Podcasts about reanna cruz

Reanna Cruz joins Pop Pantheon to break down the rise of Mr. Worldwide himself, Pitbull. Reanna and Louie explore Pitbull's genesis in the cultural hub of Miami and his breakthrough with 2004's dancehall-cum-reggaeton banger “Culo.” They then tackle his early work in both Spanish and English and his pivot towards big dance anthems and cross-cultural superstardom, resulting in albums like 2009's Pitbull Starring in Rebelution and 2011's Planet Pit, his massive run of hit guest verses and clever branding, catchphrases, and signature swaggering, fun-loving on-record presence, all of which made him one of the key voices of the EDM era. Finally, they discuss his later era work and rank Pitbull in the official Pop Pantheon.Listen to Pop Pantheon's Pitbull Essentials on SpotifyJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on Twitter

The first great release of 2025 is already here: Bad Bunny's newest album, DeBÍ TiRAR MáS FOToS. Over the course of its 17 tracks, the Puerto Rican reggaetonero crafts an intertextual, anti-colonial tome of a record, incorporating sounds from across his island and the boricua diaspora. From his use of salsa classics on "NUEVAYoL," to his pointed interpolations on "VOY A LLeVARTE PA PR," and his detour into folk melodies and songwriting on tracks like the somber "LO QUE LE PASÓ A HAWAii," the record features some of Bad Bunny's most creative, intense, and direct work yet. On this episode of Switched On Pop, producer Reanna Cruz takes Charlie and Nate on a journey through Bad Bunny's love letter to Puerto Rico, with additional insight from journalist and translator Carina del Valle Schorske. Songs Discussed: Bad Bunny, "DtMF" Bad Bunny, "NUEVAYoL" Bad Bunny, "BOKeTE" Bad Bunny, "EL CLúB" El Gran Combo De Puerto Rico, "Un verano en Nueva York" Bad Bunny, "PIToRRO DE COCO" Bad Bunny, "BAILE INoLVIDABLE" Rauw Alejandro, "Tú Con Él" Bad Bunny, "VOY A LLeVARTE PA PR" Wisin & Yandel, Héctor "El Father," "La Barría" Alexis y Fido, "Me Quiere Besar" Angel y Khriz, "Cazando Voy" Bad Bunny, "El Apagón" Bad Bunny, Kendo Kaponi, Arcángel, "P FKN R" Bad Bunny, "LO QUE LE PASÓ A HAWAii" Bad Bunny, "CAFé CON RON" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Three artists quietly reshaped pop music in 2024, though you might not know it from your Spotify Wrapped. As listeners question the accuracy of their year-end streaming stats, we explore the innovative sounds bubbling up just below the algorithmic radar. Tampa's "Swamp Princess" Doechii brings narrative depth back to hip-hop through her chameleonic vocal approach. Bedroom producer Mk.gee discovers entirely new possibilities for the electric guitar by deliberately recording "wrong." And BLACKPINK's ROSÉ challenges K-pop industry constraints while building bridges to Western pop on her revolutionary solo album. These artists point toward an exciting future where pop continues to evolve in unexpected ways, even as streaming platforms try to predict and package our musical tastes. Plus: Our producer Reanna Cruz presents evidence that their Spotify Wrapped might be fibbing, and Nate reveals his most-played track of 2024 was... Jeremy Irons singing "Be Prepared" from The Lion King? The algorithm works in mysterious ways. Songs Discussed Doechii: "Girls," "Yucky Blucky Fruitcake," "NISSAN ALTIMA," "Denial Is A River," "Boom Bap" Mk.gee: "I Know How You Got," "Big Mics," "Are You Looking Up," "Alesis" BLACKPINK"Boombayah," "Kill This Love," "How You Like That," "Pink Venom," ROSÉ: "On The Ground," "APT." (featuring Bruno Mars), "Toxic Till The End" Taylor Swift: "Shake It Off" Avril Lavigne: "Girlfriend" Toni Basil: "Mickey" Tom Petty: "American Girl" Bo Diddley: "Bo Diddley Beat" Learn more about your ad choices. Visit podcastchoices.com/adchoices

In a preview of this week's Pop Pantheon: All Access episode, Brat Summer becomes Brat Autumn as Charli XCX drops a completely reimagined version of her blockbuster album from earlier this year, Brat and it's Completely Different but Also Still Brat. Reanna Cruz joins Louie and Russ to break down Charli's latest addition to the Bratoverse and how it transcends the pitfalls of the cliche modern pop superstar remix, providing new twists, depth and dimension to the OG material with an all-star lineup from across the music world including Ariana Grande, Lorde, Addison Rae, Bladee, ShyGirl, Troye Sivan, Billie Eilish & more. To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app. 

Last month, our producer Reanna Cruz had the opportunity to attend Baja Beach Fest in Rosarito, Mexico, a three-day Latin music festival set on the Mexican coastline. While they were there, they got the chance to tap into what's happening in the world of Mexican music – from romantic tumbados and lovesick R&B to multi-language crossovers and genre experimentation. This episode, Reanna takes us through the newest gems of the Mexican pop scene, in honor of Hispanic Heritage Month. Songs discussed: Xavi – La Diabla Xavi – La Victima LATIN MAFIA – Julieta LATIN MAFIA – Julietota Peso Pluma, DJ Snake – TEKA Peso Pluma, Cardi B – PUT EM IN THE FRIDGE Tito Double P – MARAVILLA Son Rompe Pera – Cumbia is the New Punk Ivan Cornejo – Aquí Te Espero Learn more about your ad choices. Visit podcastchoices.com/adchoices

Candice Lim is joined by Rolling Stone writer CT Jones and Switched on Pop producer Reanna Cruz to hold a retrospective on the internet history of Charli XCX, the founder of brat summer and a decades-long digital icon. They're going all the way back to 2012, when a girl from Essex named Charlotte Aitchison hit the main stage with “I Love It.” They'll dissect their first Charli XCX memories, the 2016 song that changed Charli's entire internet career, and how her pandemic album-documentary led up to this moment, asking: Was it Charli's Angels or Charli's destiny? This podcast is produced by Se'era Spragley Ricks, Daisy Rosario and Candice Lim. Want more ICYMI? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the ICYMI show page. Or, visit slate.com/icymiplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candice Lim is joined by Rolling Stone writer CT Jones and Switched on Pop producer Reanna Cruz to hold a retrospective on the internet history of Charli XCX, the founder of brat summer and a decades-long digital icon. They're going all the way back to 2012, when a girl from Essex named Charlotte Aitchison hit the main stage with “I Love It.” They'll dissect their first Charli XCX memories, the 2016 song that changed Charli's entire internet career, and how her pandemic album-documentary led up to this moment, asking: Was it Charli's Angels or Charli's destiny? This podcast is produced by Se'era Spragley Ricks, Daisy Rosario and Candice Lim. Want more ICYMI? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the ICYMI show page. Or, visit slate.com/icymiplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candice Lim is joined by Rolling Stone writer CT Jones and Switched on Pop producer Reanna Cruz to hold a retrospective on the internet history of Charli XCX, the founder of brat summer and a decades-long digital icon. They're going all the way back to 2012, when a girl from Essex named Charlotte Aitchison hit the main stage with “I Love It.” They'll dissect their first Charli XCX memories, the 2016 song that changed Charli's entire internet career, and how her pandemic album-documentary led up to this moment, asking: Was it Charli's Angels or Charli's destiny? This podcast is produced by Se'era Spragley Ricks, Daisy Rosario and Candice Lim. Want more ICYMI? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the ICYMI show page. Or, visit slate.com/icymiplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Candice Lim is joined by Rolling Stone writer CT Jones and Switched on Pop producer Reanna Cruz to hold a retrospective on the internet history of Charli XCX, the founder of brat summer and a decades-long digital icon. They're going all the way back to 2012, when a girl from Essex named Charlotte Aitchison hit the main stage with “I Love It.” They'll dissect their first Charli XCX memories, the 2016 song that changed Charli's entire internet career, and how her pandemic album-documentary led up to this moment, asking: Was it Charli's Angels or Charli's destiny? This podcast is produced by Se'era Spragley Ricks, Daisy Rosario and Candice Lim. Want more ICYMI? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the ICYMI show page. Or, visit slate.com/icymiplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Few pop groups are making music as imaginative as Magdalena Bay. The Los Angeles-based duo of singer Mica Tenenbaum and multi-instrumentalist Matthew Lewin, have been steadily releasing music since 2016, eventually breaking out with their viral hit “Killshot,” four years later. In the last four years, their work has dabbled in everything from 70's disco-pop to Y2K pastiche. Their music, often narrative-based and paired with equally stunning visuals, excels in balancing tension; there's gossamer-sounding production juxtaposed with dark, conceptual lyrics, or chaotic cacophony placed alongside ironic euphoria. Their sophomore album Imaginal Disk is out today, and is no exception. The record is a concept album of sorts, as it follows the story of a character named True, after receiving a “consciousness upgrade” in the form of the titular “imaginal disk.” Over the course of fifteen songs, Tenenbaum and Lewin tell a story about identity, technology, and what it means to be a human.  It's a lofty record, so Switched On Pop's Reanna Cruz sat down with Magdalena Bay to talk about how this album manages to sound so gorgeous — and took some cues from ABBA in the process. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There's many things to love about Los Angeles: low-rider cars, roadside taco stands, and, come awards season, the omnipresent “For Your Consideration” billboard. Nobody knows this better than lifelong L.A. resident Lorely Rodriguez, also known as Empress Of. The indie-pop darling's latest record, aptly titled For Your Consideration, is her take on what it means to have your full self considered, in all of its guises. The almost genreless record is so wildly catchy and remarkable in scope (all of the percussion on the record is actually Rodriguez's voice) that Switched On Pop host Nate Sloan and producer Reanna Cruz had to consider For Your Consideration with Empress Of herself, live in person, in the City of Angels. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There are few artists pushing the boundaries of their respective genres like Maryland rapper Rico Nasty and German-Iraqi electronic producer Boys Noize. The two have run in the same circles for over half a decade, but their joint collaboration has reached an apex with their three song EP, HARDC0RE DR3AMZ, a dance-floor ready project that owes as much to Berlin techno as it does to Dutch gabber music. Rico and Boys Noize – a.k.a. Alexander Ridha – are also incredible friends with a lot of love for one another, and for producer Reanna Cruz, all of these reasons make the duo's EP one of the best projects of the year. On the heels of Berlin techno being added to the UNESCO list of intangible cultural heritage for Germany, Reanna sat down with Rico and Alex for this episode of Switched on Pop. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hip-hop is in a weird place right now. Research says that the genre, in both streaming and chart performance, has declined over the last decade. And while rap artists can still get number one songs on the Hot 100, it's a far cry from the peak of trap circa 2017, when Nielsen data named hip-hop as the most popular genre in the U.S. So what does that mean for the future of rap? To find out, producer Reanna Cruz spent all weekend reporting from Inglewood, CA, at the California edition of the world's largest hip-hop festival: Rolling Loud. Through talking to attendees and catching the weekend's hottest sets, they learned about the current state of hip-hop – the good and the bad – as well as what the future may hold. To read Reanna's highs and lows from the festival, check out their Vulture article here.  Special thanks to Antonio Cruz for his production help on this episode. Songs Discussed: OsamaSon – Pop Nicki Minaj – BARBIE DANGEROUS ¥$, Kanye West, & Ty Dolla $ign – EVERYBODY (live) ¥$, Kanye West, & Ty Dolla $ign – BACK TO ME (live) Junior H – Y LLORO Natanael Cano – Pacas de Billetes Fuerza Regida – Enculado That Mexican OT, Lefty SM – Barrio (with Lefty SM) That Mexican OT – Cowboy Killer (live) KenTheMan – Not My N**** – Extended KenTheMan – Poppin Sh!t KenTheMan – Keep Going (live) Kaliii – Area Codes Action Bronson & Statik Selektah – Respect the Moustache Drake, SZA, & Sexyy Red – Rich Baby Daddy (live) Sexyy Red, Sukihana – Born By the River (feat. Sukihana) Sexyy Red, Chief Keef – Skee Yee (live) Nettspend – shine n peace (live) Nettspend – deftones snippet (live) Matt Ox – Overwhelming Nettspend – What they say SOPHIE – BIPP Learn more about your ad choices. Visit podcastchoices.com/adchoices

Renaissance Act II truthers, your time has come: There's new music from Beyoncé, and boy, is it country. Her two new singles dropped two weeks ago, and in the time since, they've both climbed up the chart and taken the internet by storm. There's the barnstorming stomp and holler ditty “TEXAS HOLD 'EM,” which just notched the top spot on the Billboard Hot 100, and the dark horse “16 CARRIAGES,” a autobiographical work song detailing Beyoncé's roots in Houston, Texas. Charlie and Nate unpack both of these two songs, highlighting their structures, inspirations, and collaborators, from Raphael Saddiq to Rhiannon Giddens. Then, producer Reanna Cruz speaks to music journalist Taylor Crumpton, whose article for Time, “Beyoncé Has Always Been Country” lays out the cultural implications of this sonic pivot for one of the biggest artists of all time.  Songs Discussed Beyoncé - Texas Hold 'Em, 16 Carriages, Break My Soul, Formation, Daddy Lessons Dink Roberts - Georgia Buck Carolina Chocolate Drops - Hit 'Em Up Style Elvis Presley - Mystery Train Unidentified African American Chain Gang - Waterboy, Run James Carter and the Prisoners - Po Lazarus Robert Randolph and the Family Band - Find a Way Vince Gill ft Justus West- High Lonesome Sound More Read Taylor Crumpton's article Beyoncé Has Always Been Country Learn more about your ad choices. Visit podcastchoices.com/adchoices

Colombian-American singer Kali Uchis has cemented herself as something of a vibe curator; her signature genre fusion has brought forward everything from Latin radio mainstays to Bootsy Collins collaborations. But instead of looking to the genres of the future for her latest record, Orchídeas finds Uchis digging into genres of the past and present, creating a global soundscape across the record's 14 tracks. On this episode of Switched on Pop, producer Reanna Cruz guides Charlie and Nate through the flowery world of Orchídeas, exploring multiple genres of the Latine diaspora (with a quick stop in South Africa) in the process. Songs Discussed: Kali Uchis – Pensamientos Intrusivos Kali Uchis – telepatía Kali Uchis – Te Mata Kali Uchis – la luna enamorada José Pepe Sánchez, Irving Lara y su Orquesta – Tristezas La Sonora Santanera – Perfume de Gardenias Kali Uchis, El Alfa, JT – Muñekita (with El Alfa & JT)  ROSALÍA – BIZCOCHITO Busta Rhymes – Dangerous Lorna – Papi Chulo… Te Traigo El Mmmm Kali Uchis, Peso Pluma – Igual Que Un Ángel (with Peso Pluma) Kali Uchis, KAROL G – Labios Mordidos (with KAROL G) Toots & The Maytals – Bam Bam Chaka Demus & Pliers – Murder She Wrote Kali Uchis – Dame Beso // Muevete Bad Bunny – Después de la Playa Kali Uchis – Diosa Trompies, Lebo Mathosa – Magasman Tyla – Water Amaarae, Kali Uchis, Moliy – SAD GIRLZ LUV MONEY Remix (feat. Kali Uchis and Moliy) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Last week, Conde Nast announced it would fold mainstay music blog Pitchfork into men's magazine GQ, laying off a significant number of music writers in the process, including editor-in-chief Puja Patel. In a recent article, Atlantic staff writer Spencer Kornhaber describes the music site as one that "made an incredible effort to listen broadly, listen seriously, and champion the underdog." The uncertain future of Pitchfork highlights the uncertainty of music journalism in general. Kornhaber joins us to discuss the news. Then, Switched on Pop producer Reanna Cruz joins us to talk about the positive things 2024 has in store for music, with a Review/Preview of upcoming releases.  

Synthesizers are revolutionary instruments. These electronic devices use knobs, buttons and sliders to make different sounds — and you can hear them in all sorts of music, from pop to hip-hop. But that wasn't always the case. Join Joy and co-host Lilike as they explore the history of the synthesizer and learn one album transformed it from an experimental instrument to an essential hitmaker. We'll also hear from Switched On Pop producer Reanna Cruz about the legacy of these groovy instruments. All that, plus a new game of First Things First! This episode was sponsored by:Disney+ (ondisneyplus.disney.com/movie/diary-of-a-wimpy-kid-christmas-cabin-fever) Diary of Wimply Kid Christmas: Cabin Fever, streaming only on Disney+ December 8th. Rated PG, parental guidance suggested.

Nicki Minaj is one of the greatest female rappers of all time. She's given us numerous iconic guest verses from “Monster” to “Flawless (Remix),” everlasting hits like “Super Bass” and “Starships,” and legions of loyal fans in the Barbz. She's also given us over twenty alter-egos in the course of her career. However, no alter-ego of hers has been more impactful than Roman. The voice at the center of Nicki's most unhinged music, the “Roman” persona serves a conduit for Nicki to put forward a high level of theatricality and character work in her music, from beats to bars. And to understand Nicki, you need to understand Roman.  This episode of Switched on Pop, producer Reanna Cruz takes us on a journey through the history of Roman, on the heels of Nicki Minaj's latest record, Pink Friday 2.  Songs Discussed: Nicki Minaj – Chun-Li Nicki Minaj – Red Ruby Da Sleeze Nicki Minaj – Itty Bitty Piggy Kanye West, Nicki Minaj, Jay-Z, Rick Ross, Bon Iver – Monster Nicki Minaj – Roman In Moscow Nicki Minaj – Pound the Alarm Nicki Minaj – Starships Ludacris, Nicki Minaj – My Chick Bad Nicki Minaj, PTAF – Boss A** B**** (with PTAF) – Remix Nicki Minaj, Eminem – Roman's Revenge Nicki Minaj – Come On A Cone Nicki Minaj – Beez In The Trap Nicki Minaj – Roman Holiday Eminem – The Way I Am Eminem – My Name Is Lil' Kim – Queen B**** Nicki Minaj, Drake, Lil Wayne – Truffle Butter Trey Songz, Nicki Minaj – Bottoms Up (feat. Nicki Minaj) Nicki Minaj – Barbie Dreams Nicki Minaj – Super Freaky Girl – Roman Remix Nicki Minaj – My Life Learn more about your ad choices. Visit podcastchoices.com/adchoices

When you make a weekly podcast about pop music, there's some things that, naturally, slip through the cracks. On this episode of Switched On Pop, our hosts – alongside our editor, Jolie Myers, our engineer, Brandon McFarland, and our producer, Reanna Cruz – try to course correct that by discussing our team's (and a listener's) favorite picks of 2023. Whether it's something we got to in the later months or something we felt still deserved its flowers, this episode hops around genres to show the musical versatility of the Switched On Pop team. We even got some of our selections, specifically Laufey and Chappell Roan, on the show to talk about the music that made our year. Who knows: maybe you'll find the song to top your personal best-of list! Songs Discussed: Troye Sivan ft. Guitarricadelafuente - In My Room Troye Sivan - Rush Troye Sivan - One Of Your Girls Daft Punk ft. Julian Casablancas - Instant Crush Victoria Monet - On My Mama Chalie Boi - I Look Good Victoria Monét ft. Earth, Wind & Fire + Hazel Monét - Hollywood Laufey - Bewitched Laufey - Questions For The Universe Laufey - Dreamer Laufey - From The Start Laufey - Misty Stray Kids - S-Class Sampha - Spirit 2.0 Little Dragon - Twice James Blake - There's A Limit To Your Love Chappell Roan - Super Graphic Ultra Modern Girl Chappell Roan - Casual Chappell Roan - Femininomenon Village People - Y.M.C.A. Chappell Roan - HOT TO GO! Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Talking Head's concert film Stop Making Sense first came out forty years ago, and it's just been rereleased in theaters in a 4k remaster by A24. The film finds the band — Tina Weymouth, Chris Frantz, David Byrne and Jerry Harrison — at the height of their powers over three successive nights at the the Hollywood Pantages Theater. As Chris and Tina remembered it when they spoke to producer Reanna Cruz, "We'd reached a state in our career and our lives when we felt, 'we've gotten pretty good at this now. We can show the world.'" Director Jonathan Demme spliced the band's performances into an eighty-eight minute odyssey beginning with Byrne solo on the stage and gradually bringing in the rest of the band and a cast of stellar guest musicians: vocalists Lynn Mabry and Ednah Holt, keyboardist Bernie Worrell, percussionist Steve Scales, and guitarist Alex Weir. The film introduced landmark moments like Byrne's big suit, Demme's cinematic approach to concert cinematography, Chris's and Tina's Tom Tom Club performing the perennial sample flip "Genius of Love," and a theater-rocking version of "Burning Down the House." Stop Making Sense broke the mold of concert films and created a new paradigm for artists to follow ever since. Nate, Charlie, and Reanna take insights from Reanna's conversation with Tina and Chris on the legacy of Stop Making Sense as a guide to think through our own favorite concert movies — the Band's The Last Waltz, Madonna's Truth or Dare, and Beyonce's Homecoming — to identify the musical and visual choices that make them so indelible. Songs Discussed Talking Heads - This Must Be the Place (Naive Melody) - Live Talking Heads - Burning Down the House - Live Beyoncé - Diva - Homecoming Live Beyoncé - Single Ladies (Put a Ring on It) - Homecoming Live Madonna - Express Yourself Madonna - Live to Tell The Band - The Night They Drove Old Dixie Down - Live The Band - I Shall Be Released (Finale) - Live Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is it just us or has the Billboard Hot 100 felt... weird this year? It's the same chart that's seen Doja Cat's "Paint the Town Red" hit No. 1 — the first rap song to rise to the top spot in more than a year — as well as Oliver Anthony Music's controversial "Rich Men North of Richmond" and a remix of an old song by The Weeknd. Is the Billboard Hot 100 actually measuring what people are listening to these days? Can we trust it to tell us about the most popular music? Sam talks with Switched on Pop's Charlie Harding and Reanna Cruz about how Billboard ranks the Hot 100 and the ways that artists, fandoms, and political actors have changed the game... and learned how to game the charts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

You could have heard this episode 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast. On this episode, Matty, Jackie and Rose are joined by special guest Reanna Cruz (of Switched on Pop) to endure the Madonna Roulette, as we journey through the highs and lows of the pop star’s career. Follow […]

We're only halfway through the summer, and we're already blessed with some amazing album releases from heavy hitters like Foo Fighters and Taylor Swift, to pop and R&B releases from Amaarae and Christine and the Queens. Switched on Pop's Charlie Harding and producer Reanna Cruz take us through some of the best and most anticipated new music of the season. *Post show note: check out Reanna and Charlie's summer music Spotify playlist here.  

Vulture might have killed the song of the summer back in 2016, but if you're a member of the LGBTQ+ community, it's hard to argue against “Padam Padam” by Kylie Minogue. The track, released this May, has taken the queer community by storm, quickly becoming ubiquitous and inescapable – it's hard to even scroll on Twitter without a well-timed meme about the "padam-ic" popping up on the timeline. However, Minogue's song hasn't even cracked the Billboard Hot 100; instead, its status has morphed into that of a "gay anthem," a song widely celebrated inside the community but unable to garner longstanding success outside of it. This episode of Switched on Pop, producer Reanna Cruz tackles a question that the LGBTQ+ community has debated over for decades: what makes a gay anthem? Through talking with everyone from academics to their close friends, the answer takes us from Judy Garland to 1920s cabaret to, of course, "Padam Padam." Songs Discussed: Kylie Minogue – Padam Padam Édith Piaf – Padam padam Kylie Minogue – Supernova Mischa Spoliansky – Das lila Lied (The Lavender Song) Queen – I Want To Break Free Lady Gaga – Born This Way London Philharmonic Choir – Amazing Grace Traditional – God Save The King Queen – We Are The Champions Tom Robinson Band – Glad to be Gay Diana Ross – I'm Coming Out Judy Garland – Alone Together (Live At Carnegie Hall/1961) Countess Luann – Chic C'est La Vie Judy Garland – The Trolley Song Lady Gaga – La Vie En Rose Bronski Beat – Smalltown Boy Village People – Y.M.C.A. Sylvester – You Make Me Feel (Mighty Real) Miquel Brown – So Many Men, So Little Time Depeche Mode – Never Let Me Down Again The Weather Girls – It's Raining Men Gloria Gaynor – I Will Survive Learn more about your ad choices. Visit podcastchoices.com/adchoices

Another installment of Switches Brew the show where you get to hear from the larger team Switched On Pop team and community about what we're listening to old and new. With recommendations from editor Jolie Myers, producer Reanna Cruz, and listeners Micah Salkind and JT. Songs Discussed Saint Levant - Nails BewhY - Adaptation The Pointer Sisters - Dare Me, I'm So Excited, Jump Junior Jack - Stupidisco blink-182 - Man Overboard, What's My Age Again? All The Small THings White Poppy - Orchid Child Odyssey - Native New Yorker Kate Bush - The Morning Fog Spencer Zahn, Dave Harrington, Jeremy Gustin - A Visit To Harry's House Cicada Ensemble - Murmuration Clip Learn more about your ad choices. Visit podcastchoices.com/adchoices

Erin's Audio Corner is back! This week, we dig into a new segment from Erin called “Off the Top,” in which he teaches you how to form a first approximation of a speaker's performance without ever having heard it. It's not quite the same as reading the new edition of the Loudspeaker Design Cookbook, but it's a better speaker education than most audio reviewers have. We also dig into some insanely expensive monoblock amps that were exhibited at High End 2023 and discuss the factors that contribute to their price and the justification for the same. Should we be treating uber-high-end audio gear as high-performance equipment or luxury goods? Should you believe a rave review of any amplifier?   Lastly, Brent schools Dennis about the rising trend of sped-up music, why it exists, how it's being used, and who stands to benefit. Dennis also gives Brent a crash course on LoFi Beats and the communities cropping up around the genre.   Buy-now links for products mentioned herein (As Amazon Associates, we may earn a small cut from qualifying purchases):   Loudspeaker Design Cookbook 8th Edition: Volume 1 by Vance Dickason: https://amzn.to/42pdwk0   Loudspeaker Design Cookbook 7th Edition by Vance Dickason: https://amzn.to/43tYPNI   Status and Culture: How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change by W. David Marx: https://amzn.to/43qZfVa   Further Reading:  "Off the Top: Genelec 8381A" by Erin's Audio Corner: https://youtu.be/djQx1g2IS_o Voice Coil Magazine: https://audioxpress.com/page/Voice-Coil-Magazine "Dan D'Agostino's Dazzling Unveil of the New Relentless Epic and Epic 800 Monoblocks and Momentum MxV Integrated" by Jason Victor Serinus: https://www.stereophile.com/content/dan-dagostinos-dazzling-unveil-new-relentless-epic-and-epic-800-monoblocks-and-momentum-mxv Campfire Audio Trifecta ‘Astral Plane': https://campfireaudio.com/shop/trifecta-astral-plane/ "The Rise of the Sped-Up Remix" by Reanna Cruz: https://www.vulture.com/2023/03/sped-up-remix-pinkpantheress-sza.html Your Morning Coffee: https://yourmorning.coffee/home#weekly-podcast "So Help Me God, I'm Going to Eat One of Those Multicolored Detergent Pods" from The Onion: https://www.theonion.com/so-help-me-god-i-m-going-to-eat-one-of-those-multicolo-1819585017 “Mighty Vibes Vol 1: Lo-fi Beats to Doodle To” by Critical Role: https://youtu.be/XVQVXDKKlHQ "Loneliness on social media: LoFi Community + reflections" by Alice Cappelle: https://youtu.be/CaeHnUAYTSM?t=680

Everyone will describe the music of 100 gecs differently. To some, Dylan Brady and Laura Les make deeply satisfying earworms, tracks able to scratch the itches that occupy the deepest memory-holed corners of the brain. To others, though, their music is an "anarchic assault on the ears,” a quilt of all of the genres historically ridiculed in the popular canon: nu-metal, scuzz-rock, ska and 90's pop punk are all fair game in the world of gecs. On their latest record, aptly titled 10000 gecs, Brady and Les double down on the crunchy distortion and harmonics, creating tracks equally influenced by Primus and Eddie Van Halen as they are by their hyperpop contemporaries. The album reflects a Internet-core approach to music as a whole, shedding notions of “good” and “bad” music in favor of catchy melodies and intricate song construction.  On this episode on Switched On Pop, we dig deep into the ethos of 100 gecs, and producer Reanna Cruz talks to the duo themselves about their eclectic sophomore record. Songs discussed:  100 gecs – Hollywood Baby 100 gecs – Billy Knows Jamie 100 gecs – stupid horse 100 gecs – 745 sticky 100 gecs – Doritos & Fritos Primus – Jerry Was A Racecar Driver Ween – Bananas and Blow Limp Bizkit – My Generation Gorillaz – Dirty Harry Future – I Been Drinking J-Kwon – Tipsy Justin Timberlake – Summer Love Violent Femmes – Added Up 100 gecs – Dumbest Girl Alive THX Deep Note Cypress Hill – Insane in the Membrane 100 gecs – The Most Wanted Person in the United States 100 gecs – Frog on the Floor Alan Jackson – Chattahoochee Limp Bizkit – Dad Vibes Learn more about your ad choices. Visit podcastchoices.com/adchoices

You could have heard this episode 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast. On this episode, Matty once again hosts America’s favorite gameshow: Gotta Get That! This time around, our competitors are forced to talk about “Party Rock Anthem” for 2 hours straight. Your contestants this episode are previous co-winner […]

Yes Valentine's Day is a day for love, but for some people, it's a day of heartbreak or loneliness. So to honor those who are brokenhearted this Valentine's Day, we'll be talking about the best breakup songs of all time with Switched On Pop co-host Charlie Harding and producer Reanna Cruz. Plus, we'll take your calls.

It's Grammys weekend and Sam is ready for disappointment! Sam is joined by Switched on Pop's Charlie Harding and Reanna Cruz to break down the Grammys' history of tone deafness when it comes to the night's biggest awards. Will Beyoncé lose Album of the Year again... or will the voting body finally give her her due? We also ask comedian and actor Lil Rel Howery if he is into the Andrea Riseborough Oscars campaign controversy. And we hear about the culture that's haunting us: The broom dog in the animated Alice in Wonderland is a Sisyphean metaphor for our modern times. Send us your culturegeist. What specific thing in the culture has haunted you for days, weeks, or even years? And why? Email us a short voice memo at intoit@vulture.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

You could have heard this episode 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast. On this episode, Matty, Jackie, Max, AJ, Britt and special guest Reanna Cruz continue our journey into the world of middle school dance music. Bangers only. Songs discussed: Thank you to all of our Patreon supporters for […]

Spotify Wrapped and Apple Music Replays are out, which means the music that dominated 2022 is on everybody's minds. From Harry Styles to Beyonce to Bad Bunny, this year was massive for pop music in particular. We decided to take a quick look at these wrap ups with Reanna Cruz, producer for Vulture's Switched on Pop podcast.   

Spotify Wrapped and Apple Music Replays are out, which means the music that dominated 2022 is on everybody's minds. From Harry Styles to Beyonce to Bad Bunny, this year was massive for pop music in particular. We decided to take a quick look at these wrap ups with Reanna Cruz, producer for Vulture's Switched on Pop podcast.   

After an enlightening experience at Lady Gaga's Chromatica Ball, producer Reanna Cruz takes a look at the connection between Gaga's music and the Latin sounds she's engaged with over the years, from traditional rancheras to the rhythm of reggaeton, Songs discussed: Lady Gaga, “Alejandro” Ace of Base, “Don't Turn Around” ABBA, “Chiquitita – Spanish Version” Madonna, “La Isla Bonita” Rihanna, “Te Amo” Vittorio Monti, Sarah Nemtanu, Chilly Gonzales, “Csárdás” Lady Gaga, “Americano” Rosemary Clooney, The Mellomen, “Mambo Italiano (with the Mellomen)” Luis Fonsi, Daddy Yankee, “Despacito” La Flavour, “Mandolay” Lady Gaga, “Dancin' In Circles” Alejandro Fernández, “Como Quien Pierde una Estrella” Pedro Fernández, “Yo…El Aventurero” Lola Beltran, “Cucurrucucu Paloma” War, “Cinco de Mayo” Santana, The Product G&B, “Maria Maria (feat. The Product G&B)” Lady Gaga, “Dancin' In Circles” Justin Bieber, “Sorry” French Montana, Swae Lee, “Unforgettable” Tego Calderon, “Pa' Que Retozen” Rosalia, J Balvin, “Con Altura” Juan Gabriel, “Abrázame Muy Fuerte” Lady Gaga, Ariana Grande, “Rain On Me” Lady Gaga, Ariana Grande, Arca, “Rain On Me – Arca Remix” Lady Gaga, “Fun Tonight” Lady Gaga, Pabllo Vittar, “Fun Tonight – Pabllo Vittar Remix” Learn more about your ad choices. Visit podcastchoices.com/adchoices

For our first ever movie commentary, Matty, Natalie, Rose, Max and special guest Reanna Cruz (of Switched on Pop) sit down to watch and commentate Baz Luhrmann’s Elvis (2022).  Begin this commentary at 1:01 on HBO Max/when the HBO Feature Presentation screen pops up. Or about 6 or 7 seconds after the opening titles begin […]

Who had the song of the summer? Sam Sanders chats with Switched on Pop's Charlie Harding and Reanna Cruz about whose song (and album) is in the running: Beyoncé, Bad Bunny, Lizzo, or Kate Bush?  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Who had the song of the summer? Sam chats with Switched on Pop's Charlie Harding and Reanna Cruz about whose song (and album) is in the running: Beyoncé, Bad Bunny, Lizzo, or Kate Bush? We also ask Vibe Check co-hosts and friends of the show Saeed Jones and Zach Stafford if they're into J.Lo cutting dancers based on their astrological sign. And we hear about the culture that's haunting us: DJ Khaled is a "God Did" wind-up toy. Send us your culturegeist. What specific thing in the culture has been haunting you for days, weeks, or even years? Send us a short voice memo at intoit@vulture.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bad Bunny's “Un Verano Sin Ti” has topped the Billboard albums chart for five weeks this summer, with his Latin trap and reggaetón beats on heavy rotation at beach days and house parties alike. The latest releases of Drake and Beyoncé are signaling for some a revival of house music, its uptempo beats symbolizing joy amidst struggle. And after 27 years, Netflix and TikTok returned Kate Bush's “Running Up That Hill” to the charts —winning fans not yet born at its release. This summer's most popular music is eclectic, but there just may be a unifying energy to it all. We'll discuss the sounds of Summer 2022 and hear your song of the summer. Guests: Pendarvis "Pen" Harshaw, columnist, KQED Arts - host, KQED's "Rightnowish" podcast. Kelefa Sanneh, author, Major Labels: A History of Popular Music in Seven Genres - staff writer, The New Yorker; former music critic, The New York Times. Reanna Cruz, producer, Switched on Pop.

You could have heard this episode 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast. On this episode of Best New Pod, Rose, Jackie and Matty are joined by Max and special guest Reanna Cruz (of Switched On Pop) as the crew finish up their list of songs designated Best New Track […]

Listen to this episode 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast.

You could have heard this episode 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast. On this episode, Matty, Jackie and Rose and joined by special guests Grant and Reanna Cruz as Reanna guides the group through the early career of Lady Gaga, looking at some of the best and most chaotic […]

You could have heard this 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast On this episode, Matty, Gavin and Alex are joined by Jackie and special guest Reanna Cruz as they talk the singles of Hands All Over, considered by many to be the flop era of Maroon 5, […]

Listen to this episode 48 hours early by supporting us on Patreon for as low as $1/month: https://www.patreon.com/IndieheadsPodcast.

From Sept. 15 through Oct. 15, Tiny Desk is celebrating Hispanic Heritage Month with an "El Tiny" takeover of the (home) concert series, featuring J Balvin, Camila Cabello and several more musicians from all corners of Latinidad. Anamaria Sayre | October 15, 2021 To the beat of her swishing hips and swaying percussionists, Camila Cabello's famous "Half of my heart is in Havana" reverberates across this musician-packed Miami set, with an at-home ease that feels novel for the global popstar. Born to a Cuban mother and Mexican father in Havana, Cuba, Cabello is no stranger to blending borders and connecting worlds. As the final performance in our Hispanic Heritage Month Celebration, her El Tiny concert epitomises the cross-cultural, transnational musical identities we've centered over the course of the series. Each unique arrangement of her universal hits represents and explores a new facet of the identities and experiences that make up Cabello. These stripped-down renditions of her hits "Havana," "Real Friends," "Señorita" and "Don't Go Yet" include more Latin instrumentation than the recordings — presumably bringing them closer to sounds that were first introduced to her as music during her childhood in Havana, Mexico City, and Miami. The interlude featuring a sacred Afro-Cuban Santería chant and the following performance of the unreleased, Mariachi-based "La Buena Vida," firmly root Cabello's El Tiny performance within two cultural traditions that don't typically glitter under the harsh lights of a global stage. Here, we find Camila on the precipice of a voice that magically layers pop with tradition, holding all parts of a complex identity in seamless harmony. Flanked by Cuban congueros and Mexican mariachi, all aglow under the Miami sun, Camila Cabello's heart has never felt more whole. SET LIST "Havana" "Real Friends" "Señorita" "Don't Go Yet" "La Buena Vida" MUSICIANS Camila Cabello: vocals Edwin Carranza: bass/music director Marcus Kincy: keys/glockenspiel Chris Johnson: drums Luke Iono: guitar Yisel Duque: vocals Jackie Mendez: vocals Alex Garcia: guitar Camilo Velandia: guitar Daniel Lopez: percussion Joel del Sol: percussion Gerardo Rodriguez: trumpet Mayerlin Carrero: trombone Luisi "Rosca" Beltran: saxophone Cheche Alara: accordion, rhodes Jimmy K. Cuéllar: violín Luis Zambrano: violín Ángel Guzmán: violín Gustavo Zambrano: violín Saúl Ruiz: violín Gustavo Hernández: guitarra Jason Franco: vihuela Albert Jimenez: guitarron John Vargas: trompeta Grover Castro: trompeta Music Production: Cheche Alara, Ricky Reed Music Director & Arranger: Cheche Alara CREDITS Video: Justin Francis Audio: Lawrence Manchester Video Production: Hidden Pictures Camera Op: Alexandra Vivas Backline Techs: Okwa Andrew, Edward Mendoza Recording Engineer: Ryan Cecil Playback/Recording Engineer/Editing: Mike Kopulos Monitor Engineer: Taylor Holden Production Manager: Chris Coffie Steadicam: Zach Burgh A Camera AC: Joe Ariberto B Camera AC: Alex Cristofoli Digital Imaging Tech: Leungson P. "Coco" Gaffer: Ricardo C. Lopez Grip: Brian Sills Swing: Brandon Vencino PA: Jonathan Ruffini PA: Kevin Cuenca Art Director: Luis Roman Art Assistant: Joel Figueroa Colorist: Marshall Palante Location: Soho House Miami Music Transcription: Boh Cooper TINY DESK TEAM Producer: Anamaria Sayre Video Producer: Maia Stern Audio Mastering: Andy Huether Alt.Latino 'El Tiny' Team: Felix Contreras, Reanna Cruz, Anaïs Laurent, Stefanie Fernandez Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Josh Rogosin, Sofie Hernandez-Simeonidis Executive Producer: Keith Jenkins Senior VP, Programming: Anya Grundmann #eltiny #tinydesk #nprmusic #camilacabello Team UNPLUGGED.

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- From Sept. 15 through Oct. 15, Tiny Desk is celebrating Hispanic Heritage Month with an "El Tiny" takeover of the (home) concert series, featuring J Balvin, Camila Cabello and several more musicians from all corners of Latinidad. Anamaria Sayre | September 27, 2021 Silvana Estrada's angelic first note strikes, and for a moment her family's instrument workshop in Veracruz, Mexico, feels like a window to the heavens themselves. Adorned in a white dress and a radiant smile, the singer-songwriter and multi-instrumentalist invites us to participate in a rich and varied expression of familial love and musical brilliance. She wastes no time entrancing her audience, using a stripped-down performance of "Un Día Cualquiera" — accompanied by nothing but soft claps and subtle harmonies — to showcase her impeccable vocal precision and range. After a sweet "Bienvenidos," Estrada picks up the Venezuelan cuatro — her most beloved magic-making tool — and jumps into a sublimely arranged, effortlessly enchanting rendition of "Tristeza." Then, halfway through "Te Guardo," something extraordinary happens: the sound of stringed instruments comes out of nowhere, and as Estrada steps away from her microphone, the camera follows, exposing a string quartet set up just off screen. After that moving reveal, Estrada takes a seat and begins to perform "Marchita," where strings, cuatro, and voice marry in indiscernible harmony. Shifting scenes once again, Estrada moves outside and we meet her papa, armed with a double bass. Father and daughter conjure a musical manifestation of pure love with a stunning performance of "Tonada De Ordeño [El Ordeñador]." Though the traditional Venezuelan tune is a longtime favorite, this performance is different. A butterfly takes a seat on Silvana's mic and the camera zooms out to reveal the other instrumentalists in the workshop looking on in knowing admiration. Silvana's voice reverberates across the Veracruz hillside and the world exhales, basking in a fleeting moment of divinity on earth. SET LIST "Un día cualquiera" "Tristeza" "Te Guardo" "Marchita" "Tonada De Ordeño [El Ordeñador]" written by Antonio Estévez MUSICIANS Silvana Estrada: vocals, cuatro venezolano Gustavo Guerrero: vocals, percussion Laura Itandehui: vocals Cristina Raquel Arista Estévez: cello Carlos Roberto Gandara García: violin Leonelys Sanchez Camacho: violin Anna Arnal Ferrer: viola David Estrada: vocals, double bass CREDITS Video: Julio Llorente, Jorge Tirado Audio: Daniel Bitrán Arizpe, Leonel Carmona Arrangements: Juanma Trujillo Camera: Nicolas Grill Art Direction: Jimena Estíbaliz, Laura Adan Color: Esteban Robles Management: Edwin Erazo TINY DESK TEAM Producers: Anamaria Sayre, Bobby Carter Video Producer: Maia Stern Audio Mastering: Josh Rogosin Alt.Latino 'El Tiny' Team: Felix Contreras, Reanna Cruz, Anaïs Laurent, Stefanie Fernandez Tiny Production Team: Bob Boilen, Kara Frame, Sofie Hernandez-Simeonidis Executive Producer: Keith Jenkins Senior VP, Programming: Anya Grundmann Team UNPLUGGED.

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- From Sept. 15 through Oct. 15, Tiny Desk is celebrating Hispanic Heritage Month with an "El Tiny" takeover of the (home) concert series, featuring J Balvin, Camila Cabello and several more musicians from all corners of Latinidad. Felix Contreras | September 29, 2021 As you gaze into the space where Cuban vocalist Eme Alfonso performs her Tiny Desk (home) concert, you enter a place where music becomes a spiritual language. So much of her history and music is centered around the Afro-Cuban spiritual practice that some know as santería. In the 1980s, her parents started Síntesis, a pioneering band that performed secular versions of that musical liturgy through electric jazz fusion. In fact, her parents, Carlos Alfonso and Ele Valdés, join her on vocals on this three-song set, which she recorded in Havana. As with all things spiritual, it's best to start off paying homage to all things greater, which she does with a track from her 2018 album Voy, "Ayabba," a prayer sung in Yoruba and interpreted for voice and jazz trio (in this case, bassist Julio César González, pianist Jorge Aragón and drummer Oliver Valdés). "Libre" showcases the historic musical ties between the US and Cuba, as Alfonso's vocals reflect her love for soul and jazz. Jazz is also part of that long-standing cultural give and take, as evidenced by Aragón's masterful piano solo. "El Bote" features the preternatural family vocal connection between Alfonso and her parents. In an interview I did with her dad Carlos Alfonso, he told me the main inspiration for the choir-like vocals of their group Sintesis were inspired by Freddie Mercury and Queen. There is a bit of those stacked harmonies in the chorus, before a propulsive drum solo by Oliver Valdés that propels the song to a dramatic close. Eme Alfonso is representative of the kind of music that defies expectations of what Cuban music should sound like. This stop in Havana during our "El Tiny" tour of Latin music is just the tip of the iceberg of the musical riches of contemporary Cuba. SET LIST • "Ayabba" • "Libre" • "El Bote" MUSICIANS • Eme Alfonso: vocals • Ele Valdés: vocals • Carlos Alfonso: vocals • Jorge Aragón: piano • Oliver Valdés: drums • Julio César González: bass CREDITS • Video: Daniel Santoyo, Mauricio Valera, Ana Rafaela Riego • Audio: Bosito, José Justo Enrique • Director of Photography: Bryan González • Colorist: Daniel Alemán • Production Assistant: Boris Sergueevich • Camera Operator: Carla Franco • Camera Operator: Luis Alberto González • Camera Operator: Alejandro Calero • Camera Assistant: Raúl Amargo • Gaffer: Jesús Dulfo • Lighting Equipment: Raydel Grizzle • Jonathan L. Mendoza: Lighting Technician TINY DESK TEAM • Producer: Felix Contreras • Video Producer: Kara Frame • Audio Mastering: Josh Rogosin • Alt.Latino 'El Tiny' Team: Anamaria Sayre, Reanna Cruz, Anaïs Laurent, Stefanie Fernandez • Tiny Production Team: Bob Boilen, Bobby Carter, Maia Stern, Sofie Hernandez-Simeonidis • Executive Producer: Keith Jenkins • Senior VP, Programming: Anya Grundmann Team UNPLUGGED.

From Sept. 15 through Oct. 15, Tiny Desk is celebrating Hispanic Heritage Month with an "El Tiny" takeover of the (home) concert series, featuring J Balvin, Camila Cabello and several more musicians from all corners of Latinidad. Anamaria Sayre | September 22, 2021 maye's sultry vocals and ethereal energy conjure a world in which areperias shrouded in hazy bubbles and twinkly lights feels astonishingly normal. The enchanting pop singer fills her "El Tiny" home stage — the artist's favorite Venezuelan eatery in Miami — with family and friends, su propia gente. She opens with a short and simple rendition of the soon-to-be-released "Maybe Baby" before dropping her instrument and transitioning to an up-tempo, vocal-driven performance of "Yours." Picking the electric guitar back up, she strums along with a steady percussion and accompanying guitars for a soulful premiere of brand-new track "Descifrar," emanating an understated and consistent confidence fitting for a pop reina on the rise. She closes out the set with a full-bodied execution of "Tú," showcasing her signature tropicalia-meets-dream pop sound. maye's effortless sashay from English to Spanish in her songs and speech represent an important facet of the El Tiny audience. Featuring a whole crew of Venezuelan-Americans, including her famous Latin singer-songwriter papá, Fernando Osorio on the traditional Venezuelan cuatro, the third performance in our Hispanic Heritage Month series authentically represents the experience of a family like maye's — one that exists in both planes, two worlds. Given a moment and a platform like this, maye seizes the opportunity and creates an alternate universe, where barriers of culture and language dissolve and areperias sparkle. SET LIST "Maybe Baby" "Yours" "Descifrar" "Tú" MUSICIANS maye: vocals, guitar Ana Osorio: vocals, shakers Oriana Aravena: guitar Fernando Osorio: cuatro, vocals Patrick Howard: drums Fernando Belisario: keys Guillermo Belisario: bass CREDITS Video: Fernando Manuel, Carlos Reyes, Alexandra Añez Audio: Andrés Daza, Spencer Ford, Patrick Howard B-Cam Operator: Jose Trujillo AC: Alejandro Villegas 2nd AC: Lewis Reif Gaffer: Michaelangelo Arizmendi Grip: Alejandro Domínguez Art Direction: Alexandra Añez Production Assistants: Nathalie Chybik, Nicole Buitrago, Zelmira Rizo-Patron, Antonio Marval, Andrés Osorio Special Thanks: Pink Poetry, LLC Electric Air Studios, Talk Shop Studios, Underdog Inc, Retro Nomad Productions, EO Entertainment and Rafael Urbina TINY DESK TEAM Producer: Anamaria Sayre Video Producer: Maia Stern Audio Mastering: Josh Rogosin Alt.Latino 'El Tiny' Team: Felix Contreras, Reanna Cruz, Anaïs Laurent, Stefanie Fernandez Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Sofie Hernandez-Simeonidis Executive Producer: Keith Jenkins Senior VP, Programming: Anya Grundmann Team UNPLUGGED.

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- From Sept. 15 through Oct. 15, Tiny Desk is celebrating Hispanic Heritage Month with an "El Tiny" takeover of the (home) concert series, featuring J Balvin, Camila Cabello and several more musicians from all corners of Latinidad. Reanna Cruz | September 17, 2021 Six hands, holding pencils as drumsticks, tap out a simple percussive beat on a Wurlitzer and two desks. Zooming out, the camera reveals the members of Diamante Eléctrico, accompanied by a colorful 10-piece backing ensemble in their home country's capital, Bogotá. Diamante Eléctrico's brand of Colombian indie rock can be described in three words: funky, inventive and necessary. The Latin Grammy-winning band's music emphasizes community and place — two things that are displayed front and center as the band takes the stage in the second "El Tiny" performance of Hispanic Heritage Month. "NO MIEDO!!!" (no fear) and "VERDAD" (truth) adorn the worn-down desks as the collective powers through a politically-charged four-song set. Opening with 2018's "Rotos," they breathe champeta life into their songs through horns and instruments like the guacharaca, played by singer Juan Galeano's brother Mario. They follow with "Suéltame Bogotá," an upbeat plea to escape a suffocating home, and feature a spirited guest performance by Nicolai Fella of LosPetitFellas. "Amalia" leads into a genuine expression of thanks and solidarity, as Galeano gives gratitude to those protesting on "primeras línea y segunda línea," shouting out the students and farmers challenging the government before finishing the set with "A Veces." It's why Diamante Eléctrico has made themselves so crucial, not only in the Latin indie rock scene, but in music at large: the band's tether to its home country is substantial, no matter how fraught it may seem. Through both its music and stage presence, Diamante Eléctrico curates a shared sense of Latin roots and family, expanding outward from its home of Colombia and resonating across Latinidad, from Puerto Rico to Panama. SET LIST "Rotos" "Suéltame, Bogotá" "Amalia" "A Veces" MUSICIANS Juan Galeano: vocals Daniel Álvarez Mejía: guitar, vocals Andrés Kenguan: wurlitzer Mario Galeano: loops, guacharaca, delay, cymbals Marco Fajardo: saxophone Sebastián Rozo [EufoX]: euphonium Daniel Rincón Ucros: tuba, sousaphone Jorge "El León" Pardo: trumpet Pedro Ojeda: percussion Roberta Leono: tambor alegre Alejandro Cifuentes: bombo Lafer Angova: vocals Karen Castiblanco: vocals Nicolai Fella: vocals CREDITS Video: Andrés Kenguan, Santiago Cortés, Gustavo Martínez Audio: Juan Galeano, Mario Galeano Arrangements: Mario Galeano General Production: Ximena Vargas Rocha Audio Capture: Pablo Mateus, Fredy Ardila Cameras: Sebastián Chocontá, Nicolás Melo, Camilo Báez, Felipe Ramírez Gaffer: Victor Serje Director of Photography: Santiago Cortés, Gustavo Martínez Art Direction: Pigmento Arte, Nathalie Bayona, Carolina Cardona Production Manager: Carla Vásquez Color: Jorge Román Herrera - Crayola Films Management: Criteria Entertainment, M3 Music TINY DESK TEAM Producer: Anamaria Sayre Video Producer: Maia Stern Audio Mastering: Josh Rogosin Alt.Latino 'El Tiny' Team: Felix Contreras, Reanna Cruz, Anaïs Laurent, Stefanie Fernandez Tiny Production Team: Bob Boilen, Bobby Carter, Kara Frame, Sofie Hernandez-Simeonidis Executive Producer: Keith Jenkins Senior VP, Programming: Anya Grundmann #nprmusic #tinydesk #eltiny #diamanteelectrico Team UNPLUGGED.

From Sept. 15 through Oct. 15, Tiny Desk is celebrating Hispanic Heritage Month with an "El Tiny" takeover of the (home) concert series, featuring J Balvin, Camila Cabello and several more musicians from all corners of Latinidad. Reanna Cruz | September 16, 2021 A tattooed hand scrawls on a small school desk — "Jose by J Balvin" — followed by a signature smile. It's an intimate beginning for the príncipe del reggaetón, J Balvin himself, as he begins his "El Tiny" performance on a sunny barge in the middle of the East River. Backed by the Brooklyn Bridge, Balvin breezes through some of the best cuts off of his new album JOSE (Balvin's birth name). The first three — "Vestido," "Que Locura" and "OTRO FILI" — are moody and gentle popetón, creating expectations of familiar intimacy before he blows the performance wide open with the Tainy-produced, tempo-shifting album opener, "F40." And as the sun descends on the New York skyline, Balvin closes it out with a drop-laden extended mix of the jock-jam Skrillex collaboration, "In Da Getto." To talk about modern Latin music is to talk about J Balvin. Over the course of the past 10 years, "the boy from Medellín" has risen from humble beginnings in Colombia to global superstardom, building an unprecedented fanbase at the intersection of pop, reggaetón, house and hip-hop, with over 18 billion views and 35 million record sales to prove it. He is the first Latino to headline Coachella and Lollapalooza, and there isn't a more fitting artist to kick off our month of "El Tiny" performances — Balvin is the epitome of cross-cultural success. When a drone flies out during the last drop of "In Da Getto," and we finally see the true scope of the barge that Balvin has been performing on, it serves as a reminder that no matter how personal his songs may be, Balvin will always, always, be massive. SET LIST "Vestido" "Que Locura" "OTRO FILI" "F40" "In Da Getto" MUSICIANS J Balvin: vocals Jose Rivera: DJ George Ponce: bass, keys Marcus Thomas: drums CREDITS Video: Jose-Emilio Sagaró Anca Valeanu Omar Reynoso Christopher Cabrera Audio: John Buitrago Fernando Argento Hugo Pinzon John Cardona Production Company: Filmheads Assistant Director: Iohana Sagaro Director of Photography: Kristoff Cabrera Production Manager: Alejandro (ADO) Arias Front of House: John Buitrago TINY DESK TEAM Producers: Bobby Carter, Anamaria Sayre Video Producer: Kara Frame Audio Mastering: Josh Rogosin Alt.Latino 'El Tiny' Team: Felix Contreras, Reanna Cruz, Anaïs Laurent, Stefanie Fernandez Tiny Production Team: Bob Boilen, Maia Stern, Sofie Hernandez-Simeonidis Executive Producer: Keith Jenkins Senior VP, Programming: Anya Grundmann Team UNPLUGGED.

April 3, 2021. In celebration of So What'd You Think's 50th episode (!!!!), film student Reanna Cruz joins the show to discuss the psychedelic art film, Enter the Void, directed by Gaspar Noé. Famous for his controversial films, Climax, Love, and Irréversible, this film does not disappoint. Shot entirely as a first-person narrative, and including several drug-induced scenes, this film is not for the faint of heart, as its protagonist tackles issues of death, drugs, and prostitution in neon-lit Tokyo. In this episode, we discuss the impressive filmmaking on display, its themes of death and reincarnation, the depiction of drug use, and much, much more! You do not want to miss this episode. Check us out on instagram: @nick_ladue @nonstopdiscopowerpack

Netflix Genre Code 3555: Cerebral Movies Based on Mic This week's guest: Reanna Cruz, filmmaker, DJ, and film student. Reanna's Instagram: https://www.instagram.com/basedreanna/ Reanna's Twitter: https://twitter.com/basedreanna Welcome to the twelfth episode of NETFLIX ROULETTE! Every week, Cade & a special guest will review any random movie/show off of Netflix. This week, Cade is joined by Reanna Cruz to talk about "The Lynx" selected out of the Cerebral Cinema Based on Books category on Netflix. Watch on YouTube: https://www.youtube.com/channel/UCRSa1ODc1e10kbJlc0b687Q Subscribe to First Cut: https://www.youtube.com/channel/UCRSa1ODc1e10kbJlc0b687Q Hosted by Cade Huseby: https://www.instagram.com/cadehuseby/?hl=en Produced by Robert Butler III: https://twitter.com/DirectorRB3