Podcasts about Sudden Impact

On this episode of Drive-In Double Feature, Nathan and Ryan dive into Sudden Impact (1983), the gritty fourth entry in the Dirty Harry saga. Clint Eastwood returns as the iconic, no-nonsense Inspector Callahan, this time tackling vigilante justice and delivering one of the most famous lines in movie history. The hosts break down the film's darker tone, Eastwood's directorial style, and how Sudden Impact fits into the evolving action genre of the early '80s. Plus, plenty of talk about coffee shops, revenge plots, and Dirty Harry's unshakable scowl.

For this episode of Beyond The Album Cover I interview Tim Byrd. We talk about his career in the music industry, VA culture, Working with Sudden Impact and their story at Biv 10, all things music industry related and everything else in between. This is an interview you don't wanna miss. Follow the podcast wherever you stream podcasts, The Official Youtube channel at Youtube.com/BeyondTheAlbumCover and Facebook at Facebook.com/BeyondTheAlbumCover

On this week's show, YP football writers Stuart Rayner and Leon Wobschall join host Mark Singleton to assess a busy week which could prove pivotal to the Championship automatic promotion hopes of both Leeds United and Sheffield United, PLUS where does a Steel City derby home defeat Sheffield Wednesday leaves their 2024-25 campaign.Elsewhere, the immediate of interim coach Jon Worthington on Huddersfield Town was evident as the team hammered Crawley Town 5-1 in his first game in charge, while Barnsley and Rotherham United seem stuck in a rut in League One after both suffered defeats.And the panel discuss whether there is cause for concern over Bradford City's push for automatic promotion after a second successive defeat.

#chrisgatlin #suddenimpact #prowrestling #gmbmpwWelcome to Episode 80 of Give Me Back My Pro Wrestling (@gmbmpw) with your hosts and brothers, Jimmy Street (@jamesrockstreet) and "The Plastic Sheik" Jared Street, our action figure expert! We're also bringing along our territory wrestling guru and co-host, Quinton Quarisma! Listen in as they join forces and tackle the world of Professional Wrestling!Today we welcome Chris Gatlin to the show! Whether you call him Chris or Rusty, he had a heckuva run in the business. From tagging with his Sudden Impact partner, Stunning Steve Lane to working for Tony Falk, Mike Porter & Bert Prentice to The Devils attacking his wife to his time in Brian Cheatum's WMF to getting a TNA tryout match! We're covering it all! Enjoy!Visit our Give Me Back My Pro Wrestling podcast page! https://podcasters.spotify.com/pod/show/gmbmpwFOLLOW & SUBSCRIBE:https://facebook.com/gmbmpwhttps://facebook.com/groups/gmbmpw/https://instagram.com/gmbmpwhttps://twitter.com/gmbmpwhttps://www.youtube.com/@GMBMPWCheck out Sheik's Shorts: https://youtube.com/playlist?list=PL0oL-yrnIHtlaVHamAApDquYBXeGaHS8vCheck out host Jimmy's podcast Live and In Color with Wolfie D: https://podcasters.spotify.com/pod/show/wolfiedVISIT OUR AWESOME SPONSORS!-STEVE BOWTIE BRYANT'S 1993 "Unbeatables" trading card sets (LIMITED QUANTITIES!): Contact stevebowtiebryant@icloud.com-CHW, Championship Honor Wrestling, 1935 TN-12 Ashland City,TN https://www.facebook.com/profile.php/?id=61564165382800ADVERTISE WITH US! For business and advertising inquiries contact us at gmbmpw@gmail.comVery Special Thanks To:-Sludge (@sludge_cast) for the "Give Me Back My Pro Wrestling" entrance theme!-Tracy Byrd and A Gathering Of None for the "Sheik Fell Down A Rabbit Hole" & "Name Game" theme songs!Support them at these links:https://agatheringofnone.bandcamp.com/https://agatheringofnone.bigcartel.com/© 2025, jamesrockstreet Productions

I don't think I've ever been this raw while podcasting. It's been a long year for me, and for all of us I reckon. This is where I landed. I cannot thank all of those who held space for me, believed in me, and sent me so much energy and love.I'm still healing, but that's a good thing. Love y'all like chicken--and the moon and stars.SebaP.S. Try to say centrifugal force five times really fast. Now, do it with a Southern accent, lol.

Today on the Rarified Heir Podcast we are talking to Valarie Long, daughter of actors Richard Long and Mara Corday. At times our conversation was breezy, at times difficult and at other times funny, Valerie really took some time with this interview because there was so much to discuss.    From health issues that plagued Richard his whole life to some of those same issues that Valerie herself faced, we hear about how her father was plucked from obscurity as a high school senior at Hollywood High School and within no time was working on films with Orson Welles, Claudette Colbert, Loretta Young and Edward G. Robinson. We also discuss her father's first marriage prior to meeting the pinup girl Playboy model turned actress Mara Corday, to a young ingénue named Suzan Ball who tragically passed away at age 22 when Richard was only 23 whose tragic story is one we had never heard of prior to connecting to Valerie. Somehow we end up talking to Valerie about people like Clint Eastwood, Peter Marshall, Lee Majors, Barbara Stanwyck, Roddy McDowell, Dan Rowan and Sit John Mills. We also discuss iconic TV shows like The Big Valley, The Twilight Zone, 77 Sunset Strip, Nanny and the Professor and more. We discuss movies like Tarantula, Sudden Impact, Tomorrow is Forever, Ma and Pa Kettle and Make Like a Thiefand others. It's a rollicking conversation that was equal parts funny, heartwarming and poignant and we thank Valerie for shying away from nothing in our conversation.. But that's how things happen on the Rarified Heir Podcast. Everyone has a story. And this one is a keeper.

The next sequel we will be discussing is "Class of 1999". For it, I chatted with SFX Master Eric Allard. Eric talked about the journey to 1st credit, but this one had a stop over becoming a green beret! Then from there, he got a job working at the mill at Universal, he asked for his shot to work in SFX, and the rest is history. We talked Short Circuit and working on Johnny 5, cool camera tricks he did on F/X 2, working with Eastwood on Sudden Impact, The Energizer Bunny ads, his Oscar nomination, and more. Listen/Watch at sequelsonly.com/EricAllard or search "The Good, The Bad, and The Sequel" in your favorite podcast app.   Eric's Website ⁠https://allfx.com/ Eric's IMDb https://www.imdb.com/name/nm0020063/ ⁠ Your homework is to watch "Class of 1999" which free on Tubi! Follow us on all social media @sequelsonly and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

Them! (1954), The Deadly Mantis (1957), and The Black Scorpion (1957) The decade of the 1950s gave horror fans a ton of different giant monster flicks, but usually taking something seemingly harmless, such as ants or grasshoppers, but somehow, someway, are mutated into growing into gigantic proportions! We had giant spiders, praying mantis, mollusks, and anything these creative filmmakers could come up, just make them bigger and let them loose! While modern critics, or even those at the time when these titles came out, passed them off as something for the kiddies and not to be taken seriously. And sure, they were definitely made under the term of exploitation, but when you really look at them, there is a lot of talented people behind and in front of the camera, and some really well-made and creative craftsmanship going on as well. Some aspects may seem and are very dated by today's standards, but there is still a lot there, as well as a lot of entertainment value. So grab your can of raid, a giant size flyswatter, and maybe even some industrial strength gloves to wear so you don't have to tough any of these nasty little buggers, and listen to us have a little fun discussing some big creepy crawlers! Movies mentioned in this episode: Aliens (1986), Beast from 20,000 Fathoms (1953), The Beginning of the End (1957), The Black Scorpion (1957), The Blob (1958), Creature from the Black Lagoon (1954), The Deadly Mantis (1957), The Gauntlet (1977), Godzilla (1954), House of Dracula (1945), King Kong (1933), The Lost World (1925), Mighty Joe Young (1949), The Monster that Challenged the World (1957), Son of Kong (1933), S.O.S. Iceberg (1933), Sudden Impact (1983), Tarantula (1955), Them! (1954), The Thing from Another World (1951)  

So it's crazy to think that a company nearly a year old to this date has made massive waves in the industry. It's even crazier that it's happening in a country that hasn't had much of an industry to begin with. But the story of Bumbash Daniel and his promotion in Uganda is one that is incredible to talk about. Sam and Melee are joined by Goon Squad member TylerElGuapo (and Big Baby) as we discuss all about Soft Ground Wrestling Uganda. All of that, plus the week's news in wrestling.

The Cardinals selected Marvin Harrison Jr. and Darius Robinson on the first night of the 2024 NFL Draft. When all was said and done, they added 10 other draftees to the mix. Craig Grialou, Paul Calvisi and Rob Fredrickson talk about the immediate impact Harrison, Robinson and other members of the 2024 draft class could make. Plus, discussions about why the Cardinals are excited for Kyler Murray's 2024 campaign and how the roots of a great culture have been established for the newcomers to absorb.See omnystudio.com/listener for privacy information.

The Cardinals selected Marvin Harrison Jr. and Darius Robinson on the first night of the 2024 NFL Draft. When all was said and done, they added 10 other draftees to the mix. Craig Grialou, Paul Calvisi and Rob Fredrickson talk about the immediate impact Harrison, Robinson and other members of the 2024 draft class could make. Plus, discussions about why the Cardinals are excited for Kyler Murray's 2024 campaign and how the roots of a great culture have been established for the newcomers to absorb.See omnystudio.com/listener for privacy information.

This week on THE BIG 4-0, there are no new 1984 films of note, so Peter and Ron look back at the first two DIRTY HARRY sequels, after reviewing the third DIRTY HARRY film, SUDDEN IMPACT last December: 1973's MAGNUM FORCE and 1976's THE ENFORCER. Please remember to Rate, Like, and Subscribe, and we'll be back next week to celebrate THE BIG 4-0's of John Hughes' SIXTEEN CANDLES, as well as the beach-sex comedy HARDBODIES and its kin, 1983's SPRING BREAK, which we somehow missed last year!

Bent is track 7 on Where Quality is Job 1 (Recess Records) and track 27 on Where Quantity is Job #1 compilation (G7 Welcoming Committee Records).  Bent was written and performed by Sudden Impact and was originally released on the Freaked Out (1984) demo and No Rest From the Wicked (1986 LP).  Meandering Episode Intro: 00:00-18:00 Sudden Impact and Toronto Hardcore Intro: 18:20-49:55 Mitch Garvin interview: 50:30-1:35:10 More Greg and Steve: 1:35:10-END Tomorrow is Too Late Toronto 1980's Hardcore compilation: https://www.youtube.com/watch?v=52zc7IHX45w Listen to No Rest From the Wicked: https://www.youtube.com/watch?v=B1LCrV45tNo&t=798s Tomorrow is Too Late episode of Kreative Kontrol: https://podcasts.apple.com/gb/podcast/ep-511-live-talk-about-tomorrow-is-too-late-toronto/id652522142?i=1000459280439 Tomorrow is Too Late Turned out a Punk episode: https://www.youtube.com/watch?v=DWn_lsrA2EA UXB Press: https://uxbpress.bigcartel.com/

A Last Days Messenger --- Send in a voice message: https://podcasters.spotify.com/pod/show/aei-leon/message Support this podcast: https://podcasters.spotify.com/pod/show/aei-leon/support

Time for your weekly #tnawrestling breakdown by the one and only Jordan "Sly" Scavone! On EP 2 he breaks down this past week of Impact and gets you ready for Rebellion! Check it out and leave comments below!! #prowrestling #fypシ゚viral #explorepage #wrestlemania --- Support this podcast: https://podcasters.spotify.com/pod/show/TheWhipShow/support

The newest show to join The WHIP Show Podcast Network is #SuddenImpact​ w/ Jordan "Sly" Scavone! Every week he will break down the happenings from #TNA​ like only he can!! So tune in and be apart of the Impact!! #TNAWrestling​ #TNARebellion​ #WWE​ #ProWrestling​ #Wrestlemania​ --- Support this podcast: https://podcasters.spotify.com/pod/show/TheWhipShow/support

Sudden Impact - 1983Director - Clint EastwoodWriters - Joseph Stinson, Earl E Smith, Charles B PierceMusic - Lalo SchifrinStars:Clint EastwoodSondra LockePat HingleBradford DillmanPaul DrakeAudrey NeenanJack ThibeauMichael CurrieDirty Harry is at it again.

Episode 231.  James B and Eddie celebrate Valentine's Day with three Peter Parker The Spectacular Spider-Man books involving parents and their children. (00:27) PPPPN Sponsor - Tuesdays with Spidey (01:05) From April of 1987 Stan Lee presents Peter Parker The Spectacular Spider-Man 125, “Wrecking Havoc!” written by Danny Fingeroth, Penciled by Jim Mooney, Vince Colletta, and Art Nichols, Ink by Rick Parker   (05:59) From May of 1987 Stan Lee presents PPtSSM 126 “Sudden Impact” by Danny Fingeroth, Alan Kupperberg, and Ink by Art Nichols and co. (11:13) From June of 1987 Stan Lee presents PPtSSM 127 “Among Us Lurks… A Lizard!” by Len Kaminski, Pencils by Alan Kupperberg, Ink by Kupperberg and co. (17:46) PPPPN Sponsor - I've Got Bars Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written Eddie and Martha Connors.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

Ho! Ho! Ho! Merry Christmas, 1983! And a very happy BIG 4-0 to the iconic gangster classic, Brian DePalma/Oliver Stone/Al Pacino/Michelle Pfiefer's SCARFACE; and Clint Eastwood in the fourth and MAKE-MY-DAYiest Dirty Harry flick, SUDDEN IMPACT! We invited our buddy Casey (who helped us kick-off our '83 series earlier in the year on our VIDEODROME ep) back to help us close out the year in style! Please remember to rate, like, and subscribe. Next time we'll be back with our final ep of the year as Peter and Ron each reveal their Top Ten lists of 1983!

Time Warp 1983: 40th Anniversary Movies & Pop Culture Part 7: Christine, Uncommon Valor, Scarface, BMX Bandits, The Keep, Sudden Impact & More! Watch the video on the Fandom Podcast Network YouTube Channel: https://www.youtube.com/c/FandomPodcastNetwork Audio Podcast Link:  https://fpnet.podbean.com/category/time-warp Welcome to the Fandom Podcast Network's 'Time Warp 1983': 40th Anniversary - Movies & Pop Culture Part 7! We will also cover the 1983 Oscars and Razzie Award winners! In this episode of Time Warp, your hosts Kevin, Kyle and Lacee will Time Travel back to the 80's, and look back on the pop culture, movies, TV, music and notable events of 1983, which are celebrating their 40th Anniversary in 2023! Here are the movies we cover in Time Warp: 1983 Part 7: December 1983. - Christine - Scarface - Sudden Impact - Silkwood - D.C. Cab - Gorky Park - The Keep - The Man Who Loved Women - To Be or Not to Be - Two of a Kind - Uncommon Valor - Ziggy Stardust and the Spiders from Mars - BMX Bandits Fandom Podcast Network Contact Information - The FANDOM PODCAST NETWORK YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - Twitter: @fanpodnetwork / https://twitter.com/fanpodnetwork Time Warp Host Contact Info On Social Media: - Kevin Reitzel on Twitter (X) / Instagram & Threads: @spartan_phoenix - Kyle Wagner on Twitter (X): @AKyleW / Instagram & Threads: @Akylefandom - Lacee Aderhold on Twitter (X): @LaceePants / Instagram: @thelaceepants - Tee Public Fandom Podcast Network Store:  https://www.teepublic.com/stores/fandom-podcast-network #Christine1983 #Scarface1983 #SuddenImpact1983 #Silkwood1983 #DCCab1983 #GorkyPark1983 #TheKeep1983 #TheManWhoLovedWomen1983 #ToBeorNottoBe1983 #TwoofaKind1983 #UncommonValor1983 #ZiggyStardustandtheSpidersfromMars #BMXBandits #TheOscars #GoldenRaspberryAwards

Happy Thanksgiving to our beloved BIG 4-0 listeners! Today, November 23, 1983 saw the release of James L. Brooks' debut film AND multiple Oscar-winner, TERMS OF ENDEARMENT - a film Ron and Peter had been avoiding all these years due to its tearjerking, cancer subject matter; so we felt we needed a big action-comedy as an emotional palate cleanser to follow, so we decided to tackle the Sylvester Stallone-Wesley Snipes-Sandra Bullock futuristic (though we're getting closer to 2032 every year) thriller DEMOLTION MAN, which celebrated its BIG 3-0 just last month, and is a movie Peter never cared for (?!). Find out if our opinions on either film have changed over the years and if we think we'd be better off in a society like San Angeles 2023. As always please remember to rate, like, and subscribe. We'll be back after the holiday to make your day, celebrating the BIG 4-0's of two 1983 icons: Al Pacio in Brian DePalma's SCARFACE and the fourth and biggest Dirty Harry instalment, SUDDEN IMPACT.

This week on the Exciting and New podcast Jason, Andy & Dana welcome Connor back as we discuss the 1983 rape revenge Dirty Harry sequel Sudden Impact. That's right, Dirty Harry is back for the 4th time and we did no research by watching any of the movies that came before this one. We just assume these are all basically the same movie. In this version, real life Cint side piece Sondra Locke is getting revenge for a rape committed on her sister and her, and Clint Eastwood never met a criminal he didn't want to shoot first and ask questions later. To no one's surprise Clint is a big fan of her work. Go ahead, make our day and listen to the podcast

When Host Tom Dutta asked Duncan Robinson about setbacks and tragedies that shaped him into the great man he is today, he wrote:   "Never imagined the word Cancer in a child, never mind your son, but it happened, and then we went through the process of getting Michael better, but on the day he was supposed to return to school, the other word you never want to hear, is your son has relapsed, we'll do all we can, however, we've used the most aggressive treatment plan out there, and then, all we can do now is manage the pain, your son will complete his life, soon @ the age of 14….those words still resonate. However, Michael gave me hope in his words, will you be okay, Dad, because I will…."   This interview will take you on a journey of many emotions and leave you inspired with hope no matter what SUDDEN IMPACT occurs in your life:   About Duncan: Duncan Robinson is a third-generation financial specialist specializing in generational wealth transfer and legacy building. Building on his father and grandfather's wealth of financial management knowledge, he forged a new career path by integrating strategies and solutions from traditional and modern practices.   He rose to prominence in the insurance industry by working with prominent families with complex family wealth landscapes and different, sometimes competing, priorities and needs.  Duncan's patience and persistence in providing the best solution to the clients have always been seen as frank, straightforward, and sincere.        Duncan advocates for educating the clients (both the current generation business owners and their successors) on wealth preservation for multiple generations.   Duncan is a highly driven triathlete, motivational speaker and industry influencer who has written two books on the importance of planning and believes that life is perfectly imperfect, and that's the perfection of it.      

Follow MrBallen's Medical Mysteries wherever you get your podcasts. You can binge the first 8 episodes, early and ad-free on Amazon Music. Download the Amazon Music app today.The human body is a miracle. But when it's not working, it can be the stuff of nightmares. On this new series from master storyteller MrBallen, we're sharing medical horror stories and diagnostic mysteries that are surgically calibrated to make your blood run cold. From bizarre, unheard-of diseases and miraculous recoveries to strange medical mishaps and unexplainable deaths — you'll never hear the phrase “heart-stopping” in the same way again. MrBallen's Medical Mysteries is a first of its kind collaboration between MrBallen and Wondery, the award-winning company behind Dr. Death. Listen Now: http://wondery.fm/MBMMSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Dirty Harry is at it again." In this week's episode, we discuss the toughest cop in the streets of San Francisco, Inspector Harry Callahan in the crime thriller 'Sudden Impact'. The movie was directed by and stars Clint Eastwood. Also in the cast are Sondra Locke, Pat Hingle, Paul Drake and Audrie Neenan.Sudden Impact - IMDB: https://www.imdb.com/title/tt0086383/?ref_=nv_sr_srsg_0_tt_8_nm_0_q_suddenSudden Impact - Rotten Tomatoes: https://www.rottentomatoes.com/m/sudden_impactBill's Letterboxd Ratings: https://letterboxd.com/bill_b/list/bills-all-80s-movies-podcast-ratings/Jason's Letterboxd Ratings: https://letterboxd.com/jasonmasek/list/jasons-all-80s-movies-podcast-ratings/Website: http://www.all80smoviespodcast.comTwitter (X): https://twitter.com/podcastAll80sFacebook (META): https://www.facebook.com/profile.php?id=100030791216864TikTok: https://www.tiktok.com/@all80smoviespodcast

When Mike Williams vanishes on a hunting trip, the authorities suspect he was eaten by alligators but the true predators who took Mike may lurk much closer to home. The mystery of Mike's disappearance might have faded from memory, if it wasn't for one woman's tireless crusade. From Wondery, comes a new season of Over My Dead Body; a story about an obsessive love affair, a scandalous secret and a mother's battle for the truth.Follow Over My Dead Body: Gone Hunting on Amazon Music or wherever you get your podcasts. You can listen early and ad-free by subscribing to Wondery Plus in Apple Podcasts or the Wondery app. Listen to Over My Dead Body here: See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we talk about the final Dirty Harry movie and our third movie with "dead" and "pool" in the title. RC Cars, Jim Carey, Gun n' Roses, this movie couldn't be wilder. Listen in to find out what scene made Micah pour tears down his face in laughter. Get the  Audiobook of the Podcast Help us get to 50 Patrons by the end of the year so we can cover every Pixar movie! FREE TRIAL! - Sign up for $3 and listen to our patreon episode on Zodiac Join our Facebook Group - Facebook

Willie is commentating a pro wrestling show, so we are going through the card match-by-match and picking the winners. The show is July 28th at the Berkley Knights of Columbus, so if you live in the area and want to check out a fun night of pro wrestling, come to the show and say hi!

Jordan and Micah expected a stinker and oh boy, they were wrong! This movie is a wild ride! Listen in as they discuss a franchise on decline that then recovers! Get the  Audiobook of the Podcast Help us get to 50 Patrons by the end of the year so we can cover every Pixar movie! FREE TRIAL! - Sign up for $3 and listen to our patreon episode on Zodiac Join our Facebook Group - Facebook

Welcome to Navy Sports Central - The Official Podcast of the Navy Sports Nation!In this episode, you will have a chance to learn more about Nathan Kent, one of the Naval Academy's outstanding young athletes, as we sit down with his mom and former track and field star, Maura Kent. Nathan's rise to success in both track and football is brought to life through Maura's firsthand experiences and insights into his path from California to the Naval Academy. We also delve into the pivotal role mentors and family played in his decision to attend, and how their support has made all the difference.Maura shares valuable advice for parents of athletes navigating the complex world of college athletic careers, emphasizing the importance of teamwork and decision-making with the collective goal in mind. Finally, we explore the strong sense of community and passion that permeates life at the Naval Academy. Hear how Nathan's choice to pursue both football and track is building unforgettable bonds with his fellow midshipmen. Don't miss this fascinating conversation with Maura Kent as we celebrate Nathan's journey and his bright future at the Naval Academy.Related Links:Navy Sports Nation BlogNavy Football WebpageWe want to hear from you! Give us your answer to our Question of the Day. Here is the one for this episode:We mentioned earlier that Braden Presser set a school record in the javelin at the NCAA championships with a throw of 249'4”. How many of the top 10 performances in the event does he own?  Is it:A. 6B. 7C. 8D. 9Give us your answer on the Navy Sports Nation Group Facebook page. Follow Navy Sports Central wherever you get your podcasts:Apple PodcastsSpotifyPodchaserGoogle PodcastsCheck out the Navy Sports Nation group page on Facebook!Music is provided courtesy of Audio Jungle. Artists featured in order:Seven In Music (Intro)Alexiaction (Deep Dive)Loka Music (Deep Dive Pt. 2 Lead In)Artlss (Question of the Day Lead In)Cinematic Alex (Closeout Music)Support the show

On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films. ----more---- TRANSCRIPT   From Los Angeles, California. The Entertainment Capital of the World. It's the 80s Movie Podcast. I am your host, Edward Havens/ Thank you for listening today.   On this episode, we're going to start a miniseries that I've been dreading doing, not because of the films this company produced and/or released during the 1980s, but because it means shining any kind of light on a serial sexual assaulter and his enabling brother. But one cannot do a show like this, talking about the movies of the 1980s, and completely ignore Miramax Films.   But I am not here to defend Harvey Weinstein. I am not here to make him look good. My focus for this series, however many they end up being, will focus on the films and the filmmakers. Because it's important to note that the Weinsteins did not have a hand in the production of any of the movies Miramax released in the 1980s, and the two that they did have a hand in making, one a horror film, the other a comedy that would be the only film the Weinsteins would ever direct themselves, were distributed by companies other than Miramax.   But before I do begin, I want to disclose my own personal history with the Weinsteins. As you may know, I was a movie theatre manager for Landmark Theatres in the mid 1990s, running their NuWilshire Theatre in Santa Monica. The theatre was acquired by Landmark from Mann Theatres in 1992, and quickly became a hot destination for arthouse films for those who didn't want to deal with the hassle of trying to get to the Laemmle Monica 4 about a mile away, situated in a very busy area right off the beach, full of tourists who don't know how to park properly and making a general nuisance of themselves to the locals. One of the first movies to play at the NuWilshire after Landmark acquired it was Quentin Tarantino's debut film, Reservoir Dogs, which was released by Miramax in the fall of 1992. The NuWilshire quickly became a sort of lucky charm to Harvey Weinstein, which I would learn when I left the Cineplex Beverly Center in June 1993 to take over the NuWilshire from my friend Will, the great-grandson of William Fox, the founder of Fox Films, who was being promoted to district manager and personally recommended me to replace him.   During my two plus years at the NuWilshire, I fielded a number of calls from Harvey Weinstein. Not his secretary. Not his marketing people.    Harvey himself.   Harvey took a great interest in the theatre, and regularly wanted feedback about how his films were performing at my theatre. I don't know if he had heard the stories about Stanley Kubrick doing the same thing years before, but I probably spoke to him at least once a month. I never met the man, and I didn't really enjoy speaking with him, because a phone call from him meant I wasn't doing the work I actually needed to do, but keeping Harvey would mean keeping to get his best films for my theatre, so I indulged him a bit more than I probably should have.   And that indulgence did occasionally have its perks. Although I was not the manager of the NuWilshire when Reservoir Dogs played there, Quentin Tarantino personally hand-delivered one of the first teaser posters for his second movie, Pulp Fiction, to me, asking me if I would put it up in our poster frame, even though we both knew we were never going to play the film with the cast he assembled and the reviews coming out of Cannes. He, like Harvey Weinstein, considered the theatre his lucky charm. I put the poster up, even though we never did play the film, and you probably know how well the film did. Maybe we were his lucky charm.   I also got to meet Kevin Smith and Scott Mosier weeks before their first film, Clerks, opened. We hosted a special screening sponsored by the Independent Feature Project, now known as Film Independent, whose work to help promote independent film goes far deeper than just handing out the Spirit Awards each year. Smith and Mosier were cool cats, and I was able to gift Smith something the following year when he screened Mallrats a few weeks before it opened.   And, thanks to Miramax, I was gifted something that ended up being one of the best nights of my life. An invitation to the Spirit Awards and after-party in 1995, the year Quentin Tarantino and Lawrence Bender won a number of awards for Pulp Fiction. At the after-party, my then-girlfriend and I ended up drinking tequila with Toni Collette, who was just making her mark on American movie screens that very weekend, thanks to Miramax's release of Muriel's Wedding, and then playing pool against Collette and Tarantino, while his Spirit Awards sat on a nearby table.   Twenty feet from stardom, indeed.   I left that job at the end of the summer in 1995, and I would not be involved with the Weinstein Brothers for a number of years, until after I had moved to New York City, started FilmJerk, and had become an established film critic. As a critic, I had been invited to an advance screening of Bad Santa at the AMC Empire 25, and on the way out, Bob Weinstein randomly stopped me in the lobby to ask me a few questions about my reaction to the film. Which was the one and only time I ever interacted with either brother face to face, and would be the last time I ever interacted with either of them in any capacity.   As a journalist, I felt it was necessary to disclose these things, although I don't believe these things have clouded my judgment about them. They were smart enough to acquire some good films early in their careers, built a successful distribution company with some very smart people who most likely knew about their boss's disgusting proclivities and neither said nor did anything about it, and would eventually succumb to the reckoning that was always going to come to them, one way or another. I'm saddened that so many women were hurt by these men, physically and emotionally, and I will not be satisfied that they got what was coming to them until they've answered for everything they did.   Okay, enough with the proselytizing.    I will only briefly go into the history of the Weinstein Brothers, and how they came to found Miramax, and I'm going to get that out of the way right now.   Harvey Weinstein and his younger brother Bob, were born in Queens, New York, and after Harvey went to college in Buffalo, the brothers would start up a rock concert promotion company in the area. After several successful years in the concert business, they would take their profits and start up an independent film distribution company which they named Miramax, after their parents, Miriam and Max. They would symbolically start the company up on December 31st, 1979.   Like the old joke goes, they may have been concert promoters, but they really wanted to be filmmakers. But they would need to build up the company first, and they would use their connections in the music industry to pick up the American distribution rights to Rockshow, the first concert movie featuring Paul McCartney and his post-Beatles band Wings, which had been filmed during their 1976 Wings Over the World tour. And even from the start, Harvey Weinstein would earn the derisive nickname many people would give him over the years, Harvey Scissorhands, as he would cut down what was originally a 125min movie down to 102mins.   Miramax would open Rockshow on nine screens in the New York City area on Wednesday, November 26th, 1980, including the prestigious Ziegfeld Theatre, for what was billed as a one-week only run. But the film would end up exceeding their wildest expectations, grossing $113k from those nine screens, including nearly $46k just from the Ziegfeld. The film would get its run extended a second week, the absolute final week, threatened the ads, but the film would continue to play, at least at the Ziegfeld, until Saturday December 13th, when the theatre was closed for five days to prepare for what the theatre expected to be their big hit of the Christmas season, Neil Diamond's first movie, The Jazz Singer. It would be a sad coincidence that Rockstar's run at the Ziegfeld had been extended, and was still playing the night McCartney's friend and former bandmate John Lennon was assassinated barely a mile away from the theatre.   But, strangely, instead of exploiting the death of Lennon and capitalize on the sudden, unexpected, tragic reemergence of Beatlemania, Miramax seems to have let the picture go. I cannot find any playdates for the film in any other city outside of The Big Apple after December 1980, and the film would be unseen in any form outside a brief home video release in 1982 until June 2013, when the restored 125min cut was released on DVD and Blu-Ray, after a one-night theatrical showing in cinemas worldwide.   As the Brothers Weinstein were in the process of gearing up Miramax, they would try their hand at writing and producing a movie themselves. Seeing that movies like Halloween and Friday the 13th were becoming hits, Harvey would write up a five-page treatment for a horror movie, based on an upstate New York boogeyman called Cropsey, which Harvey had first heard about during his school days at camp. Bob Weinstein would write the script for The Burning with steampunk author Peter Lawrence in six weeks, hire a British music documentary filmmaker, Tony Maylam, the brothers knew through their concert promoting days, and they would have the film in production in Buffalo, New York, in the summer of 1980, with makeup effects by Tom Savini.   Once the film was complete, they accepted a purchase deal from Filmways Pictures, covering most of the cost of the $1.5m production, which they would funnel right back into their fledgling distribution company. But when The Burning opened in and around the Florida area on May 15th, 1981, the market was already overloaded with horror films, from Oliver Stone's The Hand and Edward Bianchi's The Fan, to Lewis Teague's Alligator and J. Lee Thompson's Happy Birthday to Me, to Joe Dante's The Howling and the second installment of the Friday the 13th series. Outside of Buffalo, where the movie was shot, the film did not perform well, no matter how many times Filmways tried to sell it. After several months, The Burning would only gross about $300k, which would help drive Filmways into bankruptcy. As we talked about a couple years ago on our series about Orion Pictures, Orion would buy all the assets from Filmways, including The Burning, which they would re-release into theatres with new artwork, into the New York City metropolitan region on November 5th, 1982, to help promote the upcoming home video release of the film. In just seven days in 78 theatres, the film would gross $401k, more than it had earned over its entire run during the previous year. But the film would be gone from theatres the following week, as many exhibitors do not like playing movies that were also playing on cable and/or available on videotape. It is estimated the film's final gross was about $750k in the US, but the film would become a minor success on home video and repeated cable screenings.   Now, some sources on the inter webs will tell you the first movie Miramax released was Goodbye, Emmanuelle, based in part on a profile of the brothers and their company in a March 2000 issue of Fortune Magazine, in which writer Tim Carvell makes this claim. Whether this info nugget came from bad research, or a bad memory on the part of one or both of the brothers, it simply is not true. Goodbye, Emmanuelle, as released by Miramax in an edited and dubbed version, would be released more than a year after Rockshow, on December 5th, 1981. It would gross a cool $241k in 50 theatres in New York City, but lose 80% of its screens in its second week, mostly for Miramax's next film, a low budget, British-made sci-fi sex comedy called Spaced Out.   Or, at least, that's what the brothers thought would be a better title for a movie called Outer Touch in the UK.   Which I can't necessarily argue. Outer Touch is a pretty dumb title for a movie. Even the film's director, Normal Warren, agreed. But that's all he would agree with the brothers on. He hated everything else they did to his film to prepare it for American release. Harvey would edit the film down to just 77mins in length, had a new dub created to de-emphasize the British accents of the original actors, and changed the music score and the ending. And for his efforts, Weinstein would see some success when the film was released into 41 theatres in New York on December 11th, 1981. But whether or not it was because of the film itself, which was very poorly reviewed, or because it was paired with the first re-issue of The Groove Tube since Chevy Chase, one of the actors in that film, became a star, remains to be seen.   Miramax would only release one movie for all of 1982, but it would end up being their first relative hit film.   Between 1976 and 1981, there were four live shows of music and comedy in the United Kingdom for the benefit of Amnesty International. Inspired by former Monty Python star John Cleese, these shows would raise millions for the international non-governmental organization focused on human rights issues around the world. The third show, in 1979, was called The Secret Policeman's Ball, and would not only feature Cleese, who also directed the live show, performing with his fellow Pythons Terry Jones and Michael Palin, but would also be a major launching pad for two of the most iconic comedians of the 1980s, English comedian Rowan Atkinson and Scottish comedian Billy Connelly. But unlike the first two Amnesty benefit shows, Cleese decided to add some musical acts to the bill, including Pete Townshend of The Who.   The shows would be a big success in the United Kingdom, and the Weinsteins, once again using their connections in the music scene, would buy the American film rights to the show before they actually incorporated Miramax Films. That purchase would be the impetus for creating the company.   One slight problem, though.   The show was, naturally, very British. One bit from the show, featuring the legendary British comedian and actor Peter Cook, was a nine-minute bit summing up a recent bit of British history, the leader of the British Labour Party being tried on charges of conspiracy and incitement to murder his ex-boyfriend, would not make any sense to anyone who wasn't following the trial. All in all, even with the musical segments featuring Townshend, the Weinsteins felt there was only about forty minutes worth of material that could be used for a movie.   It also didn't help that the show was shot with 16mm film, which would be extremely grainy when blown up to 35mm.   But while they hemmed and hawed through trying to shape the film. Cleese and his show partners at Amnesty decided to do another set of benefit shows in 1981, this time called The Secret Policeman's Other Ball. Knowing that there might be interest in a film version of this show, the team would decide to shoot this show in 35mm. Cleese would co-direct the live show, while music video director Julien Temple would be in charge of filming. And judging from the success of an EP released in 1980 featuring Townshend's performance at the previous show, Cleese would arrange for more musical artists to perform, including Jeff Beck, Eric Clapton, Phil Collins, Donovan, Bob Geldof, Sting, and Midge Ure of Ultraviolet. In fact, it would be because of their participation in these shows that would lead Geldof and Ure to form Band Aid in 1984, which would raise $24m for famine relief in Ethiopia in just three months, and the subsequent Live Aid shows in July 1985 would raise another $126m worldwide.   The 1981 Amnesty benefit shows were a success, especially the one-time-only performance of a supergroup called The Secret Police, comprising of Beck, Clapton, Geldof and Sting performing Bob Dylan's I Shall Be Released at the show's closing, and the Weinsteins would make another deal to buy the American movie rights to these shows. While Temple's version of the 1981 shows would show as intended for UK audiences in 1982, the co-creator of the series, British producer Martin Lewis, would spend three months in New York City with Harvey Weinstein at the end of 1981 and start of 1982, working to turn the 1979 and 1981 shows into one cohesive movie geared towards American audiences. After premiering at the Los Angeles International Film Exposition in March 1982, The Secret Policeman's Other Ball would open on nine screens in the greater New York City metropolitan area on May 21st, but only on one screen in all of Manhattan. And in its first three days, the movie would gross an amazing $116k, including $36,750 at the Sutton theatre in the Midtown East part of New York City. Even more astounding is that, in its second weekend at the same nine theaters, the film would actually increase its gross to $121k, when most movies in their second week were seeing their grosses drop 30-50% because of the opening of Rocky III. And after just four weeks in just New York City, on just nine or ten screens each week, The Secret Policeman's Other Ball would gross more than $400k. The film would already be profitable for Miramax.   But the Weinsteins were still cautious. It wouldn't be until July 16th when they'd start to send the film out to other markets like Los Angeles, where they could only get five theatres to show the film, including the brand new Cineplex Beverly Center, itself opening the same day, which, as the first Cineplex in America, was as desperate to show any movie it could as Miramax was to show the movie at any theatre it could.   When all was said and done, The Secret Policeman's Other Ball would gross nearly $4m in American theatres.   So, you'd think now they had a hit film under their belts, Miramax would gear up and start acquiring more films and establishing themselves as a true up and coming independent distributor.   Right?   You'd think.   Now, I already said The Secret Policeman's Other Ball was their only release in 1982.   So, naturally, you'd think their first of like ten or twelve releases for 1983 would come in January.   Right?   You'd think.   In fact, Miramax's next theatrical release, the first theatrical release of D.A. Pennebaker's Ziggy Stardust and the Spiders from Mars concert film from the legendary final Ziggy show at the Hammersmith Odeon in London on July 3, 1973, would not come until December 23rd, 1983. And, for the third time in three years, it would be their music connections that would help the Weinsteins acquire a film.   Although the Ziggy Stardust movie had been kicking around for years, mostly one-night-only 16mm screenings on college campuses and a heavily edited 44min version that aired once on American television network ABC in October 1974, this would be the first time a full-length 90min version of the movie would be seen. And the timing for it couldn't have come at a better time. 1983 had been a banner year for the musician and occasional actor. His album Let's Dance had sold more than five million copies worldwide and spawned three hit singles. His Serious Moonlight tour, his first concert tour in five years, was the biggest tour of the year. And he won critical praise for his role as  a British prisoner of war in Nagisa Ōshima's powerful Japanese World War II film Merry Christmas, Mr. Lawrence.   The Weinsteins would enlist the help of 20th Century Fox to get the film into theatres during a very competitive Christmas moviegoing season. But despite their best efforts, Fox and Miramax could only nab one theatre in all of New York City, the 8th Street Playhouse in lower Manhattan, and five in Los Angeles, including two screens at the Cineplex Beverly Center. And for the weekend, its $58,500 gross would be quite decent, with a per screen average above such films as Scarface, Sudden Impact and Yentl. But in its second weekend, the all-important Christmas week, the gross would fall nearly 50% when the vast majority of movies improve their grosses with kids out of school and wage earners getting time off for the holidays. Fox and Miramax would stay committed to the film through the early part of 1984, but they'd keep costs down by rotating the six prints made for New York and Los Angeles to other cities as those playdates wound down, and only buying eighth-page display ads in local newspapers' entertainment section when it arrived in a new city. The final gross would fall short of half a million dollars, but the film would find its audience on home video later in the year. And while the Weinsteins are no longer involved with the handling of the film, Ziggy Stardust and the Spiders from Mars will be getting a theatrical release across the planet the first week of July 2023, to coincide with the 50th anniversary of the concert.   So, here were are, four years into the formation of Miramax Films, and they only released five films into theatres, plus wrote and produced another released by Filmways. One minor hit, four disappointments, and we're still four years away from them becoming the distributor they'd become. But we're going to stop here today because I like to keep these episodes short.   Thank you for joining us. We'll talk again next week, when we continue with story of Miramax Films, from 1984 to 1987.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Will, Hesse and John Semley review Clint Eastwood's 1983 Dirty Harry film Sudden Impact. Go ahead, make my day. Subscribe today for access to the full episode and all premium episodes! www.patreon.com/chapotraphouse

Go ahead, listen to this episode! We are beyond thrilled to be joined for our discussion of the fourth Dirty Harry film, SUDDEN IMPACT, by the man who literally wrote the book on Dirty Harry: Dr. Joe Street, author of Dirty Harry's America: Clint Eastwood, Harry Callahan, and the Conservative Backlash. From "Make my day" to Santa Cruz history to Reagan's cruel legacy of spending cuts to Sondra Locke's sunglasses, we cover it all on this one, folks. There's even a novelty song and a farfetched theory about an androgynous bulldog that probably should have been cut out of the episode. But we left it in for you, the listener, whom we love and cherish! Please give this one a listen, it was a wonderful discussion and we're excited to share it with you. [There are some minor audio issues that we did our best to clean up, so be nice to us about it.] Purchase Dr. Street's book Dirty Harry's America here (it's way better than our show): https://upf.com/book.asp?id=9780813061672   https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

⁠SUBSCRIBE NOW⁠ for early access and exclusive bonus episodes at WWW.PATREON.COM/ROTTENREWIND Clint Eastwood and Sondra Locke made six films together over the course of a decade. They also had a tumultuous romantic partnership that culminated in a 19 month trial where Locke developed breast cancer. Locke, an Academy Award nominated actress, turned to directing in the late 80s, but was never able to achieve the notoriety she deserved because of her public falling out with Eastwood.Today on the podcast, we're looking back on their final collaboration together, the fourth entry in the "Dirty Harry" franchise, "Sudden Impact," as well as Locke's sophomore feature behind the camera, "Impulse." Critic and writer Jourdain Searles returns to the show for an in-depth conversation about the tragedy surrounding Locke's career and her mostly unseen directorial efforts.Why were we robbed of such a talented artist's future works? Was Sondra Locke the Polly Platt to Eastwood's Bogdanovich? How do reconcile an artist's off-screen behavior with their legendary career? What happens when Dirty Harry tackles rape culture? Why doesn't Theresa Russell work anymore? How the fuck do you pronounce George Dzundza's last name? Find out right now as we kick off our month-long descent into the seedy back alleys and underworlds of Vulgar Neo-Noir. 

Film critic and biographer Richard Schickel

Sudden Impact made their tag team debut in Japan in October of 1991. It was Lance Storm and Chris Jericho at Frontier Martial-Arts Wrestling aka FMW. The duo were barely a year into their wrestling careers when this tour opportunity arose, and they recount their nearly three-week trip overseas. They remember how they got the chance to travel to Japan, what it was like boarding the plane with no visa or actual contact information for anyone at FMW. They share stories about FMW promoter Onita, his right-hand man, Goto, and their fellow Gaijin wrestlers on the show including Mark Starr, Horace Boulder (Hulk Hogan's nephew), and Mike Awesome. They share some of the ribs pulled on this trip, the story about their $600 drinking bar adventure, and they break down each one of their Japanese matches. Thank you for supporting our sponsors!FanDuel: download the FanDuel app & use promo code JERICHO to get up a “No Sweat First Bet” up to $1,000 dollars.Urban Stems: Go to https://urbanstems.com/ and use promo code JERICHO for 15% off.PajamaGram: Go to https://www.pajamagram.com/ and use promo code NUDE for 25% off and FREE gift wrappingPandora: Find a gift as unique as your love! Visit a store near you or shop online at https://us.pandora.net/Toyota: Visit https://toyota.com/GRFamily to find your perfect Toyota!Cynch: download the Cynch app or go https://www.cynch.com/ and get your first tank exchange for $10 with code JERICHO.Bosch Tools: learn more at https://www.boschtools.com/us/en/SlingTV: check out https://www.sling.com/ for special offers  STAY CONNECTED:TikTok: @TalkIsJerichoInstagram: @talkisjericho @chrisjerichofozzy Twitter: @TalkIsJericho @IAmJerichoYouTube: https://www.youtube.com/c/ChrisJerichoFozzyWebsite: https://www.webisjericho.com/

We review Sudden Impact (1983) on movie podcast The Collector's Cut. Dirty Harry: Sudden Impact is directed by Clint Eastwood and stars Clint Eastwood, Sondra Locke, Pat Hingle, Paul Drake, Audrie Neenan patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight email: mftvquestions@gmail.com Audio version: https://the-collectors-cut.pinecast.co/ dirtyharry #movies #cinema

Is Sudden Impact (1983) a better film than The Enforcer? Take a listen and find out in this action-packed episode you don't want to miss!  

See the full episode here:Kansas City Chiefs EVERY Leo Chenal snap vs Jacksonville Jaguars. Chenal Makes SUDDEN IMPACT vs Jaguars Code RGR at https://draftkings.com/sportsbook ** GET RGR Chiefs Kingdom Merch from http://bit.ly/RGRStore ⚡ JOIN RGR Memberships for all the perks: https://bit.ly/JoinRGR GET NFL Draft & League Substack Signup DISCOUNT!! https://nfl33.substack.com/RGRMembers ** Kansas City Chiefs Kingdom News and Rumors https://twitter.com/RyanTracyNFL ️ Locked on Chiefs - https://bit.ly/LO_Chiefs RGR Craft - https://bit.ly/RGRCraft Chapter Times ⏱️ 2:01 Leo Chenal Makes SUDDEN IMPACT vs Jaguars #Chiefs #kcchiefs #ChiefsKingdom

This episode we talk to Big and Shannon about Sudden impact .They give us a back story on the company and break down all their baits . Check out Phenix Rods https://phenixrods.com to see all models mentioned in thus episode Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Game Marks Podcast, we play UFC Sudden Impact from 2004. How does the fifth installment of UFC Games hold up? We also have a big announcement for August, Steam Deck updates and more! Will this game hold up today? Will we Play it Forever or Future Endeavor?Join George Feis & Johnny Clash each week as they do a #DeepDive into the good, the bad & the awesome of wrestling video games. Do your favorite games stand the test of time or are you playing them with nostalgia goggles?Listen in each week as George and John let you know if they would #PlayItForever or #FutureEndeavor. New episodes every Monday! Follow along @GameMarksPod.Join our Patreon for extra content and bonus episodes! patreon.com/gamemarkspod Sponsors• Zavvi: us.zavvi.com Use code gamemarks• Nord VPN: gamemarkspod.com/vpn • VFG Gamers: vgfgamers.com Use code GAMEMARKS• Merch: gamemarkspodcast.bigcartel.com • Pro Wrestling Tees: prowrestlingtees.com/gamemarkspod• Tee Public: teepublic.com/user/gamemarkspod

Listen as Mike and Tom discuss the 1983 sequel Sudden Impact. You'll hear discussions about how the fourth movie in the series manages to deliver one of the most iconic lines for the Dirty Harry character, how Clint Eastwood manages to fit several genres into this one movie, and which parts we love, which parts we don't and which parts we tolerate in this perhaps uneven but still good film.

For our 6th birthday we revisited the triple bill that started it all. Sudden Impact, Double Impact and Deep Impact! Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs. We also have t-shirts available via our TeePublic store!  

See the full episode here: Kansas City Chiefs Draft Class: Sudden Impact! Which Chiefs Draft Pick will be Top Rookie? 2022 RAPC NFL Draft Guide - Athletic Matrix, Playmaker Matrix & Film Rankings - https://bit.ly/Draft22. The Athletic Matrix is HERE! https://bit.ly/22Matrix - Discount code in the video ⬆️ NEW NFL and Draft site - Special signup discount for RGR Members https://nfl33.substack.com/RGRMembers Reaper Tee - https://rgr-store.creator-spring.com/listing/get-when-it-s-grim-be-the-grim?product=46 Support RGR ⤵️ All Chiefs Kingdom Merch from http://bit.ly/RGRStore Get of RGR as a Member: https://bit.ly/JoinRGR Chiefs News and Rumors NFL Draft & League - http://NFL33.com https://twitter.com/RyanTracyNFL ️ Locked on Chiefs - https://bit.ly/LO_Chiefs RGR Craft - https://bit.ly/RGRCraft Kansas City Chiefs Kingdom News + Rumors 3:01 Sudden Impact! Which Chiefs Draft Pick will be Top Rookie? #Chiefs #RGR #ChiefsKingdom #Filmroom #kcchiefs

Waiting for Impact – A Dave Holmes Passion Project, Monty Python: The Final Rip Off, success and failure, shame, self worth, show business, Sudden Impact, the internet preserves, what's the point of what's that from, of any podcast, connecting, talking to people, relating, rock journalism vs. podcasting, personal specificity, Vulture, My Favorite Murder, Scorpions, podcasting is the medium to go deep, corporate podcasts with celebrities, Once Upon a Time At Bennington College, Tell Me with Ellen Pompeo, mourning the possibility, expectations for ourselves, playing a role, I Melt With You, feelings and thinkings, introspection, cut your reaction time down, spiraling, Beautiful Girls, Autumn/Fall music, Buffalo Tom, Lush, Mother Love Bone, 60 Songs That Explain the 90s, grunge, Temple of the Dog, self-loathing, dopamine rush of relistening, rewatching over and over, Brian Ferry, Roxy Music, empathy, feeling feelings, “hate” for things, thinking in extremes, success vs. failure, reserved snark for celebrities, the shameful voices in our heads, UCB improv, grumps, needing to be cool all the time, pride, snark and cool, love and hate, binaries, Party of One, Kid Rock, Sebastian Bach, With Gourley and Rust, listening well, How Long Gone, earnest content, Tim Robinson, how real do you want to get, think about why you like it and why you don't, what speaks to you, Come From Away, Interstellar, The Book of Henry, Metallica, that's not for me, Genesis, dad sex talk, unforgettable commercials, Julian Clary, Pop Secret, Snoopy Sno Cone Machine, Northwell Health, Coventry, Rhode Island curtain lady, blind gay news, Wheel of Fortune, finding love in the work. SHEER HUBRIS merch:https://www.redbubble.com/people/WTFrom/shop?asc=uBuzzsprout - Let's get your podcast launched! Start for FREEInstacart - Groceries delivered in as little as 1 hour. Free delivery on your first order over $35.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.patreon.com/whatsthatfrom)

In this episode, Scheana is joined by former MTV VJ, TV Personality and Podcast Host, Dave Holmes. Dave talks about his start in his career with MTV, the best and worst interviews, TRL, and meeting Tom Cruise. Scheana and Dave discuss the true meaning of success and how fame and fortune don't always lead to happiness. He then shares his experience working with Britney Spears, gives his thoughts on the FreeBritney movement, and shares his hopes on society having more grace. Scheana talks about her first time getting recognized after Vanderpump Rules' debut and how she feels about fans coming up to her now. And of course - Backstreet Boys vs NSYNC – who is their favorite?! Tune in for all this and more! Be sure to check out Dave's 10-episode limited series podcast called “Waiting for Impact” which talks about the history of the band ‘Sudden Impact' and fame in the 1990s music industry.     It's all happening for Scheana Shay. Get insight into what it's like behind the scenes of a reality show, hear some hilarious stories, and be part of a live Q&A where nothing is off the table.Special appearances from other Bravolebs to be announced soon. This is a show Good As Gold that you won't want to miss!   Follow us: @scheananigans @scheana   Produced by Dear Media 

As we mentioned at the beginning of our series about Esther, everyone loves a good story - so much so that Americans fork over tens of millions of dollars at the movies each weekend. Often, the most captivating movies include a famous line that gets quoted again and again. Here are some examples: "Frankly, my dear, I don't give a ..." Gone with the Wind (1939) "I'm gonna make him an offer he can't refuse." The Godfather (1972) "Toto, I've a feeling we're not in Kansas anymore.” The Wizard of Oz (1939) "Here's looking at you, kid.” Casablanca (1942) "Go ahead, make my day.” Sudden Impact (1983) “May the Force be with you.” Star Wars (1977) “E.T. phone home” (1982) “You can't handle the truth!” A Few Good Men (1992) “My precious” The Lord of the Rings: The Two towers (2002) “I feel the need-the need for speed!” Top Gun (1986) “Carpe diem. Seize the day, boys. Make your lives extraordinary!” Dead Poets Society (1989) What would you add to the list? Here are a few more: “Maybe you have been chosen to be the queen for such a time as this.” and "And if I perish, I perish.” from the story of Esther (338+-BC) (There are few movies that include both this lines.) Join us for this message as we unpack why those two lines are still relevant to the world we live in almost 2,500 years later.

George Sells is At Your Service tonight, and speaks with Dave Holmes of the “Waiting for Impact” podcast- a podcast devoted to finding Sudden Impact, the R&B boy band whose arrival was announced in Boyz II Men’s “MotownPhilly” video. Later, George is joined with the Director of St. Louis Lambert International Airport Rhonda Hamm-Niebruegge to discuss the recent announcement of future non-stop flights from St. Louis to Frankfurt, Germany via Lufthansa Airlines. Lastly, the St. Louis Boat Show is once again cancelled, this time due to supply chain issues.

In the very first episode of "Sprinkle of Heaven, Spoonful of Truth" we discuss the feeling of being "Paralyzed By Fear". We all know what it feels like to be dealt an unfair hand and how that can prevent you from moving forward. Today we explore the concept of "Sudden Impact" and "Spiritual Paralyzation". We also dive into the many tools available to us that can lift us out of any dark place and holding space. Darmirra Brunson shares her personal truth and how she has experienced sudden impact in her life. She also encourages each of us to take "Affirmative Action" by using affirmations to affirm who we truly are. In this episode we are introduced to the concept of the "Ego" and the "Soul". "Awakened To Walk Again" is a well crafted sketch which gives us an idea of what a typical conversation could look like between your fearful self and your divine self which is your authentic being. If you enjoyed this episode, SUBSCRIBE, SHARE, give it 5 stars, and leave a comment or review! Thank you. Your voyage towards a purpose driven and fulfilled life begins now! Sail on Sailor! Follow Darmirra Brunson on Instagram and Twitter - @darmirrabrunson DISCLAIMER By accessing this Podcast, I acknowledge that the entire contents are the property of Darmirra Brunson, or used by Darmirra Brunson with permission, and are protected under U.S. and international copyright and trademark laws. Except as otherwise provided herein, users of this Podcast may save and use information contained in the Podcast only for personal or other non-commercial, educational purposes. No other use, including, without limitation, reproduction, retransmission or editing, of this Podcast may be made without the prior written permission of the Darmirra Brunson, which may be requested by contacting SprinkleandSpoonful@gmail.com This podcast is for educational purposes only. The host claims no responsibility to any person or entity for any liability, loss, or damage caused or alleged to be caused directly or indirectly as a result of the use, application, or interpretation of the information presented herein.

This episode we talk about sudden impact , Rod building ,Perfomance tackle and fishing To support the podcast click on the link below to become a Patreon Member  https://www.patreon.com/Castandcrank 3 YEARS !!!!!!! 200 Episodes !!!!!!! 10 Winners with Gear from Toxic,JSJ,Blackdog,Finnbait Customs ,Irod,UFO,SwimbaitCity,Depsand Pitbull Tackle  Sign up on our Patreon  Get 20% OFF @manscaped + Free Shipping with promo code CASTANDCRANK at MANSCAPED.com GO GRAB SOME NEW MERCH IN LINK BELOW  https://castandcrankpodcast.com/collections/cast-and-crank-shop Learn more about your ad choices. Visit megaphone.fm/adchoices