Podcasts about Prussian blue

- Supreme Court Ruling on Deportation (0:11) - Ending Tariff War and US Credit Rating Downgrade (1:08) - Interview on Decentralized Computing Platforms (2:26) - Methylene Blue and Prussian Blue (3:04) - Critique of Trump's Tariff Policy (13:27) - Economic Implications of Tariff Reversal (24:18) - US Credit Rating Downgrade and Financial Strategy (31:10) - Decentralized Living and New Products (40:26) For more updates, visit: http://www.brighteon.com/channel/hrreport NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com

Episode: 3241 Green with Immortality.  Today, we go green with immortality.

TOPICS: Prussian blue is amazing. Bambu H2D 3d printer Calibrating a 5 axis machine Hand scraping deep dive Tormach 1500 MX

Mokuhanga can be approached in many ways. For some, a hands-on approach is the most appealing, as it places full responsibility on the artist to carefully craft each step—designing, carving by hand, and printing—to achieve the best possible result. However, other mokuhanga artists take a more experimental route, where the possibilities are limitless, and innovation leads to unique outcomes. On this episode of The Unfinished Print, I speak with printmaker Mike Lyon, who has been creating mokuhanga for nearly 30 years. We delve into his philosophy on mokuhanga, his innovative use of a CNC machine in printmaking, and his inventive spirit. We also explore his own mokuhanga prints and the Lyon Collection of Japanese woodblock prints.  This interview was conducted while Mike was at the Mokuhanga Project Space in Walla Walla, Washington, and he reflects on his real time experiences during the interview. One other note; there is reference to an accident Mike had as a young man regarding his fingers. Listeners be warned.   Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Mike Lyon - website Shotokan Karate - is a traditional Japanese martial art that emphasizes powerful, linear movements, strong stances, and precise techniques. Developed by Gichin Funakoshi (1868-1957) in the early 20th century, Shotokan blends self-defense, physical fitness, and mental discipline. It is characterized by its deep stances, focus on kata (pre-arranged forms), kihon (basic techniques), and kumite (sparring). Practitioners strive for mastery of body and mind, aiming to improve both physical strength and inner calm through rigorous practice. Shotokan is one of the most widely practiced karate styles worldwide. Zen Buddhism - is a school of Mahāyāna Buddhism that emphasizes direct experience, meditation (zazen), and mindfulness as paths to enlightenment. Originating in China as Chan Buddhism and later flourishing in Japan, Zen focuses on achieving insight into the nature of existence through meditation rather than reliance on scriptures or ritual. Central to Zen practice is the concept of "no-mind" (mushin), which seeks to quiet the mind and transcend dualistic thinking. Through sitting meditation, koans (paradoxical questions), and the guidance of a teacher, Zen practitioners aim to awaken to their true nature and the interconnectedness of all things. Hiroki Morinoue - is a mokuhanga printmaker and artist living in Holualoa, Big Island, Hawai'i. He is a co-founding member of the Holualoa Foundation For Arts & Culture, the establishment of the Donkey Mill Art Center and Studio 7 Fine Arts. Hiroki's interview with The Unfinished Print can be found, here.  Kitchen Fosit (2012)  Gotō Hidehiko (b.1953) - is a mokuhanga printmaker and tool maker based in Japan. He makes and teaches seminars about the construction of the mokuhanga tool, the baren.  From The Window (2017) 15" x 12" Anderson Ranch Arts Center - since the 1960s, Anderson Ranch Arts Center, located in Colorado, has been a beacon for the arts in the United States. The Ranch offers master classes, workshops, artist-in-residence programs, and more. For additional information, please click here. registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.  The Fisherman and His Wife (1996) 15" x 10" International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here. Prussian Blue - is a dark blue pigment, which has been used by painters, and mokuhanga printmakers. The pigment has been used in Europe since the 18th Century, and in Japan since around 1820, having been imported by Europeans into Japan. More information about Prussian Blue can be found in my interview with Professor Henry Smith, here.  reduction printmaking - is a process in printmaking where the printmaker cuts away on a piece of wood, or linoleum. After every carving, the printmaker makes an impression with pigments, beginning with lighter colours, gradually using darker colours. William H. Mays has a fine description of reduction on his website, here.  CNC Machine - A CNC (Computer Numerical Control) router is a machine used to cut, carve, or engrave materials like wood, plastic, metal, and foam with high precision, guided by a computer program. The router is controlled by pre-programmed software that dictates the movement of the cutting tool along multiple axes (typically three to five), allowing for complex shapes and designs to be created with great accuracy. CNC routers are commonly used in manufacturing, woodworking, sign-making, and prototyping because they can produce detailed and repetitive cuts that would be difficult to achieve by hand. Friends of Baren Forum - is a Facebook group dedicated to those interested in mokuhanga and woodblock printing in general. it can be found, here.  David Bull - is a Canadian woodblock printmaker, and educator who lives and works in Japan. His love of mokuhanga has almost singlehandedly promoted the art form around the world. His company, Mokuhankan, has a brick and mortar store in Asakusa, Tōkyō, and online, here.  River In Spring (2009)  shihan - is a title in Japanese martial arts, often translated as "master instructor." It is an honorific title given to highly skilled and experienced practitioners who have demonstrated knowledge, expertise, and commitment to a particular martial art over many years. A shihan is not only a technical expert but also a role model and leader, responsible for preserving and passing on the traditions and philosophies of the martial art to future generations. The title is typically granted in arts such as karate, aikido, judo, and kendo, and it is often reserved for senior instructors with a rank of 5th dan or higher. aizuri-e - (藍摺絵) are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga.  bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga.  Ezoshi - is a mokuhanga focused art gallery and store located in Kyoto, Japan. It was established in 1978. More info, here.  Tōshūsai Sharaku (dates unknown) - was a Japanese ukiyo-e printmaker active during the late Edo period, primarily from 1794 to 1795. He is known for his portraits of kabuki actors, capturing their dramatic expressions and movements with remarkable realism and emotional depth. Sharaku emphasized individuality and personality in his subjects, using bold colors and strong contrasts to create a distinct style. Despite his brief career, lasting only about ten months, his innovative approach had a lasting impact on the ukiyo-e tradition, making him one of the most significant printmakers of the Edo period. The true identity of Sharaku and the reasons for his sudden disappearance from the art scene are still unknown. Otani Oniji III as Edobei (1794) 14 15/16" × 9 7/8" ōkubi-e (大首絵) -  are woodblock prints of close-up human heads, which came into prominence in the late 19th Century. For me, the best mokuhanga designer of okubi-e is Toyohara Kunichika (1835-1900). His okubi-e of kabuki actors is unparalleled, showing the actors in various positions with intricate backgrounds and poses. Kamigata - is a region of Japan which refers to the area encompassing the cities of Kyoto and Osaka, located in the Kansai region. During the Edo period (1603–1868), Kamigata became a significant cultural and artistic center, known for its contributions to theater, literature, and the arts, particularly ukiyo-e  mokuhanga. The term "Kamigata," meaning "upper region," reflects its geographical position relative to Edo (modern Tōkyō), which was considered the "lower region."  Photoshop - is a powerful graphics editing software developed by Adobe Systems, widely used for image manipulation, photo editing, and digital art creation. It offers a variety of tools and features for tasks such as retouching images, creating graphics, applying effects, and designing layouts, making it an essential tool for photographers, graphic designers, and artists. Benjamin Selby - is an artist who works in mokuhanga, as well as serigraphy and installations. More information about Benjamin's work can be found, here. His interview with The Unfinished Print can be found, here.  Crushed (2024) Fudezaishiki - Hand Colored With Brush Mokuhanga 9" x 12" Mokuhanga Project Space - is a mokuhanga residency located in Walla Walla, Washington, USA. It was established in 2016 and is led by printmaker Keiko Hara. More info can be found, here.  coding - also known as programming, is the process of writing instructions for computers using programming languages. These instructions, or code, enable computers to perform specific tasks, solve problems, or automate processes. Coding involves creating algorithms, which are step-by-step procedures for carrying out a task, and translating these algorithms into a language that a computer can understand, such as Python, Java, C++, or JavaScript. Coding is essential in developing software applications, websites, and systems that power various technologies in everyday life, from mobile apps to complex databases and artificial intelligence systems. HP-25 - is a scientific calculator introduced by Hewlett-Packard in 1975. It is notable for being one of the first pocket-sized programmable calculators, featuring a unique Reverse Polish Notation (RPN) input system, which allows users to enter calculations in a more efficient manner than traditional algebraic notation. The HP-25 is equipped with a 49-step program memory, enabling users to create and store complex calculations. It has a 2-line display for showing both the program and the results, and it can perform a variety of functions, including trigonometric, logarithmic, and statistical calculations. The HP-25 is recognized for its durability, design, and the pioneering role it played in the evolution of personal computing and calculators. subroutine - also known as a function, method, or procedure, is a set of instructions designed to perform a specific task within a larger program. Subroutines allow programmers to break down complex problems into smaller, manageable pieces, promoting code reusability and organization. When a subroutine is called, the program temporarily transfers control to that subroutine, executes its instructions, and then returns control to the main program or calling code, often providing a result or output. This modular approach makes it easier to debug, maintain, and understand code, as well as to share functionality across different parts of a program or between different programs. Echizen - is a region in Fukui Prefecture, Japan, known for its long history of papermaking. The area is home to many paper artisans. One notable figure is Iwano Ichibei. He is a Living National Treasure in papermaking and the ninth generation of his family still making paper today. More information can be found here.in English, and here in Japanese.  baren - is a mokuhanga tool that typically consists of a round, flat disk with a bamboo base, covered with a layer of cord or cloth, often wrapped in a spiral pattern made from various materials such as cotton or hemp. Additionally, there are baren made from ball bearings and other materials, including plastic and metal. Linda in Black (2019) 41" x 29.5" - for more information on how this print was made you can find that on Mike Lyon's website, here.  rectangular spirals -  are a pattern which Mike Lyon uses a lot in his mokuhanga. Here is a posting on Mike's website in which Mike discusses his ideas on these spirals and how he uses them through coding. It can be found, here.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  CMYK colour model - stands for Cyan, Magenta, Yellow and Key which are the colours used in the printing process of whichever work you are making. More info, here.  rasters - or raster graphics, are a type of digital image composed of a grid of individual pixels, each containing colour information. This pixel-based format is commonly used in digital photography, web graphics, and image editing, with resolution defined by the number of pixels in each dimension (width x height) and measured in dots per inch (DPI) or pixels per inch (PPI). While raster images can capture detailed and complex visuals, such as photographs, they can lose quality and become pixelated when enlarged, as the individual pixels become more visible. Common raster file formats include JPEG, PNG, GIF, and BMP. Unlike vector graphics, which use mathematical equations to represent images and can be scaled infinitely without loss of quality, rasters are less suitable for images requiring resizing or scaling. Shotbot code - typically refers to programming or scripting used to automate tasks in photography, particularly in photo booths or photography studios. It may involve controlling camera settings, managing image capture, and organizing files, allowing photographers to streamline their workflows and enhance productivity. Often associated with the ShotBot app, this code enables remote triggering of cameras, capturing images at set intervals, and integrating with other software for efficient image management. By utilizing Shotbot code, photographers can achieve consistent results and improve the overall efficiency of their photography projects. Madz - Portrait of the artist Madeline Cass. 31"x32" for more information regarding the process of how this print was made can be found on Mike Lyon's website, here.  Post Digital Printmaking - is printmaking using Computer Numeric Control (CNC) devices, including laser cutters and CNC routers, that are used for matrix production in lithography, intaglio, and relief printing. closed-loop controller -is a type of control system that continuously monitors and adjusts its output based on feedback from the system it is controlling. In this system, the controller receives information about the current state or output and compares it to a desired setpoint or target value. This feedback allows the controller to make real-time adjustments to the input or control signal to minimize the difference between the actual output and the desired output, enhancing accuracy and stability. Closed-loop controllers are commonly used in applications such as industrial automation, robotics, temperature control, and motor speed regulation, and they are contrasted with open-loop controllers, which do not utilize feedback and rely solely on predefined input commands. The feedback mechanism in closed-loop systems improves performance, allowing for better handling of disturbances and changes in system dynamics. MDF - or Medium-Density Fiberboard, is an engineered wood product made from wood fibres, wax, and resin that are compressed under high pressure and temperature. It is known for its smooth surface, uniform density, and versatility, making it a popular choice for furniture, cabinetry, moldings, and decorative applications. MDF can be easily cut, shaped, and painted, allowing for intricate designs and finishes. Unlike solid wood, MDF does not have knots or grain patterns, providing a consistent appearance. It is often used as a cost-effective alternative to solid wood and plywood, although it can be more susceptible to moisture damage and may require sealing for certain applications. Foundry Vineyards - based in Walla Walla, Washington is a vineyard and art space. It has been hosting artists from all types of media such as painting and printmaking since 2010. It has exhibited The Mokuhanga Project Space, printmaker Mike Lyon,  and the International Mokuhanga Print Exhibit. More info about this space and the good it does for the art community at large can be found, here.  The Wichita Art Museum - located in Wichita, Kansas, is the largest art museum in the state. Established in 1935, it features a diverse collection of American art, with a particular focus on works from the 19th and 20th centuries. The museum's permanent collection includes paintings, sculptures, and decorative arts, highlighting notable artists such as Georgia O'Keeffe, Edward Hopper, and John Steuart Curry. In addition to its collections, the museum offers rotating exhibitions, educational programs, and community events that engage the public and promote an appreciation for the visual arts. The museum's architecture, designed by the renowned architect Edward Durrell Stone. More info can be found, here.  The International Block Print Renaissance: Then & Now - was a woodblock exhibition held at the Wichita Art Museum from February 26 - August 7, 2022. It was an exhibition which exhibited prints from around the world as well as printmakers from Wichita, Kansas, USA. It described various print making techniques from Japan, Western and Eastern Europe, as well as the United States.  Secret Garden [Clover] (2017) 36" x 36", a video on how Mike Lyon printed this particular print can be found on YouTube, here.   © Popular Wheat Productions opening and closing credit -There Is No Greater Love by Chet Baker (1928-1988) from the album City Lights (2024) UMG Records.  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***    

with this week's internet sensation aka Anonymous Five Year Old's “46 Instances Of A Child Screaming Into A Microphone” we are forced (at least i am) to recount the best (and worst) prior examples of children-in-bands, stunt or otherwise.  Old Skull didn't have a happy ending (and with the Missing Foundation lineage, they didn't necessarily have a happy start, either).  From afar it seems like things worked out ok for Hanson, but if “Slapshot” came out in 1977, i don't understand how they were kid in the '90's.  Redd Kross is probably the gold standard,  Prussian Blue somewhat less so.  Harley Flanagan - PEAKED EARLY.   the 1-800-Kars-4-Kids Band - also peaked early (though perhaps not as early as Harley.   So they're not all gonna be as great at Tom Ardolino's ‘Unknown Brain'  (which in retrospect, I wish I'd played instead of “46 Instances Of A Child Screaming Into A Microphone”)

- Julian Assange released from prison. (0:03) - Potential nuclear war and its consequences. (4:04) - US military funding for cobalt mining in Idaho, potentially impacting farmers' water usage. (16:15) - Sodium ion batteries, their benefits, and Prussian Blue's role in cesium detoxification. (37:35) - Sodium ion batteries for off-grid energy storage. (53:36) - Energy storage technology and its potential impact on decentralization and off-grid living. (58:21) - Survival items, including #gold, silver, ammunition, miso soup, and firearms. (1:09:37) - Water filters for removing radioactive particles. (1:14:30) - Nuclear war #survival skills and #preparedness. (1:27:29) - Government and tech collusion, lawsuits filed. (1:45:12) - AI models, their capabilities, and potential dangers. (1:55:48) - Decentralization, #freedom, and #censorship in tech and finance. (2:08:33) - US naval power decline and potential impact on global currency. (2:13:01) For more updates, visit: http://www.brighteon.com/channel/hrreport NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com

In Part 1 of our in-depth interview, Richard Clapton recounted his wild youth, from landing in London at the height of the Swinging Sixties, to living in an empty mansion in Berlin and partying with communists.  In Part 2, we explore the rise of Richard Clapton from a passionate young musician to an iconic figure in the Australian music scene.Returning to Australia with a heart full of dreams and a guitar in hand, Richard Clapton faced a music industry that was still in its infancy. Determined to make his mark, he navigated the rocky path to stardom with grit and talent. Clapton shares stories of his early gigs in small pubs and clubs, where he honed his craft and began to build a loyal following.He speaks candidly about the creation of his breakthrough album, Prussian Blue, and how its release marked a turning point in his career. The album's raw energy and authentic sound resonated with audiences, catapulting him to national fame. As his career gained momentum, Richard Clapton's music became the soundtrack to an era, capturing the spirit of Australian youth and the country's evolving cultural landscape. He offers a behind-the-scenes look at life as a rising rockstar. He also discusses the impact of his music on fans and the enduring legacy of his work, which continues to inspire new generations of musicians.In this episode, Richard Clapton not only reflects on his journey to becoming a rockstar but also provides insights into the music industry and the creative process that drove his success. His story is a testament to the power of passion, perseverance, and the enduring appeal of great music. Get tickets for Richard's 50th anniversary tour HERE Subscribe to the Betoota Newsletter HERE Betoota on Instagram Betoota on TikTok Produced by DM Podcasts  See omnystudio.com/listener for privacy information.

His voice has been the soundtrack for Australian house parties and road trips for half a century, so it makes sense The Betoota Advocate would interview the iconic Richard Clapton in the lead up to the 50th Anniversary of his scene-shaking album Prussian Blue. But how did Richard Clapton become a rockstar before Australians even knew what a rockstar was? In Part 1 of this in-depth interview, Richard recounts his wild youth. From landing in London at the height of the Swinging Sixties, to living in an empty mansion in Berlin and partying with communists. That's before he even came back to Australia with his guitar and demanded someone give him a shot. In Part 2, we talk about the rise of Richard Clapton, but in Part 1, we talk about the origins. Get tickets for Richard's 50th anniversary tour HERE Subscribe to the Betoota Newsletter HERE Betoota on Instagram Betoota on TikTok Produced by DM PodcastsSee omnystudio.com/listener for privacy information.

Præstesønnen Johann Konrad Dippel fra Darmstadt er på røven. Heldigvis falder han over en opskrift på de vises sten - alkymisternes hellige gral, som kan trylle uædle metaller om til guld. Det må være skæbnen, eller måske endda gud, der har bragt den ind i hans liv - og det ser da i øvrigt ikke ret svært ud… —Johann Konrad Dippel levede et dramatisk liv, som bragte ham vidt omkring i de cirka tredive år, der kommer efter slutningen på dagens episode - blandt andet sad han en årrække fængslet i Hammershus på Bornholm. Hele den stormfulde historie om Dippels liv, med fokus på hans teologiske virke som radikal pietist, kan du læse i bogen ‘Alkymist i lænker' af Frederik Stjernfelt fra 2023. Vil du vide mere om Dippels bedrifter som “kymiker” og den bagvedliggende kemi, kan du læse meget mere i Alexander Krafts artikel fra 2023:  ‘Animal Oil, Wound Balm, Prussian Blue, the Fire and Light Principium and the Philosophers Stone Made from Phosporus: on the 350th Birthday of the Chymist Johann Conrad Dippel (1673-1734', udgivet i forskningstidsskriftet Substantia.Vil du selv prøve kræfter med berlinerblåt, så er der en opskrift i Ole Bostrups artikel ‘Berlinerblåt - og Hammershus' fra KemiFokus her: https://www.kemifokus.dk/berlinerblat-og-hammershus/ —Periodisk – en RAKKERPAK Original produceret af Rakkerpak Productions.Historierne, du hører, bygger på journalistisk research og fakta. De kan indeholde fiktive elementer som for eksempel dialog.Hvis du kan lide min fortælling, så husk at gå ind og abonnér, give en anmeldelse og fortæl dine venner om Periodisk.Du kan også følge os på Instagram og på Facebook, hvor vi løbende lægger billeder op til afsnittene.Podcasten er blevet til med støtte fra Novo Nordisk Fonden. Hvis du vil vide mere kan du besøge vores website periodisk.dkAfsnittet er skrevet og tilrettelagt af Maya ZachariassenTor Arnbjørn og Dorte Palle er producereRene Slott står for lyddesign og mixSimon Bennebjerg er vært

Episode: 3241 Green with Immortality.  Today, we go green with immortality.

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

For this episode of the Data Center Frontier Show podcast, we sit down with Brian Kennedy, Director of Business Development and Marketing at Natron Energy. As recounted by Kennedy in the course of our talk, Colin Wessells founded Natron Energy as a Stanford PhD student in 2012. His vision in building the company, which started in a garage in Palo Alto, was to deliver ultra-safe, high-power batteries.  As stated on the company's website, "After countless hours of development with an ever expanding team of scientists and engineers, Natron now operates a state of the art pilot production line for sodium-ion batteries in Santa Clara, California." The company notes that most industrial power utilizes decades-old, more environmentally hazardous battery technology such as lead-acid and lithium-ion.  In contract, Natron says its "revolutionary sodium-ion battery leverages Prussian Blue electrode materials to deliver a high power, high cycle life, completely fire-safe battery solution without toxic materials, rare earth elements, or conflict minerals." In 2020, Natron became the world's first sodium-ion battery to achieve a UL 1973 listing for its battery product, and commercial shipments to customers in the data center, forklift, and EV fast-charging markets soon began.  Natron notes that its technology leverages standard, existing li-ion manufacturing techniques, allowing the company to scale quickly. With U.S. and Western-based supply chain and factory agreements in place, Natron says it saw its manufacturing capacity increase 200x in 2022.  In the course of the podcast discussion, Natron's Kennedy provides an update on Natron's data center industry doings this year and into next year. Here's a timeline of key points discussed: :29 - 7x24 Fall Conference Memories :51 - Teeing Up Sodium Ion 1:18 - Talking Pros and Cons, Sustainability 2:15 - Handing It Over to Brian 2:30 - Background on Natron Energy and founder/CEO Colin Wessells 2:55 - Background on Sodium Ion Technology 3:11 - Perfecting a New Sodium Ion Chemistry and Manufacturing with 34 International Patents In Play 3:28 - The Prominent Feature of Sodium-Ion Technology Is Its Inherent Safety; Eliminates Risk of Thermal Runaway 3:51 - U.S. Government ARPA-E Advanced Technology Grants Have Been Pivotal Funding for Natron 4:13 - Sodium Ion Battery Technology Comparison and Value Proposition 5:28 - How Often Is A Data Centers Battery Punctured? Ever Seen a Forklift Driven Through One? 6:10 - On The Science of the Natron Cell's Extremely High Power Density, Fast Discharge and Recharge 6:55 - Comparing Sodium-Ion to Most of the Lithium Chemistries 7:25 - The Meaning of UL Tests 8:00 - Natron Has Published Unredacted UL Test Results 8:35 - On the Longevity of Sodium Ion Batteries 9:51 - "There's No Maintenance Involved." 10:18 - Natron Blue Rack: Applications 10:52 - How Natron Is In the Process of Launching Three Standard Battery Cabinets 11:20 - Performance Enhancements Will Take Standard Data Center Cabinets "Well North" of 250 kW 11:45 - Though Data Centers are Its Largest Market, Natron Also Serves the Oil and Gas Peak Load Shaving and Industrial Spaces  12:21 - Sustainability Advantages 12:51 - ESG Is About More Than Just Direct Emissions 13:15 - The Importance of Considering the Sourcing and Mining of Battery Elements 14:09 - "That Fact That You May Be Pushing [Certain] Atrocities Up the Supply Chain Where You Can't See Them, Doesn't Make It OK" 14:34 - Notes On Supply Chain Security with Secure, U.S.-Based Manufacturing 15:45 - Wrapping Up: Global UPS Manufacturer Selects Natron Battery Cabinet; Looking Ahead to 2024. Here are links to some related DCF articles: Will Battery Storage Solutions Replace Generators? New NFPA Battery Standard Could Impact Data Center UPS Designs Microsoft Taps UPS Batteries to Help Add Wind Power to Ireland's Grid Data Center of the Future: Equinix Test-Drives New Power, Cooling Solutions Corscale Will Use Nickel-Zinc Batteries in New Data Center Campus

Hello and welcome to another episode of Macabre for Mortals. In this episode I will be covering the Poison Cyanide. This is one of my favourite episodes and I have had so much joy putting this series together. If you have any suggestions or additions please email me at macabreformortals@gmail.com

Headline Mission Daily Report March 23, 2023 1. ราคาดัชนีตลาดหลักทรัพย์ / ราคาหุ้นต่างประเทศ / ราคาน้ำมันดิบ / ราคาทองคำ / ราคา Cryptocurrency  2. อังกฤษเงินเฟ้อพุ่งขึ้นแตะ 10:4% 3. FED ขึ้นดอกเบี้ย 0.25% ท่ามกลางความวุ่นวายตลาดการเงินโลก 4. สี จิ้นผิง เยือนรัสเซีย หารืออะไรกับปูตินบ้าง 5. สรุปปัญหา CoCo Bonds 'หุ้นกู้เครดิตสวิส' 6. เหตุกราดยิงในไทย ที่เกิดขึ้นซ้ำแล้วซ้ำเล่า 7. จีนอนุมัติวัคซีน mRNA เป็นครั้งแรก 8. สนามบินที่ดีที่สุดในโลก 10 อันดับ ไทยอยู่อันดับไหนกันนะ 9. พาสปอร์ตประเทศไหนเดินทางได้เยอะมากที่สุด 10. อัปเดตข้อมูล การสูญหายของ ซีเซียม-137  11. การใช้ยา Prussian Blue หากได้รับอันตรายจาก ซีเซียม-137 12. PornHub ถูก private equity firm จาก Canada ซื้อ  13. ไช่อิงเหวิน ผู้นำสาธารณรัฐจีน (ไต้หวัน) เตรียมเดินทางเยือนกัวเตมาลาและเบลีซ

Headline Mission Daily Report March 23, 2023 1. ราคาดัชนีตลาดหลักทรัพย์ / ราคาหุ้นต่างประเทศ / ราคาน้ำมันดิบ / ราคาทองคำ / ราคา Cryptocurrency  2. อังกฤษเงินเฟ้อพุ่งขึ้นแตะ 10:4% 3. FED ขึ้นดอกเบี้ย 0.25% ท่ามกลางความวุ่นวายตลาดการเงินโลก 4. สี จิ้นผิง เยือนรัสเซีย หารืออะไรกับปูตินบ้าง 5. สรุปปัญหา CoCo Bonds 'หุ้นกู้เครดิตสวิส' 6. เหตุกราดยิงในไทย ที่เกิดขึ้นซ้ำแล้วซ้ำเล่า 7. จีนอนุมัติวัคซีน mRNA เป็นครั้งแรก 8. สนามบินที่ดีที่สุดในโลก 10 อันดับ ไทยอยู่อันดับไหนกันนะ 9. พาสปอร์ตประเทศไหนเดินทางได้เยอะมากที่สุด 10. อัปเดตข้อมูล การสูญหายของ ซีเซียม-137  11. การใช้ยา Prussian Blue หากได้รับอันตรายจาก ซีเซียม-137 12. PornHub ถูก private equity firm จาก Canada ซื้อ  13. ไช่อิงเหวิน ผู้นำสาธารณรัฐจีน (ไต้หวัน) เตรียมเดินทางเยือนกัวเตมาลาและเบลีซ

The importance of passion cannot be understated.  It can be a wonderful and beautiful thing, and if it's made into a positive part of not only one's own life but for others as well; it's a passion worth pursuing.  On this episode of The Unfinished Print I speak with mokuhanga collector, self taught scholar and instructor, Carol Dorman. Having seen her work and lectures with the Japan Foundation Toronto, on various topics on ukiyo-e history and culture, I found her knowledge and story to be of great interest. I speak with Carol about her journey from working at the CBC for the national news, to working side by side with Stuart Jackson, a mokuhanga gallery owner here in Toronto. Carol speaks on her love of the ukiyo-e period of Japanese woodblock prints, her collecting, how that world has changed dramatically during her time at The Stuart Jackson Gallery, and we discuss her work at the LIFE Institute of Toronto where she teaches and instructs age 50+ students about ukiyo-e history.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Regina, Saskatchewan - is the capital of the Canadian Province of Saskatchewan. Located on the land of the Cree, Saulteaux, Dakota, Nakota, Lakota, and Métis peoples, it is the 16th most populace city in Canada.  The city has many restaurants, museums, and other places of interest. More info can be found at Tourism Regina, here.  University of Toronto -  considered a public research university, U of T is located in the city of Toronto, Ontario, Canada, and was founded in 1827. It has educated any number of famous Canadian authors, scientists, politicians, and the like. More info, here.  Stuart Jackson Gallery - is a ukiyo-e specific gallery located at 882 Queen Street W. in Toronto, Ontario, Canada. It has been doing business in Toronto for almost fifty years. More info, here.  The Royal Ontario Museum - also known as The ROM, is an art, world culture, and natural history museum in the city of Toronto, and is one of the oldest museums in the city. More info, here.  The Canadian Broadcasting Corporation - also known as the CBC, is a Canadian Federal Crown corporation and is the oldest broadcasting network in Canada. Founded in 1936, the CBC broadcasts news, original programming, and sports throughout Canada and the world. They broadcast via various digital platforms as well as terrestrial platforms such as television and radio.  More info, here. Meiji Period of Japan (1868-1912)- the Meiji Period in Japanese history is synonymous with turmoil and regime change. The Meiji Period is named after Prince Mutsuhito (1852-1912), who became Emperor after his fathers death, Emperor Kōmei (1846-1867). Mutsuhito's reign came at the end of the Keiō Era, (1865-1868), until his own death in 1912.    Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.    Tsuzoku Suikoden Goketsu Hyakuhachi-nin no Hitori (津属水滸伝後けつ百八人にの一人 ca. 1827)   Utagawa Kunisada (1786-1865) - arguably one of the more important woodblock print designers, Kunisada designed many types of prints, from landscape, books, erotica, sumo etc.  Kunisada worked during the period of ukiyo-e history with Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the above mentioned Kuniyoshi. Defintely a rich and abundant period in Japanese woodblock print history.  Oni Azami Seikichi (鬼あざみ清吉) 1859   Yorkville, Toronto - Yorkville is a neighbourhood located in the heart of Toronto. It has a rich history, politically and culturally. It has become a high end neighbourhood in the city, with many expensive shops,  luxury homes and condos. It is famous for once being the hotbed of folk music in the world, outside of New York City, in the 1960's. Performers such as Neil Young, Joni Mitchell, Bob Dylan amongst others performed in the various clubs in the neighbourhood.    2008 Financial Crisis - was a world wide financial crisis which started in 2007 and lasted throughout 2008 and onwards. This crisis affected housing, mortgages, the automotive industry, and world economic markets.    David Kutcher is the owner and operator of Moonlit Sea Prints, located in Easthampton, Massachusetts. His interview with The Unfinished Print can be found, here.    Fading of Japanese woodblock prints - certain colours, especialy in ukiyo-e period prints (beni), are known to fade over time. Since pigments in mokuhanga are generally water based, they will fade naturally, but more quickly if located near sunlight. There are many reasons why your print will fade, so the website Viewing Japanese Prints has written a fine article regarding those very reasons, amongst other ways you can protect your mokuhanga collection. You can find that article, here.    The Kentler International Drawing Space - is an art gallery located in Red Hook, Brooklyn, New York. It has hosted several mokuhanga centred exhibitions. The most recent was Between Worlds as hosted by The Mokuhanga Sisters, from July 17 - July 31, 2022. More info, here.    Red Hook, Brooklyn, NY - is a neighbourhood in Brooklyn, New York. Once called South Brooklyn and once an industrial area, Red Hook has evolved over time to house many New Yorkers who are looking to be close to Manhattan and still be able to afford a home. There is a great New York Times article, here, which explores the history of this fascinating area.    Doi Hangaten -  is a mokuhanga print publisher located in Tōkyō, Japan. Once a publisher of prints associated with the shin-hanga movement of the ealry twentieth century, the company continues to publish reproductions of famous Japanese prints, in the old ways. Most recently, the Doi family have collaborated with David Bull and Mokuhankan to publish new verions of some of the old blocks from almost 100 years ago. More info about the Doi Hangaten can be found here, here and here. The collaboration videos produced by Mokuhankan regarding the Doi family and the subsequant collaboration can be found, here.    LIFE Institute - is a learning facility for adults age 50+.  The LIFE Institute began in 1991, and has a membership of 2500 today. The institute offers high quality education in the Arts, Humanities, Science and Technology, amongst others. Courses are conducted in person or online. More info can be found, here.    The National Gallery of Art - is a free art gallery located in Washington D.C. Founded by financier Andrew W. Mellon. The West building was constructed in 1941. The gallery houses more than 150,000 pieces of art and is dedicated to education and culture. More info can be found, here.    Itō Jackuchū (1716-1800) - was a Japanese painter who painted in silk. His work can be seen in scrolls (kakemono), sliding doors (fusuma), and folding screens (byōbu). Known for his wild style of painting, Jackuchū's most popular theme is of birds. There are many books wirtten about Jackuchū and his life and times. More info can be found, here , to get you started.  Rooster (18th Century)   Nishiki-e (錦絵) - is the Japanese phrase for colour woodblock prints, otherwise known as brocade pictures.    Ogata Gekkō (1859-1920) - was a painter, illustrator and mokuhanga designer. Gekkō's work has a delightful water colour style, where the subjects seem to be floating and light, regardless of whether the subject is a beautiful woman or a ghostly fox. Gekkō's subject matter ranged from landscapes, to mythology. Ogata Gekkō had a full career, from working with many publishers for his print designs to founding various art associations. More information about the life and career of Ogata Gekkō can be found, here, on David Humphries' fantastic website about the artist.  Drawing Water from Yoro Waterfall — 養老孝子瀧を汲の図 (1896)   Prussian Blue - is a dark blue pigment, which has been used by painters, and mokuhanga printmakers. The pigment has been used in Europe since the 18th Century, and in Japan since around 1820, having been imported by Europeans into Japan.    Evolution of Pigments in Mokuhanga - the evolution of pigments in mokuhanga began with hand painting in the later 17th Century, to the multi coloured prints of ukiyo-e, shin hanga, and sōsaku hanga. More info regarding the pigment evolution can be found, here, at the Library of Congress.    The Japan Foundation - is a not for profit organization established in 1972, with many offices located around the world. The Japan Foundation Toronto has been active in the city since 1990. More info, here for the JF worldwide, and here for Toronto.    Elizabeth Forrest - is an award-winning Canadian artist and mokuhanga prinmaker. She has been producing mokuhanga since the late 1980's when she lived and studied in Kyoto. She has studied with the late Akira Kurosaki (1937-2019).  More info about Elizabeth's work can be found, here.  And It Began To Rain (2014)   Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Taurus (1973)   Barbara Wybou - is a Canadian mokuhanga artists who lived, worked, and studied in Japan for twenty years. Her home these days is Toronto where she continues to work on her mokuhanga. Notably she studied with the late Tōshi Yoshida (1911-1995). Her work can be found, here.  Rats 3   Toyohara Kunichika (1835-1900) -  was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here.    Onoe Kikugorō V as The British Spencer (1894)   War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here.    Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between two colonial powers, the Imperial Russian and Imperial Japanese military, taking place in China. Information about its background can be found here at history.com, and here.    bijin-ga - (美人画) is the Japanese term for beautiful women in mokuhanga.  Itō Shinsui (1898-1972) After Washing Her Hair (1936)   yakusha-e - (役者絵) is the Japanese term for actor prints in mokuhanga.  Utagawa Yoshiiku (1833-1904) Oyama Doll - Ichikawa Udanji (1893)   Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.   hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer.   Yamato Take no Mikoto with His Sword Kusanagi - is the print by Ogata Gekkō which Carol mentions as one of her favourite prints.     Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in world war 2, having been stationed in Japan. After his time in the war Statler moved back to Japan, where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as acoomodation, and the 88 Temple Pilgrammage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.”   John Stevenson -  is an American author who has written extenisvely on Tsukioka Yoshitoshi (1839-1892).    Tsukioka Yoshitoshi (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.    The Flower of Edo (1858) Utagawa Kuniyoshi (歌川 國芳) - was a print designer and painter known for his triptychs, yoko-e (horizontal landscape prints), Yokohama-e (prints with Yokohama as its subject), and yakusha-e (actor prints). Considered as one of the last of the "golden age" print designers of the ukiyo-e genre.  Ichikawa Kodanji IV as the ghost of Asakura Togo (possibly 1851) Kunisada/Kuniyoshi Exhibit - was an art exhibition held at the Museum of Fine Arts Boston from August 11 - December 10, 2017. There was also an excellent catalogue printed for this show and would add to any woodblock print fan's library. more info, here. The book I reference about Toyohara Kunichika is "Time Present and Time Past of a Forgotten Master: Toyohara Kunichika 1835-1900"  There are various online print collections that the aspiring mokuhanga scholar can seek out to help in their studies. The Library of Congress has their collection online, as does ukiyo-e.org, who have various impressions af their prints throughout their website.  Scholten Japanese Art - is a mokuhanga focused art gallery located in midtown Manhattan. It was founded by René Scholten, an avid collector of the Japanese print. More info can be found, here. Acadia Books - is a vintage and unique used bookstore located at Sherbourne and Queent St. East in Toronto, Ontario, Canada. In my opinion it is one of the best bookstores I have had the priviledge to visit. More info, here.  © Popular Wheat Productions opening and closing musical credit - intro music is Spill Yer Lungs and outro music is Tailor  both by Julie Doiron from her album I Can Wonder What You Did With Your Day (2009) on Jagjaguar Records logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                

Many mokuhanga printmakers today touch on different mediums when they create their work. It could be sculpture, bookbinding, or installation. There is no limit as to what can be accomplished with mokuhanga.  On this episode of The Unfinished Print I speak with mokuhanga printmaker and artist Katie Baldwin. Based in Alabama where she is an Assistant Professor at the University of Alabama, Huntsville. Katie has travelled the world, from Poland to Taiwan. She is involved in several collaborative groups, such as ShiftLab, wood+paper+box, and The Mokuhanga Sisters.  Katie speaks on her early days of making mokuhanga, her time at Nagasawa Art Park, the influence of her artist father, studio space and what it does to her work. We also discuss the concept of "craft," and her evolution as an artist.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Katie Baldwin - website, Instagram   Progress from the Two Stories Series (2013) - woodblock and letterpress  Tornado Shelter (Practice Evacuation) [2021]  Neighbourhood 2 from Things Left Behind Series (2010)  portion from Multiple Discovery by Shift-Lab (2022) artists book Fire Drill (ca. 2020) Evergreen State College - is a state funded college located in Olympia, Washington, USA. It covers environmental justice, history, amongst other subjects. More info can be found, here.  letterpress - is a type of relief printing by using a printing press. It was popular during Industrialization and the modernity of the West. By the mid twentieth century, letterpress began to become more of an art form, with artists using the medium for books, stationary, and greeting cards. woodblock printing in Europe - first starting in and around 1400, woodblock printing in Europe used the medium to represent Chirstian subjects. Albrecht Dührer (1471-1528) made detailed devotional works with woodcuts. Another famous style of woodcutting in Europe was using the chiaroscuro (light and dark) method of drawing within a woodcut as seen in the work of Louis Cranach the Elder (1472-1553). More info can be found, here.  The Four Horseman of The Apocalypse (1496-1498) woodcut The Werewolf or the Cannibal (date unknown) woodcut Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Awaji Island - is located in the Seto Inland Sea in Japan. It is famous for its Naruto whirlpools, the longest suspension bridge in the world in the Akashi Kaikyo Bridge. It is also a connection to both Shikoku Island, and the main land of Honshu. More info can be found, here.    Vandercook Press - is a proof printing press manufactured by Vandercook & Sons, beginning in 1909. They made different types of presses, such as letterpress and offset. They are now a part of NA Graphics.    shina - is a type of Japanese plywood used in mokuhanga. Not all shina is made equally, buyer beware.    intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.    codex - is a type of book binding in the Western method and is a precursor to the modern book.    Wells College - is a private college located in Aurora, New York, USA. The school provides various courses in the social sciences, science, and environmental studies. More info can be found, here.    National Taiwan Normal University -  was founded in 1922 and serves many different avenues of study. Their Department of Fine Arts, holds a Bienniel Print Exhibit, more info here  and here.   Taoyan International Print Exhibition 2021 - was a print exhibition showcasing international printmakers in the town of Taoyan, Taiwan. More info, here.    aizuri-e - a late Edo Period (1603-1867) type of printmaking where the woodblock print is predominantly in blue, or shades of the color blue. The blue colour was usually a Prussian Blue imported into Japan around 1790. artelino have a great description of Prussian Blue and aizuri-e, here.   Fullbright Scholarship - is a scholarship that covers various types of grants. Beginning in 1946, this particular scholarship provides grants and exchanges for many countries and for various students, scholars, and professionals. More info, here.    Puli, Nantou, Taiwan (埔里鎮) - is a township located in the Nantou County, a mountainous and landlocked portion of Taiwan. Known for its nature, lakes, and national parks. More info, here.    sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used.   kozo paper -  is paper made from mulberry bark and is commonly used in woodblock printmaking, and cloth.    Art Taipei - is organized by the Taiwan Art Gallery Association (TAGA) and is an art fair which takes place once a year in October. More info can be found, here.    Chiang Kai-shek Memorial Hall (國立中正紀念堂) - is a landmark located in Taipei, Taiwan. It is in memoriam to the leader of the Republic of China, Chiang Kai-shek (1887-1975), who lived in exile in Taiwan from 1949-1975.    sumi - is a rich black stick, or liquid used by artists, calligraphers, and traditional Japanese horimono tattoo artists.  It is made from the soot of burnt lamp oil. Used in key blocks predominantly in traditional mokuhanga, it can also be used to mix pigments. Pigment Tōkyō conducts a great interview with their chief of pigments, Kei Iwaizumi, about sumi ink, here.   Shift-Lab  - is an international artists collective which started in 2013. The collective is made up of Katie Baldwin, Denise Bookwalter, Sarah Bryant, Macy Chadwick, and Tricia Treacy. Their works are a blend of bookmaking, sculpture, mokuhanga, printmaking, and drawing. More info can be found, here. Below is work from Shift-Lab and each individual artist within the collective, other than Katie Baldwin, whose work can be found above. Info regarding the collective can be found, here. Click on the artists name for their respective website's.    Tetrahedron (2011) by Denise Bookwalter - digital/dimensional print    The pine cone is an object of veneration (2012) by Sarah Bryant - letterpress   Observations on Listening (2012) by Macy Chadwick - letterpress, polymer plate   SLOT (2018) by Tricia Treacy - one page from the SLOT piece. - risograph, hand binding, foil-stamping    CODEX Book Fair and Symposium - is a biennaly held book fair and is hosted by CODEX, a foundation created in 2005 by Peter Rutledge Koch, and Susan Filter. Their aim is to promote the book form as art. The next book fair will take place in 2024. More info can be found, here.    The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. website,  Instagram   wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab.    Yoonmi Nam (b. 1974) - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here.   Cover of Kansas City Collection (2014-2015), catalogue   Mariko Jesse - is an illustrator, and mokuhanga printmaker based in Tōkyō, London, and California. Her work can be found, here. Mariko is also a part of the collective, wood+paper+box, which can be found, here.  Berry Flower (2020) The Group of Seven - were a group of landscape painters from Canada. The artists were, Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A.Y. Jackson  1882–1974), Frank Johnston (1888–1949), Arthur Lismer  (1885–1969), J.E.H MacDonald (1873–1932), and Frederick Varley (1881–1969). Later, A.J. Casson (1898–1992) was invited to join in 1926, Edwin Holdgate (1892–1977) became a member in 1930, and LeMoine FitzGerald (1890–1956) joined in 1932. While Tom Thomspon (1877–1917), and Emily Carr (1871–1945) were not "official" members it is generally accepted that they were a part of the group without being "officially" a part of the group because of the group relationship with the artists. More info can be found, here.    Collaborative Mokuhanga Groups of the past - usually associated with the sōsaku hanga movement of the early 20th century, these collaborative mokuhanga groups shared and disseminated their work amongst themselves, teaching techniques and methods, strengthening the creative print movement in Japan. Some famous print groups were The First Thursday Society as founded by Onchi Kōshirō (1891-1955), and the Yoyogi Group founded by Un'ichi Hiratsuka (1895-1997). Printmaking during this time was predominantly male, so we see Japan and that time period through the eyes of men. There were female printmakers, such as Keiko Minami (1911-2007), although she lived abroad and not in Japan. In Japan you had the Joryū Hanga Kyōkai, the first woman's printmaking society who held their first show in Tōkyō. Artists such as Iwami Reika (1927-2020), and Kobayashi Donge from this group, made mokuhanga prints.    Moon and Water (ca. 1972) - by Iwami Reika    Eve In A Circus by Kobayashi Donge (date unknown) - etching on paper   In Cahoots - is a residency program based in Petaluma, California, USA. It focuses on letterpress, relief printmaking, and artists books. It is run by Mary Chadwick. More info can be found, here.    Mise-en-Scène  - is an artists project by wood+paper+box, currently in progress. More info, here.      © Popular Wheat Productions opening and closing musical credit - Planet Rock by Afrika Bambaataa (1982) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***      

Our guest answers a couple of fundamental questions an SIBs. Stefano Passerini is a Professor at the Karlsruhe Institute of Technology (KIT) and the Deputy Director at the Helmholtz Institute Ulm (HIU). He has been researching sodium as a sustainable battery material for more than 10 years.

Richard Clapton began his recording career in 1974. Australia was still in the vice-like grip of the cultural cringe. He plunged into the “deep water” and legends like Skyhooks and Paul Kelly, Cold Chisel, INXS, Midnight Oil, and hundreds of others, followed in his wake. Clapton's songs are still omnipresent on the radio to this day, his records charting the political landscape of the nation and the turbulent lives of two generations. Clapton grew up in Sydney in the 1960s before hopping a plane for London, and then later to Germany, where he wrote a first album, Prussian Blue (1973) which was one of the first major Australian “singer-songwriter” albums. Fast track to 1975, Clapton had the critics on side but his label at the time, Festival Records, insisted on a hit single. However, it was the song they picked as a B-side called “Girls On the Avenue” that reached #1 on the national charts and put Clapton at the top of his class. Like Americans Jackson Browne and Bruce Springsteen, Richard Clapton developed a sound based on melodic rock while his lyrics were poetic musings on his state of mind or the state of the nation. In 1980 he released the searing Dark Spaces, an indictment on the meanness and mendacity that would blow through the 1980s. Ten years after his first release, Richard Clapton was a tribal elder to whom younger artists like Jimmy Barnes, INXS and Cold Chisel turned as a mentor. INXS asked Clapton to produce their second album, Underneath the Colours, and they became firm friends. They, and Cold Chisel, returned the favour on Clapton's The Great Escape album with INXS drummer Jon Farriss going on to produce The Glory Road album. Few records of that time captured the roller coaster ride of the late 1980s as well as Glory Road. These albums brought Clapton's melodic gifts and his love of electric rock & roll into lockstep. In the 1990s Richard continued to write and record and tour and his 1990s songs reflect a hard-won maturity. Indeed, Richard counts 2003's Diamond Mine as amongst his best albums – and the critics unanimously agreed. In 1999 Richard Clapton was inducted into the ARIA Hall of Fame. In 2014, his first memoir “The Best Years of Our Lives” was published by Allen and Unwin. The book connected with people of all generations because it was not only a story of Clapton's journey, but it also documented the story of the lives of thousands of fans who had travelled the same road. Young people – fascinated by how it was “back in the day” also became a new generation of fans. The book continues to flourish through “word of mouth”, resonating with so many people in so many ways Richard Clapton has never been rich. He has never had the pleasure of passing through life in a luxurious rock star bubble. In a career that now spans over 40 years he has battled everything from bad managers and capricious record companies to debt, taxes, personal tragedy and a thousand room service dinners. The fact that he's come through it all with his sanity intact surprises all who know and love him.

Today they discuss the reclemation of gold and other valuable metals using the pigment Prussian Blue. Darrell beats him drum again about how we'll be mining landfills in the future. They get a little too techie for a bit, but don't worry, it passes. They enjoy the 601 Oscuro with Bacoo 12 YO Dominican Rum. https://arstechnica.com/science/2022/06/picassos-favorite-pigment-may-one-day-recycle-metals-from-your-cell-phone/  

Theme song: "Widgeon" by Birdboy Purchase the full song at http://smarturl.it/birdboy! Listen to the live broadcast, every Friday at 6pm – only on Valley Free Radio, WXOJ-LP 103.3fm or streaming on valleyfreeradio.org Look for Evidence Based Radio on iTunes, Google Play, Stitcher, or stream on Evidencebasedradio.com This podcast part of the Planetside Podcast Network. Visit Planetsidepodcasts.com to find other Planetside Productions!Support Evidence Based Radio by contributing to their tip jar: https://tips.pinecast.com/jar/evidencebasederrata Send us your feedback online: https://pinecast.com/feedback/evidencebasederrata/a500710e-ae8a-479a-b170-594ee7569cb3

Episode: 2254 Prussian Blue and the House of Berger.  Today, Prussian Blue.

Blue is not an easy color to come by in nature. The path to making blue jeans; therefore is an interesting one. In today's episode we reach Levi Strauss, John Hershel, Charles Darwin, the American Revolution, Eli Whitney, the California Gold Rush and ultimately the company whose experiments with Prussian Blue led to murder. 

This week I get to hang out with fellow Jersey boy Jared Hart of MERCY UNION and THE SCANDALS. I have had the distinct pleasure of seeing Jared perform throughout his career, most recently his solo performance at one of my favorite joints, Crossroads. Jared and I find we have a ton to talk about when it comes to all things music. We dive deep into the most recent MERCY UNION song “Prussian Blue.” It's not something we normally do, since we all own the songs we listen to, and form our own meaning, but it happened and the story is great. Throughout the show show Jared shares his stories with great pride and without prejudice. Remembering scenes and pushing for talented people are at the heart of this story and Jared does it graciously. Join Jared and I as we “Remember When” the “Fever Dreams” run through our past in the “Basements” we grow to long for!

Bats! Bats! They'll send you to the Thirty Years War! This week Lindsay tackles 1632, a fascinating look at what would happen if a West Virginia mining town was dropped in the middle of Europe at war. She'll tune it up by making the small town less idealized and promoting some more interesting royals to regulars. Also discussed is time as an art medium, roasting the Habsburgs, and Prussian Blue. Our friendship promo this week is @TalesYetTold! Our cover art is by Alex aka @ptchew, and her work can be found on ptchew.com. Our theme music is by Shawn Clake, who's contact info is available upon request. Our email is NotIfIRebootYouFirst@gmail.com. If you would like to send us a friendship promo, or just give general feedback, feel free to contact us! You can also join our Discord at https://discord.gg/Hf8Y2yEJPe. Find us on twitter! @NIIRYFPod @LindsayM476 @SparkyUpstart

When Brigida Uto arrives at an emergency room, she is near death. While her vital signs are fading, there are no signs of an infection or injury. Doctors, the FBI and local law enforcement are all called in to not only try to solve a medical mystery, but also a horrendous crime..Natalie Morales has chosen this episode as one of her most memorable episodes.Tune in to Dateline's 30th season premiere Friday at 9/8c on NBC.

P.S. June's favorite things book is acrylic in Prussian Blue on regular paper taped together to document all the high contrast things she is noticing around our house...Christmas lights, her dad's mustache, the rocking chair back, a random wooden woodpecker. P.P.S. The pinwheels were made by painting both sides of a single sheet of paper before following the tutorial below. I used weights (grapefruits I had on the table) to hold down the middle pieces until they dried. I then used a plaster nail to poke through the center and nail into the wall with enough space for them to stick out and (sort of) spin. You could use wrapping paper, cards from baby gifts or construction paper. Tutorial: https://www.youtube.com/watch?v=C0Rugzrpgv8Nails: https://www.homedepot.com/p/OOK-Blue-Steel-Pro-Nails-Tidy-Tins-25-Piece-50614/202341384?source=shoppingads&locale=en-US&&mtc=Shopping-B-F_D25H-G-D25H-025_004_BUILDER_HARD-Multi-NA-Feed-PLA-NA-NA-BuildersHardware_Smart_Q3_Pro_Control&cm_mmc=Shopping-B-F_D25H-G-D25H-025_004_BUILDER_HARD-Multi-NA-Feed-PLA-NA-NA-BuildersHardware_Smart_Q3_Pro_Control-71700000081230576-58700006913855557-92700064304424089&gclid=Cj0KCQjw7MGJBhD-ARIsAMZ0eev8CLI5MEfDnkq5cUicZF8wmBvvKQZ-2yaAIKJJh94joKeSzA6EEikaAsbxEALw_wcB&gclsrc=aw.dswww.sealedwithakait.com@sealedwithakait

The art of the modern printmaker is universal. All over the world mokuhanga has reached people from all aspects of life. It touches a chord that is unique and powerful. On this episode of The Unfinished Print I speak to an artist who's work does just that. Benoit Varaillon, also known as Beno Uki Ga, is a French mokuhanga printmaker who mixes the traditional and the modern; pieces that are full of colour, exciting, and interesting. When setting up this interview, Beno's one request was to have a translator. You're going to hear three voices on this episode, of Beno, myself, and his cousin Lucie Galinon who kindly agreed to help translate. I hope you enjoy this newest episode of The Unfinished Print. Please follow The Unfinished Print and my own print work on Instagram @popular_wheatprints, Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: notes may contain a hyperlink. Simply click on the highlighted word or phrase. Beno's Instagram, and website. All prints mentioned in the episode can be found on wither Instagram or Beno's website.  Edo Period prints - woodblock prints of the Edo Period (1603-1867) were predominantly of kabuki actors (Sharaku), and courtesans (Harunobu) beginning in the middle of the 18th century. The traditional system of production came into play when making ukiyo-e of this period, designer,  carver, printer, and publisher. Famous designers of the day were Hiroshige (1797-1858), Hokusai (1760-1849). Meiji Period prints - 1868-1912 This period of woodblock prints were rich in colour and in experimentation. Still using the traditional production system, the printing become more intense via larger formats, triptychs and subject matter from war to murder. Famous artists of the time were Kunichika (1835-1900), and Yoshitoshi (1839-1892). Ogata Gekkō (1859-1920) was a self taught designer of woodblock prints. His life began designing rickshaw's and under the auspices of the Ogata family his career began to flourish. His style is said to favour ukiyo-e, with subjects raging from landscape, war (past and present), Japanese history, and nature. A great website of his work and history can be found here. Akira Kurosaki (1934-2019) - Japanese printmaker and scholar who developed the Disk Baren. His printmaking career and academic career go hand in hand as he always seemed to be creating his abstract and surreal works while working as a professor. Seeing his work in person is a must, as the vibrant and powerful colours of his pieces can only do justice in person. Some of his works can be found here, at the Azuma Gallery Shun Yamamoto - is a modern printmaker who has worked with artist Shinji Tsuchimochi making his “Ginza In The Rain” print using a laser engraved block and can be found here via Mokuhankan. David Bull - is a Canadian mokuhanga printmaker who has spent most of his life in Tōkyō. He is the owner of Mokuhankan of Asakusa in Tōkyō where he and his staff create woodblock prints. He teaches and educates people from all over the world via his Twitch live streams and YouTube videos. aizuri-e - a late Edo Period (1603-1867) type of printmaking where the woodblock print is predominantly in blue, or shades of the color blue. The blue colour was usually a Prussian Blue imported into Japan around 1790. artelino have a great description of Prussian Blue and aizuri-e, here. shōmenzuri - “front printing,” rubbing the print in reverse so as to get a polished look on the print, usually for patterns.  Bretagne, France - a peninsula in Western France, which contains old architecture, beauty for sea coasts,  nature walks, as well as a great art scene. More information can be found, here. shin-hanga  1915-1940 - a renaissance of the Japanese woodblock started by Shōzaburō Watanabe (1885-1962). He used the traditional methods and line of production from the Edo and Meiji Periods. Mixing western painting and traditional Japanese motifs, for these new prints Watanabe commissioned artists like Kawase Hasui (1883-1957) and Yoshida Hiroshi (1876-1950) kickstarting some of the greatest masterpieces of world art.  Yoshida Hiroshi (1876-1950) - originally a watercolorist and painter Yoshida started designing woodblock prints for Watanabe in 1920. By 1925 he was designing prints for his own studio. The works which came from his studio were meticulous and masterpieces of the medium in their own right.  Ukiyoe.org has a good collection of Yoshida works. gouache  - a water based pigment used by many mokuhanga artists. powder pigments - ganryō are usually kept in paste form with alcohol. According to David Bull's old site, woodblock.com, artists such as Keizaburo Matsuzaki, with whom David speaks with, here, only needed several types of powdered pigments with which to mix an assorted rainbow of colors. ōban - the most common size of woodblock print, 15”x10” nishinouchi - is a bleached Japanese paper that is 100% kozo (mulberry) paper and generally comes from eastern Japan such as Tochigi and Ibaraki prefectures. Links can be found here for nishinouchi paper made of Nasu kozo, and nishinouchi from the Japanese Paper Place in Toronto from Ibaraki. sōsaku hanga -  the creative print movement in Japan of the early 20th century. The entire process of design, carving, and printing of the woodblock print was done by the artist. The Ronin Gallery of New York have a great definition and history of sōsaku hanga, here. opening and closing credit background music:  “Dirty Laundry” by Curtis Mayfield, from his Honesty album, 1983.  © Popular Wheat Productions Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) The opinions expressed in The Unfinished Print podcast are not necessarily those of Andre Zadorozny and of Popular Wheat Productions.              

This 17th century German occultist sought eternal life and infinite wealth. What he ended up with is is foul smelling hoof soups and a morbid reputation which inspired Frankenstein.

Welcome to the Instant Trivia podcast episode 101, where we ask the best trivia on the Internet. Round 1. Category: Crayola Crayon Colors 1: This shade of brown shares its name with a bear who had no hair. Fuzzy Wuzzy. 2: Ingmar Bergman should be pleased with this fruity color, added in 1990. Wild Strawberry. 3: Shocking -- but shades of this color include Tickle Me, Pig and Flamingo. Pink. 4: 2 of the first 3 metallic colors introduced. Gold, silver and /or copper. 5: In response to teachers' requests, Prussian Blue became this "timely" color in 1958. Midnight Blue. Round 2. Category: What A Dish! 1: The big difference between chop suey and this Chinese-American dish is that the latter is served with crispy noodles. chow mein. 2: Mash and bake these vegetables, add eggs and butter and they're duchesse. potatoes. 3: Spanish name for a breakfast dish of fried corn tortillas topped with fried eggs and a layer of salsa. huevos rancheros. 4: The Indonesian gado-gado is vegetables in this legume sauce. peanut sauce. 5: Gravlax is this red-fleshed fish with mustard sauce. salmon. Round 3. Category: Roles 1: Tom Horn,Thomas Crown,Junior Bonner. Steve McQueen. 2: Donnie Brasco,Ed Wood,Ichabod Crane. Johnny Depp. 3: Angie Scacciapensieri,Dottie Hinson,Thelma Dickinson. Geena Davis. 4: Fletcher Christian,Colonel Kurtz,Vito Corleone. Marlon Brando. 5: Claudia Draper,Dolly Levi,Fanny Brice. Barbra Streisand. Round 4. Category: Swimming 1: It's the only major racing stroke where the swimmers start in the pool. Backstroke. 2: Marty Hull invented Zoomers, a shorter, speedier type of this foot gear. Flippers/fins. 3: Krisztina Egerszegi of this eastern European country has won gold at the last 3 Olympics. Hungary. 4: It's the individual race in which 4 different strokes are used. Individual medley. 5: In this stroke, not seen in competition, the head rests on the arm while the legs scissors-kick. Sidestroke. Round 5. Category: Jimmy 1: He was dyn-o-mite as mayor of New York from 1926 to 1932. Jimmy Walker. 2: He's won the U.S Open on 3 surfaces: grass (1974), clay (1976) and hard courts (1978, 1982, 1983). JImmy Connors. 3: He helped bring down Jim and Tammy Bakker, then got knocked off his own pulpit. Jimmy Swaggart. 4: The Kentucky Derby-winning jockey in 1878, or the president of the U.S. in 1978. Jimmy Carter. 5: Bobby Kennedy was chief council of the Senate committee investigating David Beck and this man. Jimmy Hoffa. Thanks for listening! Come back tomorrow for more exciting trivia!

We’ve got a case of the mean blues!  – it’s Cyanotypes this episode! What are they, where’d they come from and how can You, the listener at home, do them? We also talk to Denise Grays (@deniseg316) about Kansas and her new zine, A Love Letter to Kansas. Tiffen Sinclair (@tiffen.sinclair) drops by with some news about disposable cameras. There’s also the answering machine and zine reviews.   DENISE GRAYS: A LOVE LETTER TO KANSAS Denise Grays has been photographing Kansas for more than a decade. Her recent zine, a Love Letter to Kansas, released by Themselves Press,  sold out quickly. Since we both adore Kansas more than life itself, we thought it was a great time to have Denise on and talk to her all about it. Here are a few of Denise’s photos: And here are her blog: https://deniseonfilm.blogspot.com/   CYANOTYPES: THEIR HISTORY AND HOW TO LOVE THEM Cyanotype is a printing process that produces a deep blue negative print. Generally, a piece of paper is coated with an emulsion made up of potassium ferricyanide and ferric ammonium citrate. Once dry, an opaque object is placed on top of the paper and exposed to light. After exposure and washing, the unexposed emulsion is washed away, leaving an impression of whatever object was placed on the paper. The exposed emulsion turns a deep Prussian Blue. We talk about John Herschel, who invented/discovered cyanotypes. So here are a few of his kinda crappy prints: We also talk a lot about Anna Atkins, who printed Photographs of British Algae: Cyanotype Impressions in 1843. Here are a few of her cyanotypes: And some by her friend and “almost sister,” Anne Dixon: Vania has also done some before. Here’s a handkerchief she gave Eric:   ZINE REVIEWS: ALL TRAVIS, ALL THE TIME Eric reviewed Better Off #1 by Travis Cannady (@betteroffzine and @travis_cannady on IG) It’s 60 pages of black and white city street graininess. Apart from some contact information, there are no words. The photos are printed full-bleed, extending to the very edges of the page. This gives it a really enveloping feel. He crops and moves his photos around to get the perfect composition. I’m always a little too afraid to do that. I’m an in-camera composer, and I desperately don’t want to be. And yet…  It’s inspiring. I’m seriously mulling over ripping off his style. You should too. Or at least pick up his zine. https://betteroffzine.com/ $10 Vania reviewed Travis’ two other zines: Shadow and Light and Hannah & The Cambo Passportrait. PATREON: THANKS! Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens Our featured Patron for this episode is Alex Percell @grainyblur on Instagram.   THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits All Through a Lens: IG, Website, Patreon, Spotify Playlists    

Let's get right to LaPoint, this episode is bananas! It has a mysterious illness, a top secret California bunker filled with assassination antidotes, and a runner named... Race. Welcome to AP Chemistry class, because we’re talking about the mysterious properties of Prussian Blue paint as well as the Dateline mystery of the same name! Natalie Morales joins the Dateline team officially and expertly leads us through the poisoning case of a young San Diego mom who's husband has the most suspicious hobby ever to appear on a Dateline. Kimberly and Katie explain what Prussian Blue means to them, learn a little Faroese and try to decide if a career in motivational speaking could be for them! So sit back, grab a glass OF SOMETHING YOU POURED YOURSELF and enjoy this very special episode of A Date with Dateline! And a very special welcome the Marvelous Ms. Morales! Official Description from NBCU: When a San Diego woman who is near death arrives at an emergency room, the FBI and local law enforcement are called in to try to solve a medical mystery and a horrific crime. Natalie Morales reports. This episode is dedicated to our fabulous Patroni California girls, TANIA B. and BECKS H! California… knows how to support podcasts oooohh California, knows how to support podcasts. Thank you so much, ladies! Sending you lots of love and iodine tablets! Two easy ways you can support A Date with Dateline: Leave us a 5 star review that says “I’ll get right to LaPoint, I love this podcast”, AND visit our sponsors! It’s 2021, and if you just barely survived 2020 then you deserve some (better) help! Go to www.betterhelp.com/dateline for 10% off your first month! Download Best Fiends FREE today on the Apple app store or Google Play. That’s FRIENDS without the R- Best Fiends! You’re my best fiend that I’ve ever had, I’ve played with you such a long time… Join now and try to catch up with Kimberly! Learn more about your ad choices. Visit megaphone.fm/adchoices

Brigida Uto suddenly started feeling sick...very sick. Little did she know that she was being poisoned to death. But thanks to the quick thinking of a dedicated doctor, the mysterious "illness" was solved and was literally brought back from the brink of death. Sadly, she also discovered WHO was trying to kill her and it was the last person she would have suspected. 

In this episode we talk about a 4,200 year old queen's name is learned among other things discovered. In our Strange Art Fact segment we learn the medical uses of Prussian Blue. Also in our Art Crime segment police in Italy find a stolen Salvator Mundy painting attributed to DaVinci's student. Other things we talked about were being carded at a restaurant, throwing accents on a single word in a sentence, fake Billie Eilish account, recycling frames, b/w show coming up and more The PaintingLoft Podcast is about the "Dark Art" community. Exhibitions, Artists, Techniques, Ideas, Scandals & Crimes and all the things worth talking about in the realm the two host participate in. Jessica Perner and Scott Holloway are both artists exhibiting their work globally in the field of art that doesn't truly have a title but is widely accepted as "Dark Art".

When Brigida Uto arrives at an emergency room, she is near death. While her vital signs are fading, there are no signs of an infection or injury. Doctors, the FBI and local law enforcement are all called in to not only try to solve a medical mystery, but also a horrendous crime. Natalie Morales reports.

When Brigida Uto arrives at an emergency room, she is near death. While her vital signs are fading, there are no signs of an infection or injury. Doctors, the FBI and local law enforcement are all called in to not only try to solve a medical mystery, but also a horrendous crime. Natalie Morales reports.

Episode: 3241 Green with Immortality.  Today, we go green with immortality.

On this edition of Parallax Views, a roundtable discussion on Holocaust denial w/ Dr. Andrew E. Mathis (aka Thames Darwin) and our semi-regular correspondent Marlon Ettinger. Believe it or not, there are those who deny the Holocaust perpetrated against the Jewish people by Nazi Germany in the 20th century. Dr. Mathis, as an academic, has spent much time fighting against Holocaust denial. In fact, he has even gotten into the weeds and spoken to/debated the deniers themselves. In this roundtable conversation we discuss:- What Holocaust Denial is and the elements of it.- The early history of Holocaust denial from revisionist historians like Harry Elmer Barnes to the various operations of white supremacist move-and-shaker Willis Carto of the Liberty Lobby, Institute for Historical Review, the Barnes Review, and the American Free Press (we also touch upon Carto's connection to the mysterious post-war American Nazi Francis Parker Yockey aka Ulrike Varange)- The relationship between figures like Willis Carto and neo-nazis like William Luther Pierce and the way in which Holocaust denier target young men for recruitment.- The connection between the extremely conservative Regnery Publishing family and Holocaust; thoughts on historian like Ernest Nolte and whether they can be considered adjacent to Holocaust denier- British historian David Irving's infamous involvement in the world of Holocaust denial and his lawsuit against Deborah Lipstadt, who took issue with Irving's revisionism.- The Jewish holocaust denier Dr. Fred A. Leuchter, the strange Nazi UFO conspiracy theorist Ernst Zundel, and holocaust denier's claims about "Prussian Blue".- Why combating Holocaust denial matters, what the passage of Holocaust deniers in historical memory means for the future, and much, much more. SUPPORT PARALLAX VIEWSON PATREON! FORBONUS CONTENTANDARCHIVED EPISODES!

This week, Naomi has another case for you.  We'll be discussing polish artist Zdzisław Beksiński. This one is pretty visual, follow along with the visuals at: https://www.namnab.com/blog Video referenced about artist: https://www.youtube.com/watch?v=dxRB4sdbIcw Follow us on Instagram: https://www.instagram.com/not_a_boogeyman/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/not-a-monster-not-a-boogeyman/support

https://www.yahoo.com/news/north-carolina-man-accused-killing-130252102.htmlhttps://www.stitcher.com/podcast/msnbc/dateline-2/e/62813997https://www.sandiegouniontribune.com/news/courts/sd-me-uto-navy-poison-wife-sentenced-20190314-story.htmlhttps://www.nbcsandiego.com/news/local/race-remington-uto-san-diego-rat-poison-thallium/40789/EMAIL: thebfdpodcast@gmail.comSOCIAL MEDIA: @thebfdpodcast

Wir springen nach Berlin in ein alchemistisches Labor im Jahr 1706: Bei der Herstellung von Florentiner Lack färbt sich das Gemisch überraschend tiefblau statt rot. Johann Jacob von Diesbach und der Johann Conrad Dippel haben aus Versehen das erste moderne, künstliche Pigment hergestellt: das Berliner Blau. Auch bekannt als Prussian Blue oder Eisenblau. Berliner Blau verbreitet sich in der Folge, weil es eine günstige Alternative zu anderen Blautönen ist, wie Ultramarin oder Azurit. Aber nicht nur in der Malerei kommt das Berliner Blau zum Einsatz. Es wird auch zur Weinschönung verwendet und ist heute auch als Medikament gegen Thallium- oder Caesium-Vergiftung im Handel.

When a San Diego woman arrives at an emergency room, she is near death. Her hair is falling out and her vital signs are fading, even though there are no signs of an infection or injury. Doctors, the FBI and local law enforcement are then called in to try to solve not only a medical mystery, but also a horrific crime. Natalie Morales reports. Originally aired on NBC on July 22, 2019.

Yishai Jusidman, the painter behind a series of paintings called Prussian Blue — looking at the Holocaust, questions of memory, and representation — joins Dan Libenson and Lex Rofeberg to discuss his work and the thinking behind it. This episode is the second in a series of episodes on art, creativity, preservation, and museums, brought to you in partnership with The Council of American Jewish Museums. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation. Support Judaism Unbound by clicking here. To access full shownotes for this episode, click here.

On this episode, we have Tampa News Force's own John Jacobs on to grill the goobernatorial or senatorial candidate himself, Randy Holton. Randy explains some of his favorite cocktails, gives stock picks, and talks dirty with us. John comes up with a way for inmates to give back to the community, pitches a reality show for script optioning, and plans to go to a furry convention for investigative journalism. Stephen gives a TED Talk on Prussian Blue, the Land O Lakes lady's naughty side, and one of Rasputin's deep cuts. And, of course, David devises a way of testing Amish furniture, like ya do, and imagines what Randy must be like in Japan.Also, Matt calls in and talks about some place named Pensacola. It probably isn't even real. And some concerned voter who definitely isn't Clark Brooks asks candidate Holtron some tough questions.

Prussian Blue (April 2007) by Oregon 1-800-222-1222

THE.EVENING.ORCHESTRA A Fray D. Jay mix for Rádio Etiópia 01. Andrew Heath – Prussian Blue; 02. Blue Foundation (feat. Findlay Brown) - River (02.50); 03. The Beatles – Within You, Without You (Indian Mix) (07.06); 04. Translippers – Full Moon Kiss (12.26); 05. Public Service Broadcasting – They Gave Me a Lamp (19.13); 06. Gateway 721 – Dark Blue Deepness (22.44); 07. Yoyu – Forest Purple (29.11); 08. Denison Witmer - Asa (34.03); 09. Lanterna – Achieving Oneness (37.30); 10. Gang Violins - Sana (41.46); 11. Villagers – Love Minus Zero/No Limit (48.52); 12. Novo Amor – Carry You (51.43); 13. Grandaddy – The Town Where I’m Living Now (56.07); 14. Overtone – Nature’s Rhythm (60.32); 15. GMO/Dense – Star Glider (63.52); 16. Melorman – Forgotten Places (70.44); 17. Arizona Amp & Alternator – Shapeshifter (73.29); 18. Talking Heads – Heaven (76.29). Total Time: 01.19.54 Sultry voice of Radio Etiopia: Ana Ribeiro …. Made entirely by immigrants in the Independent Republic of California.

Many of us believe that smartness comes from learning the skills in our own field. And yet, that's only partially true. We can never be as smart as we want to be, if we only have tunnel vision. So how do we move beyond? And how do we find the time to do all of this learning? Amazingly it all comes from limits. Find out more in this episode. In this episode Sean talks about Part 1: Learning all you can in your own field Part 2: Learning all you can in an area where you have no expertisePart 3: Working with limits ---------------------------- Last month I got an invitation from a group asking me to dinner. The dinner it seems was a group of startups. They wanted to spend the evening with Renuka and I and have a conversation about how to get started and to keep that momentum going. What they wanted most of all was the promise of the “Three Month Vacation.” Yes, they were start ups, but what would it take for them to get going and then not spiral out of control. What would it take for them to become successful without being sucked into the mantra of “more, more and even more.” The answer to their question was relatively short But as I chugged on my mojito, I got another question that people tend to ask all the time. The question: how do you get really smart? Is there a shortcut? And how do you stay smart? That's what I would like to cover in this piece. In my opinion, there are two ways to get smart—and one tool to make sure you get there efficiently. The three elements we'll cover are: – Learning all you can in your own field – Learning all you can in an area where you have no expertise – Working with limits I wasn't always a copywriter. I didn't always write sales pages or articles. While I was in university, I decided to earn some money by selling my cartoons to newspapers. A newspaper called the “Indian Post” had just started up in Mumbai, and I was encouraged to meet the features editor, Reena Kamath. Reena, or “Chips” as she was called, was this incredibly kind and educated person. I was, in my own head a cartoonist, but not a very confident one. What Chips did was to give me enough confidence to push my art a lot more. She encouraged me to learn how to cartoon even better, so much so that I soon published my work in other magazines and newspapers. By the time I was headed to graduation day, I had two daily comic strips in two big newspapers. All of this confidence didn't mean a thing when I joined an advertising agency “Yes, you're really good at cartoons,” said the creative director at the Leo Burnett agency, “but you realise that advertising and cartooning are completely different, right?” Once again I was back in newbie land. I didn't know enough to get going in the world of copywriting. Fortunately for me, I was given the honorary title of junior copywriter, a small stipend and left alone to do pretty much anything I wanted. Which is when I found the agency library If you're in advertising, you'll fondly remember these massively thick books called the “One Show.” These doorstepping books contained hundreds of real-world advertising. And so began my education in the world of advertising. Which brings us to the first point in this article: learning all you can in your own field. The very concept of learning everything is, as you know, impossible Yet, what choice do we have? Everything seems to rush along madly and just to keep on top of things is quite a task. But do we have a choice? Back when I was in the Leo Burnett agency, the library was enough to keep me busy for months on end, and today we have more in a folder of our computer than we had back then. Armed with little choice, here's what I do I read as much as I can. I'll plough through as many books as possible. Right now I have eight books sitting on my desk and at least four-five unread on the Kindle. There are months when I'm reduced to reading books at a snail's pace, so I find it smarter to read magazines articles instead. However, my secret weapon is audio. If I'm standing in a queue at the supermarket, I'll be listening to audio. I go for walks every morning and chomp through an hour of audio. Even while I'm making breakfast, I'll be listening to a podcast in one earbud. I'll tell you why. On the road, while walking, it's easier to focus on the podcast. However, when I get home, my wife Renuka will suddenly pop in from the garden and want to give me some news. When I have both earbuds in, it feels a bit like “I'm busy, don't disturb me” and so I have just a single earbud on whenever I want to keep listening, without completely tuning out the world. Does this mean you have to be learning all the time? No, it doesn't. You can listen to music, watch videos that go nowhere or simply bounce back into Facebook. Even so, one of the key elements that make people smart is that they don't believe in inborn smartness. The greatest champions on the planet aren't great because they were born that way. The gold medalists keep pushing themselves long after the silver medalist has gone home for the day. I was pretty hopeless at cartoons If you've seen my cartoons, you might not believe me, but I've seen some of the work coming out of the Psychotactics cartooning course. I can tell you quite categorically that even while drawing for the newspapers back in Mumbai, I wasn't as good at some of the work I've seen on the course. So what makes a person better? It's constant learning. I was an aspiring copywriter, an aspiring marketer, an aspiring-everything you can think of. And this is the first piece of advice I gave the start ups. What makes you great at your skill isn't some bolt of lightning coming down from the heavens. What makes you stand out is being super-knowledgeable in your field. Learning the pros and the cons of your profession instead of fluffing around trying to impress everyone else. Is it obvious advice? Sure it is. Everyone knows that you need to learn a lot in your own field. However, making the most of your time is where it counts. If you can read a transcript while standing in a queue at your supermarket, make sure you do just that. If you can make dosas for breakfast while reading a transcript, then go right ahead. If on the other hand, you find you're struggling to keep up with your learning, add a bit of audio in your life. You don't have to remember everything you hear and I frankly don't. I have to put down the learning into an Evernote file so that I don't forget. To be brilliant, you have to find the ways t do things that seem impossible. But do you have to pay attention to everything? No, you don't. You want to get rid of the braggarts. The people who put those dollar signs on their site to entice you. Those people who make you feel like your subscriber list is so puny and how they're sending tens of thousands of subscribers through their funnels. Even in the world of everything, you've got to pay attention to the people that fit your life and your philosophy. Which means that having a ear bud in your ear all the time may not suit you at all. You may well be happy with learning a lot less so that you can be who you are. Even so, remember that the learning is non-negotiable. Do whatever it takes to learn a ton of stuff in your field, and you'll find that's what clients pay for. Incredibly, tunnel vision learning won't get you as far as you could go. For that, you need to diverge and learn about areas where you have no expertise. Part 2: Why You Need To Learn In Areas Where You Have No Expertise (And Have No Intention of Having Any Expertise). In July 2013, I went through a life-changing experience. My niece Marsha wasn't doing too well at school and as usual, everyone blames the student. I'm not a fan of that school of thought. I don't believe in bad students; I believe the responsibility of the student lies with the teacher. It's one thing to make a statement and quite another to work through the problem. In this case, my goal was to make Marsha as good as, or better than any of the students in her year. What I hadn't counted on was the fact that she was going to give me the lesson of my life Before I started working with Marsha, I knew a lot about copywriting, about marketing etc. What I didn't know didn't bother me because I was in that tunnel focus trying to learn more about the things that affected my business. When Marsha came along, she brought a thousand questions along with her. How are clouds formed? What are the names of all the types of clouds? Why can we see Venus so clearly at night? These questions led me down a road from which I have never recovered. Do you know how Prussian Blue got into Hokusai's painting of the “Great Wave off Kanagawa”? How does Google predict the common cold with astonishing accuracy? Why do wildebeest feast on one area of grass while ignoring the other? And what role does the volcano Oldoinyo lengai play in this epic migration? What are cyanobacteria? Why do geologists find the “boring billion” years not boring at all? These questions have nothing to do with your business Sitting down with Marsha—and we always sit down on the ground—near the sofa, taught me so much about the world around me. Then it went a bit further. My ability to write became better. My ability to tell stories and do podcasts improved radically. In a short period of three years, I realised that I was a walking dummy. I knew a lot about the world of marketing and business but precious little else. Creativity is the ability to connect two disconnected situations or objects together As a cartoonist, as a comedian or artist, this something you learn quickly or you're doomed to failure. You can't just go around connecting the dots on your sheet of paper. The dots have to join from another sheet or even no sheet at all. To be creative means stepping into a world that's not your own. When we look at hundreds of inventions, we see this creative streak of the disconnect showing up time and time again. Velcro, the rubber tyre, popsicles, microwave ovens, Post-it even matches were the result of random accidents. Being smart involves knowing the world around you History, geography, culture, geology—it all makes a huge difference to your work. Instead of just showing up in Egypt and losing yourself in the Pyramids, you might well notice that almost every block on the Giza pyramid has marine creatures. There also happen to be sea creatures at the top of Mt.Everest. While this random stuff may seem to make no sense in isolation, you can quickly map the sequence of how things unfold. Over time you get far more confidence and your brain becomes somewhat like a walking Internet You realise you can see “shallow oceans” and “tectonic plate movements” where others just see “blocks of stone” at Giza. If that's all you could see and experience it would be fabulous. For me it's amazing to look up at a sunny sky and know, based on the number of cirrus clouds that it's going to get cold and rainy in 24 hours. Just the confidence it brings you, knowing the world around you is fabulous, but it also brings connections to your work in ways you can't imagine until you start to learn about things that are widely divergent from your business. The question is: Where do you get all of this information? It's always been in books and magazines, of course. The New Yorker magazine has almost always jumped madly from malaria to construction; automation to the Suez Canal; The Beatles to Vermeer. And today they continue to do so like so many other magazines that cover a range of extremely interesting topics. Equally, though are books that you can get on Amazon. Books that explore the concepts of meditation, puppet masters, alongside the Masai. Books and magazines are only part of the mix and you can learn from podcasts of every kind. I listen to the New Yorker Hour of course, which tackles anything from Venezuela's crisis to a fascinating interview with Bruce Springsteen. To be single minded in your pursuit of knowledge in your own field is a good idea However, it's when you step out that you learn a lot more, become more confident and almost always make a connection that leads to a better life. You can almost guarantee that learning more in your field makes for some sort of advancement you can measure. It's much harder to justify the time spent learning about volcanoes, clouds, Ayurveda and wildebeest. In fact, other than just random facts, it seems like a complete waste of time. I'd advise you to go down the track of the randomness, even when your work-related learning already demands more time than you have. To become smart, you need to learn. You need to implement And sticking to the work-related stuff is already quite a task. Putting on the additional burden of learning stuff that's not remotely related to you may seem crazy, but I'd say take it on. Which brings us to the most pertinent question of all: where do you find the time? Sure it's a great idea to learn about your work and about the world around us, but where's the time? And this was the most persistent question of all at the dinner. The answer is remarkably simple and leads right into the three-month vacation. Part 3: Working with limits: the real secret to becoming smart Imagine you had four months to write a book Do you think given four months, you'd write the book in three months? This was the question we had to ask ourselves when we started Psychotactics back in August 2002. We were keen to run our business in a way that we had control over the business instead of the other way around. How could we take so much time off and still make our business successful? The answer, it seems, was so simple that it was hard to believe. Put limits on your schedule—that's it The most frequently asked question I get is: how do you manage to take three months off in a year? The answer is: we assume our year is nine months long. Yes, read that again: we assume our year is nine months long. Now imagine you've finally started up a business or let's assume you've been in business for a while. How long is your year? The concept of limits is what makes you smart If you look around the Internet today, you get two sets of people. People who seem to be working like maniacs to keep doubling their income or those who are supposedly living the Internet lifestyle but still check e-mail, do work at the beach etc while on vacation. To each their own, I suppose, but hear me out. What makes your brain smart is downtime. Having time to rest allows all that connected and unconnected stuff come together. The brain works best when it's at rest. The way to give the brain a rest is to enforce limits. Imagine you have only 90 minutes to write an article. What can you do in those 90 minutes? Imagine you have only a limited number of ingredients in your pantry. How do you whip up a delicious meal? And imagine you have only 9 months in a year. How do you finish all your work (and a lot more sometimes) without working every single day of the year? If you put limits on yourself, you start to become a lot smarter. These limits don't have to stop at learning Today we had a couple of people come around to give us new garbage stickers. The Auckland council is testing some sort of garbage system and as part of the trial we had to buy $20 worth of stickers that would last about 2 months. When these guys came along to give us new stickers, we still had the same original bunch. In over two months we hadn't needed to use the garbage bin at all. How's that possible, you say? Same as the three-month vacation, isn't it? You think a three-month vacation would be impossible but we've done it almost year after year since 2004. The garbage situation takes a little planning. We take our own cloth bags everywhere. We take a container box when we dine out for takeaways (you may call it food to go). We refuse all coffee in paper cups and have our own glass/plastic cups or we use the ceramic cups at the cafe. We don't take straws, plastic bags and will not buy stupid cucumbers wrapped in cling wrap. Ergo, little or no garbage. The rest of the stuff goes in the compost bin. Impossible? Of course not. The key is to have a mind that imposes limits If you really want to change your world, you have to believe you really have no time. Instead of a seven day week, make it a five day week and refuse to work on weekends. Instead of a 12 month year, nine months should do nicely. Instead of trying to double your income all the time like some senseless woodpecker, try fixing your income to one that allows for tax, savings and a comfortable life. Smarts come from limits They also come from learning: both learning in the areas of expertise and totally outside the expertise range. The vast flow of humanity just amble along without really putting in the effort to make their work smarter—or even their breaks smart. And so it goes, year in and year out without too much of change. It's easy to do average work and just be a hero on the Internet (or even off the Internet) today. It takes a smarter mind to do something really outstanding. So what's the one thing you can do today? Limits. Put limits on the world you live in and you'll see how you might never have much use for that massive garbage can. You may also be able to do almost all, if not more work in just 9 months of the year. You may be able to write, draw, sing and dance in a fixed time frame. And then you might have a much better life. A much smarter life. All of this discussion came from that dinner with those startups. They set down the path of work; we went off tangent into this topic which was totally disconnected. And we could have stayed all night, but we had to leave. We had limits. Try it. Get smarter in less time. And yes, start working towards a nine-month year. You've told yourself you shouldn't be a perfectionist. Yet time and time again you head back to getting things done—perfectly. And in the process you  get nothing done. Find out :How To Smother Perfectionism With A Timer -----------------------------------------

  Listen and subscribe on iTunes or Google Play Music, and find out more at classylittlepodcast.com/subscribe. Find us on Snapchat | Twitter | Facebook For wine deals through our affiliate, wine.com, visit classylittlepodcast.com/wine. For extras, including bonus content, visit the show notes for this episode at classylittlepodcast.com/show-notes/43. Build your knowledge with this episode celebrating architecture in honor of Frank Lloyd Wright's birthday! Learn why blueprints used to be blue, why "Star-chitechs" are divas, and prepare to have some favorite sitcoms ruined by nitpicking the structural flaws of TV houses. This episode's wine: Blue Vin Riesling from Mosel, Germany This episode's cheese: Sartori MontAmore We start out the episode talking about aperitifs and their traits of stimulating the appetite. James realizes how Emily's mind for puns works. He also talks about Frank Lloyd Wright's legacy, including the gas station he designed. He may not have been the most modest architect, but he definitely left an impact on the landscape of modern architecture. Find out how origins of blueprints contributed to invisible ink during Wold War II and the Crayola-retired color Prussian Blue. James tells us about Star-citechs, and we make sure you'll always remember the name of the inventor of movable type, Gutenberg, which we learned in our episode, Cheers to Marijuana. Somehow, Emily finds a way to relate James' research to The Breakfast Club. Some of the best architecture stories can be found in New York City, and Emily talks about the building of the Brooklyn Bridge, including the three chief architects who worked on it. Find out why the Manhattan side of the bridge is built onto a sand bed instead of bedroom, and the recently-discovered Cold War-era bunker found in the masonry. And, before anyone takes this idea, this episode will be our evidence that we came up with the movie idea based on George C. Parker, who sold the bridge twice per week for 30 years. Find out about some of the biggest architecture failures, and never underestimate Emily's talent for fooling James into thinking she's listening to him when she's actually using the time to come up with a tortured pun. (Be sure to check out the 99% Invisible episode talking more about the Citigroup Building.) Get ready to have your childhood rerun memories ruined when Emily talks about architects in pop culture and how they might not have been that great at their careers, but they are great leading characters. Mike Brady, Elyse Keaton and even Art Vandelay find their way into our episode. James also asks an very important question regarding the bathroom habits of talking horses. If you have 20 minutes to spare to learn about the impossible architecture of Overlook Hotel in "The Shining" and Stanley Kubrick's genius direction, check out these YouTube videos! Video 1 and Video 2. Featured promos: The Ultra Podcast (iTunes/URL) Epic Film Guys (iTunes/URL)  Find more great podcasts on Twitter by searching the hashtag #PodernFamily! Thanks to Lisa for featuring us as Lisa's Choice Podcast Award winner for the Indie Podcast Category! And check out Emily on Podcasters' Roundtable talking about Work/Life/Podcasting Balance. Special thanks to our classy sponsors on Patreon: Greg from Debt Shepherd, PodUnderground & Jason Bryant from Mat Talk Online and the Short Time Wrestling podcast. Find out how you can support the Classy Little Podcast by visiting classylittlepodcast.com/support. Special thanks to Adam Centamore for his book, "Tasting Wine & Cheese: An Insider's Guide to Mastering the Principles of Pairing," which inspires us to try new wine and cheese pairings in every episode! Cheers!

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Laura Howes looks back to a time when feeling blue was a good thing - and wearing it was 'bling'