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36 episodes with Kintu
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2 episodes with Kintu
3 episodes with Kintu
2 episodes with Kintu
2 episodes with Kintu
2 episodes with Kintu
3 episodes with Kintu
2 episodes with Kintu
Subhro Shiprar sathe party seshe Subhro nije bari phirchhilo. Onek raat howar fole Subhro kono gari bus kichui pay na, obosese lift nia kichu kore nijer barite dhoke. Kintu sei muhurto thekei suru hoy atonko. Subhro eka thake, kintu aj tar duplex bunglow jeno take kheye felte chay. Ek fotao se chokher pata ek korte parena. Goder upor bis fora hoye uthlo tar porer diner sokal. Jeta dag kete tar moner moddhe, emon ek onubhuti jeta se kolponao korte parena. Ki holo Subhror sathe? Se ki manosik rogir moto hoye gelo? Naki ache gobhir sorojontro? Writer - Nilanjan Golpo Pathe - Nilanjan Bibhinno Choritre - Nilanjan, Rani, o Shyam Sundar
Jennifer Nansubuga Makumbi er en ugandisk-britisk forfatter, kjent for debuten Kintu, så vel som novellesamlingen Manchester Happened og romanen The First Woman. Hun har blant annet blitt tildelt Commonwealth Short Story Prize og Windham-Campbell Literature Prize, samt blitt kåret til en av de hundre mest innflytelsesrike afrikanerne av New African magazine. Dette er Makumbis leseliste:Brit Bennett, The Vanishing HalfYvonne Battle-Felton, Curdle CreekChinua Achebe, Things Fall Apart Arrow of GoodNgugi wa Thiong'oWole SoyinkaNamwali Serpell, The Old Drift The FurrowsAyọ̀bámi Adébáyọ̀, Stay With MeAyesha Haruna Attah, The Hundred Wells of SalagaLeila Aboulela, Lyrics Alley River Spirit Hosted on Acast. See acast.com/privacy for more information.
Jennifer Nansubuga Makumbi is a Ugandan British writer, known for her debut novel Kintu, as well as the short story collection Manchester Happened and the novel The First Woman. She has been awarded the Coomonwealth Short Story Prize and the Windham-Campbell Literature Prize, and also been named one of the 100 most influental Africans by New African magazine.This is Makumbi's reading list:Brit Bennett, The Vanishing HalfYvonne Battle-Felton, Curdle CreekChinua Achebe, Things Fall Apart Arrow of GoodNgugi wa Thiong'oWole SoyinkaNamwali Serpell, The Old Drift The FurrowsAyọ̀bámi Adébáyọ̀, Stay With MeAyesha Haruna Attah, The Hundred Wells of SalagaLeila Aboulela, Lyrics Alley River Spirit Hosted on Acast. See acast.com/privacy for more information.
When British-Ugandan Jennifer Nansubuga Makumbi wanted her debut novel Kintu published in Europe, publisher after publisher told her no – the novel was “too African”: It was neither about the colonial period nor about Idi Amin, the two things about Uganda that Western readers have heard of. And also, the characters had such complicated names. They couldn't imagine any European readers would like to learn something new about Uganda and its history.Makumbi's novel is an epic family saga, taking us through the history of Uganda – from the kingdom of Buganda before the arrival of the Europeans, and up to today's society, in which she combines myths and Biblical history with fairytales and oral storytelling tradition. In a distilled, lyrical language, we meet the patriarch Kintu in the mid-eighteenth century, when he is subject to a dark curse, before we follow his many descendants into our own time, where they all, in different ways, struggle with curses of their own. We particularly see how the men of the family struggle to live up to society's masculine ideals. Maybe this is the real curse, affecting each of their lives and slowly poisoning the entire society?Kintu is Jennifer Nansubuga Makumbi's first novel, published in 2014 after she won a manuscript competition by Kenyan Kwani Trust. Makumbi has since published the short story collection Manchester Happened and the novel The First Woman, and she has won a number of awards for her writing.At the House of Literature, she is joined by author and creative director for the organization Radical Books Collective, Bhakti Shringarpure, for a conversation about a family and a nation, about curses and consolation.The event was supported by NORAD. Hosted on Acast. See acast.com/privacy for more information.
Da britisk-ugandiske Jennifer Nansubuga Makumbi ville forsøke å få debutboka si Kintu (til norsk ved Johanne Fronth-Nygren) utgitt i Europa, fikk hun nei fra forlag etter forlag – romanen var «for afrikansk»: Den handlet ikke om kolonitiden, eller om Idi Amin, de to tingene ved Uganda vestlige lesere har kjennskap til. Dessuten hadde karakterene så vanskelige navn. For det er vel ingen europeiske lesere som har lyst til å lære noe de ikke vet fra før om ugandisk historie?Makumbi har skrevet en episk familiesaga som tar oss med gjennom Ugandas historie – fra kongeriket Buganda før europeerne kom, og til dagens samfunn, der hun kombinerer myter og bibelsk historie med muntlig fortellertradisjon og eventyr. I et lyrisk og fortettet språk møter vi stamfar Kintu på 1700-tallet, som utsettes for en mørk forbannelse, og følger vi hans mange etterkommerne inn vår tid, der de alle på ulike vis strever med sine egne forbannelser. Ikke minst ser vi hvordan slektens menn strever med trange kjønnsroller og hvordan de skal leve opp til samfunnets mannsideal. Kanskje er dette den virkelige forbannelsen, som rammer livene deres en etter en og forgifter hele samfunnet?Jennifer Nansubuga Makumbi debuterte med romanen Kintu i 2014, etter å ha vunnet en manuskonkurranse hos kenyanske Kwani Trust. Hun har siden gitt ut novellesamlingen Manchester Happened og romanen The First Woman, og vunnet en rekke priser for sine bøker.På Litteraturhuset møter hun forfatter og kunstnerisk leder for organisasjonen Radical Books Collective, Bhakti Shringarpure, til samtale om en familie og en nasjon, om forbannelser og forsoning.Samtalen er på engelsk.Arrangementet er støttet av NORAD. Hosted on Acast. See acast.com/privacy for more information.
20 Mac odeki World Oral Health Day,kintu jinis ókkol mongga oíyede yan ólla beca beci Australia ár manúic dentis ór hase záí na farer.
Gaza át Ramzan curu laraí ar búka loí samna gora forer.
Martin (Kintu) Cowart is a spiritual teacher, mystic, and manifesting mentor to many. He encourages people to awaken to the truth of who they are, that is, the creative unconditional loving energy of The Universe. He co-hosts the podcast“I Am The Universe with Khaled and Kintu,” with his son and business partner, Khaled Shaban Bin Cowart. Their live show is a celestial podcast venture that transcends boundaries and explores the cosmic realms with a blend of spirituality and profound insights. This dynamic father and son duo combines their distinct perspectives to create a tapestry of thought-provoking conversations that resonate with the essence of the universe itself. On today's episode, Martin Cowart talks about being a, "little gay boy Georgia." He was bullied and called a sissy because of the way he walked, and he also reports that he knows now he was a "very privileged white boy." Martin didn't worry about being gay and what he really had to learn was how to connect to the "Zone of Genius" and to manifest what he really was called to live in this time and space. Connect with Martin Facebook The Diamond Mind Project Website YouTube I AM the Universe Podcast LinkedIn
Beca beci beçain de yan bafedeíki hamicha doro moro doílla takon behtor.Kintu tarar kuwaf fura gottí gottí Australia át hotodilla dil demakir sukun ór mosola ó ar rishta ókkol horaf oíja goí.
Free Newsletter to learn German: https://expertlygerman.com/ebook/ ============================= 10-Week Programme (Apply): https://forms.gle/2GLetWGkw793ZnQH8 ============================= Books mentioned by Joanita: 1. Kintu by Jennifer Nansubuga Makumbi (https://www.goodreads.com/en/book/show/23286828) 2. Weep Not, Child by Ngũgĩ wa Thiong'o (https://www.goodreads.com/en/book/show/159336) ============================= Social Media: Instagram: https://www.instagram.com/expertlygerman/ Youtube: https://www.youtube.com/channel/UCGyOkcUw1b3B_hb5G2klsTg Podcast: https://expertlygerman.com/learn-german-podcast/ ==== Private lessons (limited availability): https://expertlygerman.com/private-german-lessons/
In this episode I host Denis Abwakat @abwakat, Dennis is familiar with all aspects of the production process, from pitching to budgeting to wrap. He is familiar with Drones, SFX, Green screens, Low loaders & U-cranes, Boats, Motion control, Food shoots, High-speed, Tracking vehicles, Underwater units, Stunt work, Choreography, Large-scale crowds (300+) and, of course, children and animals! Besides working with international brands such as Adidas, Nike, Apple, Netflix, Amazon and IHG, he also has extensive experience working with Tier 1 talent including English Premier League footballers, numerous international football stars, Actors and Musicians. On the podcast Denis talks about his Journey into film production in a new country United Kingdom, and how connections helped him to land on all these big job opportunities. He talks about getting an opportunity to work as a producer on the Nambi short film a story that originates from the original story of Kintu who was believed to be the first Muganda. He also gives us a little behind the scenes of shooting this film. Tune in to listen to our full conversation on YouTube and wherever you get your podcasts. Join us on our social media platforms https://linktr.ee/theugandanboytalkshow --- Send in a voice message: https://podcasters.spotify.com/pod/show/bonny-kibuuka/message
Australia ár citizen bonon yan ekan beci kucir thaím ar tojorba.Kintu citizen boni faribolla agootu tes fas gora fore.
In this episode, we delve into the fascinating world of literary translation with the esteemed author, Jennifer Nansubuga Makumbi. Join us as Jennifer shares her invaluable insights into the challenges and triumphs of translating books for Western publishing, shedding light on the delicate process of bridging cultural gaps while ensuring the integrity of the original work.Jennifer recounts her own experiences, notably with her acclaimed novel "Kintu," which successfully crossed cultural boundaries without losing its essence. She provides a compelling guide on safeguarding the authenticity of stories that originate from different worlds, protecting them from potential misinterpretations by Western editors.As we navigate the terrain of cultural bridges and editorial challenges, Jennifer Makumbi offers a wealth of wisdom for writers, translators, and readers alike. Discover the art of preserving the heart of a story while making it accessible to a global audience in this insightful conversation.Tune in to gain a deeper understanding of the intricate process of translating books for Western publishing, and learn from one of Africa's literary luminaries how to ensure your story remains true to its roots, even in a different cultural context.Awards and Nominations:The First Woman, Winner 2021 Jhalak Prize – Book of the Year by a Writer of ColourRecipient of the 2018 Windham-Campbell Prize for FictionGlobal Winner, 2014 Commonwealth Short Story Prize for Lets Tell This Story Properly Winner, Kwani Manuscript Project in 2013 for KintuNominationsThe First Woman shortlisted for The Diversity Book AwardsThe First Woman shortlisted for Encore Prize 2021The First woman shortlisted for James Tait Black Prize 2021A Girl is a Body of Water longlisted for Aspen Words Literary Prize 2021The NAIS-KNAW writer's residence 2021Kintu shortlisted for Prix Les Afriques 2020Manchester Happened longlisted for Edge Hill Prize (2020)The Alan Chuese Fellowship (2019)Kintu Longlisted for The Prix Du Medicis 2019Manchester Happened Shortlisted for Big Book Award (Harper's Bazaar) 2019Kintu Winner Prix Transfuge Du Meilluer Premier Roman Francais 2019Kintu Shortlisted for Edward Stanford Awards (2019)Grants of Art: The Arts council 2015Kintu longlisted for the Etisalat Prize 2015Support the Show.Listen to Ugandan Art Speaks Out on all podcast platforms. For more information and to explore further, visit our website at https://www.ugandanartspeaksout.com/Contact us at adnan@omuti.org or director@omuti.org
In this captivating episode, we sit down for an enlightening conversation with the renowned Ugandan fiction writer, Jennifer Nansubuga Makumbi. Join us as Jennifer shares her invaluable insights into the art of crafting compelling stories and her journey of navigating the world of publishing across continents.Discover the secrets behind Jennifer's literary success, from her award-winning debut novel "Kintu" to her latest works, "The First Woman" and "A Girl is a Body of Water." Learn how she has masterfully woven African narratives into the fabric of Western literature.Jennifer's experiences, including winning prestigious prizes like the Windham-Campbell Literature Prize and the Global Commonwealth Short Story Prize, make her a true authority in the world of literature. Whether you're an aspiring writer or a devoted reader, you won't want to miss this insightful discussion that explores the intersection of storytelling, culture, and the global literary landscape.Tune in as we delve into the creative mind of Jennifer Makumbi, offering you a front-row seat to her extraordinary journey in the world of writing and publishing.Awards and Nominations:The First Woman, Winner 2021 Jhalak Prize – Book of the Year by a Writer of ColourRecipient of the 2018 Windham-Campbell Prize for FictionGlobal Winner, 2014 Commonwealth Short Story Prize for Lets Tell This Story Properly Winner, Kwani Manuscript Project in 2013 for KintuNominationsThe First Woman shortlisted for The Diversity Book AwardsThe First Woman shortlisted for Encore Prize 2021The First woman shortlisted for James Tait Black Prize 2021A Girl is a Body of Water longlisted for Aspen Words Literary Prize 2021The NAIS-KNAW writer's residence 2021Kintu shortlisted for Prix Les Afriques 2020Manchester Happened longlisted for Edge Hill Prize (2020)The Alan Chuese Fellowship (2019)Kintu Longlisted for The Prix Du Medicis 2019Manchester Happened Shortlisted for Big Book Award (Harper's Bazaar) 2019Kintu Winner Prix Transfuge Du Meilluer Premier Roman Francais 2019Kintu Shortlisted for Edward Stanford Awards (2019)Grants of Art: The Arts council 2015Kintu longlisted for the Etisalat Prize 2015Support the Show.Listen to Ugandan Art Speaks Out on all podcast platforms. For more information and to explore further, visit our website at https://www.ugandanartspeaksout.com/Contact us at adnan@omuti.org or director@omuti.org
Sermon extract Morning Devotion of Thursday 10th Aug. 2023 Topic: STAND FIRM (Ephesians 6:10-14) Preacher: Ms Christine Kintu
Chilcare subsidi boçai diye kintu fees ó eto baíjje. Ar yan óttu 1.2 million fémli ye faída faíbo.
Australia becu polular dec bar muluk fonna foribolla.Kintu ehon ór butore taíbar zagar mosola soler zindilla neíki gor bara tuaíbolla.
Ekhon ór butore 50,000 gór ókkol baralla tuli raíkke agagura Australia át.Kintu sáíle 2 bosor agé aro dabel aíccil.
In October 2022, the Black Women in Science Network held Celebrating You with the support of the Academy of Medical Sciences. Vivien Kintu, the Equity, Diversity and Inclusion Manager at the Academy of Medical Sciences, and her colleagues, were instrumental in the creating this space to celebrate Black Women in Science. We speak with her to hear about how AMS were able to create this space and how other institutions can take the action sot the same. We also speak about how the AMS recently launched its first ever EDI Strategy 2023-26 with a mission of ‘becoming a trusted voice in EDI'. Referenced in the episode: EDI Strategy (2023 – 2026) - https://acmedsci.ac.uk/about/ourwork/equity-diversity-and-inclusion/edi-strategy AMS 10-Year Strategy (2022 – 2032) - https://acmedsci.ac.uk/about/ourwork/strategy-2022-2032 More information: Check us out on this list for Top Women in Science Podcasts on Feedspot - https://blog.feedspot.com/women_in_science_podcasts/
Gór hode yan ekan beci aram ór zaga añaralla.Kintu aram lagé iín ar no lagé zedice jiran ar peçosil loí mosola taílé.
Himalayar porbot-er borofer arale lukiye ache emon anek rosshyo ja amader rupkatha o kalponar jogotei eto kal boshabaash koreche! 100 bochhor boyeshi lama, theke unicorn toh achei ar hoyto tar thekeo bishaaal boro kichu? Kintu ei sob ki sotti naki shudhui kalpona? Prof. Shonku ki ei kalpona r bastober lina ta muchhe phelben?Introduction: MirProfessor Shonku: DeepSaunders: SomakKroll: AgniAbinashbabu: Jagannath BasuMarkovich: RichardRabsang: AtriBackground music and special effects: RichardEpisode direction: Team Sunday SuspenseOverall Direction: Indrani Hosted on Acast. See acast.com/privacy for more information.
The Busoga kingdom is located in Eastern Uganda. It's one of the 5 monarchies of Uganda.Today I talk about the pre-colonial beginnings of Busoga. Kintu and Mukama are two men mentioned as being the fathers of the people who founded the many states that comprised this kingdom. Enjoy. :)There is a youtube version of today's episode if you would like to check that out. There are slight variations in presentation between the two but the information is the same. Please follow link below. Subscribe and follow.https://youtu.be/2MGe3WVXKh8ReferencesDavid William Cohen, “The Historical Tradition of Busoga; Mukama and Kintu” ( London: Clarendon Press, 1972)Y.K. Lubogo ESQ, “History of Busoga”(Kisubi,Uganda: Marianum Press Ltd, 2020)(Translated and reprinted from original written in Luganda)B.A Ogot, "The Great Lakes Region" , "UNESCO General History of Africa IV, Africa from the Twelfth to the Sixteenth Century" (Heinemann Educational Books, 1981)The Eclipse Of Biharwe 1520 AD, Biharwe Hill Mbarara (https://www.travel256.com/safari-news/2017/11/the-eclipse-of-biharwe-1520-ad-biharwe-hill-mbarara/) (Nov/2/2017)Music UsedInfados" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Ominous" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Musirankondo by Kuruseni and Soga Men (Busoga)Odhiambo Odet by Ogalo Mirasi (Western Kenya)Ntajemerwa by The Ntajemerwa Royal Drummers (Bunyoro)Recorded by Hugh Tracey in the 1950s.Nva Jinja by Laty Wizy ft Busoga Stars. Nva Jinja means "I am from Jinja"
Sex education is still one of the most challenging topics for parents to discuss with their children. Fortunately, sexual health is widely taught in Australian schools, and parents can access many resources to help them overcome feelings of shame or awkwardness. Here are some experts' top tips to help parents have these chats. - Jins ór baabote fonna oíyedeki uggwa beci duk maa baaf óttu hoíbolla fuaín dor loí.Kintu baíggo yé jins/skecual ór aram ór baabote Australia ar eskul ót cika.Hoto dilla suzuj ókkol di raíkke corom ya ajib mehsus yan hom goribolla.Eçe oíyedeíki honorman ór sobse behtor mocwara.
Shunechhi opposites attract. Kintu shei attraction ki ekta dirghojeebi shomporker bheet hote pare?After a successful decade of SundaySuspense, team Mirchi Bangla presents a brand-new series of love stories - প্রেম (dot) কম ... Tumi Robe Nirobe is the 1st volume from the Tagore Specials brought to you by the series to pay tribute to Rabindranath Tagore.Starring Mir, Deep & AyantikaStory: Rabindranath TagoreAdaptation: GodhuliSound Design: RibhuCreative & Publicity: AltoIdeation, Recording, Direction: AyantikaAbout Tagore Specials: Amader bangalider week shuru hoy .. Monday Blues diye noy, Rocking 'Robi'baar diye. Feeling sad theke happily romantic .. Robi amader kache shob status update ei royeche. 25-e Boishaakh .. taar jonmobarshiki te amra taakei janalam tribute amader ei Tagore Specials diye.Enjoy and stay connected with us!! Hosted on Acast. See acast.com/privacy for more information.
Satyajit Ray's Feluda in Baadshaahi Angti. Kolkatay prochodno groom poreche, tai Felu Da, Topshe ar Jatayu thik korlen ektu Puri theke chhuti katiye aste! Kintu sekahneo ki char pabe tara? Samudrer dhare mil-lo ek dead body! Ki kore korlo ei teen jon rahashyer samadhan? Hosted on Acast. See acast.com/privacy for more information.
Jennifer Nansubuga Makumbi joins host Bhakti Shringarpure for an episode of BookRising that features trailblazing African feminist writers. Makumbi is a Ugandan writer and has published two critically acclaimed novels Kintu (2014) and A Girl is a Body of Water (2020). She is also the author of a collection of stories titled Manchester Happened (2019) and the recipient of prestigious awards such as the Kwani Manuscript Prize, the Windham-Campbell Prize and the Jhalak Prize. Makumbi is known her for brilliant storytelling skills and her epic multigenerational novels that often feature spirited women protagonists. Yet, the path to getting her historically and linguistically complex books published was not easy. Makumbi speaks openly about her tumultuous journey trying to get her novels out and what it taught her about being an African writer. She believes that histories of the empire have made it such that African authors tend to write to the center and has realized that de-centering her readership was the key to finding the freedom to write about the subjects and stories that made sense to her. Proudly feminist, she believes that while women might be propped up as custodians of their cultures, they are often left out of historical narratives entirely. Her work sets out to rectify that. Makumbi offers tips for aspiring women writers urging them to read voraciously. She also shared the names of writers who have inspired her! Bhakti Shringarpure is the Creative Director of the Radical Books Collective.
Rock fishing hodde yan beci popular aktiviti Australia ár butore.Million manúic mas dori tó za fattor ót uçi yaré.Kintu halot nosini zadé eítalla tara ris ót fori zagoí,duk fa ar mori zagoí yan ólla boli yan beci hotora.
Rock fishing hodde yan beci popular aktiviti Australia ár butore.Million manúic mas dori tó za fattor ót uçi yaré.Kintu halot nosini zadé eítalla tara ris ót fori zagoí,duk fa ar mori zagoí yan ólla boli yan beci hotora.
Long live the King!. If you know someone who would enjoy this episode, share it with them! Email me at AUgandanBabe@gmail.com and follow me on Twitter at @essKentaro to continue the conversation. Thanks for listening, give us a like, rate us on apple podcasts and follow the channel if you enjoyed this episode. I hope you will be back for the next one. Tags: A Ugandan Babe, Kentaro, Uganda, Buganda, Bunyoro-Kitara, Bachwezi, Chwezi, Cwezi, Babiito, Kintu, Nambi, Kabaka, Nnabageraka. Sources: - https://www.buganda.or.ug/nnabagereka - https://www.cambridge.org/core/journals/history-in-africa/article/abs/traditions-of-the-early-kings-of-buganda-myth-history-and-structural-analysis/448947600571FCA7B72C2F4C67EEF947 - The Orisha podcast: How Kintu and Nambi brought death to earth - Stories Mother Told podcast: The Nakku of Buganda Kingdom - https://en.wikipedia.org/wiki/Kintu --- Send in a voice message: https://anchor.fm/skentaro/message
Australia ár kanun ór sistem beci duk hor uggwá manúic óttu buzibolla,eitalla boli honurman ór modot lagé.Kintu uggwá ukil doribolla hoto cot thiéñya lagé.Har uggwá manúic óttu hasti naí dibolla.Kintu Legal aid ór zoriyayé tuñi mana kanun ór modot faít fariba.
Australia ár kanun ór sistem beci duk hor uggwá manúic óttu buzibolla,eitalla boli honurman ór modot lagé.Kintu uggwá ukil doribolla hoto cot thiéñya lagé.Har uggwá manúic óttu hasti naí dibolla.Kintu Legal aid ór zoriyayé tuñi mana kanun ór modot faít fariba.
This episode welcomes Vanessa Kisuule and Jack Bigglestone who have each revived a millennia-old monster. Jack lands the mythical figure of the Basilisk in contemporary life, whilst Vanessa retells the Ugandan myth of the first man Kintu, and the mysterious death-like figure of his brother-in-law Warumbe. They join our host Eleanor Penny to share their reinterpretations and discuss their approaches. Find out more, listen to all our poems and catch up with all of our previous episodes at: endoftheworldpodcast.com Follow us for updates on Twitter or Instagram: @goodbyeworldpod
Kintu is a mythological figure who appears in a creation myth of the Baganda people of Buganda, Uganda. According to this legend, Kintu was the first person on earth and the first man to wander the plains of Uganda alone. He is also known as God or the father of all people who created the first kingdoms.African folktales are passed down from generation to generation and the stories are very important to the traditions and customs of all African people.As the second-largest continent in the world, Africa is home to a wealth of stories capable of moulding character and emphasising values like honesty, integrity, courage and solidarity.
24_v-v-karapatram---panca-visheShaNAni---guNaH-jAtiH-dravyam-karma-abhAvaH_+_unnataH-guNivAcakaH-kintu-visheShaNa-vAcakaH-api_+_unnata-shabdasya-siimA_2015-11-14
25_v-v-karapatram---panca-visheShaNAni---guNaH-jAtiH-dravyam-karma-abhAvaH_+_unnataH-guNivAcakaH-kintu-visheShaNa-vAcakaH-api_+_unnata-shabdasya-siimA_2015-11-16
African Myths of Origin, Kintu's Kingdom. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/phines-jackson-jr7/support
African Myths of Origin, Kintu. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/phines-jackson-jr7/support
Our Guest, Jennifer Nansubuga Makumbi, use Labi Siffre’s song, Something Inside So Strong to unpick the migrant narratives in her collection of short stories, Manchester Happened (published in the USA as Let’s Tell This Story Properly), we explore the ways in which Sweet Mother by Nico Mbaga contribute to conversations on the treatment of indigenous Ugandan feminism in relation to western feminism in the novel, The First Woman (published in the USA as A Girl Is A Body of Water), and we also draw explicit parallels between Chinua Achebe’s Things Fall Apart and Makumbi’s Kintu.Listen to Jennifer Nansubuga Makumbi’s curated playlist on Spotify, and Deezer. Follow @booksandrhymes on Twitter and Instagram to stay informed on the latest news on classic and contemporary books by writers of African descent. We would love it if you share your thoughts & tag us in your social media posts of this episode. The song you heard in the intro and outro of this podcast is titled: Reset by Meakoom (Meakoom) link to her music is available on Bandcamp Jennifer Nansubuga Makumbi's Bibliography: - Kintu- Manchester Happened (Published as Let's Tell This Story Properly in the USA)- The First Woman - (Published as A Girl Is a Body of Water in the USA) See acast.com/privacy for privacy and opt-out information.
What power do editors have in steering a writer’s career? What are the real value of winning literary prizes such as the Kwani! manuscript project? What challenges do African writers encounter when attempting to publish literary fiction that exclude the white gaze? Our guest Jennifer Nansubuga Mamukbi, award winning author whose novels include Kintu (pronounced ChinTu), The First Woman (published as A Girl Is A Body of Water in the USA), and the short Story collection, Manchester Happened (published as Let’s Tell This Story Properly in the USA) situate Ugandan mythology in the fictional narrative of historical and contemporary Ugandan experiences. We use the music of Miriam Makeba, Queen, Eddy Kenzo, Tracy Chapman, Krizbeatz x Teni and more to explore Makumbi’s experience of being published, the real value of winning the Kwani! manuscript project & how it defined her writing career, why writers must to invest in good editors, and we also discuss her response to that introductory essay to the USA edition of Kintu. Listen to Jennifer Nansubuga Makumbi’s curated playlist on Spotify, and Deezer. Follow @booksandrhymes on Twitter and Instagram to stay informed on the latest news on classic and contemporary books by writers of African descent. We would love it if you share your thoughts & tag us in your social media posts of this episode. The song you heard in the intro and outro of this podcast is titled: Reset by Meakoom (Meakoom) link to her music is available on Bandcamp Jennifer Nansubuga Makumbi's Bibliography: - Kintu- Manchester Happened (Published as Let's Tell This Story Properly in the USA)- The First Woman - (Published as A Girl Is a Body of Water in the USA) Books discussed and referenced in this episode: - Like A Mule Bringing Ice Cream to The Sun – Sarah Ladipo Manyika- The Famished Road – Ben Okri- God's Bits of Wood - Sembene Ousmane- Lives of Great Men - Chike Frankie Edozien See acast.com/privacy for privacy and opt-out information.
Celebrations of important family, cultural and religious occasions have had to adjust to the social distancing rules and travel bans in 2020. - Kucci manon oíldeki ekan beci zoruri jinis har uggwá fémlila ,dormo ar hoto dilla solasol ólla.Kintu sofor ór pawandilla boli manúic óttu adjus gora foíjje.
Celebrations of important family, cultural and religious occasions have had to adjust to the social distancing rules and travel bans in 2020. - Kucci manon oíldeki ekan beci zoruri jinis har uggwá fémlila ,dormo ar hoto dilla solasol ólla.Kintu sofor ór pawandilla boli manúic óttu adjus gora foíjje.
Episode Notes Hi its Ada. I hope you are taking good care of yourself and doing well. In this episode, I will be reviewing Kintu by Jennifer Nansubuga Makumbi. Ok, guys 2 quick things you have brought to my attention which I'll address real quick. First I know I usually say the author’s full name throughout all the episodes but it’s intentional to you know put respeck on their name as is spelled out on the book cover. My thinking is that that’s how the author wants to be addressed. And that’s that. I”m not gonna call them Jennifer or Angie or Abubakar or Zinzi. We’re not bffs. It’s really that simple. Something else that I don’t know if you’ve noticed or not is I usually avoid mentioning if the book is award winning or whatever. And it’s not to diminish the award or a failure to acknowledge. After all that information is publicly available anyway. The reason I try to avoid mentioning awards or literary prizes where possible is to refrain from making any false distinctions between award winning books and otherwise. Because while awards are incredible especially for minority writers. Awards bring more publicity to the book. Just like you know an oscar winning movie, gets more attention and viewership. Or in the case of books, more readership. People make buying decisions around prizes and awards and all that great stuff. So awards are extremely helpful for writers, especially less visible, minority writers. They can use all the visibility they can get. Also the awards come with considerable monetary compensation which is phenomenal for writers because writing is not like your typical 9-5 guaranteed income stream. Umm look at me. I’m podcasting. So, overall back to my point is that while awards are extremely useful and in many cases, actually necessary, and trust me, I’d love to win a couple of them, but honestly to me, awards are not the final or comprehensive determiner of what makes good literature. Literature like all other forms of art is subjective. There are so many magnificent books out there that could go toe to toe and even surpass award winning books by a clear mile. So that’s the reason I don’t bring awards up. Unless of course it’s mine. To me, great literature is great literature, whether or not it’s award winning. So, let’s start as we typically do with a teaser of what Kintu by Jennifer Nansubuga Makumbi is about. Kintu is an intergenerational epic saga set in Uganda. So guys yeah, we off to Uganda in this episode. East Africa, baby! Quick sidebar. My claim to fame with Uganda is I was on a flight once that stopped in Entebbe airport to refuel and pick up passengers. So I’ve been on Ugandan soil or maybe more accurately, a Ugandan tarmac. Anyway this book kicks off in 1750 in the kingdom of Buganda (so the pre-colonial Uganda) Here we meet Kintu, after whom this book is obviously named. Kintu is a powerful and wealthy man, He is the Ppookino or governor of the Buddu province within the Buganda kingdom and is married to identical twins. Kintu has a lot of children, many of whom are twins. And he also adopts a boy, Kalema, who is the child of a Tutsi immigrant, Ntwire, who lives in their community. Kintu loves Kalema just like he does his biological children but something happens between Kintu and Kalema. And in response Ntwire, the Tutsi immigrant aka Kalema’s biological father, I hope you’re following this?, lays a curse on Kintu and his future generations. And so the book follows the manifestation of the curse on Kintu’s descendants. As I was reading this novel, very early on I saw the obvious influence of Chinua Achebe's seminal Things Fall Apart. And not because of the pre-colonialism aspects of Kintu but also because of that pivotal relationship between Okonkwo and Ihemefule in Things Fall Apart echoed in the relationship between Kintu and Kalema. Are you guys still following me? My suspicions were confirmed on page 312 where the author references Things Fall Apart as a work that is being explored as a sociological study by one of the characters. So it felt good to be right haha So let’s talk about what I loved about Kintu. The scale of this novel is grand. If this novel were a building it would be a stately manor. This book runs over 400 pages with about 20something major characters. I’m not gonna lie, when I bought the book and saw it ran 400 pages in small print, I was nervous because I didnt wanna spend that much time reading a book I wouldn’t enjoy. I’ll post a picture of my copy on social media so you’ll see what I mean. At over 400 pages it felt daunting to even start but I’m glad I did. It was compulsively readable, a page turner. Like I mentioned, this novel is intergenerational, spans several descendants of Kintu, the breadth of the novel is formidable. But in the hands of this writer, it was never an unwieldy beast. From Pages 1 to 410, Jennifer Nansubuga Makumbi was always in charge. She never lost control of her story or characters. It was terrific. This is the type of novel of such an impressive scale that challenges me in my own writing to squeeze myself for more juice, for more story to be told. This is the book that I wish that Homegoing by Yaa Gyasi was. Have you guys read Homegoing? Homegoing by Yaa Gyasi was also intergenerational but to me the descendant stories didn't feel connected. And I get that you could totally argue that Homegoing was about the disconnect, to say the least, that happened because of the transatlantic slave trade. However, the biggest frustration that I had with Homegoing was that it felt to me like a book of short stories, like a collection of vignettes, and not a cohesive novel. Homegoing got a lot of really great accolades and it did have its shining moments and I loved a few of the stories, it had a great theme, but overall I personally found it to be underwhelming.I think it got a lot of buzz because it was an issue book. Listen to Episode 1 for my fuller take on issue books. But although Kintu is not about the transatlantic passage, I just think Jennifer Nansubuga Makumbi’s ability to tell that really good story of generations of Africans interrupted by European influence (in Kintu’s case, colonialism) is just so masterfully done here. This novel is divided into 6 books. Also, I loved, loved, loved, did I say loved, Book I. Book I covers the first 15 chapters. These chapters are where we meet Kintu, his complicated family, and also watch him execute his duties as governor of Buddu province in service to the kabaka, that is the king of Buganda. These 15 chapters of Book I were chef’s kiss, superb. I rarely reread books but I’ll reread these chapters again at some point. And I think what was particularly impressive is that the author balances the plottings of Kintu’s household on one hand, and the political machinations that happen at the kabaka’s palace with such jaw-dropping finesse. For me these were the best parts of Kintu by far. Beautiful, beautiful work. Thirdly, all of the different descendants of Kintu that appear in this novel are all very well done, fleshed out, very solidly three-dimensional, they arrive on the page with a history, you get to pay witness to their current lives and peek into where they're headed. It is so very well done, it’s an outstanding achievement of a novel that Jennifer Nansubuga Makumbi has written. So, lemme talk about the writing for a moment. Jennifer Nansubuga Makumbi writes with such exhilaration and pride. In Kintu, she tells the story of a country through its people. The writing doesn't try hard, it’s not self conscious. It is both masterful and unpretentious at the same time. I’ll read you a few examples of her sentences to illustrate why I mean by masterful yet unpretentious. On page 123, “when there is no one to remind you of who you are, then you belong” you see how profound that sentence is but also like humble at the same time? Here’s another example from the next page 124 “who strangled the toothpaste?” one word, strangle, that successfully captures what the ordinary person would describe as squeezing from the middle of the tube. And one more example from page 228, “From then on the disease accelerated - night sweats, fevers, fatigue, a funny rash on the left arm, sometimes her mind went and her feet hurt. She suffered from this, that, and everything. Then her weight dropped. Before we knew it she had lost her hair. Then her feet hurt so much, I put her in a wheelchair. From the wheelchair, Nnayiga hopped into the coffin.” So I thought this was so well done because it was about the tragedy of a prolonged illness. But there is an effortless humorous affect to the passage. Also, I hope you didn’t miss the irony of someone who lost their ability to walk but still hopping into death. The author has a wry sense of humor which I appreciate. Jennifer Nansubuga Makumbi’s insights on colonialism are so incredibly keen. On page 314, she writes. But before I read it, just for context the passage I’m gonna read is about a character named Miisi. Miisi is an intellectual who was raised by colonial-era missionaries, Irish priests who raise Miisi in such a manner that degrades and dehumanizes everything that’s African.The Irish missionaries imbue themselves with a pseudo Messianic nature. You know we’re here to save the savages and bring Christ to the heathens. So Miisi comes to associate whiteness with goodness, godliness,intelligence and he imagines that Europe must be heaven. And so that's the kind of effective brainwashing that the white, European missionaries did on Miisi who ingests these messages and even grows up being grateful to the colonialists for saving him from his savagery and heathenism. At some point later on in his life Miisi goes to Britain to study for a PhD and in the process of studying and living in Britain he finds that British people do not exactly fit the illusion the colonialists brainwashed into him. And in response to the dismantling of this false reality he’s carried all of his life, Miisi builds for himself instead an idealized Wakandaesque narrative of Africa. So with this background and context, I’ll read you the quote on page 314."The image Miisi had constructed in Britain of the noble African rooted in his cultural values and shunning Westernization was a myth. What he returned to were people struggling to survive, who in the process had lost the ability to discern vivid colors of right and wrong. Anything that gave them a chance to survive was moral. To make matters worse people around him including his family called him muzungu. Miisi had become European among his people.” Moving along, so Jennifer Nansubuga Makumbi also writes against the backdrop of key historical events in Uganda’s post colonial life. One of them being the rise and fall of Idi Amin. While Idi Amin has never featured too much in my political consciousness, the author resurrects him and makes the reader rethink what they think they know of Idi Amin. He has been widely painted as a wild cannibalistic tyrannical despot. And I’ve never before questioned this caricature of him. But Jennifer Nansubuga Makumbi for the first time made me step back and reconsider who has been responsible for painting Idi Amin in such colors? Western media. It’s sad how I never questioned the caricature of Idi Amin. I’m sure he was tyrannical and perhaps unhinged as most depots tend to be. But who created the conditions for an Idi Amin to rise? Who revels in the narrative of the savage cannibalistic African? Those are the questions we should be asking. And we know the answers. Overall, this book is a mic drop, a feat, an achievement. It's the kinda book if a random stranger by way of conversation as Americans tend to do, were to ask Jennifer Nansubuga Makumbi, what she does, you know like hey girl hey Jennifer nice to meet you what do you do and then Jennifer can be like THAT while pointing to Kintu. She can die happy knowing she wrote this novel and accomplished something astounding. And I don't use astounding flippantly. So there it is, you guys. That is what I loved about Kintu by Jennifer Nansubuga Makumbi. But before I launch into what I didn’t like quite as much, here is a message from my sponsor. Stay with me. Welcome back to the Misty Bloom Book Club. Thank you for hanging with me. So let’s jump into what I didn’t care for about Kintu. I hated the prologue. I felt like the novel should have started with Chapter 1, Kintu’s story. So the prologue was a narrative of the grisly, violent murder of one of Kintu’s descendants. It was impactful in the sense that for the novel’s opening it grabbed your attention but it left me with a very bad taste in my mouth that took me a good while to shake off. For me, there was no literary merit to the outright violence. It was disconcerting and felt like it was done for shock value and I always find shock value to a cheap ploy. Also the prologue had your classic,almost paint by numbers style MFA writing. I even googled to see if Jennifer Nansubuga Makumbi had an MFA and she does. While MFA writing is good writing don’t get me wrong, but it feels the same to me, I can spot it anywhere, churned out from the same creative writing workshops and factories and for that reason it feels soulless to me. So I was immediately disappointed starting this novel. But I was so glad I stuck with it and I didn’t have to wait long at all because the tides quickly turned on Chapter 1. But basically I didn’t care for the prologue. Okay so moving along, So let’s talk about the character, Miisi. On one hand Miisi is vehemently intellectual, you know an atheistic, cerebral and rational person who is out of place and sticks out like a sore thumb in the village because of his you know intellectualism. But Miisi also has visions and has some metaphysical experiences. And while I do think people can be both, I don’t think the author did a great job of reconciling the two aspects of Miisi. Miisi himself, the staunch atheist rationalist does not interrogate these opposites within himself. It was not believable at all. Also, Miisi arrived late in the book and we spend the final 16, yes you hear that right, 16 chapters on this guy. I was sick of him. He was cool for like 2 or 3 chapters tops but I did not find him to be particularly interesting or fascinating for 16 chapters so I got tired pretty quickly reading about the character, Miisi. And here’s a tip for new or aspiring writers. Please do not introduce important characters late in your novel. Bring them on board early on or in the middle somewhere. Otherwise the reader, like me in this case is constantly questioning the character’s significance instead of focusing on the story. It’s very distracting. Also when you delay introducing us to a character who has a very important role to play in your story, they end up not feeling like real people but like plot devices. It’s very deus ex machina. Imagine meeting Jon Snow for the first time ever in Season 6. I found two typos in this book. I think finding a rare typo is super cute. I forgot to log what the first typo I found was. But I smiled when I encountered the second one. The second one I found was on page 335 and it reads "Miisi changed subject.” Did you catch that? Miisi changed subject not Missi changed the subject I find typos like that to be cute in the sense of someone forgetting to fix their collar or a strand of hair is out of place. Of course like everyone else I don't want to see typos galore, typos everywhere. It’s horrible, that’s not cute, it’s poor quality control but seeing the odd, rare one or two throughout the book is super cute. I don't know it. It just makes me smile. Those imperfections are sweet and it feels relatable you what I mean. I don’t know. Maybe I’m just weird. Ok, finally the ending was a jumbled mess of a resolution. It was similar to how I felt reading the ending of The Hate U Give. The writing itself, in terms of artistry was still fantastic. But it was the cramming of too much into the final chapters, the author’s manic dedication to giving all of the characters a resolve. It was an exhausting note to end on. Another tip for writers, watch your pacing, please. It’s like being a conductor of an orchestra. All of the musicians and instruments can’t all be playing at the same tempo during the crescendo. So that’s what I didn’t care for about Kintu. Let’s turn now to guessing who Jennifer Nansubuga Makumbi is like. But before I do that, here is a super quick message from my sponsor. Stay with me. Welcome back to the Misty Bloom Book Club. Thank you for hanging out with me. So, what do I think Jennifer Nansubuga Makumbi is like? I think she is a person of integrity, the kind of person whose word you can rely on. But also expects the same in return and will hold people accountable to what they’ve said they’re gonna do. I also think she is a hardworking, grounded, sensible type individual. So that’s my guess of who Jennifer Nansubuga Makumbi is. If you know her, let me know if I pegged her correctly or got it wrong. Final thought, I profusely, enormously loved Kintu. It’s freaking epic in the truest, most authentic sense of the word, epic. If you’re in the mood for a novel that straddles the traditional and the modern in the vein of Things Fall Apart by Chinua Achebe, definitely check out Kintu. Support Misty Bloom Book Club by donating to their Tip Jar: https://tips.pinecast.com/jar/mistybloombookclub Find out more at https://mistybloombookclub.pinecast.co
With Australian domestic tourism down $21.7 billion compared to last year, 2020 is like no other in the tourism world. But if your travel plans have been disrupted, technological advancements may now enable the world to come direct to you. - Australia ár tourism $21.7 billion fori giyoí gelde bosor óttu waro saílé.Kintu sofor goribar pelan ót gorç bot oílé teknologi loi dunia har jinis lot faíba.
With Australian domestic tourism down $21.7 billion compared to last year, 2020 is like no other in the tourism world. But if your travel plans have been disrupted, technological advancements may now enable the world to come direct to you. - Australia ár tourism $21.7 billion fori giyoí gelde bosor óttu waro saílé.Kintu sofor goribar pelan ót gorç bot oílé teknologi loi dunia har jinis lot faíba.
Kintu Guru Ki Drushti Aisi Nahi Hoti : Manoj Bhai Gurubhaktiyoga
Kintu Guru Ki Drushti Aisi Nahi Hoti : Manoj Bhai Gurubhaktiyoga
New critical biographies of Sylvia Plath and Seamus Heaney and a reissue of Anne Sexton's poems prompt a conversation for National Poetry Day about our image of a poet. Is it possible to separate a poet's life from their work? Shahidha Bari is joined by New Generation Thinkers Sophie Oliver and Peter Mackay, and by Plath biographer Heather Clark. And she talks to Jennifer Nansubuga Makumbi about her new novel, The First Woman – a coming of age story of a young girl in Uganda, mixing modern feminism and folk beliefs against a backdrop of Idi Amin’s regime. The First Woman is out now. Jennifer Nansubuga Makumbi teaches creative writing at Manchester Metropolitan University, and her other books are Kintu and the short story collection Manchester Happened. Mercies: Selected Poems by Anne Sexton is being issued in the Penguin Modern Classics series in November 2020 On Seamus Heaney by Roy Foster is published by Princeton University Press Red Comet: The Short Life and Blazing Art of Sylvia Plath by Heather Clark is published in October by Vintage. Sophie Oliver teaches at the University of Liverpool and researches women and modernist writers, including Jean Rhys. She also writes for the TLS, Burlington Magazine, and The White Review. Peter Mackay teaches at the University of St Andrews and has published writing on Sorley MacLean; an anthology, An Leabhar Liath: 500 years of Gaelic Love and Transgressive Verse; and his own collection of poems Gu Leòr / Galore. Free Thinking has a playlist of conversations about prose and poetry on the website - all available to download as Arts & Ideas podcasts. https://www.bbc.co.uk/programmes/p047v6vh If you have been affected by the mental health issues in this programme, you can find details of support organisations from the BBC Action Line website https://www.bbc.co.uk/programmes/articles/4WLs5NlwrySXJR2n8Snszdg/emotional-distress-information-and-support Producer: Emma Wallace
Born in Entebbe in Uganda, Doreen Baingana was inspired by Toni Morrison quote: "if there is a book that you want to read but it hasn't been written yet, then you must write it". Doreen takes us through the Challenges and sacrifices that she endured to produce the multiple award-winning Novel "Tropical Fish.” 1. Full profile of Doreen Baingana Click here 2. To buy a copy of tropical Fish, Click here 3. More on Toni Morrison, Click here 4. Recommended book by our guest : - Kintu by Jennifer Nansubuga Makumbi - The sympathiser by Viet Thanh Nguyen Special thanks to Mustafa Maluka Download BePerk : The Rebirth of social media. About the host, visit www.ralphsamba.com Follow us on Instagram: https://www.instagram.com/ralphthemurega/?hl=en Please subscribe to The podcast and kindly leave a review.
Grandparents traditionally play a significant role in the Australian family life, but with the government advising older people to stay home, social isolation is changing the way many now approach grandparenting. - Australia ár fémli ír zindigi ít dada dadi ar nana nani án hodé iín beci zoruri.Kintu aí thaím ót zohon sorkar yé bura manúic ókkollore gór ór butore taki to hor .Toí dada dadi bon ór torika yó bodóli giyo goí.
Grandparents traditionally play a significant role in the Australian family life, but with the government advising older people to stay home, social isolation is changing the way many now approach grandparenting. - Australia ár fémli ír zindigi ít dada dadi ar nana nani án hodé iín beci zoruri.Kintu aí thaím ót zohon sorkar yé bura manúic ókkollore gór ór butore taki to hor .Toí dada dadi bon ór torika yó bodóli giyo goí.
Episode 50: Catch all the episodes on our website www.StirCrazyShamans.com We ended up going completely off-topic which of course makes for the best shows because we are following the energy. In this show, we talk about the energy centers of the body called Nawis which is similar but different to the Chakra system. We also talk about how to do a Kintu to connect with the nature spirits around you as well as plant medicines and addictions. Have more questions? Be sure to make a comment below and we can address them in future episodes. Would you like to connect us in-between shows? Join our Facebook Group! https://www.facebook.com/groups/ConversationswithConsciousness #Shamanism #Shamans #StirCrazyShamans #PeruvianShamanism #Spiritual #Spirituality #Self-help #SelfHelp #SpiritualGrowth #Emergence #Beingness #Possiblity
If you are over 60 and living with a chronic condition, you may be worried about your regular medical visits during COVID-19 but with Australia's infection rates controlled better than in many parts of the world, experts say you shouldn't worry about receiving physical treatment at healthcare facilities. - Zedice tuáñar boc 60 bosor ór oíle ,tuáñrtu hamaka dór lagibou daktor hana zaíbola COVID-19 ór halot ibat.Kintu zohon Australia ár reth biyaram ibar baabote kabut asé ,aramiyot ór hunorman ókkol hoddé ki tuáñrtu hono dóra noforibou dakto hana zaíbolla ar dabaí ucut goribolla.
If you are over 60 and living with a chronic condition, you may be worried about your regular medical visits during COVID-19 but with Australia's infection rates controlled better than in many parts of the world, experts say you shouldn't worry about receiving physical treatment at healthcare facilities. - Zedice tuáñar boc 60 bosor ór oíle ,tuáñrtu hamaka dór lagibou daktor hana zaíbola COVID-19 ór halot ibat.Kintu zohon Australia ár reth biyaram ibar baabote kabut asé ,aramiyot ór hunorman ókkol hoddé ki tuáñrtu hono dóra noforibou dakto hana zaíbolla ar dabaí ucut goribolla.
While the prime minister wants all schools to resume by June, many parents are keeping their children at home out of concern for their safety. Luckily for those parents, resources and help for home-based learning are available if needed. - Prime minister yé yas saddé ki June ótti har ekan eskul Australia yar butore curu oí bolla.Kintu hudun maa baaf ókkol le fuaín dore gór ót rakider hefazot ólla boli.Eí maa baaf gin baíñggo asé tarattu sedukun sujuk lager iín beggun asé fuaín dore gór óttu táí fonna foraí bolla.
While the prime minister wants all schools to resume by June, many parents are keeping their children at home out of concern for their safety. Luckily for those parents, resources and help for home-based learning are available if needed. - Prime minister yé yas saddé ki June ótti har ekan eskul Australia yar butore curu oí bolla.Kintu hudun maa baaf ókkol le fuaín dore gór ót rakider hefazot ólla boli.Eí maa baaf gin baíñggo asé tarattu sedukun sujuk lager iín beggun asé fuaín dore gór óttu táí fonna foraí bolla.
While the prime minister wants all schools to resume by June, many parents are keeping their children at home out of concern for their safety. Luckily for those parents, resources and help for home-based learning are available if needed. - Prime minister yé yas saddé ki June ótti har ekan eskul Australia yar butore curu oí bolla.Kintu hudun maa baaf ókkol le fuaín dore gór ót rakider hefazot ólla boli.Eí maa baaf gin baíñggo asé tarattu sedukun sujuk lager iín beggun asé fuaín dore gór óttu táí fonna foraí bolla.
Chantal Pattyn praat met Pauline Broekema, die zich verdiepte in het leven van kunstenares Edith Auerbach. Catherine Vuylsteke las Kintu, een grote Oegandese roman. En waar haalt Benoît van Innis in deze dagen zijn inspiratie?
Jennifer Nansubuga Makumbi is a fantastic example of never, ever, ever give up on your dreams. She was born and raised in Uganda. While she won awards for plays that she wrote while in high school, she didn't think of creative writing as a career, instead becoming an English teacher. But she longed to write, and decided to take the very daring step of going to the UK to do a Masters degree in creative writing. In 2003, initially inspired by her father's battle with schizophrenia, Jennifer started writing what would become her first published novel ‘Kintu'. Jennifer was also intrigued by the way the western world characterizes Africa as a “place of madness”. “I need the world to know about Uganda. That is very important to me. Someone has gone out telling the world about Uganda, and all they said is Idi Amin, HIV, and homophobia. But I know Uganda. That is not Uganda. So I'm going to tell the world, and I'm going to insist and scream out loud. This is who we are -- we are both beautiful and ugly. We are wonderful and not so good. We are everything that other people are.” - Jennifer Nansubuga Makumbi Jennifer approached several publishers when she had finished the book. But despite winning major awards, including the Commonwealth prize, the international publishing world didn't take any notice. In fact she was told by one publisher that the books was “too African”! “When you read African novels, you can tell when an author is writing for the whole world. You try to explain things that are obvious to the immediate culture. Well I didn't. When I read western literature, no one tries to think ‘Okay there are African readers. Let me make things easier.' No. ” - Jennifer Nansubuga Makumbi Jennifer eventually won the Kwani Manuscript Project in 2013, and the book was published in 2014 by Kwani. In 2018, Jennifer was awarded the Wyndham-Campbell prize, which is considered the richest price in literature. Jennifer has also recently published Manchester Happened, a collection of short stories. Her second novel,The First Woman is expected to be published in August 2020.
Casey and Hank discuss ways to connect with the nature spirits of the sacred landscapes. This is important for so many reasons perhaps the greatest of which is because we have gone out of balance with our beloved earth mother. By being able to connect with nature we are able to stay in the flow of the energetic symphony happening around us. We also talk about the energy centers from the traditions of Peru called Nawis and their color association and location in the body. Want to watch the video? Click here! We also talk about a Kintu process. We talk about that in a different episode as well, you can check out the video here. Connect with the show in between streams with our Conversations with Consciousness Facebook Group. Connect with Hank Connect with Casey
Kintu the first Ugandan king gets mixed in with heavenly gbese --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/valerie-udom/support
Living in a beautiful country with picturesque rivers, lakes and coastlines, it is little wonder that boating and fishing are among Australia's favourite pastimes. However, with the fun comes responsibility and some essential rules and regulations for boating and fishing that have to be observed to keep everybody safe. - Shundur dec ot takon, doriya,haál ar fani asedé zago ókkollot dahé takilé,Has gori Australia hodé dec yan íindilla, yan óttu buzaza deíki buúth solon ar maás doron ekan eí dec or hubí ham.Kintu kucir ham iín gori baccót hudun-hudun kanun ar niyom ókkol mani zaá foribou, také har ekzon hefazot takéfan aro zanito saíle fúni so SBS Rohingya.
Living in a beautiful country with picturesque rivers, lakes and coastlines, it is little wonder that boating and fishing are among Australia's favourite pastimes.However, with the fun comes responsibility and some essential rules and regulations for boating and fishing that have to be observed to keep everybody safe. - Shundur dec ot takon, doriya,haál ar fani asedé zago ókkollot dahé takilé,Has gori Australia hodé dec yan íindilla, yan óttu buzaza deíki buúth solon ar maás doron ekan eí dec or hubí ham.Kintu kucir ham iín gori baccót hudun-hudun kanun ar niyom ókkol mani zaá foribou, také har ekzon hefazot takéfan aro zanito saíle fúni so SBS Rohingya.
Welcome to Traditional Folktales Translated Millennial with Culture Convo where our three hosts, Michelle, Eric, and La Min, retell famous folktales from different cultures in a casual, fun way. For this week’s episode we have our special guest Ezra, who will be telling us about a Ugandan folktale called The Story of Kintu.
This episode is an absolute treat as Namwali Serpell, author of the critically acclaimed debut novel, ‘The Old Drift’, takes us on a musical journey through the 20 year period of writing the novel, the problematic nature of literary prizes, the strangeness of reality, and the historical meaning of the phrase 'Muzungu'. We also discuss the connections between 'The Old Drift' to Cloud Atlas by David Mitchell, Bjork, Tracy Chapman, Larry Maluma and Kintu by Jennifer Nansubuga Makimbi. Namwali Serpell has curated a special playlist to her debut novel, ‘The Old Drift’ for Books & Rhymes which you can listen to on YouTube and Spotify.Subscribe to Books & Rhymes mailing list for a chance to win one of two signed copies of ‘The Old Drift’.Follow @booksandrhymes on Instagram and twitter, and tweet or instagram your thoughts on this episode using the hashtag #BooksAndRhymes for a chance to win the second signed copy of the novel. Feel free to email booksandrhymes@gmail.com with your thoughts on the podcast.This episode was recorded in front of a live audience at the iconic Waterstones bookshop in Gower street, London.Books & Rhymes, the podcast theme song is by Meakoom. You can find her catalogue here.These are the books and musical pairings discussed in this episode:The book/ story that inspired The Old Drift paired with a song or an album: Book: David Mitchell’s Cloud Atlas; Album: Bjork Homogenic.A song or album paired with The Old Drift. Song: Bjork, "Joga"A song paired with Namwali Serpell’s Caine Prize award winning short story ‘Muzungu’. Song: Chakolwa (Drunkard) (1984) by Larry MalumaA song paired with Namwali Serpell’s Caine Prize award winning short story The Sack (published in Africa 39 anthology Edited Ellah wakatama Allfrey). Song: Teclo by PJ Harvey.A book recommendation to readers who want to read something similar to ‘The Old Drift’ paired with an album: Book: Kintu by Jennifer Nansubuga Makumbi; Album: Crossroads by Tracy Chapman.The playlist is available on YouTube and Spotify. See acast.com/privacy for privacy and opt-out information.
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Kva som formar historia til eit land og ein familie, avheng av kven som skriv ho. Jennifer Makumbis kritikerroste debutroman Kintu følger ei ugandisk slekt frå 1750 og fram til i dag. Med si framstilling av Uganda gjennom nesten 300 år, blir Kintu hylla som «Den store ugandiske romanen» – utan at Idi Amin og dei britiske kolonistane får særleg mykje plass. Jennifer Makumbi møter afrikakjennar og journalist Tomm Kristiansen til samtale om Uganda, litteratur og kven som har makt over historia. Samtalen vil vere på engelsk.
What shapes the history of a country and a family depends on who writes it. Jennifer Makumbi’s critically acclaimed debut novel, Kintu, follows a Ugandan family from 1750 to the present day. With its presentation of the east African nation over almost 300 years, Kintu has been hailed as the “great Ugandan novel” – without giving much space to Idi Amin and the British colonists. Makumbi meets Africa expert and journalist Tomm Kristiansen for a conversation on Uganda, literature and who has power over history.
School holidays are a challenge for many parents. However, there are plenty of free activities near you if you know where to look. As for those who cannot afford to take time off work, holiday care programs ranging from traditional vacation care, tennis, swimming to arts could be the answer. - Eskool or cutti maaf baaf ókkollottu hudun duk zagoi, Kintu tuñi tai zani le hotodilla maana aktiviti ókkol ase fuwain dolla . Aro zani bolla fuñni so,,,,
School holidays are a challenge for many parents. However, there are plenty of free activities near you if you know where to look. As for those who cannot afford to take time off work, holiday care programs ranging from traditional vacation care, tennis, swimming to arts could be the answer. - Eskool or cutti maaf baaf ókkollottu hudun duk zagoi, Kintu tuñi tai zani le hotodilla maana aktiviti ókkol ase fuwain dolla . Aro zani bolla fuñni so,,,,
The Orisha : Right Character, Real Power, and True Tradition
How Kintu and Nambi Brought Death to Earth In this episode, we explore the Bugandan (Ugandan) story of Kintu, Guglu, Malumbe, Kaikuzi, and Nambi. This story teaches us a valuable lesson about how to properly love our ancestors and secure their place in the next world. Making sure our love last forever is possible when... The post Episode 6: How Kintu and Nambi brought death to earth appeared first on The Orisha.
Australia has been a secular country since federation. The Constitution of 1901 prohibits the Commonwealth government from interfering with the free exercise of any religion. But how far can freedom of religion go in a country where Christians have been the majority since European settlement, whilst 30 per cent of the population has no religious belief? - Federation curu oye loti Australia ekan sekular dec boni aícce. 1901 or konstitucen ziyan ase yan ye komonweal dec sorkar ókkol ore free dormo amal gore de yanót dahol no ditto hoiye.. Kintu dormor azadi yan huddur fan soli faribou, zeçe neiki majoriti oildeki kristian, Erupean sételmen oiye loti,ar 30 persen population oildeki dormo sara?
Australia has been a secular country since federation. The Constitution of 1901 prohibits the Commonwealth government from interfering with the free exercise of any religion. But how far can freedom of religion go in a country where Christians have been the majority since European settlement, whilst 30 per cent of the population has no religious belief? - Federation curu oye loti Australia ekan sekular dec boni aícce. 1901 or konstitucen ziyan ase yan ye komonweal dec sorkar ókkol ore free dormo amal gore de yanót dahol no ditto hoiye.. Kintu dormor azadi yan huddur fan soli faribou, zeçe neiki majoriti oildeki kristian, Erupean sételmen oiye loti,ar 30 persen population oildeki dormo sara?
Being a carer comes with challenges; it can be emotionally and physically draining. But a career as a carer can also be rewarding. And carers often play a crucial role in helping new arrivals learn some of the necessary skills to settle successfully in Australia. - Carer ya sóloya bonon not mazé hoto dilla toklif ókkol tula foré Kintu carer bonon hamya yan beci bala Carer hode itara beci zoruri insane ókkol noya Australiat aiccede itara mahiri ókkol cikaibolla také kamiyap ot saté Australiat
Being a carer comes with challenges; it can be emotionally and physically draining. But a career as a carer can also be rewarding. And carers often play a crucial role in helping new arrivals learn some of the necessary skills to settle successfully in Australia. - Carer ya sóloya bonon not mazé hoto dilla toklif ókkol tula foré Kintu carer bonon hamya yan beci bala Carer hode itara beci zoruri insane ókkol noya Australiat aiccede itara mahiri ókkol cikaibolla také kamiyap ot saté Australiat
The internet has never been more present in our daily lives. We work, shop, play and interact with family and friends online,but report of cybercrime in Australia are on the rise. The Australian Competition and Consumer Commissions annual Targeting Scams report shows a 47 per cent increase in reporting of scams in 2016, with Aussies losing $300 million dollars.Almost half of those reporting cybercrimes are people aged over 55 years old. - Ajkal internet sara añarar din nosolé onláín ór zoriyayé Añara ham gori,besa kina gori,kelaí ar egana gucilloí ar fuwajja loí hota batara hoí Kintu agottuwaro beca beci Austrliar manuic ókkol onlain scam or shikar boni giyoí .
The internet has never been more present in our daily lives. We work, shop, play and interact with family and friends online,but report of cybercrime in Australia are on the rise. The Australian Competition and Consumer Commissions annual Targeting Scams report shows a 47 per cent increase in reporting of scams in 2016, with Aussies losing $300 million dollars.Almost half of those reporting cybercrimes are people aged over 55 years old. - Ajkal internet sara añarar din nosolé onláín ór zoriyayé Añara ham gori,besa kina gori,kelaí ar egana gucilloí ar fuwajja loí hota batara hoí Kintu agottuwaro beca beci Austrliar manuic ókkol onlain scam or shikar boni giyoí .
♫ Read More ♫: http://www.deephouseamsterdam.com/premiere-cornelius-doctor-tushen-raï-kintu-hard-fist "Lights of Khonvoum" is available 4 October on Hard Fist https://soundcloud.com/corneliusdoctor https://soundcloud.com/tushen_rai https://soundcloud.com/hardfist
When renting a property, tenants have key rights and responsibilities. However a new survey says many renters experience anxiety and discrimination, with new migrants particularly vulnerable to discrimination and exploitation in the housing market. - Zeñthe neiki gór ekan bara goribou, eñthe kerayadar ottu hudun hudun haq ókkol taibo ar zimma ókko fura gora foribou.Kintu noya survey goijje de iíntu kifayé hoille beca beci kerayadar ókkol oshanti far ar tararé oktor fiya foroki goreder yan ehsas gorer.Has gori noya aiche de itarare forokiyo gore ar tarar noya manuichde yan olla boili tarartu faída tulé ...
When renting a property, tenants have key rights and responsibilities. However a new survey says many renters experience anxiety and discrimination, with new migrants particularly vulnerable to discrimination and exploitation in the housing market. - Zeñthe neiki gór ekan bara goribou, eñthe kerayadar ottu hudun hudun haq ókkol taibo ar zimma ókko fura gora foribou.Kintu noya survey goijje de iíntu kifayé hoille beca beci kerayadar ókkol oshanti far ar tararé oktor fiya foroki goreder yan ehsas gorer.Has gori noya aiche de itarare forokiyo gore ar tarar noya manuichde yan olla boili tarartu faída tulé ...
Jennifer Nansubuga Makumbi is a fantastic example of never, ever, ever give up on your dreams. She was born and raised in Uganda. While she won awards for plays she wrote while in high school, she didn't think of creative writing as a career, instead becoming an English teacher. But Jennifer longed to have an outlet for her writing, and she decided to take the very daring step of leaving her teaching position and going to the UK to do a Masters degree in creative writing. In 2003, initially inspired by her own father's battle with schizophrenia, Jennifer started writing what would become her first published novel ‘Kintu'. She was also intrigued by the way the western world characterizes Africa as a "place of madness”. Jennifer approached several publishers with her manuscript, but despite winning major awards, including the Commonwealth prize, none of the international publishers were interested in her book. In fact she was told by one publisher that the books was "too African"! Jennifer eventually won the Kwani Manuscript Project in 2013, and the book was published in Africa in 2014 by Kwani. In 2018, Jennifer was awarded the Wyndham-Campbell prize, which is considered the richest price in literature. Following that major award, she was approached by international publishers, who now wanted to publish her book. Jennifer is currently doing research for her second novel, currently called ‘The Women.' Jennifer will also be publishing a book of short stories in 2019. WHAT YOU'LL LEARN IN THIS EPISODE What inspired Jennifer to become an author What her biggest dream for herself is Why she's willing to be a poor to follow her dreams The impact that she wants her work to have What she is most grateful for The advice she would give to any young woman who has aspirations of being an author Who the women are who inspire Jennifer What she's working on next Her favourite book What her "I am…" is EPISODE LINKS Jennifer's website
The Guest: Kintu Edited by George Drake, Jr. Music by Lucas Brahme — About Loose Threads — Subscribe to our weekly newsletter for the latest analysis and podcasts: http://eepurl.com/buLQY9 Twitter Full Transcript The Loose Threads Podcast explores the intersection of consumer, retail and commerce. Hosted by Richie Siegel, the founder of Loose Threads, each episode features an in-depth conversation with one guest about their founding story and how it fits into the current state of the industry. Guests come from all different backgrounds, spanning the consumer goods, fashion, retail and technology industries. The unifying thread is always the rapid change facing the industry and how entrepreneurs are responding. You can listen to the podcast on any player of your choice, in addition to on LooseThreads.com.
Last year, wunderkind playwright James Graham premiered three plays Ink, Labour of Love, and Quiz which looked respectively at the rise of the Sun newspaper, Labour party history; and the Who Wants To Be A Millionaire "coughing Major" scandal. As he begins 2018 with another premiere, The Culture: A Farce in Two Acts, he discusses turning his attention to Hull's year as City of Culture and his desire and energy to keep creating new work.The V&A's new exhibition Ocean Liners: Speed and Style explores the golden age of ocean travel through all aspects of ship design from ground-breaking engineering, architecture and interiors to the fashion and lifestyle aboard. Design critic Corrine Julius reviews.Jennifer Nansubuga Makumbi on her novel Kintu - lauded as 'The Great Ugandan Novel' - which has just been published in the UK for the first time.And we speak to the winner of the 2017 Costa Book Prize, live from the ceremony. The book is chosen from the five category winners - Inside the Wave by Helen Dunmore (Poetry); Eleanor Oliphant is Completely Fine by Gail Honeyman (First Novel); Reservoir 13 by Jon McGregor (Novel); The Explorer by Katherine Rundell (Children's) and In the Days of Rain by Rebecca Stott (Biography).
Where is Africa in world literature? After centuries of being confined to a cramped corner of the literary world—to being described by explorers, tourists, journalists, and activists—African writers discuss what it means to tell their own stories, in their own words and languages, and the journey their work takes to arrive in print, at home and abroad. Lesley Nneka Arimah's ‘What It Means When A Man Falls From the Sky' is “completely captivating…whether you're in Nigeria or Chicago” (Ebony); Jennifer Nansubuga Makumbi's ‘Kintu' has been called “a masterpiece of cultural memory” (Publishers Weekly), and Sarah Ladipo Manyika's ‘Like a Mule Bringing Ice Cream to the Sun' is one of the “brilliant books that you really need to read” (Buzzfeed).
Jennifer Nansubuga Makumbi, author of Kintu and Let's Tell this Story Properly sits down with Justin Villamil and Yossie Olaleye to discuss her work and her take on the state of African literature.
On Friday 18 September 2015, the Nairobi Forum hosted Ugandan writer Jennifer Nansubuga Makumbi, whose novel Kintu won the 2013 Kwani? Manuscript Prize. The novel follows the adventures of Kintu Kidda and generations of his heirs, telling the story of a family and a nation contending with the burdens of the colonial past while seeking to reconcile tradition with the modern world. Jennifer was joined by Tom Odhiambo, Lecturer in Literature at the University of Nairobi, for a conversation about history, culture and the resurgence of kingdoms in Ugandan politics.
The Nairobi Forum, in collaboration with Kwani? and Storymoja, brought Ugandan writer Jennifer Nansubuga Makumbi—whose novel Kintu won the 2013 Kwani? Manuscript Prize—together with Zambian writer and 2015 Caine prize winner, Namwalli Serpell, and Nigerian author and editor, Emmanuel Iduma, for a discussion on historical research and the uses of history in fiction writing. Ngala Chome chaired the event, which took place at the 2015 Storymoja Festival, at the Nairobi National Arboretum. The Nairobi Forum is a sponsor of Storymoja 2015.
I do not have a ton of new release material to work with right now, so this episode comprised of a few of my favorites. There are two new tunes, however. They are from Sherwin Gardner and Kintu. Hit me up at boomshots@live.com or search for Boomshots on Facebook. Here is the track list: 1.Living Stone - The Best 2.Sherwin Gardner - C Yah Shut Me Up 3.Fire Kid - Reap What You Sow 4.Zema - Reap What You Sow 5.Katalys Crew - I'm Free 6.Zema - Freedom Dub 7.Gitta Dan - Inspiration 8.Kintu - War 9.DJ Steroman - Follow Fashion 10.Imisi - My Friend 11.Howie Hutchinson - Fisherman 12.Captifs - Messanjah 13.Edward Holland Junior - Jerusalem 14.Roge Abergel - Jerusalem 15.Living Stone - The Crys of His People 16.David Linheart - Hand to the Plow 17.Monty G - Two Too 18.Monty G - What We Do 19.Mr. Lynx - Jamming 20.Oral Roberts - Wall Beat 21.Avalanchee - Gone Is Gone 22.Mann-A-Warr - How You Make It 23.Blood Brotherz - Walk Bout 24.St.Matthew - Proud To Be Black
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