Podcasts about friendly persuasion

Noisy Doors, Leaky Roofs, and the Mark of the Beast Last week's newsletter was written to be very simple. This week...not simple. We're tying together our lessons on the Salt Covenant, The Scarlet Harlot, and the basic menorah pattern of Workbook One. So no, it's not simple, but it's not too difficult, either! Try printing it off and studying it over two Shabbats, referencing the suggested videos or workbooks as you go.   ***   So what do noisy doors, leaky roofs, and the mark of the beast have in common?    Excellent question! I'm glad you asked.   In order to see the connection, we have to know a little something about each of them. If you want a refresher on the Beast, consider signing up for the Creation Gospel Workbook Four class coming up with Kisha Gallagher (scroll down for info) or watching the Scarlet Harlot series on YouTube. You can also refresh your memory on the meaning of the mezuzah with our "More Than" YouTube videos. We'll cover a few basics here to tie it together.   “Behold, I stand at the door and knock; if anyone hears My voice and opens the door, I will come in to him and will dine with him, and he with Me…”   Yeshua standing at the door knocking is a huge hint, especially on the heels of John's sobering prophecies of the mark of the beast in Revelation. If we can't see the link to the world commercial system as “Babylon” in Revelation, we're not trying very hard. Revelation begins with memos to the seven assemblies emphasizing their need to “overcome” the tribulations John is about to describe,   • “Behold, I stand at the door and knock; if anyone hears My voice and opens the door, I will come in to him and will dine with him, and he with Me. He who overcomes, I will grant to him to sit down with Me on My throne, as I also overcame and sat down with My Father on His throne. He who has an ear, let him hear what the Spirit says to the churches.” (Re 3:14-21)   We can conclude that how to overcome is described in Revelation, but we can also conclude that an ignorance of the Torah will make our understanding only partial. Revelation is written as an incredibly intricate re-telling of the Torah portions. Without an understanding of those Torah portions, it will be difficult to be identified as one of those who overcome when they “keep the testimony of Yeshua and the commandments of God.”   If Yeshua knocks on the door of one of these potential overcomers, he knocks on a door that is marked by a mezuzah, which contains summaries of the commandments. To pull in the themes of our Salt Covenant study over the last several weeks, a mezuzah is a sign that those inside the house know to be salty within, tenderly and joyfully salting their commandment-keeping. Because they are pliable to the work of the Ruach HaKodesh within the house, they are ready to meet the challenges of the Beast outside the house.   The mezuzah is their reminder that they've committed their coming and going, especially their work and business dealings, to preserving their covenant with the Father with salt, for savory salt is our faith, the tenderness we have toward His Word. It is our desire to draw close to Him through our sacrifices, not begrudgingly or to be admired by others, but to give glory to the Father. Yeshua reminds us that he also wants to draw near to our salty selves, so he stands at the door and knocks.   Just imagine that the mezuzah on your door was Yeshua standing there each day inquiring if he may accompany you in your coming and going.   Because he is. The custom is to touch one's fingers to the mezuzah and kiss the fingers. It demonstrates affection and tenderness toward the Shma and other scriptures in the mezuzah, which remind us in our coming and going Who the only Source of wealth is. The name Shaddai is inscribed on mezuzot, which is the name describing His attribute of nourishment and supply.   By touching the mezuzah, we also are reminded like the Israelites in Deuteronomy Eight: “Otherwise, you may say in your heart, ‘My power and the strength of my hand made me this wealth.' But you shall remember the LORD your God, for it is He who is giving you power to make wealth, that He may confirm His covenant which He swore to your fathers...”   The mezuzah on the door marks the boundary between what happens when we go into the world and how we are inside our homes. If we are at war inside our homes, then how will we war against the principalities and powers outside our homes? The shin on the tefillin reminds the person Who opens the Heavenly windows to drip down zuzim, or coins, transactions, in our lives. Zuz is found in the word mezuzah, but the letter shin is found on both the mezuzah and the prayer tefillin.   Because they are worn in prayer, it helps one to adjust those trade prayers according to Yeshua's model…daily bread…forgiveness…holiness…His will and glory on earth…protection from temptation to sin. Ever notice how many famous actors, musicians, and sports stars end up unhappy, addicted, disconnected from the real world, and just plain weird? We are not spiritually wired to receive the glory of Heaven, only to reflect the glory of Heaven outward with salt. Of course they get weird and depressed!   Our labor and business dealings outside the home must be salted and lit from within first. We must extend ourselves from within, or it will eventually be evident to the world that we did not exert ourselves according to our wealth of salvation and light.nIt is thought that the marks of tzaraat (leprosy) that appeared in a home were a result of greed and stinginess. When the priests removed everything inside to the outside to quarantine and scrape the stones, everyone would see the wealth concealed inside, especially if they'd pretended not to have enough to help the needy brother. The “best third” is where the mezuzah is placed on a door, the upper third, like an upper room. The mezuzah marks the right hand frame of the door about 2/3 of the way up: “Mezuzah guards the Covenant, and so observing the mitzvah of mezuzah leads a person to truth and faith, the faith which is absolutely necessary when conducting business.”    “And I will bring the third part through the fire, Refine them as silver is refined, And test them as gold is tested. They will call on My name, And I will answer them; I will say, ‘They are My people,' And they will say, ‘The LORD is my God.'” (Zec 13:9)   Yeshua invokes this prophecy in Zechariah when he warns the Laodiceans in Revelation Three that he is standing at the door knocking: “Because you say, “I am rich, and have become wealthy, and have need of nothing,” and you do not know that you are wretched and miserable and poor and blind and naked, I advise you to buy from Me gold refined by fire so that you may become rich…”   This is where we see another connection to the mezuzah. Zechariah prophesies of the “third part.” This is thought to be the remnant that will come through the tribulation refined by fire instead of destroyed by it. They have not succumbed to the Beast's commercial activity, buying and selling excessively or on Shabbat (see CG Workbook Four or Workbook Two). Traditionally, the mezuzah is affixed at a pointing on the right side of the door 2/3 of the way up the door. To relate the thirds, the mezuzah is like the principle of the “upper room” we've studied over the last several weeks.    Ancient Israelite houses typically had two levels, a ground level where beasts were stabled and practical household work such as cooking and weaving took place, but the family quarters were on the second floor. An extra upper room had to be built either on the second floor or atop the family quarters, making it an upper third. More simply, an upper room was where the family made space for visitors, a space that wasn't there, yet they created the space through hospitality.   Those upper rooms in Scripture were places associated with hospitality toward the righteous visitor as well as resurrection from the dead, like the stories of Elijah, Elisha, Dorcas, and Eutychus. A mezuzah reminds us not to neglect making those spaces of hospitality for the righteous visitor, who represents hospitality toward Yeshua and the Living Word. Yeshua's noisy knocking on the door is a daily reminder that when we make an “upper room” of hospitality, then we are actually tapping into the Garden of Eden. The resurrections in the upper rooms of Scripture show us this.    On the mezuzah is either the Name Shaddai, or it is in the shorthand of the first Hebrew letter shin. Not so coincidentally, the tefillin that are placed on an Israelite male's forehead and arm are also marked with a shin (see above). The mezuzah and tefillin remind each day:   • Hear, O Israel! The LORD our God, the LORD is one! And you shall love the LORD your God with all your heart and with all your soul and with all your might. And these words, which I am commanding you today, shall be on your heart; and you shall teach them diligently to your sons and shall talk of them when you sit in your house and when you walk by the way and when you lie down and when you rise up. And you shall bind them as a sign on your hand and they shall be as frontals on your forehead. And you shall write them on the doorposts of your house and on your gates. (Dt 6:4-9)    Deuteronomy 8:11-19 reminds Israel not to be deceived when they become comfortable and prosperous in the Land, for their wealth will deceive them into thinking they earned it with their own hand. Remember the gumballs?   The tefillin on the hand and arm are a reminder that it is YHVH alone who gives the power to acquire wealth. Likewise, the mezuzah is marked with a shin for Shaddai, the One who provides sustenance, nourishment to Israel. Strangely, the shin is made of three Hebrew letters vav joined at the bottom. The gematria value of vav is six. 666.    Whaaaaat? Yes, it's the mark of the beast. But that's not the whole story. The mezuzah and tefillin are NOT the mark of the beast. The mark of the beast is when you get very close to being a salt covenant household or person, yet you have something lacking. Salt. Your daily work is not to acquire the wealth of the Kingdom to the glory of the Father, which can only be done through the power of the Ruach HaKodesh moving through the Word in you. The mark of the beast is when our daily work is to acquire the object of desire for our own sake. We can hear the disingenuous, unsalty believer when he says, “If God will just let me win the lottery, I'll build orphanages and feed the poor all over the world.”   And he probably will. But he will do it only in order to feed his own desires first. He's not really seeking first the Kingdom of God and His righteousness. He's pursuing his own kingdom, offering God a deal that the Kingdom of Heaven will benefit from the scraps. Such a person will not give commensurately with his newfound wealth, for he is stingy at heart. Unsavory salt. Tepid. Lukewarm. Blechhhh!   The secret of the 666 is that it is only the letter of the Torah without the Ruach. The shin is like a menorah when the backlight of the Ruach shines through it (again, see Workbooks 2 & 4). Remember last week's lesson on the gumball machine? It was what you couldn't see that had to occur before what you could see. The Ruach precedes the letter of the Torah. Together, with the spiritual backlight through the literal three vavs, it yields seven, the seven- branched menorah. One tefillin has three vavs, but its mate has four! 3 + 4 = 7. Compare to the above: To be unsalty is 666. To be salty is to shine the seven spirits of Adonai described in Isaiah and Revelation:     •  wisdom   •  understanding   •  counsel   •  Spirit of Adonai   •  power   •  knowledge   •  reverence    Yeshua, the Living Word, is the doorkeeper of the overcoming household. We never want to reduce him to someone there to reward us with wealth. The word mezuzah comes from a Hebrew word meaning movement, going back and forth. The historical zuz was a coin, about a day's sustenance for one adult:   • Weight: About 4.26 grams (0.137 troy ounces) of silver. • Value: Historically equivalent to a day's wage or a portion of food/clothing, (e.g., 200 zuz was a year's support).  • Modern value would be about $20.   "Give us today our daily bread." Not the lottery.   Not so coincidentally, a mezuzah means more than movement. It is rooted as well in the movement of a beast: What starts out as a beautiful creation of spirit (upper room), soul and body (lower rooms), can degenerate into the mark of the beast. Instead of letting the Ruach drip into our lower rooms of work and family, the upper room is sealed off because of our stinginess and greed. Esau and Jacob had very different motives in asking for blessings. We can become unsavory, relentless hunters like Esau, the Red One, nicknamed Edom because he was red and hairy all over like a beast, a man of the field who loved hunting. We don't want to become marked by the Red One, never satisfied, even on Shabbat.   “…and he provides that no one will be able to buy or to sell except the one who has the mark, either the name of the beast or the number of his name.” (Re 13:17)   Nehemiah's struggles with those returning to rebuild Jerusalem and the Temple, especially in their continued buying and selling on Shabbat, are the reference point. He eventually had to order the gates of Jerusalem shut and locked to prevent the vendors from coming in with their goods. How glorious will it be when the gates no longer need to be shut, for no one will even entertain the idea of disobeying the King of King's command to rest and be with Him in Jerusalem on Shabbat.   Knock, knock.   In short, the mark of the beast is on one who buys and sells on Shabbat. Because there is no trust in Adonai to provide the many things we crave, we continue to work on His holy day. Someone who believes in God may have salt, but it is not savory. One who believes in God enough to do what He says is savory salt. Salt allows us to draw near the upper room of the Garden. I'm sure Yeshua is having wonderful conversations with the righteous souls of those who just didn't understand Shabbat, but they were faithful in what they knew. They are learning while they wait, not rebelling.   Ezekiel describes what went wrong in the “upper room” of the Garden of Eden, a hospitable place for those who want to draw near to the voice of Elohim, but a place from which rebels are purged. The “trader” was cast out of the heavenly fiery stones and tossed into the lower realms of strange, profane fire, that is, fire used by those estranged from the upper room fires of the Ruach above:   You were in Eden, the garden of God; Every precious stone was your covering: The sardius, topaz, and diamond, beryl, onyx, and jasper, Sapphire, turquoise, and emerald with gold. The workmanship of your timbrels and pipes Was prepared for you on the day you were created. You were the anointed cherub who covers; I established you; You were on the holy mountain of God; You walked back and forth in the midst of fiery stones. You were perfect in your ways from the day you were created, Till iniquity was found in you. By the abundance of your trading You became filled with violence within, and you sinned; Therefore I cast you as a profane thing out of the mountain of God; And I destroyed you, O covering cherub, from the midst of the fiery stones. (Eze 28:13-16; 18)   Ezekiel 28 drops a hint to where we should be vigilant: “By the abundance of your trading [H7404 rekula] you became filled with violence within, and you sinned...”   ????? rawkal' [H7402] to travel for trading   Our trade is part of work for our living, yet, the abundance is the danger zone. If our inner fire craves more wealth than we are willing to give back to Heaven commensurately, our going back and forth, zuzing about, to trade our time and effort for goods, power, and esteem becomes idolatry. In Hebrew, moving back and forth is zuz [zuz is also a coin], the root of mezuzah. The mezuzah marks the door where we travel back and forth each day to obtain our portion of wealth.   When our pursuit of wages and wealth pushes the testimony of Yeshua and the commandments of God beneath our feet instead of allowing them to drip daily from the upper room of the resurrection Ruach that raised Messiah from the dead, we sin. Our house's upper room should be designed to drip to lower floors of daily living, or we become unsavory salt.   We trade our precious lives, our time, our effort, to accumulate an abundance of things, not necessarily money, but what money will purchase: entertainment, security, comfort, esteem, power, knowledge, appeasement, etc. These things deceive us into believing they will bring joy and peace, but we know it's a lie because they never do. They are simply offered to the strange, consuming fire of the soul, but are not refinement of the spirit, which is everlasting peace and joy. It brings savory salt, light, and contentment from within.    The ancient investment advice is:   • Invest 1/3 of your income in tangible property such as real estate, durable goods, secure long-term investments  • Invest 1/3 in your daily labor, your paycheck, investments that provide a faster return, a little riskier, easily liquidated • Invest 1/3 above the mezuzah in the Kingdom of Heaven by lending to the poor, giving to needy, investing time in spiritual causes along with Torah study, prayer, service, discussing Scripture with others, etc. Even kindness is an investment!   We should not become “stingy” with Heavenly principles in the world of work, which would reflect a home's lower rooms sealed off from the upper room. The upper room should drip the testimony of Yeshua and the noisy commandments of God through the power of the resurrection Ruach. It leaks into the lower rooms of family and work!   The leaky roof is what we need to carry into the world of work and business as well as our relationships. An outwardly successful business producing wealth that can only be spent before the resurrection of the dead is not successful at all.    Preparation in the home under the disciplines of the Ruach HaKodesh will be evident in the place of business, not as a pile of 666 cash, but as peace in drawing near the Father, salt. The physical work is simply a means of building the Kingdom instead of demanding that the Father bless our work to build our own kingdoms of security, esteem, attention, comfort, intellectual stimulation, etc. Whether we have little or many zuzim, all we need to remember is that we must give commensurately with the wealth the Father drips down upon us.    If we can be responsible even with earthly money, which has no righteousness within itself, then we can be responsible with Heavenly riches.   If we can't be trusted to give commensurately with our wealth when there is no Temple service, and much freedom is granted in when and how much we give, then how can the Father trust us with His riches when the Temple on “the mountain of God” descends? The Temple services and the Land of Israel are places of extreme exactness in managing work and wealth.   Manage earthly zuzim faithfully, and we will inherit the Heavenly riches to manage.    One of my favorite movies is about a Quaker family, from the book Friendly Persuasion. One of the funniest lines is, “Friend, thee's got a squeaky door upstairs.”    Friend, thee's got a squeaky door downstairs, too. Yeshua is knocking, reminding, inquiring, requesting if we will open to his voice. It is the same voice of Elohim that walked and talked in the Garden, an upper room.   When we open our doors to him, we release the water of the Word from our upper rooms and let it fill our homes, workplaces, and relationships. If we move about, may we zuz for the glory of the Father.    Please SUBSCRIBE to our newsletter to get new teachings.

Banjo Music courtesy of Banjo HangOut -- Maple Leaf Rag -- Scott Joplin used with permission. Seri Strikes Again -- Geographic ignorance on display. Yes, it's true, fans, TCM has finally corrected the reference to a "poor" Quaker family  (Friendly Persuasion) when in fact they are quite well off. However, they have moved the action from Pennsylvania to Indiana for no apparent reason.PS TCM has a similar problem with Giant -- to be broadcast this weekend. Look for Maryland to be moved to New England. 

We’re deep into dorm life, continuing our Season 6 recaps, now finally entering a new dynamic: the interesting friendship between Cory and Angela! Jumping right in with a wildly unhinged Cory / Topanga kiss, Mr. Feeny is finding his footing in college, while the Shawn / Angela relationship continues to stall (and we don’t mean a co-ed bathroom stall, a room place that Cory finally conquers). Plus, one of our hosts has a theory that connects Boy Meets World to the M*A*S*H universe. Bet you can’t guess who it is! It’s Will. Definitely Will. You knew that. Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

En este episodio de Grandes Maricas de la Historia, exploramos la fascinante y compleja vida de Anthony Perkins, el actor que inmortalizó a Norman Bates en Psicosis (1960). Más allá del papel que definió su carrera, Perkins fue un hombre atrapado entre la presión de las normas sociales de Hollywood y su lucha interna por aceptar su identidad sexual. Desde su infancia marcada por la pérdida temprana de su padre y una relación complicada con su madre, hasta sus primeros pasos en el cine, desvelamos cómo estos eventos formaron a un hombre vulnerable y reservado. Perkins encontró en la actuación un refugio, alcanzando la fama con películas como Friendly Persuasion y Fear Strikes Out. Sin embargo, fue Psicosis la que lo catapultó a la inmortalidad cinematográfica, aunque también lo encasilló en papeles oscuros y perturbadores. El episodio aborda sus relaciones personales, desde romances secretos con figuras como Tab Hunter, Rudolf Nureyev y Grover Dale, hasta su matrimonio con Berry Berenson, una unión que, aunque auténtica, estuvo marcada por las presiones sociales y los demonios internos de Perkins. Las músicas de este episodio, aquí: https://open.spotify.com/playlist/3GuB63uJEEwNtfDd4iRuxi?si=11256afdc0854627

I spoke with fellow Anthony Perkins superfan, PhD student and podcaster Xanthe Pajarillo, all about the immensely talented and under-appreciated Anthony Perkins. Perkins was far more than Norman Bates and I wanted to delve into his interesting and eclectic career with someone who gets it. We discuss his early days as a teen idol, his career in Europe, midcentury masculinity, and chose some of our favorite Perkins performances. Show Notes: Xanthe Pajarillo's instagram twitter tiktok Xanthe Pajarillo's Website Xanthe's Anthony Perkins article My Anthony Perkins Letterboxd list Films: Psycho (1960) The Actress (1953) Friendly Persuasion (1956) Fear Strikes Out (1957) Green Mansions (1959) Hitchcock (2012) I'm Not There (2007) Weird: The Al Yankovic Story (2022) Goodbye Again (1961, movie on YouTube) The Trial (1962) The Ravishing Idiot (1964, movie on YouTube) Five Miles to Midnight (1962) Phaedra (1962, movie on YouTube) Evening Primrose (1966, movie on Youtube) Catch-22 (1970) Psycho II Psycho III Lucky Stiff (1988, movie on YouTube) The Last of Sheila (1973) The Evil Dead (1981) Winter Kills (1979) Pretty Poison (1968) Play It As It Lays (1972) Television: The Ghost Writer (YouTube) Bates Motel SNL – Anthony Perkins Episode (archive.org) Music: Podcast Interlude Anthony Perkins – How About You Anthony Perkins – A Little Love Can Go A Long Way Elvis Perkins – Ash Wednesday Books: Osgood and Anthony Perkins – Laura Kay Palmer Haunted Life: Anthony Perkins – Ronald Bergan Plays: Tea and Symphony Look Homeward, Angel Follow Somebody's Watching here: ⁠⁠⁠⁠⁠Twitter: @somebodyspod⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Instagram: @somebodyswatchingpod⁠⁠⁠⁠⁠ Email: somebodywatchingpod@gmail.com

A detour into the 4th of July, Kerry and Collin talk about the biggest hit of 1996, Roland Emmerich's alien invasion epic "Independence Day," which gives America permission to make our holiday a worldwide holiday because of something WE did. Suck it up, world! How does this movie play today now that we all know a little more about computers? Is there a trope called The Sacrificial Quaid? (there is now) Can one punch really knock out an alien? All this, plus a look at the latest and greatest in physical media with the Blu-ray Gift Exchange (Dune 2, Gilbert Gottfried, Francis Ford Coppola and more!).  Blu-ray movies covered: Warner Bros. "Dune: Part 2" 4K (2024) Criterion: "Floating Weeds" / "The Story of Floating Weeds" (1934 - 1959) Gravitas Ventures: "Gilbert" (2017) "Score: A Film Music Documentary" (2017) Paramount: "Into the Wild" (2007) Warner Archive:  "You're A Big Boy Now" (1966) "The Nun's Story" (1959) "Friendly Persuasion" (1956)

The long-awaited third season kicks off with an episode about Faith. Recommended and referenced resources include: Quotations: Philip Melanchton, Capon, and Cave Books: Faith, Hope and Carnage by Nick Cave and Sean O'Hagan, Lancelot by Walker Percy, The Family Reunion by T.S. Eliot, The book of Genesis Movies: Leon Morin, Priest (1961), Prometheus (2012), The Rescue (2021), Field of Dreams (1989), The Book of Eli (2010), Wings of Desire (1987), Friendly Persuasion (1956), Indiana Jones and the Last Crusade (1989) Songs: "Believe" by DMAs, "Do You Believe" by Poolside, "Faith" by The 8th Day, "I Trust" by The Byrds, "Someday" by Glass Tiger, "Faith in Something Bigger" by The Who, "It's Unbelievable (How You Control My Soul)" by Jeanne & The Darlings, "Lay All Your Love on Me" by ABBA, "Letting Go" by Wings, "No Doubt About It" by Hot Chocolate, "Happy Birthday" By Stevie Wonder, "Gimme! Gimme! Gimme! (A Man After Midnight)" by ABBA, "I Went to Sleep" by The Beach Boys, "Do You Believe?" by Swamp Dogg, "I've Got Confidence" by Elvis Presley, "I Came to Believe" by Johnny Cash, "I Believe In You" by Bob Dylan

Cory is hurt when Angela decides not to remain his friend after she and Shawn call it quits. We're back to talk about episode 6x4 of Boy Meets World including bits of nostalgia, a scene-by-scene recap, and a wholesome lesson to top it all off. Weekly Nostalgia: Defunctland and flip phones You can find us on social media: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelostyearspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheLostYearsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thelostyearspod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Be sure to share your nostalgia with us in our website messages. Your answers might get on the show! Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thelostyears@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Become a patron!: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thescavengersnetwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scavengersnetwork.com/thelostyearsshop⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/lostyearspod/message

What do you get when you team 3 STARS - COOPER, HEPBURN, & TAYLOR with 3 all-time great DIRECTORS in WYLER, ZINNEMANN, & MANN?  Three amazing films, of course, in "The Nun's Story," "Friendly Persuasion," & "Devil's Doorway."  George Feltenstein of the Warner Archive joins the podcast to review these three classics from the 1950s that now look better than ever in high-definition Blu-ray.  We go through the superb performances in each film, the keen-eyed direction from these film masters, and the fantastic restoration and package of extras that the Warner Archive has created for each release.Purchase links:THE NUN'S STORY (1959)FRIENDLY PERSUASION (1956)DEVIL'S DOORWAY (1950)  Past Present FeatureA filmmaker appreciation podcast hosted by Emmy-winning director...Listen on: Apple Podcasts SpotifyThe Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

Behind the scenes you will typically find an experienced and skilled negotiator.Someone like Bob Woolf, one of the pioneers of snagging big contracts for sports stars. Woolf represented stars like Carl Yastrzemski, Larry Bird, and Julius Erving. But he also negotiated deals for Larry King and New Kids On The Block. Along the way Woolf developed a reputation that may run counter to your notion of what a powerful dealmaker has to be. Woolf was known for his amicable and strictly ethical approach to negotiating a deal. In this 1990 interview Woolf reveals some of his negotiating secerets, Get Friendly Persuasion by ob woolfAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Dick Williams and Red Auerbach For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube #negotiating #dealmaking #business #BostonRedSox

George Feltenstein joins the podcast for a brief update to the Warner Archive April release schedule. Three films -  'Friendly Persuasion,' 'The Nun's Story,' and 'You're a Big Boy Now' are now moving from April 30th to a May 14th release. The other three titles - 'The Mask of Fu Manchu,' "The Rain People,' and the 'Scooby-Doo Zombie Island' double feature will still be released on April 30th.  George also announces the unexpected treat of 'Devil's Doorway' arriving ahead of schedule on April 30th, and he provides background on the film, the restoration, and the extras that are included.Pre-orders will be posted when available.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

Story: Tightrope Author: juliagulia6 Rating: GA Site link: https://archiveofourown.org/works/33233827 Read by: kristinsauter Summary: What if someone else knew that Chris and Rita were in love before they admitted it to themselves? This story takes place during "Friendly Persuasion" (5.04), between the Chris and Cynthia Rush IR3 'conversation' (insert eye roll here), and the end where he turns her down in front of Rita at the shop. (And then leaves Rita right after that to go on a date. Oh, Chris!) Used by the author's permission. The characters in these works are not the property of the Audio Fanfic Podcast or the author and are not being posted for profit.

*** EXPLICIT LANGUAGE WARNING *** It's a very Charles Grodin episode to cover on the podcast! When Grodin visits Bardwells, Laverne and Shirley get very different messages from their encounter with the actor. Laverne thinks he's into her and invites him to come over for a date. Shirley, on the other hand, thinks he's going to try to steal their jobs. When Mr. Grodin arrives, he finds everyone at Laurel Vista in a bad mood and in the middle of a terrible series of fights. Shirley and Carmine are arguing over Carmine's cheapness and whether or not Rhonda's trying to come on to the Big Ragoo, the boys are mad because the hot water's run out in the middle of Squiggy's shower, and Rhonda...is dressed like a geisha for an acting gig. The friendly chaos leads Grodin to try and solve the conflict with self-help platitudes. But is that enough to get everyone to chill the heck out?! And will Laverne's heart be broken when she realizes he doesn't have romantic designs on her? On pod, we talk the bizarre characterizations, whether Grodin is period accurate in the episode, and get a little saucy!

We continue last week's theme of Hollywood's attitude toward the Soviet Union as our Dorothy McGuire Acteurist Oeuvre-view episode takes us beyond not only the Popular Front era but just a shade beyond the heyday of McCarthyism. We also find that we spoke too soon about McGuire entering her mom-roles era, as in this episode's movies she embodies an unmarried professional woman with a liberal attitude toward sex and a shady political past in Trial (1955, directed by Mark Robson, based on the novel by Don Mankiewicz), as well as a Quaker minister (and wife and mother) whose family's pacifist views are put to the test in William Wyler's Friendly Persuasion (1956). McGuire brings her particular mixture of the soothing and the astringent to not very committed Communism and very committed pacifism, proving that her range encompasses both the ultra-worldly and the otherworldly.  Time Codes:  0h 0m 45s:      TRIAL (1955) [dir. Mark Robson] 0h 30m 25s:      FRIENDLY PERSUASION (1956) [dir. Wiliam Wyler]   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Gary Cooper plays a father and husband in a Quaker family during the American Civil War, when his community is faced with the question of whether or not they will stay pacifists and out of the war or confront injustice with violence.

Welcome to the Limp Bizkit podcast! "I'm Corey Craft and I do it all for the nookie." - Corey Craft Five. Minute. Fight. - Beasts of the Southern Wild What We're Watching: Aftersun; I Want You Back; Friendly Persuasion; M3GAN Hosted by your own personal Harrison Ford & Sean Young! Music by Splash '96 Recorded & Edited by Boutwell Studios

Chegou a hora de concluir mais uma filmografia e para isso Fred e Alexandre recebem novamente o crítico Rafael Amaral, do Blog "Palavras de Cinema" e do Jornal de Jundiaí. O tema é claro são os filmes do grande diretor americano William Wyler, nesta que é a terceira e última parte de uma série de episódios do podcast. Começamos este bate-papo com "Sublime Tentação" (Friendly Persuasion, 1956) que lhe rendeu a Palma de Ouro em Cannes, seguimos com o western "Da Terra Nascem os Homens" (The Big Country, 1958), provavelmente o melhor filme entre os quatro comentados, depois seguimos com "Infâmia" (The Children's Hour, 1961), uma refilmagem de uma história que ele havia feito na década de 30 e terminamos nossa jornada com "O Colecionador" (The Collector, 1965). Neste período Wyler dirigiu também "Ben-Hur", mas este clássico já foi abordado isoladamente em nosso cast e você poderá ouvir no episódio #101. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nossa página no Facebook : https://www.facebook.com/podcastfilmesclassicos/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

In this episode we cover the 29th Academy Awards, which honored the films of 1956. The nominees were: Around the World in 80 Days, Friendly Persuasion, Giant, The King and I, and The Ten Commandments. We also discuss The Searchers.Notes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate: 10:15 - Around the World in 80 Days19:40 - Friendly Persuasion 28:45 - Giant47:35 - The Kind and I55:50 - The Ten Commandments1:11:10 - Should something else have been nominated?1:11:25 -The Searchers1:21:05 - Did the Oscars get it wrong?1:23:15 - Jake Gyllenhaal Corner1:24:45 - Conclusions1:29:05 - Next Time

On this episode of The Snub Club, our hosts discuss 1956's Friendly Persuasion. Directed by William Wyler and starring Gary Cooper, Friendly Persuasion was nominated for six Academy Awards but was denied a single win. In this episode, Danny, Sarah and Caleb discuss Quakerism, plotless movies, and Anthony Perkins.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: That's All Right by Arthur Crudup

The Boys are here to cover episode 4 of season 6 "Friendly Persuasion". Get ready for an exciting convention about Stockholm Syndrome, Lance Bass, the pacing of the show this season, and so much more!

Uh oh! Cory finds out Angela doesn't like him & doesn't want to be his friend! Cory can not accept someone not liking him and ultimately corners Angela while she's in the shower to prove "he's a good friend". Yeah, there's a lot to unpack there. We break it all down and more in this new episode of Bruh Meets World! Do you consider Cory & Topanga relationship goals? Or Cory & Shawn the original Bromance? Join T.C. & Ceej as they relive the journey, lessons and cultural influence of the 90's hit Boy Meets World! Follow & Contact: http://bit.ly/BruhMeetsWorld Visit https://anchor.fm/bruhmeetsworld now Send us your comments and questions in a voice message: https://anchor.fm/bruhmeetsworld/message Subscribe to Bruh Meets World on YouTube ►► https://www.youtube.com/c/BruhMeetsWorldPodcast Watch more episodes here ►► https://youtube.com/playlist?list=PLiu_TLiooT_T8sfB0cCTNAsA8YoxouHPa Follow Bruh Meets World on Socials: Instagram: https://www.instagram.com/bruhmeetsworld/ Twitter: https://twitter.com/bruhmeetsworld TikTok: https://www.tiktok.com/@bruhmeetsworldpod Facebook: https://www.facebook.com/bruhmeetsworld/ Listen to Bruh Meets World Podcast on: Spotify: https://open.spotify.com/show/33vsaYJr7lLzJJdEhrl5zD Apple: https://podcasts.apple.com/us/podcast/bruh-meets-world-a-boy-meets-world-fancast/id1305283972 Google: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2JydWhtZWV0c3dvcmxkL2ZlZWQueG1s Amazon: https://music.amazon.com/podcasts/61d19d02-7ab3-4e1c-b413-0c16b36ee60a/bruh-meets-world-a-boy-meets-world-fancast #boymeetsworld #bruhmeetsworld #bruhmeetsworldpodcast #podcast #cory #topanga #Shawn #Eric #Fenny #season6 --- Send in a voice message: https://anchor.fm/bruhmeetsworld/message Support this podcast: https://anchor.fm/bruhmeetsworld/support

Steve delves into his archives for this 1980s interview with former child actor Richard Eyer, whose credits include the part of the Genie in "The 7th Voyage of Sinbad," as well as important roles in direction William's Wyler's "Friendly Persuasion" and director Herman Hoffman's "The Invisible Boy."

Two films that are out this weekend, that I both loved, are The Killer and Gone in the Night. I interview The Killer's Jang Hyuk and Gone in the Night's Brianne Tju for this installment.I will be posting Spoiler discussions of Gone in the Night with director Eli Horowitz, John Gallagher Jr., and Brianne Tju on our CinemAddicts Patreon. For our bonus episode, Anderson and I cover two movies from 1956 (The Bad Seed, Friendly Persuasion).***Also added Anderson Cowan's review of Mrs. Harris Goes To Paris at the end of the episode!Breakdown:(0:00) - Long introduction!(15:49) - Jang Hyuk interview for The Killer(26:18) - Gone in the Night trailer(28:29) - Brianne Tju interview for Gone In the Night(35:49) - CinemAddicts host Anderson Cowan reviews Mrs. Harris Goes To ParisFor daily movie recommendations, join our CinemAddicts Facebook Group!Atty's Antiques is on Facebook MarketplaceAnderson's email: anderson@andersoncowan.comGreg's email: editor@deepestdream.com & info@findyourfilms.comFor exclusive movie interviews/reviews, check out Greg's Deepest Dream YouTube Channel Rate/review CinemAddicts on Apple Podcasts!HAVE A CHAT WITH ANDY HERELinks to the promised CCP shorts are below.THE COLD COCKLE SHORTSRULES OF REDUCTIONMORMOANTHE CULT OF CARANOSubscribe to my Andersobn's Channel HereGROUPERS TRAILERPlease Give Groupers a Rotten Tomatoes Audience Score HerePlease Rate It on IMDB HereSupport the show

Join Jessica Sterling (@thejesssterling) and special guest, Aysha (@ayshalikeasia) as they chat about Boy Meets World Season 6 Episodes 3 & 4, Ain't College Great? & Friendly Persuasion. They chat about Cory's need to be liked, Feeny's return to teaching, and the first Feeny call!Follow us on Twitter and Instagram at @shit90spod.Email us at shit90spod@gmail.comVisit our website at www.shit90spod.comSpecial thanks to JD McGuire (@jdmcguire) for our theme song!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A deep dive on Friendly Persuasion (1956) directed by William Wyler and starring Gary Cooper, Dorothy McGuire, and Anthony Perkins

In the mid 1950s, Pat Boone's early hits, Ain't That A Shame and Tutti Frutti broke ground for black songwriter/performers Fats Domino and Little Richard while ushering in the dawn of rock n' roll. From there, Pat segued smoothly into film and television while raising a famous family and recording over 2300 songs, including the iconic hits, Friendly Persuasion, Love Letters In The Sand and April Love. Pat's commitment to faith and family helped forge his guiding principles. Did you know that he walked away from his TV show when they wouldn't allow him to book Harry Belafonte? Pat has stories for you. Plus Fritz and Weezy have absolutely nothing to say about Ol' Abe while recommending both The Lincoln Highway and The Lincoln Lawyer.Path Points of Interest:Pat Boone's WebsitePat Boone's Video Podcast with Michael LloydPat Boone on SpotifyPat Boone on WikipediaThe Lincoln Highway by Amor TowlesThe Lincoln Lawyer - Netflix 

Sunnybrook Hospital in Toronto tackles vaccine hesitancy among its healthcare workers by friendly peer persuasion. Dr. Adina Weinerman and nurse Diana Beckford explain how it works.

This podcast is powered by JewishPodcasts.org. Start your own podcast today and share your content with the world. Click jewishpodcasts.fm/signup to get started.

Theme Credit: Justin Noszek (https://theplaguephysicians.bandcamp.com/releases) Getting back into that Philly Chuck groove. This episode features William Daniels’ actual wife, my favorite Feeny call and the Cory/Topanga problem. Also, if you want to hear this episode uncut and unedited up 3 days early, you can support us on Patreon for as little as $2 a month. … Continue reading Ep. 118 – Friendly Persuasion →

Feeny out of character?! What's up with that?? Meghan and Skylar talk about how wrong Feeny and Rachel were, how annoying Cory was, and how the writers did Angela dirty... but we love the episode, we swear!! Catch us next week for some more Boy Meets World chit chat, and find us on Instagram (@thefeenycallpodcast), Facebook and Twitter (@feenycall). Send us an email (feenycallpodcast@gmail.com), or leave us a voicemail that could be featured on the show! Thanks for listening! --- Support this podcast: https://anchor.fm/the-feeny-call/support

For this episode we take on two films starring the legendary Gary Cooper. First we discuss the 1952 movie High Noon, which also stars a young Grace Kelly. We then go on to talk about the 1956 movie Friendly Persuasion which was also a breakout role for the young Anthony Perkins. Both are films that critics regard as being on the fringe of the Western genre in terms of style and content. If you like the program please give us a thumbs up and we also invite you to subscribe to our channel to hear more good movie discussion

Hello Class! College classes are finally in session! How will Eric and Jack handle their new/old classmate? How will Feeny handle the pressures of NOT being in control? How will Cory handle being told he's not Angela's friend? Find out along with us as we watch, discuss and review Boy Meets World Season 6 Episode 4: Friendly Persuasion!

Cassidy & Tim cover the 1957 nominees for Best Picture: The King & I, Friendly Persuasion, Around the World in 80 Days, The Ten Commandments, and Giant. These movies are long, and only one of them (maybe) needs to be that long. Join us for more movie fun!   Twitter: @FHCpod Instagram: @forherconsiderationpodcast

TVC 524.3: From July 2018: Peter Mark Richman talks to Ed about working with Jack Klugman and Dorothy Dandridge on his series Cain’s Hundred (NBC, 1961-1962), as well as the interesting link between his character, prosecuting attorney Nicholas Cain, and then-U.S. Attorney General Robert F. Kennedy; working with Gary Cooper and director William Wyler in Friendly Persuasion (1956); meeting Coretta Scott King; and the unique approach that Peter Mark took to playing villains on television. Peter Mark Richman passed away on Thursday, Jan. 14 at age 93; his autobiography, I Saw a Molten White Light: An Autobiography of My Artistic and Spiritual Journey, is available through BearManor Media. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

Persuasion and the execution of persuasion in modern times.

Larry celebrates his birthday at a nostalgic dinner with an old friend. The restaurant was so fancy, it had tablecloths even! And Larry sings the virtues of the birthday nap. Then we hear about the classic movie "Friendly Persuasion," and Larry recites the poem "Pilgrims" by Robert William Service. Quote of the week: "I like cotton. I just like cotton." https://LarryMillerShow.com

A career that spans decades. From 1956 on FRIENDLY PERSUASION with Gary Cooper, Anthony Perkins, and Dorothy McGuire, to over 500 television appearances, this gentleman truly has experienced an amazing career. 'The Peter Mark Richman Interview' features a fascinating and sentimental conversation with the brilliant 91 year old actor with host Steven Brittingham. Learn more about his career and life in an EXCLUSIVE INTERVIEW with host Steven Brittingham on Hollywood and Beyond.   Welcome to Hollywood and Beyond with Steven Brittingham Podcast. Free from gossip. Full of inspiration with "Meaningful Interviews".    Show greeting by actress and chef: Carrie Mitchum  Hollywood and Beyond Theme by: Dario Saraceno   The interview many of you have been waiting for has arrived!  This brilliant actor, who will soon be 92 years old in April, shares his career highlights with me including working with Gary Cooper, Anthony Perkins, Janet Leigh and many more. Including his role as Rev. Snow on ‘Three’s Company’ and as Blake Carrington’s (John Forsythe) attorney Andrew Laird on ‘Dynasty’ (ABC). His early life as a pharmacist and his love for family is all shared. What makes an actor truly great? Find out on ‘The Peter Mark Richman Interview'. Now available! Exclusively on Hollywood and Beyond Podcast Created, Produced, Edited and Hosted by actor and writer:Steven Brittingham   Steven Brittingham hosts the show from his hometown of Cincinnati, Ohio.   Hollywood and Beyond Podcast is available on:Apple Podcasts, iTunes, Podbean, iHeartRadio, Spotify, Stitcher, Google Play Music, Radio Public and TuneIn Radio   Contact Steven: hollywoodandbeyondshow@gmail.com   Please Subscribe for free to Hollywood and Beyond to receive all of the latest episodes delivered to your favorite listening device. Please leave Steven your comments and feedback as well. He would love to hear from you!   Visit Hollywood and Beyond with Steven Brittingham on Facebook/Instagram/Twitter for guest and show news.   Thank you for listening friends and listeners! See you on the next episode! - Steven Brittingham 

In a quest to obtain THE TEN COMMANDMENTS, and with some FRIENDLY PERSUASION by a GIANT, Tim and Palmer agree to go AROUND THE WORLD IN 80 DAYS performing THE KING AND I to the masses. It doesn't go well.

This week on the podcast Matt, Michael and Scott get together to talk about all the things they watched over the long Thanksgiving Holiday. It's a What We've Been Watching Thanksgiving Special! All Spoiler Free! Film's Discussed: Michael - Train to Busan, Tunnel, Murder on Orient Express, Friendly Persuasion  Matt - Horry Patter and the Philologer's Stone, Really That Bad: BvS: DoJ, Justice League, Ward, Avatar Scott - Coco, Three Billboards Outside Ebbing, Missouri, Lady Bird, Godless (Netflix TV Show), Mudbound (Netflix), Cabin in the Woods (Elyse's List) Support us on Patreon Follow us on Twitter: @dalyplanetfilms See all of our podcasts, writing, and more at dalyplanetfilms.com!

Matthew Sweet with music for films with a pacifist theme in the week that has seen the launch of Mel Gibson's new film "Hacksaw Ridge" with music by Rupert Gregson-Williams. The programme features music from "Gandhi", "The Day The Earth Stood Still", "Doctor Who and the Daleks", ""Starship Troopers", "Howl's Moving Castle", "La Grande Illusion", "King and Country", "Paths of Glory", "The Victors", "Hair", "Born On The Fourth Of July", "Friendly Persuasion", "Witness" and "The Great Dictator" - as well as part of Rupert Gregson-Williams's new score.

Larry gives a prescription to fix the rudderless James Bond franchise! And Larry puts the wag in Wagner as he ponders what kind of music can make you more dumber. Plus an update on the Milleronia intramural football league. Then Larry recites "Is It Possible" by Sir Thomas Wyatt and talks about the Gary Cooper classic "Friendly Persuasion." Also, a little tribute to the late great kar kustomizer George Barris. http://LarryMillerShow.comQuote of the Week: "Until you hire me, then you're very very smart."Producer: Colonel Jeff Fox

Becoming persuasive is not a gift to a chosen few. It's a science that can be mastered by all once you know how. Here's 5 simple tips to get you started.