Container file format family
POPULARITY
20 episodes with flv
2 episodes with flv
2 episodes with flv
Jo Anne Worley Guests Not only is she an outstanding comedian, Jo Anne Worley (Laugh-In) spends much of her time caring for the animals. She's the sitting President of Actors and Others for Animals. This is her second time visiting the Animal Radio® Dream Team. Listen Now The Truth About Vaccinations Dr. Debbie finally puts an end to the vaccination confusion. How often do your pets really need Distemper, FLV, and Rabies shots and boosters? Diseases like Parvo can be fatal and avoided with a simple shot. Listen Now A Real Life Pet Entertainer Lee Day's business card says "Pet Entertainer." We had no idea what this really meant. So we decided to get her on the show to entertain your pets. Grab Fluffy and Fido and bring them around the radio for today's show. They may be quite entertained. Listen Now Chanel Designer Wants To Marry His Cat Chanel designer Karl Lagerfeld says he'd marry his cat if it were legal. Lagerfeld recently announced he's "fallen in love" with his pampered feline named Choupette. In the past, he's been known to buy her an iPad and a silken pillow to sleep on. In an interview on CNN, he said he never thought he'd fall in love like this with a cat. Listen Now Is Your Dog Left or Right-Pawed? If your otherwise well-behaved dog barks at the postman, the reason could well be in its feet. Scientists have found that 'left-pawed' canines are more aggressive towards strangers than their 'right-pawed' counterparts. They tested dozens of pets with a special toy to find out which side they favored and then analyzed their behavior. Listen Now ...and our Dream Team is answering your pet-related questions. Read more about this week's show.
Hi, TDP0052 - Star Wars - physikalisch Nachgedacht (mit Spoiler), ist meine neue Pocdast Folge. Viel Spaß beim schauen hören/sehen des Podcastes/Video. ^^ PS.: Dieser Podcast ist überall, wo ihr Podcast abonnieren könnt verfügbar. z.B. iTunes, Spotify, Google Podcasts, Deezer & Amazon Music/Audible Erwähnte Link: -------------- Frage: Woher kommen die Dunklen Lords? Google Drive Link zu den Videos, falls diese von YouTube entfernt werden: https://drive.google.com/drive/folders/1SaNF5PHaD3iLmHUuRYvVIcj8ekyN7v81?usp=sharing Links: ------- Weltall YouTuber: https://www.youtube.com/@AstroTim New Tale Tales von Borderlands TDP: https://www.youtube.com/watch?v=NN1NStfNy_w&list=PLQqrQ-jAD1cYIcHeSCy7Dr_DS21qeV6JQ&index=45 Tiefster Punkt / Loch der Erde https://www.google.com/search?client=firefox-b-d&q=Tiefster+Punkt+%2F+Loch+der+Erde Warum es eine schlechte Idee ist eine Typ 1 Zivilisation zu werden https://www.youtube.com/watch?v=QSZ4TMkUQy4 https://www.youtube.com/watch?v=AHkvY3s03K0 https://www.youtube.com/watch?v=mhcwJ5K5_nY https://www.youtube.com/watch?v=gD82cgO9ouk Warum war der zweite Todesstern deutlich schneller einsatzbereit als der Erste? und Starkillerbase Infos https://www.youtube.com/watch?v=6nhIaWlAlak https://www.youtube.com/watch?v=bKCqF_7-S_I https://www.youtube.com/watch?v=F1F28CxIJFk https://www.youtube.com/watch?v=eJvAoQIW7uc Copycat Doku Finde ich leider nicht mehr. Raid https://www.google.com/search?q=The+Raid+film&client=firefox-b-d&sca_esv=3020367edbd259b4&ei=IqfbZcTJI42D9u8Pp_WEuAc&ved=0ahUKEwjE4p2YrseEAxWNgf0HHac6AXcQ4dUDCBA&uact=5&oq=The+Raid+film&gs_lp=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&sclient=gws-wiz-serp Ong Bak https://www.google.com/search?q=ong+bak&client=firefox-b-d&sca_esv=3020367edbd259b4&ei=k6fbZZLkO7WK9u8PlaicmA0&gs_ssp=eJzj4tTP1TcwzjFIKTdg9GLPz0tXSErMBgA6GwXN&oq=ong+ba&gs_lp=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&sclient=gws-wiz-serp Gönergy Short von mir Blueberry Cokonut und der totale Test https://www.youtube.com/shorts/2QXvHMok8bk https://www.youtube.com/watch?v=zctFATlAOhs Lichtschwertfarben erklärt https://www.youtube.com/watch?v=j-8p4PF44h8 Film 8 Cameos https://www.google.com/search?client=firefox-b-d&q=star+wars+8+cameo Todesstern Material kosten https://www.youtube.com/watch?v=K8V4TOhqOVU https://www.youtube.com/watch?v=Flv
Este mes en el "Noticiero twitchero" analizamos las primeras conclusiones de los expertos lingüistas que han participado en el estudio de la Mano de Irulegi y que han sido recientemente publicados en la revista "Fontes Linguae Vasconum" y que podéis descarga, de forma gratuita, en este enlace: https://revistas.navarra.es/index.php/FLV/issue/view/219 Esperemos que lo disfrutéis, que si os ha gustado nos regaléis un "like", que comentéis lo que os gusta, y os disgusta, a través de vuestra plataforma de podcast habitual y nuestras redes sociales, que podréis encontrar en nuestra nueva dirección web Historiados.eu.
The SPY traded more than $9.7B in 2022 which accounted for 21% of record U.S. ETF volume, says Todd Rosenbluth. He discusses how the SPY ETF turns 30. He goes over the numerous ETF offspring of the SPY, highlighting FLV and TCHP. Tune in to find out more about the stock market today.
Total Video Audio Converter çoğu video ve ses formatları arasında dönüşüm gerçekleştirebilen bir uygulama. Geniş dosya desteği, kolay ve hızlı işlem yapması, videodan sesi ayırma ve toplu işlem gibi özellikleri ile tüm video dönüştürme işlemleriniz için komple bir çözüm sunuyor. Video Formatları: • Rmvb(.rm,.rmvb) • MPEG4(.mp4) • 3gp(.3gp, 3g2) • Game Psp(.psp) • MPEG1(.mpg, mpeg) • MPEG2 PS (.mpg, mpeg, vob) • MPEG2 TS (DVB Transport Stream) • Ms ASF(.asf, .wmv) • Ms AVI(.avi) • Macromedia Flash video FLV (.flv) • Real Video (rm) • Apple Quicktime(.mov) • FLIC format(.fli, .flc) • Gif Animation(.gif) • DV (.dv) • Video Formats Dx9 Directshow Ses Formatları: • CD audio(.cda) • MPEG audio(.mp3, mp2) • Ms WAV(.wav) • Ms WMA(.wma) • Real Audio (.ra) • OGG(.ogg) • Amr audio(.amr) • AC3(.ac3) • SUN AU format (.au) • Macromedia Flash embedded audio(.swf) • Audio Formats Dx9 Directshow ...ve bazı oyun video formatları. Uygulamayı indirmek için: https://yadi.sk/d/SwO_ULQrdGVr0g
İndirdiğiniz Zip uzantılı dosyayı Winrar benzeri bir program ileaçarak klasör içerisinde bulunan TCA-VideoCreator.exe dosyasını çalıştırmanız yeterli olacaktır. İlk çalıştırdığımızda: Bir defa Alt tuşuna, İki defa sağ ok tuşuna, Bir defa aşağı ok tuşuna, Bir defa sağ ok tuşuna, Bir defa aşağı ok tuşuna basarak Turco seçeneğini seçerek enter tuşuna basıyoruz. Çıkan uyarıya evet diyoruz ve program kendiliğinden kapanıp tekrar açıldığında Türkçe olarak bizleri karşılayacaktır. Program ile .Avi, .FLV, .MP4 ve .WMV video biçimlerini birbirine dönüştürebiliyoruz. Bu biçimlerdeki iki video dosysını tek bir video dosyası olarak birleştirebiliyoruz. Listede bulunan video dosyasının üzerinde Uygulama tuşuna veya Shift + F10 basarak içerik menüsünü açtığımızda sesi ayıkla seçeneğini seçtiğimizde, farklı kaydet penceresi açılıyor. Ardından konumu ve istediğimiz bir adı giriyoruz. Enter tuşuna bastığımızda dosya mp3 formatında sadece ses olarak kaydediliyor. Video yönünü Döndür seçim kutusunda: 90 derece sağa, 90 derece sola veya 180 derece olarak döndürebiliyoruz. Video içerisindeki sesi azaltıp, arttırabiliyoruz. Ses dosyası ile video dosyalarını listeye ekliyoruz. Ardından Ses ve videoyu birleştir diyerek video dosyamıza ses ekleyebiliyoruz. Dilediğimiz .jpg, .mpg v.b. görüntü dosyalarını ve .mp3. .wav ses dosyalarını ekliyoruz. Ardından da slaytlar arasındaki süre kutucuğundan da görüntülerin geçiş süresini yazıyor ve Video oluştur butonuna basarak yukarıdaki biçimlerde video oluşturabiliyoruz. İnanın o denli kolay ki, kurcaladığınızda hak vereceksiniz. Notlar: Türkçe diline çevirebilmem için gerekli dosya yeni oluşturulduğu için eksik yerler olabilir. Çeviri hatası ile karşılaşırsanız. umutkork@gmail.com mail adresime yazmaktan çekinmeyin İşlem başında ve sonundaki sesli uyarılar halen İspanyolca. Ses dosyalarını çeviremedim. Bir işlem başlattığınızda: ALT+Ş ile veya sekme tuşu ile işlenen kutucuğuna giderseniz işlemin sürecini erişilebilir olarak okuyabilirsiniz. Faydalı olmasını diliyorum. Saygılarımla, Umut KORKMAZ Programı indirmek için: 32 bit: https://drive.google.com/uc?id=1Hqd6mcaxSY9Ol4CcHZ2bnwua116_hWrS&export=download 64 bit: https://drive.google.com/uc?id=1QWQuxJXypOnWthUD6hgC8gvX9zaVoPdW&export=download
Oferecer uma solução inédita para a cadeia de frutas, legumes e verduras (FLV), além do setor de trigo. É a proposta da OpenSolo, plataforma criada no fim do ano passado para integrar três grandes universos: compra e venda, serviços acessórios e visibilidade de processos de execução totalmente digitalizados. O Co-fundador e CEO da empresa, o economista Eduardo Gradiz, fala sobre os parceiros da empreitada e explica os benefícios de negócios fechados num único espaço por produtores, varejistas, distribuidores, importadores e exportadores. Site: opensolo.com
1º Podcast do Brasil de FLV (frutas,legumes e verduras). Trazendo sempre as principais noticias, preços e comercialização da semana + Matéria em Pauta da Semana. Nossa missão é levar conteúdo ao mundo Agro, e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
Neste episódio, Paulo conversa com Carine Zanfirov e Fabio Narata, que são assistentes técnicos comerciais de uma empresa de sementes voltadas para o segmento de frutas, legumes e verduras (FLV), além de criadores do canal do YouTube Universo FLV. --------------- ESCUTE OS NOSSOS EPISÓDIOS ESPECIAIS Porto Seguro - Soluções e crédito para o agronegócio: www.agroresenha.com.br/porto-seguro Família Roundup® - Diferentes perspectivas do manejo de plantas daninhas: www.agroresenha.com.br/familia-roundup Minuto da Confiança - Construindo produtividade na soja: www.agroresenha.com.br/minutos-confianca SIGA A CARINE E O FABIO YouTube: www.youtube.com/channel/UCSm7kc6sHbnoJ2T1KYs1pwQ Instagram: www.instagram.com/universoflv/ LinkedIn do Fabio: www.linkedin.com/in/fabio-narata-05578024/ LinkedIn da Carine: www.linkedin.com/in/carine-antune…nfirov-79b09175/ ACOMPANHE A REDE AGROCAST Instagram: www.instagram.com/redeagrocast/ Facebook: www.facebook.com/redeagrocast/ Twitter: twitter.com/redeagrocast INTERAJA COM O AGRO RESENHA Instagram: www.instagram.com/agroresenha Twitter: www.twitter.com/agroresenha Facebook: www.facebook.com/agroresenha E-MAIL Se você tem alguma sugestão de pauta, reclamação ou dúvida envie um e-mail para contato@agroresenha.com.br CONTRIBUA COM O AGRO RESENHA PicPay: picpay.me/agroresenha Padrim: www.padrim.com.br/agroresenha FICHA TÉCNICA Produção: Paulo Ozaki Convidados: Carine Zanfirov e Fabio Narata Edição: Senhor A - editorsenhor-a.com.br
Neste episódio, Paulo conversa com Carine Zanfirov e Fabio Narata, que são assistentes técnicos comerciais de uma empresa de sementes voltadas para o segmento de frutas, legumes e verduras (FLV), além de criadores do canal do YouTube Universo FLV. --------------- ESCUTE OS NOSSOS EPISÓDIOS ESPECIAIS Porto Seguro - Soluções e crédito para o agronegócio: https://www.agroresenha.com.br/porto-seguro Família Roundup® - Diferentes perspectivas do manejo de plantas daninhas: https://www.agroresenha.com.br/familia-roundup Minuto da Confiança - Construindo produtividade na soja: https://www.agroresenha.com.br/minutos-confianca SIGA A CARINE E O FABIO YouTube: https://www.youtube.com/channel/UCSm7kc6sHbnoJ2T1KYs1pwQ Instagram: https://www.instagram.com/universoflv/ LinkedIn do Fabio: https://www.linkedin.com/in/fabio-narata-05578024/ LinkedIn da Carine: https://www.linkedin.com/in/carine-antunes-zanfirov-79b09175/ ACOMPANHE A REDE AGROCAST Instagram: https://www.instagram.com/redeagrocast/ Facebook: https://www.facebook.com/redeagrocast/ Twitter: https://twitter.com/redeagrocast INTERAJA COM O AGRO RESENHA Instagram: www.instagram.com/agroresenha Twitter: www.twitter.com/agroresenha Facebook: www.facebook.com/agroresenha E-MAIL Se você tem alguma sugestão de pauta, reclamação ou dúvida envie um e-mail para contato@agroresenha.com.br CONTRIBUA COM O AGRO RESENHA PicPay: https://picpay.me/agroresenha Padrim: https://www.padrim.com.br/agroresenha PADRINHOS E MADRINHAS DO AGRO RESENHA Paulo Henrique Sá Fortes Mariely Biff Fabio Makoto Okuno Michael Ortigara Goulart Luciano Mendes César Kobayakawa Cleomar Amaral Michely Santana Lucas Fuchs Cesar Augusto da Silva Bessa Paulo Massaharu Ozaki Maria Luisa de Moraes Ozaki Fernando Borges Luiz Fernando Sacchett Dias Geide Antonio Figueiredo Junior Rondiny Carneiro Jaime Sanchez da Cruz Rios Marcos Mamoru Fugio Otto Ozaki André Tavares de Vasconcelos Carla Papai Diego Henrique Uroda Albert Kenji Hirose Nayara Nunes Rodrigues Valter Galan Daniel Rezende Gobbi Alberto Affonso Marinho Neto Fernando Alonso Bueno Enrique da Silva Gomes Gaspar César Pedroso Pablo Figueiredo Guilherme Távora Paulo Henrique Sá Fortes Caio Zitelli Gabriel Testa Michel Cambri Leonardo Alves César Augusto Figueiredo Wilton Arruda Cinthia Siqueira Raul de Lima Alexandre Sorensen Delci Baleeiro Jr. Fernando Collares Paulo Henrique Wilson Henrique Batistti Marcelo Stabile Alexandre Evaristo Zeni Rodrigues Fábio Francisco de Lima Renata Casassa Cayron Giacomelli Antonio da Luz Rafael Ribeiro Ana Carolina Rossetti Rodrigo Xavier Cássio Reis Natalia Rezende FICHA TÉCNICA Produção: Paulo Ozaki Convidados: Carine Zanfirov e Fabio Narata Edição: Senhor A - https://editorsenhor-a.com.br Comunidade Agro de Sucesso: http://www.comunidadeagrodesucesso.com.br/
Neste episódio, Paulo conversa com Carine Zanfirov e Fabio Narata, que são assistentes técnicos comerciais de uma empresa de sementes voltadas para o segmento de frutas, legumes e verduras (FLV), além de criadores do canal do YouTube Universo FLV. --------------- ESCUTE OS NOSSOS EPISÓDIOS ESPECIAIS Porto Seguro - Soluções e crédito para o agronegócio: https://www.agroresenha.com.br/porto-seguro Família Roundup® - Diferentes perspectivas do manejo de plantas daninhas: https://www.agroresenha.com.br/familia-roundup Minuto da Confiança - Construindo produtividade na soja: https://www.agroresenha.com.br/minutos-confianca SIGA A CARINE E O FABIO YouTube: https://www.youtube.com/channel/UCSm7kc6sHbnoJ2T1KYs1pwQ Instagram: https://www.instagram.com/universoflv/ LinkedIn do Fabio: https://www.linkedin.com/in/fabio-narata-05578024/ LinkedIn da Carine: https://www.linkedin.com/in/carine-antunes-zanfirov-79b09175/ ACOMPANHE A REDE AGROCAST Instagram: https://www.instagram.com/redeagrocast/ Facebook: https://www.facebook.com/redeagrocast/ Twitter: https://twitter.com/redeagrocast INTERAJA COM O AGRO RESENHA Instagram: www.instagram.com/agroresenha Twitter: www.twitter.com/agroresenha Facebook: www.facebook.com/agroresenha E-MAIL Se você tem alguma sugestão de pauta, reclamação ou dúvida envie um e-mail para contato@agroresenha.com.br CONTRIBUA COM O AGRO RESENHA PicPay: https://picpay.me/agroresenha Padrim: https://www.padrim.com.br/agroresenha PADRINHOS E MADRINHAS DO AGRO RESENHA Paulo Henrique Sá Fortes Mariely Biff Fabio Makoto Okuno Michael Ortigara Goulart Luciano Mendes César Kobayakawa Cleomar Amaral Michely Santana Lucas Fuchs Cesar Augusto da Silva Bessa Paulo Massaharu Ozaki Maria Luisa de Moraes Ozaki Fernando Borges Luiz Fernando Sacchett Dias Geide Antonio Figueiredo Junior Rondiny Carneiro Jaime Sanchez da Cruz Rios Marcos Mamoru Fugio Otto Ozaki André Tavares de Vasconcelos Carla Papai Diego Henrique Uroda Albert Kenji Hirose Nayara Nunes Rodrigues Valter Galan Daniel Rezende Gobbi Alberto Affonso Marinho Neto Fernando Alonso Bueno Enrique da Silva Gomes Gaspar César Pedroso Pablo Figueiredo Guilherme Távora Paulo Henrique Sá Fortes Caio Zitelli Gabriel Testa Michel Cambri Leonardo Alves César Augusto Figueiredo Wilton Arruda Cinthia Siqueira Raul de Lima Alexandre Sorensen Delci Baleeiro Jr. Fernando Collares Paulo Henrique Wilson Henrique Batistti Marcelo Stabile Alexandre Evaristo Zeni Rodrigues Fábio Francisco de Lima Renata Casassa Cayron Giacomelli Antonio da Luz Rafael Ribeiro Ana Carolina Rossetti Rodrigo Xavier Cássio Reis Natalia Rezende FICHA TÉCNICA Produção: Paulo Ozaki Convidados: Carine Zanfirov e Fabio Narata Edição: Senhor A - https://editorsenhor-a.com.br See omnystudio.com/listener for privacy information.
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
1º Podcast do Brasil de FLV (frutas,legumes e verduras) principais noticias, preços e comercialização da semana, sempre uma matéria em pauta. Nossa missão é levar conteúdo ao mundo Agro e ajudar o produtor rural a ficar informado das principais noticias do FLV, para potencializar o seu negocio. Cultivo protegido. siga nas redes sociais: www.agroemfrente.com.br nossos patrocinadores: www.tropicalestufas.com.br www.tropicalestufas.com.br/loja www.ruraldireto.com.br
Posso te falar uma coisa? Você sabia que o Brasil é um dos maiores produtores de fruta do mundo e ainda assim consome em média uma fruta por dia? Nesse episódio vamos falar sobre os benefícios do trio FLV: frutas, legumes e verduras, e suas propriedades fantásticas para o emagrecimento e prevenção de doenças e envelhecimento saudável. Fiquem seguros e até o próximo episódio. Forte abraço da Nutri, Eneida Ramos. Essa e outras dicas você pode acompanhar no meu facebook e no Instagram, @draeneidaramos https://www.instagram.com/draeneidaramos/ Esse podcast é uma produção PodBox. https://www.instagram.com/podboxbr/ --- Send in a voice message: https://anchor.fm/possotefalarumacoisa/message
Download the Innovid 2020 State of Connected TV ReportLearn about InnvoidTal Chalozin LinkedIn profileRelated episode: Direct-to-consumer streaming service launches and first impressionsListen to Episode 20 for more information on interactive advertising and video monetization technology--------------------------------------The Video Insiders LinkedIn Group is where thousands of your peers are discussing the latest video technology news and sharing best practices. Click here to joinWould you like to be a guest on the show? Email: thevideoinsiders@beamr.comLearn about Beamr--------------------------------------TRANSCRIPT: (edited lightly to improve readability)Tal Chalozin: 00:00 Innovid is what we call a video marketing platform. It's a technology platform sold to marketers, brands executives, and agencies that lets them do three things. First and foremost what is called an ad server. It's a technology that actually streams the ad to every website. So if a marketer, let's say Chrysler, or Proctor & Gamble or Best Buy, or others is advertising on YouTube or Hulu or Fox or NBC or New York Times there's a centralized platform that you can actually manage the campaign, upload the MP4's and actually do the streaming and make decisions on now on which video file to serve. So right now we're very fortunate to be the largest video ad server in the world and in many other countries in the United States and many other countries that we operate in. Tal Chalozin: 00:51 A little over a third of all video ads in the United States are being streamed by Innovid. So if you tune into every website and every app, let's say Hulu, one out of three ads, and as a matter of fact on Hulu, it's probably even higher than that. Almost one of every two ads would be, one's coming from Innovid every day. We stream roughly 450 years' worth of ads. And this is just ads content. So we stream a lot of videos. To complete the story of our platform. At a core it's an ad server. And then on top of that there are two applications. One is around creative and the other one is around measurement. Announcer: 01:31 The video insiders is the show that makes sense of all that is happening in the world of online video as seen through the eyes of a second generation codec nerd and a marketing guy who knows what I-frames and macro blocks are. And here are your hosts, Mark Donnigan and Dror Gill. Dror Gill: 01:51 Today we have a very special guest and an old friend of mine Tal Chalozin who is the CTO of Innovid. Hi Tal. Welcome to The Video Insiders. Tal Chalozin: 01:59 Hello Dror. Hello Mark. Thanks for having me. It's a true honor. Mark Donnigan: 02:03 Yeah, welcome Tal. So tell us about Innovid. Tal Chalozin: 02:07 Innovid is a software company that I had the honor of starting together with my two friends and co founders, Zvika Netter our CEO and Zack Zigdon who runs all of our international business. And myself, it's a company that we started back in 2007. Before I explain what we do, just to take you back almost 13 years ago, this is the time after Google acquired YouTube and Hulu as a streaming site was kind of an inception mode. NBC and News Corp started this operation to bring streaming television into the internet. Tal Chalozin: 02:49 And what we said back then is that we believe that the future of television is over IP and to be streamed. We thought that when this would happen the one thing that we really want to tackle is the viewing experience around the advertising. Because it was clear that marketers and ad dollars take a very, very important part of the experience of television subsidizing content and creating the access to so many different people. But it's also clear that sitting through a pretty boring 30 second spot and that every person around the United States in a broadcast time window would see the exact same ad. It's kind of silly. And so we went on a journey to build a software that helps to create a better viewing experience around commercials. Tal Chalozin: 03:44 So we started with the technology, with technology that allows what is called in kind of layman terms virtual product placement. It was a computer vision technology that lets you process videos and reconstruct the 3D. So understanding occlusions and backgrounds and foregrounds and planes and allow you to render a product a 3D product in 3D images into the shot. And it looks like as if it was there while the content was shot while reproducing all the shades and lighting and again, occlusion and, and things like that. This was where we started. We got a bunch of patents. This is how we raised our A round back then. We got so many awards. It was awesome. But then what we learned is that it's amazing, but advertising is a business of scale for marketers to actually play. Tal Chalozin: 04:38 One of the main things that marketers gain out of television is a massive megaphone that lets you tell your story to millions, if not hundreds of millions of people in 30 seconds. So then we went on a journey to better learn this business and expanded more and more capability and fast forward to today. Innovid is what we call a video marketing platform. It's a technology platform sold to marketers, brands executives and agencies that lets them do three things. First and foremost what is called an ad server. It's a technology that actually streams the ad to every website. So if a marketer, let's say Chrysler or Procter and Gamble or Best Buy or others is advertising on YouTube or Hulu or Fox or NBC or New York times there's a centralized platform that you can actually manage the campaign, upload the MP4's and actually do the streaming and make decisions on which video file to serve to the individual that is streaming the content. Tal Chalozin: 05:48 So right now we're very fortunate to be the largest video ad server in the world. And in many other countries in the United States, many other countries that we operate in a little over a third of all video ads in the United States are being streamed by Innovid. At a core it's an ad server. And then on top of that, there are two applications. One is around creative and the other one is around measurement. Our headquarters in New York. There's 350 people, a big R&D center in Israel and then offices across the U S and in Europe. And in APAC. If you read the trades, it seems like the future of television has no ads. Disney Plus, Netflix, Amazon, Apple, all of the big services that made a lot of splash in the press toot the horn of no ads. Tal Chalozin: 06:43 This is very nice for marketing, but in reality advertising dollars pays the bills that makes so many pieces of content to be streamed. The subscription services could not really thrive on subscription alone, let alone when you're talking about a massive global service that would like to reach hundreds of millions of subscribers. You cannot do that only with subscribing. With subscription dollars or advertising is a very strong market and in the future will be that. Easy testament is that just last week NBC launched or Comcast launched there foray into that game called Peacock. And the main thing that they said is that, Hey there's so much noise around advertising, about no ads. This cannot work. We will include ads. Tal Chalozin: 07:36 And this makes to the second part of what I wanted to say about the future is that, but they put a lot of emphasis around ed experience. So it's not that you will see ads in the same way that you're used to watching television. There will still be ad breaks, but it will look and feel very, very different than what it used to be on television. And we play a very big role there and in other places. And we think that yes, the future of television is over the internet, over IP. The future of television is with ads, or at least in some capacity of it, but it would look and feel much different. Dror Gill: 08:14 I want to ask a question regarding the, the ad server component. And these ads go interleaved into content experiences sometimes before or after or during the actual streaming of the content. So how do you match the resolution and the quality of the ad that you provide to the actual content that is being streamed? Because I don't assume that somebody watching a 4K movie would like to be interrupted by like an, you know, an SD, low quality ad. It would probably be quite annoying. Tal Chalozin: 08:52 I have so many things to say about this stuff. First of all, before I answer exactly how we did it I can tell you that people think that the internet is so advanced in 2020 so all of this problem is practically solved. And there is no real problem to bring television over the internet and it's not really true. I'm sure you know you know, very well the general standard in the video ads industry right now is that we as the server that generated the file and hosts them, would create an XML template called vast V A S T and put multiple video renditions in a file and create a manifest that would have different renditions of and actually different encoders as well. Tal Chalozin: 09:44 Of the file. It used to be, we used to put FLV and other stuff. But right now it's all MP4 containers. But anyway, you put multiple renditions and then the actual player picks the right one and the player, essentially what it's doing is doing playlisting. So picking the right ad at the right time and there is a, in the last, the last few years, but honestly, just in the last year, there is a big change in the way video ads are being streamed. Moving from what used to be called CSAI client side ad insertion, AKA playlisting. So on the client you download some, some type of playlisting and then you just move between different files even if it's the main content - it doesn't matter the rendition, you would still switch between different files that you do progressive downloads for. Tal Chalozin: 10:45 Most of the very large sites and today apps are what is called SSAI server-side ad insertion. Essentially it doesn't matter what file we bring. You convert it into an HLS stream, create TS files, and then do kind of the, the term that everyone is using is manifest manipulation. So just manipulate the M3u8 and swap packets, TS files inside the M3u8. I hope that I don't need to explain everything that I'm just saying, but stop me if you want me to. So essentially let's say on Hulu, this is how it works. You will tune into a stream and you hit play on an episode of a, I don't know, The Good Wife on Hulu. What they will do, they will go, let's say this is 48 minutes of an episode or 21 minutes of an episode with multiple ads that need to be weaved throughout. So what they will do, they will do a server side call to all the different ads and then get either an MP4 and do just in time transcoding for it. Or, if it's pre-prepared, like a lot of the things that we do you would get the actual TS file and then just merge it into a single M3u8 with content TS files in the right rendition and the ads. Mark Donnigan: 12:09 So Tal, are you actually able to get the, you know, I'll call it the mezzanine file of the ad, and then you can create a high quality or at least the highest quality possible for the, you know, target resolution and bit rate or are you limited by the fact that sometimes, you know, you may get a mezzanine quality and other times it may just be a 1080p in which case Dror's example of like a 4K. You're just limited. I mean, you have the quality you have. So can you tell us, shed some light on that? Tal Chalozin: 12:43 It's a fascinating point. This is an uphill battle for us because we are, we're still an intermediary. We're not the post production shop at that makes the video file, so we're limited to whatever you would get. So yeah, the intention is to get a Pro Res or a mez file, mezzanine file, of the ad that allows us to do transcoding into whatever we want. But, that's not the reality all the time. In many cases we would get to your example, a 1080p is a good case. In some cases we get 720 and sometimes we even need to up convert it, which clearly is not really working. Tal Chalozin: 13:34 And the reality is that the 4K streaming of ad supported content is not a real thing as of right now. But, 1080p is definitely one that is. And again, we're in 2020 right now and you can open whatever app without naming names, but you can open one of the biggest apps out there and I'm sure you would get to an ad break and even an unaided eye can see that it's a totally different rendition of the ad, even different audio, let alone volume normalization. But even just the quality of the encoding is significantly different or lower than the actual content. And this is a common case or the state of the internet right now. Dror Gill: 14:24 But this is something you're trying to avoid? Tal Chalozin: 14:26 We're definitely trying to avoid the way that we're doing it is that if you think about it, there are two inputs to our system. One is the ad itself, literally, again the mez file, Pro Res, whatever container that is, an MP4. And then, what is called in ad terms a media plan. Media plan is saying that we are Chrysler, the campaign starts in this date and ends on this date, there is X number of million impressions on YouTube, then on Snapchat, then on Hulu, and then the full list. It's a very complicated meta data of the whole campaign. So those are the two inputs that we're getting. Historically that was just an upload. So in our system, you would go and just upload the files. Tal Chalozin: 15:13 More and more we're trying to get down to the source and create some type of an integration with the, with the DAM, the digital asset manager. Let's say, again, this is a Chrysler commercial, Chrysler 300 commercial. Someone actually did the post for it, and they do have the approved asset at the best quality possible. But those are not our customers. So sometimes we don't get access to that and we need to beg the customer to get that and try to explain what's the outcome if they don't get it. So what we're trying to do is to get down to the source as close as possible. So then that post-production shop would actually have an API to us, or even if they upload, they would upload the source and not have a downsample of it. Mark Donnigan: 16:05 So our audience, are largely encoding engineers, video engineers, and we just hear over and over again incredible frustration about this. Dror and I were just talking to a very large live sports streaming service last week and the person responsible for encoding was lamenting that whenever there's issues with quality, it's because he can't do any better. It's a source issue! The high quality asset exists. Why can't we get access to it so that we can provide an incredible advertising experience. And I'm just wondering, how do we fix this? Tal Chalozin: 16:50 How do we fix that? As more hours per day continues to pour into the connected, let's call it the connected television space, and as more and more ad dollars flow in there, and then more and more people cut their cord or shave their cord or are cord nevers and haven't even been exposed to traditional television, this becomes the norm and not the new thing. It's essentially a supply chain or a workflow problem because as you said, the file is there. It's not that someone is shooting on an SD camera and now you, you're stuck with a shitty file. People are using RED cameras to shoot it. So yeah, so it's more of a workflow problem. And this is what we set out to do is to just remove the clutter and connect everything in an industry that wasn't connected. Ads on television, still are being delivered predominantly through FedEx with cassette tapes that are being sent to local TV stations. Tal Chalozin: 17:50 This is still a thing. We're moving from this world and now talking about getting a mezzanine or 4K file. I'll tell you about one thing that I'm very keen on, is that another thing is getting the raw asset is one thing. And then another thing, if you look at it, there's multiple parties on the internet that are getting an asset and transcoding it. So let's say that we get the video file. Probably Facebook got the video file as well, maybe not through Innovid. And they also transcoded the video file and then YouTube or Tik Tok got the video file somehow. And then sometimes clients would use Innovid. Sometimes you would go directly into YouTube and upload the raw file. And maybe NBC would get it through some other distribution channel to the broadcast side. Tal Chalozin: 18:44 And then when they run it online, they would take the broadcast file and transcode it as well. So there was multiple people or organization that got the raw footage and then they're in charge of transcoding. This is pretty stupid. It should be some type of a centralized repository because there is an ID to every file and there is an initiative called the Ad ID to make sure that there will be a unified numbering system, and a catalog. And by virtue of that, meta data and tracking just in the ad space so in every ad and then not only did you have a catalog, you can access all different resolutions in a centralized place. So then if YouTube wants a a downsampled version, then you just pick the resolution you want. You don't take the raw and then encode it as well. Tal Chalozin: 19:32 There's an initiative. There are several companies trying to do that. It's kind of a hurding cats type of an initiative. But it's almost a necessity because unless you do that, you will always have those artifacts. Mark Donnigan: 19:46 Yeah, that's right. And that Ad ID in your experience does that travel, I'll use the word seamlessly, you know, between these various systems or is that even an issue of keeping that ad ID intact? Tal Chalozin: 19:59 You know that it is a meta data but in reality again, we are one of the largest platforms that actually accesses files and stream them out and encode them. Most people that do encoding do not carry on all the meta data. That's one thing. Second thing is that most people, actually, most platforms don't even look into that meta data. So don't even expose that or do anything with it. Tal Chalozin: 20:22 Several encoders do not put it in there. So right now, yes, it is there, but it's not fully available. So the solution that is used mostly right now, which you would laugh, is putting it in the actual file name. So literally as an unstructured text on the file before the dot and before you put an underscore and then the the actual file, which clearly doesn't carry through anywhere. So that's the reality again, right now in 2020. It's almost like Dror do you remember Yossi Vardi's example of pigeons carrying DVDs in order to transfer a lot of files, large files? Dror Gill: 21:04 He also did another experiment. He took a snail and he stuck a USB drive on the back of the snail. And then he had two computers connected with a crossed ethernet cable and he was trying to see how the data will go faster through the cable or the snail that is moving slowly between the computers with the USB drive on his back. And I'm sorry to say, but the snail won! Tal Chalozin: 21:28 The industry from the outside seems like, again, it all problems are solved, but it's far from it. You know, the Superbowl is coming up very soon and Fox is going to air the Superbowl and like every year you can access it in streaming as well. And it's still a discussion every year. Is the internet already for that? The term for ad serving in real time in the world of television is called DAI dynamic ad insertion. Every broadcaster that gets the right to stream the Superbowl is asking, are we ready or are we safe to do DAI for the ads or to play it safe are we gonna take the broadcast feed and then just retransmit? I Can tell you a funny story, that last year we did a really cool experiment. Tal Chalozin: 22:19 CBS had the rights for the Superbowl and they use a system that takes the SCTE tone and converts it into an ID3 tag for digital systems. And then on the ID3 we put the marker of the ads, we put the actual Innovid URL of the the ad that is about to play. Originally the system was architected for measurement. So you can do measurements from the client side. So there is something on the client side, gate the ID3 tag and then fire that just do an HTTP get call that URL in order to track track the ads from the client in the most accurate way. But then what we did last year together with CBS is add the ability to also run overlays on top of the video. Tal Chalozin: 23:09 So that URL was not just for measurement, but also downloaded graphics to be displayed as a kind of, as a transparent layer on top of that on the device itself. So if you stream live stream. This is not VOD or anything like that. You do live stream of the Superbowl. Last year many devices on CBS Sports had a small SDK that again, took the SCTE tone converted to an ID3 tag, get a URL for a PNG file or whatever that is rendered in near real time. And then every house on the United States gets something else. We did an experiment together with Pringles. The whole commercial was some type of a game with Pringles. So you would get a message that is tailored to you. Tal Chalozin: 24:00 So, it literally featured the name of your city on it. And then it allows it to use your remote, let's say Apple TV. You can use your remote to left and right to swipe and play some, some kind of a funky game as the ad was playing. So funny thing again, this is 2019. You would imagine that we would have that technology available. This is not rocket science. We're talking about a lot more advanced things on the internet. But even that was super revolutionary and this year this capability will not be available because the way that Fox works is different. But that count is super cutting edge. Mark Donnigan: 24:40 Now Tal, I know that you're working very closely with Roku, so why don't you share with us what you're doing with them. Mark Donnigan: 24:49 Share what you can and tell us about what's happening on the Roku platform because I think that's very important to all of us in, in streaming media streaming video. Tal Chalozin: 25:00 Roku is a streaming device. It is divided into two parts of their platform. One is a device a streaming stick and streaming box. But, Roku first and foremost is an operating system that runs on that device or licensed to TV manufacturers, to TV OEMs. And right now there's eleven OEMs that carries that. Anything from TCL, or Insignia, all the way to LG, and on some SKUs from Sharp as well. And by numbers, Roku is the largest television operating system right now in the United States. The most amount of TV's purchased in 2019 was Roku powered or TVs or streams were powered by Roku. Tal Chalozin: 25:47 So this is larger than Amazon Fire, way way larger than Apple TV or Xbox or PlayStation or whatnot. So this is, this is Roku. Back in the early, early days of Roku this dating back to, to 2014 or 15, we did the first advertising oriented deal with Roku to create a small library and SDK that would be part of their firmware that many years later, the name is Roku ad framework, or RAF. Which is a set of libraries that lets app developers, Roku app developers get access to to stuff they need to run ads inside the app without a lot of work that allows us to create a technology for like, for example, interactive television, something that can be done in a very scalable way because now every app on Roku has the ability to render ads that can have overlays. Tal Chalozin: 26:47 You can press the remote and you can purchase things or send things to your phone or whatever activity you would like. So this is the first thing we've done with Roku and enabled that technology at a mass scale. This is many, many years before Roku was a big success. But at the end of last year, in September we, together with Roku, we announced kind of the second, second act of the innovation on the future of television, which is around measurement. I mentioned at the beginning, the top of the, of the show that we have three parts to our platform, the ad server, which we talked a lot about, different tools around creative. And the third one would be measurement capabilities. On the measurement side this is an area that the television industry, we talked a lot about things that require innovation. Tal Chalozin: 27:41 Measurement is maybe at the top of the list cause right now measurement on television is dominated by a company called Nielsen, which I'm sure many people know that the way they measure television because of lack of connectivity is by putting a people meter or a device in people's home. In very, very few households in the United States that act as a sample or as a panel which presumably should represent every household in the United States. So there's roughly 20,000 families in the United States that represent the television ecosystem, which there is north of 100 million households in the United States. And maybe 80 or 90 million households that are watching broadcast television and they're being paneled by 20,000 that essentially measuring what do people actually watch. Tal Chalozin: 28:42 So, we want to change that. We, and many other important, an important point is that many other companies are, are at it. Because, it's obvious this needs to be changed. But we teamed up with Roku that every one of the devices that carries their operating system, so every one of those TVs that have Roku as an operating system have a small chip called ACR. Stands for automatic content recognition that essentially knows what you're watching. So it records everything that hits the glass. And it doesn't matter if it hits the glass because it's an app on the Roku platform, let's say Hulu or YouTube or Netflix, or you plugged in via HDMI, your set top box or you plugged in an antenna to to the TV or even you have a DVR or VHS plugged into your television. Tal Chalozin: 29:32 Doesn't matter if it's rendered on the screen, then Roku would know what it is. They do a second by second or almost a frame by frame to a catalog. And then know what exactly you're watching and at what time code. We can talk about privacy as well, which is a very important part of it. But this is all opted in. You don't have to contribute this data, but most people do. And then we get this data. We don't care about the individual household, but we can use that as you don't, you don't need a panel anymore where every television is telling you what exactly you're watching. So we are, we're on a mission to reinvent that television measurement in a much better way. Dror Gill: 30:15 That's really amazing. So the television is actually watching what you are watching. Even if it's not streamed through that Roku platform, it's watching everything that is projected to the screen and not only you know, like recording the pixels or they're actually using this automatic content recognition system. Analyzing and knowing what content, what piece of content this is, whether it's a live broadcast or a video on demand. It could be a DVD or a VHS, time shifted or it's an ad. Exactly. Mark Donnigan: 30:51 Where is that fingerprint happening Tal? Tal Chalozin: 31:01 And by the way, a disclaimer, I don't work for Roku and I don't know any internal data about Roku. We have a strong partnership with them. So Roku is unique technology. And by the way, other TV manufacturers are doing the same thing. This is not limited to Roku. Vizio who made a lot of noise around that as well. And many others, Sony and Toshiba and others. Are using similar technologies. What's on the device is mainly picking up multiple pixels, hashing it together and sending it to the cloud. The matching to the catalog is not happening on the device. There's clearly no need for that. And there are several companies that create this catalog and does essentially the pattern matching between the set of temporal data of that set of frames, consecutive frames to a catalog to know exactly what you're watching. Tal Chalozin: 31:55 Is it - what show? What episode? Is it an ad? So one thing is to know the catalog. The other one is to know what is on right now in every... It's a very complicated problem, because sometimes you are you, you may be watching it live. Again, tuning into, I dunno, ABC, but right now because that show is a local show, you would watch it streamed by the Kansas city, Missouri ABC affiliate and it's not a national show. So you can't really match it to a catalog and know is it live or not live? And then when it comes to ads, it gets even more complicated because some of the ads are inserted in real time. So you need to know that that ad is inserted in real time so then it doesn't impact the idea of the stream. You didn't really change the channel. It's just dynamic insertion. Dror Gill: 32:48 So doing all of this measurement, I think it probably puts a lot of responsibility on your part of the value chain on the software that you create, on the reports that you generate. Because based on this I guess is how the content providers get paid right. For showing those ads, as you said. Tal Chalozin: 33:12 We are what is called the system of record for billing. So I mentioned that roughly a third of the ads are being transacted by us. This is a very rough number because the dollars don't go through us. We're just creating the billing. We are the actual counter of something like $5 billion of of ad dollars. So again, YouTube and Snapchat and New York times and NBC and Fox and TubiTV and many other channels and apps are being paid based on our numbers. And in order for that, we need to do a lot of filtration, detecting what is fraud, and making sure there's no false positives, and and many other things like that. And for it, we go through an audit process. So Ernst & Young is the auditor and there's an organization called the Media Rating Council that we go through an audit every year to make sure that what we say we do, we actually do. Tal Chalozin: 34:12 And there's no there's no problems in the counting. And yeah, it happens all the time that we are counting, but also clearly broadcasters or apps would count for their own use as well. And sometimes, unfortunately, the numbers are not the same. So we would say that P&G ran 10 million ads and the broadcaster, NBC, Discovery, what have you, would say that actually it's 10 and a half million ads. So then they need to get paid more. But the way that the contract is written is that Innovid numbers because we're unbiased is what is what will dictate the payment. So you're like the gold standard in measurements. But it's a very interesting, a very interesting world. Tal Chalozin: 35:08 It's an ever changing world. So counting ads 10 years ago and counting ads today is a very, very different business. Mark Donnigan: 35:14 There's a lot of studies and I think you even have one that you can cite if you'd like to that say very clearly that consumers are not opposed to ads. This whole notion that people "hate ads" is actually not true. What they hate is a bad or an irrelevant experience. If the platform happens to know that I'm looking for a new car and I get served a great car ad, guess what? And especially if it piques my interest, that's actually a good experience. Tal Chalozin: 35:48 100%. Yeah. We always use exactly the same term that you mentioned. People don't hate ads, they just hate bad ads. And that's absolutely true. And when you ask people, when you again, when you read the trades, it looks like ads are a very gloomy thing. Tal Chalozin: 36:06 And then you go to platforms like, in my mind, Instagram is the best ad experience ever made. When you see ads on Instagram, it's significantly better. And it's not disruptive at all. You have your thumb there and you can continue scrolling. And then many, many people choose to actually watch that. So completely reverse model. It's not that I'm forced to watch the ad. I literally can continue scrolling the same way that I'm scrolling there. But people literally are choosing to watch that because it's good ads. Mark Donnigan: 36:43 This has been a really amazing discussion and you know we have to do a part two. Yeah, there are few issues we did not cover and we must cover them and it's really been fascinating. Yeah, absolutely. Thanks for joining us Tal. Tal Chalozin: 36:57 I'd love to, thank you so much. Thanks, Mark. Thanks Dror. Thanks everyone that listened. Thanks Beamr. Announcer: 37:04 Thank you for listening to The Video Insiders podcast, a production of Beamr limited. To begin using Beamr's codecs today. Go to beamr.com/free to receive up to 100 hours of no cost HEVC and H.264 transcoding every month.
Comida fresca, saborosa e saudável. Neste 27º episódio, o franqueador e CEO, Rodrigo Barros, conversa com o fundador da primeira e única fazenda urbana da América Latina: Giuliano Bittencourt, CEO da Be Green. Além de falarem sobre o conceito da Be Green, eles abordam também a cadeia de FLV (frutas, legumes e verduras), o desperdício desses perecíveis que estão no topo da lista de desperdício de alimentos, a cultura e comportamento sobre hábitos de consumo do brasileiro e sobre o papel da Be Green neste processo de transformação. Vem ouvir!
Welcome to another episode of the Rational Reminder Podcast! We have a fantastic guest joining us today to talk about annuities, or in more general terms, pensionization. Alexandra Macqueen is certified financial planner, who is also a financial author, editor, York University educator, consultant, and speaker. Alexandra co-wrote a book with Dr. Moshe Milevsky called Pensionize Your Nest Egg: How to Use Product Allocation to Create a Guaranteed Income for Life, an incredible resource on our topic today. In this episode, Alexandra talks about the important distinction between financial economics and financial planning, the former being much more rational and quantitative than the latter, which is largely based on folklores and rules of thumb. We discuss the concepts of retirement sustainability quotient (RSQ) and financial legacy value (FLV) and the impact they have on each other, before diving into explaining what annuities are and how they are meant to function. She also advises on the use of the GIC ladder, copycat annuities, and considerations for deferring your CPP. Don’t miss out on this insightful conversation! Key Points from This Episode: The distinction between financial economics and financial planning. [0:02:38.8] Product allocation and how it relates to pensionization. [0:04:15.8] The retirement sustainability quotient (RSQ) and what it measures. [0:06:46.3] How the RSQ affects your financial legacy value (FLV). [0:07:45.7] The idea of eliminating the probability of ruin from your portfolio. [0:09:39.6] What exactly is an annuity and how does it work? [0:10:15.3] The type of person and age group that annuities appeal to. [0:13:53.2] Why allocating to an annuity can allow you to spend more on your overall capital. [0:16:20.0] The problem with the folklore rules around appropriate withdrawal rates. [0:19:47.8] Suggestions for annuities for wealthy people under 50. [0:23:08.3] Why a GIC ladder is not a guaranteed stream of income. [0:26:04.9] Defining copycat annuities and their accompanying issues. [0:30:57.6] CPP and the impact of deferring it at retirement. [0:33:52.4] And much more!
Vous n'êtes pas un Geek, ni un utilisateur expert, WinX DVD Ripper Platinum est fait pour vous ! Le logiciel que je vais vous présenter aujourd'hui est publié par le même éditeur que l'excellent Free WinX YouTube Downloader dont je vous ai parlé très récemment. Via une interface intuitive et conviviale, WinX DVD Ripper Platinum va vous permettre de convertir n'importe quel DVD dans les formats AVI, WMV, FLV, MP4, MPEG, 3GP, Xvid, DivX ou MOV. Vous allez pouvoir par exemple sélectionner les chapitres que vous souhaiterez ripper ainsi que les sous-titres à conserver. La suite ainsi que le code de réduction : https://sospc.name/winx-dvd-ripper-platinum Christophe. Playlist : https://goo.gl/Z4vck5 Vous pouvez écouter les numéros en Podcast : https://itunes.apple.com/fr/podcast/sospc-christophe/id1212308800?l=fr
Ore (letteralmente) di sfiancanti prove tecniche forse hanno portato a una puntata dall'audio accettabile. O almeno fingete che sia così, ve ne prego. Alla fine OBS e Discord (fanculo Skype) mi ha restituito un file FLV che ili mio programma di editing non tratta per principio quindi ho dovuto comunque rinunuciare alla pecetta di E Noi Giochiamo ma pure sticazzi sentite. Stiamo lavorando per voi, però, cercate di apprezzarlo di tanto in tanto. Ancora grazie di cuore a Paolo che si è immolato per la causa, chiunque volesse partecipare può invece scrivermi a vitoiuvara@gmail.com con una sua descrizione che mi convinca a non passare quella serata con il porno. Anche quella serata dico.
Brad Moss used to run Amazon Seller Central. Now he owns his own consulting firm, Product Labs, and is launching a new video service, AMZ Product Video. Why start this in the first place? Amazon has opened up a little more for third-party sellers to be able to get video on the website. This service has gained a distributor agreement with Amazon so they can get videos for other people, onto their listing. It’s different than the typical videos you’ve seen. If you become a vendor, everyone knows that you get the A+ content and you can put a video up top with your images. Brad’s business partner used to work for IMDB and they know a lot of the people on the team handling this service. The service is pretty neat and they are trying to build up more and more video content inside of Amazon. You can actually put up a video and link it to your ASINs, and it will show up on the page a little further down. It won’t be on the top, it is right above the customer reviews. So when people are scrolling through and looking for more information, there is a section titles “Related Video Shorts.” It gives more information about the product itself, where people will be looking for it. I’d like to underscore just how major that is. We had Kevin King on awhile back, and he emphasized the importance of getting a good video review in the first couple reviews. It’s really powerful. There are several types of videos you can do, it’s really fascinating. You can do unboxing videos, you can tag them as product comparison, you can do how-to videos, interviews, or you can do a straight-up advertisement for your product. There’s a whole list of different categories you can classify it as. This is particularly important for products that need to be explained or need some kind of information. The service just processed a video the other day about a drain. It had this really cool strainer system, and the video showed everything about it. How it worked and why it was so much better than the competition. Are the categories on your side, or are they specified by Amazon? These are the various tags you can put in. So you get the video ready, then you have to put in some metadata. You submit it through the service and then service processes it and distributes it into Amazon. The categories are Unboxing, How-Tos, Interviews, Product Review, and Advertising. If I’m understanding this correctly, this is a legitimate way of getting video reviews onto your listing? It’s within their terms of Service and they’re happy about that? Yeah. This service wants to get more and more videos on Amazon. They love AMZ Product Videos because the service makes sure it’s high-quality videos. You can just put any video up. It has to be good quality, and you can’t have links going out of Amazon. This service scrubs all that which is why their contact in Amazon are really excited about this distribution agreement. This is really powerful because this is a way to influence your audience that doesn’t violate Amazon’s Terms of Service. Tell us more about how it works. Say I want to private label a pen. How do I get started? You just go to amzproductvideo.com and the service does two things. If you don’t have a video, they will develop some videos for you and upload them to Amazon for free. If you have a video, they charge for the processing they have to do, then upload it to Amazon. It’s really quite easy. You just need: from http://amzproductvideo.com/pages/how-it-works What we need from you. We have several things we require in order to take your video upload request. They are: High Quality Video. We reserve the right to deny uploading a video where the content, resolution, or audio isn't generally considered high quality. This is an Amazon requirement. Video File. We need a link to the following: Video File. Formats accepted are: 3GP, AAC, AVI, FLV, MOV, MP4 and MPEG-2 formats. Thumbnail image: 16:9 aspect ratio and a suggested minimum width of 19...
Jo Anne Worley Guests Not only is she an outstanding comedian, Jo Anne Worley (Laugh-In) spends much of her time caring for the animals. She's the sitting President of Actors and Others for Animals. This is her seconds time visiting the Animal Radio® Dream Team. A Real Life Pet Entertainer Lee Day's business card says "Pet Entertainer." We had no idea what this really meant. So we decided to get her on the show to entertain your pets. Grab Fluffy and Fido and bring them around the radio for today's show. They may be quite entertained. The Truth About Vaccinations Dr. Debbie finally puts an end to the vaccination confusion. How often do your pets really need Distemper, FLV and Rabies shots and boosters. Diseases like Parvo can be fatal and avoided with a simple shot. Is Your Dog Left or Right Pawed? If your otherwise well-behaved dog barks at the postman, the reason could well be in its feet. Scientists have found that 'left-pawed' canines are more aggressive towards strangers than their 'right-pawed' counterparts. They tested dozens of pets with a special toy to find out which side they favored and then analyzed their behavior. Chanel Designer Wants To Marry His Cat Chanel designer Karl Lagerfeld says he'd marry his cat if it was legal. Lagerfeld recently announced he's "fallen in love" with his pampered feline named Choupette. In the past, he's been known to buy her an iPad and a silken pillow to sleep on. In an interview on CNN, he said he never thought he'd fall in love like this with a cat. ...and our Dream Team is answering your pet-related questions. More this week
After a very long break here's a new episode of The Marqui Adora Podcast. This one is a preview of a new song called We Know.MA-035 We Know↵ Use original playerMA-035 We KnowBy Marqui AdoraYouTube1080p720p360p240p FLV← ReplayXi
Sorry for the shitty audio quality this week, there was an accident with a time machine, three condoms, and our new podcasting mixer that resulted in stripping the audio from a FLV and editing that to make a podcast. This week, we talk about a ton of stuff that isn't the iPad, answer reader questions, and eat pie.
Sorry for the shitty audio quality this week, there was an accident with a time machine, three condoms, and our new podcasting mixer that resulted in stripping the audio from a FLV and editing that to make a podcast. This week, we talk about a ton of stuff that isn't the iPad, answer reader questions, and eat pie.
FLVファイル再生アプリケーション【MVKFLV】を拙い説明で紹介します。 ダウンロードは当ブログの【アプリケーションコーナー】でどうぞ。 MVKFLVの使い方
In this episode learn how to insert Flash content directly into your PDFs. That's right, with Acrobat 9 you can now insert SWF and FLV files directly into PDFs for playback by your clients.
ChatBites iCal Exchange Web Snapper SWF & FLV Player BusySync Adding Calendar Content to your Application Switchers Corner/Software Review Notepad WordPad NoteTabPro EditPadPro Acetext Powergrep RegExBuddy TextEdit TextWrangler BBEdit TextMate Screen Spanning Screen Spanning Doctor Bundles MacHeist MacSanta Order Tracking Tracking online orders
Perlcast & Josh McAdams, TV forces ads, Mac Mini Media, AVeL LinkPlayer2, FLV, Google Videos, Youtube, KeepVid, FLV converters and players, Lisa Loeb, Nuking Windows, Deep Freeze, OS X Open-Source, Darwin, Linux is for bitches, OS X Windows Virtualization, SMS Spam, Google Calendar SMS, MonoCalendar, BackpackIt, HDCP, CSS, Macrovision, Follow-up from Tim
© 2020-2025 Ivy Podcast Discovery LLC
