Podcast appearances and mentions of simon denny

Full episode released to subscribers: 20 Jun 2024 | Subscribe --> https://newmodels.io _ Hallucinating Sense in the Era of Infinity Content Written & read by Caroline Busta Document Journal SS24 https://www.documentjournal.com/2024/05/technical-images-film01-angelicism-art-showtime-true-detective-shein/ What if, in a time of infinity content, a meta-reading of the shape and feel of content has become a survival skill? What if we thought about generative AI more as an expression of an epochal shift in human communication than a root cause? More than transmitting specific information, “content”—whether a mukbang video or this 3600 word essay—is now foremost a conductor of “vibes.” "Hallucinating Sense in the Era of Infinity Content" was written in early 2024 by Caroline Busta for Document Journal SS 2024. Editors: Drew Zeiba & Camille Sojit Pechat  Audio production: Lil Internet In the training data: Vilém Flusser, Kevin Munger, K Allado McDowell, Holly Herndon & Mat Dryhurst, Jon Rafman, Dean Kissick, Theo Anthony, Lola Jusidman, Film01, Bernard Stiegler, Olivia Kan-Sperling, Chris Blohm, Niklas Bildstein Zaar, Andreas Grill, Anna Uddenberg, Simon Denny, Trevor Paglen, Joshua Citarella, Jak Ritger, Hari Kunzru, Loretta Fahrenholz, Dorian Electra, Michael Franz, Kolja Reichart, Shein, Lil Internet & the NM Discord.

We know that technology has changed art, and that artists have evolved with every new technology — it's a tale as old as humanity, moving from cave paintings to computers. Underlying these movements are endless debates around inventing versus remixing; between commercialism and art; between mainstream canon and fringe art; whether we're living in an artistic monoculture now (the answer may surprise you); and much much more. So in this new episode featuring Berlin-based contemporary artist Simon Denny -- in conversation with a16z crypto editor in chief Sonal Chokshi -- we discuss all of the above debates. We also cover how artists experimented with the emergence of new technology platforms like the web browser, the iPhone, Instagram and social media; to how generative art found its “native” medium on blockchains, why NFTs; and other art movements. Denny also thinks of entrepreneurial ideas -- from Peter Thiel's to Chris Dixon's Read Write Own -- as an "aesthetic"; and thinks of technology artifacts (like NSA sketches!) as art -- reflecting all of these in his works across various mediums and contexts. How has technology changed art, and more importantly, how have artists changed with technology? How does art change our place in the world, or span beyond space? It's about optimism, and seeing things anew... all this and more in this episode. Resources: Find Denny on Twitter: https://x.com/dennnnnnnnnyFind Sonal on Twitter: https://x.com/smc90 Stay Updated: Let us know what you think: https://ratethispodcast.com/a16zFind a16z on Twitter: https://twitter.com/a16zFind a16z on LinkedIn: https://www.linkedin.com/company/a16zSubscribe on your favorite podcast app: https://a16z.simplecast.com/Follow our host: https://twitter.com/stephsmithioPlease note that the content here is for informational purposes only; should NOT be taken as legal, business, tax, or investment advice or be used to evaluate any investment or security; and is not directed at any investors or potential investors in any a16z fund. a16z and its affiliates may maintain investments in the companies discussed. For more details please see a16z.com/disclosures.

with @dennnnnnnnny @smc90We know that technology has changed art, and that artists have evolved with every new technology — it's a tale as old as humanity, moving from cave paintings to computers. Underlying these movements are endless debates around inventing versus remixing; between commercialism and art; between mainstream canon and fringe art; whether we're living in an artistic monoculture now (the answer may surprise you); and much much more. So in this new episode featuring Berlin-based contemporary artist Simon Denny -- in conversation with a16z crypto editor in chief Sonal Chokshi -- we discuss all of the above debates. We also cover how artists experimented with the emergence of new technology platforms like the web browser, the iPhone, Instagram and social media; to how generative art found its “native” medium on blockchains, why NFTs; and other art movements. Denny also thinks of entrepreneurial ideas -- from Peter Thiel's to Chris Dixon's Read Write Own -- as an "aesthetic"; and thinks of technology artifacts (like NSA sketches!) as art -- reflecting all of these in his works across various mediums and contexts. How has technology changed art, and more importantly, how have artists changed with technology? How does art change our place in the world, or span beyond space? It's about optimism, and seeing things anew... all this and more in this episode.As a reminder: none of this is investment, business, legal, or tax advice; please see a16z.com/disclosures for more important information, including a link to a list of our investments. SHOW NOTES: 

Simon Denny's Metaverse Landscapes unpack historical resonances between territory, abstraction and financialization. Links: https://www.nytimes.com/2024/03/06/arts/design/simon-denny-art-computers-gaming-review-musk-grimes.html https://www.instagram.com/sden023/ https://www.instagram.com/juliaxgulia/ https://www.instagram.com/joshuacitarella/ https://www.instagram.com/dunkunsthalle/ https://www.instagram.com/petzelgallery/ https://www.instagram.com/sorry_press/ https://www.sorry-press.com/landscapes https://dunkunsthalle.substack.com/p/simon-denny-exhibition-read-write https://www.petzel.com/exhibitions/simon-denny5 https://www.petzel.com/exhibitions/multi-user-dungeon-mud

Artist Paige K.B. calls into the stream to discuss three major exhibitions: “Cute” at Somerset House in London, “Poetics of Encryption” at KW Institute of Contemporary Art in Berlin, and Simon Denny's shows in New York. Follow: https://www.instagram.com/guiltgroupe/ Exhibitions: https://www.somersethouse.org.uk/whats-on/cute https://poeticsofencryption.kw-berlin.de/src/html/Exibition.html https://www.petzel.com/exhibitions/simon-denny5 https://www.petzel.com/exhibitions/multi-user-dungeon-mud https://dunkunsthalle.substack.com/p/simon-denny-exhibition-read-write

Berlin-based New Zealand artist Simon Denny likes to explore and play with the intersections of art, power and new technology. He represented New Zealand at the 2015 Venice Biennale with "Secret Power" inspired by the fallout from Edward Snowden's NSA leaks and Five Eyes surveillance technology. His 2018 exhibition "The Founder's Paradox", used the language and logic of board games to highlight competing utopian political visions for New Zealand's future. Denny's latest work "Optimism" is currently on view at Auckland Art Gallery. It consists of two hanging megastructures which are enlarged 3D-printed models of patent diagrams of rocket engine parts by Rocket Lab.

New Zealand's most internationally acclaimed living artist, Simon Denny has built his career on extremely close reading of and responding to the impact of technology on society and culture. On the eve of a major new work at Auckland Art Gallery, he joins Duncan Greive for a conversation about the original mass media, and how technology has informed his practice. Learn more about your ad choices. Visit megaphone.fm/adchoices

An artist talk with Simon Denny recorded in collaboration with the Kunstverein Hannover. Future Histories International Find all English episodes of Future Histories here: https://futurehistories-international.com/ and subscribe to the Future Histories International RSS-Feed (English episodes only)   Shownotes Simon Denny: https://simondenny.net/ Simon Denny (HFBK Hamburg): https://www.hfbk-hamburg.de/de/namenregister/simon-denny/ Simon Denny on twitter: https://twitter.com/dennnnnnnnny?lang=de Simon Denny on instagram: https://www.instagram.com/sden023/?hl=de Simon Denny - Metaverse Landscapes (Kunstverein Hannover): https://www.kunstverein-hannover.de/en/ausstellungen/1985-simon-denny Agnieszka Kurant – Uncomputables (Kunstverein Hannover): https://www.kunstverein-hannover.de/en/ausstellungen/1680-agnieszka-kurant Sara Morais dos Santos Bruss (Kunstverein Hannover): https://www.hkw.de/the-house/team/sara-morais-dos-santos-bruss   Further Shownotes Staedelschule (art school in Frankfurt am Main): https://staedelschule.de/en/information/profil Digital Live Design (DLD): https://dld-conference.com/ Jack Dorsey (Wikipedia): https://en.wikipedia.org/wiki/Jack_Dorsey Jimmy Wales (Wikipedia): https://en.wikipedia.org/wiki/Jimmy_Wales Pavel Durov (Wikipedia): https://en.wikipedia.org/wiki/Pavel_Durov Drew Housten (Wikipdia): https://en.wikipedia.org/wiki/Drew_Houston Kunstverein Munich: https://www.kunstverein-muenchen.de/en Everything Everywhere All At Once (Movie): https://www.youtube.com/watch?v=wxN1T1uxQ2g Jony Ive (Wikipedia): https://en.wikipedia.org/wiki/Jony_Ive Peter Thiel (Wikipedia): https://en.wikipedia.org/wiki/Peter_Thiel Mont Pelerin Society (Monoskop): https://monoskop.org/Mont_Pelerin_Society Friedrich von Hayek (Wikipedia): https://de.wikipedia.org/wiki/Friedrich_August_von_Hayek Margeret Thatcher (Wikipedia): https://en.wikipedia.org/wiki/Margaret_Thatcher 4chan (Wikipedia): https://en.wikipedia.org/wiki/4chan Williams, Alex and Srnicek, Nick. 2013. #ACCELERATE MANIFESTO for an Accelerationist Politics. Critical Legal Thinking: https://criticallegalthinking.com/2013/05/14/accelerate-manifesto-for-an-accelerationist-politics/ Srnicek, Nick, and Alex Williams. 2015. Inventing the future: Postcapitalism and a world without work. Verso Books. [PDF available]: http://pinguet.free.fr/srnicek15.pdf Cuboniks, Laboria. 2018. The Xenofeminist manifesto: a politics for alienation. Verso Books.: https://www.versobooks.com/en-gb/products/806-the-xenofeminist-manifesto Bastani, Aaron. 2019. Fully automated luxury communism. Verso Books.: https://www.versobooks.com/products/476-fully-automated-luxury-communism Cybernetic Culture Research Unit (Wikipedia): https://en.wikipedia.org/wiki/Cybernetic_Culture_Research_Unit Mark Fisher (Wikipedia): https://en.wikipedia.org/wiki/Mark_Fisher NFTs (Wikipedia): https://en.wikipedia.org/wiki/Non-fungible_token Midjourney Project: https://www.midjourney.com/home/?callbackUrl=%2Fapp%2F Crypto Kitties https://www.cryptokitties.co/ Dot Com Seánce: https://www.dotcomseance.com/ Jon Rafman (Wikipedia): https://en.wikipedia.org/wiki/Jon_Rafman Project Spawning: https://spawning.ai/ Architect Dr. Karamia Müller: https://www.crosspolynate.co.nz/dr-karamia-muller Signum Network: https://signum.network/ Piet Mondrian: https://de.wikipedia.org/wiki/Piet_Mondrian https://en.wikipedia.org/wiki/Broadway_Boogie_Woogie Decentraland: https://decentraland.org/   Further Future Histories Episodes on related topics S02E49 | Elisa Loncón Antileo on Plurinational Constitutionalism: https://www.futurehistories.today/episoden-blog/s02/e49-elisa-loncon-antileo-on-plurinational-constitutionalism/ [German] S02E34 | tante zu Crypto-Imaginaries und alternativen technologischen Infrastrukturen: https://www.futurehistories.today/episoden-blog/s02/e34-tante-zu-crypto-imaginaries-und-alternativen-technologischen-infrastrukturen/   S02E20 | Trebor Scholz on Platform Cooperativism: https://www.futurehistories.today/episoden-blog/s02/e20-trebor-scholz-on-platform-cooperativism/ S01E06 | Jaya Klara Brekke on the Political in Blockchain: https://www.futurehistories.today/episoden-blog/s01/e06-jaya-klara-brekke-on-the-political-in-blockchain/ If you like Future Histories, you can help with your support on Patreon: https://www.patreon.com/join/FutureHistories? Write me at office@futurehistories.today and join the discussion on Twitter (#FutureHistories): https://twitter.com/FutureHpodcast or on Mastodon: @FutureHistories@mstdn.social or on Reddit: https://www.reddit.com/r/FutureHistories/ or on YouTube: https://www.youtube.com/channel/UCfRFz38oh9RH73-pWcME6yw www.futurehistories.today   Episode Keywords: #SimonDenny, #JanGroos, #FutureHistories, #FutureHistoriesInternational, #Podcast, #Interview, #NFT, #Crypto, #Blockchain, #Imaginaries, #Tech, #Colonialism, #DigitalSpaces, #Design, #Decentralization, #DigitalFuture, #DigitalInfrastructure, #GlobalCommunities, #TechnologyDebate, #Art, #KunstvereinHannover, #MetaverseLandscapes  

Simon Denny speaks with Karamia Müller and Guile Twardowski about decentralized curation and the tech resurrection.

In the late 1960s, a young Graham Trust from Liverpool, England, learned the foundations of vocal performance from his father, a well-respected community choirmaster. As young Graham grew, he was enthralled with the angst-ridden sound of the punk bands blaring from the radio – in particular those played by BBC Radio 2's renowned disc jockey, John Peel.  As a teenager, Graham combined his love of vocal harmonies with the sounds of the burgeoning punk scene and founded a post-punk band with schoolmates, notably a lad named Martyn Gilbert. From 1989 to 1991, Graham, Martyn, and drummer Tony Potter achieved regional fame performing as the band, The Vow – but it was only a short time later that the band split up.  During the ensuing years, Graham continued to hone his craft as a singer, songwriter, and multi-instrumentalist and followed his passion for music. Having built a large portfolio of promising original songs and now having the resources required for proper recording and music production, thanks to steady employment in the corporate world, he entered the recording studio in 2008 with the intent to share his musical creations with the world.  Writing all the songs, performing all the vocals, and recording many of the instruments, The Vow is the brainchild of Graham Trust. Through the years he has enlisted a revolving roster of musicians, including his former mates Martyn Gilbert, Tony Potter, and onetime bassist Nick Reynolds. Joining Graham on recent recordings is producer, musician, and studio owner, Simon Denny - favored for his orchestral arrangements.  In this episode, Graham Trust of The Vow joins Team Derringer to discuss his fascination with songcraft, his early musical influences – including The Jam – and his latest song, Dude for David, a musical tribute to David Bowie. Team Derringer counts down their top five favorite songs by The Vow and, with very little effort, coaxes Graham into sharing the history of each.  We think you'll enjoy this fun and entertaining interview with Graham Trust of The Vow and, on top of that, we're sure you'll fall in love with The Vow's compelling music along the way.   Please subscribe to Derringer Discoveries on your favorite digital platform so you'll never miss a future episode. We would greatly appreciate it if you'd tell your friends, family, and fellow music lovers about Derringer Discoveries.   Our theme song, Your Sister's Room by the band Ho Jo Fro, is available on most digital streaming platforms.  © 2022 Derringer Discoveries | All Rights Reserved 

In the late 1960s, a young Graham Trust from Liverpool, England, learned the foundations of vocal performance from his father, a well-respected community choirmaster. As young Graham grew, he was enthralled with the angst-ridden sound of the punk bands blaring from the radio – in particular those played by BBC Radio 2's renowned disc jockey, John Peel.  As a teenager, Graham combined his love of vocal harmonies with the sounds of the burgeoning punk scene and founded a post-punk band with schoolmates, notably a lad named Martyn Gilbert. From 1989 to 1991, Graham, Martyn, and drummer Tony Potter achieved regional fame performing as the band, The Vow – but it was only a short time later that the band split up.  During the ensuing years, Graham continued to hone his craft as a singer, songwriter, and multi-instrumentalist and followed his passion for music. Having built a large portfolio of promising original songs and now having the resources required for proper recording and music production, thanks to steady employment in the corporate world, he entered the recording studio in 2008 with the intent to share his musical creations with the world.  Writing all the songs, performing all the vocals, and recording many of the instruments, The Vow is the brainchild of Graham Trust. Through the years he has enlisted a revolving roster of musicians, including his former mates Martyn Gilbert, Tony Potter, and onetime bassist Nick Reynolds. Joining Graham on recent recordings is producer, musician, and studio owner, Simon Denny - favored for his orchestral arrangements.  In this episode, Graham Trust of The Vow joins Team Derringer to discuss his fascination with songcraft, his early musical influences – including The Jam – and his latest song, Dude for David, a musical tribute to David Bowie. Team Derringer counts down their top five favorite songs by The Vow and, with very little effort, coaxes Graham into sharing the history of each.  We think you'll enjoy this fun and entertaining interview with Graham Trust of The Vow and, on top of that, we're sure you'll fall in love with The Vow's compelling music along the way.   Please subscribe to Derringer Discoveries on your favorite digital platform so you'll never miss a future episode. We would greatly appreciate it if you'd tell your friends, family, and fellow music lovers about Derringer Discoveries.   Our theme song, Your Sister's Room by the band Ho Jo Fro, is available on most digital streaming platforms.  © 2022 Derringer Discoveries | All Rights Reserved 

In this episode, I have a conversation with Adina Glickstein, a writer and editor working between the worlds of art and technology in Berlin. She writes a monthly column about internet culture for Spike Art Magazine, and co-authored a chapter on the infrastructural history of Ethereum for On NFTs (forthcoming from TASCHEN, 2022). She has guest-lectured to students learning about blockchain at the Royal College of Art (UK) and Merz Akademie (DE), and moderated a panel about crypto and art history at NFTBerlin 2022.  With full transparency, she is also my daughter! Listen in as she tries to help demystify lingo and laughs with me as we seek to learn new things together.Links that Adina mentions and thinks you will enjoy!Spike #70 – Web3:https://shop.spikeartmagazine.com/product/spike-epaper-issue-70-web3Panke Gallery:https://www.panke.gallery/exhibition/home/  Net Art:https://en.wikipedia.org/wiki/Net.art Harm van den Dorpel:https://harm.work/ Sarah Friend:https://isthisa.com/aboutmeSimon Denny:https://simondenny.net/Dotcom Seance:https://www.dotcomseance.com/Maria-Paula Fernandez/Department of Decentralization:https://decentralala.com/aboutToby Shorin/Other Internet:https://otherinter.net/Melanie Hoff:https://sfpc.io/people/melanie-hoff/Nina Protocol:https://www.ninaprotocol.com/NTS Radio:https://www.nts.live/  Follow my blog (the inspiration for this podcast) https://themindfullcreative.comDM me on Instagram and let me know what you think! https://www.instagram.com/mindfullconversations/

We're joined by two Kiwi crypto innovators. Artist Simon Denny and Chief Executive of Easy Crypto Janine Grainger talk about their remarkable careers and discuss how New Zealand could embrace crypto's potential.

We invited artist Simon Denny over to our studio for the final podcast of the year to go deep on his practice, a commitment to exploring context as a medium, making crypto art and exhibitions before everyone cared, and Dotcom Seance, his wild new art project on Folia.A perfect guest to close out the year! We will be taking a break for the first week of January to focus on something big to be announced soon, and will also be doing an AMA in the early  new year - send over questions!Happy new year everyone and thank you

In this episode, Dr Simon McKenzie talks with Anna Briers about what visual art can tell us about new digital technologies. The current show at UQ Art Museum – called ‘Don't Be Evil' – seeks to show us some of the invisible power structures of networked technology, including the implications of machine learning, artificial intelligence, and data capitalism.Anna Briers is the Curator at the UQ Art Museum. She has curated in both an institutional and freelance capacity for over a decade in various contexts ranging from art museums and arts festivals, through to underground tunnels and golden canola fields. She holds a Masters of Art Curatorship from the University of Melbourne, a Bachelor of Arts (Honours) and a Bachelor of Fine Arts (Elam) from the University of Auckland.Further reading:UQ Art Museum, Conflict in My Outlook_We Met Online Safiya Noble, Algorithms of oppression: how search engines reinforce racism (2018: New York University Press)Timnit Gebru, 'Race and Gender' in Markus D. Dubber, Frank Pasquale, and Sunit Das (ed) in The Oxford Handbook of Ethics of AI (2020: Oxford University Press)Kate Crawford and Vladan Joler, The Anatomy of an AI System (2018)Simon Denny, Extractor (2019)Sean Dockray, Learning from YouTube (2018)Forensic Architecture, Model Zoo (2020) 

 In conjunction with this years Ljubljana Biennial of Graphic Arts titled "Iskra Delta "curated by Tjaša Pogačar we interviewed Janez Skrubej, the author of "The Cold War For Information Technology: the Inside Story". Inside indeed, as Janez was the former CEO of Iskra Delta, a major contender on the world stage for not only personal computers, but also large scale networked IT systems. Based within Tito's Yugoslavia it was caught in the crosshairs in the cold war, working between the US, Soviet Union, China, and India, with each corresponding intelligence agency pushing their own agenda. Janez was the managing director during this time, and was personally paid visits by the presidents of the Soviet Union, China and India, as well as the CIA and KGB. Ultimately the conflicting interests overpowered the small IT company and it closed, leaving Europe without a major contender in the global IT race. It's a treat to speak to Janez about this extraordinary situation, and to imagine an alternative history where Iskra Delta might have had a fighting chance.Read The Cold War for Information Technology: The Inside Story: https://www.amazon.com/Cold-War-Information-Technology-Inside-ebook/dp/B00C1NWL2EFollow Janez Skrubej updates: http://sbpra.com/janezskrubej/We cannot wait to see this film! http://senca-studio.si/en/portfolio/sparks-in-time/Check out the Ljubljana Biennale of Graphic arts, with contributions by Other Internet, John Akomfrah, Simon Denny, Josh Citarella, us and more!: https://34.bienale.si/en/  

This is a bonus episode, meaning we're releasing it out of order so that we can deliver this piping hot content before its relevance crumbles under the weight of the media cycle. It's a Met Gala recap, so we're talking about favorites and least favorites, and giving our takes on the event's most controversial looks. Along the way, Hope and Jackie both come out as pro flower crown and ask the question “where were you when you found out what a deductible is?” Finally, a conversation about Simon Denny's art exhibit Security Through Obscurity, which tells a story of neoliberal irony through the beautiful and unexpected collision of Margaret Thatcher's scarves with Patagonia puffy vests. Enjoy!   We're socialists! Follow us on the socials @fashismpod

How can artwork be the blockchain itself?Joey Orr runs the Integrated Arts Research Initiative at the Spencer Museum of Art. He commissioned leading artists Stephanie Dinkins and Simon Denny to explore the emergence of blockchain technology in collaboration with science and humanities researchers at The University of Kansas. They are pushing to think about issues of diversity, equity, access and inclusion through the lens of consensus. Will integrating blockchain into artwork challenge prevailing thought on control or ownership? Can it support communities with a new kind of trust? Tickle your brain with the possibilities for this project.

Welcome to the #6 of neo-Portal, which is also the first episode that's conducted in English. This time we invited artist Simon Denny to join us for a discussion about how his practices are related to technology, with a special focus on Games and Blockchain. 第六期传送门邀请了艺术家西蒙·丹尼来讨论他作品中和游戏、区块链相关的创作，以及它们带来的一系列技术美学。播客由英文进行，中文详细内容请关注广东时代美术馆相关内容。02:25 Denny speaks about his recent engagement with the tech scene05:20 Denny made Patagonia Objects out of Margaret Thatcher's scarf and showed them at the Altman Siegel Gallery in January10:45 Mapping complexity in Denny's works14:00 The game "Extractor" in Denny's 2019 show called Mine, shown at the Museum of Old and New Art in Tasmania and followed by an online version in Dusseldorf26:30 The choice of the online platform Minecraft in displaying Denny's work27:36 How decentralized finance is taking place in various parts of the world32:30 Denny's recent collaborated project with artist Stephanie Dinkins on racialized AI38:22 In collaboration with the Distributed Gallery, Denny made a reproductioin of auctioned CryptoKittie Simon Denny (*1982 Auckland/New Zealand, lives in Berlin) is an artist whose work explores the culturesand values behind contemporary technologies. In recent years, Denny has looked at the exploitation ofinformation in data-economies, using his work to visualise systems of competing political and economicvisions, interrelationships of labour, capital, developments in technologies, and impacts on the biosphere. He studied at the University of Auckland (2005), and the Städelschule, Frankfurt am Main (2009). Denny co-founded the BPA//Berlin Program for Artists, an artist mentoring program in 2016. Since 2018, heis a professor for Time Based Media at the HFBK, Hamburg.西蒙·丹尼的作品探究了当代技术背后的文化和价值。他致力于对数据经济中的信息进行研究，也对多个方面 —— 政治和经济中的竞争观念、劳动力、资本和技术发展之间的相互关系，以及对生物圈的影响 —— 进行可视化。他曾就读于奥克兰大学和德国法兰克福的Städelschule。丹尼的作品曾在世界各地展出，他也曾经来过中国，并在2017年的时候在深圳OCAT当代艺术中心办过一个名叫“真·万众创业”的个展。丹尼于2016年和其他几位艺术家共同创立了BPA //柏林艺术家计划，并在2018年以来在汉堡美术学院任时间媒介教授。丹尼在以往的艺术实践中讨论了技术圈以及创业文化的很多议题，并在实践当中关注游戏、区块链，以及它们带来的一系列的技术美学。这些作品讨论了企业家的个人效应以及企业文化，并对技术进行了批判性的思考。

Hito Steyerl ist eine der spannendsten Künstlerinnen der Gegenwart. Sie eignet sich die neuen digitalen Technologien an und kritisiert. [00:00] Begrüßung und Einführung Hito Steyerl [03:00] Hito Steyerl - aktuelle Ausstellung in Düsseldorf und Arbeit mit digitalen Medien [24:50] Simon Denny - von Tech-Pionieren und Data-MiningDer Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-hito-steyerl-und-digitale-kunst

Hito Steyerl ist eine der spannendsten Künstlerinnen der Gegenwart. Sie eignet sich die neuen digitalen Technologien an und kritisiert. [00:00] Begrüßung und Einführung Hito Steyerl [03:00] Hito Steyerl - aktuelle Ausstellung in Düsseldorf und Arbeit mit digitalen Medien [24:50] Simon Denny - von Tech-Pionieren und Data-MiningDer Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-hito-steyerl-und-digitale-kunst

Hito Steyerl ist eine der spannendsten Künstlerinnen der Gegenwart. Sie eignet sich die neuen digitalen Technologien an und kritisiert. [00:00] Begrüßung und Einführung Hito Steyerl [03:00] Hito Steyerl - aktuelle Ausstellung in Düsseldorf und Arbeit mit digitalen Medien [24:50] Simon Denny - von Tech-Pionieren und Data-MiningDer Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-hito-steyerl-und-digitale-kunst

Christian Friedrich im Gespräch mit Beate Anspach. Beate Anspach arbeitet an der Hochschule für bildende Künste in Hamburg (hfbk) an Publikationen und digitalen Projekten in der Abteilung Kommunikation + Vernetzung und es dreht sich um lehren und lernen an Kunsthochschulen, um Beispiele von Öffnung und gesellschaftlicher Interakation, aber auch um Schwierigkeiten und Herausforderungen aus Sicht von Studierenden und der hfbk selbst. Feedback sehr gern in den sozialen Medien an das # HOOU Team. Shownotes: hfbk https://www.hfbk-hamburg.de/de/ hfbk Instagram https://www.instagram.com/hfbkhamburg/ Beate Anspach https://www.hfbk-hamburg.de/de/namenregister/beate-anspach/ Palais Schaumburg https://en.wikipedia.org/wiki/Palais_Schaumburg_(band) 1000 Robota https://de.wikipedia.org/wiki/1000_Robota HGich.T http://www.hgicht.de/ https://www.online-gallery.hfbk.net/ https://rhizome.hfbk.net New Museum, Rhizome, New York https://www.newmuseum.org/pages/view/rhizome Rhizome, Deleuze & Guattari https://en.wikipedia.org/wiki/Rhizome_(philosophy) Podcastempfehlungen zu Kunst und Kultur: The Conversation Art Podcast https://theconversationpod.com/ e-flux Podcast https://www.e-flux.com/podcasts/ bad at sports Podcast http://badatsports.com/category/podcast/ Fazit, DLF Kultur https://www.deutschlandfunkkultur.de/fazit.1012.de.html Kapitelmarken: 00:00:06 Intro und Vorstellung: die hfbk 00:00:50 Beate Anspach 00:04:39 Die hfbk 00:05:19 Werkstatt und Audiolabor der hfbk 00:07:56 Bewerbungsverfahren der hfbk 00:09:28 Lehre und OER an der Kunsthochschule 00:11:44 Lernerfolg 00:13:37 Subversive Elemente der Arbeit 00:16:33 Orientierung im Studium 00:24:29 Lehre und Kontrollverlust 00:26:09 Beispiel: Online Gallery 00:35:37 Open Source und Nachnutzung 00:37:46 Beispiel: Rhizome 00:49:49 HOOU und Organisationsentwicklung 00:49:58 Experimentieren und organisationales Lernen 00:52:58 Kooperationen mit Hochschulen 00:54:51 Podcasts und Kunst 00:59:22 Transparency Ausstellung 01:01:22 Outro Beate Anspach, Foto: Vanessa Maas Außenansicht der HFBK Hamburg, 2014, Foto: Robert Schlossnickel/HFBK Jahresausstellung der HFBK 2019, Studierende der Klasse Prof. Jutta Koether; Foto: Lukas Engelhardt/HFBK Hamburg Jahresausstellung der HFBK 2019, Performance Atemlosz von Marvin Moises Almaraz Dosal, Moritz Führer, Fabian Hesse, Johannes Klever, Helene Kummer und Liliia Mochula in der Werkstatt Digitales / Material; Foto: Lukas Engelhardt/HFBK Hamburg Jahresausstellung der HFBK 2019, Arbeit von Merlin Reichart (Klasse Prof. Simon Denny); Foto: Lukas Engelhardt/HFBK Hamburg Screenschots des sozialen Netzwerks rhizome.hfbk.net, ein HOOU Projekt der HFBK Hamburg

We’re in a bunker – Except Leon, he’s somewhere else – What do creativity and innovation mean? What do we expect from them? – When the state invests in students, it wants to create revenue, it’s a capitalist thing – Artists are supposed to be creative – Can they help people with economic education create better products? – What do creativity and innovation mean in the context of art? – Art students want to be critical and ask questions – Da Vinci as universal genius – Everyone can’t be a new Da Vinci – Silicon Valley: “move fast, break things” – Danger of applying the same principle to everything – You can’t break down your entire health and body into a single drop – Leonardo was a TripAdvisor – Leonardo institute trying to create Renaissance Men – It’s competitive; very silicon valley – “Institute for Economic Growth” – Ideation – Techniques like Design Thinking/3-5-6 method – The Absatzwirtschaft – Creativity barriers: interpersonal conflicts/cultural backgrounds/intellectual property – Danger of putting results above everything else – Fill in the fucking blanks with something you know, not something new – Make a lot in little time – Superhero Method: what would Jesus do? – Beginner Level Creativity – Biomimicry: what would a bird do? – Design Thinking: everyone has to work like a designer, no matter their profession – Once you push the human-centered thing too far, everything else is left behind – Break down your problem; you don’t have to go to atomic level; just 1-2 levels deeper than most people – Capitalism is about the edges – It needs to expand – What is social innovation? – Censorship not necessarily a bad thing – What is education? You mimic your parents – What is the body’s physical reaction to innovation? – We all have back problems now – You get addicted to looking at your phone because you get a small endorphine dose everytime – At the presentation of the first iPhone, people were in joy – The first time i used YouTube for karaoke i lost my shit – Can something bad be innovation? – Like nuclear weapons – Is a rock star innovative? – In the first movie theatre, people got scared of the train in the movie coming towards them – People thought The War of the Worlds radio play by Orson Welles was real, because nothing like it existed before – There are funny artists – Put your hands behind your back when you look at art – Does art have to be innovative? – A lot of people only expect beauty – Does the artist reproduce an emotion that I have, too? Or do they make me feel something that I know, but in a different way? – Art has been trying to reinvent itself over time – Cave paintings were innovative when they were first done – Technology can take on the role of art; then, art has to find meaning in a different way – Art: changing your reality. getting at something bigger than you’re asked to – What does the language of innovation do? – Simon Denny uses the language of innovation the most – What is The New Thing? Probably AR – New Siri voice is going to be more organic by being more artificial – Airbnb/Share Economy has a social factor and a financial/capitalistic factor – Innovation is not always wanted – Use art as a tool for your life – In the future, that isn’t going to matter – It’s possible to apply a working principle and get a totally different/unexpected result – First Principles Thinking – Would an AI innovate better than a human? – Humans make innovations for themselves, not for nature – Would AIs innovate for AIs? – We need bees for avocados!

With artist Simon Denny. Denny discusses his latest project exploring resource and data mining, and shares his advice for aspiring artists today.   The Apollo 40 under 40 podcast is presented by Gabrielle Schwarz  

The discussion was recorded December 15, 2018 at the Schinkel Pavillon in Berlin for the closing event of "PROOF of WORK," an exhibition curated by artist Simon Denny. https://bit.ly/2M42o4T The panel features three individuals working at the intersection of art & blockchain tech: scholar and creative producer Jaya-Klara BREKKE; artist and director of @furtherfield, Ruth CATLOW; and researcher and Gnosis strategist Kei KREUTLER. This recording has been made possible by the Schinkel Pavillon, Berlin, facilitated by Annina Herzer, Annika Kuhlmann, and Nina Pohl. It has been edited by New Models for the at-home pod-listener's ease. The panel was moderated by New Models' Caroline Busta.

Satoshi Oath Satoshi Oath https://blog.b9lab.com/proposing-the-satoshi-oath-for-developers-69003cffb022 http://distributingchains.info/author/jaya/ Satoshi Nakamoto https://en.wikipedia.org/wiki/Satoshi_Nakamoto Stylometry https://en.wikipedia.org/wiki/Stylometry PRISM https://en.wikipedia.org/wiki/PRISM_(surveillance_program) MUSCULAR https://en.wikipedia.org/wiki/MUSCULAR_(surveillance_program) Jaya Klara Brekke https://twitter.com/jayapapaya Distributing Chaings http://distributingchains.info Diskussion des Satoshi Oath auf Reddit https://www.reddit.com/r/ethereum/comments/53sau2/proposing_the_satoshi_oath_for_developers/ http://www.jayapapaya.net Kathrin Passig: “Das Neue braucht Freunde: Blockchain oder Blödsinn?” https://docs.google.com/document/d/1usfRK5KBfi5-H3Z8McSMGwWKioKVNfP4rObgvl0jNzU/edit Kathrin Passig: Standardsituationen der Technologiekritik http://kathrin.passig.de/texte/standardsituationen_der_technologiekritik.html ARKSMO – Les Feriantes https://sololepidoadior.bandcamp.com/album/spd-35-les-feriantes Every state has a hole Leon Leube: Every state has a hole https://www.sukultur.de/produkt/leon-leube-every-state-has-a-hole-auk-515/ Michael Stevenson http://www.michaelstevenson.info Simon Denny https://en.wikipedia.org/wiki/Simon_Denny_(artist) http://simondenny.net State (computer science) https://en.wikipedia.org/wiki/State_(computer_science) State (polity) https://en.wikipedia.org/wiki/State_(polity) Freistadt Christiania https://de.wikipedia.org/wiki/Freistadt_Christiania The Creative Independent https://thecreativeindependent.com Eva Bowan – Ringwoodite https://evabowan.bandcamp.com

AOTB Top 5 for July 29, 2018 – Interview with Justin Blau! 1. August 4, 2018: Blockchain –N- Grill with DJ Brigidope and hosted by DeBray Codes with four featured comedians and two performers! at Level 13 Ultra Lounge, Oakland, CA https://www.eventbrite.com/e/blockchain-n-grill-mixer-music-comedy-showcase-tickets-47941024896 … 2. Blockchain Beach – Los AngelETH Hackathon, July 28 & 29, 2018. Speakers include folks from Blockdaemon, HelloSugoi; http://Spl.yt . https://www.blockchainbeach.us/event-calendar/ 3. July 26 – 29, 2018 - Gray Area Festival – San Francisco – “A conference, performances, workshops, and an exhibition surveying culture through the lens of art and technology.” With myself, Rob Myers, Ruth Catlow, Pimavera De Filippi, Simon Denny, Second Woman, Machinedrum, Ingrid LaFleur, Sam Hart and more. https://grayareafestival.io/ 4. August 16 – 23, 2018 Forward Festival in Madison, Wisconsin. “Wisconsin’s largest technology and entrepreneurship festival.” They are having a Live Undiscovered Music (LUM) Launch party; 5X5X5 Pitch event; “Be Your Own Hero – Startup Stories from the World of Roller Derby” http://forwardfest.org/ 5. August 10, 2018 BitSong Blockchain Music Streaming platform issuing its Initial Coin Offering. Founder and CEO Angelo Recca and Founder – DJ/Producer Rosario Ticli. Ethereum blockchain and IPFS distributed file system. Artists can “produce songs in which an advertiser can attach advertisements and users can access from any device.” Authenticity note: Photo of Jimi Hendrix on their twitter page. https://bitsong.io/ Twitters: @ingridlafleur @yaoeo @hxrts @second_woman @Machine_Drum @blockchainbch @BlockchainNGril @BitSongOfficial @3LAU @OURMusicFest Tips welcome BTC: 1D3DYP4nBC5DqTm1g5GeKf1uWeemLipwpY ETH: 0x9Ac7Bc3D3933e83A3544b36A075d2d59fac1c405 Disclaimer – The AOTB podcast is not a recommendation or endorsement for any of businesses or services mentioned. AOTB is not advising anyone to invest or rely upon any statements made during this podcast. It is intended for entertainment purposes only. The views are our own.

Top 5 News – AOTB July 2, 2018 Shoutout to this week's Sponsors: Ethereal and bitsonline.com 1. As of today, an unknown buyer purchases art work by Benjamin Katz called “Chasing Hearts/Northern Lights” from the Āto Gallery, an online gallery founded by Carrie Eldridge for 150 bitcoin – or the equivalent of more than $1.25 million at the time of the sale. https://news.artnet.com/market/ato-gallery-cryptocurrency-bitcoin-1297832 … … 2. May 22, 2018 Report called “The Art Market 2.0 – Blockchain and Financialisation in Visual Arts” by Duncan MacDonald-Korth, Vili Lehdonvirta and Eric T. Myer supported by the University of Oxford and The Alan Turing Institute was released recently. https://www.dacs.org.uk/DACSO/media/DACSDocs/Press%20releases/The-Art-Market-2-0-Blockchain-and-Financialisation-in-Visual-Arts-2018.pdf … … https://www.nytimes.com/2018/06/08/arts/art-financialization-blockchain.html … … 3. June 12, 2018 article “Blockchain Art: The Market is Here and What You Need to Know” posted on Cultbytes written by Steven Buchko. http://cultbytes.com/all/blockchain-art-market-is-here/ … … 4. Article called “Artists as cryptofinanciers: welcome to the blockchain” by Ben Luke talks about Art Basel and the blockchain’s influence on the conference programming, including a group discussion by Simon Denny and quotes Ruth Catlow of Furtherfield and Ben Vickers, CTO of Serpentine Galleries in London. https://www.artbasel.com/news/artists-as-cryptofinanciers--welcome-to-the-blockchain … … 5. New to Me Department – Elastos! This organization has proposed to “adopt a flexible main chain and sidechain blockchain design structure” because Ethereum blockchains are made for “consensus-based record keeping, but lack computation speed or flexibility. They have an extensive schedule that might be worth checking out. Elastos Video Contest deadline is July 15. Fresco Art Award competition sponsored by FRESCO & Elastos with the theme of blockchain runs through August 22. https://medium.com/elastos/elastos-weekly-updates-08-june-2018-f9546f55c3fc … … White paper: https://www.elastos.org/wp-content/uploads/2018/White%20Papers/elastos_whitepaper_en.pdf?_t=1526235330 … … Twitter Handles: @DACSForArtists @oiioxford @turinginst @cryptoartcom @elastos.org @cultbytes @dennnnnnnnny @ViliLe @ato_gallery @MyCurioCards @furtherfield @robmyers @benvickers_ @jonas_lund @EddFornieles @yaoeo @bitsonline MeetUp: http://www.meetup.com/Art-on-the-Blockchain-Meetup/ … … Instagram: @aotb_podcast Twitter: @AOBT_PODCAST Disclaimer – The AOTB podcast is not a recommendation or endorsement for any of businesses or services mentioned. AOTB is not advising anyone to invest or rely upon any statements made during this podcast. It is intended for entertainment purposes only. The views are our own.

This is Episode 1 of ART ON THE BLOCKCHAIN with your hosts DJ J $crilla and Cynthia Gayton. In this episode we familiarize our listeners with who we are and what our aim is with the podcast. We speak to Adam B. Levine for an hour about tokensizing art, his projects Tokenly and token.fm and much more. Art on the Blockchain News Discussed: 1. Spotify has acquired Sonalytic, a UK start-up that uses audio identification technology to recognize songs and tracks copyright protected material. 3/7/2017 https://news.spotify.com/us/2017/03/07/27384/ 2. Jay-Z has created, along with other related businesses, a new venture capital fund under the Roc Nation umbrella called "Arrive" to assist with branding, managing artists and representing athletes according to their press release. The team intends to work with a select group of early stage start-ups. http://www.prnewswire.com/news-releases/roc-nation-announces-new-start-up-platform-arrive-300418165.html 3. Simon Denny, a New Zealand born and Berlin-based artist has a solo show at the Los Angeles Hammer Museum featuring the potential applications of blockchain. In this exhibit, he investigates three possible futures for the industry and created a sculpture for each. The exhibit closes on April 23, 2017. https://hammer.ucla.edu/exhibitions/2017/hammer-projects-simon-denny/ 4. Economist and film maker Manuel Stagars has released a documentary film entitled "The Blockchain and Us" this year. The film is the result of twenty interviews with people ranging from authors to futurists from five countries. http://www.manuelstagars.com/blockchain-documentary/ 5. There will be a Blockchain and Decentralization meetup at SXSW on March 14 from 3:30 - 4:30. http://schedule.sxsw.com/2017/events/PP96648 DJ J-$crilla's Featured Project: Discuss the Rare Pepe Trading phenomenon and it's uses on the blockchain. We talk about artists monetizing their artwork on the blockchain and trading cards on counterparty (XCP.) Instructions (Courtesy of @CryptoChainer) 1. Create wallet on rarepepewallet.com 2. WRITE PASSPHRASE DOWN, DO THIS NOW! 3. Copy address, and send BTC for fees 4. Send BTC to tuxexchange.com 5. Purchase PEPECASH at tux 6. Send PEPECASH to RPW address 7. Buy cards, and live forever 8. Use Book of Orbs on iOS or Android for mobile experience 9. Existing passphrase can be used in Book of Orbs 10. There is no #10 Rare Pepe Wallet : http://rarepepewallet.com Rare Pepe Directory: http://rarepepedirectory.com Reddit: https://www.reddit.com/r/pepetraders/ Facebook: https://www.facebook.com/groups/rarepepeblockchain Telegram: https://t.me/rarepepegradergroup Game Website: http://rarepepe.party Official Wallet: http://rarepepewallet.com A Gallery of Rares: http://rarepepe.gallery Centralized Pepe Auction House: http://pepeauctions.com Pepecash Exchange: https://tuxexchange.com/trade?coin=PEPECASH&market=BTC Android/iOS Pepe Wallet: http://bookoforbs.com Recorded at One Love Massive Headquarters in Washington DC Engineer: DJ Mike Phillipz Bitcoin Tips: 1D3DYP4nBC5DqTm1g5GeKf1uWeemLipwpY

Markus fragt sich, warum er keinen HipHop hört und findet in dem Buch „Rappen lernen“ von Mark Greif vielleicht eine erste Antwort. Benjamin kürt (ab 35:27) die NSA-Installation „Secret Power“ von Simon Denny zum besten Kunstwerk der diesjährigen Biennale und jetzt schon zum modernen Klassiker. Folge 017 – jetzt abspielen

Danielsson & Carlson #2 En podcast om konst med Jenny Danielsson och Oscar Carlson. Avsnitt #2 handlar om digitalisering och internetkonst. Gäster är Peter Ström, Lars Björk, Simon Denny och Jakob Engblom. Producent: Jimmy Rydén Musik: Hans Appelqvist

In this months CIRCUIT Cast; William Kentridge’s The Refusal of Time is discussed in front of a live audience at City Gallery Wellington by host Mark Amery, panellists Thomasin Sleigh and Martin Patrick and an audience member; in part 2 we talk to Simon Denny mid-install for The Personal Effects of Kim Dotcom at the Adam Art Gallery, and in Part 3 we begin a new monthly feature on artist-run spaces by talking to Henry Davidson about Auckland's Gloria Knight. Part 1 was recorded at City Gallery Wellington as Part of Tuatara Open Late on Thursday 2 October. This pod was produced with the assistance of Creative New Zealand, with thanks to Tracey Monsatra, Steve McVey, Olivia Lacey and Ann Gale. Music by Orchestra of Spheres. Image credit: William Kentridge, The Refusal of Time (detail - film still), 2012. A collaboration with Philip Miller, Catherine Meyburgh and Peter Galison. Five-channel video with sound, 30 min, with megaphones and breathing machine ("Elephant"). State Art Collection, Art Gallery of Western Australia. Purchased through the TomorrowFund, Art Gallery of Western Australia Foundation, 2013.

On Skype, Cathy Byrd speaks with London-based curator Helena Reckitt about the artists she selected to participate in Nuit Blanche, Toronto, 2012. Projects in Once More With Feeling, Helena's curatorial zone, will animate ideas of repetition, remaking, renewal and revolt. The annual art event that brings a million people out onto the streets of the city from dusk to dawn takes place this Saturday, 29 September. Sound Editor: Leo Madriz Photos courtesy Helena Reckitt Episode Sound Performers, in order of appearance: Katie Paterson, Hadley+Maxwell, Susan Stenger The ProjectsPlanes, Trish Brown Dance Company | Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), Katie Paterson | Smells Like Spirit, Hadley+Maxwell | Thought Balloon, Brian Cauley | Moth Maze, Oliver Husain | The Structures Of Everyday Life: Full Circle, Susan Stenger | The Day After, Tomorrow, Dave Dyment | Tremolo, Maeve Brennan, Ruth Ewan | Ensemble for Mixed Use, JD Walsh | Body Xerox, Simon Denny, Yngve Holen