www.instagram.com/scottrobertlim/https://www.facebook.com/scottrobertlimBe sure to check out this FREE masterclass from Scott: https://www.scottrobertlimphotography.com- - - - - - - - - - - - - - - - - - - - -Photo Quote:“You see, I'm not interested in mediocrity in photography. I'm not interested in selling cat sh*t to dogs. I just want to do my own thing. If people like my work, all the better. If they don't, too bad.” — Ralph Gibson.http://www.ralphgibson.com- - - - - - - - - - - - - - - - - - - - -Talent Under 30:Please check out Philadelphia based Commercial and Editorial Photographer - Margo Reedhttps://www.margoreedphoto.com/https://www.instagram.com/margoreedphoto/- - - - - - - - - - - - - - - - - - - - -Episode Links:The Inverse Square Law for Photographers. https://youtu.be/F41CRMpFNYkHow to Clean Your Camera lens. My BEST Lens Cleaning Tips and Tricks https://youtu.be/JrZfbudbBW8- - - - - - - - - - - - - - - - - - - - -TOGCHAT ResourcesShow Website: https://tog.chatMy Website: https://www.JoeEdelman.comJoin the TOGCHAT Photography Group on Facebook https://www.facebook.com/groups/ispphotographersMy calendar of upcoming Live-Online Photography Presentations https://www.joeedelman.com/edu/I would love to be your PHOTOGRAPHY MENTOR! https://www.joeedelman.com/mentoring-for-photographers/WANNA SEE MY GEAR? https://tog.chat/gear- - - - - - - - - - - - - - - - - - - - -FTC Disclosure: No sponsors have paid for inclusion in this show. I am an Olympus Visionary photographer, a Delkin Image Maker, a TetherTools Pro and a StellaPro Champion of Light. These companies do provide me with various pieces of gear that I frequently discuss or mention, however all words and opinions are my own, and I was not asked to produce this show.Support the show (https://paypal.me/joeedelman)

“Noir & Blanc : une esthétique de la photographie” Collection de la Bibliothèque nationale de Franceau Grand Palais, Parisdu 16 décembre 2020 au 1er février 2021PODCAST – Interview de Héloïse Conésa, conservatrice en charge de la photographie contemporaine au département des Estampes et de la photographie de la BnF, et de Dominique Versavel, cheffe du service de la photographie et conservatrice en charge de la photographie moderne au département des Estampes et de la photographie de la BnF, commissaires de l'exposition,par Anne-Frédérique Fer, enregistrement réalisé par téléphone, entre Paris et Paris, le 10 décembre 2020, durée 32'01, © FranceFineArt.Extrait du communiqué de presse :commissariat :Sylvie Aubenas, directrice du département des Estampes et de la photographie de la BnFHéloïse Conésa, conservatrice en charge de la photographie contemporaine au département des Estampes et de la photographie de la BnFFlora Triebel, conservatrice en charge de la photographie du XIXe siècle au département des Estampes et de la photographie de la BnFDominique Versavel, cheffe du service de la photographie et conservatrice en charge de la photographie moderne au département des Estampes et de la photographie de la BnFscénographie : Maud Martinot« Le monde en noir et blanc recèle quelque chose de mystérieux qui ne peut être décrit et qui est formidablement séduisant. Est-ce faux de penser que cela touche nos coeurs d'autant plus fort que nous vivons à une époque où tout peut être photographié en couleurs ? » Shoji Ueda.Cette exposition présente des chefs-d'oeuvre en noir et blanc des collections photographiques de la Bibliothèque nationale de France (BnF), exceptionnellement réunis pour l'occasion. Nadar, Man Ray, Ansel Adams, Willy Ronis, Helmut Newton, Diane Arbus, Mario Giacomelli, Robert Frank, William Klein, Daido Moriyama, Valérie Belin… Les grands noms de la photographie francaise et internationale sont réunis dans un parcours qui embrasse 150 ans d'histoire de la photographie noir et blanc, depuis ses origines au XIXe siècle jusqu'à la création contemporaine.150 ans d'histoire de la photographie noir et blancDans la continuité des grandes expositions de photographie organisées depuis 2012 dans la Galerie Sud-Est du Grand Palais, l'exposition Noir & Blanc présente plus de 300 tirages représentatifs de la collection exceptionnelle du département des Estampes et de la photographie de la BnF.Cette présentation se concentre sur le XXe siècle et la période contemporaine sans omettre un préambule de quelques photographies du XIXe siècle : ainsi le thème est traité sur plus de 150 ans à travers l'œuvre d'environ 200 photographes de plus de 30 nationalités.Le noir et blanc, un parti-pris technique et esthétique en constante évolutionLe noir et blanc fait partie intégrante de l'histoire de la photographie : ses évolutions, de la fin du XIXe à aujourd'hui, ont permis de produire des nuances de plus en plus contrastées et sophistiquées, révélant la force plastique de cette technique. Alors que le recours à la couleur s'intensifie au cours des années 1970, le noir et blanc se maintient et s'emploie comme un moyen d'expression esthétique affirmé mettant l'accent sur le graphisme et la matière.Jusqu'aux années 1980-1990, il domine la production en nombre et en hiérarchie de valeur : à l'instar de Walker Evans (1903-1975), de nombreux photographes considèrent alors la photographie en couleur comme un procédé “vulgaire”, à réserver pour des sujets banals et des usages utilitaires. Au-delà d'une justification économique et technique, la persistance de l'usage du noir et blanc s'explique par le fait qu'il a fini par incarner, dans le sens commun, l'essence même de la photographie et la « belle photographie ».Le noir et blanc apparaît comme porteur d'une dimension universelle, intemporelle voire mémorielle, là où la couleur serait la traduction du seul monde contemporain. La Bibliothèque nationale de France (BnF) s'est toujours voulue un conservatoire privilégié de la photographie en noir et blanc de même qu'elle a encouragé la persistance de sa pratique et aujourd'hui sa réappropriation par de jeunes auteurs en réaction contre le tout numérique couleur.Le noir et blanc dans les collections photographiques de la BnFL'exposition aborde la question sous un angle esthétique, formel et sensible en insistant sur les modes de création de l'image monochrome : effets plastiques et graphiques de contrastes, jeux d'ombres et de lumières, rendu des matières dans toute la palette des valeurs du noir et blanc en passant par les gammes de gris.Le choix a mis l'accent sur les photographes qui ont concentré et systématisé leur création artistique en noir et blanc, en ont expérimenté les possibilités et les limites, en ont fait parfois le sujet même de leur photographie : Imogen Cunningham, Man Ray, Ansel Adams, Florence Henri , Ralph Gibson, Mario Giacomelli, Vaérie Belin par exemple.Une attention particulière a été portée à la qualité des tirages et à la variété des techniques et des papiers photographiques (tirages pigmentaires, gommes bichromatées, gélatino-argentiques barytés…) et une place faite au thème de l'impression du noir et blanc, le livre et les revues ayant été longtemps le principal véhicule de la création photographique.Les trésors des collections photographiques de la BnF exposés au Grand PalaisLes collections photographiques du département des Estampes et de la photographie de la BnF, qui compte aujourd'hui quelque 6 millions de tirages, sont particulièrement représentatives de cette histoire de la photographie noir et blanc.La collection de photographies de la BnF, l'une des plus riches au monde, conserve aujourd'hui des centaines de milliers d'épreuves, d'albums et de portfolios de près de 2000 photographes du XIXe siècle et plus de 5700 photographes des XXe et XXIe siècles, toutes tendances et nationalités représentées. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Legendary fine art photographer Ralph Gibson talks about 60-years of making images, 40+ books, The Somnambulist, Robert Frank & Dorothea Lange, The right side of the street, photo-book making, pal Helmut, his weekend in Pennsylvania, the frigate in the North Atlantic, Lustrum Press, Larry Clark, B&W, color & his favorite lenses of all time.

Ralph GIBSON Sans titre, 1969 Tirage gélatino-argentique acquis en 1988 Né à Los Angeles aux États-Unis en 1939, Ralph GIBSON vit à New York. Lorsque Ralph Gibson publie son premier livre The Somnanbulist en 1970, cela fait trois ans que la maquette est prête. Il lui aura fallu créer sa propre maison d’édition, Lustrum Press, pour donner corps à ce projet regroupant un ensemble de clichés surréalistes, oscillant entre abstraction pure et narration, comme l’illustre ces deux mains agrippées à l’avant d’une barque. Premier volet de sa « black trilogy », suivi de Déjà Vu en 1973, puis de Days at Sea en 1974, The Somnanbulist rencontre à sa sortie un franc succès critique et commercial. Avec Lustrum Press, Gibson inaugure un chapitre décisif dans l’histoire du livre photographique, offrant aux photographes publiés – Robert Frank, dont il fut l’assistant, ou Larry Clark, son fidèle complice – un champ d’expérimentation inédit, tout en se démarquant par l’exigence des reproductions, notamment dans le traitement des noirs, si caractéristiques de son œuvre. La MEP possède 540 tirages de Ralph Gibson parmi lesquels de nombreux dons de l’artiste. Virginie Huet Photo : Sans titre, 1969 Tirage gélatino-argentique acquis en 1988 35,5 x 27,8 cm © Ralph Gibson

Renato D’Agostin is a photographer based on the the outskirts of Venice, Italy. I have admired Renato’s work for a very long time and I had the pleasure of meeting up with him last January at his beautiful warehouse studio and darkroom.    The first time I saw Renato’s work, it completely changed my perception and expectations of what photography could be and could do.  Dislocating subjects from their realities, he depicts his perception of the space around him, the relationship between the architecture and people, opening a new portal in the spectator’s imagination. His works have been exhibited in several exhibitions in Europe, the United States and Asia and published in numerous books. Renato shoots mainly black and white film and we talk about his photography and his approach to his work and the importance of the darkroom as an extension of his process.   We talk about his time living in New York City and assisting photographer Ralph Gibson and what drew him back to Venice.  We also discuss his approach to exhibiting his work and why he loves making books.  And we delve into how he thinks about projects and much, much more.   Renato is one of the most inspiring artists I have ever met and he shares so many gems in this episode.  I hope you enjoy! Find Renato on his Instagram @renatodagostin and his website https://www.renatodagostin.com

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure.The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure. The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. · www.ralphgibson.com · www.creativeprocess.info

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure. The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. www.ralphgibson.com · www.creativeprocess.info

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure.The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York. www.ralphgibson.com · www.creativeprocess.info

In episode 86 UNP founder and curator Grant Scott is in his shed considering perceptions of creativity within photography, how the past ten years has impacted photography and the opportunities that technology has given us to tell visual stories and communicate. Plus this week photographer Homer Sykes takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' If you want to hear more about Homer's friendship with Bill Jay mentioned in this episode and find out why and how Bill Jay was one of the most important people in the evolution of British photography at the end of the 20th Century you can by watching our feature length documentary on Jay's life featuring Homer, Martin Parr, Ralph Gibson, Paul Hill, Anna Ray-Jones, David Hurn, Alex Webb, Brian Griffin and Daniel Meadows here https://www.youtube.com/watch?v=wd47549knOU www.donotbendfilm.com You can read the review of Grant's latest book by Cary Benbow here www.fstopmagazine.com/blog/2019/12/book-review-new-ways-of-seeing-the-democratic-language-of-photography-by-grant-scott/ Homer Sykes was born in 1949 and is a Canadian-born British documentary photographer. He was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP), and during his first year, went to New York, where he was impressed by the work of photographers - Henri Cartier-Bresson, Bruce Davidson, Lee Friedlander, Robert Frank, Burk Uzzle and Garry Winogrand — that he saw at the Museum of Modern Art. Whilst considering a new photographic project at college, Sykes came across a story on the Britannia Coconut Dancers in an issue of In Britain magazine. This led him to research other local festivals in Britain at the archives of Cecil Sharp House, London. Sykes' photography of these festivals was inspired by that of Sir Benjamin Stone, but he approached them with a modern sensibility and a small-format camera, after absorbing advice from photographer David Hurn, then a part-time lecturer at LCP, as well as other photographers that he met through Hurn, including editor and writer Bill Jay. Sykes moved on to photographing news stories for the Weekend Telegraph, Observer, Sunday Times, Newsweek, Now, Time, and New Society. He worked with various agencies including from 1989 to 2005 with the influential Network Photographers. Sykes also photographed the British landscape for various books but always found time for his own projects including Hunting with Hounds, and On the Road Again, photographs of four North American road trips taken over three decades. Sykes has taught on the Master's course in Photojournalism and Documentary Photography at the London College of Communication and in 2014, the Maison de la photographie Robert Doisneau, Paris, held a major exhibition of Sykes' work from the 1970s. He photographed the glam rock, punk, new wave and other music/fashion scenes of Britain and his work has been consistently published as a series of short narratives by Cafe Royal Books and as a major monograph My British Archive: The Way We Were 1968-1983 by Dewis Lewis in 2018. Homer continues to document the British way of life today and lives in South-West London. www.homersykes.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. © Grant Scott 2019

What do you think about when you think about New York? Odds are hip hop, b-boys, and graffiti come to mind. Salvador is as much Salvadoran as he is a New Yorker and capturing life on the streets with his camera is his passion. Grab your old-timey film camera, hop on the 7 train, and keep your eyes open for the perfect city shot in this photo session with Salvador Espinoza.  Salvador Espinoza is a photographer born and raised in New York City. Primarily a documentary photographer and photojournalist he focuses on social issues by shooting realistic slices of everyday life. His work has won awards from The Queens Council on the Arts as well as The New York City Council and has been published in the New York Times, BBC News, Rolling Stone and Mass Appeal. In this episode: Growing up Salvadoran in Queens Visiting El Salvador for the first time in your 20s Losing connections to El Salvador Getting started in photography Graffiti in New York in the 90s Shooting b-boys and live music Style Wars documentary  Ralph Gibson work Street photography Photographing changing New York Neighborhoods Handball Meeting secret Salvadorans Q100 route to Riker’s Island Prison Normalizing loss of freedom and stop & frisk policies RIKERS - An America Jail, a documentary by Bill Moyer Highlighting Salvadoran culture beyond gangs and immigration via photography Back to the Lab Photography workshops Bronx Documentary Center Timeless Memory wedding and event photography Show resources: www.salvadorespinoza.com https://www.instagram.com/sespin https://www.instagram.com/backtothelab_nyc/ https://www.instagram.com/cameraofthemonthclub https://en.wikipedia.org/wiki/5_Pointz Style Wars Documentary on Youtube http://www.ralphgibson.com/ Rikers Island Documentary Music: Salvi Nacion by Crooked Stilo Share your thoughts: Leave a comment below Share show on social media Leave review on iTunes Subscribe!

Entrevista con Juanan Requena (España, 1983), fotógrafo, autor de "Al borde de todo mapa", uno de los creadores visuales más originales y personales de la escena española y protagonista de la aventura "La Ínsula Nómada", la rehabilitación, a través de crowfunding de una vieja caravana para convertirla en un laboratorio fotográfico y una exposición itinerante con la que recorrerá España. Además, lectura de una imagen de Ralph Gibson y reflexión en torno al Proyecto Fotográfico. Dirige y presenta: Juan María Rodríguez. Con Alfredo Oliva, Leire Etxazarra y Juan Carlos Cazalla Emisión: 02 / 04 / 19

Entrevista con Juanan Requena (España, 1983), fotógrafo, autor de "Al borde de todo mapa", uno de los creadores visuales más originales y personales de la escena española y protagonista de la aventura "La Ínsula Nómada", la rehabilitación, a través de crowfunding de una vieja caravana para convertirla en un laboratorio fotográfico y una exposición itinerante con la que recorrerá España. Además, lectura de una imagen de Ralph Gibson y reflexión en torno al Proyecto Fotográfico. Dirige y presenta: Juan María Rodríguez. Con Alfredo Oliva, Leire Etxazarra y Juan Carlos Cazalla Emisión: 02 / 04 / 19

Paris Chong is the Gallery Manager and Curator at Leica Gallery Los Angeles.  Paris has over seventeen years of experience in curating, managing, and promoting fine art galleries and artists of every genre. She represented Leica Gallery Los Angeles at Art Basel Miami and Photo Paris, and the upcoming Palm Springs Photo festival.  Paris coordinates and curates all events and art shows at the flagship Leica Gallery in West Hollywood.  She has curated exhibitions for artists such as:  Lenny Kravitz, Ralph Gibson, Neal Preston, Eli Reed and many others. Paris also curates exhibitions for the historic American Society of Cinematographers Clubhouse (ASC) in Hollywood featuring still photographs by the world’s top Directors of Photography. Find Paris on Instagram   @paris.chong Leica Gallery Los Angeles

Andy Summers, guitarist of the rock band The Police, discusses his photography, his thoughtful approach to creating art, and how his music career has complemented his image-making. His new book with prominent French photographer and critic Gilles Mora—A Certain Strangeness—is out now. Joining us from his home studio in Los Angeles, musician and photographer Andy Summers talks about the artistic rigor he applies not only to his career as a Grammy-winning musician, but also to his life as an internationally-exhibited photographer. Summers details his early artistic influences, life on tour with The Police, and his collaborations with Gilles Mora and Ralph Gibson. He delves into how he applies the principles of jazz improvisation to photography, and reveals the stories behind a few of his most famous photographs. His latest collection of photographs, A Certain Strangeness, accompanies an exhibition at the Pavillon Populaire in Montpellier, France.

Par Jean-Michel Hequet (photographe)

I had a chance to visit Ralph Gibson at his studio in New York with my friend Thierry Bigaignon. Thierry is planning an exhibition at his gallery in Paris this summer of Ralph Gibson: Vertical Horizon. Ralph Gibson http://www.ralphgibson.com/ Galerie Thierry Bigaignon http://www.thierrybigaignon.com/

A few weeks ago I was in New York and had the opportunity to do a video with Ralph Gibson. He is one of the great living photographers of our lifetime. Show: Ralph Gibson: Vertical Horizon Galerie Thierry Bigaignon Opening – June 10, 2016 http://www.thierrybigaignon.com/ http://www.ralphgibson.com/

Ralph Gibson is a photographer whose high-contrast images are recognized for their exploration of the geometric forms and the human gesture. He apprenticed with Dorothea Lange and Robert Frank, but he has created his own singular vision which often moves beyond the traditions of documentary and portraiture. He has produced numerous books of his photography starting with his classic The Somnambulist, which have helped define his particular vision. It has also inspired many photographers to see books as the means by which they can control and further their own unique passion for photography. His recent book, Mono marks the photographer’s earliest explorations with digital photography after years of producing his signature body of work on film. A current exhibition of his work is on exhibit on exhibit at the Leica Gallery LA thru October 26th, 2014.    Resources:   http://www.ralphgibson.com/   http://andysummers.com/photography/   http://www.leicagalleryla.com/   http://ibarionex.net/thecandidframe   info@thecandidframe.com