Podcasts about Anna Atkins

In this special edition for World Oceans Day, we spotlight the urgent, haunting work of Mandy Barker, the award-winning British photographic artist using sea-salvaged fashion waste to expose the truth about plastic pollution. Her cyanotype series "Photographs of British Algae: Cyanotype Imperfections" reimagines the work of 19th-century botanist Anna Atkins, replacing seaweed with clothing scraps collected from 121 beaches around the UK. The result is both poetic and jarring, earning praise from none other than Sir David Attenborough, who supports Barker's work for its power to inspire real change.

Då var det slut på ledigheten! Dags att skölja saltvattnet ur öronen och lyssna på säsongens första avsnitt av Algpodden, där Algela har hänförts av fotografiska pionjären Anna Atkins arbete med alger. Länkar och bilder finns, som altid, på Tångbloggen www.tangbloggen.com Hosted on Acast. See acast.com/privacy for more information.

Vier etages, aan elke wand, van boven tot beneden: overal boeken in een 19de-eeuwse architectuur! De bibliotheek van het Rijksmuseum is op social media een enorme hit, en toch kennen veel mensen de plek niet. Wat is de geschiedenis van deze bijzondere plek? En wat voor boeken staan er op al die planken? Alex Alsemgeest, conservator bibliotheekcollecties, vertelt aan Humberto Tan over de bibliotheek. Hij laat vijf bijzondere boeken uit de collectie zien,  waarin de onderwerpen uit vorige podcastafleveringen terugkomen. Én Alsemgeest deelt welke boeken er nog op zijn wensenlijstje staan. Wil je weten hoe de bibliotheek en de besproken boeken eruit zien? Ga dan naar rijksmuseum.nl/podcast. 'In het Rijksmuseum' is powered by ING. https://www.rijksmuseum.nl/nl/steun/bedrijven/partnerships/ing

Episode No. 654 features curator Karen Hellman and artist Myra Greene. With Carolyn Peter, Hellman is the curator of "Nineteenth-Century Photography Now" at the J. Paul Getty Museum, Los Angeles. The exhibition examines how many of the conventions and processes established in photography's early years remain of interest to artists working today. Historical artists within the exhibition include Anna Atkins, Gustave Le Gray, Nadar, Julia Margaret Cameron, Roger Fenton, and Carleton Watkins. The exhibition is on view through July 7. Claire L'Heureux and Antares Wells assisted the co-curators. Greene is among the 21 contemporary artists on view. Her work uses photography and textiles to explore representations of the body and race. Core to her practice is an understanding that color is materially and culturally dependent on context, and historically has been. She has had solo exhibitions at museums such as the Museum of Contemporary Art Georgia, Atlanta, the Kentucky Museum of Art and Craft, Louisville, and has been included in group exhibitions at the Spelman College Museum of Fine Art, Atlanta, the Block Museum of Art, Northwestern University, the Rose Art Museum, Brandeis University, the National Gallery of Art, Washington, and more. Ten artists in the exhibition previously have been guests on The Modern Art Notes Podcast: Andrea Chung; Liz Deschenes; Ken Gonzales-Day; An-My Lê; Lisa Oppenheim; Wendy Red Star; Mark Ruwedel; Paul Mpagi Sepuya (second visit); Stephanie Syjuco (second visit); and Carrie Mae Weems. Instagram: Myra Greene, Tyler Green.

Anna Atkins foi uma botânica e fotógrafa inglesa, considerada por algumas fontes como a primeira fotógrafa do mundo. Nasceu em 1799, na Inglaterra. Órfã de mãe, que morreu por complicações no parto, Anna se tornou muito próxima de seu pai, um renomado químico, zoólogo e mineralogista. Recebeu uma educação científica extraordinária para uma mulher de sua época. Foi incentivada não só por seu pai mas também por seus amigos e colegas de trabalho. Um desses mentores foi Henry Fox Talbot, pioneiro na fotografia, que ensinou a A.A. seus métodos para registrar imagens em papéis sensíveis à luz; ela passou a registrar as algas que coletava e estudava com esse método. Em 1839, foi admitida na London Botanical Society, uma das poucas sociedades científicas que abria vagas para mulheres. Em 1841, A.A teve acesso a uma câmera fotográfica pela primeira vez, e é considerada por diversas fontes como a primeira mulher fotógrafa do mundo. Como nenhuma fotografia sua ou de suas contemporâneas sobreviveu ao tempo, a discussão permanece em aberto. Em 1843, Anna Atkins publicou o histórico “Photographs of British Algae: Cyanotype Impressions” (“Fotografias de Algas Britânicas: Impressões Cianotópicas”), que é considerado o primeiro livro ilustrado com fotografias publicado. Só 17 cópias sobreviveram, e fazem parte do acervo das mais importantes instituições de artes e ciências no mundo. Em 2004, uma cópia do famoso livro foi vendida por 230 mil libras em um leilão. Anna Atkins morreu em 1871 e seu legado ficou relativamente esquecido até a metade do século XX, quando sua importância para a fotografia passou a ser mais amplamente reconhecida. 

Emma and Christy look at Julia Margaret Cameron's photograph 'Maud' (c. 1874) and discuss plant consciousness, agency, and erotics. In this episode, we cover tendrils and tentacles, Victorian queerness, plant horror, early ecologies, Darwin and plant sex, interspecies entanglements, photography and desire, colonial botany, tipitiwitchets, sadomasochism, and whether your houseplant can kill you. CLICK HERE TO VIEW THE IMAGES WE DISCUSS, as well as complete show notes, references, and suggestions for further reading. MEDIA DISCUSSED Julia Margaret Cameron, Maud (c. 1874) Bernini, Apollo and Daphne (1622–25); see also this detail from Rape of Proserpina (1621–22) Julia Margaret Cameron, Illustrations to Tennyson's ‘Idylls of the King', and Other Poems (London: King, 1874–75) Alfred Tennyson, ‘Maud', excerpted by hand by Julia Margaret Cameron (1874–75) Julia Margaret Cameron, Pomona [Alice Liddell](1872) Anna Atkins, cyanotype from Photographs of British Algae (c. 1843–53) Earlier Julia Margaret Cameron illustration of Maud: The Passion Flower at the Gate (c. 1865) Julia Margaret Cameron, Charles Darwin (1868) Charles Darwin, ‘Diagram showing the movement of the upper internodes of the common Pea, traced on a hemispherical glass and transferred to paper' (1867) Hokusai, The Dream of the Fisherman's Wife (1814) Illustration from H. G. Wells's The Flowering of the Strange Orchid (1894) CREDITS This season of ‘Drawing Blood' was funded in part by the Association for Art History. Follow our Twitter @drawingblood_ ‘Drawing Blood' cover art © Emma Merkling All audio and content © Emma Merkling and Christy Slobogin Intro music: ‘There Will Be Blood' by Kim Petras, © BunHead Records 2019. We're still trying to get hold of permissions for this song – Kim Petras text us back!!

“Jochen Lempert“ au Centre Pompidou, galerie de photographies, Parisdu 11 mai au 4 septembre 2022Interview de Julie Jones, conservatrice, cabinet de la photographie – Centre Pompidou et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 10 mai 2022, durée 15'21.© FranceFineArt.Communiqué de presse Commissariat :Florian Ebner, conservateur, chef de service, et Julie Jones, conservatrice, cabinet de la photographie, Centre Pompidou.Cette exposition rétrospective présente trois décennies du travail de Jochen Lempert (né en 1958, vit et travaille à Hambourg). Biologiste de formation, spécialiste de libellules, ce n'est qu'en 1989, à 31 ans, qu'il débute sa carrière de photographe après une période fructueuse au sein du collectif de cinéma expérimental Schmelzdahin [Dissous-toi]. Cet héritage scientifique reste au fondement de sa pratique artistique, empreinte d'images de la nature, où l'animal côtoie le végétal. Ces images délicates, poétiques, toujours en noir et blanc, rendent hommage aux explorations photographiques des plantes par Anna Atkins et Karl Blossfeldt ; elles résonnent tout autant avec l'iconographie surréaliste d'un Jean Painlevé comme avec l'oeil objectif des photographes modernistes allemands, présentés parallèlement dans le cadre de l'exposition « Allemagne / Années 1920 / Nouvelle Objectivité / August Sander » (Galerie 1). L'exposition « Jochen Lempert » fait se côtoyer quelques-unes des toutes premières oeuvres de l'artiste avec des oeuvres plus récentes, sans hiérarchie chronologique. Le choix des oeuvres et leur disposition dans l'espace – sur les cimaises ou en vitrine – sont pensés comme une installation unique, in situ, au sein de la Galerie de photographies. Les trois sections qui rythment le parcours éclairent, tour à tour, des leitmotivs dans l'oeuvre de Jochen Lempert. Réflexion sur le dialogue entre nature et culture, une première partie, Physionomies / Morphologies, rassemble des études de formes et de corps, issus des mondes végétal, animal et humain ; dans la seconde partie, intitulée Bioluminescence, des photographies d'organismes vivants absorbant et/ou générant de la lumière rappellent l'obsession de l'artiste pour la captation des épiphanies lumineuses ; enfin, une troisième partie intitulée Perception, révèle le « presque » (in)visible, offert à notre oeil grâce au regard attentif, patient, et humble de l'artiste.Jochen Lempert réalise le plus souvent ses photographies avec un objectif 50 mm, qui lui permet de rester au plus près de la vision humaine. Ainsi, ce que livre l'artiste est davantage une invitation à mieux regarder ce que la nature nous offre, en ouvrant les yeux et en prenant le temps, plutôt qu'une plongée dans le spectaculaire instantané de la macrophotographie. Avec une innocence et une curiosité retrouvées, on s'émerveille devant des tours d'éponges naturelles, la force herculéenne d'une fourmi, le tissage parfait d'une toile d'araignée, l'ombre d'un papillon sur l'asphalte, la trajectoire frénétique d'une mouche en plein vol ou encore la constellation de tâches de rousseur sur une épaule dénudée. Jochen Lempert s'autorise, parfois, un basculement vers une iconographie presque magique, lorsqu'il joue des qualités fantasmagoriques du photogramme, cette image obtenue sans appareil, par simple contact avec la matière photosensible. Ainsi, l'artiste fixe les traces éphémères de quatre minuscules grenouilles sur le papier sensibilisé, enregistrant leur comportement entre mouvement et immobilité.[...] Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Under a Red Glow Podcast Episode #87, "Happy Birthday Anna Atkins!" Show Notes: John and Christine discuss the contributions to the photographic community Anna Atkins and her friends Sir John Herschel and William Henry Fox Talbot made. Show Links: What would you do if this was in your camera? (Warning: SPIDERS) - https://petapixel.com/2022/03/17/photographer-finds-spider-living-in-his-cameras-viewfinder/ Show Support: Want to help support the show? Starting at $1 get episodes early, without ads and enjoy our supporter only after show! Supporters also get early access to creations such as YouTube videos, darkroom notes and creations and personal projects. Check out our great reward tiers with physical goodies starting at $3 and up. Thank you, your generosity helps us continue to create, demonstrate and share the art and history of photography with the world! Patreon: www.patreon.com/johnmilleker Giftable subscription: https://johnmilleker.com/store/printofthemonth/ Show Links: Website: www.underaredglow.com Facebook: www.facebook.com/underaredglow Patreon: www.patreon.com/johnmilleker YouTube: www.youtube.com/channel/UC1JlSQfaC_aFbB5t62fCn3Q Mailing List: https://us14.campaign-archive.com/home/?u=1acef2a47d235975b1cf211dd&id=732c90f600 Your host and co-host John Milleker Photography Website: www.johnmilleker.com John's Website: www.johnmilleker.com/aboutjohn Christine's Website: www.johnmilleker.com/aboutchristine --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/underaredglow/support

Happy International Women's day! I could not think of a better way to mark this special day than to take a deep drive back into four previous podcast episodes which celebrated four brilliant women artists. Today I revisit my episodes all about Anna Atkins, Frida Kahlo, Peggy Angus and Tracey Emin. I loved dipping my toes back into these episodes and hope you enjoy them too! Happy International Women's Day! Jo xx

Karches, NoraDirekter Link zur Audiodatei

Karches, NoraDirekter Link zur Audiodatei

Nos visió CECILIA RECHE de la UNQui para contarnos la historia de la fotografía, los cianotipos y el color azul allí. ¿Te gusta lo que hacemos? ¡Apoyanos!

Anna Atkins (1799-1871) was a pioneer in the fields of photography and botany. She was the first person to publish a book illustrated with photographs and her innovation demonstrated the novel ways science and art could intersect.History classes can get a bad wrap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Sundus Hassan, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, and Ale Tejada. Special thanks to Shira Atkins.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

Bu hafta, Açık Radyo'da Foto Müze programını hazırlayan ve sunan fotoğraf tarihçisi Gülderen Bölük, İngiliz botanikçi ve fotoğrafçı Anna Atkins'i (1799-1871) ve "cynotype" tekniğiyle bastığı bitki fotoğraflarını anlatıyor.

早安，我是晏飞，今天是摄影早自习陪伴大家的第1716天。今天是周末，又是到我陪大家早自习。最近北京的雨水很多，这两天又开始断断续续的下起了小雨，所以这期早自习我就想讲讲下雨天都有什么可拍的场景。我们从下雨前到下雨中再到下完雨的时间顺序来捋一捋。© 晏飞首先，下雨天我们要拍照肯定不是等雨下来了我们才准备动身去拍的，我们是还没下雨就会早早的出门已经开始拍了。我第一个想到要拍的就是拍云。雨下来之前云层会压得非常非常的低，它看上去离城市、离地面都非常近，我们可以拍乌云下的城市的场景。如果你在视野很广阔的地方，就可以拍摄这种乌云压迫城市的画面。© 晏飞另外下雨前云它形态、外观也会很漂亮。上面这张照片就是我拍的下雨前的云，我还特意去查了一下，这个好像叫乳状云，是一种比较少见的雨前会遇到的云。这里面有一个拍摄的技巧，你看这两张照片的主体虽然都是云，而且云的面积都很大，但不管怎么样，我都会搭上一些地面的景物。比如第一张我留了一个很小的地面的剪影，它虽然很小，只占画面的十五分之一甚至二十分之一的面积。第二张我也特意找了天上的很小的很细的两个电线作为前景。这个地景可以很小，哪怕就是远远的小小的一棵树，一片礁石都可以，但它不能没有。这里面有两个原因：第一是它可以交代环境。你可以把第一张照片下面的地景用手挡住，你再看这张照片，它就是一片云，那你是在哪拍的？不知道了。第二是地景也可以给画面增加一个层次。比如第二张照片，它本来画面就很简单，你再把电线都抹掉，那就显得太单调、太没有看头了。Photo by Anna Atkins on Unsplash那开始下雨以后有什么可拍的呢？首先是可以拍雨水，可以拍空中的，也可以拍从屋檐下流下来的雨水。古建屋檐的“滴水” Photo by Akira on Unsplash尤其是古建筑，它屋顶的瓦片会形成一个瓦沟，瓦沟的最下面的一块特制的瓦片，这个瓦片的名字就叫“滴水”，而且会专门做成水滴的形状，很漂亮。这里面也有一个拍摄技巧，就是要找一个比较暗的背景，这样才能衬托出亮晶晶的雨滴。Photo by Norbert Tóth on Unsplash还有一个比较容易拍出雨水的场景就是在路灯附近，灯光已经把雨水照得很亮了，这个时候天空也比较暗了，这种画面就很容易拍出效果。© 晏飞另外一个下雨的时候我很喜欢拍的就是玻璃上的雨滴。上面这张照片是我在公交车上拍的。你看我是把焦点对在了玻璃上的雨滴上，所以背景都是模糊的，但是也能分辨出来，后面有一个比较亮色的楼房，上面还能看出来有几扇窗户，前面是一大一小一前一后有两把雨伞，隐约还能看出雨伞下拿着伞的人。不过这张照片有趣的地方，是你仔细看每一个小水珠里面都有一个倒过来的整个背景的画面，而且它是清晰的，不是模糊的。这就好像网上经常会有人透过水晶球拍照，水晶球外面的景象就会在水晶球里形成一个倒立的并且缩小的画面。拍摄这样的照片有一个难点，就是你要精确地对焦在水滴上。如果你是用相机拍照，可以手动对焦。我这个照片是手机拍的，拍的时候你就要一次一次点屏幕去尝试对在水滴上。© 晏飞上面这张是另一个我在公司拍的窗户上的雨滴，同样的也是对焦在水滴上。但是不一样的是这个画面的背景太简单，就是一片天空，右下角一个写字楼，水滴里的画面也没什么看头，所以我就找了几个枯萎的花做前景，就是为了让这个画面不那么无聊。© 晏飞下雨我们在外面拍照，难免雨水会打在镜头上，这个时候你千万别急着擦镜头。你可以把镜头打到长焦大光圈，镜头上的雨水就会变成光斑的效果，而且这个光斑的大小是可以随着你的光圈和焦距的改变而变化的。上面就是下雨的时候三个比较好拍摄的场景，我们可以借助暗色的背景拍雨水，可以拍窗户上的雨滴，还可以利用镜头上的雨滴形成光斑的效果。接下来我们再来看看刚下完雨后有什么可拍的。© 晏飞首先雨后拍摄一些植物、建筑都会特别的漂亮。一个是因为雨水冲刷后肯定会更干净，上面的浮土脏东西都给冲没了。还有一个原因是因为没有太阳，物体上就没有那种特别的亮的反光，所以物体的颜色就会显得更加的鲜艳、更加的浓郁。Photo by Matthew Henry on Unsplash另外，下雨以后地面上的水坑我们是一定不会错过的。你可以蹲低，贴着地面拍摄，就能拍到漂亮的倒影的照片。当然也不一定非得是水坑，雨下的比较大的话，青石砖的地面或者柏油马路上湿湿的一片也能形成倒影，它可能没有水面倒影那么清楚，但是朦朦胧胧的一片，也是另一种美。© 晏飞还有一个我比较喜欢拍的，就是雨停了以后，车身被雨冲刷过以后会留下一个一个的小水滴。看似这些水滴挺杂乱的，但其实你仔细观察它是有一些规律的，大的水滴与大水滴之间的距离是差不多的，而且大水滴之间还会分布着一些小的水滴，这种规律它本身就是一种美感。另外它跟我们刚才说的拍摄玻璃上水珠是类似的，每一个水滴上都会反射天空的画面。上面这个照片我拍的一个汽车前机器盖子上的水滴，这个水滴里反射的是天上的一个路灯，是一个V字的形状，它和水珠在一起就就特别x像一个一个扭曲的表盘，这个路灯就像表的时针和分针，这就让我联想到达利画的扭曲的时钟，我觉得很有意思。Photo by Joel Heard on Unsplash下雨天还有一个不能忘的，就是彩虹。它不一定是每次下雨过后都能看见，但是你要知道两点：第一，彩虹它出现的方位是能够判断的，他一定会在太阳的正对面，也就是你顺着自己影子的方向，它指向的方向就是彩虹可能会出现的方向。另外彩虹是可以移动的，甚至是可以出现在你指定位置的。有同学可能会觉得：为什么有的人拍摄的彩虹桥正好是架在两个建筑物之间、两个山峰之间的，你就做不到呢？这是运气吗？不是，这其实是有技巧的。具体的拍摄技巧大家可以点击下面的链接（让彩虹出现在你指定的位置，真的可以吗？），之前我们有一期早自习叶老师专门有讲过彩虹，这里我就不多说了。Photo by Chris Barbalis on Unsplash最后还有一个可以拍的，就是晚霞。我发现北京特别容易出现这种天气：就是下雨下到傍晚就停了，然后太阳一出来就会有晚霞。我不知道这算不算是一种气象规律，还是我碰巧碰上了，反正我碰到过很多次这种情况。前天礼拜四就是这样，下班的时候开始下小雨，等到家透过窗户一看，雨停了，太阳出来，就有很漂亮的晚霞。所以每次傍晚还下雨的时候，我就会比较留意，一旦雨停了，我就看看会不会有晚霞出现。上面我们分别从雨前、下雨中、下雨后总结了九个比较有趣的下雨可以拍的画面，我看天气预报这两天好像又有小雨，如果你感兴趣的话，不妨也拿起相机、拿着手机去试试吧。或者你觉得雨天还有什么好拍的、有趣的场景，也可以在留言告诉我。以上就是今天早自习的全部内容，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

早安，我是晏飞，今天是摄影早自习陪伴大家的第1716天。今天是周末，又是到我陪大家早自习。最近北京的雨水很多，这两天又开始断断续续的下起了小雨，所以这期早自习我就想讲讲下雨天都有什么可拍的场景。我们从下雨前到下雨中再到下完雨的时间顺序来捋一捋。© 晏飞首先，下雨天我们要拍照肯定不是等雨下来了我们才准备动身去拍的，我们是还没下雨就会早早的出门已经开始拍了。我第一个想到要拍的就是拍云。雨下来之前云层会压得非常非常的低，它看上去离城市、离地面都非常近，我们可以拍乌云下的城市的场景。如果你在视野很广阔的地方，就可以拍摄这种乌云压迫城市的画面。© 晏飞另外下雨前云它形态、外观也会很漂亮。上面这张照片就是我拍的下雨前的云，我还特意去查了一下，这个好像叫乳状云，是一种比较少见的雨前会遇到的云。这里面有一个拍摄的技巧，你看这两张照片的主体虽然都是云，而且云的面积都很大，但不管怎么样，我都会搭上一些地面的景物。比如第一张我留了一个很小的地面的剪影，它虽然很小，只占画面的十五分之一甚至二十分之一的面积。第二张我也特意找了天上的很小的很细的两个电线作为前景。这个地景可以很小，哪怕就是远远的小小的一棵树，一片礁石都可以，但它不能没有。这里面有两个原因：第一是它可以交代环境。你可以把第一张照片下面的地景用手挡住，你再看这张照片，它就是一片云，那你是在哪拍的？不知道了。第二是地景也可以给画面增加一个层次。比如第二张照片，它本来画面就很简单，你再把电线都抹掉，那就显得太单调、太没有看头了。Photo by Anna Atkins on Unsplash那开始下雨以后有什么可拍的呢？首先是可以拍雨水，可以拍空中的，也可以拍从屋檐下流下来的雨水。古建屋檐的“滴水” Photo by Akira on Unsplash尤其是古建筑，它屋顶的瓦片会形成一个瓦沟，瓦沟的最下面的一块特制的瓦片，这个瓦片的名字就叫“滴水”，而且会专门做成水滴的形状，很漂亮。这里面也有一个拍摄技巧，就是要找一个比较暗的背景，这样才能衬托出亮晶晶的雨滴。Photo by Norbert Tóth on Unsplash还有一个比较容易拍出雨水的场景就是在路灯附近，灯光已经把雨水照得很亮了，这个时候天空也比较暗了，这种画面就很容易拍出效果。© 晏飞另外一个下雨的时候我很喜欢拍的就是玻璃上的雨滴。上面这张照片是我在公交车上拍的。你看我是把焦点对在了玻璃上的雨滴上，所以背景都是模糊的，但是也能分辨出来，后面有一个比较亮色的楼房，上面还能看出来有几扇窗户，前面是一大一小一前一后有两把雨伞，隐约还能看出雨伞下拿着伞的人。不过这张照片有趣的地方，是你仔细看每一个小水珠里面都有一个倒过来的整个背景的画面，而且它是清晰的，不是模糊的。这就好像网上经常会有人透过水晶球拍照，水晶球外面的景象就会在水晶球里形成一个倒立的并且缩小的画面。拍摄这样的照片有一个难点，就是你要精确地对焦在水滴上。如果你是用相机拍照，可以手动对焦。我这个照片是手机拍的，拍的时候你就要一次一次点屏幕去尝试对在水滴上。© 晏飞上面这张是另一个我在公司拍的窗户上的雨滴，同样的也是对焦在水滴上。但是不一样的是这个画面的背景太简单，就是一片天空，右下角一个写字楼，水滴里的画面也没什么看头，所以我就找了几个枯萎的花做前景，就是为了让这个画面不那么无聊。© 晏飞下雨我们在外面拍照，难免雨水会打在镜头上，这个时候你千万别急着擦镜头。你可以把镜头打到长焦大光圈，镜头上的雨水就会变成光斑的效果，而且这个光斑的大小是可以随着你的光圈和焦距的改变而变化的。上面就是下雨的时候三个比较好拍摄的场景，我们可以借助暗色的背景拍雨水，可以拍窗户上的雨滴，还可以利用镜头上的雨滴形成光斑的效果。接下来我们再来看看刚下完雨后有什么可拍的。© 晏飞首先雨后拍摄一些植物、建筑都会特别的漂亮。一个是因为雨水冲刷后肯定会更干净，上面的浮土脏东西都给冲没了。还有一个原因是因为没有太阳，物体上就没有那种特别的亮的反光，所以物体的颜色就会显得更加的鲜艳、更加的浓郁。Photo by Matthew Henry on Unsplash另外，下雨以后地面上的水坑我们是一定不会错过的。你可以蹲低，贴着地面拍摄，就能拍到漂亮的倒影的照片。当然也不一定非得是水坑，雨下的比较大的话，青石砖的地面或者柏油马路上湿湿的一片也能形成倒影，它可能没有水面倒影那么清楚，但是朦朦胧胧的一片，也是另一种美。© 晏飞还有一个我比较喜欢拍的，就是雨停了以后，车身被雨冲刷过以后会留下一个一个的小水滴。看似这些水滴挺杂乱的，但其实你仔细观察它是有一些规律的，大的水滴与大水滴之间的距离是差不多的，而且大水滴之间还会分布着一些小的水滴，这种规律它本身就是一种美感。另外它跟我们刚才说的拍摄玻璃上水珠是类似的，每一个水滴上都会反射天空的画面。上面这个照片我拍的一个汽车前机器盖子上的水滴，这个水滴里反射的是天上的一个路灯，是一个V字的形状，它和水珠在一起就就特别x像一个一个扭曲的表盘，这个路灯就像表的时针和分针，这就让我联想到达利画的扭曲的时钟，我觉得很有意思。Photo by Joel Heard on Unsplash下雨天还有一个不能忘的，就是彩虹。它不一定是每次下雨过后都能看见，但是你要知道两点：第一，彩虹它出现的方位是能够判断的，他一定会在太阳的正对面，也就是你顺着自己影子的方向，它指向的方向就是彩虹可能会出现的方向。另外彩虹是可以移动的，甚至是可以出现在你指定位置的。有同学可能会觉得：为什么有的人拍摄的彩虹桥正好是架在两个建筑物之间、两个山峰之间的，你就做不到呢？这是运气吗？不是，这其实是有技巧的。具体的拍摄技巧大家可以点击下面的链接（让彩虹出现在你指定的位置，真的可以吗？），之前我们有一期早自习叶老师专门有讲过彩虹，这里我就不多说了。Photo by Chris Barbalis on Unsplash最后还有一个可以拍的，就是晚霞。我发现北京特别容易出现这种天气：就是下雨下到傍晚就停了，然后太阳一出来就会有晚霞。我不知道这算不算是一种气象规律，还是我碰巧碰上了，反正我碰到过很多次这种情况。前天礼拜四就是这样，下班的时候开始下小雨，等到家透过窗户一看，雨停了，太阳出来，就有很漂亮的晚霞。所以每次傍晚还下雨的时候，我就会比较留意，一旦雨停了，我就看看会不会有晚霞出现。上面我们分别从雨前、下雨中、下雨后总结了九个比较有趣的下雨可以拍的画面，我看天气预报这两天好像又有小雨，如果你感兴趣的话，不妨也拿起相机、拿着手机去试试吧。或者你觉得雨天还有什么好拍的、有趣的场景，也可以在留言告诉我。以上就是今天早自习的全部内容，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

早安，我是晏飞，今天是摄影早自习陪伴大家的第1716天。今天是周末，又是到我陪大家早自习。最近北京的雨水很多，这两天又开始断断续续的下起了小雨，所以这期早自习我就想讲讲下雨天都有什么可拍的场景。我们从下雨前到下雨中再到下完雨的时间顺序来捋一捋。© 晏飞首先，下雨天我们要拍照肯定不是等雨下来了我们才准备动身去拍的，我们是还没下雨就会早早的出门已经开始拍了。我第一个想到要拍的就是拍云。雨下来之前云层会压得非常非常的低，它看上去离城市、离地面都非常近，我们可以拍乌云下的城市的场景。如果你在视野很广阔的地方，就可以拍摄这种乌云压迫城市的画面。© 晏飞另外下雨前云它形态、外观也会很漂亮。上面这张照片就是我拍的下雨前的云，我还特意去查了一下，这个好像叫乳状云，是一种比较少见的雨前会遇到的云。这里面有一个拍摄的技巧，你看这两张照片的主体虽然都是云，而且云的面积都很大，但不管怎么样，我都会搭上一些地面的景物。比如第一张我留了一个很小的地面的剪影，它虽然很小，只占画面的十五分之一甚至二十分之一的面积。第二张我也特意找了天上的很小的很细的两个电线作为前景。这个地景可以很小，哪怕就是远远的小小的一棵树，一片礁石都可以，但它不能没有。这里面有两个原因：第一是它可以交代环境。你可以把第一张照片下面的地景用手挡住，你再看这张照片，它就是一片云，那你是在哪拍的？不知道了。第二是地景也可以给画面增加一个层次。比如第二张照片，它本来画面就很简单，你再把电线都抹掉，那就显得太单调、太没有看头了。Photo by Anna Atkins on Unsplash那开始下雨以后有什么可拍的呢？首先是可以拍雨水，可以拍空中的，也可以拍从屋檐下流下来的雨水。古建屋檐的“滴水” Photo by Akira on Unsplash尤其是古建筑，它屋顶的瓦片会形成一个瓦沟，瓦沟的最下面的一块特制的瓦片，这个瓦片的名字就叫“滴水”，而且会专门做成水滴的形状，很漂亮。这里面也有一个拍摄技巧，就是要找一个比较暗的背景，这样才能衬托出亮晶晶的雨滴。Photo by Norbert Tóth on Unsplash还有一个比较容易拍出雨水的场景就是在路灯附近，灯光已经把雨水照得很亮了，这个时候天空也比较暗了，这种画面就很容易拍出效果。© 晏飞另外一个下雨的时候我很喜欢拍的就是玻璃上的雨滴。上面这张照片是我在公交车上拍的。你看我是把焦点对在了玻璃上的雨滴上，所以背景都是模糊的，但是也能分辨出来，后面有一个比较亮色的楼房，上面还能看出来有几扇窗户，前面是一大一小一前一后有两把雨伞，隐约还能看出雨伞下拿着伞的人。不过这张照片有趣的地方，是你仔细看每一个小水珠里面都有一个倒过来的整个背景的画面，而且它是清晰的，不是模糊的。这就好像网上经常会有人透过水晶球拍照，水晶球外面的景象就会在水晶球里形成一个倒立的并且缩小的画面。拍摄这样的照片有一个难点，就是你要精确地对焦在水滴上。如果你是用相机拍照，可以手动对焦。我这个照片是手机拍的，拍的时候你就要一次一次点屏幕去尝试对在水滴上。© 晏飞上面这张是另一个我在公司拍的窗户上的雨滴，同样的也是对焦在水滴上。但是不一样的是这个画面的背景太简单，就是一片天空，右下角一个写字楼，水滴里的画面也没什么看头，所以我就找了几个枯萎的花做前景，就是为了让这个画面不那么无聊。© 晏飞下雨我们在外面拍照，难免雨水会打在镜头上，这个时候你千万别急着擦镜头。你可以把镜头打到长焦大光圈，镜头上的雨水就会变成光斑的效果，而且这个光斑的大小是可以随着你的光圈和焦距的改变而变化的。上面就是下雨的时候三个比较好拍摄的场景，我们可以借助暗色的背景拍雨水，可以拍窗户上的雨滴，还可以利用镜头上的雨滴形成光斑的效果。接下来我们再来看看刚下完雨后有什么可拍的。© 晏飞首先雨后拍摄一些植物、建筑都会特别的漂亮。一个是因为雨水冲刷后肯定会更干净，上面的浮土脏东西都给冲没了。还有一个原因是因为没有太阳，物体上就没有那种特别的亮的反光，所以物体的颜色就会显得更加的鲜艳、更加的浓郁。Photo by Matthew Henry on Unsplash另外，下雨以后地面上的水坑我们是一定不会错过的。你可以蹲低，贴着地面拍摄，就能拍到漂亮的倒影的照片。当然也不一定非得是水坑，雨下的比较大的话，青石砖的地面或者柏油马路上湿湿的一片也能形成倒影，它可能没有水面倒影那么清楚，但是朦朦胧胧的一片，也是另一种美。© 晏飞还有一个我比较喜欢拍的，就是雨停了以后，车身被雨冲刷过以后会留下一个一个的小水滴。看似这些水滴挺杂乱的，但其实你仔细观察它是有一些规律的，大的水滴与大水滴之间的距离是差不多的，而且大水滴之间还会分布着一些小的水滴，这种规律它本身就是一种美感。另外它跟我们刚才说的拍摄玻璃上水珠是类似的，每一个水滴上都会反射天空的画面。上面这个照片我拍的一个汽车前机器盖子上的水滴，这个水滴里反射的是天上的一个路灯，是一个V字的形状，它和水珠在一起就就特别x像一个一个扭曲的表盘，这个路灯就像表的时针和分针，这就让我联想到达利画的扭曲的时钟，我觉得很有意思。Photo by Joel Heard on Unsplash下雨天还有一个不能忘的，就是彩虹。它不一定是每次下雨过后都能看见，但是你要知道两点：第一，彩虹它出现的方位是能够判断的，他一定会在太阳的正对面，也就是你顺着自己影子的方向，它指向的方向就是彩虹可能会出现的方向。另外彩虹是可以移动的，甚至是可以出现在你指定位置的。有同学可能会觉得：为什么有的人拍摄的彩虹桥正好是架在两个建筑物之间、两个山峰之间的，你就做不到呢？这是运气吗？不是，这其实是有技巧的。具体的拍摄技巧大家可以点击下面的链接（让彩虹出现在你指定的位置，真的可以吗？），之前我们有一期早自习叶老师专门有讲过彩虹，这里我就不多说了。Photo by Chris Barbalis on Unsplash最后还有一个可以拍的，就是晚霞。我发现北京特别容易出现这种天气：就是下雨下到傍晚就停了，然后太阳一出来就会有晚霞。我不知道这算不算是一种气象规律，还是我碰巧碰上了，反正我碰到过很多次这种情况。前天礼拜四就是这样，下班的时候开始下小雨，等到家透过窗户一看，雨停了，太阳出来，就有很漂亮的晚霞。所以每次傍晚还下雨的时候，我就会比较留意，一旦雨停了，我就看看会不会有晚霞出现。上面我们分别从雨前、下雨中、下雨后总结了九个比较有趣的下雨可以拍的画面，我看天气预报这两天好像又有小雨，如果你感兴趣的话，不妨也拿起相机、拿着手机去试试吧。或者你觉得雨天还有什么好拍的、有趣的场景，也可以在留言告诉我。以上就是今天早自习的全部内容，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

早安，我是晏飞，今天是摄影早自习陪伴大家的第1716天。今天是周末，又是到我陪大家早自习。最近北京的雨水很多，这两天又开始断断续续的下起了小雨，所以这期早自习我就想讲讲下雨天都有什么可拍的场景。我们从下雨前到下雨中再到下完雨的时间顺序来捋一捋。© 晏飞首先，下雨天我们要拍照肯定不是等雨下来了我们才准备动身去拍的，我们是还没下雨就会早早的出门已经开始拍了。我第一个想到要拍的就是拍云。雨下来之前云层会压得非常非常的低，它看上去离城市、离地面都非常近，我们可以拍乌云下的城市的场景。如果你在视野很广阔的地方，就可以拍摄这种乌云压迫城市的画面。© 晏飞另外下雨前云它形态、外观也会很漂亮。上面这张照片就是我拍的下雨前的云，我还特意去查了一下，这个好像叫乳状云，是一种比较少见的雨前会遇到的云。这里面有一个拍摄的技巧，你看这两张照片的主体虽然都是云，而且云的面积都很大，但不管怎么样，我都会搭上一些地面的景物。比如第一张我留了一个很小的地面的剪影，它虽然很小，只占画面的十五分之一甚至二十分之一的面积。第二张我也特意找了天上的很小的很细的两个电线作为前景。这个地景可以很小，哪怕就是远远的小小的一棵树，一片礁石都可以，但它不能没有。这里面有两个原因：第一是它可以交代环境。你可以把第一张照片下面的地景用手挡住，你再看这张照片，它就是一片云，那你是在哪拍的？不知道了。第二是地景也可以给画面增加一个层次。比如第二张照片，它本来画面就很简单，你再把电线都抹掉，那就显得太单调、太没有看头了。Photo by Anna Atkins on Unsplash那开始下雨以后有什么可拍的呢？首先是可以拍雨水，可以拍空中的，也可以拍从屋檐下流下来的雨水。古建屋檐的“滴水” Photo by Akira on Unsplash尤其是古建筑，它屋顶的瓦片会形成一个瓦沟，瓦沟的最下面的一块特制的瓦片，这个瓦片的名字就叫“滴水”，而且会专门做成水滴的形状，很漂亮。这里面也有一个拍摄技巧，就是要找一个比较暗的背景，这样才能衬托出亮晶晶的雨滴。Photo by Norbert Tóth on Unsplash还有一个比较容易拍出雨水的场景就是在路灯附近，灯光已经把雨水照得很亮了，这个时候天空也比较暗了，这种画面就很容易拍出效果。© 晏飞另外一个下雨的时候我很喜欢拍的就是玻璃上的雨滴。上面这张照片是我在公交车上拍的。你看我是把焦点对在了玻璃上的雨滴上，所以背景都是模糊的，但是也能分辨出来，后面有一个比较亮色的楼房，上面还能看出来有几扇窗户，前面是一大一小一前一后有两把雨伞，隐约还能看出雨伞下拿着伞的人。不过这张照片有趣的地方，是你仔细看每一个小水珠里面都有一个倒过来的整个背景的画面，而且它是清晰的，不是模糊的。这就好像网上经常会有人透过水晶球拍照，水晶球外面的景象就会在水晶球里形成一个倒立的并且缩小的画面。拍摄这样的照片有一个难点，就是你要精确地对焦在水滴上。如果你是用相机拍照，可以手动对焦。我这个照片是手机拍的，拍的时候你就要一次一次点屏幕去尝试对在水滴上。© 晏飞上面这张是另一个我在公司拍的窗户上的雨滴，同样的也是对焦在水滴上。但是不一样的是这个画面的背景太简单，就是一片天空，右下角一个写字楼，水滴里的画面也没什么看头，所以我就找了几个枯萎的花做前景，就是为了让这个画面不那么无聊。© 晏飞下雨我们在外面拍照，难免雨水会打在镜头上，这个时候你千万别急着擦镜头。你可以把镜头打到长焦大光圈，镜头上的雨水就会变成光斑的效果，而且这个光斑的大小是可以随着你的光圈和焦距的改变而变化的。上面就是下雨的时候三个比较好拍摄的场景，我们可以借助暗色的背景拍雨水，可以拍窗户上的雨滴，还可以利用镜头上的雨滴形成光斑的效果。接下来我们再来看看刚下完雨后有什么可拍的。© 晏飞首先雨后拍摄一些植物、建筑都会特别的漂亮。一个是因为雨水冲刷后肯定会更干净，上面的浮土脏东西都给冲没了。还有一个原因是因为没有太阳，物体上就没有那种特别的亮的反光，所以物体的颜色就会显得更加的鲜艳、更加的浓郁。Photo by Matthew Henry on Unsplash另外，下雨以后地面上的水坑我们是一定不会错过的。你可以蹲低，贴着地面拍摄，就能拍到漂亮的倒影的照片。当然也不一定非得是水坑，雨下的比较大的话，青石砖的地面或者柏油马路上湿湿的一片也能形成倒影，它可能没有水面倒影那么清楚，但是朦朦胧胧的一片，也是另一种美。© 晏飞还有一个我比较喜欢拍的，就是雨停了以后，车身被雨冲刷过以后会留下一个一个的小水滴。看似这些水滴挺杂乱的，但其实你仔细观察它是有一些规律的，大的水滴与大水滴之间的距离是差不多的，而且大水滴之间还会分布着一些小的水滴，这种规律它本身就是一种美感。另外它跟我们刚才说的拍摄玻璃上水珠是类似的，每一个水滴上都会反射天空的画面。上面这个照片我拍的一个汽车前机器盖子上的水滴，这个水滴里反射的是天上的一个路灯，是一个V字的形状，它和水珠在一起就就特别x像一个一个扭曲的表盘，这个路灯就像表的时针和分针，这就让我联想到达利画的扭曲的时钟，我觉得很有意思。Photo by Joel Heard on Unsplash下雨天还有一个不能忘的，就是彩虹。它不一定是每次下雨过后都能看见，但是你要知道两点：第一，彩虹它出现的方位是能够判断的，他一定会在太阳的正对面，也就是你顺着自己影子的方向，它指向的方向就是彩虹可能会出现的方向。另外彩虹是可以移动的，甚至是可以出现在你指定位置的。有同学可能会觉得：为什么有的人拍摄的彩虹桥正好是架在两个建筑物之间、两个山峰之间的，你就做不到呢？这是运气吗？不是，这其实是有技巧的。具体的拍摄技巧大家可以点击下面的链接（让彩虹出现在你指定的位置，真的可以吗？），之前我们有一期早自习叶老师专门有讲过彩虹，这里我就不多说了。Photo by Chris Barbalis on Unsplash最后还有一个可以拍的，就是晚霞。我发现北京特别容易出现这种天气：就是下雨下到傍晚就停了，然后太阳一出来就会有晚霞。我不知道这算不算是一种气象规律，还是我碰巧碰上了，反正我碰到过很多次这种情况。前天礼拜四就是这样，下班的时候开始下小雨，等到家透过窗户一看，雨停了，太阳出来，就有很漂亮的晚霞。所以每次傍晚还下雨的时候，我就会比较留意，一旦雨停了，我就看看会不会有晚霞出现。上面我们分别从雨前、下雨中、下雨后总结了九个比较有趣的下雨可以拍的画面，我看天气预报这两天好像又有小雨，如果你感兴趣的话，不妨也拿起相机、拿着手机去试试吧。或者你觉得雨天还有什么好拍的、有趣的场景，也可以在留言告诉我。以上就是今天早自习的全部内容，我是晏飞，每天早上6:30，微信公众号“摄影早自习”，不见不散。

El 56º episodio de Experimiento Demente cuenta con la participación de Sergio Barbero, científico del CSIC, con quien charlamos sobre óptica. En el cazamierdazas hablamos de la biodescodificación y te traemos las cianotipias de algas de Anna Atkins. Nuestro enterado trata de un mito sobre los avestruces y te contamos que habría pasado si no se hubieran inventado las gafas. Dirigen y presentan Lara Sánchez, Guido Santos y Emilio Verche.

We’ve got a case of the mean blues!  – it’s Cyanotypes this episode! What are they, where’d they come from and how can You, the listener at home, do them? We also talk to Denise Grays (@deniseg316) about Kansas and her new zine, A Love Letter to Kansas. Tiffen Sinclair (@tiffen.sinclair) drops by with some news about disposable cameras. There’s also the answering machine and zine reviews.   DENISE GRAYS: A LOVE LETTER TO KANSAS Denise Grays has been photographing Kansas for more than a decade. Her recent zine, a Love Letter to Kansas, released by Themselves Press,  sold out quickly. Since we both adore Kansas more than life itself, we thought it was a great time to have Denise on and talk to her all about it. Here are a few of Denise’s photos: And here are her blog: https://deniseonfilm.blogspot.com/   CYANOTYPES: THEIR HISTORY AND HOW TO LOVE THEM Cyanotype is a printing process that produces a deep blue negative print. Generally, a piece of paper is coated with an emulsion made up of potassium ferricyanide and ferric ammonium citrate. Once dry, an opaque object is placed on top of the paper and exposed to light. After exposure and washing, the unexposed emulsion is washed away, leaving an impression of whatever object was placed on the paper. The exposed emulsion turns a deep Prussian Blue. We talk about John Herschel, who invented/discovered cyanotypes. So here are a few of his kinda crappy prints: We also talk a lot about Anna Atkins, who printed Photographs of British Algae: Cyanotype Impressions in 1843. Here are a few of her cyanotypes: And some by her friend and “almost sister,” Anne Dixon: Vania has also done some before. Here’s a handkerchief she gave Eric:   ZINE REVIEWS: ALL TRAVIS, ALL THE TIME Eric reviewed Better Off #1 by Travis Cannady (@betteroffzine and @travis_cannady on IG) It’s 60 pages of black and white city street graininess. Apart from some contact information, there are no words. The photos are printed full-bleed, extending to the very edges of the page. This gives it a really enveloping feel. He crops and moves his photos around to get the perfect composition. I’m always a little too afraid to do that. I’m an in-camera composer, and I desperately don’t want to be. And yet…  It’s inspiring. I’m seriously mulling over ripping off his style. You should too. Or at least pick up his zine. https://betteroffzine.com/ $10 Vania reviewed Travis’ two other zines: Shadow and Light and Hannah & The Cambo Passportrait. PATREON: THANKS! Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens Our featured Patron for this episode is Alex Percell @grainyblur on Instagram.   THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits All Through a Lens: IG, Website, Patreon, Spotify Playlists    

Today we celebrate a woman who made botanical art through her pioneering photography. We'll also learn about a man who discovered something new and gave it a name that we are all too familiar with today: the virus. We hear an excerpt from a book about one of the world’s top floral designers and gardeners and what it was like to have a flower shop during the height of WWII. We Grow That Garden Library™ with a fantastic book about garden design - it doesn’t get much better than this incredible book. And then we’ll wrap things up with a little story about the Trailing Arbutus or Mayflower.   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Curated News Rewilding: What is it And Why it’s Good For Your Garden | Elle Decoration | Natasha Goodfellow   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group.   Important Events March 16, 1799 Today is the birthday of the English botanist and photographer Anna Children Atkins who was born on this day, March 16th in 1799. Anna is often regarded as the very first person to have published a book that was illustrated with photographs. Anna's photographs were extraordinary, and she used a type process that produced images onto cyan blue paper. And in case you're wondering, that is the etymology for the term blueprints. Today, there are just a handful of copies of Anna's 1843 work Photographs of British Algae. Sadly, although none of her specimens have survived, we at least have her beautiful prints. Back in 2015, on the occasion of her 216th birthday, Anna was honored with a Google Doodle. And if you have kids, please check out a wonderful book of photography that Fiona Robinson wrote called The Bluest of Blues: Anna Atkins and the First Book of Photographs. Now, a fun activity that you can do to accompany learning about Anna Atkins is making sun prints with botanical specimens. Sun prints are an easy project and only require a few simple steps. First, you want to go out and gather items that you want to use for your artwork - this can be fern leaves, or little flowers that you pick, or even leaves from a tree. Then you're going to need a tray, and on the tray, you'll place your sun print paper that you can get from Amazon. Next, place your botanical items on top of the Sun Paper. Now, if you have plexiglass, you can place that over the top. If you don't have plexiglass, it's not a windy day; that’s just fine. You just need to bring your tray out into a sunny spot. And let it sit for about two minutes. Soon you'll notice that the paper will begin to turn a pale blue everywhere that's not covered by one of your botanical specimens. (The areas that are covered by the specimens will remain a dark blue.) After about two minutes, it's time to remove all of your items off of the paper. Then you just remove the paper and gently slip it into a tray of water. This step is essential because the water is going to stop that exposure process. And you don't need to leave the paper in the water very long - only for about a minute.  Next, you can just take the paper out of the water after about a minute and then set it on a table or other flat surface to dry. This sun print activity is wonderful to do with kids in the summertime on a hot summer day when kids are looking for something to do. Then when it's all done, you will have these beautiful, fun prints that you can put on display - and they make beautiful gifts. It is a fun activity to do with little gardeners this summer in your 2021 garden.     March 16, 1851 And today is the birthday of the Dutch microbiologist and botanist Martinus Beijerinck ("By-a-rink”). Now Martinus was a very smart man - a very brilliant botanist - and he was searching for the reason that tobacco plants were dying. And to do his research, Martin ground up some diseased tobacco leaves, and then he pressed the juices through a bacteria filter. And you can imagine his surprise when the filtered, bacteria-free liquid still spread the disease. It was only after reviewing his experiment that Martinus correctly deduced that a microorganism smaller than a bacteria was causing the problem, and he called this very little thing a virus, which is the Latin word for poison. Now before 2019, two of the most common viruses in humans were the flu and the common cold. But today, of course, there's only one virus on all of our minds, and that is the Coronavirus or COVID 19. But, you know, plants suffer from viruses as well. And here's a top 10 list voted on by plant virologists associated with molecular plant pathology: Tobacco mosaic virus (TMV) Tomato spotted wilt virus (TSWV)        Tomato yellow leaf curl virus (TYLCV)        Cucumber mosaic virus (CMV Potato virus Y (PVY) Cauliflower mosaic virus (CaMV)        African cassava mosaic virus (ACMV) Plum pox virus (PPV)        Brome mosaic virus (BMV)        Potato virus X (PVX)   Unearthed Words When the London Blitz began in September of 1940, she continued to struggle up to London on erratic trains to the shop where a skeleton staff kept the show going. She feared people would think her crazy to keep a flower shop open during a war. Was it frivolously unpatriotic? The city was heavily hit by bombs, and she arrived one morning to find a near miss had shattered the glass, and the shop floor was under water from the firemen's hoses. The whole place was in a dim half-light because of the broken and boarded up windows [she wrote]. A customer came in early for flowers, and because of the friendliness, which was one of the features of those times, everyone gathered around to talk. As she left, we thanked her and apologized for so much confusion; she gave an indifferent glance at the mess around her and a smiling one at the flowers she carried, and she remarked that in her view, flowers made one feel normal.  — Sue Shepherd, The Surprising Life of Constance Spry, Chapter: The Spry Wartime Household   Grow That Garden Library Garden Design Master Class by Carl Dellatore This book came out in 2020, and the subtitle is A Hundred Lessons From the World's Finest Designers on the Art of the Garden. This book is absolutely fantastic. In fact, last night, I shared a video that I found on YouTube, where Carl is introducing the topics that he describes in his fabulous book. And this book is the perfect follow-up to Carl's other book, Interior Design Masterclass. In this book. Carl continues to do what he does so very well: curating a hundred landscape architects and garden designers to have them share their own answers to top gardening questions. And every single response is illustrated with photographs from each designer's work, which is what makes this book so very special. And I love compilation books like this because it's so very rare to have someone like Carl who has that breadth of garden design knowledge. This book is truly a classic in the making. This book is 288 pages of thoughtful yet masterful teachings from the experts, and they're sure to inspire all gardeners regardless of experience. You can get a copy of Garden Design Master Class by Carl Dellatoreand support the show using the Amazon Link in today's Show Notes for around $32   Today’s Botanic Spark Reviving the little botanic spark in your heart March 16, 1927 It was on this day that a woman named Nelva Weber wrote a letter to the editor of The Pantograph - the newspaper out of Bloomington, Illinois. Here's what she wrote. Before the winter snow has left the pine-clad New England slopes, one may find that tiny harbinger of spring, the Trailing Arbutus. This little flower has a rosy, wax blossom, and a long trailing stem, and weathered leaves. Whittier was a lover of this little flower, and it was he who wrote, Creeps the Trailing Arbutus over hillock and hollow,  Through leafage whose greenness and glory are fled.  And an interesting Indian legend is told about this flower. It was said that the warrior who wore a wreath of perfect Arbutus leaves would never be defeated nor suffer death. Winona, the beautiful Indian maiden, found a spray of perfect leaves, and she wove them into a wreath for her father. He was successful in combat. But when his daughter eloped with a warrior from another tribe, he was overcome with grief. His tears fell upon the Arbutus leaves and weathered them. After that, no perfect leaves were to be found. Now Winona wished to find a wreath of perfect leaves for her husband. And they wandered hand in hand in search of the leaves. But instead of perfect leaves, they found the charm of love and perfect happiness. And we who travel life's pathway are in search of our own metaphorical wreath of flawless Arbutus leaves. And, of course, we search in vain. We do not find our perfect spray of Arbutus in this life. But if we are kind and thoughtful of others along every step of our journey, we shall receive the charm of love and happiness as a reward for our search.   Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."

Welcome back to the Jo's Art History Podcast and welcome to my first International Women's Day Special! And what a a treat we have in store for you today! Ever heard of Anna Atkins? Well, you will definitely not forget her after this incredible chat with photographer and photographic artist Josie Purcell! Anna Atkins is THE FIRST PERSON EVER to create a photo book with her 1843 Photographs of British Algae: Cyanotype Impressions. How did she create this I hear you ask? Using the Cyanotype printing process!! Listen to find out more about this incredible woman who helped make great advancements not only in art but within Science and botany. Happy International Women's Day! Guest: Josie Purcell Website: https://www.josiepurcellphotography.com/about Instagram: https://www.instagram.com/josieshutterpod/ Twitter: https://twitter.com/TheShutterPod Host: Jo McLaughlin Instagram: @josarthistory Website: www.josarthistory.com What is Cyanotype: https://theartling.com/en/artzine/what-are-cyanotypes-brilliant-blue-print/ Wiki: https://en.wikipedia.org/wiki/Cyanotype#:~:text=Cyanotype%20is%20a%20photographic%20printing,ammonium%20citrate%20and%20potassium%20ferricyanide Notes on Anna from Josie: Anna Atkins is often described as the first person to create a photo book with her 1843 Photographs of British Algae: Cyanotype Impressions. Her mother died when she was still a young girl and it was her father, a scientist and the first president of the Royal Entomological Society of London, who encouraged, and enabled, her interest in science. Women were frustratingly denied the option to follow their passions at that time, but fortunately for Anna, she was able to develop her interest in botany, including as a botanical illustrator and then using the Cyanotype process, which was invented by family friend Sir John Herschel. Through her family's standing in society, she was able to attend meetings at the Royal Society where photography and science were discussed, something very few women could dream of accessing. Anna joined one of the few scientific societies open to women, The Botanical Society of London, in 1839. Anna produced two more books with her friend Anne Dixon: Cyanotypes of British and Foreign Ferns (1853) and Cyanotypes of British and Foreign Flowering Plants and Ferns (1854). View Anna's Cyanotype Volume 1 here: https://nhm.primo.exlibrisgroup.com/view/BookReaderViewer/44NHM_INST/12190875980002081 Anna Atkins: https://www.getty.edu/art/collection/artists/1507/anna-atkins-british-1799-1871/ https://www.nhm.ac.uk/discover/anna-atkins-cyanotypes-the-first-book-of-photographs.html?gclid=Cj0KCQiAmfmABhCHARIsACwPRAAwRzMg3M73lg0L9JsnEgbkkRYOMu8YGMZgfiFYLmqI5IcVMCKBEZsaAvbWEALw_wcB History of Photobooks: https://en.wikipedia.org/wiki/Photo-book#:~:text=What%20is%20arguably%20the%20first,was%20created%20by%20Anna%20Atkins.

In einer Sonderfolge unterhalte ich mich mit Dirk Primbs vom Podcast Fotomenschen über Frauen in der Fotografie. Wie kamen sie zum Medium, wofür haben sie die Fotografie genutzt und: fotografieren Frauen anders als Männer?

This week, the Babes cover botanist and photographer Anna Atkins, and "Terminator of Child Marriages" Chief Theresa Kachindamoto. If you would like to skip ahead at the content warning, feel free to jump to 36:10.

This event is supported by TORCH as part of the Humanities Cultural Programme, one of the founding stones of the future Stephen A. Schwarzman Centre for the Humanities. Supported by TORCH through the Humanities Cultural Programme. Join us for an online in-conversation with Prof Geoffrey Batchen and Dr Lena Fritsch, discussing the work of pioneering British photographer and botanist Anna Atkins (1799-1871). Her innovative use of new photographic technologies linked art and science, and exemplified the potential of photography in books. Geoffrey Batchen is Professor of Art History at the University of Oxford and Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. This talk accompanies the 2020 Photo Oxford festival, Women and Photography: Ways of Seeing and Being Seen. Biographies: Geoffrey Batchen is professor of History of Art at the University of Oxford. His books include Burning with Desire: The Conception of Photography (1997), Each Wild Idea: Writing, Photography, History (2001), Emanations: The Art of the Cameraless Photograph (2016), and Apparitions: Photography and Dissemination (2018). Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. Her monographs on photography include Ravens & Red Lipstick: Japanese Photography since 1945 (English version with Thames & Hudson / Japanese version with Seigensha 2018), The Body as a Screen: Japanese Art Photography of the 1990s (Georg Olms 2011), and Yasumasa Morimuras Self-Portrait as Actress: Überlegungen zur Identität (VdM 2008).

This event is supported by TORCH as part of the Humanities Cultural Programme, one of the founding stones of the future Stephen A. Schwarzman Centre for the Humanities. Supported by TORCH through the Humanities Cultural Programme. Join us for an online in-conversation with Prof Geoffrey Batchen and Dr Lena Fritsch, discussing the work of pioneering British photographer and botanist Anna Atkins (1799-1871). Her innovative use of new photographic technologies linked art and science, and exemplified the potential of photography in books. Geoffrey Batchen is Professor of Art History at the University of Oxford and Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. This talk accompanies the 2020 Photo Oxford festival, Women and Photography: Ways of Seeing and Being Seen. Biographies: Geoffrey Batchen is professor of History of Art at the University of Oxford. His books include Burning with Desire: The Conception of Photography (1997), Each Wild Idea: Writing, Photography, History (2001), Emanations: The Art of the Cameraless Photograph (2016), and Apparitions: Photography and Dissemination (2018). Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. Her monographs on photography include Ravens & Red Lipstick: Japanese Photography since 1945 (English version with Thames & Hudson / Japanese version with Seigensha 2018), The Body as a Screen: Japanese Art Photography of the 1990s (Georg Olms 2011), and Yasumasa Morimuras Self-Portrait as Actress: Überlegungen zur Identität (VdM 2008).

This event is supported by TORCH as part of the Humanities Cultural Programme, one of the founding stones of the future Stephen A. Schwarzman Centre for the Humanities. Supported by TORCH through the Humanities Cultural Programme. Join us for an online in-conversation with Prof Geoffrey Batchen and Dr Lena Fritsch, discussing the work of pioneering British photographer and botanist Anna Atkins (1799-1871). Her innovative use of new photographic technologies linked art and science, and exemplified the potential of photography in books. Geoffrey Batchen is Professor of Art History at the University of Oxford and Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. This talk accompanies the 2020 Photo Oxford festival, Women and Photography: Ways of Seeing and Being Seen. Biographies: Geoffrey Batchen is professor of History of Art at the University of Oxford. His books include Burning with Desire: The Conception of Photography (1997), Each Wild Idea: Writing, Photography, History (2001), Emanations: The Art of the Cameraless Photograph (2016), and Apparitions: Photography and Dissemination (2018). Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. Her monographs on photography include Ravens & Red Lipstick: Japanese Photography since 1945 (English version with Thames & Hudson / Japanese version with Seigensha 2018), The Body as a Screen: Japanese Art Photography of the 1990s (Georg Olms 2011), and Yasumasa Morimuras Self-Portrait as Actress: Überlegungen zur Identität (VdM 2008).

This event is supported by TORCH as part of the Humanities Cultural Programme, one of the founding stones of the future Stephen A. Schwarzman Centre for the Humanities. Supported by TORCH through the Humanities Cultural Programme. Join us for an online in-conversation with Prof Geoffrey Batchen and Dr Lena Fritsch, discussing the work of pioneering British photographer and botanist Anna Atkins (1799-1871). Her innovative use of new photographic technologies linked art and science, and exemplified the potential of photography in books. Geoffrey Batchen is Professor of Art History at the University of Oxford and Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. This talk accompanies the 2020 Photo Oxford festival, Women and Photography: Ways of Seeing and Being Seen. Biographies: Geoffrey Batchen is professor of History of Art at the University of Oxford. His books include Burning with Desire: The Conception of Photography (1997), Each Wild Idea: Writing, Photography, History (2001), Emanations: The Art of the Cameraless Photograph (2016), and Apparitions: Photography and Dissemination (2018). Dr Lena Fritsch is the Curator of Modern and Contemporary Art at the Ashmolean Museum, University of Oxford. Her monographs on photography include Ravens & Red Lipstick: Japanese Photography since 1945 (English version with Thames & Hudson / Japanese version with Seigensha 2018), The Body as a Screen: Japanese Art Photography of the 1990s (Georg Olms 2011), and Yasumasa Morimuras Self-Portrait as Actress: Überlegungen zur Identität (VdM 2008).

“Une histoire mondiale des femmes photographes”sous la direction de Luce Lebart et Marie RobertLes Éditions TextuelPODCAST – Interview de Luce Lebart, historienne de la photographie, correspondante française pour la collection Archive of Modern Conflict, et de Marie Robert, conservatrice en chef au musée d'Orsay, chargée de la collection de photographies, directrices de livre ”Une histoire mondiale des femmes photographes” aux éditions Textuel,par Anne-Frédérique Fer, enregistrement réalisé par téléphone, entre Paris et la Région parisienne, le 10 novembre 2020, durée 32'16. © FranceFineArt.HOME  |  EDITION  |  “UNE HISTOIRE MONDIALE DES FEMMES PHOTOGRAPHES” SOUS LA DIRECTION DE LUCE LEBART ET MARIE ROBERT “Une histoire mondiale des femmes photographes” sous la direction de Luce Lebart et Marie RobertPartage“Une histoire mondiale des femmes photographes”sous la direction de Luce Lebart et Marie RobertLes Éditions TextuelÉditions TextuelPODCAST – Interview de Luce Lebart, historienne de la photographie, correspondante française pour la collection Archive of Modern Conflict, et de Marie Robert, conservatrice en chef au musée d'Orsay, chargée de la collection de photographies, directrices de livre ”Une histoire mondiale des femmes photographes” aux éditions Textuel,par Anne-Frédérique Fer, enregistrement réalisé par téléphone, entre Paris et la Région parisienne, le 10 novembre 2020, durée 32'16. © FranceFineArt.Couverture de Une histoire mondiale des femmes photographessous la direction de Luce Lebart et Marie Robert aux éditions Textuel, 2020. Photographie de Pushpamala N. © Pushpamala N.Newsha Tavakolian,Portrait de Negin à Téhéran,2010. © Newsha Tavakolian / Magnum Photos.Pamela Singh,Carte au trésor 022,1994-1995, peinte en 2015. Courtesy © Pamela Singh and sepiaEYE.Elisabeth Hase,Sans titre [femme sous la douche],vers 1932-1933. © Estate of Elisabeth Hase, Courtesy Robert Mann Gallery.Edith Watson,Dans le détroit [Vue d'un iceberg],Terre-Neuve-et-Labrador, Canada, 16-23 août 1913. © Edith S. Watson / Bibliothe`que et Archives Canada [e010791398].Anna Atkins,Alaria esculenta, extrait de Photographs of British Algae: Cyanotype Impressions,1849-1850. © The New York Public Library.Extrait du communiqué de presseUne fabuleuse somme collective, un livre manifeste, un ouvrage de référence.Cet ouvrage illustré par 450 images, présente les œuvres de 300 femmes photographes du monde entier, de l'invention du médium jusqu'à l'aube du XXIe siècle. Rares sont celles dont les noms sont parvenus jusqu'à nous, disparaissant du récit de la création au profit des « grands maîtres ».L'effacement des femmes dans l'histoire de la photographie résulte d'une longue tradition de discrédit. Créatrices originales et autonomes, elles n'ont pourtant cessé de documenter, d'interroger et de transfigurer le monde, démontrant que l'appareil photo peut être un fantastique outil d'émancipation. Aucune expérimentation ni aucun fracas des XIXe et XXe siècles ne leur ont ainsi échappé. Pour restituer la diversité des parcours de ces femmes photographes, Luce Lebart et Marie Robert ont invité 162 autrices de différents points du globe à nourrir cet ouvrage manifeste.La recherche dirigée par Marie Robert et Luce Lebart a été réalisée grâce au soutien des Rencontres d'Arles et de Women In Motion, un programme de Kering qui met en lumière la place des femmes dans les arts et la culture.Cet ouvrage bénéficie du soutien du ministère de la Culture, du ministère délégué chargé de l'Égalité entre les femmes et les hommes, de la Diversité et de l'égalité des chances ainsi que de la région Île-de-France.Actualité – Dans le cadre de Femmes photographes – Une histoire de la photographie à réinventer – Une proposition de Fannie Escoulen, commissaire d'exposition indépendante spécialisée en photographie contemporaine. Quatre rendez-vous sur Instagram live, du 11 au 14 novembre, à 11 h, à suivre sur @ParisPhotoFair.Le 14 novembre 2020 à partir de 14 h 15Discussions et rencontres autour de la sortie de l'ouvrage manifeste Une Histoire mondiale des femmes photographes (éditions Textuel). Une somme collective, codirigée par Luce Lebart et Marie Robert, présentant les oeuvres de 300 femmes photographes du monde entier, de l'invention du médium jusqu'à l'aube du XXIe siècle.à 14 h 15Introduction de la rencontre par Agnès Saal, haute fonctionnaire à la diversité et à l'égalité au ministère de la Culture.de 14 h 30 à 15 h 30Discussion entre Luce Lebart, historienne de la photographie, commissaire d'exposition et chercheuse pour la collection Archive of Modern Conflict, et Marie Robert, conservatrice en chef au musée d'Orsay, avec Marianne Théry, directrice des éditions Textuel. Modération par Fannie Escoulen. Diffusion en live sur Youtube. Plus d'infos sur ellesxparisphoto.com.Luce Lebart est historienne de la photographie, commissaire d'exposition et correspondante française pour la collection Archive of Modern Conflict (Londres-Toronto). Elle a notamment écrit Les Grands Photographes du XXe siècle (Larousse, 2017) et publié Les Silences d'Atget (Textuel, 2016).Marie Robert est conservatrice en chef au musée d'Orsay depuis 2011, chargée de la collection de photographies. Elle a été co-commissaire des expositions « Qui a peur des femmes photographes ? » et « Splendeurs et Misères. Images de la prostitution ».Les 162 autrices : Alix Agret, Andrea Aguad, Line Ajan, Alina Akoeff, Damarice Amao, Bérénice Angremy, Irini Apostolou,, Georgia Atienza, Marie Auger, Sarah Bay Gachot, Marion Beckers, Sophie Bertrand, Hélène Bocard, Clara Bolin, Daria Bona, Joëlle Bonardi, Mattie Boom, Clara Bouveresse, Dominique Brebion, Susanna Brown, Nocebo Bucibo, River Encalada Bullock, Laurence Butet-Roch, Marine Cabos-Brullé, Molly Caenwyn, Yudit Caplan, Éléonore Challine, Virginie Chardin, Héloïse Conésa, Julie Crooks, Marta Dahó, Aldeide Delgado, Lourdes Delgado, Françoise Denoyelle, Delphine Desveaux, Deepali Dewan, Helen Ennis, Esa Epstein, Heloisa Espada, Monika Faber, Adama Delphine Fawundu, Anaïs Feyeux, Kateryna Filyuk, Eva Fisli, Orla Fitzpatrick, Clare Freestone, Lena Fritsch, Susana Gállego Cuesta, Katarzyna Gębarowska, Anahita Ghabaian Etehadieh, Hélène Giannecchini, Marta Gili, Pamela Glasson Roberts, Bettina Gockel, Laura González-Flores, Maria Gourieva, Kristen Gresh, Rebekka Grossmann, Laetitia Guillemin, Natalya Guzenko Boudier, Sophie Hackett, Awel Haouati, Melissa Harris, Sabine Hartmann, Yining He, Charlene Heath, Elina Heikka, Nathalie Herschdorfer, Lisa Hostetler, Candice Jansen, Sabina Jaskot-Gill, Victoria Jonathan, Julie Jones, Maria Kapajeva, Malavika Karlekar, Magda Keaney, Corey Keller, Rym Khene, Sara Knelman, Monika E. Kupfer, Paula Kupfer, Cat Lachowskyj, Anne Lacoste, Annabelle Lacour, Martha Langford, Sylvie Lécallier, Sigrid Lien, Joanne Lukitsh, Anne Lyden, Lola Mac Dougall, Sandra Maunac, Shoair Mavlian, Anne Maxwell, Margarida Medeiros, Ieva Meilutė-Svinkūnienė, Jasmin Meinold, Jeanne Mercier, Christelle Michel, George Mind, Tanvi Mishra, Fulufhelo Mobadi, Elisabeth Moortgat, Gaëlle Morel, Victoria Munro, Federica Muzzarelli, Yasmine Nachabe Taan, Suryanandini Narain, Constantia Nicolaides, Nestan Nijaradze, Érika Nimis, Anne O'Hehir, Pippa Oldfield, Oluremi C. Onabanjo, Daria Panaiotti, Nikoo Paydar, Deniz Pehlivaner, Penelope Petsini, Claudia Polledri, Carolina Ponce de Léon, Karolina Puchała-Rojek, Kateryna Radchenko, Helihanta Rajaonarison, Zsófia Rátkai, Martine Ravache, Scarlett Reliquet, Raisa Rexer, Núria F. Rius, Hilary Roberts, Julie Robinson, Mette Sandbye, Franziska Schmidt, Gabriele Schor, Letta Shtohryn, Æsa Sigurjónsdóttir, Nani Simonis, Agnès Sire, Karen Smith, Abigail Solomon-Godeau, Anna Sparham, Zoë Tousignant, Flora Triebel, Aliki Tsirgialou, Silvia Valisa, Arola Valls Bofill, Pauline Vermare, Dominique Versavel, Hripsimé Visser, Sonia Voss, Francesca Wilmott, Demet Yildiz, Cynthia Young, Oksana Zaboujko, Maria Zagala, Erika Zerwes et Karolina Ziębińska-Lewandowska. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Hey everybody, welcome to this week's podcast with me your host the Phlogger. As I explore this medium of photography and play around I become interested in many areas. One of these that always springs to mind is a double exposure. I remember when running my competitions with Kodak Alaris that there was a few multi-exposure entries. In fact, one of them by Ben Felten won a memorable mention and obviously stuck in my conscious mind. So I thought hell I had not interviewed someone who does this consistently with film so let’s get him on the show. Ben was very willing and I couldn’t wait to talk with him. Now bear in mind Ben is from France, but has lived in a few countries and currently living in Hong Kong. So if you are expecting a heavy French accent you might be surprised. Anyway, Ben’s a family man like myself and a very decent guy. After speaking with Ben I’ve come up with the idea of an act of random kindness every day. So you search for someone on Instagram and share their picture on your story - simple. it would be great to hear of you doing this too. Remember karma everyone, do something nice for someone and feel positive. So this podcast is all about Ben’s pursuit of happiness with multi-exposure and his human nature project. It’s a learning journey and he talks to us about the technical and conceptual aspects too, so very useful. So in this one we discuss: multi-exposure background choices shooting Xpan studio vs home sessions negative space vs busy backgrounds cyanotypes photograms hong kong restrictions zines Other Links We discuss the beginning of cyanotypes with (botanist) Anna Atkins with her book on plant life. https://en.wikipedia.org/wiki/Anna_Atkins Chris Relander - www.christofferrelander.com Ben Links Etsy - https://www.etsy.com/shop/WideWorldPhotography Instagram - https://www.instagram.com/benfelten/ Friends of the show I have discussed David from FilmDev in this show and how he's developed all my 120 colour work for a few years. Great work guaranteed and as an example, he only charges £4 for small files with delivery & TIFF's! Large scans are £8 compared to. Do check them out - https://filmdev.co.uk/ Other friends are: Static Age - https://www.staticage.co.uk/ Chroma Camera - https://chroma.camera/ --- Send in a voice message: https://anchor.fm/photography-insights/message

Anna Atkins: England's Blue Lady of Photography In this episode, a brief biography of Anna Atkins, the first female photographer and the first person to create a photography-based book. She learned photography from some of its inventors and went on to become a master of the cyanotype print. New York Public Library copy of "British Algae" by Anna Atkins: https://digitalcollections.nypl.org/collections/photographs-of-british-algae-cyanotype-impressions#/?tab=about&scroll=6 The 19th-Century Botanist Who Changed the Course of Photography, by Alina Cohen on Artsy: https://www.artsy.net/article/artsy-editorial-19th-century-botanist-changed-course-photography New York Public Library: http://seeing.nypl.org/235bt.html Other Sources: https://www.oxfordartonline.com/groveart/abstract/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000004852 https://web.archive.org/web/20051222071833/http://www.bbc.co.uk/history/historic_figures/atkins_anna.shtml https://www.theguardian.com/artanddesign/2017/jun/23/blooming-marvellous-the-worlds-first-female-photographer-and-her-botanical-beauties#maincontent http://www.getty.edu/art/collection/artists/1507/anna-atkins-british-1799-1871/ My main website: https://keithdotson.com/ See some of my cyanotype prints here: https://icatchshadows.com/sunny-days-are-perfect-for-making-cyanotypes/ --- Support this podcast: https://anchor.fm/keith-dotson/support

Anna Atkins: England's Blue Lady of Photography In this episode, a brief biography of Anna Atkins, the first female photographer and the first person to create a photography-based book. She learned photography from some of its inventors and went on to become a master of the cyanotype print. New York Public Library copy of "British Algae" by Anna Atkins: https://digitalcollections.nypl.org/collections/photographs-of-british-algae-cyanotype-impressions#/?tab=about&scroll=6 The 19th-Century Botanist Who Changed the Course of Photography, by Alina Cohen on Artsy: https://www.artsy.net/article/artsy-editorial-19th-century-botanist-changed-course-photography New York Public Library: http://seeing.nypl.org/235bt.html Other Sources: https://www.oxfordartonline.com/groveart/abstract/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000004852 https://web.archive.org/web/20051222071833/http://www.bbc.co.uk/history/historic_figures/atkins_anna.shtml https://www.theguardian.com/artanddesign/2017/jun/23/blooming-marvellous-the-worlds-first-female-photographer-and-her-botanical-beauties#maincontent http://www.getty.edu/art/collection/artists/1507/anna-atkins-british-1799-1871/ My main website: https://keithdotson.com/ See some of my cyanotype prints here: https://icatchshadows.com/sunny-days-are-perfect-for-making-cyanotypes/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/keith-dotson/support

In this episode, a brief biography of Anna Atkins, the first female photographer and the first person to create a photography-based book. She learned photography from some of its inventors and went on to become a master of the cyanotype print. New York Public Library copy of "British Algae" by Anna Atkins: https://digitalcollections.nypl.org/collections/photographs-of-british-algae-cyanotype-impressions#/?tab=about&scroll=6 The 19th-Century Botanist Who Changed the Course of Photography, by Alina Cohen on Artsy: https://www.artsy.net/article/artsy-editorial-19th-century-botanist-changed-course-photography New York Public Library: http://seeing.nypl.org/235bt.html Other Sources: https://www.oxfordartonline.com/groveart/abstract/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000004852 https://web.archive.org/web/20051222071833/http://www.bbc.co.uk/history/historic_figures/atkins_anna.shtml https://www.theguardian.com/artanddesign/2017/jun/23/blooming-marvellous-the-worlds-first-female-photographer-and-her-botanical-beauties#maincontent http://www.getty.edu/art/collection/artists/1507/anna-atkins-british-1799-1871/ My main website: https://keithdotson.com/ See some of my cyanotype prints here: https://icatchshadows.com/sunny-days-are-perfect-for-making-cyanotypes/

In deze vierde editie van Radio Hortus hebben we het over de tuin, de kassen, botanici en meer. We bezoeken de cursus Plant Families of the Tropics die plaatsvindt in de tuin, we hebben het met Carla Teune over de groene knoeperts die groeien onder de oude Ginkgo, en we belichten een bijzondere orchidee die in bloei staat in het bollenkasje. 00:00:00 Opening 00:00:48 Nieuws: winterbloeiers en vlinders in de kas 00:01:42 Nieuws: groene knoeperds met Carla Teune 00:03:39 Plant Families of the Tropics. Gesprek met Rogier van Vugt 00:06:27 Plant Families of the Tropics. Gesprek met Jeff Korsmit 00:07:58 Plant Families of the Tropics. Gesprek met Peter Jansen 00:09:38 Plant Families of the Tropics. Gesprek met Brigitta de Wilde 00:14:28 Plant Families of the Tropics. Gesprekken met studenten 00:19:24 Bloeiend: de bruine bijenorchis 00:21:13 Botanica in het licht: Anna Atkins 00:23:28 Het vreemde geluid 00:24:39 Afsluiting 00:25:31 Veldopname: De Victoriakas

From famous locations to the simplest home vegetable garden, from worlds imagined by artists to vintage family snapshots, The Photographer in the Garden (Aperture and George Eastman Museum, 2018) traces the garden’s rich history in photography and delights readers with spectacular images. At this talk, Jamie M. Allen, Stephen B. and Janice G. Ashley Associate Curator in the Department of Photography and author of the book's essay, will explore the relationships between photography, botanical images, and the cultivated landscape. Her talk will span the history of photography, starting with the medium’s invention in the nineteenth century. She will point out important photographic processes along the way—from daguerreotype to digital photography—while discussing the work of diverse photographers, including Anna Atkins, Edward Steichen, Imogen Cunningham, Stephen Shore, Abelardo Morell, Andrew Buurman, Tanya Marcuse, Sharon Core, Ori Gersht, Rachel Sussman, and Brad Temkin.

Back after a brief hiatus, Rachel and Graeme return full of colds to delve into the treasure trove of listener emails. Also this week, listen to the end to hear the talk given by Rose Teanby at the Photography Show on Anna Atkins and her Cyanotypes. Anna issued several copies, each one unique - one digitised version can be viewed online at: https://on.nypl.org/2sgYdg0 Follow on social media and find out more: littlevintagephotography.co.uk and roseteanbyphotography.co.uk Buy your own ‘Analogue Adventurer Kit’ to make-your-own Cyanotype Sunprints: https://etsy.me/2KIVMNC   https://analoguewonderland.co.uk/blogs/film-news/low-light-magic-competition-the-winners   Music is Re-mortgaging the nest of hairs by Schnauser, used with permission, all rights reserved by the artists.   Buy us a cup of tea at https://ko-fi.com/sunny16podcast

Peter Donegan chats with Matthew Biggs; a gardener, writer and broadcaster On leaving school at sixteen he rapidly found office work too claustrophobic and rushed outdoors where he has remained happily ever since. He is currently developing his Hertfordshire garden and learning to love clay soil. Fascinated by plants of any kind he grows exotics, heritage fruit, unusual vegetables, tree and masses of bulbs. Matt is in love with Echium wildpretii has grown it several times in his garden but still dreams of seeing it in the wild. His latest book is The Secrets of Great Botanists. Botanists are the trailblazers who first discovered how plants work and searched the globe for many of the plants we grow in the garden today. Each of the thirty five profiles, reveals their fascinating life stories from botanizing Pirate William Dampier to pioneering photographer Anna Atkins and modern day collectors and conservationists Bleddyn and Sue Wynn-Jones. Special feature pages reveal the qualities that brought them success and what we can learn from them. Illustrated with beautiful period watercolours and vibrant, colourful photographs, this is the ideal book for anyone who loves real life adventures. The Sodshow is available every Friday in iTunes, all good podcast stores and www.sodshow.com Matt Biggs: Octopus Publishing: The Book - Secrets of Great Botanists twitter: @plantmadman web: www.matthewbiggs.com The Sodshow: Twitter: @sodshow facebook: The Sodshow instagram: sodshow

Today the contemporary issues class met at the New York Public Library to look at lensless photography. There were Blue Prints by Anna Atkins and Contemporary Works inspired by Anna Atkins.

Anna Atkins is credited as being the first female photographer

Turns out that art and science are more related than you might expect. This weeks highly informative episode is with Dr. Hayley Gillespie, the founder and director of Art.Science.Gallery. She has bachelor’s degrees in biology, fine art, and environmental studies from Austin College and a doctoral degree in ecology, evolution, and behavior from UT. In addition to being a small business owner she also studies endangered species, creates art that is inspired by her activities as a scientist, and practices sustainable urban agriculture and native plant restoration. She is also a full time lecturer in Biology at Texas State University in San Marcos, TX. There is so much to learn in this episode. Be sure to explore the links at the bottom of the show notes to take a deep dive into many of the subjects and persons we talk about in the interview. So inspiring! Some of the subjects we discuss: Origins of the gallery Childhood influences Graduate school Blogging & making art Collages of scientists Charles Darwin, Ernst Haeckel, Anna Atkins, Angie Lewin Margie Crisp, Leonardo DaVinci, Ele Willoughby, Grace Hopper Mary Golda Ross, Joan Roughgarden, Mary Anning Women in science What is Science art Running a gallery Supporting Austin artists Trading car show Herb & Dorothy Solar show/Print Austin Founded in 2012, Art.Science.Gallery. is a crowd-funded art space dedicated to art-science fusion of all kinds. Located in the Canopy fine arts complex in East Austin, the gallery’s mission is to engage the public in the natural sciences through the visual arts. Art.Science.Gallery. exhibits artwork that is steeped in and reflective of scientific ideas; artwork that exemplifies the integration of scientific knowledge and discovery with a very thorough artistic process. Art.Science.Gallery. is also proud to be a woman owned small business and a Platinum-Level Austin Green Business Leader. ART.SCIENCE.GALLERY. BY THE NUMBERS (2012-2017) • 45 science-inspired art exhibitions free and open to the public. • 700+ artists featured in gallery exhibits from 40 US states and 18 countries (40% Texas artists). • $120,000+ paid directly to science-inspired artists in support of their work and careers. • 56 artists represented in the gallery’s science-inspired gift shop. • 200+ free public events hosted including film screenings, science talks, artist lectures and more. • $5,000+ in donations and services given to 20+ causes and non-profits. • 40+ organizational sponsors and partners to broaden the impact of our exhibitions and programs. • 13 students and recent graduates trained in our 14-week professional gallery internship program. Gallery Hours tue / thu / fri 12-6pm sat / sun 12-4pm mon / wed closed Open through Christmas Eve, December 24th 12-4pm. Gallery closed Christmas Day December 25-January 19th, but is available for rental during this time. (512) 522-8278 or info [at] artsciencegallery.com. Messages and emails left on mon & wed or holidays will be returned the next business day. 916 Springdale Rd. Bldg 2 #102 Austin, TX 78702

Exobolygók kulcscsomók, amelyeket a lámpafényben keresgélünk részegen. Ezen kívül napkitörések, emberi feromonok, új békafajok, cianotípia és Rudolf Diesel rejtélyes halála az e heti adásban. Irány a TRAPPIST-1! – 1. rész 02:00 A vendégünk (már másodjára) Vida Krisztián, az MTA-CSFK Konkoly Thege Miklós Csillagászati Kutatóintézet csillagásza. 03:00 A látogatók című csehszlovák sci-fi filmről emlékezünk meg illetve vendégünk kijavítja Hapci egy korábbi kvízben elkövetett hibáját. 04:20 Földszerű bolygók és a TRAPPIST-1 bolygórendszere. Mi az a lakhatósági zóna és milyen egyéb információnk van ezekről a bolygókról eddig? 10:00 Az úrtávcsövekből érkező adatok és azok elemzése, illetve mennyi idő lenne eljutni a TRAPPIST-1-re? 12:41 Van-e más ilyen típusú rendszer esetleg máshol is vagy egyedülálló ez felfedezés? Milyen módszerekkel vizsgálják az exobolygókat? 15:20 Van-e hasonló bolygórendszer hozzánk közelebb? A műsor támogatói 16:03 A Szertár Podcast adásait közösségi finanszírozásból készítjük. A működési költségeket a patreon.com/szertar oldalon tett felajánlásokból fedezzük. Ha tehetitek, csatlakozzatok ti is azokhoz az előfizetőkhöz, akik havonta legalább egy hamburger árával hozzájárulnak ahhoz, hogy hétről-hétre új adással jelentkezhessünk. Köszönjük. Irány a TRAPPIST-1! – 2. rész 17:10 Miért NINCS a TRAPPIST-1 rendszerben élet? Napkitörések és a Passengers cimű film. 20:05 Miért fontos a Föld mágneses tere és vannak-e villámok az exobolygókon? 24:10 Fognak-e potyogni az ölünkbe továbbra is az újabbnál újabb exobolygók? 26:12 Exoüstökösök, Tabby Csillaga és földönkívüliek. 27:55 Miket kutatnak Krisztiánék a kutatócsoportjukban mostanság? Mérési technikák és barna törpék. Hírkvíz 35:16 Első kérdés: Milyen élőlényeket örökített meg Anna Atkins az első cianotípiákat tartalmazó kötetében? Photographs of British Algae: Cyanotype Impressions Photographs of British Algae: Cyanotype Impressions 38:50 Második kérdés: Miről nevezték el a nemrég Szumátra barlangjaiban talált új békafajt? 42:50 Harmadik kérdés: Mi köze lehet a mogyoróolajnak Rudolf Diesel halálához? 49:00 Negyedik kérdés: Működnek-e az emberi feromonok? Felhasznált zenék: Morgan TJ – Café Connection Podington Bear – Graduation

April is wêreldwyd Outismemaand en Naweekaktueel fokus op die uitdagings wat ‘n ma en haar outistiese kind ervaar. Die uitvoerende hoof van die SA Vereniging vir Outisme , Anna Atkins, gee ook raad.