Podcasts about Arikara

In this week's episode, host Daniel Raimi talks with Angela Parker, an assistant professor at the University of Denver and member of the Mandan, Hidatsa, and Cree Tribes. Parker recently published a book on the history of the Three Affiliated Tribes—the Mandan, Hidatsa, and Arikara—who live on the Fort Berthold Reservation in North Dakota. This land, situated along the Missouri River, became the site of the Garrison Dam, a project built by the US Army Corps of Engineers in the 1940s and 1950s that flooded parts of the reservation and forced roughly 90 percent of the Native population to relocate to higher ground. Parker discusses the cultural and ecological significance of the Missouri River to the Three Affiliated Tribes, the efforts of community members to resist the dam's construction, and the lasting negative impacts of the dam. References and recommendations: “Damming the Reservation: Tribal Sovereignty and Activism at Fort Berthold” by Angela K. Parker; https://www.oupress.com/9780806194615/damming-the-reservation/ Image of George Gillette signing a contract for the sale of Fort Berthold land; https://www.gettyimages.com/detail/news-photo/indian-weeps-at-land-sale-washington-dc-george-gillette-news-photo/515360260 “The Effects of Dams on Tribal Lands, with Heather Randell” episode of the Resources Radio podcast; https://www.resources.org/resources-radio/the-effects-of-dams-on-tribal-lands-with-heather-randell/ “The Pitt” television show; https://www.max.com/shows/pitt-2024/e6e7bad9-d48d-4434-b334-7c651ffc4bdf “Careless People” by Sarah Wynn-Williams; https://us.macmillan.com/books/9781250391230/carelesspeople/

Military veterans make up just under a third of the thousands of federal job cuts that the White House has imposed since January. On top of that, the Trump Administration indicates it intends to cut 80,000 jobs from Veterans Affairs. We'll explore how those cuts are being felt by the population that traditionally has the highest military participation compared to any other group. GUESTS Dean Dauphinais (Turtle Mountain Band of Chippewa Indians), business owner, entrepreneur, and Marine Corps veteran Robert Hunter Sr. (Mandan, Hidatsa, Arikara, and Northern Cheyenne), director of MHA Veterans Affairs and Army veteran

Episode No. 695 features artist Cannupa Hanska Luger and curator Ken Myers. The Nasher Museum of Art at Duke University is presenting "Cannupa Hanska Luger: Speechless," an examination of the complications of colonial histories from an Indigenous perspective. "Speechless" particularly focuses on how narratives, myths, and histories are constructed through the concept of the cargo cult, which developed as a result of Western military campaigns that delivered supplies to foreign lands inhabited by Indigenous peoples. These cults formed around the provisions that were delivered by the imperial forces (such as radios), the very groups that were colonizing Indigenous lands. The exhibition was curated by Apsara DiQuinzio and remains on view through July 6. Concurrently, Luger's work may be seen in the 16th Sharjah Biennial, "Breath(e): Toward Climate and Social Justice" at the Moody Center, Rice University, and in "Indigenous Identities: Here, Now & Always" at the Zimmerli Art Museum, Rutgers University. Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara and Lakota. His work, across a wide range of media, extends cultural awareness and enables action. His work has been presented in solo or two-person shows by the Public Art Fund, New York; the University of Michigan Museum of Art; the Peabody Essex Museum, Salem, Mass., and more. Works discussed on the program include: A single-channel version of Luger's Future Ancestral Technologies: New Myth, 2021; Luger's extended Mirror Shield project; and Luger's Uŋziwoslal Wašičuta installation series, which celebrates the Transportable Intergenerational Protection Infrastructure (TIPI), 2021-. Myers is the curator of "Painted with Silk: The Art of Early American Embroidery" at the Detroit Institute of Arts. "Painted with Silk" looks at how US schoolgirl embroideries made from the seventeenth to nineteenth centuries helped build and extend ideas around nation, gender, class, and religion. It also includes contemporary embroideries by Elaine Reichek that repurpose the form of earlier embroideries and investigate their constructions of gender, class, and race. The exhibition is on view through June 15. Instagram: Cannupa Hanska Luger, Tyler Green.

Repatriation advocates have had some recent progress in both policy and practice when it comes to getting important items returned to tribes. But the ongoing effort to educate the elected officials, institutional leaders and the public requires time and resources. We'll get an update on the eve of the biggest annual conference for people working in the repatriation field. We'll also get an update on a Florida repatriation dispute. GUESTS Shannon O'Loughlin (Choctaw), Chief Executive and attorney for the Association on American Indian Affairs Samuel Kohn (Apsáalooke), attorney Kim Mettler (Mandan, Hidatsa, and Arikara), Next Generations Director at the Association on American Indian Affairs and life coach Betty Osceola (Miccosukee), environmental educator

One possible change to Medicaid being floated in Congress right now includes a $2.3 trillion cut over the next 10 years. Other potential changes include adding certain work requirements and shifting costs and distribution of Medicaid funds to states, which have no trust obligations to tribes. As it is, Medicaid provides direct support to at least one million Native Americans. It's also one of the secondary sources that help provide health care through the Indian Health Service. Advocates are bracing for changes as they continue to make the case for the program's life-and-death importance in Indian Country. GUESTS Dr. Damian Chase-Begay (Mandan and Arikara), associate research professor of public health at the University of Montana Kristen Bitsuie (Navajo), tribal health care outreach and education policy manager for the National Indian Health Board Nanette Star (Choctaw descendant), director of policy and planning at the California Consortium of Urban Indian Health Winn Davis, congressional relations director at the National Indian Health Board

Bull and bareback riding, team roping, and barrel racing are among the highly anticipated competitions to watch at this year's National Finals Rodeo in Las Vegas. We'll talk with rodeo announcer Randy Taylor and some of the Native athletes working to make their names known in the arena. GUESTS Randy Taylor (Cherokee), professional rodeo announcer Jacob Lees (Tlingit). professional bareback rider JC Yeahquo (Mandan, Hidatsa, and Arikara), team roping header Danielle Lowman (Navajo), breakaway roper

Host Shayla Ouellette Stonechild interviews Lauren Good Day, a multi-award-winning Indigenous artist and fashion designer. They discuss the significance of matriarchy in Indigenous cultures, Lauren's journey into fashion, and the essence of her brand, which honours cultural heritage through art and design. Lauren shares her creative process, the challenges she faces as an Indigenous entrepreneur, and offers advice to young Indigenous creatives. Together, they highlight the importance of cultural appreciation and the future of Indigenous fashion. Lauren Good Day “Good Day Woman” is an Multi- award winning Arikara, Hidatsa, Blackfeet and Plains Cree artist & sought after fashion designer. She is an enrolled member of the Three Affiliated Tribes (Mandan, Hidatsa, Arikara Nation) of the Ft. Berthold Reservation in North Dakota, USA and also a registered Treaty Indian with the Sweet Grass Cree First Nation in Saskatchewan, Canada. She has shown her artwork at the world's most prestigious Native American juried art shows such as the Santa Fe Indian Market in Santa Fe NM, Heard Guild Museum Market in Phoenix AZ, Autry American Indian Arts Marketplace Los Angeles CA, Eiteljorg Museum Indian Market Indianapolis IN, Cherokee Indian Market in Tulsa OK, Red Earth Fine Arts Festival in Oklahoma City OK and the Northern Plains Indian Art Show in Sioux Falls SD. Her Awards include many First Places in Tribal Arts, Traditional Arts, Cultural Arts, Diverse Arts, Beadwork, Drawings, Textiles and the prestigious Best of Tribal Arts award. Lauren's artwork has been part of numerous solo and group exhibitions at galleries and museums across the Country. Being a sought after artist and designer her work is in numerous public and private collections throughout the United States, Canada and the World, including the The National Museum of American Indian Washington DC and New York City, The Heard Museum, Phoenix AZ, Buffalo Bill Center of the West, Plains Indian Museum Cody Wyoming, and Red Cloud Heritage Center Pine Ridge SD. You can find her work and mentions in publications such as Vogue, InStyle Magazine, New York Times, Fashion Magazine, Cowboys & Indians Magazine, Cosmopolitan and numerous national and international publications. Find out more about Lauren Good Day: https://laurengoodday.com/pages/about-the-artist  https://www.instagram.com/laurengoodday/ Thanks for checking out this episode of the Matriarch Movement podcast! Leave comments and a thumbs up for us on YouTube, or leave a five star review on your favourite podcast app! Find Shayla Oulette Stonechild on Instagram: https://www.instagram.com/shayla0h/ Find more about Matriarch Movement: https://matriarchmovement.ca/ Watch this episode on YouTube: https://www.youtube.com/@matriarch.movement This episode is produced by Sarah Burke and the Women in Media Network. Special thanks to the Indigenous Screen Office for supporting this podcast! Hiy Hiy! Chapters: (00:00) Introduction to Indigenous Art and Culture (01:55) Understanding Matriarchy in Indigenous Cultures (05:00) The Journey into Fashion and Art (09:14) The Essence of the Lauren Goodday Brand (16:05) Creative Process and Cultural Significance (19:59) Challenges of Being an Indigenous Entrepreneur (28:10) Advice for Young Indigenous Entrepreneurs (30:59) Cultural Appreciation and Future of Indigenous Fashion Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a flip side to the narrative about the cultural richness that Spanish colonists brought to California. Likewise, the discovery of gold at Sutters Mill in 1848 did more than just spark the largest settler migration in the country's history. In both cases, the damage to the lives and cultures of the state's Indigenous populations was profound. At the time, there were far more Indigenous people than the Spanish or European-descended Americans. In its effort to provide Native-led historical instruction, the National Museum of the American Indian has developed curricula that provides perspective about the people who were there long before anyone else. We'll learn about NMAI's educational goal and how it's being used. GUESTS Irene Kearns (citizen of the Federated Indians of Graton Rancheria), program manager for Native Knowledge 360 at the National Museum of the American Indian Aaron Golding (Seneca Nation), co-chair of the education committee for the Chicago American Indian Collaborative and senior program administrator at the School of Education and Social Policy at Northwestern University Maria DesJarlait (Arikara from MHA Nation and Ojibwe from the Red Lake Nation), education presenter, children's author, and teacher Melissa Kiesewetter, vice chair of the Native American Heritage Fund in Michigan

There is a flip side to the narrative about the cultural richness that Spanish colonists brought to California. Likewise, the discovery of gold at Sutters Mill in 1848 did more than just spark the largest settler migration in the country's history. In both cases, the damage to the lives and cultures of the state's Indigenous populations was profound. At the time, there were far more Indigenous people than the Spanish or European-descended Americans. In its effort to provide Native-led historical instruction, the National Museum of the American Indian has developed curricula that provides perspective about the people who were there long before anyone else. We'll learn about NMAI's educational goal and how it's being used. GUESTS Irene Kearns (citizen of the Federated Indians of Graton Rancheria), program manager for Native Knowledge 360 at the National Museum of the American Indian Aaron Golding (Seneca Nation), co-chair of the education committee for the Chicago American Indian Collaborative and senior program administrator at the School of Education and Social Policy at Northwestern University Maria DesJarlait (Arikara from MHA Nation and Ojibwe from the Red Lake Nation), education presenter, children's author, and teacher Melissa Kiesewetter, vice chair of the Native American Heritage Fund in Michigan

Violinist, composer, and producer Geneviève Gros-Louis has a busy schedule of solo and group performances and discussions leading up to the release of her new album that celebrates Wendat culture and talent. She captivated the audience at the 2023 Cannes Film Festival with a piece composed specifically for the premiere of the film, Killers of the Flower Moon. She also composed the score to a season of National Geographic's series, Life Below Zero: First Alaskans. Gros-Louis returns to the Native America Calling studio with live performances of her work. Plus, we'll catch up with organizers of the Pathways Indigenous Arts Festival in Santa Fe, New Mexico this weekend. We'll talk about the Native art, music and film being featured this weekend. GUESTS Geneviève Gros-Louis (Huron-Wendat), composer, violinist, and music producer Karl Duncan (Arikara, Hidatsa, Mandan, and San Carlos Apache), executive director of the Poeh Cultural Center Jacob Shije (Santa Clara Pueblo), musician and marketing manager of the Poeh Cultural Center

On this date in 1824, the St. Louis Enquirer reported the latest news about Arikara refugees from the previous year's conflict.

The number of arrests in connection to protests against the Israel-Hamas war has now gone over 2,000. A number of Native students are among those supporting the protests generally calling for universities to cut any ties to Israel's military efforts in Gaza. Inspired by students at Columbia University, additional protests have spread to more than two dozen campuses. The protests include occupying university buildings and setting up encampments. In addition to arrests, protesting students risk suspensions and other academic consequences. We'll hear from Native students in support of the largest college campus protests since the Vietnam War. GUESTS Kianna (Diné), Columbia University student Derek (Mixteco), Columbia University student Siihasin Hope (Diné), University of New Mexico alumnus, community organizer Lani Mekeel (Mandan, Hidatsa, Arikara), model and Indigenous advocate

Embark on an enthralling expedition through the ever-evolving world of Native American art with our esteemed guest, Cannupa Hanska Luger. A Mandan, Hidatsa, Arikara artist whose creative roots were nurtured by his mother, Kathy Whitman Elk Woman, Cannupa guides us from the spoken cadences of poetry to the earthy intimacy of clay. His artistic odyssey is a testament to the power of medium exploration, as he shares how live painting with a hip-hop band and a transformative education at the Institute of American Indian Arts expanded his palette from the canvas to the captivating realm of sculpture.Cannupa's narrative arcs into the collaborative spirit of art, as he recalls the Mirror Shield project at Standing Rock—a pivotal moment that crystallized his understanding of art's social impact and the myth of solitary creation. He unwraps the layers of his journey with the Santa Fe art collective Humble, drawing us into a discourse on the synergy between individual creativity and collective expression. Through the lens of social media and material consciousness, Cannupa challenges us to reconsider our approach to the artistic process and the inherent collaboration it entails.As we traverse the intersecting pathways of art, science, and identity, Cannupa offers a profound reflection on how cultural heritage weaves through his work, disputing the oversimplification of cultural identity. Our conversation ventures into his engagement with Monument Lab and the University of Michigan Museum of Art, contemplating the narratives and contemporary relevance of monuments. Cannupa's "sovereignty suits" project from the Hammers exhibition "Breathe" and his upcoming installation at the San Diego New Children's Museum invite listeners to explore how art and science converge to ignite imagination and challenge our perceptions of learning and identity. Join us for an episode that not only showcases the multifaceted brilliance of Native American artistry but also the indelible impact of creative expression on shaping our collective future.

One aspect of the Lewis and Clark expedition that's often overlooked is that much of their success hinged largely on the good graces of the various Indigenous people on whose land they were crossing. Today, as we follow the expedition up Missouri, we'll take a look at several such encounters, first with the Oto and Missouri tribes, then Arikara, the Yankton, and finally a near-disastrous confrontation with the Lakota – one that had the potential to significantly alter history as we know it. We'll also examine the Corp of Discovery's time among the Mandan, a possible meeting with the legendary Daniel Boone, and introduce a young girl who turned out to be one of the most valuable members of the expedition – a teenage mother known as Sacagawea. By the way, how exactly is her name pronounced? And was she really Shoshone? This is PART 2 in a series on Lewis and Clark - link down below for PART 1!   Part 1 in the Lewis & Clark series - https://www.wildwestextra.com/lewis-clark-the-corps-of-discovery-part-1/   Check out the website for more true tales from the Old West https://www.wildwestextra.com/   Email me! https://www.wildwestextra.com/contact/   Buy me a coffee! https://www.buymeacoffee.com/wildwest   Free Newsletter! https://wildwestjosh.substack.com/   Hugh Glass - https://www.wildwestextra.com/hugh-glass-frontiersman/   Jim Bridger | Ashley's 100 - https://www.wildwestextra.com/jim-bridger-ashleys-100/   Undaunted Courage by Stephen Ambrose - https://www.amazon.com/Undaunted-Courage-Meriwether-Jefferson-American/dp/0684826976   Journals of Lewis & Clark - https://lewisandclarkjournals.unl.edu/   Join Into History for ad-free and bonus content! https://intohistory.supercast.com/   Merchandise! https://www.teepublic.com/user/wild-west-extravaganza   Book Recommendations! https://www.amazon.com/shop/wildwestextravaganza/list/YEHGNY7KFAU7?ref_=aip_sf_list_spv_ofs_mixed_d

Dione Begay was born on March 28th, 1975. She was the eldest of six children and is described by her sister Christine as having a positive perspective on life and a witty sense of humor which is missed by her loved ones. Dione was beautiful, vibrant, outgoing, intelligent, and family-orientated. She was a mother of four daughters and had unique, close relationships with her entire family. Dione had several tribal connections via her parents, Debbie and Laffie Begay. Dione's mother Debbie is part of the Dakotas ‘Yankton' and ‘Arikara' tribe, and her father, the ‘Navajo' and ‘Dine' tribe. As a Native American woman, Dione Begay is one of many Missing and Murdered Indigenous Women in New Mexico who is yet to receive justice, despite the brutality inflicted upon her and the obvious circumstances of the crime. Her family's pleas for help have also continued to be ignored. This is the story of Dione Begay Thomas.Justice for Dion FB Pagehttps://www.facebook.com/JusticeforDioneThomas Sources: https://threesisterscollective.org/https://sourcenm.com/2022/05/06/vigil-for-the-missing-and-stolen-reclaims-santa-fe-plaza/ https://www.iad.state.nm.us/wp-content/uploads/2020/12/NM_MMIWR_Report_FINAL_WEB_v120920.pdf https://gallupsun.com/index.php?option=com_content&view=article&id=7618:mystery-at-colonial-motel&catid=175:public-safety-&Itemid=602 https://www.iad.state.nm.us/wp-content/uploads/2021/01/MMIW-Task-Force-110819-Transcript-from-first-meeting.pdf https://www.iad.state.nm.us/about-us/history/#:~:text=New%20Mexico's%20Twenty%2DThree%20Tribes,of%20the%20state's%20entire%20population https://www.iad.state.nm.us/policy-and-legislation/missing-murdered-indigenous-women-relatives/https://sourcenm.com/2022/05/05/justice-for-relatives/#:~:text=New%20Mexico%20has%20the%20highest,cases%20between%202014%20and%202019.https://www.niwrc.org/resources/report/new-mexico-missing-and-murdered-indigenous-women-and-relatives-task-force-report https://www.theguardian.com/tv-and-radio/2023/feb/03/murder-in-big-horn-showtime-docuseries-montana-missing-murdered-indigenous-women#:~:text=The%20roots%20of%20the%20MMIW,these%20federal%20policies%2C%20and%20as

Entrepreneur William Ashley's attempt to trade for Arikara horses led to a ‘beach' battle that inflicted 30 percent casualties on his brigade and inspired an outraged Colonel Henry Leavenworth to punish the Missouri River tribe.

Today's Short Suck is all about the life of Hugh Glass - the man whose insane story of surviving a Grizzly Bear attack inspired the 2015 Leonardo DiCaprio film, The Revenant.  Hope you enjoy! And have a great weekend! Watch the Suck on YouTube: https://youtu.be/1nnLCum2UsUFor Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com

This very special episode of Broken Boxes Podcast marked our first ever conversation in front of a live studio audience. Recurring host Cannupa Hanska Luger was joined by Matika Wilbur and Andrea Carlon on October 28th 2023 as part of the University of Michigan Museum of Art's Memory & Monuments program. The artist's drew from a hat of pre-considered topics to speak to and expand upon, including: Ancestral trade routes or sharing knowledge within a cultural continuum such as how culture, language and goods traveled precontact; Indigenous memory in relation to the American Myth; Recognition of Indigenous complexity; Indigenous futures including shared histories and futures; and Institutional critique or a generative airing of problematic power structures impact on Native people. Broken Boxes would like to thank UMMA staff and curators and Monument Lab for being present for this generative and complex conversation to take place. We would like to especially thank the students of the Native American Student Association at the University of Michigan, who welcomed Broken Boxes and the artists and helped make this live audience recording a wonderful experience. More about the artists: Matika Wilbur (Swinomish and Tulalip) is one of the nation's leading photographers, based in the Pacific Northwest. She earned her BFA from Brooks Institute of Photography where she double majored in Advertising and Digital Imaging. Her most recent endeavor, Project 562, has brought Matika to over 300 tribal nations dispersed throughout 40 U.S. states where she has taken thousands of portraits, and collected hundreds of contemporary narratives from the breadth of Indian Country all in the pursuit of one goal: To Change The Way We See Native America. Andrea Carlson is a visual artist who maintains a studio practice in northern Minnesota. Carlson works primarily on paper, creating painted and drawn surfaces with many mediums. Her work addresses land and institutional spaces, decolonization narratives, and assimilation metaphors in film. Her work has been acquired by institutions such as the Whitney Museum of American Art, The Walker Art Center, the Museum of Contemporary Art in Chicago, the Denver Art Museum, the Minneapolis Institute of Art, and the National Gallery of Canada. Carlson was a recipient of a 2008 McKnight Fellow, a 2017 Joan Mitchell Foundation Painters and Sculptors award, a 2021 Chicago Artadia Award, and a 2022 United States Artists Fellowship. Carlson is a co-founder of the Center for Native Futures in Chicago. Multidisciplinary artist Cannupa Hanska Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara), and Lakota. Through monumental installations and social collaborations that reflect a deep engagement and respect for materials, the environment, and community, Luger activates speculative fiction and communicates stories about 21st century Indigeneity. Luger is a 2022 Guggenheim fellow, recipient of the 2021 United States Artists Fellowship Award for Craft, and was named a Grist 50 Fixer for 2021, a list that includes emerging leaders in climate, sustainability, and equity from across the nation. Music featured: Move, I'm Indigenous by Uyarakq BBP intro track by India Sky

The Mandan, Hidatsa and Arikara peoples are learning more about the missiles siloed on their lands, and that knowledge has put the preservation of their culture and heritage in even starker relief.

The Mandan, Hidatsa and Arikara peoples are learning more about the missiles siloed on their lands, and that knowledge has put the preservation of their culture and heritage in even starker relief.

Long Con is a series of conversations between Director Sterlin Harjo and Artist Cannupa Hanska Luger about life, art, film, history and everything in between - informally shared from the lens of two contemporary Native American artists and friends actively participating in the record of the 21st century.This is the sixth episode of the Long Con series and was recorded live in person on Cannupa Hanska Luger and Ginger Dunnill's back porch in Glorieta, NM in the Fall of 2023.Sterlin Harjo is an award winning Seminole/Muscogee Creek filmmaker who has directed three feature films and a feature documentary all of which address the contemporary Native American lived experience. Harjo is a founding member of the five-member Native American comedy group, The 1491s. Sterlin's latest project Reservation Dogs, is a television show created in collaboration with Taika Waititi, now available to watch on FX.Cannupa Hanska Luger is a multidisciplinary artist creating monumental installations, sculpture and performance to communicate urgent stories of 21st Century Indigeneity. Born on the Standing Rock Reservation in North Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara and Lakota. Luger's bold visual storytelling presents new ways of seeing our collective humanity while foregrounding an Indigenous worldview. Music featured: Snotty Nose Rez Kids - I Can't Remember My Name ft. Shanks Sioux Broken Boxes intro track by India Sky

In this episode of the 605 Podcast, Ben Jones talks to Mark Van de Logt, author of "Between the Floods: A History of the Arikaras.

On this date in 1823, the New York American published a scorching editorial critical of a United States military expedition to punish the Arikara for ambushing fur traders. It said in part, “... our reflections … lead to the conclusion that the wrongs of this quarrel are on our side; that we were the original aggressors; and that in affecting to avenge what has been called an unprovoked outrage upon American citizens, we have only followed up more systematically the first aggression.

For this episode of Broken Boxes I am joined by Monument Lab Director Paul Farber, University of Michigan Museum of Art Assistant Curator of Global Contemporary Art Ozi Uduma and artist Cannupa Hanska Luger. We gathered together in Ann Arbor Michigan in late September 2023 at the University of Michigan's Media Center during the opening week of the monumental project and accompanying exhibition by Luger titled, You're Welcome was developed over the course of two years between Cannupa, Monument Lab and the University of Michigan Museum of Art. This podcast conversation was a chance for the three creatives to speak vulnerably to the process of taking on such a large endeavor and how much care and energy goes into the creation of a project of this magnitude. We learn about the three primary components to the presentation including GIFT, an experimental, time-based, commissioned work by Luger on the front facade of UMMA's Alumni Memorial Hall which challenges institutional memory and the whitewashing of history. GIFT is accompanied by two indoor installations: Meat for the Beast in the museums Irving Stenn, Jr. Family Gallery, which delves into Luger's artistic practice and the relationship between museum collections and resource extraction; and Monument Lab: Public Classroom in the Art Gym, which examines formal and informal modes of memory. Moving through the conceptual application of this work, Paul, Ozi and Cannupa break down the larger themes of whiteness, language and time, and unpack the anchoring question of the project, How do we Remember?. The three offer their personal and professional reflections on implementing a project of this magnitude and it's unknown long term impact. And in speaking to GIFT and the larger constellation of exhibiting works, Paul reflects, “This is an art project that doesn't quite have a precedent. And that's the point. It has cousins and kin and points of inspiration and citation, but this work is actually seeking to do something that has never been done in this way.” Over all, You're Welcome explores the relationship between the Museum's historic building, the land it stands on, and a long history of colonial narratives deeply embedded in public structures. It supports critical dialogues about the responsibilities of public institutions as cultural history makers and stewards, and it is a key component of UMMA's ongoing efforts to challenge its history and practices to create an institution more reflective of its community and honest in its explorations of art, culture, and society. More about YOU'RE WELCOME: HOW DO WE REMEMBER? How do we remember on this campus? This is the central question asked in You're Welcome, a dynamic three-part exhibition. The result of a multiyear collaboration with artist Cannupa Hanska Luger and nonprofit public art and history studio Monument Lab, You're Welcome examines the foundational narratives of the land occupied by the University of Michigan and both national and global discourse on nationalism, land sovereignty, militarism, colonialism, and sites of memory. GIFT The centerpiece of the You're Welcome exhibition, Cannupa Hanska Luger's GIFT, is an experimental, time-based, commissioned work, responding to and challenging the University of Michigan's origin story and the stewardship of the land it occupies. In September 2023, Luger, a multidisciplinary artist and enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara and Lakota), painted the word “GIFT” in white porcelain clay slip on the columns of Alumni Memorial Hall, a neoclassical war memorial erected in 1910 that now houses UMMA. His point of departure is the 1817 Treaty of Fort Meigs, in which Ottawa, Chippewa, and Potawatomi tribes “gifted” land to the University that was then sold to found its endowments. MEAT FOR THE BEAST Meat for the Beast comprises two works by the multidisciplinary artist Cannupa Hanska Luger: This is Not a Snake and The One Who Checks and The One Who Balances. An enrolled member of the Three Affiliated Tribes of Fort Berthold (Mandan, Hidatsa, Arikara and Lakota), Luger was born and raised on the Standing Rock Indian Reservation. This is Not a Snake was created there, in the aftermath of the 2016 Dakota Access Pipeline protests. The “snake” is a serpentine monster made of riot gear, ceramics, fiber, steel, oil drums, concertina wire, ammunition cans, trash, beadwork, and other found objects. Interspersed within the creature's body are artworks from UMMA's collection selected by Luger and the exhibition's curators to reflect on the historical and contemporary destruction and extraction of land as an expendable resource. By positioning the “snake” as if it's ingesting objects from the museum's collection, Luger compares the damage done by extractive industries on Indigenous lands to that of museums, which have historically extracted objects and culture from Indigenous communities. MONUMENT LAB: PUBLIC CLASSROOM How do we remember on this campus? In addressing this central question of the exhibition You're Welcome, Monument Lab, a nonprofit public art and history studio, worked with lead artist Cannupa Hanska Luger, University of Michigan Museum of Art staff, and University students, staff, and faculty to gather hundreds of responses. Using 121 of these compiled responses as a starting point, this “classroom” acts as an exploration of memory itself—how we remember, the physical and ephemeral forms memories take, and how they come to constitute the campus itself. This classroom includes a broad range of ways we remember—instances of personal, collective, ancestral, speculative, and institutional approaches to memory. https://umma.umich.edu/exhibitions/2023/cannupa-hanska-luger-you-re-welcome Featured song: A Tribe Called Red Ft. Hellnback - The Peoples' Champ

By this date in 1823, troops of the United States Sixth Infantry were back in their barracks after a punitive expedition against the Arikaras. A generation of tensions had led to the conflict. St. Louis fur traders felt entitled to go anywhere they wanted on the Missouri River, while the Arikara felt entitled to control their own territory.

On this date in 1823, Joshua Pilcher's men burned Arikara villages to the ground. This was directly against the express orders of Colonel Leavenworth.

This date in 1823 saw the second day of combat in “The Arikara War.” That morning, Colonel Leavenworth's Sixth Infantry bombarded the upper and lower villages of the Arikara in the vicinity of what is now Mobridge, South Dakota. His howitzers attacking the upper village mostly fell into the Missouri River or onto the river sands. By noon, his artillery ran out of ammunition.

Long Con is a series of conversations between Director Sterlin Harjo and Artist Cannupa Hanska Luger about life, art, film, history and everything in between - informally shared from the lens of two contemporary Native American artists and friends actively participating in the record of the 21st century. This episode is the fifth conversation between Harjo and Luger on Broken Boxes, and the artists dive right in, chatting about conspiracy theories, aliens, AI, Indigenous ceramic practices, the current state of the film industry and the writers strike, how creating sanctuary for producing big ideas is important and how everyone's creative process is different, so it's about finding what your groove is. They also speak about fatherhood, the importance of storytelling, and of course the final season of Reservation Dogs - Season 3 - which premieres August 2nd, just days after this episode airs. Sterlin shares why he decided to complete the series after three seasons and reflects on his adventures of being a showrunner for a production that has changed the face of television for Indigenous people, and how making this work has, in turn, changed him. I am excited to see what comes next for our dear friend Sterlin. Broken Boxes will continue to produce these long conversations between the two artists and also we are so excited for Sterlin's podcast The Cuts to activate again, please go listen to his podcast archive If you have not yet! Sterlin Harjo is an award winning Seminole/Muscogee Creek filmmaker who has directed three feature films and a feature documentary all of which address the contemporary Native American lived experience. Harjo is a founding member of the five-member Native American comedy group, The 1491s. Sterlin's latest project Reservation Dogs, is a television show created in collaboration with Taika Waititi, now available to watch on FX. Cannupa Hanska Luger is a multidisciplinary artist who creates monumental and situational installations and durational performance and often initiates community participation and social collaboration. Raised on the Standing Rock Reservation in North Dakota, he is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is of Mandan, Hidatsa, Arikara and Lakota descent. Music featured: 25 and Wastin' Time by Vincent Neil Emerson Broken Boxes intro track by India Sky

Big news! The Supreme Court has ruled in favor of leaving the Indian Child Welfare Act intact. This is a major victory for Indigenous rights and sovereignty. In this special episode, Matika is joined by Sedelta Oosahwee (Mandan, Hidatsa, Arikara and Cherokee) a Senior Program and Policy Analyst and Specialist at the National Education Association who was recently appointed by the Biden Administration to the National Advisory Council on Indian Education to discuss the ruling and what it means going forward. +++Shout out to our All My Relations team that makes this possible. Produced and edited by Jonathan Stein, music by Max Levin, mixing by William McGuigan and social media by Lindsey Hightower. Support the showFollow us on Instagam @amrpodcast, or support our work on Patreon. Show notes are published on our website, amrpodcast.com. Matika's book Project 562: Changing the Way We See Native America is available now! T'igwicid and Wado for being on this journey with us.

Visitare la MHA Nation, North Dakota: storia, tradizioni, luoghi e Powwow delle culture native e tribù associate Mandan,Hidatsa ed Arikara. Itinerario ed esperienze alla scoperta della Fort Berthold Reservation, tra il Missouri River ed il Lake Sakakawea.Link di approfondimento:Visitare la MHA Nation: itinerario, consigli e contattiVideo/Reel di Instagram del Powwow di BismarkMHA Nation, il sito ufficialeMHA Nation, attività ed esperienzeNorth Dakota TourismGreat American West

Long Con is a series of conversations between Director Sterlin Harjo and Artist Cannupa Hanska Luger about life, art, film, history and everything in between - informally shared from the lens of two contemporary Native American artists and friends actively participating in the record of the 21st century. In this almost 3 hour long episode and the fourth conversation between Harjo and Luger on Broken Boxes, the artists speak on hunting, vulnerability, taxes, land, fatherhood, facing becoming celebrity, growing up poor, fathers and their love language, the familiarity with relatives in prison, Reservation Dogs Season 2, Sterlin's uncle Marty's laugh, taking the time to call your friends and check in, Film Noir, Cannupa's hats, fashion, ghosts, the art world, normalizing therapy to control inner chaos, writing versus directing, confronting the darkness in life, alcohol consumption, the Gotham Awards, and artmaking and what part of the process brings the most joy and what is the hardest point in the creative journey. Sterlin Harjo is an award winning Seminole/Muscogee Creek filmmaker who has directed three feature films and a feature documentary all of which address the contemporary Native American lived experience. Harjo is a founding member of the five-member Native American comedy group, The 1491s. Sterlin's latest project Reservation Dogs, is a television show created in collaboration with Taika Waititi, now available to watch on FX.  Cannupa Hanska Luger is a multidisciplinary artist who creates monumental and situational installations and durational performance and often initiates community participation and social collaboration. Raised on the Standing Rock Reservation in North Dakota, he is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is of Mandan, Hidatsa, Arikara and Lakota descent.  Featured Song: Can't Wait by Labrys

In this first episode of our new Dakota Datebook series, "Teachings of our Elders," we'll hear Dr. Wayne Fox, educator and enrolled member of the Mandan, Hidatsa and Arikara nation share a bit about helping students develop a deeper relationship with the land around them.

In 1916, Librarian Georgia Carpenter noted that in the past year, several visitors of national reputation had visited the library, including Miss Frances Densmore, known for documenting the music of indigenous peoples. She and Orin G. Libby had recorded Arikara, Hidatsa, and Mandan songs on wax cylinders.

Practitioners in the Native American Church (or as we like to call it, the other NAC) officially won the right to use peyote as a religious right in 1994. Now they are working to secure environmental protections for the plant that is losing habitat to development, land use policies, and climate change. Among other things, NAC representatives call for setting aside land where peyote grows. Today on Native America Calling, Shawn Spruce looks at the practice and the politics of peyote with Jon Brady (Mandan, Hidatsa, and Arikara), president of the Native American Church of North America; Dr. Martin Terry, board member for the Cactus Conservation Institute and professor emeritus of Sul Ross University; elder Steven Benally (Diné), founding member of the Indigenous Peyote Conservation Initiative (IPCI) and co-organizer of the Annual Spiritual Pilgrimage; and Sandor Iron Rope (Oglala Lakota Oyate from the Pine Ridge agency), founding IPCI board member.

Practitioners in the Native American Church (or as we like to call it, the other NAC) officially won the right to use peyote as a religious right in 1994. Now they are working to secure environmental protections for the plant that is losing habitat to development, land use policies, and climate change. Among other things, NAC representatives call for setting aside land where peyote grows. Today on Native America Calling, Shawn Spruce looks at the practice and the politics of peyote with Jon Brady (Mandan, Hidatsa, and Arikara), president of the Native American Church of North America; Dr. Martin Terry, board member for the Cactus Conservation Institute and professor emeritus of Sul Ross University; elder Steven Benally (Diné), founding member of the Indigenous Peyote Conservation Initiative (IPCI) and co-organizer of the Annual Spiritual Pilgrimage; and Sandor Iron Rope (Oglala Lakota Oyate from the Pine Ridge agency), founding IPCI board member.

Welcome to New Town, North Dakota, the "Heart of Lake Sakakawea!"  New Town is located in Montrail County and sits on lands belonging to the Mandan, Hidatsa, and Arikara Nations, also known as the Three Affiliated Tribes, and is part of the federal reservation system.  Although the town's population was only 2,764 in the 2020 census, it is the 18th largest city in North Dakota.  The town was established in 1950 as the result of the Garrison Dam and Sakakawea Reservoir project that forced the relocation of the residents of a number of small towns in the area.  The Garrison Dam was world's largest earth filled dam at the time. The Sakakawea reservoir was the second largest reservoir measuring 200 miles long and 14 miles wide in places.  New Town is home to the Three Affiliated Tribes Museum which serves as a heritage center to display and preserve the heritage of the Mandan, Hidatsa, and Arikara people.  The town is also a great location for outdoor sports including fishing, boating, water skiing, and hiking.  We hope you enjoy our visit to New Town!  

Indigenous artists often straddle a space created by white anthropologists between art and craft. Cannupa Hanska Luger grapples with that dichotomy. Creating art from tradition that, in its time, was purely practical. And seeing his own contemporary activism viewed as art when it was, in fact, protest. Luger is a multidisciplinary artist and an enrolled member of the Three Affiliated Tribes of Fort Berthold—Mandan, Hidatsa, Arikara and Lakota.  Through installations and social collaboration, Luger communicates stories about 21st-century indigeneity with critical cultural analysis and respect for the diverse materials, environments, and communities he engages.  He lectures and produces large-scale projects around the globe and his works are in many public collections.  Luger is a 2022 Guggenheim fellow, recipient of the 2021 United States Artists Fellowship Award for Craft and was named a Grist 50 Fixer for 2021, a list which includes emerging leaders in climate, sustainability, and equity who are creating change across the nation.  He is a 2020 Creative Capital Fellow, a 2020 Smithsonian Artist Research Fellow, the recipient the 2020 A Blade Of Grass Artist Fellowship for Socially Engaged Art and the recipient of the Center For Crafts inaugural Craft Research Fund Artist Fellowship for 2020.  He is the recipient of a 2019 Joan Mitchell Foundation Painters & Sculptors Grants, a 2019 Yerba Buena Center for the Arts Honoree and the recipient of the Museum of Arts and Design's 2018 inaugural Burke Prize.See omnystudio.com/listener for privacy information.

Lissa Yellow Bird-Chase is an Arikara woman who, after years of struggling with addiction and abusive relationships, has found healing, recovery, and purpose in investigating unsolved murders. The story of her spiritual path to recovery is memorable and moving. Back From Broken is a show about how we are all broken sometimes, and how we need help from time to time. If you're struggling, you can find a list of resources at BackFromBroken.org. Back From Broken is conducting an audience survey so that we can learn a bit more about you and get your feedback. Please take a few minutes to tell us about yourself, and share your thoughts about this show, by visiting backfrombroken.org/survey. Thank you! Host: Vic Vela Lead producer: Luis Antonio Perez Editors: Rebekah Romberg, Erin Jones Additional producer: Jo Erickson Music: Daniel Mescher, Brad Turner Executive producers: Brad Turner, Rachel Estabrook Thanks also to Kevin Dale, Hart van Denburg, Jodi Gersh, Clara Shelton, Matt Herz, Martin Skavish, Kim Nguyen. BackFromBroken.org On Twitter: @VicVela1

Kandi “EagleWoman” White (Mandan, Hidatsa, Arikara) is a leading voice in the fight to bring visibility to the impacts that climate change and environmental injustice are having on Indigenous communities across North America. Kandi began her work with the Indigenous Environmental Network (IEN) as the Tribal Campus Climate Challenge Coordinator, engaging with more than 30 Tribal colleges to instate community based environmental programs and connect Indigenous youth with green jobs. She is currently IEN's Lead Organizer on the Extreme Energy & Just Transition Campaign, focusing on creating awareness about the environmentally and socially devastating effects of hydraulic fracturing on Tribal lands and working towards a Just Transition away from the fossil fuel industry. Simone Senogles (Anishinaabe) is from the Red Lake Nation in northern Minnesota. As a member of the leadership team at IEN where she has worked for over 20 years, she is focused on lifting up Ogimaakwewiwin (Indigenous women's and fems' leadership and power). The Indigenous Environmental Network is an Indigenous-led and operated environmental justice organization working with Indigenous communities and Nations in the U.S. and Canada on climate justice. Daisee Francour (Oneida), Cultural Survival Director of Strategic Partnerships and Communications, recently spoke with White and Senogles. Produced by Daisee Francour(Oneida) and Shaldon Ferris (Khoisan) Interviewees Simone Senogles(Anishinaabe) and Kandi White(Mandan, Hidatsa, Arikara) "Lights in the Forest" by Yarina, used with permission "Burn your village to the ground", by The Halluci Nation, used with permission.

Today we celebrate podcasting for one year! 

In this conversation, artists Léuli Eshrāghi and Cannupa Hanska Luger untangle topics of Indigenous futures, science fiction, belonging, and the possibilities of language. Léuli Eshrāghi is a curator and artist of Sāmoan, Persian and Guangdong heritage with a few Marshallese, English and German ancestors, living and working in Mparntwe/Alice Springs for the past year. Cannupa Hanska Luger is a multidisciplinary artist based in New Mexico, USA. He is an enrolled member of the Three Affiliated Tribes of Fort Berthold of Mandan, Hidatsa, Arikara, Lakota, and European heritage. The written version of this peer to peer conversation is featured in the 2021 Festival Book the 22nd annual imagineNATIVE Film + Media Arts Festival which took place online October 19-24, 2021 celebrating Indigenous storytelling in film, video, audio, and digital and interactive art. The 2021 Festival Book brings together voices from imagineNATIVE's international community. Through essays, personal reflections, conversations, and poems, the Festival Book give readers insight into the overarching curatorial theme Fall Camp, Official Selected works in Audio, Digital + Interactive, and Film + Video, and Guest-Curated programs in Film at the online 2021 Festival. Purchase the publication which features this peer to peer conversation and so much more at https://store.imaginenative.org/collections/publications-collection/products/2021-festival-book-pre-sale The recorded conversation presented here was edited and produced by Broken Boxes Podcast with permission from the artists and imagineNATIVE. Music featured: Suplex by Halluci Nation Special thanks to Nikki Little and Vanessa Martin of imagineNATIVE for making this artist intersection possible.

Un guerrero arikara tenía 4 flechas mágicas, con ellas ayudó a los pájaros de fuego que pertenecían a las leyendas del pueblo arikara en su lucha contra un terrible monstruo que los acechaba.

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Perhaps the disease outbreak in North Dakota's history was the smallpox epidemic that all but destroyed the Mandan, Hidatsa and Arikara peoples. In June of 1837, infected passengers aboard a steamboat spread the deadly virus up and down the Missouri River.

On this date in 1921, members of the Arikara tribe got back to work after spending three days honoring Mother Corn. The Bismarck Tribune reported, “... they could be seen at work in haying and harvesting, and in cooking and drying for winter their green corn.” This had been a rare opportunity for the Arikara to practice their religion openly.

Sterlin Harjo is an award winning Seminole/Muscogee Creek filmmaker who has directed three feature films and a feature documentary all of which address the contemporary Native American lived experience. Harjo is a founding member of the five-member Native American comedy group, The 1491s. Sterlin's latest project Reservation Dogs, is a television show created in collaboration with Taika Waititi , airs August 9th on FX. Cannupa Hanska Luger is a renown multidisciplinary artist who creates monumental and situational installations and durational performance and often initiates community participation and social collaboration. Raised on the Standing Rock Reservation in North Dakota, he is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is of Mandan, Hidatsa, Arikara, Lakota and European descent. In this conversation the artists reflect on the process and outcome from Sterlin's journey on creating the television series Reservation Dogs. They also talk about Native humor, colonization, fruit flies, equity for women in the film industry, their mullets, anxiety in dealing with the press, boundaries, honesty, Indigenous community responsibility, Billy Jack hats, Indigenous film crews, fatherhood and so much more. I hope you enjoy this little pre-party before you get to see the premier of Reservation Dogs on August 9th on FX. Also check out Sterlin's podcast ‘The Cuts' where this conversation and others with the creative team from Reservation Dogs and Sterlin will be airing and ‘The Cuts' archive is thick, including an interview with his collaborator Taika Waititi. Watch Reservation Dogs Trailer: https://youtu.be/RoHewFAkrWU Follow the artists work: www.sterlinharjo.com www.cannupahanska.com Music: ‘Rumble' by Link Wrey

Sterlin Harjo is an award winning Seminole/Muscogee Creek filmmaker who has directed three feature films and a feature documentary all of which address the contemporary Native American lived experience. Harjo is a founding member of the five-member Native American comedy group, The 1491s. Sterlin's latest project Reservation Dogs, is a television show created in collaboration with Taika Waititi , airs August 9th on FX. Cannupa Hanska Luger is a renown multidisciplinary artist who creates monumental and situational installations and durational performance and often initiates community participation and social collaboration. Raised on the Standing Rock Reservation in North Dakota, he is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is of Mandan, Hidatsa, Arikara, Lakota and European descent. In this conversation the artists reflect on the process and outcome from Sterlin's journey on creating the television series Reservation Dogs. They also talk about Native humor, colonization, fruit flies, equity for women in the film industry, their mullets, anxiety in dealing with the press, boundaries, honesty, Indigenous community responsibility, Billy Jack hats, Indigenous film crews, fatherhood and so much more. I hope you enjoy this little pre-party before you get to see the premier of Reservation Dogs on August 9th on FX. Also check out Sterlin's podcast ‘The Cuts' where this conversation and others with the creative team from Reservation Dogs and Sterlin will be airing and ‘The Cuts' archive is thick, including an interview with his collaborator Taika Waititi. Watch Reservation Dogs Trailer: https://youtu.be/RoHewFAkrWU Follow the artists work: www.sterlinharjo.com www.cannupahanska.com Music: ‘Rumble' by Link Wrey

Welcome back to Death by Champagne, the podcast here to keep you up at night! This week we bring you the final installment of our book series covering Yellow Bird by Sierra Crane Murdoch. We wrap everything up as much as possible by diving into Blackstone’s business dealings, a set of flyers that changed everything, and the eventual arrests that take place for those on and off the reservation. It’s a lot to unpack so stick with us.This episode contains foul language and discussions about murder, drugs, addiction, and a lot of other illegal activities. We’ll do our best to stay on track but the bottles are popped.SourcesSierra Crane MurdochYellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country, Sierra Crane Murdoch, February 16, 2021Sierra Crane Murdoch Live Event for the Lake Agassiz Regional Library, Oct 20, 2020, watched May 1, 2021“On Indian Land, Criminals Can Get Away With Almost Anything”, Sierra Crane Murdoch, The Atlantic, Feb 22, 2013, accessed April 30, 2021Overall History & ResourcesMandan, Hidatsa, and Arikara Nation, HistoryBureau of Indian AffairsNdstudies.gov, State Historical Society of North DakotaArikara Pronunciation and Spelling GuideNative Voices, Timeline of Citizenship, Services, and Sovereignty“Sakakawea name debate good”, Sheila Robinson, The Bismarck Tribune, Sept 7, 2002, accessed April 30, 2021“Breakdown of Relations: American Expansionism, the Great Plains, and the Arikara People, 1823-1957” Thesis by Stephen Auon, April 2019, Virginia Commonwealth UniversityTreaties & Garrison Dam History“The Treaty of Fort Laramie”, ourdocuments.gov“For the Taking: The Garrison Dam and the Tribal Taking Area”, culturalsurvival.org, June 1988, accessed April 30, 2021“N.D. tribe asks Congress to fulfill 50-year-old promise”, June 13, 2003, accessed May 1, 2021National Park Service, Pick-Sloan Plan“In 1868, Two Nations Made a Treaty, the U.S. Broke It and Plains Indian Tribes are Still Seeking Justice”, Kimbra Cutlip, Smithsonian Magazine, Nov 7 2018, accessed May 1, 2021“How the Garrison Dam on the Missouri River ruined a way of life for the Mandan, Hidatsa, and Arikara”, Meteor Blades for Daily Kos, Dec 26, 2018, accessed April 26, 2021“Three Tribes, a Dam and a Diabetes Epidemic”, Lisa Jones, High Country News, May 23, 2011; accessed April 20201Environmental & Oil Boom“Our River, Our Home, Our Nation”, MHA Nation YouTube video about the oil boom; features speakers Mark Fox, MHA Chairman (2019) Dr. Twyla Baker, President of the Nueta Hidatsa Sahnish College,“Frack Off: Kandi Mossett | Mandan, Hidatsa, Arikara Nation” , Kandi Mossett (Mandan, Hidatsa, Arikara) Native Energy & Climate Campaign Organizer, The New School YouTube Channel, Oct 16, 2014The Disappearance of Kristopher KC Clarke“The Case Against James Henrikson”, Case Timeline, The Spokesman Review, No Date Listed, first accessed April 13, 2021“The Woman in Search of Indian Country’s Missing”, Jessica Lussenhop, High Country News, March 25th, 2019, first accessed April 13, 2021“Mistress of alleged murder-for-hire mastermind testifies” Author: Lindsay Nadrich and KREM.com (KREM), Updated: 8:12 PM PST February 11, 2016Trials, Sentencing, Conclusion“In North Dakota, a Tale of Oil, Corruption and Death”, Deborah Sontag and Brent McDonald, New York Times, Dec 28, 2014, accessed May 17, 2021“On the Trail of Missing American Indian Women”, Sophia Myszkowski, The Atlantic, October 10, 2018, accessed May 17, 2021“Judge sentences Spokane hit man to 30 years in prison”, Author: Adem Arac, Updated: 6:54 PM PDT May 20, 2016, accessed May 17, 2021“3 plead guilty in murder-for-hire plot”, Associated Press, The Seattle Times, Originally published September 17, 2015, accessed May 17, 2021“Man sentenced to 22 years in murder-for-hire killing”, Associated Press, Q13 Fox Seattle, June 2, 2016, accessed May 17, 2021“North Dakota woman sentenced in embezzlement case” Associated Press, June 6, 2017, accessed May 17, 2021“Henrikson receives life sentence in Carlile contract killing, speaks about abortion and drugs at hearing” Kip Hill, The Spokesman Review, May 24, 2016, accessed May 17, 2021

Welcome back to Death by Champagne, the podcast here to keep you up at night! This week we bring you part two of our book series covering Yellow Bird by Sierra Crane Murdoch. We dive into more information about the days surrounding KC’s disappearance, the initial investigation, and a lot of new names and relationships that play a part in what really happened at Blackstone on the Fort Berthold Reservation.This episode contains foul language and discussions about murder, drugs, addiction, and a lot of other illegal activities. We’ll do our best to stay on track but the bottles are popped.SourcesSierra Crane MurdochYellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country, Sierra Crane Murdoch, February 16, 2021Sierra Crane Murdoch Live Event for the Lake Agassiz Regional Library, Oct 20, 2020, watched May 1, 2021“On Indian Land, Criminals Can Get Away With Almost Anything”, Sierra Crane Murdoch, The Atlantic, Feb 22, 2013, accessed April 30, 2021Overall History & ResourcesMandan, Hidatsa, and Arikara Nation, HistoryBureau of Indian AffairsNdstudies.gov, State Historical Society of North DakotaArikara Pronunciation and Spelling GuideNative Voices, Timeline of Citizenship, Services, and Sovereignty“Sakakawea name debate good”, Sheila Robinson, The Bismarck Tribune, Sept 7, 2002, accessed April 30, 2021“Breakdown of Relations: American Expansionism, the Great Plains, and the Arikara People, 1823-1957” Thesis by Stephen Auon, April 2019, Virginia Commonwealth UniversityTreaties & Garrison Dam History“The Treaty of Fort Laramie”, ourdocuments.gov“For the Taking: The Garrison Dam and the Tribal Taking Area”, culturalsurvival.org, June 1988, accessed April 30, 2021“N.D. tribe asks Congress to fulfill 50-year-old promise”, June 13, 2003, accessed May 1, 2021National Park Service, Pick-Sloan Plan“In 1868, Two Nations Made a Treaty, the U.S. Broke It and Plains Indian Tribes are Still Seeking Justice”, Kimbra Cutlip, Smithsonian Magazine, Nov 7 2018, accessed May 1, 2021“How the Garrison Dam on the Missouri River ruined a way of life for the Mandan, Hidatsa, and Arikara”, Meteor Blades for Daily Kos, Dec 26, 2018, accessed April 26, 2021“Three Tribes, a Dam and a Diabetes Epidemic”, Lisa Jones, High Country News, May 23, 2011; accessed April 20201Environmental & Oil Boom“Our River, Our Home, Our Nation”, MHA Nation YouTube video about the oil boom; features speakers Mark Fox, MHA Chairman (2019) Dr. Twyla Baker, President of the Nueta Hidatsa Sahnish College,“Frack Off: Kandi Mossett | Mandan, Hidatsa, Arikara Nation” , Kandi Mossett (Mandan, Hidatsa, Arikara) Native Energy & Climate Campaign Organizer, The New School YouTube Channel, Oct 16, 2014The Disappearance of Kristopher KC Clarke“The Case Against James Henrikson”, Case Timeline, The Spokesman Review, No Date Listed, first accessed April 13, 2021“The Woman in Search of Indian Country’s Missing”, Jessica Lussenhop, High Country News, March 25th, 2019, first accessed April 13, 2021“Mistress of alleged murder-for-hire mastermind testifies” Author: Lindsay Nadrich and KREM.com (KREM), Updated: 8:12 PM PST February 11, 2016

Welcome back to Death by Champagne, the podcast here to keep you up at night! We are back with our second book series of the season where we cover Yellow Bird by Sierra Crane Murdoch. We have a lot to unpack this episode and start by covering the history of the Three Affiliated Tribes also referred to as the MHA; Mandan, Hidatsa, Arikara Tribes in North Dakota. We give some background information on our key individuals including how Murdoch came to research this story, our main protagonist Lissa Yellow Bird’s history, and our victim Kristopher Clarke aka KC.This episode contains a lot of history regarding Indigenous Americans and the horrifying things the government did to them, discussions of drugs, addiction, rape, and murder, we’ll do our best to stay on track but the bottles are popped.SourcesSierra Crane MurdochYellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country, Sierra Crane Murdoch, February 16, 2021Sierra Crane Murdoch Live Event for the Lake Agassiz Regional Library, Oct 20, 2020, watched May 1, 2021“On Indian Land, Criminals Can Get Away With Almost Anything”, Sierra Crane Murdoch, The Atlantic, Feb 22, 2013, accessed April 30, 2021Overall History & ResourcesMandan, Hidatsa, and Arikara Nation, HistoryBureau of Indian AffairsNdstudies.gov, State Historical Society of North DakotaArikara Pronunciation and Spelling GuideNative Voices, Timeline of Citizenship, Services, and Sovereignty“Sakakawea name debate good”, Sheila Robinson, The Bismarck Tribune, Sept 7, 2002, accessed April 30, 2021“Breakdown of Relations: American Expansionism, the Great Plains, and the Arikara People, 1823-1957” Thesis by Stephen Auon, April 2019, Virginia Commonwealth UniversityTreaties & Garrison Dam History“The Treaty of Fort Laramie”, ourdocuments.gov“For the Taking: The Garrison Dam and the Tribal Taking Area”, culturalsurvival.org, June 1988, accessed April 30, 2021“N.D. tribe asks Congress to fulfill 50-year-old promise”, June 13, 2003, accessed May 1, 2021National Park Service, Pick-Sloan Plan“In 1868, Two Nations Made a Treaty, the U.S. Broke It and Plains Indian Tribes are Still Seeking Justice”, Kimbra Cutlip, Smithsonian Magazine, Nov 7 2018, accessed May 1, 2021“How the Garrison Dam on the Missouri River ruined a way of life for the Mandan, Hidatsa, and Arikara”, Meteor Blades for Daily Kos, Dec 26, 2018, accessed April 26, 2021“Three Tribes, a Dam and a Diabetes Epidemic”, Lisa Jones, High Country News, May 23, 2011; accessed April 20201Environmental & Oil Boom“Our River, Our Home, Our Nation”, MHA Nation YouTube video about the oil boom; features speakers Mark Fox, MHA Chairman (2019) Dr. Twyla Baker, President of the Nueta Hidatsa Sahnish College,“Frack Off: Kandi Mossett | Mandan, Hidatsa, Arikara Nation” , Kandi Mossett (Mandan, Hidatsa, Arikara) Native Energy & Climate Campaign Organizer, The New School YouTube Channel, Oct 16, 2014The Disappearance of Kristopher KC Clarke“The Case Against James Henrikson”, Case Timeline, The Spokesman Review, No Date Listed, first accessed April 13, 2021“The Woman in Search of Indian Country’s Missing”, Jessica Lussenhop, High Country News, March 25th, 2019, first accessed April 13, 2021

In 1832, the Yellow Stone set a record voyage up the Missouri River by reaching Fort Union, on the border of present-day Montana and North Dakota. In 1837, the St. Peters spread a deadly wave of smallpox as it traveled the Missouri River. The epidemic all but destroyed the Mandan, Hidatsa and Arikara people.

Thomas Rogers was born on June 4th, 1890 to a prominent Arikara family on the Fort Berthold Reservation. When the US declared war on Germany in 1917, American Indians volunteered to serve in large numbers. Like many of these sons and grandsons of Warriors from earlier times, Thomas Rogers was raised with the elder’s stories of the Warrior tradition. On April first, 1917, Thomas traveled to Bismarck to enlist. On New Year’s Day, 1918, he arrived in France and served with Company A of the 18th Infantry.

The history of smallpox in North Dakota spans centuries. The terrible disease devastated the Mandan, Hidatsa and Arikara people in 1781. Years later, in 1804 along the Missouri River near the mouth of the Heart River, Meriwether Lewis and William Clark saw earth lodge villages abandoned due to the duel threats of smallpox and Yanktonai raids.

Frontiersman Hugh Glass was mauled by a grizzly bear in 1823. Left for dead, stripped of his belongs, and covered in maggots, he defied all odds and made a 250-mile journey on foot through hostile territory. But that’s only half the story. On this episode we’re going to talk pirates, we’re going to talk about mountain men and the fur trade, we’re going to talk a whole bunch about Native Americans. And - most importantly – we’re going to talk some Leonardo DiCaprio. Who was Hugh Glass? Where’d he come from? Was he born with the bark on, or did he have to work at it? How many pirate jokes can I fit into one episode? Find out all of this and more on this newest if any of this sounds familiar then you’ve been listening to this podcast for a long time edition of Bloody Beaver Podcast! Check out my website for more true tales from the wild west! Contact me!!! Follow Bloody Beaver Podcast!!! Bonus Content Available at Patreon!!! The MeatEater Podcast Ep. 86 – The Meat Tree Part 1 The MeatEater Podcast Ep. 87 – The Meat Tree Part 2 The MeatEater Podcast Ep. 236 – Crawling Back From the Dead with Michael Punke HughGlass.org Arikara Language in The Revenant Leonardo DiCaprio and the Bear??? Who Started The Leonardo DiCaprio Bear Rumor?

Welcome to a new episode of Stories That Made Us, the podcast where we cover myths and legends from around the world. The first season is all about the tales of the creation of our world and of us. This episode, the 42nd and last of the season speak of the tales of the Native Americans, namely, the Tewa, Yuma, Yokut, and Zuni tribes. These tales are a few of the many Native American stories that we've covered over the past months. Check out episode 1 for tales of the Achomawi, Atsugewi, and Acoma Pueblo. Episodes 4 and 6 recounts the stories of various Apache and Algonquian-speaking tribes respectively while episode 9 features the Arikara and the Arapaho. You'll find the fascinating stories of the Cherokee, Caddo, and Cheyenne in episode 12, and the creek, crow, and Diegueno in episode 15. We then visited recounted the myth of the Hopi in episode 21! The next two episodes on native Americans to feature in the podcast were Joshua and Kiowa in episode 31, and the Lenape, Luiseno, and Maidu in episode 33. In episode 34, we covered the Navajo and the Mandan; and the Iroquois tribes in episode 38. Do check them out! The stories provide a fascinating insight into the similarities and distinctions of the tales of peoples of the North American continent.Reference:David A Leeming, "Creation Myths of the World: An Encyclopedia."I hope you enjoy the tale. If you do, please leave a rating and feedback. Share and subscribe! Your patronage would help us immensely! Get in touch with us:Twitter: @storiesthtmdeus Instagram: @storiesthtmdeus Facebook: https://www.facebook.com/storiesthatmdeuse-mail: info.storiesthatmadeus@gmail.comThe music used for the episodes is either free to use, or under creative commons license. Below are their links and attributions:So Dramatic by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Artist: http://audionautix.com/Mesmerize by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500005Artist: http://incompetech.com/Passing Time by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Artist: http://incompetech.com/Healing by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200048Artist: http://incompetech.com/Undercover Vampire Policeman by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://chriszabriskie.com/uvp/Artist: http://chriszabriskie.com/

Cannupa Hanska Luger is a New Mexico based multidisciplinary artist who uses social collaboration in response to timely and site-specific issues. Raised on the Standing Rock Reservation in North Dakota, he is of Mandan, Hidatsa, Arikara, Lakota and European descent. Luger produces multi-pronged projects that take many forms—through monumental installations that incorporate ceramics, video, sound, fiber, steel, new media, technology and repurposed materials, Luger interweaves performance and political action to communicate stories about 21st Century Indigeneity. This work provokes diverse audiences to engage with Indigenous peoples and values apart from the lens of colonial social structuring, and often presents a call to action to protect land from capitalist exploits. He combines critical cultural analysis with dedication and respect for the diverse materials, environments, and communities he engages. Luger is a recipient of a 2021 United States Artists award, 2020 Creative Capital Fellow, a 2020 Smithsonian Artist Research Fellow, the recipient the 2020 A Blade Of Grass Artist Fellowship for Socially Engaged Art and the recipient of the Center For Crafts inaugural Craft Research Fund Artist Fellowship for 2020. He is the recipient of a 2019 Joan Mitchell Foundation Painters & Sculptors Grants, a 2019 Yerba Buena Center for the Arts Honoree and the recipient of the Museum of Arts and Design’s 2018 inaugural Burke Prize. Luger has exhibited internationally including venues such as the Gardiner Museum, Washington Project for the Arts, Art Mûr, Crystal Bridges Museum of American Art and the National Center for Civil and Human Rights, among others. He lectures, participates in residencies and large scale projects around the globe and his work is in many public collections. Luger holds a BFA in studio arts from the Institute of American Indian Arts. www.cannupahanska.com @cannupahanska #cannupahanskaluger Website: www.cannupahanska.com Gallery: https://www.garthgreenan.com Social media: IG @cannupahanska #cannupahanskaluger Upcoming exhibitions: https://www.denverartmuseum.org/en/exhibitions/each-other https://mesaartscenter.com/index.php/museum/art/exhibits/cannupa Current projects you must check out: STTLMNT: https://www.sttlmnt.org Future Ancestral Technologies: http://www.cannupahanska.com/fat Do It: Home: https://curatorsintl.org/special-projects/do-it

Welcome to a new episode of Stories That Made Us, the podcast where we cover myths and legends from around the world. The first season is all about the tales of the creation of our world and of us. This episode, the 38th of the season, speaks of the tales of the Iroquois, namely, the Seneca, the Mohawk, the Onondaga, and the Oneida tribes. These tales are a few of the many Native American stories that we've covered over the past months. Check out episode 1 for tales of the Achomawi, Atsugewi, and Acoma Pueblo. Episodes 4 and 6 recounts the stories of various Apache and Algonquian-speaking tribes respectively while episode 9 features the Arikara and the Arapaho. You'll find the fascinating stories of the Cherokee, Caddo, and Cheyenne in episode 12, and the creek, crow, and Diegueno in episode 15. We then visited recounted the myth of the Hopi in episode 21! The next two episodes on native Americans to feature in the podcast were the Joshua and Kiowa in episode 31, and the Lenape, Luiseno, and Maidu in episode 33. Finally, in episode 34, we covered the Navajo and the Mandan Native American tribes. Do check them out! The stories provide a fascinating insight into the similarities and distinctions of the tales of peoples of the North American continent. Reference: David A Leeming, "Creation Myths of the World: An Encyclopedia." I hope you enjoy the tale. If you do, please leave a rating and feedback. Share and subscribe! Your patronage would help us immensely! Get in touch with us: Twitter: @storiesthtmdeus Instagram: @storiesthtmdeus Facebook: https://www.facebook.com/storiesthatmdeus e-mail: info.storiesthatmadeus@gmail.com The music used for the episodes is either free to use or under creative commons license. Below are their links and attributions: Halls of the Undead by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100355 Artist: http://incompetech.com/ Over Time by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/ Act Two - Tenebrous Brothers Carnival by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100641 Artist: http://incompetech.com/

What an honor to host Dr. Michael Yellow Bird on the podcast! In this episode, we hear about the cycle of water; how Spirit embodies everything (and THAT is consciousness); that trauma has a consciousness; and that consciousness is shared: it goes beyond the individual. He shares about the clown who can show us that there is humor in death; he also says that indigenous peoples have safeguards to keep them well and healthy. The conversation turns to the topic of colonization and oppression, and how this makes people ill, and changes the brain and body. Dr. Yellow Bird discusses the collectivist gene, and how we can all get back to our ancestral heritage (I have been working on this lately and I find it very consciousness positive, indeed). Another critical point that comes up is the misuse of the term decolonization. Dr. Yellow Bird breaks down the stages of settler colonialism (exposure, contamination, infection, assimilation) and the stages of decolonization (purification, renaissance, enlightenment). Decolonization MUST be done in consultation and relationship with indigenous people. Dr. Yellow Bird is hopeful that we can use western and indigenous science to propel people forward. The episode wraps up with some discussion of the medicine wheel; approaching new ideas, medicine, places, cultures with respect; and being a great observer. Michael Yellow Bird, MSW, PhD, is Dean and Professor of the Faculty of Social Work at the University of Manitoba. He is an enrolled member of the MHA Nation (Mandan, Hidatsa, and Arikara) in North Dakota, USA. He has held faculty and administrative appointments at the University of British Columbia, University of Kansas, Arizona State University, Humboldt State University, and North Dakota State University. His research focuses on the effects of colonization and methods of decolonization, ancestral health, intermittent fasting, Indigenous mindfulness, neurodecolonization, mindful decolonization, and the cultural significance of Rez dogs. He is the founder, director, and principal investigator of The Centre for Mindful Decolonization and Reconciliation at the University of Manitoba. He is the author of numerous scholarly articles, book chapters, research reports, and the co-editor of four books: For Indigenous Eyes Only: The Decolonization Handbook, 2005 For Indigenous Minds Only: A Decolonization Handbook, 2012 Indigenous Social Work around the World: towards Culturally Relevant Education and Practice, 2008 Decolonizing Social Work, 2013 He is the co-author of two recent books,: A Sahnish (Arikara) Ethnobotany (2020), and Decolonizing Holistic Pathways Towards Integrative Healing in Social Work (2021).

Arikara, or Sáhniš as called by its people, is part of the Caddoan language family, a group of languages that comes from the Caddo dialect, which is over 3000 years old. It is made up of languages spoken around the Missouri and Mississippi River Valleys. Apart from Arikara there are four other distinct Caddoan languages: Caddo, Wichita, Kitsai, and Pawnee. Unfortunately, Kitsai and Wichita are both extinct, although final native Wichita speaker Doris McLemore left recorded language materials.

This episode showcases two such tales of the Hopi, a Native American tribe of the United States. This tale is one of the many Native American stories that we've covered over the past months. Check out episode 1 for tales of the Achomawi, Atsugewi, and Acoma Pueblo. Episodes 4 and 6 recounts the stories of various Apache and Algonquian-speaking tribes respectively while episode 9 features the Arikara and the Arapaho. You'll find the fascinating stories of the Cherokee, Caddo, and Cheyenne in episode 12, and the creek, crow, and Diegueno in episode 15. Now that plugging previous episodes is out of the way, let's get back to the creation myth of the Hopi. The Hopi is a sovereign nation, living on several mesas (or flat topped hills) that rise above the surrounding Navajo reservation in northeastern Arizona. Their lands encompass more than 1.5 million acres and are made up of predominantly 12 villages on three mesas. Their society is perhaps best known to us for their elaborate dance ceremonies. These ceremonies involve mysterious spirit figures known as the kachina. First is their tale of the creation of the world, and our origin and place in it. I apologize in advance for any mistakes made while pronouncing some of the names. This particular tale is highlighted in the following story as was told to the missionary and ethnographer Henrich Voth in 1905. This story not only talks of the origin of the world, animals, and man but also discusses the arrival of the Spaniards. Needless to say, by the time the story had been recorded, the colonial invasion had permeated into the Hopi culture and stories. The following myth is recorded in the book titled "The Traditions of the Hopi, Anthropological Series" by Henrich Voth. Please check the description for details about the text. The full reference of the text is as under: H. R. Voth, The Traditions of the Hopi, Anthropological Series, vol. 8, Chicago: Field Columbian Museum, 1905, 1–16 I hope you enjoy the story. If you do, please leave a rating and feedback. Share and subscribe! Your patronage would help us immensely! Get in touch with us: Twitter: @storiesthtmdeus Instagram: @storiesthtmdeus Facebook: https://www.facebook.com/storiesthatmdeus e-mail: info.storiesthatmadeus@gmail.com The music used for the episodes are either free to use, or under creative commons license. Below are their links and attributions: Distant Lands Artist: Hanu Dixit Source: YouTube Audio Library Cumulus Nimbus Artist: Quincas Moreira Source: YouTube Audio Library Dama-May - Primal Drive by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200086 Artist: http://incompetech.com/ Egmont Overture by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200069 Artist: http://incompetech.com/ Mesmerize by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500005 Artist: http://incompetech.com/ Court and Page Artist: Silent Partner Source: YouTube Audio Library Serenity by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://audionautix.com/

There’s nothing like a good beer—for me that’s a cold, citrusy and bitter IPA—and for those who appreciate the brews from their local breweries, beer is more than alcohol. Craft beer is a whole vibe and culture. In this episode, I talk with the founders of Bow & Arrow Brewing Co., Shyla Sheppard (Mandan, Hidatsa, Arikara) and Missy Begay (Navajo), about starting from scratch, foraging for beer ingredients and their branding and aesthetic.

Dr. Michael Yellow Bird is a Professor of Sociology and the Director of Indigenous Tribal Studies at North Dakota State University. He is a citizen of the Three Affiliated Tribes, (Mandan, Hidatsa, and Arikara) and joined North Dakota State University faculty in the fall of 2014. In our talk for International Society for the Study of Trauma and Dissociation, he talks about the ways Indigenous and collectivist cultures have healed from within for millennia, non-separation and belonging, and more. https://www.indigenousmindfulness.com/ https://news.umanitoba.ca/meet-the-dean-michael-yellow-bird/ https://umanitoba.ca/faculties/social_work/staff/forms/525.html

Muralidharan Arikara on augmented and virtual reality experiences with Xarpie Labs.

Robohub Podcast · Exploring From a Distance In this episode, Lauren Klein interviews Muralidharan Arikara, CEO of Xarpie Labs. Xarpie Labs creates visualization and simulation experiences within the retail, healthcare, and defense industries. Arikara describes how Xarpie Labs grew as part of the Machani Group, which has decades of experience in automotive manufacturing, into an innovator in virtual and augmented reality. He elaborates on the role of Xarpie Lab's virtual reality and augmented reality experiences in allowing real estate customers a vision of properties from a distance. Arikara also paints a picture of Xarpie Labs' augmented reality tools, including a project for a museum to visualize old gramophones for visitors and an air conditioning troubleshooting tool for technicians.

Hi there! Welcome to Stories That Made Us. In this episode, we explore the creation myths of two Native American Tribes, the Arikara and the Arapaho. The Arikara are semi-sedentary agricultural people of North America. They are also known as Sahnish, Arikaree, or Hundi, are a tribe of Native Americans who've traditionally lived in North Dakota. The peoples of this tribe speak a Caddoan language, quite similar to the Skidi-Pawnee tribe, with whom the Arikara were once closely associated. After many conflicts with other tribes and several major migrations, the Arikara settled with the Mandans and other native Americans in South Dakota. It is said that the term Arikara comes from the word Ariki, which means horn. The story goes that the Arikara once used bones to hold up their hair-like horns. The Arapaho have historically lived in Wyoming and Colorado in the United States. Arapaho is a name that was given to the tribe by the Europeans. They natives refer to their own selves as Hinono'eino or Inun-ina ("our people" or "people of our own kind"). The Arapaho had extensive trade relations with many other tribes, especially the Cheyenne, Lakota, Dakota, Caddo, Wichita, and Comanche. This episode is their tales of our creation! I hope you enjoy the stories. If you do, please leave a rating and feedback. Share and subscribe! Your patronage would help us immensely! Follow us on Twitter at @storiesthtmdeus The music used for the episodes are either free to use, or under creative commons license. Below are their links and attributions - Voyeur Artist: Jingle Punks Source: YouTube Audio Library Forest of Fear Artist: Aakash Gandhi Source: YouTube Audio Library Day of Chaos by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300040 Artist: http://incompetech.com/ Eastern Thought by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100682 Artist: http://incompetech.com/ Lost Frontier by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300039 Artist: http://incompetech.com/ Winter by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://audionautix.com/ D5 Native American Style Flute 2 Source: https://freesound.org/people/Wood_Flutes/sounds/447634/ Snowhunter - kakuindeitsev Source: https://archive.org/details/top.97_201404/01_kakuindeitsev.mp3 Gagool by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100443 Artist: http://incompetech.com/ Realization Artist: Hanu Dixit Source: YouTube Audio Library Dark Star by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100534 Artist: http://incompetech.com/

In this episode, you will learn all about the Arikara Sunflower - the traditional Hidatsa method of making sunflower meal, sunflower seed balls, harvest and isolation techniques.

Senate Committee on Indian Affairs Oversight Hearing on “Recognizing the Sacrifice: Honoring A Nation's Promise to Native Veterans” & Legislative Hearing to receive testimony on S. 1001 & S. 2365 Wednesday, November 20 2019 - 02:30 PM Location: Dirksen Room Number: 628 PANEL 1 The Honorable Robert Wilkie Secretary of Veteran Affairs U.S. Department of Veteran Affairs, Washington, DC https://www.indian.senate.gov/sites/default/files/Wilkie%20Testimony%20SCIA%20VA%2011.20.2019%20FINAL.pdf PANEL 2 Dr. Kameron Matthews Deputy Undersecretary for Community Care U.S. Department of Veterans Affairs, Washington, DC Rear Admiral Chris Buchanan Deputy Director, Indian Health Service U.S. Department of Health and Human Service, Rockville, MD https://www.indian.senate.gov/sites/default/files/Buchanan%20Testimony%20%20HHS%20IHS%20RADM%2011.20.2019.pdf The Honorable Mark Fox Chairman Mandan, Hidatsa, and Arikara Nation, New Town, ND https://www.indian.senate.gov/sites/default/files/Mark%20Fox%20Testimony%20re%20Native%20Veterans%20Healthcare%2011%2020%2017%20FINAL%20APPROVED.pdf The Honorable Jestin Dupree Councilman Fort Peck Assiniboine & Sioux Tribes, Popular, MT https://www.indian.senate.gov/sites/default/files/Jestin%20Dupree%27s%20Testimony%20before%20SCIA%2011.20.19.pdf Committee Notice: https://www.indian.senate.gov/hearing/oversight-hearing-recognizing-sacrifice-honoring-nation-s-promise-native-veterans

On the morning of September 6th, Governor Doug Burgum, leaders from four tribal nations, the Department of Human Services and the Indian Affairs Commission gathered at the capitol to sign updated comprehensive agreements - known as Title IV-E agreements - to enhance child welfare services for Native American children and families. This podcast brings you the highlights of that ceremony.   Click here to read more about the agreements.

If you've every wondered "who was the first person to try to eat corn" the Arikara tribe has the answer in 'The Legend of The Corn'. From: Myths and Legends of the Great Plains Author: Unknown Editor: Katharine Berry Judson   Help keep The Folktale Project ad-free by becoming a supporter on Patreon at https://www.patreon.com/join/folktaleproject.

Una hermosa leyenda de la tribu de los Arikara.Música: Relajante flauta- de los nativos americos, extraído de youtube Entre dos tierras de Heroes del silencio

Una hermosa leyenda de la tribu de los Arikara.Música: Relajante flauta- de los nativos americos, extraído de youtube Entre dos tierras de Heroes del silencio

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Big names, big budget, and big story. Though its a film that was released in New York City and Los Angeles late 2015 to qualify for the Oscars, The Revenant, the new film by Academy Award winning director Alejandro G. Iñárritu starring Leonardo DiCaprio and Tom Hardy, spread to all theaters early January 2016. And interestingly, the reviews mostly positive have a bit of mixed feel. 83% positive reviews on RottenTomatoes seems pretty sweet for any film. But for a film that received more Oscar nominations than all the rest? Based on the non-fiction novel, The Revenant: A Novel of Revenge, by Michael Punke, the story is about the true escapades of frontiersman Hugh Glass and his journey of deliverance after his trapping party is massacred by Arikara, his body is broken by a grizzly bear, and his life is turned upside down from betrayal and treachery in a time that was uncultivated and a place that was remote. The film has become a huge success with audiences and continues to be a top ten performer at the box office. Dark Discussions talks about numerous things: the controversial grizzly bear scene; are the award nominations valid?; what was some of the symbolism in the film?; changes between actual events and what we see in the book and further in the movie. With a heated debate and a wide range of opinions, this episode become topsy-turvy. Also, author Patrick Lacey offers a new segment to the podcast giving a quick review in his Terror Tantrums. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

These three traditional Native American stories fancifully portray the origin of several features in the night sky. These stories come from the Paiute, Arikara, and Chippewa peoples. Six additional stories are currently on view in the Our Universes gallery at the National Museum of the American Indian in Washington, DC.