Podcast appearances and mentions of David Chase

In this episode, Jeremy Lee continues the conversation with David Chase after the now infamous missed bid on a Jackie Robinson card and explores a side of the story that had not been fully addressed yet: what about the seller? If a valid high bid was blocked by eBay's internal safeguard system, did the seller lose out on thousands of dollars? Jeremy and David dig into the implications for major cards sold on eBay, the risks for consignors, and why this kind of issue could make sellers think twice about where they move high end material. The episode also includes more hobby discussion around vintage market strength, eye appeal, and the current state of shows and cards across the hobby. There is also a quick run through of the latest Collector Investor Auctions lineup, with Jeremy highlighting the eclectic mix of vintage, modern, sports, and non sports material in the sale. Later, Joey from Hoops Hobby Hangout joins the show to share his collecting background and the origin story behind his basketball focused content channel. The conversation covers his path from Yu Gi Oh and fantasy sports into Kings collecting, modern basketball cards, and eventually content creation inspired by the kinds of hobby conversations he wanted to see more of. It is a thoughtful look at how communities form, why people start creating content, and what it means to build something for the love of the hobby rather than for numbers. If you enjoy hobby conversation that mixes market issues, collector psychology, and community building, please follow the podcast, leave a rating or review, and share this episode with a fellow collector. You can also check out Jeremy's new book Pops and Comps and take the Hobby Spectrum assessment to discover your collector identity and connect with other hobbyists in the directory. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Jeremy Lee is joined by Leighton Sheldon and David Chase for a conversation that moves from vintage hockey to a red hot show floor and then into one of the biggest modern card sales in hobby history. The episode opens with more discussion around the decision to break up a high grade 1966 Topps Hockey set card by card rather than sell it as a complete set. Along the way, the conversation branches into Bobby Orr versus Gordie Howe, hobby Mount Rushmore talk, vintage hockey card aesthetics, and what makes certain iconic cards feel larger than the players themselves. From there, Leighton shares a detailed report from the Philadelphia show, where the crowd, dealer activity, and overall momentum all pointed to a hobby that feels extremely strong right now. He talks about the competitive nature of buying on the floor, the challenge of acquiring great material even when you are ready to spend, and a standout pickup from the weekend: a 1949 Bowman Jackie Robinson that checked the eye appeal box in a big way. The conversation then shifts to the $5.2 million Aaron Judge Superfractor 1/1 sale, a result that made mainstream headlines well beyond the hobby. Jeremy, Leighton, and David discuss what a sale like that says about the state of the market, whether it signals strength or excess, and why media attention around major card sales continues to bring more awareness and energy into the space. If you enjoy hobby talk that blends vintage perspective, market insight, and real conversations from inside the show floor, please follow the podcast, leave a rating or review, and share this episode with a fellow collector. Be sure to check out Jeremy's new book Pops and Comps and take the Hobby Spectrum assessment to discover your collector identity and connect with others in the directory. Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.

We kick off the show with hobby updates, channel announcements, and a look at what appears to be major momentum in the vintage market coming out of the Philly Show. Leighton Sheldon checks in with a quick report from the floor, and the early conversation turns into a broader read on hobby health, market energy, and why community continues to be one of the strongest forces keeping collectors engaged. We also revisit last week's Jackie Robinson PSA 1 story and share an important follow up that brought some peace of mind to David Chase after the eBay bidding glitch. From there, the discussion shifts into manual sniping, bidding psychology, and how collectors think in those final seconds when a truly special card is on the line. Then the conversation moves into a strong discussion on eye appeal, condition, grading, and what really matters when evaluating a card. Is a PSA 9 actually a condition, or just a label? How should collectors think about centering, registration, surface, and overall visual impact? Jeremy and Joe dig into the difference between technical grade and the feeling a card gives you when you look at it, while the chat adds some great commentary of its own. The segment wraps with the arrival of Jason from Professor Sports Cards, who shares his collecting origin story, his return to the hobby, and why he started creating content on YouTube in the first place. If you enjoy thoughtful hobby conversation, real collector perspective, and live stream energy carried over into podcast form, make sure to subscribe to Sports Cards Live across your podcast platform of choice, follow the show on YouTube, and share this episode with another collector. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leighton Sheldon joins the show as the Heritage night keeps moving, with major bidding updates including the Michael Jordan 1 of 1 crossing the 2 million mark and the Wagner still in play. We also hit a quick check-in on the wild Hulk Hogan WrestleMania boots sale and run through a Kronozio spotlight on their “trading cards to cash” business-in-a-box bundles. Then the conversation turns to hobby philosophy: should historic memorabilia be cut up into cards, and does it change anything if the artifacts would otherwise live in a vault? We also touch on the Jack Hughes “golden goal” puck and the reality of where hockey history gets displayed. David Chase joins and explains why 1948 Leaf is one of the most addictive sets in the hobby, how he hunts the lowest grade with the highest eye appeal, and why “upgrading” often means buying a lower number. That leads into the beginning of the now infamous PSA 1 Jackie Robinson saga, including the research rabbit hole, the record price, and the surprising ending that reminds everyone that comps never tell the full story. If you enjoy the show, follow Sports Cards Live and share it with a collector friend. And if you have not done it yet, head over to HobbySpectrum.com to take the assessment and share what you collect. Learn more about your ad choices. Visit megaphone.fm/adchoices

From Tony, to Paulie, to Junior, the characters of The Sopranos are television legend. But just as iconic are the sets of the show. A new exhibit at the Museum of the Moving Image gathers the archives of Sopranos creator David Chase, as well as sketches and designs behind some of the show's principal sets, including Dr. Melfi's office, the Soprano home, the Bada Bing strip club, and Satriale's Pork Store. Barbara Miller, museum deputy director for curatorial affairs, discusses the exhibit, 'Stories and Set Designs for The Sopranos,' on view through May 31. Photograph by Courtesy of HBO

“I became a journalist because of Carl Kolchak. He was my idea of what a journalist was and should be, and he remains that to this day.” -- Mark Dawidziak, author of The Night Stalker Companion Today's episode is a Christmas gift to myself: a visit with my friend Mark Dawidziak, who just happens to be the world's leading authority on Carl Kolchak and all things Night Stalker – the movies, the TV series, the original novel by Jeff Rice and the many sequel novels, one of which was written by Mark himself! The Night Stalker, a TV-movie starring Darren McGavin, Simon Oakland and Barry Atwater, was about an intrepid reporter named Carl Kolchak covering a series of bizarre murders in Las Vegas – murders he becomes increasingly convinced are being committed by an actual, real-life vampire.  It premiered on January 11, 1972 to blockbuster ratings and for decades was the highest rated TV-movie of all time.  It led to a sequel, The Night Strangler, and eventually to a 20-episode TV series that premiered on September 13, 1974. It's the TV show that most people my age remember – a weekly trip into horror that at the time had no equal. Chris Carter often cites his love for The Night Stalker as the inspiration for creating his hit series The X-Files. And of course, listeners of this podcast know about my affection for the show and how formative it was for me as a young kid. Join Mark and me as we talk about Darren McGavin, Dan Curtis, David Chase, our favorite Night Stalker episodes, the history of the American vampire, the 3rd (unproduced) Night Stalker movie, how Darren McGavin finally gave up on the show (but not the character) – and the upcoming 2026 release of the all-new, definitive edition of The Night Stalker Companion! Mark Dawidziak is the author or editor of 25 books, including three acclaimed studies of landmark television series: The Columbo Phile, The Night Stalker Companion and Everything I Need to Know I Learned in The Twilight Zone. He also is an internationally recognized Mark Twain scholar, and five of his books are about the iconic American writer. His most recent book,  A Mystery of Mysteries: The Death and Life of Edgar Allan Poe, was published by St. Martin's Press in February 2023. Keep up with Mark Dawidziak and buy his books at his personal website here https://www.markdawidziak.com/ Buy The Night Stalker TV series on DVD here https://kinolorber.com/product/kolchak-the-night-stalker-the-complete-series-blu-ray?gad_campaignid=21604535012 Buy the novel The Night Stalker here https://www.abebooks.com/servlet/SearchResults?an=jeff%20rice&ref_=search_f_hp&sts=t&tn=night%20stalker

En la edición de hoy de El ContraPlano, el espacio dedicado al cine dentro de La ContraCrónica, los contraescuchas nos traen los siguientes títulos: 0:00 Introducción 3:11 "Maccheroni” (1985) de Ettore Scola - https://youtu.be/VeXXCH07UGI?si=oNfNWTqUcXaC6Icm 15:27 "El Método" de Marcelo Piñeyro - https://amzn.to/3MwSRIt 24:12 “Contra el pesimismo”… https://amzn.to/4m1RX2R 26:11 «Dahmer» (2022) [serie] de Ryan Murphy -https://www.netflix.com/es/title/81287562 44:41 "Los Soprano" (2024) [serie] de David Chase - https://amzn.to/4s9fHGy Consulta en La ContraFilmoteca la selección de las mejores películas de este espacio - https://diazvillanueva.com/la-contrafilmoteca · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #soprano #dahmer Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Chas Floyd Johnson joined me to discuss his name; radio; getting the first TV in the neighborhood in 1948; going to Howard with Stokely Carmichael; Stony Brook Prepatory School; working for JFK's 1960 campaign; Howard Players; getting his law degree; working in the US Copyright Office; getting an job offer at UNESCO; guesting on Toma and Kojak with Sylvester Stallone; working in the Universal mail room for three days; getting a job on Rockford; rising to producer; writing stories; David Chase; writing the phone messages on Rockford; Jim Garner being great to work with; doing The New Maverick and First Monday with Garner; macho and self deprecating; casting African Americans; Hellinger's Law pilot with Telly Savalas and Sean Penn (getting his SAG card); First Monday; Simon & Simon pilot; favorite Rockfords; Magnum, PI; Magnum vs. Higgins; being a military lawyer in Vietnam; first show to tackle PTSD; Ivan Dixon; Frank Sinatra guest stars; Magnum gets cancelled, killed off and revived; BL Stryker with Burt Reynolds; retiring after 55 years in show business; pilots that didn't sell The Silver Fox with James Coburn and Revealing Evidence with a young Stanley Tucci; JAG; life imitating art going back to his time as a military lawyer; NCIS and its spinoffs; Mark Harmon fits in with all his leads; Ziva; Pauley Perrette; all the writers he has worked with; Red Tails about Tuskegee Airman; making a documentary about the history of The Congressional Black Caucus; never wanted to write a sitcom; my working with John L Lewis (who he made a documentary about) and John McCain

His links: https://www.youtube.com/@SimianJimmysTreehousehttps://www.youtube.com/@SimianJimmy/videos#mumkeyjones #simianjimmy #mumkeyjonestv #mumkeyjonesvideos #simianjimmy #simianjimmystreehouse #lowres #podcaster #podcasters #interview #mumkey #simianIG: ⁠https://www.instagram.com/polluteyoursoul/⁠ X: ⁠https://x.com/polluteyoursoul⁠ Rumble: ⁠https://rumble.com/c/c-2941880⁠ Website: ⁠polluteyoursoul.wixsite.com⁠ Merch: ⁠polluteyoursoul.bigcartel.com⁠ CD's: ⁠polluteyourears.bandcamp.com⁠ Linktree: ⁠https://linktr.ee/polluteyoursoul⁠ Buy Me a Coffee: ⁠https://buymeacoffee.com/mikehassiepen⁠ Exclusive Episodes on Gumroad: https://tpysp.gumroad.com/l/tpyspexclusiveOUTLINE:00:00 - Mumkey and I go way back to Harvard/Boston04:39 - Hans' degeneracy in podcasts with Mumkey13:22 - My opinion on the beef15:23 - The origins of Mumkey's videos and being banned a lot20:08 - The story of the elliot rodgers videos and his podcasts22:24 - His collaborations with Eggy aka Egg White24:34 - The decentralization of art and difficulties making art rurally28:31 - Blonde She Devils (Sydney Sweeney and Sabrina Carpenter)33:44 - Vincent's Atheist Reviews36:22 - His approach to filmmaking41:40 - TV Show talks (David Chase and Vince Gilligan)49:40 - Outro and wrap upDonate: Paypal - ⁠https://www.paypal.com/paypalme/michaelhassiepen⁠ Cashapp - $wiggasyndromeMonero: 47K9YNucSau4QEioqSbmWVWYbG7gmFPjVTiax2Hcfo38C7uzCn8YxYZgUQvQuC3t1gfaNiATSZiAq4ojp49Px8xFMVJfj9E Use my cashapp sign up link and we'll each get $5. Create your account with my code: GL3NPMR.https://cash.app/app/GL3NPMRDUBBY is an energy drink with many vitamins and nootropics. This tasty drink is for people who want to focus without jitters or a crash. Unlike other energy drinks, DUBBY developed a clean energy formula that is free from fillers, maltodextrin, and artificial colorings. Expect such flavors as Beach N Peach, Pushin Punch, Galaxy Grenade, and more! Use code: polluteyoursoul at checkout for 10% off all orders of your Jitterless Energy Blend! Or order with this link here! ⁠https://www.dubby.gg/?ref=yxxBfQ7H1OfEJD⁠ Share, Comment, Like, and Subscribe, or live execution! "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

TV Guide October 31 - November 6, 1987 This week Ken welcomes writer, comedian and artist Mary Houlihan to the show. Ken and Mary discuss new ways to greet people, how awful the world is, growing up in New Jersey, how New Jersey is actually nice, checking out the woods, Paramis, going into Manhattan, not getting the issue you wanted, Dolly Parton, the tattoos, variety shows, Mary, product placement, growing up without country music in the Northeast, how famous rich people should try to be good people, work life balance, wanting to be left alone, Family Ties, Courtney Cox, At This Moment, Billy Vera, Kool Milds, when political campaigns became reality TV, Grand Ole Opry, Halloween, Women in Prison, Joe Piscapo, the most famous person from your state, how it's incomprehensible that anyone in the 21st Century ever puts on black face, Nickelodeon, Nick News, Cartoon Network, Dexter's Lab, The Flying Karamatzoff Brothers, non-comedic Rhea Pearlman roles, murder, The Simpsons, the awful early days of the Fox network, Get a Life, kicking Seinfeld's ass, Jason Mamoa, Giants vs Cowboys, ambiance, Harry and the Hendersons, Scorch, What a Dummy!, the TV Guide movie section, Bad New Bears go to Japan, Fluppy Dogs, The Huga-Bunch, Discover, World of Science, Bigfoot, Crime Story, Miami Vice, David Chase, Dads, Romania, Ukraine Youtubers, Billy Joel Back in the USSR, how Joel Hodgson could have been Woody on Cheers, Freaks and Geeks, Wise Guy, I Married Dora finale, Ken's Rags to Riches beef with Baby Jessica, Billy Madison being interrupted by Clinton Lewinski coverage, and the art of saying it without saying it. 

This week on Lone Lobos, Xolo Maridueña and Jacob Bertrand gear up for their Halloween plans while also sharing what they've been up to. Jacob is almost finished binge-watching the Fox series “House”; meanwhile, Xolo shares his new exercise and diet regimen as he prepares for his next role. The duo also talk about the new HBO limited series “Project: MKUltra” in development, which will be written by “The Sopranos” creator David Chase. Lastly, for our lobitos exclusivos, we (finally) open our Lobito fan mail—check it out only on Supercast. Thank you to everyone who sends us mail; we appreciate each and every one. If you would like to join lobitos exclusivos or send us mail, check below. Free Discord Access: https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode: https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobosFollow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrandFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram: https://www.instagram.com/officialmonicat_We want your feedback! Fill out survey to help us improve our podcast https://tinyurl.com/LLPodcastFeedbackhttp://www.heyxolo.com/Jacobs Channel:  @ThreeFloating  

The Shaw Report began with some sad news, Dave Ball of Soft Cell has died at the age of 66. His bandmate, Marc Almond paid tribute to Dave, Creator of The Sopranos, David Chase is finally returning to TV with a limited series. Plus something a bit strange from Spain - what has been stolen? See omnystudio.com/listener for privacy information.

The Sopranos creator David Chase is revisiting a dark chapter in CIA history with Project: MKUltra, a limited series in development at HBO. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

The Sopranos creator David Chase is revisiting a dark chapter in CIA history with Project: MKUltra, a limited series in development at HBO. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

No hay fallos de mercado, sino oportunidades de negocio. Nacho trabaja para reducir la asimetría informativa en la contratación, primero en Infojobs y ahora en Hireflix. De la meritocracia trata este primer podcast de la temporada. En el mercado laboral, uno nunca sabe quién es el mejor candidato. La economía ofrece dos soluciones: el empleador puede diseñar un contrato que filtre a los buenos y los candidatos pueden mandar señales. Contratar no es fácil y la obsesión de Nacho es reducir la asimetría.Kapital es posible gracias a sus colaboradores:⁠⁠Balance Phone⁠⁠. El móvil sin distracciones.⁠⁠Balance Phone nace como una rebelión contra la dependencia digital. Un teléfono sin redes, sin juegos, sin algoritmos que compiten por tu atención. Solo lo esencial. Diseñado para familias que quieren dar un primer móvil sin riesgos a sus hijos y para minimalistas digitales que quieren recuperar el control. No es un Nokia. Es un Samsung con sistema operativo propio, el Balance OS, que bloquea de raíz todo contenido adictivo (redes, pornografía, juegos, apuestas y streaming) y simplifica la interfaz para que usarlo sea una decisión, no un reflejo. 9 meses después de su lanzamiento más de 3.000 persones ya usan Balance Phone. Y lo más importante, con un tiempo de uso diario de 1 hora y 41 minutos, 3 horas por debajo de la media. En Balance Phone no quieren que vivas sin móvil. Quieren que vivas mejor con él.Utiliza el código KAPITAL en su fantástica web para obtener un descuento de 20€.Smartick⁠. El método online de matemáticas y lectura.¿Quieres el mejor futuro para tus hijos? En deporte, España es una potencia mundial, pero en matemáticas y comprensión lectora sigue sin remontar en PISA. Tú puedes cambiar eso para tus hijos. Si tienen entre 4 y 14 años, con Smartick conseguirán dominar los pilares de su educación: matemáticas, comprensión lectora, escribir bien y con claridad, pensamiento crítico. Solo 15 minutos y listos, con un método online personalizado y basado en evidencias científicas. Detrás hay más de 100 expertos en didáctica, empeñados en que tus hijos alcancen su máximo potencial. Cada día recibirás un informe con su evolución y la posibilidad de consultar en todo momento con el equipo. Smartick fomenta la constancia, el gusto por el reto, los buenos hábitos… y también un uso responsable de la tecnología. Prueba 7 días gratis y, si contratas, consigue un precio especial añadiendo el código KAPITAL.Patrocina Kapital. Toda la información en este link.Índice:0:25 ¿Dónde nacen las obsesiones?8:41 Un internet todavía sin gente.21:02 Ahorra si eres un junior.29:06 El hiring está en todos los mercados, no solo el laboral.43:53 La decisión de la que se arrepienta Luis Bassat.49:28 Cagarla con un tío te cuesta 15 veces su salario.52:44 La pregunta de Peter Thiel en sus entrevistas.1:08:21 ¿Cómo negociar un salario?1:16:14 El hijo de Tony Soprano tiene vidas extras.1:22:36 El consejo de Mark Cuban de mantener el control.1:26:21 Emprender ya no es de pijos.1:32:52 Creando durante 30 años.1:49:56 Despedir siempre es difícil.1:56:22 El conductor es importante pero también el coche.2:09:21 Hablar con emprendedores antes de emprender.2:16:56 Short $LNKD.Apuntes:Who. Geoff Smart & Randy Street.De cero a uno. Peter Thiel.Leisure suit Larry. Al Lowe.Pensar rápido, pensar despacio. Daniel Kahneman.Los Soprano. David Chase.Whiplash. Damien Chazelle.Karakter. Mike van Diem.

Estrenada en HBO cuando el siglo pasado ya se iba, The Sopranos bien puede ser la primera obra maestra en lo que se dio a llamar La era dorada de la TV, en la década del 2000. ¿Qué la convirtió en tal? Lo atractivo de su premisa —un mafioso en tratamiento siquiátrico—; la madurez de su ejecución, comandada por el brillante David Chase y una inmejorable selección de guionistas, técnicos y actores; y, al menos en su primera temporada, la persistente sensación de que se estaba frente a un solo gran relato, cual película de larga duración, capaz de extenderse y profundizar a un nivel que la iguala con clásicos del género como El padrino, Goodfellas o Casino. Al centro de todo este proceso en marcha, la figura de James Gandolfini, en una de las grandes actuaciones jamás puestas en una pantalla, elaborada en múltiples capas y con innúmeras de facetas, cual joya de la corona. De esto y más se habla en este podcast.

Send us a textWe give our opinions on Lena Dunham's new Netflix show 'Too Much' and outline the critical reception from the public. This then leads us into discussing the longevity and impact of television show creators like David Chase and Vince Gilligan. We then debate which version of "The Office" was better, the British or the American version. We then debate why top-tier actors are now hosting game shows.THEN: BRITISH CORNER: Rhea introduces 'Code of Silence' on BritBox, highlighting its unique perspective on lip-reading and deaf characters in crime drama.Angelo and Jay finish off the show by giving us a glowing review of 'Dexter Resurrection' on Paramount Plus. Angelo claims it is the best season yet. Jay wraps up with a quick review of the Billy Joel documentary on HOB Max and its contrasting parts.LISTEN NOW to stay up to date on all you need to know regarding the latest and greatest in television and the big screens.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news. 

Sopranos creator David Chase wrote an episode of The Wonder Years that was deemed too intense for network television. The internet says it's because the script involved hard core drug use. But we asked the legendary TV writer, and the truth is a whole lot stranger. Thanks to Nicole Lambert of Chase Films for making today's interview happen! Hosted by Zaron Burnett, Dana Schwartz, and Jason EnglishWritten by Katie MattieProduced by Josh FisherStory Editor is Zaron BurnettEditing and Sound Design by Josh FisherAdditional Editing by Mary DooeOriginal Music by Elise McCoyShow Logo by Lucy QuintanillaExecutive Producer is Jason English Got a question or comment, or a copy of David Chase's lost script? You can reach us at veryspecialepisodes@gmail.com.See omnystudio.com/listener for privacy information.

The enigmatic ‘Sopranos' creator and his documentarian join Seth for a chat about making history-changing TV. Learn more about your ad choices. Visit megaphone.fm/adchoices

As we continue Season 5, Mike speaks with Alex Gibney (Agents of Chaos, Going Clear: Scientology and the Prison of Belief, Taxi to the Dark Side)  about his documentary series for HBO Max, “Wise Guy: David Chase and the Sopranos”.   If you are familiar with Gibney's work, you will know that his documentaries often have a political topic or a political edge, so it won't surprise you that while he doesn't overly focus on it, he does explore the ways in which the legendary HBO series was a commentary on America. But the true pleasure of this documentary is to witness the incredibly deep ways that Chase's own life informed his work and–this may actually be connected–the ways that Chase used techniques that he learned from directors like Polanski, Lucci, and Kubrick to shape his own cinematic language.   Follow: @alexgibneyfilm on X @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

Bill Kenney from The SNL Hall of Fame podcast and the Saturday Night Network joins Thomas and Deremy to talk about arguably the greatest TV series of all time, David Chase's groundbreaking The Sopranos. This time, though, Bill and the guys are exploring characters and not episodes. The world of The Sopranos is so rich that there are plenty of possible choices, so let's see if any of your favorite characters make the cut. Let us know what you think and send us a request!Twitter (X): @popculturefiveInstagram: Pop Culture Five PodcastEmail: popculture5pod@gmail.com

CMO at WorkBoard, David Chase, delves into Effective leadership in marketing organizations. As companies strive to hit their goals every quarter, it has become increasingly important that clear communication flows from the top of the ladder to every department. Today, David discusses how to effectively communicate OKRs within a marketing organization, as well as the relationship/distinction between OKRs and KPIs.Connect With: David Chase: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CMO at WorkBoard, David Chase, delves into Effective leadership in marketing organizations. As companies strive to hit their goals every quarter, it has become increasingly important that clear communication flows from the top of the ladder to every department. Today, David discusses how to effectively communicate OKRs within a marketing organization, as well as the relationship/distinction between OKRs and KPIs.Connect With: David Chase: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CMO at WorkBoard, David Chase, delves into the right GTM for your company's size and audience, detailing the importance of alignment between every department of an organization in order for OKRs to be properly executed. Today, David discusses how to match the right go-to-market with a company's size, audience, and objectives, highlighting the role of Workboard in achieving these goals. Connect With: David Chase: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CMO at WorkBoard, David Chase, delves into the right GTM for your company's size and audience, detailing the importance of alignment between every department of an organization in order for OKRs to be properly executed. Today, David discusses how to match the right go-to-market with a company's size, audience, and objectives, highlighting the role of Workboard in achieving these goals. Connect With: David Chase: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As Christmas nears, we caught up with the legendary rock vocalist Steve Perry, a certified Rock & Roll Hall of Famer who first made his name as the former lead singer for Journey before going on to a successful solo career with era-defining '80s hits like "Oh Sherrie" and "Foolish Heart." The occasion for this chat is the release of Perry's Holiday themed album of sentimental standards, The Season 3 (his first for Dark Horse Records). Since Steve doesn't do many interviews, Paul seized the opportunity to ask Perry about singing for the late great Quincy Jones on "We Are The World," or the story behind Journey's "Don't Stop Believin'" ending up in the finale of HBO's The Sopranos. Paul even made sure to ask Steve to weigh in on the whole Yacht Rock discourse.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

TVC 670.5: Part 2 of a conversation that began last week with Ray Richmond, author of The Sopranos: The Complete Visual History, a twenty-fifth anniversary celebration of the multi-Emmy Award-winning drama that not only broke new ground in television when it premiered in 1999, but launched the current Golden Age of dramatic television on cable and digital platforms, while also taking the concept of anti-hero as TV protagonist to an entirely different level. Topics this segment include how series creator David Chase originally based The Sopranos on his relationship with his mother; the controversial ending of the series in 2007; and why The Sopranos, at its heart, is a series about family. The Sopranos: The Complete Visual History is available wherever books are sold through Insight Editions.

TVC 669.4: Ed welcomes back Ray Richmond, longtime television critic and entertainment reporter for such trade publications as The Hollywood Reporter and Daily Variety. Ray's latest book, The Sopranos: The Complete Visual History, celebrates the twenty-fifth anniversary of the premiere of The Sopranos, the multi-Emmy Award-winning drama created by David Chase and starring James Gandolfini that broke new ground in television when it premiered in 1999, launching the current Golden Age of dramatic television on cable and digital platforms, while also taking the concept of anti-hero as TV protagonist to an entirely different level. Topics this segment include how each episode of The Sopranos is a like a one-hour movie; why so many viewers embraced the characters on The Sopranos like extended members of their own families; and why “Paulie Walnuts,” the character played by Tony Sirico, is Ray's favorite character. The Sopranos: The Complete Visual History is available wherever books are sold through Insight Editions.

Episode #360: In this episode, join me and Cori Elms, decorated girls' basketball coach from Missouri, as we sit down with three New Hampshire coaches: David Chase, Tim LaTorra, and Mike Donnell. From selecting effective assistant coaches to communicating with parents about playing time and building winning cultures, this veteran panel tackles a variety of coaching challenges. In our "out of the hat" segment, these experienced coaches share their insights on random coaching scenarios. Guests: David Chase, Cori Elms, Tim LaTorra, Mike Donnell

Luis Herrero analiza con José Luis Garci, Luis Enríquez y Chema Alonso el final de la serie de David Chase y los primeros capítulos de "El Pingüino".

This week on The Chazz Palminteri Show, we have an extra special episode featuring my amazing co-hosts, comedian Tara Cannistraci and the talented actress Kathrine Narducci! We're answering fan questions and having a blast discussing everything from family life to the world of entertainment.   We talk about what I'm doing for my wife's birthday, share stories about New Yorkers from different backgrounds (Black, Italian, Puerto Rican, Jewish), and even debate the Yankees' chances of winning the World Series this year! Kathrine and I also discuss our recent travels, prioritizing family time with busy work schedules, and what it's like when fans interrupt us during meals.   Some highlights include: Did Kathrine have a crush on a Sopranos cast member? My thoughts on Rao's selling out to Campbell's. Working with Linda Fiorentino and being called the “ultimate screen husband.” How did the three of us meet? And of course, we dive into the ending of The Sopranos and David Chase's take on writing the series. With lots of laughs, personal stories, and fun banter, this is an episode you don't want to miss! Tune in for some unforgettable moments, and be sure to subscribe so you never miss a show.   Let's address challenges, spread awareness, and inspire positive action. Tune in now and be a part of the change we wish to see in the world

CMO at WorkBoard, David Chase, delves into the right GTM for your company's size and audience, detailing the importance of alignment between every department of an organization in order for OKRs to be properly executed. Today, David discusses how to match the right go-to-market with a company's size, audience, and objectives, highlighting the role of Workboard in achieving these goals. Connect With: David Chase: Website // LinkedInThe MarTech Podcast: Email // LinkedIn // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ross Bolen and Barrett Dudley discuss the documentary "Wise Guy: David Chase and The Sopranos" as well as the results of the Emmy Awards. Tune in later this week on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/OystersClamsCockles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for further discussion fueled by hotline calls from listeners! Support our sponsors: MagicMind.com/rbp (code "RBP" for up to 48% OFF your first subscription or 20% OFF one time purchases) ⁠Shopify.com/oysters⁠ for one-dollar-per-month trial period Babbel.com/OCC for up to 60% OFF your subscription Subscribe on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/@OystersClamsCockles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Presented by Bolen Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BolenMedia.com

An ex-Lost writer brings a French crime show to America with Kaitlin Olson as the extraordinarily intelligent cleaner who becomes the LAPD's newest consultant; we tell you whether it's the rare network show that deserves an hour of your life each week. Around The Dial takes us through the second-season premiere of Tulsa King, HBO's new doc David Chase & The Sopranos, and The Sniffer. Mlle. Caroline takes another run at getting a Psych into The Canon with "Last Night Gus" (and we also salute JMak, a Patreon supporter who added it to our Forcening pool). Then, after naming the week's Winner and Loser, we drive Metallicar right into a Non-Regulation Game Time. Unlike a church, you can face whatever direction you want as you listen! TOPICS Lead Topic:

Sturgill Simpson, David Chase, Santana ft. Rob Thomas, Chad McQueen, Shannon Sharpe having sex on Instagram, Deshaun Watson's burner, Hugo Mallo sexually assaulted a mascot, Adrian Peterson is flat broke, Ken Bohn and more.#SportsPodcast #SportsTalk #SportsNews #AthleteInterviews #SportsFans #SportsCommunity #SportsDebate #SportsChat#FanOpinions #SportsTrivia #SportsMemes #SportsHighlights #BehindTheScenes #PodcastLife #Podcasting #PodcastersOfInstagram #PodcastCommunity #PodcastRecommendation #PodcasterLifeSupport this podcast at — https://redcircle.com/the-baller-lifestyle-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Comedians Molly Mulshine and Sara Armour gather under the Pisces Full Moon to discuss the astrology of Diddy's big Racketeering arrest plus :The lead up to the Pisces full moon has our sleep schedule whacked out and our collective dream world LOUD and connected AF! Virgo sun chapel roan doesn't want success or to live a lie! Is her rawness and rudeness actually ok? Mars in Cancer is why we've been so aggressively crabby and crossong Chappell's Midheaven it's why she's out here oublically defending herself!Gen-z thinks encores at concerts started as a TikTok trend …. And men are taking back the “pearl necklace” including ASAP Rocky, Harry Styles, Reccomendation: Wiseguys doc about David Chase on HBOmaxMini astrology reading of the moonual that is only in this podcast because in real time Molly then demonstrates the energy of Todays solar eclipse! Join the patreon for the full astrology reading and weekly bonus content from ya girls! patreon.com/spacetrashpodcast Leave a glowing review if you're a lover of the pod, comment on Spotify, and leave a 5-star review! Happy eclipsing Trashlings!! Hosted on Acast. See acast.com/privacy for more information.

We begin this episode of Drunk Ex-Pastors with a recap of Christian's recent vacay to Asia, from which we springboard to whether it's okay to eat our pets. We discuss the new Max documentary, Wise Guy, about David Chase and The Sopranos, which leads into one of Jason's theories involving Goodfellas and The Godfather. “Pastor Jack's Off” returns, which involves a discussion about whether we're constantly overreacting to 9/11. Biebers involves restaurant tables and electric bills.

The whole gang is back in the Labyrinth this week, and we've got a jam-packed episode full of all the pop culture craziness you need to catch up on! First up, we're diving into a bizarre claim from the Trump camp involving immigrants in Ohio and, well... the local pets. Plus, we pay tribute to the iconic James Earl Jones, saying goodbye to one of the greatest actors of our time as we reflect on his legendary career as the voice of Darth Vader and so much more. We also get into the legal drama between Trump, Jack White, and Dave Grohl, who are suing over unauthorized use of their music at Trump rallies. Speaking of Grohl, he's making headlines for some unexpected personal news that we're breaking down. Next, we explore the new David Chase documentary about The Sopranos—did it hit the mark or miss the boat? Tune in for our thoughts! Steph's back with the latest news, including a story about Michael Keaton possibly changing his name back and the surprising controversy within Linkin Park surrounding their new female lead singer, who has strong ties to Scientology and controversial beliefs about mental health. In other music news, Kendrick Lamar is set to perform at the Super Bowl, and there's buzz around Beyoncé calling out the CMA Awards for snubbing her crew. Don't miss our classic segments—Views or Snooze? and Staff Picks—where we tell you what's worth your time in entertainment this week! Make sure to subscribe, hit the thumbs-up, and catch us on Spotify for the audio version. Your support keeps the Labyrinth alive, helping us continue to navigate the winding path of pop culture. So grab your headphones and get ready for another wild ride through the Labyrinth! And as always, KEEP IT CANON! Watch the Youtube Show: https://youtu.be/ufW-v8_Bbo8 ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Hosts: Tim Andrews, Jeff Leiboff, Steph Swain and Dustin Lollar Audio Podcast & YouTube Video Edited by Dustin Lollar ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ SOCIAL MEDIA LINKS: https://linktr.ee/RadioLabyrinth ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ SPONSORS: Atlanta Pizza & Gyro http://www.atlantapizzagyro.com/ https://www.facebook.com/atlpizza/ LDI REPROPRINTING OF ATHENS CALL 706-316-9366 OR EMAIL THEM AT ATHENS@LDILINE.COM ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ THANK YOU SO MUCH TO ALL OF OUR RADIO PRODUCERS & PATRONS! Thanks to our Radio Labyrinth Producers: Jeff Peterson, Bryan Smith, Chelsey Smith, Jim Fortner, Brett Perkins, Terri Fuller, Chris Chandler, Tim Slaton, Mike Hall, Mike D, Matt Carter, John Allen & Robey Neeley.  And thank you to all of our awesome Patreon Patrons: Hemp Huntress, Tracy McCoy, Emily Warren, Buck Monterey, Randy Reeves, Robey Neeley, Robert Kerns, Wayne Blair, Sherrie Dougherty, Rusty Weinberg, Michael Einhaus, Mark Weilandt, Leslie Haynie, Kevin Stokes, Jesse Rusinski, Jeremy Truman, Jeff Peterson, Herb Lamb, Gwynne Ketcham, Denise Reynolds, David C Funk, Collin Omen, Christopher Doerr, Chris Weilandt, Chris Cosentino, Erick Malmstrom, Brian Jackson, Brennon Price, Andrew Mulazzi, Andrew Harbin, Amber Gilpatrick, Alan Barker, Aaron Roberts, Walt Murray PI, Sam Wells, Ryan Wilson, Lou Coniglio, Kevin Schwartz, Kevin Jackson, Gus Turner, Jim Fortner, Scott Augustine, Jonathan Wilson, Cynthia Hadaway, Tony Outlaw, Dave Benson,Jack G,Adam Lavezzo, Kyle Gorecki and Tom & Terri Kennedy!

25 years ago, The Sopranos, the best television show ever created, premiered. This week, a new documentary called Wise Guy asks the question: how did a show considered so risky & uncommercial even get made? We're interviewing Wise Guy director Alex Gibney about that question, and about how stubborn lunatics like him and David Chase got to make the projects they wanted to make. Incognito Mode, our ad-free, no-rerun, bonus episode feed. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Nick welcomes TV critic Dan Fienberg from "The Hollywood Reporter" back to the podcast to review the new documentary about David Chase and "The Sopranos," the all-star comedy mini-series "Fight Night: The Million Dollar Heist," and "Disclaimer" starring Cate Blanchett. Dan also previews this week's Emmy Awards broadcast, making some predictions, while Nick chimes in with his thoughts on "Big Brother." Then, Esmeralda Leon joins Nick to chat about The Outlaw Music Festival and other fun concerts they've attended. They also discuss the absolutely INSANE price for parking at Credit 1 Amphitheatre in Tinley Park and share stories about the creative ways drunk concertgoers manage bathroom breaks. Plus, they try another tasty snack from Africa. [Ep279]

25 years ago, The Sopranos premiered on HBO and changed expectations of what TV could be. There's a new two-part documentary, called Wise Guy, about the making of the show, centering on the series creator and executive producer, David Chase. We're using that as an excuse to revisit our interviews with Chase, as well as Lorraine Bracco, who played Tony's psychiatrist, Dr. Melfi, and Michael Imperioli, who played Tony's impetuous nephew. Film critic Justin Chang reviews Beetlejuice Beetlejuice.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

SPONSORS: -Don't miss out on all the action this week at DraftKings! Download the DraftKings app today! Sign-up using https://dkng.co/nottoday or through my promo code NOTTODAY - Cut your wireless bill to 15 bucks a month at https://mintmobile.com/NOTTODAY Welcome back to another episode of Not Today, Pal! This week, Rob and Jamie discuss the possibility that their recent reunion with The Sopranos cast at the premiere of David Chase's new documentary could be the last one. They also share a clip from the Q & A segment during that evening. Rob also brings up a debate questioning whether pushing baby carriages is gay, before attempting to get his manager on the horn to give some insight. Rob also shares a story about how he got banned from Hinge for impersonating himself, talks about gambling with his family, and gets his dad to tell a story about a mishap in a public bathroom. There's also a Memory Lane, update on Rob's towel situation, and a small salute to bald men in the studio. Check it out! Not Today, Pal Ep. 58 https://www.instagram.com/jamielynnsigler https://www.instagram.com/nottodaypalshow https://store.ymhstudios.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you felt completely overwhelmed when deciding what new show to watch these days? Us too. There's just so much content out there between network TV and numerous streaming platforms. Each week, we will try to break through the noise with TV watchers who can point us to the must-sees and steer us clear of the shows that maybe don't live up to the hype. This week, listeners will get the latest scoop on what's worth watching with Hanh Nguyen, senior editor of culture at Salon.com, and Kristen Baldwin, TV critic for Entertainment Weekly.   Today's shows include: The Perfect Couple (Netflix) Wise Guy: David Chase and the Sopranos (HBO/Max) Fight Night: The Million Dollar Heist (Peacock) Pachinko (Apple TV+) Love Next Door (Netflix)

Holmberg's Morning Sickness - Tuesday September 3, 2024 Learn more about your ad choices. Visit megaphone.fm/adchoices

Blind Mike and Gus are in studio. (02:40) Justin has added some pizzazz to the YouTube video stream with multi-camera views. (05:20) Gus got blown off my Mikey Bets and Mintzy in Chicago but has an exciting new follower. (8:20) Kirk talks about the producer search, Mut's candidacy might be at a standstill. (13:00) Justin is on the verge of landing a big guest for KMS. (17:05) Kirk thinks the Minifans need to take an internal audit and reevaluate their approach to the Mut situation. (19:30) Major shakeup happening at WEEI. (27:15) We call Klemmer to find out if he was a radio caller in his previous life. (30:20) Blind Mike has become a PRC guy and feels better about the leadership of MATM. (33:00) Gus gives a Gus update. (34:30) Kirk is sick of the PGA App and wants answers or blood. (39:00) Justin reads through some of the inquiries he's gotten for the open producer role. (1:17:51) We wrap up the producer search talk and Kirk makes his short list of applicants. (1:21:45) We call Montante. (1:27:00) You couldn't pay Kirk enough money to attend Camp Barstool. (1:32:45) Kirk's probably not watching the new David Chase documentary, the guys talk movies. (1:38:50) Justin is excited to go to an audience participation movie. (1:46:00) Politics talk, RFK dropping out, Trump on Theo Von's podcast.(1:52:29) Justin gives his thoughts on the Acolyte getting canceled.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kminshow

Joe Kaye returns to the show along with Nicole Yates, Laura, Kyle and Burnside to chat about the fall movie season, a “legal” way to watch the Drew Carey Show, plus we dive deep into the upcoming Universal Epic Universe park while Burnside asks “what's that?” Fun stuff!   Weekly Rads: Kyle – Dots Homestyle Pretzels (food) Matt – The Drew Carey Show on Plex (hard to find show) Joe – Wildwood (upcoming Leika movie) and the Saturday Night trailer (movie trailer) Nicole – Upcoming 2 part David Chase documentary (show) Laura – Fantasmas (show)   Check out Burnside playing video games at https://www.twitch.tv/stayindoorsburnside   Get Kyle Clark's I'm a Person: Director's Cut  You can go to www.kyleclarkcomed.bandcamp.com and pay what you want for the full uncut set from “I'm a Person” which includes 20 mins of unheard material, plus an additional 15 minutes of never released bonus live recordings!   Send Us Stuff! We have a PO Box! This Is Rad! / Kyle Clark PO Box #198 2470 Stearns St Simi Valley, CA 93063   Tales from an Analog Future Get it HERE: https://gumroad.com/analogfuturecomic   Get Kyle's album "Absolute Terror" here: https://smarturl.it/absoluteterror       Go to www.Patreon.com/thisisrad and subscribe to send in questions for our Listener Questions episodes, to get exclusive bonus episodes, extra content, and access to the This Is Rad Discord server!   Check out our merch!       Also! Check out merch for Kyle's record label Radland Records  https://www.teepublic.com/t-shirt/4109261-radland-logo A  l  so! Laura started an online store for her art! Go buy all of her stuff!!!  https://www.teepublic.com/stores/lmknight?utm_campaign=8178&utm_medium=affiliate&utm_source=lmknight    Follow us on social media or whatever! Instagram: @thisisradpodcast @kyleclarkisrad @lmknightart @8armedspidey (Frank Gillen TIR's social media!)  @thearcknight (techno lord Adam Cross)    Twitter: @ThisIsRadPod @kyleclarkisrad @MatthewBurnside @LMKnightArt

SPONSORS: - Don't miss out on all the action this week at DraftKings! Download the DraftKings app today! Sign-up using https://dkng.co/nottoday or through my promo code NOTTODAY - Right now, Prolon is offering Not Today, Pal with Jamie-Lynn Sigler and Robert Iler listeners FIFTEEN PERCENT off their 5-day nutrition program. Go to https://ProlonLife.com/NOTTODAY Woke up this morning, shot ourselves a pod....Welcome back to another episode of Not Today, Pal. This week, Rob and Jamie are joined by arguably the biggest and most important guest (and possibly even person in both their lives), Mr. David Chase, creator of The Sopranos! Fresh off a premiere of a new documentary "Wise Guy: David Chase and the Sopranos" which debuted at the Tribeca film festival, David sits down to talk to Rob and Jamie about the show and it's importance even after these years. While revisiting the show, the trio talk about first auditions, fan rumors/theories about the show, the late great Tony Sirico, memorable plot points, the intimacy of killing off characters, and much more! Not Today, Pal Ep. 48 https://www.instagram.com/jamielynnsigler https://www.instagram.com/nottodaypalshow https://store.ymhstudios.com Learn more about your ad choices. Visit megaphone.fm/adchoices