Podcasts about timedance

A few weeks back an email landed in our inbox signposting music from a mysterious artist operating under the guise of Cleyra. We were kindly tipped off by the team at Timedance who usually know a thing or two about cutting edge electronica but even by their standards this one was far out. However, we say that in the very best way. Cleyra is an artist who likes to keep themselves private. The music does the talking and offers a brief insight into their psyche but that's about it. This mix is a tour de force demonstrating the potential future of dance and electronic music, a hectic maze of sounds which challenge and entice at both the same time.

Laksa's (@laksauk) contribution to techno is as vital as it is hard to define. The London-based Bristolian never sits still in one stylistic niche and is as likely to ramp up the techno as he is slow then down. His meticulously designed grooves have come on tasteful labels like Hessle Audio, Timedance and Ilian Tape, always with a focus on dance floor dynamics. Further creative outlets come in the form of the re:lax label, club night and NTS show he runs with with re:ni. Most recently he has cooked up the WONDA EP which includes a vocal collaboration with Nyege Nyege-affiliated Phelimuncasi The podcast he serves up for us is, in his own words, "a mix of hype and hypnotism" and it includes some tasty unreleased music from the man himself as well as the likes of Ma Sha, Siu Mata, Erik Luebs and Crespi Drum Syndicate. The 90 minutes are as wide-ranging as you might expect with bass-heavy grooves, trance-inducing synths, broken techno workouts and tribal rhythmic explorations all making sure both head and body are catered for in style.

Perpendicular Festival is a pilgrimage for electronic music devotees, who like their electronic music edgy, innovative, and deep, drawing them from across the globe to Spain's secluded woodlands. A brainchild of the crew behind Madrid's iconic Espacio Perpendicular venue, the festival features the vanguard of ambient and techno (and everything in between) over three days and nights. We are delighted and honored to present you with some of the sets from this year's edition of the Perpendicular Festival. Keep an eye on our "Delayed with..." series in the upcoming months because some incredible sets are coming your way. We are starting in style. Hardcore Chillout co-founder, a London-based artist Mark Geary, aka Eight Fold Way, who in his spare time explores the multidimensionality of sound, graced the decks on Sunday late afternoon. Even though it feels that there is overuse of terms like "journey," "trip," or "voyage," these types of DJ sets should be referred to as such without hesitation. Eight Fold Way expertly unveils new layers of sound as the set slowly develops from experimental ambient to chuggier and broken low-slung rhythms that, with such ease, morph into the deepest shades of techno. Once the listeners arrive at the bottom of the Mariana trench, Eight Fold Way keeps the tension sprinkled with several curveballs dipped in acid and quirky, very hypnotic percussions. The whole set feels like a natural progression from one style to another, and that's a quality of skillful DJ. Mark brings on proper UK vibes in the last quarter of the mix and finishes it with Neinzer's gem - Horus from Timedance's Patina Echoes compilation from a few years back. Recorded live at Perpendicular Festival on May 26, 2024. https://soundcloud.com/eightfoldway https://www.instagram.com/eightfoldway/ https://soundcloud.com/espacio-perpendicular https://soundcloud.com/hardcore-chillout

Rising UK poet and lyricist Older Brother joins forces with multi-hyphenate artist and producer Cameron Morse for new track ‘The Sedated Century', due 26th Jan on Society Soundtrack. Older Brother is an artist translating our daily dystopia into sonic painkillers. Winning fans from all corners from the off, his track with frequent collaborator Metrist 'Bullet Time' (Timedance) was heralded by The Quietus as 'an excellent slow-burn mystical journey in the mould of Joy Orbison', while follow up ‘Tele Hill Climbers' was playlisted by Apple, BBC6 and NTS On ‘The Sedated Century' Older Brother links up with Montreal based fashion visionary, experimental musician and LUCKYME collaborator, Cameron Morse. Like a beguiling sonic Black Mirror, the track signals the dawn of society's drunken disconnection from our bodies into gaseous avatars. Older Brother delivers razor-like British melancholia with Lustwerk laid back-ness over the missing dance track from LAGEOS. The perfect cautionary tale for January gloom and resolution wake up call, ‘The Sedated Century' arrives on Older Brother's excellent Society Soundtrack - a label releasing moving music that critically reflects our world in danceable forms. ‘The Sedated Century' is the final single in a trilogy following ‘Cliff' and ‘Tele Hill Climbers', and alongside a slated EP release with Manchester band Shell Company (FIXED ABODE), heads up what's set to be an exciting 2024 for the rising artist. Older Brother says : “I met Cameron Morse on Soundcloud way back in 2015 around the time he was making the first Littlebabyangel record. His music has always sounded like how I've felt, under another alias I used to rip all his demos and do whole live improvised sets to his music. The Sedated Century is our first track, it's about how we're voluntarily sedating ourselves en masse. It's a cautionary tale - about the neglect and dehumanisation of digitisation. The track is an antidote, it gets you high then puts an adrenaline shot in your chest”. Older Brother ------- SC: https://soundcloud.com/olderbrotherolderbrother IG: https://www.instagram.com/olderbrother.olderbrother/ Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

Ploy makes mad music – a lot of his music sounds mad. It shouldn't necessarily make sense but it does. The term discombobulated comes to mind at times but in the very best way. No, seriously we mean that as a compliment. For many years Ploy has been one of the most interesting producers in underground Electronic music having released records with the likes of Hessle Audio, Hemlock, Timedance and L.I.E.S. No two have sounded the same and each of them have drawn upon a musical influence or five as Ploy attempts to piece together his own flavour of dance. As an artist he has continued to evolve – creating his own world in which to release the music that feels right to him. Ploy's own record label, Deaf Test, has been integral in the evolution of his sound. Acting as a platform in which to experiment and explore new sounds and concepts. One challenge of his career thus far has been working out a way to connect the dots between his own musical tastes, productions and outlook towards club culture. However, as of late his focus has been rooted in the wonkier undercurrents of UK Bass music and its intersection with Tech House. A new record on Timedance forthcoming cements this idea. We invited Ploy to record a mix and the result… Well, you are in for a treat as we gain an insight into some of the music which makes Ploy tick on the dancefloor.

Will Yates is a genius self-taught composer and multi-instrumentalist. Making music as Memotone since 2010, he has a myriad of releases on legendary underground labels such as Sahko, Accidental Meetings, Black Acre and PLAQUE and even provided the source sounds that would go into making Batu's landmark album 'Opal' on Timedance last year. Take a deep dive into Will's vast and breath-taking sound world as both Memotone and O.G. Jigg and you may find influences and sounds, including but certainly not limited too, freak folk, bluegrass, psych, jazz, Medieval and Baroque music, new age, ambient, modern classical, dub, techno, drone, electronica and dungeon synth.Over the course of this interview, Will gives an insight into where all of this spell-binding music comes from, discussing his early years and formative musical experiences, how he approaches learning and composing on a vast array of musical instruments, the deep folkloric roots that inspire him, his future projects and some of his favourite current records. We will be giving away some of Will's records to coincide with this interview - Head over to www.instagram.com/awake.allhours/ for details.Clips of ‘Shape In The Pond' and ‘Leagues Under' from Memotone's album ‘Clever Dog on Accidental Meetings are used at the beginning and end of this podcast.SUPPORT MEMOTONE:Buy Music Club: https://www.buymusic.club/list/awakeallhours-insights-022-memotoneBandcamp: https://memotone.bandcamp.comInstagram https://www.instagram.com/will_memotone/Soundcloud: https://soundcloud.com/memotone

In this episode of INSIGHTS, we have the privilege of being joined by a true stalwart of the UK bass music scene. If you've been paying even the slightest bit of attention over the years to that signature strain of wonky, skewed, bass driven techno, as purveyed by seminal labels such as Hessle Audio, Timedance, Livity Sound, Hemlock and Idle Hands, you will certainly be familiar with Bruce, who boasts a slew of landmark releases on all of the aforementioned imprints. We look back over his incredible career as well as discussing some extremely exciting new projects, most notably his new party TURN '23 which debuts at Strange Brew in Bristol on the Saturday 28th January with an absolutely ludicrous cast of greats from across the electronic music spectrum - DJ Marcelle, Nazar, Shelley Parker, Biped, Sybil, Aura Tekh and of course, Bruce himself.Over the course of this interview, we begin by discussing Larry's early years and formative experiences, meeting Ploy and Batu whilst studying at Bath Uni, moving to Bristol, the city's club culture and how two emails from Ben UFO and Peverelist in 2014 springboard his production career. We then discuss some of his career-highlights, both as a producer and DJ before moving onto his current projects - XRA with fellow Timedance and Hessle Audio heavyweight, Lurka, as well as his new solo live set. We conclude by talking about his Get Loose parties, before previewing his tantalising forthcoming event TURN '23!We are giving away three tickets for TURN '23 to one lucky winner! Head over to www.instagram.com/awake.allhours/ for details.—SUPPORT BRUCE:TURN '23 tickets: www.headfirstbristol.co.uk/#date=2023-…nt_id=83048XRA: xramusic.bandcamp.com/musicBandcamp: wordsofbruce.bandcamp.com/musicSoundcloud: @iambruceInsta: www.instagram.com/snapsofbruce/

In this episode of Awake All Hours, we present the first of our summer festival previews, starting with the Barcelona giant, Primavera Sound! We breakdown the entire week-and-a-half long programme (4:00), highlighting significant electronic artists and sharing recommendations for those interested or attending either weekend of the festival, eventually concluding that they have booked all of music.We then dive into album reviews, catching up on a couple of mega releases from two heavyweights of the scene - Kelly Lee Owens (37:27) and Batu (54:03). At this point, attempting to wade through he endless torrent of electronic music finally proves too much, so we have to roll over a bunch of other essential albums to next episode and instead simply finish with our favourite section - What's In My Bandcamp Basket, rounding up our favourite recent DJ weapons and club-adjacent oddities!SUPPORT THE ARTISTS: https://buymusic.club/list/awakeallhours-ep-051-primavera-sound-preview-kelly-lee-owens-and-batuSUPPORT AWAKE ALL HOURS: www.patreon.com/awakeallhours

In this episode of Awake All Hours, we begin by remembering the immense legacy of Jamal Edwards before sharing our experience at Timedance's incredible 7th Birthday bash at the Trinity Centre, with three of the finest DJs on planet earth - Batu, Helena Hauff and k means!We then discuss the heightened crossover between underground electronic music and high fashion in recent months before diving into album reviews, which features yeule's deeply personal and experimental 'Glitch Princess', Slikback's punishing new collaborative project 'CONDENSE' and Silicon Scally's classy new electro LP, 'Field Lines'.We finish, as ever, with What's In My Bandcamp Basket, rounding up our favourite little morsels off the internet - club ready stuff, club-adjacent bits, compilations, represses or anything we think is well cool!SUPPORT THE ARTISTS: https://buymusic.club/list/awakeallhours-all-hail-k-means-the-crossover-between-underground-electronic-music-and-high-fashion-yeuleSUPPORT AWAKE ALL HOURS: www.patreon.com/awakeallhours

Air Max '97 concocts rhythms and manipulates synths in weird and wonderful ways. His tracks are brilliantly curious and drip with personality while also making you want to move. He layers up textures and atmospheres like a painter spreads oil on canvas and does so with both eyes firmly on the future. Releasing mostly on his own DECISIONS label as well as the likes of Timedance, the multidisciplinary artist works across a number of creative fields from design and art direction to mixing music. Most recently, he has put out his 'Psyllium / Eat The Rich' release on Timedance featuring two highly detailed, sub-heavy bangers. On this week's podcast, he threads together a diverse array of sounds. There are contemporary grime rhythms, heavy bass cuts and stripped-back techno twisters from the likes of Ikävä Pii, Azu Tiwaline and Ayesha as well as plenty of some unreleased exclusives and a host of his own remixes and originals. It's seriously playful and - like his more recent productions - grows increasingly minimal and skeletal as it unfolds, with devastating results.

Leftfield London techno.

Bristol's Giant Swan came to dance music after formative years as guitarists in the band The Naturals. This lends them a genuinely outsider perspective which means their music breaks rules the pair of Robin Stewart and Harry Wright didn't even know existed. Coming on labels like Keck, Timedance and Whities, it is caustic and twisted, textured and dense with layers of abrasive sonic fuzz. Add in harsh vocals and unrelenting beats and you have a duo that sits in their own unique world somewhere between noise, techno, experimental and rock. There is no concession to your lockdown life in the mix they serve up for us this week. It is a banging and thrilling collision of hi NRG techno, juke, hardcore and bass that bristles with confrontational energy and raw texture while making improbable leaps from Dizzee Rascal to DJ EARL, Kangding Ray to SOPHIE, SOPHIE to Theo Parrish.

It's our final full show if the year it's absolutely stacked with talking points. We discuss developments in the UK with the arrival of a vaccination against Covid-19 and talk of rapid Covid testing for the events industry, preview Dekmantel's upcoming online festival and highlight significant Grammy nominations from within the world of electronic music. There's also a bumper reviews section, featuring new releases from Off The Meds, The Bug & Dis Fig, Timedance, DJ Earl, Terence Dixon, DVS1 and Robert Hood. We finish by picking our favourite 12's from the past few weeks, including those rather promising up-and-comers - Thom Yorke, Burial and Four Tet, leading to a discussion on the pros and cons of super-limited, high demand releases.

A master of kinetic percussion and low end bass weight, Hemlock, Timedance and Hessle Audio producer Ploy has long been a techno favourite. On his most recent album, Unlit Signals on L.I.E.S., however, he mixes it up much more across nomadic tracks filled with visceral energy. In fact, the record chews up and spits out influences taken from "decades of UK dance" as well as plenty of harder, more raw and noisy industrial scenes. It features eight tracks all with a darker overriding mood, as well as "dishevelled closing hours delirium applied across a spectrum of bpm." That is of course the case on this week's podcast, which is a slippery selection of weighty rhythmic propulsions. As they pull you up, down, forwards and back, fractured percussion peppers the groove and twisted synths weave their way in and out of the cavernous spaces left behind. Whether playing slow and sludgy bass or hard and fast techno, Ploy seems somehow able to warp space and time, and often your mind and body are left just as bent out of shape.

Artist and producer Beatrice Dillon’s new piece for ASSEMBLY, infraordinary, combines installation and performance, in which specially composed sounds are triggered using the system’s Kinect camera, alongside a live controlled sound mix of the street. Inspired by writer Georges Perec’s concept of the ‘infra-ordinary’ - taking account of the micro events of the everyday - the performance attempts to examine and reframe the rhythmic patterns of the street outside. Pedestrians, traffic, roadworks, protest; the corner of Somerset House where Waterloo Bridge meets Embankment is a hive of often unpredictable activity and noise. Acknowledging and working with this to define a compositional framework, Marclay invited a series of guests to collaborate in bringing the outdoors inside for an evolving series of electro-acoustic performances.  Beatrice Dillon is an artist and music producer who has produced solo and collaborative releases across Boomkat Editions, Hessle Audio, The Trilogy Tapes, PAN, Timedance and Where To Now? Recent performances include Barbican Centre, Tokyo’s wwwX, MUTEK Montreal, Dekmantel, Documenta Athens, Cairo’s Masåfåt Festival, Norway’s Insomnia and Documenta Athens. With a background in fine art, Beatrice has produced sound and music commissions for Outlands Network, Lisson Gallery, Études Paris, AND Festival, Somerset House and has collaborated with visual artists and choreographers across ICA, TATE, Southbank Centre, York Mediale, Centre d’Art Contemporain Geneva, MACVAL Paris, Nasher Center Dallas and Mona Tasmania amongst others. She was the recipient of Wysing Arts Centre’s artist residency, is a resident at Somerset House Studios and presents a show on NTS Radio. Christian Marclay’s ambitious and accomplished practice explores the juxtaposition between sound, photography, video and sculpture. His installations display provocative musical and visual landscapes and have been included in exhibitions around the world including the Whitney Museum of American Art, Venice Biennale, Centre Pompidou Paris and Kunsthaus Zurich. More recently, he exhibited The Clock at the Tate Modern (debuted at White Cube in 2010) – an artwork created from thousands of edited fragments, from a vast range of films to create a 24-hour, single-channel video. Podcast produced by Reduced Listening for Somerset House Studios ASSEMBLY Production by Music Hackspace and sound system by Call & Response, with sound and interaction programming from Black Shuck and Preverbal Studio. Lighting design by KitMapper. ASSEMBLY is supported by PRS Foundation’s The Open Fund, The Adonyeva Foundation and the John. S Cohen Foundation.

Join us for a special service that will include the dedication of two babies who have come into our congregation. I will also reflect on the role and importance of Rites of Passage in our Unitarian tradition. 1 Welcoming Words by Rev. Brian J. Kiely 0:00 2 Prelude “The Ballymun Regatta” by Bill Whelan 2:04 3 Kindling the Chalice 4:34 4 Dedication Services of Zakariya Robbie Aakaris and Frederick Atwood Mudry by Rev. Kiely and families 5:07 5 Hymn 238 “Within the Shining of a Star” 13:36 6 Kindling Children’s Chalices 14:33 7 Children’s Recessional 14:52 8 Sharing Our Abundance: Change for Children 15:30 9 “Timedance ’92” by Bill Whelan 16:56 9 Meditation in Words by Antoine de Saint-Exupéry 19:40 10 Meditation in Music “Somewhere over the Rainbow” by Judy Garland 21:24 11 “Reflection on Rites of Passage” by Rev. Brian J. Kiely 23:45 12 Hymn 354 “We Laugh, We Cry” 37:26 13 Closing Words 42:04 14 Closing Song “Carry the flame of Peace and Love until we meet again.” 42:23 Track end 43:09 The Unitarian Church of Edmonton is a liberal, multi-generational, religious community. We celebrate a rich mosaic of free-thinking, spiritually-questing individuals joined in common support and action. We welcome diversity including diversity of beliefs from divine believers to humanists, from pagans to atheists and agnostics. We believe in the compassion of the human heart, the warmth of community, the pursuit of justice and the search of meaning in our lives. We gather with gratitude on traditional Cree lands that are now a part of Treaty Six and shared by many nations. A treaty is an inheritance, a responsibility and a relationship. May we be good neighbours to one another, good stewards to our planet and good ancestors to our children. UCE - https://www.uce.ca/ Facebook Group - https://www.facebook.com/groups/41659071349/ Facebook Page - https://www.facebook.com/UnitarianChurch/ YouTube - https://www.youtube.com/user/EdmUnitarian Twitter - https://twitter.com/UnitarianUCE Instagram - https://www.instagram.com/unitarianuce/ SoundCloud - https://soundcloud.com/user-189401827/

Air Max '97 was raised in Dunedin, went to Art School there, partied at Crave, listened to Radio One. Now, the UK-based producer, designer, and DJ is part of a vanguard at the forefront of contemporary club music. His immersive yet disorienting dancefloor sounds can be found across multiple releases on Timedance, Liminal Sounds and his own Decisions label. He makes his return to NZ next week to play at Whammy for our Community Garden pals - we're stoked to host this crystalline mix from him in advance. After that, Simon gets murky. *Air Max '97* Laughing Ears - The Smiling Mask [??] Anunaku - Bronze Age [Whities] Tadleeh - Ego Will Collapse [Yegorka] Siete Catorce & Amazondotcom - A Party That Fits In Your Pocket [NHS] Color Plus - Consideration Edit [??] Henry Greenleaf - Caved [Glass Talk] E-Unity - Neutrino [Intramuros] Yre Den - Silk Evade [SPA] BFTT - Suchblush [??] LOFT (AKA AYA) - YE SLOW [boygirl] Duswunder - Glo Anomaly [??] Bambounou - Any Other Service [50Weapons] Walton - Rolla [Ilian Tape] Atro - Flight Path [??] Air Max ’97 - ????? [??] Cop Envy & DJ Plead - Dash To Finish [Decisions] Isomov - Ensemble [Decisions] Emily Glass - Worker [Body Promise] DJ Lostboi - D MAJOR XO LIFE [Self] *Simon* Luar Domatrix - Bocadinho De Alentejo [Discrepant] Meitei - Sento [Métron Records] Beatrice Dillon - Workaround Two [PAN] Sign Libra - Sea Of Islands [Rvng Intl.] John T. Gast - Yep [5 Gate Temple] Inre Kretsen Grupp - Loggia [Fasaan Recordings] Ex-Terrestrial - Guardian Angel [NAFF] Leif - Myrtus [Whities] Slender - Down On Earth [La Vida Es En Mus] Roy Montgomery - Escape Velocity [Drunken Fish/Yellow Electric] Massive Attack x Mad Professor - Three (Trinity Dub) [Wild Bunch] Lurka x Gwen Stefani - Hollaback Lurkz [Wisdom Teeth] Low Jack - Virgin Traf 22 [Self] Céline Gillain - Fight or Flight [Antinote] Doon Kanda - Nastasya [Hyperdub] Issa Bagayogo - Kalan Nege [Six Degrees]

re:ni's secret weapon is the way she plays with rhythm with such ease. Whether banging 130bpm club tracks or nailing down slick UK techno, keeping it deep with 100bpm rollers freaking you out with acid she is a devilishly dexterous DJ. Because of this she has become an NTS regular, firm favourite at places like De School and Dimensions and counts Timedance boss Batu and the Livity Sound crew as fans. In the mix for us she serves up all sorts of futurist beats that are wired up with electronics or stripped back to more haunting and hypnotic sound worlds. Reni's ability to manipulate rhythm and texture, time and space is utterly thrilling and finds her go from slowed down dub to high octane minimalism and on to jungle with ease over the course of this slick 90 minute selection.

1. PLANET OF DRUMS "Bodhran" (Avex Trax, 1996) 2. UNIT MOEBIUS "Dolfinarium" (Interr-Ference Communications, 1994) 3. CHEAP & DEEP PRODUCTIONS "Darkroom Beats" (Cheap & Deep, 2009) 4. MORITZ VON OSWALD TRIO "Pattern 1" (Honest Jon's, 2009) 5. PANGAEA "You Know What's Up" (Hadal, 2018) 6. FOREST DRIVE WEST "Reshape" (Neighbourhood, 2018) 7. ROMAN PONCET "Thick Vegetation" (Figure, 2018) 8. DJ QU "Picazon" (Strength Music Recordings, 2018) 9. LORD OF THE ISLES "To Here" (DFSANT, 2017) 10. BLACKSTONE "Samba Oscura" (R&S, 2018) 11. DOLO PERCUSSION "Dolo 9" (The Trilogy Tapes, 2018) 12. LURKA "Battery" (Timedance, 2018) 13. VELODROME "Capataz - Secret Mixes/Fixes Edit" (Animalized / Secret Mixes/Fixes, 1988/2005) 14. LA-4A "Prollum" (Delft, 2018) 15. GRAZE "Hook" (New Kanada, 2016) 16. *unreleased* 17. D MAN "B1" (Workshop, 2018) 18. CHEKOV "Stasis 113" (Timedance, 2018) 19. BUTTECHNO "LOZH" (Zodiac 44, 2018) 20. CROCKER "Tower" (NTA, 1994) 21. SHADOWAX "A & B - Buttechno Remix" (Rassvet, 2018) 22. DA SAMPLA "Frictional Beat #6 - KMFH 808 Dub" (Wild Oats, 2012) 23. BASIC SOUL UNIT "Descendant" (Dolly, 2018) 24. STEPHEN LOPKIN "Fridays At Pure" (M>O>S Recordings, 2018) 25. DEVICE CONTROL "Symmetry Obsession" (Double Standards, 2018) 26. L/F/D/M "Silver Grain - D-56M Poverty Remix" (Midnight Shift Records, 2018) 27. SLAM "Positive Education - Antigone Remix" (Soma Quality Recordings, 2017) 28. ROBERT S "303 Acidos" (Planet Rhythm, 2018) 29. TIN MAN "Bass Tunnel" (Global A Records, 2005) 30. BILL CONVERSE "Station Life" (Dark Entries, 2018) 31. JOHN TEJADA & JUSTIN MAXWELL "Thundaar The Modularian" (Palette Recordings, 2009) 32. FELIX K "MSCL" (Nullpunkt, 2018) 33. PARANOID LONDON w/ BUBBLES BUBBLESYNSKI "Beats & Bubbles" (Paranoid London Records, 2018) 34. CASSIUS SELECT "Yut" (Hypercolour, 2018) 35. OISEL "SAT04" (Warm Up Recordings, 2018) 36. AUTOCREATION "Justice Loop" (Inter-Modo, 1994) 37. DANIEL AVERY "Diminuendo - Patrick Russell Remix" (Phantasy Sound, 2018) 38. IRAZU "Enduring Form - Pessimist Remix" (Stale, 2018) 39. LOOP LF "Drive 22" (Well Street Records, 2017) 40. BENNY LIBERG / JOHANNES WIKSTROM "Semicircular EP - B1" (Maracas, 1999) 41. PESSIMIST "Inner Circle" (Osiris Music UK, 2017) 42. CHRISTIAN WUNSCH "Bleeding Walls - Orphx Remix" (Tsunami Records, 2018) 43. WILLIAM PAYEUX "S - B1" (Payeux, 1997) 44. VIL "Metafora" (Hayes, 2018) 45. REEKO "Methodical" (Warm Up Recordings, 2006) 46. DJ OVERDOSE "Wires Smoking" (L.I.E.S., 2018) 47. BLONDES "Quality Of Life - Struction Remix" (R&S, 2018) 48. BRENECKI "Motivate Me" (Bandcamp, 2018) 49. YAK "Lucid Nightmare" (3024, 2018) 50. JAMES RUSKIN "Correction Centre - B1" (Blueprint, 2001) 51. COCKTAIL PARTY EFFECT "This Is Science" (Transfigured Time, 2018) 52. HODGE & RANDOMER "If I Could Stop - Alden Tyrell & Serge Remix" (Clone Basement Series, 2017) 53. /DL/MS "100 Beats" (Frustrated Funk, 2018) 54. SOLID BLAKE "Warp Room" (Seilscheibenpfeiler, 2018) 55. EXTERMINADOR "Guaraci" (Cultivated Electronics, 2018) 56. NX1 "025 - The Exaltics Remix" (Nexe Records, 2017) 57. JENSEN INTERCEPTOR "Haze" (Lone Romantic, 2018) 58. JK FLESH "Exit Stance" (Downwards, 2017) 59. LAG "Rutra" (Elements (RBK), 2018) 60. TUNNEL "Talker Remix - *forthcoming*, 2019" 61. SHLOMI ABER "Installer" (Be As One Imprint, 2018) 62. STAVE & GREBENSTEIN "Alfa" (Standards & Practices, 2018) 63. EBB "Sun Drips" (Fox & Hound Recordings, 2018)

Ploy released his first record on Batu's label Timedance in 2016 followed by 3 more records for the label and also releases on Hessle Audio and Hemlock. He is one of the most exciting new producers from the UK and we hope you enjoy his contribution to our podcast series! Interview: http://iliantape.de/ilian-tape-podcast-series-029/

Batu’s on a roll. He always is. In a few short years, the Bristol producer has made his own Timedance label widely acclaimed as one of the best out there, while his own productions constantly nudge swinging, bass heavy and broken beat techno in subtle new directions. They have come on the likes of Fringe White and Hessle Audio, while earlier this month he signed to XL Recordings for his latest EP. Always experimenting, challenging himself and and challenging us, he is an innovative artist driven by creating something new. In the DJ booth he’s just as interesting, and here serves up 100 minutes of music that show off his many different styles. His characterful broken beats eventually turn to techno, UK funky drum patterns and then get turned inside out as you’re left to float in a sea of ambient synths and subliminal rhythms. It’s a mix run through with the spirit of UK music from across the ages and wilfully flips mood and tempo so that you can start and end the mix at any point and it will always make sense.

2 hours of essential new thumpers for yer headphones, including a peek at new local cassette imprint ISLA, as well as a few other new labels like Ternesc, Whities and Timedance.

Milena Murks – Alain (Zurich) https://soundcloud.com/milenamurks / http://milenamurks.tumblr.com ────────────────────────────────── Milena Murks is a young amateur film-maker and vinyl collector from Zurich. She is fascinated by surrealistic and abastract movies and discovered weird and gloomy sounds, when she was looking for corresponding audio material for her filmed sequences. This is her debut mix for bassmusik.ch, that she dedicates to her friend Alain. ────────────────────────────────── April-Mix 2016 for www.bassmusik.ch For more quality mixes just visit our page @bassmusikmix is an multimedia project that tries to catch the spirit of bass music in and around switzerland. the basic idea is to build a close relationship with all the artists in order to push the local scene. furthermore, the current development is documented and released in the form of a monthly mix. switzerland might be a “terra nullius” on the digital and physical music landscape. But many small circles of individuals constantly make their own personal contribution for a sustainable and wide-ranged bass driven music. there is a lot of talented musicians to be heard and of which you can be inspired. Big up to all contributors and listeners. thank you for your support. ♥ ────────────────────────────────── TRACKLIST 01. Machine Woman – Liquid Metal [Peder Mannerfelt, 2015] 02. Klankman – Niets Gebeurd Waanzin [Tar Hallow, 2015] 03. Jahiliyya Fields – Ocean Mom [L.I.E.S., 2012] 04. Zamilska – Ruin [Untuned Records, 2016] 05. Varg – Asocial 46 [Northern Electronics, 2015] 06. Hex – Exotica [Liberation Technologies, 2016] 07. Batu – Reez (Lee Gamble 3rd Rail deconstruction) [Timedance, 2016] 08. Lucy – Gas [Stroboscopic Artefacts, 2011] 09. Shifted – Yearing [Mote-Evolver, 2012] 10. Ossia – Ice & Blood [Blackest Ever Black, 2015] 11. Bruce - Relevant Again [Hessle Audio, 2016] 12. Morkebla – Dungeon Rave (Ketev Remix) [Farbwechsel, 2015] 13. Machine Woman – Very Kind Human Beeing [Peder Mannerfelt, 2015] 14. Kyoka – Smash/Hush [Raster-Noton, 2016] 15. Yazi – Sketch 4 [Free Download]