Podcasts about Alphonse Mucha

By popular demand! For this month's podcast episode topic, I enlisted the help of my Patreon members in the form of a poll (well, two polls), and the topic chosen for April was Art Nouveau jewelry. In part 2, we dive into the histories of two of the most famous art nouveau jewelers, René Lalique and Georges Fouquet, along with the influence of Alphonse Mucha and the most important woman in the movement, Sarah Bernhardt.

Annamaria Bava"Da Botticelli a Mucha"Sale Chiablese, Musei Reali di TorinoNelle Sale Chiablese dei Musei Reali di Torino, la mostra DA BOTTICELLI A MUCHA. Bellezza, Natura, Seduzione, un viaggio nella seduzione e nella bellezza espresse attraverso il mito, la natura e l'universo femminile, da sempre principali soggetti della creazione artistica.Con oltre 100 opere tra dipinti, disegni, sculture antiche e oggetti d'arte provenienti dai Musei Reali di Torino, dalle Gallerie degli Uffizi e da molte altre prestigiose istituzioni, la mostra spazia da magnifiche statue e bassorilievi archeologici di età romana, passando da Botticelli e Lorenzo di Credi – di cui vengono messi a confronto due incredibili capolavori – proseguendo con opere rinascimentali; un excursus per temi che toccano il mito, il fascino dell'antico, la natura e l'universo femminile, fino ad arrivare all'inizio del Novecento con la seduzione delle opere di Alphonse Mucha, maestro dell'Art Nouveau.Tra i capolavori in mostra, la Venere di Botticelli della Galleria Sabauda e la Dama con l'unicorno di Luca Longhi da Castel Sant'Angelo.La mostra contiene anche preziosi focus su figure femminili straordinarie quali la Contessa di Castiglione, figura emblematica di fine Ottocento, nobildonna di rara bellezza e seducente agente segreto, o ancora principesse e regine di Casa Savoia.Vengono anche svelate, per la prima volta, le indagini diagnostiche realizzate sulla Venere di Botticelli, da cui si potranno scoprire i pensieri e i ripensamenti dell'artista.Contestualmente, ospite d'onore della mostra, lo splendido Volto di fanciulla, disegno autografo di Leonardo da Vinci realizzato tra il 1478 e il 1485 circa, proveniente dalla Biblioteca Reale ed esposto nel nuovo Spazio Leonardo al primo piano della Galleria Sabauda.Prodotta dai Musei Reali di Torino e da Arthemisia, la mostra è curata da Annamaria Bava.Anna Maria Bava, ha conseguito il dottorato di ricerca in Storia e critica d'Arte e il post-dottorato di ricerca in Storia dell'arte moderna presso l'Università di Torino. Nel 1999 è diventata funzionario della Soprintendenza per i Beni Storici Artistici ed Etnoantropologici del Piemonte. Dal 2011 è direttrice della Galleria Sabauda e ha curato il riordinamento dei nuovi settori a partire dal 2017. Ha pubblicato numerosi saggi, in particolare sul caravaggismo, sull'arte piemontese e sul collezionismo sabaudo tra il Cinquecento e il Settecento e ha curato diverse mostre in Italia e all'estero fra cui, tra le ultime, Le meraviglie del mondo: le collezioni di Carlo Emanuele I di Savoia; Van Dyck pittore di corte; Rubens. Capolavori d'arte dei Musei Italiani; Riccardo Gualino imprenditore e collezionista; Sulle tracce di Raffaello nelle collezioni sabaude; Le Signore dell'Arte. Storie di donne tra ‘500 e ‘600; Rembrandt incontra Rembrandt. Dialoghi in Galleria.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Faut-il ramener l'âge de la retraite à 62 ans au lieu de 64 ans ? En France, le débat sur la réforme de 2023 continue à diviser la classe politique et les partenaires sociaux. Le Portugal, lui, a tranché : ce sera désormais 66 ans et 9 mois. Le dossier des retraites agite la France mais aussi le Royaume-Uni et le Portugal :  Ce dernier pays est le deuxième de l'Union européenne en terme de vieillissement : en 2022, la moitié de ses 10 millions 200 mille habitants avaient plus de 46 ans. Le départ à la retraite se fait de plus en plus tard : à 66 ans et 7 mois à partir de cette année, selon un calcul basé sur l'espérance de vie. Le départ anticipé est possible mais les pensions n'atteignent en moyenne que 650 euros par mois et de plus en plus de Portugais continuent à travailler une fois qu'ils sont à la retraite. Si la moitié d'entre eux le font par intérêt et pour rester actifs, pour l'autre moitié c'est une nécessité financière.  Reportage à Lisbonne, Marie-Line Darcy.Elles entendent porter leur dossier retraite devant la haute cour du Royaume-Uni ! Les Waspi, ces femmes nées dans les années 50 et 60, estiment qu'elles ont été mal - voire pas du tout - informées par le gouvernement des changements intervenus dans l'âge de départ à la retraite, et qu'elles ont de ce fait subi des préjudices financiers importants. 3 800 000 femmes pourraient être concernées à travers le pays....  À Londres, les explications de Marie Billon.  La diaspora grecque en Australie, une longue saga migratoireLes Grecs célèbrent leur fête nationale. Cette commémoration de l'indépendance de l'empire ottoman, le 25 mars 1821, est également fêtée par les nombreux Grecs de l'étranger. Avec plus de 400.000 représentants les Gréco-Australiens forment l'une des communautés les plus importantes de la diaspora grecque dans le monde. La majorité des Grecs exilés en Australie sont partis pour des raisons économiques au fil du XXè siècle. Mais ces dernières années, le pays a connu une nouvelle vague migratoire venue de Grèce à cause de la récente décennie de crise financière. Reportage à Melbourne, Joël Bronner.  Alphonse Mucha a un nouveau musée à Prague Il vient d'ouvrir ses portes dans l'un des plus beaux bâtiments baroques du centre de la capitale tchèque et il est entièrement consacré au précurseur de l'Art-Nouveau, dont les affiches parisiennes aux lignes sinueuses, aux figures florales et aux femmes aux chevelures immenses sont connues dans le monde entier. Visite guidée avec l'arrière-petit-fils de l'artiste, Marcus Mucha, et notre correspondant à Prague Alexis Rosenzweig.

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WEBSITES: https://micahchristensen.com/ INSTAGRAM: https://www.instagram.com/beardedroman/ _______________________________________________________________________   THANKS TO OUR SPONSORS:   ROSEMARY BRUSHES  https://www.rosemaryandco.com     VASARI PAINTS https://www.vasaricolors.com   HEIN ATELIER  https://heinatelier.com/     _________________________________________________________________________   THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW.   https://patron.podbean.com/theundrape...  _________________________________________________________________________   FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE:     / theundrapedartist       / 100083157287362        / @theundrapedartist   __________________________________________________________________________   FOLLOW THE HOST, JEFF HEIN:   Jeffhein.com      / jeffrey.hein.16       / jeff_hein_art       / jeff_hein_studio

This week it's The Art (Nouveau) Show! Flowers, peacocks and sensuous drapes. Bejewelled women entwined in billowing hair and that classic black outline, that turns the dreamy into the bold – the NEW. Despite what we may think about the arts and crafts that came out of Belgium, France and  Czechia at the turn of the nineteenth century, Art Nouveau was considered to be an ultra-modern aesthetic.One artist who defined the style is Alphonse Mucha. We hear from Mucha's great-grandson Marcus Mucha and Mucha Foundation curator Tomoko Sato, at the Art Gallery of New South Wales exhibition Alphonse Mucha: Spirit of Art Nouveau.In South Australia artists like Maude Vizard-Wholohan were part of a newly empowered generation of female art school graduates who produced Art Nouveau designs while living in the first Australian state where women could vote (and the third in the world). Rebecca Evans is curator of design and decorative arts at the Art Gallery of South Australia, and traces the legacy of these artists.This first went to air Wed 19 Jun 2024  

In deze aflevering praat ik met Jaap. Jaap heeft Tsjechisch-Nederlandse roots en is oprichter en voorzitter van de Praga Masonica, een onafhankelijke vereniging die het culturele erfgoed van de vrijmetselarij in de Tsjechische landen meer onder de aandacht wil brengen. Daarnaast is Jaap zijn expertise de wereldberoemde Moravische kunstenaar en vrijmetselaar Alphonse Mucha. Zijn er maçonnieke elementen terug te vinden in zijn werk en wat is zijn relatie tot de oprichting van de Tsjechische vrijmetselarij?Prago Masonica - https://www.pragamasonica.cz/Mucha Foundation - https://muchafoundation.org/enAMMLA vereniging - International Association of Masonic Museums, Libraries and Archives - https://masonic-libraries.com/Boheems Glaswerk J. Sadilek - https://www.thesquaremagazine.com/mag/article/202105book-review-bohemian-masonic-glass/Sarah Bernard - https://nl.wikipedia.org/wiki/Sarah_BernhardtJugendstil - https://nl.wikipedia.org/wiki/JugendstilOccultisme - https://nl.wikipedia.org/wiki/OccultismeLe Pater boek met voorwoord van Jaap Sadilek - https://peinture-fraiche.be/en/book/le-pater-le-grand-oeuvre-dalphonse-mucha/Le Pater (onze vader) - https://www.lepater.com/Theosofie - https://nl.wikipedia.org/wiki/TheosofieGrand Orient du France - https://godf.org/Slavische Volkeren - https://nl.wikipedia.org/wiki/Slavische_volkerenBohemen - https://nl.wikipedia.org/wiki/BohemenJan Amos Comenius - https://nl.wikipedia.org/wiki/Jan_Amos_ComeniusDe Schotse Ritus - https://www.aasr.nl/Support the Show.Ik vind het leuk als je contact met me opneemt

In conversation with Michelle of @forbiddenfruitvintage on Memento Mori jewellery, the desire to stay connected to loved ones after death and the whole indsutry around it during the Victorian era, different types of motifs and their meaning, Art nouveau jewellery and the particular piece designed by Alphonse Mucha and Georges Fouquet for Sarah Bernhardt in 1899, tricks of dating jewellery, changes in materials over time, her favourite films for its costume and so much more

In this episode of Cemetery Row, the girls celebrate Leo season by sharing the stories of famous Leos. Sheena covers English illustrator Aubrey Beardsley, and Hannah shares the story of Czech painter, graphic artist and illustrator Alphonse Mucha. Lori inspires us all with the story of athlete and humanitarian Terry Fox.

Alphonse Mucha exhibition is currently on display at the Art Gallery of New South Wales. SBS Russian welcomed art historian Ekaterina Heath in the studio and discussed Art Nouveau and the complex history of Mucha's works. - В Художественной галерее Нового Южного Уэльса проходит выставка работ Альфонса Мухи. Историк искусств Екатерина Хиз в гостях в студии SBS Russian рассказала об ар-нуво и о сложной истории творчества Мухи.

"(Alphonse) Mucha is well known as a flag-bearer of Art Nouveau. But actually he became so unintentionally and he didn't like it ," Tomoko Sato, curator at Mucha Foundation, said. Ms Sato co-curated the latest exhibition at the Art Gallery of New South Wales (AGNSW). - ニューサウスウェールズ州立美術館で今月始まったアルフォンス・ミュシャ展 。日本での人気が高いチェコ出身のアーティストですが、知られていない部分も多くあります。ミュシャ財団キュレーターの佐藤智子さんを中心に３人にお話を聞きました。

Great conversations with visual artists, gallery and museum directors and curators.

In this episode of QAV, Cameron and Tony dive into recent market activities, the RBA's decisions, the Lindy Effect, substantial shareholder announcements, and GrainCorp's prospects, along with a detailed analysis of Embark Early Education (EVO). Member questions about living off a share portfolio during down years and the differences between value and quality investing are addressed. Additionally, Tony clarifies the calculation of shares on issue for Rio Tinto, emphasizing global figures for earnings per share. In after hours, the duo also covers Mario Puzo's 'The Godfather', Alphonse Mucha, and the Archibald Prize, and discuss the potential and risks of AI, drawing references from science fiction. They wrap up with thoughts on films and books, including 'Klara and the Sun'.

Proposée par la Rmn-Grand Palais, la conférence de Brigitte Koyama-Richard, spécialiste de la culture japonaise, dépeint l'extraordinaire popularité de Mucha au Japon. Alphonse Mucha demeure l'un des artistes les plus appréciés au Japon. La beauté, la grâce et la sensualité qui se dégagent de ses portraits féminins fascinent les Japonais qui ne cessent de s'en inspirer depuis plus d'un siècle. Les mangas ne sont pas en reste et offrent de nombreuses couvertures dans le style de ce grand artiste. Lors de cette conférence seront évoquées les œuvres des artistes japonais influencés par Mucha, de la fin du XIXe siècle aux mangas.

La Bibliothèque nationale de France tient dans ses fonds de précieux documents qui appartiennent à l'Histoire. Des manuscrits, des photos, des enregistrements qui se retrouvent entre les mains des chercheurs et des historiens de la BNF, qui les mettent alors en lumière.Manon Dardenne, conservatrice au département des Arts du spectacle de la Bibliothèque nationale de France, va nous raconter l'histoire de Sarah Bernhardt. Admirée de Marcel Proust et d'Oscar Wilde, cette grande tragédienne de la fin du 19e siècle, dont l'affichiste Alphonse Mucha disait qu'elle était une "artiste dans toutes ses fibres", fut non seulement comédienne, mais aussi metteuse en scène, sculptrice, peintre et écrivaine, et la muse de grands dramaturges, dont Victorien Sardou et Edmond Rostand. Elle demeure une figure mythique, en France comme dans le monde.« Sarah Bernhardt, l'éternelle tragédienne, par Manon Dardenne »Un podcast original de la Bibliothèque nationale de France réalisé par David Federmann.Enquête et écriture : Manon Dardenne, Constance Esposito & David FedermannCheffe de projet : Constance EspositoDans la voix de Sarah Bernhardt : Cécile MorelNarration : Pierre WeillProduit par VMAJ7 pour la BnF Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome to Witch Whispers, our weekly minisode series coming to you every Wednesday. Each week, Leigh and Lori will take turns picking a  bite-sized magical topic to hold you over until our full-length Friday episode.This week, Lor lets out her inner artist through the magical works of Czech painter, illustrator, and graphic artist Alphonse Mucha.TO VIEW A COMPLETE LIST OF OUR RESOURCES, PLEASE VISIT OUR WEBSITE.UNCLE BOB'S MAGIC CABINET PODCASTPO BOX 12738PITTSBURGH, PA 15241Support the show

In honor of Alfonse Mucha's birthday, I thought I would post an encore of my mini episode about the poster that catapulted him to fame. In December 1894, Alphonse Mucha just happened to be in the print shop checking some proofs for a friend, when in walked an actress, Sarah Bernhardt in need of posters for her upcoming play. All of the regular artists she worked with were off for the holidays leaving Mucha as her only option. It was a tremendous stroke of luck for both of them as Mucha created a stunning poster that not only flattered the actress, it caught the attention of collectors all around Paris. People were cutting the posters off of displays and bribing the poster hangers so they could get copies, and the Mucha style laid the foundation for Art Nouveau. Related episodes: Alphonse Mucha | Gismonda (full episode from season 1) Art Smart: Art Nouveau Check out my other podcasts Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this captivating episode of Art-Wise, we dive into the fascinating world of brand design and illustration with our guest Caris, the talented owner of Carisma Design Studio. Join us as we explore the profound influence of nature on artists throughout the ages and the intimate connection between craftsmanship and inspiration. Caris shares personal anecdotes that highlight the transformative power of art, delves into the psychology of renowned artists like Van Gogh and Alphonse Mucha, and discusses the delicate balance between creative expression and meeting client expectations. Discover the profound impact of art on our perception of life and society, and gain valuable insights into creating artwork that resonates deeply with audiences. Tune in for a thought-provoking conversation that celebrates the beauty of nature and the boundless potential of artistic expression. Support Caris Here: https://carismadesignstudio.com/links-in-bio Support Art-Wise: https://linktr.ee/artwisepodcast

En matière de bijou serpent je pense au bracelet serpent flexible de Sarah Bernhardt dessiné par Mucha et créé par Fouquet en 1898 pour son rôle de Médée dont je vous ai parlé dans l'épisode 53. La tête du serpent est sertie d'une mosaïque d'émail, d'opales, de rubis et de diamants et repose sur le dos de la main, le corps du serpent s'enroule autour du poignet et la queue remonte sur le bras. Il se relie par des chaînes à un autre serpent en anneau de doigt, la tête tournée pour faire face à celle du bracelet. Ce bijou appartient aujourd'hui à la collection permanente du musée Alphonse Mucha.   Si vous aimez les bracelets serpents anciens, j'ai repéré chez Gorky Antiquité   un bracelet flexible du Second Empire en or jaune au yeux de rubis avec un diamant serti clos sur la tête et qui sort sa mignonne langue bifide.   En Haute Joaillerie ma pièce préférée est l'Hypnotic Emerald de la collection Magnifica de Bulgari. Particulièrement réputée pour la création de bijou serpent depuis le premier modèle appelé Serpenti en 1948 et qui était un bracelet-montre, cette Maison décline le serpent, de la joaillerie à l'horlogerie jusqu'à la maroquinerie. La pièce dont je vous parle, dont la réalisation a nécessité 1 800 heures de travail, est en platine, pavée de diamants taille brillant et baguette et de cabochons d'émeraudes. Et la pierre de centre est un très exceptionnel cabochon d'émeraude colombienne de 93,83 carats. Ce collier sensationenl a été porté, magistralement, par l'actrice Zendaya à la Mostra de Venise en 2021.   En joaillerie j'ai toujours aimé les serpents de Sylvie Corbelin, parce qu'ils sont toujours gentils, voluptueusement lovés autour du doigt, souvent en or noici pour faire ressortir les détails d'or jaune, les diamants et les yeux de rubis.   Olivier Grammatico, le fondateur de Cameo Paris réalise dans son atelier parisien des bijoux inspirés de la nature et entièrement sur mesure, il a une tendresse particulière pour les serpents et en crée souvent, tout fin à simple ou double enroulement et serti de saphirs et stavorites, ou comme en mouvement en or noirci diamanté escaladant une rose en corail parée d'un coccinelle et progressant vers une pomme en perle, ou encore mystérieux émaillé de vert et lové autour d'un saphir cabochon bleu intense. J'aime tout ses serpents ! Mais j'affectionne celui aux yeux verts perçants qui s'enroule sur le doigt, en or jaune, tout tacheté de diamants de couleur et pour la vignette du podcast j'ai choisi de vous montrer le plus estival, celui en or et diamants blancs qui traverse de part en part une mer de turquoise.   Parmi tous les serpents bijoux que présentent très souvent Sonia Esther Soltani, la rédactrice en chef du Rapaport que je vous ai fait découvrir dans le podcast Brillante, je craque pour le serpent ear-cuff de Clio Saskia. La queue arrive sur votre tempe et se pose au bord de l'oreille autour d'un saphir, puis le corps s'élance autour de l'oreille et la tête réapparait vers l'os de la machoire avec, dans sa gueule d'or, un saphir retenu par les crocs. Cette créatrice britannique travaille son bestaire en mouvement. Dans un autre pièce serpent, la tête toujours dardée et ouverte, aux crocs enserrants la gemme, se pose sur votre index et regarde en direction de l'ongle, puis le corps passe sous le doigt, réapparait sur le majeur et l'annulaire et finit sous l'auriculaire d'où l'extrémité de la queue remonte. Le bijou est fin et graphique et c'est surtout une jolie recherche qui dépasse la bague pour être un bijou de main.   Enfin j'ai été intriguée par les « bijoux méchants » de la créatrice canadienne HornyCatJewelry. Elle a créé un « lip cuff » que l'on peut choisir en argent ou en or blanc ou rose de 10, 14 ou 18 carats. Le fin serpent, est posé, délié, comme sur une branche qui est votre lèvre inférieure. Cet étrange serpent en morsure charnelle n'est pas un piercing c'est un bijou de lèvre dont le symbole serpent souligne étrangement la sensualité du baiser. 

L'actrice Sarah Bernhardt (1844-1923) eut le génie d'attirer à elle nombre d'artistes qui furent fascinés par sa forte personnalité. Alphonse Mucha fut l'un des plus prolifiques. Pour elle, il imagina de somptueuses affiches de théâtre, des costumes de scène, des bijoux, des portraits et participa à la décoration de son théâtre dans un style nouveau qui marqua l'époque. La conférence évoquera comment les images de « La Divine » créées par Mucha façonnèrent aussi celles d'une Femme qui en fit rêver bien d'autres.

La chronique expo de Fabienne Cohen-Salmon. Du 22 mars 2023 au 5 novembre 2023 GRAND PALAIS IMMERSIF, 110 RUE DE LYON - PARIS 12E Figure majeure de l'Art Nouveau, pionnier de l'art de l'affiche et précurseur de la publicité, Alphonse Mucha est l'un des artistes les plus célèbres d'Europe en son temps. Dès ses débuts, à l'aube de la Belle époque, son style fascine : magnifiant la nature, exaltant la beauté féminine, il s'applique à une grande variété d'œuvres et d'objets qui rencontrent un succès retentissant.

Un artista brillante, perseguido y olvidado que nos deslumbró con sus maravillosos carteles sinuosos cargados de femineidad y ornamento. Bibliografía Bladé, Rafael. (Agosto, 2008) El Art Nouveau de Mucha. Historia y Vida #485. Pags. 100-103. Sadurni, J.M. Alphonse (16/IX/2021) Mucha, el gran cartelista del Art Nouveau. Historia. NAtional Geographic Consultado el 14/IV/2023 Página Web: https://historia.nationalgeographic.com.es/a/alphonse-mucha-gran-cartelista-art-noveau_17189 The museum Blog. Alphonse Mucha. El polifacético artista del Art Nouveau. Consultado el 14/IV/2023 Página Web: https://themuseum.blog/es/alphonse-mucha/ Vozpopuli. (11/III/2021) El misticismo de Mucha, pionero del Art Nouveau aterriza en Madrid. Consultado el 14/IV/2023 Página Web: https://www.vozpopuli.com/actualidad/misticismo-mucha-art-nouveau-madrid_0_1075393799.html

Alphonse Mucha กับ Art nouveau และเหตุผลทำไมเขาถึงเป็นศิลปินในดวงใจใครหลายๆคน --- Send in a voice message: https://podcasters.spotify.com/pod/show/meisan/message

In December 1894, Alphonse Mucha just happened to be in the print shop checking some proofs for a friend, when in walked an actress, Sarah Bernhardt in need of posters for her upcoming play. All of the regular artists she worked with were off for the holidays leaving Mucha as her only option. It was a tremendous stroke of luck for both of them as Mucha created a stunning poster that not only flattered the actress, it caught the attention of collectors all around Paris. People were cutting the posters off of displays and bribing the poster hangers so they could get copies, and the Mucha style laid the foundation for Art Nouveau. Related episodes: Alphonse Mucha | Gismonda (full episode) Art Smart: Art Nouveau Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (the teacher who gets the most shoutouts on this form by Feb 27 will get a $50 Amazon gift card) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

News; app helps women escape from domestic violence; great Czech painter Alphonse Mucha; discovery of mythical "toadstone".

News; app helps women escape from domestic violence; great Czech painter Alphonse Mucha; discovery of mythical "toadstone".

A conversation with multidisciplinary designer Amy D Lux about how she got on track to become financially independent.   Topics: ⭐️ Index funds ⭐️ Credit scores ⭐️ Compound interest ⭐️ Late bloomers can retire early ⭐️ Tools for budgeting and investing ⭐️ Using a Debt Avalanche to pay off debt ⭐️ FIRE - Financial Independence, Retire Early ⭐️ Loan rehabilitation - how to get your student loans out of default   If you think you're too old to turn your financial life around, skip to minute 59. Amy gives a realistic timeline on how long it takes to get retirement on track.   Amy's Financial Resources: https://utopiadreamscape.com/category/wellness/finance/   Lighting LoboLuxDesign.com IG/FB/TW @LoboLuxDesign LinkedIn Amy D Lux   Lifestyle UtopiaDreamscape.com IG/FB @UtopiaDreamscape   Retirement Contribution Limits 2023: https://www.irs.gov/newsroom/401k-limit-increases-to-22500-for-2023-ira-limit-rises-to-6500   Women In Lighting: https://womeninlighting.com/site/page/about   Alphonse Mucha: https://www.alfonsmucha.org/the-complete-works.html   Iran Death Toll: https://www.bbc.com/news/world-middle-east-63242100   Compound Interest with Paddy Hirsch: https://www.artisticfinance.com/episode/DuW0LZ00yYMPsqiwFKyH/Compound-Interest-with-Paddy-Hirsch   Lap Chi Chu - Lighting Designer - SIMPLE retirement plan: https://www.artisticfinance.com/episode/a28i0vVANKirBQ1nR324/Lap-Chi-Chu-Lighting-Designer   Rich Dad, Poor Dad - Audiobook: https://www.youtube.com/watch?v=gliZHyovI7c   Afford Anything - Podcast: https://podcasts.apple.com/us/podcast/afford-anything/id1079598542   Acorns - “Round Up” Investing: https://www.acorns.com/   Mint.com: https://mint.intuit.com/   Index Fund Investing: https://investor.vanguard.com/investment-products/index-funds   VTSAX - Vanguard Index Fund: https://finance.yahoo.com/quote/VTSAX/   Debt Avalanche - How Amy Paid Off Her Debt: https://www.nerdwallet.com/article/finance/what-is-a-debt-avalanche   Paying More For Utilities Because of Low Credit Score: https://blog.risecredit.com/can-bad-credit-score-affect-utility-bills/#:~:text=Can%20a%20Poor%20Credit%20Score,your%20service%20up%20and%20running.   Student Loan Default: https://studentaid.gov/manage-loans/default/get-out   Money Mustache - Saving Chart:  https://www.mrmoneymustache.com/2012/01/13/the-shockingly-simple-math-behind-early-retirement/   AYRTON: https://www.ayrton.eu/   LDI: https://www.ldishow.com/   Book List: Your Money or Your Life 4 Hour Work Week The Simple Path To Wealth The Millionaire Next Door Early Retirement Extreme Playing With Fire Set For Life Quit Like A Millionaire Retire Early With Real Estate The Bogleheads Guide To Investing Financial Freedom Rich Dad Poor Dad   Become a patron at: www.patreon.com/artisticfinance   Interview by Ethan Steimel

John Park is an artist living in LA who paints around the US. We talk about Cannibal Flower, coming up in Ohio, attending RISD, the CIA using Modern Art in a covert operation in the '50s to combat the cultural Cold War, soft power flexes, Alphonse Mucha, Frog Tape, the 28,000 square feet Nike job, cracking sidewalks with lifts, hand-painted giant advertisements, the process of painting a basketball court, investigating the things that scare you, the power of saying yes, regulating self-talk, Saturdays feeling like Mondays, becoming friends with your past, teaching art at Concord High School and being the whistleblower on its corruption, always over-delivering, having 50 non-artists paint 50 paintings on a fictional show called 'Striver: The Art Edition," and being the last of the analogues.www.johnparkart.comIG: @johnparkart

Photo:  Russia restituenda.  Art nouveau poster by Alphonse Mucha for the international society "Pomgol" #Ukraine: Does Russia register guilt? Paul Gregory @PaulR_Gregory @HooverInst https://www.hoover.org/research/russians-and-collective-guilt

El día de hoy hablamos del Art Nouveau, una de las corrientes estéticas más interesantes y ambiciosas del siglo XX, que le dio la bienvenida al nuevo siglo, e intentó unificar la belleza del mundo a su alrededor pero que lamentablemente murió muy rápido a causa de las guerras mundiales. Hablamos de Alphonse Mucha, de Victor Horta y su escalera para el Hotel Tassel y sobre todo, hablamos de los sueños, expectativas y esperanzas de muchos artistas que se esforzaron al máximo para recibir un nuevo siglo con un arte digno. 

 In her conversation with Radvan Markus, Kateřina García discusses growing up in a multilingual space, surrounded by the work of her great-grandfather Alphonse Mucha; singing in multiple languages and especially Irish; capturing fragile and fleeting moments in her songs; working with various talented musicians; bringing the cultural and literary aspect into her linguistic research on Judeo-Spanish through her interest for traditional Sephardic music and its links with identity; and the journey behind some of her music, of which we hear three examples in this episode. 

This episode has a good chat about the artist Alphonse Mucha, from his contributions to Art Nouveau with his commercial work in the late 19th century, to his major historical artwork of the ‘Slav Epic', even touching on how his art impacted later movements like the psychedelic band posters of the 1960s.

Politiek in de schaduw van de Olympische Winterspelen. Tom Egbers ontdekt Schotland in een blauwe oldtimer. Corinne Ellemeet, Lilianne Ploumen en Monique Opheij over een bijzondere mijlpaal. Jasper Krabbé toont het originele werk van kunstenaar Alphonse Mucha. En Orange Skyline brengt de soundtrack van het Olympisch schaatstoernooi ten gehore. 

Annemieke Bosman in gesprek met conservator Thijs de Raedt over zijn eerste tentoonstelling over Alphonse Mucha.  Kunstmuseum Den Haag toont het werk waarmee Alphonse Mucha zo beroemd werd: affiches en illustraties, en ontwerpen voor toegepaste kunst, allemaal tegen de achtergrond van het bruisende Parijs van het fin de siècle. Laat negentiende-eeuwse kostuums belichamen de flanerende Parijzenaren langs de boulevards, terwijl kleurrijk glas van Émile Gallé en Moser & Sohne uit dezelfde periode laat zien hoe nauw verbonden het werk van Mucha en de Art Nouveau is. Ook wordt er aandacht besteed aan de herontdekking van Mucha's werk in de jaren zestig, en hoe zijn stijl resoneert met de popcultuur, flowerpower en Woodstock, te zien in de ontwerpen van platenhoezen en concertposters van bands als Martha & The Vandellas, The Rolling Stones en Pink Floyd. Kunstmuseum Den Haag laat zien onder welke omstandigheden Alphonse Mucha wereldberoemd kon worden, en blijven.

----more----We read the first two acts of Edmond Rostand's classic romantic tragedy, Cyrano de Bergerac.  It's entirely possible that Cyrano is the coolest guy who ever lived.  Listen in as we lay the groundwork for a familiar-sounding love triangle!  Jackie speaks fluent German. Theo lifts weights with gusto.  Rachel stands up for women.  Topics include: Muppet Babies, Abraham Lincoln: Vampire Slayer (sic), a good take on tertiary syphilis, Hamilton, anagrams, Alphonse Mucha, the Spanish(?) Flu, himbos, curly brains, Will Smith (not the one you're thinking), whether Cyrano is OP, more dog stories, Scrappy Doo, T-Pain, and IKEA. Once and future guest Lindsey Kelk's new book (On a Night Like This) is out!  Check it out.

Podcast guest 372 is Thomas Negovan Lecturer for TEDx, author, musician, filmmaker, gallery owner, and historian, having specialized in Art Nouveau for over 20 years. Today we will be speaking about his book Le Pater: Alphonse Mucha's Symbolist Masterpiece and the Lineage of Mysticism which is a book of the Christian mysticism Artworks of Alphonse Mucha. --- Support this podcast: https://anchor.fm/jeffrey-s-reynolds/support

This episode's guest is someone who has a background as an artist and has been working in galleries specialised on the period between 1880 and 1920 hosting exhibitions for more than 20 years, Thomas Negovan. Thomas has just published an amazing book on the pinnacle artist of the Art Nouveau movement, Alphonse Mucha and his masterpiece ‘Le Pater: Alphonse Mucha's Symbolist Masterpiece and the Lineage of Mysticism', originally illustrated and interpreted in the most occult and hermetic ways by the artist himself. Thomas was born and raised in a very working class area of the south side of Chicago. From his childhood and teenage years on the post-industrial-revolution period of the late 19th century resonated with him intensely especially because artists of this period expressed a deep interest in mystical thinking and metaphysics. His interest in this period made Thomas even release a wax recording produced without electricity and he cooperated with an artist to create an album cover with wet plate photography. In the show break you'll be able to listen to an amazing piece from the album that has been recorded just as if we were still in the late 19th century. Poster for an evening of theater honoring Sarah Bernhardt (1896) Zodiac calendar for La Plume (1897) Growing up, Thomas soon became fascinated with science fiction and fantasy literature and of course with the illustrations featured in those books by artists who were deeply influenced by Art Nouveau. Later he worked for a gallery with a specialisation on this period of time and learned that it was very difficult to get originals. In 1999 Thomas founded the Century Guild Museum of Art in California focusing on the research, preservation and exhibition of Art Nouveau and Symbolist work from Germany, Austria, France and Italy from the Industrial Revolution through the Weimar Republic. In this episode we will shed some light on this era of decadence and exhaustion after WWI and how the occult revival that started in the 1860s influenced the arts and vice versa. Of course, we will go in depths on why Thomas intended to publish this incredible book ‘Le Pater' in the first place, discuss why Alphonse Mucha's work seems to be ubiquitous but his name not as much, what exactly characterises his art and why whole generations of comic book artists seem to be obsessed with him. PLEASE CLICK AND VISIT THE FOLLOWING WEBSITES TO GET ALL THE INFORMATION ON THOSE EDITIONS OF  "LE PATER", ON THOMAS NEGOVAN AND ON THE CENTURY GUILD www.lepater.com www.thomasnegovan.com www.centuryguild.net Understandably, ‘Le Pater' will take up quite a lot of space in our conversation, we will talk about its creational process and shed some light on Mucha's motivation to present a series of artworks that have a highly occult and hermetic background. Thomas' edition of the ‘Le Pater' will be our guide to understand Mucha's intentions with his art as he spent 20 years of research on a popular artist whose masterpiece was not present so much nowadays. As a publisher Thomas wanted to recreate the original print as closely as possible, so the result is simply mind-blowing presenting itself in a 12''x16'' format (hardcover and limited edition, already available) and a slightly smaller 9''x12'' format (paperback, available in March). Don't miss out on the publisher's website! Music played in this episode Today's musical choice is programmatic for the subject of the episode: In the break of the interview, my guest, Thomas Negovan, performs two songs, the latter being recorded on a wax cylinder, without the help of electricity,

Un murale dalle grandi dimensioni, 17 metri di larghezza per 2 metri e 80 di altezza, colora uno dei palazzo storici di Schio. L'opera dal nome Scledum Culturae si ispira al Manifesto del Teatro del pittore ceco Alphonse Mucha, uno dei massimi esponenti dello stile Liberty.

Sistema de impresión de imágenes inventado en 1798 por Aloys Senefelder. La litografía fue uno de los primeros sistemas de copiado y reproducción en serie de imágenes. La técnica está basada en el sencillo y fundamental principio de que “el agua y la grasa se repelen”. Para este tipo de impresión, se utiliza una matriz de piedra caliza pulida sobre la que se dibuja con pincel o lápiz graso. La litografía fue utilizada por en el Siglo XIX por Goya, Daumier, Géricault, Delacroix, Odilon Redon, Vuillard, Bonnard, y en el siglo XX, Eduard Munch, Emil Nolde, Matisse y Braque y Picasso. A finales del siglo XIX e indisociablemente asociado a la aplicación de la cromolitografía o litografía en color, nace el nuevo arte del cartelismo, máximo representante del cuál fue sin duda Toulouse-Lautrec. Con sus carteles este artista francés revolucionó el arte de la publicidad. Durante el siglo XIX la litografía estuvo estrechamente vinculada al desarrollo de la prensa y fue uno de los sistemas más utilizados para la ilustración de libros. Aunque este procedimiento fue extensamente usado con fines comerciales, la mayor parte de los grandes pintores de los siglos XIX y XX también lo emplearon ya que facilitaba obtener un cierto número de copias de un mismo trabajo: Picasso,5​ Toulouse-Lautrec, Joan Miró, Piet Mondrian, Ramón Casas, Antoni Tàpies, Alphonse Mucha, Goya, Andy Warhol, etc. Asimismo, reciben el nombre de litografía, además del sistema de impresión, cada uno de los ejemplares obtenidos por este procedimiento así como el taller donde se realiza este tipo de trabajos. Posteriormente, al aparecer las rotativas se comenzaron a emplear láminas flexibles de zinc o de aluminio, y más recientemente de plástico, en sustitución de las pesadas piedras litográficas. Con la incorporación de la fotomecánica, dichas planchas dejaron de ser dibujadas a mano, puesto que la sensibilización de su superficie permitía exactas reproducciones fotográficas. Aunque de forma incorrecta, aún es frecuente denominar a las empresas de Artes Gráficas, como Litografías.

Did you miss our LIVE bonus show on Fireside, the interactive storytelling platform? Don't worry— you can catch the replay on Fireside, or enjoy the bonus audio here. On our Oct. 25 live event, I had the great pleasure of speaking with author, artist, and musician Thomas Negovan about his new book, Le Pater: Alphonse Mucha's Symbolist Masterpiece and the Lineage of Mysticism. This gorgeous, swoon-worthy coffee table book uncovers the often-overlooked metaphysical elements of Mucha's Le Pater series and also delves into themes of the Divine Feminine and Mucha's own metaphysical practices. Want to join in on the fun next time? Join Fireside now and follow me for invites to each live recording, where you can participate in the audience and ask questions live! And who knows? Maybe we'll even throw a trivia contest every now and again. More Fireside chats are coming up this month and next. Watch our social media posts for further details. Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Twitter / Instagram / Facebook / Fireside Don't forget to show your support for our show by purchasing ArtCurious swag from TeePublic! SPONSORS: Wondrium: Enjoy a free month with unlimited access Bombas: get 20% off your first order Storyblocks: Get unlimited downloads at Storyblocks, a subscription-based provider of stock video and audio Learn more about your ad choices. Visit megaphone.fm/adchoices

Whether photographed in a coffin or depicted on an Art Nouveau poster, the French actor Sarah Bernhardt knew exactly how to get maximum publicity. Although her first outings on the stage were unremarkable, she refined her skills and rose to become the leading actor of her generation and a world-famous name. Her life off-stage was a further source of endless fascination, her eccentric and occasionally arrogant behaviour only adding to her allure. Her critics saw her as manipulative and hackneyed. For her admirers, seeing Bernhardt ‘die' on stage was a moment to be treasured for ever. Today we might find the late 19th-century acting style captured on film and sound recordings affected. But her legacy is being re-evaluated, as a woman who took control of her own destiny. Bridget Kendall charts Sarah Bernhardt's life and career with John Stokes, Emeritus Professor of Modern British Literature at King's College London, who's published widely on theatre history, including The French Actress and Her English Audience; Victoria Duckett, Senior Lecturer in Screen and Design at Deakin University in Melbourne and the author of Seeing Sarah Bernhardt: Performance and Silent Film; and Sharon Marcus, the Orlando Harriman Professor of English and Comparative Literature at Columbia University. Her 2019 book The Drama of Celebrity is an exploration of the processes that propel a figure such as Sarah Bernhardt to global fame. Produced by Fiona Clampin for BBC World Service [Image: Posters showing Sarah Bernhardt as Camille in La Dame Aux Camelias (Lady of the Camellias) by Alphonse Mucha. Credit: (left to right) Universal History Archive/UIG via Getty Images, DeAgostini/Getty Images]

We got acquainted with legendary artist Alphonse Mucha – from his Freemason background to his Rosicrucian art, from his impact on occult Paris to his ordeal under Nazi fury. This included his mystical exploration of the Gnostic androgynous divinity in LE PATER (The Lord's Prayer), a work the Catholic Church censored. Writer, art historian, and film producer Thomas Negovan joined us at the Virtual Alexandria.Astral Guest -- Thomas Negovan, art historian, film producer, and author of Le Pater: Alphonse Mucha's Symbolist Masterpiece and the Lineage of Mysticism.This is a partial show. For the second half of the interview, please become a member or patron at Patreon.Get the simple, effective, and affordable Private RSS feed for all full shows: Exclusive Aeon Byte Podcast Feed | RedCircleMore information on ThomasGet the bookSupport this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Thomas Negovan is the director of the Century Guild Museum of Art and author of Le Pater: Alphonse Mucha’s Symbolist Masterpiece and the Lineage of Mysticism. He joins me in this special bonus podcast episode to discuss the work of Alphonse Mucha (1860-1939), especially his incredibly symbolic and deeply esoteric masterpiece, Le Pater. Mucha was a Czech painter, illustrator and artist who lived in Paris during the Art Nouveau period. His distinctive style is recognized today as being among the defining works of that period, and is probably best known for his posters promoting stage actress Sara Bernhardt. However, Mucha was also a Moravian Christian and Freemason, and his esoteric interests and mystical pursuits enfused the artwork of his incredible masterpiece, Le Pater. This is such an important piece of esoteric artwork that I agreed to produce this bonus episode to help Thomas get the word out about his Kickstarter to produce a paperback version of his book on Le Pater. Links The Le Pater website Century Guild Information on Alphone Mucha’s involvement in Freemasonry What is Art Nouveau?

藝術的使命是根據每個民族的靈魂之美來表達其審美價值。藝術家的使命是教人們熱愛這種美。 —— Alphonse Mucha . 捷克藝術家、新藝術運動大師 慕夏Alphonse Mucha（1860-1939）以其極具辨識度的裝飾風格定義了世紀末的樣貌。在柔和的桃色、金色、赭石和橄欖色調中，他擅長用花朵和女人作為構圖的元素，成為當時插圖、海報、明信片和廣告設計的中流砥柱。尤其是他為知名女演員莎拉．伯恩哈特 (Sarah Bernhardt) 設計的優雅劇院海報和裝飾面板，在世紀末巴黎聲名鵲起。 . 除了這些精緻的裝飾，慕夏還懷有堅定的民族主義信仰，以《斯拉夫史詩》等具有紀念意義的作品表達對家鄉的支持。在歐洲動蕩的時期，他不只是一位藝術家，同時是愛國者、哲學家，還具有國際化的觀點，擁有許多人文主義理想。這樣的慕夏，還有哪些鮮少人知的故事呢？一起來聽聽。 . 主持｜Amber（誠品職人） 來賓｜Diane（誠品職人） . ※部分內容採遠距錄音，音質或受影響，敬請見諒。 . ▍重點摘要 05:15 工業革命末期，走入日常的新藝術運動 09:00 在鄉村的童年，造就細膩觀察力及藝術風格 12:40「你應該去找別的工作。」連慕夏也遭藝術學校拒於門外？ 14:50 一張火車票改變了命運 18:30 一幅菸草廣告海報，顛覆女性的刻板印象 26:06 臨危受命，讓慕夏遇到改變事業前景的幸運女神 27:46 奉獻給族人的傑作：斯拉夫史詩 . ▍慕夏作品集 >> https://bit.ly/3cPR8cv -- 還想聽什麼？ 歡迎✉給誠品Podcast小組｜https://pse.is/3n59qc

Cora Buhlert joins us to discuss Clark Ashton Smith's "Xiccarph", German science fiction, pulp magazines, morbid beauty, vampire flower women, Jirel of Joiry, the Dark Eye, foreshadowing, Gary Gygax's exclusion of Clark Ashton Smith from the Appendix N, Alphonse Mucha, doomed protagonists, the 2022 World Science Fiction Convention, and much more!

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In this episode Laura chats to painter, dancer and sculptor Marina Renee-Cemmick. We talked about drawing as a way of thinking, ways to combine art forms, the importance of mentorship, the joy of teaching, the place of painting in a speedy digital world, Dorset, Glasgow, Kyoto, Prague and Florence.Episode NotesMarina's work: https://www.marinareneecemmick.com/The Royal Society of Portrait Painters 2021 Exhibition at the Mall Galleries https://therp.co.uk/portrait-exhibitions/annual-portrait-exhibition/?gclid=Cj0KCQjwhr2FBhDbARIsACjwLo0pFJXlDUDZZ_nwtcoYCTqiWY3hK8t-Uf5jUQ2TWYw1xcN5yJ9FfJ4aAk18EALw_wcBDrawing Life Glasgow https://www.drawing-life.com/Jenny Saville https://www.royalacademy.org.uk/art-artists/name/jenny-saville-raThe Slav Epic by Alphonse Mucha http://www.muchafoundation.org/en/gallery/themes/theme/slav-epicThe Royal Drawing School https://www.royaldrawingschool.org/courses/Marshall Mcluhan, The Medium is the Message See acast.com/privacy for privacy and opt-out information.

We talk about Avatar: The Last Airbender a little, some family history, the size of Rhode Island and St. Pete. What does an anniversary actually count for? We can't decide. Jocelyn channels Dave Grohl ghosthoney style and THEN we get into Alphonse Mucha (July 24, 1860 - July 14, 1939) a fabulous Czech painter, illustrator and graphic artist. Check out the gram @iminoredinarthistorypod for the art pieces we mention! Music Creds: intro is edited Regina Spektor, outro is original audio by Nic Hamersly --- Support this podcast: https://podcasters.spotify.com/pod/show/iminoredinarthistorypod/support

The music played during this episode:“Dawn” by Rosśa Crean, performed by Maren Montalbano, used with permissionRosśa's recently released albums:The Princess of Morphinea lonely voice in these haunted rooms: songs in quarantineInformation on the Lakeside Inn Artist ResidencyFollow Rosśa CreanOn Instagram: @criticalmuseOn Twitter, FB, Soundcloud: Rosśa CreanWebsite: rossacrean.comFollow Maren on Instagram: @supermarenSign up for the Bodice Ripper Project newsletter and get exclusive behind-the-scenes content: http://www.bodiceripperproject.com/Purchase Maren's debut book, Pandemic Passion: A COVID-19 novella on Kindle UnlimitedTranscript and Show Notes: http://www.bodiceripperproject.com/e025/

It's Episode 19 and today we are all about ART NOUVEAU!!! This dreamy movement within art history is characterised by its whiplash waves and women who look like they are straight out of your dizzy daydreams! This week I welcome back Scottish Illustrator Nicole McLaughlin aka Nico Paws to talk about the work of the godfather of Art Nouveau - Alphonse Mucha! Mucha is responsible for some of Art Nouveau's most iconic depictions but falls into the classic ‘know his work but not the artist's name' category. From dreamy interiors to using pin up girls in advertising, Mucha pathed the way for a new art movement born off the back of The Arts and Crafts Movement. Guest: Nicole McLaughlin Instagram: https://www.instagram.com/nicopaws_ Website: https://linktr.ee/Nicopaws_ Etsy: https://linktr.ee/Nicopaws_ Host: Jo McLaughlin Instagram: https://linktr.ee/josarthistory Website: https://www.instagram.com/josarthistory ALL IMAGES MENTIONED ARE AVAILABLE TO VIEW VIA MY WEBSITE OR ON MY INSTAGRAM HIGHLIGHTS. TO FIND THEM ON INSTAGRAM - GO TO @JOSARTHISTORY & LOOK IN MY HIGHLIGHTS SECTION FOR THE EPISODE NUMBER. This podcast can also be viewed on Youtube with subtitles. Further Reading on Mucha: http://www.muchafoundation.org/en/gallery/themes/theme/advertising-posters/object/44 https://www.arte.tv/en/videos/083933-000-A/alphonse-mucha/ http://www.alphonsemucha.org/ https://en.wikipedia.org/wiki/Alphonse_Mucha http://www.muchafoundation.org/en/gallery/themes/theme/advertising-posters

This week: as Joe Biden and Kamala Harris are sworn in as the president and vice president of the United States, what might their administration do for the visual arts? We talk to Jori Finkel, a regular contributor to The Art Newspaper and The New York Times from Los Angeles. We explore an extraordinary story linking QAnon, the far-right conspiracy theory and hate group, and how its origins may lie in the activities of a collective of radical Italian artists in the 1990s, the Luther Blisset Project, with Eddy Frankel, the Culture editor of Time Out and founder of the art and football magazine OOF. And in this week’s Work of the Week, we actually look at 20 works: Alphonse Mucha’s Slav Epic, with Mucha’s grandson, John. See acast.com/privacy for privacy and opt-out information.

O Centro Cultural Banco do Brasil apresenta a exposição 'Alphonse Mucha: o legado da Art Nouveau'. A visitação das obras do artista tcheco acontece em um horário restrito: 9 às 13 horas.

I’m sure you’ve heard it a lot and will continue to hear it, 2020 has been a challenging year! In this episode, Bethany and Joshua Granberg will do a quick look-back in 2020 and then imagine the best in 2021. Enjoy! Artwork “Accept” by Bethany Granberg “David” by Joshua Granberg “Expectations” by Lawrence Alma-Tadema “Princess Hyacinth” by Alphonse Mucha

 Parce que chaque semaine qui commence est un nouveau départ, j'avais envie de vous lire une histoire. Alors je vous propose le bijou comme un bisou du dimanche soir. Il était une fois les bijoux de Sarah Bernhardt La date et le lieu de naissance, ses prénoms, son père rien n'est acertainé chez Sarah Bernhardt parce que c'était l'époque, parce qu'elle ne le voulait pas, parce qu'elle a construit sa légende. Nous dirons qu'elle est née entre 1841 et 1844 à Paris, que sa mère s'appelait Judith, qu'elle avait 3 sœurs, que l'amant de sa tante est le duc de Morny, le demi-frère de Napoléon III, qui lui offre une éducation au couvent des Grand Champs à Versailles où elle découvre à la fois le mysticisme et le théâtre. C'est encore avec la recommandation du duc de Morny qu'elle entre au conservatoire d'art dramatique de Paris en 1859. Entre les deux écoles elle a appris les arts, l'escrime et la galanterie.  Sa carrière théâtrale est mouvementée, elle entre en 1862 à la comédie française et est renvoyée en 1866 pour avoir giflée la sociétaire Mlle Nathalie. Alors elle signe avec le théâtre de l'Odéon. Puis elle est rappelée par la Comédie Française avant de créer sa propre compagnie puis de diriger le théâtre du Chatelet. Elle a été acclamée dans Le Passant, Ruy Blas, Phèdre, Hernani… des rôles puissants, des pièces controversées, des succès certains ! En temps que femme on lui connait un enfant Maurice Bernhardt, fils du Prince Henri Joseph de Ligne et de nombreux amants : des princes, des mondains, des artistes, un médecin. Elle aura même un époux, l'acteur Aristides Damala hélas morphinomane avec lequel elle ne restera pas mais dont elle ne divorcera pas. Elle se blesse au genou en 1887 en revenant d'une tournée, ne se soigne pas, continue à se blesser pendant ses rôles, on lui diagnostique en 1902 une tuberculose ostéo-articulaire, on la plâtre, elle gangrène et on l'ampute en 1915, alors elle jouera assise car elle refuse de porter une prothèse alors que 2 ans auparavant elle avait osé se faire faire un lifting dont la technique était alors une nouveauté plutôt risquée.  En temps qu'actrice, elle est le dernier amour de Victor Hugo qui l'appelle la voix d'or et la première admiratrice de Jean Cocteau qui la qualifie de « monstre sacré », d'autres la nomme la divine ou l'impératrice des théâtres. Avec sa propre compagnie théâtrale, Sarah Bernhardt triomphe sur les cinq continents. Elle joue de 1880 à 1917 à Londres, Copenhague, New York, Boston, Saint Pétersbourg, Melbourne, Québec, Rio de Janeiro. Elle est la première actrice française à créer cette carrière internationale. Que son public comprenne ou non le français n'a pas d'importance. Sa renommée est si grande qu'ils viennent la voir et lui font un triomphe qui renforce encore sa notoriété. Concomitamment à ses tournées, elle prend la direction en 1893 du Théâtre de la Renaissance puis en 1899 du Théâtre des nations qu'elle rebaptise Théâtre Sarah Bernhardt.  Sarah Bernhardt est une femme engagée qui choisit son rôle sociétal. En 1870, pendant le siège de Paris, elle demande au préfet de police, le vicomte de Kératry l'autorisation d'installer une ambulance dans le théâtre de l'Odéon. Elle sollicite l'aide de ses admirateurs qui la ravitaille en vivres. Quand les combats se rapprochent de Paris, des lits de fortunes prennent place partout jusque sur la scène et dans les loges. Sara veille deux nuits sur trois sur ses 60 blessés y compris le futur maréchal Foch qu'elle retrouvera quarante-cinq ans plus tard sur le front de la Meuse, pendant la Première Guerre mondiale. Quand les canalisations d'eau éclatent sous le gel. Sarah trouve un vaste d'appartement rue Taitbout pour abriter ses blessés Plus tard elle apporte son soutien à Émile Zola au moment de l'affaire Dreyfus, et soutient la féministe Louise Michel. Elle prend position contre la peine de mort. Un an avant sa mort elle donne une série de galas au bénéfice des travaux de Marie Curie. En 1916, amputée, Sarah Bernhardt se fait transporter sur une chaise à porteurs style Louis XV pour va aller remonter le moral des Poilus de la Grande Guerre et invente le Théâtre aux Armées. En septembre 1916, elle se rend en Amérique pour convaincre l'opinion publique de rentrer dans la guerre au secours de la France. En 1917, elle tourne un film de propagande intitulé « Mères françaises » et une nouvelle pièce « Du théâtre au champ d'honneur ». Malgré le refus de funérailles nationales du gouvernement Poincaré, la foule immense qui l'accompagne une dernière fois reconnait en elle une pionnière, une femme libre. Sarah Bernhardt est une femme d'affaire qui n'hésite pas à affréter un train Pullman pour transporter sa troupe et ses 8 tonnes de malles à travers les Etats Unis. Elle invente le star système en se mettant en scène et en faisant connaitre ses lubies qui lui créent une image particulière, alimentent les gazettes et scandalisent. Elle se crée une devise « Quand même » en référence à son audace et à son mépris des conventions, devise qu'elle érige en drapeau dont on lève les couleurs dans sa résidence d'été. Elle cultive une ménagerie qui choque : elle achète un guépard, un chimpanzé qu'elle appelle Darwin, des caméléons, un grand-duc, un bôa, des grenouilles, des scarabées et même un crocodile à qui elle ne pardonnera pas d'avoir croqué un de ses 3 chiens. Elle interprète des rôles masculins : Lorenzaccio d'Alfred de Musset ou Péléas dans Hamlet ou encore le duc de Reichstadt dans l'Aiglon d'Edmond Rostand. Elle est longue et mince et sa silhouette en S promeut la mode corsetée et cambrée de l'art nouveau. Ses tenues, ses déshabillés, ses chapeaux, son rouge à lèves, sa poudre de riz : tout cela est sujet à scandales mais détaillés dans les feuillets de mode que les femmes s'arrachent et copient dans le monde entier. Elle a tout de suite compris l'intérêt de la publicité. Pour promouvoir la pièce Phèdre, elle enregistre avec thomas Edison à New York une lecture de la pièce. Elle prétend dormir dans un cercueil avec des lys blancs à la main au dessous d'un miroir orné d'une figure de vampire et s'y fait photographier afin d'en vendre les visuels sous forme de photos et de cartes postales. Elle utilise les talents de fameux photographe Nadar pour l'immortaliser dans ses rôles principaux. Et bien sûr elle veille aux affiches de ses pièces. C'est ainsi qu'elle rencontre Alphonse Mucha. L'artiste est arrivé à paris en 1887 et a débuté une carrière d'illustrateur. En 1894 il se trouve dans l'atelier de l'imprimeur Lemercier, quand Sarah Bernhardt appelle pour demander une affiche pour la pièce Gismonda, de Victorien Sardou qui se joue au Théâtre de la Renaissance dont elle est devenue la propriétaire quelques mois plus tôt. Elle cherche à mobiliser un public réticent pour la prochaine représentation du 4 janvier 1895. Aucun des affichistes de renom n'est disponible alors Mucha reçoit la commande et un délai de quarante-huit heures. A la livraison, l'imprimeur est réticent car l'affiche de Mucha est révolutionnaire. Par son format étroit et tout en longueur, sa composition avec le personnage encadré dans une arche avec le visage entouré d'une couronne de fleurs et ses couleurs en camaïeu mordorés. Sarah Bernhardt adore ! Elle déclare : « Ah ! Que c'est beau ! Dorénavant, vous travaillerez pour moi, près de moi. Je vous aime déjà ». Le public aussi est séduit et va jusque chez l'éditeur pour acheter l'affiche. Sarah Bernhardt signe avec Mucha un contrat de 6 ans pour la réalisation des affiches, des décors de scène et des costumes et les bijoux qui vont avec. Pour Lorenzaccio, il lui dessine un large collier dont les motifs font écho au brocart du costume, il imagine des ornements de cheveux complexe composés de disque colorés de pierres, de verre ou d'émail et garnis de chaines qui transforme la femme en figure allégorique notamment pour la revue d'art La Plume. Pour la création des Bijoux, Mucha a rencontré l'orfèvre et joaillier parisien Georges Fouquet qui a repris la boutique de son père en 1895 et est déterminé à renouveler le style de sa Maison. Leur collaboration permettra la création de bijoux fabuleux. Parmi les bijoux Mucha-Fouquet le bracelet serpent créée en 1898, pour le rôle de Médée est un exemple extraordinaire : la tête est sertie d'une mosaïque d'émail, d'opales, de rubis et de diamants et repose sur le dos de la main, le corps du serpent s'enroule autour du poignet et la queue remonte sur le bras. Il est relié par une série de chaînes à un autre «serpent» qui est un anneau de doigt, la tête tournée pour faire face à celle du bracelet. L'imposant bijou est rendu flexible par un système discret de charnières. On ne sait pas exactement quand Sarah Bernhardt le vend mais il est racheté en 1964 par Joan «Tiger» Morse une styliste américaine avant de devenir la propriété de l'actrice Marlene Dietricht qui le vend aux enchères chez Christies Genève. Ce bracelet est aujourd'hui au Japon dans la collection permanente du musée Alphonse Mucha de Sakai City. Bien que ce bracelet iconique soit une pièce unique conçue pour Sarah Bernhardt, il existerait en fait trois versions du bracelet dans les archives Fouquet. Dont l'une créée en 1900 aurait été vendue aux enchères en 1989.  Fouquet demande à Mucha de créer une collection de bijoux pour le stand Fouquet de l'Exposition internationale de Paris en 1900. Et un an plus tard lui commande la décoration Art nouveau de la boutique Fouquet au n° 6 de la rue Royale, véritable manifeste de son vocabulaire esthétique aujourd'hui conservé et reconstitué au musée Carnavalet à Paris. En 1899 c'est René Lalique que Sarah Bernhardt sollicite pour lui créer les bijoux de son rôle de Mélissinde dans La Princesse Lointaine. Il va réaliser un pendentif en or, émail, diamants et améthyste mais surtout une couronne fermée, en métal argenté, surmonté de cinq motifs trilobés ornés de perles et pierres fantaisie avec une grande plaque en métal doré sur le devant ornée de médaillons de verre coloré imitant les pierres précieuses. Le tour de tête est décoré de turquoises et perles fantaisies et de chaque côté de la couronne, un serre-tête représente deux grands bouquets de fleurs de lys à semis de perles de fantaisie et pistils de verres brillants. Le serre-tête est aujourd'hui conservé à la Bibliothèque-Musée de l'Opéra. Ce magnifique bijou de théâtre  a surement été réalisé entièrement par Lalique mais on sait que Sarah Bernhardt elle-même en a surveillé tous les détails et a demandé à Mucha d'en faire des dessins au même titre que le décor et les costumes de la pièce. Pour ce rôle de Melissinde Mucha et Fouquet lui créeront une broche en or,  émail, rubis, diamant et perle En 1900, elle achète à Lalique le pendentif L'Aiglon en or, émail, perle et rubis pour célébrer le rôle qu'elle interprète dans la pièce d'Edmond de Rostand et que l'on peut voir aujourd'hui aux Musée des Arts décoratifs. Sarah Bernhardt accordait une grande importance aux bijoux, qu'elle aimait volumineux et voyant. Elle porte une bague en os dans Cléopâtre comme bijou fétiche Quand elle demande un enfant à Victor Hugo, il lui envoie une de ses larmes sous la forme d'un gros diamant sur un bracelet. Elle orne la carapace de sa tortue préférée de topazes et de diamants. Elle met un fil d'or à la patte de ses scarabées qui se promènent sur ses épaules comme des pierres précieuses vivantes. Et quand elle devient myope, elle se fait créé des face à main en or, rubis et perle dont on peut encore voir un exemplaire au musée de la lunette à Morez dans le Jura. Sarah Bernhardt s'essaiera au cinéma muet et parlant dès 1900. Elle sera distinguée Chevalier de la légion d'honneur en 1914 pour avoir « répandu la langue française dans le monde entier » et meurt en 1923 sur le tournage de La voyante de Sacha Guitry. Elle est l'une des très rares artistes françaises à avoir son étoile sur le Hollywood Walk of Fame à Los Angeles. Sarah Bernhardt disait « Il faut haïr très peu, car c'est très fatigant. Il faut mépriser beaucoup, pardonner souvent, mais ne jamais oublier ». Elle est inoubliable. Ainsi se termine cette histoire d'Il était une fois le bijou. Je vous souhaite une jolie semaine et vous donne rendez-vous dimanche prochain. Si cette histoire vous a plus envoyez moi plein de bisous sur les réseaux sociaux d'Il était une fois le bijou et encouragez moi en partageant les bijoux bisous tout autour de vous. A bientôt pour un prochain bijou, un nouveau bisou du dimanche soir. Site Twitter Facebook Instagram LinkedIn

On the 6th episode of Tattletale we speak to Jeremiah Mandel. We talk about how his first tattoo was inspired by an early 2000s one hit wonder rap/rock fusion band. We also cover a range of artists that have influenced his tattoos including Alphonse Mucha to Futura, and from The Smiths to Drake to the Grateful Dead. We talk about how much his travels, his family and his friends’ shared experiences mean to him and discuss the meaning of the word “forever” and why he got it tattooed.

Alphonse Mucha est un artiste tchèque au parcours particulièrement riche. Il a été un créateur au talent unanimement reconnu, de son vivant. Il fut notamment l'affichiste de la célèbre actrice Sarah Bernhardt. Il a réussi à imposer son style dans son domaine grâce, notamment, au succès de ses fameuses "femmes fleurs".... See acast.com/privacy for privacy and opt-out information.

"Yes, I dated my students!" - Shay Shay, Maggie, Alex CG and Alex P reflect on Fire Emblem: Three Houses, the brand new instalment in the long running Fire Emblem series from developers Intelligent Systems. Three Houses is a narrative driven, tactical RPG that explores themes of casteism, fascism and feudalism. Join us as we delve into the intricacies of high school monastery living and the ethics of dating your students. This episode contains spoilers. Links: "Gismonda" by Alphonse Mucha: https://www.reproduction-gallery.com/... "The Hunters in the Snow" by Pieter Bruegel The Elder: https://d7hftxdivxxvm.cloudfront.net/... "Primavera" by Sandro Botticelli: https://upload.wikimedia.org/wikipedi... Reflections are scored individually on a scale from love to hate, and then a group Glass House Games verdict is determined using our magical algorithm. Join the conversation at https://glasshouse.games Send your thoughts to community@glasshouse.games Follow @GHGshow on Twitter and Instagram

Ouça os destaques do suplemento Divirta-se desta sexta-feira (13/09/19)See omnystudio.com/listener for privacy information.

A listener comments about his frustration with Stan’s opinions about art history. It prompts a longer discussion about the benefits of studying history. Jazza didn’t sponsor this episode, but we unbox his Jazzy Art Box. Call and Ask Your Art Questions: 1-858-609-9453 Some showlinks contain affiliate links to amazon.com: Mixergy - https://mixergy.com/ Ken Burns (The Civil War, The West, Empire of the Air) - https://amzn.to/32D32Pz Dan Carlin's Hardcore History - https://www.dancarlin.com/hardcore-history-series/ Robert McKee story workshop - https://mckeestory.com/seminars/story/ Dr. Seuss and Mr. Geisel: A Biography - https://amzn.to/2N93Qb0 Burne Hogarth - https://amzn.to/2LmBDeU Jazza - https://www.youtube.com/user/DrawWithJazza Jazza’s Jazzy Art Box - https://smartartbox.com/pages/jazzy-art-box Visions of Light - https://amzn.to/2NRJAdJ Artists Mentioned in this Podcast: John Everett Millais, John William Waterhouse, William-Adolphe Bouguereau, Solomon Joseph Solomon, Jack Hamm, Andrew Loomis, Stephen Peck, Norman Rockwell, J.C. Leyendecker, Jeremy Lipking, Craig Mullins, Drew Struzan, John Singer Sargent, Joaquín Sorolla, Norman Rockwell, Frank Frazetta, Rembrandt, Honoré-Victorin Daumier, Jacopo da Pontormo, Paul Cézanne, Edgar Degas, Claude Monet, Michelangelo, and Alphonse Mucha - https://proko.com/347 Learn to Draw - www.proko.com Marshall Vandruff - www.marshallart.com Stan Prokopenko - instagram.com/stanprokopenko  Learn more about your ad choices. Visit megaphone.fm/adchoices

How does one man's art go from petty theater dressings to gracing every teens' phone case and tumblr background? Well, all it takes is talent, sugar daddies, luck, and call from the one and only Sarah Bernhardt. That's the exact cocktail our Czech friend, Alphonse Mucha, cooked up that launched him to stardom! And now every pretty Art Nouveau illustration of a lady with flowing drapery and frilly flowers is his fault. And your new obsession with Sarah Bernhardt is my fault. Check our instagram for more details! https://www.instagram.com/artsistory/ And email us at artsistory@gmail.com 

Avec Nicholas Zmelty, maître de conférences à l'Université de Picardie Jules Verne. À la fin des années 1890, Alphonse Mucha s'impose comme le maître absolu de l'affiche Art nouveau. Avec son style si personnel qui conjugue ornementation foisonnante et figures féminines au charme envoûtant, il s'assure une renommée sans pareille même si d'aucuns l'accusent d'avoir sacrifié son talent sur l'autel du profit. À travers un panorama de la diversité de l'affiche fin de siècle, cette conférence mettra en lumière la singularité des œuvres de Mucha et questionnera la complexité des relations entre art et publicité.

En présence de Tomoko Sato, conservateur de la Fondation Mucha, commissaire de l'exposition et Emmanuel Coquery, directeur scientifique de la Réunion des musées nationaux - Grand Palais. Première grande exposition consacrée à Alphonse Mucha à Paris depuis près de quarante ans, la rétrospective du Musée du Luxembourg permet de découvrir les différentes facettes de cet artiste prolifique. Tomoko Sato et Emmanuel Coquery vous font entrer dans les coulisses de l'exposition.

Artiste tchèque de renommée internationale, Alphonse Mucha reste indissociable de l’image du Paris 1900. Sa célébrité lui vient surtout de ses élégantes affiches d’un style très affirmé, emblématique de l’Art nouveau. Mais son activité d’affichiste occulte trop souvent les autres aspects de sa production comportant aussi des peintures, des sculptures, des dessins, des décors, des objets d’art… Au travers de toutes ces œuvres, c’est la figure d’un homme qui se dessine, mystique et visionnaire, animé d’une véritable pensée politique, à l’heure du renouveau national tchèque et de l’éclatement de l’Empire austro-hongrois. Tout le travail préparatoire pour L’Épopée slave qui l’occupe entre 1911 et 1928 témoigne de son attachement à son pays natal et de son rêve d’unité entre les peuples slaves. Au-delà du maître de l’Art nouveau, c’est donc l’œuvre foisonnante et la personnalité singulière de cet artiste que l’exposition entend révéler aux visiteurs. Commissariat : Tomoko Sato, conservateur de la Fondation Mucha, Prague

En este programa hablamos de un paraje realmente impresionante: la ciudad de Petra en Jordania, considerada una de las siete maravillas del mundo. Nos lo cuenta Sergio Álvarez, historiador y colaborador de la revista Mistérica Ars Secreta. Pedro Ortega en "Madrid Secreo" nos habla del Art Nouveau en Madrid, con motivo de la exposición que se celebra estos días en Madrid sobre Alphonse Mucha. David Hidalgo nos trae un libro clásico del misterio en nuestro país: La Guía de la España Mágica de Juan G. Atienza. Y en "Última parada" el relato "La biblioteca" que nos os dejará indiferentes.

Compre material de arte aqui https://amzn.to/319Uws6 Compre livros aqui https://amzn.to/2DdjmNk Nos últimos dias vários artistas começaram a postar seus Mapas de influência. (adsbygoogle = window.adsbygoogle || []).push({}); Isso é basicamente um grid com imagens dos artistas que influenciaram a pessoa. A parte tecnológica para fazer o mapa é simples. Esse site oferece um template pronto e prático para colocar as imagens escolhidas e gerar um mapa de influências http://labs.iconic.network/mapa/ (só um adendo, iconic é um daqueles gurus da internet que vive de ensinar os outros a viver, então eu não estou recomendando ou endossando de forma alguma essa "empresa", só essa ferramenta específica, que pode muito bem ser substituída por um uso simples de photoshop). A parte da escolha dos artista é mais simples ainda. Veja a escolha das pessoas que influenciam a gente não deve ser algo que você tem que pensar muito para saber. Não é um cálculo, seu mapa de influências não tem que agradar ninguém, não tem que ter qualquer equilíbrio, ele tem que representar as artes que você sempre olha, sempre estuda, sempre admira e sempre tem como referência. Se você gosta de desenho ou pintura garanto que há fácil 8, 10 ou 12 nomes de pessoas importantes para essa parte da sua vida na sua cabeça. Eu comecei a pensar quem seriam minhas influências e foi muito natural chegar nos nomes. Primeiro o Davi Calil, com quem eu aprendi a pintar e que inevitavelmente sempre vai ser uma mão invisível em tudo que eu fizer. Depois o Cárcamo, que eu sempre admirei as aquarelas e que também foi meu professor. O Ronaldo Barata na mesma linha, eu sempre gostei do trabalho dele e ele foi meu professor de desenho, então não ter como não ser uma influência. Eu sempre admirei muito o Alphonse Mucha, pela leveza das criações dele. Depois que eu comecei a pintar minhas principais referências, aqueles caras que eu sempre volto a estudar são Sargent, Rockwell, e Frank Frazetta. Por último, mas não menos importantes, um cara bem fora dessa linha mas que eu sempre olho buscando um jeito de ser mais expressivo em muitos sentidos é o Bill Sienkiewicz e tem também o Tim Sale, o Bruce Timm e Mike Mignola são as referências de sutileza e simplificação. Obviamente por eu ser leitor de quadrinhos eu tenho muitas referências vindas dos quadrinhos, porque as referências sempre estão ligadas a algo que nós gostamos e justamente por isso que sempre voltamos nelas. Agora, por que fazer um mapa? Independente do nível do artista, é importante ter consciência das referências para entender porque fazemos as coisas do jeito que fazemos. Sempre que você cria uma coisa, ela é sua, é única, é original e singular, MAS, tudo sempre vem em maior ou menor nível de algum lugar da nossa cabeça. Reconhecer isso, permite estudar melhor e se aprofundar mais nos gostos e na definição daquela coisa quase etérea chamada estilo. Agora, estou vendo várias pessoas já começando a polemizar o mapa de influências, porque na maioria dos casos são compostos por homens brancos. Assim, sejamos sinceros. A cultura que que vivemos vem de séculos de machismo, opressão, eurocentrismo e infinitas babaquices. É torpe isso, sim, demais. Mas, esse sistema cruel nunca deu espaço para quem fugia do padrão rico, homem branco europeu. Isso é um problema? Sim, eticamente é um problema e devemos sempre lutar e estimular o surgimento de um corpo artístico muito mais diversificado e, apesar de todos os pesares, tem começado a formar uma multiculturalidade. Ainda é longe do ideal, todos os materiais de arte são caríssimos, dificultando a entrada de pessoas sem o conjunto certo de privilégios e tudo mais. Dito isso, estabelecido que o mundo é torpe e que temos que lutar contra isso, o mapa de influências é uma decorrência desse problema e não um ponto de mudança. Pensar isso é quase um egocentrismo. Esse tipo de exercício ou brincadeira de mapa de influências não é uma ferramenta de marketing,

In this Quackcast we cover the Importance of good linework in comics and different line techniques such as Herge's Ligne claire, the traditional thick line for characters and thin for everything else as exemplified in the work of Mucha, variable line widths as in Manga, solid blacks like in American comics, and complex lines like Durer or Hyena Hell. I really seriously thought I could get an entire Quackcast out of the concept and techniques of linework, but honestly I was struggling… Okay, so linework constitutes the skeleton that most comics are built on, with the notable exception of painted comics, photo comics, 3D and vector comic among others… But for most comics line is a pretty essential element. There are a lot of different techniques involved in the use of lines. Herge popularised “ligne claire”, which means that all lines have the same thickness and that there's no line shading. A popular style that I was taut was to have thick lines around characters and overlapping elements, with thin lines for internals and backgrounds. This is popular in a lot of manga, US comics and famously the work of Alphonse Mucha. Part of my technique on Pinky TA involves making my lines grey, so that when I set the line layer to “multiply”, the lines take on some of the background colours beneath them and don't show up as darkly as traditional black lines. The work of Hyena Hell on the Hub is interesting for her use of very complex internal shading line to build up texture and shapes, this can also be seen in the works of Albrecht Durer. Manga is notable for its extensive use of very stylised shading, crisp lines and the use of variable line widths for outlines, while American comics make heavy use of solid blacks for areas of shadow, basically extending the width of the line as far and as solidly as it can go. How do YOU approach your linework? The music for this week by Gunwallace is for The Wallachian Library. It's a dark, black future sounds, neon glows, pulses of energy and ideas, vectors and virtual circuits.Sorry, no link to this comic, the user deleted it from the site. Topics and shownotes Featured comic: Monster Corp - http://www.theduckwebcomics.com/news/2017/may/24/featured-comic-monster-corp/ LINKS: Ligne claire by Herge - https://en.wikipedia.org/wiki/Ligne_claire Alphonse Mucha - https://en.wikipedia.org/wiki/Alphonse_Mucha The Hub - http://www.theduckwebcomics.com/The_Hub/ Monster - https://en.wikipedia.org/wiki/Monster_%28manga%29 junji ito - https://en.wikipedia.org/wiki/Junji_Ito Albrecht Durer - https://en.wikipedia.org/wiki/Albrecht_D%C3%BCrer Masamune Shirow - https://en.wikipedia.org/wiki/Masamune_Shirow Special thanks to: Gunwallace - http://www.virtuallycomics.com Banes - http://www.theduckwebcomics.com/user/Banes/ Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean Featured music: The Wallachian Library WAS a comic by TheHereitcLocomotive, who has since deleted it… For what it's worth you can look at their profile here: - http://www.theduckwebcomics.com/user/TheHereitcLocomotive.

In this episode, I’m speaking with Eric Klug, the Magic community’s foremost alter artist. Eric paints amazing alters, in the style of classical art such as Hieronymus Bosch and Alphonse Mucha. Eric has also reproduced art in the style of Terese Nielsen’s Guru Lands, and has a wide range including popular motifs from Miyazaki to Marvel comics. Eric tells us how he got starting painting alters and what this art means to him. Eric also has a great love of Cubes and we talk a bit about it as well. Go say hi to Eric on Twitter @klug_alters https://twitter.com/klug_alters Go check out images of Eric’s art at https://www.facebook.com/klugalters And if you want to have Eric alter a card for you, be sure to email him: eaklug@gmail.com I hope you enjoy my interview with the multi-talented, Eric Klug! I want to take a moment thank all my newest Patreon Supporters: Neil, James G, and Aaron C. James and Aaron both shared with me that they started listening in the middle of Season 2 and that they’re now listening to Season 1. If you’re new to the show, please listen to Season 1. There are lots of interesting stories by your favorite ppl: Christine Sprankle, Wedge from the Mana Source, Brian Braun-Duin, Chris Pikula, Mark Rosewater, and Gerry Thompson, who if you didn’t know just won Pro Tour Amonkhet last week. Kitchen Table Magic is all about behind the scenes stories of our favorite people in the Magic community. So, if you enjoy a rare glimpse into these people’s lives, please consider supporting Kitchen Table Magic on Patreon. I’m so moved by the generous support of Neil, James and Aaron this past week. Thank you all so much. I’ll be sending out some cool stuff for you in the mail in the coming weeks. And remember, my Patreon Supporters at the $6 level get special gifts from my interviews. If you also would like to support the show, head on over to Patreon.com/KitchenTableMagic and become a supporter. For just a few bucks a month you’ll get access to extra audio content, behind the scenes show notes, and special gifts from my interviews. The Season 2 finale is coming up and I have a very special Patreon Supporter gift that I’m planning. It was funny, I had to buy out a “somewhat hard to find card” my local area, cuz you know me, good ol’ skeezy Sam, buyin’ out all those old cards for my Patreon Supporters. Anyhoos! I want to thank all my Patreon Supporters: Brian, James L, Markus, Alex, Trevor, Katelyn, Mark, Aaron M, Neil, James G, and Aaron C, for your generous support. Wow! My Patreon supports have grown to a pack of wolves, a gaggle of geese, a herd of elephants, a murder of crows, a gathering of mages, a baker’s dozen, whatever you want to call it. Your support of Kitchen Table Magic allows me to share stories about the amazing people in the Magic: The Gathering with the world. Thank you!

If you want to know more about the art, artists, and movements we talked about in this episode, see the links below! A lot of them are to The Art Story, but other great resources are the official site of MoMA, and guggenheim.org.Emil Nolde, Die Brucke, German ExpressionismMan Ray, Dada, La Retour a la Raison (film)Alphonse Mucha, Art NouveauDonald Judd,This episode was a lot of fun to record, more than a little bit because when we were done, I felt like a real live adult. I felt like I knew something important; something more nuanced than the trash dunes of the pop culture wasteland. I felt like my shoes should be called "loafers," and suddenly longed for the smell of rich tobacco. I hope you all got at least a little of that.

Earl Cameron CBE was one of the first black stars of British cinema, making his big screen debut in 1950 with the crime drama, Pool of London. He's continued acting into his 90s, taking on roles in The Queen and Inception. Now 99, with a restored version of Pool of London about to released, and taking part in Black Star - the BFI's nationwide celebration of black screen stars - he talks to John Wilson about his long career.For his album, Release, music producer David Gledhill (aka SOULS) spent five years searching old field recordings of singers from the American south. He cleaned and edited each recording and built new songs around them. Gledhill discusses the making of the album with John Wilson, and explains how these songs were part of his grieving following the death of his wife.Alphonse Mucha is widely viewed as the Father of Art Nouveau. The Czech painter and illustrator first attracted attention when his beautifully detailed posters of actress superstar Sarah Bernhardt appeared around Paris in 1895. By the time of his death in 1939, his illustrations were considered outmoded, but in the 1970's they became hugely popular again. Jan Patience reviews an exhibition in Glasgow of work by the artist who influenced the city's own master of Art Nouveau, Charles Rennie Mackintosh.Just as Art History 'A' Level is axed the Royal and Derngate Theatre in Northampton announces plans to develop a bid for a free school specialising in the cultural and creative industries. John Wilson talks to CEO Martin Sutherland about their ambitions for the school and their motivations behind the bid.David Gascoyne was born 100 years ago this week. Simon Callow remembers the man he regards as one of the greatest poets of the 20th century.Producer: Julian May David Gascoyne was born 100 years ago this week. Simon Callow remembers the man he regards as one of the greatest poets of the 20th century. Producer: Julian May.

Lois van Baarle is a freelance illustrator and animator living in Utrecht (the Netherlands).  She has lived all over the world, including the United States, Indonesia, France, and Belgium.  She is widely known online as Loish, and has become a sensation in the digital art world.  Her first published collection of her works is called “The Art of Loish” and was successfully funded on Kickstarter in 2 hours. Full shownotes: http://yourcreativepush.com/loish In this episode, Lois discusses: -What it was like to sell out her Kickstarter campaign in such a short period of time. -What the positive feedback and the support of her fans means to her. -One of her early memories of drawing in kindergarten, and an important lesson that she learned as a result. -Manipulating your lucky mistakes in your favor. -The notion of getting distance from your work and also sharing it out into the world. -How some of the pieces that she thinks will do the best end up not receiving as much attention and vice versa. -Her repetitive strain injury -- how it affected her life and how she deals with it moving forward. -Her advice for people to avoid a repetitive strain injury. -Her first year of animation college and how it was one of the darkest times of her life (and what she learned from it). -The connections that you can make on the internet and how those connections can sometimes change your life. -The value of making attainable goals and not putting too much pressure on yourself for amazing end results. -How and why she started her mini-tutorials. -Her formula for balancing her time. -How you need to have a good read on yourself and how much time you are spending on a particular project or portion of a project and have the wherewithal to call it quits and save the rest for tomorrow if you aren't putting in your best work. -The freedom that her art and creativity has brought to her life. -Some of her varied inspirations, including Alphonse Mucha, Grimes, and The Wire. Lois's Final Push will inspire you to find your own way of doing things.   Quotes: "If you like to draw rough and you like to sketch, you get a lot of lucky mistakes." "It's not just skill.  It's also how you present your work and talk about your work that adds to your creativity." "Taking it away from my computer and putting it into the world always helps me contextualize what I do and to see what it means to others and understand how that work is received outside of my own little bubble." "I've actually learned to turn off that part of my brain to not think too much about how something will be received because you never really know." "What I would tell myself if I could go back in time is to just not draw for really really long periods of time in a stressed-out manner." "Sometimes it's better to just not meet that deadline if it means your mental or physical health." "Drawing is just like everything I do -- I didn't even realize how important it was to me until I had to stop doing it." "I really felt like I had nothing to say artistically, because I just didn't fit what the teachers wanted.  I felt like my ideas were useless." "If you have attainable goals then you can really start enjoying what you do.  Just enjoying the feeling of being in a creative flow." "If you say 'I'm going to sketch for an hour,' that's attainable.  You're not saying what you're going to sketch.  You're not saying how good your sketches have to be.  You're just saying that it's going to be for an hour." "When you're just practicing, you don't know where it's going to lead and you shouldn't think too much about where it's going to lead.  You should just be in the moment." "My work has become a way for me to express myself and I feel so lucky to be able to do that as my job." "There was a certain level of self-acceptance needed for me to understand what was right for me." "Everybody's got their own way.  And I think if you search for your own way and you eventually find it, you get so much fulfillment out of it." Links mentioned: Lois's book Alphonse Mucha Grimes The Wire Connect with Lois: Website / Facebook / DeviantArt / Instagram / Twitter  

Alphonse Mucha was "the" Czech Art Nouveau painter and decorative artist of his time. He was known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs. His Slav Epic paintings were used as a pan slavic unifying movement and an illustrated history for the Czech and Moravian peoples. The Czechs call him "theirs" and his art is a testament to forward thinking with an historic relevance to the time in which he lived.A show by podcastnik.com — visit the site for all projects and news. Visit bohemican.com for more on this project and the Czech Republic. Check out our new show, Past Access! (YouTube Link) Twitter @bohemican | @Travis J Dow | @Podcastnik — Facebook Podcastnik Page — Instagram @podcastnik Podcastnik YouTube | Podcastnik Audio Podcast Support: PayPal | Patreon | Podcastnik Shop | Pete Collman Photography Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

It's Episode 42 with Mark Siano!We talk about his new show, Bohemia, which runs September 10th-27th at Café Nordo. This absinthe-infused show was co-written with Opal Peachy and centers on famous composers Antonin Dvořák and Frédéric Chopin, with appearances by Sarah Bernhardt and Alphonse Mucha. Cast:Isabella Bloom - ZuzannaTanya Brno - CamilleJen Flood - FayeHisam Goueli - Alphonse MuchaCherry Manhattan - Sarah BernhardtOpal Peachey - Frédéric ChopinKatheryn Reed - RusalkaMark Siano - Antonin Dvořák>>More info, tickets and pictures of green fairies.

Alfons Mucha's Art Nouveau masterpieces are displayed in Prague's Mucha Museum and Czech National Gallery of Modern Art. At www.ricksteves.com, you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.

Alfons Mucha's Art Nouveau masterpieces are displayed in Prague's Mucha Museum and Czech National Gallery of Modern Art. At www.ricksteves.com, you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.

Det senaste modet är absolut nödvändigt för måleriet. Det är det viktigaste av allt. Det sade den franske konstnären Édouard Manet, 1881. Det var han inte ensam om att tycka. Det gjorde de flesta impressionister. Med sina penslar fångade de den moderna staden och dess mode på ett helt nytt sätt. I veckans STIL berättar vi mer om dessa föregångare till dagens streetstylebloggare. Édouard Manet var långt ifrån ensam om att betrakta mode som något väsentligt under den andra halvan av 1800-talet. Den uppfattningen delade han med många av sina kollegor. Monet, Renoir, Degas, Tissot och Morisot är bara några av dem som excellerade i att måla kvinnor i klänningar i det allra senaste modet. De flesta fanns i Paris, som då etablerade sig som den modernaste staden i världen. Där fanns de bredaste boulevarderna, de största och flesta varuhusen – och det mesta modet. Massproduktion av kläder började då ta fart, modetidningar startade och mode blev vid denna tid något som alltfler plötsligt kunde ta del av. Kanske kan påstå att det var där– och då – som det moderna konsumtionssamhället lade i växeln, för att därefter rivstarta. Impressionisterna gav sig ut på stan bland människorna och producerade ett slags dåtidens ”snapshots” av det moderna stadslivet. I veckans STIL berättar vi mer om impressionisternas syn på kläder. Deras modeintresse är för övrigt också föremål för en stor och hyllad utställning som man just nu kan se på Metropolitan Museum of Art i New York – Impressionism, Fashion and Modernity (fram till den 27 maj, sedan fortsätter den till Chicago). Utställningen kopplar samman konstverk med kläder på ett konkret sätt genom att tavlorna visas tillsammans med de plagg, accessoarer och modetidningar som avbildats, och inspirerat. På utställningen kan man också se målningen ”Parisiskan” av Édouard Manet. Den hänger vanligtvis på Nationalmuseum i Stockholm. Om vem ”La Parisienne” egentligen var, och vad hon symboliserade (och gör än idag) får vi också höra. Vi berättar även om hur den kända franska skådespelerskan Sarah Bernhard använde sig av konstnären Alphonse Mucha i sin PR-verksamhet. Och så har vi träffat den svenska konstnären Aia Jüdes som använder sig av näver för att idka konsumtionskritik. Veckans gäst är Veronica Hejdelind, konstvetare