Podcasts about off west end

When Sean Daniels decided to change his relationship with alcohol, he turned to what he knew best: theatre.His play, The White Chip, shares his story - and the community that helped him find his way to recovery.Welcome to The Next Round, the podcast that explores what people did next.While some keep their post-booze lives quiet, others shout them loud and proud, helping themselves - and inspiring you.Like Sean, his play The White Chip is moving on too: transferring from Off-Broadway to the Off-West End this summer.Could he have written a play while still drinking? Well, yes - until he couldn't.As a professional artist and director, Sean found healing by translating the chaos of his recovery into something tangible and transformative – a play.Today, Sean's autobiographical show, The White Chip, is not just another production. It's a raw, hilarious, and hopeful exploration of addiction and recovery, set to debut at London's Southwark Playhouse. But it's also a testament to what happens when you take your darkest moments and create a light for others to follow.“The art form did help to save me, because it was a way to try to process what happened.”For Sean, getting sober didn't mean leaving creativity behind – it meant reclaiming it. Early on in recovery, on just his third day of sobriety, he wrote a monologue trying to capture his confusion and pain. That piece remains almost untouched in the final version of the play. Writing gave him a lifeline, a way to understand a collapse that seemed impossible to explain at the time.He also poured his energy into community work, founding the Recovery Arts Project, an initiative using theatre to change the narrative around addiction. It's part of Sean's larger mission: not just to tell his story, but to reshape how society talks about addiction and creativity.“The opposite of addiction isn't abstinence – it's community.”Through his work, Sean challenges one of the most persistent myths: that great artists must suffer for their art, and that alcohol fuels creativity.“The idea that part of what it costs you to be a really great artist is that you have to destroy your life – that's 100% not true.”Sean's journey into addiction mirrored the glamorous chaos of the theatre world: late nights, endless parties, endless justification. At first, he says, drinking seemed to fuel his success, making him a more “fun” director, a better networker, someone who could juggle 4 a.m. drinks and 9 a.m. meetings with ease. Until it didn't.“It worked for me until it didn't, which is a pretty standard version of the story.”Find Club Soda:The Club Soda Tasting Room is at 39 Drury Lane, London, WC2B 5RRFind us on Instagram

Audrey is an award-winning UK and International freelance director with a passion for new work. Committed to making theatre that is rigorous, ambitious and above all else, truthful. She studied Psychology and Anthropology followed by a an MSc in Medical Anthropology. Theatre-wise she trained for three years alongside the late Sam Kogan in London and Moscow. Before continuing her directorial training at the Young Vic, King's Head Theatre and workshops at the National Theatre and the RSC, one with the legendary Peter Brook. She also co-facilitated the National's New Views program for new writers at the National and a panelist on the Women's Prize for Playwriting. Her work has earned her a Best Director Finalist place for the Off West End awards 2017/18 and the Arts Foundation Awards 2018. Other credits as a director include:Six Artist's in Search for an Author - Almeida Perspective - NationalJews. In their own Words - Royal Court with Jonathan FreelandAssociate Director on Stranger Things: The First Shadow at the Phoenix Theatre in London dir. Justin MartinCatch also her work on video games, she's worked with companies such as Ubisoft, Amazon Game Studios, CD Projekt RED and Kuno.Audrey and I discuss how theatre is a great instrument in storytelling as well as speaking our truth. Truth about our lives, politics, behaviours and our place in the universe. I was fascinated to hear about how she wants to make theatre truthful and what projects she has worked on and will work on in the future will be able to achieve that. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @goweroliverFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️

This week, we ventured to London to see The Other Palace's production of The Lightning Thief: The Percy Jackson Musical. Discussion topics may include: changes between Broadway and Off-West End, trying, Castiel quotes, camp counselor Luke, the new staging of The Tree On The Hill, Annabeth as the prime suspect, and Percy's new jewelry.Check us out on Patreon to submit questions for future interviews, and to get early episodes, cut material, art previews, and more! https://www.patreon.com/MonsterDonutPodcastQuestions? Thoughts? Arguments? Email monsterdonutpodcast@gmail.com.Come say hi and check out the sketches Phoebe made this episode on Twitter, Instagram, or TikTok! @PJOPod on all platforms.Find our new Monster Donut merch here!: https://www.redbubble.com/people/monsterdonut/explore.More information on the show can be found at https://monsterdonut.wixsite.com/podcast.THEME SONG:"The Mask of Sorokin," music and arrangement by Dan CordeGuitars - Dan CordeBass - Quinten MetkeDrums - Todd CummingsRecorded, mixed, & mastered by Todd CummingsOUTRO MUSIC:"Shadow Run," music and arrangement by Dan CordeGuitars - Dan CordeBass - Quinten MetkeDrums - Todd CummingsRecorded, mixed, & mastered by Todd Cummings Hosted on Acast. See acast.com/privacy for more information.

originally released: May 5, 2021 Two Guests for the price of one! Chris & Holly from the podcast Out for Blood: The Story of Carrie the Musical are here for a show they did at Edinburgh Fringe that bears more than a passing resemblance to said Stephen King musical. CW: sexual assault. Topics include: Holly as the lead, singing Wicked during Bat Boy, does Off-West End exist?, bags of wigs, and Carrie (of course). Out for Blood: The Story of Carrie the Musical Big Diva Energy Podcast Featured recordings: Bat Boy - Original Cast Recording (2001) • Bat Boy - Original London Cast Recording (2004) DO YOU LIKE MOVIE MUSICALS? DO YOU LIKE SONDHEIM? Then you will love our PATREON podcast The Original Cast at the Movies because 2021 is all about Sondheim Movie Musicals!! Our latest Sondheim-excursion has Logan Culwell-Block (Little Shop of Horrors) and Sophie Schulman (Funny Girl) digging into Sondheim's fabled TV-mini-musical Evening Primrose (1966). Patreon • Twitter • Facebook • Email

This week, the Olivier Award winning British musical OPERATION MINCEMEAT announced plans to transfer to the Golden Theatre on Broadway. While Mickey-Jo is hugely excited for the show's ongoing success, this news raises concerns and prompts reflection on some of the producing decisions that brought it here. Check out today's episode for all of the announced Broadway's details, a history of the show's journey from Off-West End venues to Broadway and an explanation of its fanbase alienating controversy... • 00:00 | introduction 02:38 | history of the show 08:15 | West End controversy 20:00 | Broadway transfer • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Mahira Kakkar: Off-Broadway: 7 Minutes, Waterwell; Here We Are, Theater for One; Addressless, Rattlestick; Opus, Primary Stages; Harper Regan, Atlantic; Romeo and Juliet, Public Theater; The Winter's Tale, TFANA; When January Feels Like Summer, EST; Henry VI, NAATCO; Arturo Ui, Classic Stage Company; Ms. Witherspoon, Playwrights Horizons; Clive, The New Group. Regional: Life of Pi, A.R.T.; Skylight, McCarter Theatre; Rafta Rafta, Old Globe; Our Town, OSF; Monsoon Wedding, Berkeley Rep; Bedroom Farce, Huntington Theater Company; Inana, Denver Center; The Crucible, Cleveland Playhouse; Five Mile Lake, McCarter Theatre; Comedy of Errors, Hartford Stage, Jesus in India, Magic Theater. Film/TV: “A Suitable Boy” (series lead), “Manifest” (recurring), “New Amsterdam,” “Blue Bloods,” “The Blacklist,” “Louie,” “Odd Mom Out,” “Sweet Refuge,” “Bite Me,” Hank and Asha (Napa Valley Film Festival Best Actress, Wild Rose Festival Best Actress, Slamdance Audience winner, Bronze Lens winner), “Law & Order,” “Orange Is the New Black.” Training: Juilliard, SITI, Harold Guskin; B.A. Jadavpur University. mahirakakkar.com Salma Qarnain is a versatile Pakistani American actor, thrilled to be making her Broadway debut in the adaptation of one of her favorite books. She is a two-time Helen Hayes Award recipient, an AUDELCO nominee, and an award-winning theater and film producer. She has performed across major networks (ABC, NBC, CBS, HBO, HBO Max, Hulu, Showtime), regionally, Off-Broadway, and Off-West End. Most recently, she produced the 2023 Oscar-qualified short film, Silent Partner (19 festivals / 4 Oscar qualifiers; 8 awards / nominations) and Speak Up Brotha!, which is premiering at the Oscar-qualifying Cleveland International Film Festival. Selected credits: Bars and Measures (Off-Broadway); Acquittal (Off-Broadway); Rain + Zoe Save the World (Off-West End); “That Damn Michael Che” (RECUR, HBO Max); “FBI” (CBS); “The Blacklist” (NBC); “Law & Order: SVU” (NBC); “For Life” (ABC). Graduate of Stanford, MIT, Harvard Business School. Proud member of SAG•AFTRA, AEA, Equity. Thank you to Roderick, Gary, Lolita, Max, Finn, Duncan, Benton, Patrick, A.R.T, and Annette for getting me here. Love you, X! For my sisters Ayesha, Sonia, and Zehra and my parents Qarnain and Rashida in the stars. IG: @salma.qarnain; salmaqarnain.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode we are thrilled to welcome the cast of Park Theatre's The Shape of Things by Neil LaBute!  Starring Luke Newton (Bridgerton, The Book of Mormon), Amber Anderson (Peaky Blinders, Black Mirror), Carla Harrison-Hodge (Cyrano De Bergerac, Amadeus) and Majid Mehdizadeh-Valoujerdy (War Horse, Hollyoaks).  We chat with the cast (our first in-person interview since before the pandemic) about working on this current production of The Shape of Things, their interpretation of the characters, and much more!*Please note that this podcast episode contains plot spoilers of the play.* 

Today we're chatting to David Cumming, Natasha Hodgson and Zoe Roberts from SpitLip Theatre about their hit show, Operation Mincemeat The Musical.Following this year's sold out and acclaimed run, Operation Mincemeat returns to the Southwark Playhouse in January.Operation Mincemeat won The Stage Debut award for Best Composer/Lyricist, the Off-West End award for Best Company Ensemble and was listed in the Observer's Top 10 shows of the year.  Operation Mincemeat runs at the Southwark Playhouse 14th January - 19th February 2022. Visit www.southwarkplayhouse.co.uk for info and tickets.Hosted by Andrew Tomlins. @Andrew_Tomlins Thanks for listening! Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. 

Siobhán Harper-Ryan is a Hair & Make-Up Designer who started out as an apprentice in fashion design & millinery in London's Camden Lock, before exploring the world of theatre in the 90s where she found a place within London's Off West-End and the Fringe. In 1999 Siobhán changed course and trained in make-up artistry and has since enjoyed a varied & colourful career, working on a range of TV and film projects. Recently she worked on Sky Atlantic's series I Hate Suzie, as well as Joanna Hogg's films The Souvenir and The Souvenir Part II. The latter for which she just earned a BIFA nomination. She also worked on Joanna's next film The Eternal Daughter, and Peter Strickland's upcoming film Flux Gourmet.  This is my first time chatting to a make-up designer on Best Girl Grip, so as well as chatting about Siobhán's route into make-up artistry, we also go back to basics, discussing how she decides what make-up to use, what goes into creating onscreen looks, particularly for subtle period dramas like The Souvenir and how she establishes a rapport with the actors. We also talk about neurodivergence in the film industry, building confidence and taking time for yourself on the hubbub of a film set.  I hope you enjoy listening to our chat. Make sure to catch The Souvenir Part II when it's released in cinemas on 21st January next year. This is episode 96 of Best Girl Grip.

Disgraced is a 2012 play by novelist and screenwriter Ayad Akhtar. It premiered in Chicago and has had Off-Broadway and Off West End engagements. The play, which won the 2013 Pulitzer Prize for Drama. The play is centered on sociopolitical themes such as Islamophobia and the self-identity of Muslim-American citizens. It focuses on a dinner party between four people with very different backgrounds. As discussion turns to politics and religion, the mood quickly becomes heated. Described as a "combustible powder keg of identity politics, the play depicts racial and ethnic prejudices that "secretly persist in even the most progressive cultural circles. It is also said to depict the challenge for upwardly mobile Muslim Americans in the post-9/11 America. Venmo's: @jacob-santos-22 ; @rda956 ; @annika-pk

Two Guests for the price of one! Chris & Holly from the podcast Out for Blood: The Story of Carrie the Musical are here for a show they did at Edinburgh Fringe that bears more than a passing resemblance to said Stephen King musical. CW: sexual assault. Topics include: Holly as the lead, singing Wicked during Bat Boy, does Off-West End exist?, bags of wigs, and Carrie (of course). Out for Blood: The Story of Carrie the Musical Big Diva Energy Podcast Featured recordings: Bat Boy - Original Cast Recording (2001) • Bat Boy - Original London Cast Recording (2004) DO YOU LIKE MOVIE MUSICALS? DO YOU LIKE SONDHEIM? Then you will love our PATREON podcast The Original Cast at the Movies because 2021 is all about Sondheim Movie Musicals!! Our latest Sondheim-excursion has Logan Culwell-Block (Little Shop of Horrors) and Sophie Schulman (Funny Girl) digging into Sondheim’s fabled TV-mini-musical Evening Primrose (1966). Patreon • Twitter • Facebook • Email

Danielle Tarento is an award winning Off-West End producer and casting director based in London, England. Danielle chats with Curtis about four things a producer should be good at, percentages of recoupment, how being a casting director has shaped her lens as a producer and how much creative input a producer should have. Curtis also asks Danielle about how she started the Menier Chocolate Factory and if she checks actors social media before casting them. -- Connect with Danielle: Twitter: @Danielletarento Instagram: @Danielletarento Website: www.tarento.net -- Connect with show: Twitter: @IWBAP_Podcast Instagram: @IWBAP_ Facebook: Iwannabeaproducerpodcast --

Adam Lenson is West End director, Off - West End producer, dramaturg and musical theatre specialist. Adam chats with Curtis about his financial models, how being a director shaped his lens as a producer and the importance of championing new work. Curtis also asks Adam about producing online theatre productions and if producers receive enough credit & recognition.  — Connect with Adam online: Twitter: @AdamLenson YouTube: https://bit.ly/3sels6k (https://bit.ly/3sels6k) Producer Website: https://alpmusicals.com/ (https://alpmusicals.com) Director Website: http://www.adamlenson.com/ (http://www.adamlenson.com) — Connect with show: Twitter: @IWBAP_Podcast Instagram: IWBAP_ Facebook: Iwannabeaproducerpodcast —

Host Luisa Lyons chats with the Creative Director of HMDT Music, Tertia Sefton-Green. We chat about HMDT Music's extraordinary children's theatre education program pre-pandemic, the fortuitous decision to downscale in 2019, and the new female-led musical filmed live in 2021 Jina and the STEM Sisters. The musical is available to stream worldwide until April 11 from HMDT Music. HMDT Music, twice winner of the prestigious Royal Philharmonic Society Award for Education and of the 2020 Excellence in Musical Theatre Award, is a leader in commissioning inspiring musical works embedding the arts across all areas of learning for young people. Key successes include: Trench Brothers commemorating ethnic minority soldiers in WW1; Shadowball ground-breaking baseball and jazz opera; Hear Our Voice international tour of a new work compiled from children’s Holocaust writings. HMDT runs an extensive Saturday Music Programme and arts-rehabilitation projects for young offenders. Their Creative Director Tertia Sefton-Green has created, commissioned, managed all their large-scale projects in addition to fundraising and writing some of the libretti. She also conducts their I Can Sing! music theatre programme. Learn more at www.hmdt.org.uk.Filmed Live Musicals is the most comprehensive online searchable database for musicals that have been filmed live on stage. Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook and Twitter. You can also support the site at Patreon. Patrons get early access to content, no matter how much you pledge. Filmed Live Musicals is created by Luisa Lyons. Luisa is an Australian actor, writer, and musician. She holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com or follow on Twitter, Instagram, and Facebook.

Important LinksLouisville Community GroceryNAMI - LouisvilleAmpersand - Crisis Center of the BluegrassBlack Art Futures FundLouisville Bail Fund Plays DiscussedRevolt. She Said. Revolt Again. By Alice BirchNSFW By Lucy KirkwoodThe Sewing Group by E.V. CroweThe Nether by Jennifer Haley BonusMidsummer Mischief - Four Radical New PlaysLucy Kirkwood: Plays One

On this episode I talked with Aimie about whether or not she's always known she wanted perform on stage, what helped her jumpstart her professional theatre career the most, her West End debut as Daniela in In The Heights, whether she had previous knowledge of Spanish before getting cast in “In The Heights”, the secret as to why those in the UK are so much better at American accents, than American's are at British accents, winning BBC's Voice of Musical Theatre, originating the role of Katherine Howard in Six on West End, getting to watch the show grow from it's Off-West End stages, to it's UK tour stage, to it's West End stage, what it was like to earn an Olivier Award Nomination, the West End premiere of Pretty Woman and how she manages to put her own spin on Vivian Ward, the virtual dance classes she offers, and MUCH MORE! --- Support this podcast: https://anchor.fm/backstagewithbeccab/support

Katy Lipson is a West End & Off West End theatrical producer based in the United Kingdom. Katy chats with Curtis about her production of The Last 5 Years, her company Aria Entertainment, the Off-West End, fringe theatre vs commercial theatre, networking, the finances of theatre producing and working with Stephen Schwartz! Curtis also asks about the future of theatre in the United Kingdom and where she see’s Aria Entertainment heading in the next few years.

Cassidy Janson is a British actress, best known for her work in musical theatre.In 2005 Janson appeared in Tick, Tick... Boom! at the Menier Chocolate Factory. She played Susan, alongside Neil Patrick Harris as Jonathan and Tee Jaye Susan as Michael. In 2006 she joined the original West End cast of Wicked as part of the ensemble, later moving to be standby for the role of Elphaba. Following this, she joined the final West End cast of Avenue Q as Kate Monster/Lucy the Slut. In 2011 she originated the role of Maggie Saunders in the musical version of Lend me a Tenor. She appears on the original cast recording.Janson has appeared in several shows Off-West End, including Company at the Southwark Playhouse (as Amy), Rooms: A Rock Romance at the Finborough Theatre (as Monica), and Blood Wedding at the Courtyard Theatre.In 2013 she returned to the Menier Chocolate Factory in Candide, playing the role of Paquette. Following this, she played Ruth in Dessa Rose at the Trafalgar Studios, alongside Cynthia Erivo as Dessa.In November 2015 Janson took over the role of Carole King in the West End production of Beautiful: The Carole King Musical. She joined Carole King at the British Summer Time concerts to perform I Feel The Earth Move. She remained with the production until it closed in August 2017.In 2018 she appeared in a revival of Chess as Florence at the London Colosseum, alongside Michael Ball, Alexandra Burke and Tim Howar.In April 2019 she appeared in Man of La Mancha at the London Colosseum, sharing the roles of Aldonza and Dulcinea with Danielle de Niese. The production played a limited run to 8 June 2019. Following this, she has been cast in the new musical & Juliet, which is currently showing on the West End at the Shaftesbury Theatre. She stars as Anne Hathaway, William Shakespeare's love, Shakespeare being portrayed by Oliver Tompsett. Janson has been nominated for an Olivier Award in the category of Best Supporting Actress in a Musical for her performance of Anne Hathaway.In 2017 Janson teamed up with Beverley Knight and Amber Riley to form a musical theatre supergroup, known collectively as the "Leading Ladies". Their debut album, Songs from the Stage, was released on 17 November 2017 and features covers songs from Cats, Beautiful and Rent among others.Cassidy Janson announced via her Twitter in late 2018 that she had signed a record deal with BMG. In April 2019 Janson announced that her debut album Cassidy would be released on 14 June. It features 14 new songs, 12 co-written by Janson herself, and new song written for her by legend and friend Carole King.For more information about her and to purchase her album go to her website at http://www.cassidyjanson.comBio courtesy of Wikipedia

Host Luisa Lyons chats with Caroline Friedman, founder of new theatre streaming platform Scenesaver. Scenesaver is the only website making performances from the world's off-Broadway, off- West End, small theatres and emerging artists accessible to everyone online. It's free to register and watch with 150 shows of all genres from around the world available now. New work is being added all the time. Learn more at www.scenesaver.co.uk, and make sure to follow Scenesaver on Twitter! Learn more about Filmed Live Musicals at www.filmedlivemusicals.com. Follow us on Facebook and Twitter. You can also support the site at Patreon. Filmed Live Musicals was created by Luisa Lyons. Luisa is an Australian actor, writer, and musician. She holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com or follow on Twitter, Instagram, and Facebook. With thanks to Brian Ziegenhagen for editing!

We are so ready to laugh in this week's episode as we serve up a slice of out of control comedy with Cornley Polytechnic Drama Society, a.k.a Mischief Theatre!  We discuss just exactly what makes us laugh, our own goes wrong shows....and why it sometimes helps to be a Russian Acrobat.With Special Guest, Theatre Director and Associate Director for the West End and International Productions of The Play That Goes Wrong, Sean TurnerCo Hosted by Lexie Ward and Meg Robinson.Music By Connor Barton (Sethera Sound Design)Find SCRIPT IN HAND on Twitter/Instagram/Facebook  - Give us a like/follow to keep up to date with episode information and extra content.Sean trained at The National Theatre Studio as well as both the Academy of Live and Recorded Arts and East 15. He is the Associate Director of the West End and UK Touring productions of The Play That Goes Wrong and has directed replica productions in Australia, New Zealand, Russia, South Korea, Hong Kong and Spain.Sean is responsible for unearthing Arthur Miller's first play No Villain and presenting the World Premiere which transferred to the West End in 2016 (Trafalgar Studios). Other recent credits include: Talk Radio (Old Red Lion); Nahda (Bush Theatre) The Crucible (ALRA); Romeo and Juliet, Twelfth Night and A Midsummer Night's Dream (Permanently Bard/UK Tour); Shakespeare's Lovers (The Faction); His 2012 London transfer of Edinburgh hit Three of Hearts received five Off West End nominations including Best Director.EPISODE BIBLIOGRAPHYFun Factshttps://www.londontheatredirect.com/news/top-10-fun-facts-about-the-play-that-goes-wrongSunday Telegraph Reviewhttps://www.telegraph.co.uk/culture/theatre/theatre-reviews/11106181/The-Play-That-Goes-Wrong-Duchess-Theatre-review-delightful.htmlGuardian Interview on West End Transferhttps://www.theguardian.com/stage/2014/oct/17/the-play-that-goes-wrong-west-end-hitJonathan Sayer Interview with WhatsonLivehttps://www.whatsonlive.co.uk/warwickshire/news/the-play-that-went-right-an-interview-with-jonathan-sayer/40438

'Will you share your life with me, for the next ten minutes' Join Lucy and Anthony for the next ten minutes (actually one hour) as we chat about Off-West End's hottest new show, The Last Five Years. We discuss the new staging of this well-loved musical, as well as the importance of Off-West End in the world of musical theatre.

Today on Love Your Bodd we have an interview with Sara Alexander, a British-Sardinian actress & author. We talk about female sensuality, vulnerability, and our intellect versus our impulses when it comes to sex. We surround this conversation around the Off West End play in which Sara recently performed, called ‘Rejoicing at Her Wondrous Vulva the Young Woman Applauded Herself.’ (P.S. Sara has been nominated for an Offie (Off West End) award 2020 for her role!!)  We touch on so much more - working in an image based industry, how sex is so taboo to talk about and yet used to sell everything, and we get into a deep conversation about "self love" and why it can be a dangerous term to use.    FIND SARA  Instagram & Twitter: @sarajalexander Website: http://www.saraalexander.net/ Click here for Sara's new book: A Roman Rhapsody!     __________________________________________   JOIN THE GEEKNASIUM 5 DAY FREE CHALLENGE (JULY 1ST - 5TH 2019) : https://heather-boddy.com/geeknasiumworkout   __________________________________________   GO LIVE IT UP! Try Go Live It Up! A text message service that gives you bite sized tasks to reach monumental goals. Love Your Bodd listeners get a special discount - $2 off your monthly subscription OR $20 off your yearly subscription. Use this link for your special discount:  https://goliveitup.com/?ref=103     __________________________________________       Email LYB: loveyourboddcast@gmail.com   Tweet: @LoveYourBodd   Instagram: @love_your_bodd   Facebook: Love Your Bodd   Find Heather @HeatherBoddy on Twitter & Instagram www.heather-boddy.com/loveyourbodd     GET HELP: Love Your Bodd is a proud supporter of the Born This Way Foundation - check out their resources page to get help for whatever issue you might be facing -  https://bornthisway.foundation/get-help-now/   Wanna become a Pop Pilates Instructor? Follow this link to find a training near you: https://www.poppilateslife.com/a/527/osBvwVQc   Outside of the US? Don’t worry you can get online international training here: https://www.poppilateslife.com/a/528/osBvwVQc   Love Popflex Activewear? Buy here and save: http://rwrd.io/bqhuiwv   Sign up for your BEACHBODY ON DEMAND 14 DAY FREE TRIAL: https://www.teambeachbody.com/signup/-/signup/club?referringRepId=445873 (Select the bottom right option unless you wanna bite the bullet and sign up for the full monty! Heather will be your coach if you follow the link above!)   The views expressed on this podcast are mine and do not necessarily reflect the views of my employer(s).             

Harry Hadden-Paton is a British actor renown for his work in the U.K. and recently in the U.S. on stage and screen, some of his credits include; LCT -  My Fair Lady (Theatre World Award; Tony, Drama Desk, Outer Critics Circle, Drama League nominations). West End includes The Importance of Being Earnest (Ian Charleson Award nom.), Flare Path and The Pride. Off-West End includes She Stoops to Conquer (National Theatre), Posh (Royal Court), The Changeling (Young Vic) and The Prince of Homburg (Donmar Warehouse). Film: The Little Stranger, About Time, The Hollow Crown, The Deep Blue Sea, In the Loop, La Vie en Rose. TV includes Bertie Pelham on “Downton Abbey,” Martin Charteris on “The Crown,” Gaston de Foix on “Versailles” and Hans von Enke on “Wallander.”

David Chase is a Musical Director, Music Supervisor, and Dance Arranger for many broadway shows such as Evita, Anything Goes, Elf, Promises, The Little Mermaid, Cry-baby, Curtains, The Wedding Singer, The Pajama Game, Thoroughly Modern Millie, Kiss Me, Kate, Billy Elliot, Flower Drum Song, The Music Man, and many more. He also made music arrangements for the Boston Pops, The Kennedy Center Honors, and Radio City.  Listen to hear David talk about . . . Why Composers don’t have to read or write music to compose a show. What does a Dance Arranger actually do anyway? How the modern musical has changed over the years and where he thinks it’s headed. How he made a name for himself in a niche that no one knew much about. One of the most common things that derails a show. This week's episode is brought to you by The Other Palace, a theatre in London's Off West End. Visit them at: lwtheatres.co.uk/theatres/the-other-palace. Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Angela is an actor and arts accessibility advocate originally from the Dallas/Fort Worth area. Previous Chicago acting credits include work with Chicago Dramatists, Pride Films & Plays, Something Marvelous, and The Comrades. Before relocating to Chicago, Angela worked Off-West End as General Manager of London's Finborough Theatre and performed in the 60-city national tour of The True Story of the Three Little Pigs with Dallas Children's Theater. She is a proud company member of both The Comrades and Jackalope Theatre Company where she serves as Director of Audience Engagement.

Episode 25: Series 2: London news & reviews of Bugsy Malone and Titanic the Musical with Mark Shenton. Exclusive interview with Green London Assembly Member Sian Berry. Written and presented by Anthony Davis. #London #Reviews #Podcast