Podcasts about Religious art

Introduction: Overview of podcast shift to directly answering listener questionsIs All Art Spiritual? Understanding art as a tool for connectionArt, Spirituality, and Religion: The connection between creating, spirituality, and divine connectionSeth Godin's Definition of Art: Art as a way to foster connection between peopleSpirituality: Spirituality as recognizing the divine in all aspects of lifeReligion: The difference between bad religion (selling access to the divine) and good religion (recognizing existing divine connection)Hope: The decision to hope, not based on external circumstances but on the work we continue to doChoosing Hope: Hope as a practice of engaging with the world and staying connected to meaningful workClosing: Call to support the podcast via Patreon Links For Justin:Coaching with JustinOrder In Rest - New Book of PoemsOrder In The Low - NEW Book with Scott EricksonOrder Sacred StridesJustinMcRoberts.comSupport this podcastNEW Single - Let GoNEW Music - Sliver of HopeNEW Music - The Dood and The BirdThe Book - It Is What You Make itHearts and Minds Amazon Barnes and Noble

Caleb Williams is the mystery man behind Library of Godwin, he is revolutionising Latter-day Saint art with his weekly art pieces aligning with the Church's Come, Follow Me program.I wanted to speak to Caleb as I've followed him from the beginning of his venture, and now he has illustrated the whole Book of Mormon! Some highlights from this episode include Caleb explaining the symbolism he used to convey visually Alma's sermon on faith, how Caleb developed his style, and what he learned in Italy about ancient Temple rituals.--You can find more of Caleb's work at the following links:- https://www.libraryofgodwin.com/- https://www.instagram.com/library_of_godwin/- https://www.facebook.com/p/The-Library-of-Godwin-100063880641385/Follow For All The Saints on social media for updates and inspiring content:www.instagram.com/forallthesaintspodhttps://www.facebook.com/forallthesaintspod/For All The Saints episodes are released every Monday on YouTube, Spotify, Apple Podcasts and more:https://www.youtube.com/watch?v=TVDUQg_qZIU&list=UULFFf7vzrJ2LNWmp1Kl-c6K9Qhttps://open.spotify.com/show/3j64txm9qbGVVZOM48P4HS?si=bb31d048e05141f2https://podcasts.apple.com/gb/podcast/for-all-the-saints/id1703815271If you have feedback or any suggestions for topics or guests, connect with Ben & Sean via hello@forallthesaints.org or DM on InstagramConversations to Refresh Your Faith.For All The Saints podcast was established in 2023 by Ben Hancock to express his passion and desire for more dialogue around faith, religious belief, and believers' perspectives on the topics of our day. Tune into For All The Saints every Monday on YouTube, Spotify, Apple Podcasts, and more.Follow For All The Saints on social media for daily inspiration.

Find Dr. Jacobs social media, writing, & website here: ⁠https://linktr.ee/thenathanjacobspodcast

In this episode, we talk with our panelists about the power of art to express truth and emotion, and what makes art good or bad.If you want to call in to the Bonus Show, leave a voicemail at (530) 332-8020. We would love to get to your calls!To pick up Keith's best-selling book on Thomas, click here.LINKSQuoirCast on PatreonQuoirCast on PatheosPANELDavid HaywardDerek WebbJennifer Knapp

In his lecture, Jonathan Pageau presents a thoughtful examination of the Last Judgment through the lens of a late-11th-century mosaic, challenging the traditional view of it as solely an end-time event. He suggests that this imagery symbolizes an ongoing process of identity formation, where every entity acts as a judge, continually evaluating its alignment with its essence. This interpretation casts the Last Judgment in a new light, with the ideal human being as the ultimate measure of this alignment. Pageau further delves into how this imagery interacts with its placement within the church, enhancing the narrative of creation and ultimate fulfillment. He draws attention to the layered symbols within the scene, such as the crucifixion and harrowing of Hades. By exploring the cosmic symbolism—Christ as the source, the sheep and goats as symbols of inclusion or exclusion, and the strategic placement of figures—Pageau encourages a view of the Last Judgment not as a daunting reckoning but as a powerful allegory for the continuous formation and evaluation of identity against a higher ideal. This perspective not only demystifies the traditional fears associated with the Last Judgment but also prompts a personal reflection on how we align with broader, universal truths.   Jonathan Pageau is a renowned artist and the host of The Symbolic World podcast. He specializes in the interpretation of symbolic patterns across various cultural and historical contexts. Learn more about Jonathan Pageau and embark on a journey into the symbolic universe by visiting his podcast at http://thesymbolicworld.com and his website at http://www.pageaucarvings.com.   Glossary of Terms   Iconography: The visual images and symbols used in a work of art or the study or interpretation of these. Byzantine Art: A style of art developed in the eastern Mediterranean, characterized by its religious themes and extensive use of icons. Resources   Ralston College  Website: https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege   Images The Church of Santa Maria Assunta, Torcello, Italy: The Last Judgement, Apse Mosaics Church of Sant'Apollinare Nuovo, Ravenna, Italy: 6th century Mosaic The Basilica of Saint Sabina, Rome, Italy: Wooden door panels depicting The Ascension Ascension of Christ, Rabbula Gospel Book (fol. 13v) The Monastery of Apollo at Bawit, Egypt Chapel of the Domus Galilaeae, Israel Russian the Last Judgment Icon (Novgorod version, 15th century)   Quotes   "I believe that the image of the Last Judgment is actually a way to understand how identity formation functions." - Jonathan Pageau [00:09:00]   "We have to transform people; that's real. And that is undeniable when you meet someone that is transformed." - Jonathan Pageau [00:57:00]   Chapters    00:00:00 - Introduction to the Medieval Cosmos and Jonathan Pageau  00:06:30 - The Image of the Last Judgment and Its Significance   00:13:40 - Exploring the Fractal Nature of Medieval Symbols  00:17:40 - Understanding the Last Judgment and Its Structure  00:24:40 - Iconographic Representation of Christ, the Virgin, and Saints   00:29:00 - The Right Hand and Left Hand of Christ in the Last Judgment  00:37:00 - The Hetoimasia and the Prepared Throne  00:39:20 - Depictions of Paradise and Hell in the Last Judgment  00:50:20 - The Problem of Fragmentation and the Nature of Sin  00:55:00 - From Division to Unity: The Path Forward   00:57:50 - Q&A Session: Symbolism, Imagery, Rationality, and Integration    

We are thrilled to be back with a new episode of the Hyperallergic podcast. For our one hundredth episode, we spoke with legendary collage and mixed media artist Tommy Lannigan-Schmidt. His works, made from crinkly saran wrap and tin foil, emulate the gleam of precious metals and jewels in Catholic iconography. They reference his upbringing as a working class kid and altar boy in a Catholic community in Linden, New Jersey, where tin foil was an expensive luxury they could rarely afford. But they also hold memories of where he found himself as a teenager: the LBGTQ+ street life and art community of New York City, which led to his participation in the 1969 Stonewall Uprising. Lanigan-Schmidt is as much a visual artist as he is a storyteller. We climbed up to his fourth floor walk-up in Hell's Kitchen, where, surrounded by teetering piles of books and artwork, he regaled us with tales about artists like Jack Smith and Andy Warhol, his decision to leave his hometown as a penniless teenager, his steadfast identity as a working class artist, his conversion to Russian Orthodox Christianity, what changed for gay artists in New York between the 1960s and today, and of course, his recollection of that historic night at the Stonewall.We know you'll enjoy this artist's sparkling humor and singular vision as he shares reflections on his life and this critical moment in history.We also talked with Ann Bausum, author of Stonewall, Breaking Out in the Fight for Gay Rights, about the significance of the uprising. She also shared some of her own first-hand recollections of segregation in 1960s America. The music in this episode was written by Garen Gueyikian, with the exception of one track by Dr. Delight, courtesy of Soundstripe. A selection of Thomas Lanigan-Schmidt's work will be on display at a show titled Open Hands: Crafting the Spiritual at Saint Louis University's Museum of Contemporary Religious Art until May 19, 2024. (00:00) - Intro (02:31) - Ann / Hrag (13:58) - Intro to Tommy (15:49) - Tommy / Hrag (01:30:05) - Outro Related Links:Thomas Lanigan-Schmidt's 2012-2013 solo show at MoMA PS1, Tender Love Among the JunkLanigan-Schmidt's work at Pavel Zoubok Fine ArtGay and Proud, the 1970 film which documented a demonstration on Christopher Street on the first anniversary of the Stonewall Uprising, excerpted in this episode starting at 14:39Stonewall: Breaking Out in the Fight for Gay Rights by Ann BausumWatch Flaming Creatures by Jack SmithDr. Wendy Schaller on Feast of St. Nicholas by Jan SteenAndy Warhol's portrait of Holly SolomonMario Banana, an Andy Warhol film with Mario Montez—Subscribe to Hyperallergic NewslettersBecome a member

At the time of the posting of this Episode, we are in the final days of Black History Month 2024. Inspired by a recent exhibition at the New York Metropolitan Museum of Art Africa and Byzantium, host Stephanie Georgieff examines the vast history of Africa and her influence on Byzantine religious art. To make a one time donation of any amount please donate to https://www.paypal.com/paypalme/BlackMadonnaHeart Become a Patron for the channel at https://www.patreon.com/TheBlackMadonnaSpeaks To purchase Black Madonna Speaks extra content, please visit https://www.patreon.com/theblackmadonnaspeaks/shop #divinefeminine #sacredfeminine #virginmary #ourlady  #blackmadonna  #anthroposophy #spiritualjourney  #camino  #pilgrimage #mothermary #spirituality --- Support this podcast: https://podcasters.spotify.com/pod/show/stephanie-georgieff/support

This weeks podcast is with the brilliant artist Carline Zilinksy. Her show opens at Nanda Hobbs Thursday 9th Novmember so go see it! She recently won the peoples choice award at the Mosman art prize, congratulations Caroline. It was a pleasure to chat with Caroline, full of energy and unapologetic passion! She is represented by Nanda Hobbs 'Caroline Zilinsky is the most enigmatic of painters.  She is obsessive, highly skilled, sharp witted and possesses an eye that drills into the very soul of her sitters, revealing their most intimate truths. Her unrelenting artistic drive is intoxicating—ten-hour days at the easel is the studio norm.When viewing Zilinsky's paintings, one cannot be an innocent bystander. As an artist, she has the ability to metaphorically reach out and grasp the viewer, compelling us to engage in a dialogue with her protagonists.  Her works inhabit an interesting place in contemporary Australian painting. She echoes many of the themes of the Australian Modernism greats and stylistically, acknowledges a debt to their introspective investigations into an uncomfortable world.Caroline Zilinsky was the winner of the 2020 Portia Geach Memorial Award (Australia's most prestigious art prize for portraiture by women) and in the same year won the Evelyn Chapman Art Award at S H Ervin Gallery. She is also a regular finalist in other premier art prizes including the Archibald Prize (2022), Art Gallery NSW, Darling Portrait Prize (2020, 2022) National Portrait Gallery of Australia, Canberra, the 2020 SBS Portrait Prize, the Kilgour Prize at Newcastle Art Gallery, Blake for Religious Art, the 2017 Sulman Prize and the Doug Moran National Portrait Prize. In 2009, the Muswellbrook Regional Gallery acquired her work United We Stand.'Thanks Caroline 

BYU-Idaho's Spori Art Gallery has a new exhibit called "Sacred Marks: Newly Acquired Religious Art" which features art by Rembrandt, Dürer and Raimundo De Oliveira. The free exhibit is open through Thursday, Nov. 9.

Fr. Pacer - Not One for Religious Art by Saint Patrick Parish Homilies

President Nelson recently taught, “As we seek to be disciples of Jesus Christ, our efforts to hear Him need to be ever more intentional. It takes conscious and consistent effort to fill our daily lives with His words, His teachings, His truths.” The prophet has asked us how we “Hear Him”--but have you thought about how you “See Him”? Do you bring pictures or other artistic representations of Christ into your spiritual life? For today's episode I interview Dr. Anthony Sweat, an oil painter himself and a professor of Church history and doctrine at BYU. Dr. Sweat has thought a lot about art and faith, in his creative and his scholarly pursuits. We discussed a fascinating article he co-authored analyzing Latter-day Saints' preference for pictures of Christ praying in Gethsemane over Christ on the cross. We talk about why this might be the case, why we should make a point to include the crucifixion in our spiritual reflection, and how to incorporate art more deliberately into our faith lives. Instead of asking, “What picture would look best above the couch?” Anthony challenged me to ask, “What am I seeking from art, and do my artistic choices lead me to Christ?” It's not always about what looks prettiest. It can be hard to view the death of the Savior. But the experience can draw us to him. Join us, and see what you think.

A riveting podcast about the strange, interesting adventures and history of the Ghent Alter Piece. While also delving into the concept of religious art and its place in the world.

Joining me on the show today is Danny Fitzpatrick, Editor of the Joie de Vivre Journal, to talk about the intertangled relationship between faith, tradition, art, and culture. We discuss how culture is an embodied religion, the importance of traditions, and the necessity of the creative process to move culture forward. We examine our modern fragmented culture, ask “who is pop culture worshiping?”, and proclaim the need to reclaim art as a contemplation exercise not just a consumer one. Danny also shares about the work they are doing at St. Louis IX Art Society promoting religious art in Southern Louisiana. If you find this episode helpful, please share it with one person who you think would benefit from it. Also, please consider leaving a rating or writing a review on Apple Podcasts or Spotify or sharing it on your social media. Have thoughts about this episode? Join the conversation on Facebook, Instagram, or LinkedIn. Websites mentioned in the show: Joie de Vivre Journal St Louis XI Art Society

Architectural glass artist Elizabeth Devereaux traveled across the globe looking for an international education in art and architecture, from San Rafael to Vienna, then Munich. She founded her California studio in 1969, and more than 50 years later is an accomplished architectural glass artist with works installed all over the US and Canada.  Devereaux states: “In an architectural setting, I always like to work in a site-specific way, noting the place and region itself, as well as the architectural style the artwork is in, the light, the interior and exterior environment. I work collaboratively, which then requires me to listen to the client/committee's story, to define their identity and understand what has meaning for them, and then to synthesize all of the information within my own style and artistic vision.” One of Devereaux's most notable liturgical commissions, Christ Cathedral Memorial Gardens, Garden Grove, California, is located at an architectural pilgrimage destination. The Cathedral buildings are designed by three of the 20th century's most significant architects – Philip Johnson, Richard Neutra, and Richard Meier. The new Memorial Gardens' focus was to be “The Risen Christ” worshiped by two angels. It needed to be highly visible from the exterior, giving reference to life's journey and connecting Baptism (in the Cathedral) to death and resurrection (in the Mausoleum). Relying on reflective light, 24-carat gold luster paint allowed the windows to be clearly seen from the Cathedral opposite, as well as in the Mausoleum, which was flanked by 12 large panels of amber stained and shaded clear glass. These 12 panels were fabricated by Derix Studio in Germany; the rest of the commission was fabricated in Devereaux's Chico studio. Forty-four clerestory windows created in mouthblown cobalt streaky on clear German Lamberts glass link the interior rooms. Between each are prisms referring to the tower at the Cathedral. In another major liturgical project, at Our Lady of New Clairvaux Abbey, Vina, California, Devereaux expressed The Cistercian charism of simplicity in a contemporary style with a reference to its ancient history. The new monastery at New Clairvaux was originally a 12th-century monastery in Northern Spain. In the early 1930s William Randolph Hearst bought the monastery and imported it to California. Shortly afterwards, the Great Depression and World War II made it impossible for Hearst to build it, and he deeded it to the City of San Francisco. There it languished for 40 years behind the De Young Museum until Father Thomas Davis, a young monk newly arrived to the New Clairvaux Monastery, heard the story and had a vision of acquiring the stones for the new Abbey. The Abbey consulted with British and Spanish historians, and hired German stone carvers to re-form and recut the missing stones. The art glass in 12-century European Cistercian monasteries is abstract, simple, and often soft amber and white in color. Devereaux's windows appear simple at first glance, but in fact, are complex in their fabrication. The Fremont Antique glass was custom mouthblown to shade from white opak to clear, allowing the exterior landscape to be part of the design. It was also painted and kiln-fired with amber stain, then intersected vertically with handmade prisms. Since the monks worship during the day and night, the artist painted and fired a reflective 24-carat gold luster pattern onto the surface, bringing the translation of New Clairvaux or “Valley of Light” to life. In San Francisco, for Noe Valley Ministry's Coming to the Center window, Devereaux selected triple-flashed, mouth-blown glass, which was etched to the clear layer to portray the constellations. The transition from “sky” to “center” was accomplished by selecting custom blown rose to clear and purple to aqua glass. This allowed the glass to be sprayed and fired with orange luster, creating the subtle transition from lavender to amber. The amber “center” was leaded and laminated front and back with lead “overlay” “branches” to reference beloved artist Ruth Azawa's twig-like cross in the sanctuary. The center spiral links to the labyrinth in the space. Devereaux explains: “I always loved transparency—working with watercolor, silkscreen, overlaying color. When I discovered glass, I realized the incredible aspects of painting with light. Mouth-blown textures and color can be designed to meet direct sunlight and be projected in mysterious ways across the interior space. Or if the window is facing an unwanted view, it is possible to use translucent glass, allowing light in, but not the view or the glare. I also love the use of reflective materials, polished metals, in conjunction with glass, but sometimes mirror, and 24-carat gold, silver, and platinum lusters sprayed and fired onto glass. This allows the window to have a nightlife, different from the day. I also love pattern, making a “logo” or distillation of the meaning of the commission, then repeating it into a fabric woven into the artwork.” Devereaux has always been active in her architectural and liturgical communities, serving on the National Advisory Board of Interfaith Forum on Religion, Art, and Architecture (IFRAA), a Knowledge Community of the American Institute of Architects (AIA) from 2009- 2014 and as a Juror for Faith & Forum/ IFRAA Religious Art & Awards, Seattle, WA, 2005. Her own IFRAA and Faith and Form awards include: 2018 Honor Award for Religious Art in New Clairvaux Abbey, Vina, CA; 2018 Codaworx Liturgical Art Award, Holy Family Catholic Church, Fond du Lac, WI.; 2008 Design Merit Award, St. Maximilian Kolbe, Westlake Village, CA; 2006 Design Honor Award, Blessed Trinity, Frankenmuth, MI; 1992 Visual Arts Award, St. Joseph Cathedral, San Jose, CA. She has also been presented with Ministry & Liturgy Annual Visual Art Awards, Bene & Best of Show in 2008, 2005, 2003, 2000, 1999, 1998, 1997, 1996, 1994, 1992.  Devereaux's non-liturgical commissions are numerous and include New Mexico Behavioral Health Institute, Las Vegas, New Mexico, for which she won a Public Art Award; George Sim Community Center, Sacramento, California, Public Art Award; and Chico City Plaza, Chico, California, Design consultant team and Public Art Award. Her present commission is Dignity French Hospital Swanson Chapel in San Luis Obispo, CA, and includes 700 square feet of laminated art glass. Devereaux and her studio crew – Owen Gabbert, longtime project manager, Marie Swanson, Devereaux's son, Chris Tallant, and nephew, Abraham Devereaux – are responsible for many public art, hospital, and corporate commissions. Though her studio's main focus remains liturgical commissions, every window designed is site specific and custom made for that specific place. Devereaux knows how to listen and let inspiration find her, in a melding of her talent with the soul of each location.  

This Quoircast podcast episode is brought to you by the Heretic Happy Hour podcast. If you're not listening to the granddaddy of all destruction podcasts you definitely ought to check them out!In this episode of Messy Spirituality, Lola interviews Canadian born artist, Bri Shaw, about her life and work. You're going to love this conversation!You can follow Bri on Instagram and follow her art page here. You can get one of Bri's prints for free by following Birmingham Free Art.Be sure to follow Lola on Facebook, Twitter, and Instagram as well!Join the conversation on our Messy Conversations Facebook group.Want to be a producer of the show and get exclusive access to videos, blog posts, and merch from the hosts of the show? Check out our Patreon page!Thanks for listening! Please leave us a five-star rating and enthusiastic review on your platform of choice! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Hamline University in St. Paul is in the midst of a public relations firestorm over academic freedom and what is considered Islamophobic. The student and instructor at the center of the controversy spoke out publicly and to MPR News about their perspectives. MPR News host Cathy Wurzer spoke with MPR News reporter Nina Moini about her coverage of the issue. Use the audio player above to listen to the full conversation. Subscribe to the Minnesota Now podcast on Apple Podcasts, Google Podcasts, Spotify or wherever you get your podcasts.    We attempt to make transcripts for Minnesota Now available the next business day after a broadcast. When ready they will appear here. 

#skaem #schizophrenicgod #cityonthehill The City On The Hill #cassettetape #skaem #cityonthehill “Ye are the light of the world. A city. that is set on an hill cannot be hid.” This project is a musical masterpiece as a musician I'd like to present to my fans The City On The Hill as it's intended to be.. specifically the dialogue and lyrical contents as vocals being ran throughout a series of equipment that only being a Sony Cassette Deck w/ Mega Bass. This album is a compilation and it includes evenly an amount of music from the time and stint with my artist name being Schizophrenic God. I have made various visuals and even a slowed & chopped version of this album called The Pagemaster These songs are my favorite of my overall best lyrically, flow wise and creative along the lines of bedroom lofi, dark pop, shoegaze rap & dream pop boom bap. The bass and vocal projections and tone being monotone and deep can accommodate the frequencies taking over and overfilling the possibilities of inner spirit and enlightenment through wisdoms like poetry. I can personally believe Edgar Allen Poe's direction and his way of showing the world his image as a self portrait of the writings.. The Da Vinci Code, The Matrix Concept and Religious Art that can be found in The Vatican really influenced me throughout my life impacting my ways of thinking eventually helping me overcome addiction and dementia. Elaborating schizophrenia while leaving a room filled depths and hidden doors that lead out of my very mind onto paper making a well written course of a documented time throughout my mental state as a writer, rapper / MC & poet. The name The City On The Hill comes from quotes biblically and historically from people such as JFK and it being usually translated to “beacon of hope” “If someone acts as a beacon to other people, they inspire or encourage them.” Mona Lisa, Michelangelo Sistine Chapel & Adam & Eve also influenced this hip hop projects that can be deleted into sub genres like lofi and of course myself playing my own part in my music with indie and underground music.

David Brinker, Director of the Museum of Contemporary Religious Art, stopped by to talk with Nancy about the museum as well as the current exhibition by Jordan Eagles and a selection of works from the MOCRA collection through December 18th. About MOCRA: Through exhibitions, collections and educational programs, MOCRA highlights and explores the ways contemporary visual artists engage the religious and spiritual dimensions. MOCRA serves the diverse Saint Louis University community, and the wider public, by facilitating personal discovery, experience and inspiration, while contributing to a wider culture of interfaith encounter and dialogue. About: Jordan Eagles: VIRALVALUE The 2017 auction sale of a purported Leonardo da Vinci painting prompts a consideration of the value systems of art, religion and healthcare. Whose lives, experiences and stories are acknowledged and valued, in what contexts and by whom?

We've talked about religious movies, music, and books before, but never artwork! This week we're touching the tip of the iceberg of historical information about religious art from around the world as well as some of our favorite pieces and artists.

Equally as important as humanism, naturalism, innovation, and invention, the Cult of the Saints is a long standing tradition that continues to thrive during the Renaissance period. Only through understanding this current and ongoing cultural trend can art and society in Italy  be properly comprehended. This discussion details the position of saints, how they are worshiped, and how their pictorial depictions inherited from the Middle Ages are influenced by the changing attitudes of the Renaissance through the likes of Filippino Lippi and Leonardo da Vinci. Follow us on instagram: italian_renaissance_podcast Support the show: https://www.paypal.com/donate/?business=4HTBBJSUX4BQN&no_recurring=0¤cy_code=USD Support the show

Art is healing. If you're not an artistic person, that might seem odd. But it's true. In this episode, we discuss why and how art can be healing and more:What type of art has been healing for our guestsHow art can help people from broken familiesA piece of religious art specifically for Catholic/Christian adult children of divorceDr. Daniel: Buy the artwork or sign up for the retreatMike: View his artworkShownotes

Can depictions of religious icons in art & architecture have an impact on the deepness of one’s connection to their faith? We speak with Laura Hurtado, Director of the Utah Museum of Contemporary Art, about the history of Eurocentric images in Christian art, and Black artist Melissa Tshikamba, whose works diversify religious images, about growing up feeling unrepresented in her own faith.

There is great controversy about who can appreciate religious art. In this episode, we will interview renowned theologist Jenna Wynne and learn more about her field of study. We will delve into the religious arts and how they may differ across cultures, discussing ideas and hearing her perspective on how a nonbeliever interacts with such crafts. Music Credit: Dan Henig - Russian River (Instrumental) https://www.youtube.com/watch?v=8pDzNanzZ-k

In this Episode, Klarys and her peers discuss theology and ideas revolving around religious art and the understanding of it. They will try to answer the question: "What nonbelievers can understand of religious art?". Music: "Kalimba" By: Mr.Scruff Album: "Ninja Tuna" Composers": A. Carthy and A. Kingslow"

In this Episode, students at FIU discuss theology and ideas revolving around religious art and the understanding of it. Basically, they will try to answer the question: "What nonbelievers can understand of religious art?". Music: "Kalimba" By: Mr.Scruff Album: "Ninja Tuna" Composers": A. Carthy and A. Kingslow"

Episode #199 begins with Louie and Matt recording at Steve's house and getting caught up. This week they talk about the religious art that has a shout out to its corporate donor and the hiker that keeps getting lost on the same trail! Can you spot the donor? Odd News Stories Sky.News.com – Religious artwork […] The post Episode #199 – Corporate Religious Art and Chronic Lost Hiker first appeared on Odd and Offbeat Podcast.

David Brinker, Director of the Museum of Contemporary Religious Art, stopped by to talk with Nancy about the museum as well as the current exhibition Tom Kiefer: Pertenencias / Belongings Sept. 3 – Dec. 19, 2021. About MOCRA: Through exhibitions, collections and educational programs, MOCRA highlights and explores the ways contemporary visual artists engage the religious and spiritual dimensions. MOCRA serves the diverse Saint Louis University community, and the wider public, by facilitating personal discovery, experience and inspiration, while contributing to a wider culture of interfaith encounter and dialogue. About Tom Kiefer: Pertenencias / Belongings In July 2003, fine art photographer Tom Kiefer started working part-time as a janitor and groundskeeper at a U.S. Customs and Border Protection processing facility near Ajo, Arizona. In mid-2007, he was given permission to collect food confiscated from migrants and asylum seekers and donate it to a local food pantry. He was deeply moved at finding personal belongings in the trash bins along with the food. These items, necessary for hygiene, comfort and survival, were deemed “non-essential” or “potentially lethal” and seized and discarded by officials. Kiefer began to quietly rescue what items he could, and he resigned from his job in August 2014 to focus on photographing and documenting them in an ongoing project titled El Sueño Americano / The American Dream. Museum of Contemporary Religious Art Saint Louis University 221 N. Grand Blvd. St. Louis, MO 63103        

Religious Art is only for the religious! Or at least that is what some theologians might claim. Join us as we explore together who can experience, appreciate, and understand religious art. In this episode we will provide an overview of important keywords that will help us understand the different points of view as we look into some of the most significant European religious works of Art and discuss its impact and factors it had on cultures and society.

Fr. Rocky is with us to talk about the Sacred Hear of Jesus and the Immaculate Heart of Mary.   Ricardo Flores joins us to talk about how he is bringing the gospel to others through his religious art, making bronze statues and copies of the tilma of Juan Diego along with other catholic artist […] All show notes at Fr. Rocky, The Sacred Hear of Jesus/Ricardo Flores, Religious Art/Bishop Daniel Mueggenborg, Sunday Gospel - This podcast produced by Relevant Radio

In our second Hansplaining episode, Hannah answers a question she's routinely asked by her friends, colleagues, and students: why do babies in medieval and renaissance era look less like babies and more like little men who are about to flee the country for tax evasion? Hannah gives 3-ish reasons why those babies look like that, and along the way Suzanne gives her very spontaneous, very uninformed reactions to some very odd looking little babies.   On a scale from 1 to 10, this episode rates a 6.5 on the "might be sacreligious" scale.   To check out the images referenced in the episode, visit the pod on twitter, instagram, or the Well, Here We Are website.   Over These Walls by Hope and Social is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License.

For many Christians, their great beauty has the power to elevate our minds into contemplation of the majesty of our Lord, the glory of the created universe, and our connection with the great cloud of witnesses that surrounds us. The power of stained glass windows lies in their effects on the senses and the heart as well as the brain. Like a good story, stained glass windows speak to us on multiple levels.The craftspeople who make stained glass windows use basic elements from the earth, much as their predecessors did centuries ago. From sand, stone, ashes, and metal oxides, human beings harness light and use it to imitate and celebrate the glory of God and God's creation. Today, Jackie King discusses the history of stained glass windows, the process by which artists create and install them in churches, the different styles that people have used over the centuries in designing these windows, and the purpose and ways to appreciate stained glass windows.For a PDF offering images of windows relevant to this course, please click here.

In this episode the Sunday School Delinquents discuss the importance and theology of religious art.Seth does a brief overview of the theology and traditions of Eastern Orthodox icons to start of the conversation. From there each of the co-hosts discuss their favorite (and sometimes not-so-favorite) genres and pieces of religious art.There is also a small verbal altercation over a depiction of the three archangels, and the discussion devolves into a bit of a free-for-all when we start discussing our LEAST favorite religious art. So tune in!

"his breaking down of the barrier between the picture plane and the viewer's space in such a dramatic and intense way the viewer feels they are as much of a participant as a spectator to what is going on"

CZ Lawrence: A Thin Line Between Humor and Pathos Charles Ziegler Lawrence was a man who could have easily held his own in a conversation with the likes of Peter Fonda, Dennis Hopper, or Hunter S. Thompson. Whether reflecting on his life as a young artist in 1960s Greenwich Village or reliving the making of five windows for the National Cathedral, all of his stories were replete with an equal amount of psychedelic detail. Though the truth of the tale was never in question, the content was unbelievable. Lawrence seemed as unlikely a candidate for the priesthood as he did for a life dedicated to liturgical art; however both are his truths. Sometimes tragic, sometimes triumphant, the personal history of this “existential iconoclast” blurs the thin line between humor and pathos. His professional success might very well be the reward for having learned how to walk that line. From his obituary: Lawrence, 83, died on January 1, 2019. He began his career in 1956 as an apprentice to master craftsman Rudolph Henrick Beunz. In the 1960s while attending design school at Pratt Institute, New York City, Lawrence worked in the glass department of the Rambusch Decorating Studio where he perfected skills in glass painting and color selection. In 1968 he went to work for the Willets Stained Glass studio in Chestnut Hill, where he completed prestigious commissions for the National Cathedral, the Temple of the Latter Day Saints, and the Smithsonian Institution in Washington DC, as well as the University of Rochester, and Penn State University. In the 1980s Lawrence established his own studio in Mt. Airy, Philadelphia, completing additional commissions for the National Cathedral, as well as works for the Lutheran Theological Seminary in Philadelphia, St. Mary’s at the Cathedral, Andorra, PA, the Burlington Bridge Commission in NJ, and the Gore-Tex Manufacturing Co., in Cherry Hill, NJ. Lawrence received The Stained Glass Association of America’s faceted glass design award twice, the Interfaith and Forum on Religious Art and Architecture award twice, and the St. Francis Xavier Chapel Award of Excellence. In 1994, the SGAA presented Lawrence with its Lifetime Achievement Award. A senior advisor for the American Glass Guild, he was also an associate member of the British Society of Master Glass Painters.  There will never be another CZ, as he was affectionately known, partially because stained glass and what it takes to conquer the craft has forever changed. But the art and the artist will be represented throughout the ages by his many bold, gothic revival style masterpieces. In 1994 Lawrence made his final window for the National Cathedral. This small, two-lancet window is located in the east end of the cathedral in the chaplain’s office. In most cases, he didn’t bother to make or apply the putty himself, but this time was special. Lawrence combined linseed oil, whiting, and lampblack, the major components, and added one last special ingredient—the ashes of Angus, his beloved dog who had died and was cremated during the making of his previous cathedral window.  Said Lawrence: “The cathedral was done, and Angus was in a safe place for the coming millennium. After that we will be together again. I am sure God knows how much I’ve missed him and She will bring us back together. Until then, I know I will always have a friend in the cathedral and so will Tracy, Vanessa, and whoever else comes after them.”  Recorded live at a coffee shop at the 2012 American Glass Guild conference in Pittsburgh, Pennsylvania, this podcast conversation was created from the TOYG archives.   

Eva Timothy describes growing up in Bulgaria as a place filled with darkness. But even amidst that darkness, she instantly recognized the light of Jesus Christ in art taped to the walls of a makeshift chapel. She felt His light through the words in theBook of Mormon—even through a pamphlet which only contained a handful of chapters in Bulgarian. She was drawn to His light then, and now she hopes to help others find that same light through her photography. “We all see Him in our own special way and that’s the beauty of it—that He is so dear to our heart.” Show Notes:  2:42- Growing Up Behind the Iron Curtain 5:30- Finding Faith Above a Soccer Stadium 11:32- The Book of Mormon…Pamphlet 16:23- The Light of the Gospel 19:04- Coming to America and Serving a Mission in the Big Apple 24:51- Enduring Through Creating 28:10- Digital Painting Guided by God 30:02- Feeling Ourselves in the Art 35:59- Grateful for Opportunities and to Missionaries 37:37- What Does It Mean To Be “All In” the Gospel of Jesus Christ Find the full episode transcript at ldsliving.com/allin. See omnystudio.com/listener for privacy information.

Our understanding of religion, whether it be scripture or history, is greatly influenced by art. The depictions we see impact not only how we picture certain passages, but also which passages we know at all. In his new book, "Repicturing the Restoration," artist Anthony Sweat felt a desire to capture some of the lesser-known parts of our Church history in hopes of expanding our understanding of the Church’s founding. Today, we talk with him about how Restoration art can change our perspective of this pivotal period. "Let's embrace all good, all truth. Let's learn. Let's grow line upon line, precept upon precept. Let's maybe alter some ideas we have that may not hold up under the test of time, that need to be rearranged or remodeled. Let's tackle difficult issues and celebrate the glorious achievements." Show Notes 2:55- Passions Combined 5:24- Role of Art in Religion and Christianity 8:33- The Influence of Art on How We Picture Scripture Stories 11:58- Why Representation in Art Matters? 14:45- Serving Two Masters 18:30- Source Amnesia 31:33- First Baptism for the Dead 25:40- Portraying What We Didn't Experience Firsthand 29:19- Process in Painting 34:40- "No John Trumbull" 42:48- Things as They Really Are 45:20- What Does It Mean To Be "All In" the Gospel of Jesus Christ? Find the full episode transcript at ldsliving.com/allin. See omnystudio.com/listener for privacy information.

Dr. Erik Davis is an American writer, scholar, journalist and public speaker whose writings have ranged from rock criticism to cultural analysis to creative explorations of mysticism. Few people are able to talk about the spirituality with a precision and accuracy born of a commitment to always remain open to the Mystery. Erik shares his own path, describing how he maintains scientific viewpoint while also embracing the weird and unknown aspects in all religions, especially Christianity and Buddhism.We talk in detail about "the psychonaut"scientifically minded explorers who use psychedelics in an attempt to map the fringes and consciousness - places where there might still be dragons. Show Notes3.00 Spiritual and uncanny experiences occurred in Erik’s childhood bedroom7.00 Fear and fascination 14.00 How Erik spans science and spirituality19.00 Erik’s deep experience with Christian art24.00 “The weirdest year of your life”27.00 Erik on prayer and grace32. 00 “America can’t escape the shadow of puritanism”36.00 Psychonauts vs religious seekers 45.30 Psychosis as an occupational hazard57.00 Practical Buddhist ethics1.03.00 The role of a spiritual teacher1.08.00 When Erik met Ram Dass

We might be going to hell for this one... What is the relationship between religion and art? Religion and creativity? And how do you make your own creative expression more sacred? The answers to these questions and more in our latest episode. Cultural anthropologist Micah Black and PhD in medieval saints Karena Akhavein discuss while drinking Hogwash Rose and dropping the occasional F bomb.

We’re live with Norman Faucheux with his sacred art at Norman Faucheux: Sacred and Religious Art, Michael Acaldo with SVDP-BR monthly update and Dr. Landon Roussel with COVID-19 update

Hi guys and welcome to another episode in the RE series. In today's episode we will be looking at different interpretations of statues of Jesus. Also we will be underetsnding how the incarnation affects Catholic attitudes towards religious art as well as exploring reasons for and against religious art. If you are aiming for the top grades why not try some exam questions : 1) Give 2 ways in which Catholics use religious art [2 marks ]. 2) Explain 2 ways in which statues can remind Catholics of Jesus' love for them [4 marks ]. 3) "Art that depicts God should be forbidden. " Evaluate this statement and give arguments for and against religious art [12 marks ]. I hope that you enjoyed this podcast and found it useful, don't forget to share this resource with your friends. God bless

A panel discussion — held as part of the Certain Women Art Show — with Dr. Rita Wright (Director of the Springville Museum of Art), Ashlee Whitaker (Roy and Carol Christensen Curator of Religious Art at BYU Museum of Art), Dr. Heather Belnap (Associate Professor and European Studies at Brigham Young University), and Hannah Miller (Temple Art Historian for the Church of Jesus Christ of Latter-day Saints). Dr. Micah Christensen served as moderator for a discussion that explored Latter-day Saint women artists, past and present.

Dr. Robin Jensen, Professor of Theology at the University of Notre Dame and concurrent Professor of the History of Art, presents a survey of the ways the Holy Cross and Christ's Passion have been depicted in the history of Christian art. Jensen also discusses reasons for the late emergence of both the cross and crucifixion in Christian iconography and consider the ways their depictions developed, varied, and were transformed in different places and through the centuries. Sponsored by the Garaventa Center.

Ashlee Whitaker is the Head Curator and Roy & Carol Christensen Curator of Religious Art at the Brigham Young University Museum of Art and has just opened a new exhibition on renowned sculptor and artist Mahonri Young. We talk about the exhibition, Young’s life and remarkable circle of influence.

CONVO WITH KYLE: The recent fire at Notre Dame Cathedral in Paris seems to have renewed interest in religious art and architecture. So, that’s the focus of this week’s episode of Truth in Charity. Hear Bishop Rhoades explain the purpose of religious art, how it should go beyond function and cause us to think about the eternal and help us lift our hearts up to the Lord. Then Bishop offers his definition of beauty and how there’s a revival of classical church architecture that’s centered right here in the Diocese of Fort Wayne-South Bend. Then he’ll walk us through the history and evolution of Church art and architecture. Starting with the second century …going through the Middle Ages, the Renaissance period, and finally today’s more abstract, modernist design. ------ Truth in Charity is brought to you in part by Notre Dame Federal Credit Union. ------ Live: www.redeemerradio.com Follow us on social media: www.Facebook.com/RedeemerRadio www.Twitter.com/RedeemerRadio www.Instagram.com/Instagram Submit your question(s): Call / Text (Holy Cross College text line) - 260-436-9598 Online - www.RedeemerRadio.com/AskBishop E-mail - AskBishop@RedeemerRadio.com Subscribe to the Podcast: iTunes | Google Play | SoundCloud | RSS

Unexpected and profound insights from smart people you’d like to meet. Today my guest is Grace Kingston a multi-disciplinary conceptual artist. Thematically Grace looks at notions of connectedness, intimacy, identity and how they manifest themselves in our every day lives and the spaces and environments we occupy. These works often manifest themselves as installation, sculpture, textile and photography work, or some combination of those mediums. Grace has exhibited New York, Finland and Germany. In Australia, Grace has had works in various exhibitions including the Blake Prize for Religious Art. In some of her art making, Grace explores the experience of the natural environment and how this might be transported and reimagined within more artificial and constructed environments such as those mediated by technology and social media. Due to the visual nature of Grace’s artworks, you might like to check out some images whilst listening to this episode. Grace’s website is http://gracekingston.com/ where you can find images of many of the artworks that are discussed, as well as a link to her instagram account. Here’s my conversation with Grace Kingston. Links: Here you are: http://gracekingston.com/portfolio/here-you-are-archive-space/ Finnish Mossy works: http://gracekingston.com/portfolio/deep-solitude-archive-space/ Clovelly Mossy works: http://gracekingston.com/portfolio/20-09-17-home-735-gallery/ Casula Powerhouse Fashion Co-lab: http://gracekingston.com/portfolio/ae-x-gk-orange-moss-casula-powerhouse-arts-centre/

Guest Father Terry Dempsey: Director of the Museum of Contemporary Religious Art (MOCRA), stops by to tell us about upcoming plans to celebrate the Museum's 25th anniversary and details some highlights of past exhibits.

Dr. Ferri inquires about the themes of "Sacred Art" and "Religious Art." She brings the messages to the artists delivered by Pope Paul VI and Pope John Paul II together with the Thomistic Perspective and the phenomenological point of view to begin a pioneer study on Contemporary Art in our Churches, in our Sacred Places, and in every visual representation we have with us. (Recorded and aired on Friday, November 3, 2017. )Dr. Ferri is recognized as one of the leading experts in the field of Sacred Art, and she is the Author of a volume dedicated to the dialogue between Catholic Faith and Art, devoted to an inquiry concerning Contemporary Sacred Art entitled Sacro Contemporaneo. Dialoghi sull’arte, published in 2016 by the Roman Catholic publishing house Áncora Editrice based in Milan, Italy, and scheduled for publication in winter 2017-2018 by En Route Books and Media.

Dr. Ferri inquires about the themes of "Sacred Art" and "Religious Art." She brings the messages to the artists delivered by Pope Paul VI and Pope John Paul II together with the Thomistic Perspective and the phenomenological point of view to begin a pioneer study on Contemporary Art in our Churches, in our Sacred Places, and in every visual representation we have with us. (Recorded and aired on Friday, November 3, 2017. )Dr. Ferri is recognized as one of the leading experts in the field of Sacred Art, and she is the Author of a volume dedicated to the dialogue between Catholic Faith and Art, devoted to an inquiry concerning Contemporary Sacred Art entitled Sacro Contemporaneo. Dialoghi sull’arte, published in 2016 by the Roman Catholic publishing house Áncora Editrice based in Milan, Italy, and scheduled for publication in winter 2017-2018 by En Route Books and Media.

Timothy P. Schmalz - Homless Jesus https://www.sculpturebytps.com/) Dan Stevers - No Other King (https://www.youtube.com/watch?v=VC5kThHog&t=9s)

We sit down with Ashlee Whitaker, the Run and Carol Christensen Curator of Religious Art at BYU to talk about her favorite piece of religious work in the collection at the BYU Museum of Art. A pair of triptychs by renowned LDS painter Trevor Southey reflect the life of Christ in a style completely unique to Southey and with a depth unparalleled in LDS art. 

The podcast formerly known as ALT { art x liturgy x technology } is BACK! In this introductory episode, I (Stephen Proctor) set the stage for this newly rebranded podcast – ILLUMINATE. Music by Thad Kopec & Mason Self ____________________ SHOW NOTES NEW SITE! –> illuminate.us Updated eBook –> "The Guidebook for Visual Worship" is now "ILLUMINATE v1 | leading visual worship" – available for FREE when you sign up for my newsletter. The Liturgists Podcast – Episode on Religious Art: http://www.theliturgists.com/podcast/2016/9/6/religious-art-episode-38

Michael Gungor, Science Mike, William Matthews, and Hillary McBride host a culture-shaping, genre-bending conversation about the most relevant (or bizarre) topics facing people today.

The Show Notes Listening to Kvitka Cisyk IntroDavid Letterman’s last showReligious Moron of the Week     - Mücahid Cihad Han from Jay NovellaThanks, Richard!Please stop sending me the fish with the bug tongue. Please.#asspastorAsk George     - Musicians? from Erick     - Religious Art? from Theloneous SweetleafCheck out Siouxsie Wells’ glow worm vidTunes at Twilight with Trio-LogicPatron T-Shirts and Last Aid kits?Show close ................................... Mentioned in the Show Tunes at Twilight Kvitka Cisyk on wiki Glow Worm videoCredits:
Written and narrated by Siouxsie Wiles
Animated by Luke Harris Graphics

This animation was made possible by the generous support of the Auckland Medical Research FoundationLotrs of information at the video site. ................................... Geologic Podcast PatronageSubscribe and information on subscription levels. ................................... Sign up for the mailing list: Write to Geo! A reminder that the portal to the Geologic Universe is at GeorgeHrab.com. Score more data from the Geologic Universe! Get George's Non-Coloring Book at Lulu, both as and E-BOOK and PRINT editions. Check out Geo's wiki page thanks to Tim Farley. Have a comment on the show, a Religious Moron tip, or a question for Ask George? Drop George a line and write to Geo's Mom, too!  

In this episode, Mormon Artist host Katherine Morris interviews visual artist Maddison Colvin about her current work in the Springville Museum of Art's 29th Annual Spiritual & Religious Art of Utah show, her composite pieces of Mormon Utah temples and LDS General Conference talks, and her thoughts on Mormon visual culture and the intersection of science and art.

From the late fifteenth century, the walls of Italian shrines became crowded with tavolette dipinte – small painted wooden boards recording instances of sickness, violence, accidents, natural disasters and demonic possession, and attesting to the miraculous intervention of the Virgin Mary and other saints. Dr Laven shall explore the significance of this new cultural form and contextualize the appeal of pictorial ex votos with reference both to grander trends in Renaissance art and to the simultaneous rise of the printed miracle book. Thus, she will shed new light on neglected forms of religious creativity and to investigate the role of narrative in fuelling devotional renewal before Trent.

Lord Harries will speak about his new book, being launched this week. The book is based on his series of lectures on 'The Image of Christ in Art', which he delivered during this term as Gresham Professor of Divinity, and examines ways in which artists have responded to religious themes.The transcript and downloadable versions of the lecture are available from the Gresham College website:http://www.gresham.ac.uk/lectures-and-events/modern-art-enemy-or-friend-of-religious-artGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 1,500 lectures free to access or download from the website.Website: http://www.gresham.ac.ukTwitter: http://twitter.com/GreshamCollegeFacebook: https://www.facebook.com/greshamcollege

In todayand#8217;s FBA Dharmabyte, and#8220;Tibetan Art as Religious Artand#8221; Sangharakshita talks about how every aspect of traditional Tibetan life is infused with religious significance, not least Tibetan architecture and iconographical painting, the topics of this lecture. From the talk and#8220;Symbols of Tibetan Buddhist Artand#8221; given in 1968 as part of the series and#8220;An Introduction to Tibetan Buddhism.and#8221;

Can art fulfill the purpose of religion in a pluralist, secular society? Can we reconcile religious dogma with individual artistic creativity? FT arts editor Jan Dalley discusses the long and sometimes fraught relationship between religion and art with Alom Shaha, physics teacher, film-maker and author of "The Young Atheist's Handbook", history painter Tom de Freston, and art critic Richard Cork. Produced by Griselda Murray Brown See acast.com/privacy for privacy and opt-out information.

Lively León is a sizeable city with a delightfully compact Old Town full of small-town atmosphere. A key stopping place for centuries on the Camino de Santiago, León has a pair of sights that serve as a textbook for medieval European art styles: Romanesque (the San Isidoro Monastery, with astonishingly well-preserved frescoes) and Gothic (the cathedral, with the best stained glass outside of France). For more information on the Rick Steves' Europe TV series — including episode descriptions, scripts, participating stations, travel information on destinations and more — visit www.ricksteves.com.

Lively León is a sizeable city with a delightfully compact Old Town full of small-town atmosphere. A key stopping place for centuries on the Camino de Santiago, León has a pair of sights that serve as a textbook for medieval European art styles: Romanesque (the San Isidoro Monastery, with astonishingly well-preserved frescoes) and Gothic (the cathedral, with the best stained glass outside of France). For more information on the Rick Steves' Europe TV series — including episode descriptions, scripts, participating stations, travel information on destinations and more — visit www.ricksteves.com.

There is a widespread perception in the West that we live in a secular age, an age in which religion is at best an optional extra, if not a false delusion completely out of place. However, religion still arouses passion and causes controversy; it controls and transforms lives. An informed understanding of the contemporary world thus requires an appreciation of the role of religion in shaping ideas, world-views and actions that have an impact on the social as well as on the personal life of the individual. This unit gives you a glimpse into this fascinating area. This study unit is just one of many that can be found on LearningSpace, part of OpenLearn, a collection of open educational resources from The Open University. Published in ePub 2.0.1 format, some feature such as audio, video and linked PDF are not supported by all ePub readers.

It's been years in the making, but Dawn Pheysey, Curator of Religious Art for the BYU Museum of Art, can still hardly believe they are all displayed here together for the first time in history; five of the eight huge Carl Bloch masterpieces which have graced churches across Denmark and Sweden for over a hundred years.In this walk-through of the exhibit we'll hear the history of the pieces, learn about the other Bloch paintings and etchings in the show which have been beloved by Latter-day Saints for half a century, and try to answer the question Danish priests have asked for years, "What is it the Utah Mormons see in these paintings?"  That's this week on The Cricket and Seagull...

In her 17 years as Curator of Religious Art at BYU's Museum of Art, Dawn Pheysey has seen the Religious collection grow in amazing and often miraculous ways.Join us for a walk-through and talk-through of "Types and Shadows" and learn how both in art and in life, everything testifies of Christ.  Also, follow the link on the Cricket and Seagull page to find images of the art and a viewable .pdf file of the beautiful exhibition booklet, and follow along with us. Also, at the end of the interview, a special musical feature, "Sacraments & Symbols."That's this week on The Cricket and Seagull...