Podcast appearances and mentions of Jordan Black

Jordan Black, CEO of Ramp Metals (TSX.V:RAMP) joins us to introduce this new gold exploration Company focused at the Rottenstone SW Project in Saskatchewan. The first drill hole at the Ranger Target intersected 73.55 g/t Au and 19.50 g/t Ag over 7 meters.    Key topics include the Company's motivation for choosing Saskatchewan, the discovery at the Ranger target, and the recent copper discovery at the Rush target.    Jordan outlines upcoming activities, including an upcoming 3,000-5,000 meter drilling program and traditional prospecting methods to gain a better understanding of the potential of the Project.    We also discuss the financial health and share structure. We conclude with an overview of expected news flow and upcoming milestones for Ramp Metals.   If you have any follow up questions for Jordan regarding Ramp Metals please email us at Fleck@kereport.com or Shad@kereport.com.    Click here to visit the Ramp Metals website to learn more about the Company.

This week, we welcome in Jordan Black from the Dead Domain YouTube Channel for an atheist review of Disciples in the Moonlight. It's the story of a terrifying near future world where all the hate speech has been removed from the Bible and... that's it. That's the terrifying future. --- Hear more from Jordan at the Dead Domain YouTube channel If you'd like to make a per episode donation and get monthly bonus episodes, please check us out on Patreon: http://patreon.com/godawful Check out our other shows, The Scathing Atheist, The Skepticrat, Citation Needed, and D&D Minus. Our theme music is written and performed by Ryan Slotnick of Evil Giraffes on Mars. If you'd like to hear more, check out their Facebook Page: https://www.facebook.com/EvilGiraffesOnMars/

For additional insight and context, I highly recommend that everyone watch John Anderson's very first public interview which Jordan Black conducted on their channel, Dead Domain: https://youtu.be/AzEkkvr5QMg✖️✖️✖️CONTACT LOCAL NEWS:https://www.abc15.com/tipshttps://www.fox10phoenix.com/contact-ushttps://www.12news.com/contact-us✖️✖️✖️Connect with John Anderson:https://www.instagram.com/john.anderson6090/✖️✖️✖️Support the Show: Patreon.com/PreacherBoys✖️✖️✖️If you or someone you know has experienced abuse, visit courage365.org/need-help✖️✖️✖️CONNECT WITH THE SHOW:preacherboyspodcast.comhttps://www.youtube.com/@PreacherBoyshttps://www.facebook.com/preacherboysdoc/https://twitter.com/preacherboysdochttps://www.instagram.com/preacherboyspodhttps://www.tiktok.com/@preacherboyspodTo connect with a community that shares the Preacher Boys Podcast's mission to expose abuse in the IFB, join the OFFICIAL Preacher Boys Facebook Group: https://www.facebook.com/groups/1403898676438188/✖️✖️✖️Third-party clips referenced:Steven Anderson preaching: https://rumble.com/v5e6nml-sunday-night-service-september-8-2024-pastor-steven-l.-anderson.html?e9s=src_v1_ucpZsuzsanna Anderson on To Train Up a Child: https://youtu.be/IuYxWXkFbFU✖️✖️✖️The content presented in this video is for informational and educational purposes only. All individuals and entities discussed are presumed innocent until proven guilty through due legal process. The views and opinions expressed are those of the speakers.This episode is sponsored by/brought to you by BetterHelp. Give online therapy a try at betterhelp.com/PreacherBoys and get on your way to being your best self.Support this podcast at — https://redcircle.com/preacher-boys-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

SUBSCRIBE TO THE SALES SECRETS PODCASTITUNES ► https://itunes.apple.com/us/podcast/s...​SPOTIFY ► https://open.spotify.com/show/1BKYsQo...​YOUTUBE ► https://www.youtube.com/channel/UCVUh...​THIS EPISODE IS BROUGHT TO YOU BY SEAMLESS.AI - THE WORLD'S BEST SALES LEADSWEBSITE ► https://www.seamless.ai/LINKEDIN ► https://www.linkedin.com/company/seamlessai/JOIN FOR FREE TODAY ► https://login.seamless.ai/invite/podcastSHOW DESCRIPTIONBrandon Bornancin is a serial salesperson, entrepreneur and founder of Seamless.AI. Twice a week, Brandon interviews the world's top sales experts like Jill Konrath, Aaron Ross, John Barrows, Trish Bertuzzi, Mark Hunter, Anthony Iannarino and many more -- to uncover actionable strategies, playbooks, tips and insights you can use to generate more revenue and close more business. If you want to learn the most powerful sales secrets from the top sales experts in the world, Sales Secrets From The Top 1% is the place to find them.SALES SECRET FROM THE TOP 1%WEBSITE ► https://www.secretsalesbook.com/LINKEDIN ► https://www.linkedin.com/company/sales-secret-book/ABOUT BRANDONBrandon Bornancin is a serial salesperson (over $100M in sales deals), multi-million dollar sales tech entrepreneur, motivational sales speaker, international sales DJ (DJ NoQ5) and sales author who is obsessed with helping you maximize your sales success.Mr. Bornancin is currently the CEO & Founder at Seamless.ai delivering the world's best sales leads. Over 10,000+ companies use Seamless.ai to generate millions in sales at companies like Google, Amazon, Facebook, Slack, Dell, Oracle & many others.Mr. Bornancin is also the author of "Sales Secrets From The Top 1%" where the world's best sales experts share their secrets to sales success and author of “The Ultimate Guide To Overcoming Sales Objections.”FOLLOW BRANDONLINKEDIN ► https://www.linkedin.com/in/brandonbornancin/INSTAGRAM ► https://www.instagram.com/brandonbornancinofficial/FACEBOOK ► https://www.facebook.com/SeamlessAITWITTER ► https://twitter.com/BBornancin

Die wichtigsten Sneaker & Streetwear & Fashion & Lifestyle News und Releases der aktuellen Woche, alle First Looks, Leaks und Gerüchte, und ein Rückblick auf die Highlights der letzten 7 Tage - das bietet OH, NEWS!, der wöchentliche News-Podcast von OH! SNEAKER MEDIA, der Medienplattform für Sneaker, Streetwear, Fashion & Lifestyle Content! Mehr unter: https://www.studio-highfivesandstagedives.com/oh-sneaker-media

SUBSCRIBE TO THE SALES SECRETS PODCASTITUNES ► https://itunes.apple.com/us/podcast/s...​SPOTIFY ► https://open.spotify.com/show/1BKYsQo...​YOUTUBE ► https://www.youtube.com/channel/UCVUh...​THIS EPISODE IS BROUGHT TO YOU BY SEAMLESS.AI - THE WORLD'S BEST SALES LEADSWEBSITE ► https://www.seamless.ai/LINKEDIN ► https://www.linkedin.com/company/seamlessai/JOIN FOR FREE TODAY ► https://login.seamless.ai/invite/podcastSHOW DESCRIPTIONBrandon Bornancin is a serial salesperson, entrepreneur and founder of Seamless.AI. Twice a week, Brandon interviews the world's top sales experts like Jill Konrath, Aaron Ross, John Barrows, Trish Bertuzzi, Mark Hunter, Anthony Iannarino and many more -- to uncover actionable strategies, playbooks, tips and insights you can use to generate more revenue and close more business. If you want to learn the most powerful sales secrets from the top sales experts in the world, Sales Secrets From The Top 1% is the place to find them.SALES SECRET FROM THE TOP 1%WEBSITE ► https://www.secretsalesbook.com/LINKEDIN ► https://www.linkedin.com/company/sales-secret-book/ABOUT BRANDONBrandon Bornancin is a serial salesperson (over $100M in sales deals), multi-million dollar sales tech entrepreneur, motivational sales speaker, international sales DJ (DJ NoQ5) and sales author who is obsessed with helping you maximize your sales success.Mr. Bornancin is currently the CEO & Founder at Seamless.ai delivering the world's best sales leads. Over 10,000+ companies use Seamless.ai to generate millions in sales at companies like Google, Amazon, Facebook, Slack, Dell, Oracle & many others.Mr. Bornancin is also the author of "Sales Secrets From The Top 1%" where the world's best sales experts share their secrets to sales success and author of “The Ultimate Guide To Overcoming Sales Objections.”FOLLOW BRANDONLINKEDIN ► https://www.linkedin.com/in/brandonbornancin/INSTAGRAM ► https://www.instagram.com/brandonbornancinofficial/FACEBOOK ► https://www.facebook.com/SeamlessAITWITTER ► https://twitter.com/BBornancin

Ramp Metals CEO Jordan Black joined Steve Darling from Proactive to introduce the company to the public domain and share exciting developments in the mining industry. With a background as a geotechnical engineer and experience in venture capital, including a notable role in taking GoldSpot public, Black has positioned Ramp Metals as a significant player in exploration, particularly focusing on nickel. In the interview with Proactive, Black highlighted the company's primary project, the Rottenstone Southwest property, located approximately 30 kilometers from the historical high-yield Rottenstone mine in Saskatchewan, renowned for its nickel production. Inspired by the success of the historical mine, Ramp Metals is committed to further exploration in this area, aiming to uncover additional high-grade nickel deposits. Preliminary geophysical surveys, notably a Time-Domain Electromagnetic (TDEM) survey, have revealed promising conductors and a magnetic structure reminiscent of significant discoveries in Australia. This discovery has garnered the attention of advisor Mark Bennett. Building on these promising findings, the company has initiated a 2000-meter drilling program, with over half already completed, targeting a principal conductor within the identified structure. This exploration effort comes at a pivotal time when high-grade nickel is in increasing demand, particularly for use in batteries, amidst dwindling supplies in North America. Ramp Metals is strategically positioned to capitalize on this growing demand and aims to contribute to the exploration and development of critical nickel resources. In summary, Ramp Metals' transition into the public domain marks an exciting chapter in its journey within the mining industry. With a focused exploration strategy, promising geophysical findings, and a dedicated team led by CEO Jordan Black, the company is poised to make significant strides in unlocking the potential of nickel resources, contributing to the growing demand for this essential commodity. #proactiveinvestors #rampmetalsinc #tsxv #aac.p #NickelMining, #Exploration, #Saskatchewan, #MiningNews, #BatteryMetals, #Geophysics, #DrillingUpdate, #HighGradeNickel, #ResourceExploration, #MiningIndustry, #MineralExploration, #GeotechnicalEngineering, #VentureCapital, #PublicCompany, #NickelDemand, #GreenEnergy, #SustainableMining, #ElectricVehicleMetals, #CommodityMarket, #NaturalResources, #InnovationInMining, #EnergyTransition, #MetalDiscovery, #EconomicGeology #invest #investing #investment #investor #stockmarket #stocks #stock #stockmarketnews

Die wichtigsten Sneaker & Streetwear & Fashion & Lifestyle News und Releases der aktuellen Woche, alle First Looks, Leaks und Gerüchte, und ein Rückblick auf die Highlights der letzten 7 Tage - das bietet OH, NEWS!, der wöchentliche News-Podcast von OH! SNEAKER MEDIA, der Medienplattform für Sneaker, Streetwear, Fashion & Lifestyle Content! Mehr Infos auf: https://linktr.ee/ohschuhenpodcast Der Werbepartner diese Woche: [On](https://www.on.com/de-de)

On this week's episode, Jon and Brandon break down new releases from Jung Kook, Brent Faiyaz, Majid Jordan, Black Pumas, Taking Back Sunday, DJ Shadow, Kevin Abstract, King Gizzard & The Lizard Wizard, Tkay Maidza, Kölsch, The Kills, Youth Fountain, Paint It Black and more. This Week's Playlist Weekly Rotating Playlist

Thanks for the shout-out Jordan! TS RADIO WITH TV'S TIM STACK Featuring Jordan Black! Today Tim welcomes, Jordan Black. Jordan has been a series regular on such shows as PUNK'D, HALFWAY HOME, MTV's THE LYRICIST LOUNGE SHOW, the WB's ON THE SPOT, and E!'s STAR DATES. His voice has been heard on SOUTH PARK and he's been seen and heard on TRUE JACKSON VP, HOW I MET YOUR MOTHER, THE TONIGHT SHOW, JIMMY KIMMEL LIVE, HEAD CASE, and MADTV, among others. He also appeared in the Christopher Guest film FOR YOUR CONSIDERATION, as well as the upcoming films FRED for Nickelodeon and BRIDESMAIDS by Judd Apatow. Jordan's writing credits include SATURDAY NIGHT LIVE and Fox's STACKED, among others. Jordan is an alum of the Groundlings Main Company. Check out Jordan in The Black Version at The Groundlings - The audience suggests the title of a popular film and a cast of all-black comedy actors improvise the black version of it. Simple? Yes. Funny? Hells Yeah!! groundlings.com/shows/the-black-version The Groundlings on Instagram - @thegroundlings Host - Tim Stack Executive Producer - Jeremiah D. Higgins Senior Sound Engineer - Richard Dugan Tim Stack on Twiter @TvsTimStack Jeremiah D Higgins - linktr.ee/jeremiahdhiggins 
www.thejeremiahshow.com

ITS RADIO WITH TV'S TIM STACK Featuring Jordan Black! Today Tim welcomes, Jordan Black. Jordan has been a series regular on such shows as PUNK'D, HALFWAY HOME, MTV's THE LYRICIST LOUNGE SHOW, the WB's ON THE SPOT, and E!'s STAR DATES. His voice has been heard on SOUTH PARK and he's been seen and heard on TRUE JACKSON VP, HOW I MET YOUR MOTHER, THE TONIGHT SHOW, JIMMY KIMMEL LIVE, HEAD CASE, and MADTV, among others. He also appeared in the Christopher Guest film FOR YOUR CONSIDERATION, as well as the upcoming films FRED for Nickelodeon and BRIDESMAIDS by Judd Apatow. Jordan's writing credits include SATURDAY NIGHT LIVE and Fox's STACKED, among others. Jordan is an alum of the Groundlings Main Company. Check out Jordan in The Black Version at The Groundlings - The audience suggests the title of a popular film and a cast of all-black comedy actors improvise the black version of it. Simple? Yes. Funny? Hells Yeah!! https://groundlings.com/shows/the-black-version The Groundlings on Instagram - @thegroundlings Host - Tim Stack Executive Producer - Jeremiah D. Higgins Senior Sound Engineer - Richard Dugan Tim Stack on Twiter @TvsTimStack Jeremiah D Higgins - https://linktr.ee/jeremiahdhiggins 
www.thejeremiahshow.com

Ch 19: “My Motherfucker is Dead.” Novelized by Jordan Black, narrated by Wayne Brady. “Epilogue.” Novelized and narrated by Dave Hill. Interview: Matt Walsh Wayne Brady is an American comedian best known for starring on Whose Line Is It Anyway? and hosting Let's Make a Deal, The Wayne Brady Show, and Don't Forget the Lyrics! He has won five Primetime Emmys for his work. Jordan Black is a writer and producer who has written for SNL, Last Man Standing, and The Last O.G. Dave Hill is a comedian and frequent panelist on Comedy Central's @midnight. He has also appeared on Unbreakable Kimmy Schmidt, Inside Amy Schumer, and Full Frontal with Samantha Bee, among others. Matt Walsh is an actor and comedian who received two Emmy nominations for his role as Mike McKlintock on Veep. He's also a founding member of the Upright Citizens Brigade and was a correspondent on The Daily Show with Jon Stewart. The Novelizers was created by Stephen Levinson, produced by Stephen, Chris Karwowski and Rob Kutner, and edited, mixed and mastered by Chris Karwowski. Associate Producer: Suchetas Bokil. Music by Cole Emoff, Andrew Lin, Mike Wilson and Chris Messick. Special thanks to Sarah Mabe, Crystal Dennis, Dennis DiClaudio, and Hannah Levinson. Follow the Novelizers on ⁠Instagram⁠ and ⁠Twitter⁠, or at ⁠thenovelizers.com⁠. The Novelizers is a work of parody, unauthorized by Paramount, Roddenberry Entertainment or Star Trek. © 2023 The Novelizers and respective authors

Phil LaMarr is an actor known for being one of the original cast members of MadTV, Pulp Fiction, and his voice acting roles in Samurai Jack, Futurama, Beavis and Butthead, Family Guy, Teen Titans Go! and a host of other animated series.Show NotesPhil Lamarr on IMDB - https://www.imdb.com/name/nm0482851/Phil Lamarr on Instagram - https://www.instagram.com/phillamarr/Phil Lamarr on TikTok - https://www.tiktok.com/@phillamarrFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TranscriptionPhil LaMarr:I was developing an animated show based on a friend of mine's web comic called Goblins. Okay. And my partner, Matt King and I, we are both performers, but we adapted the comic into a script. And I called a bunch of my voice actor friends, cuz we were, we were gonna make a trailer, you know, to bring these, you know, comic characters to life Yeah. In animation. And it was funny cuz Matt and I are actors. We had, you know, written the script and we'd acted out these scenes. And so in our heads, we, we thought we knew exactly how they'd sound. But then we brought in amazing Billy West, Maurice LaMarr. Mm-Hmm. , Jim Cummings. Mm-Hmm. Steve Bloom, Jennifer. And it was funny because when they performed the scenes we had written, they took it to a whole other level. Right. Beyond what existed in our, in our heads. Right. Like, oh my God, they made it so much better than I even imagined it could be.Michael Jamin:You're listening to Screenwriters Need to Hear This with Michael Jamin.Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. I, another, another. Cool. I got another cool episode. I, I was so excited about this. I, I tri over my own words. I am here with actor writer Phil LaMarr and this guy. All right. So I'm on his IMDB page cuz he going through his credits. Phil, I'm not joking. It's taking me too long to scroll through IMD,B to get through all your credits. It's nuts how much you work. But, so I'm gonna give you real fast an introduction and then we'll talk more about, what're gonna talk about but okay. So this guy does a lot of, a ton of voiceovers. I guess I think we met on King of the Hill and I know we worked together on Glenn Glenn Martin DDS, but fu you know, him from Futurama.From Beavis and Butthead family guy the Great North. All every single adult animated show, a ton of kids shows Star Bob's Burgers. That's adult, of course. Rick and Morty Bob Burgers, Bob's Burger's movie as well. I mean, I'm going through all your stuff here. It's nuts. You were a writer performer on Mad TV for many years. Mm-Hmm. . And I think the pro, I'm sorry to say this, but the, the coolest role that everyone knows you, that you maybe you get recognized most from. Right. We, you know what it is, is you were, you were in Pulp Fiction and you had your head blown off in the back of the car. And I remember watching like, oh my God, they killed Phil Phil LaMarr:.Michael Jamin:I mean, how awesome was that role? Oh man. But so Phil, thank you for doing this. Welcome, welcome to this. I want to talk all about your amazing career. But now tell me, so how did you get into acting? When did you decide you wanted to be an actor?Phil LaMarr:Well, it's funny because there are a couple of double steps in terms of how I started being an actor. And when I decided to be an actor and when I got into voiceover, both my first time performing was in eighth grade. My school was doing a production of a book that I loved. I didn't consider myself a performer. Right. It was the phantom toll booth. Right. And there's this little character towards the end of the Phantom toll booth. The senses taker who will take your sense of purpose. Your sense of duty, but he can't take your sense of humor. Right. And I wanted that part. So that's why I went and auditioned. But I wound up getting cast as one of the leads.Michael Jamin:Wow. Okay. AndPhil LaMarr:Opened a show alone on stage under a spotlight doing a two minute monologue.Michael Jamin:Okay. AndPhil LaMarr:It flipped a switch in my head. I'm like, oh, I love this. You were, that's what, so I started, you know, being an actor because I liked to bookMichael Jamin:. Right. But then, but okay. But it's one thing to be acting in as a kid in eighth grade and then to commit your career to it. What, what, what happened next?Phil LaMarr:Well, and it's funny because I didn't consider that a career or what I was doing. It's just, it's fun. Yeah. I get to play well, and also I went to an all boys private school. Yeah. So the time you got to see girls was when you did a playMichael Jamin:. Okay. That makes, now you're, makes sense. Now we know why you're being an actor, .Phil LaMarr:And I wound up graduating and I applied to colleges that had, you know, drama programs, Northwestern nor Carnegie Mellon, Yale University. But I wound up deciding not to go to Carnegie Mellon and I went to Yale. I was like, no, no, I just want to go to college. And I did not decide to pursue acting as a career. I just majored in English. It was on the flight back home to LA I said, you know what, maybe I should pursue this acting thing. I mean, I enjoy it. And you know, some people say I'm pretty good at it. I mean, I either gotta do it now or wait till my mid forties when I have a midlife crisis. Yes.Michael Jamin:But this is Yale undergrad. Yes. Yale's really not for the grad school of the school of drama. But youPhil LaMarr:Go back to thing. Cause when you were an actor and you say you went to Yale, people assume, oh, like Moral Streep and Henry Wiggler. It's like, no, no. I didn't know thatMichael Jamin:. But so after you got outta college and you got outta, we went to Yale and there was some pressure on you to are they Princeton over there? We're gonna continue, we'll continue our, we'll set aside our differences long enough to have this conversation. But so, but after college you're like, okay, I got a big fancy Yale degree and I'm gonna become an actor.Phil LaMarr:Right. And, you know, had I decided to be a comedy writer with a Harvard degree, that would've beenMichael Jamin:Yes. That would make sense.Phil LaMarr:A career path that made sense. Right. As a Yale, there were no famous Yales as writers or producers or anything. There were a handful of, you know, drama school actors. Right. But again, I didn't go to that drama school. So I'm like, okay.Michael Jamin:Yeah. There's no connect. People talk about the connections. No, there's no connection. Just because you, there's no inroad. Just cuz you went to Yale, you know, to No,Phil LaMarr:Yeah. No. The the only famous undergraduate actors at that time in the eighties were two women who were famous before they came to Yale, Jennifer Beals and Jodi Foster.Michael Jamin:Right. Exactly. Exactly. All right. So then you made this commitment to, or this, this leap. How long your parents must have been thrilled , how long before you started getting work and how did you start getting work, getting work?Phil LaMarr:Well, and, and this is another one of the double steps, Uhhuh I, when I made this decision, I already had my SAG card.Michael Jamin:How did you get that?Phil LaMarr:Because back in high school, a friend of my mother's worked for NBC Uhhuh. And I think my mother had dragged her to see a couple of my plays. And so she said, Hey, we're doing this cartoon and we're gonna use real kids for the kids' voices. Which back in the eighties was a rare thing. Yeah. And she asked me to, to come in and audition for it. And I got a job on the Mr. T cartoon in the mid eighties.Michael Jamin:Oh, wow. AndPhil LaMarr:That got me my union card. Now I did not, again, did not consider this a career path. I it was just a cool summer job.Michael Jamin:Yeah. Now, the thing is, cause I hear this a lot. People say to me, yeah, I, I can do a million voices and you could do literally a million voices. I, how do I get into you know, voice acting? And it's like, they don't seem to put the connection that it's not enough that you do voices. You have to know how to act. You have to be a trained, you have to, you know, know, be if you're trained or even better. But you have to know how to perform and act. And so yeah.Phil LaMarr:That's, that's what I always tell people who ask me that question. I say, the first thing you need to know is voice acting the term is a misnomer because the acting comes before the voice.Michael Jamin:Yes. Yes.Phil LaMarr:You know, that's why you have amazing people like Cree Summer, who has a really distinctive speaking voice, but she has the acting ability. Right. To make every character completely different and real. It's the same thing like, you know, a a movie star, it's the same face, but it's always a different character.Michael Jamin:But there's something else that you bring, and I say this because you are a consummate pro. You are truly a pro. It's well for what you bring to that other actors, that non-voice actors, I guess, I don't know what you would call 'em, but have, but what I'm directing a voiceover actor, sometimes if they haven't done avo, a lot of voice acting, they don't realize they're using their face or their body . And, and you say, no, no, no. I, I see you're acting the part I see you're playing mad, but I have to hear it in my ear. And so I don't look at them when I'm directing. I wanna hear it. And Right. And so to talk about that a little bit.Phil LaMarr:Yes, yes. I remember, cuz I started out, you know, even though I had that job in high school, I did not consider it a voice acting career. It was just a, a goofy summer job on a cartoon that nobody I knew watched. So I came home after college and pursued on camera acting and stage mm-hmm. . And so a few years later, actually it was after a several years of Mad TV where we did Claymation pieces and it got me doing multiple characters on mic as opposed to just multiple characters on camera, which I was also doing on Mad tv. And I remember I decided to actively pursue the voice acting thing. Cuz at this point, you know, in the post, you know, early nineties era when cable blew up, voice acting became a job. Right. You know, cuz when we were kids, it was just something that six guys that Mel Blanc and five other dudes Right.Voiced every cartoon of our childhood. Right. You know, Mel Blanc, dos Butler, you know, that was it. But in the nineties, once Nickelodeon had 24 hours of children's programming, there was a lot more cartoon voices. And so like, oh, this could be a path now. And I remember one of my early sessions, I fell into my on camera acting face, face acting mm-hmm. . And they said, okay, Phil, stop. Try it again. Do that line again. Angrier, I did it again. They said, hold on, we're gonna play them both back. And they sounded exactly the same. And I realized what you just said. Right. Oh my God, I just made an angrier face.Michael Jamin:Right.Phil LaMarr:And that's one of the, you know, skills of voice acting the same way that you have singers, singers can, you know, put forth feeling or fun or whatever through their voice.Michael Jamin:Right.Phil LaMarr:You know, dancers do it through their bodies.Michael Jamin:Right.Phil LaMarr:You know. ButMichael Jamin:When you perform, let's say you're doing something on camera, how much thought do you give? Do you, is it, is it just second nature to go, okay, now I can use the rest of my body? Or how much thought do you have to go in between different, you know skill sets, I guess, you know?Phil LaMarr:Well, the, the good thing is, you know, you do have to, you know, get a switch in your head because when you're on stage, it's the exact same job bringing this script to life. But you have to do it with different tools. Right, right. And the same thing when you're doing it on camera. And the same thing when you're doing it on microphone. You have to, you have to gauge. Okay. Cuz you know, you read the script, you see the character, you embody it. Yeah. But then it's how do you communicate it to the audience?Michael Jamin:Right,Phil LaMarr:Right. You know, and it's funny because with voice acting, you know, we learned to run the character through our, our ears. You know, when you see in the old days, you see, you know, announcers doing this. Do you know what that is about? No.Michael Jamin:What what is that?Phil LaMarr:It's because all of us, you know, regular people hear our voices from inside our heads. Right. We're not hearing what other people hear. But when you do this, you are channeling your voice.Michael Jamin:That's whatPhil LaMarr:Mouth into your ear. So you hear what your voice sounds like outside your head.Michael Jamin:Oh, I see. I, that's so funny. I thought they were stopping their ear, but they're not. They're just re redirecting the voice Yeah. Into their ear. Yes. Oh wow. I had no idea.Phil LaMarr:So you can hear the subtlety, you know, because if, if you don't do something with your teeth, you don't hear that inside your head. Yeah. It's only what people hear. But that's something you might want with a character. Right. You know, I always, when I teach workshops, I always try to tell people, like, there are things we hear. There's, it's the same thing with your face. Mm-Hmm. when you want to, you know, express anger. You don't just do your face flat. You, you know. And it's the same thing with if, if there's something about a character, let's say I'm doing this character, but then I see the drawing and the guy's got a big beard. Oh, well let me make him sound, let me make him sound beier.Michael Jamin:Right. Right.Phil LaMarr:Which isn't necessarily true, just growing a beard doesn't change your voiceMichael Jamin:Uhhuh.Phil LaMarr:But there are things that when we hear something, we get the sense of it.Michael Jamin:Right. Do you have a preference now, Kami? Cuz do you have a preference? You work so much in voice acting, but do you have a, do you prefer that overlap? You know, like on camera?Phil LaMarr:No, it's funny cuz you know, at Comic-Con, people will ask, what's your, you walk in so many media, what's your favorite? And the truth of the matter is, and this is what I tell them, it's not about the media, it's about the quality.Michael Jamin:Quality. The writing or, or what Yes.Phil LaMarr:Uhhuh Well, the, the, the quality of the writing, the quality of the directing, the quality of the experience. Because to me, the, the cartoon Samurai Jack, which is I consider a work of art that has more in common with pulp fiction. Right. Than it does with, you know, pound puppies or some like goofy little Saturday morning cartoon that's more focused on selling toys than on actually putting out story.Michael Jamin:Yeah. Right, right. But in terms of voice, a I mean, you don't have to get into hair and makeup. You don't have to memorize anything. And that's a whole nother skill as well. Memorizing the, the, the text.Phil LaMarr:Well, but that, that's actually harder because when you work on stage or on camera mm-hmm. , you get time to rehearse.Michael Jamin:Right.Phil LaMarr:You get to practice with a director helping guide you, your people, someone watching you, and you build the character over time. And then you don't have to make it work till the camera says, till they say action.Michael Jamin:Right.Phil LaMarr:But when you're doing voiceover, you're handed a sheet of paper, you're reading words off a page, and you have to bring those to life instantly.Michael Jamin:Yeah, that's exactly. Now do you, cuz when we work together on, on Glen, well we did King Hill first, but on Glen Martin, just so people know you didn't audition, we just, we call you up. Hey, we book you Theor agent, and you come in, you show up, you, you got the job, and you show up. And I remember approaching you saying, okay, Phyllis, the character, I remember the character's name was Rasmus, and the only thing you knew about him was that he had a milky eye. He was like seventies. He had a milky eye. And I go, what voices did you bring ? And you, you, you gave me like three different voices. And I think I said that one a little more gravelly and boom, that was it. You jumped right into it. Exactly. That was it. You're ready to go. . And that was the benefit of direction you got go .Phil LaMarr:Right. See, and we did that in a minute and a half.Michael Jamin:Yeah.Phil LaMarr:Had we been working on a movie, I would've had to go in for wardrobe, had them try on seven different outfits, had them send you the pictures, , you know, over two weeks. Right. While I was memorizing all the lines for us to come to that conclusion.Michael Jamin:But on most of the voiceover judo, is that how it is? It's just basically they book you for the day and you know, unless you're a regular, they just book you, you come on in and you spend an hour or two, and then that's it. Is that how it works for you? Mostly?Phil LaMarr:Well, ho hopefully. I mean, most of the time you get the script ahead of time, so you get to read the story, know the context. Right. But that's just one episode. You don't have the entire, you know, arc of the story. You know, don't know everything about the, you know, if you're playing the villain about the, the hero. So you learn most of it when you come into the session,Michael Jamin:But then there's another thing that you have to bring to the table, which is a whole, like, you okay, you're an excellent actor, but you also have the, the, when you do these voices, they don't sound like they're coming from you. Like, they sound like they're coming from 10 different people. And so the, how do you, like how do you approach that? How do you making voices that don't sound anything like the, any, any other voice that you do.Phil LaMarr:Well, it varies. I mean, there are, it's funny because now over the years, you know, people will bring up some old character. And I realize, okay, that sounds a little similar to that other one. But I realize it's not about, I used to think when I was younger, starting in voice acting, I used to think it was about no, no. Every voice should not sound anything like the other one. Right. You know? But I realize it's more about embodying the character. And the thing is, you know, these characters are all different. So I need them to, I want them to sound different.Michael Jamin:Right. I don't mean like, like when I first got the King of the Hill, I was shocked when you hear the voices that you've been watching the show forever, and then you see the actress playing, you go, whoa, that voice is coming from that person. That, that doesn't sound anything close to their, like, there's a transformation that you're able to do with your voice by, like, that's a different skill. I mean, forget about even, yes, I know embodying the character, but you're really playing with your vocal chords in a way that almost seems impossible to someone like me.Phil LaMarr:Oh, thank you. Well, I mean, in, it's, it's a, it's a skill set that not everybody has. Like I said, some people just like when on Samurai Jack, I worked with Mako Iwatsu Uhhuh, you know, an older Japanese actor who was an icon. He had starred in movies, starred on Broadway, you know, his name was above the title on a Stephen Sondheim musical. Right. But he had a very distinctive, you know, heavy, very textured, heavily accented voice. And I figured, okay, he's just doing his voice. And I remember there was one episode where they cast him as a secondary character mm-hmm. in the episode. And I remember thinking to myself, oh, Jesus, what are they doing? Uhhuh, his voice is so dis. I mean, that's like casting the rock in two characters in a movie. Right. You know, like, nobody's gonna get fooled. But he blew my mind and taught me a masterclass because what he did was, he did not completely transform his voice, but he acted the second character from a completely different perspective. You know, Lowe's dead, you know, complete, he performed it completely differently than he performed Aku the villain, Uhhuh . And I, and when you watch the episode, you can't tell it's him.Michael Jamin:You can Right. You can't tell.Phil LaMarr:Now, part of that has to do with the art, you know, because you're change your changing your voice, but they're also changing the drawing.Michael Jamin:Yeah. That, that's true. But I wonder how much work do you on your own at home? Like, how much do you think about other voice? Do you pra you go, do you hear a voice and you go, Hey, that's an interesting thing. Maybe I should, you know, do you practice at all? Do you, I don't know. Are you, are you constantly trying to invent new, new voices for yourself?Phil LaMarr:Well, I'm, I'm not a singer, but I've always had an ear. Right. For speech. It, I do a lot of impressions. Uhhuh, , you know, comedically and sometimes just job wise. Actually, weirdly, 10th grade, my second year of acting, I got the part in our, one of our high school plays. We did a production of Play It again, Sam.Michael Jamin:Okay.Phil LaMarr:And in 10th grade, I played Humphrey Bogart .Michael Jamin:Okay.Phil LaMarr:And I spent the entire production trying to do my best impression of Humphrey Bogart. If that plane leaves and you are not on it, you'll regret it. Maybe not today, maybe not tomorrow, but soon. And for the rest of your life. And so I watched a lot of, you know, videotapes of Humphrey Bogart. And I, and I also had to learn how to do that impression and projectMichael Jamin:It Right.Phil LaMarr:In a, in a theater cuz there was no microphone. But I think maybe that helped start me right on the, you know, aping People's Voices thing. Which, when I started doing sketch comedy Right. I leaned into that too. Oh, I'm gonna do a Michael Jackson sketch. You know?Michael Jamin:Right. Cause you, so how is that you're talking about, so that, that brings us to Mad tv. So there goes your, I dunno, how, how did you get that that audition? What did you bring, what did you bring to that audition, you know, for yourself?Phil LaMarr:Well, I, when I was in college I was part of a improv comedy group that started and I loved it, you know, having been taught that the, you know, the key to drama is conflict, but then being introduced in your late teens, early twenties to this concept of Yes.Michael Jamin:And, and yes. And yeah.Phil LaMarr:You know, improv is collaborative theater, make your partner look good. Right. Work together, you know, all of this very positive energy. It's like, huh, wow. This isn't just about performance. This is a great life philosophy. Yeah. So after graduation, and I came home to LA and I started taking classes at the Groundlings Theater mm-hmm. , the sketch, comedy and improv group. And, and I did that not for the career, but because I wanted improv back in my life.Michael Jamin:Right.Phil LaMarr:And doing improv that led me into sketch comedy and writing.Michael Jamin:Right.Phil LaMarr:Because that's what the ground wings do. It's like, okay, that's a great improv. Write it down.Michael Jamin:Right. .Phil LaMarr:Yeah. Now do that character again. Come up with another scene for him.Michael Jamin:And so that's what you, you brought to the audition, like what, three different characters or something?Phil LaMarr:Y well, by the time Mad TV came around, I had been doing sitcoms, you know, from the early nineties to the mid nineties. This was 95. Right. So I went to audition for mad TV and the people at Fox had seen me guest on a bunch of shows. Right. And in fact, I went to audition for Mad TV in what they call second place because I had done a pilot for Fox right before Mad. So it's funny because I went in there thinking, no, this pilot is gonna, is amazing. We're gonna be the new Barney Miller. Alright, fine agents, I'll go for this sketch thing, whatever. I've been doing Sketch for six years, but whatever. And so I went in and they said, okay, bring in some, some of your characters.Michael Jamin:What Century is calling ah, . That's your phone from 1970, right?Phil LaMarr:?Michael Jamin:Or is it an alarm clock?Phil LaMarr:Ah, no, it's, I forgot toMichael Jamin:What's your phone? It's your iPhone.Phil LaMarr:It's my agent calling. Oh, you, you don't need to talk to them.Michael Jamin:That's Hollywood.Phil LaMarr:Yes.Michael Jamin:I can't believe your agent actually calls you. Mine doesn't call .Phil LaMarr:Alright, let me, let me go back.Michael Jamin:Yeah.Michael Jamin:We're gonna put all this in. This is all funny. .Phil LaMarr:Well anyway, I went to audition for Mad TV having done several years at the Groundlings and having been voted into the main company of the Groundlings, alongside Jennifer Coolidge. So youMichael Jamin:Were perform Oh, so you were, that's great. So you were performing regularly on stage. Yeah. Okay.Phil LaMarr:So, so sketch comedy was solidly in my backMichael Jamin:Pocket. Yeah.Phil LaMarr:And, you know, I'd been, you know, I'd finally started making a living as an actor. I didn't have to do my day job, you know, just doing guest spots and whatnot. And I went in there without any sense of desperation. I don't need this.Michael Jamin:Right. I'vePhil LaMarr:Already got this pilot. And they said, okay, bring us your characters and a couple of impressions and we'll show you a couple of our sketches. You know, so there were three steps to each audition, Uhhuh. And it's funny because later after I got the job, I talked to the showrunner and he said, oh man, you were so relaxed. We loved it.Michael Jamin:Oh wow.Phil LaMarr:You know, cuz I remember when we had a, a callback and there was somebody from the studio. This woman was sitting there like this. And I said, oh, I'm sorry. Did I wake youMichael Jamin:? And then wow. I mean, good for you. And then, but what became of that pilot, it didn't go to seriesPhil LaMarr:The other. No.Michael Jamin:Boy, had you known that ? IPhil LaMarr:Know. Well, and when we, when we got the call back from Mad tv, I'm like, what the heck? And might have said, yeah. Yeah. somebody at Fox said, don't worry about the second position.Michael Jamin:Right. Oh wow. Wow. . So, right. So you did that for a number of years. And then, and what, what along the way, when did pulp Fiction occur during this?Phil LaMarr:Actually I did Pulp Fiction before Mad tv.Michael Jamin:Okay.Phil LaMarr:It's funny cuz the first episode of Mad TV had a Pulp fiction parody in it. AndMichael Jamin:Did you play yourself?Phil LaMarr:Yes. They pitched me playing myself. OhMichael Jamin:My God, it was so fun. I mean it's such a classic role. I mean, do, do you, and does, do people want to talk to you about that all the time?Phil LaMarr:Not, not really. What I, I find that people only bring up Pulp Fiction around the time when a new Tarantino movie comes out.Michael Jamin:Okay.Phil LaMarr:But I mean, there are some people who, you know, are big fans of it. But the funniest thing is there will be a friend, somebody I've known for several years, but it's the first time they've watched Pulp Fiction since we met.Michael Jamin:Right. OhPhil LaMarr:My God, Phil. I didn't realize that was you.Michael Jamin:That's so great. I mean, so Right. Just to remind people again. So that was a scene was, it was Samuel Jackson and and John Travolta. They, yes. I guess the, the pla that plot line was a bunch of like straight-laced kind of college kids, kind of up, you know, they, you know, good kids who probably made one bad decision. Right. But they weren't troublemakers. They were good kids. And then they owed money and then, and then I guess they, you know, so they shoot, I guess they come into the apartment Right. And they they wind up shooting up the place and they take you, I guess they, they're gonna take you to the big guy, you're hostage and then he, you're in the back of the car and they got a gun trained on you and it hits a bump and they accidentally blow your head off . Right.Phil LaMarr:Well, well actually, the backstory that Quent and I talked about is that cuz my character is Marvin, he's the kid who gets his brains blown out in the back of the car. Right. but we decided that the story was Jules Uhhuh knew somebody who knew Marvin and arranged for Marvin to, that's why Marvin gets up and opens the door.Michael Jamin:Okay. AndPhil LaMarr:Lets them in. He's on their side.Michael Jamin:Oh, is that right? Is that, I should watch that again. I don't, I didn't pick that up at all.Phil LaMarr:And so he's not, they're not taking him as a hostage. Cause actually, Sam's like, how many, because John asked him how many are in there? It's like, well, there's, oh,Michael Jamin:There'sPhil LaMarr:Five plus our guy.Michael Jamin:Oh, I gotta watch that again. I missed that. Okay. It's been a while. Okay. So,Phil LaMarr:So the idea is that Jules knew somebody who knew one of the kids that took Marcellus briefcase. So he made a connection and was like, okay, we figured it out. He's our man inside is gonna open the door for us at 7 45. We're gonna come in, we're gonna get the briefcase. But of course, in my head, the idea is that Marvin didn't realize they were gonna kill everybody.Michael Jamin:Right. Right. He thought theyPhil LaMarr:Were just gonna take the briefcase.Michael Jamin:Right. So he'sPhil LaMarr:Freaked out.Michael Jamin:And so how many days is, were you, how many days of a shoot is that for you? Is that a week or what?Phil LaMarr:I spent about two weeks. There was the car scene and the apartment scene. But the, the most ironic thing was I shot my scene after they had shot the Harvey Kittel cleaning up my body scene.Michael Jamin:Right. So whenPhil LaMarr:I came onto set, everybody was looking at me like they recognized me because they had been see, looking at me dead for two months.Michael Jamin:. But how? Wait, but but when you say looking at you dead was, were there photos or something or what? No, no.Phil LaMarr:They built, they built a dummy. The dummy. Oh. Because there's a se there's a sequence where the Harvey guy tell character comes to clean up Yeah. And then carry the body out of the car into the Tarantino character's apartment. YouMichael Jamin:Know, that must been freaky. SoPhil LaMarr:Everybody been looking at this body in the trunk body, you know, and then when I walked on, they were like, it's, it's the same thing of like, when you walk into a room and you forget you're wearing a name tag.Michael Jamin:Yeah. Did you know how great that movie was gonna be at the time? Yes. I mean, you, you can tell. How can you tell? IPhil LaMarr:Couldn't tell how successful it was gonna be because, you know, reservoir Dogs was really good. Right. But it wasn't, you know, it was a big indieMichael Jamin:Movie. Yes.Phil LaMarr:Right. But when you read the script for Pulp FictionMichael Jamin:Uhhuh,Phil LaMarr:It leapt off the page.Michael Jamin:Right.Phil LaMarr:It's funny because like, when I went to audition for it, after meeting Quentin Tarantino, we did a Groundlings improv show.Michael Jamin:Oh, is that right? BecausePhil LaMarr:He's, he was friends with Julia Sweeney, who was a Groundlings alum. Right. And she invited him to come do a show. I was in the cast. Right. And when he was casting pulp Fiction, he was thinking about Marvin. He told the casting lady, Hey, there's this black guy at the Groundling, he's go find him.Michael Jamin:Right.Phil LaMarr:And I remember preparing for the audition, reading through the scene three times. It jumped into my, I w I had it, I was off book by the time I memorized. Because the way it's written, even though it's not everyday life, every line follows exactly what the one before it would say. And it feels natural, even though it is such a heightened world he's created.Michael Jamin:Yeah. He really is. I mean, you know, he's a master with, with words. He doesn't, does he, he doesn't, I can't imagine allow much improv. I mean, it seems like he knows what he wants, right?Phil LaMarr:Oh, yeah. No, no, no. Yeah. The, the script is like a Rosetta Stone. It is carved, yes. Actually, the, the only two things that changed in the script were one a line of Samuel Jackson's character about porkMichael Jamin:Uhhuh ,Phil LaMarr:Because originally they're talking about a pig and he is like, oh, that's the Kerry Grant of pigs. And Sam was like, no, Manam my guy. I don't think this guy would ever think Kerry Grant was cool.Michael Jamin:Right. So theyPhil LaMarr:Changed it to the, the reference to the the at Albert showMichael Jamin:Oh, oh green Acres. Green Acres, yeah. Yeah, yeah. Right.Phil LaMarr:Yeah. It's like the pig on Green AcresMichael Jamin:. And,Phil LaMarr:And the o and the other moment that changed from the script to what, what we shot was because of what a thought that John had.Michael Jamin:Uhhuh GunPhil LaMarr:Travolta. Yeah. Oh. Because, because this was a low budget indie movie. They made this movie with all those stars for only 8 million.Michael Jamin:Are you kidding me? Really?Phil LaMarr:Yeah. And part of that saving money was we rehearsed the entire movie on stage before we started shooting. Right. And I remember going to a sound stage at, at cul in Culver City on Sony and meeting John Travolta and Samuel L. Jackson for the first time in rehearsal.Michael Jamin:Right.Phil LaMarr:And I remember walking in there and it's like, Quinn's like, oh, hey Phil, this John Sam, this is Phil. And John Tra goes, oh geez, this is a guy. I had to kill this guy. The eyes is gonna hate me.Michael Jamin:That's a pretty good Travolta sound just like him. . Oh, thanks.Phil LaMarr:And he just, I thought he was just joking. But eventually he talked to Quintin. Cuz originally in the back of the car, the gun is supposed to go off accidentally. Yeah. And shoot Marvin in the throat.Michael Jamin:Okay.Phil LaMarr:And then he sits there g gurgling while they go back and forth bantering, oh, dad, what are we gonna do? Right. Well, we can't take him to the hospital. Well, I don't have nobody in the valley. Well, alright. Put him out of his misery. When I, on the count of three, I'll hit the horn. And so John's character was supposed to shoot me the second time on, and John said, no, no. Quentin Quinn. Quinn. If my character kills this kid on purpose, it's gonna ha people won't, won't like him. And he was right. It would've negatively affected his sequence with Umma Thurman.Michael Jamin:That's absolutely right. But do you think he was, Travolta was interested in protecting the character or protecting himself as an actor? You know, like how people saw him? What do you think?Phil LaMarr:I think it was, he had a connection to the audience, which I guess was mostly through him, but also through the character. Because I mean, I mean, I guess, you know, Quintin's could have just said No, no, the character's just, he's a nasty, you know, junky. Yes. He does nasty stuff. But I think John was like, no, no, no. This whole sequence with the girl, he's not nasty.Michael Jamin:Right. So, right. I see. And andPhil LaMarr:Quintin agreed with John Yeah. His take on the character.Michael Jamin:Yeah. That's so interesting.Phil LaMarr:Isn't thatMichael Jamin:Wild? Yeah, that is. See, it's so funny listening to you, you can so hear like how thoughtful you are about acting, how mu how much, how it's not, it's a craft, it's a, you know, you, I really hear that from you, how much you put how passionate you are about the craft of acne. Not just being on stage, not just you know, doing voices, but the craft of it. You know? Exactly. Yeah. How do, do you miss, or do you get a chance to perform on stage a lot? Because that was your original lovePhil LaMarr:Mm-Hmm. . Yes. Thankfully. I'm still holding on to my performance foundation. My friend Jordan Black, who is another Groundlings alum Uhhuh about what, 12 years ago now, created a group. And we do a show monthly live on stage, an improv show at the Groundlings Okay. Called the Black VersionMichael Jamin:Uhhuh. It's,Phil LaMarr:It's an all black cast, and we take a suggestion from the audience of a classic or iconic motion picture, and then we improv the black version of it. ButMichael Jamin:What if you're not familiar with the, the classic?Phil LaMarr:Well that's the tricky part is our director Karen Mariama mm-hmm. , who was one of my teachers at the Groundlings and is now one of my peers, has an encyclopedic knowledge mm-hmm. , she can take a movie from the black and white era and know the entire structure or something that dropped that dropped on Netflix last week. And she knows everythingMichael Jamin:But you, but if you don't know itPhil LaMarr:Well what we do, what she does is she, she, as the director, she guides the scenes Uhhuh . Okay. Alright. Phil, you are gonna play this, you know, like let's say we're doing the black version of Princess Bride. Phil, you'll, you are this you know, swordsman who is incredibly skilled audience, what do you think his name? Okay. In Negro Montoya, that's your name.Michael Jamin:That's funny. AndPhil LaMarr:Like she'll assign the characters Right. And then guide us from scene to scene. But, you know, our choices, you know like when we did the black version of Princess Bride, it was called her Mama and them, and Prince Humperdink was Prince Humpty Hump. Right. You know, and sometimes the choices will change the, the, you know line, line of the story. But she tries to keep us, you know, take us through the iconic scenes.Michael Jamin:Right. And this is once a month you do this.Phil LaMarr:Yes.Michael Jamin:Yeah. That's a big commitment.Phil LaMarr:Yeah. And for 12 years. Yeah.Michael Jamin:Yeah. I mean, you must, you probably took a break during the pandemic for a little bit. Yes,Phil LaMarr:Yes, yes, we did.Michael Jamin:But Wow.Phil LaMarr:And recently we've you know, we've built an audience and a reputation and we've started booking on the road. We've we've played the Kennedy Center in Washington DC twice now.Michael Jamin:So you take it on the, and, and how were you able to sell tickets on the road? I mean, so easily.Phil LaMarr:It's, I I think it's, it's the, the venues and also you know, somewhat just the, those of us in the group. I mean, Jordan was a writer on SNL and part of the guest cast on community Cedric Yarborough from Reno 9 1 1, and tons of other shows. SoMichael Jamin:Just your name. Just your name. So it's kind of just your names people like, Hey, we want, you know, we recognize these names, we wanna go see it. If you, you know this.Phil LaMarr:Yeah. I, I mean, I'm, I'm not exactly sure how we managed to sell out, youMichael Jamin:Know? That's amazing. All overPhil LaMarr:TheMichael Jamin:Place. That sounds like a lot of fun.Phil LaMarr:It's so much fun.Michael Jamin:Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Wow. I mean, is there a limit to how much you can, I mean, just organizing that to get everyone to get the time off. I mean, that's gotta be logisticallyPhil LaMarr:Gotta be hard. Yeah. The, the tours aren't that we don't do them that often because, you know, Gary Anthony Williams from, you know, Malcolm in the Middle and stuff, everybody in our cast works a lot. Yeah. So we can really only guarantee the show once a month. Right. but sometimes when we tour, not everybody goesMichael Jamin:Because Yeah, you have to, I mean, if someone books apart and you're shooting that at night, what, what are you gonna do? That's the way. Right.Phil LaMarr:Or you or you have to fly to Vancouver for six months.Michael Jamin:Yeah. Right. Right. And that's part of, that's, I mean, that's part of the, the plus of, of the do for you for doing a lot of voice acting is that, you know, you probably get to lead a pretty sane in life if for an actor it's, it can be very hard, you know, being onPhil LaMarr:Their Well, and, and it's also one of the wonderful things about the progress that has come since we started the show, because part of the reason Jordan created the show is because those of us in the improv world, you know, who are people of color, oftentimes spent the majority of our time being the one.Michael Jamin:Yeah.Phil LaMarr:But over the years, the, you know, the numbers, the diversity in the improv world, you know, expanded, it used to be a very suburban art form.Michael Jamin:Yeah.Phil LaMarr:But now, you know, I I I credit this mostly to Wayne Brady doing whose lives in anyway.Michael Jamin:Yeah. Right. Yeah. And so that really opens up more opportunities and more of what Yeah. That, that's, that's interesting that, you know, that really has changed a lot. How, how have you seen it change your opportunities in the past, I don't know, whatever, 20 years, 30 years, you know, however long?Phil LaMarr:Well, it's, it's, it's changed be in a lot of ways. One, when I got voted into the Groundlings in 1992, I was the first black person to get voted into the company in its 18 years of existence.Michael Jamin:You're kidding me. Yeah. That's crazy. That's crazy.Phil LaMarr:And now the pool of, you know black people, you know, who are Groundlings has expanded. It's not just one every 18 years.Michael Jamin:Yeah. Right. But, and in terms of more, you know, more opportunities for you even, you know, I mean, everything's, everything's really opened up for you. Right. I mean, I imagine Well,Phil LaMarr:Well, because we have, you know, the, those of us in entertainment have expanded. Yeah. You know, what we consider will work. You know, I was talking my son just graduated from NYU and one of his classmates is the son of the woman who directed the woman king. Okay. At Viola Davis, you know. Right. Action movie. Right. And I remember watching and thinking, oh my god, when I was 18, no studio in the world.Michael Jamin:Right. Would touch that. Right. Would'vePhil LaMarr:Would've, you know, green lit Yeah. A action movie, you know, about black women.Michael Jamin:Yeah. Right.Phil LaMarr:And, and the fact that, you know, it's out there now and is just another big movie. It's, it's not considered, you know you know, a once in a lifetime thing anymore. That's the progress and the fact that we have, you know, middle-aged women mm-hmm. leads of s of TV series. Yeah. You know, back in the old days, the only lead of a TV series was one beautiful person or one famous, you know, hilarious person. Yeah. But now they've opened it up.Michael Jamin:I wonder, is your son planning to going through the arts now that he graduated from nyu?Phil LaMarr:Yes. Yes. He's, he's musician. He oh, writes and sings and dances and raps and produces, and he's part of the Clive Davis recorded music program where they teach them music and the music business.Michael Jamin:Yeah. Wow.Phil LaMarr:One of his teachers was Clive Davis's daughter. Wow. Who's a lawyer.Michael Jamin:And do, I mean, it's, but it's, the music is different from what you do. I wonder, I wonder if you're able to, does it all feel like, I don't know how to help , you know? Yeah.Phil LaMarr:Yeah. There's a lot of that uhhuhMichael Jamin:Like,Phil LaMarr:Dad dead. Because when your kid goes into, you know, show business, you think, well, I've been in show business for 40 years, like, you haven't been in the music business. I'm like, you're right.Michael Jamin:That's true. So interesting. Wow. Wow. And, and, and so what about, I guess, you know what's next for you? Is you just, is it more of the same? Is there more, well, actually I know you have a pilot that you, that you were, you're working on, you know, you're getting into the writing side of the business. Yes.Phil LaMarr:More so. Yes. And that actually over the last couple of years has been a, a slight shift you know, having been performing. Yeah. You know, for so long now, since the eighties. I've also, and I've also been writing since the nineties when I started at the Groundlings. Right. I was writing sketches and I wrote on Mad tv. But just recently, earlier in this year, I took a job as a professional writer on a television show for the first time.Michael Jamin:Right.Phil LaMarr:And it was pretty wild to have 30 years of sitcoms under your belt and then suddenly see it from a completely different angle.Michael Jamin:And what, and what was your impression of that?Phil LaMarr:It, it was wild to cuz like you were talking about the way I look at acting and break it down. Yeah. And, you know, look at all the subtle distinctions. I had never looked at, you know, TV writing that way. Okay. But to suddenly be in a room with people who look at who see it that way for decades, you're like, oh wow. How do I feel like a rookie at 56?Michael Jamin:Yeah. Right. And so there's a lot of catching, a lot of catching up little Yeah. You know, that's so, and, and are, are you enjoying it as much or as much as you thought? Or what do you think?Phil LaMarr:Well it, the challenge part was, was a little bit, you know, tough. Yeah. But it was great to be working on a really good show with great, talented people and to be learning something new. It's like, yeah. Oh, like for me, like when we would write sketches at the Groundlings Uhhuh, you didn't think about anything about like, well, beginning, middle, and end. Right. Three minutes.Michael Jamin:Right, right.Phil LaMarr:You know, but now you have to think about, you know, character arcs and the, you know, okay, well if you introduce the character's father, we have to think about their entire family. Is the mother still a alive? You're like, oh, right. When you write a sketch, you don't have to think about,Michael Jamin:You don't think about any of that. Right. And when you, and when you're acting the part you, you know. Yeah. Yeah. And so it's, it's so interesting cause I always say like, acting and writing are really, they're two sides of the same coin. It really helps to study both whatever you want to do, study both. Exactly. it's all, and so yeah, that, that finding that emotional arc and, you know, it's all, it's all new for you, but yeah. I wonder, you know, but you're enjoying it.Phil LaMarr:Well and, and working alongside, I mean, cuz there were people who, you know, one guy at show run Will and Grace, another guy worked on Arrested Development. I mean like, you know, one guy was showrunner on five other shows to, to watch how they mm-hmm. . Cause for me, I would like, Hey, I would just pitch out a joke. I'm just gonna say something I think is funny. Right. But they had this like s you know, Superman MicroVision where they could take that joke and see Yeah. How it could affect the mm-hmm. the entire scene, the entire episode and the entire season.Michael Jamin:Yeah. Right. It's like, where does that, but offPhil LaMarr:The top of their head.Michael Jamin:Right. And where does it go? Where does that moment go into the script, into the, you know, is it act one or is it Act three? And so that Yes.Phil LaMarr:Yeah. That yes. I mean I'm sure you have that, that x-ray vision too. Yeah. Where you can look at a script and see the act structure Yeah. And you know, and or just even the structure of just the scene. Yeah. Like what does this character, where do they start and where do they finish?Michael Jamin:Yeah, that's right. Well we were, we ran a show for Mark Maron for four years and you know, he was one of the writers in it and he would pitch an idea, cause I wanna say this, and then we'd put up Neck one and then I remember at one point , we were talking about it and we said, mark, I don't think this can go in Act one. Is it okay if we put a neck three? And he'd say, oh, I don't care where you put it is. Right. long as in the script,Phil LaMarr:I'm just thinking about what the character would say.Michael Jamin:Yeah. That Right. I was like, was like, oh, that's a relief. I thought you were gonna get mad for, you know, you didn't care about that. So funny.Phil LaMarr:Right. Yeah. Just cuz as performers we are not looking at the app structure.Michael Jamin:Right, right. You know,Phil LaMarr:Most of us, I, I may imagine there are some people who do like, well I wanna build up from act two to act three, you know? Yeah. But most of us don't. We're just, what is the guy feeling in this scene right now?Michael Jamin:Right. And how to get to that, the truth of that, how difficult is it for you to make yourself vulnerable like that on stage to like, to go there, you know, whatever, maybe it's crying or whatever it is. How difficult it is for you just to allow yourself to go there?Phil LaMarr:Well, it's not necessarily easy. It's definitely something that I had to, you know, a skill set to build Uhhuh . You know, I was not one of those people when I started acting who could make themselves cry on cue, UhhuhMichael Jamin:,Phil LaMarr:You know. But I remember I had to do a scene on a, a Steven Boko show called Philly. And it's like, okay, well this character is really, you know, emotionally, you know, I gotta figure out how to make sure I'm putting that out there. Right. So I thought about something sad and let it, you know, something different than what the character was thinking about mm-hmm. . But it's again, like, you know, with the voice acting like what sounds bey you also have to think about your face, what looks Yeah. Sorrowful and how do you make yourself look sorrowful. Right. You know, although one of the things that helped me learn where to, to try to go was working on Pulp Fiction with Samuel L. Jackson.Michael Jamin:What he what? Go on. He gave you some great advice or what?Phil LaMarr:No, he just, what he showed because you would stand there offset talking to this cool old guy who was amazing, you know? Yeah. He's just talking about golfing or his daughter. But then when the camera started rolling Yeah. The person you were just talking to disappeared. Right on set. I looked over and I was looking into the eyes of someone completely different than Samuel L. Jackson. Right. And I remember standing there in my twenties thinking, oh my God, he transformed himself internally. And so that it shows externally. Yeah. That's like, I gotta learn how to do that.Michael Jamin:And then how did you learn how to do that?Phil LaMarr:Well, I, I'm still haven't gotten to his level , but what I learned is you have to figure out one, how you look and how you get, it's, it's like a map. Mm-Hmm. , you know you know, if you figure out how to guide your internal self to a place where your external self does what's on the page, that's what acting is. You know, otherwise you would just be reading words to be or not to be. That is the question. You know, it's not just about the words. It's how do you express the feeling? And Sam taught me there is a way where you don't have to do nine minutes of to get into character.Michael Jamin:Okay. IfPhil LaMarr:You know the root within yourself, you can do it like that. Right. So I, I realized it was about learning your internal, you know, where do, where do you put your sadness? Where do you put your anger and where's, what's the difference between your anger and this character's anger? Guide yourself there and then, you know, connect the two.Michael Jamin:And do you have moments where you feel like, I I didn't do it. I didn't get there. You know. Well,Phil LaMarr:I mean that's the, the one good thing about on camera work and what we were talking about about the rehearsal Uhhuh is you can find, take the time to find it, but yes, no, there's, there's always, you know, not every job is a home run. Mm-Hmm. , you're like, oh, I wish I had gone a little bit deeper with that. Right. You know and sometimes you feel it there. Yes. Other times you don't realize it until after you see it. And maybe it's, they picked a take that Right. You didn't No. That wasn't the best one. Why didn't they, you know, not nothing is ever perfect.Michael Jamin:Right, right. YouPhil LaMarr:Know,Michael Jamin:And, but do you, like sometimes I'll watch, I'll be on set and I'll watch an actor do something. Usually it's drama and or a dramatic moment. Right. And, and they let it all out. And after you, you'll cut. I'm always like, I wonder if they need a moment alone. You know what I'm saying? It's like Right. I mean, what are your, what's your take on that?Phil LaMarr:Well, I mean, I'm not a, a method guy. I don't put myself into, because Yeah. You, you hear a lot about that, about a guy's like, yeah man, I had to play this character and my girlfriend hated me for a month because when I went home I was still part of that dude. Yeah. You know? And I don't know if it's my improv and sketch background where I take my character off like a hat,Michael Jamin:Uhhuh . IPhil LaMarr:Don't take them home and, you know, I, I try to embody it during the performance, but I don't feel it's, you know, required to have to be the character.Michael Jamin:Right. But if you spend a whole day as a character,Phil LaMarr:It can, it can be draining.Michael Jamin:Yeah. Right. It can be draining. Right. You have to wash yourself up that if, if you don't like that, you know, if you don't like that person, you have to wash yourself of that. Right. And how do you do that?Phil LaMarr:Yeah. Well, I mean that's, that's about, you know, when you leave the set mm-hmm. , you leave those feelings behind, although some actors don't, but you'veMichael Jamin:Just experienced, you spent the whole day experiencing that mm-hmm. that whatever it is, and yes, I understand you left it, but you spent the whole day angry or, or mournful or bitter or whatever it is. Like how do you, you still have to wash yourself from that, don't you? Well,Phil LaMarr:But I mean, the, for me, I'm not fooling myself. I'm not trying to convince myself that the script and the character is real and me. Cuz that's the thing. Like, if you spend all day with your drunken uncle who's nasty on Thanksgiving, that's not fun.Michael Jamin:Right.Phil LaMarr:You know, and then when you leave, you're like, ugh. You can, you can still be right, you know, upset about it, but you're, you're con but because you're connected to that person. For me, it's about, that is fiction. Right. I only, you know, I'm connected to the fiction while performing. I don't feel like I have to be, you know, like when I play Hermes on Futurama, I don't have to speak in a Jamaican accent for the entire season.Michael Jamin:Right.Phil LaMarr:You know?Michael Jamin:But are there moments, and maybe this is less so for a voice acting, but when you're, when you're on, when you're on camera, are there moments when you're like, you're cognizant that, oh, I'm acting now. Mm-Hmm. , you know, and then you, and you have to, oh, I gotta get back. You know, and you're, you're delivering your lines right in the middle of the line, you realize I'm acting.Phil LaMarr:Well, it, it's interesting because I think part of this mental philosophy I have is, you know, comes from watching Sam Jackson Uhhuh because he wasn't method, he wasn't acting like Jules, you know, acting like a gangster, a man with a gun the whole time.Michael Jamin:Right.Phil LaMarr:And he showed me that. And it's funny because while he was doing that, Frank Whaley who had worked on the doors was telling anecdotes about how when Val Kilmer was playing Jim Morrison, he was the exact opposite. Right. He, before they started shooting, he sent out a memo. Everyone is to refer to me as Jim or Mr. Morrison.Michael Jamin:Right.Phil LaMarr:You know, and he had a tent set where he would, you know, work to be in character and would only come on set as Jim Morrison. Right. He was ne They never s they never spoke to Val.Michael Jamin:Right.Phil LaMarr:Right. So, you know, what about, yes. It's definitely difficult for some people if that's their approach. No, no. My approach is I have to live this character.Michael Jamin:Right. You know, so you're, so you, okay, so that's not your problem. You don't have to worry. That's not something you have to Yeah, no. Interesting. I, I'm so interested in the, the actor's approach to the material, you know? Yeah. Because, you know, we write it, but how do you guys do, how do you guys do it? Because there's a difference. There really is a difference. You know, we hear it one way we envision it, but we can't do it. Do you know what I'm saying? Yeah. We can't get it out of our heads onto, into reality, but you can. And so I'm always like, how did you do thatPhil LaMarr:? Right. Well, it was, it was, it was interesting experience, you know, from the writing, acting, you know, crossover. Mm. I worked on a, I was developing an animated show based on a friend of mine's web comic called Goblins.Michael Jamin:Okay.Phil LaMarr:And my partner, Matt King and I, we were both performers, but we adapted the comic into a script. And I called a bunch of my voice actor friends, cuz we were, we were gonna make a trailer, you know, to bring these, you know, comic characters to life Yeah. In animation. And it was funny cuz Matt and I are actors. We had, you know, written the script and we'd acted out these scenes. And so in our heads we, we thought we knew exactly how they'd sound. But then we brought in amazing Billy West, Maurice La Marsh. Mm-Hmm. , Jim Cummings. Mm-Hmm. Steve Bloom, Jennifer. And it was funny because when they performed the scenes we had written, they took it to a whole other level. Right. Beyond what existed in our, in our heads. Right. Like, oh my God, they made it so much better than I even imagined it couldMichael Jamin:Be. Right, right.Phil LaMarr:And it was wild cuz I'd heard writers, you know, express a similar kind of thing. It's like, oh my gosh, you guys did such, such amazing with, and, but to have it, you know, as someone who'd been a performer, to have someone take your and do that miracle with it was an eye-opening experience. Like, ah, butMichael Jamin:There's something else that you do. Cause you know, there's a handful ofri actors, voice of actors, they always work. You're one of them. But pro you call 'em in and it's, it's knowing, especially in comedy, knowing where, how to hit the joke. I mean, we always say, can they hit a joke? And knowing where the laugh falls, not just somewhere, but which word makes it, makes it funny, you know? Mm-Hmm. , you know. And do you think that's your instinct? Or is that just something you've gotten better at?Phil LaMarr:Yes, I think that's something that has grown from performing, especially in the sense of, in the sense of comedy. Because I remember, you know, starting out on stage doing, you know, plays, then doing, doing improv, which is specific comedy cuz when you're doing a play mm-hmm. , the writer has decided which moments are funny, which moments are dramatic, you know. But when you're doing improv, you and the audience are deciding what's funny. Right. And, and I remember coming, you know, back to LA and pursuing acting and then starting to get work on camera and doing comedy. And I realized, huh. Oh wow. I don't have an audience.Michael Jamin:Yes. And youPhil LaMarr:Have, you have to create a gauge in your head for, is this funny? Because when you're on stage and you're doing a funny bit, you're, you know, you can feel from the audience whether, oh, I need to push that up a littleMichael Jamin:Bit. Right.Phil LaMarr:But when you're working on camera, this, the crew is not allowed to laugh outMichael Jamin:Loud. Right.Phil LaMarr:You know, so you have to create an audience inside you, an internal audience in your head to help, you know, is, is this the timing of this?Michael Jamin:Right.Phil LaMarr:And, and it's funny because I've developed that and a couple of years into it, I remember I got a job working on N Y P D, blueMichael Jamin:UhhuhPhil LaMarr:Playing a guy who was being questioned, you know, interrogated in the police station and then gets roughed up by Ricky SchroederMichael Jamin:Uhhuh.Phil LaMarr:But the, the lines, because this guy's on drugs. And I remember like, oh wow, I gotta be careful. This could be funny . Cause he's like, you know, like, you know, cause Ricky Schroeder, you know, sees blood on his, on his clothes, like, take your clothes off. It's like, and the guy take my clothes. What you wanna do? What you ain't gonna put no boom on my ass. Right. And I remembered I have to gauge the funny way to do this and not doMichael Jamin:That. Yes. Right, right. Because,Phil LaMarr:You know, there was, I, and I realize no, no. Pull back the tempo and lean into the anger, not the outrage.Michael Jamin:Right. Right. So, andPhil LaMarr:Then it'll be, then it'll be dramatic, not comedy.Michael Jamin:It's, again, here you are approaching it really from the craft. It's not Yeah. I just wish it's, when I hear people, I want to be an actor. Okay. Take it serious. Are you gonna study? Are you just gonna, do you wanna be famous? Which, what is it you want? You know?Phil LaMarr:Right.Michael Jamin:And well, let's talk about that for a second. What, what's your relationship with, with fame? How do you, you know?Phil LaMarr:Well, that's a very interesting thing because I feel like that has changed mm-hmm. from the generation, like when you're our age, when we were growing up pre-internet mm-hmm.Michael Jamin:Phil LaMarr:Fame only applied to stars.Michael Jamin:Yeah. Right.Phil LaMarr:Now, you know, I mean, nobody knew voice actors, only voice actor anybody knew was Mel Blank.Michael Jamin:Right.Phil LaMarr:You know, people to this day still don't know what Das Butler looks like. Right. But the now anybody who appears on anything, even a YouTuberMichael Jamin:Right.Phil LaMarr:Has some level of fame. Right. You know, and, and it's wild because, because of the internet, the, you know, it now matters what you say. In the old days, if you were a television character actor, like if you were Richard MulliganMichael Jamin:Yeah.Phil LaMarr:It never, nobody was ever gonna post what you said about something.Michael Jamin:Right.Phil LaMarr:It was only if you were Joan Crawford. Right. Or

Here are all the segments: 00:00 – Chief Concerns Opener 00:43 – Chief Concerns is brought to you by BetOnline.AG 00:47 - BetOnline.AG Advertisement 01:34 – Former Chiefs Tight End Jason Dunn and cohost Marcus Dash introduce former Chiefs OT Jordan Black 02:04 – Chiefs OT Jordan Black and JD discuss old times, Al Saunders, new offenses, and more 25:41 – Jordan sheds light on the Donovan Smith at Left Tackle and Jawaan Taylor at Right Tackle situation, he also talks Andy Heck, who was his OL coach during his stint in Jacksonville 01:04:44 – Mahomes could get a new contract? 01:12:56 – Chris Jones takes to twitter to recruit former Chiefs players 01:20:02 – Discussing some of the leaked NFL Schedule matchups 01:29:19 – Giveaway 01:31:21 - Goodbye

On Monday in the NHL, Matthew Tkachuk dominated as the Florida Panthers returned from the All-Star break with a huge 7-1 win over the Lightning, while Alexis Lafreniere scored the game-winning goal in overtime for the New York Rangers. Jesper Bratt finished off the Vancouver Canucks as the New Jersey Devils got an overtime win as well, and Jamie Benn showed up in the shootout to get the Stars of victory against the Ducks in Dallas. The Arizona Coyotes came back from behind in the third period to beat the Minnesota Wild, and the New York Islanders won in Bo Horvat's debut in a 2-1 victory in Philadelphia. After another busy night in Hockey, Jordan Black brings our Locked On hosts from around the league to tell you all about everything that happened on Locked On Game 2 Game: NHL.Support Us By Supporting Our Sponsors!Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order.Athletic GreensTo make it easy, Athletic Greens is going to give you a FREE 1 year supply of immune-supporting Vitamin D AND 5 FREE travel packs with your first purchase. All you have to do is visit athleticgreens.com/NHLNETWORKFanDuelMake Every Moment More.Place your first FIVE DOLLAR bet to get ONE HUNDRED AND FIFTY DOLLARS in Free Bets – win or lose! Visit Fanduel.com/LockedOn today to get startedFANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

On Monday in the NHL, Matthew Tkachuk dominated as the Florida Panthers returned from the All-Star break with a huge 7-1 win over the Lightning, while Alexis Lafreniere scored the game-winning goal in overtime for the New York Rangers. Jesper Bratt finished off the Vancouver Canucks as the New Jersey Devils got an overtime win as well, and Jamie Benn showed up in the shootout to get the Stars of victory against the Ducks in Dallas. The Arizona Coyotes came back from behind in the third period to beat the Minnesota Wild, and the New York Islanders won in Bo Horvat's debut in a 2-1 victory in Philadelphia. After another busy night in Hockey, Jordan Black brings our Locked On hosts from around the league to tell you all about everything that happened on Locked On Game 2 Game: NHL. Support Us By Supporting Our Sponsors! Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order. Athletic Greens To make it easy, Athletic Greens is going to give you a FREE 1 year supply of immune-supporting Vitamin D AND 5 FREE travel packs with your first purchase. All you have to do is visit athleticgreens.com/NHLNETWORK FanDuel Make Every Moment More.Place your first FIVE DOLLAR bet to get ONE HUNDRED AND FIFTY DOLLARS in Free Bets – win or lose! Visit Fanduel.com/LockedOn today to get started FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's podcast, we talk with Jordan Black of LIKE PACIFIC. Keep up with what Jordan is up up to: https://www.instagram.com/hotgaydaddy/ https://likepacific.com/ https://razehc.bandcamp.com/ Season 3 Podcast Intro Bumper Written, Recorded, and Mixed by Tommy Wood: https://www.instagram.com/intommywerust/ Scoped Exposure Podcast is created by: Spencer: https://www.instagram.com/spicyspence_/ Jordan: https://www.instagram.com/restingboredface_/ Check out the main Scoped Exposure channel: www.youtube.com/scopedexposure

EPISODE 108 – FOR YOUR CONSIDERATION “Ask any improv comedian: Volume equals comedy.” This week, Ashley reveals her stand-up dreams; Brandon expands the Chipmunk theory; Chris gets stuck in a laundry machine; and Brian steals Ashley's line. BTW: Ending all our sentences… in hell! Starring: Catherine O'Hara, Harry Shearer, Parker Posey, Christopher Guest, Ed Begley Jr., Eugene Levy, Christopher Moynihan, John Michael Higgins, Jim Piddock, Jennifer Coolidge, Jordan Black, Rachel Harris, Bob Balaban, Michael McKean, Fred Willard, and Jane Lynch Directed by Christopher Guest FOLLOW US:Patreon (https://www.patreon.com/trashwatch)Instagram (@trashwatchpodcast)Twitter (@trashwatchcast)TikTok (@trashwatchpodcast)Facebook (https://www.facebook.com/trashwatch/)YouTube (https://www.youtube.com/channel/UC5YpPcNIBmqNvvLvxa3WTLA)Email (trashwatchpodcast@gmail.com)Listen to Brian's music at (https://www.brianhorne.com)Support the show

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WTOP Entertainment Reporter Jason Fraley chats with comedian Jordan Black, who brings his improv comedy show "The Black Version" to the Kennedy Center tomorrow through Saturday. They discuss his hilarious idea of staging Black versions of predominantly white movies, as well his own journey from "Saturday Night Live" to "Community" to "The Wonder Years." (Theme Music: Scott Buckley's "Clarion")

It's week two of the Max Fun Drive! This is the one time of year where all of the shows on the Maximum Fun Network reach out to you and ask you to become members or upgrade your membership to help make our show possible. We're following up last week's table read of Greatest American Heroes with an interview with its writer, Andy Bobrow (Community, Last Man On Earth, Brooklyn 99!) In it you'll hear Andy talk about his fifteen years in advertising before becoming a television writer. He let us in on some of his worries as a new writer, the pressure he put on himself to succeed, and the constant worry of thinking he might be too old to make it in this industry.  You'll hear Andy talk about how he got his first writing job on Malcolm In The Middle and his experience writing on Community. He also talks in detail about how helpful it was to have had a career in advertising before becoming a TV writer. Some profound insight and vulnerability in this one. You won't want to hit the pause button. Enjoy it! If you don't know already, all Maximum Fun podcasts are audience supported. That means that our audience directly supports and makes our show possible month after month. So please consider becoming a member or if you already are one… upgrade if you can! With your new or upgrading Max Fun membership, you'll get access to all of our bonus content along with the entire library of Maximum Fun bonus content. There's a whole bunch of membership tiers that get you all different kinds of gifts too! Please support our show by becoming a member. As a reward for your membership, you'll get access to all of the videos from our table reads of the last two years and so much more. It's all yours for as little as $5. Become a member at https://maximumfun.org/join Thanks for supporting our show!

Actor Jordan Black comes on the show to discuss his work on things like SNL, Community, and the New Wonder Years reboot. Later, Berg Steenen and Steen Bergen, 2 film directors who just woke up from a 5 year coma join Jordan and Aristotle to discuss a film they are directing about the Trump administration, albeit a completely inaccurate film that is probably a Ponzi scheme. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Daniel interviews actor, writer, comedian Jordan Black. Jordan is an actor, writer, comedian who's starred in Bridesmaids, Key and Peele, The Mindy Project, and written for Saturday Night Live, The Last O.G., Last Man Standing, and is a writer on the reboot of The Wonder Years. He is also the creator of the improv show The Black Version.

Jordan Black, teacher turned entrepreneur, has enjoyed small business owner success while making tremendous transformations in his life.  He spent 10 years in public education before making the courageous leap of breaking his “golden handcuffs” to start his own business full time.  Jordan bought into the Two Maids & A Mop home cleaning franchise, opening up the first office in the St. Louis area in 2018.  He soon followed up by growing a second territory in the St. Louis region and expanding out of state by purchasing the Boulder, Colorado office and later, the South Denver office. He now resides in Colorado, with his lovely wife Carly, also a small business owner, and his two children.  Jordan enjoys the Colorado lifestyle where he can take in a beautiful hike, a good IPA and plenty of sunshine, within a short drive of his home.Jordan's overall mission is to seek freedom and fulfillment in his life while encouraging others to achieve the same.  He believes in personal power, manifestation and that we only need to trust life for great things to happen.  He also wants to reassure people who have spent many years pursuing one career that there are other ways to live out their vision and passions. Jordan believes strongly that former teachers can make fantastic business owners.  He looks forward to continuing to live out his vision and help others live out theirs.The primary elements of this episode are:The Golden Handcuffs might create security and certainty, but they can also suck the life out of you if you just living for retirement instead.To become an entrepreneur you must shift from security-minded to growth-minded. You can hit the reset on your life and career anytime you are ready. It just takes increased confidence, courage and clarity.Music Credit: "What's Left of Me" by Wes Hoffman & FriendsLinks & ResourcesConnect with Jordan's Facebook PageConnect with Jordan's St. Louis, Missouri Office Website or with Bouler, Colorado Office Website.To explore options to create more wealth, success and happiness in your life email me directly at mike@livesoulout.com or put time on my calendar for us to connect.Visit www.LiveSoulOut.com for free resources and tools to create more wealth, success, and happiness in your life and business.Click here to buy a copy of Mike's first book The Imposter in Charge or his new book The Prosperity Principles: Seven Accelerators for Elite Business Owners to Achieve Breakthrough levels of Success and Live Soul Out.About Mike: Mike Kitko is an executive self-mastery coach, speaker and author. He found external success through powerful titles, incomes, and material possessions. He ultimately fell into depression, toxic abuse of alcohol, and the near collapse of his family before he began a journey of internal happiness and success. Through private coaching, mastermind groups and training, Mike helps business owners achieve higher levels of wealth, success, and happiness in all areas of life.

Like Pacific has gone through trials and tribulations to record their newest album, 'Control My Sanity', during the peak of the pandemic. Jordan and his other members would send audio recordings through their phones to get the album completed when going to the studio individually. However, they have persevered through that process and the album will be out on December 3rd. Spoiler alert: "Ketamine Jesus" was originally a one-minute song and now it has been written into a three-minute BANGER! Podcasts are available on all streaming platforms: https://beacons.page/thelimelightpodcast George Powell: @GeoPowelll Shana Davidson: @powerpointpunk Like Pacific Socials: Facebook Instagram  Twitter  TikTok    Poeta: "Anxious Racing", Single Available Now    'Golden Fields' - Apple Music & Spotify  Facebook Instagram  Twitter  YouTube 

We were very fortunate to have Jordan Black from Like Pacific on the podcast to talk about their new album, "Control My Sanity". Enjoy! Like Pacific Socials: Twitter: https://twitter.com/LikePacific Instagram: https://www.instagram.com/likepacific/ Facebook: https://www.facebook.com/likepacific Apple Music: https://music.apple.com/us/artist/like-pacific/950107674 Spotify: https://open.spotify.com/artist/5VKmfBc2pR80IxYoC1gHyH Bandcamp: https://likepacific.bandcamp.com/ Website: https://likepacific.com/ Good Noise Podcast Socials: Twitter: https://twitter.com/good_noise_cast Instagram: https://www.instagram.com/goodnoisepodcast/ Facebook: https://www.facebook.com/goodnoisepod Discord: https://discord.gg/nDAQKwT YouTube: https://www.youtube.com/channel/UCFHKPdUxxe1MaGNWoFtjoJA Spotify: https://open.spotify.com/show/04IMtdIrCIvbIr7g6ttZHi All other streaming platforms: http://hyperurl.co/GoodNoisePodcast Patreon: https://www.patreon.com/goodnoisepodcast Bandcamp: https://goodnoiserecords.bandcamp.com/

A start-to-finish, thrilling interview with the mega talent, improviser/actor/writer Jordan Black. Jordan is an alum of The Groundlings, the Los Angeles-based improvisational and sketch comedy troupe and theater where he founded the long running improv show The Black Version. Writing credits include SNL, The Last OG, Last Man Standing and Punky Brewster. As an actor he has appeared in such shows as The Mindy Project, 2 Broke Girls and Key and Peele among several others including a recurring role on Community as Dean Spreck. As a voice actor he's worked on many shows including South Park and American Dad. In the interview, Jordan talks about his advance through The Groundlings, sharing some insight into style of the theatre. He shares stories about working with some very Hollywood names including a section on how improv is used in acting, when he's worked with Larry David and Christopher Guest. He talks about his experience writing for SNL and performing in The Crazy Uncle Joe Show. The interview culminates with his recount over the formation of The Black Version and his experiences touring overseas. Check out Jordan's IMDb Follow Jordan on Instagram and Twitter

This week host and casting director Joanna Colbert sits down with three acting giants, Phil LaMarr, Jordan Black, and Gary Anthony Williams. In this episode, Gary shares his perspective on self-taping and the current state of auditioning; Phil's provides insight on the importance of having agility as an actor and his aversion to coffee; "it tastes like burning hair smells," and Jordan gives us an inside look on the casting process through the eyes of an actor and television writer. __ The Casting Session is an inside look at filmmaking through the perspective of casting, with enlightening interviews from the industry's top casting directors, actors, directors, and producers, giving you a behind-the-scenes look into the casting process. Thank you so much for listening! If you enjoyed today's episode, please leave a review wherever you listen to podcasts, and don't forget to follow @thecastingsession on Instagram to share your thoughts, questions, and reactions to the show. Creator: Joanna ColbertExecutive Producer: Michael JereldProducer: Justin Sintic --- Send in a voice message: https://anchor.fm/thecastingsession/message

Set in modern day, the play follows the trials and tribulations of seven people trapped in a small electronics store, while a monster of unimaginable horror lingers just outside the rolling gate. As the paranoia escalates so does the tension between the unlucky customers, causing them to turn on one another. The Deal of a Lifetime is a tale that depicts the lethality of capitalism and materialistic-dependent love, revealing the true monster to be far beyond the control of the characters themselves. The podcast is directed by senior Theatre Arts major Alexandria Hunter, with Jordan Black serving as assistant director. Cast members include Joy Dean, Beatrice DeGraw, Elliot Montbriand, Abbie Northrop, Sarah Ornelas, Margo Stewart, and Robert Turner. Claire Harris is the stage manager, Alea Tran is sound designer, Abbie Northrop is sound engineer, Shayla Wacker is the dramaturg, the podcast consultant is Kendall Harrison, and faculty support is provided by Prof. Lindsey Mantoan and Prof. Kevin Curry. Sound effects acknowledgements: Knuckle cracking sound by Vlatko Blažek Varaždin, Croatia vlatkoblazek@gmail.com http://www.freesound.org/people/VlatkoBlazek Shattering Glass (small) by Czarcazas https://freesound.org/s/330800/ Whip Crack 01 by CGEffex https://freesound.org/s/93100/ All licensed under CC BY 3.0

Set in modern day, the play follows the trials and tribulations of seven people trapped in a small electronics store, while a monster of unimaginable horror lingers just outside the rolling gate. As the paranoia escalates so does the tension between the unlucky customers, causing them to turn on one another. The Deal of a Lifetime is a tale that depicts the lethality of capitalism and materialistic-dependent love, revealing the true monster to be far beyond the control of the characters themselves. The podcast is directed by senior Theatre Arts major Alexandria Hunter, with Jordan Black serving as assistant director. Cast members include Joy Dean, Beatrice DeGraw, Elliot Montbriand, Abbie Northrop, Sarah Ornelas, Margo Stewart, and Robert Turner. Claire Harris is the stage manager, Alea Tran is sound designer, Abbie Northrop is sound engineer, Shayla Wacker is the dramaturg, the podcast consultant is Kendall Harrison, and faculty support is provided by Prof. Lindsey Mantoan and Prof. Kevin Curry. Sound effects acknowledgements: Knuckle cracking sound by Vlatko Blažek Varaždin, Croatia vlatkoblazek@gmail.com http://www.freesound.org/people/VlatkoBlazek Shattering Glass (small) by Czarcazas https://freesound.org/s/330800/ Whip Crack 01 by CGEffex https://freesound.org/s/93100/ All licensed under CC BY 3.0

Time flies! We’re already at Spring Break ’21! WTF?! Now the kids are at home AND have no school. Well if you’re in need of an hour-long mental spring break, we’re here to help. This week, Kenny and Marshall have Jordan Black (Last Man Standing) over for a virtual playdate. The guys talk about being a foster parent of an infant, supporting your kid’s sports dreams too much, and whether or not its worth it to get your kids to eat vegetables. We’re getting healthy one way or another around here.    Thanks for listening! Please SUBSCRIBE, RATE, and REVIEW!   Follow the show on IG and Twitter! Kenny: @kennygdonutking Marshall: @MrHappyGivens @Fathergoodpodcast (IG) @FatherGoodP (Twit)   Beats by @hvrgrave   @HP53Productions #SouthsideDNA

TW: Depression Episode 41 covers "Motivation Proclamation" from Good Charlotte's debut album 'Good Charlotte' (2000). My guest is Jordan Black, vocalist of Like Pacific. We discuss how we get motivation and dealing with mental health issues while you're trying to "make it", and Jordan tells me about touring with GC. Like what you hear? Subscribe to the show on iTunes, leave a review, and share it with a friend! To find help in your area, visit TWLOHA.org/find-help. If you are in crisis, please call 1-800-273-8255 in the US or text HOME to 741 741. In Canada, call the Crisis Assistance Hotline: 833-456-4566. To learn more about anti-semitism and sign petitions, visit https://antisemitism.carrd.co/. To learn about Black Lives Matter and how you can help - from protests to donations to petitions - visit https://blacklivesmatters.carrd.co/ and https://allcards.carrd.co/. Follow Like Pacific: https://twitter.com/likepacific http://instagram.com/LikePacific Follow Jordan Black: http://instagram.com/hotgaydaddy Follow Generation GC: https://facebook.com/generationGCpod https://twitter.com/generationGCpod https://instagram.com/generationGCpod Follow Molly Hudelson: https://twitter.com/mhudelson https://instagram.com/mhudelson --- Send in a voice message: https://anchor.fm/generationgcpod/message Support this podcast: https://anchor.fm/generationgcpod/support

We're just a day away from Sarah Cooper's Netflix Special which will feature Megan Thee Stallion, Helen Mirren, Jon Hamm, Ben Stiller, Maya Rudolph, Marisa Tomei, Jane Lynch, Fred Armisen, Aubrey Plaza, Jonathan Van Ness, Connie Chung, Danielle Brooks, Eddie Pepitone, Marcella Arguello, Jordan Black, Tommy Davidson, Winona Ryder, and Whoopi Goldberg. What is this thing exactly?The Late Night Hosts chime in on Donald Trump's appearances on 60 Minutes.Josh Gondelman, in a wonderful essay for The Ringer, goes down the rabbit hole of Dunkin' Donuts Ghost Pepper Donut....and Johnny Mac follows him.

What is support to you and how is it truly important? People don't understand support is more than just the attention that is given with appreciation. Tune into this episode with Jordan Black as he uncovers the truth about real support systems. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

A game that has been hailed as genius, revolutionary, and utter garbage all at the same time, Deadly Premonition achieved cult classic status the day it launched back in 2010. The Xbox 360 title borrows themes from Twin Peaks, constantly references famous films, and introduces the world to a delightfully twisted community hidden away in rural America where the trail of a serial killer has led FBI agent Francis York Morgan.   Joining Jack this week is Jordan Black from Just Add Monsters! Jordan does some phenomenal work leading the JAM outlet and we encourage you to check out their thought-provoking video essays!   Follow Jordan and their work on Twitter: @Bad_Durandal   Follow Just Add Monsters to keep tabs on the great content coming out: @AddMonsters   Outro music: Super Mario Galaxy 'Galaxy Drifter' by LongBoxOfChocolate (https://ocremix.org/remix/OCR04100)   You can follow the show on Twitter: @BestGamesPeriod Or download the podcast from most major podcasting apps, Spotify, Soundcloud, Apple Podcasts, or Libsyn. Support us on Patreon! - https://www.patreon.com/bestgamesperiod

Jordan Black is a former writer for Saturday Night Live and The Last OG. He currently writes for the Last Man Standing and the reboot of the 80's sitcom Punky Brewster. As an actor he has appeared on a myriad of different shows like The Mindy Project, 2 Broke Girls, Key & Peele to name a few! He has a recurring role on Community as Dean Spreck. As a voice actor his body of work is expansive, most notably was his work on South Park and American Dad. He is an alum of The Groundlings, which is the home of one of the leading improv training programs in the country. Here is where he founded the long running improv show The Black Version! In this lively episode Jordan shares his comedic inspirations, insights from a writer and actor's perspective; all while keeping us thoroughly entertained. For additional information on The Black Version and Jordan Black visit his websites (www.thejordanblack.com and www.theblackversion.com). #AllAboutTheExperiences #LivingWithoutLimits #Podcast #JordanBlack #TheBlackVersion #SaturdayNightLive #Improv #TheLastOG #TheTonightShow #HalfwayHome #KeyAndPeele #TheTonightShow #SaturdayNightLive #JimmyKimmelLive #Community #Punkd #ArrestedDevelopment #SouthPark #HowIMetYourMother #2BrokeGirls #Ballers #TheMindyProject #LastManStanding --- Send in a voice message: https://anchor.fm/aate/message Support this podcast: https://anchor.fm/aate/support

This week on Dignity Falls #1 podcast, Burnt and Joan discuss Joan's daughter Jalliope and her tiny food, guinea pigs in need of a home, "The Incident" and Marian (Jordan Black) joins the show to break down the bad luck with his broken mirrored "sofa and end tables".

Product designers come from unique backgrounds. In this episode, we talk with Jordan Black, a former graphic designer and brand designer turned product designer. He talks about his road to product design, what he's learned, and what he wished he knew coming into product and UX.

Folks, please welcome to the stage our new episode, where we choose the best standup comedian of all time with our special guest Jordan Black!

This week I talked with Jordan Black the amazingly talented, funny actor and writer who played Dean Stephen Spreck aka the Evil Dean. We talked tv influences, The Groundlings, SNL, and TV writing. It was a delightful conversation and I know you'll enjoy it. Intro by The 88. Outro by Ludwig Göransson. Sound Engineering by Robbie Sherman. --- Support this podcast: https://anchor.fm/six-seasons-podcast/support

If you look in the dictionary and you will find Michael Jordan. For the best basketball player in the NBA. Good remodel is hard to find. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/james-silas0/support

First official Podcast Episode hosted by Jordan Black. We are looking at how are you spending your time while stay at home order is in affect. Also realizing are you too busy with life in the wrong places --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In Episode 198 Angelo talks about the insane Four Chord Music Fest 7 lineup, The Used cancelling their UK tour and shares an interview Dan Bowyer recently had with Jordan Black of Like Pacific while attending the first Emo Nite North in Hamilton, Ontario! Check out Like Pacific: https://twitter.com/LikePacific Music featured in this episode Intro: The Used - Over and Over Again Full/Outro: Like Pacific - In Spite of Me The intro theme song was written/recorded by Maggie Schneider: www.rockinmags.com twitter.com/ItsMaggie_S Subscribe to the podcast for free on Spotify, Apple Podcasts, Google Play, TuneIn, Stitcher, and more! Tune in every Thursday at Midnight ET on idobi Radio for all new premiere episodes: https://idobi.com/ Follow us on Twitter: twitter.com/SpinThoughts Follow us on Facebook: www.facebook.com/thespinningthoughts/ Follow us on Instagram: www.instagram.com/spinthoughts/ Visit our website: https://thespinningthoughts.com/

Join us as Steve, Sheila, and Ric wrap up our interview with Michael and Jordan Black from Theme Park Brothers! We learn some more about what drives them in creating content and how dealing with anxiety factors in their lives. You can find Michael Black and Theme Park Brothers on YouTube, Facebook, Twitter, and Instagram. You can also find Michael at The Distraction Blog You can find us on the web at www.monorailtales.com. Find us on Facebook and like our page and join our fun Disney group! You can also find us on Twitter and Instagram You can find Jeff Moliterno at WDW POV You can find Jeni Cohen at Rockabilly Disney You can find Kimberly Stroh at Savvy Mama Lifestyle You can find Michelle Roelkey at Starts With a Wish Travel You can find Ric Forbes at Magic in the Hills

Join us as Steve, Sheila, and Ric are joined by Michael and Jordan Black from Theme Park Brothers! This is part one of a great interview in which we learn the importance of following your dreams! You can find Michael Black and Theme Park Brothers on YouTube, Facebook, Twitter, and Instagram. You can also find Michael at The Distraction Blog You can find us on the web at www.monorailtales.com. Find us on Facebook and like our page and join our fun Disney group! You can also find us on Twitter and Instagram You can find Jeff Moliterno at WDW POV You can find Jeni Cohen at Rockabilly Disney You can find Kimberly Stroh at Savvy Mama Lifestyle You can find Michelle Roelkey at Starts With a Wish Travel You can find Ric Forbes at Magic in the Hills

Aaron Jordan, Black Water Environmental, explains why the word “environmental” is used in their name. Jordan also gives an update from the Powder River Basin. Jordan has seen growth in Wyoming, North Dakota, Kansas and Colorado, and currently their company is hiring. The topic of how everyday ordinary people are [...]

durée : 00:58:48 - Banzzaï du lundi 18 novembre 2019 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Episode 137: Brad Curtis is the cross country coach of a small school in Arizona. Their boy's team this year is a top ten school in the state, not bad for a school of only 200 kids with only 12 boys on the team. We talk to Brad about the struggles of being a coach from such a small school and how he has built a strong culture.   1:10 When did you start in running? 2:08 His background in boxing and how far the boxing career went 4:02 How did that lead to being a cross country and track coach? 4:59 How old is the school and how big is it? 4:58 You are competing in a state where some schools have 3-4,000 kids 6:23 Small school makes it tough in what way? 7:52 How many kids are on the high school team? 8:15 When you took over the program from Josh how big was the team at the time? 9:00 When your team is not big and not competitive how do you entice kids to come out and get involved? 10:50 How big is your middle school program? 11:38 Are you losing them because you are a small school without the resources or facilities? 13:29 You have 25 kids and 12 boys, and you are looking at a top 10 school in the state this year. How hard is it to keep kids so you can build this? 16:00 When you have 3500 kids and you have 50 boys on the team it is much easier to develop and find those top driven kids, when you only have 12 you have to get the most out of each one of the kids, what is the secret to keeping them all driven and focused? 18:33 Has the success of Jordan Black helped by getting people working harder or does it discourage people because they cannot keep up with him? 22:21 How did you change the culture in the program? 24:33 How has training changed, what has been your philosophy? 26:40 What does a normal day look like at your practice? 27:40 What does the week look like? 29:38 So how many miles is that a week? 30:35 Small schools can fluctuate, what advice do you have to make the program more consistent? 33:00 Did it help with recruiting? 34:45 If you have only 12 boys, and some are really fast and some are really slow and then in between, that doesnt leave large packs, how do you monitor how much people are running and at what effort? 37:23 Do you find it beneficial for those who do log their miles? 38:35 Do you have a workout you repeat to kind of gauge your level of fitness and progression? 40:03 Are your 1k's at CV pace? Final Surge 5 questions in under a minute Favorite endurance/running book? - Running with the Buffalo's Current trainers you are wearing? - Brooks Ghost Favorite race? - 5k Favorite recovery meal or recovery drink? - Chocolate Milk Your favorite workout - 1k repeats Resources Brad Curtis on Twitter North Phoenix Prep on Instagram        

On this episode of XRAY AM: (1 ) News With Friends, with Colin Jones and Jami Zangwill, (2) Kickstand Comedy hops on the mic, with their special guest of the week, (3) A rebroadcast of last week's Minority Retort, with host Jason Lamb and hist guest, comedian/writer Jordan Black.

On this week's episode of Minority Retort, host Jason Lamb speaks with comedian/improviser Jordan Black from the show The Black Version, happening this weekend at the Siren Theater: https://www.sirentheater.com/sirentheatershows.html

On this episode of XRAY AM: (1 ) News With Friends, with Hannah Rosenau and Colin Jones, (2) Kickstand Comedy hops on the mic with their special guest of the week, (3) Minority Retort, with host Jason Lamb, and his guest - comedian/improviser Jordan Black from the show The Black Version.

Episode 33! Jordan Black, creator and founder of the acclaimed improv comedy group The Black Version, and writer on The Last OG, Last Man Standing, and Saturday Night Live, joins Gary & Elliot for a chat and a zero-alcohol Mojito! This episode's drink by Elliot: The Nojito 2 oz. Seedlip Spice 94 Non-Alcoholic Spirit 1 oz. fresh lime juice .5 oz. agave syrup 4-5 basil leaves 8 mint leaves 2 oz. French limeade soda Add basil and mint to the bottom of a cocktail shaker along with the agave syrup. Gently muddle, then add lime juice, Seedlip, and ice. Shake until cold. Fine strain into a highball glass over fresh ice and top with limeade soda. Garnish with a mint sprig. Like the sound of that cocktail? Then check out Elliot's book Create 100 Cocktails, available right now in print on Amazon! Also available as an ebook on Gumroad. And now you can support the show and a good cause with Daydrinking with Gary & Elliot official podcast swag available at teespring.com/daydrinking! Right now, 100% of the proceeds from each sale of Daydrinking merch goes to support Everytown for Gun Safety. Questions? Comments? Praise? Email us at daydrinkingwithgaryandelliot@gmail.com

A profile of Barbara Jordan, a gifted orator, politician, and political organizer from Houston, Texas who made great contributions while in Congress. Show notes are available at http://noirehistoir.com/blog/barbara-jordan.

Blue Will Smith, a lying thief, and one don't take nothin' from no one princess makes for one amazing movie, right? We get into our review of Disney's latest live action adaptation today! We also talk, Taika Waititi's AKIRA film, more news about Falc

Blue Will Smith, a lying thief, and one don't take nothin' from no one princess makes for one amazing movie, right? We get into our review of Disney's latest live action adaptation today! We also talk, Taika Waititi's AKIRA film, more news about Falcon and Winter Soldier, the trailer for Terminator 3: Dark Fate, and more! Send your Topics and Questions for future episodes to @STGeekPod on Twitter.com/STGeekPod and Instagram.com/STGeekPod | You can even email us at STGeekPod@gmail.com | Save 20% off your back/duffle bag hybrid at http://MUZMM.com/discount/stgeekpod

Meet Jordan Berg Powers, a social justice leader, family man, and all-around mensch striving to create a world of awareness and kindness. His number-one rule? Leave the world better than you found it. “I come from a long line of activists making change for the better,” he says.

Episode 140 - Like Pacific frontman Jordan Black joins the show this week coming off a brand new (awesome) album.  Openly gay (his Instagram handle is @HotGayDaddy), he talks about realizing his sexuality at a young age, being obsessed with skateboarding, bringing back the "punk beat" and how underrated Like Pacific is in the Pop-Punk scene.   Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, SNL and Groundlings alum (and creator of The Black Version!) Jordan Black graces Boys of Summer with tales of Kankakee, Illinois in all its small-town glory… inspiring such topics as the perfect Bruce Springsteen song, a badass mom with an impressive approach to raising 4 boys, and the right way to wear a fringe vest.

Ken Plume has a chat with writer/performer Jordan Black, about The Black Version, improv, vampire awards, lost sketches, Kankakee, Trump, and tomato blessings.

ThisMyShow returns with another new episode featuring the hilarious Jordan Black. You might know Jordan from his role on Community as Dean Spreck or as a writer for SNL or his time on the Comedy Central series Halfway Home. In addition, he has been in dozens of other projects over the years. We discuss all this PLUS his experience working with Christopher Guest, diversity in the improv community and his involvement with the new off-broadway show So Long Boulder City, which he co-wrote and directed. All this and more, on this episode of ThisMyShow 

▶ Discover: @djjazzyjeff | @rhymefestofficial | @daynejordan | @blackjoshape | @ao-uzzi ▶ Check out the first ever Stay Cool Spotify Playlist: http://bit.ly/staycoolandtakeiteasy ▶ Get early updates on the show: twitter.com/staycoolradio ▶ Tracklist: bit.ly/staycoolwseangran009tracklist The Magnificent DJ Jazzy Jeff invades the show for a bumper edition of Stay Cool, bringing his homies Rhymefest and Dayne Jordan along for the ride. Stay Cool #009 features: - Interviews with Jeff, Rhymefest and Dayne covering everything from working with each other to the upcoming third Magnificent album and beyond - A live interview and performance with Black Josh Ape, including a live performance of Barber Shop which I played on show 007 - A SCAPES mix from Ao Uzzi, representing Hungary' and Budapest's @elevatedteam Thanks for the support and look out for videos of the full 80-min interview with Jeff, ‘fest and Dayne as well as Josh's live performance and interview coming soon on my YouTube channel https://www.youtube.com/seangran

From Groundlings to SNL to Dan Harmon's Community, Jordan Black is ever-present in the business of funny. This week he's on the couch speaking about his small town illinois upbringing idolizing The Fonz and his supportive and pro-active mother who was the only person he needed to hear "you can do it" from. He talks about his suprisingly well rounded mindset at young age having a clear picture of what he wanted, how he decided as a perfectly attending class-clown freshman in high school that college simply wasn't gonna work for him, some wise words he hung onto by the great philosopher Lenny Kravitz, and about how he moved to LA before he was even 18. He also shares his experience being a black man in the mostly white dominated world of sketch/improv, how a lot of the pushback and struggle he faces comes from a place you probably wouldn't expect and how it all led to the critically acclaimed Groundlings show he created called "The Black Version." Follow Jordan on social media @FakeJordanBlack ---------- Check out www.DragonWagonShop.com for awesome Elaborate shirts and mugs! Elaborate is a part of the Dragon Wagon Radio independent podcast network. Visit www.dragonwagonradio.com for more!

Actor, Writer, Jordan Black talks about moving to LA at the age of 17 and not getting murdered, only to play a murdered guy on his first SAG Acting job.  We discuss his experience as a Groundling and his work as a writer for SNL. Funny Real Conversation Enjoy!

The amazing Jordan Black makes his ALN debut to talk about working with Christopher Guest, Jordan's journey through improv and comedy, working at SNL when Donald Trump was the guest host, Brad and Jordan break down using the "n" word, and so much more! If you love comedy you'll love this episode! Follow Jordan on TWITTER @fakejordanblack, Brad @FunnyBrad, Adam @AdamRayComedy, and the podcast @ALNPodcast!

In Show #58, Jordan Black, Lucille Malek, and Jude Malek (our 11 & 12 year old kids) help Pete, Michael, and Chris (and the Disney Imagineers) think of Walt Disney World Attractions that could be "improved" with Star Wars overlays.  Thank you for downloading and listening to Show #58 of The Dub Dee Dub Revue.  We hope you enjoy the show! The Dub Dee Dub Revue can be found on iTunes, Stitcher, Tune In Radio, Google Play Music, iHeartRadio, Overcast, Player FM, Pod-O-Matic, Pocketcasts, Podcast Addict, and Dis Radio 24/7 as well as on our own site thedubdeedubrevue.com.  Also, Please be sure to subscribe to the show to get the latest shows delivered directly to your podcast feed.  Also, visit us on Twitter @dubdeedubrevue and like our Facebook page. Lastly, Thank You to our sponsors for making this show happen.  (The Magic For Less Travel Agency and The Theme Park Brothers)  We appreciate your support...AND...as always, we appreciate YOU spending a little of your time with us.  We know that you have lots of options for Disney-based podcasts, but for including us...Thank You!

For the first "Queer 10" interview, we talk to Jordan Black, the openly queer lead singer of the band Like Pacific. Jordan talks about his life and shares some hard-won wisdom about being a queer badass.

Jordan Black and Johnny Pemberton live fast, run from the law, tat their bodies, and laugh though all of it. We love bad boys.

Nathan Ivey has a reputation for two things: Speaking truth to power, and entertaining audiences with his unqiue style and unapologetic flow.

Corey and Courtney get super high and return to the studio in which the podcast was conceived and welcome friend Jordan Black for a rare episode with an awesome guest! See acast.com/privacy for privacy and opt-out information.

Black Hollywood live host DJ Jesse Janedy interviews Charisse Jackson-Jordan and Katie Rost about their time on Real Housewives of Potomac.

This fight is with two hilarious comedians from the GROUNDLINGS THEATER in Los Angeles.Brian Pelermo and Jordan Black. It's hot, it's heated, and it's funnnnnnyyy!!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tune in to the highly rated radio/podcast show "Racing With Big Sweat" Thursday 7/16 9:00-10:00pm EST produced by 110 Nation Sports. The round table this week will consist of your host Steve "Big Sweat" Billmyer, Partners in crime Mr CJ Sports and Chris "yellow caution flag" Creighton, along with Legends car driver Jordan Black and asphalt late model driver Ryan Repko. Thecall in number for questions and comments is 718-664-9861. It's a good night to hang out with Big Sweat.

On today's show, Rick and Mark interview 10-year NFL veteran, dad, and owner of a Snap Fitness, Jordan Black (13:25). Then it's another moderately funny edition of the Humans Being Human segment with Wade Griffith and a story about being chased by a killer dog through the countryside (42:56). They wrap with the Simply Human Tip of the Week which is -- practice the qualities you want to possess like compassion and courage (58:45). They talk to Jordan about being tall, high school ignorance, NFL strength and conditioning programming, moving correctly, back problems, deadlift and squat, favorite football moments, gaining weight, feeling vulnerable, and enjoying time with your kids. Before they interview Jordan, Rick and Mark discuss a spouse prank, Rick's Cop Corner, and a misunderstanding. STUFF THEY TALK ABOUT: Simply Human Reset ( http://www.simplyhumanlifestyle.com/shop ) SH Reset Testimonials ( http://www.simplyhumanlifestyle.com/testimonials ) nutreince - caltonnutrition ( http://www.caltonnutrition.com/affiliate.html?p=simplyhuman52&w=nutprod ) ($10simplyhuman) SkinnyFat ( http://www.caltonnutrition.com/affiliate.html?p=simplyhuman52&w=skinnyfatprod ) ($5simplyhuman) simplyhumanlifestyle.com ( http://simplyhumanlifestyle.com/ ) The Simply Human Kids page ( http://simplyhumanlifestyle.com/simplyhumankids ) The Simply Human MOMS page ( http://simplyhumanlifestyle.com/simply-human-moms/ ) The Simply Human YouTube channel ( http://www.youtube.com/channel/UCbJ0Q0GzEPzvFWDWTM-kvhw ) The Simply Human Facebook page ( http://facebook.com/simplyhumanlifestyle ) Subscribe to the Simply Human Podcast ( https://itunes.apple.com/us/podcast/the-simply-human-podcast/id722924013 ) on iTunes Listen to the Podcast on Stitcher ( http://www.stitcher.com/podcast/simply-human-podcast/the-simply-human-podcast?refid=stpr ) simplyhumanlifestyle@gmail.com simplyhumanrick@gmail.com Support this podcast at — https://redcircle.com/the-simply-human-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

From diverse backgrounds, eight talented men unite to create one entertaining sound. Vocal Edge is the premier professional men’s a cappella group in St. Louis, performing all a cappella music (voices only, no instruments) ranging from classic pop songs of the 50’s and 60’s to current pop songs, jazz, and doo-wop. The group consists of: Jordan Black, Joel Currier, Jason Fahey, Calvin Johnson, Eric Holyoke, Brian Parrish, Ben Silvermintz, and Paul Spooner. Stage performance was recorded at Blue Berry Hill’s Duck Room.

HR Interview  Cathryn Michon Writer, Director, & Star of  Muffintop A Love Story Muffin Top is a romantic comedy about body image that says you can find true love if you love yourself first, flaws and all.  Love the skin you're in! A CHICK FLICK MADE BY ACTUAL CHICKS Directed and written by a woman (Cathryn Michon, bestselling author of the Grrl Genius Book Series), Muffin Top has more women in front of and behind the camera than any other movie made in the last three years.  The first all-woman singer/songwriter soundtrack and score in movie history, Hollywood has fewer women working in front of and behind the camera than at any time in feature film history.  We want to change that! Let's Put Chicks Back in Flicks!  Staring: Melissa Peterman, David Arquette, Retta, Haylie Duff, Marissa Jaret Winokur, Diedrich Bader, Maria Bamford, Markie Post, Marcia Wallace, Michael Hawley, Gary Anthony Williams, Phil LaMarr, Jordan Black, Cristine Rose To Learn More www.MuffinTopMovie.com This weeks Song "Mary LostHerself" by Saint Tone www.SaintTone.com  

Patrick Bristow reads a letter he wrote twenty years ago in response to being "relieved" of his relationship.Arianna Basco reads a letter she wrote to her unborn child and a letter to the Father of that child.Jordan Black improvises a letter based on the audience suggestion of an eviction letter.Carrie Seim reads letters from her virtual assistant in India who was charged with finding her employer true love.To Whom It May Concern producer Jayne Entwistle reads a letter to a politician who needs to learn some serious manners. The outstanding musical guests for this performance were The Singer and The Songwriter.

An investigation of Mozart's Quintet for piano and winds K.452, completed March 30, 1784 and premiered two days later at the Imperial and Royal National Court Theater in Vienna.This lecture by Professor Christopher Hogwood will be followed by a live performance of the piece by Notus Winds. Notus Winds Eleanor Tinlin, oboe Jordan Black, clarinet Carys Evans, horn Jonathan Davies, bassoon Kei Ma, pianoThe transcript and downloadable versions of the lecture are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/music-in-context-for-self-promotion-mozartGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 1,500 lectures free to access or download from the website.Website: http://www.gresham.ac.ukTwitter: http://twitter.com/GreshamCollegeFacebook: https://www.facebook.com/greshamcollege

Adam and Drew open the show talking about a picture of Adam's family. Drew then recounts a recent hellish experience he had on a flight from Carmel and Adam counters with a story about some glitchy landing gear he had going to and from Denver. Later, comedians and improvisors Gary Anthony Williams and Jordan Black join to talk about their podcast, live improv show, and they take listener phone calls with Adam and Drew. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Steve Cooper talks with Actor/Writer Jordan Black. Jordan is a regular on the show Community, and has been a co-star in the series Lyricists Lounge, Halfway Home and On The Spot. He has also appreared in many national commercials and on the shows Two Broke Girls, Key and Peele and Children's Hospital to name a few. As a writer he was on the staff of The Hype and SNL and currently created and stars in The Black Version a weekly show perfromed at The Groundlings which he is alumni of.

Knuckle Sandwich with Jordan Black