Podcasts about guyville

Anneloor van Heemstra is documentairemaker. Het liefst richt zij haar camera op de levens van mensen aan de randen van de samenleving. Zo maakte Van Heemstra de documentaires 'Echte mannen huilen niet', 'Doen en laten' en 'Brief aan de koningin'. In deze laatste film volgt Van Heemstra Queen Mba uit Nigeria, die zonder verblijfsvergunning in Nederland woont. Queen Mba schrijft hierin een brief aan koningin Máxima om haar om hulp te vragen bij het vinden van een vaste woonplaats. Vier van haar films - 'Girls in Guyville', 'Astronaut', 'Jan's Mom' en 'Under the Stars I Felt at Home' - werden geselecteerd voor het internationaal documentaire festival in Amsterdam (IDFA). In haar nieuwste documentaire, 'Vergeven of vergelden', laat ze zien hoe de Nederlandse rechtspraak anders kan, en wat er te winnen valt wanneer de mens centraal staat. De film daagt vaste ideeën over recht en rechtvaardigheid uit. 

Solomon Alpert joined me for Episode No. 159. Solomon is a son, a brother, a husband, a father figure, and a Reentry Counselor at Benilde Hall, a facility which helps folks by fostering sustained recovery, stable housing, economic self-sufficiency, and improved mental and physical well-being. An honorable career and facility, to say the least.This week's guest came highly recommended courtesy of his wife, Lisa, who joined me for Episode No. 147 (and is tentatively slated to join me once more, this time for the newest installment of Becoming a Swifty), and he did not disappoint. There's nothing better than a healthy mix of good vibe and qualifiable intelligence.Solomon and I talked about growing up, being first-borns, education, figuring out one's professional self, and a bunch more. We also talked about a few of his favorite albums, which were these:Heaven or Las Vegas (1990), Cocteau TwinsLiz Phair's Exile in Guyville (1993)Chutes Too Narrow (2003), The ShinsToro y Moi's Freaking Out! (2011)If You're Reading This It's Too Late (2015), DrakeCarly Rae Jepsen's Emotion (2015)Many thanks to both Solomon and to everyone that supports the show. This is a look into (mostly) Kansas City folks, who they are, what they're into, and what tunes make them groove.Cheers, y'all.copyright disclaimer: I do not own the rights to the audio samples contained in this episode. They are snippets from Benevento/Russo Duo's, "Walking, Running, Viking," which I probably used already once before, so shame on me. It's from their 2006 release, Play Pause Stop, however, and we're blessed with its existence c/o Royal Potato Family.

738 Liz Phair - Exile in Guyville

30th anniversary of the phenomenal sophmore album by Liz Phair. After Exile in Guyville's success and indie welter weight winner in the early 90's circle Liz Phair brought Whip Smart to the shooting range. It performed well but maybe didn't get it's due. I speak with writer Liz Barker and sort out each other's early experiences with this amazing record.

For this excursion into something besides movies, in case you didn't know, I once hosted Voices & Visions and I would recruit friend and Austin-based journalist Dan Solomon to go back 20 years to talk about a year in music - an art form that I love every bit much as film. For this summer tradition, my guests and I curate a new list of ten favorite records from a favorite year, playing snippets of certain songs and discussing our feelings about music in general. As of 2021, I decided to include my friend Jason Simpson, also a writer, to join us in this endeavor, he's back to experience the fun as well. As listeners know, I've been going back 30 years to talk about the year in film with Collin Souter and Erik Childress, so I asked Jason and Dan to do the same from now on with records. Hopefully everyone enjoys this discussion about our favorite records from 1994. It was such a blast sharing memories with dear friends from high school as well as getting to hear a lot of incredible music from the mid-90s. Next year, we have a makeup homework assignment: the year 1999, which we missed.  If you want to hear the older episodes of the music retrospective, they are now archived below as well. Thank you so much for listening and much gratitude to Dan & Jay for their insights, opinions and a 30-year plus friendship. Stay tuned for the next official episode when Keith Gordon returns in late July! Other episodes recorded over the years: https://www.directorsclubpodcast.com/archives/yearlymusicretrospectives Check out Dan's Beehiiv: the gardener (beehiiv.com) Follow Dan On BlueSky: https://bsky.app/profile/dansolomon.bsky.social Buy Dan's Book: https://northstareditions.com/product/the-fight-for-midnight Follow Jason on Twitter: https://twitter.com/for3stpunk Hear Me Talk All About Exile in Guyville on The Great Albums: https://thegreatalbums.libsyn.com/liz-phair-exile-in-guyville-w-guest-jim-laczkowski

This week on the pod. jD welcomes his buddy, Jeremy from Niagara Falls on to discuss his Pavement origin story and reveal song 26!Transcript:Track 2:[0:00] Previously on the Pavement Top 50.Track 1:[0:02] Stephen, what are your initial thoughts about this song, The Hex? The Hex, well, it's a really cool song. I think it's completely different to anything else that Pavement does. I think it's very unique. It's got a style which isn't really there in any... I can't think of any other song that looks like it.Track 2:[0:19] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 4:[0:25] Hey, it's JD here, back for another episode of our Top 50 Countdown. For seminal indie rock band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus and a girl named Shannon that might have played bass in an indie rock band. Sigh. So there's that. This week, I'm joined by Pavement superfan, Jeremy from Niagara Falls. How's it going, motherfucker?Track 3:[0:54] It's hot. It's hot.Track 4:[0:56] It's really hot.Track 3:[0:58] It's been hot all week. Yeah. So sorry if there's fan noises in the background. They're here to cheer me on.Track 4:[1:04] Yes, of course they are. And that's very good that they are doing that for you because it will give you adrenaline and strength that you need and require to get through this next question. Jeremy, from the Falls, what is your pavement origin story?Track 3:[1:20] Story um my origin story for the band pavement is a little um stranger than most i i did not come to them by way of their music i i came to them by way of uh discussions about just how cool their uh their albums the the song names were, so i before i ever heard a pavement track which was years uh uh it was it was uh i had a friend who was in a band named uh cindy and they before they were called cindy they they were racking their brains about what they wanted to call themselves and we just got in this deep discussion one night i have heard we started talking about i don't think i've heard of king cobb steely, There's probably a good, I bet a good amount of this audience would really dig King Cub Steely because it's kind of in the same vein. But they had awesome song names.Track 3:[2:21] Luckily, I keep my feathers numbered for just such an emergency. That's a song name, Time Equals Money and Money Equals Pizza and Therefore Time Equals Pizza. Just stuff like that. And we got talking about it. And I was like, yeah, that's really cool. and we're talking about the band Head. Lowercase and an uppercase. Head with a lowercase h. That's right. And an uppercase, yeah, just because it was the 90s. And then my friend turned to me, he's like, I just wish that I could have an album title as good as Crooked Rain, Crooked Rain. And he just, he went on for like half an hour on that. I was like, that is a really cool album title and who is this band? And he's like, Pavement, check them out. And of course, being the 90s, I mean, being dirt poor, I couldn't. That's right. That's the only way you could do it. I couldn't purchase an album. Because they weren't being played on the radio.Track 3:[3:15] Well. That's right. And it was pre-internet. And yeah, they weren't being played on the radio. But, and this is, I like hearing the stories of people out here saying like, yeah, my first experience was like I got onto a torrent site and I ripped all their albums over the course of like a week or however long it used to take. But before that we used to have this thing and it doesn't exist anymore rarely does that's right of uh compilations you remember yeah and there was a big one in the 90s it was really big because of the secret hidden track that i think everyone only bought it for the secret hidden track it was called no alternative and nirvana did uh of uh at the very end wasn't listed everyone who was there It wasn't listed, but they did – it's sappy, but it's also called Verse Course Verse. It was an unreleased track, and it kicked. It was so good. But also on that album was Matthew Sweet, Goo Goo Dolls, and Pavement did Unseen Power and Picket Fence. And who was the second one you named? Goo Goo Dolls. Yeah. Goo Goo Dolls? You know, like rather funky band until, you know, Twister. No, it's not Twister. Until that Twister song.Track 3:[4:41] They did a song on the Twister set. No, it was the Asteroid one. No, it wasn't the Asteroid one. Fuck. Oh, yeah. Dude. It's called Angel or something like that. No, they did a song on the Twister set. It's like Alanis Morissette did a song. On the record, you came uninvited. Yeah, anyway, this is riveting conversation for somebody who tuned in for Pavement. I know.Track 3:[5:13] Beastie boys was also on the alternate and breeders did a really good live live track but but really it was like you could get uh like that was if you did not have a lot of money and you wanted to hear and this is backwards thinking because nowadays you'd be like why would you buy a whole album for one song well everybody did everybody bought it for that nirvana song and uh and then you got a little a little sampler of all these other bands that you could get into And that was my first. Hold on, let's talk about this for a second. So what did you think of On Scene Power? Yeah. It was good. And in comparison to everything else on the album, it's like, oh, this is top ten. This is really fresh and inviting. And I dig the sound. It was kind of rare. It wasn't overproduced. and it didn't have that, you know, that pastina. Am I using that word correctly? You know, patina. Sorry, patina. It's fucking boiling. It's hot. Did I mention it's hot? It's like 55 degrees in Canadian. 55? Celsius. But yeah, I think it's like 40. I was like 55. Your skin would be melting.Track 3:[6:35] Anything after 35, I'm like, it's all the same. I like the heat, but it's not like this muddiness. Yeah. I can't handle it. Really? Yeah, it's the thing. It's not the heat, it's the humidity. No, oven's dry heat. Anyway. Yeah. Again. But yeah, no, I really, I like the sound. And I was also big into Sonic Youth, but I had a bit of a bone to pick with Sonic Youth because their stuff never really seemed to get me to the place where I was like, yeah. Yeah and it felt like pavement was like they got it it was it was kind of this it's like a visceral, sort of song yeah but it's it's it rocks i totally know what you mean you know i mean yeah i've been i've been uh nose deep in in pavement's catalog for almost five years now so, like i mean obviously i enjoyed it prior to that but you know just looking at it week after week week after week you know it's it's been asked me to name a fucking song um title though and i'm usually stumped or or where it falls on a record and there's people that will be able to do oh yes it's right after this and before this and it's like i just can't do that i'm just because that's part of the culture though that's part of like the like we when we lost physical media, like it's like remembering your best friend's phone number do you even know it now i don't Oh, I know my wife's. I don't know my wife's. I don't know my kids.Track 3:[8:03] Oh, really? Yeah. Yeah. But yeah, so that, like that compilation. And then you'd think I would have rushed out and I would have bought, you know, a pavement album, but I didn't because a scant few years later, the Brain Candy soundtrack came out and being the massive kids of all fan I was. Okay. All right. Is R. I was and I still am. Yeah. And will continue to be. And you know who was on that soundtrack oh matthew sweet fuck me really, he followed yeah he follows you around doesn't he yeah but pavement like painted soldiers is, like it's in my top five songs it's in my top 15 for sure no my top 10 and it's the best spiral There is. Other than the unreleased Preston School of Industry. For sale, the Preston School of Industry. But yeah.Track 3:[9:09] And another breakout track on a soundtrack album that has like... They are? Yeah. They play Butts Wiglin'. Yeah. They might be Giants, I think, did a track. Uh, stereo lab and like a real, Oh, and of course the odds were on there, but yeah, it's kind of five. I think there was even a GBV guy by voices song on there. I think that might, it was by first exposure to guided by voices. I got into a lot of music through compilations, something that does not exist. And I wonder how we can rectify this. Yeah.Track 3:[9:57] Well, we have to change the industry one person at a time. Starting at this moment in time. And this is the... It's 66 degrees. Good things are forged in heat. This is... Hey, listen. This is the closest I've ever recorded an episode to drop date. Like, most everything else is done. Oh, yeah? I did it in the spring. You know? So, this is... What is the date? It's June 20th. And this goes out on the 28th. Yeah. Or whatever next Monday is. Wow. Look at me. Look at me knowing fucking calendars. 24th. Okay. Fair enough. Yeah. Yeah. Sure is. Yeah. It's sooner than you think. That's right. No. Into that editing bay. This one doesn't get edited. This podcast doesn't. But yeah. Oh no. All my secrets. Okay. Back to the matter at hand here. There's a lot of... So if you haven't noticed, Jeremy and I are buddies and we're doing some catch up at the same time that we're um that we're doing this so that's why we're getting a little distracted i apologize for that and i hope this is acceptable for your pavement listening uh enjoyment yeah it's a forgiving crowd have you ever listened to the episode of meeting malchus called uh hate mail.Track 3:[11:17] Oh you should look that i haven't heard that one i got a hate mail letter oh yeah i just decided to do an episode on it because it is like a screed it is like it is like martin luther knocked you know nailed something to my door you know and it was like it was like oh deep cut wow yeah now it was type was it written or was it typed oh then you know it's serious yeah listen to that one oh wow if you're just getting into to this because of the top 10. There's a whole other podcast out there where I go through each of the songs. It's called Meeting Malchmus. That's the feed that you're on right now. And there's lots of good... I can only hope that this generates at least one more hit. It might. So from there, you finally buy a record? Or do you get into the torrents?Track 3:[12:11] I bought, oh, and this is shameful, and now I wish you do edit it. I bought Crooked Rain, Crooked Rain through another form of dead media, the Columbia House Records Club. Dude, Columbia House was money. It was so good. It was so good. It was. 12 CDs for a penny? You're paying 30 bucks afterwards, but hey. And it was one of those auto ship deals. That's where they got you. That's where they got you on the lazy. It just shows up, right? Because it was $30 a hit, and you would be like, fuck. But if you played your cards right, you won. The house did not always win, but they must have won enough.Track 3:[12:51] Yeah. I mean, and you could send them back and say, you know what? Liz Fair just isn't my cup of tea. I'm going to exile Guyville. Yeah, this one, I think it was her follow-up. I was like, eh. Never sent me Matthew Sweet. So Crooked Rain, Crooked Rain. Do you know where the title comes from? It comes from, apparently, it comes from Purple Rain, Purple Rain. And Stephen just liked the rhythm of that. Or it may have even been David Berman who suggested it. And, yeah.Track 3:[13:26] If I'm wrong, shoot me an email. JD at meetingmalchmas.com. Would love to hear from you. So you put that one on the old CD player, I'm guessing. Not a turntable. about this point and yeah it starts with silent and that song just melts your brain like right off the bat it is i i that album for me is like a textbook like this is how you start an album like this series of songs like this is how you do it this is how you you break it in so you lay the frown the foundation for the listening experience you're about to undertake and man i yeah i listened to that album a lot. It's a masterpiece for sure. I will fully admit, I thought he was saying Silent Kit for the longest time. I thought it was about drummers. Well, nobody really knows. It's got multiple titles. People will say Silence Kid, and people will say Silent Kid. People will say Silent Kit, and people will say Silence Kit. So I think on the liner notes, it's Silence Kid. So, yeah. Oh, interesting. Yeah. Did you ever get a chance to see them live?Track 3:[14:45] So, jury's out on that. It was the 90s. I was young. I got around a lot. And a friend of mine was like, no, I don't think we do. We did see them. And I was like, I distinctly remember being at, like, the Cool House. Did you go to Lollapalooza in 95? At one point.Track 3:[15:08] Okay. No, I've never been to a Lollapalooza. I was just going to say, because they played that, and that might be something that you saw and forgot. Because I can't imagine, you are going to generate some hate mail. That you saw them live and you don't fucking know that you saw them live? What kind of fucking planet is this? This is so different than the other interviews I've done for this program. I know. I know. But you know what? If I did, I enjoyed it. Well, there's that. that and if i didn't then you know so there's that i i guess i never will do we want i mean somebody had to somebody had to remind me that i've seen wean like several times and somebody was like you know i was like oh i wish i could i wish i could see wean and they're like you've seen like eight times like oh that's oh yeah that's a really shitty superpower to have dude, i know i know i have a very bad short-term memory but my long-term memory is near You're fucking impeccable still. Well, see, my short-term memory was bad at the time. You didn't, yeah. See, I don't create new memories. Yeah. I have a very difficult time creating new memories. Yeah. I still have them, but yeah. Oh. Yeah. It's ever since I got zapped. Okay. What do you say we flip the record over and start talking about song number 26? You up for that? Yeah. Let's do it. We'll be right back after this.Track 2:[16:34] Hey, this is Bob Mustanovich from Pavement. Thanks for listening, and now on with a countdown. 26!Track 3:[21:05] This week, we are celebrating song number 26, Fight This Generation. What do you think of this one, Jeremy from the Falls? This is probably, it bridges the best run, I think, that Pavement has on any album, starting with AT&T, going right through to the end of Wowie Zowie. I started AT&T, I just listen to these tracks over and over again. And Fight This Generation is definitely a staple in that run. Yeah, I think so. And it's a staple of their live show as well at this point. Even when I saw Malcolm on the Traditional Techniques tour, he played a guitar and computer version of it. And it was really quite fucking cool. Oh, really? Oh, I would have loved to have seen that. There's got to be a video of that. I'm sure there is on the old YouTubes. Yeah, I wouldn't be surprised. Yeah. Like, I love the demo version in that enhanced Wowie Zowie release. Oh, right. Yeah, yeah. Nice and Critter's Edition. Yeah. Yeah. Yeah.Track 3:[22:24] But yeah, no, this track does that thing that I like so much in every song I hear it in, where you start listening to it and then halfway through it turns into a different track also. Absolutely. Two different songs mashed together for sure. Yeah. So in listening to this again for this I couldn't believe this track is only like four, it's under four and a half minutes. This feels to me like an epic six, seven minute long track but it's not. It's a tight 4.23. Yeah. Tight 423. That's funny.Track 3:[23:04] I mean, long for a pavement track, but it feels like, it feels a lot longer. Doesn't it? Doesn't it? Maybe I'm just thinking of the demo version. It does because, okay, so not in a bad way for me. No, no. No. But because it feels like two different songs, I think that might give you the illusion that it's long. Yeah. You know? Plus the repetitive outro, like just that jam at the end. That always feels too short. And yet it feels like a day. It feels like a good day. Punching in, punching out. You're friends with the coyote. You're not friends with the coyote. Or the sheep rather no i, you know so there's been like three matthew sweet references and now like two looney tunes all right well um what else do you have to say about fight this generation, This, um, like all, all lyrics are interpretive. Yes. Like, and, and I, and I hesitate because I've listened to everybody else talk and they're so. Erudite.Track 3:[24:27] That's a great word. And I think that's what I'm trying to say. But they, they, they're very, they, they've got very strong opinions and they're very, they're very knowledgeable and they've obviously put a lot of pen to paper and sorted this out and, you know after 18 cups of coffee and and i i'm still i grapple with this one because it's like seeing shapes and clouds and you know you know that old um oh man it's a charlie brown comic from years ago uh and and they're like all sitting on the grass and they're looking at the clouds and the one one i think linus is saying like oh look that's like that cloud looks like washington crossing the delaware and and that one looks like uh rodan's the thinker and and that cloud looks like the the the stoning of saint peter and and they're like what do you see charlie brown he's like i see a ducky and a horsey but you know so i think you can i think you can do that with this track i mean just the the title alone evokes like uh an emotion yes and and the The way that it's, like, the way the song is constructed, how it starts off in 3-3, moves to 4-4 time in there, you get the sense of, like, there's two sides clashing. I'm still trying to figure out, like, for you.Track 3:[25:55] Wait a minute. 3-3. There's no 3-3. 3-4.Track 3:[25:59] At the beginning? Yeah. There's no 3-3. Oh, yeah.Track 3:[26:09] I'm not a music student, but it sounds pretty waltzy to me. Anyways, what is this song about to you? What viewpoint do you see this from? Because I think there's a couple different ones. Is this punching up or punching down? Oh, I don't think it's punching at all. I think this is a jumping up and down song.Track 3:[26:36] Um it's just anthemic and it's just you can get behind the the idea of fight this generation but i don't think any of the other stanzas um support any information about which generation it is who's doing the fighting you know that sort of thing and to me that's what makes it an anthem because you know the kids listening to it right now can feel like they're fighting the gen xers whereas like we were fighting boomers you know um but is it ever like the gen xers fighting the millennials well i suppose a few years ago it may have been because that's that's where i kind of landed on it's like it's the song itself feels cyclical in the way that it's it's like you could probably put it on repeat and it's just this constant like the the themes in it are are such such that it is like there's always going to be this realization, like the fight is part of the progress. It's part of the identity. So therefore it has to exist, but you're in it on one side and then you're on the other side of it. So you're constantly at odds with the generation before you and the generation after you. Absolutely. Yeah. It's very funny that that's the way it's turned out, you know, or keeps turning out.Track 3:[28:04] It's like Battlestar Galactica.Track 3:[28:08] New or old the new one all right the good one the really good one i liked the old one as a kid but it doesn't hold up well the old one had a robot dog and yeah and action figures yes i had a star buck with one arm did it come that way no no i pulled it off i wanted to make him a star wars was villains so that's what i did so listen it's been great talking to you today about your pavement origin story uh fight this generation and uh you know just a basket of other things uh hope uh you enjoyed yourself i know i did and uh that's what we've got for you this week next week we'll we're getting into the top 25 man so we we start to kick out the top 25 next week we're halfway way fucking home. Can't wait to hear it. I'll talk to you then. Wash your goddamn hands.Track 2:[29:05] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at MeetingMalcolmists.com.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, we talked to Gina Arnold (author of Route 666: On the Road to Nirvana, Exile in Guyville, and Half a Million Strong: Rock Crowds and Power, from Woodstock to Coachella) about Homecoming: A Film By Beyoncé as well as her as well as her dissertation which focused on live music performances at festivals. We also discussed her time on tour with Nirvana & The Pixies, getting burned by The Rolling Stones, the corporatization of rock shows & how Beyonce's Coachella show was the show to end all big outdoor shows.So set your feet stomps to stun on this week's episode of Revolutions Per Movie!!!GINA ARNOLD:https://gina19e.substack.com/https://uipress.uiowa.edu/people/gina-arnoldREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.LIMITED EDITION REVOLUTIONS PER MOVIE T-SHIRT at revolutionspermovie.bandcamp.comSOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Blondshell burst onto the indie rock scene and captured our sardonic hearts with her self-titled debut, and that's why she's Consequence's 2023 Rookie of the Year. We caught up with the artist aka Sabrina Teitelbaum in the middle of her tour with Liz Phair. Calling in froma Minneapolis hotel room, Blondshell spoke with Associate Editor Paolo Ragusa about her grungy songwriting, toxic relationship habits, and being on the road for Phair's Welcome to Guyville 30th anniversary celebration.Read our Rookie of the Year feature on Consequence, and listen to the entire interview on this episode of Consequence UNCUT. You can find all of our 2023 Annual Report features -- including the 50 Best Albums of 2023 -- here.You can also check out our Track By Track on Blondshell's electrifying self-titled debut, a record that takes from indie's past to chart its future.This month, we're on a mission to spread the word about Consequence UNCUT far and wide, and you're our secret weapon. If you love our show as much as we like bringing it to you, we need you to hop over to Apple Podcasts, hit the follow button, and leave us a review. Not only is it a quick and easy way to show your support, but it'll also give you the chance to win some exclusive Consequence merch. Just follow this link to our Google Form and submit your info along with a screenshot of your review. We'll be shouting out our winners in December, so make sure to follow and review soon. Thank you for all your support and for helping Consequence UNCUT grow. Check out HelloFresh and use my code uncutfree for a great deal: https://www.hellofresh.com/Our Sponsors:* Check out Green Chef and use my code 60uncut for a great deal: https://www.greenchef.com/ * Check out HelloFresh and use my code uncutfree for a great deal: https://www.hellofresh.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Here's your local news for Wednesday, November 15, 2023:We give the details on Madison's approved spending plans for 2024,Hear from advocates calling for an end to Wisconsin's ongoing prison lockdowns,Learn more about Liz Phair's debut album, "Exile in Guyville,"Interview a professional hairstylist about her day-to-day,Broadcast the most in-depth weather report on the airwaves,Travel back in time to 1968,And much more.

Ben went to see Liz Phair celebrate 30 years of Exile in Guyville.Ione reflects on her Interview Magazine humiliation in the late 1980s.We chat the Robbie Williams Netflix doco.Goldie checks in about short films she's making. Hosted on Acast. See acast.com/privacy for more information.

Being sensitive has got to be one of the oddest characteristics about being a human.During my correspondence via D.M.s (as a total stranger) with Til Willis, I had a small moment of panic. It was the kind of moment wherein the rabbit hole of questioning the way you go about life doesn't suddenly gape, but it doesn't not open a little bit, either.Anyway...it was a handful of months back, and we were swapping messages. He -- at one point -- used the phrase, "Like I said," and I might as well have just made myself a shit sandwich and eaten it.You blew it, Dipstick, I thought. Way to go.The summer went by and I'd all but chalked up this attempt to invite someone on the podcast to be a wash. Then -- right around the time he'd mentioned his availability would open back up again -- he messaged me. And I didn't even remember how much of a failure I'd felt like so many weeks ago.Things, as they say, aren't actually always as they seem, I guess.And this goes both ways. Or...numerous ways. Or...all of the ways. I dunno.Point being: Life is hard sometimes; try and remember to take it easy on yourself.But...BUT!...Til Willis and Episode #83.I like the number 83. It's the year the youngest of my siblings was born, and, well...it's just kind of a robust number, both in numeric value and in appearance.And robust is a good word, perhaps, to sort of, kind of describe Til Willis.He's a fascinating dude with an incredible life story and a journey that's full of making music, performing it live, recording it and releasing it, and -- most of all -- loving it.We really vibed over a couple of artists, so I hope you'll check out our conversation, which -- by the way -- included a few of his favorite records, and those were these:Bone Machine (1992), Tom WaitsLiz Phair's Exile in Guyville (1993)Time Out of Mind (1997), Bob DylanRonny Elliott's Magneto (2002)Tiny Voices (2003), Joe HenryI also hope you'll check out a few of the places his music can be found, such as his own bandcamp, his Web site, his other project, or his other-other project.That's it!Vote for Badass Records for Best Local Podcast in The Pitch's annual contest.Thank you!copyright disclaimer: I do not own the rights to either the promo or the intro/outro audio. They are clips from a track called, "Strolling Sloth" by Arc De Soleil off of their 2020 EP, Libertalia (c/o Epidemic Sound).

Reivindiquem Liz Phair. Ara fa 30 anys la nord-americana Liz Phair va debutar amb "Exile in Guyville", una r

Todo un lujo la entrevista con g.a.t.o. para la posteridad para rematar la temporada y despedirnos hasta el primer martes (es el día que tenéis disponible nuestro podcast cada semana) del mes de septiembre). Nuestros invitados, ese dúo de ocasión (que, a lo mejor, tiene más recorrido y vida artística y pasa de ser una cosa puntual) que forman Yani Martinelli y Marcus Holdaway. Ella, venezolana, aparte de sus discos en solitario, como "Astral" o "Sweet silence" (por referirnos a obras recientes) ha sido habitual en los créditos de trabajos de Seasongs o Wild Honey o con Pepe Bermejo (Mamá y Happy Losers). Ël es componente de los High Llamas junto a Sean O ´Hagan. De la unión de dos multi-instrumentistas (Yani se trajo guitarra y Marcus, teclados, para la actuación en nuestro estudio) nace Colourway y este disco que nos presentan que se publicó a mediados de junio. Antes, en charla telefónica, nuestro interlocutor, fue Manuel Pnazo, director de Muzikalia, para comentar detalles de esa ramificación de la web musical que incluye edición de libros. Por eso, en el curso de la charla sonaron Lagartija Nick, Sr. Chinarro y Fernando Alfaro. Abrimos con música de Liz Phair ahora que sale la edición corregida y aumentada de "Exile in Guyville" para celebrar un aniversario redondo. Luego, el antecedente cercano del todo del que se desgajaron los proyectos Bon Iver, por un lado, y Megafaun, por otro. Entre entrevista y entrevista, más adelantos del retorno de El Faro, con Carlos Díaz al frente y el mundo spoken word cercano a Kate Tempest que construyen Laura Sam y Juan Escribano que cuentan con Abraham Boba de invitado. En la recta final el vigésimo disco de quien empezó siendo John Cougar y se trabsformò en John Mellencamp y el sexto álbum de la canadiense Shania Twin, tras cambiar de sello y superar problemas con su voz.

To celebrate the 30th anniversary of one of the greatest albums of all time, we bring you: Liz Phair.  As soon as "Exile in Guyville" started making waves in the underground Chicago music scene, Rolling Stone put Liz on the cover of this 1994 issue and *Thank God* they did. This profile has it all: musings on fame and the female experience, gorgeous prose and actually funny one-liners. To help us break down Liz's indelible impact, we have a VERY SPECIAL GUEST: the one, the only, Dan Adler. A staff writer at Vanity Fair and an all-around good guy, you already know (and love) his work from our Weeknd Episode. All you riot grrrl's out there are in for some razer sharp cultural commentary (and an unfiltered explanation for the (un)covergirl's absence last week).  https://www.rollingstone.com/music/music-news/liz-phair-a-rock-roll-star-is-born-237877/Subscribe to our Patreon HEREFollow us on Instagram HEREFollow us on Tiktok HEREFollow Beatrice HEREFollow Ivana HERE

Welcome to 24 Question Party People, hosted by Yasi Salek. From the braintrust that brings you Bandsplain comes an interview show that is both irreverent and thoughtful to match. Each week, a guest will be asked the same set of 23 questions (with one wild card) to wildly different results. On our inaugural episode, we welcome the legendary Liz Phair on the eve of her 'Exile in Guyville' 30th anniversary tour to talk music, doubters, and why she will never see that DM you sent. Let's get into it, babe. Host: Yasi Salek Guest: Liz Phair Producer: Jesse Miller-Gordon Associate Producers: Chris Sutton and Troy Farkas Additional Production Supervision: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

We had the pleasure of interviewing Skating Polly over Zoom video! Skating Polly share “I'm Sorry For Always Apologizing” – a deceptively joyous rock song that is accompanied by the official music video directed by Christian Papierniak. The multiple award-winning director, producer, and writer best known for his hit Indie feature film Izzy Gets the F*ck Across Town brings the track to life with a humorous touch.“I'm Sorry For Always Apologizing” follows the raucous single “Hickey King” and is the second track to be taken from Skating Polly's new album Chaos County Line, which is set for release on June 23rd via El Camino Media. “Doctors don't think I'm sick / Just a self important prick” Kelli Mayo sings sweetly, sending up her past relationship mistakes with a cutting sense of self-judgement."This song has some of my favorite lyrics on the record" Kelli comments. "It was originally inspired by my very real habit of over apologizing, then the concept came to me to write it from a perspective of constantly hurting someone you're wildly in love with, which is a feeling I unfortunately know all too well. So, some of it is definitely hyperbole, but some of it is about my short-lived love affair with the bass player from Starcrawler. And the super huge prick I make myself out to be as the narrator is my big fear of how I must've come across to him and is also a furthering of many apologies I've given him on the matter..."Over the past decade, few artists have embodied the unbridled freedom of punk like Skating Polly. Formed when stepsisters Kelli Mayo and Peyton Bighorse were just 9 and 14, the band have channeled their chameleonic musicality into a sound they call “Ugly Pop,” unruly and subversive and wildly melodic. With Kelli's brother Kurtis Mayo joining on drums in 2017, they've also built a close-knit community of fans while earning the admiration of their musical forebears, a feat that's found them collaborating with icons like X's Exene Cervenka and Beat Happening's Calvin Johnson, touring with Babes In Toyland, and starring as the subject of a feature-length documentary. On their forthcoming double album Chaos County Line, Skating Polly reach a whole new level of self-possession, ultimately sharing their most expansive and emotionally powerful work to date.The follow-up to 2018's The Make It All Show, Chaos County Line finds Skating Polly showcasing the depth of their growth, both as songwriters and personally. Whether they're opening up about matters internal (identity, disassociation, unhealthy coping mechanisms) or external (obsession, deception, gaslighting), Skating Polly imbue that outpouring with an unfettered emotional truth.Working again with Brad Wood, the acclaimed producer behind indie-rock classics like Liz Phair's Exile in Guyville, Chaos Country Line sees their songs journey from art-punk to noise-rock to piano-driven power-pop, matching that musical complexity with a sharply honed narrative voice that manifests in countless forms (ultravivid poetry, diary-like confession, fearlessly detailed storytelling, etc.).We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #SkatingPolly #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

Post Malone is dropping a new album called Austin, Bianca Censori is modeling sticky tape, Kanye has been quiet, Liz Phair is celebrating the 30th anniversary of Exile in Guyville, people have the ability to see a mess and pretend not to see it, the top 5 spots we dread cleaning the most, the latest beauty trend is to rub beef fat on your face, a survey on men's bathroom habits, and Vinnie reads your texts!

Jordan and Alex move the pod to an an-up-and-coming Chicago neighborhood—ah, it's already been gentrified. Well, they'll self-soothe by immersing themselves in a beloved chronicle of a similarly bygone era, Liz Phair's "Exile in Guyville!" From a quick history of the Chicago indie scene that birthed the record, to the myriad of odd sonic tricks that make up its production, to the kinda-weird lengths Phair went to in order to tweak the Rolling Stones' "Exile on Main Street," not a single cobblestone of Guyville remains unturned. They'll also tackle the backlash Phair faced once her record broke big, the *other* backlash she faced a decade later later when she pivoted her sound, and make Jordan uncomfortable with some of Phair's patented sexually explicit lyrics! Too Much Information: A dive deeper than Chicago deep-dish!See omnystudio.com/listener for privacy information.

In the second half of this free-flowing conversation with producer Brad Wood, he digs into the recording of Whip-Smart, Liz Phair's follow-up to her groundbreaking debut album Exile in Guyville, and the subsequent tour that never happened—and he tells of his more limited involvement on her third album, whitechocolatespaceegg. He reflects on what went right with Veruca's Salt's debut album, American Thighs, and its hit single “Seether,” and what went wrong when Billy Corgan hired him to produce Smashing Pumpkins' Adore. He also discusses his efforts to let the Bangles be the Bangles on Doll Revolution, his poignant reunion with Veruca Salt, the reason he moved from Chicago to Los Angeles and what a producer should and should not do.

Brad Wood was a trained jazz saxophonist who didn't like how rock music was sounding in the late '80s, so he became a producer in Chicago's Wicker Park neighborhood. At Idful Music, which has a cool origin story, Wood tried to capture the true sound of such bands as Freakwater, Trenchmouth and his own Shrimp Boat. Then he was knocked out by Liz Phair's songs, and he and she co-produced Exile in Guyville, a landmark album soon to mark its 30th anniversary. Phair's and Wood's careers took off, and he went on to work with many other groups, including Veruca Salt, Smashing Pumpkins and the Bangles. Wood is as skilled as talker as he is a producer, and in this, Pt. 1 of a two-parter, he takes us deep into his Rockford roots, the Wicker Park scene and the creation of Phair's stunning debut.

Lee Robinson and Will Hagle connect two albums—Liz Phair's 'Exile in Guyville' and 50 Cent's 'Get Rich or Die Trying'—with six songs of separation, Kevin Bacon style. They listen to and talk about a lot of music. Weaving webs through musical history. Don't forget to subscribe, bonnie raitt and review!email us: connectingtheclassics@gmail.comtweet at us: @ctcpod

Influenced equally by Elizabethan composers and pop radio, Dessa consistently dissects the human condition, while deftly defying genre tags. A member of the Minneapolis indie-rap collective Doomtree (and championed by playwright Lin-Manuel Miranda), her interest in examining behavioral science has fueled multiple careers in creative writing, music and live poetry, as well as spawned TED Talks and her own BBC Radio program on not just how our brains work, but why. During this episode, Dessa shares the impetus for her latest book, previous and upcoming collaborations with the Minnesota Orchestra, the myriad of condiments that travel with her on tour, and the 30-year impact of Liz Phair's groundbreaking album Exile in Guyville. Visit dessawander.com for literature, vinyl, tour dates, social media and more. Her aforementioned radio series Deeply Human is available however you listen to podcasts.

Kranky co-founder Bruce Adams sits down to discuss his new book,You're With Stupid: kranky, Chicago, and the Reinvention of Indie Music. (UTPress) Adams explains the unique conditions that put Chicago at the heart of the ‘90s indie rock scene, the emergence of the kranky aesthetic, and sing the praises of Labradford. Interview recorded between Urbana and Montreal, August 2022 Produced and mixed in Montreal, October 2022 TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Labradford - “Listening in Depth” (Prazision, kranky, 1993) INTRO Tim Hecker - “harmony in blue iv” (Harmony in Ultraviolet, kranky, 2006) Sebadoh - “Gimme Indie Rock” (Gimme Indie Rock!, Homestead, 1991) Archers of Loaf - “Plumb line” (Icky Mettle, Alias, 1993) Smashing Pumpkins - “Cherub Rock” (Siamese Dream, 1993) Jessamine - “Secret” (Jessamine, kranky, 1994) Slint – “Good Morning Captain” (Spiderland, Touch & Go, 1991/1995) Tortoise - “Djed” (Millions Now Living Will Never Die, Thrill Jockey, 1996) Spacemen 3 - “Feel So Sad” (Recurring, Fire Records, 1991) The Art Ensemble Of Chicago – “Urban Magic (in 4 Parts)” (Urban Bushmen, ECM, 1982) Designer [Casey Rice]- “Vandal” (Vandal, Organico, 1996) Labradford - “New Listening” (Prazision, kranky, 1993) Labradford - “Recorded And Mixed At Sound Of Music, Richmond, Va.” (E Luxo So, kranky, 1999) Labradford - “Wien” (Fixed::Context, kranky, 2001) Labradford - “S” (Mi Media Naranja, kranky, 1997) Stereolab / Nurse With Wound - “Simple Headphone Mind” (Simple Headphone Mind, Duophonic Super 45s, 1997) Gastr del Sol – “The Harp Factory On Lake Street” (The Harp Factory On Lake Street, Table Of The Elements, 1995) AMP - “Celestialreturn” (astralmoonbeamprojections, kranky, 1997) Massive Attack - “Inertia Creeps” (Mezzanine, Virgin, 1998) Magnog - “Shapeshifter" (Magnog, kranky, 1996) Roy Montgomery - “The Soul Quitens” (Temple IV, kranky, 1995) Windy + Carl - “Surfacing” (Depths, kranky, 1998) Jessica Bailiff - “Beautiful Soul" (Even in Silence, kranky, 1998) Grouper - “Disengaged” (Dragging a Dead Deer Up A Hill, Type, 2008/ kranky, 2013) Low - “Remember” (Secret Name, kranky, 1999) Liz Phair - “Girls! Girls! Girls!” (Exile in Guyville, 1993) J Dilla “33” (Another Batch, 1998) Wadada Leo Smith - "Images" [excerpt] (Spirit Catcher, Nessa, 1979) Angel Bat Dawid - “The Oracle” (The Oracle, International Anthem, 2019) Christina Vantzou - “The Magic of the Autodidact” [edit] (N°2, kranky, 2014) Dead Texan - “The Struggle” (The Dead Texan, kranky, 2004) Stars of the Lid - “The Lonely People (Are Getting Lonelier)” (The Tired Sounds Of, kranky, 2001) Bowery Electric - “Deep Blue” (Lushlife, Beggars Banquet, 2000) Kevin Drumm - “Deep Breathing Doesn't Work” (May(Part 2), 2017) Labradford - “Lake Speed” (Labradford, kranky, 1996) —- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://anchor.fm/soundpropositions/support

This week's guest is Elle Archer, a Portland-based multi-instrumentalist who records as Shaylee, and she gets Al acquainted with Liz Phair's debut album, Exile in Guyville. Elle talks about how she first wound up listening to the album, and she identifies the features of the album that make it special. She also talks about her first album with Kill Rock Stars, Short-Sighted Security, and her upcoming plans for Shaylee.Follow Elle/Shaylee!Instagram @shayleebandTikTok @shayleethebandAl is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.1:13 Elle joins the show2:03 Elle explains why she first sought out Exile in Guyville4:34 Elle talks about why she chose this album for this episode6:47 Elle discusses how she sees the relationship between Exile in Guyville and Exile on Main St.11:09 Al hears some musical similarities between Liz Phair and The Rolling Stones12:33 Elle refers to Phair's own comments about the album's relationship with Exile on Main St.Observations about specific tracks14:30 6'1”19:59 Dance of the Seven Veils21:56 Never Said/Soap Star Joe23:04 F*ck and Run30:10 Explain It to Me34:25 Elle surmises why Exile in Guyville wasn't more popular when it was released39:57 Elle and Al talk about the subsequent critical backlash against Phair46:08 Elle thinks the production is part of what makes Exile in Guyville so effective50:49 Elle talks about the difficulty in making a sonically diverse album55:05 Elle explains how she wound up recording covers of Elliott Smith, Unwound, Jeff Hanson and Deerhoof songs1:00:08 Elle talks about recording the new Shaylee single, “Clearwater”1:00:43 Elle eludes to the planned changes for future Shaylee recordings1:01:30 Elle discusses what's coming up next for ShayleeThe outro music is from “Clearwater” by Shaylee

Emily Hulslander is the driving force behind the 90's rock inspired Social Drag as well as one half of the band Guyville, a Los Angeles based duo comprised of Emily as well as friend of the pod Kat Hamilton. Emily was born in Pennsylvania and after catching the lucky break of being asked to join The Temptations on stage to sing My Girl when she was a kid, she caught the performing and writing bug and has been writing ever since. Stints in Boston as well as NYC helped her hone her songwriting and grow her catalog that she eventually brought with her west to LA. Emily and I get into the nitty gritty of what it's like to be an artist and the often vulnerable state that it puts us in. Thanks Emily for sitting down with me, I'm sure everyone will really enjoy this episode. Follow Emily on Instagram. Keep Up With Social Drag. Listen To Social Drag. Keep Up With Guyville. Listen To Guyville. If you'd like to support our show directly please head on over to www.patreon.com/charlesellsworth. Buy a record, or a t-shirt, or a hoodie at Bandcamp. If you'd like to listen to some of Charles' music, you can do that here: Spotify Apple Music YouTube Thanks for listening! Please subscribe and share A Dirtbag's Guide with your friends, family & fellow Dirtbags. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/adirtbagsguide/support

Emily Hulslander is the driving force behind the 90's rock inspired Social Drag as well as one half of the band Guyville, a Los Angeles based duo comprised of Emily as well as friend of the pod Kat Hamilton. Emily was born in Pennsylvania and after catching the lucky break of being asked to join The Temptations on stage to sing My Girl when she was a kid, she caught the performing and writing bug and has been writing ever since. Stints in Boston as well as NYC helped her hone her songwriting and grow her catalog that she eventually brought with her west to LA. Emily and I get into the nitty gritty of what it's like to be an artist and the often vulnerable state that it puts us in. Thanks Emily for sitting down with me, I'm sure everyone will really enjoy this episode. Follow Emily on Instagram. Keep Up With Social Drag. Listen To Social Drag. Keep Up With Guyville. Listen To Guyville. If you'd like to support our show directly please head on over to www.patreon.com/charlesellsworth. Buy a record, or a t-shirt, or a hoodie at Bandcamp. If you'd like to listen to some of Charles' music, you can do that here: Spotify Apple Music YouTube Thanks for listening! Please subscribe and share A Dirtbag's Guide with your friends, family & fellow Dirtbags. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/adirtbagsguide/support

Deep Cuts: Lost and Found resumes Season 2 where Season 1 left off - in the 90s. The year is 1993. Find out who likes to pretend they are in a Galaxie 500 video flying high above Guyville, which host likes to wallow in dreamy slowcore, and why Mattel recalled a certain toy so soon after production. Featuring Liz Phair, PJ Harvey, Idaho, Stereolab and Matthew Sweet. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amy Miller is a comedian named one of Comedy Central's "Up Next" comics. She appeared on the final season of Last Comic Standing, has a comedy special on Comedy Central's YouTube channel, and has performed in comedy clubs across the nation. Amy joins the club to discuss Ham Mouth, her comedic process, and the mesmerizing album Exile in Guyville by Liz Phair.

Part 2 of my conversation with guest Phil Stacey about our favorite music of 1993. Show notes: - Jay's non-top 5s: Urge Overkill, Living Colour, Matthew Sweet, The Pursuit of Happiness, Paw, Fugazi - Some good comps and soundtracks: No Alternative, Sweet Relief, Judgment Night - Phil's #5: Belly with a strong debut - Jay's #5: Dinosaur Jr. straddles the line between alt- and classic rock - Jay's #4 and Phil's #3: Smashing Pumpkins break through on sophomore effort - Jay's #3: Electrifying, raw second album from PJ Harvey - Phil's #2: U2 takes an interesting left turn with Zooropa - Jay's #2 and Phil's #4: Nirvana's abrasive followup to Nevermind - Phil's #1: Liz Phair with an audacious debut out of nowhere - Jay's #1: A dark look at modern romance from the Afghan Whigs - Favorite songs: "Mesmerize" (Phil), "Debonair" (Jay) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Right now (in 2022) we're seeing a huge movement of female and non-binary empowerment in music. They are playing ever instrument, every role, in every genre and they are killing it. In spite of endless attacks on their rights, they continue to forge new paths and keep the good fight going. But in 1993, there was an earlier wave of badass feminist music being made. Between the likes of Alanis Morrisette, The Breeders, Bikini Kill, and Hole, you had women all over the music scene demanding a place at the table. And they got it. One of the great female songwriters of the time was Liz Phair, and her 18 track epic "Exile In Guyville" made her a household name for a long time. Its songs served as a track by track response to The Rolling Stones' "Exile on Main St", but they very much have a sound of their own. If you like anything indie or lo-fi, you're not going to want to miss this one. Episode Links: "Never Said" Music Video: https://www.youtube.com/watch?v=m1tMfKl5b8M Dave's Punk Playlist: https://open.spotify.com/playlist/7iXjak3EGzmX4wWBDggxcI?si=qRiBGbipRg6BIpWUpBoE5g&utm_source=copy-link OUR DISCORD: https://discord.gg/2stA2P7pTC Flyover State Hotline - 1 608 HIT-NERD (608-448-6373) FLYOVER STATE TV YOUTUBE live every other Tues. at 730pm CST: https://www.youtube.com/channel/UClxl2ivi_eO93zL49QZDuqA (for local listeners) Under the Covers is Wednesday mornings from 6 to 8am on 91.7 WSUM FM, 92.5 WISY FM Sunday afternoons 1-3pm EVERYTHING ELSE: https://linktr.ee/FlyoverStatePark --- Support this podcast: https://anchor.fm/albumconcepthour/support

For the 50th anniversary of Exile on Main St., hosts Jim DeRogatis and Greg Kot do a classic album dissection of the iconic Rolling Stones record. They tell the story of the album's recording, analyze the songs and reflect on its lasting musical impact. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:The Rolling Stones, "Soul Survivor," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "All Down the Line," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Wild Horses," Sticky Fingers, Rolling Stones, 1971The Rolling Stones, "Ventilator Blues," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Rocks Off," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Rip This Joint," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Tumbling Dice," Exile on Main St., Rolling Stones, 1972The Flying Burrito Brothers, "Sin City," The Gilded Palace of Sin, A&M, 1969The Byrds, "You Ain't Goin Nowhere," Sweetheart of the Rodeo, Columbia, 1968The Everly Brothers, "All I Have to Do is Dream," All I Have to Do is Dream (Single), Cadence, 1958The Rolling Stones, "Torn and Frayed," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Happy," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Title 5," Exile on Main St. (Deluxe Edition), Universal, 2010The Rolling Stones, "Sympathy For The Devil (Live)," Beggars Banquet, Rolling Stones, 1968The Rolling Stones, "I Just Want To See His Face," Exile on Main St., Rolling Stones, 1972James Cleveland & the Angelic Choir, "Peace Be Still," Peace Be Still , Savoy, 1963The Rolling Stones, "Let It Loose," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Sweet Black Angel," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Shine A Light," Exile on Main St., Rolling Stones, 1972The Rolling Stones, "Loving Cup," Exile on Main St., Rolling Stones, 1972The Band, "In a Station," Music From Big Pink, Capitol, 1968The Rolling Stones, "Stop Breaking Down," Exile on Main St., Rolling Stones, 1972Pussy Galore, "Loving Cup," Exile on Main St., Shove, 1986White Stripes, "Rag & Bone," Icky Thump, Warner Bros., 2007Liz Phair, "Johnny Sunshine," Exile in Guyville, Matador, 1993Red Red Meat, "Rusted Water," Jimmywine Majestic, Sub Pop, 1993New York Dolls, "Trash," New York Dolls, Mercury, 1973The Clash, "Death or Glory," London Calling, CBS, 1979Wilco, "Monday," Being There, Reprise, 1996Kings of Leon, "Taper Jean Girl," Aha Shake Heartbreak, Columbia, 2004The Black Keys, "Do the Rump," The Big Come Up, Alive , 2002The Rolling Stones, "Shake Your Hips," Exile on Main St., Rolling Stones, 1972The Lovin' Spoonful, "Do You Believe in Magic," Do You Believe in Magic, Kama Sutra, 1965

It's 1993. Ms Phair bursts on to the world music scene, takes on all the Chicago rock scene guys - and The Rolling Stones! - and plays them at their own game. Liz rocks! Liz rolls! Liz laughs in the face of girls being just groupie good time objects for the male bands, and decided instead to pick up a guitar herself and challenge all the Chicago scene stereotypes with her own album. This is that album. We talk everything about the audacious lady and how this album's success was as big a shock to her as it was to everyone else. --- Send in a voice message: https://anchor.fm/societyowesmeagenxpodcast/message

Back in 1993, a young songwriter named Liz Phair came out of nowhere to drop one of the Nineties' defining albums: Exile in Guyville. Phair came from the Chicago indie rock scene, but she had a new story to tell: the secret life of an ordinary twentysomething woman, grappling with love and sex and insecurity. The album didn't get any mainstream airplay, but it changed the stakes for indie rock, musically, culturally, and emotionally. On this episode of Rolling Stone's 500 Greatest Albums, Contributing Editor Rob Sheffield tells the full story of the album, with help from Liz Phair herself, who breaks down how she channeled the "disillusionment and fury" of her twenties into an era-defining musical statement. Exile producer Brad Wood also weighs in with his memories of the time period, and Mannequin Pussy's Marisa Dabice discusses how Phair's “fearlessness” helped free up her own writing.New episodes of Rolling Stone's 500 Greatest Albums release every Tuesday, only on Amazon Music.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A major figure in the cool girl canon, Liz Phair broke through Chicago's indie rock scene (and its politics) with her seminal 1993 debut, Exile in Guyville, setting her off on a fearlessly confessional path of continual, defiant self-reinvention. Writer Niko Stratis talks with Yasi about Liz Phair's bold songwriting and boundary-pushing across the worlds of provincial indie rock and chart-topping pop. Follow Niko Stratis at @nikostratis. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Ari Shaffir goes back to his indie rock roots while listening to Liz Phair's 1993 debut album Exile in Guyville. Follow Ari on Instagram: https://www.instagram.com/arishaffir/ Check out Ari's website: https://arithegreat.com/ Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show website: http://the500podcast.com

In this episode of the podcast, Kevin welcomes Minneapolis-based writer Rachel Brougham to the virtual building where the two chat about being only children raised by MTV, her love of The Cure, her husband's love of Liz Phair, and trying to find the place where grief and joy can occur at the same time—and this happens to be the central theme of Brougham's memoir, Widowland, available from Black Hat Press. To order a copy of Widowland, please click here. For more information about Brougham, follow her on Twitter.  For more information about the "award winning" music criticism site, Anhedonic Headphones, click here   Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. Incidental Music in this episode - "Clair de Lune," written by Claude Debussy; performed by Kamasi Washington. The Epic, Brainfeeder, 2015. "More Than A Feeling," written by Tom Scholz; performed by Boston. Boston, Epic, 1976. "Just Like Heaven," written by  Robert Smith, Simon Gallup, Porl Thompson, Boris Williams, and Lol Tolhurst; performed by The Cure. Kiss Me, Kiss Me, Kiss Me, Fiction, 1987. "American Music," written by Gordon Gano; performed by The Violent Femmes. Why Do Birds Sing?, Reprise, 1991. "Left of The Dial," written by Paul Westerberg; performed by The Replacements. Tim, Sire, 1985. "True Love Waits," written by Thom Yorke, Ed O'Brien, Jonny Greenwood, Colin Greenwood, and Phil Selway; performed by Radiohead. I Might Be Wrong, Parlophone/EMI, 2001. "6'1"," written and performed by Liz Phair. Exile in Guyville, Matador, 1993. "Neighborhood #1 (Tunnels)," written by Will Butler, Win Butler, Régine Chassagne, Josh Deu, Tim Kingsbury, Richard Reed Parry; performed by Arcade Fire. Funeral, Merge, 2004. "Such Great Heights," written by Ben Gibbard and Jimmy Tamborello; performed by The Postal Service. Give Up, Sub Pop, 2003. "My Slumbering Heart," written by Jenny Lewis and Blake Sennett; performed by Rilo Kiley. The Execution of All Things, Saddle Creek, 2002. "The Ladder is Ours," written by Ritzy Bryan and Rhydian Dafydd; performed by The Joy Formidable. Wolf's Law, Atlantic, 2013.  

“The Nineties were the last decade that we're ever going to talk about as a decade…” Chuck Klosterman has been challenging how we think, see and hear since his first book, Fargo Rock City, in 2001 to 2016's But What If We're Wrong?: Thinking About the Present As If It Were the Past. He joins us on the show to talk about his new book, The Nineties, Gen X, the end of monoculture, the rise of independent moviemaking, The New Sincerity, Nevermind + Exile in Guyville and more.   Featured Books: The Nineties, Fargo Rock City and Eating the Dinosaur, all by Chuck Klosterman.   Poured Over is produced and hosted by Miwa Messer, edited by David Eitel and mixed by Harry Liang.   Follow us here for new episodes Tuesdays and Thursdays (with occasional bonus eps on Saturdays).

This week Heaven revisits the topic of Butt Rock to the Butt Rock adjacent genre, Taint Rock. Heaven investigates the bands in 90's rock who were Sad Boys and explored their emotions in masculine ways via common tropes such as using a woman in peril, admiring a messed up woman from afar or songs of self-loathing and self-deprecation, and pitying the romantic partners who stuck with them as a way to divorce themselves from hard topics they are otherwise unable to talk about. She also follows the thread of what may have been the start of Taint Rock--The Smashing Pumpkins.Exile In Guyville episode:https://www.spreaker.com/user/12170346/exile-in-guyvilleSupport Me:https://linktr.ee/FromMyLipsPod

An encore episode: Liz Phair. In this episode, singer-songwriter Liz Phair joins Rhett from her home in LA to talk about her creative journey as a musician. The two discuss how being home during the pandemic has changed their lives, why social interaction is crucial for creative inspiration, and dig into her memoir Horror Stories. Liz explains why you “just have to go for the ride” in order to conquer feelings of self-doubt and shares a few other savvy insights gleaned from her extraordinary career. Liz Phair is a two-time Grammy-nominated singer-songwriter from Chicago who came to prominence in the early 90's, thanks to the emotional authenticity of her lyrics and the lo-fi instrumentation in her music. She has been a recording artist and touring performer for over twenty-five years, paving the way for countless music artists, particularly women, who cite her among their major influences. Her 1993 debut studio album, Exile in Guyville, is ranked by Rolling Stone as one of the 500 Greatest Albums of All Time. Her 7th studio album, Soberish, will be released on Friday, June 4.Wheels Off is brought to you by Osiris Media. Hosted and produced by Rhett Miller. Co-produced by Kirsten Cluthe in partnership with Nick Ruffini (Revoice Media). Editing by Justin Thomas. Production Assistance by Matt Bavuso. Music by OLD 97's. Episode artwork by Katherine Boils. Show logo by Tim Skirven.This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. See acast.com/privacy for privacy and opt-out information.

Nash Kato and King Roeser are back with a new Urge Overkill album- the first in 10 years. Oui is classic UO... so much so, you'd be mistaken for thinking you'd return to Guyville.Oui is available February 11th from Omnivore Recordings. For more information, check out the UO website.

We're back with another new review from the RS 500 List! This time we take you back to a time when Mike and Ben were pre-teens... Yes, it's the 90s! Join us as we tackle Liz Phair's Exile in Guyville album from 1993. Can you guess which other "Exile" album on the list this is connected? Also please note we have added the "Explicit" tag to this episode. While our conversation is clean, some of the lyrics in the music played behind our conversation contains some stronger language. And we talk about nipples a few times, so please be advised. :D As a reminder, you can find our favorite songs from the RS500 on our Spotify playlist right here - we'll be updating it as we go with our favorite songs from each album! You can check out Rolling Stone's new 2020 list right here. We'd love it if you would review us in your favorite podcast app, and while you're at it, give us a like on our Facebook Page or Instagram, follow us on Twitter, and send us a message if you have any comments or questions. --- Send in a voice message: https://anchor.fm/soundlogic/message Support this podcast: https://anchor.fm/soundlogic/support

Gina Arnold—author, academic, and architect of Yasi's youth—graces us with her perspective on Pixies, the seminal cult indie rock band from Boston.  Follow Gina Arnold on Twitter at @ginanarchy and check out her books Route 666: On the Road to Nirvana, the 33 ⅓ book on Liz Phair's Exile in Guyville, and Kiss This: Punk in the Present Tense. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. Today we're talking with Maura Weaver of the band Direct Hit, Homeless Gospel Choir, Ogikubo Station, The Mimes, and previously of Mixtapes. To be honest I probably forgot a couple. We talked about Liz Phair's 1993 debut album "Exile in Guyville," as well as mysoginistic double standards in music, even to this day. Maura's band, The Mimes released their album "Plastic Pompeii" on March 5th, 2021. Keep an eye out for the vinyl release of the album on Let's Pretend Records. https://themimes-suck.bandcamp.com/album/plastic-pompeii

Scott and I are back, but now we have dragged Dave into the mix.  He is quite knowledgeable and brings a lot more fun to the table.Albums covered:Sleater-Kinney - Dig Me OutAl Green - Greatest HitsLiz Phair - Exile in GuyvilleRUN-DMC - Raising HellSponsored by Playlist MastersSupport the showCheck out our homepage website here!Follow us on Instagram!Support your favorite uncaffeinated podcasters - buy us a coffee... please???

Oh, Liz Phair. An indie darling and feminist rock icon who DIY-ed herself into underground superstardom with her classic 1993 album "Exile in Guyville", Phair had gone through some ups and downs musically and personally after her breakout album, putting out a few quietly mediocre albums in the late 90s and getting married, having a child, and divorcing. So why did, at the age of 36, Liz "Fuck and Run" Phair team up with bubblegum pop wizards The Matrix, known for their songcrafting for teen pop ingenues Avril Lavigne and Britney Spears, to write aggressively bland midtempo cougar pablum? No one knows for sure, and certainly nobody wanted it - not her loyal fans, not the young girls the Matrixified monstrosities on the album were seemingly marketed to, and certainly not rock critics, who famously derided the album, with Pitchfork giving it a legendary 0.0 rating. Liz Phair's 2003 self-titled album is a mainstay on numerous Worst Albums of All Time list. But is it really all that terrible? Mostly, yes. Parsing through the poor decision making is returning guest, BLOWW wrestler VQ, who once again is asked to analyze the motivations of self-absorbed white women. Give us your Hot White Cum, stoppies. Part of the Pantheon Podcast Network.

Oh, Liz Phair. An indie darling and feminist rock icon who DIY-ed herself into underground superstardom with her classic 1993 album "Exile in Guyville", Phair had gone through some ups and downs musically and personally after her breakout album, putting out a few quietly mediocre albums in the late 90s and getting married, having a child, and divorcing. So why did, at the age of 36, Liz "Fuck and Run" Phair team up with bubblegum pop wizards The Matrix, known for their songcrafting for teen pop ingenues Avril Lavigne and Britney Spears, to write aggressively bland midtempo cougar pablum? No one knows for sure, and certainly nobody wanted it - not her loyal fans, not the young girls the Matrixified monstrosities on the album were seemingly marketed to, and certainly not rock critics, who famously derided the album, with Pitchfork giving it a legendary 0.0 rating. Liz Phair's 2003 self-titled album is a mainstay on numerous Worst Albums of All Time list. But is it really all that terrible? Mostly, yes. Parsing through the poor decision making is returning guest, BLOWW wrestler VQ, who once again is asked to analyze the motivations of self-absorbed white women. Give us your Hot White Cum, stoppies. Part of the Pantheon Podcast Network.

On this episode of Friends Talking Nerdy, join Kim The Geek and Tim Jousma as they discuss the recent announcement from Warner Brothers concerning the famed Snyder Cut of the movie Justice League coming exclusively to HBO Max, Kim updates us on books she is currently reading, and they discuss their top 5 favorite television shows from the year they were 30. This weeks album focus is Exile In Guyville from Liz Phair. As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to christopherlazarek.com for information on how to purchase his EP, Here's To You, which is available on all digital platforms. Follow us on Twitter at @FTNerdy and @kimthegeek Join our Facebook group: https://www.facebook.com/groups/2808884652488999/?ref=group_browse Follow us on Instagram: FTNerdy666 Join the Friends Talking Nerdy Discord Server: https://discord.gg/pmNnsh6 --- Send in a voice message: https://anchor.fm/ftnerdy/message

Jake really blows it when he spends too much time talking about Willem Dafoe and forgets to give music recommendations on the show. But he does have some that you should listen to.Music recommendations are “MAGDALENE” by FKA twigs, ”Exile in Guyville” by Liz Phair.Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Liz Phair is a singer, songwriter, and guitarist. The 25th Anniversary box set celebrating her 7 LP's "Girly Sound to Guyville" releases on May 4 and she will also be touring this summer.

Ryan Fleck and Anna Boden, the filmmaking partners responsible for the movies Half Nelson, Sugar, and Mississippi Grind, look back at how they started making movies, talk about their creative partnership, and discuss their frustration with the amount of people who have watched Mississippi Grind. Plus, the two dissect the decisions they've made to keep making independent films and why directing television shows (The Affair, Looking, Billions) can be a scary, vulnerable experience.  Topics mentioned: Mississippi Grind, Half Nelson, Sugar, Billions, Buffalo '66, "How to Annoy a Fan Base in 60 Easy Steps" by Bill Simmons, Do The Right Thing, She's Gotta Have It, Goodfellas, First Blood, The Deer Hunter, Apocalypse Now, Raising Arizona, Stranger Than Paradise, Slacker, "I Saw Mommy Kissing Santa Clause" by The Jackson Five, NY 99X Radio Station, Exile in Guyville by Liz Phair, True Lies, Struggle a short film by Ryan Fleck, Creed, Hard Eight, California Split, Gowanus a short film by Ryan Fleck and Anna Boden, Out of Sight, The Moment with Scott Rosenberg: 12/22/15 People mentioned: Vincent Gallo, Rick Barry, Spike Lee, Leonard Maltin, Martin Scorsese, Jim Jarmusch, Richard Linklater, Emily Dickinson, James Cameron, Grant Heslov, Ryan Coogler, Ryan Gosling, Ben Mendelsohn, Paul Thomas Anderson, Steven Soderbergh, James Lipton This episode of The Moment is brought to you by Showtime's new series Billions. Paul Giamatti and Damian Lewis star in this bold, original drama as two of New York's most powerful titans locked in an epic battle of egos. And there is no line both men won't cross to win. Billions premieres January 17th at 10pm-only on Showtime. Email: themomentbk@gmail.com, Twitter: @BrianKoppelman, iTunes: itunes.com/themoment To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices