Podcasts about Bubsy

In this episode of the Day 0 Update: We talk about what's up with Gex and Bubsy, the remastering of Gears of War's remaster, and the surprising return of Giant Bomb. All this and more, up next!Full show notes can be found ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Send us a textShownotes - Episode 292Switch 2 light and dark themes, Nintendo privacy policy refresh, Bubsy in: The Purrfect Collection, Shadow Labyrinth,Nintendo US diversity and equality position, Ecco The Dolphin, Genki, AliExpress Joy-Con 2 listings, Switch 2 profile icons, Star Wars: Grand Collection, Star Wars Outlaws, Tales of the Shire: A The Lord of the Rings game, SaGa Frontier 2 Remastered, Tomb Raider IV-VI Remastered, Wild Hearts S, Fantasy Life i: The Girl Who Steals Time, Cyberpunk 2077: Ultimate Edition,Trails in the Sky 1st Chapter , Elden Ring: Tarnished Edition, The Louvre Museum, Yakuza 0: Director's Cut, Donkey Kong Bananza secret language, Monster Boy and the Cursed Kingdom, Tom Clancy's Rainbow Six Siege, Assassins Creed Shadows, Assassins Creed Mirage, Star Wars Outlaws, Final Fantasy VII Remake SeriesSupport the show

No, it's not a truck, it's Whatcha Been Playin', the TV and Movie review show on the Aewchcast. ON this episode, Aewch dives back into an apparent important TV block of Thanksgiving Weekend, as he reviews Bubsy. Watch Bubsy right here! (You've been warned.)Social Media: @JustAewch

Extra de Navidad en Superjuegos30. Con la colaboración de nuestro amigo Javi de Geotrichum Podcast, repasamos los juegazos que nos pedíamos a los reyes en las navidades del 94 : Donkey Kong Country, Secret of Mana, Fifa 95, MickeyMania, Sparkster, Bubsy 2, Eye of the Beholder, Powe Drive.... y hasta un Shaq-Fu que va a dar más juego de lo previsto. Y terminamos el mes con el "Cabezón Mix" que venía de regalo con la revista... ¿Se puede pedir más? Enlace para leer la revista : https://archive.org/details/Superjuegos_032 Indies del mes : "Legend of Grimrock" (https://www.grimrock.net) "Antonblast" (https://store.steampowered.com/app/1887400/ANTONBLAST/) Colaboraciones Javi de Geotrichum Podcast https://www.ivoox.com/podcast-geotrichum-podcast_sq_f12321843_1.html Síguenos en la cuenta de X : @superjuegos30 Ahora también en Bluesky : https://bsky.app/profile/superjuegos30.bsky.social Ven a comentar el podcast a nuestro grupo de telegram : t.me/sj30podcast

Hey Everybody!This week Chan found yet another failed cartoon pilot from the 90's based on a video game! It's Bubsy!And it's...a rough one...like really rough.Great voice cast and not much else...Plus, Ray drinks Oreo flavored Coke Zero on air!Enjoy!MERCH STORE - www.teepublic.com/stores/knowing-is-half-the-podcastPatreon - Patreon.com/KnowingIsHalfThePodcastFacebook - Facebook.com/KnowingIsHalfThePodcastTwitter - @GijoePodcastPresident Serpentor - @PrezSerpentorSupport this podcast at — https://redcircle.com/knowing-is-half-the-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

TAKE OUR FAMILY FEUD SURVEY PLS: https://forms.gle/2SGrFwT9t4vZr8rp8 It's a year that's divisible by four and here in America, that means two things. 1.) We're going absolutely feral over sports you've never heard of. And 2.) There's a presidential election. Now despite the name of this podcast, we don't do a lot of political debating here. Well listener, that changes today. This week we're trying to decide "Which video game character should be the next POTUS?" Todd suggests we elect our first feline president. Andrew suggests we elect our first demigod president. Matt suggests we elect our first mayoral president. The title of this week's episode was selected by our Patrons in our Discord Community! If you want to help us choose the next one, join our discord, and/or get some bonus content, become part of #ButtThwompNation at patreon.com/debatethiscast Have you seen our Twitter? twitter.com/debatethiscast Have you seen our Instagram? instagram.com/debatethiscast Want to send us an email? debatethiscast@gmail.com MERCH! We have that! Right now you can go on the internet and order things that say Debate This! On them! All you need to do is head to MerchThis.net and give us your money! Ever wanted socks with the DT! logo on them? Well now you can get em! One more time that website is MerchThis.net! Properties we talked about this week: The Borderlands Movie, Death Stranding, Bubsy in: Claws Encounters of the Furred Kind, Kratos, God of War, God of War Ragnarok, Pauline, Super Mario Odyssey, Donkey Kong, this is the part of the show notes where we try to get some SEO so I'm going to say Donald Trump, Joe Biden and Kamala Harris even though we literally never mention them :) Music for Debate This! is provided by composer Ozzed under a creative commons license. Check out more of their 8-bit bops at www.ozzed.net!

For Matt's pick this month, he chose the Super NES Sonic-imitator Bubsy in Claws Encounters of the Furred Kind. This game sure has a bad reputation, but does its soundtrack deserve the hate? Let's find out!    Useful Links Bubsy in Claws Encounters of the Furred Kind Matt Berardo Social Stuff WaveBack Overplay WaveBack Discord Support us on Patreon WaveBack Facebook Geekade Facebook Twitter Instagram YouTube Twitch Website

We love uncovering forgotten gems here on VGMP and this certainly ranks amongst them. Whilst he never stood with the likes of Sonic and Mario in the hall of platformer greats, Bubsy Bobcat had a few games in the early 1990s that were successful enough to warrant trying a cartoon based on the property. The result was this TV pilot that was not picked up for a full series. When you watch it, you'll understand why. This show is like an acid trip on the Vegas Strip. Hosted on Acast. See acast.com/privacy for more information.

Should Bubsy die? What Happened? John F. Kennedy. Real? Anthology of Fear. Shane gets Baldurs Gate 3. Toy Story trophy hunting. Trophys VS Gamerscore. Steam Achievements are trash and profile levels doesn't make sense. Alone in The Dark A New Nightmare. Sly Cooper. Jet Force Gemini is a must play. GOG has the games. Blade Runner on PC. Limited Run Games Showcase 2024. Bubsy is rock tumbler millennial humor. Hong Kong 97. Dead Rising Deluxe Remake. Napping Through Happy Hour 100th Episode Special. Check Us Out On Instagram! Logo by @byllogan @mmry.crd and Toovin Theme Song by Toovin Learn more about your ad choices. Visit megaphone.fm/adchoices

We cannot ignore the fact that there's a Bubsy collection now. This week, it's the return of the Launch Lineup! This time, we're taking a look at the rollout of GameCube launch titles across Japan, North America, and Europe - but only the actual launch titles, so you won't see things like Melee or Pikmin here. What you will see is Luigi's Mansion, Super Monkey Ball, Batman Vengeance, and even Tarzan and Donald Duck. With three launches in the span of a handful of months, the GameCube does have one of our more varied lineups. So go back in time with us, and then look at Limited Run's future slate. Check us out on X and BlueSky @MarkersOnTheMap.

Press X Join the Press X Discord: https://discord.gg/MAXtvmv2rw  Topics:  The leakers are dead; long live the leakers: Midori & Pyoro dead, AdaWong lives https://www.resetera.com/threads/pyoro-leaks-switch-game-announcements-part-4.860007/page-23?post=124612014#post-124612014  Nintendo confirms “some” of the original M&L developers are involved in making Mario & Luigi: Brothership https://x.com/stephentotilo/status/1804501331983376634 Beyond Good & Evil - 20th Anniversary Edition Launches on June 25 https://news.ubisoft.com/en-us/article/4HYZp0t1d14z2afFYmzjju/beyond-good-evil-20th-anniversary-edition-launches-on-june-25  Limited Run Games showcase highlights: Gex Trilogy, Bubsy collection, Tomba, Fighting Force, Fear Effect, Dark Forces, Cosmic Fantasy Collection 2, etc.  Top comment on video has the whole list: https://www.youtube.com/watch?v=0G3umAZ-nvM Game Freak and WonderPlanet announce free-to-play sailing adventure RPG PAND LAND for iOS, Android https://www.gematsu.com/2024/06/game-freak-and-wonderplanet-announce-free-to-play-sailing-adventure-rpg-pand-land-for-ios-android  Shin Megami Tensei V: Vengeance sold over 500K copies in 3 days, SMTV has sold 1.6 million copies in total https://x.com/megaten_atlus/status/1803586067469328467  Avowed is similar in size to The Outer Worlds, not Skyrim, and is tonally like Pillars of Eternity II https://www.gameinformer.com/preview/2024/06/20/avoweds-creators-on-why-romance-was-considered-but-ultimately-not-included-and  (maybe?) Elden Ring: Shadow of the Erdtree receives ‘mixed' Steam reviews amidst difficulty and performance complaints https://www.videogameschronicle.com/news/elden-ring-shadow-of-the-erdtree-recieves-mixed-steam-reviews-amidst-difficulty-and-performance-complaints/  Questions from Discord:  Joe: What's your personal Mount Rushmore, if you will, of shooters, any perspective?  What we're playing:  Mary: Neon White, Baldur's Gate 3, Paper Mario The Thousand-Year Door  John: EarthBound Beginnings (finished)  Greg: Apex Legends, Halo Infinite, Chained Together, Battletoads, Metroid Zero Mission,   Brett L:  Paper Mario: The Thousand-Year Door  Brett M: Gears 1 and 2, Smash Ultimate, Alan Wake 2 DLC

Nintendo wollten mit der neuen Direct noch mal richtig zeigen, was die Switch nach wie vor zu bieten hat, Limited Run Games hatten diverse Retro-Spiele auf ihrem Showcase im Angebot und es gab weniger schöne Neuigkeiten zum Sims-Like Life By You. Diese und weitere News besprechen wir in der neuen Ausgabe Hooked FM, außerdem gibt's unsere Eindrücke zu Still Wakes the Deep, Paper Mario: Die Legende vom Äonentor und Elden Ring: Shadow of the Erdtree. Viel Podcast, viel Spaß! Zum GOTY-Voting: https://forms.gle/ZMrdf34YhH3dA4rT8 Unterstützt uns auf Patreon: https://www.patreon.com/hooked Oder auf Steady: https://steadyhq.com/de/hooked Kauft bei Amazon mit unseren Links und holt euch etwa die Xbox Series S oder X: https://amzn.to/3jeGg8C (Affiliate) Oder die PlayStation 5: https://amzn.to/34fQjG2 (Affiliate) Besucht uns auf YouTube: https://www.youtube.com/channel/UCPysfiuOv4VKBeXFFPhKXyw Oder schaut auf Twitch vorbei: http://www.twitch.tv/hookedlive Tretet unserem Discord bei: https://discord.gg/43s86KM Timestamps: 0:00 - Intro, GOTY-Voting 4:27 - Nintendo Direct 7:39 - Mario & Luigi: Brothership 14:59 - Fantasian: Neo Dimension 18:10 - MIO: Memories in Orbit 19:59 - Farmagia 24:28 - Donkey Kong Country Returns HD 31:14 - Dragon Quest 3 HD-2D Remake 34:10 - Phantom Brave: The Lost Hero 36:22 - Marvel vs Capcom Fighting Collection: Arcade Classics 42:25 - Super Mario Party Jamboree 44:47 - The Legend of Zelda: Echoes of Wisdom 55:31 - Ace Attorney Investigations Collection 1:01:51 - The Hundred Line - Last Defense Academy 1:06:41 - Romancing SaGa 2: Revenge of the Seven 1:08:47 - Metroid Prime 4: Beyond 1:15:13 - Limited Run Games Showcase, Fighting Force Collection 1:17:54 - Fear Effect 1:20:08 - GEX Trilogy 1:21:36 - Bubsy in: The Purrfect Collection 1:23:25 - Beyond Good & Evil - 20th Anniversary Edition 1:27:19 - Tomba 1 & 2 1:28:25 - Fazit zu Limited Run Games 1:31:51 - RPS-Report zu Fishlabs & Abbruch von Red Faction Guerrilla 1:37:12 - Life by You: Entwicklung abgebrochen & Studio geschlossen 1:43:25 - Neue Aussagen von Matt Booty zur Schließung von Tango 1:50:28 - Werbung: Amazon-Affiliate, getshirts-Shop, Video-Empfehlungen 1:51:16 - Still Wakes the Deep 2:11:23 - Paper Mario: Die Legende vom Äonentor 2:18:40 - Elden Ring: Shadow of the Erdtree DLC 2:41:21 - Robins Famoses Formel-1-Fest 2:44:44 - Die Podcast-Produzent*innen

Bienvenidas y bienvenidos a Recarga Activa, el podcast diario de AnaitGames en el que filtramos lo más relevante de la actualidad del videojuego en pildorazos de 15 minutos:1️⃣ Bubsy, Fear Effect, Rugrats... lo mejor del LRG3 2024 de Limited Run2️⃣ Los lanzamientos de la semanaSuscríbete para recibir el siguiente episodio en tu gestor de podcasts favorito. Puedes apoyar nuestro proyecto (y acceder a un montón de contenido exclusivo) en Patreon: https://www.patreon.com/anaitreload♫ Sintonía del programa: Senseless, de Johny Grimes Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Vookcast, Ollie is joined by Michael, Angelo, and Luke as they discuss the recent June Nintendo Direct, including the announcement of a new Zelda Zelda game, Metroid Prime 4, Mario & Luigi, and so much more.They also take a look at new games added to Nintendo Switch Online, a strange PlayStation game coming to Switch, the names of remasters, and some classic games coming to Switch soon.Relevant storiesNintendo Direct: https://www.vooks.net/metroid-zelda-mario-party-luigi-and-everything-else-from-the-june-2024-nintendo-direct/NSO Mega Man: https://www.vooks.net/this-months-game-boy-update-for-switch-online-is-mega-five-mega-man-games/Leaker nonsense: https://www.vooks.net/google-employee-behind-multiple-nintendo-youtube-leaks/Lego Horizon Adventures: https://www.vooks.net/lego-horizon-adventures-announced-coming-to-switch-later-in-2024/Life is Strange: https://www.vooks.net/life-is-strange-double-exposure-announced-coming-to-the-switch-later/Civ 7: https://www.vooks.net/sid-meiers-civilization-vii-launching-on-switch-in-2025/Lollipop Chainsaw: https://www.vooks.net/lollipop-chainsaw-repop-coming-to-the-switch-this-september/Shovel Knight: https://www.vooks.net/yacht-club-games-reveals-new-dx-version-of-shovel-knight-dlc-and-more-coming-soon/Beyond Good & Evil: https://www.vooks.net/beyond-good-evil-20th-anniversary-edition-releases-next-week/Fear Effect: https://www.vooks.net/fear-effect-coming-to-switch-in-2025/Bubsy: https://www.vooks.net/bubsy-in-the-purrfect-collection-coming-to-switch-in-2025/Support the Show.SocialsOllie: @chocobalt on Twitter Luke: @renderman7 on TwitterAngelo: @manjell0 on TwitterMichael: @subelement@aus.social on MastodonFind Vooks on social media

We COULD have had a chat about SEGA news this week, but Bubsy is getting a HD re-release and that's just infinitely more interesting so we focused on that instead. Chapters: 00:00:00 - Year 14 - The Best Gets Better 00:01:23 - Pachislot Yakuza: Dead Souls (Pachislot Ryu ga Gotoku OF THE END) - Pulse Within The Paradox 00:06:05 - Sin Chronicle - Finally, We Are Here 00:09:25 - This is Saturday Night SEGA 1 00:13:43 - Hatsune Miku -Project DIVA- - Ievan Polkka 00:17:44 - This is Saturday Night SEGA 2 00:23:52 - wipEout [Saturn] - Cairodrome 00:28:58 - Sonic Rush Adventure - Sky Babylon (Act1&2 Mix) 00:32:26 - ONGEKI SUMMER - Summer Fireworks 00:36:27 - This is Saturday Night SEGA 3 00:51:54 - SEGA AGES 2500 Series Vol.26: Dynamite Deka - Alien Storm - Noise of Art! 00:53:59 - Sonic R - Diamond In The Sky 00:58:41 - The Lion King [8-bit] - Circle of Life 01:01:39 - This is Saturday Night SEGA 4 01:14:44 - Sonic Adventure - Red Hot Skull 01:19:40 - Psyched - CLUB-MIX from SEGA RACING GAMES - Blue Sky 01:23:36 - Sonic Advance 2 - Hot Crater Act 1 01:25:33 - This is Saturday Night SEGA 5 01:40:50 - Club Sega - Sega Rally Championship ~ Ghost in the Road Mix 01:46:32 - Super Visual Football (The J.League 1994) - Field BGM 1 01:48:57 - Phantasy Star Online 2 - Neon Nights - Race through El Dorado! - Last STAGE 01:56:03 - This is Saturday Night SEGA 6 02:03:21 - Livin' Joy - Dreamer (7" Mix) 02:06:57 - Sonic Racing - Green Hill: Lap Music 02:09:32 - TheBitterRoost - Triumph in Failure

Limited Run Games announced a bunch of new titles, including ... Bubsy? We're also gonna decide the Mt. Rushmore of gaming crossovers.Remember our motto: "BUY A SHIRT!"Merch: https://game-mess.creator-spring.com/Patreon: https://patreon.com/gamemessDiscord: https://discord.gg/gamemess

Jeff Grubb and Tamoor Hussain take you through a Dregs Day filled with bad business decisions, Elden Ring ass-kickings, and bobcats rising from their graves.

In this week's episode, the guys review the 1993 pilot Bubsy.Get more on the Patreon!Visit the website!Support the Show.

Bo, David, and Grant take a cue from the Sonic Weekly discord to discuss the Sonic mascot platformer clones. They also wrap up their thoughts on the Knuckles series on Paramount. Special thanks to Jack of Old Games for the edit! For more Bo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rings of Saturn!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more David: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sonic Retro!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more Grant: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Void!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more Jack of Old Games: YouTube! For more Smoovies: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more Sonic Weekly: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube!

Are you a Unicorn or an Overlord? We'll tell you, but first you have to make a biblically accurate Bubsy in the character creator and then you have to buy our game. We promise you're gonna love it. Discussed: Mar10 day, Unicorn Overlord, Tidings, Unicorn Overlord's World Map, Dragon's DoUnicorn Overlord, DraUnicorn Overlord, Dragon's Dogma 2's ChSKYRIM, Dragon's Dogma 2's Character Creator, The Worst Garbage Podcast Network!---Find us everywhere: https://intothecast.onlineBuy some merch if you'd like: https://shop.intothecast.onlineJoin the Patreon: https://www.patreon.com/intothecast---Follow on Threads: https://threads.net/@intothecastFollow on Tumblr: https://intothecast.tumblr.com---Follow Stephen Hilger: https://stephenhilgerart.com/Follow Brendon Bigley: https://threads.net/@brendonbigleyProduced by AJ Fillari: https://bsky.app/profile/ajfillari.bsky.social---Season 6 Cover Art by Scout Wilkinson: https://scoutwilkinson.myportfolio.com/Theme song by Will LaPorte: https://instagram.com/ghostdownphoto---Timecodes:(00:00) - Intro (01:20) - Unicorn Overlord | The Switch has NON-Mario games (43:50) - Tidings from Jess to Nick (44:12) - Tidings from Spencer to US?! (45:05) - Unicorn Overlord (SOME EARLY SPOILERS) | UniMOREn Overlord (01:23:20) - Break (01:24:27) - Dragon's Dogma 2 Character Creator | Welcome back, Arisen (01:24:47) - Unicorn Overlord | Recruiting Peter (01:25:00) - Dragon's Dogma 2 Character Creator | It's called Gran Soren (01:25:05) - Unicorn Overlord | One other thing (01:25:47) - Dragon's Dogma 2 Character Creator | FOR REAL THIS TIME (01:26:51) - Skyrim?????? | We've totally lost the plot, gang. Godspeed to you. (01:27:51) - Dragon's Dogma 2 Character Creator | Hopefully (01:54:43) - Marker 01 ---Thanks to all of our amazing patrons including our Eternal Gratitude members:GrokCorey ZDirectional JoySusan HOlivia KDan SIsaac SWill CJim WEvan BDavid Hmin2Aaron GVErik MBrady HJoshua JTony LDanny KSeth MAdam BJustin KAndy HDemoParker EMaxwell LSpiritofthunderJason WJason TCorey TMinnow Eats WhaleCaleb WfingerbellyJesse WMike TCodesWesleyErik BmebezacSergio LninjadeathdogRory BA42PoundMooseAndrewJustin MPeterStellar.BeesBrendan KScott RwreckxNoah OMichael GArcturusChris RhepaheCory FChase ALoveDiesNick QWes KChris MRBMichaela WAdam FScott HAlexander SPTherese KjgprintersJessica BMurrayDavid PJason KBede RKamrin HKyle SPhilip N ★ Support this podcast on Patreon ★

Lords: * Erica * Kory * https://kbones.itch.io/ Topics: * Mystery Hunt 2024 * Developing my first video game * Wearing glasses prevents COVID * English Ending Song, by Ryoji Yoshitomi * https://files.fireside.fm/file/fireside-uploads/images/3/3597ddeb-e52e-4cda-a59c-c64600489fea/AxA-XP8E.png * How to make satisfying non-violent gameplay * @DJTentMode@mstdn.party Microtopics: * Letting go of concepts of yourself that you believe. * Losing a concept of yourself as a person and just becoming free-floating thoughts. * 47 year old house painters. * Growing up to be a pluripotent human being. * Finding cool and positive Internet spaces to hang out in. * Excavating old Bubsy memorabilia. * Checking the maps on your telephone. * Defining yourself as someone who doesn't eat free cheese samples. * Scientists researching how to be cool and cringe at the same time. * 2023 Game of the Year Gordy and the Monster Moon. * Protocols and processes that presume that if you are good at solving puzzles then you must also be good at designing puzzles. * The humble beginnings of the MIT Mystery Hunt. * Puzzle Inflation. * Instant stooging. * People who are obligated to prevent their children from dying. * Server migration problems. * Accidentally writing the same puzzle as someone else. * Premium content for listeners who want to subscribe. * Putting sprites on the screen and accepting controller input. * Game design by proxy. * Your local Barcade with a Pico-8 cabinet. * Buttoning up a game to make it a shippable product. * Whether the knife is detecting a dork. * Butter golems. * Bugs that make games more fun. * Building a high end gaming PC and only running Pico-8 on it * I can't believe they buttered Jorts! * Meeting the guy who runs the Indie Arcade at Magfest. * Waiting 40 years for opportunities to fall in your lap. * Think Buick. * A cat that is not on the show. * Of all the exposed mucus membranes on your face, the eyes are two of them. * Projectile transmission. * Did this COVID infection rate study control for popularity? * Hitting 40 and embracing the cringe. * Wearing chemistry goggles in public. * Myopic basketball players. * Things you can put on your face to look like a superhero in disguise. * The Wario Land 4 soundtrack. * Making ogg vorbis rips of the Wario Land 4 soundtrack to put on Napster. * A gem of a poem to be hidden in a Wario game. * Playing back vocals with single-syllable samples. * Our collective dream diary. * Your dreams melting into your pillow with all the dust mites. * Everything is impermanent, especially video games. * A shocking removal of an important human from your life. * Making your peace with the time you have forgotten. * The natural high you get from blowing things up. * Throwing apples at a Snorlax until it wakes up. * Cooking games. * Matching happy looking fruits of different sizes. * Watching carefully as two peaches slide together. * Designing video games for 5-year olds on T. * Dropping things that merge in a two dimensional space with gravity. * The boy has two dads. * What can I do that is nonviolent and crunchy and interesting and solvable? * Looking for inspiration outside of video games.

Show Notes All aboard the SAG Cartoon Express! In our new monthly segment, Dan and Kris will watch a different random video game-related cartoon and discuss it on the show. For the inaugural episode, they sat down to view the abysmal pilot episode for the failed Bubsy cartoon. How bad was it? Let's find out! At the top of the show, Dan and Kris caught up on life after their 500th episode, and the sheer insanity that Dan's life has become with all the dogs that currently reside in his house. Kris actually got to play some games though, including more Vampire Survivors story mode, messing with the terrible CD-i controller releasing alongside Arzette, and more MSX Metal Gear 2, which has way more in common with Metal Gear Solid than it should. In Week Old News, Microsoft's recent run of layoffs brings their Activision acquisition into question, Atari takes a shot at game show supremacy, Sega's Sonic sales slump, and more! Useful Links Support us on Patreon StoneAgeGamer.com Safe at Home Rescue theGEEKwriter Shoot the Moon Stitches Art of Angela SAG's theme Song “Squared Roots” by Banjo Guy Ollie Social Stuff Join us on Discord! Stone Age Gamer YouTube Twitch Geekade Facebook Stone Age Gamer Facebook Geekade Twitter Stone Age Gamer Twitter Geekade Instagram Stone Age Gamer Instagram YouTube Geekade Contact Us Break Music Advance Immediately - Metal Gear 2 The Village - Bubsy in Claws Encounters of the Furred Kind

this is a comedy ""podcast"" btw believe it or not. It is a joke, it is parody, it is satire. It is not serious; it is not meant to be taken seriously. I do not condone the physical harming or even light harassment of real estate agents in any way shape or form. Do not call, text, or email Jeffrey Doussan or Keller Williams of New Orleans. Do not write funny bad reviews on yelp or google or furnished finder. Do not send pipe bombs or bomb threats to his house or any of his listed properties. I mean it! If you do any of these things you will be banned from podcasts forever. Thank you enjoy the show. Looking at rentals is really fun cuz real estate agents and property managers are some of the most redacted and oblivious people you have to trust with your livelihood. Recently I had scheduled to see a place and the guy no showed, no contact I messaged and emailed him multiple times and 3 days later he texted "apologies out of town." He then proceeds to try to reschedule immediately for the next day at 11am I say can we do 2pm he says no we can't let's do Monday 2pm I say okay Monday 2pm he says great I say great and then he says actually we can do tomorrow Friday 2pm i say perfect cool then Friday at 11am he says you must think we're crazy but we're actually just short-handed can you do monday 2pm and then i showed up today Monday at 2pm and the guy is 10 minutes late, I text the guy and he said "oh Philip's not there?" Philip the minion shows up within 1 minute of me texting, Philip says haha it's good thing our office is right around the corner and he points to a building literally right behind the rental and gives me the dorkiest fcking smile and I want to drown Philip in a puddle. We go to open the door and he doesn't have the right keypad code. I stand around in the rain for about 5 minutes while he calls and texts people and then he's like oh we can just try the other side of the duplex and I asked if the other side is the same layout and price and furnishings and he said no so I said no and so we sat in the rain for another 5 minutes and he finally gets the code and we go in. It looks like the last tenant had just left, all the lights and tvs are on and trash cans full, poop splatters on the toilet and it smells like cat piss. Despite this, I message the property manager that I am interested and would like to move forward with my application and he likes my message and says nothing else. $1400/month. a few years ago, a property manager was stunned that I requested to inspect the house before signing a legal document that said we conducted an inspection and told me I was the first person to ever do so. He addressed me as "Gay bro" in a text and it was never acknowledged $1754/month 440 sq feet #italiano #realestateagent #propertymanagement When you were investing in real estate, I studied the blade. When you were having open houses, I mastered the blockchain. While you wasted your days at the bank in pursuit of equity, I cultivated inner strength. And now that the world is on fire and the barbarians are at the gate you have the audacity to come to me for rent.   It's free! Real estate! We're giving you land! It's free. We're giving you a house. It's real estate. Free. It's a free house for you, Jim. This is free real estate! You gotta bring furniture, but the house is free! Two bedrooms, no rugs. It's free! You unlock the door to your free house, we got you the real estate! It's a two bedroom house, its free, its got a pool in the back. I'm not carrying this around all day! It's for your house! Free real estate, I'll pee my pants. Jim, come get your damn land. It's a free house! Jim, I got real estate. Jim, does it get better than this? Jim! The house is free! Jim! The house is free! It's a free fucking house. It's free real estate!   Dis shitpost is conquered by Naily, along with Wacky Workbench, UmbraSnivy, whose ego will ensure this will stay near the top, Monster Jam: Urban Assault, Taco, because youtube is where the poop is, All character userboxes, Vsauce, people who wear band t-shirts thinking it's a brand, Palm Tree Panic Will Venable busting a move on top of the dougout with Mr. Met, the letters Q, A, K, H, P, and Y, Work That Sucker To Death by Xavier (ft. George Clinton and Bootsy Collins), George W. Bush, Jeb Bush, Crazy Hand, Ampullae of Lorenzini, my sword, my bow, and my axe, The Onion, Gregorio's Tightie Whities Company, Flipnote Hatena, The 1997 World Series, Jet fuel, someone who should have been the one to fill your dark soul with LIGH-GHT! That one annoying Mets fan who interfered with a live ball and gloated by waving his mitt at David Dahl, ʎɥdʎlƃnɹəɔ Cameradancer100 singing "Hit me baby one more time," George Carlin saves President Obama from bad Indie Mu sic, Lazytown, Mother 3, Quadrupedal Dolphins, The Miami Dolphins, Miami Heat, Miami Marlins, University of Miami's Basketball Team, 2001: A Space Odyssey, Space Jam, Guitar Hero Encore: Rocks the 80's, Samsung, Six Flags, Laffy Taffys, Donald Trump, Italian people who live in Japan and have the last name Baldelli, the italian knock off of baldis basics called baldellis basics, the real Baldi's Basics in Education and Learning, Supreme, LemonMouthTheCat, Flamer, "Don't You Evah" by Spoon, Carlos Guevara's Tweets that say "It's a good night" 90 percent of the time, the rest of Carlos Guevara's Tweets including the one where he got really really really mad because his food at Chili's was too cold or something (he even put a picture of his food with a caption saying "this angers me every time"), a runabout (She stole it! NO ONE WILL EVER KNOW!!!!!!!!!!!!) Toontown Online, ShamWow, Derpyunikitty, All of MrFlamerBoy's OCs, Ruhmoat, Tubbybloxian the robloxian teletubby, Reater the Cheater, Bomby, Tim Lincecum's hair, Taylor Swift's hit single "Delicate", Houses, Tanline666 and his blog post announcing he is unblocked, asdfmovie, pineapples, Thunderstruck by ACDC Other Real Estates, The creator Takeo Ischi singing about chickens, Geno, People who release boring songs as their debut singles, Hypseleotris compressa, That spider you killed back when you were 8, A fruit fly corpse, Mr. Moseby's lobby, Flying Battery Zone, r/softwaregore, Paul Blart Mall Cop 2, bruv moment, Steel beams, laser beams, pretty much every other kind of beam there is, "Counting Stars" by OneRepublic, Katajrocker, Dehumidifiers, Kayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayday AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAkamatsu, XXXTentacion's Death P.A.C.T, Tzipi Shavit, Yogurtslavia, Hiccory, Benny No, Cavendish Bananas, LeAlgae, octahedrons, Crash Twinsanity, F-Zero, Io, SpongeBob SquarePants (The Show), people who put anything before Wacky Workbench, Coiny, your pests, Super Smash Bros Brawl, Bruce Lee, Jackie Chan, An electric guitar made out of acryllic and is filled with liquid and glitter to make a cool snow globe, two Number 9's, a Number 9 Large, a Number 6 with extra Dip, a Number 7, Two Number 45's, one with Cheese, and a large Soda. squid eyeballs, Eraser, Svalbard, Nickelodeon, Game Shakers, Oshawott, Snivy (And Tepig) SNSD Gee, Dante Bichette Sr., Dante Bichette Jr., and Bo Bichette, An Oxi Clean Container autographed by Billy Mays, My absence from this wiki, Vsauce, Nappa, The UK, KarateMario4Life, the Illuminati, Windows 10 Shop, The Battlecats, All of the squirrels in the universe, the color Amaranth, Warioware Gold, people who follow every page they edit, Mario Kart Wii, Bothus the flounder, Joanna Newsom, SammyNWIKI (and all sockpuppets thereof), a heckin y e l l o w house, Asian Carps, 8-Ball's Fumes, Some Firey hater or something, USERNAME Template, Selene vomer, Fartnut Bottle Royalty, The muffin that wants to die die die, Spicy Af Roblox Memes, The Impractical Jokers, the people who are wai --I HATE YOU (talk) 00:56, November 15, 2019 (UTC)--I HATE YOU (talk) 00:56, November 15, 2019 (UTC)--I HATE YOU (talk) 00:56, November 15, 2019 (UTC)ting for BFB 13, People who believe that this might be offensive and want it deleted but are actually good people that mean well but please listen to me we just want to make a funny joke and we aren't trying to be offensive, Giorno Giovanna, Fake Smash ultimate Leaks, 4 dozen eggs, A crazy Asian guy by the name of Kenji Johjima who is on the loose trying to steal mashed potatoes from your local Popeye's, Foxtrot comics, Chiaotzu's death scene, The now closed trollpasta wiki,Roblox Creepypasta, DANK MEMES,scrampled egg, phyllo dough, Greg Heffley's nickname "Bubby", Picross 3d Round 2, Tide pods, The Safety Dance by Men Without Hats, the ugliest myna bird in existence, PediaSure, Super Mario Odyssey, Gay People, Puzzle Body: Beware! Invading bigs! Yag People, The Elite Beat Gaents sequel that has yet to release, various kinds of loach (including but not limited to Pangio incognito, Nemacheilus selangoricus, and Chromobotia macracanthus), The numbers 47, 99, 519, 24, 963, 8, 69, 658, and 82, Nokia, Rude Buster, ₯, その言語のエスペラント, Some really dumb joke, Yuri's death scene, Three Nights At Harry's, Sony Pictures, SMG4, doggo's of all sizes, ppl who write him/her instead of them, Autism, Swordfish antlers, The people that have made Despacito a meme, The fact that i barely protect the meme from straying too far from my vision, The Disrespectoids, "You Say Run" from My Hero Acadamia, badly coded Minecraft mods, Pen Island (no spaces all caps), the Cat-Bear-Burger, Schaffrilas Productions, this mailbox, this triagonal sign, Fries' fries, whatever the heck is on top of Bell's string, Despacito, Despacito 2, Despacito (Justin Bieber remix), Despacito (Mini Pop Kids version), Johnny Johnny, Everything Firey and Leafy own, Baconator, Son of Baconator, Baconator Fries, Crocs, Princess Stapy, Become Woody from Roblox, Leafy, Evil Leafy, Metal Leafy, FOOTBALL, people who use the

Link to to Ethans Instagram is @nonebyiowa (https://www.instagram.com/nonebyiowa/?hl=en), and no social media link for Andy. Sorry listeners!!! Link to the magazine here (https://archive.org/details/Nintendo_Power_Issue001-Issue127/Nintendo%20Power%20Issue%20050%20July%201993/) Thing discussed: Links Awakening, grading systems, Zelda jokes, wrestling, E.V.O., educational video games, Christopher Nolan, Bubsy the bobcat, Nesters Adventures, Nintendo Powers 50th volume celebration, Star Fox comic, T2 arcade game, and the Nintendo Power shop

Hoje os felinos Guilherme Ferrari, Lili, Guilherme Dellagustin, Marcos Melo e Eder Aleixo  discutem um dos jogos mais polêmicos com gatos dos 16 bits. Estamos falando de Bubsy em sua aventura contra alienígenas apaixonados por novelos de lã. O melhor ou pior jogo da Accolade? Jogão? Porcaria? Bora ouvir!  Curiosidades: A versão japonesa do Bubsy para o SNES, Yamaneko Bubsy no Daibōken, teve os clipes de voz e a maior parte dos textos dublados em japonês (óbvio). […] O post Fliperama de Boteco #391 – Bubsy in: Claws Encounters of the Furred Kind apareceu primeiro em FLIPERAMA DE BOTECO.

Au programme de cet épisode de LCDJ : News : Suite et fin de la saga Taxe Unity Le deal Activision Blizzard King et Microsoft enfin clos ! Atari demande aux devs indés de ressusciter Bubsy : https://www.gamedeveloper.com/business/atari-calls-on-indie-devs-to-pitch-a-new-bubsy-game Unreal Engine for Fortnite pour les devs indés : https://www.gamedeveloper.com/business/what-it-s-like-making-games-for-unreal-engine-for-fortnite-as-an-indie-dev Infos : - Soutenez-nous : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/lcdj⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Animé par ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anton Monjon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Animé par Benjamin Consol: ⁠⁠⁠https://www.linkedin.com/in/benjamin-consol-121899120/⁠⁠⁠ La page Steam de son jeu Inu Loas Fate: ⁠⁠⁠https://store.steampowered.com/app/2324190/Inu__LoasFate/⁠⁠⁠ Suivez-nous sur ⁠⁠twitter : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/coulissesdujeu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@coulissesdujeu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Discord : ⁠⁠⁠⁠⁠https://discord.gg/7B4QUN69zv

Action satt heisst es diesmal! Das 3DO wird vorgestellt, "Street Fighter II CE" erscheint für PCE und SNES, auf dem Mega Drive läuft KONAMI mit "Rocket Knight Adventure" zu Hochform auf und das SNES beweisst mit "Super Turrican" und "Bio Metal", dass harte Action auch auf Nintendos 16 Bitter möglich ist.

This game sucks.Show Links: https://linktr.ee/supergarbagedaySupport the showHosted by: B-Ross and Vanfernal Produced and edited by: B-Ross Email us at: supergarbageday@gmail.com

This week, a modder unlocks a secret for the N64, two Zelda classics land on the Switch's Game Boy Color library, Red Dead Redemption Remaster might be coming to the Switch, and Jason reviews Bubsy in Claws Encounters of the Furred Kind for the SNES. --Join our Patreon: www.patreon.com/nerdcaveretro   –Email us at nerdcaveretro@gmail.com --www.nerdcaveretro.com    --Check out our merch: www.ncrmerch.com                                                 –Follow us on all social media platforms: @nerdcaveretro, @Derek_Diamond @JayFunktastic --Use our code "NCR" at checkout at www.brezcoffeeco.com for 10% off your order!       -- Watch live on www.youtube.com/@jayfunktastic every monday at 6 pm central. --- Send in a voice message: https://podcasters.spotify.com/pod/show/nerdcaveretro/message Support this podcast: https://podcasters.spotify.com/pod/show/nerdcaveretro/support

Few record labels have left their stamp on the industry quite like Motown. This assembly line churned out hit song after hit song in the ‘60s and early ‘70s. With a who's-who roster — Marin Gaye, The Jackson 5, Diana Ross, and Stevie Wonder, among others — The Hitsville U.S.A. sign Gordy put on Motown's front door became warranted. This episode is the story of Motown Records — it's formula for success, what led to its decline, and where it stands today under Universal. I'm joined by friend of the pod, Zack O'Malley Greenburg. Here's what we covered in this episode:0:38 Berry Gordy's origin story8:08 Motown museum in Detroit9:20 Cultivating a culture of creativity13:05 Shifting the sound of Black music20:12 Motown's knack for discovering talent 34:29 The beginning of the decline36:12 80's decade of transition39:48 Post-Gordy struggles45:51 Motown's uncertainty today53:59 Best signing?55:16 Best business move?568:45 Dark horse move?1:01:58 Biggest missed opportunity?1:07:13 Motown big-screen picture1:09:22 Berry Gordy won big1:10:41 Who lost the most?1:14:56 Zack's Jay Z indexListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Zack O'Malley Greenburg, @zogblogThis episode is sponsored by DICE. Learn more about why artists, venues, and promoters love to partner with DICE for their ticketing needs. Visit dice.fmEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapitalTrapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Zack Greenburg: Berry Gordy created with Motown and sort of the Motown genre, which I think really like more than any label has become synonymous beyond just sort of like the name of label itself, you say Motown music, and a testament to the sound that he created,[00:00:13] Dan Runcie Audio Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level.[00:00:38] Dan Runcie Guest Intro: Today's episode is a deep dive into the one and only legendary Motown records. At its peak, Motown was the most successful black business in the country. It peaked at 30 million dollars of revenue in 1968 and Barry Gordy and his team assembled a sound. a unique genre of music that produced hit after hit after hit and Hitsville USA lived up to its promise.So in this episode, we take you through the origins of how Motown came to be. What are some of the business principles and strategies that worked in its favor? And then what are some of the challenges that Motown faced too? It's now been 50 years since the peak of Motown. And this record label has had plenty of ups and downs and plenty of journeys that we went deep on in this episode. And I'm joined by Zach Greenburg He is a biographer of Jay Z and several others, and he also wrote about Michael Jackson. And in that he talked about Michael Jackson's time with Motown, especially in the Jackson 5. So we had a lot of fun in this one. So come take a trip down memory lane with us. Here's our episode on Motown.[00:01:42] Dan Runcie: All right. Today we're back with another case study style episode, and we're going deep into Hitsville, USA. Motown, baby. Let's do this, Zack, I'm excited for this one.[00:01:53] Zack Greenburg: Thanks for having me as always.[00:01:55] Dan Runcie: Berry Gordy is so fascinating because At one point, this was the most successful black business. They're the most successful black entrepreneur in the country invented a genre.And it's so hard to be able to do that. And that legacy still lives on today. We know so many record labels that have taken inspiration from what Berry Gordy built with Motown records, but let's start from the beginning. What inspired Berry Gordy to even want to get involved with music in the first place?[00:02:23] Zack Greenburg: Yeah. So, you know, Berry Gordy, and his family were in the Detroit area, you know, a bunch of serial entrepreneurs, get a record shop early on, but he was actually like semi professional boxer coming up. And, think one thing led to another and you just kind of saw that, you know, there was a market that was not being served in music.you know, certainly like the business was concentrated, on the coast and particularly in New York at that time, you know, eventually more in LA, but. you know, there was some stuff going on in Chicago. there was some regional acts, regional labels, things like that. But, you know, I think he just basically saw an opportunity, to start something.And, you know, sort of in the way that if you look at, Richard Branson or Puffy or, you know, what are those types of entrepreneurs? It's almost It doesn't really matter what they get into. They find a way to make it work. and they're just always on the lookout for a new sector. That's, kind of, you know, right for some creative destruction, know, and some refreshing or some freshening, some revising, I don't know, whatever you would call it.And, you know, in the case of Berry Gordy. Kind of amazingly, when you think about music over the past half century, he looked around and he thought, well, this is actually, this is a sector that is very promising amongst all the sectors that I could possibly get into. So, that's how Motown came to pass.[00:03:36] Dan Runcie: That point about whether it's Diddy, Branson, Gordy, and I think a lot of the tech CEOs fall in this category as well. You're going to put them in any generation. And I do think that these people would have found a way to make things work. And that's the same point you're making, right? He saw an opportunity to music, but let's say he came 30 years later.It could have been another aspect. Let's say he came today, probably could have been trying to do something in AI or even figure it out, how to make AI, be transformative with his music. And I think a lot of his work, whether you think about how he built derivative work or how he had this process with artists that we'll get into so much of it taps into, okay, here's an opportunity to optimize things.Here's how we can make things work. And music just happened to be the format. He chose it.[00:04:21] Zack Greenburg: Absolutely. And even, you know, when you think about it, he got started sort of mid century 30 years later, he was looking into other things, getting involved in film and TV. And You know, moving the business out West, but, you know, we'll get there eventually, but, he certainly did, you know, find other ways to extend the Motown brand as time went on.[00:04:37] Dan Runcie: So he starts off, he has this record business and things go okay with that. specifically talking about the store. And that was a lot of it was connected a bit more from the family perspective, but then he ends up getting the job at Ford specifically working with that Lincoln mercury plant. And that's when he was only there for 2 years, but he then sees how the process works and the whole concept of Ford is, which is that assembly line process that Henry Ford has been famous for.He sees that and then he taps back into his opportunities with music and he's like, okay. Okay, there's an opportunity to do the same with music. So he sees this assembly line, essentially have all these parts go through the inputs. And then the output, you get this car, he wanted to be able to pull some kid off the street, bring them into the Motown and bring them into this record label facility.And then outcomes a star. And he felt like he had the ability to be able to create that type of dynamic. And it took some time to get there, but that's essentially what he did. And a lot of the creations of what we saw from Hitsville USA was that exactly.[00:05:48] Zack Greenburg: Absolutely. And, he'll tell you that, I've interviewed him a couple of times. Once for Forbes, once for my book, Michael Jackson Inc, where he talked a lot about that. And, you know, he really has a formula, for making a hit song. And, you know, it's sort of like the song has to have a clear beginning, middle at an end. The chorus has to have a sort of grand arc that summarizes the song every time it happens.And then there's a sort of like grand finale bridge ending thing that, brings it all together, always at the end you hear the artist shout out the song's name almost, you know, invariably one last time and you know, that's like pure marketing, right? And you think about it in those days, this great songs on, you're hearing it, but like, you know, maybe you're in the car, it's on the radio, maybe you're artist and a record player.It's not popping up on your phone. So you know what it's called when you hear Michael Jackson shout out, I want you back at the end and I want you back. what you're going to go out and buy, you know what, you're going to call in, you know, to the radio station and ask them to play. So, it's very calculated, it really works and it's proven and, you know, if it sort of seems like, gosh. You know, this is like a cliche. This is obvious. I think part of it is because he helped create this cliche, obvious thing, right? I mean, things become cliche or obvious because they're smart or necessary most of the time.So, you know, at some point it was novel and, you know, very corny, I think was part of, making that whole song structure novel. And, you know, really. When you look at how he executed it, you know, I think a modern day analog, we talked about this, you know, before on our bad boy episode, but so, you know, his role was very much like the Puffy role, or at least the early Puffy role in production. So, you know, he had a hand in songwriting and production, but, you know, mostly he figured out who he wanted to have producing his labels, songs and sort of who he wanted to be in charge of authoring that certain type of sound.So for Berry Gordy, it was a handful of, producers called the corporation, just like Puffy had the Hitmen. And, you know, then he would kind of come in and do his own little thing on top when he thought it was necessary. But, you know, in a way it kind of adds that whole assembly line aspect, right? Where, you know, that there's going to be a certain level of quality, there's going to be like a distinctive sound, whether it's a bad boy or Motown, or, you know, even going back to, you know, what a Ford car was, you know, in those days you had kind of an ideology to get.And I think that's one of the things that really set Motown apart.[00:08:08] Dan Runcie: Exactly. And I think with that too, you have him going through the process of starting this. So this record label started with an 800 with 800. That's what he had initially. And he uses that to then start Hitsville USA. So that's the location on Grand Ave in Detroit.Have you been to this museum by the way?[00:08:30] Zack Greenburg: I did. We did a special event there. One time we had the Forbes 30 under 30, Summit and we did this like, special, like one off private interview where I went there with Quavo and we sat in Motown studios, you know, where Michael Jackson and all them had recorded. and we did a little like video discussion on the state of the music business, I think it's floating around the internet somewhere, but, it's a really cool building. I mean, I think what strikes. Me the most, you know, like the first time I went in is like the fact that just a house.I mean, it really just looks like a house. the rooms are sort of like room size, you know, it's not some sprawling like, you know, I don't know, institutional type place like a lot of modern, recording studios, you know, it's just a converted house but you know, you kind of walk through each room and it's museum and everything now, so you can kind of get a feel for it. It's very different from the modern day glitz and glamour of the record business for sure.[00:09:20] Dan Runcie: Yeah, been there twice. it was really cool because just like you said, you feel like you're actually in a home and that's the vibe that the studio gives you. And I felt like the people that were the tour guides as well, they clearly knew their history in a way where it should sound obvious, but that could obviously be hit or miss with museum sometimes.So I felt like that piece of it was good. And it ties back to a few things that tap into the culture that it is. Gordy wanted to create that. I think make it work. He lived upstairs. Studio is downstairs. So he has everything there and he wanted to make this somewhere that creativity could spawn at any particular moment.So he wanted to create a 24/7. Set up where he had made sure the vending machines were always stocked. So people could stay there year, you know, day in day out. If creativity comes to you at 3 p. m. or 3 a. m. you can go right there and do what you have to do. And you could keep things moving there internally.And this is one of the things that I do think worked really well for them because. Although I think the music industry has gotten away from this, there was this era where the culture and the vibe that you could create from a label and all that continuity really helped things. So when you saw how deliberate he was from an assembly line perspective was essentially keeping his product in place and keeping all the materials in place so that it can produce outputs at any given moments to just increase the likelihood that you could have hits coming time and time again.[00:10:49] Zack Greenburg: Yeah, for sure. And, you know, I mean, he certainly spoke a lot about, quality control, which is, it's kind of funny, you know, given the eventual QC relationship, but, you know, I think that's a really big part of it. And when you're that hands on and, you know, in some cases you could say micromanaging, but it does enable you to really have a unified.We can also get into this, fact that at some point it can become a bit of a creative constraint for artists as they mature.[00:11:14] Dan Runcie: Right, because with quality control, there was someone on the team that listened to everything that came through Motown and they essentially picked the best. They brought it to this weekly meeting and most of the Motown artists weren't writing or producing their materials necessarily, but they were going in and you had all these artists that would essentially sing.The same exact song and then they would pick the best version that came out of that to then release the song. Sometimes they had multiple artists that would end up releasing a version. And we saw different versions of this where you had both Diana Ross and Marvin Gaye have their versions of Ain't No Mountain high enough.Granted it was a few years later in different songs, but a lot of that stems from that quality control aspect. And there's this one quote that, was here from One of the books that was written about, Berry Gordy and Motown, where they talked about quality control and they said, quote, the artists were a means to an end in a way, end quote.And that's exactly what we're talking about how the downside is that it could limit creativity, but the upside is that it gives you the opportunity to get the best polished diamond from all of the creations that come from this studio.[00:12:24] Zack Greenburg: Absolutely. And man, there were quite a few, right? I mean, when you look through, I mean, the heydays, Smokey Robinson, the Miracles, Diana Ross, the Supremes, Four Tops, Marvin Gaye, coming into, you know, Michael Jackson, the Jackson 5, you know, think we've talked about in our previous discussions about hip hop, you know, like sort of the staying power, of different labels and, you know, and how you can kind of keep identifying talent and keep it coming. I mean, that's quite a breadth You know, of like musical accomplishment that they've got, that you could say that Berry Gordy identified over the years.So, you know, I would really, obviously I'd put him up against any other, identify any A& R, any, you know, music mogul in the history of the business, for sure.[00:13:05] Dan Runcie: I agree. And I think the other thing that's interesting too, is This taps back into the whole process and quality management things. Berry Gordy really wanted to help shift the sound and direction of this label because at the time, black music and music that was made by black artists was quite segmented where people didn't feel like it could reach beyond a certain audience.And he experienced some of this himself. One of the reasons that his record stores closed was because he was focused primarily on jazz music. At the time, even Black folks weren't really into jazz at that particular moment. So he just didn't have the market to be able to continue this. So I think that helps Chase Motower.He says, okay, I want the music that's able to be listened to by everyone. I want Black people to ride with it. I want white people. I want anyone in America to be able to ride with the same way that people would listen to the Beach Boys. And he had a few more interesting things that were part of this process.One, everyone had an etiquette coach. And these are things that we're teaching them, essentially, how you have black people essentially speak to white people. Granted, I think there's a lot of that that is problematic. That probably wouldn't fly into the same ways today, just given some of the language there.but then additionally, he also had white salesmen that were essentially the ones that were promoting the records in different areas, going to different radio stations. And he would go as far to insert in records that he's promoting to not even show the artist on the cover because he wanted the record to reach.And he didn't want people to necessarily immediately see or relate it to a black artist, which I thought was interesting, but lined up with a lot of these things. So, even though some of the choices clearly were problematic, it probably wouldn't fly at the same way today. That's how he was about process and wanting to essentially be able to sell this talent anywhere in the country.[00:15:01] Zack Greenburg: Yeah, and it's especially remarkable when you sort think of the cultural context of, you know, of when this is all happening in the 60s. You know, I mean, this is a time of great polarization and social change and, you know, really like turmoil, in a lot of ways, disunity, but, what Berry Gordy created with Motown and sort of the Motown genre, which I think really like more than any label has become synonymous like a genre, you know, beyond just sort of like the name of label itself, you say Motown music, and you're talking about like a genre, as much as you're talking about a label, the fact that you'd be able to sort of create that it like in the 60s, even the late 60s, when things were really why we think we're polarized now.I mean, the late sixties, oh my gosh. Like what a testament to the sort of the sound that he created, which, you know, just like bridged all these divides and, you know, you obviously still go to any wedding, black, white, you know, at anything. And, you're gonna hear Motown all over the place.So I think that kind of goes back to what he created, you know, even at the time. being so accessible to so many different audiences and, you know, one of the things he told me, when I interviewed him, he said that, Martin Luther King came to see him, in Detroit, at the peak of the civil rights movement.And apparently, according to Gary Gordy, MLK said, he said, what I'm trying to do politically and intellectually, you're doing with your music. I love the feeling people get when they hear your music. And so maybe we can make a deal. And they made a deal to actually put out some of MLK's greatest speeches.They put out three albums on Motown and Gordy kind of summed it up by saying, if you do the right thing will come to you. So I thought that was such a cool. Little nugget that people don't necessarily realize. and, you know, I think people don't, think of Berry Gordy as like avant garde, you know, civil rights activist or anything, but, he kind of approached it in his own way, which was to make this music that could, you know, that could really bring people together.They could also get black culture, you know, into the mainstream us culture, at the same time. And, you know, I mean, we saw that, you know, decades later with hip hop, but. Berry Gordy, you know, he made that blueprint, you know, very, very, very early on.[00:17:03] Dan Runcie: It's a great story because I think it highlights the complexity and that people just aren't in these corners. And as you mentioned, Berry Gordy wasn't known for his civil rights activism. In many ways, people would often point to things that he may have shied away from, where I remember, especially in the 70s when you started to hear a bit more of a pacifist and things like that, there was a push and people wanted Motown to lead more into this and he necessarily wasn't as eager at the time and I remember even Marvin Gaye's What's Going On, one of the biggest records that was ever made.There was tension leading up to that because Gordy was like, wait, what is this? you want to do this? Like, what are we doing here? And then it eventually gets made. And then you see how I feel like every time that one of these publications has one of the greatest songs ever made, I'm sure it's come up on number one, or at least on several, one of these.So you see that, and you've seen other areas where he clearly has leaned into this, but I do think that his. Place in his role at that time, often highlighted some of that ongoing tension that we've seen from black leaders over the years about people want progress, but what's the best way to agree with this?And you date back to some of the more public debates between folks like Booker T. Washington and W. E. B. Dubois about what is the best way for black progress and group economics and things like that. And I feel like Berry Gordy clearly was on a Particular side of that, that not everyone may have agreed with, but he clearly still wanted to be able to help progress things in a particular way.So he's a very fascinating figure as we look at this progression, especially in the 20th century.[00:18:42] Zack Greenburg: Well, that's right. And, you know, I think there's a reason you see him put out MLK speeches. I don't, think he put up Malcolm X's speeches, you know, but that was just sort of his approach, right? He was more Martin than Malcolm.And, you know, obviously you could speak to the merits of either method, but, Berry Gordon definitely, had his preference there.[00:18:59] Dan Runcie: The other thing that I want to talk about, you mentioned it earlier, but the talent and the breadth of talent that was in this place is such a constraint and such a valuable time.It's one of those things where just imagine walking through on a, some day in, let's say 1964, you're just walking through Motown and all of the names that you could just see there making music on a Wednesday afternoon. It's crazy to think of the names and also how he found folks because. Look at Smokey Robinson and Smokey Robinson, the miracles essentially end up releasing shop around, which I do think ends up becoming the first true hit that, or the first, hit single that comes from Motown.He found that he found Smokey on a street corner performing almost, and in many ways, it feels similar to. What we see decades later with Sylvia Robinson driving around the New Jersey tri state area, finding hip hop artists for Sugar Hill Gang. This is how these early entrepreneurs did it. They were the talent development.They saw things and granted it was a much less crowded market. So the people that were pushing music onto folks had a little bit easier time breaking through, but it was still tough, especially at the time. And he was able to make it work in that way, which was, cool.[00:20:13] Zack Greenburg: Yeah, I mean, he actually did. And, you know, of course, like the one group that we haven't talked about too much yet is Jackson and sort of the way that, different groups were signed in those days, you know, they're all the stories about, well, you hear, you see somebody busking and you sign them and this and that.And, sort of some of the stories, though, if you talk to a lot of different people, you get, you talk to 3 people, you get 3 different stories. Right? So, I think for my book on MJ, I talked to. His dad, I talked to Berry Gordy and I talked to the guy who signed them to this little record company called Steel Town in Gary, Indiana.And they all had three different versions of, you know, how it went down, right? And so, there's that old saying, basically that the winners get to write history and, you know, Berry Gordy won. So, you know, whether his version is a hundred percent, accurate or not, that's kind of the version that, you know, we tend to hear I think his version is usually correct, but there's definitely some, you know, embellishment or some showmanship from time to time.So, you know, I think, for example, with the Jackson 5, Berry Gordy decided to put out, I think it was their first album as Diana Ross presents the Jackson 5 and, you know, she had this little thing where she's like, I discovered this group from Gary, Indiana and like blah, blah, blah, and that wasn't really how it happened at all.And it was really, you know, depending on who you ask, but I think what happened is Suzanne DePasse, who was one of Berry Gordy's lieutenants, had discovered them, and I think it was, there's another band who heard them, like sent them along to Suzanne DePasse that like, she kind of did the legwork for Berry Gordy.And it was like many times, many. Kind of connections later that Diana Ross, you know, became connected, to the group. but, you know, it's such a better story, right? Like Diana Ross has found these kids from, from the Midwest and, you know, bringing them out, onto Motown. So. I always think that's, kind of funny how, the stories end up getting presented and, you know, when you hear it from everybody else involved, I mean, and Diana Ross, of course, did become, really instrumental and especially Michael's life, as time went on, moved to LA and I think she, he actually lived with her for a little while while they were, you know, making the move and all this stuff, but, you know, it, didn't exactly start out that way.[00:22:18] Dan Runcie: Right. And the Jackson 5 is interesting because they, in many ways were the last group that came through in the heyday of Motown because the heyday we're really talking about is that 50 to 60s run that we've been talking about with a lot of the groups and the artists that we mentioned, especially young Marvin Gaye, young Stevie Wonder, Diana Ross and the Supremes.And then Jackson 5 comes along. But they come along towards the end of the decade. And just for some context setting, in 1968, Motown is doing 30 million in revenue. And they at one point had a 65% hit rate on the songs that they released in terms of actually being able to chart. So the highs were quite high and they were, killing it.The thing is, though, in the early 70s, this is where things start to shift a little bit, because at this point, Berry has his eyes set much bigger, and he wants to move beyond things in Detroit, because of course he was in the Hitsville, U.S.A. house, solely, after the riots that happened and there was some damage there, they ended up expanding things closer.they ended up expanding further in Detroit to just get a bigger size studio there as well. But then, he eventually wants to go to Hollywood so that he could get more into film. He wants to get into production for plays. He wants to bring these artists on the big screen. And it makes sense. We see why this is a huge medium.You saw how much, popular this talent is. And if you can get people to see them and buy into this, visual image that he's clearly curated, no different than we saw someone like Diddy decades later curating things, he wanted to do that. And I think that in many ways, this was one of those big challenges that any leader can have.Do you stay with the thing that's working really well? Or do you try to expand? And when you do expand, how do you find out? How do you make sure that you have the best talent around you? How do you make sure that you're well equipped? And I think that bowtie really started to strain because as things started to grow for the label, a lot of the artists started to feel like they were getting neglected because of these broader ambitions.And that in many ways, now we're dating 50 plus years ago to like 1972 timeframe. That's when a lot of ways was the beginning of the end, at least in terms of the Motown that a lot of people grew up with and knew.[00:24:41] Zack Greenburg: I think so for sure. And, you know, I think as an entrepreneur, you have to seek the next thing, right? I mean, you don't want to stagnate and you kind of have to take the risk and go for the next big thing and maybe you succeed and maybe you don't, and I think that's at least the way we've been conditioned to think. On the other hand, there could be an argument for like, we don't need to have this growth at all costs mindset as a society, you know, what's wrong with having a really awesome business that's just like constantly, you know, successful has happy employees, you know, that kind of thing. But, I guess that's, you know, this is, you know, Trapital not, you know, Trapsocialism, I dunno, we're talking within a certain realm of, you know, of economic, styles and systems.So that's what's gotta happen. And that's what Berry Gordy decided to do, you know, by moving everything to LA but we talked, a while ago about John McClain, and his role in kind of in, in the past few decades as an executive. He's somebody who rarely talks, but somebody interviewed him at some point.He said that he thought that moving to LA was, kind of the beginning of the end for Motown, because it, kind of changed Motown from being a trendsetter to being a trend follower. And, I think I agree with that. And, you know, that's not to say that there wasn't additional success, especially, you know, beyond the recorded music business that occurred. And that moving to LA kind of, you know, like supercharged some of that, but yeah, you know, I mean, I think when Motown was in the Motor City, in its namesake place, like, You know, it was sort of like, I don't say the only game in town cause there were other labels, but I think it was sort of, the main game in town and, being in a place that, you know, wasn't sort of the epicenter of the music business allowed it to have kind of its own unique style and not sort of be influenced as much by what else was going on.And, you know, don't forget in those days, it wasn't like everything was, you know, it wasn't like we were all tuning into the same social media channels. you know, we weren't even like really tuned into cable TV or anything like that, you know, there wasn't the same kind of like national culture that there is today that, you know, where trends just kind of like fly across in a second. And things did kind of take time to move from one place to the other. throughout the country. So, you know, there was like a certain regionalism to it that I think set Motown apart and, you know, maybe you lose a little bit, you know, once you're out in LA, but, you know, certainly around that time, you really start to see some of the artists who wanted more creative freedom, leaving, you know, some others pushing back, you know, I think even within, a few years of moving to LA, the Jackson 5, we're kind of, having some issues with Motown and in terms of, you know, can we make some of our own types of music? You know, do we really have to stick to quite the assembly line? So, yeah, I do think it was a mixed bag for Berry Gordy to head west.[00:27:20] Dan Runcie: And this is where things really started to struggle because a lot of what worked for Berry Gordy was so perfect for. The Hitsville USA West Grand Ave mentality of building everything there and not to say that he was only an early stage founder that couldn't necessarily progress. But I think a lot of the processes he had were more fit for that era. So naturally, you see the growing success of the Jackson 5 and Michael is no longer 9 years old.He is at this point now a full on teenager, but unfortunately, it just didn't quite. Progress in a few things, as you mentioned, you wanted more, they wanted more creative control. They also wanted to have a bit more ownership. There were disputes about royalties. And I remember reading something that said that the Jackson 5 had calculated how much they got.And it was only a 2.3% stake of how much revenue was either coming through or would be coming through in the future. And they see this and they're like, okay, well how can we see our opportunity to get more of that? So then they leave for Epic. And then you also saw a handful of artists at this point were already on their ways out and things were definitely starting to look a little bit more bleak because by the time you get to the end of the seventies, the beginning of 1980s, The music industry was already, granted things are cyclical, but they were starting to sour a bit on black music.This was the end of disco and people wanted nothing to do with that genre. And even though Motown wasn't disco necessarily, there was vibes of the types of artists they were trying to naturally capture in the 70s. So then that had all of black music taking a hit in a lot of ways and there were groups like the barge and others that I think they tried to make work. Obviously, I think Stevie Wonder was a mainstay during all this and that worked out really well for them, but he was really just 1 mainstay. You did have Marvin Gaye, but again, still, it just wasn't necessarily. The same, and I think that they definitely started to struggle even more at that particular moment.And even as early as the 80s, you start to see more of that narrative that honestly, you still hear today about recapturing that Motown magic or recapturing that Motown journey. People have been saying this now for 40 years.[00:29:40] Zack Greenburg: Yeah, for sure. And I think one thing that people forget is that even though the Jackson 5 moved on to Epic, you know, and that's where MJ ended up, you know, Epic and CBS, and, that's where MJ ended up launching a solo career, people forget that Jermaine actually stayed at Motown initially. He had married Berry Gordy's daughter and, you know, they had this whole wedding with like, you know, 150 white doves were released and, you know, they had this, you know, kind of fairytale situation. And apparently, Berry said to Jermaine, like, Hey, you can go with your brothers and stay with me, whatever you want.And, you know, knowing Berry, I think he maybe didn't put it that delicately or, you know, that was kind of a huge break from Motown because you know, he had really taken the Jackson 5 under his wing. They used to have, Gordy versus Jackson family, baseball games. Michael Jackson would play catcher. It was very So, you know, I think Tito was like the big power hitter, is what I heard. but yeah, for, you know, I mean, these were two families that were really intricately linked. And I think ultimately it kind of came down to, you know, there was some creative control issues, but, you know, Joe Jackson was, pretty controlling, Berry Gordy was pretty controlling and at some point, you know, it just, I think it became impossible for them to coexist.And so, Joe kind of guided them over to Epic to get that big deal, but, you know, Jermaine. It wasn't obvious that Michael was going to be, you know, by far the superstar of all the Jacksons. And, you know, Jermaine did seem at the time to be like the one who had the most promising solo career, or at least it was, you know, pretty close.And, you know, he never really found his niche is a solo act and eventually it would go on to get back every night with his brothers and go on tours and that sort of thing.[00:31:22] Dan Runcie: I think that's a good distinction because people will often point to and think about what are the big nine and then he drops off the wall. This isn't what happened. There's a pretty big difference between those few years. No difference than anyone where naturally there's a difference between a 15 year, but there were others that experienced.So many of the artists that ended up leaving at that particular year old artist and a 19 year old artist. You're a completely different person at that point. And that's exactly what we ended up seeing with Michael. So missed opportunity for sure missed opportunities that Motown had, we'll get to miss opportunities in a minute, but you often hear people talk about them not being able to keep Michael, but to your point, the Jackson 5 leaving Motown in 1975, 76, isn't the same as.Them leaving in 1970 time ended up having greater,success once they were able to have a bit of freedom after leaving Motown, which was a bit unfortunate because obviously, I think it would have been great to see them continue that success under Berry Gordy's umbrella and continue to see them grow.But not everyone is going to be Stevie Wonder. Not everyone is there to say, Hey, I'm with you until the end. And I'm going to be riding with you during this entire journey. It just doesn't work that way. People have careers. No different. You see them today where people see a bigger opportunity and the grass is greener.They want to take advantage of that, especially if they don't feel like they are being put in the best position to thrive. So in the 80s, Motown is now officially in its transition recovery mode, trying to recapture what was there and we see a few things happen.So they start leading in on debarge. And a lot of people, DeBarge did have a pretty big hit with Rhythm of the Night, but I do think that they tried to make the DeBarge family replicate some of this Jackson family, where you had El DeBarge, and you had all of these others, but it just didn't quite click, at least in a mainstream way to that perspective, but then you did have Lionel Richie, who did end up having a pretty big career, especially with everything he had done since the, Commodores and, but then you also had Berry Gordy's son that they were also trying to work into the mix, who performed under the name Rockwell, who had had that song, somebody's watching me that Michael had sung the hook on.So you had a few things there, but just didn't exactly click because again, it's stuck in two models. Berry wanted to continue to have complete control over it. And the artists just didn't want that anymore. I think that worked when you were literally giving artists. No giving artists in a region of the country like Detroit a platform and opportunity, but they had no other options.But now they had leverage. Now they could go talk to mca Now they could go talk to CBS Epic and some of these other labels. So Berry's mentality just didn't work as much. And then by 1988 is when we see him transition on from the label, at least as the CEO level. And then we start to see the new blood come in to run the record label.[00:34:30] Zack Greenburg: Yeah. I mean, I think it is important to note that, you know, although you could characterize the 80s as sort of like musical decline era for Motown, you know, in the way that many artists are entrepreneurs, like, seem to be in a period of delays over some decade or whatever, they actually get much richer during that period of malaise, because what they had built before was so good.And there's still kind of like, they're finally cashing in on it, whereas maybe they didn't cash in on it when it first happened. But like, enough of the sort of like older, wealthier decision makers who can pay them more are like, finally getting hip to the fact that, you know, this is a big deal.So, I would definitely think about Motown that context and that, you know, when Berry was able to sell, you know, a huge chunk, of the company kind of like step back from it, that was after like a a period of time when Motown was not as hot as it had been.But you had things going on, like Motown 25 in 1983, that special. Put together, where MJ came back and reunited, with his brothers and the whole Motown crew and he had, you know, all these other artists, but that was actually the first time I think that MJ moonwalked, you know, sort of in public, like you know, he sort of like the popular debut of the moonwalk and it just really kind of, Created, so much buzz around that, that then kind of rubbed off on Motown and didn't really matter whether he wasn't on Motown anymore, but it just kind of gave a little more shine to the label and gave it sort of like, a relevance, I think that helped kind of carry through to the end of the 80s and helped get Berry Gordy, this really big payday.So, I wouldn't discount like You know, I don't know the sort of like delayed reaction that sort of the half life of fame or whatever you want to call it. But, there were still some of these moments that were created, that kept paying dividends as the time went on. I think[00:36:13] Dan Runcie: That's a fair point because he also sold at this smart time when right as we're seeing in this current era that we're recording, it's a very hot time for music asset transactions as were the late 80s and early 90s too. That's when you saw Geffen do many of the deals that he had done and Gordy. Did the same where I believe he made 61 million from the sale, or at least his portion of the sale in 1988, which is huge.You didn't see people, especially black business owners that fully owned everything being able to cash out at that level. So that's a good point. I'm glad that you mentioned that. And with this is when we start to see the transition of leadership. And we start to see a few things that do ring true.Where the first person that takes over is Gerald Busby, who was leading black music at MCA at the time. And even though Motown had had a bit of its malaise in the 1980s, MCA did not, in many ways, it was seen as the leader in black music. And Bubsy was able to. Have quite a good amount of success there with all of the work that he had done.the thing is though, he had started to run into some issues because he was in this weird dynamic where this company, Polygram had owned part of the label, as did Boston Ventures, his private equity group, and Bubsy was at odds with the folks at Boston Ventures about. some creative control. And he had this quote where he says he'd rather quit Motown president than see the label become a cash cow for a huge corporation trafficking off of nostalgia.And that was a quote that was said back in the 90s just thinking about how. Similar, some of those quotes now come to today. And this was someone who was largely credited from helping to say blast black music from that disco era. But unfortunately, I think a lot of those tensions that he had had, at the time just made life a little bit more difficult for him at Motown.So he eventually we Left. And while he was there, he was able to at least get a few things under. Like he was the one that had brought in voice to men. He had Queen Latifah there. He had Johnny Gill, who was another artist at the time that was quite popular, but maybe hadn't necessarily lived on in the way.And his dreams were, he wanted to have Motown cafes, the same way you had hard rock cafes. He wanted to have the young acts going and touring around at different places to recreate that vibe. And this is something that we'll get into. I think we see time and time again, where these leaders have all these dreams and visions for what they see.Motown can be, but because of the powers that be because of other things, they just can't quite get there to make it happen.[00:38:51] Zack Greenburg: Yeah. And I think that one of the things that set Motown apart early on, you know, as sets many startups apart early on, and many record companies are early on is that they were independent and they could do whatever they wanted.And, you know, Berry Gordy was, sort of like the unquestioned leader and, you know, things kind of, in the way that things kind of get done, let's say more efficiently, if not, more equitably in dictatorships, like he could just get shit done, move things around, have it happen immediately. And so when you started to have, you know, these corporate parents, parent companies, you know, you'd have to go through all these layers of approval to do anything.And, kind of like stop being able to be agile. and I think that's especially important in the music business when, you know, you have to. Not be reactive, but proactive, right? You have to be ahead of things. So, you know, if you're getting to a point where you're having to wait on approvals and things like that, you've already lost because you should have been out in front to begin with.[00:39:48] Dan Runcie: And this is something that I think plagued Motown time and time again, because Gordy didn't necessarily operate in this way. He had so many people that wanted to replicate what he did, but they didn't have the same parameters and the same leeway to make those decisions. As you mentioned, they're now working for corporations that now have their own vested interest.And to be frank, one of the tensions that we see often in music is that these brazen, bold leaders want to be able to take big swings and do things that are innovative and off the cuff. And these corporations are hard set pressed on efficiency. They don't want to see overspending. They don't want to see over commitments, or they want to be able to feel like this is being run in a strategic way.This is something that in the Interscope episode that we talked about, Jimmy Iveen struggled with this as well, even as recently as his tenure with Apple music. But this is one of those frequent tensions that happens with music executives. And we saw that continue with the person that replace Busby, which is Andre Harrell.We talked about him a bit in the Bad Boy episode, but Andre, of course, at this time was coming fresh off of Uptown Records where he was working in collaboration with MCA and he was able to build a little bit of his own fiefdom there where granted he still had people he had to answer to, but I think he had a pretty good relationship with the folks at MCA up until the end there.Then he goes to Motown and he sees this opportunity. And there's a few things that stick out about this because. As early as a year ago, he was starting to get rumored as to be the next person to then take over. But then he gets 250k as an initial announcement. He takes out this full page ad, New York Times.And then he has this ad that essentially says from Uptown to Motown, it's on. And it's him sitting in the back of the chair and you see a sweatshirt in the back. And people hated it. People grilled him. The way that they talked about him, the trades and even Russell Simmons and others coming in and giving him shit about it.He had pretty verbal flight fights with Clarence Avon, who was pretty powerful at the time. And Clarence even said he had swung on him at one particular point and was quite critical of him as well. There's this one quote that I think was really funny here, where this was from the Netflix documentary that was, The Black Godfather, which was about Clarence Avon.And, or actually, no, this is before this summer variety interview, but they talked about this as well. The doc, Clarence says, Andre and I didn't get along. And then he pointed to an image of the Motown boy band, 98 degrees. And Avon says, Andre wanted to send these white boys to Harlem to make them sound black.And I was like, you're out of your fucking mind. And it's a funny quote, because I do think that 98 degrees. Maybe didn't exactly have as many hits as they probably would have thought, but in Andre Harrell's defense, and sadly, but true, the mentality wasn't necessarily wrong because of the 90s, the most successful Motown act that you had was Boyz II Men, and we saw at the end of the decade that, what's that guy's name, the con artist that had the boy bands, Lou Pearlman, like, he literally modeled Backstreet Boys and NSYNC after How can I find white boys to men and make them see modern contemporary and make this happen?And that's how he was able to have success there. And that was before, what's his name? That was before Andre Harrell was really getting going. So he saw where things were going. But it just didn't click at the time. It just wasn't right. And obviously 90 degrees ends up having some decent success, but that's well after Andre Harrell had left the label.So he ended up leaving and the press was not kind to him. Literally headlines were. Andre Harrell gets fired from LA Times it's a type of headline that we probably don't see now when record label execs get fired in the same way. I think the industry is much more controlled in its PR sometimes to a fault, but it was very interesting to see that, come through. And another interesting quote from that, Lucian Grange had called the Andre Harrell at Motown relationship, an organ rejection. In terms of the relationship there.[00:43:56] Zack Greenburg: Yeah, no, I mean, and it's kind of interesting if you think about, you know, around that same time. What was going on in the music business, what would have been a great fit at Motown that didn't happen, would have been to sign Eminem, right? I mean, rather than try to do it with 98 degrees, if you really want to go and sort of like figure out what the kids are listening to, and do the thing where you have a white guy making black music, like. Holy shit. There's Eminem from Detroit, you know, doing his thing. But, you know, I think it took different kind of Andre to pull that one off.So, you know, in a way well played, you know, I mean, in a way it was like Andre was maybe Andre Harrell was taking some risks, but he wasn't taking quite enough. Like, he wasn't going far enough. He wasn't going way out enough on a limb. So, if you were really going to try to read that Motown, then that then go all the way at the same time, though, I would argue.I mean, if you look back, it's sort of like what worked with Motown and what did it, I think one of Motown's greatest attributes is also a limiting factor. And that's the thing we talked about before it, it's a label, but it's also a genre. And so if you have Motown making hip hop, it's like, wait a minute this isn't Motown. Like this isn't the genre of Motown. Like this is not the thing that I heard at my aunt's wedding, you know, this is something different. So, I think that they got kind of caught in between and I know that they've done all this stuff in hip hop over the years and, whatever, but it still doesn't feel like quite a fit because Motown, I mean that, you know, Motown was Motown, Motown wasn't hip hop and, you know, maybe if it had started getting into hip hop in the early days of hip hop.you know, it would have felt a little bit different about that, but, you know, hip hop is Def Jam, hip hop is is Roc-A-Fella hip hop is Bad Boy, and I just, you know, for all the efforts that Motown has made to get into hip hop, I think, it, has had a hard time, you know, fully sticking in the way that it would need to for Motown to replicate its, early success.[00:45:51] Dan Runcie: And one of the things that I think that a lot of these post Berry Gordy leaders struggled with was... As you mentioned, yeah, with Andre Harrell or others, there was the desire and opportunity to be able to do more, but the combination of the corporate structures in place that just didn't give them the same freedom that a Berry Gordy himself would have had.And then secondly. The business structure of how Motown itself as a company was set up didn't necessarily allow that because even things like radio or promotion and things like that, they still relied on other labels under the corporate umbrella, even to this day to get some of those things in place.So it really wasn't. Given the same freedom, even though their name, especially in the late 90s early two thousands was used in, especially back then it was the whole universal Republic Motown group or whatever the amalgamation was at the time. It really wasn't given the same freedom as some of those other record labels were.And I think we saw those challenges come in from time with some of the other leaders as well, because. Afterward, after, Harrell left, you had George Jackson who was there, felt like a bit more interim there for a couple of years. And then you had Kedar Mazenberg who was there late 90s early 2000.And that was a bit more than Neo soul vibe. You had India, Ari and a few others, but he has this quote that he gave to the independent, 2000 where he says, but we're not going to dominate the pop charts. Like we used to, how can we, there are too many other companies out there for that. So please don't compare it to the Motown of yesteryear.This is someone that is in the leadership role saying that exact quote. like How do you get past that? And then he talks again. I think they made a comparison to Def Jam where he said, you know, Def Jam, it took 10, 20 years to get to this established guidance, the way that you did with someone like a Lyor Cohen.And you essentially had that with Berry Gordy. But again, Lior was doing this before Def Jam ended up, you know, becoming under the whole Island Def Jam group and everything happened there. After that, you have Sylvia Roan, who was rising up the ranks herself. Still one of the most successful Black women in media and music right now.She's currently at Epic, but she had her time at Motown as well. And I'm going to get into her because I have something I want to say for missed opportunities there. And then you get more recently to the era of Ethiopia Habtamirian, who was there from 2011. Up until 2022, and she's 1 of those that I do feel like was put in a pretty hard spot because on 1 hand, she was able to essentially double the market share.Thanks in part to the partnership that she had made with hip hop through quality control to be able to help. them succeed And this is especially when the Migos are first starting to pop off, and then that transitions into the success of artists like Lil Yachty and Lil Baby and City Girls and others. But I think that also some of the overspending and things like that were quite critiqued.And especially from a PR perspective, the same way I was mentioning earlier when. Andre Harrell's challenges were bright front and center for the entire industry to read. Ethiopia's necessarily weren't in the same way. And even in some of the aspects of her leaving, the media had they called it a bit more reflective of, oh, Ethiopia has chosen to step down.When, yes, that's true, but there was also a pretty large severance package from Lucian and others at UMG. And again, I don't think she was necessarily given as much leadership either, because Motown was kind of, and still is kind of under capital, but now they've essentially moved it back. They had announced that she was solely the CEO back in 2021, but that was a pretty short lived.And to be honest, it felt like. Yeah. 1 of those announcements that the industry made in this, like, post George Floyd era to try to highlight and support black CEOs, which was great to see, but she's someone that's talented. You don't want to see her just become a tokenized person to have this. So, even though, like any CEO, I think there was things you could point out that she probably could have done differently.Still wasn't given the most leeway to begin with it. Now we're back in this point where what is Motown who's leading Motown. It's essentially the subsidiary under capital, but it's now a brand. And who knows where things are going to be. And it's quite unfortunate, but given everything that we've said up into this point, it also, isn't that surprising just given the dynamic.[00:50:21] Zack Greenburg: Yeah, a hundred percent. And I think, you know, like you mentioned the the partnership with quality control. I mean, I think. That was a smart way to get more involved in hip hop because that was a brand that did have roots in hip hop more that, kind of resonated. and so when you sort of like, build as a partnership and look at it that way, it seems a little more credible than like,you know, Motown is doing hip hop now. so it's too bad that, you know, things kind of turned out the way they did, but, it's an interesting asset, right? I mean, it's a brand that has a lot of value. But it's not exactly clear, you know, how to sort of monetize it. And I think with Motown right now, it's like, it's probably about more, than the music, right?Like that's maybe where most of the monetization opportunity would be, whether it's, you know, Motown branded, you know, I don't know, films and, you know, I don't know, products, whatever the case may be. It resonates more, I think, than it does, as a record label. And people don't care so much about record labels anymore.Like we've talked about this, you know, in prior episodes, but it's not the same. You're not going to put on your record on a record player and see that big Motown logo on it, you're having something pop up your ear. And there, there's no visual, like, you don't know whether it's on Motown or Def Jam or Universal or Sony or, and you don't probably don't care.Right. I mean, and I think as things have kind of blurred together, genres are blurring together, you know, different, labels are gobbling each other up over the years, you know, people have just kind of like lost track and, you know, sort of like the idea of a label just isn't as important anymore.So, I do think that it's. a valuable piece of IP and, you know, there's things to do with it still. But, you know, I think, Berry Gordy certainly like squeezed, you know, all he could out of it and, did a great job of sort of ultimately profiting off of what it was that he built.[00:52:04] Dan Runcie: Right. Because what you have right now is this brand where they do have Motown the musical, which I do think has been pretty successful, both in the US and in Europe and elsewhere that it's traveled. but that's it. I mean, quality control partnership doesn't exist in the same way since they've been now bought by hive.Hopefully, Ethiopia and those folks were able to at least retain some type of revenue for helping to set the framework to make that deal possible, but we'll see I, where I landed with this is that. The way to quote unquote, I don't want to say save Motown because that can just seems like such a blanket statement, but if you were trying to improve it from its current inevitable state, it would be finding a way to spin off the asset and the catalog from Universal and having it be in the hands of someone else who can make it work.The challenge is Universal isn't going to want to give that asset up. That's one of their most valuable back catalogs that they have. So. I was thinking through it in my mind, the same way that you have someone like a Tyler Perry, who are these modern moguls that have a bit of that Berry Gordy vibe to them.The way that Tyler Perry is, we'll see whether or not he ends up buying BET, but could that same mentality be applied to a record label? And then with that, you're able to then build up your own promotion. You're able to build up your own talent, and then you take things in a slightly different way. I still don't think that guarantees success, but at least you shake things up in a particular way and you still give it that black ownership mentality.You give it a bit more of that independence and the autonomy and you could potentially see what happens because. We all know what the continued fate is as a legacy entity of a catalog holder that it would be under the UMG umbrella.[00:53:50] Zack Greenburg: Yeah, a hundred percent. Totally agree.[00:53:52] Dan Runcie: And with that, I think it would be a good time to dig into some of these categories here. So what do you think is the biggest, this will may be obvious, but what do you think is the biggest signing that they've done or that Motown ever did?[00:54:04] Zack Greenburg: Yeah, I think I'd go with the Jackson 5 I mean, you know, although Motown did not ultimately profit off of MJ's solo career, in the way that it would have if it had retained him for a solo career, Motown did profit off of the association as he became the biggest musical star, but basically entertainer of any kind in the world.and, you know, going back to the Motown 25 moment, you know, other kinds of associations. So I would say like good process. Not really a bad outcome, but like signing the Jackson 5 could have been the path to also signing Michael Jackson as a solo artist. And then, you know, just because that didn't work out in the end, does it mean that that wasn't a huge signing for them?[00:54:47] Dan Runcie: Yeah, I was going to say Jackson 5 or Stevie Wonder, which is the one that I had and I say him because of the longevity because even when times were rough, Stevie Wonder still had arguably his best decade in the 70s But, he had a number of them that were there, especially in the seventies. I think that was his strongest run and he stayed through. And I think that in a lot of ways helped bridge the gap during some of those low moments when other artists did come and went. Did come and go. So that was the one I had there.What do you have as the best business move?[00:55:18] Zack Greenburg: Well, okay. This is something we haven't talked about and maybe we should talk about it but more, but here we are, we'll talk about it more now. I think it was Berry Gordy setting up, his publishing company. So, I mean, maybe that's cheating a little bit because it was outside of, Motown itself but of He set up Joe bet, publishing, you know, pretty early on. And he didn't realize, you know, his big payday for it until later 1997, but he sold it for 132 million for just for half of it. so the EMI, and then he sold another 30% for I think 109 million. And then he sold the rest of it for, something like 80 million in, what was that?It was like 2004. So, you know, we're talking like over a quarter billion dollars and that's not inflation adjusted. you know, for the publishing and that, you know, that dwarfed whatever he got for Motown itself. So, and, you know, think about if he held onto it until, the recent publishing Bonanza, I mean, I mean, it could have been close to a billion dollar catalog, right?I mean, you know, there's nothing, really like it out there. So. He was always very smart about ownership and I think Michael Jackson knew that and, you know, studied him as a kid growing up. And that's kind of what convinced Michael to want to own his own work, and also in the Beatles work, which then became the basis of Sony ATV.And that was another massive catalog. So, yeah, I think the publishing side of it definitely gets overlooked and, you know, was ultimately the most, financially valuable part. But, even though it was sort of a separate. Company, you know, I would argue it, for sure it wouldn't have happened without Motown happening.[00:56:51] Dan Runcie: That's a great one. And I'm glad you mentioned that. Cause definitely could get overlooked and doesn't get talked enough about in this whole business. I think publishing in general is something that people don't understand. And so they just don't, dig into it, but he wrote it. I mean, he owned everything.And obviously when you own the value. When you own something that valuable, it has its assets. And I think why publishing continues to be so valuable in the industry i

S40 ‌EP06 “BUBSY”‌ COUCHPILOTSPODCAST.COM‌‌ ‌ ‌*‌ ‌‌PATREON‌ ‌ ‌ **‌THIS‌ ‌WEEK:‌ BUBSY**‌ ‌ This week the Captain's review BUBSY. We have Big E and his wife Christy on the show. We talk about promo codes, Furbies, sleeping and farting, and teen drinking. I believe there is also discussion on Christy having 3 boobs. Come join the fun as we fly the friendly skies while giving you some facts, breaking down the pilot, and giving you our expert ratings.  **‌NEXT‌ ‌WEEK:‌ MYSTERY INCORPORATED**‌

Toby and Goobz had the listeners of the show nominate the inaugural Retro Gaming Hall of Fame class in! For this first spectacular, the guys limited it to only 5 categories and 3 consoles. Come see what games the listeners think should be in the Secret Levels Hall of Fame! They also celebrate 5 years of the podcast!OR..You can watch the entire thing on YouTube! Both Goobz and Toby were on camera and looking rather dapper!https://www.youtube.com/watch?v=LlsFEG-I-Bs&feature=youtu.be Join our Discord group!https://discord.gg/84T8khT Support the show and order a t-shirt! https://www.teepublic.com/user/secretlevels Join our Patreon!https://www.patreon.com/badsecretmediaFollow Secret Levels on all social media! Twitter: https://twitter.com/secretlevelspod Instagram: https://instagram.com/secretlevelspod Facebook Group Page: https://www.facebook.com/groups/285925218891464/Toby's Live Streams on Twitch:https://www.twitch.tv/tobyvondoomMORE INFO:https://www.badsecretmedia.comGoobz's other podcast! The DeRailers Podcast Twitter: https://twitter.com/TheDeRailers Toby's other podcast! Secret Transmission Podcast Twitter: https://twitter.com/secrettranspod ----------------------------------------------------------- Intro and segment music: https://gregoriofranco.bandcamp.com/musicRage Meter Song: https://www.youtube.com/watch?v=kuBO6aDLM_4 Super Mario Brothers - Bluegrass Style: https://www.youtube.com/watch?v=bsrVEbpvU2U Support the show (https://www.patreon.com/badsecretmedia)Support the show

Kirby's Adventure, Shadowrun, Super Turrican, Bubsy, Rolling Thunder 3, Bonk 3, most surprising and disappointing NES games, and more!

Audun Sørlie er for mange nok kjent som et av ansiktene fra Digital Foundry på Youtube. Han jobber også i Limited Run Games, som gir ut fysiske eksemplarer av spill som ellers bare ville kommet ut digitalt. Vi tok en prat med ham i ukas episode om alt fra fysiske spill, samleversjoner, hans jobb i Limited Run Games og Digital Foundry, og ikke minst: spillmaskoten Bubsy. Det var moro og vi tror det vil like det!   Vi kommer også […]

Atari buys another pile of old games, Epic loses to Apple on appeal, and we discuss XDefiant, the new Street Fighter 6 news, the future of Nintendo films, Sega's unionization efforts, fairness in fighting game tournaments, how NDAs and embargoes worked back in the day, and way more!

00:30 Two cat daddy, no cat daddy and Garrett's fish 08:40 Mark brief thought on Super Mario Bros (2023) 11:20 Mark watches Super Mario Bros (1993) 18:25 Video game adaptations could get weirder 20:05 Garrett says Power Rangers 20:25 Garrett reviews Power Rangers Once and Always 28:40 Dave's rewatching King of the Hill 30:15 Dave rewatches Deadpool 2 37:00 Barry Season 4 45:10 Games in 2023 - who's playing and Advance Wars remake 48:30 Dave's still carrying on his Elden Ring tear 59:20 Super Mario Bros (1985) 1:07:15 Garrett's grab bag 1:10:20 Atari acquires rights to 100+ retro game IP including Bubsy and Hardball 1:15:55 Critically Acclaimed Hi-Fi Rush "Didn't Make The Money It Needed To Make" 1:24:55 Tetris Effect dev's chaotic crowd puzzler Humanity gets May release date 1:28:30 Jet Set Radio-inspired skater Bomb Rush Cyberfunk has a release date 1:32:15 Into the sea, you and me Like, listen, share and subscribe, we appreciate any love from you fine people. We are available on most podcast platforms, just search ‘Link to The Cast'. linktr.ee/linktothecast If you wanna contact us for our mailbag, or just to say hi, or if you just want to keep up to date on our content as it's posted, check out the following: linktothecast.wordpress.com / linktothecast@gmail.com @linktothecast on Twitter The lads are: ► @thedaytodave ► @lithiumproject ► @jacklayzell ► @garrettkidney The Grap Up- a once in a while pro wrestling podcast with Mark and Bryan Rose

Link to the magazine here! (https://archive.org/details/Nintendo_Power_Issue001-Issue127/Nintendo%20Power%20Issue%20048%20May%201993/) Things discussed: Soylent, getting cigs, Batman, sticky sticky controller stickers, Lost Vikings, Shadow Run: the sequel to Shadow Gate, game jams, Bubsy, My Year of Dicks, The Nesters, Star Fox comic, The Legend of Zelda: Links Awakening, Zen Ninja, Ring Rage, Great Greed, Super Mario Bros: The Movie, Kirby's Adventure, The Incredible Crash Dummies, Super Turrican, Jet Ski's, Top 20, the end of rating things 1-10 See ya after our cigarettes!

Hello hello! Welcome back to All Plotted Out! SEASON 8METRICULATES with the bold introduction of the School of Friendship and a host of new recurring characters. Reception was, should we say, “mixed”. PONDER! The logic of letting Rainbow Dash teach anyone, anywere. MEDITATE! On the first episode's Tardis/clown car-esque ability to fit a season's worth of character-building into 23 minutes. WONDER! Why the host thought to include a sound clip from the Bubsy the Bobcat TV pilot. All this and mortar boards on today's edutaining instalment! Email – allplottedout@outlook.com Twitter - @AllPlottedOut Hits 21 podcast twitter - @Hits21UK

the Holiday Season has finally come to close and the Boys Are Back!We start the show recounting our Holiday Travels and letting the audience see our influences, then we talk about Bubsy. That's really it this time. hopefully next time we will make more games! UNDERTALE LET'S PLAY: https://youtu.be/eRuWNYObSTUDISCORD: https://www.patreon.com/Spiritualsuccessorpodcast?fan_landing=trueTWITTER: https://twitter.com/SpiritualSuccREDDIT: https://www.reddit.com/r/Spiritual_Successor/EMAIL: spiritualsuccessorpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

On this episode we discuss our Top 5 "World Premiere" moments and catch up on how the 2022 Polykill challenge is going. Are you a Snood dude? Do you enjoy Bubsy? Like.. at all?Games this episodeHigh on LifeBlacktailCrisis Core: Final Fantasy VII ReunionLil Gator GameValkyrie Profile: LennethBrave Fencer MusashiDeath StrandingApe OutSuper Monkey Ball Touch n RollBubsy in Claws Encounters of the Furred KindNorcoGhostrunnerLiberatedBonk's AdventureBust-a-Move '99Rocket Knight AdventuresTinykinGod of War RagnarokMaestro: Jump in MusicFind more shows at polymedianetwork.com, Travis on Twitter @travplaysgames, Steve on Twitter @blinkoom, Steve streams on twitch.tv/blinkoom, Send us an email polykillpodcast@gmail.com

EXCLUSIVE NordVPN Deal -> https://nordvpn.com/rtg Try it risk-free now with a 30-day money-back guarantee!   In hindsight, it probably would have made more sense to talk about a sequel, or some game that ends in '2', considering this is episode 222, but we don't do the whole "logic" thing around here. So instead, we're talking about a game that many people don't consider all that good, but that I've had a soft spot in my heart for ever since I was a kid - Bubsy!!   It looks great, sounds good, and plays...not that well, but I don't care. I've wanted to give Bubsy his moment in the spotlight since I started this podcast, and that day has come. My buddy Keegs is my guest this week, and we're talking air gliding, yarn balls, constant deaths, and stupid shirts. "What could possibly go wrong!?!?"   And before we dig into this bad boy, I piece together another edition of the 'Remember The Game? Infamous Intro'!   This week, a concerned listener writes in about the future of physical games. Was the Virtual Boy where VR gaming started? And do I ever get nervous about playing really hyped up games for the first time?   Plus we have another round of 'Play One, Remake One, Erase One', too! This one features 3 crappy animal mascots: Gex: Enter the Gecko, Croc: Legend of the Gobbos, and Aero the Acro-Bat.   Don't forget, both Keegs and I are taking part in Extra-Life this weekend, to raise money for the Stollery Children's Hospital here in Edmonton.    I'll be streaming on Twitch for 24 straight hours, Nov 12 - 13, 8am - 8am (Mountain). Find all the info at RememberTheGamePodcast.com   And Keegs and his friends will be running TWO 12 hour days of games this weekend. You can find more info and donate to his campaign by visiting https://www.extra-life.org/index.cfm?fuseaction=donorDrive.participant&participantID=488766    Are you on social media? Of course you are. So follow us!    Twitter: @MemberTheGame Instagram: @MemberTheGame Twitch.tv/MemberTheGame Youtube.com/RememberTheGame   And if you want access to over 250 bonus podcasts, along with multiple new shows EVERY WEEK, consider showing us some love over at Patreon. Subscriptions start at just $2/month, and 5% of our patreon income every month will be donated to our 24 hour Extra-Life charity stream at the end of the year!   Patreon.com/RememberTheGame

For July, we're doing a Special Summer Spectacular!! A whole month NOT of comic strips turned into cartoons, but video games turned into FAILED cartoons. First up, we're looking at Bubsy, the game that was not Sonic but which, if the timeline was different, might have saved humanity.

What starts as a playful afternoon down at the swimming hole (minus the two young peeping Toms) turns into a family nightmare when a local girl drowns. Eloise Taylor, the young girl's mother, is distraught with grief and lashes out at everyone around here, including Laura, whom Eloise Taylor directly blames for her daughter's death. Not even the silly hijinks of Jonathan Garvey can help lighten the mood. However, with a little time ( a day or two) Laura decides on a random act of kindness and stops by the Taylor house. And once inside the house, Eloise starts to have visions of her daughter back from the dead...only dressed in Laura's clothes. Not only that, Eloise manages to abduct Laura leaving her stranded in the Root Cellar. When Laura's absences is noticed all eyes turn to Bubsy, a local recluse, who happens to somehow be in possession of Laura's belongings. Eventually, he is apprehended and questioned by Charles, Jonathan and the men of Walnut Grove but all of this leads nowhere. In a strange twist of fate, Harriet Oleson is the one who saves the day by spilling the T about what Eloise Taylor said and did when visiting the Mercantile earlier. Will the residents of Walnut Grove find a new swimming spot? Who is Busby and why does Walnut Grove seem to know all about him? Considering how well Eloise and Cal can hit their targets, Would Ellen have been a sharp-shooter as well?

This month celebrates 4 years of discussing retro video games.. it's also a mile marker since it's the guys150th retro video game review episode. What better way to celebrate with RAGE! You may be thinking to yourself "what could possibly go wrong..." Well.. Let Toby and Goobz tell you all about it in this review 4 years in the making.The guys discuss the history, story, game play, fun facts and rate this game on a 1-10 scale at the end then let you know if the game is still worth playing!Join our Discord group!https://discord.gg/84T8khT Support the show and order a t-shirt! https://www.teepublic.com/user/secretlevels Join our Patreon!https://www.patreon.com/badsecretmediaFollow Secret Levels on all social media! Twitter: https://twitter.com/secretlevelspod Instagram: https://instagram.com/secretlevelspod Facebook Group Page: https://www.facebook.com/groups/285925218891464/MORE INFO:https://www.badsecretmedia.comGoobz's other podcast! The DeRailers Podcast Twitter: https://twitter.com/TheDeRailers Toby's other podcast! Secret Transmission Podcast Twitter: https://twitter.com/secrettranspod ----------------------------------------------------------- Intro and segment music: https://gregoriofranco.bandcamp.com/musicRage Meter Song: https://www.youtube.com/watch?v=kuBO6aDLM_4 Super Mario Brothers - Bluegrass Style: https://www.youtube.com/watch?v=bsrVEbpvU2U Support the show (https://www.patreon.com/badsecretmedia)Support the show

The first in our 'The Best Year in Gaming' series focuses on a very special year, 1998. Adrian chats through some of the biggest and baddest titles that graced our consoles that year. And of course, a sad farewell to the console range of our favourite company is discussed. Someone please pass the tissues... Also, in this episode Dean promised to randomly select someone who subscribes to our YouTube channel, likes and comment on this video and will create a lovely personalised piece of artwork of their choice! This could be a picture of Mario and Sonic playing Bubsy on the Jaguar, or a picture of Waluigi holding aloft the World Cup - the choice is yours! Please subscribe to Arcade Attack's YouTube channel here: https://www.youtube.com/channel/UCb6cTE7T1yiBMdrb6qcrRXw And like and comment on The Best Year in Gaming 1998 video found here: https://www.youtube.com/watch?v=A4LKFYwiry4 Like what we do? Please consider supporting us on Patreon: www.patreon.com/arcadeattack Fancy discussing this podcast? Fancy suggesting a topic of conversation? Please tweet us @arcadeattackUK or catch us on facebook.com/arcadeattackUK All copyrighted material contained within this podcast is the property of their respective rights owners and their use here is protected under ‘fair use' for the purposes of comment or critique.

Writer, game designer, and professor Ian Bogost joins the panel along with Kotaku and Insert Credit regular Ash Parrish to cover Hairizon Zero Dawn, Gex vs. Bubsy, and Sonic Actually Being Back. Original music by Kurt Feldman, including the all new Violence Island theme! Questions this week: From Liz Ryerson: What's your favorite romhack? (06:04) Which video game metrics and features do critics tend to ignore? (11:17) Which games were most affected by ESRB ratings? (16:34) What are the best non-Bonk Turbografx platforming games? (21:58) Now that Facebook games are mostly gone, how do you explain Cow Clicker to somebody who wasn't there? (26:23) Violence Island: forums.insertcredit.com Submissions (32:49) Has a video game ever changed your opinion about something outside of video games? (41:47) What was the most ambitious video game to actually deliver on its promises? (47:13) Who is the Slavoj Zizek of video games? (51:47) LIGHTNING ROUND: Dirtbag Driftglass presents: Casting call (55:29) Have answers of your own, do you? Share them in the forums! A SMALL SELECTION OF THINGS REFERENCED: Crush 40 Sonic Shoes Peter Piper Pizza Grand Poo World Sonic 3D Blast Directors Cut Super Mario Clouds I Shot Andy Warhol Horizon: Zero Dawn Lucio from Overwatch Marvel Spider-Man: Miles Morales Monsters, Inc. (2001) Megatextures Rage Hot Coffee Indivisible Blanka American McGee's Alice Let Cloud Strife Pole Dance Doki Doki Literature Club Plus trigger warnings Grounded's Arachnophobia mode Trypophobia Chicory: A Colorful Tale Keith Courage in Alpha Zones Jackie Chan's Action Kung Fu The Legendary Axe Cross Wiber P47 Ninja Spirit Rygar Cow Clicker WIRED's piece on Cow Clicker XBLIG Parkour Tapwave Zodiac N-Gage Servbot Lemming DeBlob Inkling Francis York Morgan Raz Fred Dukes Gex Bubsy Dragon Age II Black & White Minecraft Death Stranding Sonic Mania No Man's Sky Destiny 2 Bioshock Infinite Inside Out Coco Slavoj Zizek Roger Ebert Steak-umm's Twitter Recommendations: Brandon: dedeco VGM DJ, Kino Lorber's Cool As Ice blu-ray Ash: Chicory, Kotaku Splitscreen Podcast Ian: Drink an Americano, play Psychonauts Edited by Esper Quinn. Original Music by Kurt Feldman.

The questions are perfect. The podcast is perfect. And I feel perfect. Special guest Laura Michet. Questions this week: Video game verb actions (3:12) The first well written video game story (8:00) What's new with ARGs? (13:22) Game articles that are fun to read but a pain to write (19:02) Bubsy's Smash reveal trailer (24:03) Question by Patreon Supporter Gumby: What would a video game holiday celebrate? (30:09) The balance of agency and personality in game protagonists (36:53) The best time of day for video games (40:31) Recommend Jaffe a dungeon crawler (44:37) The Niel Cicerega of video games (49:40) LIGHTNING ROUND: Design a League of Legends champ (53:42) Edited by Esper Quinn. Original Music by Kurt Feldman.

With Sonic Forces fulfilling countless [Your Name] the Hedgehog fantasies with its character creator this week, erstwhile host Henry Gilbert helps us focus our Top 5 on five other games that let you squeeze a version of yourself into an established universe and battle alongside - or against - its heroes. Then it's time to shift gears and talk about Call of Duty: WWII, Sonic Forces, Horizon: Zero Dawn - The Frozen Wilds, the Xbox One X launch, Sony's Trophy-based discounts, awful Bubsy puns, and the forgotten mascots you'd drag back from oblivion.

Microsoft ended production of Kinect last week, dealing a final blow to the ill-fated camera peripheral, so we're dedicating today's Top 5 to a look back at five of its best games, with help from PCWorld Reviews Editor Alaina Yee. We then tear into a long list of new releases including Super Mario Odyssey, Assassin's Creed Origins, Wolfenstein II, Dead Hungry, and Bubsy (which sharp-eared listeners can win a code for), after which we look at Sony's Paris Games Week and the video game characters you'd dress as for Halloween.