Podcasts about black writers

Welcome to a powerful episode of the AlzAuthors Podcast featuring acclaimed author Marita Golden and her novel, The Wide Circumference of Love, as part of the Aging & Amazing Book Club series. This engaging discussion dives into the storytelling craft, the nuances of family caregiving, and the realities of Alzheimer's and dementia, especially in African American communities. An award-winning author of 22 books, Marita Golden shares her journey as a writer, from being a story-loving child in Washington, D.C., to producing literary works that explore social issues and healing. She shares how she came to write a story centered on a caregiver after immersing herself in caregiving spaces, meticulous research, and witnessing a friend's torturous battle caring for her husband. Ms. Golden shares insights into the connection between writing and healing, and how journaling and other forms of writing can be vital mental health tools that promote resilience. She also speaks to the higher rates of Alzheimer's and other dementias in the African American community, citing the lack of representation in clinical trials as one contributing factor, and speaks to why awareness and advocacy are more important now than ever. For readers and writers, Ms. Golden shares insight into the craft of writing, her writing routine, and her creative evolution. Key Takeaways: Storytelling unites families and communities, easing the isolation of caregiving and dementia.Fictional works like The Wide Circumference of Love, along with memoirs and how-to guides, are crucial for raising awareness of Alzheimer's and dementia.Journaling and creative writing document the caregiving journey and provide healing and hope for both writers and readers.The urgent need for advocacy and equity in dementia care for marginalized communities. About Marita Golden: Marita Golden is President Emeritus and co-founder of the Hurston/Wright Foundation. She is also an educator and author of fiction and nonfiction exploring Black life, identity, and resilience. Her recent memoir, How to Become a Black Writer, is available now. Find out more about Marita Golden on her website. Read Marita's AlzAuthors Blog Follow Marita Golden: Facebook Instagram LinkedIn Buy Marita's books: The Wide Circumference of LoveUs Against Alzheimer's Anthology About the Podcast AlzAuthors is the global community of authors writing about Alzheimer's and dementia from personal experience to light the way for others. Our podcast introduces you to our authors who share their stories and insights to provide knowledge, comfort, and support. Please subscribe so you don't miss a word. If our authors' stories move you, please leave a review. And don't forget to share our podcast with family and friends on their own dementia journeys. We are a 501(c)(3) charitable organization totally reliant on donations to do what we do. Your generosity will help cover our many operating costs, which include website hosting and maintenance fees, service charges to keep things running smoothly, and marketing expenses to promote our authors, expand our content, improve our reach, and more. Our ongoing work supports our mission to lift the silence and stigma of Alzheimer's and other dementias. To sustain our efforts please donate here. Ideas and opinions expressed in this podcast belong to the speakers and not AlzAuthors. Always consult your healthcare provider and legal and financial consultants for advice on any of the topics covered here. Thanks for listening. We are a Whole Care Network Featured Podcast Proud to be on The Health Podcast Network Find us on The World Podcast Network and babyboomer.org Want to be on the podcast? Here's what you need to know We've got merch! Shop our Store

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz interviews Shane Black, one of Hollywood's highest-paid screenwriters, who redefined action films with witty dialogue, dark humor, and unforgettable characters. From Lethal Weapon to The Nice Guys, Kiss Kiss Bang Bang, and Iron Man 3, Shane discusses his journey from a self-described "oddball" to a filmmaking powerhouse.Pittsburgh Roots and Early Influences (02:55)Born in Pittsburgh, Black shares how his father's printing business and bookshelf of detective novels sparked his love for "tough guy literature" that would later influence his writing style.Overcoming Personal Struggles (08:00)Black candidly discusses his battles with OCD and alcoholism. He reveals how he transformed these challenges into creative strengths and encourages others to "just lean into being weird."The Psychology Behind His Characters (12:04)Black explains how his characters often represent different aspects of his own psychology. He emphasizes that truly compelling writing comes from creating characters with authentic emotional DNA that resonates with the writer's own experiences.The Creation of Lethal Weapon (15:32)Black describes Lethal Weapon as "an urban western" with Mel Gibson's character representing "a Frankenstein kept in a cage" - a Vietnam veteran reviled by society but needed when violence intrudes on everyday life.Working with Hollywood Icons (27:13)Black shares insights about working with legends like Richard Donner, Tony Scott, Joel Silver, and Robert Downey Jr.From Writer to Director (40:06)Black explains his transition to directing to have more creative control over his work. Black adds that directing allows him to move beyond returning to the blank page and into a more collaborative aspect of filmmaking.Latest Project: Play Dirty (52:01)Black discusses working with Mark Wahlberg, and adapting Donald Westlake's Parker series for Amazon, calling Westlake "the king" among mystery writers and explaining his lifelong admiration for these stories he first read at age 12.Throughout the conversation, Black offers a masterclass on screenwriting in Hollywood. Black and Kevin Goetz discover numerous personal connections, creating an unusually intimate portrait of a filmmaker who transformed Hollywood's action genre. His journey from a bookish child to acclaimed filmmaker serves as proof that leaning into one's unique perspective can lead to extraordinary creative achievements.If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Shane BlackProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment) For more information about Shane Black:Wikipedia: https://en.wikipedia.org/wiki/Shane_BlackIMDB: https://www.imdb.com/name/nm0000948/Letterboxd: https://letterboxd.com/director/shane-black/ For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram

In this episode of Impostrix Podcast, host Whitney Knox Lee sits down with writing coach and storyteller Kim Green for a heartfelt conversation about the power of writing as a tool for healing. Kim opens up about how writing became her lifeline through some of lifes toughest challengeslosing her mother, being diagnosed with lupus, adopting a child, navigating divorce, and making bold career shifts.Whitney, never one to hide her feelings, shares her own complicated relationship with writingadmitting that while its been a source of healing, it still feels like homework. The two trade personal stories about the ways writing has shaped their journeys, and Kim offers a fresh perspective on how shifting our mindset can transform writing from a chore into a liberating practice.Kim also shares details about her annual fall writing retreat, You Have the Write to Heal, a space designed to help people use writing as a powerful tool for self-discovery and growth. Whether you love writing or dread it, this episode will leave you thinking differently about the stories you hold inside you. Tune in and lets talk about the power of putting pen to paper!Learn more about Kim at www.wordsllc.comTo learn more about the You Have the Write To Heal Retreat, visit https://www.wordsllc.com/write-to-heal/ Connect with Whitney on IG @ImpostrixPodcast!Thanks DigitalREM for editing this episode!Ready to get organized? Get your I Planned For This: A Life Organizer for When It's Needed workbook today! Check it out here!

This week, Nikesha speaks with Donna Hill, the newly named executive director of The Center for Black Literature at Medgar Evers College, right in the heart of Brooklyn. Today, as in Thursday March 27, 2025, kicks off the center's signature event, the National Black Writer's Conference. This year is their two-day biennial symposium highlighting middle grade and young adult fiction. Tickets are free for seniors and for anyone else the cost is $30 or less. Mentioned in this episode:Rate & ReviewThanks for listening, family! Please do us a solid and take a quick moment to rate and/or leave a review for this podcast. It will go a long way to making sure content featuring our stories and perspectives are seen on this platform

SummaryIn this conversation, Danielle Strickland and James Sholl engage with poet Drew Jackson, exploring his journey from a conservative Baptist background to his current role at the Center for Action and Contemplation (CAC). They discuss the intersection of poetry, spirituality, and social justice, emphasizing how poetry serves as a powerful tool for questioning dominant narratives and fostering deeper connections with scripture and community. Drew shares his experiences of using poetry as a means of spiritual practice and social commentary, highlighting the risks involved in speaking out against societal injustices. In this conversation, Drew Jackson and Danielle Strickland explore the profound impact of poetry as a means of prophetic witness and truth-telling. They discuss the importance of maintaining hope and emotional health amidst societal challenges, the legacy of black writers, and the transformative power of scripture when approached through a poetic lens. The dialogue emphasizes the need for resistance against cultural powers and the significance of community connection in fostering resilience and vitality.TakeawaysDrew Jackson is a poet and Managing Director at CAC.His poetry serves as a spiritual practice and social commentary.Contemplation and justice are deeply intertwined in his work.Poetry invites questions rather than providing answers.Drew's background influences his approach to spirituality and poetry.He emphasizes the political nature of poetry.Drew's work has helped others reconnect with scripture.The pandemic prompted Drew to explore poetry more deeply.He faces risks in addressing social issues through his poetry.Drew believes he speaks not alone, but as part of a larger tradition. Drew Jackson feels a connection to the lineage of black writers.Writing is a communal act, influenced by past and present voices.Prophetic witness reveals uncomfortable truths about society.Resistance to truth is expected in the journey of a prophet.Contemplative practices are essential for maintaining hope.Emotional connection is vital for navigating societal challenges.Mantras can help reinforce a sense of unity and purpose.Cultural powers often push against our emotional health.Poetry can express doubts and fears that society wants to suppress.Scripture's poetic nature enriches its meaning and relevance.Sound Bites"I found poetry to be a balm for me.""Poetry is a political act.""Poetry is telling it slant.""Poetry invites us to drop our defenses.""I don't write alone.""We should expect resistance.""We need one another to feel it all.""Christ is all and is in all."Chapters00:00 Introduction to Drew Jackson03:00 Drew's Journey and Role at CAC06:01 The Influence of Contemplation on Justice08:58 Drew's Connection to Poetry and Spirituality11:59 The Role of Poetry in Social Commentary14:56 The Power of Questions in Poetry17:56 Navigating Risks as a Poet20:56 The Impact of Poetry on Faith and Community25:22 The Legacy of Black Writers and Poets27:03 The Role of Prophetic Witness in Poetry28:46 Practices for Maintaining Hope and Vitality30:35 The Gift of Tears and Emotional Connection32:51 Practicing Mantras for Connection and Hope34:58 Resistance Training Against Cultural Powers37:33 The Depth of Scripture and Poetic Interpretation40:40 The Transformative Power of Poetry in Scripture45:51 Engaging with Drew Jackson's Work Get full access to Right Side Up: Danielle Strickland at daniellestrickland.substack.com/subscribe

This week, we're joined by Tembe Denton-Hurst, staff writer at New York Magazine's The Strategist and author of the novel Homebodies. Tembe shares why she thinks it is important to read in community with others, how seeing herself on the page changed her life, and the popular book she can't stand.The Stacks Book Club pick for March is They Were Her Property by Stephanie E. Jones-Rogers. We will discuss the book on March 26th with Tembe Denton-Hurst returning as our guest.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2025/3/5/ep-361-tembe-denton-hurstConnect with Tembe: Instagram | Website | TwitterConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When perusing a career in writing, author Chad Sanders didn't fully anticipate the personal cost of writing about Black pain. The screenwriter, public speaker and host of the Yearbook podcast, joins host Krys Boyd to discuss what he learned about being a Black writer for audiences hungry for stories about race and racism, and the unexpected toll that took on him emotionally. His book is “How to Sell Out: The (Hidden) Cost of Being a Black Writer.”  Learn about your ad choices: dovetail.prx.org/ad-choices

This week, authors Charisse Burden-Stelly and Andrew W. Kahrl discuss their recent work and writing Black history with journalist Arionne Nettles. This conversation originally took place May 19, 2024 and was recorded live at the American Writers Festival.Black Scare / Red Scare: Theorizing Capitalist Racism in the United States by Charisse Burden-Stelly is a radical explication of the ways anti-Black racial oppression has infused the US government's anti-communist repression. And in The Black Tax: 150 Years of Theft, Exploitation, and Dispossession in America, Andrew W. Kahrl reveals a history that is deep, broad, and infuriating, and casts a bold light on the racist practices long hidden in the shadows of America's tax regimes.This episode is presented in conjunction with the American Writers Museum's special exhibit Dark Testament: A Century of Black Writers on Justice, which is now traveling throughout the United States. Learn more and see where Dark Testament is now at this link here.AWM PODCAST NETWORK HOMEAbout the writers:DR. CHARISSE BURDEN-STELLY is an Associate Professor of African American Studies at Wayne State University and a 2023-2024 Charles Warren Center Visiting Scholar at Harvard University. A scholar of critical Black studies, political theory, political economy, and intellectual history, she is the author of Black Scare/Red Scare: Theorizing Capitalist Racism in the United States, the co-author of W.E.B. Du Bois: A Life in American History, and the co-editor of Organize, Fight, Win: Black Communist Women's Political Writings and of Reproducing Domination: On the Caribbean Postcolonial State.ANDREW W. KAHRL is professor of history and African American studies at the University of Virginia. He is the author of the books The Land Was Ours and Free the Beaches.ARIONNE NETTLES is a lecturer at Northwestern University's Medill School of Journalism, Media, Integrated Marketing Communications. As a culture reporter in print and audio, her stories often look into Chicago history, culture, gun violence, policing and race & class disparities as a contributor to the New York Times Opinion, Chicago Reader, The Trace, Medium's ZORA and Momentum, Chicago PBS station WTTW and NPR affiliate WBEZ. She is also host of Is That True? A Kids Podcast About Facts and the author of We Are the Culture: Black Chicago's Influence on Everything.

A brief take on the media's narrow focus on a select few Black writersScript by Howard Rambsy IIRead by Kassandra Timm 

  [This interview was conducted online and there may be some audio variation.] Newly anointed MacArthur Fellow and best-selling, award-winning author Jason Reynolds returns to the MiP podcast for the 10th anniversary year! His new book, Twenty-Four Seconds From Now, joins the compendium of many of Jason's love stories for and featuring young people. Jason speaks to the transparency of larger conversations around intimacy--what it means, feels like, and actually looks like outside of "mainstream" representation--the multidudes of love in relationships and storytelling, as well as a very necessary need for more discourse around the emotions that come with Black male's sexual experiences. Particularly the need for more tenderness. [You can sign up for the MiP monthly newsletter with job listings, guest news, transcripts, and new eps on the MiP website here.] This month's episode & newsletter were sponsored by Writeability, a nonprofit writers guild, in defense of the imagination. Intro/Outro music is by Moutaineer and licensed through Premuim Beat.

Claudette Wells, a versatile artist known for acting, writing, and voice-over work, is here to provide insights about her new book, FINE FRENCH THINGS.You may know Claudette from her roles as Peggy from A Different World and the iconic sitcom Square Pegs, where she starred alongside Sarah Jessica Parker.   Claudette was on the Hangout with us previously to discuss a unique group she and I are a part of called Dead Mother's Day. Listen to episode 16 for the 411 on that; it is a good thing.  Buckle up for an exhilarating journey as Claudette Wells leads us to uncover the adventure of FINE FRENCH DOGS.You can purchase FINE FRENCH DOGS at Amazon.Be the first to email thewritershangoutpodcast@gmail.com with your favorite French food to win a free copy of Claudette's book. The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernProducer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

On the latest episode of Reckon True Stories, Deesha Philyaw and Kiese Laymon are joined by MacArthur Genius and National Book Award Winner Dr. Imani Perry to discuss genre, personal stories and the ethical commitment to those we write about, the utilization of craft to bring the reader close to the experience and the body, the body as political, Black women and silence, mobility, music, and mothering.  They ask the question of what we owe of ourselves as writers — and particularly Black writers— to our audience, and they explore what it looks like to maintain boundaries, to self-preserve, and to rest. In Kiese's words, he calls it learning “the art of not just no, but not now.” Kiese praises Dr. Perry on how she has never written the same kind of book twice, and in this episode, she talks about her inspirations, how she chooses what to write towards, and what questions she is consistently leaning into in her work. Reading List: Authors, Stories, and Books Mentioned South to America (Imani Perry) Breathe: A Letter To My Sons (Imani Perry) Prophets of the Hood: Politics and Poetics in Hip Hop (Imani Perry) Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry (Imani Perry) May We Forever Stand: A History of the Black National Anthem (Imani Perry) Percival Everett A Dangerously High Threshold for Pain (Imani Perry) Alice Walker Nikky Finney “She Changed Black Literature Forever. Then She Disappeared.” (Imani Perry, New York Times 2021) “‘Palmares' Is An Example Of What Grows When Black Women Choose Silence” (Deesha Philyaw, Electric Literature 2021) Palmares (Gayl Jones) Robert Stepto Hazel Carby Zora Neale Hurston Katherine Dunham Moms Mabley 1000 Words (Jami Attenberg) Lessons for Survival: Mothering Against “The Apocalypse” (Emily Raboteau) How To Live Free In A Dangerous World: A Decolonial Memoir (Shayla Lawson) A Mercy (Toni Morrison) Listening List: Nina Simone Miles Davis “Nobody's Supposed To Be Here” (Deborah Cox) More from Deesha Philyaw and Kiese Laymon:  The Secret Lives of Church Ladies (Deesha Philyaw) Heavy (Kiese Laymon) Long Division (Kiese Laymon) How to Slowly Kill Yourself and Others in America: Essays (Kiese Laymon) City Summer, Country Summer (Kiese Laymon & Alexis Franklin) Ursa Short Fiction podcast (Deesha Philyaw & Dawnie Walton) Produced by Ursa Story Company in partnership with Reckon.  Hosted by Deesha Philyaw & Kiese Laymon Show Producers: Dawnie Walton & Mark Armstrong Associate Producer: Marina Leigh Episode Editor: Kelly Araja Reckon Editor In Chief: R.L. Nave Reckon Deputy Editor: Michelle Zenarosa Audience Director: Katie Johnston Creative Strategist: Abbey Crain Sr. Social Producer: Sid Espinosa

Today's episode opens with Kehinde making the realities of Black studies in the UK plain. Despite winning an award for critical pedagogy, the undergraduate Black Studies degree at BCU is being discontinued due to low recruitment and financial constraints. We are also joined by Shani Akilah, a Black British Caribbean writer and screenwriter from South London. She is a book influencer, co-founded the Nyah Network, a book club for Black women, and Shani has a Masters degree in African Studies from Oxford University.  Kehinde and Shani, author of short story collection “For Such a Time as This," discuss the book, her journey into writing, her creative process and how having academic parents inspired her career.   GUEST LINKS   Website https://shaniakilah.com/ Twitter : https://x.com/_shaniakilah IG: https://www.instagram.com/_shaniakilah/?hl=en  THE HARAMBEE ORGANISATION OF BLACK UNITY NEEDS YOU Harambee Organisation of Black Unity (Marcus Garvey Centre + Nicole Andrews Community Library, Birmingham, UK)https://www.blackunity.org.uk/ CAP25 - Convention of Afrikan People - Gambia - May 17-19, 2025 (Everyone's Welcome) On Malcolm X's 100th birthday, the Harambee Organisation of Black Unity is bringing together those in Afrika and the Diaspora who want to fulfill Malcolm's legacy and build a global organization for Black people. This is an open invitation to anyone.https://make-it-plain.org/convention-of-afrikan-people/ BUF - Black United Front Global directory of Black organizations. This will be hosted completely free of charge so if you run a Black organization please email the name, address, website, and contact info to mip@blackunity.org.uk to be listed. - SOCIALS Host: (IG) @kehindeandrews  (X) @kehinde_andrews  Podcast team: @makeitplainorg @weylandmck @inhisownterms @farafinmuso Platform: www.make-it-plain.org (Blog) www.youtube.com/@MakeItPlain1964 (YT) - For any help with your audio visit: https://weylandmck.com/ - Make it Plain if the Editorial Wing of the Harambee Organisation of Black Unity

(Note, this episode is a replay that originally aired in February.) In this final installment of my talk with author and essayist Minda Honey, we cover: * The insights–on double consciousness, omniscience, and overlapping timelines–she got at a recent conference * How Andre 3000's new flute album is cracking open possibilities in her mind * The concept of a braided essay, and how it's like making a charcuterie board * The book Minda could not put down (and that made her cry) For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com. Big thanks to our sponsor, AquaTru.com. Use promo code KATE to save 20% off a reverse osmosis water filter and support this podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tess and Brock travel to Wiscasset, ME, to investigate the scene of James Weldon Johnson's tragic death in a train accident. Author Russell Rymer gives us a glimpse of Johnson's life as a Black poet, diplomat, novelist, and activist—Johnson was a jack of all trades, master of all. Poet C.S. Giscombe discuss Johnson's The Autobiography of an Ex-Colored Man and finds surprising similarities to the tv cartoon Futurama.Tess and Brock also meet with Melanie K. Edwards, Johnson's great grandniece, who gives some insight into what her famous uncle was doing in Maine in the first place.Mentioned:The Autobiography of an Ex-Colored Man by James Weldon Johnson“We To America” by James Weldon JohnsonGod's Trombones by James Weldon Johnson“Listen Lord, A Prayer” by James Weldon Johnson“Lift Ev'ry Voice and Sing” by James Weldon JohnsonNegro Mountain by C.S. GiscombeAmerican Beach by Russell RymerFuturama (1999)Simpsons (1989)The house:James Weldon Johnson Bench in Wiscasset, METess Chakkalakal is the creator, executive producer and host of Dead Writers. Brock Clarke is our writer and co-host.Lisa Bartfai is the managing producer and executive editor. Our music is composed by Cedric Wilson, who also mixes the show. Ella Jones is our web editorial intern, and Mark Hoffman created our logo. This episode was produced with the generous support of our sponsors Bath Savings and listeners like you.

When the appraisal of Toni Morrison took a major step forwardWritten by Howard Rambsy IIRead by Kassandra Timm

At the heart of the "promise" of the American Revolution and the new republic's claim to be the last, best hope of earth, is the assertion in the Declaration of Independence that "all men are created equal". How did Black Americans react to the Declaration? How did they seek to shape the character of the new Republic? And what was the relationship between the Black struggle for freedom and equality and the American Revolution? To examine this once-hidden history of Black Americans in the founding era, Adam is joined by Professor James Basker, the President of the Gilder Lehrman Institute of American History and the Richard Gilder Professor of Literary History at Barnard College. Jim is the editor, with Nicole Seary, of a remarkable new collection published by the Library of America called “Black Writers of the Founding Era” which contains texts – most previously unpublished – by more than 120 Black Americans.Readings in this episode were performed by Chelsi Campbell and Darius Jackson. Producer: Emily Williams. Presenter: Adam Smith. Hosted on Acast. See acast.com/privacy for more information.

Me and your mom were so broke that we had to take the bus to the hospital when her water broke. People were looking at us like we were crazy. Yes, you read that correctly, and those words are based on my guests life, taken from his latest novel, And The There was Us. In this episode I sit down with Author and Writer Kern Carter who at this time just published his 4th book. During this live podcast recording (with an audience), we navigate through the heart of his novel, and explore the complexities of forgiveness and resentment, and share insights into the Black Caribbean culture. Additionally, Kern shares his unique perspective as a single father, which adds layers of depth to our conversation, shedding light on the challenges and joys of parenthood from a father's lens.So whether you're a fan of literature, intrigued by diverse perspectives, or simply seeking inspiration in the human experience, this episode promises to be a thought-provoking and uplifting listening experience.

Tabitha Brown is loved by millions for her unapologetic approach to life, family, and food. The author and influencer joined Writing Black to dive into her latest book, "I Did a New Thing," which challenges readers to break out of their routines and try new things. Brown is honest about the struggles she faced following her own advice and gets vulnerable as she discusses health challenges, missing her mother, and making changes to her inner circle. Connect with theGrio Black Podcast NetworkSee omnystudio.com/listener for privacy information.

In this final installment of my talk with author and essayist Minda Honey, we cover: The insights–on double consciousness, omniscience, and overlapping timelines–she got at a recent conference How Andre 3000's new flute album is cracking open possibilities in her mind The concept of a braided essay, and how it's like making a charcuterie board The book Minda could not put down (and that made her cry) For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com. Big thanks to our sponsor, AquaTru.com. Use promo code KATE to save 20% off a reverse osmosis water filter and support this podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready for an extraordinary episode featuring the brilliant Denny S. Bryce, a masterful storyteller of historical fiction. If you've been swept away by the allure of Bridgerton or captivated by the opulence of the Gilded Age, you're in for a treat with this conversation.Fresh from the success of her latest book, "The Other Princess," Denny graces our podcast to share insights into her writing process and her upcoming release, "Can't We Be Friends." In this captivating novel co-authored with bestselling author Eliza Knight, Denny transports us to the vibrant world of 1952, where the legendary Ella Fitzgerald and Marilyn Monroe forge an unlikely yet profound friendship.In "Can't We Be Friends," Ella Fitzgerald, a trailblazing jazz singer, navigates a society rife with gender and racial biases, while Marilyn Monroe, a rising starlet, battles against the constraints imposed by movie studio executives and personal relationships. When Marilyn seeks out the best singing mentor, she turns to none other than the incomparable Ella Fitzgerald. Despite initial hesitations, their encounter sparks an unexpected bond that defies societal norms and expectations.Against the backdrop of a tumultuous era, both women confront the challenges of being underestimated and marginalized in their respective fields. Yet, they share a fierce determination to carve out their own paths, defying the limitations imposed by the men in their lives."Can't We Be Friends" beautifully unveils the poignant and inspiring friendship between Ella and Marilyn, transcending differences in race, background, and circumstance. Through moments of heartbreak and triumph, their bond serves as a testament to the enduring power of true friendship.Join us for a captivating conversation as Denny S. Bryce takes us on a journey through history, weaving a tapestry of friendship, resilience, and empowerment that will resonate deeply with our audience of dynamic Black women.Tune in to Black Women Amplified and be transported to a world where the echoes of Ella Fitzgerald's melodies and Marilyn Monroe's charisma resonate with timeless grace and strength. #BlackWomenAmplified #DennySBryce #CantWeBeFriends #theauthorslounge #Blackwriters

In 1956, Richard Wright spoke of islands of free men at the first Congress of Black Writers and Artists in Paris. James Baldwin critiqued the event for Encounter, the CIA's propaganda magazine. We take a close listen to the original recordings. Shownotes: Merve Fejzula and Cedric Tolliver both wrote about the 1956 Congrès des écrivains et artistes noirs. Darryl Pinckney wrote on Norman Mailer and Denis Leroux wrote on Antoine Bonnemaison. Support ToE and get access to the incredible exclusive bonus companion series to Not All Propaganda is Art by subscribing at https://theoryofeverything.supercast.com/, or subscribe directly in Apple Podcasts by hitting “Subscribe” right on the show page.

George M. Johnson talks about their debut Young Adult memoir All Boys Aren't Blue, the support of their family, their love of Toni Morrison, and the importance of standing against book bans.  Read the transcript here. Resources: Check out All Boys Aren't Blue by George M. Johnson.  Read about Johnson's family supporting their book when it was challenged in Glen Ridge, New Jersey. Access other banned books with our free Books Unbanned library card for teens.  

Thanks for the shout-out Jordan! TS RADIO WITH TV'S TIM STACK Featuring Jordan Black! Today Tim welcomes, Jordan Black. Jordan has been a series regular on such shows as PUNK'D, HALFWAY HOME, MTV's THE LYRICIST LOUNGE SHOW, the WB's ON THE SPOT, and E!'s STAR DATES. His voice has been heard on SOUTH PARK and he's been seen and heard on TRUE JACKSON VP, HOW I MET YOUR MOTHER, THE TONIGHT SHOW, JIMMY KIMMEL LIVE, HEAD CASE, and MADTV, among others. He also appeared in the Christopher Guest film FOR YOUR CONSIDERATION, as well as the upcoming films FRED for Nickelodeon and BRIDESMAIDS by Judd Apatow. Jordan's writing credits include SATURDAY NIGHT LIVE and Fox's STACKED, among others. Jordan is an alum of the Groundlings Main Company. Check out Jordan in The Black Version at The Groundlings - The audience suggests the title of a popular film and a cast of all-black comedy actors improvise the black version of it. Simple? Yes. Funny? Hells Yeah!! groundlings.com/shows/the-black-version The Groundlings on Instagram - @thegroundlings Host - Tim Stack Executive Producer - Jeremiah D. Higgins Senior Sound Engineer - Richard Dugan Tim Stack on Twiter @TvsTimStack Jeremiah D Higgins - linktr.ee/jeremiahdhiggins 
www.thejeremiahshow.com

ITS RADIO WITH TV'S TIM STACK Featuring Jordan Black! Today Tim welcomes, Jordan Black. Jordan has been a series regular on such shows as PUNK'D, HALFWAY HOME, MTV's THE LYRICIST LOUNGE SHOW, the WB's ON THE SPOT, and E!'s STAR DATES. His voice has been heard on SOUTH PARK and he's been seen and heard on TRUE JACKSON VP, HOW I MET YOUR MOTHER, THE TONIGHT SHOW, JIMMY KIMMEL LIVE, HEAD CASE, and MADTV, among others. He also appeared in the Christopher Guest film FOR YOUR CONSIDERATION, as well as the upcoming films FRED for Nickelodeon and BRIDESMAIDS by Judd Apatow. Jordan's writing credits include SATURDAY NIGHT LIVE and Fox's STACKED, among others. Jordan is an alum of the Groundlings Main Company. Check out Jordan in The Black Version at The Groundlings - The audience suggests the title of a popular film and a cast of all-black comedy actors improvise the black version of it. Simple? Yes. Funny? Hells Yeah!! https://groundlings.com/shows/the-black-version The Groundlings on Instagram - @thegroundlings Host - Tim Stack Executive Producer - Jeremiah D. Higgins Senior Sound Engineer - Richard Dugan Tim Stack on Twiter @TvsTimStack Jeremiah D Higgins - https://linktr.ee/jeremiahdhiggins 
www.thejeremiahshow.com

A major survey of 10,000 black Britons has been undertaken by the Black British Voices Project in collaboration with Cambridge University, The Voice, and management company i-Cubed.  Maggie Semple, co-founder of i-Cubed, led the research team and Nels Abbbey is a writer, broadcaster and former banker who founded the Black Writer's Guild and wrote the book ‘Think Like a White Man'. The report on the survey, which covered multiple aspects of life in Britain including culture, was published at the beginning of October and makes dismal reading for anyone interested in the arts as it exposes an overall failure to engage with black audiences.   Tune into this important and enlightening discussion as Maggie and Nels analyse the report's findings and identify what needs to change and how. The report can be found at www.bbvp.org

This week is a special roundtable episode. An exciting, challenging and very very thought-provoking tour of contemporary Black horror, in the company of three writers at the bleeding edge.  Nnedi Okorafor, Maurice Broaddus and Lesley Nneka Arimah are just three of the contributors to Out There Screaming: An Anthology of New Black Horror. It's curated by Jordan Peele, who knows a thing or two about that particular landscape, and these three authors present a fantastic cross-section of how versatile Black horror is right now. We talk about their stories, about the anthology as a whole and the broader topic of Black horror. What does that even mean? What is the role of history? Of trauma? And of the future? At times, these guests turn the interview around on me, asking me to reflect on my own presumptions and the baggage I bring to these stories. Like I said, challenging and exciting. Hope you enjoy it. Out There Screaming was published on October 3rd by Picador and Random House Books mentioned: Dark Dreams: A Collection of Horror and Suspense by Black Writers 92004), ed. Brandon MasseyKing Maker (2010), by Maurice BroaddusHow High We Go in the Dark (2022), by Sequoia NagamatsuDemon Copperhead (2022), by Barbara KingsolverThe Changeling (2017), by Victor LaValleNo Gods, No Monsters (2021), by Cadwell TurnbullThe Nesting (2020), by C.J. CookeLeech (2022), by Hiron Ennes“Africanfuturism Defined.” (2019), by Nnedi OkoraforSupport Talking Scared on Patreon Come talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Support the show

A short take on Southern Black Writers.Episode by Howard Rambsy IIRead by Kassandra Timm

He told me he was gonna get leeway and he wasn't joking

Zoe and Claire speak to author Stacey Thomas about her debut novel “The Revels” - all about witchcraft accusations . Stacey Thomas is a contributor to Bad Form Review. She is an alumna of the Curtis Brown Creative novel writing course where she was awarded the Clare Mackintosh Scholarship for Black Writers. In 2021, she was announced as one of the three winners of HarperCollins's inaugural Killing It Competition for Undiscovered Writers.

"I tried to make something that I would have needed. And because that's what I tried to make, I'm hoping readers read something that they need. You know, that's the joy of books, that you come across something that you needed that you didn't even know you needed.In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done."How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."As writers, it's our job to write what will become clichés. Not to write clichés, but to be original enough that we make something that people are still saying for hundreds of years to come. And if that's what you're doing, that's pretty powerful. When I'm writing a poem I'm making a world. And if I can stick to that, then I have to believe that once a poem is out in the world, another world has been made, another way of living, another way of thinking, another way of seeing things."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."I would like for young people to understand just how powerful they are, just how much what they do matters, that they really can make changes that change themselves and change their communities. Change readership, change what a readership can be. Change people's ideas about what a writer might look like, for instance. That we do have agency, that we do have power, that we can make differences."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I would like for young people to understand just how powerful they are, just how much what they do matters, that they really can make changes that change themselves and change their communities. Change readership, change what a readership can be. Change people's ideas about what a writer might look like, for instance. That we do have agency, that we do have power, that we can make differences."How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."I put this craft book together to create an opportunity for that advice, for those role models, for that access. And I think that what I'm grateful for about this book is that it is the book that I would have wanted back when I was a 19-year-old kid telling people I wish I was a writer. So, I think that's the real crux of the book."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I put this craft book together to create an opportunity for that advice, for those role models, for that access. And I think that what I'm grateful for about this book is that it is the book that I would have wanted back when I was a 19-year-old kid telling people I wish I was a writer. So, I think that's the real crux of the book."How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."This is a book for anyone who is a student of the craft. More particularly, though, this is a book for younger and newer Black writers in undergraduate and graduate workshops and in absolutely no workshop at all. We hope teachers find these words useful for their students, and we hope students who have yet to find their teachers learn from these thirty-two pieces born out of absolute generosity and hope for the future of Black writing."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"This is a book for anyone who is a student of the craft. More particularly, though, this is a book for younger and newer Black writers in undergraduate and graduate workshops and in absolutely no workshop at all. We hope teachers find these words useful for their students, and we hope students who have yet to find their teachers learn from these thirty-two pieces born out of absolute generosity and hope for the future of Black writing."How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"And so one of the wonderful things that happen in the book is these writers aren't just writers, they're readers. So when they're talking about the work they love in their essays, they didn't know they were going to be in a book with some of these other people, but they end up discussing the work of other people who are in the book. And because they're doing that, the book ends up creating this web, which I think lets readers know just how intricate the world of influence really is for a writer, and how you get different things from different people along the way."How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."And so one of the wonderful things that happen in the book is these writers aren't just writers, they're readers. So when they're talking about the work they love in their essays, they didn't know they were going to be in a book with some of these other people, but they end up discussing the work of other people who are in the book. And because they're doing that, the book ends up creating this web, which I think lets readers know just how intricate the world of influence really is for a writer, and how you get different things from different people along the way."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So you're afraid to change cause you don't want people to call you strange. So I sort of get that. But I grew up in a very different situation. I'm actually always surprised that I'm even in communication with my parents at all. I didn't think anybody in my family would want to have anything to do with me cause that was the message I got from the world when I was a kid, that people do not want to have anything to do with queer people other than queer people. That was what I understood, that queer people themselves didn't even want to have anything to do with one another. And so I was putting myself in training, you know, from the age when I figured out that I was into guys, which was very young. When I was in elementary school, I was in training for the day I leave my parents' house, they find out I'm gay and never speak to me again.Now, that's not how things went, but if you have that idea, if you already have the idea that everyone in your life is going to reject you, then that makes it easier to write your trauma because you don't think you have anything to lose. And part of our fear about writing that which is intimate or personal or traumatic has to do with the fact that we are afraid that, yeah, I'll have the good piece of writing, but I lose this really wonderful relationship in my real life, and I don't want to lose my relationships.Moving forward in time, I think it's different for me now. And I think it's easier for me to write into a kind of risk because I have trained myself to a point where I don't think about that risk as I am writing. I put myself in a position where I only have to think about that risk once I am at a point in a draft. And by that time the poem is so good, I don't care about that relationship. But in the beginning, my goal is lines. Oh, that sounds good! Oh, that sounds good. Oh, this is interesting. Oh, I might be able to use this piece. If you take things down to the word, to the fragment, to the line, in some cases, to the sentence, to the paragraph, and you start putting things together, then you can begin to put them together because they go together, not cause they're about you in any particular way."How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."I tried to make something that I would have needed. And because that's what I tried to make, I'm hoping readers read something that they need. You know, that's the joy of books, that you come across something that you needed that you didn't even know you needed.In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."So you're afraid to change cause you don't want people to call you strange. So I sort of get that. But I grew up in a very different situation. I'm actually always surprised that I'm even in communication with my parents at all. I didn't think anybody in my family would want to have anything to do with me cause that was the message I got from the world when I was a kid, that people do not want to have anything to do with queer people other than queer people. That was what I understood, that queer people themselves didn't even want to have anything to do with one another. And so I was putting myself in training, you know, from the age when I figured out that I was into guys, which was very young. When I was in elementary school, I was in training for the day I leave my parents' house, they find out I'm gay and never speak to me again.Now, that's not how things went, but if you have that idea, if you already have the idea that everyone in your life is going to reject you, then that makes it easier to write your trauma because you don't think you have anything to lose. And part of our fear about writing that which is intimate or personal or traumatic has to do with the fact that we are afraid that, yeah, I'll have the good piece of writing, but I lose this really wonderful relationship in my real life, and I don't want to lose my relationships.Moving forward in time, I think it's different for me now. And I think it's easier for me to write into a kind of risk because I have trained myself to a point where I don't think about that risk as I am writing. I put myself in a position where I only have to think about that risk once I am at a point in a draft. And by that time the poem is so good, I don't care about that relationship. But in the beginning, as I was saying to Mia earlier, my goal is lines. Oh, that sounds good! Oh, that sounds good. Oh, this is interesting. Oh, I might be able to use this piece. If you take things down to the word, to the fragment, to the line, in some cases, to the sentence, to the paragraph, and you start putting things together, then you can begin to put them together because they go together, not cause they're about you in any particular way."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"This is a book I wish existed 20 years ago. I would have led an easier life if it had. I want you to have what I always wanted. Here is an anthology that gives us modes to try on the way we might wear and change clothing. And these wonderful writers are proof that nothing ever beat a failure but a try.In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done."How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters?In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown's first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University."This is a book I wish existed 20 years ago. I would have led an easier life if it had. I want you to have what I always wanted. Here is an anthology that gives us modes to try on the way we might wear and change clothing. And these wonderful writers are proof that nothing ever beat a failure but a try.In order to make what you make, you have to use what you have. You have to submerge yourself, immerse yourself in what you know, in your own vernacular, in your own tone, in your own belief, in your own way of doing things and telling stories. And that's how the writing can get done."www.jerichobrown.comwww.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Nii Ayikwei Parkes, an acclaimed Ghanaian-British writer, editor, and a prominent voice among black intellectuals in the UK, delivers a powerful message on the persistent challenges encountered by Black writers. Currently engaged in groundbreaking research on "Philosophical connections between Africa and the African Diaspora in the "New World"" at the Hutchins Center at Harvard University. Parkes eloquently exposes the stifling impact of cliches that plague Black writers. With poignant clarity, he emphasizes the pervasive stereotypes faced by Black writers, shedding light on the unsettling reality that Blacks have been conditioned to view literature through the lens of "whiteness". He offered inspiring solutions and strategies for Black writers to carve their path to success, empowering them to challenge the status quo and reclaim their narratives."The people I grew up with in Ghana did not have the experience of seeing themselves as Black, because in my language, there is no word for Black... in terms of describing people, you have dark or light." - Nii Ayikwei ParkesNii's latest novel Azúcar, is an atmospheric book, giving so much: music, food, eccentric family legend, the Northern Antilles, West Africa, the scents, and colors of two worlds and the story of a man relocated from one home to another.  Azúcar is a new kind of Caribbean novel with a reach beyond the region. Published by Peepal Tree Press.

Hey everyone! No, your podcast app is not malfunctioning. This is not a Treyslation. This is an episode of The Pilgrimage Podcast with Zeru Fitsum, and Zeru & I (Trey) had a really dope conversation I wanted to share with y'all while 3BM is in our offseason. You can check out The Pilgrimage Podcast wherever you listen to Treyslation. Everything beneath this is copied directly from The Pilgrimage shownotes: Aye y'all?! What's good? We have a revisiting guest in Pastor R.G.A. "Trey" Ferguson III on this episode. We chop it up about how battle rap has influenced his preaching by way of helping him craft words that land and sit with people in meaningful ways. I had fun with this one, family. We talk about pastoral care, love, and accountability. Also, Trey is writing a book!! It's called Theologizin' Bigger and I'm anticipating it's release ever-so fervently. In all reality, I just really trust Trey and his heart for people and his walking according to the path God has him on. If you'd like to financially support him on the way to publication, here is his GoFundMe where he explains the reason behind his fundraising technique as a Black Writer: https://www.gofundme.com/f/theologizinbigger You can follow Trey's work on these different sites: Twitter - @PastorTrey05 Instagram - @PastorTrey05 Substack - https://pastortrey05.substack.com/?utm_source=substack&utm_medium=web&utm_campaign=substack_profile New Living Treyslation - https://podcasts.apple.com/us/podcast/new-living-treyslation/id1576078435 Three Black Men Podcast- Trey co-hosts 3 Black Men with Sam Gay and Robert Monson. https://podcasts.apple.com/us/podcast/three-black-men-theology-culture-and-the-world-around-us/id1535582503 Here are Robert and Sam's individual podcasts: (Robert) Black Coffee and Theology Podcast - https://podcasts.apple.com/us/podcast/black-coffee-and-theology-podcast/id1577198625. Sam We Gon' Talk About It - https://podcasts.apple.com/us/podcast/we-gon-talk-about-it/id1620682591 Trey's Tip Jar Trey's Venmo: @PastorTrey05 Trey's Cashapp: $PastorTrey05 My Socials Twitter - @ZeruFitsum Instagram - @zeru_fitsum Substack - https://zeru.substack.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/treyslation/message Support this podcast: https://podcasters.spotify.com/pod/show/treyslation/support

Aye y'all?! What's good? We have a revisiting guest in Pastor R.G.A. Trey Ferguson III on this episode. We chop it up about how battle rap has influenced his preaching by way of helping him craft words that land and sit with people in meaningful ways. I had fun with this one, family. We talk about pastoral care, love, and accountability. Also, Trey is writing a book!! It's called Theologizin' Bigger and I'm anticipating it's release ever-so fervently. In all reality, I just really trust Trey and his heart for people and his walking according to the path God has him on. If you'd like to financially support him on the way to publication, here is his GoFundMe where he explains the reason behind his fundraising technique as a Black Writer: https://www.gofundme.com/f/theologizinbigger You can follow Trey's work on these different sites:  Twitter - @PastorTrey05 Instagram - @PastorTrey05 Substack - https://pastortrey05.substack.com/?utm_source=substack&utm_medium=web&utm_campaign=substack_profile New Living Treyslation - https://podcasts.apple.com/us/podcast/new-living-treyslation/id1576078435 Three Black Men Podcast- Trey co-hosts 3 Black Men with Sam Gay and Robert Monson. https://podcasts.apple.com/us/podcast/three-black-men-theology-culture-and-the-world-around-us/id1535582503 Here are Robert and Sam's individual podcasts:  (Robert) Black Coffee and Theology Podcast - https://podcasts.apple.com/us/podcast/black-coffee-and-theology-podcast/id1577198625.  Sam We Gon' Talk About It - https://podcasts.apple.com/us/podcast/we-gon-talk-about-it/id1620682591 Trey's Tip Jar Trey's Venmo: @PastorTrey05 Trey's Cashapp: $PastorTrey05 My Socials Twitter - @ZeruFitsum Instagram - @zeru_fitsum Substack - https://zeru.substack.com/

Jenn and Daren tribute Black writers in this episode for National Poetry Month. They start by highlighting Black poets that every reader should have on their pull list including Nate Marshall, Claudia Rankine, and Donika Kelly. Daren then dives into hard facts and figures related to how white-dominated the writing and publishing industry is, and how that can bring about specific challenges for Black writers. They share how difficult it can be to find people within the industry that understand your work, to find support for your art, and to find confidence in your own voice. In the end, Jenn and Daren share the personal struggles they have faced as writers and express how perfection can be the enemy of your writing success. Black Poets You Should Be Reading: Nate Marshall - Wild Hundreds https://amzn.to/3ZQwheT Claudia Rankine - Citizen https://amzn.to/43e5UCG Warsan Shire - Bless the Daughter Raised by a Voice in Her Head: Poems https://amzn.to/3ZWnPup Terrance Hayes - American Sonnets for My Past and Future Assassin https://amzn.to/3m3peBS Jericho Brown - The Tradition https://amzn.to/3MkMiXa Donika Kelly - Bestiary https://amzn.to/3ZJDixR Danez Smith - Don't Call Us Dead https://amzn.to/3m3oL2A Morgan Parker - Magical Negro https://amzn.to/3UbZH5O Reference Material: NYT: Just How White Is the Book Industry? https://www.nytimes.com/interactive/2020/12/11/opinion/culture/diversity-publishing-industry.html www.ThatBlackCouple.com FB: www.facebook.com/ThatBlackCouple Twitter: www.twitter.com/ThatBlkCouple Instagram: www.instagram.com/thatblkcouple iTunes: https://itunes.apple.com/us/podcast/that-black-couple-podcast/id1284072220?mt=2 Spotify: https://open.spotify.com/show/2M7GIQlWxG05gGq0bpBwma?si=xSkjzK0BRJW51rjyl3DWvw Stitcher: www.stitcher.com/podcast/that-black-couple SoundCloud: https://soundcloud.com/thatblackcouple Google Podcasts: https://podcasts.google.com/feed/aHR0cDovL2ZlZWRzLnNvdW5kY2xvdWQuY29tL3VzZXJzL3NvdW5kY2xvdWQ6dXNlcnM6Mjc2MDExMzcwL3NvdW5kcy5yc3M Email: ThatBLKCouple@gmail.com Podcast Summary: This is an accidentally funny podcast about the realities of Blackness and adult life. We do “adult” differently. We are That Black Couple. Our goal is to create a space for Black millennials to discuss and embody adult life on their own terms. We aren't beholden to “traditional” gender or parenting roles, queerness is fluid and present in the ways we show up in our relationships and in the world, and we want to build community with other 30-something Black folx who are trying to figure this ish out.

In this episode of The Truth In This Art, Rob Lee interviews Victoria Adams-Kennedy, a Baltimore-based writer whose work explores the complexities of Black Love, and they discuss her influences, influences from Zora Neale Hurston and much more. About the GuestVictoria Adams-Kennedy is a Baltimore-based writer whose work explores the complexities of Black Love. She has published two novels and contributed to three anthologies. In addition to her writing, Victoria is the founder of Zora's Den, a social and support group for Black women writers. Inspired by legendary writers like Zora Neale Hurston, Zora's Den aims to cultivate and celebrate Black sisterhood in Baltimore and beyond.Victoria and her co-founders, Clynthia Burton Graham and Melissa Brooks-Cuffee, host monthly readings at the Eubie Blake Cultural Center on Howard Street. The group has published two volumes of The Fire Inside, an anthology of poems and stories by its members. Additionally, Victoria leads writing sessions online, offering story prompts and providing a virtual space for her followers to share their triumphs and rejections.With an MFA in Creative Writing & Publishing Arts from the University of Baltimore, Victoria is dedicated to amplifying the voices of Black women writers. As she says, "Zora's Den is a safe place for Black women to be true to their stories and experiences without feeling like they are too different for others to accept or understand."The Truth in This Art podcast's current season is sponsored by The Gutierrez Memorial Fund and The Robert W. Deutsch Foundation, both of which are dedicated to enhancing the quality of life in Baltimore and beyond. The Gutierrez Memorial Fund focuses on supporting artists and art organizations that serve Maryland communities, while The Robert W. Deutsch Foundation invests in innovative individuals, projects, and ideas. We appreciate their support in making this season happen. ★ Support this podcast ★