Podcasts about Standing Rock Indian Reservation

n this episode, I had the pleasure of sitting down with Sarah Comeau, the newest board member of the War Party Movement. After a night of live music, dancing, and celebrating freedom, we discussed the incredible mission of WPM and got to know Sarah's inspiring story. From her roots on the Standing Rock Indian Reservation to her passion for grassroots advocacy, Sarah shared insights about the challenges facing indigenous communities, the importance of building strong alliances, and the fight against human trafficking. It's a shorter show than usual, but we hit a long trot and covered some territory, including the critical work War Party Movement is doing to create awareness, empower women, and foster community connections. Tune in for a meaningful conversation about culture, community, and the cowboy spirit. Theme Music: "Burnin' Daylight" by Matt Wilson Follow the War Party Movement on Instagram and visit warpartyranch.org for more information and merch! Move your ass — we're Burnin' Daylight! 4o Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we explore the strategy of disruption and talk with one of its leading theorists and practitioners, the legendary scholar and activist Frances Fox Piven. Stephanie and Deepak begin by distinguishing protest from disruption, two types of action that are often confused. They consider famous instances of disruption, like the mass actions on the Standing Rock Indian Reservation that blocked the Dakota Access Pipeline, and lesser-known ones, like the 1975 “Women's Day Off” that helped win equal rights for women in Iceland. They also reflect on how overdogs use disruption, citing the “Brooks Brothers Riot,” a protest by GOP operatives that may have tipped the 2000 election and presaged the insurrection of January 6th, 2021. Then, in a wide-ranging interview, Frances Fox Piven argues that “the most important achievement of elites is to persuade people that they don't have power.” But, she explains,  ordinary people in complex societies have enormous “potential power,” the power to disrupt by stopping work, breaking the law, or simply refusing to cooperate. Invoking a chapter of history she and her late husband, Richard Coward, helped write, Piven recalls the Welfare Rights Movement, when poor women of color used their disruptive power to get benefits they had been denied and hugely increased the amount of money spent of welfare in the U.S. Frances, Deepak, and Stephanie also discuss the potential for using disruptive power today, the ways that too much organization can stifle movements, and the essential role of exuberance, ecstasy, and even “sexuality” in movement politics.

Here are some historical events that occurred on December 15:1791: The United States Bill of Rights, the first ten amendments to the U.S. Constitution, was ratified.1890: Hunkpapa Lakota leader Sitting Bull was killed by Indian agency police on the Standing Rock Indian Reservation.1939: The film "Gone with the Wind" had its world premiere in Atlanta, Georgia.1944: The Battle of the Bulge began during World War II as German forces launched a surprise counterattack against Allied forces in Belgium.1961: Former Nazi official Adolf Eichmann was sentenced to death in Jerusalem, Israel, for his role in orchestrating the Holocaust.1978: U.S. President Jimmy Carter announced the normalization of diplomatic relations between the United States and China, effective January 1, 1979.2001: The Leaning Tower of Pisa reopened to the public after 11 years of stabilization and restoration work.2013: China successfully soft-landed its rover Chang'e-3 on the Moon, becoming the third country to achieve such a feat.These events span a wide range of historical periods and highlight various aspects of world history.Podcast Website:https://atozenglishpodcast.com/a-to-z-this-day-in-world-history-december-15th/Social Media:WeChat account ID: atozenglishpodcastFacebook Group: https://www.facebook.com/groups/671098974684413/Tik Tok:@atozenglish1Instagram:@atozenglish22Twitter:@atozenglish22A to Z Facebook Page:https://www.facebook.com/theatozenglishpodcastCheck out our You Tube Channel:https://www.youtube.com/channel/UCds7JR-5dbarBfas4Ve4h8ADonate to the show: https://app.redcircle.com/shows/9472af5c-8580-45e1-b0dd-ff211db08a90/donationsRobin and Jack started a new You Tube channel called English Word Master. You can check it out here:https://www.youtube.com/channel/UC2aXaXaMY4P2VhVaEre5w7ABecome a member of Podchaser and leave a positive review!https://www.podchaser.com/podcasts/the-a-to-z-english-podcast-4779670Join our Whatsapp group: https://forms.gle/zKCS8y1t9jwv2KTn7Intro/Outro Music: Daybird by Broke for Freehttps://freemusicarchive.org/music/Broke_For_Free/Directionless_EP/Broke_For_Free_-_Directionless_EP_-_03_Day_Bird/https://creativecommons.org/licenses/by/3.0/legalcodehttps://freemusicarchive.org/music/Scott_Joplin/Piano_Rolls_from_archiveorg/ScottJoplin-RagtimeDance1906/https://creativecommons.org/publicdomain/mark/1.0/Support this podcast at — https://redcircle.com/the-a-to-z-english-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For this episode of Broken Boxes I am joined by Monument Lab Director Paul Farber, University of Michigan Museum of Art Assistant Curator of Global Contemporary Art Ozi Uduma and artist Cannupa Hanska Luger. We gathered together in Ann Arbor Michigan in late September 2023 at the University of Michigan's Media Center during the opening week of the monumental project and accompanying exhibition by Luger titled, You're Welcome was developed over the course of two years between Cannupa, Monument Lab and the University of Michigan Museum of Art. This podcast conversation was a chance for the three creatives to speak vulnerably to the process of taking on such a large endeavor and how much care and energy goes into the creation of a project of this magnitude. We learn about the three primary components to the presentation including GIFT, an experimental, time-based, commissioned work by Luger on the front facade of UMMA's Alumni Memorial Hall which challenges institutional memory and the whitewashing of history. GIFT is accompanied by two indoor installations: Meat for the Beast in the museums Irving Stenn, Jr. Family Gallery, which delves into Luger's artistic practice and the relationship between museum collections and resource extraction; and Monument Lab: Public Classroom in the Art Gym, which examines formal and informal modes of memory. Moving through the conceptual application of this work, Paul, Ozi and Cannupa break down the larger themes of whiteness, language and time, and unpack the anchoring question of the project, How do we Remember?. The three offer their personal and professional reflections on implementing a project of this magnitude and it's unknown long term impact. And in speaking to GIFT and the larger constellation of exhibiting works, Paul reflects, “This is an art project that doesn't quite have a precedent. And that's the point. It has cousins and kin and points of inspiration and citation, but this work is actually seeking to do something that has never been done in this way.” Over all, You're Welcome explores the relationship between the Museum's historic building, the land it stands on, and a long history of colonial narratives deeply embedded in public structures. It supports critical dialogues about the responsibilities of public institutions as cultural history makers and stewards, and it is a key component of UMMA's ongoing efforts to challenge its history and practices to create an institution more reflective of its community and honest in its explorations of art, culture, and society. More about YOU'RE WELCOME: HOW DO WE REMEMBER? How do we remember on this campus? This is the central question asked in You're Welcome, a dynamic three-part exhibition. The result of a multiyear collaboration with artist Cannupa Hanska Luger and nonprofit public art and history studio Monument Lab, You're Welcome examines the foundational narratives of the land occupied by the University of Michigan and both national and global discourse on nationalism, land sovereignty, militarism, colonialism, and sites of memory. GIFT The centerpiece of the You're Welcome exhibition, Cannupa Hanska Luger's GIFT, is an experimental, time-based, commissioned work, responding to and challenging the University of Michigan's origin story and the stewardship of the land it occupies. In September 2023, Luger, a multidisciplinary artist and enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara and Lakota), painted the word “GIFT” in white porcelain clay slip on the columns of Alumni Memorial Hall, a neoclassical war memorial erected in 1910 that now houses UMMA. His point of departure is the 1817 Treaty of Fort Meigs, in which Ottawa, Chippewa, and Potawatomi tribes “gifted” land to the University that was then sold to found its endowments. MEAT FOR THE BEAST Meat for the Beast comprises two works by the multidisciplinary artist Cannupa Hanska Luger: This is Not a Snake and The One Who Checks and The One Who Balances. An enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara and Lakota), Luger was born and raised on the Standing Rock Indian Reservation. This is Not a Snake was created there, in the aftermath of the 2016 Dakota Access Pipeline protests. The “snake” is a serpentine monster made of riot gear, ceramics, fiber, steel, oil drums, concertina wire, ammunition cans, trash, beadwork, and other found objects. Interspersed within the creature's body are artworks from UMMA's collection selected by Luger and the exhibition's curators to reflect on the historical and contemporary destruction and extraction of land as an expendable resource. By positioning the “snake” as if it's ingesting objects from the museum's collection, Luger compares the damage done by extractive industries on Indigenous lands to that of museums, which have historically extracted objects and culture from Indigenous communities. MONUMENT LAB: PUBLIC CLASSROOM How do we remember on this campus? In addressing this central question of the exhibition You're Welcome, Monument Lab, a nonprofit public art and history studio, worked with lead artist Cannupa Hanska Luger, University of Michigan Museum of Art staff, and University students, staff, and faculty to gather hundreds of responses. Using 121 of these compiled responses as a starting point, this “classroom” acts as an exploration of memory itself—how we remember, the physical and ephemeral forms memories take, and how they come to constitute the campus itself. This classroom includes a broad range of ways we remember—instances of personal, collective, ancestral, speculative, and institutional approaches to memory. https://umma.umich.edu/exhibitions/2023/cannupa-hanska-luger-you-re-welcome Featured song: A Tribe Called Red Ft. Hellnback - The Peoples' Champ

I had the distinct pleasure to chat with WildFed's Daniel Vitalis a while back and have been saving this episode for fall. Daniel spent some time with Travis "Good Bull Man" Condon on the Standing Rock Indian Reservation foraging and hunting "Prairie Turnips and Prairie Dogs". It's WildFed Podcast #138 or find it on video. #ittoutdoors #WildFed #PrairieDogs

Today, I'm sitting down with Doug Good Feather, an artist, veteran, author, teacher, and full-blooded Native American Lakota. In our conversation, Doug shares his beautiful journey of growing up on the Standing Rock Indian Reservation in South Dakota and how he found healing through storms of adversity. From war experiences to personal challenges, Doug's life is full of trials that led him to become the founder of the Lakota Way Healing Center and the spiritual leader of Spirit Horse Nation. Doug believes that you can overcome any obstacle with a strong commitment to your life's mission. Your thoughts and intentions are influential, and Doug encourages you to be mindful of your words, as they hold immense power. Join us as we dive into his wisdom, understanding all of our shared indigeneity to the Earth, navigating appropriation, and how men and women can rise together in unity.IN THIS EPISODE, WE TALK ABOUT:(2:58) Exploring the universality of our indigeneity to the Earth and connecting with people of all backgrounds(11:20) Using life's trials to guide and inspire others(17:41) The symbolism of The Hoop(21:51) How rising together, as men and women, benefits all (27:34) The cleansing and purification nature of crying (30:26) Navigating appropriation, its nuances, and the importance of being respectful and cautious when engaging with other cultures(41:33) Why Doug believes that every life experience serves as a teacher RESOURCES- Want to be text friends and receive weekly inspiration? Click here!- Stay up to date with Manifestival live events, coaching opportunities, and more at manifestivalpodcast.com!CONNECT WITH DOUGFollow Doug on Instagram: @dgoodfeatherLearn more about the Lakota Way Healing Center: lakotaway.org Buy Think Indigenous CONNECT WITH DANETTEFollow Danette: @thedanettemayFacebook: Danette MayTikTok: @thedanettemayListen to ManifestivalBuy my bookWork With Danette Mentioned in this episode:Cacao BlissUse the code MANIFESTIVAL at checkout to get 15% off your whole Earth Echo Foods order!

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination.  In Hydronarratives: Water, Environmental Justice, and a Just Transition (U Nebraska Press, 2023) Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination.  In Hydronarratives: Water, Environmental Justice, and a Just Transition (U Nebraska Press, 2023) Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination.  In Hydronarratives: Water, Environmental Justice, and a Just Transition (U Nebraska Press, 2023) Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination.  In Hydronarratives: Water, Environmental Justice, and a Just Transition (U Nebraska Press, 2023) Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination.  In Hydronarratives: Water, Environmental Justice, and a Just Transition (U Nebraska Press, 2023) Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination.  In Hydronarratives: Water, Environmental Justice, and a Just Transition (U Nebraska Press, 2023) Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

The story of water in the United States is one of ecosystemic disruption and social injustice. From the Standing Rock Indian Reservation and Flint, Michigan, to the Appalachian coal and gas fields and the Gulf Coast, low-income communities, Indigenous communities, and communities of color face the disproportionate effects of floods, droughts, sea level rise, and water contamination.  In Hydronarratives: Water, Environmental Justice, and a Just Transition (U Nebraska Press, 2023) Matthew S. Henry examines cultural representations that imagine a just transition, a concept rooted in the U.S. labor and environmental justice movements to describe an alternative economic paradigm predicated on sustainability, economic and social equity, and climate resilience. Focused on regions of water insecurity, from central Arizona to central Appalachia, Henry explores how writers, artists, and activists have creatively responded to intensifying water crises in the United States and argues that narrative and storytelling are critical to environmental and social justice advocacy. By drawing on a wide and comprehensive range of narrative texts, historical documentation, policy papers, and literary and cultural scholarship, Henry presents a timely project that examines the social movement, just transition, and the logic of the Green New Deal, in addition to contemporary visions of environmental justice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to episode 48! November is Native American Heritage Month and we wanted to highlight some Indigenous stories! First, Laurel starts with the story of the Haudenosaunee Confederacy and how their society inspired suffragists in Women's Rights Movements of the 19th and early 20th centuries! Next, KT takes us through the life of Lakota Sioux warrior and chief, Sitting Bull. *~*~*~*~ Mentioned in the Stories: Whose Land Are You On? Haudenosaunee Territory Map 2021 PBS Documentary "Without a Whisper" Picture of Sitting Bull *~*~*~*~ The Socials! Instagram - @HightailingHistory TikTok- @HightailingHistoryPod Facebook -Hightailing Through History or @HightailingHistory Twitter - @HightailingPod *~*~*~*~ Source Materials: Haudenosaunee-- https://americanindian.si.edu/sites/1/files/pdf/education/HaudenosauneeGuide.pdf https://www.nps.gov/articles/000/how-native-american-women-inspired-the-women-s-rights-movement.htm https://www.lwv.org/blog/how-native-american-women-inspired-womens-suffrage-movement https://www.nps.gov/articles/the-internationalist-history-of-the-us-suffrage-movement.htm#_edn4 https://www.feminist.com/resources/artspeech/genwom/iroquoisinfluence.html https://www.pbs.org/filmfestival/films/without-a-whisper Sitting Bull-- https://www.google.com/amp/s/www.history.com/.amp/topics/native-american-history/sitting-bull https://www.pbs.org/wgbh/americanexperience/features/oakley-sitting-bull/ https://en.m.wikipedia.org/wiki/Standing_Rock_Indian_Reservation https://cantetenza.wordpress.com/about/ https://en.m.wikipedia.org/wiki/Battle_of_the_Little_Bighorn https://www.google.com/amp/s/www.history.com/.amp/news/10-things-you-may-not-know-about-sitting-bull *~*~*~*~ Intro/outro music: "Loopster" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://anchor.fm/laurel-rockall/message

Welcome to episode 48! November is Native American Heritage Month and we wanted to highlight some Indigenous stories! First, Laurel starts with the story of the Haudenosaunee Confederacy and how their society inspired suffragists in Women's Rights Movements of the 19th and early 20th centuries! Next, KT takes us through the life of Lakota Sioux warrior and chief, Sitting Bull. *~*~*~*~ Mentioned in the Stories: Whose Land Are You On? Haudenosaunee Territory Map 2021 PBS Documentary "Without a Whisper" Picture of Sitting Bull *~*~*~*~ The Socials! Instagram - @HightailingHistory TikTok- @HightailingHistoryPod Facebook -Hightailing Through History or @HightailingHistory Twitter - @HightailingPod *~*~*~*~ Source Materials: Haudenosaunee-- https://americanindian.si.edu/sites/1/files/pdf/education/HaudenosauneeGuide.pdf https://www.nps.gov/articles/000/how-native-american-women-inspired-the-women-s-rights-movement.htm https://www.lwv.org/blog/how-native-american-women-inspired-womens-suffrage-movement https://www.nps.gov/articles/the-internationalist-history-of-the-us-suffrage-movement.htm#_edn4 https://www.feminist.com/resources/artspeech/genwom/iroquoisinfluence.html https://www.pbs.org/filmfestival/films/without-a-whisper Sitting Bull-- https://www.google.com/amp/s/www.history.com/.amp/topics/native-american-history/sitting-bull https://www.pbs.org/wgbh/americanexperience/features/oakley-sitting-bull/ https://en.m.wikipedia.org/wiki/Standing_Rock_Indian_Reservation https://cantetenza.wordpress.com/about/ https://en.m.wikipedia.org/wiki/Battle_of_the_Little_Bighorn https://www.google.com/amp/s/www.history.com/.amp/news/10-things-you-may-not-know-about-sitting-bull *~*~*~*~ Intro/outro music: "Loopster" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ --- Send in a voice message: https://anchor.fm/laurel-rockall/message

Roman Orona takes you on a journey around the world of Indigenous Music. Indigenous Cafe brings you music, conversation and inspiration from the Indigenous People of North America and the Indigenous People from all over the world. On this weeks journey, we are traveling with a show titled, “To Live As Quoted By Chief Sitting Bull”. Chief Sitting Bull was born in 1831 in what is now South Dakota. was a Hunkpapa Lakota leader who led his people during years of resistance against United States government policies. He was killed by Indian agency police on the Standing Rock Indian Reservation during an attempt to arrest him, at a time when authorities feared that he would join the Ghost Dance movement. Artist's you will hear in the order they are played on this weeks show: THE INDIGENOUS CAFE PODCAST INTRO (00:00:00-00:01:42) “Inside of me there are two dogs. One is mean and evil and the other is good and they fight each other all the time. When asked which one wins I answer, the one I feed the most.” -Chief Sitting Bull 1. Northern Cree - “Crazy Legs” (Make A Stand) (00:01:42-00:04:23) 2. Tha Tribe - “Just Hum” (Best of Both Worlds) (00:04:23-00:07:35) 3. Joe Tohonnie - “Peyote Song 14” (Apache Peyote Songs) (00:07:35-00:10:07) PROGRAM BREAK (00:10:07-00:10:23) “As individual fingers we can easily be broken, but all together we make a mighty fist.” -Chief Sitting Bull 4. Tony Duncan & Darrin Yazzie - “Nakai Whippoorwill” (Singing Lights) (00:10:23-00:14:49) 5. Southern Scratch - “O'odham's Chote” (Waila, Tohono O'odham Tribe) (00:14:49-00:17:49) 6. Makaha Sons of Ni'ihau - “ Kaho'olawe” (Unforgettable) (00:17:49-00:20:00)  Roman Orona (Host) (00:20:00-00:20:53) “For us, warriors are not what you think of as warriors. The warrior is not someone who fights, because no one has the right to take another life. The warrior, for us, is one who sacrifices himself for the good of others. His task is to take care of the elderly, the defenseless, those who can not provide for themselves, and above all, the children, the future of humanity.” -Chief Sitting Bull 7. Los Traveros Cuyanos - “Bolivian Medley” (El Condor Pasa: Pan Flute Music from the Andes of Peru) (00:20:53-00:23:50) 8. Jim Pepper - “Senecas (As Long As The Grass Shall Grow” (Pepper's Pow Wow) (00:23:50-00:29:34)  PROGRAM BREAK (00:29:34-00:29:45) “It does not take many words to tell the truth.” -Chief Sitting Bull  9. Maya Jupiter - “Inshallah” (Never Said Yes) (00:29:45-00:34:14) 10. Insingizi - “Ngizobambelela” (Spirit Of Africa) (00:34:14-00:36:53) 11. Tha Tribe - “Round Dance” (Emery: Pow-Wow Songs Live) (00:36:53-00:40:01)  Roman Orona (Host) (00:40:01-00:40:41) “It is through this mysterious power that we too have our being, and we therefore yield to our neighbors, even to our animal neighbors, the same right as ourselves to inhabit this vast land. -Chief Sitting Bull 12. Thunderhill - “Intertribal” (The Clash Of The Titans) (00:40:41-00:46:04) 13. Mike Love - “This Too Shall Pass” (This Too Shall Pass - Single) (00:46:04-00:48:41) PROGRAM BREAK (00:48:41-00:48:55) “If a man loses anything and goes back and looks carefully for it, he will find it.” -Chief Sitting Bull 14. Te Vaka - “Tutuki” (Magalogalo) (00:48:55-00:53:25)  15. Pacific Curls & Sarah Beattie - “Whakamahara” (Pacific Celta) (00:53:25-00:55:22) Roman Orona (Host) (00:55:22-00:57:09) “Hear me people: We have now to deal with another race - small and feeble when our fathers first met them, but now great and overbearing. Strangely enough they have a mind to till the soil and the love of possession is a disease with them. These people have made many rules that the rich may break but the poor may not. They take their tithes from the poor and weak to support the rich and those who rule.” -Chief Sitting Bull 16. N'we Jinan Artists - “New Morning” (Skicin Generation) (00:57:09-01:01:34) DONATION ADVERTISEMENT (01:01:34-01:01:50) The Indigenous Cafe Podcast is hosted by Roman Orona and brought to you by iamHUMAN Media. iamHUMAN Media is a non-profit 501(c)(3) focused on raising the awareness of social discourse to all humans through development of programs and artistic ventures (music, movies, stage performances, books, workshops, concerts, film festivals, community outreach, community building, panel discussions, etc.)  to  foster and promote unity in diversity and community fellowship acknowledging that all HUMANs are related simply by being HUMAN. Below are ways to help us continue our programming or to learn more about us: https://paypal.me/iamHUMANmedia?locale.x=en_US Website: www.iamHUMANmedia.com Email: indigenouscafe1@gmail.com

On July 24, 2017, Jessica Reznicek admitted to engaging in acts of sabotage to stop the Dakota Access Pipeline, a 1,886 km long (1,172 miles) underground oil pipeline running through indigenous territories, crossing beneath the Missouri and Mississippi rivers, as well as under part of Lake Oahe near the Standing Rock Indian Reservation. Her actions resulted in 4-month delay in pipeline construction. Despite the fact that the pipelines were not running at the time so there was no chance of a spill and no one was hurt during the acts of sabotage U.S. federal Judge Rebecca Goodgame Ebinger later applied a domestic terrorism enhancement to Jessica's sentences doubling her prison term to 8 years locked up, followed by 3 years supervised probation. Last week, Reznicek's attorneys argued an appeal that the district court had inappropriately decided that her actions constituted a federal crime of terrorism. They are now awaiting a decision concerning the appeal. I have been following this case for a couple of years now and to get to highlight it again was important to me, especially now with the looming decision in regards to the appeal. For this show I got to talk with Charlotte from the Support Jessica Reznicek Network about Jessica's case. To learn more : supportjessicareznicek.com Support team Twitter page (useful for recent news and updates) Petition to repeal Jessica Reznicek's terrorist enhancement

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In 2016, the country's attention turned to Indigenous Water Protectors in North Dakota as they stood up against the construction of the Dakota Access Pipeline. Plans for the pipeline would have it cross multiple waterways and threaten the water for millions of people downriver, including the Standing Rock Indian Reservation. Thousands of Indigenous people from hundreds of tribal nations stood in solidarity, and made the journey to the Sacred Stone, Rosebud, or Oceti Sakowin camps. The hashtag #NoDAPL took over social media.rnrnFor many in this country, this event was their first glimpse into the fight over environmental justice by Native Americans. Yet, in reality, this fight has been ongoing for generations. The Great Lakes region is home to 21 percent of the world's surface freshwater, and dozens of tribal nations have been key leaders in the movement to protect all of our waterways.rnrnFor the 2021 State of the Great Lakes, we will hear from Dr. Kelsey Leonard, a water scientist, legal scholar, policy expert, writer, and enrolled citizen of the Shinnecock Nation. Dr. Leonard is an Assistant Professor in the Faculty of Environment at the University of Waterloo, where her research focuses on Indigenous water justice and its climatic, territorial, and governance underpinnings.rnrnHer recent scholarship explores legal personhood for water-a concept that may seem innovative or even radical for non-Native people. Yet is a core teaching for many Indigenous people of this country, where water is seen as a living relation. So, who gets legal rights? And how do we transform the way in which we value water?rnrnJoin us on Thursday, August 19 for a virtual conversation with Dr. Leonard, moderated by Dave Spratt, Chief Executive Officer for the Institute for Journalism & Natural Resources.

Tune in for an interview with Doug Good Feature to hear about his new book, Think Indigenous: Native American Spirituality for a Modern World.   The book is a guide to integrating indigenous thinking into modern life for a more interconnected and spiritual relationship with our fellow beings, Mother Earth, and the natural ways of the universe. This book's intention is not to teach you to "be Native American," but instead to use the indigenous culture of the Lakota to help you connect with your own indigenous roots and help you remember your ancestral knowing that all beings are divinely connected. Get the book through Hay House. About Doug Doug Good Feather is a full-blooded Native American Lakota, born and raised in the traditional indigenous ways of his elders on the Standing Rock Indian Reservation in South Dakota. He is a direct descendant of Grandpa Chief Sitting Bull. He is the executive director and spiritual leader of the Lakota Way in Colorado and the co-founder of Spirit Horse Nation. You can visit Spirit Horse Nation online at spirithorsenation.org. Podcast Catch us live on the Green Team Academy Facebook page, YouTube channel, or on Twitter. Or watch the recording on the Green Team Academy website or wherever you get your podcasts https://www.greenteamacademy.com/podcast Upcoming Green Team Academy events: 2021 International Climate Action Challenge Kicks off August 18, 2021 Join us and go from passion to action in 90 days! Get live trainings, weekly check-ins, book, workbook, portal and more. Find out more in our free Quick Start Training at https://www.climateactionchallenge.net   Show notes https://greenteamacademy.com/120-think-indigenous-doug-good-feather/

The 1918 flu pandemic devastated the Standing Rock Indian Reservation. When the flu struck that fall, Sioux County’s Board of Health closed all public meetings and gatherings. The outbreak was expected to last two weeks, but Fort Yates schools remained closed for several weeks and the Fort Yates Agency closed. The agency superintendent discontinued enrollments at the Indian boarding schools and farm school, and ordered all tribal members who were camped to disperse.

Sitting Bull, the Hunkpapa Lakota leader and seminal Native American figure, was killed at the Standing Rock Indian Reservation on this day in 1890. / Filipino revolutionary Emilio Jacinto was born on this day in 1875. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

In 2001, Standing Rock Indian Reservation resident Ivy Archambault, whose Lakota name was Pretty Bird Woman, devoted herself to helping her community through her work as a social worker. On one October night, she mysteriously disappeared. While the investigation and subsequent arrest that followed were fairly expedient, the systemic issues that lead to her rape and murder are anything but simple. Join us as Tommy takes Mick through a crash course in reservation dynamics and the beautiful legacy Pretty Bird's family set up in her honor.

Going into hiding for making photo stories about protest is not something photographer Ryan Vizzions expected to need to do. Today the story of the Dakota Access Pipeline, the Standing Rock Indian Reservation and a battle to protect sacred lands from a re-routed oil pipe project. Ryan talks about being an active participant in the protests, photographing events you are genuinely and passionately angered by and how he poked a political hornet's nest. Further information: https://www.photographydaily.show/episodes/standing-rock-story

Sitting Bull, the Hunkpapa Lakota leader and seminal Native American figure, was killed at the Standing Rock Indian Reservation on this day in 1890. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Episode 72 of Guestbook Podcast. Innkeeper Freddie welcomes conservationist (and ultra-outdoorswoman ;-) Sunni Heikes-Knapton onto Guestbook Podcast to share the wonders of the "Northern Plains" region of the US--namely eastern and western Montana (and their stark contrasts in landscapes) and the infamous "Badlands" of the Dakotas. Also, Sunni--who grew up in South Dakota--provides Freddie with a brief primer on the Standing Rock Indian Reservation and the issues surrounding the construction of the Dakota Access Pipeline. The Internets: LI: https://www.linkedin.com/in/sunni-heikes-knapton-00454522 | W: https://www.nacdnet.org/ Recorded at Union Inn in the heart of Washington, DC, Guestbook Podcast is hosted by world-famous conversationalist and host-extraordinaire Innkeeper Freddie. Join him weekly as he interviews the myriad of guests who visit his home/inn. IG: @guestbookpod | @innkeeperfreddie | @unioninndc W: http://unioninndc.com E: innkeeper@unioninndc.com

Mel, Tom and Robert get together to talk all things Tesla. Show Notes:“We do not inherit the Earth from our ancestors, we borrow it from our children."Smoke blankets L.A. as Saddleridge fire brings unhealthful air, pollution https://www.latimes.com/california/story/2019-10-12/saddleridge-fire-sends-smoke-across-l-a-as-santa-ana-winds-continue Typhoon Hagibis: death toll rises in Japan as ‘worst storm in 60 years’ roars through https://www.theguardian.com/world/2019/oct/12/japan-typhoon-hagibis-tokyo-earthquake-rugby-flood-rainWatch here: https://twitter.com/AssaadRazzouk/status/1182983734682931200 'If they don't do it, we will': Greta Thunberg rallies climate strikers for long haul https://www.theguardian.com/environment/2019/oct/12/if-they-dont-do-it-we-will-greta-thunberg-warns-climate-strikers-of-long-haulNorth Dakota’s Standing Rock Indian Reservation (location of the protested KXL Here’s a nice article highlighting teenage climate activists: https://www.dw.com/en/greta-thunberg-arrives-us-fridays-for-future-in-the-us-a-small-but-determined-movement-a-50146485/a-50146485 Arnold Schwarzenegger Sent Greta Thunberg an Electric Car https://www.menshealth.com/entertainment/a29279061/arnold-schwarzenegger-greta-thunberg-tesla/ Eliud Kipchoge Breaks Two-Hour Marathon Barrier https://www.nytimes.com/2019/10/12/sports/eliud-kipchoge-marathon-record.html Tesla to open new ‘Tesla Centers’ to avoid dealership restrictions, increase deliveries https://electrek.co/2019/10/12/tesla-centers-dealership-restrictions-increase-delivery/15 Tesla Semi electric trucks to replace diesel trucks at Pepsi facility https://electrek.co/2019/10/04/tesla-semi-electric-trucks-replace-diesel-trucks-pepsi/Tesla Pickup Truck still on track for November unveiling https://www.teslarati.com/tesla-pickup-truck-unveiling-still-on-track-for-november/Ford Truck Engineer Linda Zhang Explains Electric F-150 Plans https://www.trucks.com/2019/09/18/ford-truck-engineer-explains-electric-f-150-pickup-plans/Volvo Trucks Unveils Electric Truck, Readies Commercialization

Season 2 Episode 8 – The Church as Witness: A Brief Proposal for a Form of Proclamation with David Feiser Introduction to Episode: During episode 8 of season 2, we dive into a dialogue that puts the Church as witness. We cover the definition of Church and we look at sever bible verse to help support our claim. We discuss key terms such as “being known and read by all” and we go back to the Westminster Confession of Faith to point out what the church is. Co-Host: Pastor Dave has a long history in ministry, working in youth ministry, as well as adult discipleship. He's led congregational mission trips to the Standing Rock Indian Reservation in North Dakota and the Wade Center in Bluefield, West Virginia. A graduate of Penn State, Pastor Dave earned a Master of Theological Studies at Palmer Theological Seminary outside of Philadelphia, and then to Trinity Evangelical Divinity School in Deerfield, IL, where he received a Ph.D. in Theological Studies with a concentration in Systematic Theology. He lives in Dallastown with his wife, Sarah, and their three children. Pastor Dave is excited to serve Round Hill EPC by equipping the saints for the good works the Lord has prepared. Podcast Episode Summary: In this episode, we talk about Trinitarian Foundation, and Communicative Union. We dive deeper into the WCF and WSC to support our dialogue. We explore bible verse that gives us our mission and what we ought to be doing as Christians. During the dialogue we anwer the question, “what is the Lord's word proclaimed?” Below is a list of resources and bible verse pertaining to this episode. Romans 4:5, 1 Cor. 12:12, Eph 5:31-32 Trinitarian Foundation and Communicative Union The Gospel Comes with a House Key Matthew 28:17-20 and Acts 1:8 PURCHASE YOUR COPY OF THE BEAUTY OF THE LOCAL CHURCH BY CLICKING HERE! Ministry to Sponsor: Are you or your congregation considering taking a trip to the Holy Land? I urge you to contact Christy Lundy with Bucket List Travels for your travel itinerary and planning from A to Z. Christy can be reached on Facebook or email Platforms: GoogleSpotifyStitcherPocketCasts --- Send in a voice message: https://anchor.fm/elderqueen/message Support this podcast: https://anchor.fm/elderqueen/support

Matt chats with Michael Cundick and Darin Mann, executive director and action director (respectively) for the local grassroots effort known as Salt Lake City Air Protectors. Michael and Darin explain the origins of the new group, which grew out of the fight over the Dakota Access Pipeline on the Standing Rock Indian Reservation. The new nonprofit is less interested in advocating specific air quality policies and more on building a grassroots movement, the two explained. They described how they hope to be truly community-based effort with a decentralized movement which champions diverse, local efforts. Michael and Darin describe how their effort is different than another new group that grew out of the pipeline protests, known as PANDOS, or Peaceful Advocates for Native Dialogue and Ongoing Support. For more information, check out the SLC Air Protector’s website and Facebook page.

Matt chats with Michael Cundick and Darin Mann, executive director and action director (respectively) for the local grassroots effort known as Salt Lake City Air Protectors. Michael and Darin explain the origins of the new group, which grew out of the fight over the Dakota Access Pipeline on the Standing Rock Indian Reservation. The new nonprofit is less interested in advocating specific air quality policies and more on building a grassroots movement, the two explained. They described how they hope to be truly community-based effort with a decentralized movement which champions diverse, local efforts. Michael and Darin describe how their effort is different than another new group that grew out of the pipeline protests, known as PANDOS, or Peaceful Advocates for Native Dialogue and Ongoing Support. For more information, check out the SLC Air Protector’s website and Facebook page.

Sitting Bull, the Hunkpapa Lakota leader and seminal Native American figure, was killed at the Standing Rock Indian Reservation on this day in 1890. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Is a new era for Native American media in the United States opening up? Three Native American journalists talk about challenging stereotypes and bringing a nuanced voice to indigenous issues. They belong to a generation that believes in making things happen, despite all the odds, and not waiting for mainstream media to catch on. Native Americans once owned the land in the United States, it was theirs before the white settlers arrived. They are the First People, whom archaeologists believe have been on the North American continent for some 50,000 years. Today they represent less than one percent of the United States’ total population. An estimated 2.7 million tribal citizens associated with 567 federally recognised tribes. Tribal issues hardly make it into the US mainstream media. When people outside the US read, listen or watch news about the country, it is as if America’s First Nation have become a ghost nation. Levi Rickert, the Michigan-based founder, editor and publisher of multimedia news platform Native News Online, says that is primarily due to the size of the Native American population. Kevin Abourezk, who is based in Nebraska where he is the managing editor of Indianz.com, a Native American online news site run by the Winnebago Tribe, believes it is because there are so few Native Americans in mainstream media. Jenni Monet (www.jennimonet.com) is an award winning Native American independent journalist from the Laguna Pueblo tribe. She has been working as a journalist for 19 years, most of it spent covering indigenous issues across the world. Under-reported narrative “There is a serious need for the indigenous narrative. [It] is the most chronically under-reported narrative in mainstream today, not only in the US but around the world,” she says. She points out that out of the hundreds of tribes living in the United States, only a tiny fraction of them attracts the attention of the media: the Lakotas, the Navaho Nation or the Cherokee Nation of Oklahoma. “It is not a mistake that these tribes are among the most popular in the mainstream because the mainstream goes towards the familiar. They like the poverty out of the Lakotas because it is so blatant. The cyclical nature of it is so raw. They like the Navaho Nation because it is so mystical with medicine-man and the south-west desert… They like the Cherokee Nation of Oklahoma because who doesn’t firmly believe they have some ounce of Cherokee ancestry in their family lineage? These sorts of narratives as told by outsiders themselves have just been perpetuated for decades.” For Kevin Abourezk, who is from the Rosebud Lakota tribe, it is often difficult for Native journalists to get editors of non-native media to accept their story ideas. “Editors are acutely aware of who their readers are and [what] they want to read,” he explains. According to Abourezk, in areas where there are a significant number of Native Americans like Gallup, New Mexico or Rapid City, South Dakota, tribal issues will get more coverage. He says it is reflected in publications like the New York Times or smaller ones like the Sioux City Journal. Standing Rock, a reckoning One story that made it to mainstream media around the world was the long protest against the Dakota Access Pipeline. Thousands of Native Americans, joined by non-Natives, gathered in North Dakota to support the Standing Rock and Cheyenne River Sioux Tribes in their fight against the pipeline, a 3.8-billion-dollar investment. They say it desecrates sacred grounds and threatens the water quality of the Standing Rock Indian Reservation. The pipeline carries crude oil beneath their only source of drinking water. Across the globe, videos circulated, showing the violent repression of the protesters by private security guards, riot police and national guards. In their arsenal to deal with demonstrations, they used, among other things, sound cannons, rubber bullets and dog attacks. Jenni Monet covered the story for six consecutive months and was embedded at the Standing Rock reservation for four months, until the end of March 2017. She was arrested and, along with seven other journalists, is still facing charges for criminal trespass and rioting brought by the local Morton County. Why did it take such a violent crackdown for news about Standing Rock to make the headlines? “People were maimed,” remembers Jenni Monet. “People were sent into hypothermic shock after being doused with water on a sub-freezing night in November to the point where legacy media could not simply ignore it anymore. They reported on that story 48 hours later. It takes for brown people to die before it becomes unfortunately headline news.” Monnet says that when the Dakota Access Pipeline protests were happening the story was competing with “one thing and one thing only, Donald Trump”. Based on her own experience, Monet describes the newsrooms obsession with “clickbait”, stories need to pull “the most shares, the most tweets, drive comments from viewers”. “If Standing Rock proved anything, it’s that [tribal] issues aren’t complicated at all. You just need a lot of people to talk about them. Standing Rock is going to continue to be a case study for us when we look at the power of indigenous media. And, for me and my fellow native journalists, we cannot forget those strides and those gains that were made from Standing Rock.” Native American journalism Journalism for Native Americans by Native Americans goes back to the 19th century with the Cherokee Phoenix newspaper founded in 1828. It was written in both English and the Cherokee alphabet created by Sequoyah. “That newspaper was democracy at work … sovereignty at work. It was the tribe itself having a voice and shaping a narrative that otherwise was completely removed from any sort of publication back then,” declares Jenni Monet. The newspaper emerged at a time when the Cherokee Nation was debating what action to take while facing forced relocation from their ancestral land in south-eastern United States. Under the Indian Removal Act of 1830, the Cherokee people were rounded up and forced to relocate to an area west of the Mississippi River designated as Indian Territory. The journey became known as the “trail of tears”. Tribal newspapers are still very popular, according to Kevin Abourezk, and probably the most popular among the various native news platforms. Most tribes of a certain size have a newspaper that they publish and distribute to their members on the reservations. But such media do not cover national issues pertaining to the Indian Country. “Just a handful of websites” will cover, for example, a hearing in Washington related to some law dealing with Indian Trust Land. And that’s a problem for Kevin Abourezk. For Jenni Monet, indigenous media shouldn’t only be for the tribal communities, nor should it only look at “outsiders” as an audience. It should be “somewhere in between”. “What we saw at Standing Rock was this widespread embrace of concepts that editors themselves have often couched as topics too weighty for their listenership to endure. It was amazing to see on CNN, Sara Sidner quote Lakota prophecy. And a segment about treaty rights. These topics are not too complicated. What they are is sorely underreported.” Making their voice heard “It’s our time to tell our stories,” declares Levi Rickert, who is from the Prairie Band Potawatomi Nation. He deplores the way in which Native Americans are portrayed in the US media. And that’s one of the reasons he decided to set up Native News Online in 2011. “We are perceived as being conquested people, losers… [associated with] alcoholism, poverty... I try to identify stories that really show the progress and achievements of American Indians and Alaska Natives.” For Rickert, this is a more a calling than a job. “It is almost like a trusteeship given to me by the Creator to really do my part,” he say, “We serve many tribal nations from around the United States. I try to purposefully find writers from around the country that can write about their region, their tribal nation. The non-native media will not always write about our stories, we can certainly do it.” As for Jenni Monet, she opted for the precarious position of being an independent journalist rather than being attached to a particular news organisation in order to have a greater chance of getting her stories about indigenous peoples and their rights movements published. “I’ve worked for some of the biggest brands in the industry and I understand how newsrooms operate. [Being] independent, I can choose many of these decision makers and pitch and pitch and pitch,” declares Jenni Monet, host of the podcast, Still here: Modern stories of resilience, indigenously told. “People are starting to wake up a little and realise that there is a whole vast Indian country out there,” adds Monet. A generation of journalists, whom she describes as front-runners, took the lead in creating a nuanced narrative and paved the way for her generation. “I’m so grateful for writers like Tim Giago, Mark Trahant, Suzan Shown Harjo, Bunty Anquoe and the list can go on.” Kevin Abourezk recently decided to start working full time for the Native news website, Indianz.com. Most of his 18 years as a journalist were spent working for the Lincoln Journal Star, a non-Native daily. “I’ve always wanted to work for native media but I’ve also for a long time felt it was important to reach out to non-Native Americans and trying to educate them about issues facing Native Americans.” Abourezk says that his former editors were great and welcomed his stories. However, they had a preference for a certain type of stories. One of them is White Clay, a small town of 14 people in Nebraska with four liquor stores selling four million cans of beer a year to the Pine Ridge reservation, which has a population of 40,000 people. In September this year Indian Country Today, a prominent newspaper and website, put a stop to its activities after 25 years in business, citing financial constraints. This brought some big changes in the world of Native journalism in America, explained Abourezk, and it was one of the reasons why he decided to move to Indianz.com. “When Indian Country Today decided to shut down … that left a huge vacuum in the world of Native journalism. I felt it was important for Native journalists to step up and fill the vacuum the best we can.” It took two years of incubation before Levi Rickert’s launched Native News Online. A sustainable business model providing independent reporting appears to be a difficult goal to achieve. Rickert says that he is constantly trying to figure out how to make it work on the small Native media scene “It is a struggle. We have to fight for advertising, sponsorships, many times we are marginalized. You just have to get pass the ‘Nos’ and get people to say ‘Yes’. You have to have the tenacity to keep going even when it looks dismal out there.” The words that really encapsulate what the Native American journalists we spoke to are trying to achieve probably come from one Native News Online viewer: “You write how we Indians want to be written about.” Follow Jenni Monet on Twitter @jennimonet Follow Kevin Abourezk on Twitter @Kevin_Abourezk Follow Levi Rickert on Twitter @Native_NewsNet Follow Zeenat Hansrod on Twitter @zxnt Sound editor: Alain Bleu Music by Raye Zaragoza (In the river) and Camp Pueblo Singers (Water is life)

Steven and Bill interview Mary Margaret Cornwell, Curator of Photography for the Booth Western Art Museum. They discuss current and upcoming exhibitions.   http://www.boothmuseum.org   Ansel Adams: The Masterworks (Extended to Nov. 5, 2017). Ansel Adams pushed photography as a medium for fine art and his work continues to have a powerful impact on current day photographers.   Images: ‘Mount Williamson’ ‘Snake River Tetons’ ‘Welder’ Biography: http://amzn.to/2hR2t2o Zoë Urness: Keeping the Traditions Alive (Nov. 16, 2017 – May 18, 2018). Zoë captures powerful imagery to preserve the traditions of indigenous people. Her images are captured to connect old ways of life to the modern Native American ways of life. Zoë was nominated for a Pulitzer Prize for the image, ‘December 5, 2016’ which captures Native Americans and US Veterans together in protest of the Dakota Access Pipeline passing through the Standing Rock Indian Reservation.               Images: ‘December 5, 2016’     Laura Wilson: That Day (Jan. 20 – Apr. 29, 2018). Laura captures a collection of images from the 1970’s to present that has shaped the American West. She is also noted to assist for Richard Avedon for 6 years in addition to documenting his project ‘In the American West’. She lives in Dallas Texas and is the mother to Hollywood actors Andrew, Owen, and Luke Wilson. Books: ‘That Day’ - http://bit.ly/LauraWilsonThatDay ‘Avedon at Work’ - http://bit.ly/AvedonatWork   Images: ‘Mesquite Tree with Coyotes’ ‘Hutterite Boy on Appaloosa’   Booth Photography Guild - http://boothmuseum.org/adults/booth-photography-guild/   Become a member at the Booth Western Art Museum: https://supportus.georgiamuseums.org/boothmembership   Please help us grow by sharing, commenting on our Facebook page www.facebook.com/studio.c41.onair Website Coming Soon!   Please review and rate our Podcast on iTunes! It will help our discoverability!       Music Credit: Johan Lilja - The Improv http://bit.ly/2ueQlK1        

Doug, Wiyáka Wasté was born at Standing Rock Indian Reservation (home to Sitting Bull). He is a native Lakota speaker, Spiritual man, Iraq War Veteran for 2 tours, Stage and Screen Actor, International Cultural Ambassador, Grammy Award Winning Lakota Singer, Pow Wow Fancy Dancer, and Father. Doug also has a Psychology and Counseling degree  and is a Sun Dancer.   Good Feather is the founder and spiritual teacher of the Lakota Way Healing Center based in Colorado. He is also the spiritual leader of Spirit Horse Nation, which is a community of like-minded organizations, tribes and people from every background and school of thought working to elevate the consciousness of Mother Earth.    Doug Good Feather was shown a life-altering spiritual vision where Wakȟáŋ Tȟáŋka, our Creator instructed him to share Native Ways and Medicine with all of humanity in a good way. Today Doug Good Feather's vision has become a world-wide movement of Spiritual Healing through Native Ways.   I’ve been wanting to do this interview with Doug for a long time. It’s an honor to have such a revered Lakota teacher here on the show. Doug is a wealth of vital Lakota wisdom, With a vast experience in helping people to understand and implement their harmonious ways. I’m so excited to present this episode to you. I plan to have Doug back soon to continue the conversation.    Of all the ways of the world’s cultures, I’ve always seen the Lakota Way to be a beautiful way of living in alignment with humanity, nature, and Spirit. There is so much we can learn from the Lakota perspective. I hope you enjoy this journey into the sacred Red Road path of the Lakota. 

An update from author, attorney, and rapper Gyasi Ross about what's going on at the Standing Rock Indian Reservation and why he believes it's an amazing time to be alive.

In this episode we talk with Ryan Schmidt about his time filming a documentary at the Standing Rock Indian Reservation. National attention has been directed at Standing Rock and in this episode we discuss the event from a first person account. This episode tells a different perspective on Standing Rock than social media or news broadcasts may portray. A very informative listen for anyone interested in Standing Rock and the culture of events that have transpired. CHECK OUT THESE LINKS FOR DOCUMENTARY Ryan’s Documentary Facebook page: https://www.facebook.com/ProtectorsDocumentary/?__mref=message_bubble Want to contribute to the story Ryan is helping to tell?: https://www.generosity.com/community-fundraising/protectors-of-standing-rock Music- I do not own any of this music or anything associated with said music. This music is uploaded purely for entertainment purposes. Song 1: Artist-David Szesztay Song- Waiting Album- Acoustic Guitar URL: http://freemusicarchive.org/music/David_Szesztay/Acoustic_Guitar/Waiting_1258 Comments: http://freemusicarchive.org/ Curator: Music for Video Copyright: Attribution-NonCommercial 3.0 International: http://creativecommons.org/licenses/by-nc/3.0/ Song 2: Artist- David Szesztay Song- In The Sun Album- Acoustic Guitar URL: http://freemusicarchive.org/music/David_Szesztay/Acoustic_Guitar/In_The_Sun Comments: http://freemusicarchive.org/ Curator: Music for Video Copyright: Attribution-NonCommercial 3.0 International: http://creativecommons.org/licenses/by-nc/3.0/

Authors and Activists Daphne SingingTree and Jim GrayWolf Petruzzi have been standing side by side with the Native American people of Standing Rock Indian Reservation against the North American Pipeline as the oil company wants to take the pipeline throu

Climate Change activist & filmmaker Josh Fox (Gasland, How to Let Go of the World and Love All The Things Climate Can't Change) calls us from the bus on his way back to the Standing Rock Indian Reservation; Neasa Seneca tells us what made her, her brothers, fathers and cousins drive 25 hours to Standing Rock; and Deia Schlosberg talks to us about her arrest and 45 year sentence for filming a non violent protest. Police have responded to these peaceful to protect the water and the earth with violence and dishonesty, shooting rubber bullets, spraying mace and tear gas and water cannons at protestors in sub-zero temperatures. The latest act of brutality was a concussion grenade which blew off part of the arm of Sophia Wilanksy. She is 21 and her arm might be amputated. The police have denied using water cannons and concussion grenades despite eye witnesses and even shrapnel removed from Sophia's arm.

The protests against the Dakota Access Pipeline at the Standing Rock Indian Reservation in North Dakota are, on the surface, about water quality. The pipeline's planned route—which closely mirrors the path of the would-be Keystone XL pipeline—goes right through the tribe's water source. And like Keystone XL (which President Obama vetoed this February), the Dakota Access Pipeline has taken on larger significance as a conduit for worsened global climate change.

William Katz lectures on The Standing Rock Protest against the XL Pipeline and Black Lives Matter to the history uncovered in Black Indians.     Why Black Lives Matter is fighting alongside Dakota Access Pipeline protesters On Aug. 27, Black Lives Matter activists from Minneapolis and Toronto traveled to the Standing Rock Indian Reservation, which straddles North and South Dakota, to support indigenous tribes protesting the construction of the Dakota Access Pipeline (DAPL).  And now, members of New York City's most active BLM groups plan on visiting Standing Rock this week to prevent the proposed 1,172-mile, four-state oil pipeline from being built on Native treaty lands.     Image: These donated supplies, which were collected at the Rally for Standing Rock in New York City's Washington Square Park on Sept. 9, 2016, will be delivered to #NoDAPL protesters in North Dakota.

Speaker or Performer: Cheryl Kary Date of Delivery: September 22, 2013 Our Standing on the Side of Love Sunday service theme strives to embrace human differences and will reach out to community partners to learn more about how better to celebrate, support and welcome all.Cheryl Kary has been awarded a Bush Foundation Fellowship for her project GUIDE, 'Gathering Urban Indian Data Experiences. GUIDE seeks to build a positive community profile that will help the American Indian community be more active and integrated into the larger local civic life.Cheryl, a Bismarck resident, grew up on the Standing Rock Indian Reservation where she is enrolled. She holds a Ph.D. in Communications and Public Discourse from UND. Cheryl has four children and a granddaughter.