Podcasts about voyeurs

"Ein Paar wird in einem ländlichen kalifornischen Autokino von einem unsichtbaren Angreifer brutal getötet. Die Ermittlungen werden von den Polizisten Mike Leary und John Koch übernommen. Sie befragen den ruppigen Manager des Drive-ins, Austin Johnson, und den eigenartigen Verwalter Germy. Germy erwähnt einen Spanner, der Paare und alleinstehende Mädchen beobachtet. Man rät ihm, das Nummernschild des Voyeurs beim nächsten Mal zu notieren..."

Cette semaine, les Voyeurs répondent à vos questions!

Unzipping our first episode with Ginger and Jose brings back a lot of fun memories.  What could have happened in Vegas for them, waits until they come to our club.  Some of their stories remind us of how our preparties got started.   Email your questions to Nessa here to be part of "Ask Nessa". Please subscribe on your favorite podcast platform. You can catch us on SLSRadio every Wednesday at 4pm Eastern Time. You can find tons of amazing lifestyle show on FullSwapRadio, including our show, Every Wednesday at 6:30pm and Midnight Eastern Time. We are now hosts on the Swinger Society Discord Server as well. If you have your own sexy stories, please call our hotline and share them with us and our audience. 844-4-Hump-Day If you have any questions for us, please email us at humpdayquickies@gmail.com Visit our website as well.  HumpDayQuickies.com Please follow us on all the social platforms: Twitter - HumpDayQuickies Instagram - HumpDayQuickies FaceBook - HumpDayQuickies TikTok - HumpDayQuickies We are adding new content as quickly as we can!  

Kate and Christina discuss consensual Doritos, a shared moment of vulnerability, and favorite neighborhood haunts.

Let’s get dirty and honest about our often voyeuristic relationship with the divine — and how prayer can profoundly disrupt and enrich our everyday lives. Explore the curious phenomena of spiritual fascination from a safe distance and the transformative power of genuine engagement with the divine through prayer. Rev. Ryan Dunn uses relatable analogies, like … Continue reading "[148] Spiritual voyeurs and engaging with the Divine"

La mort, être cringe, le yacht rock, Barbara Stanwyck, des vieux DVD snapcase, Julie Delpy - pas de doute, ceci est un épisode des Voyeurs de vues.

Dans ce 19e épisode de Pop-Code , on revient sur un film qui, à première vue, ne traite pas explicitement du numérique: "The Truman Show", réalisé par Peter Weir, avec Jim Carrey comme star. Cependant, cet épisode parle de l'anticipation des réseaux sociaux, des relations para-sociales, des facteurs qui font que les gens se montrent sur les réseaux, et des facteurs qui font que les gens regardent. Suivez-nous et donnez-vous votre avis sur notre nouvelle page Instagram! (https://www.instagram.com/the_real_pop_coders?igsh=am05dGxxYnhsZTc5). Vous pouvez également nous suivre sur Twitter (https://twitter.com/bvdose) ou Linkedin (https://www.linkedin.com/in/anthony-simonofski-26793385/).   Pour en savoir plus: Gold, J., & Gold, I. (2012). The “Truman Show” delusion: psychosis in the global village. Cognitive Neuropsychiatry, 17(6), 455-472.Sun, N., Rau, P. P. L., & Ma, L. (2014). Understanding lurkers in online communities: A literature review. Computers in Human Behavior, 38, 110-117.Lyngdoh, T., El‐Manstrly, D., & Jeesha, K. (2023). Social isolation and social anxiety as drivers of generation Z's willingness to share personal information on social media. Psychology & Marketing, 40(1), 5-26.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Franjo est un peu traumatisé de son voyage en Chine, donc il voulait absolument partager ça avec nous.Note et commente le podcast voyons.

Noirvembre débute sous le signe de Dashiell Hammett, le grand écrivain américain spécialiste des polars et des liners, avec The Maltese Falcon, adapté d'un de ses romans, et Brick, qui adapte son style dans un tout autre contexte. Avant cela, par contre, nos Voyeurs s'attaquent à la fin de Choctobre avec Cursed, The Addiction, Flash Gordon (!), The Last of Sheila et le polar québécois semi-oublié Détour, mettant en vedette un Luc Picard pas exactement heureux comme un poisson dans l'eau!

Front Row Classics welcomes celebrated author and filmmaker, Laurent Bouzereau. Laurent has penned a new book celebrating the work of Brian DePalma. "The DePalma Decade" takes a look at seven defining films from 1972-1981. Laurent uses analysis, production histories & recollections of cast, crew and DePalma himself to tell the story of films such as Carrie, Obsession and Dressed to Kill. "The DePalma Decade: Redefining Cinema with Doubles, Voyeurs and Psychic Twins" is available wherever books are sold from Running Press. LAURENT BOUZEREAU is an award-winning filmmaker and best-selling author. His credits include the feature documentaries Music by John Williams; Faye, about legendary actress Faye Dunaway; Mama's Boy, based on the best-selling memoir by Dustin Lance Black; Natalie Wood: What Remains Behind; and the acclaimed Netflix series Five Came Back, based on the ebook by Mark Harris. He is the author of several books on cinema, including Steven Spielberg: The First Ten Years and The De Palma Decade. Bouzereau and his husband, Markus Keith, run Nedland Media, a production company based in Los Angeles.

Hindi Horror Halloween turns 10! And for this landmark entry in our longest running series, we're going back to the beginning and giving horror auteur Ram Gopal Varma another chance... to scare us! Show notes: This our tenth Hindi Horror Halloween! We still know nothing about Ram Gopal Varma Bollywood Drafts Erin thinks Matt just remembers that David Cronenberg made a film with Marilyn Chambers Raat Sam Raimi's shaky cam How this movie redefined Bollywood horror INTERVAL ("Barbie Girl" from Kaun?) Kaun? The horror of being home alone Manoj Bajpayee just wants a sandwich and to watch TV Ittefaq and Signpost to Murder NEXT TIME: We are taking a break, see you in December! Find us on Apple Podcasts! and Stitcher! and audioBoom! and iHeartRadio! and Spotify! and Google Podcasts! and Saavn! and Hubhopper! Thank you to Becca Dalke for the artwork! Follow us on Twitter! Like us on Facebook!

Au menu cette semaine: The Joker: Folie à deux, Saturday Night, Psycho, Braindead, It's What's Inside, The Purge, The Ritual, TMNT Mutant Mayhem, The Voyeurs et bien plus.

Cette semaine, nous accueillons, comme le veut la tradition, Jarrett Mann, cofondateur et directeur du festival SPASM, qui vient nous présenter la programmation de la 23e édition aura lieu du 23 octobre au 2 novembre. Yannick Belzil, des « Voyeurs de vues », est également présent pour discuter de la manière surprenante dont Venom guide les automobilistes, ainsi que de la quatrième saison de « Superman & Lois ». Laurent nous parle des formats musicaux inusités choisis par Green Day pour célébrer les 30 ans de l'album Dookie, des 10 ans de la revue « Planches » et du coffret 4K de « Wallace and Gromit » édité par « Shout! Factory ». Enfin, Benoit fait le point sur les annonces concernant les futurs rôles d'Henry Cavill, le retour en salle du film « Dogma » de Kevin Smith et l'avenir de la franchise « Ghostbusters » au cinéma. En fin d'émission, nous explorons « Houses of the Unholy », le tout dernier album du duo exceptionnel d'Ed Brubaker et Sean Phillips. *Soyez des nôtres le lundi 28 octobre prochain pour l'enregistrement devant public de notre spécial d'Halloween. Billets: www.spasm.ca/event/halloween-mysterieux-2024/ Laissez-nous un message vocal: https://www.speakpipe.com/mysterieuxe Devenez membre de la communauté Patreon: https://www.patreon.com/MysterieuxE Diffusion originale : 14 octobre 2024 Site web : MysterieuxEtonnants.com © Les Mystérieux Étonnants. Tous droits réservés

Although infrequent movie watchers might be most familiar with filmmaker Brian De Palma's Scarface and Mission Impossible, his most prolific era actually came between 1972-1981, which is what filmmaker and book author Laurent Bouzereau refers to as “The De Palma Decade” in his new book of the same name. Beginning with De Palma's 1972 film Sisters, and ending with his 1981 film Blow Out, Bouzereau break down the iconic filmmaker's themes and thought process when developing each work within this decade. For this week's FilmWeek feature, we'll sit down with Laurent Bouzereau, author of the new book “The De Palma Decade: Redefining Cinema with Doubles, Voyeurs, and Psychic Teens,” and get into how this pioneer of New Hollywood cinema made his mark.

Today on AirTalk, a look at the tourism pull of Shohei Ohtani. Also on the show, the history of the Central Avenue Jazz Festival; we chow down on handcrafted English toffee and caramels with the owner of Littlejohn's; our FilmWeek critics review the latest release; Larry interviews the author of the new book ‘The De Palma Decade: Redefining Cinema with Doubles, Voyeurs, and Psychic Teens;' and more. Shohei Ohtani makes baseball history (00:17) The history behind the Central Avenue Jazz Festival (18:00) Tasting handcrafted English toffee and caramels with Littlejohn's Candies (36:13) Our FilmWeek critics review the latest releases (51:28) Larry interviews the author of the new book ‘The De Palma Decade' (1:22:32)

Gloria J. Browne Marshall welcomes Jarret Berg to talk about Voting; Manuel Gomez to discuss a case of bathroom voyeurs and Kim Westcott to share efforts of activism. --- Support this podcast: https://podcasters.spotify.com/pod/show/gloria-j-browne-marshall/support

Scottembre continue et Ben Mercier des Mystérieux Étonnants rejoint les Voyeurs de Vues! Ensemble, ils posent un regard sur le mythe de Tom Cruise tel que construit par les frères Scott. Alex et Yannick discutent de la nouveauté de suspense/action de Netflix, Rebel Ridge. Aussi au programme: Speak No Evil et le drame d'horreur, The Deliverance!

Das erste mal bei WQF, zwei Personen die sich mit Film auskennen und ihn natürlich auch lieben. Hakan und Dennis. (00:00:00) Was bedeutet schon Urlaub. (00:05:18) The Bikeriders (00:11:00) A Most Wanted Aan (00:20:30) Influencer - Tau niemanden dem du folgst (00:29:28) Nimona (00:36:12) Richy Guitar (Die Ärzte) (00:42:35) The Voyeurs (00:48:27) I Saw the TV Glow (01:01:03) Apocalypse now (01:12:05) Offseason - Insel des Grauens (01:22:05) Clifford - Das kleine Scheusa (01:28:00) History of the Occult (01:31:05) Fargo(01:36:06) River: The Timeloop Hotel Dennis LETTERBOXD: https://letterboxd.com/shotbyshot/ INSTAGRAM: https://www.instagram.com/shotbyschott86/ TWITTER: https://twitter.com/shotbyshot86 https://letterboxd.com/hakan_bros/ https://letterboxd.com/cinemavolante/ SOCIAL https://www.facebook.com/wirquatschenueberfilme/ https://www.instagram.com/wir_quatschen_ueber_filme/ Merch https://cinemavolante.myspreadshop.de/ cinemaVOLANTE http://www.cinemavolante.de http://www.patreon.com/cinemavolante https://www.youtube.com/@cinemavolante

Ta webcam est prête ? Tu vas donner un show sexy...C'est une séance de webcam, mais je ne te parle pas d' une simple visio avec une amie ou même  avec moi. Non. Pour quelques minutes,  je vais t'aider à devenir Cam girl. Le jeu est simple. Une caméra te filme sur ton lit. Des dizaines, des centaines d'inconnus te matent, et certains même t'envoient des messages grâce au Chat mis à leur disposition...Tu imagines tous ces yeux rivés   sur toi, et tu sais que le moindre de tes geste est pour eux une invitation à rêver. Tous voudraient être avec toi, contre toi. Les 669 personnes qui te regardent te trouvent séduisante. Leur désir te touche, t'enveloppe. Tu les entends presque te murmurer à l'oreille  combien ils te trouvent belle, combien ils aimeraient être à tes côtés.Le Son du Désir est là pour t'aider à vous détendre et à te faire du bien !Un épisode immersif Le Son du Désir ça ne se refuse pas !Pour en profiter de façon non censurée, et en entier :C'est très simple, il suffit de te rendre sur www.lesondudesir.fret de t'abonner !Là, tu pourras choisir de t'abonner au mois ou à l'annéeEnsuite tu auras accès à plus de 300 audios, en illimité pendant la période de ton choix.Le Son du Désir, c'est TON moment perso, en audio !www.lesondudesir.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:03:10 - Sous les radars - par : Sébastien LAUGENIE - Pour lutter contre le fléau du voyeurisme dans le sport, l'entreprise japonaise Mizuno a développé pour les athlètes japonaise qui vont participer aux Jeux olympiques des maillots capables de résister aux caméras infrarouges.

durée : 00:03:10 - Sous les radars - par : Sébastien LAUGENIE - Pour lutter contre le fléau du voyeurisme dans le sport, l'entreprise japonaise Mizuno a développé pour les athlètes japonaise qui vont participer aux Jeux olympiques des maillots capables de résister aux caméras infrarouges.

Skuespiller Sydney Sweeney (Euphoria) er for tiden aktuell på norske kinoer med nunsploitation-grøsseren Immaculate, og opplevde nylig stor suksess med den romantiske komedien Anyone But You. Vi har sett begge filmene og diskuterer multitalentet Sweeney i lys av hennes nyanskaffede star power. Regissør Michael Mohan jobbet med Sweeney første gang i Netflix-serien Everything Sucks! (2018) og deretter i Amazon Prime-thrilleren The Voyeurs (2021), før de nå igjen har samarbeidet om Immaculate – et prosjekt skuespilleren selv har produsert. Duoen kan virke å være i gang med et langsiktig kunstnerisk samarbeid, som gjør det ekstra interessant å snakke om om deres nyeste film. Den Shakespeare-inspirerte romantiske komedien Anyone But You er en studiofilm regissert av Will Gluck (Easy A), produsert av Columbia og lansert av Sony Pictures, med Sweeney og hennes leading man Glen Powell i hovedrollene. Med kun $25 millioner i budsjett har Anyone But You blitt et veldig profitabelt prosjekt, som i løpet av sitt liv på kino spilte inn $219 millioner, før den nå er sluppet på hjemmemarkedet. Sydney Sweeney er den sentrale figuren som får begge disse filmene til å fungere, og i samtalen nedenfor reflekterer vi over hennes udiskutable karisma og talent – fremvist i både Immaculate og Anyone But You, men på ganske ulike måter. Ved mikrofonene sitter Karsten Meinich og Lars Ole Kristiansen. God lytting!

Whilst Jay is on Vacation we grab our old buddy, bandmate and voiceover boy Nick. Whilst Jay is on Vacation we grab our old buddy, bandmate and voiceover boy Nick.We dig in on Conspiracies, Social Algos, Reality TV, Orbs, Nibiru, Wrestling, Drinking Excessively, Bands, Snake Oil Beard Tools, Yard Care, DNA Test, Disney Adults, Hunting Elk, Getting Sick of yourself, Spam Calls, World of Warcraft Obsessions, Staying in Irish Castles, Castles were a nightmare back in the day, and more! Segments:  "Look at This!" Visit us at http://funtimeboys.com/ - NFHCPodcast.com for everything NFHC Studios Support the show by subscribing to our Patreon! https://www.patreon.com/NFHCStudios Leave us a voicemail anytime at 480-788-7330 Apple Podcast: https://tinyurl.com/yapnr7cf Spotify: https://tinyurl.com/ybpo59va Youtube: https://tinyurl.com/y7va3h9a Join the NFHC Discord! https://discord.gg/xrxhQTP

Well, this could be awkward: when we last featured a story on the podcast a year ago, it also focused on parasocial relationships and included masturbation! This time around, we are again in deft hands. Marie Manilla's short story “Watchers”, set in 1968 Pittsburgh with both the steel mills and Andy Warhol as vital elements, is replete with narrative and thematic echoes that satisfy and leave us wanting more at the same time. Tune in for this lively discussion which touches on budding creative and identity-based aspirations, celebrity, performance art, pain in public and private, and much more. Give it a listen -- you know you want to! (Remember you can read or listen to the full story first, as there are spoilers! Just scroll down the page for the episode on our website.)   (We also welcome editor Lisa Zerkle to the table for her first show!) At the table: Kathleen Volk Miller, Marion Wrenn, Lisa Zerkle, Jason Schneiderman, Dagne Forrest   Listen to the story Watchers in its entirety (separate from podcast reading)   Parasocial relationships https://mashable.com/article/parasocial-relationships-definition-meaning   Andy Warhol's childhood home in Pittsburgh (the setting of this story) http://www.warhola.com/warholahouse.html   “History” article about Andy Warhol's shooting by Valerie Solanas https://www.history.com/news/andy-warhol-shot-valerie-solanas-the-factory    I Shot Andy Warhol, 1996 film https://en.wikipedia.org/wiki/I_Shot_Andy_Warhol      ** Fun Fact 1: the original poster for the 1996 film hangs in Jason's apartment.   ** Fun Fact 2: the actor who portrayed Valerie Solanas in “I Shot Andy Warhol”, Lili Taylor, is married to three-time PBQ-published author Nick Flynn.   Nick Flynn's author page on PBQ http://pbqmag.org/tag/nick-flynn/   Dangerous Art: The Weapons of Performance Artist Chris Burden https://www.theartstory.org/blog/dangerous-art-the-weapons-of-performance-artist-chris-burden/ In her fiction and essays, West Virginia writer Marie Manilla delights in presenting fuller, perhaps unexpected, portraits of Appalachians, especially those who live in urban areas. A graduate of the Iowa Writers' Workshop, Marie's books include The Patron Saint of Ugly, Shrapnel, and Still Life with Plums: Short Stories. She lives in Huntington, her hometown, with her Pittsburgh-born husband, Don.   Instagram and Facebook: @MarieManilla, Author website    Watchers        Zany lies amid clutter on the floor beneath the dining room windows hugging her bandaged arm. She huffs loudly enough to reach the front porch where Mom and Aunt Vi imbibe scotch. Vi still isn't used to afternoon drinking. They can't hear Zany over the Krebbs' crying baby on the other side of the duplex wall. Stupid baby. Plus Zany's little sister overhead dancing to the transistor radio, rattling the light fixture dangling from the ceiling.        The fingertips on Zany's bandaged arm are cold and maybe even blue. This is slightly alarming. She considers running to Mom but knows better. Take the damn thing off then, Mom will say.        There's nothing wrong with Zany's arm, but that isn't the point. At breakfast, without preamble, she wound an Ace bandage from her palm to her armpit. The family no longer asks what she's up to. Last week during Ed Sullivan she sat at her TV tray dripping candle wax over her fist. Aunt Vi blinked with every splat, but Mom only said: “If you get that on my rug I'll take you across my knee. I don't care how old you are.” Zany is thirteen.        Week before, Zany taped a string of two-inch penny nails around her throat at the kitchen table where Dad rewired one of Mom's salvaged lamps. “Why don't you do that in your room?”  Dad didn't like sharing his workspace. Zany shrugged and the nail tips jabbed her collarbones.  She could have done it in her room, but doing the thing wasn't the point. It was having someone watch that mattered. If no one watched, who would believe she could endure that much discomfort?        Nobody is watching now, so Zany grips a dining table leg and pulls it toward her, or tries to. It's hard to budge through Mom's junk piles, plus the weight of the extra leaf Dad inserted when Aunt Vi and Cousin Lester moved in after their apartment collapsed. Aunt Vi brought cans of flowery air freshener to hide the hoard smell—rotten food and cat piss. They don't own a cat.  Lester, sixteen, bought a box of rubble-rescued books.        “You better be setting the table!” Mom calls through the screen.        Zany hates Mom's manly haircut and has said so. “It's Gig's turn!”        Overhead, Gig stomps the floor in the bedroom they now share. Aunt Vi got Zany's attic where Mom's hoard had been disallowed, but it's begun trickling up. “No, it's not!” Gig's transistor blares louder.        “Zany!” Mom calls. “I swear to God! And close those drapes!”        Mom can't stand looking at the neighbor's wall she could reach across and touch, but Zany craves fresh air, as fresh as Pittsburgh air can be. Plus, she likes counting the yellow bricks Andy Warhol surely counted when this was his childhood home, the dining room his make-shift sickroom when he suffered St. Vitus Dance. Zany is certain his bed would have been right here by the window where he could see a hint of sky if he cricked his neck just right. She lies in his echo and imagines the day she'll appear at his Factory door in New York City and say: “I used to live in your house.” Andy will enfold her in his translucent arms before ushering her inside, not to act in his films or screen print his designs, but to be his equal. Partner, even. Zany just has to determine her own art form. It sure won't be cutting fruit cans into flowers like Warhol's mother did for chump change.        Zany's legs start the herky-jerky Vitus dance as if she's running toward that Factory dream. Her pelvis and hips quake. The one free arm. The back of her head jitters against the floor. It's a familiar thrum even Aunt Vi and Lester are accustomed to now. Mom yells: “Stop that racket!” She mutters to Vi: “We never should have bought this place.”       A kitchen timer dings and Aunt Vi comes in to disarm it. Her cooking is better than Mom's, and Vi wears an apron and dime store lipstick while she does it. Fresh peas instead of canned. Real mashed potatoes instead of instant. Vi is a better housekeeper, too, organizing Mom's trash into four-foot piles that line the walls. Every day Mom trolls back alleys and neighbors' garbage in dingy clothes that make her look like a hobo. That's what the kids say:  Your mom looks like a hobo. She pulls a rickety cart and loads it with moldy linens, rolled-up rugs, dented wastebaskets. Zany wonders if Dad regrets marrying the wrong sister. She knows he regrets not having a son, a boy who could have been Lester if Dad had a different heart. Instead, Dad got Lester on at the blast furnace, because “No one sleeps under my roof for free.” Who needs a high school diploma?        In the kitchen, Aunt Vi lets out one of her sobs. She only does that in private after Mom's third scolding: “He's dead, Vi. Crying won't bring him back.”        Zany misses Uncle Mo, too. His pocketful of peppermints. The trick coin he always plucked from Zany's ear. The last time Zany's family visited, she walked through their decrepit Franklin Arms apartment with its spongy floors and clanking pipes, but no maze of debris to negotiate. No cat piss smell or sister blaring the radio. She found Lester in his room at a child's desk he'd outgrown, doughy boy that he then was, doing homework without being nagged.  Astounding. His room was spartan, plenty of space for a second bed if Zany asked Aunt Vi sweetly enough. But no. Zany couldn't abandon Andy in his Dawson Street sickbed. Lester's only wall decoration was a world map strung with red yarn radiating from Pittsburgh to France, China, the South Pole. She wanted to ask why those destinations, but didn't, entranced as she was by all that fresh-aired openness, plus his feverishly scribbling hand.       Now, Aunt Vi leans in the dining room dabbing her face with a dishtowel. She's aged a decade since moving here and it isn't all due to grief. She targets Zany on the floor. “Everything all right in here?”        Zany has stopped breathing. Her eyes are glazed and her tongue lolls from her mouth.  She's getting better at playing dead.        “All right then.” Aunt Vi is getting better at not reacting. The screen door slams behind her.        Zany pulls in her tongue and inhales. She starts counting bricks again until Aunt Vi calls: “There they are!” as she does every workday.        Zany pictures Dad and Lester padding up Dawson. Wet hair slicked back because they shower off the stench before coming home. Zany appreciates that. Their boots scrape the steps to the porch where Aunt Vi will take their lunchpails. And there she is coming through the door and dashing to rinse their thermoses at the kitchen sink. Mom will stay put and pour Dad a finger of scotch.        Lester bangs inside and pauses in the dining room entryway. He's leaner now on account of the physical labor. Taller too. He eyes Zany's bandaged arm, not with Aunt Vi's alarm, but with the kind of baffled wonder Zany has always been after. Their eyes meet and it's the same look he gave her the day she walked backward all the way to the Eliza Number Two—not  because Dad and Lester worked there, but because it was lunchtime, and a gaggle of men would  be eating beneath that pin oak by the furnace entrance. And there they were, her father among them, not easy to see having to crane her neck as Zany picked her way over the railroad tracks.        “What the hell is she doing?” said Tom Folsom. Zany recognized her neighbor's voice.  “She's off her nut,” said another worker.       Zany twisted fully around to see if her father would defend her, but he was already hustling back to the furnace.        “Something's not right with that girl,” said Folsom.        “Nothing wrong with her,” said Lester from beneath a different tree where he ate his cheese sandwich alone.        Folsom spit in the grass. “Shut up, fairy boy.”        Lester wasn't a fairy boy, Zany knew.        Today, leaning in the dining room, Lester looks as if he can see inside Zany's skull to the conjured Factory room she and Andy will one day share: walls scrubbed clean and painted white.  Her drawings or paintings lining the walls in tidy rows. Maybe sculptures aligned on shelves. Or mobiles overhead spinning in the breeze. Lester nods at her fantasy as if it's a good one. He has his own escapism. Zany knows that too, and she looks away first so her eyes won't let him know that she knows.        Lester heads to the cellar where he spends most of his time. Mom partitioned off the back corner for him with clothesline and a bed sheet. Installed an army cot and gooseneck lamp on a crate. Andy Warhol holed up in the cellar when he was a kid developing film in a jerry-rigged darkroom. Zany constructed one from an oversized cardboard box she wedged into that shadowy space beneath the stairs. She cut a closable door in the box and regularly folds herself inside to catalogue her achievements in a notebook. Stood barefoot on a hot tar patch on Frazier Street for seventy-two seconds. Mr. Braddock called me a dolt, but I said: You're the dolt!        From below, the sound of Lester falling onto his cot followed by a sigh so deep Zany's lungs exhale, too. Whatever dreams he had got buried under apartment rubble along with Uncle Mo.       Outside, Dad has taken Aunt Vi's creaky rocker. “He's a strange one,” he says about Lester. “What's he up to down there?”        Mom says, “Who the hell knows?”        Zany clamps her unbandaged hand over her mouth to keep that knowledge from spilling.  She saw what he was up to the day she was tucked in her box and forgot time until footsteps pounded the stairs above her. She peeked through the peephole she'd punched into her cardboard door as Lester peeled off his shirt, his pants. He left on his boxers and socks. Didn't bother to draw his sheet curtain, just plopped on the cot and lit a cigarette. His smoking still surprised her. The boy he once was was also buried under rubble. Zany regretted not making her presence known, but then it was too late with Lester in his underwear, and all. Plus, she was captivated by his fingers pulling the cigarette to his lips. The little smoke rings he sent up to the floor joists. She wondered if he was dreaming of China or the South Pole, or just sitting quietly at his too-small desk back in his apartment inhaling all that fresh air. Finally, he snubbed out the cigarette in an empty tuna can. Zany hoped he would roll over for sleep, but he slid a much-abused magazine from beneath his pillow and turned pages. Even in the scant light Zany made out the naked lady on the cover. Zany's heart thudded, even more so when Lester's hand slipped beneath his waistband and started moving up and down, up and down. She told her eyes to close but they wouldn't, both entranced and nauseated by what she shouldn't be seeing. She knew what he was up to, having done her own exploring when she had her own room. She'd conjure Andy Warhol's face and mouth and delicate hands—because those rumors weren't true. They just weren't. Harder to explore in the bed she now shared with Gig. Stupid Aunt Vi, and stupid collapsed Franklin Arms.       What Lester was up to looked angry. Violent, even. A jittery burn galloped beneath Zany's skin and she bit her lip, drawing blood. But she couldn't look away from Lester's furious hand, his eyes ogling that magazine until they squeezed shut and his mouth pressed into a grimace that did not look like joy. The magazine collapsed onto his chest and his belly shuddered. Only then did Zany close her eyes as the burn leaked through her skin. When Lester's snores came, she tiptoed upstairs to collapse on Andy's echo. She caught Lester seven more times, if caught is the right word, lying in wait as she was, hoping to see, hoping not to.  “You better be setting the table!” Mom yells now from the porch.        Zany grunts and makes her way to the kitchen where Aunt Vi pulls a roast from the oven.  Zany heaves a stack of plates to the dining room and deals them out like playing cards.  “Don't break my dishes!” Mom calls. I hate your hair, Zany wants to say.  There is a crash, but it's not dishes. It comes from overhead where Gig screams.  Thumping on the stairs as she thunders down, transistor in hand. “Zany!”  Gig rushes into the dining room, ponytail swaying, eyes landing on her sister. “He's been shot!”        Zany's mind hurtles back two months to when Martin Luther King was killed. Riots erupted in Pittsburgh's Black neighborhoods: The Hill District and Homewood and Manchester.  “Who?” Zany says, conjuring possibilities: LBJ, Sidney Portier. But to Zany, it's much worse.        “Andy Warhol!”        Zany counts this as the meanest lie Gig's ever told. “He was not.”        “Yes, he was!” Gig turns up the radio and the announcer confirms it: a crazed woman shot Warhol in his Factory.       Aunt Vi comes at Zany with her arms wide, because she understands loss. “Oh, honey.”  Zany bats her hands away. “It's not true.”        Vi backs into Mom's hoard. “Is he dead?”        Gig says: “They don't know.”        Zany can't stomach the smug look on Gig's face, as if she holds Andy's life or death between her teeth. Zany wants to slap that look off, so she does.        Gig screams.        “What the hell's going on in there?” Mom calls.        “Zany hit me!” Gig says at the very moment Aunt Vi says: “Andy Warhol's been shot!”  “No he wasn't!” Zany says again, wanting to slap them both.        Mom and Dad hustle inside where Gig cups her reddening cheek and bawls louder.  “It's nothing,” Mom says at the sight of her sniveling daughter, but Dad enfolds Gig in his arms. “There, there.”        “Don't coddle that child,” says Mom, and for once Zany agrees.        “Now, Mae.” Dad cups the back of Gig's head and there's a different look on her face.  Triumph, maybe.        Pounding on the shared duplex wall, Evie Krebbs, who never could shush that wailing baby. “Andy Warhol's been shot!” she calls to them. “Did you all hear?”        “We heard,” Mom answers as the baby cries louder, and so does Gig, who won't be upstaged. Mom says: “That's the price of fame I guess.”        “Being shot?” says Aunt Vi.        “Put yourself in the public eye and anything's liable to happen. Lotta kooks in this world.”       The neighbor kids' chant sounds in Zany's head: Your mother's a hobo.        “I'd rather be shot than a hobo,” says Zany.        Mom's head snaps back. “What the hell's that supposed to mean?”        Zany doesn't fully know what she means, or maybe she does.        Dad says, “Turn up the radio and see if he's dead.”        Zany doesn't want to know the answer, and to keep him alive she runs to the basement where Andy will always be a sickly boy developing film. Never mind Lester in his bed sending smoke rings up to the floor joists. Never mind her family still jabbering overhead.       Zany dashes to her cardboard box and closes the door, her body shaking, but not from any disease. Andy can't be dead. He just can't, because if he is Zany will never make it to New York. Will never pound on his Factory door. She will never be famous enough for someone to shoot.        She doesn't know she's sobbing until Lester's voice drifts over. “Zany?”        It's hard to speak with that hand gripping her throat and her father overhead still babbling: “Turn it up, Gig.” All Zany eeks out is a sob.        Lester's skinny voice slips through that slit in her door. “Zany?”        The grip loosens and Zany puts her eye to the peephole.        There he is, Lester, on his narrow cot in the windowless cellar where he now lives. He slides his hand into his waistband and he tilts his head toward her. “Are you watching?”  Zany's breathing settles, and the overhead voices disappear taking with them the possibility of Andy's death. Her eyes widens so she can take it all in, the violent strokes, his contorting face, because she won't look away from Lester's pain, or hers.  Finally, she answers him: “Yes.” 

PUBLIC VERSION. Filmmaker Michael Mohan (IMMACULATE, THE VOYEURS, EVERYTHING SUCKS) joins Adam, Joe, and Arwen to discuss his career journey and the making of his hit new horror film IMMACULATE (in theaters now). From seeing BACK TO THE FUTURE as a child and how the film set him on his journey of becoming a filmmaker… to going to Chapman for film studies and the indie films that made the impossible dream of becoming a filmmaker seem possible for him… to shooting and editing short films and scenes for actor friends in need of “tape” for their reels… to his trials and tribulations working on various film and television projects on his way to his first feature… to what it's been like working with actress Sydney Sweeney on multiple projects… to how he convinced the IMMACULATE producers to hire him with an extensive pitch deck… to some completely coincidental similarities that IMMACULATE shares with a certain other “neo-Nunsploitation” horror film that's currently in theaters… to his great advice on not relying only on sustainable gigs… and how he created IMMACULATE's incredible final shot… Mohan is certainly having an amazing moment and deservedly so! Also… Adam gets Sea Monkeys again after a traumatic first experience with them as a child, the group shares the first CD's they ever bought, Joe and Michael explain their philosophy on using Letterboxd, and Adam reveals his biggest personal issue with the theatrical poster for his 2010 film FROZEN in this terrifically candid conversation between three filmmakers. Meet Adam Green, Kane Hodder, and Felissa Rose from the HATCHET franchise next weekend (April 19th - 21st) at New Jersey Horror Con in Edison, NJ! For more upcoming 2024 appearances visit www.ariescope.com 

If you haven't heard of her yet, Syndney Sweeney is possibly the most sought after actress in Hollywood. She had starring roles in shows like EUPHORIA and THE WHITE LOTUS which suddenly made her a big star. With sex appeal and acting chops, and creating her own production company, she's been able to star in a number of surprise hits such as 2023's ANYONE BUT YOU. Then with her appearance on SATURDAY NIGHT LIVE, her hosting gig made her become a meme. Not surprisingly her latest film, IMMACULATE (2024), has arrived in theaters with a bit of a buzz following it.Cecilia (Sydney Sweeney) heads to Italy to join a nunnery that takes care of those near the end of their life after spending their younger years taking care of the poor and sick. As a Sister, Cecilia learns the ropes and daily routine. One morning, a mysterious happening occurs that causes Cecilia to become the focus of attention to the leadership of the convent. However the strictness and rules of the convent contradict typical healthcare and her own wellbeing causing Cecilia to become concerned. Her unease makes her begin to question if things aren't what they appear to be.IMMACULATE may look to be somewhat of a throwback to the nunsploitation of the grindhouse days, but it may actually be more aligned with the French Exteme Horror films of the early 2010's. Fifty-Five Films, Sweeney's production company, bought the rights to Andrew Lobel's screenplay and brought on director Michael Mohan to direct, who she worked with on the film THE VOYEURS (2021). Receiving fairly favorable reviews, your co-hosts take a look at this theatrical release and give their thoughts.

On this SPECIAL EDITION of The Movie Podcast, Shahbaz and Anthony are joined by IMMACULATE Director Michael Mohan. In Immaculate, Sydney Sweeney stars as Cecilia, an American nun of devout faith, embarking on a new journey in a remote convent in the picturesque Italian countryside. Cecilia's warm welcome quickly devolves into a nightmare as it becomes clear her new home harbours a sinister secret and unspeakable horrors. Michael previously worked with Sydney on the film The Voyeurs (2021) and Netflix series Everything Sucks! (2018). Immaculate releases in theatres March 22, 2024 by Elevation Pictures in Canada and Neon in the United States. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca SUPPORT THE MOVIE PODCAST ON PATREON! GET 50% FACTOR MEALS WITH CODE "MOVIEPOD50" (U.S. ONLY) Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

In the new movie Immaculate, Sydney Sweeney plays Cecelia, an American woman who joins a convent in Italy. But after she arrives, she encounters strange occurrences and mysteriously winds up pregnant. Almost everyone in the convent touts it as a miracle, but Cecelia isn't so sure. Horror, of course, ensues. Immaculate was directed by Michael Mohan – who previously collaborated with Sweeney on the Hitchcock-esque thriller The Voyeurs.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

"Immaculate" had its world premiere at the 2024 SXSW Film Festival, where it garnered strong reviews for its dark atmosphere and gut-wrenching performance by Sydney Sweeney. Director Michael Mohan, who previously collaborated with Sweeney on "The Voyeurs," was kind enough to spend some time talking with us about the birth, design, execution, and release of his latest film. How did Giallo films influence his directing style when making this film? What challenges did he face? Will he work with Sydney Sweeney again? Please be sure to check out the film, which is opening this weekend from NEON. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

We're celebrating one full year of being unlikely partners on the podcast beat by finally getting around to what we've been told is one of the all-time great buddy cop movies. Yes it's 1989's Tango & Cash, directed by a three-headed monster of directors on a deeply troubled production but overseen in post-production by Demolition Man editor Stuart Baird, and starring Sylvester Stallone, Kurt Russell, Jack Palance, Teri Hatcher, Brion James, James Hong, Michael J. Pollard, Robert Z'Dar, Lewis Arquette, Eddie Bunker and Clint Howard. No sense sugar-coating it, she doesn't want it to be a secret: Hayley hated this movie. But J Mo still makes the case for its not-so-guilty pleasures, and we reflect on a full year of doing the show. Of course, with the Oscars on Sunday we also take a quick minute to make our picks in the major categories, leading Justin to discover that while he's now seen 100 films from 2023, he's somehow missed almost all the Oscar movies. Embarrassing. We're going heavy on Oppenheimer. Big surprise.  Other works discussed in this episode include Dune: Part Two, Robin Hood: Men In Tights,  Spaceballs, The Princess Bride, The Emperor's New Groove, Beauty and the Beast,  Aladdin, The Lion King, The Voyeurs, Deep Water, Nocturne, The Perfection, Tenet, The Fast Franchise, First Blood, Rocky, Thief, The Rocketeer, Dick Tracy, Cobra, and Under Siege 2: Dark Territory. We'll be back next week to kick off a new campaign as we're joined by Briarpatch publisher and all-around good dude John Cameron to discuss the 1972 Robert Redford political satire The Candidate, which is currently available to watch in its entirety for free on YouTube. Until then, we'll see you at the movies!!

The 96th Academy Awards are in less than a week, and a lot of ink has been spilled comparing contenders for best actor, best director and best picture. But what about less-discussed “craft categories” that reward creativity behind the scenes — like editing, costume design, cinematography and production design? We'll talk to artists in each of those fields about what their work entails and how to recognize and appreciate a bold edit or a brilliant visual aesthetic. And we'll hear from you: what's an Oscars category you'd love to know more about? Guests: Sam Restivo, editor; credits include "Napoleon," "House of Gucci," and "The Last Duel" Allison Pearce, costume designer; credits include "Paint," "Black Bear," and "Clerks 3" Olivia Peebles, production designer and set decorator; credits include “Miss Juneteenth,” “Killers of the Flower Moon,” and “Oppenheimer” Elisha Christian, cinematographer; credits include "The Night House" and "The Voyeurs"

After being horned up all month, our erotic thrillers coverage comes to a close with the wonderfully horny & stupid film The Voyeurs. We're talking about the significance of sex on screen (again lol) and modernizing the erotic thriller genre. The lesson we learned through most the films we covered this month: mind your damn business!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we kick off a month celebrating horror films directed by women with American Psycho. Specter Cinema Club is now on Patreon! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Garrett on social media:TikTokTwitterInstagramLetterboxdYouTubeHaunt DeVaughn on social media:TwitterDread Central Saltburn EditorialTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

Did y'all think we were gonna talk erotic thrillers and not cover a Brian De Palma film!? The boys are joined by Kinell (Kinell's Sinister Cinema Podcast) to discuss the cult classic Body Double. We discuss the many ways this film is a subversion on the erotic thriller sub-genre, as well as De Palma's commentary on his own career. Make sure you have an extension cord handy for your comically giant drill!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we keep the peeping going as we check out The Voyeurs. Specter Cinema Club is now on Patreon! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Kinel on Social Media:TwitterYouTubeInstagramHaunt Garrett on social media:TikTokTwitterInstagramLetterboxdYouTubeHaunt DeVaughn on social media:TwitterDread Central Saltburn EditorialTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

Welcome to the Nothing Shocking Podcast 2.0 episode 220 with our guest Bob Marlette, American Record Producer, Engineer, Mixer and Songwriter (Black Stone Cherry, John 5, Lynyrd Skynyrd, Rob Halford, Tony Iommi/Glenn Hughes, Black Sabbath, and more).  In this episode we discuss the early formation of the band that would become Quiet Riot; the transition from musician to producer; Facilitating the artist to the fans, and more!    For  more information visit: Advance Alternative Media:  www.aaminc.com email: bobmarlette5@gmail.com   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

“An exhibitionist enjoys being watched. This may include exposing private parts of their body to onlookers or in a public space where someone might see or it might be indulging in play in front of an audience. It could also be more private, in a setting between a person and his/her lover/s. Exhibitionism can be combined with submission. This way a Dominate partner can order a sub to expose themselves in certain ways. They might order a sub to wear a short skirt and no knickers whilst out in public, or to wear ladies underwear under work clothes if it's a male submissive. They might ask a submissive to do something at a play event so everyone there can see. Enjoying the thrill of being exposed, exhibitionists have to be careful not to do anything illegal. It is good for exhibitionists to play at play events where people are expecting to see partially naked and naked people. They can play our their fantasies and desires in a supportive atmosphere. It is fun to play in public, but exhibitionists have to be safe and keep their activities legal when they are out where there's the possibility of members of the public seeing them.” “A voyeur gets pleasure from watching other people indulging in sexual, kinky or fetish activities. This can be in many different situations. The people or person being watched may be aware the voyeur is there or not. Depending if the voyeur is visible or hidden away. Some voyeurs like very specific situations or they may just enjoy watching and aren't bothered whether others know this or not. Voyeurs can be part of the sexy action but will often find positions where they can watch what else is going on too. A voyeur may enjoy watching themselves, employing lots of mirrors to do so or videoing themselves and their partners. A voyeur could be very focused on simply watching the action all the time or they may also want to be involved in some way. It may depend on the situation or what kind voyeurism the voyeur enjoys.” “Non-monogamists break with the societal tradition of having just one partner at a time. They will prefer to be in an open relationship. They can be called polyamorous. They don't see sex or kink as something to keep between themselves and just one other person. They can have several partners at once, these can be just for play or more serious relationships. Every non-monogamist will have different approaches to non-monogamy. Polyamorists will have, or look to be in, more than one relationship. These will be more than play and sex, and involve a romantic and/or intimate aspect. Swingers may be married or in a committed relationship with one person but they will indulge in kink or sexual play with other people too. Swingers can be single, it's not all about wife-swapping. Anyone not in a monogamous relationship can be referred as polyamorous. Non-monogamists can indulge in all kinds of fetishes and kink play. They can be Dominant, submissive or switch if they're into BDSM. They will rarely be slaves as devotion to one Master or Mistress doesn't come easy to them. However, they might work well in a relationship with multiple slaves and one or more Dominant partner.” “Switch is the BDSM term for someone who isn't always just Dominant or only submissive, they are a combination of the two. They enjoy being the top in a scene sometimes but are equally as comfortable being the bottom at other times. They have a real desire for both but may be more Dominant or more submissive. Switches don't tend to have a 50/50 split Dom or sub.” -https://www.fetish.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/antonio-myers4/message Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

In this episode of Wait Just an Infosec, host Ryan Chapman is joined by Sherrod Degrippo to get a little weird and discuss some of the things they are seeing most recently in the cybersecurity space.Wait Just an Infosec is produced by the SANS Institute. You can watch the full, weekly Wait Just an Infosec live stream on the SANS Institute YouTube, LinkedIn, Twitter, and Facebook channels on Tuesdays at 10:00am ET (2:00pm UTC). Feature segments from each episode are published in a podcast format on Wednesdays at noon eastern. If you enjoy the Wait Just an Infosec live, weekly show covering the latest cybersecurity trends and news and featuring world-renowned information security experts, be sure and become a member of our community. When you join the SANS Community, you will have access to cutting edge cyber security news, training, and free tools you can't find anywhere else. Learn more about Wait Just an Infosec at sans.org/wjai and become a member of our community at sans.org/join. Connect with SANS on social media and watch the weekly live show: YouTube | LinkedIn | Facebook | Twitter

Tune in as pod buddy Shawn Murphy (Men Who Like Men Who Like Movies Podcast) comes back to the program for a breakdown of The Voyeurs, the 2021 Prime Video erotic thriller. Talking points for this episode include the baffling egg transitions, whether or not Ross and Rachel from Friends were on a break, and Shawn's acute ability to predict twists. Written and directed by Michael Mohan, The Voyeurs stars Sydney Sweeney, Justice Smith, Natasha Liu Bordizzo, Ben Hardy, Katharine King So, Cameo Adele, and Jean Yoon. Spoilers start at 25:20 Here's how you can support the SAG-AFTRA strike (although it's depressing that Fran Drescher is a Zionist who's raised $60 million for the IDF): https://entertainmentcommunity.org/ Good Word: • Shawn: Alien: The Audible Original Dramas and Wild Things • Arthur: Flower of Evil Reach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello! Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms! Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18 Follow the podcast on Twitter and Instagram: @two_centscritic Follow Arthur on Goodreads: https://www.goodreads.com/user/show/144101970-arthur-howell --- Send in a voice message: https://podcasters.spotify.com/pod/show/arthur746/message

Peeping Toms have found new high-tech methods to be disgusting. I'll tell you all about them, in just one minute.

Efter et helikopter-kig på streamingtjenesterne i sidste uge, er det blevet tid til en masse nyt og lidt af det gamle.Prime Video kører hårdt på med to spin-off serier af kendte titler i form af superhelteserien Gen V (The Boys) og The Continental: From the World of John Wick (spin-off af, ja,  John Wick), men ingen af dem formår måske helt at fange originalerne charme og kvalitet.Der er varme toner i det musikalske komediedrama Flora and Son, mens alien-filmen No One Will Save You gør alt det rigtige ved at gøre det hele lidt anderledes, og så har Jens set endnu mere pirateri i den kommende sæson af Our Flag Means Death.I Listen kommer William omkring mordet på JFK i filmen af samme navn, mens Jens har set Fred Rogers dokumentaren Won't You Be My Neighbor.God fornøjelse og skriv endelig, hvis der er noget stort eller småt du vil høre Række 8 vende og dreje i podcasten.(0:00:00)Intro(0:08:07)Listen med Tremors og Mysterious Skin(0:42:02)Hvad vi ellers har set med No Hard Feelings, Blue Beetle, Telemarketers, Heartstopper S2, lidt om de omskiftelige streamingtjenester, Viften og The Voyeurs(1:17:53)Outro og teaser for næste ugeIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og LetterboxdIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd

Ken Strode is a 4th quarter finical meeting so he's late for hour 2. Tim's match on Friday vs. Warson Woods Wacko. Talkin' poppy seeds. This naturally leads to class warfare between Lix and WWW. Iggy fishing for golf balls at Old Warson. How will Iggy fare in his long drive contest? HBO cancelling Winning Time. The boys talk it over. FPCC champion Dogtown Ty calls in and talks about his victory. Apparently there was a sole gentleman watching the match from a far. Who was this man and and how do we give him listener of the year? Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ken Strode is a 4th quarter finical meeting so he's late for hour 2. Tim's match on Friday vs. Warson Woods Wacko. Talkin' poppy seeds. This naturally leads to class warfare between Lix and WWW. Iggy fishing for golf balls at Old Warson. How will Iggy fare in his long drive contest? HBO cancelling Winning Time. The boys talk it over. FPCC champion Dogtown Ty calls in and talks about his victory. Apparently there was a sole gentleman watching the match from a far. Who was this man and and how do we give him listener of the year? Learn more about your ad choices. Visit megaphone.fm/adchoices

Here's a sneak peek at our all new full-length Patreon bonus episode on Michael Mohan's attempt to revive the Erotic Thriller, The Voyeurs (2021). Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! Theme Music: Alexander Nakarada Learn more about your ad choices. Visit megaphone.fm/adchoices

Oh boy...here we go. In a new segment we've decided to dub "Stream Peens" where we explore what multitude of streaming services have to offer that pertain to our interests, we've started with this one...THE VOYEURS! Now, at least Ryan and Laura can come to the agreement that this film is "straight trash" as by design, as an "erotic thriller", it would be a bit trashy. But a resurgence in the mainstream appeal of the genre with 'this' as its flagship? (Scratches head in sarcastic manner) Doubtful. On that basis, it is highly unlikely you'll be seeing anything that 'sexy' on your cinema screens anytime soon but we give this film the attention it deserves and give it the good ol' OTB treatment. Basically, one of us likes it and other hates it (for very good reason). 

This month we’re getting our sexy on (and maybe our weird too) as we explore a pair of modern erotic thrillers. Theme Music: Algorithms by Chad Crouch E-mail comments (or questions) to chris.scott@criticallysane.com or follow us on Twitter. Jeff – JustSomeDude899 Chris – kariyanine RecurringPod The post Recurring Nightmares p. 40: The Voyeurs 2021 v Spoonful of Sugar 2023 first appeared on Critically Sane.

Oh hey...didn't see you there...let me go put some clothes on. We're back! Week three of "Erotic Thriller" month here at the Movie Draft House and we're super hot and bothered. This week we reviewed the modern erotic thriller The Voyeurs from 2021 starring Sydney Sweeney, Justice Smith, Ben Hardy, and Natasha Liu Bordizzo. It's an Amazon Prime Original. Tune in to find out what body part gets Mark going (hint...it's not feet), why Jeff gets tripped up over whether he should bother his neighbors...morally speaking, and why Jeff hates Chicago. Tune in! IMDB synopsis "Pippa and Thomas move into their dream apartment, they notice that their windows look directly into the apartment opposite, this will set in motion a chain of events that will lead to disaster." Music this month is brought to you by the South Carolina satirical pop band Sexbruise? with their song "Ford Taurus"! Catch their music anywhere you get yours! Web Spotify Instagram YouTube Follow the podcast on social media! YouTube Twitter Instagram TikTok Follow the hosts on Twitter Mark - @iheardyouliked Jeff - @PodcastsbyJeff

Welcome to a special bonus episode of Decorating the Set: From Hollywood to Your Home with Beth Kushnick!  We're celebrating the premiere of Insidious: The Red Door, Beth's first horror film that she's worked on, with this special bonus episode of Decorating the Set! This week, Beth and Caroline sit down with Adam Reamer, the production designer on Insidious: The Red Door. Adam was a wonderful guest with great insight into what makes a memorable and scary horror film. Insidious: The Red Door, Rated PG-13, is out TODAY, ONLY in movie theaters! The Interview with Adam begins at Time Code: 6:39. GUEST BIO: ADAM REAMER Adam's recent filmography includes Insidious: The Red Door, James Ponsoldt's film Summering for Sony/Bleeker Street, Michael Mohan's film The Voyeurs for Amazon Studios, and Catherine Hardwicke's Don't Look Deeper. Adam got his degree in architecture at Penn State University where he also focused on sculpture and art history. In New York, he started as a set carpenter and scenic artist for the studio photography industry, later managing design and construction for advertising and editorial shoots, retail environments, and events. After relocating to the West Coast and a brief foray into design-build architecture and interiors, he returned to the industry as an episodic television set designer and art director. Since then he has accrued production design credits across a variety of formats and genres. He is an active member of the Art Director's Guild (IATSE 800) and is represented by Innovative Artists. Adam lives in Portland, Oregon when he is not sailing the waters of the Pacific Northwest, but also considers himself a Los Angeles local. Follow Adam and Insidious: The Red Door on Social Media: Instagram: @ajreamer | @insidiousmovie Adam's Website (https://www.reamerdesign.com/) Insidious: The Red Door Website (https://www.insidious.movie/) ### For over 35 years, Beth Kushnick has created character-driven settings for countless award-winning television series and feature films. As a Set Decorator, she's composed visuals that both capture and enhance any story. Now, she wants to help you capture and enhance YOUR story. Join Beth and her co-host, Caroline Daley, each week as they go behind the scenes of Hollywood's magic, and give you approachable, yet sophisticated tips to realize the space that best expresses who you are. ### Follow Beth Kushnick on Social Media:  Instagram: @bethkushnick Twitter: @bethkushnick Website: DecoratingTheSet.com  Follow Caroline Daley on Social Media: Twitter: @Tweet2Caroline Website: PodClubhouse.com ### Credits: "Giraffes" by Harrison Amer, licensed by Pod Clubhouse. This is an original production of Pod Clubhouse Productions, LLC. Produced, engineered and edited at Pod Clubhouse Studios. For more information, visit our Website.

Welcome to The Lair Podcast! Today we explore healthcare for black women and infants, voyeurism, and much more! I'm so excited to be hosting my first event called ⁠The Reconnection ⁠on July 7th! You are invited to an event of deconstructing sexuality and embracing pleasure one conversation at a time! Be sure to ⁠RSVP to The Reconnection⁠! ⁠Check out my interview with Michelle from The Sexual Health Alliance! ⁠ Meet ⁠Dr. Stephanie Mitchelle⁠ aka ⁠@Doctor__Midwife ⁠ Call To Action In Favor of Birthing Centers in Alabama  Contact Pamela Kendrick, Privacy Officer  334-206-5868 (office) 334-652-4169 (text/call) Write:  Pamela Kendrick, Privacy Officer Office of General Counsel  Alabama Department of Public Health 201 Monroe Street, Suite 1540 Montgomery AL 36104 -------------------------- ⁠TLC LinkTree⁠ -------------------------- Social Media: IG: ⁠@TheLairCompany⁠ IG: ⁠@IAmOsunWemimo ⁠ -------------------------- Link(s) Recommendations: Toy Store Link:⁠ https://pureromance.com/?pws=MLS⁠ BlueTooth Pleasures: ⁠https://www.lovense.com/r/64s548⁠ -------------------------- Want to make a Donation to The Lair Podcast? CashApp: $TheLairPodcast

Hosts Katie Walsh and Blake Howard join multi-hyphenates filmmaker-film festival director Jason Fitzroy Jeffers and studio executive-film director-critic-programmer-screenwriter-educator Brandon Harris to talk about MIAMI VICE (2006) holding an uncomfortable mirror up to the reflection of early 2000s Miami.Join our Patreon for as little as $1 a month for an exclusive weekly podcast Rum and Rant + access to the OHM discord here.ABOUT JASON FITZROY JEFFERSJason Fitzroy Jeffers is a filmmaker from Barbados whose work focuses on giving rooted and nuanced voice to the Caribbean, pockets of subtropical Black life across the American South, and other marginalized, equatorial, Afro-diasporic spaces.As a filmmaker, he has produced award-winning shorts such as Papa Machete and Swimming in Your Skin Again that have screened at film festivals such as Sundance, BlackStar, TIFF, Sheffield and more. More recently, he co-directed the short film Drowning by Sunrise for The Intercept, and produced T, the 2020 winner of the Golden Bear for Best Short Film at Berlinale. Prior to this, Jeffers was a journalist with The Miami Herald, and his writing has also appeared in outlets such as American Way and Ocean Drive.In addition to his film work, Jeffers is also the Founding Director of the Miami-based Caribbean filmmaking collective Third Horizon, which stages the annual Third Horizon Film Festival, a showcase of cinema from the Caribbean, its diaspora, and other underrepresented spaces in the Global South. It was named one of the “25 Coolest Film Festivals in the World” in 2019 and 2021 by MovieMaker Magazine. For this and other work at the intersection of filmmaking and social justice, Jeffers was named a 2019 Ford Foundation / Rockwood Leadership Institute JustFilms fellow.Jeffers is currently in development on two feature-length projects: he is co-writing and producing Untitled Opa-locka Project, a science fiction set in inner-city Miami, which has been supported by Sundance Talent Forum, SFFILM and Cinereach; and he is also directing The First Plantation, a documentary on the fight for reparations in Barbados for which he was named a Doc Society New Perspectives fellow.ABOUT BRANDON HARRISOriginally from Cincinnati, Ohio, Brandon Harris has worked in the world of American Cinema as a studio executive and film director, critic and programmer, screenwriter and educator. Formerly a Development Executive for Amazon Studios, where he oversaw productions such as Master (2022) and The Voyeurs (2021) and acquisitions such as Blow the Man Down (2020) and Time (2020), Harris's lauded writings about cinema, politics, culture, and the intersections between them have appeared in The New Yorker, The New Republic, The Guardian, VICE, The Daily Beast, Variety, N+1, The New Inquiry, Brooklyn Rail, In These Times, Hammer to Nail, and Filmmaker Magazine, where he remains a contributing editor. Harris, formerly the festival programmer at the Indie Memphis Film Festival, is the director of Redlegs (2012), a New York Times Critics Pick. His genre bending mix of memoir and history Making Rent in Bed-Stuy, released in 2017 by Amistad Books, is a New York Times Book Review Editor's Choice and was named a Vogue Magazine book of the year.Join our Patreon for as little as $1 a month for an exclusive weekly podcast Rum and Rant + access to the OHM discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON:ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

4/20 Hour 3   2:00 Voyeurs in big cities   8:30 Drab's altercation with his neighbor 17:20 Commanders TE Logan Thomas 35:00 NIL deals in college sports

Travel; on-stage meltdowns; human moments; Rollins Band; do you gotta be great to be vulnerable; more! a2gpitreport@gmail.com