Podcasts about future fashion

Deine Tasche wurde von einer Katze attackiert? Dein Zelt von einer Kuh angefressen? Oder dir ist deine Hose beim Anziehen gerissen? Kein Problem – in der heutigen VAUDE Podcast-Folge finden wir Reparatur-Lösungen für alle Fälle. Anna zeigt euch alle Möglichkeiten und Angebote rund um das Thema Reparatur. Sie nimmt euch mit in ein Repair-Café, deckt auf, was in unserem VAUDE Reparaturservice für Anfragen reinkommen (Stichwort Katze und Kuh) und wie dieser funktioniert, und spricht mit Raquel von Future Fashion über den „Reparaturbonus“, der für euch bald ein paar gesetzliche Erleichterungen bei Reparaturen bringen könnte. Also hört unbedingt rein!

One of civilization's oldest technologies, textiles have long been linked to money, power, and politics. Now, researchers are looking to produce novel, more sustainable textiles using organisms like yeast, fungus, and bacteria.

MONSTER PARTY GOES FASHION FORWARD AND BEYOND! JAMES GONIS, SHAWN SHERIDAN, LARRY STROTHE, and MATT WEINHOLD, take a time-travel trip down the runway of tomorrow, to celebrate the most incredible outfits from science fiction. It's a guided tour through the garments of the galaxy, as we present... FUTURE FASHION! Whether it's fashion week on Tattoine, Triskelion, or Terra, sci-fi has always provided us with a tantalizing array of would-be wardrobes. This episode playfully takes aim at some of the most amazing, outrageous, and awful creations in genre films and TV throughout the years. With a Tim Gunn-esque eye for detail, we explore the pulp-inspired creations in THINGS TO COME, the hits and misses of STAR TREK, the 70s chic of SPACE:1999 and LOGAN'S RUN, the dressed down/samurai sizzle of STAR WARS, the cyber-punk noir gear of BLADE RUNNER, and much more! But for a podcast of this magnitude, we needed a guest with the one-two punch excitement of Dolce & Gabbana! He's a friend of the show, as well as a talented author, screenwriter, actor, improviser, cartoonist, podcaster, and brand namer. And when he's not doing all that, he's MONSTER PARTY'S go-to armchair science fiction fashion critic. Please welcome back, the always in style... MARC HERSHON! (SUCCOTASH: THE COMEDY SOUNDCAST SOUNDCAST, THE CALIFORNIANS, THE FUNSTER, MONSTER MAKERS, SANTA JR., WEDDING DAZE, I HATE PEOPLE: KICK LOOSE FROM THE OVERBEARING AND UNDERHANDED JERKS AT WORK AND GET WHAT YOU WANT OUT OF YOUR JOB, THE HUFFINGTON POST) AND SPEAKING OF FASHION, WE STILL HAVE T-SHIRTS AND CAPS FOR SALE. SO WHEN THEY ASK YOU WHO YOU'RE WEARING, TELL THEM... MONSTER PARTY!

The Brand Retro Podcast welcomes Justine Pogroske, the creative powerhouse behind Million Dollar Branders. Listen in as Justine and Mike dive into the essence of branding and the entrepreneurial odyssey. Justine and Mike also discuss the art of thinking bigger and the strategies behind crafting a brand that exudes luxury and value without breaking the bank. They debunk the myth that high-end branding requires a million-dollar investment, and instead, share insightful tips on how to achieve that million-dollar image through smart design, strategic positioning, and a clear brand message. Whether you're a startup or an established business, this conversation will illuminate how to elevate your brand's perception and captivate your market. Tune in for a masterclass on making your brand look and feel like a million bucks! Who's the Guest? Justine Pogroske has worked for global advertising agencies such as Ogilvy and Mather, M&C Saatchi. Her unique ability to optimize her client's ROI is rooted in reliable methods and Key Performance Indicators to meet every target point. Her years of corporate experience and unwavering dedication to her craft has equipped her with essential skills to successfully navigate the corridors of the international marketplace. Whether on Main Street or in the Metaverse, you can find Justine engaged in cutting-edge projects ranging from NFTs, Future Fashion-tech, Digital marketing via the Internet-of-things and augmented reality. After years of working with top global agencies, global change makers, leading entrepreneurs, celebrities, thought leaders and Fortune 500 companies, Justine has cultivated a passion for building legacy brands that impact and inspire for generations to come. Highlights 00:57 Justine's initial professional experience in publishing and how she felt the need to move from laying out other people's copy to producing her own creative work 05:08 The two key problems in the current competitive market of agencies and creators 09:09 What is the Million Dollar Branders 15:23 Justine's process of developing her business and brand vision 18:34 Her process towards making businesses stand out by going against the grain and flipping conventional wisdom 21:43 Using the power of a brand as your visual negotiations tool 23:19 Why you should choose customers over your competition and the danger of just seeking an agency to "do the work" 25:09 Role of creativity in leaving a legacy brand   Episode Resources Connect with Mike Brevik: www.brandretro.com http://www.cyberdogzmarketing.com/ mike@cyberdogzmarketing.com   Connect with Justine Pogroske https://justinepogroskeofficial.com/ https://www.instagram.com/justinepogroske_official/ https://linktr.ee/justinepogroskeofficial http://milliondollarbranders.com/blogs/ https://www.linkedin.com/in/justine-pogroske-12286223   Subscribe, Share and Review To get the next episode subscribe with your favorite podcast player. Subscribe with Apple Podcasts Follow on Spotify Leave a review on Apple Podcasts

Il fondo Three Hills Capital investe in Digital360, Kmpaay, Future Fashion, I-Tes, Agade sono i principali round della settimana, AI nel fintech, silver economy

In this episode of Art of the Kickstart, we spoke with Anthony Bernas, co-founder and CEO of Cooler Keg. Bernas describes how he built a homemade prototype and received validation from lake goers that gave him the confidence to crowdfund.

Old School, New School, the Fashion Industry needs to know this! Fashion & Technology are finally starting to merge, and we're so excited to bring this topic to you. What was the latest techy thing you saw in Fashion that made you go “whoooa!”? If it made you run to place something in your cart for Checkout, then mission accomplished. From live shows that made us wait for the garments from the runway to FINALLY hit the stores, to now experiencing the ‘See, Now, Buy Now' Revolution, Emerging Brand Entrepreneurs are now able to have a more intimate, face-paced relationship with their customers, increasing brand love, loyalty, and respect. Did we mention the best part? You get a stylist! You get a stylist! You get a stylist! What was once seen as a High Luxury experience has now been brought to the everyday shopper. Join us as we break down the here and now of it all, and help bridge the gap between what's tarnished, and what's looking very golden in the Fashion Tech space.P.S. - We want to hear from you! Let's keep in touch. Let's talk about new topics. Let's build this style community!Stay connected with Adrienne and Fabienne: Instagram - @stylediariesdecoded, @curatedstylesbyadrienne, @iamfabiami YouTube - Style Diaries Decoded YouTube Channel Web - Style Diaries Decoded Send your questions & feedback to: contact@stylediariesdecoded.com Join the Decoded Squad, stay tapped in! Want to join the conversation? Be a Guest on the Podcast *Remember to Share, Subscribe, Rate, & Review!*

In this podcast from our Sustainability Talks Series, Francesca Romana Rinaldi, Director of the Monitor for Circular Fashion at SDA Bocconi, and Silvia Mazzanti, Sustainability Manager at Save The Duck, discuss the opportunities linked to traceability in the fashion industry.  See omnystudio.com/listener for privacy information.

This week the boys absolutely rip through three great topics starting with Ed's mask choice and its impact on the future of face wear and fashion as a whole. They go on to talk about Any Bol and men in general not being able to fix things any more, and finish with their reasonings leaving a good or bad tip.

Skander Negasi, CEO of Trade and Fairs GmbH, introduces us to the developing fashion and textile hub in East Africa. With manufacturing costs increasing in Europe and Asia, buyers are looking for new destinations. Following the successful launch of the Origin Africa trade show in 2012 in Ethiopia alongside US Aid, since then many international trade fairs, events & conferences within different industries, including textile, apparel and fashion have been organised. He is responsible for the biggest exhibition of this nature in Africa, the Africa Sourcing and Fashion Week (ASFW) in Addis Ababa. The ASFW hosts over 4000 exhibitors and 6000 trade buyers. This includes H&M, Hugo Boss, Mango, Zara and more; and of course smaller local boutique designers and craftsmen are included, as well as huge industrial factory equipment. The main trends Skander highlights are the digitalisation of goods, sustainable production of fabric, and the practice of African Continental Free Trade (Africans doing business with Africans). For many African designers keen to expand their retail horizons, we encourage listening to Skander's global insights from a business and trade perspective, “Without investment you don't get anything…this is the homework for African designers… to promote their brand and work with shops… if they always depend on supporters, then it's going to be very very tough.”Support the show (https://www.patreon.com/FANpodcast)

Meet the art, media and design theorist, curator and co-director of Fluctuating Images, a platform for media art and design, Dr. Cornelia Lund. Well-travelled and versed in the art and design world, Lund's academic perspective and articulation substantiates and encourages validation of non-Eurocentric and Anglocentric theories and practices within the art and design framework. Lund's intriguing analysis on recent contemporary African art trends explores music, art and design production; noticing the younger generation take up the notions of ‘post-coloniality', reflecting African traditions, practices, techniques, and spirituality that may have been suppressed through colonialism, and combining this with a global sensibility. This has resulted in a “fresh aesthetic” and a strong global afro-centric move. Recently our host, Beatrace, has joined Lund as guest lecturer at the University of the Arts Bremen for the Deconstructing Colonialism course. Their collaborative work also goes further back to the design exhibition, Connecting Afro Futures: Fashion X Hair X Design at the Kunstgewerbemuseum Berlin. Lund describes this as a “revolution”, shifting African aesthetics into design spaces from ethnographical environments. Support the show (https://www.patreon.com/FANpodcast)

Chebet Mutai gives an exposé from a global perspective into the fashion and textile industry all the way from Nairobi, Kenya. Her break into the fashion scene has been solution-orientated. Chebet founded the luxury lifestyle brand, Wazawazi that specialises in leather accessories, reflecting beauty and the progressive nature of Kenya, and by extension, Africa. Providing training, up-skilling, and generating economic value to the local community is at the helm of her brand. With a background in development and having worked at the World Bank, the discussion of the West promoting ‘ethical fashion' prompts exposure to what the normality of fashion was like before this. Governance on what is deemed ethical can't simply be applied to African fashion brands and companies when the nature and lifestyle of creativity in Africa is not exploitive. The Eurocentric assumption that “the politics of leather in Europe is the same as the politics of leather here”, when hide is a by-product and creates a whole new industry [leather production]. The dilemma of development and foreign aid to reduce poverty while the second hand clothing trade is directly detrimental to the local and Made-In-Africa textile and clothing industry is troubling to Chebet, who is determined to generate wealth and leverage her opportunities and connections for Kenya.Support the show (https://www.patreon.com/FANpodcast)

The rise in black platforms promoting and celebrating Africa has been instrumental in raising cultural pride and and expectations of the Continent. Hubs of creativity, fashion, innovation business and entrepreneurship are rapidly springing forth and advancing with technology. And there are those non African who have invested their time and passion into the Continent, seeking commonality. Style anthropologist, writer, creative producer and part-time DJ, Carmen Hogg from Amsterdam, represents this through her work. Her individualistic approach has seen her frequent Ghana and Nigeria where she has established herself within a network of like-minded creatives. A sensitive, honest and thought-provoking discussion with Beatrace takes place on the erupting climate of race talks and the perceptions of her white background in the midst of Black creativity. “I love Lagos. Beautiful things happen there… My mentality matches with the mentality of Lagosians because I'm fast and direct. If I want something I'll go for it.”Support the show (https://www.patreon.com/FANpodcast)

This week Lindsay chats with her good friend, skilled creative, and future fashion design student Isha Zeschuk. The two discuss the role of creativity and how it can channelled during difficult (pandemic) times & her journey to study fashion at the London College of Fashion in the fall.

What we learn from the tattered costumes of actress Ellen Terry, the couture created by Alexander McQueen, and the everyday wardrobe of American women at the turn of the 20th century. V&A fashion curator Claire Wilcox has curated exhibitions on Frida Kahlo and Alexander McQueen, and has written a memoir, called Patch Work. She talks to Shahidha Bari about the pleasures and the challenges of conserving fashion and using it to tell bigger stories in museum displays. They're joined by Veronica Isaac from the University of Brighton, who researches theatre costumes of the 19th and early 20th century, including those of Ellen Terry, and by Cassandra Davies-Strodder from the University of the Arts London, who curated the V&A’s Balenciaga exhibition in 2018 and researches the wardrobes of two American women from the late 19th and early 20th centuries. This episode was made in partnership with the AHRC, part of UKRI. You can find more about New Research in a playlist on the Free Thinking programme website - https://www.bbc.co.uk/programmes/p03zws90 - where you’ll find other episodes in the New Thinking strand showcasing academic research. You can find other conversations about New Research in a playlist on the Free Thinking website - https://www.bbc.co.uk/programmes/p03zws90. This includes researchers from the University of Leeds and Huddersfield involved in the Future Fashion project -https://www.bbc.co.uk/programmes/p07nhbrd, and a discussion about the display of history in Museums - https://www.bbc.co.uk/programmes/p08v3fl5 You can see TV programmes going behind the scenes at the V&A on BBC iPlayer https://www.bbc.co.uk/iplayer/episodes/m000f1xt/secrets-of-the-museum And in this episode of Free Thinking Shahidha Bari looks at the Politics of Fashion and Drag; Scrumbly Koldewyn remembers the '60s San Francisco theatre scene; drag at The Royal Vauxhall Tavern in London; and Jenny Gilbert and Shahidha look at environmentalism and fashion at the V&A - https://www.bbc.co.uk/programmes/b09zcjch Producer: Emma Wallace

Welcome back to season two of Spirit of Design Podcast! We are so excited for all that we have to share with you on the podcast this year, but to kick off 2021 our first offering for the year is our vision for the future of fashion.  Visioning is such a powerful exercise, and we encourage you to make it your own and bring it with you into 2021!  - Amie and Ania

Pioneering Creative Director, Sydney, has been on a journey of discovery exploring different creative avenues to find his boundaries and his voice. He has definitely found the vessel for the vision he has by encouraging a culture that is ethical, conscious and circular through hand-me-down trade. Sydney's project, Emeka-Suits, provides a solution through fashion that offers a beautifully tailored collection that exudes “a feeling… more than a strict aesthetic”. The German-based designer from the African diaspora created a shift with his business model by using second-hand waste, using upcycling techniques, and turning fabrics into high-end products. That's right, the fabric used are curtains that have been on a long journey of their own before being discovered, giving these androgynous suits eccentric flare. All this resulting in new creations that he describes as "extremely beautiful, extremely special like a flower in the desert” [Sydney]Support the show (https://www.patreon.com/FANpodcast)

Making a difference in fashion. 2016 appears to be a pivotal year for both our guests; Buki Akomolafe founded fashion brand, BUKI AKOMOLAFE in 2016, describing her label as a cross-cultural bridge between two different worlds. Cherie Birkner exited the fast fashion scene in 2016, then shortly after founded the online platform, Sustainable Fashion Matterz, providing solutions and campaigns on sustainable fashion. While both have taken very different avenues within fashion in Germany, their passion to educate and spread awareness of sustainability in an authentic way is evident. While Africa is not a global competitor in fast fashion, we can draw on parallels of the sustainable fashion scene as well as longer lasting high-end artisanal production.Future Fashion:The initiative is supported by the Future Fashion project - a joint project initiated by the Baden-Württemberg Development Cooperation Foundation (SEZ), of the state of Baden-Württemberg, which is committed to the conscious and sustainable textile and fashion consumption in Baden-Württemberg. "Future Fashion Made in Africa", an extension of Future Fashion, serves networking, knowledge transfer, exposure, market access for textile startups from Germany and African countries and is intended to strengthen the sector of sustainable textiles and promote international exchange.Support the show (https://www.patreon.com/FANpodcast)

Passionate about creating spaces of learning, Prof. Dr. Bonaventure Soh Bejeng Ndikung shares his perspectives with Beatrace on artisanship from Africa and the diaspora. An internationally renowned curator of African art, author, professor at the Weissensee Academy of Art in Berlin, founder of Savvy Contemporary, yet with a doctorate in biophysics, Ndikung gives a critically thought-out and cross-dimensional perspective on the current state of post colonial art and fashion. A mouthful right? And newly awarded OCAD University International Curators Residency fellowship in Toronto. Not only that but we get a taste of his encyclopedic knowledge of history, philosophy, artisans, and fashion designers from Africa in this interview. ‘I don't think the catwalks in Europe or America need to legitimise their [African fashion designers'] existence'. ‘It's never just the aesthetic it's always about the meaning'.Contact us or send in a voice message telling us what you think: podcast@fashionafricanow.comSupport the show (https://www.patreon.com/FANpodcast)

Jana Braumüller, a feminist, political thinker and women's rights campaigner within fashion talks with Beatrace. Sustainability and justice are at the heart of Fashion Changers, a digital content platform Jana co-founded. Petitioning for laws bringing radical transparency, along with workshops, events and a co-written book, are just some of the efforts Fashion Changers are helping to drive on a societal scale in Germany. A parallel journey many young designers and brands from Africa and the diaspora struggle with: diversity, sustainability and inclusivity - fair fashion. Hear the challenges from Jana & Beatrace's experience in collaborating and adjusting mindsets in the mainstream. ‘Fashion is a vehicle to improve certain things and empower people' (Jana).Contact us or send in a voice message telling us what you think: podcast@fashionafricanow.comFuture Fashion:The initiative is supported by the Future Fashion project - a joint project initiated by the Baden-Württemberg Development Cooperation Foundation (SEZ), of the state of Baden-Württemberg, which is committed to the conscious and sustainable textile and fashion consumption in Baden-Württemberg. "Future Fashion Made in Africa", an extension of Future Fashion, ​​serves networking, knowledge transfer, exposure, market access for textile startups from Germany and African countries and is intended to strengthen the sector of sustainable textiles and promote international exchange.The Fashion Africa Now podcast is brought to you by Future Fashion and produced by APYA Productions with financial support from the Ministry of State of Baden-Wurttemberg via the Baden-Wurttemberg Foundation for Development Cooperation (SEZ). This episode was created in association with Social Urban Nature. Fashion Africa Now podcast has the permission to use the music and the sounds created by Blackstereo music. Support the show (https://www.patreon.com/FANpodcast)

Listen in to a candid and fiery conversation Beatrace Angut Oola has with Omoyemi Akerele, live in Lagos, the highly sought-after driving force for much of Nigeria's fashion industry; and Roberta Annan, with a strong business development background who kickstarted her place in fashion in the UN, and live in Accra. With years of experience in the African fashion industry, these formidable women agree on the need for infrastructure and collaboration amongst resident Africans and in the diaspora. “African fashion is not a trend. It's here to stay. Not just a philosophised and a romanticised movement... There are people whose lives depend on this ecosystem” (Omoyemi). So we ask you, what is African fashion? Contact us or send in a voice message telling us what you think: podcast@fashionafricanow.comSupport the show (https://www.patreon.com/FANpodcast)

"You can't farm spiders!" says this week's guest, scientist David Breslauer. You can keep more them in serious numbers spinning webs off hula-hoops suspended from your office ceiling though... Enter Bolt Threads, the Californian biotech company behind Microsilk - a bioengineered sustainable fibre used by Stella McCartney. Find out how they did it, where the science is headed, and what’s next (hint, it's involves mushrooms). Just don’t call David Spider Man. Find our more at www.thewardrobecrisis.com Love the show? Don't forget to hit subscribe. You can contact host Clare Press on Instagram here, and follow the show here.   See omnystudio.com/policies/listener for privacy information.

Part 2 of our two-part Spacesuits episode dives into the spacesuits of today and the incredible work that's going into them - making them look like everything we see in sci fi movies! Tune in to learn all about them! Music from filmmusic.io "Tyrant" by Kevin MacLeod (incompetech.com) License: CC BY (creativecommons.org/licenses/by/4.0/) Sources “Advanced Crew Escape Suit.” Wikipedia, Wikimedia Foundation, 9 June 2020, en.wikipedia.org/wiki/Advanced_Crew_Escape_Suit. “Artemis.” NASA, NASA, www.nasa.gov/specials/artemis/. “Boeing Starliner.” Wikipedia, Wikimedia Foundation, 9 July 2020, en.wikipedia.org/wiki/Boeing_Starliner. “Dava Newman: Spacesuit of the Future.” Youtube, Lex Fridman, www.youtube.com/watch?v=kEaX2DAjol8. Dean, Signe. “Here's The Real Reason Why NASA Had to 'Cancel' That All-Female Spacewalk.” ScienceAlert, www.sciencealert.com/nasa-didn-t-promise-us-an-all-female-spacewalk-and-the-suits-are-not-sexist. Kothakonda, Akshay, et al. “System Design for Tensioning Limb Sections in a Mechanical Counter Pressure Spacesuit.” TTU DSpace Home, 49th International Conference on Environmental Systems, 7 July 2019, ttu-ir.tdl.org/handle/2346/84562. Lindsey Bever, Kayla Epstein. “Why NASA's Historic All-Female Spacewalk Isn't Happening.” The Washington Post, WP Company, 26 Mar. 2019, www.washingtonpost.com/science/2019/03/26/nasas-first-all-female-spacewalk-isnt-happening-blame-wardrobe-malfunction/. Loflin, Benjamin, et al. “Identification of Shoulder Joint Clearance in Space Suit Using Electromagnetic Resonant Spiral Proximity Sensor for Injury Prevention.” Acta Astronautica, Pergamon, 10 Jan. 2020, www.sciencedirect.com/science/article/abs/pii/S0094576520300138. Mahoney, Erin. “A Next Generation Spacesuit for the Artemis Generation of Astronauts.” NASA, NASA, 4 Oct. 2019, www.nasa.gov/feature/a-next-generation-spacesuit-for-the-artemis-generation-of-astronauts. Monchaux, Nicholas De. Spacesuit: Fashioning Apollo. MIT Press, 2011. “NASA's Management and Development of Spacesuits.” NASA.gov, 26 Apr. 2017, oig.nasa.gov/docs/IG-17-018.pdf. “New SmartSuit Promises A Better Fit For Astronauts.” Texas A&M Today, 22 Apr. 2019, today.tamu.edu/2019/04/17/new-smartsuit-promises-a-better-fit-for-astronauts/. “Orlan Space Suit.” Wikipedia, Wikimedia Foundation, 27 June 2020, en.wikipedia.org/wiki/Orlan_space_suit. “Research Projects.” Research Projects | Allison Anderson, Ph.D. | University of Colorado Boulder, www.colorado.edu/faculty/anderson/research-projects. Siceloff, Steven. “New Spacesuit Unveiled for Starliner Astronauts.” NASA, NASA, 25 Jan. 2017, www.nasa.gov/feature/new-spacesuit-unveiled-for-starliner-astronauts. “Space Shuttle Abort Modes.” Wikipedia, Wikimedia Foundation, 27 July 2020, en.wikipedia.org/wiki/Space_Shuttle_abort_modes#Ejection_escape_systems. Zraick, Karen. “NASA Astronauts Complete the First All-Female Spacewalk.” The New York Times, The New York Times, 18 Oct. 2019, www.nytimes.com/2019/10/18/science/space/nasa-female-spacewalk.html.

The world premiere episode -- @datboychadnay and @orenmeetsworld take to the microphones to give an intro to Just Hold on, then chop it up about critical topics -- White Claw sponsorship, the future of fashion, why flexing is no longer it (if it ever was), staying fit in quarantine and much more.

The heady heights of summer have arrived in the city. Being the protagonist for international street style and trends means that this season, each and every Rue has its own Parisienne style-file and sidewalk-catwalk in full swing. In this show, Charles Daniel McDonald looks at the top seven trends which have been sweeping across the city. This is complimented, as always, by the father of French Fashion, Pierre Cardin – who's latest ´Future Fashion´ exhibition pays homage to the capital with his spectacular 70 plus year retrospective.

LIVE FROM THE QUARANTINE – A Pod A Day #4: A conversation with Jimmie Temesgen about pan-continentalism, the fashion industry, and solutions around social and environmental sustainability. See acast.com/privacy for privacy and opt-out information.

This episode is not just an exhibition review but a deep dive into the nuances of Cardin's career. Jasmine and Joy discuss the Brooklyn Museum's exhibition "Pierre Cardin: Future Fashion" and talk about some of the highlights. Full disclosure: We did not know how little we knew about Cardin's career! He made such an impact on the 60s-70s that need to be researched. WE HAVE A NEW THEME SONG thanks to Pastiche Lumumba: https://pastichelumumba.com https://twitter.com/PasticheLumumba Find us here: Website: www.unravelpodcast.com Patreon: www.patreon.com/unravelpodcast PayPal: www.paypal.me/unravelpodcast Instagram: @unravelpodcast Twitter:@unravelpodcast Facebook: www.facebook.com/unravelpodcast/ Pinterest: Unravel: A Fashion Podcast www.pinterest.com/afashionpodcast/ Stitcher: www.stitcher.com/podcast/unravel-podcast Spotify: open.spotify.com/show/3qodhqtAxfD9uDxzrutDvz Waller Gallery Website www.wallergallery.com/ Joy's Art Gallery Instagram: @wallergallery Jasmine's Nicaragua Instagram: @recuerdosdenicaragua

In this week's episode, fashion futurist Amanda Cosco sits down with Aldo Sollazzo, the founder of Noumena and organizer of the Reshape Conference. Taking place October 29th thru 31st in Barcelona, Reshape is a part of Industry Arena 19 at Fira Barcelona in coordination with IoT Solutions World Congress. Tune in to learn more about what to expect from Reshape and how the event aims to bridge innovation and industry.

Wir haben unsere barock'n Festtagsgewänder angezogen, um ein bisschen mehr Atmosphäre in den Podcast zu bringen. Stellt euch ein auf die interessantesten Themen des Universums zusammengefasst mit den virtuosen Dreiklängen unserer beiden Stimmen. Intro: Talking Stain Dance von Audionautix ist unter der Lizenz "Creative Commons Attribution" (https://creativecommons.org/licenses/by/4.0/) lizenziert. Künstler: http://audionautix.com/

The mainstream fashion production process is extremely wasteful. The whole system is built on over-ordering, taking a punt on how much will sell, and writing off over-production. This leads to shocking amounts of pre-consumer textiles and garments being landfilled or incinerated - according to some estimates, 1/3 of all the fashion ever produced it never sold. Australian made-to-order T-shirt company Citizen Wolf is using big data and algorithmic power to disrupt this. And they plan to take on the world. Can it work? How did founders Zoltan Csaki and Eric Phu build it? This thought-provoking discussion looks into the fashion crystal ball to imagine a leaner, greener, more responsive manufacturing future. For links and further reading, check out the show notes here. Don't forget to subscribe to this podcast in iTunes, and join the conversation on social media. You can find Clare on Instagram and Twitter.

In dieser Folge betrachten wir die weitreichenden Probleme der Fast Fashion Industrie und haben uns dazu Nora von Fashion Revolution bzw. Future Fashion Forward e.V. eingeladen. Wir sprechen über die Missstände, die hinter der geschickten Strategie des Green Washings nach wie vor existieren und gehen sowohl auf die Arbeitsbedingungen in der Produktionskette, als auch auf die verheerenden Auswirkungen dieser Industrie auf Mensch und Umwelt  ein. Wir möchten mit dieser Folge einen Anreiz schaffen, die Rahmenbedingungen unseres Kleidungskonsums konstant näher zu betrachten und zu einer Befreiung vom Zwang zu Konsumieren, inspirieren.   Viel Spaß bei dieser Folge!   Hinterlasst uns gerne Kritik/Feedback auf unserem Instagram-Profil (@we.are.notamused) oder schreibt uns eine E-Mail an wearenotamused@web.de )   Verfolgt gerne auch die Arbeit von @fash_rev & @futurefashionforward.ev

If you desire to become a fashion designer but are not sure how to pursue your goal, make sure to give this episode a listen.

If you desire to become a fashion designer but are not sure how to pursue your goal, make sure to give this episode a listen.

In today’s episode, Helene Smits shares about her work with companies and brands to close the loop in the textiles sector. Helene reflects on what brands are currently doing to implement more sustainable business practices, such as using recycled content and addressing environmental impacts of production. She also discusses successes and challenges she’s encountered over the past few years of working with brands to close the loop, and emphasizes the importance of also addressing consumption habits within the textiles and apparel sector - even if that means asking ‘Do I really need this?’ before you make your next purchase. Helene Smits founded Circle Economy’s Textiles Program in 2014 and recently launched her own independent consulting firm called Stating the Obvious. She focuses on collaborative projects that drive the practical implementation of circularity in the industry and works with a wide array of pioneering organisations including Recover, The Alliance for Responsible Denim, Textile Exchange, Amsterdam Fashion Institute and Fashion for Good. Highlights Our existing textiles system [01:45] What brands are currently doing [04:00] Challenges/opportunities for closing the loop in the apparel industry [10:30] New fashion business models and are they really beneficial? [17:25] What you can do – consumption and brands making a change [23:30] Future visions for the textiles sector [28:25]

The fashion industry is one of the most polluting in the world, where workers can suffer under the worst conditions to create clothing that feeds our endless hunger to consume. Ayesha Siddequa, Founder and Creative Director of Future Fashion, a pioneering Ethical Fashion platform in the Middle East. She talks the real cost of fast fashion, the Fashion Revolution world-wide movement, and what you can do about it. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.facebook.com/pulse95radio www.twitter.com/pulse95radio www.instagram.com/pulse95radio

Katrin Ley is the CEO of FASHION FOR GOOD, an Amersterdam-based organisation that was co-founded by Cradle-to-Cradle's William McDonough. They aim to bring together the entire fashion ecosystem with incentives, resources and tools for sustainability. At Fashion For Good's core is McDonough’s concept of the Five Goods, which, he says, “represent an aspirational framework we can all use to work towards a world in which we do not simply take, make, waste, but rather take, make, renew and restore.”  In interview Katrin and Clare discuss what good looks like when it comes to clothing production and circularity. Case study: the first Gold Cradle to Cradle Certified jeans and T-shirts. There’s a strong focus in this interview on innovation, new ideas and disruptors. We also explore this new age of sharing and helping each other, because, as Katrin says, if we want to change the fashion system, that’s what it’s going to take. Is the fashion industry really ready for serious collaboration? What about you? How can you find your purpose? How can you align your work with your values?  DON'T MISS OUR SHOWNOTES - the are packed with links & extra info Chat with Clare on Instagram and Twitter @mrspress THANK YOU FOR LISTENING. Love the podcast? We have a Patreon page - every little bit helps us keep telling these stories. We are always grateful for ratings and reviews on iTunes. Don't forget to hit subscribe. You can also find us on Spotify.

Kicking off the fall season of the Spirit of 608 podcast, this week's episode features a badass female entrepreneur who built what has become the go-to Gen Y resource for aspiring fashion industry pros. Starting when she was barely out of college herself, this media innovator has spent the better part of the last decade growing an audience and network of contributors that now reaches over 1,000 universities and includes 20,000 contributors worldwide. Acquired by Who What Wear parent company Clique Media in 2016, College Fashionista exemplifies modern-day, mission-based entrepreneurship and bootstrapped success. If you're building your own business from the ground up, this is one woman in business who's sure to inspire you and show you that, yes, you can make it happen. Meet this week's guest, Amy Levin Klein, Founder of College Fashionista. What you'll learn When you’re fresh out of college and starting out with dreams of a career in the fashion industry, it can be challenging and daunting to figure out what to do - especially if you're coming from a school or town outside the traditional fashion cities like New York or Los Angeles. Amy felt exactly that - but she didn't let it deter her. Instead, she started College Fashionista and single-handedly built a brand that helps the next generation of fashion leaders. Learn how she did it in this week’s episode. How you'll be inspired While today’s work culture tends to applaud employees and even entrepreneurs who jump around from one company to the next, Amy has a lot to say about the advantages of being professionally monogamous. While startup culture has left many of us feeling like a couple years is a long time to be in one place, Amy counters with a reality so many of us growing businesses know all too well: that building something takes time to see real growth. Hear more that will inspire you to stick with it the next time you're frustrated at your seemingly slow pace on the show.  What you'll tell your friends Hey! Do you know the best way to connect with college students so they'll know more about your brand? What are students today even interested in anyway? What motivates them and when is the best time to catch their attention? I heard College Fashionista founder Amy Levin Klein talk about just that on the Spirit of 608 podcast this week - listen to the show to hear her talk about that, as well as an Instagram tip you're going to want to start using immediately.  Resource of the week Slack and Google Calendar: Amy is a fan of both of these trusty favorite tools to effectively communicate with her team and organize her her busy schedule.  Connect with Amy Levin Klein Website: collegefashionista.com Facebook: https://www.facebook.com/collegefashionista/ Instagram: @cfashionista Twitter: @CFashionista Mentioned in this episode: FIT Parsons NYU Clique Media WhoWhatWear My Domain Google Calendar Slack T-shirt motto: Be Kind.   Find more episodes featuring women at the forefront of FEST online at www.Spiritof608.com.

Don't miss our SHOWNOTES - they're a veritable cornucopia of extra info... Sometimes it can feel like sustainable fashion is a new thing, but pioneers laid the groundwork years ago. People like this week’s guest, British fashion change-maker Tamsin Lejeune. Back in 2006, Tamsin founded the Ethical Fashion Forum, a London-based industry body for sustainable fashion. Her team also brought us Source, one of the first platforms to list sustainable resources & suppliers in one place. In the UK, it was Tamsin & her team who were running the sustainable fashion panel discussions and bringing the fledgling ethical fashion community together. How much has changed since then? How far off is sustainable fashion from being the norm? What tools do we need TO DO FASHION BETTER? Today, Tamsin leads a new project called Common Objective with that in mind. Think, a sustainable fashion matchmaking service, like a targeted Linkedin, or Tinder without the romance. In this absorbing interview we discuss what’s going on with fast fashion and why the model is broken. We decode the discomfort we feel when fast fashion giants launch eco capsule collections while still making most of their stuff the same old way. And we delve into the magic powers of fashion access over ownership, and the opportunities for the next generation of designers. Chat with Clare on Instagram and Twitter @mrspress THANK YOU FOR LISTENING. Love the podcast? We have a Patreon page - every little helps! We are always grateful for ratings and reviews on iTunes. Don't forget to hit subscribe. You can find us on Spotify now too.

We are joined by a future fashion icon, Sydney Scarola, she fills us in what fashion looks like in Denver, her passion for fashion and what the future looks like. Plus a personal messy story. Then we take a deep dive into the current career of Nicki Minaj. We talk about a recent tweet by @wannasworld about Nicki's music and the DM she received from Nicki via DM. Send Stories: Email - Messymondayspod@gmail.com IG- @MessyMondayspodcast Twitter: @messymondayspod Did you hear the new intro! Music by: Double AA IG - @double_aa1 Twitter - @double_aa1 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/fresh-mondays-podcast/message

Tasha Lewis, assistant professor in the Department of Fiber Science & Apparel Design, considers what happens to used clothing and asks whether we can add value to what we usually treat as waste.

Marty changes into a jacket that sizes itself and shoes with power laces. GUEST: Tony Thaxton of Motion City Soundtrack Email: contact@backtothefutureminute.com