Podcasts about modernist

Full Title Name: SSPX Consecrations: what will be the effect? Father Ripperger: "Pestiferous Heresy of Sedevacantism"? Synod and Sodomy: God desires our "fulfillment"? Leo's Modernist "Magnifica Humanitas" Encyclical is all about the dignity of man. This episode was recorded on 5/26/2026. Mass Locations : https://congregationofstpiusv.com/loc... Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Admittedly, the so-called "Rush to Africa" conjures up the usual European suspects: France, Belgium, and, of course, Britain. But lesser known is Italy who established its own colony in East Africa in a place they called Eritrea (from the Latin name for the Red Sea that borders it). Today, the capital city of Asmara is a hodgepodge of Romanesque churches, Modernist architecture, and businesses with names in both Italian and Tigrinya (the primary native tongue). Come along with me for a tour of this beautiful country and how the Italians shaped the place it became.

On this special edition of USModernist taped live earlier this year at the Onera Foundation in New Canaan CT,  we explore diplomacy through Modernist architecture with three guests: Dublin architect Cormac Murray gives a talk on John Johansen's US Embassy in Dublin; legendary photographer Norman McGrath, who shot that building soon after it opened, and architect Christen Johansen, son of John Johansen, discusses family legacy.  Laurence Laforgue of the Onera Foundation hosts.

Daniel Žižka takes Eurovision stage with Crossroads, Czech animation at its best: Popular Czech bedtime story character Maxipes Fík turns 50, Baba, Prague's modernist plateau: architecture, views and European heritage

New York architect Tom Gluck of GLUCKplus, son of architect Peter Gluck, takes us behind the scenes of projects from prefab high-rises in Manhattan to his Tower House in upstate New York. Nick Ferrell brings the history of Modernist lighting design in Modeline of California: Pioneer of Modern Lighting, with lamps that have inspired designers for decades. And freshly-minted Pulitzer prize winner Mark Lamster updates the endangered IM Pei-designed City Hall in Dallas.  Later on, special musical guest, the Grammy-winning Miami singer Jon Secada. 

This is the modcast 31 and I'm finally getting around to presenting what I think are the essential tracks for the modern mod's music library. These bands represent the latest wave of mod music reflecting sixties R&B, power-pop and soul. As always find a complete track list and all the important links to all the important stuff over on the modcast homepage at Mistersuave.com.Questions? E-mail me at rob@mistersuave.com. 

Full Title Name: Leo reaffirms "informal" blessings for LGBT "couples." Leo prays with and praises ministry of pro-abortion woman "Archbishop" of Canterbury. Bishops say no TLM from Leo. Iranians pray for Trump's success in bringing down ayatollas' tyranny. Latest attempt to assassinate Trump: lethal leftist lunacy. Why do Modernists obsess about death penalty? Is Vatican questioning Benedict's resignation? Rev. Roy, imperfect council, and laziness. of inaction. Our responsibility to Christ the King. This episode was recorded on 4/28/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

On this week's show, Shane visits Columbus, Indiana for some architecture and pizza, Stan takes down some colossi, and Dave remains unphased amid Geese controversy. We also cover Stan's final review of Resident Evil Requiem and first impressions of Shadow of the Colossus (2018), and some public comments about Apple IIe gaming. Become a citizen of The Dive Down Nation!: http://www.patreon.com/thedivedown Show the world that you're a proud citizen of The Dive Down Nation with some merch from the store: https://www.thedivedown.com/store Upgrade your gameplay and your gameday with Heavy Play accessories. Use code THEDIVEDOWN for 10% off your first order at https://www.heavyplay.com Get 25% Cashback after 3 months of service with ManaTraders! https://www.manatraders.com/?medium=thedivedown and use coupon code THEDIVEDOWN And now receive 8% off your order of paper cards from Nerd Rage Gaming with code DIVE8 at https://www.nerdragegaming.com/ Timestamps: 0:01 - Build a little birdhouse in your soul 4:12 - This week's episode 9:06 - What Stan misses from the UK 13:50 - Does Shane miss Denver? 19:10 - Old business: Stan beat Resident Evil 9 23:52 - Stan revisits Shadow of the Colossus 35:46 - New business: Shane went to Columbus, IN 45:56 - The Geese "scandal" and the authenticity of social media 1:08:00 - Public comments: cool old games 1:12:15 - Wrapping up Links from this week's episode: https://www.imdb.com/title/tt5990474/ https://www.playstation.com/en-us/games/shadow-of-the-colossus/ https://www.wired.com/story/geese-chaotic-good-marketing-industry-plant/ Our opening music is Nowhere - You Never Knew, and our closing music is Space Blood - Goro? Is That Your Christian Name? email us: thedivedown@gmail.com

On this week's Warner Bros. 1934 Studios Year by Year episode, we look at some of the studio's mid-30s B-output: the jazzy, Modernist, montage-ist, telephonic I've Got Your Number, starring Pat O'Brien as an insouciant and sometimes insolent Everyman (in a comedy team-up we never knew we needed with fuming mentor Eugene Pallette) whose redemption arc is sparked by beleaguered working girl Joan Blondell; and I Am a Thief, with Mary Astor and Ricardo Cortez playing hot potato with the title's claim. Do either of these films qualify as "termite art"? Do both? Listen and learn! Time Codes: 0h 00m 25s:      1934 & Warner Brothers 0h 03m 17s:      I'VE GOT YOUR NUMBER [dir. Ray Enright] 0h 26m 41s:      I AM A THIEF [dir. Robert Florey] Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler 1934 Information from Forgotten Films to Remember by John Springer                                 +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!           

Feast on a Full English breakfast with Farah Mendlesohn as we discuss whether their Hugo-nominated Heinlein book changed the conversation about that author, if there's such a thing as an inverse of The Suck Fairy, why it might be wrong to chat about The Female Man while nibbling on toast, the reason Russ's novel took so long to get published, the probable purpose of the self-critique within the book, the difficulties in communicating with cross-cultural metaphors, why The Female Man is a version of The Christmas Carol, the reason the book isn't Postmodernist but Modernist, why I failed to pick up on the novel's Jewishness, what surprised them most during their rereading of the novel, the reason Considering The Female Man by Joanna Russ was so painfully hard to write, and much more.

This week, we're wrapping up our Modernist mini-season by reading "Three Lives" by Gertrude Stein. We discuss our relationships with Stein and other Lost Generation writers, Stein's tactile language, and why something so well written is also so painfully racist.As always, we hope that you enjoy the conversation.

Imagine doing Modernist preservation – in a war zone.  Dmytro Soloviov documents Ukraine's modernist architecture.  Ben Wever cares for one of America's modernist treasures, the Miller House in Columbus, Indiana. Hallie Swenson uncovers the stories of San Diego Modernism, and architect Robert Stone brings new desert Modernism to life. 

Archivist Natalie Morath is keeper of Eero Saarinen's GM Technical Center history, bringing the amazing campus to life for yet another generation of fans.  Linda Brettler renovated Raphael Soriano's 1964 Grossman House, and Marcos Santa Ana transformed the Wagoya House. Later, musical guest John Pizzarelli, with a sound that's both timeless and new.

Why does the evangelical church have so little influence on culture today? To get to that answer, we must understand the last 120 years of American Protestant history, back to the fundamentalist-modernist controversy of the late 1800s/early 1900s. In this powerful conversation on the Ideas Have Consequences podcast, Scott D. Allen and I walk you through the history that shaped modern evangelicalism. This is a call for renewal, not retreat or cultural accommodation. My hope is that leaders will return to a distinctly biblical approach to culture, education, justice, and discipleship. This is essential history for anyone who wants to understand progressive Christianity, deconstruction, and doctrinal drift in evangelical institutions. Learn how we got here and what it will take to chart a better way forward.

Chris Roman designs a Modernist fire station in Richmond VA.  Authors Edward Dimendberg and Crosby Doe share the story of the breakout project for Richard Neutra, the Lovell Health house in Los Angeles.  Holland Murphy investigates an architectural mystery in Dallas, and from northwest Arkansas, musical guest Claudia Burson. 

Bombing Iran: for MAGA or Zionism? Card.Sarah to SSPX: call off consecrations. SSPX to Card. Sarah: call off Modernism. Dancing with Modernists? J. H. Westen: Francis and Leo anti-popes? Battle for the papacy! Socialism: where fraud reigns supreme. The powers of Hell will not prevail against Jesus Christ and His Church! This episode was recorded on 3/3/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

In celebration of Women's History Month, this week's episode of The Learning Curve, co-hosts U-Ark Prof. Albert Cheng and MassPotential's Mary Tamer speak with Roxana Robinson to honor the extraordinary life and legacy of Georgia O'Keeffe, the pioneering artist often called the “Mother of American Modernism.” Drawing from Robinson's 1989 biography Georgia O'Keeffe: A Life, […]

In celebration of Women's History Month, this week's episode of The Learning Curve, co-hosts U-Ark Prof. Albert Cheng and MassPotential's Mary Tamer speak with Roxana Robinson to honor the extraordinary life and legacy of Georgia O'Keeffe, the pioneering artist often called the “Mother of American Modernism.” Drawing from Robinson's 1989 biography Georgia O'Keeffe: A Life, she traces O'Keeffe's life from the farmlands of Sun Prairie, Wisconsin to the bustling cultural landscape of early 20th-century New York City and to North Central New Mexico. The artist's reverence for natural landscapes, color, and light was shaped by her rural Midwestern upbringing and formal artistic training in Virginia. Robinson explains how O'Keeffe's stark transition to city life is reflected in her artwork, which often explores the line between modernism and traditional landscape painting. O'Keeffe's personal and professional relationship with celebrated photographer and art dealer Alfred Stieglitz marked another major turning point in her life and career. While Stieglitz championed her artistic talent, O'Keeffe also became the subject of more than 350 of his photographic portraits—some sparking public acclaim and controversy, while also helping shape her carefully constructed public image. Ms. Robinson further explores O'Keeffe's most famous works including Cow's Skull: Red, White, and Blue and Ram's Head, White Hollyhock – Hills, as well as her large-scale, magnified floral paintings, Jimson Weed/White Flower No. 1 and Red Canna. From O'Keeffe's early abstract experiments to her late-life desert visions, Robinson shares how the artist's expansive body of work reshaped American art and left a legacy that continues to inspire artists, scholars, and students in the 21st century. She closes with a reading from her book Georgia O'Keeffe: A Life.

Today, Gavi FINALLY gets to talk about his favorite topic, Jean Beaudrillard's "Simulacra and Simulation," which explains Hyperreality. "The Matrix" film is allegorical to the postmodern condition of Hyperreality. We discuss examples of simulacra, Hyperreality, and the history of how we (in the western canon) came to view the world this way. We discuss simulated reality as it relates to christian fundamentalism and the US.If you have any thoughts, opinions, or questions about this topic (or corrections) please let us know either by comment or by emailing us at LeavingEdenPod@gmail.com! We would love to do a listener responses episdoe!02:00 - Intro02:20 - Black Mirror San Junipero03:15 - The Matrix03:30 - Elon Musk03:48 - Mark Zuckerberg and the Metaverse04:10 - Please subscribe to our Patreon!04:40 - Media Theory and Philosophy05:17 - I'm sorry for mixing up SimulaCRA and SimulaCRUM05:47 - Jean Baudrillard's "Hyperreality"06:04 - Simulacra and Simulation07:10 - First Order Simulacrum07:40 - Second Order Simulacrum07:55 - Third Order Simulacrum, Hyperreality08:29 - Fourth Order Simulacrum, or Pure Simulation08:50 - Alexander Hamilton to Scamilton is Hyperreality11:07 - Christian Nationalism and Hyperreality12:54 - Hyperreality and Pure Simulation are curated reality13:30 - Did Sadie grow up in a simulation?13:50 - Kim Kardashian's butt broke the internet14:54 - The 6 7 meme is proof that we are living in a simulation15:30 - Doot Doot 6 7 by Skrilla15:50 - Lamello Ball16:00 - The 6 7 kid is Hyperreality and the meme is pure simulation17:19 - Brainrot is hyperreality18:50 - Thank you to our patrons!20:17 - The Civil War and the birth of Modernism21:50 - Modernist themes, truth comes from struggle and effort22:17 - Upton Sinclair, The Jungle22:30 - John Steinbeck, The Grapes of Wrath22:50 - Gone With the Wind24:00 - Little Women24:34 - The Civil War, Transcendentalism, Naturalism25:05 - The birth of postmodernism25:15 - Dada art movement (dadaism)25:26 - Anything can be a source of truth25:30 - The gifts of postmodernism, Civil rights, LGBT rights, Women's Lib movement25:55 - World War 2 and the nuclear age27:10 - Love is Blind, Kobe Bryant, Fresh off the Boat, Scottish Independence referendum28:45 - Absurdism, Memes, and Breadtube Spongebob29:04 - The drawbacks of postmodernism30:00 - Hyperreality, 9/1131:22 - Loss of sense of self32:04 - Michael Jackson, Prince, Robin Williams, George Carlin, Jesus, AI Deepfakes32:35 - Leonard Cohen32:50 - Bag Culture, Taylor Swift, Travis Kelce, Jason Kelce, Commercials34:35 - Prince Harry and Meghan Markle36:28 - Please email us!37:01 - Our current state of Hyperreality37:31 - Doctors vs. Anti-Vaxxers and influencers37:41 - Teachers vs. Homeschoolers38:07 - Doomerism38:17 - It's going to be OK?38:38 - The early church38:50 - Jesus was a guy (probably?)39:11 - The Disciples (first order Simulacrum)39:22 - The Council of Nicaea (Second order Simulacrum)39:40 - Church Tradition (Third Order Simulacra, or Hyperreality)40:10 - Culture War/Kid Rock Turning Point USA halftime show40:45 - Growing up in a cult vs. growing up in a simulation41:04 - Destruction of the 2nd Temple happened, Revelation is a first order simulacrum41:35 - Millerism, Adventism, Premillennial Pretribulationism are second order simulacra41:45 - Protocols of the elders of Zion, A Thief in the Night, and Left Behind are all third order simulacra or Hyperreality42:12 - The Holocaust, McCarthyism and the Red Scare, Satanic Panic, Q Anon, January 6, 2025 Rapture Hoax, are mass delusion brought on by pure simulation44:20 - Hyperreality peaked in 202044:45 - The end of COVID-19 and the rise of AI45:04 - What is coming next?45:45 - AI CEOs are grifters46:32 - Minor League Baseball47:10 - 2020, Social Unrest, George Floyd protests, Anti-Mask/Vaxx48:14 - Transcendentalism, Naturalism, humanity's relationship with nature, Oliver Wendel Holmes, Henry David Thoreau, Walt Whitman50:29 - The next movementSubscribe to Leaving Eden Podcast on YouTube!https://www.youtube.com/channel/UCJ4q94gAnsoW2jME4SvVrrQJoin our Patreon for extended, uncensored, and ad-free versions of most of our episodes, as well as other patron perks and bonus content!https://www.patreon.com/LeavingEdenPodcastJoin our Facebook group to join in the discussion with other fans!https://www.facebook.com/groups/edenexodusJoin our subreddit! Reddit.com/r/EdenExodusBluesky:@leavingedenpodcast.bsky.social@hellyeahsadie.bsky.social@gavihacohen.bsky.socialInstagram:https://www.instagram.com/leavingedenpodcast/https://www.instagram.com/sadiecarpentermusic/https://www.instagram.com/gavrielhacohen/ Hosted on Acast. See acast.com/privacy for more information.

Key Takeaways:Became a developer in crisis: Meg started as a high‑end residential project manager and was forced to become a developer when a partner burned through about $1M on unfeasible plans; she took over to protect investors.Sees value others miss: She identified under‑loved Nashville locations (riverfront, Gulch‑adjacent) early and was willing to buy where locals thought she was “overpaying,” which later proved very successful.Capital without a rich network: With no wealthy friends/family, she raised ~$5–6M for her first deal by cold‑calling and using CCIM directories and BiggerPockets—showing the importance of research, persistence, and real phone calls.Sunk costs and pivots: Scrapping expensive concrete plans, switching to cheaper stick‑over‑podium, cutting ~25% of the budget, and waiving her own developer fee turned a near‑disaster into a profitable condo project.Cycles and business model shift: The frothy early‑2022 boom (big flips, many employees) was followed by a painful downturn when rates spiked and equity dried up. That pushed her toward leaner teams, fewer project types, and more long‑term, cash‑flowing/hold strategies.Niching and design differentiation: Her “big unlock” is focusing on niches (short‑term‑rentable condos/flexible living, select industrial) and distinct but cost‑disciplined design (landscaping, thoughtful finishes, no trendy white‑box commodity).Leadership lessons: The hardest part was people and overhead, not buildings—layoffs, departures, and restructuring. Out of that came a small, high‑caliber, focused team model.Current focus – Modernist: She's now doubling down on flexible living condos (Modernist) that owners can use personally and also rent out for income—an institutional version of how she once Airbnb'd her own apartment to fund her start

In this essay, Sean Ketteringham examines the anarchist and anti-imperial politics which informed the work of Henri Gaudier-Brzeska (1891-1915), the French modernist sculptor who was based in London for the final and most productive years of his life. By suggesting several new models for Gaudier-Brzeska's Maquette for a Large Basin (referred to until recently as Maquette for a Bird Bath), the essay nuances readings of how anarchist revolutionary principles of direct action and anti-statist transnational solidarity shaped the artist's approach to primitivism, labouring bodies, and classicism.  Sean Ketteringham is Assistant Curator at Henry Moore Institute, Leeds. His first monograph, Architectures of Identity: Imperial Decline and the Homes of English Modernism, is forthcoming with Oxford University Press. He will join the University of Birmingham as a Leverhulme Early Career Research Fellow in May 2026. Thanks are due to the following people for their generous help and feedback in support of this work: Rebecca Beasley, Holly Bird, Jennifer Johnson, Clare O'Dowd, Evelyn Silber and Sarah Turner as well as to the two anonymous reviewers and the editorial staff at Sculpture Journal for the many improvements they suggested to the version of article that appeared in print. Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group and the journal Anarchist Studies. Follow us on Bluesky @anarchismresgroup.bsky.social Our music comes from Them'uns (featuring Yous'uns). Artwork by Sam G.  

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Drawing on a wide range of texts, from understudied ethnographic and scientific works to canonical literature and philosophy, Sophie Salvo uncovers the prehistory of the inextricability of gender and language. Taking German discourses on language as her focus, she argues that we are not the inventors but, rather, the inheritors and adapters of the notion that gender and language are interrelated. Particularly during the long nineteenth century, ideas about sexual differences shaped how language was understood, classified, and analyzed. As Salvo explains, philosophers asserted the patriarchal origins of language, linguists investigated “women's languages” and grammatical gender, and literary Modernists imagined “feminine” sign systems, and in doing so they not only deemed sex-based divisions to be necessary categories of language but also produced a plethora of gendered tropes and fictions, which they used both to support their claims and delimit their disciplines. Articulating Difference: Sex and Language in the German Nineteenth Century(U Chicago Press, 2024) charts new territory, revealing how gendered conceptions of language make possible the misogynistic logic of exclusion that underlies arguments claiming, for example, that women cannot be great orators or writers. While Salvo focuses on how male scholars aligned language study with masculinity, she also uncovers how women responded, highlighting the contributions of understudied nineteenth-century works on language that women wrote even as they were excluded from academic opportunities. Deep Acharya is a PhD student and a George L. Mosse fellow of Modern European Cultural History at the University of Wisconsin-Madison working on the history of fatherhood in 20th century Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Nothing is sacred to the Modernists. Sponsored by Pray Latinhttps://praylatin.comSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donateAt the BayKatherine Mansfield (1888 - 1923)Katherine Mansfield was prominent Modernist writer of short fiction. This a ninety minute story from her collection of The Garden Party.Read by:Lucy Burgoyne (1950-2014)Genre(s): Short StoriesLanguage: EnglishKeyword(s): literature , short fiction , mansfield , at the bay , garden party Support Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://libri-vox.org/donate

Alexei Korolyov visits a key work of Viennese modernism by Austrian design icon Josef Frank, which has been reopened after a five-year restoration.See omnystudio.com/listener for privacy information.

There were issues between Streamyard and YouTube but the audio seems passable. Sorry about the loss. 

SSPX Bishop Fellay justifies consecrations: never says "modernism,," does not judge "failing" authority. Viganò, Strickland, others remark. SSPX begs co-existence with Modernism? The very idea of the Catholic papacy is in question. "Church unity is worth a Latin Mass?" Modernists poison Church; solution is more Modernism. Similar: government control poisons society; solution is more government control: socialism! Pope Leo XIII condemns socialism. The truth and power of the traditional Catholic Faith! This episode was recorded on 2/10/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Louis Fratino talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Fratino was born in 1993 in Annapolis, Maryland, US, and lives in New York. His paintings reflect on memory and the intimate details of daily life to transmit a deeply felt response to his immediate circumstances and the world beyond. His vision is channelled through an abiding passion for art history, and particularly Modernist painters in Europe and the US. Louis's subjects are the people and places around him, beginning with himself and extending to family, friends, partners and lovers, who he pictures in interior spaces from kitchens to bathrooms and bedrooms, as well as in the city and in nature. Crucial to his art is an exploration of queer life, from touching scenes of companionship to images of sex and desire more broadly. Louis's painting possesses an everyday poetry yet dwells on the big questions of life. It is a singular and deeply personal practice as well as a major contribution to the expression of queer identity and sexuality in a painterly field that has until recent decades been dominated by heteronormative perspectives. If there is a philosophy in his painting, he says, it is “about living very intensely” and being “very open to experiences”. He reflects on the balance between reality and fantasy in his painting, on how memory is the principal subject of his work, and how he enjoys the “feeling of play in painting”. He discusses artists from Henri Matisse, with whom he has a show at the Baltimore Museum of Art between March and September, to Bhupen Khakhar and Winifred Nicholson, the photographer George Platt Lynes, the poet Sandro Penna and the film-maker Dag Johan Haugerud. Plus, he gives insight into life in his studio and answers our usual questions, including the ultimate: what is art for? Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, US, 11 March-6 September. Hosted on Acast. See acast.com/privacy for more information.

Is Modernism "dumb" - or am I stupid? Synodality in five minutes? Leo tells Anglicans we are all one in faith. Modernist lies, Cardinal Roche and the Traditional Latin Mass. Modernism and Marxism: blood brothers. Mamdani's "child care." Venezuela's Maduro, Noriega, Bay of Pigs. DC National March for Life: Nellie Gray and the Paramount Life Principles. This episode was recorded on 1/27/2026. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

We've dug into the podcast vault to one of our favorite shows:  the story of the awesome Modernist house in the 2006 movie, The Lake House, starring Keanu Reaves and Sandra Bullock.  The house stole the show, and we'll talk to the architect Nathan Crowley and the engineer, Troy Hengge.

Ida Friederieke Görres is little-known to English-speaking Catholics (except perhaps for her biography of St. Therese of Lisieux), but she was a major voice of the orthodox Catholic laity in mid-20th-century Germany, with Joseph Ratzinger giving her eulogy. Jennifer Bryson has translated Görres's 1970 essay collection, Bread Grows in Winter, which is a response to the crisis in the Church immediately following Vatican II. Görres's beautiful and profound writing gives a sense of what it was like to live in those troubling times, and how we (perhaps especially the laity) should respond to the troubles of our own times. Links "Trusting the Church" on Catholic Culture Audiobooks https://www.catholicculture.org/commentary/ida-friederike-grres-trusting-church/  Ida Friederieke Görres, Bread Grows in Winter, trans. Jennifer S. Bryson https://ignatius.com/bread-grows-in-winter-bgwp/  Görres, The Hidden Face: A Study of St. Therese of Lisieux https://ignatius.com/the-hidden-face-hfsstp/ DONATE to make this show possible! http://catholicculture.org/donate/audio SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters

One True Podcast is back with a look at another Hemingway short story, an under-discussed gem from Winner Take Nothing. One of the weirdest works in his career, “Homage to Switzerland” is a Modernist experiment that tells a similar story three times, each one set in a different Swiss train station. To walk us through this bizarre tale, we call on excellent Hemingway scholar and actual citizen of Switzerland, Boris Vejdovksy, professor at the University of Lausanne. Vejdovksy explains the story's structure, its setting, its Modernist qualities, the way the iceberg principle functions in the story, and even its “Swiss-ness.”Join us as we explore this fascinating triptych!

Palm Springs modernist design tourist voiceover whisper

Day 1,399. Today, President Zelensky has revealed details of the proposed peace plan worked out between US and Ukraine delegations last weekend in Miami, that is due to be put to Russia later today. Plus, since it's Christmas Eve, something a little different: a special look at the Ukrainian art scene, past and present.We begin with the generation of Ukrainian artists at the dawn of the 20th century who helped drive the Modernist movement, breaking with centuries of figurative tradition and pushing art decisively into modernity. We examine how artists are later reclaimed by national narratives – and why – as well as how the full-scale invasion has reshaped the global art market. We then turn to Ukraine's contemporary art scene, focusing on one young, emerging artist and exploring how their generation, and their creativity, is being transformed by the war.CONTENT REFERENCED:In the Eye of the Storm, Modernism in Ukraine, 1900–1930s, Royal Academy of Arts: https://www.royalacademy.org.uk/exhibition/eye-of-the-stormJames Butterwick. Ukrainian and Russian Art Expert: https://www.jamesbutterwick.com/PinchukArtCentre Prize 2025: https://prize.pinchukartcentre.org/enSIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.Subscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

Today we welcome podcast host Evan Troxel of Archispeak; developer Ken Reiter, who answers the question, what do you do with a old Modernist school?  Jason Langkammerer, founder of AT6 Architecture, on renovating his own house; and returning podcast guest, the enhanting Julianna Raye, singer-songwriter and CEO of Unified Mindfulness, blending soulful music with meditation practice.

Cormac Murray is the author of a new study of the US Embassy in Ballsbridge. A visual feast, it explores one of Dublin's most unusual buildings in its architectural, social, cultural and political contexts. The work of John M. Johansen,described as "a Neoclassical Modernist", the building was something of a never-ending saga. In an edition of just 400, the study is available from Phibsboro Press You can support Three Castles Burning at Patreon.

Today’s Topics: 1) Kennedy Hall on his book: Charismania – The Truth About the Charismatic Renewal https://www.amazon.com/Charismania-Truth-About-Charismatic-Renewal/dp/B0DQ95CVD3

Today’s Topics: 1) Kennedy Hall on his book: Charismania – The Truth About the Charismatic Renewal https://www.amazon.com/Charismania-Truth-About-Charismatic-Renewal/dp/B0DQ95CVD3

Sponsored by Charity Mobilehttps://www.charitymobile.com/rtt.phpSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

Sponsored by Charity Mobilehttps://www.charitymobile.com/rtt.phpSources:https://www.returntotradition.orgorhttps://substack.com/@returntotradition1Contact Me:Email: return2catholictradition@gmail.comSupport My Work:Patreonhttps://www.patreon.com/AnthonyStineSubscribeStarhttps://www.subscribestar.net/return-to-traditionBuy Me A Coffeehttps://www.buymeacoffee.com/AnthonyStinePhysical Mail:Anthony StinePO Box 3048Shawnee, OK74802Follow me on the following social media:https://www.facebook.com/ReturnToCatholicTradition/https://twitter.com/pontificatormax+JMJ+#popeleoXIV #catholicism #catholicchurch #catholicprophecy#infiltration

In part three of our discussion of 'Space, Time and Architecture', we finally got to the Spacetime and the architecture. We examined Giedion's thinking about many canonical works of the late-19th and 20th century, including the Chicago School, Louis Sullivan and Frank Lloyd Wright; the emergence of ferro-concrete in France with Perret and the bridges of Swiss engineer Robert Maillart and definitionally Modernist works by Walter Gropius, Le Corbusier, Mies van der Rohe and Alvar Aalto. To follow along with the images as we discuss them, you can find this episode on our YouTube channel: This podcast is powered by Pinecast.

AD DIEM ILLUM LAETISSIMUM: ENCYCLICAL OF POPE PIUS X ON THE IMMACULATE CONCEPTION. https://www.vatican.va/content/pius-x/en/encyclicals/documents/hf_p-x_enc_02021904_ad-diem-illum-laetissimum.html This episode was recorded on 11/11/2025. Our Links: http://linkwcb.com/ Please consider making a monetary donation to What Catholics Believe. Father Jenkins remembers all of our benefactors in general during his daily Mass, and he also offers one Mass on the first Sunday of every month specially for all supporters of What Catholics Believe. May God bless you for your generosity! https://www.wcbohio.com/donate Subscribe to our other YouTube channels: ‪@WCBHighlights‬ ‪@WCBHolyMassLivestream‬ May God bless you all!

Saving American Liberty, Session 4 What does "Woke" mean? James Lindsay, founder of New Discourses, says it is an awakening to a "sociognostic" belief structure. What is that, and how does it manifest in different contexts? In this third talk from the Saving American Liberty learning seminar in Dallas, Texas, hosted by New Discourses on August 22-23, 2025, Lindsay explains the concept in considerable detail. He also applies it to the "20th century" (or, Modernist) mode of thinking to reveal that two forms of Woke sociognosticism appear in that context: Communism on the Woke Left and Fascism as a form of Reaction on the Woke Right. Further, he provides contemporary examples of how this strain of thought is making an unwanted comeback, both Left and Right, throughout the West today. Join him for this important lecture explaining the model and modes of "Woke" thinking in a historical context we already understand. The other lectures in this series can be found here: Session 1: https://youtu.be/4u2ak-DmKD4 Session 2: https://youtu.be/gUiLUmZWsc4 Session 3: https://youtu.be/WRheQNDTSOQ Latest from New Discourses Press! The Queering of the American Child: https://queeringbook.com/ Support New Discourses: https://newdiscourses.com/support Follow New Discourses on other platforms: https://newdiscourses.com/subscribe Follow James Lindsay: https://linktr.ee/conceptualjames © 2025 New Discourses. All rights reserved. #NewDiscourses #JamesLindsay #Woke

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

Every rule was made to be broken, except in architecture, where even the act of breaking rules seems to come with its own set of rules. Modernism promised liberation from the past, but it quickly wrote its own commandments into the story—flat roofs, open plans, white walls, and exposed structure became the expected vocabulary. A movement that arrived as rebellion soon carried the weight of convention, and those conventions still shape how we design and judge buildings today. This week, Andrew and I are taking a closer look at the commandments of Modernism—where they came from, why they matter, and what they mean for the way we practice now. Welcome to Episode 186: The Rules of Modernism.  [Note: If you are reading this via email, click here to access the on-site audio player]  If you are interested in seeing just a few of the houses I mentioned on the podcast, you can see them listed on the Realtor.com (here and here are just a few of them) The Roots of Modernism jump to 6:30 Modern architecture did not emerge in a vacuum. It was a response to seismic shifts in society, technology, and culture that took place in the late nineteenth and early twentieth centuries. Industrialization had transformed the way people lived, cities were expanding at unprecedented rates, and new materials like steel, reinforced concrete, and large sheets of plate glass were suddenly available to architects. These inventions were not simply practical tools, they were symbols of a new age. Architects began to ask why they should keep designing buildings that looked like medieval castles or classical temples when the world around them had become faster, lighter, and more efficient. The very idea of progress seemed incompatible with copying the past, and so Modernism positioned itself as the architecture of a new century - an architecture that would represent industry, rationality, and optimism for the future. This rejection of the past was more than an aesthetic preference, it was a manifesto. Ornament was not just unnecessary, it was cast as dishonest and wasteful. Historical references were treated as evidence of cultural stagnation. In their place, Modernists put forward ideas of functional clarity, open planning, and structural honesty. The promise was bold: architecture would no longer serve as a backdrop for tradition, it would become a tool for shaping a better society. Housing would be healthier, cities would be more efficient, and design would finally align with the realities of modern life. It was not only about how buildings looked, but about how they could transform the way people lived … and that is why the roots of Modernism matter to this conversation. The movement began as a radical break from the architectural traditions that came before it, yet it also established a new set of values that quickly hardened into conventions of their own. Before we can explore the “rules” of Modern design, we need to understand the cultural and historical conditions that gave rise to them. Only then can we appreciate the irony that a movement born from revolution became one of the most codified design languages of the twentieth century. By the time Modernism had established itself internationally, the movement that began as rebellion had already created its own set of unwritten rules. Architects may not have published them in a single manifesto, but they were understood all the same. You could look at a building and know whether it was ‘Modern' or not, based on a handful of essential qualities. These rules were never carved into stone, yet they became the code that defined the movement for decades. To understand Modern design, and to really grasp how it operates, we need to lay out those unspoken commandments - the ideas that quietly dictate what belongs inside the Modernist tradition and what falls outside of it. The Ten Commandments of Modernism jump to 13:42 Modernism never published a rulebook,