Podcast appearances and mentions of alan silva

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

ORNETTE COLEMAN “THE SHAPE OF JAZZ TO COME” Hollywood, CA, May 22, 1959Lonely womanDon Cherry (cnt) Ornette Coleman (as) Charlie Haden (b) Billy Higgins (d) JOHN COLTRANE “ASCENSION” Englewood Cliffs, N.J., June 28, 1965Ascension (Edition I – Part 1)Freddie Hubbard, Dewey Johnson (tp) John Tchicai, Marion Brown (as) John Coltrane, Pharoah Sanders, Archie Shepp (ts) McCoy Tyner (p) Jimmy Garrison, Art Davis (b) Elvin Jones (d) CECIL TAYLOR “UNIT STRUCTURE” Englewood Cliffs, N.J., May 19, 1966StepsEddie Gale (tp-1) Jimmy Lyons (as-2) Makanda Ken McIntyre (as-3,oboe-4,b-cl-5) Cecil Taylor (p,bells-4) Henry Grimes, Alan Silva (b) Andrew Cyrille (d) ALBERT AYLER TRIO “SPIRITUAL UNITY” New York, July 10, 1964Ghosts (first variation)Albert Ayler (ts) Gary Peacock (b) Sunny Murray (d) PETER BROTZMANN OCTET “MACHINE GUN” Bremen, May, 1968Music for Han Bennink IPeter Brotzmann (ts,bar) Willem Breuker (ts,b-cl) Evan Parker (ts) Fred Van Hove (p) Peter Kowald, Buschi Niebergall (b) Han Bennink (d) Sven-Ake Johansson (d,perc) Continue reading Puro Jazz 16 de diciembre, 2024 at PuroJazz.

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

RUFUS REID CELEBRATION  - New York, September 15 & 16, 2019 Celebration, Cedar's blues, Tranescape Steve Allee (p) Rufus Reid (b) Duduka Da Fonseca (d) + Sirius String Quartet: Fung Chern Hwei, Gregor Huebner (vln) Ron Lawrence (viola) Jeremy Harmon (cello) NEIL SWAINSON 49TH PARALLEL  - Toronto, ON, Canada, May 2 & 3, 1987 49th parallel, Port of Spain, Homestretch (1) Woody Shaw (tp) Joe Henderson (ts-1) Gary Williamson (p) Neil Swainson (b) Jerry Fuller (d) PJ Noviembre 2023 GRACHAN MONCUR, III NEW AFRICA  - Paris, France, August 11, 1969 Queen Taman, New Africa, Black call, Ethiopian market Grachan Moncur, III (tb) Roscoe Mitchell (as,pic) Archie Shepp (ts-1) Dave Burrell (p) Alan Silva (b) Andrew Cyrille (d)

Hola Qué tal amigo del podcast lucha y más reciban un cordial y afectuoso saludo de su amigo Alan Silva y Pues bueno este audio es para invitarlos a que vayan al canal de YouTube porque les tengo una sorpresa que Estoy seguro que le va a gustar vayan y corran a verlo

The Big Apple Circus returns November 9 for its 45th anniversary season, with the new show, “DREAM BIG!”. Ringmaster/acrobat Alan Silva and CEO/juggler Marty LaSalle join for a preview.

Hola Qué tal amigos bienvenidos sean a otro episodio extra del portal ucci más poder el día de hoy Les vengo a contar una historia que no muchos saben Y esto es una coincidencia del destino claro qué tiempo después ya todos conocemos el desenlace de la historia espero disfruten este episodio No te olvides de seguirnos en todas nuestras redes sociales tanto en Facebook tiktok Instagram Twitter y en su canal oficial de YouTube en todos estamos como podcast lucha y más y en instagram estamos como Alan Silva 84-91

Pasado de 16 septiembre se vivió en la arena México en el Recinto de la colonia doctores la arena México un evento histórico ya que se presentó el 89 aniversario del cmll Y la verdad a muchos les pareció un evento sin gracia a otros les pareció una pérdida de tiempo y a otros les pareció magnífico por eso aquí te traemos el análisis completo de lo que nosotros pensamos ojo opinión personal opinión de un servidor de lo que fue el 89 aniversario del cmll porque nosotros estuvimos presentes en la arena México Entonces te podamos contar de primera mano qué fue lo que sucedió Y qué fue lo que no se vio en el ring qué fue lo que sucedió tras bambalinas si no nos crees puedes ir a checar los episodios y los videos que se estarán subiendo y otro ya están disponibles ahí en la página para cuando gustes verlos en nuestro tour por la Ciudad de México visitamos la zapatería de escorpio Jr la galería de Blue Demon Jr el negocio de el comisionado de la H comisión de box y lucha del Distrito Federal Ciudad de México el fantasma si tú quieres ver todos esos videos y nuestra experiencia en la cdmx te lo contamos de primera mano nada de falsas aquí siempre tenemos la verdad y siempre te diremos lo que pensamos sobre el deporte espectáculo Y recuerda que la lucha libre en vivo se vive diferente Recibe un cordial y afectuoso saludo de tu amigo del podcast Alan Silva también invitando toda la visión de Monterrey afición de lucha libre en general la que no se pierdan este próximo miércoles 21 de Septiembre la entrevista que le estaremos realizando El Heredero del capitán Aventura tinieblas Jr por Facebook Life en la página del podcast lucha más Así que si tú quieres preguntarle cosas de tenerlos Jr y que te la responde el en vivo no te olvides de seguirnos en nuestra página podcast y más ahí te estarás enterando de todo lo que sucede en el deporte más hermoso y más bello del planeta cómo lo es la lucha libre profesional mexicana Ahí estamos al tanto de las noticias de tus ídolos de todo lo que pase en cualquier empresa aquí te lo haremos saber y en exclusiva traemos para ti entrevistas nunca antes realizadas donde los luchadores se abren para ti y para todo su público donde cuentan sus experiencias Así es que si tú quieres ver la entrevista con tinieblas Jr No te pierdas este próximo miércoles 21 de septiembre del 2022 la entrevista exclusiva por Facebook también te invitamos a que nos sigas en nuestras redes sociales como tiktok y en nuestro canal oficial de YouTube Ahí estamos viendo contenido constantemente y también estamos subiendo las entrevistas que realizamos con mucho cariño para todos ustedes y para que le llegue a la comodidad de su hogar También estaría padre que nos pusieras en nuestros comentarios de nuestros videos A qué leyenda te gustaría que entrevistemos Próximamente o si a ti te gusta una luchadora en particular yo veo la manera de cómo entrevistar la Así es que tienes que seguirnos en nuestras redes sociales para nosotros estar al tanto de todo lo que pasa en la lucha libre Recibe un cordial y afectuoso saludo de tu amigo del pote Carlos email Alan Silva Espero te encuentres muy bien y no te olvides de compartir este episodio con toda tu familia se fue de tu agrado y suscríbete a nuestro canal oficial de YouTube y síguenos también en nuestro tiktok como podcast Duty más ahí estamos viendo contenido constante

Como parte das comemorações do Bicentenário da Independência, foi aberta no sábado (10) no Salão Negro do Congresso Nacional a exposição ‘200 anos de Cidadania: O Povo e o Parlamento', para visitas até 1º de dezembro. A iniciativa do Museu do Senado, em parceria com o Centro Cultural da Câmara dos Deputados, aborda a evolução dos direitos civis, políticos, sociais, étnico-raciais e coletivos, além de conquistas legislativas recentes. Os visitantes poderão ver e manusear réplicas da carta de 1824 e das outras seis constituições brasileiras. Constam da exposição cédulas e moedas históricas, vídeos e outros documentos. O coordenador do Museu do Senado, Alan Silva explica o que o visitante encontrará na exposição, horários e como agendar visitas por grupos e escolas. Acompanhe.

Hola Qué tal amigos Bienvenidos a otro episodio del portal 2 más como recordaran Qué es un capítulo el día 21 de junio diciendo que yo les iba a contar la historia del conflicto que hubo entre 1000 máscaras espero les guste No te olvides de seguirnos en todas nuestras redes reales Facebook YouTube Instagram tiktok Cómo podcast lucha y más reciban un cordial y afectuoso saludo de su amigo y servidor Alan Silva

Hola Qué tal amigos reciban un cordial y afectuoso saludo de parte de amigo y servidor Alan Silva el día de hoy es un promocional de un capítulo que se va estrenar el día de mañana dónde contaré el conflicto que hubo entre Mr personalidad mil máscaras y porque Los herederos de shadito cruz

Hola Qué tal amigo del podcast lucha y más le saluda su amigo y servidor Alan Silva y cómo lo dice el título del episodio no se lo pueden perder porque el día de mañana llegan 2 estrellas de la lucha libre exótica actual llegan nada más y nada menos qué la shotta Jesse Ventura y la shicuela de la carriola diva salvaje y por supuesto el podcast realizará una serie de reportajes tanto en la página como en el podcast no se lo pierdan

La lucha libre hoy en día se ha caracterizado por darnos ridiculeces por darnos babosadas por darnos estupideces pero te aseguro que ninguna se compara con la anécdota de la que la triple a fue protagonista y también metieron a una figura de la televisión regiomontana espero disfrutes mucho este episodio del podcast ducha y más Recibe un cordial y afectuoso saludo de tu amigo del podcast luchar más Alan Silva te invito también A qué no sigas bien toda nuestra redes sociales tanto en Facebook Cómo tiktok cómo YouTube y ahora también voy a conocer que el podcast lucha y más se engalana porque hoy el podcast lucha y más comunica que ya tiene una nueva red social y esta nueva red social es nada más y nada menos que Instagram también venimos igual de la misma manera en todas nuestras redes sociales oficiales venimos como podcast lucha y más y ya saben Cómo identificar más porque tenemos el logotipo que identifica a este programa pero de nuevo espero disfruten mucho este episodio cuídense mucho Dios los bendiga Les mando un gran abrazo de dónde nos vean en su país tanto en México como en Canadá como en Inglaterra como en Perú como en Colombia Cómo El Salvador Espero y tengan todos ustedes una excelente tarde y no se olviden de seguir al podcast lucha y más nuevamente reciban un cordial y afectuoso saludo de su amigo y servidor del Pot Carlos y más Alan Silva también recordándoles las carteleras qué se presentarán este próximo domingo en Arenas regiomontanas cuídense mucho

El día de hoy en el episodio 8 de la quinta temporada del podcast y más creado por un amigo y servidor Alan Silva recordaremos Boom de la década de los 70s a toda una estrella del empleo matico y desaparecido toreo de Cuatro Caminos recordaremos al acérrimo rival del Villano V recordaremos al maestro lagunero Blue Panther Esta es la primera parte Disfrútala y Recibe un cordial y afectuoso saludo a tu amigo del podcast Alan Silva

En el ambiente luchistico existen muchas versiones Pero la más recordada de los aficionados son las versiones minis pero te aseguro que a más de uno se le han olvidado las versiones minis que han existido de diferentes personajes Así es que que te traigo un top 5 de luchadores minis que no recordaba Este pero te guste y te invito a que nos sigas en todas nuestras redes sociales como podcast lucha y más más tanto en Facebook Cómo tiktok gracias y Recibe un gran saludo de tu amigo del podcast Alan Silva

En este episodio del podcast y más te estaré dando a conocer como ya estamos prácticamente a horas de que se lleve a cabo este evento Magno que tiene la empresa Triple A cómo El rey de reyes que pueden este episodio te estaré comentando todos los ganadores y aparte la historia de El torneo Aparte te estaré dando conocer una serie de sorpresas qué Próximamente se estarán llevando a cabo en el podcast Te saluda a un amigo y servidor Alan Silva

@EchoChamberFP https://www.instagram.com/echochamberfp/ this week is another 'TWO Parter'! We start things off with a vampire Christmas tale, and end with the new Netflix Christmas RomCom. 'Red Snow' is written and directed by Sean Nichols Lynch. Struggling romance novelist Olivia Romo's (Dennice Cisneros) dream of meeting a real-life vampire comes true when Luke (Nico Bellamy) shows up at her isolated snowbound cabin in need of assistance. But on Christmas Eve, Olivia's dream becomes a nightmare as Luke's fellow vampires, Jackie (Laura Kennon) & Brock (Alan Silva) come looking for him... Michael Mayer directs 'Single All The Way' and Chad Hodge handles the writing duties. Desperate to avoid his family's judgment about his perpetual single status, Peter (Michael Urie) convinces his best friend Nick (Philemon Chambers) to join him for the holidays and pretend that they're now in a relationship. But when Peter's mother (Kathy Najimy) sets him up on a blind date with her handsome trainer James (Luke Macfarlane) the plan goes awry. This week we have: Red Snow Watch Review: Here. https://youtu.be/suQv0JkY6GI FrightFest Film Festival Premiere: 26th August 2021 Dead Northern Film Festival (Won BEST FILM): 25th September 2021 Digital Release Date: 6th December 2021 Director: Sean Nichols Lynch Cast: Dennice Cisneros, Nico Bellamy, Laura Kennon, Vernon Wells, Alan Silva, Edward Ewell, Olivia Pintz Credit: Central City Media, 26th Ave Films, Bursell Productions, Evolve Media Production Genre: Comedy, Horror, Thriller Running Time: 80 min Cert: 15 Trailer: Here. https://vimeo.com/540724159 Platforms: Sky Store, Apple/ iTunes, You Tube, Google Play, Amazon and Rakuten US Pre-order: Here. https://www.amazon.com/Red-Snow/dp/B099KZYM5Y Website: Here. https://seannicholslynch.com/redsnow Instagram: @redsnowthemovie https://www.instagram.com/redsnowthemovie/ ------------ Single All The Way Watch Review: Here. https://youtu.be/CVmGjlcC61g Digital Release Date: 2nd December 2021 Director: Michael Mayer Cast: Michael Urie, Philemon Chambers, Kathy Najimy, Barry Bostwick, Jennifer Robertson, Madison Brydges, Alexandra Beaton, Stefano DiMatteo, Melanie Leishman, Gryffin Hanvelt, Viggo Hanvelt, Victor Andrés Trelles Turgeon, Luke Macfarlane Credit: Muse Entertainment Enterprises, Netflix Genre: Comedy, Drama, Romance Running Time: 101 min Cert: PG Trailer: Here. https://youtu.be/kCQxxqdowOg Website: Here. https://www.netflix.com/gb/title/81148358 ------------ *(Music) 'Intro' by The XX - 2009 --- Send in a voice message: https://anchor.fm/eftv/message

Talvez um dos mais conhecidos estelionatários do Brasil, ele ganhou notoriedade nacional ao se passar por um filho de um dos maiores empresários do país, inclusive cedendo entrevistas para um programa de celebridades. Além disso, ele já se passou por guitarrista dos Engenheiros do Hawai, lider do PCC e do comando vermelho entre outras personalidades. Com uma capacidade intelectual e uma cara de pau fora da curva, Marcelo Nascimento da Rocha tornou-se um dos maiores mentirosos da história.  Quer se tornar um apoiador do projeto Serial Cast? é só ir em htpps://www.apoia.se/serialcastpodcast e com qualquer quantia acima de R$5,00 você passa a fazer parte de nosso time de apoiadores! Siga-nos em nossas redes sociais: instagram: https://www.instagram.com/serialcastpodcast Facebook: https://www.faceboock.com/serialcastpodcast Twitter: https://twitter.com/cast_serial Youtube:https://www.youtube.com/channel/UCPpu02dwsD0lclbKW3ntiGQ Muito obrigado por nos ouvir!

Talvez um dos mais conhecidos estelionatários do Brasil, ele ganhou notoriedade nacional ao se passar por um filho de um dos maiores empresários do país, inclusive cedendo entrevistas para um programa de celebridades. Além disso, ele já se passou por guitarrista dos Engenheiros do Hawai, lider do PCC e do comando vermelho entre outras personalidades. Com uma capacidade intelectual e uma cara de pau fora da curva, Marcelo Nascimento da Rocha tornou-se um dos maiores mentirosos da história.  Quer se tornar um apoiador do projeto Serial Cast? é só ir em htpps://www.apoia.se/serialcastpodcast e com qualquer quantia acima de R$5,00 você passa a fazer parte de nosso time de apoiadores! Siga-nos em nossas redes sociais: instagram: https://www.instagram.com/serialcastpodcast Facebook: https://www.faceboock.com/serialcastpodcast Twitter: https://twitter.com/cast_serial Youtube:https://www.youtube.com/channel/UCPpu02dwsD0lclbKW3ntiGQ Muito obrigado por nos ouvir!

One of my favorite records of 2021!  Imagine if John Coltrane and Alice Coltrane had the opportunity to make one more record together, it would sound like this record "WAX///WANE" Bio Information on Lucien Johnson: Lucien Johnson has been described as “a saxophonist and composer of rare excellence and mettle.” Involved in a diverse range of artistic projects, his music always succeeds in maintaining a distinctive sound, with a chameleonic emotional range that can shift from warm and intimate through to radical and rebellious. Growing up in an artistic household in Pukerua Bay, north of Wellington, New Zealand, Johnson took off for Europe at the age of 22. Since then his music has been greatly informed by his global travelling and encounters. Living in Paris for most of his formative years in the 2000s, he performed in a free improvising trio with Alan Silva (master free jazz double bassist and contemporary of Cecil Taylor, Sun Ra and Albert Ayler) and Makoto Sato, releasing an album on French label Improvised Beings. He has performed with a long list of luminaries from jazz and improvised music, such as Mulatu Astatke, Barre Phillips, Marilyn Crispell, John Betsch, Steve Potts, Jobic Le Masson and Lol Coxhill. He returned to New Zealand in 2009 where he completed a Doctor of Musical Arts degree at Victoria University. Johnson has composed music for the New Zealand Symphony Orchestra, the New Zealand Dance Company, for short film and documentaries and for his own projects. He was musical director of Shogun Orchestra which released two albums on German label Jakarta Records. His latest album under his own name, “West of the Sun”, was released on Japanese label Wonderful Noise and was a finalist for NZ jazz album of the year. Johnson is the composer for Borderline Arts Ensemble, directed by choreographer Lucy Marinkovich. For their work, LOBSTERS, Johnson was awarded Sound Designer of the Year and was also nominated for Outstanding Composer at the Wellington Theatre Awards. Johnson wrote the scipt and music for their next project, STRASBOURG 1518, which was a major commission for the 2020 New Zealand Festival. It was subsequently performed at the 2021 Auckland Arts Festival and at a sold-out return Wellington season to rave reviews. Johnson and Marinkovich were co-recipients of the 2018 Harriet Friedlander New York Residency, administered by the Arts Foundation of New Zealand. Remember to subscribe to SOMETHING came from Baltimore!  Listen and share with your friends. Youtube: https://www.youtube.com/channel/UCj7HKmMrFB4vAQm3SKzvftA Facebook:  https://www.facebook.com/tomfunproductions Itunes: https://podcasts.apple.com/us/podcast/something-came-from-baltimore/id1400504427 Anchor: https://anchor.fm/somethingcame-from-baltim Spotify: https://open.spotify.com/show/1Bdz5634Wk5bSpaazynbI4?si=cS-_c_rBS2Os83QECKcuJA&dl_branch=1 --- Send in a voice message: https://anchor.fm/somethingcame-from-baltim/message Support this podcast: https://anchor.fm/somethingcame-from-baltim/support

¡tenemos los primeros invitados!, nos juntamos con mi familia para contar algunas anécdotas, hablar de palabras extrañas y comida de la CDMX. - Rodrigo Silva: @rock_silvamix Cesar Silva: @cesar_silfo Diana Chávez: @dianitafrita._ Aldahir Silva: aldahir.silva.186 Alan Silva: @alan_mirey

Welcome to a new edition of the Neon Jazz interview series with Paris-based Jazz Pianist & Composer Benoît Delbecq .. We caught up with him in his home in Paris to talk about his latest 2021 CD The Weight of Light .. Another gem in his line of free jazz/improvisational compositions .. Since the early nineties, his works have received acclaim from legendary musicians such as Mal Waldron, Steve Lacy, and Steve Coleman .. After taking a few years of classical piano lessons from the age of 6, at 16 he studied improvised music with free music pioneer Alan Silva who the founder of the Institute for Artistic and Cultural Perception in Paris. By the age of 19, he was already studying sound engineering and acoustics. His fascination and joy of music is one you should hear .. Enjoy his story .. Click here to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Listen to each show at https://www.mixcloud.com/neonjazzkc. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4

This week: Kellee Patterson; Aster Aweke; Fay Victor; Kirk Lightsey & Rudolph Johnson; Mohammed Wardi; Nitai Dasgupta; Larry Ochs & Aram Shelton Quartet; Co Streiff Sextet; Marion Brown; Caetano Veloso; Szilárd Mezei Vocal Ensemble; Jacques Coursil w. Alan Silva; Renato Milagres; Reinaldo; Laba Sosseh; Montego Joe; Ifang Bondi; much more...   Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere.   In response to the COVID-19 pandemic, Conference of the Birds playlists will be updated live, in real-time, on the pop-up player on the WRFI website (for those listening live via WRFI's live-stream), and on Spinitron at the Conference of the Birds page. This will offset any lapses in back-announcing.https://spinitron.com/WRFI/pl/12193538/Conference-of-the-Birdsand via the Conference of the Birds page at WRFI.ORG:https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Nesse talk com meu amigo Alan Silva do @papofluente falamos sobre o processo de aprendizado em 3 meses (ou 90 dias - a depender da oferta). Ouça e acesse o grupo gratuito de Inglês da ihaprendi.com/tnt --- Send in a voice message: https://anchor.fm/ihaprendi/message

Brock speaks with aerial performer Alan Silva.

Des clubs de New York où se fabriquait le free jazz dans les années 60 à sa découverte du poète haïtien Frank Etienne, Jacques Coursil égraine ses carnets de voyage. Son itinéraire nous fait croiser les routes de Jaki Byard, Bill Dixon ou Leonard Bernstein. Enregistrant dès 1966 en side man pour le label ESP aux côtés de Sunny Murray ou Frank Wright, il publiera ensuite deux albums dans la légendaire série « byg actuel » avec Arthur Jones, Burton Greene ou Anthony Braxton avant qu’une carrière universitaire ne l’éloigne des studios pendant près de 25 ans. IL fait son grand retour en 2005 sollicité par John Zorn et a enregistré depuis deux albums à la dimension poétique et historique ainsi qu’un duo avec Alan Silva. De passage à Paris où il peaufine un projet autour de l’oeuvre de Frank Etienne, Jacques Coursil, conteur de génie, s’est arrêté dans nos studios et avec lui nous avons construit ce documentaire qui sonne comme un véritable film audio. En seconde heure, nous allons à la découverte du superbe trio polonais RGG qui a récemment croisé le fer avec Trevor Watts et Evan Parker. On s’intéresse aussi au dernier album de James Brandon Lewis, saxophoniste très en vue actuellement. Un trio insolite a aussi retenu notre attention : Michael Bisio, Kirk Knuffke et Fred Lonberg-Holm et enfin nous terminons par deux rééditions aussi indispensables l’une que l’autre: l’un des premiers disques du batteur finlandais Edward Vesala et le fameux « Nova » de Steve Reid. Liste des titres en première heure : Jacques Coursil « Duke » de l’album « Way Haead » https://www.discogs.com/fr/master/view/35647 —« Last Fanfare » de l’album « Minimal Brass » http://www.tzadik.com/index.php?catalog=8016 -« Prologue, Paroles Mues » de l’album « Clameurs » https://www.universalmusic.fr/artiste/6387-jacques-coursil/disco#contentPart Titres de la deuxième heure Trevor Watts et RGG « Rafa 2 » de l’album « Rafa » https://sluchaj.bandcamp.com/album/rafa —James Brandon Lewis « Sir Real Denard » -James Brandon Lewis « Haden Is Beauty » de l’album « An Unruly Manifesto https://jamesbrandonlewis.bandcamp.com/releases -Michael Bisio, Kirk Knuffke, Fred Lonberg-Holm « sanctus » de l’album « Requiem For A New York Slice » https://ilusorecords.bandcamp.com/album/requiem-for-a-new-york-slice Steve Reid Featuring The Legendary Masters Brotherhood « Lions Of Juda » de l’album « Nova » https://soundsoftheuniverse.com/sjr/product/steve-reid-nova —Edward Vesala Trio « Joiku » de l’album « Nana » https://www.svartrecords.com/product/nana-2/

Alla fine del '66 Lacy torna a New York. Nel '67 partecipa all'incisione di A Genuine Tong Funeral di Gary Burton e Carla Bley. Nel gennaio del '68 è nelle file della Jazz Composer's Orchestra per uno dei pezzi intitolati Communications, con solisti Don Cherry e Gato Barbieri. Nel '68 Lacy è di nuovo in Italia, dove si ferma continuativamente per un paio d'anni. Nel settembre del '69 a Roma Lacy incide l'album Moon: al violoncello c'è Irene Aebi, muscista svizzera che Lacy ha conosciuto nel '66 a Roma, che diventerà sua moglie e gli sarà accanto fino alla morte del sassofonista. Lacy si trasferisce poi a Parigi, dove resterà per oltre trent'anni, fino alle soglie della scomparsa. Al principio degli anni settanta Lacy è fra l'altro nelle file della Celestrial Communication Orchestra di Alan Silva, uno dei protagonisti del free degli anni sessanta.

Alla fine del '66 Lacy torna a New York. Nel '67 partecipa all'incisione di A Genuine Tong Funeral di Gary Burton e Carla Bley. Nel gennaio del '68 è nelle file della Jazz Composer's Orchestra per uno dei pezzi intitolati Communications, con solisti Don Cherry e Gato Barbieri. Nel '68 Lacy è di nuovo in Italia, dove si ferma continuativamente per un paio d'anni. Nel settembre del '69 a Roma Lacy incide l'album Moon: al violoncello c'è Irene Aebi, muscista svizzera che Lacy ha conosciuto nel '66 a Roma, che diventerà sua moglie e gli sarà accanto fino alla morte del sassofonista. Lacy si trasferisce poi a Parigi, dove resterà per oltre trent'anni, fino alle soglie della scomparsa. Al principio degli anni settanta Lacy è fra l'altro nelle file della Celestrial Communication Orchestra di Alan Silva, uno dei protagonisti del free degli anni sessanta.

Alla fine del '66 Lacy torna a New York. Nel '67 partecipa all'incisione di A Genuine Tong Funeral di Gary Burton e Carla Bley. Nel gennaio del '68 è nelle file della Jazz Composer's Orchestra per uno dei pezzi intitolati Communications, con solisti Don Cherry e Gato Barbieri. Nel '68 Lacy è di nuovo in Italia, dove si ferma continuativamente per un paio d'anni. Nel settembre del '69 a Roma Lacy incide l'album Moon: al violoncello c'è Irene Aebi, muscista svizzera che Lacy ha conosciuto nel '66 a Roma, che diventerà sua moglie e gli sarà accanto fino alla morte del sassofonista. Lacy si trasferisce poi a Parigi, dove resterà per oltre trent'anni, fino alle soglie della scomparsa. Al principio degli anni settanta Lacy è fra l'altro nelle file della Celestrial Communication Orchestra di Alan Silva, uno dei protagonisti del free degli anni sessanta.

Mais um episódio de #3turnos, a atração do Tear que se propõe a bater um papo sobre assuntos relacionados a RPG. A proposta do programa é sempre falar de 3 temas, um por bloco na duração de 20 minutos. No #3turnos dessa semana Kazz, recebe Odmir e Luciano para falar de: - Gatekeeping no RPG; - Vampiro 5ª Edição; - Afrofuturismo. E venha bater um papo com a gente no nosso grupo de Discord: https://discord.gg/ZjvCfBG Links comentados no episódio: Dirty Computer - https://goo.gl/ehvmZ9 Jornal Empoderado - https://goo.gl/Yywoa7 Afroturism, livro de Ytasha L. Womack - https://goo.gl/mJggDw Quem teme a morte, livro de Nnedi Okorafor - https://goo.gl/j4fK3z Kindred, livro de Octavia Butler - https://goo.gl/6MBb2T Jean Michel Basquiat - https://goo.gl/wnDqks Café com Dungeon #29, sobre afrofurismo - https://goo.gl/Bz7YFX Cultura geek episódio sobre Afrofuturismo - https://goo.gl/UpKJXC Entrevista com Alan Silva - https://goo.gl/nYnfQk

If everyone was self-sufficient and could grow their own food, wouldn't that end world hunger and feed the entire world? That’s the vision for self-reliant agriculture.

Peak to Peak 2013 is the brain child of Axe Rawlinson. It was the first continuous, human-powered journey from the summit of Mt. Ruapehu to the summit of Aoraki / Mt. Cook in New Zealand. Axe and his teammate, Alan Silva, continued the adventure with Peak to Peak 2014, a climbing, cycling, and kayaking journey from the top of Ben Nevis in Scotland to the top of Mt. Blanc in France. The goal was to have fun on a shoestring budget and stay safe with as little support as possible. You can read more about these and other expeditions at axeoneverest.com. Axe Rawlinson, welcome to The Pursuit Zone.

This recording was the second album recorded in 1966 for Blue Note by the iconoclastic pianist/composer Cecil Taylor. Taylor's music has always posed a challenge to the listener as his music is dense and often seems arrhythmic. His ensembles or bands that he calls "Units" pose even more of a challenge. Not only does the listener have to hear Taylor's always busy playing but one has to hear the bassists and drummers as well as the horns that weave in and out and solo at length. This recording features members of his working unit. The wonderful alto saxophonist Jimmy Lyons is heard to good advantage here. Lyons was to Taylor what Charlie Rouse was to Thelonious Monk. Trumpeter Bill Dixon, who along with Taylor was one of the movers and shakers of so-called avant-guard Jazz was not a regular Unit member but he fit so well with Lyons in the ensemble passages and solos very effectively. Two bassists work hand in glove with Alan Silva playing mostly arco (bowed) and Henry Grimes plucking the bottom lines. Drummer Andrew Cyrille understands Taylor's unique rhythmic sence. Taylor many years before this recording had abandoned 4/4 time and other Jazz signatures and yet his music pulses with rhythms. "Conquistador" IS a challenge but if you listen to Taylor's music with the same intensity that he delivers it you will be amply rewarded. There is lyricism and beauty in this recording and all it need is your ears. Taylor was 81 on March 15,2010 and he is still creating and performing....Happy Birthday Cecil!