Podcasts about nts radio

Dans ce nouvel épisode, on reçoit Esther Reporter qui vient nous parler de sa super BD. Camille nous révèle de lourds secrets, Kalindi fait peur à tout une salle de cinéma et Louise arrive ENFIN à se concentrer pour travailler.Esther Reporter sur InstagramLéa Castor sur InstagramLe crowdfunding de la BD « Ras Le Viol »Pour écouter le 5ème Quarts d'Heure, abonnez-vous à Supercast : https://4quartsdheure.supercast.com/Abonnez-vous à 4 Quarts d'Heure sur votre plateforme de podcast préférée : https://tr.ee/MEaR8W9S9GLes ups & downs :Le down de Camille : elle a failli être dans une secteLe rollercoaster d'Esther : sa BD « Ras le Viol »Le rollercoaster de Kalindi : elle n'allait plus assez au cinéma jusqu'à voir SinnersLe up de Louise : elle est de retour sur TwitchCe dont on parle : Le documentaire « Orgasmique le business de One Taste » (dispo sur Netflix)La BD « Ras le Viol » d'Esther Meunier et Léa CastorLe livre « Pas prêtes à se taire » d'Esther Meunier et Léa CastorLe collectif @NotreOhrageLe compte Instagram @Surviv_HanteLe film « Sinners » de Ryan CooglerUn article (en anglais) sur le hoodooLa chaîne Twitch de LouiseLes jeux Wordle, Spotle, Heardle, BandleNTS RadioLa chaîne Twitch de MymyLe café Off Campus à ParisSuivez-nous sur Instagram :4 Quarts d'Heure : @4quartsdheureLouise : @petrouchka_Alix : @alixmrtnKalindi : @kalramphulCamille : @camille.lorente Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Tras 10 años de carrera en el trance y numerosos logros, YUTA pasó al techno en 2015, lanzó Liquid Drop Groove en 2016 y comenzó a publicar música en formato digital y vinilo, podcasts y streaming de vídeo. Además, ha adoptado una amplia gama de enfoques para maximizar el potencial del sello, incluyendo memorables fiestas al aire libre como Agaitida (Okinawa) y EDEN, el festival indoor SPECTACLE y la serie de colaboraciones Bassiani Tokyo con sellos discográficos extranjeros. La actividad principal de YUTA es la de DJ, residente en el conocido club VENT de Tokio. Su estilo musical se basa en el techno con deep/trancy e hipnótico/dubby, a veces con breaks y bajo, a veces tribal/acid en house, y se caracteriza por un groove psicodélico y un flujo cinematográfico que crea libremente. En los últimos años, YUTA ha realizado numerosas giras por Asia y ha actuado en el Quarry Stage de Wonderfruit en Tailandia, en los festivales Equation y Retreat en Vietnam, en los clubes SAVAGE y The Observatory en Vietnam, en Zhaodai y WIGWAM en China, en Acadana en Hong Kong, en Vurt en Corea, entre otros. En Europa, en Gare en Oporto, en aboutblank en Berlín, en KHIDI en Tiflis, etc., en festivales como Modem en Croacia y OZORA en Hungría. En Japón, en Rural y Moment, y en el legendario Future Terror de DJ Nobu. Y la nueva aventura continúa en Colombia, Sudamérica. YUTA también ha proporcionado mezclas de DJ para NTS Radio en el Reino Unido, Monument en Noruega, Illegal Alien en México y más. Además, solo produce unas pocas pistas al año con el maestro modular O-MA. ARTISTS Links: YUTA: SC: @liquiddropgroove IG: https://www.instagram.com/yuta_ldg LIQUID DROP GROOVE: SC: @liquiddropgroove IG: https://www.instagram.com/liquiddropgroove.new/ BC: https://liquiddropgroove.bandcamp.com MEDELLINSTYLE: SC: @medellinstyledj FB: www.facebook.com/culturaelectronica IG: www.instagram.com/medellinstyle/?hl=es-la

This is a preview — for the full episode, subscribe. | https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com _ British artist Mark Leckey — creator of famed club culture docu-hallucination, Fiorucci Made Me Hardcore (1999), winner of the 2008 Turner Prize, and longtime NTS Radio host — discusses the terms of art-making in our technological present and our increasingly medieval relationship to representation. His show “3 Songs from the Liver” was on view at Gladstone Gallery, NY, Nov 2024 - Feb 2025. “AI outputs are not “images” as we know them. And if we try to understand them in that way, then we're really…. f*cked, you know?” Following this conversation, keep listening for “Enter Through Medieval Wounds” a radio play by Mark Leckey, which first appeared in essay form in Heavy Traffic V (Fall 2024). For more: https://markleckey.com https://www.nts.live/shows/mark-leckey https://www.gladstonegallery.com/exhibition/13694/3-songs-from-the-liver/installation-views Episode image adapted from Mark Leckey, "Carry Me into The Wilderness" (Icon), 2022

Legendary online radio station NTS  played a 30-minute special on Migration Sounds on 15 December, as part of a 24-hour broadcast marking International Migrants Day. Our programme is a 30-minute mix of field recordings taking you through three aspects of migration: forced migration, diaspora communities and daily life as a migrant. Programme info: The field recording excerpts in this programme are as follows:  Forced migration 2.15: Mediterranean Sea: Three boats rescuing around 130 people from an overloaded rubber boat in the middle of the Mediterranean Sea, at 2.00am on 27 December, 2022.  The rescuees were attempting to reach Europe from Libya - where they had suffered extensive abuse. Among them were many children, and one infant just weeks old. Recorded by Frey Lindsay 4:29: Mediterranean Sea: After the first rest they've had in a long time, the rescuees aboard the Ocean Viking celebrated having survived the journey, utilising the drums kept onboard.  Recorded by Frey Lindsay 5:36: Mediterranean Sea: Testimony from Joseph, an asylum seeker from Nigeria, onboard a charity rescue ship. Along with over a hundred other people, he was rescued from an unseaworthy rubber boat headed for Europe from Libya. Recorded by Frey Lindsay 6:33 Marianosztra, Hungary: Inmates in the prison behind the Marianosztra Monastery were feeding metal tape through stamping machines to make razor wire to fortify Hungary's border fences against migrants and refugees. The razor wire was also being exported to other countries. Recorded by Maria Margaronis 7:36 Eidomeni, Greece: In 2016,  more than 14,000 people on the move from Syria, Afghanistan, Iraq and elsewhere were living in a muddy, makeshift camp site at Eidomeni on the Greek-North Macedonian border, hoping to make their way north. This is the voice of Mohammed, from Syria. Recorded by Maria Margaronis 8:36 Bordeaux, France: On 19th of December 2023 France approved a new immigration law. It is a law that makes it harder for families of immigrants to join them, limits the support for migrants from outside the EU, establishes staying illegally in the country as a crime, suppresses the automatic right to citizenship for those who are born in France from foreign parents and demands a fee from foreign students in the country. This is a recording of a protest against this law. Recorded by Rocio Calvo 9:39: Bremen, Germany: Protest against racism and strict EU/Germany migration laws in Bremen, Germany. Protesters are chanting "Um Europa keine Mauern – Bleiberecht für alle und auf Dauer!" ("No walls around Europe – Permanent right to stay for everyone!") Recorded by Pedro Oliveira Diaspora communities 10:16 Louisville, USA: A Somali immigrant speaks at the Louisville Movement Against Trump rally, March 2017, set up to oppose Trump's visit to Kentucky. Recorded by Aaron Rosenblum 11:19: London, England: Prayers inside the Sri Guru Singh Sabha Gurdwara Sikh temple in Southall, a modern Sikh temple with space for 3,000 worshippers which also organises regular community events.  Recorded by Cities and Memory 12:56: New York, USA: Columbus Park in Chinatown, New York has served as a gathering place for the local Chinese community, where the neighbourhood meets up to play mahjong, perform traditional Chinese music and practise tai chi in the early mornings.  Recorded by Cities and Memory 15:21: Xinjiang, China: In Altay, Xinjiang, Kazakhs have lived here for hundreds of years and still maintain a nomadic lifestyle that follows the seasons. However, the process of modernization and development is changing their traditions, customs and even language. The younger generation is unwilling to continue the hard nomadic life, and the older generation who are gradually aging may be the last generation of nomadic Kazakhs. Recorded by Yang Jie 17:36: London, England: The sound of traditional garment manufacture and repair at Dressmode Tailoring, which is run by Bangladeshi Mohammed Shajahan, originally from Sylhet, Bangladesh. This shop has been operating for around 17 years, but times have been tough for businesses like this in recent years due to the growth of fast fashion and outsourcing. The owners were telling us that while the older generation of Bangladeshis often travel home to visit, the younger generation are forgetting Bangladesh completely. Recorded by Cities and Memory 18:38: London, England: The sound of a traditional west African barber's shop in Peckham. Barber's shops like these often operate as a centre for the local African community to come together and socialise, just as much as to get their next haircut - they're an essential part of the fabric of local African diaspora communities in the city. Recorded by Cities and Memory 20:41: Padova, Italy: Dominic is an immigrant from Senegal, West Africa, who has been living in Padova in Italy for a number of years, performing as busker in the same spot every single day. We had been enjoying listening to his beautiful voice and songs from his home every time we visited the city for several years until last year we finally stopped and spoke to him to hear a little bit of his story. Recorded by Cities and Memory 22:12: Dubai, United Arab Emirates:  The field recording is of a group of Filipino expats having a competitive game of basketball. Filipinos form close to 25% of the population in Dubai. Most come to Dubai for work in order to support their families back home. One of the most common activities for Filipinos (usually men) to engage in is basketball. Recorded by Zubin Aroz Migration is life 23:37: Ljubljana, Slovenia: “While I was feeling gloomy, I stirred a soup in order to feel close to my parents, my hometown, and to feel at home again.” Recorded by Görkem Özdemir 24:54: Cartagena, Colombia: Christine's daughter, aged 9, recites a fable in French - born in Colombia to a French mother, she has been home schooled in French. Reading and reciting poems was part of her distance learning programme.  Recorded by Christine Renaudat 26:23: San Francisco, USA: Juan Pablo is 19 years old. I randomly approached him in Dolores Park in San Francisco and asked to record him speaking about what he's learned about himself so far in life. He's explaining his migration from Brazil to the US. This piece explores his journey through the confines of cultural, social, and political borders.  Recorded by Wendy Baker 27:26: Zitacuaro, Mexico: The sound of thousands of monarch butterflies known for their long annual migration between Mexico and the United States, recorded as Christine, a migrant settled in Latin America, was mourning her grandmother, who had passed away in France, back “home”. Recorded by Christine Renaudat

"I was surrounded by all walks of life." Live from Dekmantel, the New York native talks about how the Bronx shaped her taste in music, her long-time love of radio and blowing up on the international DJ circuit. Gabrielle Kwarteng is a rising talent that you may have seen on stages at major festivals and clubs around the world. Her unique sound is dynamic and house-heavy, incorporating elements of acid, techno and everything in between. In this interview recorded live at Dekmantel, she discussed her upbringing in a Ghanaian household in the Bronx, and how that environment (and the neighborhood itself) moulded her taste in music. The community she grew up in was culturally diverse, filled with the sounds of reggaeton, bachata, merengue and freestyle from Puerto Rico, the Dominican Republic and beyond. As both of her parents moved from West Africa, she was introduced to a diet of highlife music and jazz from a young age. Kwarteng's taste began to expand when she began exploring New York's record stores. Fast forward to university, and the aspiring DJ became deeply involved in her school radio station, which she describes as a turning point and a revelation. She speaks movingly about the abiding power that radio has had in her life—she continues to be involved with stations like Refuge Worldwide and The Lot, and soon NTS Radio, where she'll hold a residency beginning in 2025. She also talks about what it's like to be a female minority in the music industry, the experience of having her career take off at such rapid speed upon relocating to Europe and the importance of summoning optimism no matter the circumstances. Listen to the episode in full.

"I was surrounded by all walks of life." Live from Dekmantel, the New York native talks about how the Bronx shaped her taste in music, her long-time love of radio and blowing up on the international DJ circuit. Gabrielle Kwarteng is a product of her diverse musical environment. The Berlin-based New Yorker has a unique sound that's dynamic and house-heavy, incorporating elements of acid, techno and everything in between. In this interview recorded live at Dekmantel, she discussed her upbringing in a Ghanaian household in the Bronx, and how that environment (and the neighborhood itself) moulded her taste in music. The community she grew up in was culturally rich, filled with the sounds of reggaeton, bachata, merengue and freestyle from Puerto Rico, the Dominican Republic and beyond. As both of her parents moved from West Africa, she was introduced to a diet of highlife music and jazz from a young age. Kwarteng's taste began to expand when she began exploring New York's record stores. Fast forward to university, and the aspiring DJ became deeply involved in her school radio station, which she describes as a turning point and a revelation. She speaks movingly about the abiding power that radio has had in her life—she continues to be involved with stations like Refuge Worldwide and The Lot, and soon NTS Radio, where she'll hold a residency beginning in 2025. She also talks about what it's like to be a female minority in the music industry, the experience of having her career take off at such rapid speed upon relocating to Europe and the importance of summoning optimism no matter the circumstances. Listen to the episode in full.

We trailed ‘big things coming' on our last episode, and would you look at that – the big thing has come. Or is available for pre-order, at least.That's right, it's our first ever book. Titled No Tags: Conversations on underground music culture and designed by All Purpose Studio, this hefty tome (350+ pages) compiles every interview to date on No Tags, edited transcripts of the best of Chal and Tom's non-guest conversations, and specially commissioned essays from four of our favourite writers and thinkers: Eris Drew, Chris Zaldua, Henry Bruce-Jones and Ray Philp. The book is available to pre-order now. We'll also be launching the book with our first live show in London on 3rd December, taking over Ridley Road Market Bar. On the night we've got Kode9 giving his new talk on Sonic Warfare for the first time in the UK, celebrating a new release of his seismic 2009 book about acoustic force and the ecology of fear.We'll also be recording a live episode of No Tags with everyone's favourite breakfast host Flo Dill, morning doyenne of NTS Radio. Plus we'll have music from Jennifer Walton – not only one of our favourite artists, but the wizard behind the No Tags theme tune. Entry is free, simply hit ‘Interested' on the event page.There is also a podcast this week. We introduce the book before getting into some of our favourite recent releases (The Cure, mediopicky, Dubbel Dutch and Toma Kami) and dissecting the long-awaited debut album by Two Shell. There's also some film chat (Lords of Dogtown, Kneecap, The Florida Project) and a debate over the key historical entries in the Florida Film canon. We are confident that No Tags is the only podcast where Toma Kami and Wild Things get discussed in the same breath – and if that doesn't count for something in 2024, what does? Get full access to No Tags at notagspodcast.substack.com/subscribe

London's Moxie (@djmoxie) has always embodied a fearless approach to DJing. Her sets are driven by her famously eclectic taste and can go from deep Detroit techno to face-melting bass via loved-up disco in an instant. She made her name as one of the earliest hosts on NTS Radio but is now a favourite of the global underground who has often impressed at our own events. Her "Moxie Presents" compilations have shown her dedication to championing forward-thinking artists and have helped make her a genuine new school tastemaker. This week Moxie has put together a breezy jaunt through many different facets of her sound. There are balmy summer pads and carefree house beats to start with then things head indoors for deeper, darker sounds but always saved up with plenty of warmth and emotion. This mix is a perfect encapsulation of how Moxie can take you from the early evening to late into the night without you even noticing.

This week we're discussing every album by Flipper. While known to many as a huge influence to bands like Nirvana and the Melvins, Flipper are a punk band unlike any other. They're as amazing as they are terrible, but completely unique and bizarrely innovative. After founding member and bassist/vocalist Will Shatter died in 1987, they've gone through various breakups and reunions, even as far as recruiting Nirvana's Krist Novoselic and the Jesus Lizard's David Yow. These days they tour with the legendary Mike Watt.Closing track: "Hard Cold World" from Public Flipper Limited (1986)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexRobert @hoodpass.wicTom @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteRobert's show on NTS Radio: https://www.nts.live/shows/yayayi Robert's album: https://open.spotify.com/artist/6y9HtgqNCUTgnemSjTdpO4?autoplay=trueMike's Picks:Sex Bomb Baby (1988) -- Best AlbumAlbum - Generic Flipper (1982) -- Personal FavoriteAmerican Grafishy (1993) -- Worst Album, Least FavoriteAlex's Picks:Album - Generic Flipper (1982) -- Best AlbumGone Fishin' (1984) -- Personal FavoritePublic Flipper Limited (1986) -- Worst Album, Least FavoriteRobert's Picks:Album - Generic Flipper (1982) -- Best AlbumSex Bomb Baby (1988) -- Personal FavoriteAmerican Grafishy (1993) -- Worst Album, Least FavoriteAlbums we discussed this episode...Album - Generic Flipper (1982)Blow'n Chunks (1984)Gone Fishin' (1984)Public Flipper Limited (1986)Sex Bomb Baby (1988)American Grafishy (1993)Love (2009)

"The honesty of my music and poetry comes from church." The South London artist discusses his turn away from religion and his love of sound systems as the city celebrates 56 years of Notting Hill Carnival. The annual Caribbean street parade Notting Hill Carnival has taken place in London since 1966 to celebrate the influx of immigrants brought to the UK during Windrush. Carnival is a celebration of the rich and multifaceted artistic heritage that came with them, especially in the form of Afro-Caribbean music, dance and sound system culture. The South London-born poet, producer and NTS Radio host James Massiah is one of a generation of musicians who has been influenced by the city's Afro-Caribbean cultural legacy. In this interview, he talks to Errol Anderson of the South London-based curatorial platform Touching Bass about his connection to London's sound systems and his own artistic evolution. His output centres around hedonism and what he calls "joyful living"—a reaction to the church community he grew up in. Many of the lyrics on his most recent EPs, like True Romance, paint a picture of drugs, partying, sex, addiction and heartbreak (he's even gone on to name his recurring poetry night Adult Entertainment). Music, he reflects, has provided a powerful and cathartic means to express himself and open up. In his youth, Massiah wasn't just shaped by his church, he says, but by the Afro-Caribbean genres circulating through his neighborhood: '80s funk, raga, garage, grime and a form of Jamaican dancehall called Yardie. Later, as he was exposed to popular rock and house music, he took the sensibilities he heard in pop acts like Fleetwood Mac and applied them to a Caribbean musical framework. His sound palette is an uncanny amalgamation of Stevie Nicks' ethereal voice with the stylings of soca—a sub-genre that fuses calypso, reggae and Caribbean zouk. Listen to the episode in full.

The annual Caribbean street parade Notting Hill Carnival has taken place in London since 1966 to celebrate the influx of immigrants brought to the UK during Windrush. Carnival is a celebration of the rich and multifaceted artistic heritage that came with them, especially in the form of Afro-Caribbean music, dance and sound system culture. The South London-born poet, producer and NTS Radio host James Massiah is one of a generation of musicians who has been influenced by the city's Afro-Caribbean cultural legacy. In this interview, he talks to Errol Anderson of the South London-based curatorial platform Touching Bass about his connection to London's sound systems and his own artistic evolution. His output centres around hedonism and what he calls "joyful living"—a reaction to the church community he grew up in. Many of the lyrics on his most recent EPs, like True Romance, paint a picture of drugs, partying, sex, addiction and heartbreak (he's even gone on to name his recurring poetry night Adult Entertainment). Music, he reflects, has provided a powerful and cathartic means to express himself and open up. In his youth, Massiah wasn't just shaped by his church, he says, but by the Afro-Caribbean genres circulating through his neighborhood: '80s funk, raga, garage, grime and a form of Jamaican dancehall called Yardie. Later, as he was exposed to popular rock and house music, he took the sensibilities he heard in pop acts like Fleetwood Mac and applied them to a Caribbean musical framework. His sound palette is an uncanny amalgamation of Stevie Nicks' ethereal voice with the stylings of soca—a sub-genre that fuses calypso, reggae and Caribbean zouk. Listen to the episode in full.

This week we're taking some time to honor the great Steve Albini. Having already done full episodes on Big Black, Rapeman, and most recently Shellac, this time we're talking about everything Albini has worked on that's affected us over the years. Mike speaks with Alex, their history guy, Tom, as well as his brother Robert about everything Steve Albini and his incredible legacy. Closing track: "Over" by Oxbow from Serenade in Red (1996)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsRobert @hoodpass.wicHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteRobert's show on NTS Radio: https://www.nts.live/shows/yayayi Robert's album: https://open.spotify.com/artist/6y9HtgqNCUTgnemSjTdpO4?autoplay=true

This week we're discussing the only album by Maskull. This album is the biggest mystery we've ever had on this show. After its release in 1997, Maskull vanished leaving virtually no trace, aside from a few rumors. The music itself? Completely insane and downright hilarious. Joined by Mike's brother Robert, we dive deep into the rabbit hole to uncover as much information as we can. Strap in for this one, folks.Robert's show on NTS Radio https://www.nts.live/shows/yayayi Robert's album https://open.spotify.com/artist/6y9HtgqNCUTgnemSjTdpO4?autoplay=trueClosing track: “Passenger in Time” from Maskull (1997)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsRobert @hoodpass.wicHistory Tom's stuff:Music on Spotify, ApplePodcast on SpotifySubstackWebsite

"This is a full circle moment for me! MNRCHY was the first platform that let on to do a guest mix 4 years ago so I'm very grateful to be asked to come back on for the return. This latest mix is what you can expect to hear in one of my club sets, everything from UK Funky, Garage, Jersey Club and RnB. Enjoy" TURNA, hailing from Manchester, UK, is a versatile DJ and producer. Drawing inspiration from an eclectic blend of genres, including jazz, hip hop, funk, house and UK garage, he crafts unique edits and remixes that have been featured on renowned platforms like BBC 6Music, BBC 1Xtra, Soulection Radio, Rinse FM, NTS Radio, and KISS FM. TURNA's musical journey has led him from producing remixes for his own sets to producing original music. His signature sound has been described as warm and forward-thinking, featuring smooth chords, intricate synths, deep bass lines, and groove-infused drums. TURNA's last single “Hold On” - a collaboration with Toronto singer Gillian Mapp - has amassed over 100,000 plays on streaming services to date and his musical prowess has earned him a spot on Spotify's editorial playlists, including New Music Friday, Mood Ring, Outliers, and Choice Edit, solidifying his influence in the world of music. TURNA has featured on line-ups with contemporaries such as Taylah Elaine, Lamsi, G33, Sgamo, Jordss and has notably worked with Size?, Adidas, and Manchester United, further establishing his presence in the industry. As a co-founder of the esteemed future beats collective Left & Right, TURNA is deeply entrenched in the music scene. The collective, known for its dedication to pushing the boundaries of future beats, has served as a platform for emerging talent, contributing to the growth and diversity of the music industry. Tracklist: Baiana (Decemberkid & Radya Amapiano Edit) - Barbatuques Talibans (esentrik edit) - esentrik CLIQUE (NIE Remix) - Kanye West, Big Sean & Jay-Z dillaa house - Sigray Persuasive (TURNA Remix) - Doechii & SZA SAMG FLIP DEMO LITTLE JUMP'N SHOUT - JD. REID Rumble (OOTORO Dub) - Skrillex 212 x Body Groove (UK Funky Carnival Remix) - L8nite Shimmy Ya - LOVE SIX + ROSHAN Thinkin Bout You (ROOKIE Edit) - Frank Ocean Ex Factor Bootleg (LEYO) - Lauryn Hill Jesus Drifts - LOVE SIX Edit DAGA DA (DUB) - RANA PASILDA DUB - Hutcher Trading Places (JON REYES REMIXED IT) - Usher My Jersey Boo (Smochi Grind) - Smochi SNOOZE - ManilaJunkie WWW.MNRCHY.COM

Giulia Fournier-Mercadante (GiGi FM) is a multi-disciplinary artist, DJ, resident of NTS Radio, dancer and music producer. Boldly versatile, GiGi FM's selections have charmed bodies on dancefloors all across the world, such as Berghain, Rural Japan, Draaimolen, Fabric, De School, Primavera, The Bunker New York, and Sustain Release. In the booth her genre-defying spirit is in full effect with techno, bass, breaks and ambient all coming in to play. Deeply influenced by astrology, philosophy and the cosmos; for GiGi, music is both a tool for expression and introspection. As a multi- hyphenate artist, she continues on her quest to push artistic boundaries and hold space for unique audience experiences. Whatever medium she may adopt, the result is a rich embodiment of the interconnectedness of sound, colour, movement and metaphysics. Here are GiGi's words about the mix : "In the heart's silent chamber, truth whispers, A dance of light and shadow, as the spirit quivers. Embrace the darkness, for it delivers, The light of self-love, as the soul considers." Follow: https://soundcloud.com/gigi-fm https://www.facebook.com/GiGixFM/ https://www.instagram.com/gigif_m/

FAUZIA is an artist of many moods. The UK talent moves from IDM to soul on her NTS Radio residency, while her club DJ sets reveal her love for '90s-style breaks, electro and bass-heavy sounds. In the studio, she explores her softer side through self-released homespun dub and ambient jungle. In recent years, she's gravitated towards live performances. Her gossamer vocals, one of her strongest suits, cuts through live instrumentation like a hummingbird in agile flight. In 2020, the London-based talent told Mixmag that she was done being categorised as a "dance music" artist—and so far, she's succeeded. While she incorporates clubby touchstones into her work, there's a deep level of cross-genre knowledge and blending at play. FAUZIA's RA podcast makes that clear. Free of any four-to-the-floor music, it moves from experimental jazz to orchestral melodies to R&B ballads for a thoughtful and introspective journey full of her own unreleased music that points towards her newer interest in composition. This is music to be felt, so let your guard down and let it wash over you. @FAUZIA Read more at https://ra.co/podcast/926

You may know Nabihah Iqbal as a musician, producer, DJ and broadcaster on NTS Radio – but she's also a history buff, a curator, and a human rights lawyer. Tanya Ali chats to her about her earliest musical memories, her boundless interests, creating in the 2010s in London, and her stunning 2023 record Dreamer.  See Nabihah perform live as part of Sydney Festival on Saturday January 13. Tickets and info here.See omnystudio.com/listener for privacy information.

Are end of year lists over?This year it felt like end of year season came and went with minimal impact and minimal consensus. So why was that? Falling in the middle of a global crisis obviously doesn't help, but even outside of the news context — and frankly that's never stopped musicians tooting their own horns before — 2023's parade of end of year lists really did feel like a damp squib. We also tackled the year's objective stand-out hits (‘Sprinter', ‘Boy's a Liar Pt. 2'), the music that had a global impact but was ignored in most editorial lists (‘Water', amapiano in general), the impact of NTS Radio on people's tastes, dance music's ups (Nikki Nair) and downs (Bandcamp), Chal's #JusticeForPadam campaign, the post-millennial vibe shift, and some of our own favourite records, radio shows and films to come out this year.Thanks for listening to No Tags. If you like what we do, consider following us on Substack and social media (we're @notagspodcast everywhere) — or rating, subscribing and reviewing No Tags on your podcast app of choice. Get full access to No Tags at notagspodcast.substack.com/subscribe

This week on Select 202, we have DJ Corin IIeto, aka CORIN, the Filipina-Australian electronic music producer, composer, and regular monthly host on London's NTS Radio who is best known for merging classic Western music with hyper-electronic sounds to create immersive soundscapes. Drawing inspiration from her multi-cultural heritage and mythology elements from science fiction, CORIN's distinctive mixes feature an assemblage of converging styles, ranging from IDM, EBM, trance, and baroque-laden ambience. In her hour-long Select session, CORIN has mixed a selection of tracks from various compilations, which have been released recently to raise funds for Palestine, such as Paralaxe Editions' ‘For Palestine', Mrama Division's ‘By All Means', and Cease 2 Exist's ‘Emergency For Gaza'. With driving bass lines and futuristic sounds tinged with a little bit of acid and psytrance, CORIN creates a mythical hypnotic set, borrowing sounds from multiple famous tunes including Van Boom's ‘No Empathy', Oldyungmayn's ‘Scrattch', Toumba's ‘Adrift', Spivak's ‘Mall Pals', Joachim Nordwall's ‘Desperatio', and STILL's ‘The Sword and the Neck', among many others.

NTS socials:Subscribe to our YouTube: https://bit.ly/3s8kJoHJoin our Patreon: https://bit.ly/3saJileLike and share our content on Instagram: https://bit.ly/3s7tFuPCheck us out on TikTok: https://bit.ly/3Dlr9rjFollow us on Twitter: https://bit.ly/3glyMVoJoin the Discord: https://discord.gg/JJtQQYNWusIf you like to send us mail, send it to:NTS PodcastPO Box 276Burlington, NJ 08016Follow the crew on:Twitter: @homebodymike / @itselzee / @KoreeB_Flyin / @q_hendryx / @Vinomonty / @padredickson / @mjthesecond_Instagram: @mikelowkey / @djelzee / @koreethe_pilot / @qhendryx / @Vinomonty / @padredickson / @mj_thesecond+This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5918410/advertisement

Calcutta e la reductio ad Battistum. Due dischi usciti questo venerdì (Sofia Kourtesis e DJ Shadow) e un recupero (Maria BC). Nuovi singoli per Any Other, Future Islands e Yard Act. I falsi d'autore di Taylor Swift, il nuovo azionista di NTS Radio e la soglia di sbarramento di Spotify. Tra i live da segnalare nei prossimi giorni, le date italiane dei Murder Capital e il C2C a Torino. Per chi non vuole uscire di casa consigliamo la RA Session di Sofia Kourtesis, mentre se vi piace andare al cinema c'è un documentario sui Verdena. --- Send in a voice message: https://podcasters.spotify.com/pod/show/friday-podcast/message

5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Octavia Bright is a writer and broadcaster. She co-hosts Literary Friction, the literary podcast and NTS Radio show, with Carrie Plitt. Recommended by the New York Times, Guardian, BBC Culture, Electric Literature, Sunday Times and others, it has run for ten years and has listeners worldwide. She has also presented programmes for BBC R4 including Open Book, and hosts literary events for bookshops, publishers, and festivals – such as Cheltenham Literature Festival and events for The Southbank Centre. Her writing has been published in a number of magazines including the White Review, Harper's Bazaar, ELLE, Wasafiri, Somesuch Stories, and the Sunday Times, amongst others. She has a PhD from UCL where she wrote about hysteria and desire in Spanish cinema. Her first book, This Ragged Grace: A Memoir of Recovery and Renewal, was published by Canongate in June 2023, and described by Olivia Laing as "an extraordinary, electrifying book." Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

"Who is NYC?" This campaign partnered alongside Project Feel explores all the nuances behind living in New York City. In this episode we talk to Melika Dave aka Offering Rain. Melika is an NYC born and based multi-media artist and organizer of Indian & Ecuadorian descent working in the realms of audio, poetry, painting and design. They utilize their artistic practice in hopes of refreshing the earth like rain through poly-cultural sound, poetry and symbolism. Their previous work has been exhibited at Art on the Ave NYC, Soho House, Knockdown Center and Bronx Academy of Arts and Dance. As a DJ, they have worked in collaboration with HBO Max, Instagram, NTS Radio, mutual.love and the like. Their music has been featured on Euphoria, Genera+ion and Walker. Recorded on 8/8/23 @ Inwood Hill Park --- Support this podcast: https://podcasters.spotify.com/pod/show/wearehumanpodcast/support

In this special live episode, we speak to writer and broadcaster Octavia Bright about her memoir, This Ragged Grace. We discuss the ways in which Octavia's roles as an interviewer, carer and linguist informed her process as an active listener and developed her writing voice. We explore the distinction between the pornographic and the erotic in relation to memoir writing, and discuss the process of revealing and concealment when writing from lived experience. We chat about the importance of images and symbols in articulating trauma, with reference to Louise Bourgeois' 'Spiral Woman' as a symbol which holds contradictions within recovery. We speak about the interweaving of presence, loss, memory and history within writing and discuss the influence of artists and writers such as Louise Bourgeois, Deborah Levy and Marlene Dumas on Octavia's work. Octavia Bright is a writer and broadcaster. She co-hosts Literary Friction, the literary podcast and NTS Radio show, with Carrie Plitt. Recommended by The New York Times, Guardian, BBC Culture, Electric Literature, The Sunday Times and others, it has run for ten years and has listeners worldwide. She also presents programmes for BBC R4 including Open Book, and hosts literary events for bookshops, publishers, and festivals – such as Cheltenham Literature Festival and events for The Southbank Centre. Her writing has been published in a number of magazines including the White Review, Harper's Bazaar, ELLE, Wasafiri, Somesuch Stories, and The Sunday Times, amongst others. She has a PhD from UCL where she wrote about hysteria and desire in Spanish cinema. References This Ragged Grace by Octavia Bright Living Autobiography series by Deborah Levy Louise Bourgeois Marlene Dumas As always, listen for the discount code and visit Storysmith for 10% discount on Octavia's work.

"If you feel like you're not progressing, the likelihood is that everyone else you're looking at is going through exactly the same thing." Conducta and Charisse C talk about isolation and mental health in this collaboration with Black Minds Matter UK. Resident Advisor is delighted to welcome back our quarterly collaboration with Black Minds Matter UK, a charity connecting Black individuals and families with free mental health services. In line with their mission to make topics around mental health more visible and accessible to the Black community, this recurring series dives deep into some of the issues that plague BIPOC artists specifically, not to mention people working within the creative industries more generally. In this episode, Vanessa Maria hosts engaging conversations with two London-based artists: Charisse C, a DJ and resident on NTS Radio who derives much of her musical inspiration from her Zimbabwean and South African heritage, and Conducta, a UKG tastemaker and the founder and A&R of Kiwi Rekords. The duo share their thoughts on themes around loneliness—the alienation of social media, the risk of burnout on the road and the self-doubt that accompanies any kind of achievement. But they also share inspiring ways to encourage transparency and a real dialogue around hard work and happiness in the dance music scene that isn't mitigated by social media and outward appearances of success. "Everything that people think has happened overnight in the last two or so years, that's all been a process and a journey of hard work," says Conducta. "I think one thing that will benefit young people coming up in the music industry is understanding that if you feel like you're hitting a stalemate, the likelihood is that everyone else you're looking at is going through exactly the same thing, feeling exactly the same thing." Listen to the episode in full.

Octavia Bright is a writer, broadcaster and co-host of popular podcast and NTS Radio show ‘Literary Friction'. Her writing has been featured in publications such as ‘Elle', ‘The White Review', ‘Harper's Bazaar' and ‘The Sunday Times'. She joins Georgina Godwin to talk about her new work, ‘This Ragged Grace: A Memoir of Recovery & Renewal'.See omnystudio.com/listener for privacy information.

LDLDN is DJ, producer - and most importantly - obsessed with music. A host on NTS Radio since 2012, his shows hop between jazz fusion, Detroit techno and anything else that generates a feeling. His SpaceBass parties and DJ sets at the likes of Erol Alkan's ‘To The Rhythm' at XOYO, I Love Acid at Corsica Studios, We Out Here Festival, Lovebox, Tate Modern and Secretsundaze swing easily between dancefloor steppers and more thoughtful, deeper grooves. Movement is key, genres and BPMs - not so much. Founding Natural Frequency Records has allowed LDLDN to bring all that together - releases that are musically diverse and tap into years of experience raving, collecting and dreaming about music. Tracks that aim to capture an emotion or idea in a genuine and interesting way. "My tastes cover so many different styles, tempos and vibes, it's often tricky to choose a particular direction for a mix. But after seeing some of the chaos at a recent Slothboogie party I thought I'd go straight in with some front-foot, late-night house, techno and acid selections to get you moving. A sprinkling of new and old - including stuff on my Natural Frequency label - recorded in one take to capture the energy. Really enjoyed putting this together and hope you do to"

Marwa Belhaj Youssef is a Tunisia-based multidisciplinary artist who started her career as a DJ in 2014. Her mixes offer a wide ranged selection highlighting the beauty and violence of sounds as she navigates across cultures, genres and signatures. She is a resident artist at Movement Radio (Athens) and worked as a booking agent/curator at LYL Radio where her personal goal is to support Arab artists through her show KHENJAR. Marwa was invited to perform at Boiler Room in Athens in 2022, while contributing to the System Mix Series. In recent years she has played a number of times on various platforms such as NTS Radio, Noods Radio, Lyl Radio, Rinse FM, Intergalactic FM, Radio Al Hara, Root Radio and Radio Flouka. In this hour-long set Marwa travels through several regional gems pulling from left field electronics, industrial, and more with tracks like ABADIR's ‘V', or Rama's mashup titled, ‘Ani Klang x Tempa T - next sadbois', alongside ‘Keen Demag' by ZULI, and ‘Ikmal' by Muqata'a, ‘Shoulder Dance' by 3phaz, Van Boom's ‘Agora', and more. www.scenenoise.com

Anastasia Kristensen's greatest gift is to weave an electrifying sonic thread through her DJ Sets. She gathers sounds from a vast array of styles, enthusiastically researches off-grid electronics and blends them together through an adventurous, if not infectious, mixing technique. Dance oriented Avantgarde - that is exactly her edge. Her BBC Radio 1 Essential Mix turned so many heads that it got nominated for the Best Essential Mix of 2022 and is a testament to her ability to select and synthesize.
To become the selector that she is today, Anastasia embraced non - conformity and fortitude throughout her life. Non - conformity, that means a musical curiosity that explores the less conventional places in electronic music, but it also means continuously aiming for her audience to let go on the dancefloor. At present she hosts regular all-nighters at Den Anden Side, a new underground venue in her hometown Copenhagen and holds a residency at Mainstream, the city's most reputable LGBTQ party. Both platforms stand for her versatility and community orientation and are key contributors to her experience of playing foggy high quality basements and festival stages dexterously and with devotion. I's a rare quality to perform with such an ease in these divergent ambiances. Even more so, to provide such an engaging variety of sounds there and to captivate the audiences in an instant. Whoever attends one of Kristensen's kaleidoscopic sets should be ready to get lost and experience the unpredictable. Having played the experimental UNSOUND Festival, and clubs like FOLD, BLITZ and Elysia in Basel, the Danish DJ convinced many knowledgeable crowds and gained praise for it. This is no different for her rare live performances - like the opening of the CTM Festival in 2018. To care for a community and to further build it up is of significant importance for the artist. Her 2020 efforts to curate the compilation “Rewire and Acquire” and bring 18 producers together in service of the organization “Equality Now”, show that she walks the talk intrepidly.
Being a producer, too, the energy of dance - oriented Avantgarde is detectable in her releases and remixes. Following the debut “Maxima” (2019) on the cutting edge outlet Houndstooth, the EP “Ascetic” on Warps sub- label Arcola exhibits a futuristic genre blend between electro, IDM and spooky techno. Houndstooth is also the home for her latest release “Volshebno” that captures mesmerizing dancefloor moments. Fittingly, “Volshebno” stands for “magic” in Anastasia's mother tongue, Russian. 2023 will be a continuation of her mission to represent musical curiosity and community, as Anastasia will host listening sessions in Copenhagen. Community Members will showcase music they love and tell the connected stories around them. Besides that, she will hold a residency at the highly reputable NTS Radio. By embodying authentic, tasteful curation and selection, by connecting individuals in communities they feel belonging to, Anastasia Kristensen will no doubt further transcend her inspiring artistic footprint into the electronic realm. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

The first step to recovery is acceptance. Watch the episode on YouTube. Sections Introduction: 0:00 Question: 0:55 Stuck in a rut: 06:30 An enthusiast: 13:30 The Obsessive: 22:00 Appendix: 31:26 Show notes Radio stations: NTS Radio, Dublab, Balamii, Noods, Reform Radio, Na Mantiega, Seoul Community Radio, Berlin Community Radio, Red Light Radio, Refuge DJs: Eclair Fifi, Hunee, Chloe Robinson, Bufiman/Wolf Muller, Jamie Tiller Song I was obsessed with finding: Harry Thomas - Lord of the Starfields Follow me TikTok Instagram Newsletter Spotify About Me: Hi there! My name is Derrick Gee - radio host, DJ and creator who likes to talk about music, hifi and ideas. Thanks for reading this - you really didn't have to. Much love!

Matt sits down for a great conversation with DJ, radio host, and content creator Derrick Gee on Unscripted. A former resident at London's NTS Radio & Spiritland, as well as sometimes host on SiriusXM, Derrick has formed a global following of like-minded music lovers.

The August 2022 episode of Andy Votel's monthly show for NTS RADIO which was sadly never archived. This show is dedicated to the tragic passing of Dan Dwayre AKA Black Lodge. Check out the NTS website for a further 80 x 1hour long episodes of Randomonium which can all be streamed in full.

In this episode, I have a conversation with Adina Glickstein, a writer and editor working between the worlds of art and technology in Berlin. She writes a monthly column about internet culture for Spike Art Magazine, and co-authored a chapter on the infrastructural history of Ethereum for On NFTs (forthcoming from TASCHEN, 2022). She has guest-lectured to students learning about blockchain at the Royal College of Art (UK) and Merz Akademie (DE), and moderated a panel about crypto and art history at NFTBerlin 2022.  With full transparency, she is also my daughter! Listen in as she tries to help demystify lingo and laughs with me as we seek to learn new things together.Links that Adina mentions and thinks you will enjoy!Spike #70 – Web3:https://shop.spikeartmagazine.com/product/spike-epaper-issue-70-web3Panke Gallery:https://www.panke.gallery/exhibition/home/  Net Art:https://en.wikipedia.org/wiki/Net.art Harm van den Dorpel:https://harm.work/ Sarah Friend:https://isthisa.com/aboutmeSimon Denny:https://simondenny.net/Dotcom Seance:https://www.dotcomseance.com/Maria-Paula Fernandez/Department of Decentralization:https://decentralala.com/aboutToby Shorin/Other Internet:https://otherinter.net/Melanie Hoff:https://sfpc.io/people/melanie-hoff/Nina Protocol:https://www.ninaprotocol.com/NTS Radio:https://www.nts.live/  Follow my blog (the inspiration for this podcast) https://themindfullcreative.comDM me on Instagram and let me know what you think! https://www.instagram.com/mindfullconversations/

DJ Spiñorita has been raving since she was born… give or take 14 years and a hundred backyard dj’s hired by her family.She lived an important part of not only So Cal, but SGV history. Bygone party scenes like the 626’s Catholic high school dances and iBrowse Coffee and Internet live on spiritually through her streaming shows on Twitch and NTS Radio. But most importantly, she “reps the SGV HARD!” Electronic music fans all over the world toss up her custom SGV emote on Twitch. Even though most of ‘em have never been here, they get a pretty decent idea of what we’re about just from watching her get down in her garage with the zarape background and her signature dance moves.Spiñorita tells us she's the Queen of the 'bra (that's Alhambra, kiddies), and she wants the key to the city. Does she deserve it? Is she a natural born ambassador for the San Gabriel Valley? We think so.Listen and hear why aging party crews, veteranas and rucas tune into her as their nostalgia show of choice while today’s generation of ravers lose their shit alike to her masterful skill behind the 1’s and 2’s. And listen to her EP on her own Backyard Party Records!

First Broadcast of NTS Radio 7th Feb 2021. All tracks use samples that appear on Finders Keepers Records catalogue between 2005 and 2022. Mixed by Andy Votel.

Born in Hong Kong and based in Shanghai, Tom Bray (better known as Tom Yeti) has been a pivotal figure within Asia’s music landscape for the past decade. Joining the dots within all aspects of the industry from artist management, music event promotions, booking agent, radio host to DJ, he’s the co-founder of YETI OUT collective and subsidiary record label Silk Road Sounds. Holding residencies in Shanghai, Seoul, Bangkok to Singapore, YETI OUT’s been bridging the gap between East & West Being the few Asian music collectives that hold residencies on Rinse F.M to NTS Radio, their ‘Silk Road Sounds’ show promotes a sonic exchange between cultures from both sides of the Atlantic with consistent label releases that blur the line around Grime, Garage, House, 4×4 frequencies to new found global sounds. His sound design portfolio covers curation projects alongside the likes of Louis Vuitton, Dior, Bottega Venetta, Soho House to NikeLab while cementing his career as a multidisciplinary in Asia’s creative circles. Thomas started a music blog that mushroomed into an all-out creative collective, Yeti Out, involved in party promotion, art show production and fashion collaborations, and with its own record label Silk Road Sounds and creative agency TEN5. Show notes: 2:40 Lockdown life 4:55 Hong Kong upbringing, college educated in the UK and how he got to Shanghai 9:42 How creative collective Yeti Out originally started as a music blog in the UK 11:45 How UK music scene influenced him and the meaning behind the name Yeti Out 15:10 On identifying more with being Chinese and the potential of developing in Asia vs the West 17:00 How club scenes differ from in West and East 20:30 The idea behind the label Silk Road Sounds 25:00 How Asian artist are received by Western audiences 32:20 Different approaches of fashion brands entering China 34:30 Local Chinese brands and the differences in international appeal of fashion vs music 38:40 Discovering new parts of China during the past two years of pandemic 40:40 How the inability of foreign acts to enter China during the past two years has affected the local scene 46:45 The recent flip of lockdown situations of East and West

The AM, also known as Ann-Marie Teasley is a techno DJ that started out as a classical violinist in Detroit, MI. She discovered the underground rave scene in her hometown in 1996 and her sound is a reflection of the dark hard music she discovered in warehouses and abandoned theatres. Her sets take you on a nostalgic journey through electro straight from the streets of Detroit, to raw and funky peak time techno. The AM made her debut as a guest DJ on NTS radio being featured on Ash_Lauryn's Underground and Black show in 2017 while living in Miami, FL. From there she began playing local parties around Miami Beach. In 2019, she relocated to Detroit, and began playing local clubs like TV Lounge and Grasshopper Underground. Upon her return, she also began to work with Detroit's very own Scan7. After being on the bill at the same events around Detroit, The AM teamed up with Mr. Hooper, the youngest member of Scan7 for hard hitting live DJ sets. After spending time discovering hardware in the studio with Scan7, The AM and Mr. Hooper decided to create an official joint venture called HLX-1. HLX-1 recorded their first two self-released singles “I Can Tell” and “The Cosmos” at Submerge Records in Detroit, MI in August 2020. From there, they continued working and switched from DJ sets, to live techno sets, including all original music created by HLX-1. In December of 2020 the HLX-1 track “I Can Tell” was featured on Beatport's ‘Top 50 tracks of 2020' list. The AM was also featured on Beatport's ‘On our radar' for August 2020 and closed out the year with a set for Paxahau TV streamed from their headquarters in Detroit. To kick off 2021 The AM was featured on Rinse FM, NTS Radio with Moxie, The HNYPOT Podcast hosted by Honey Soundsystem, and Resident Advisor's top DJ's for February, while writing and recording two EP's with Ken Clements for HLX-1 in collaboration with DJ Maaco and Mark Flash. The AM currently curates a monthly live Techno show with Detroit Promo TV in collaboration with Underground and Black ‘The Detroit Edition,' which is focused on showcasing artists and their skills live on the decks. Detroit Promo TV also known as “THE BASSMENT DETROIT” has been preserving the Detroit Underground realness for the past eight years and welcomed The AM as a host after her first guest appesrance. The AM,(aka Ann-Marie Teasley)来自密歇根底特律的Techno DJ，最早学习演奏小提琴家。1996年，她在家乡发现了地下音乐的场景，那些在仓库和废弃剧院中暗黑音乐正是她寻求的声音。她的DJ Set带你踏上了一段电子音乐之旅，来自底特律的街头的强悍funky律动的巅峰Techno音乐。2017年，AM作为NTS电台的客座DJ首次亮相，在佛罗里达州迈阿密的Ashèu Lauryn的《地下与暗黑》节目中亮相。从那里开始，她开始在迈阿密参加当地的派对。2019年，她搬到底特律，开始在当地的俱乐部演出。随后，她也开始与底特律的传奇乐团Scan7合作。在底特律附近的同一个活动中，AM与Scan7中最年轻的成员Hooper先生合作制作了重量级的现场DJ节目。在用Scan7在工作室里发现了硬件设备之后，AM和Hooper先生决定建立一个名为HLX-1的组合。HLX-1于2020年8月在密歇根州底特律的Submerge唱片公司录制了首两首自拍单曲《I Can Tell》和《The Cosmos》。从那以后，他们继续工作，从DJ表演转化成Live set的表演，表演HLX-1创作的所有原创音乐。在2020年12月，HLX-1的曲子“I Can Tell”被列入Beatport的“2020年Top tracks”名单。AM还出现在Beatport 2020年8月的On our radar节目中，年底，他们为底特律的Paxahau TV录制了一套节目。开启2021年后，AM受到Rinse FM、NTS电台和Moxie邀请录制节目，由Honey Soundsystem主持的HNYPOT播客，以及Resident Advisor 2月份的 Top DJ节目，同时与Ken Clements为HLX-1与DJ Maaco和Mark Flash合作编写和录制了两张EP。AM目前与Detroit Promo TV合作，每月策划一场现场Techno演出，重点是在唱机上展示音乐人及其DJ技巧。底特律宣传电视台也被称为“THE BASSMENT DETROIT”，在过去的八年里一直保持着底特律地下的真实性，AM在第一次表演后成为主持人。Raquel B. began her career as a Techno DJ in Shanghai, China where she delivered the Detroit techno sound and influence. Her sets became highly requested at local Shanghai venues, and she became a part of one of the biggest underground festivals in China, Yin Yang Electronic Music Festival on the Great Wall of China in 2018. Raquel recently relocated back to the 313, continues to bring you dynamic and hammering techno grooves that will take you back to the times you used to spend on the dance floor when sweat dripped from the walls.Raquel B。她在中国上海开始了自己的Techno DJ 生涯，在那里她传递了底特律的Techno之声和影响力。她的作品得到了上海本土俱乐部的欢迎，2018年她在中国最重要的地下电子音乐节-中国长城阴阳电子音乐节表演。Raquel B重新回到底特律313，继续带来冲击力的Techno律动，让观众在整个舞池挥汗如雨。

Adam McAleavey is a Liverpool born radio DJ featured on worldwide online platform NTS Radio. Macca talks to us about how he combines his two fickle loves; Beats and The Blues. Fashion, fashionability, and fash(c)-ism. South Liverpool music, starting a record label, and what imagery from 80's Toxteth can help uprise, the ghettoised, gentrisied southside? Macca (@maccalaaa) tells us about the notoriety of being a scouser based in London, both politically and personally. Living in a global hotspot like the Big Smoke evokes the Evertonian inside him to questions: Why aren't Everton cool? We hear niche about opportunities missed, and opportunities in the making. The Tom Davies factor and what would make Everton relevant globally, or only even as far as Hackney? What it means being an Evertonian now, and we ask the question we asked in our first pod "La Cultura", what is Everton to the generation not old enough to remember on pitch success? Does match day experiences taint our feelings towards the club, and lessons learned on the darker side of following your team. We hear about the lifestyle differences between north and south divide within football culture, involvement in grassroots football with The Gun. Mid 80's love in between Merseyside colours. Macca gives us a unique insight of a Blue attending parades and celebrations for a side that isn't his own and trophies they haven't won, (yes... the reds) and what it means for his city. There are positives and negatives to being a blue, and this is just one story. Enjoy! One Glove. Running Order: - Introduction (00m 45s) - Everton and evocative beats (08m 25s) - The outside opinion of the blues (11m 13s) - Collaborative Creatives and Evertons' inefficiencies (17m 25s) - North South divide (24m 40s) - A fan of the city (34m 45s) - Fan culture negative and positive (40m 00s) - It's a sign of the times. What is your Everton? (56m 30s) - City gentrification (1h 07m 00s) - QuickFire Q & A (01h 08m 23s) Search 'mintisculture' on social media to find us, and email us here: mintisculture@gmail.com. Check out the MINT store, www.mintisculture.com where you can find more than just audio content. ***Please take the time to rate and review us on Apple Podcast or wherever you get your pods.

In which we dig out a Smash Hits from ‘79 (entirely written by D Hepworth), wonder if Ian Brown's gone stir crazy, watch it kick off between Dylan and the Beatles (in '66), navigate the enriching waters of NTS Radio, remember when Kevin and Perry went Mancunian and stage a stand-off between ‘60s folk revivalists and punning rock memoir titles (‘Kiss And Make-Up' – Gene Simmons'; ‘I Did It Otway!' etc). Smash Hits, Sept ‘79https://www.flickr.com/photos/51106326@N00/sets/72157622155198859/ NTS Radio…https://www.nts.live/If you'd like to receive this - and indeed every future - Word Podcast before the rest of the world, and in full audio-visual glory, please subscribe to the marvel that is the Word In Your Ear Patreon: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In which we dig out a Smash Hits from ‘79 (entirely written by D Hepworth), wonder if Ian Brown's gone stir crazy, watch it kick off between Dylan and the Beatles (in '66), navigate the enriching waters of NTS Radio, remember when Kevin and Perry went Mancunian and stage a stand-off between ‘60s folk revivalists and punning rock memoir titles (‘Kiss And Make-Up' – Gene Simmons'; ‘I Did It Otway!' etc). Smash Hits, Sept ‘79https://www.flickr.com/photos/51106326@N00/sets/72157622155198859/ NTS Radio…https://www.nts.live/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Subscribe to Larizzle's Mixcloud Select channel from just £2.99 a month to access ALL his mixes (both old and new, to stream or download) and full tracklists. Follow Larizzle on: Instagram | Twitter | Facebook YouTube | Spotify | Mixcloud

Efni Lestarinnar í dag: Honoré de Balzac, einn merkasti rithöfundur 19.aldar, var logandi hræddur við ljósmyndavélina. Hann taldi líkamann samsettan úr lögum draugalegra smásæja himna sem myndavélin gæti lagt hald á, aðskilið og fjarlægt. Hann óttaðist sumsé að ljósmyndin gæti rænt hann hluta af sjálfinu. Ljósmyndun hefur breyst töluvert á síðustu tveimur öldum - með hliðsjón af Instagram og sjálfu-kúltúr samtímans verður spurt í Lestinni í dag hvort hræðsla skáldsins hafi kannski ekki verið alveg ástæðulaus. Tómas Stankiewicz hefur verið að gera það gott bæði hér heima og erlendis en hann gerir tónlist undir nafninu Tommasi. Ásamt því að vinna með tónlistarfólki frá þekktum plötuútgáfum eins og Brainfeeder og Stones Throw er hann með sinn eiginn útvarpsþátt á tónlistarstöðinni virtu, NTS Radio, sem starfrækt er í Lundúnum, Los Angeles, Shanghai og Manchester. Tómas er mikill áhugamaður um svokallaða safnatónlist, sem hann segir frá í þættinum í dag. Og Karl Ólafur Hallbjörnsson fjallar í pistli dagsins um heimspekilegt sjónarhorn kvikmyndarinnar. Umsjón: Anna Gyða Sigurgísladóttir og Eiríkur Guðmundsson

For this episode of our Criticism in Conversation series, a writer and collaborative performer, Jacob Wren, speaks with artist Dayna Danger, about the line between empowerment and objectification and the meaning of community in both their work. Danger is a 2Spirit/Queer, Metis/Saulteaux/Polish artist whose images highlight and queer power dynamics, kinship, representation, and sexuality. Wren makes collaborative performances, exhibitions and literature, including 2014's Polyamorous Love Song and this year's Authenticity is a Feeling, a hybrid of history, performance theory, and memoir. Together they cover a lot of ground, from personal narratives and community relationships to speaking against silence and apathy. We also receive a set of strategies for working and living in capitalist and colonial society, including creating your own rituals and adopting an ethics of abundance. This episode is edited by Jacob Irish, features original music by Kyle McCrea and production assistance by Mitra Shreeram. It's brought to you with the help of the Canada Council for the Arts “New Chapter” grant, and is syndicated by NTS Radio.

In this episode of “Criticism in Conversation”, two art critics and historians discuss “conflict of interest” in contemporary art criticism. Tyler Green, the host of the popular Modern Art Notes Podcast  and Catherine G. Wagley, a critic who regularly publishes with artnet News, the LA Review of Books, and Momus, frame the stakes and risks of a critic writing on contemporary - and even historical - figures in art, especially in light of the market's increasingly firm grip on our discourse. We can hear them debate the most ethical approach to navigating nepotism, allyship, and critical distance in contemporary art writing. And as a centerpiece to this discussion, they cite the recent example of an art historian outing two leading art publications for acquiescing to the control exercised by a leading gallery over the material published on its artists. In an artworld where conflict-of-interest is endemic and normalized, our attention should be heightened, especially regarding the powers that dictate the terms by which we critique, historicize, and debate.  Momus: The Podcast is co-produced and co-hosted by Sky Goodden and Lauren Wetmore. This episode is edited by Jacob Irish, features original music by Kyle McCrea and production assistance by Mitra Shreeram. It's brought to you with the help of the Canada Council for the Arts “New Chapter” grant, and is syndicated by NTS Radio.

Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can flatten evaluative distinctions in favor of zealotry for invention.  “Criticism of a tool that's presented as neutral when it really is a piece of social engineering is incredibly hard to do, and there really isn't a model for criticism in this space,” says Khan. In this far-ranging discussion that touches on the critical distance and yet humanism required of writing on the internet, surveillance, and AI, Khan and Pepi assert that tools aren't divorced from their makers, and artwork is never post-human - nor post-critique. “Criticism in Conversation” is a series by Momus: The Podcast, and is co-produced and co-hosted by Lauren Wetmore and Sky Goodden. This episode of Momus: The Podcast is edited by Jacob Irish, features original music by Kyle McCrea, and production assistance by Mitra Shreeram. It's brought to you with the help of the Canada Council for the Arts “New Chapter” grant, and is syndicated by NTS Radio. You can stream the episode above, or download it on Google Play or iTunes. Momus is also thrilled to thank NTS radio for syndicating and hosting Momus: The Podcast.

Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can flatten evaluative distinctions in favor of zealotry for invention.  “Criticism of a tool that's presented as neutral when it really is a piece of social engineering is incredibly hard to do, and there really isn't a model for criticism in this space,” says Khan. In this far-ranging discussion that touches on the critical distance and yet humanism required of writing on the internet, surveillance, and AI, Khan and Pepi assert that tools aren't divorced from their makers, and artwork is never post-human - nor post-critique. “Criticism in Conversation” is a series by Momus: The Podcast, and is co-produced and co-hosted by Lauren Wetmore and Sky Goodden. This episode of Momus: The Podcast is edited by Jacob Irish, features original music by Kyle McCrea, and production assistance by Mitra Shreeram. It's brought to you with the help of the Canada Council for the Arts “New Chapter” grant, and is syndicated by NTS Radio.

In the first episode of Momus's new “Criticism in Conversation” podcast series, an art critic and an art journalist parse the differing responsibilities and approaches of their craft. Catherine G. Wagley (a Momus contributing editor, and a critic for ARTNews and The Los Angeles Review of Books, among others) and Julia Halperin (Executive Editor of artnet News, and former Museums Editor for The Art Newspaper) compare notes and find common ground as they consider, in particular, the example of a potent piece of journalism published by Halperin concerning the influence of five commercial galleries on worldwide institutional programming. Wagley wonders if this kind of reporting isn't also the province of criticism, as these politics affect what we see – and how. “Criticism in Conversation” is a new series by Momus: The Podcast, and is co-produced and co-hosted by Lauren Wetmore and Sky Goodden. Momus: The Podcast is edited by Angela Shackel, and features original music by Kyle McCrea. It's brought to you with the help of the Canada Council for the Arts “New Chapter” grant, and is syndicated by NTS Radio.  

The Radium Podcast episode 14 brings you a new guest, Natalie James, a.k.a. “NJINLA”. She currently is a radio host & DJ for NTS Radio, works with Output in artist relations and video writing, and has influenced many with her passion for food, music, and travel. With her charismatic attitude, Natalie brings a new energy ...