2001 studio album by Jimmy Eat World
POPULARITY
This week we are headed back to a more innocent time, the early aughts. We're talking about Jimmy Eat World and their album Bleed American, released July 24, 2001. In this episode we discuss being taken, embarrassment, bad dancing, Kevin Kline, cults, the art of seduction, the death of Shredder in TMNT the movie, mutual stalking, snapping your fingers, optional laws, feuding with record companies and so much more! Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: Top of the show "Do you hate it?" Personal History History of Artist General Thoughts Song by Song - What do they mean!?! How Did it Do Reviews Post Episode "Do you hate it?"
As we begin 2025 we take a look back at the first album we ever listened to, Jimmy Eat World's Bleed American. Have our opinions changed? Find out in this episode, newly released from the Patreon? Discover bonus eps, merch and more on our Patreon! This week: Have our opinons changed? What ideas do we hit on for a second time? And a reminder of what we sounded like as little baby podcasters! All this and so much MORE! Wanna get a shout-out on a future episode? Give us a rating on iTunes! It helps us, and it helps you feel good about yourself!
Long time coming! We chat with Zach Lind of Jimmy Eat World about Ska bars, how they've stayed together for so long, getting dropped from Capitol, making Bleed American, learning to play with a click, working with Gil Norton, the song he wishes they'd put on a record, being a band for 30 years, his love for Bill Berry of REM, they've had some cool people help along the way, David Bazan, teching his own drums in the studio, and his current setup. —Follow Zach: instagram.com/zlind76 Leave Us A Voicemail: (470) 588-5940Follow: instagram.com/drumsquestionmark
In this episode we cover the breakthrough 2001 album from Jimmy Eat World that brought us generation-defining massive hits like The Middle and Sweetness.
On this episode of CD burners the guys take a deep dive into one of the biggest emo bands to come out of Arizona, Jimmy Eat World. Post the grunge era of the 90s, this band took scene by storm and was signed to Dreamworks before they were making movies. The guys get a chance to chat about their 4th studio album Bleed American and talk to it's producer Mark Trombino about the process of making it.
In this episode of DORKTREEPOD Presents: The Road to When We Were Young, we dive deep into Bleed American, the iconic album by Jimmy Eat World that helped define the sound of the early 2000s. Released in 2001, this album not only catapulted the band to mainstream success but also played a pivotal role in the evolution of the emo and alternative rock genres.
This week on Is It Dad Rock Yet? Steve chooses the fourth studio album from Jimmy Eat World, Bleed American.
In the aspirationally titled 'Early Spring Playlist' (Dan is anxiously awaiting the change of seasons), here are 12 new tracks from Philadelphia area artists for your listening pleasure. As always, check out the clickable playlist below for links to all the music and ways to support the artists. 1. Autumn Luz- Bone Marrow 2. Humilitarian- Midnight (acoustic) 3. Somebody Like You- Acquaintances 4. Nervous Nikki and the Chill Pills- Limits 5. Longfriend Timefriend- A Praise Chorus- Are You Listening?: A Tribute To Jimmy Eat World's Bleed American 6. Booze Radley- Sweetness- Are You Listening?: A Tribute To Jimmy Eat World's Bleed American 7. Dave Cope and the Sass- Hidden From The World- Hidden From The World 8. Ron and the Hip Tones- Tear On my Chin 9. Granddogs- When You Call 10. James Haro In Storage- Verses 11. Party Nerves- Going To Hell On A Technicality 12. Clover- Beach In the Rain
We talk about album #24 Bleed American by Jimmy Eat World. We check out new music fromEMF, Cage the Elephant, The Livertines, Jesus Jones, Tech N9ne, Usher, and more!
From one of the hardest hitting songs ever to open an album to a song known by anyone who grew up in the the 80s 90s or even 2000s to a beautiful ballad and an arena anthem, Jimmy Eat World's Bleed American has it all. Mike & Neil are proud to be finally covering one of their favourite albums of all time and they are joined by good friend of the show Brian to talk about the history of the record, break down some of our favourite tracks, and learn that the band was on the brink of bankruptcy in 2000 before this record help save them and their careers. Join us on looking back to a simpler time when every music video was a house party with a pool on this week's music episode of Unlocking What Was Cool.
Are you listening? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Jimmy Eat World's fourth album, the crossover success Bleed American. A follow up to Clarity, which is often debated as their best album, Bleed American shifted from an emo-oriented sound toward alt-rock, producing eminently recognizable singles thanks to accessibly simple lyrics and excellent power-pop guitar work. That Jimmy Eat World continued producing good albums – a lot of them – is almost lost in just how influential their earlier work was. Find out more about reception to The Middle, why Sweetness almost didn't make the album, and how 9/11 comes up once again in this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement
Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week on the pod we're joined again by sometimes co-host, Sarah Blumenthal. We talked about Jimmy Eat World's 2001 album "Bleed American." We also talk about censoring songs, nostalgia about how sometimes things can come easy and also be good. Follow us on social media -- twitter and instagram (@Spinningoutpod) Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)
Albums discussed are Dead Sara's ‘Ain't It Tragic' (4:02) and Jimmy Eat World's ‘Bleed American' (43:20). To get tickets for the Make The World Better Foundation concert tailgate, go to: https://mtwb.ticketleap.com/make-the-world-better-benefit-concert-tailgate/ To suggest an album for CLRC do any of the following: * Leave a review on Apple Podcasts with the artist and title (five stars always helps). * Use the Spotify form right underneath the podcast in your app. * Visit https://linktr.ee/thecarl The intro music is "I Should Let You Know" by Marian Hill. For playlists and podcasts, visit us on the web at https://linktr.ee/thecarl and on Twitter at @CLRCPod. This is Carl Landry Record Club episode #119. --- Send in a voice message: https://podcasters.spotify.com/pod/show/brett-eskin/message
This week the four of us are all back together for the first time in a bit and we're back on the Jimmy Journey! This week we're tackling iconic 9/11 album Bleed American. We are so back.
David and Justin can't pick a side with this Bleed American track. They also talk about elephant songs, bonding, and hating music videos. Check out The Middle here! Get the YouTube playlist for the episode here Follow us on Instagram at @jimmyeatpod Follow us on Twitter at @jimmyeatpod Get some merchandise here Subscribe to our PatreonRead More
David and Justin take two lumps with this Bleed American track. In part two, they talk about lost virginity, up-scaling video, and when you kissed me. Aaron Brungardt, friend and listener of the pod, shows up around 01:17:33. Check out Sweetness here! Get the YouTube playlist for the episode here Follow us on Instagram at @jimmyeatpodRead More
David and Justin get saccharine with this Bleed American track. In part one, they talk about microphone bleed, body percussion, and domino harmonies. They also hint at their guest, Aaron Brungardt. Check out Sweetness here! Get the YouTube playlist for the episode here Follow us on Instagram at @jimmyeatpod Follow us on Twitter at @jimmyeatpod GetRead More
David and Justin slap on some lipstick with this Bleed American b-side. They also talk about custom cake decorations, Angelfire websites, and what is Burn Notice. Check out The Most Beautiful Things here! Get the YouTube playlist for the episode here Follow us on Instagram at @jimmyeatpod Follow us on Twitter at @jimmyeatpod Get some merchandiseRead More
David and Justin don their finest velveteen with this Bleed American b-side. They also talk about John Candy, umlauts, and Troy Aikman. Chris and Dave from Jimmy Ate World show up around 01:44:47. Find more from Jimmy Ate World at @jimmyateworldtribute. Check out Softer here! Get the YouTube playlist for the episode here Follow us onRead More
Turntables and Tea takes on its first pop punk album with Jimmy Eat World's "Bleed American", featuring the hits "The Middle" and "Sweetness". Find out why the boys aren't pop punk, which band Charlie thinks is just the worst and the song that Cory used to hate but came to love. Unleash your inner emo kid and take a listen! --- Support this podcast: https://anchor.fm/turntablesandtea/support
We discuss the best and worst songs from "Bleed American" by Jimmy Eat World. Let us know your thoughts about these songs and follow us on Facebook, Instagram, and Twitter. Please support Jimmy Eat World by purchasing and streaming this album wherever you pay for music! We have a Spotify playlist containing this album and all albums discussed on The Album Argument Podcast: https://spoti.fi/3ddbwaL.
Jimmy Eat World's fourth album may start off brash and punky, but over the course of its 11 tracks it visits a range of styles and genres. George knew it was flawless from the very first listen - will Liam and Grant agree? Join our Facebook Group! In Flawless Friends and Family, you can discuss our episodes, and the albums you think are flawless. All music samples used in this episode are copyright Wonderlick Records/Sony Music. Flawless is hosted by Liam McGinniss, George Mannion and Grant Parkin, and produced by Liam McGinniss. Follow us on: Facebook: https://www.facebook.com/flawlessamp/ Twitter: https://twitter.com/flawlessamp Instagram: https://www.instagram.com/flawlessamp/
David and Justin stay vigilant with this Bleed American track. They also talk about dead streaming services, guitar talkers, and what even is a Magic Box. Songwriter and Producer Andrew Capra shows up around 01:56:42 and we play his song “Just a Heart” at the very end! Find out more about Andrew at @andrewecapra CheckRead More
David and Justin get kinda rough with this Bleed American b-side. They also talk about takin' it easy, birds nest hair-dos, and minor songs in major. Michelle Swarbrick, fan of the show, shows up around 02:06:57. Check out No Sensitivity here! Get the YouTube playlist for this episode here Follow us on instagram at @jimmyeatpod FollowRead More
Are you listening? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Jimmy Eat World's fourth album, the crossover success Bleed American. A follow up to Clarity, which is often debated as their best album, Bleed American shifted from an emo-oriented sound toward alt-rock, producing eminently recognizable singles thanks to accessibly simple lyrics and excellent power-pop guitar work. That Jimmy Eat World continued producing good albums – a lot of them – is almost lost in just how influential their earlier work was. Find out more about reception to The Middle, why Sweetness almost didn't make the album, and how 9/11 comes up once again in this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement
Are you listening? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Jimmy Eat World's fourth album, the crossover success Bleed American. A follow up to Clarity, which is often debated as their best album, Bleed American shifted from an emo-oriented sound toward alt-rock, producing eminently recognizable singles thanks to accessibly simple lyrics and excellent power-pop guitar work. That Jimmy Eat World continued producing good albums – a lot of them – is almost lost in just how influential their earlier work was. Find out more about reception to The Middle, why Sweetness almost didn't make the album, and how 9/11 comes up once again in this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.
On this week's Talkhouse Podcast we've got two old friends whose bands started around the same time, and who've had very different albums hit the 20-year-mark recently: Jim Adkins of Jimmy Eat World and Davey von Bohlen of the Promise Ring. I had the idea to pair these guys after seeing a bunch of “best of emo” lists floating around the internet ether lately, and it reminded me of the heady days of the late ‘90s and early 2000s, and how many fond memories I have of those times. I saw the Promise Ring and Jimmy Eat World plenty of times back then; full disclosure: I was then and am now friends with the guys in the Promise Ring. It occurred to me that while the two bands had been on similar trajectories back then, that they diverged right around 20 years ago in a really interesting way. I figured it'd be fun to reconnect them and see what they had to say about it. The Promise Ring were at the top of the emo heap in the late 1990s, though everybody hated that word with a passion back then. They were early fans of Jimmy Eat World's music, and the bands toured together a few times over the years. By the end of the century, The Promise Ring had hit a weird rough patch: Von Bohlen had surgery for a brain tumor, and the band was naturally forced to slow down considerably. When they returned with their much anticipated fourth album, Wood/Water, it represented what felt at the time like a pretty intense left turn: The songs were slower and more melodic—not necessarily what fans were expecting, though the album has gotten a rightful reappraisal in the 20 years since its release. The Promise Ring split up soon after its release, and Davey went on to form the band Maritime with Promise Ring drummer Dan Didier, and they released a string of great records. Jimmy Eat World also found themselves at a crossroads 20 years ago; having parted company with a major label, they self-funded a new album. That album, 2001's Bleed American, spawned a leftfield hit for the band, a song called “The Middle.” It launched Jimmy Eat World into the mainstream before they knew what hit them, and it's one of those songs that to this day you might hear on the radio. It was a blip, of course, in a consistently fantastic career: Jimmy Eat World kept making records and touring—their latest is 2019's Surviving. So it was an interesting point in time for both of these guys, who as you'll hear remain fast friends after all these years. Playing music isn't a huge part of von Bohlen's life anymore, though he does point out that Maritime is technically still a band. These two chat about their 20-ish-year-old records, fatherhood, drinking, touring in the ‘90s, and lots more. Davey tells a great story I hadn't heard before about the Promise Ring's insane pact with each other in their earliest days. Sadly, Jim and Davey never get around to talking about Davey's guest vocals on Bleed American, but maybe we'll just have to have them chat again sometime. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Davey von Bohlen and Jim Adkins for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great written pieces elsewhere on this very site. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
Are you listening? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Jimmy Eat World's fourth album, the crossover success Bleed American. A follow up to Clarity, which is often debated as their best album, Bleed American shifted from an emo-oriented sound toward alt-rock, producing eminently recognizable singles thanks to accessibly simple lyrics and excellent power-pop guitar work. That Jimmy Eat World continued producing good albums – a lot of them – is almost lost in just how influential their earlier work was. Find out more about reception to The Middle, why Sweetness almost didn't make the album, and how 9/11 comes up once again in this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement
Are you listening? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Jimmy Eat World's fourth album, the crossover success Bleed American. A follow up to Clarity, which is often debated as their best album, Bleed American shifted from an emo-oriented sound toward alt-rock, producing eminently recognizable singles thanks to accessibly simple lyrics and excellent power-pop guitar work. That Jimmy Eat World continued producing good albums – a lot of them – is almost lost in just how influential their earlier work was. Find out more about reception to The Middle, why Sweetness almost didn't make the album, and how 9/11 comes up once again in this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.
Bleed American.On this episode we are joined by Jim Adkins, Jim Adkins is an American rock musician who is best known as the lead guitarist, vocalist, and songwriter of the rock band Jimmy Eat World.Please support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme or you can even treat yourself to a badge or sticker over at my store here: https://www.etsy.com/uk/shop/MarkandMeStore
Jimmy Eat World rose to fame in 2001 with Bleed American aka Self Titled Album. Are you listening? Like and Comment! *in Jimmy Eat World Voice*. Artwork and Title song by Rob Fortune Produced by AmandaBee --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Welcome to another episode of Riot Act, where Steve and Remfry have had a slightly quieter week than the uncharacteristically busy start to the year that 2022 has thus far brought. Still, there's been plenty going on, with one of the most talked about Super Bowl halftime shows ever from Dr Dre and Co., Ed Sheeran and Cradle of Filth discussing their odd but inevitable collaboration, a surprise pair of Nine Inch Nails shows being announced in the UK and Remfry going out to Dapper Laughs' (yes really) old stomping ground of the Clapham Grand to see Frank Turner. Turner's latest album, which could well be number one in the UK album charts this weekend, and the new record from And So I Watch You From Afar are also discussed. Plus we look at a pair of deluxe re-releases from a pair of classic records that actually prove to be far more than just a cynical cash in, courtesy of Jimmy Eat World's Bleed American and Therapy?'s Infernal Love. This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
My buddy Jay Vics joined me on the radio show to talk about the New Jersey Pop-Punk and Ska scene of the late 90's/early 00's and play some of his favorite songs from the era. This episode was too fun and informative to not post on the podcast feed! If you aren't familiar with this very special scene then this right here is a four hour crash course. If you already know how amazing that time was then walk on down memory lane with me and Jay.Check out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Join the New Jersey Pop Punk Facebook page - https://www.facebook.com/groups/njppgroup/For an archive full of NJPP music visit https://soundcloud.com/njpparchivesemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg
Jimmy Eat World's Bleed American was a commercial and critical success, and has since found itself on a number of ‘Greatest Albums of All Time' lists. In 2004, the band followed up with Futures - a record that was less pop-oriented featuring more complex instrumentation and a greater sense of pessimism than its predecessor. Jimmy Eat World have released 10 full length records in their nearly 3-decade long career and have managed to delicately tread the line between innovation and keeping older fans content with new records, anniversary tours and a live set that seamlessly blends old and new. Song Credit: Saint Mike Instagram > https://www.instagram.com/violenceandsunshine/ Listen to our Jimmy Eat World playlist here > https://open.spotify.com/playlist/1wwTVYa4I6rCwkSjzC6aTn?si=d1f8c54039db4623 --- Send in a voice message: https://anchor.fm/violenceandsunshine/message
On this episode Josh and Danny do an album retrospective of Jimmy Eat World's 4th Album "Bleed American" that celebrated it's 20th anniversary a few months ago. Also Weekly Rewind and more! Check it out! Intro Music: "fact(s)" by Chris Porter www.chrisportermusic.bandcamp.com Outro Music: “Writer's Block” by Former Critics www.FormerCritics.bandcamp.com
Dante introduces Danny to post-Bleed American albums by Jimmy Eat World. Spotify playlist: https://open.spotify.com/playlist/6hEMzywxeDo7kGWrQAC4PB?si=eLUdafGRSS6VIEcsepgR5A&dl_branch=1 Apple Music playlist: https://music.apple.com/us/playlist/post-bleed-american/pl.u-9Y6Luqa1kj
Episode 38 time! This episode is full of some fun topics. Connor recalls his first venture into New York City since before COVID. Even better, he went to see some stand-up comedy. Florida Man is at it again, this time even more chaotically. One of America's greatest pastimes is Keeping Up with Florida Man. Steven shines some light on Jeff Bezos's most recent blunder and why virtual town halls flat-out rule. And why does Kanye West do us dirty each and every album release? Making us feel like fools for believing in him. This week, Steven recommends Journey's Escape, which is just fantastic. Connor wants you all to listen to Bleed American by Jimmy Eat World, we promise it is better than Steven's singing. As always, thank you for listening! Send in your mailbag questions, comments, concerns, insults, or what-have-you to iloveithereihateithere@gmail.com. Follow us on Twitter at @LoveHateItHere and on Facebook and Instagram at @iloveithereihateithere. Please be sure to follow/subscribe wherever you listen to your podcasts. And if you're on Apple Podcast, be sure to give us a review! Thank you for listening! Peace & Love!
Danny and Dante discuss their favorite songs off Bleed American by Jimmy Eat World. Apple Music playlist: https://music.apple.com/us/playlist/bleed-american-favorites/pl.u-Dm46iZq08j Spotify playlist: https://open.spotify.com/playlist/7nel0YYzFnRlJxEYgozwjx?si=lEow5xrTQlydDdggjxNEgQ&dl_branch=1
On top of new music/music news of the month, topics on this one cover Bob Mould's new boxset, seeing your guitar on the wall at Vintage Vinyl, hiking 100 miles, Hardcore shows in the park, regional gas stations with bomb ass food and much more. Hear some new music from Assertion, The Boatsmen and Greg Antista and the Lonely Streets. Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile app email me for FREE Power Chord Hour stickers - powerchordhour@gmail.com Facebook - www.facebook.com/powerchordhour Instagram - www.instagram.com/powerchordhour/ Twitter - www.twitter.com/powerchordhour/ Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8Lgg Spotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgNEW MUSICThe Boatsmen - Versus The Boatsmen https://theboatsmen.bandcamp.com/album/versus-the-boatsmen-2Assertion - Intermissionhttps://assertion.bandcamp.com/album/intermissionGreg Antista and the Lonely Streets - Down on Commonwealth (Single)https://gregantistaandthelonelystreets.bandcamp.com/track/down-on-commonwealth-new-single
We discuss @jimmyeatworld Bleed American with our very first guest @mattbrasch from @thewonderyearsband as well as band tees, the do's and do not's of wearing band tees to shows and how they bring people together! Get hype!!
Music industry veteran Loren Israel is well-known in industry circles as a record producer, A&R executive/consultant, and songwriting teacher. Over the years his instincts for finding and developing new talent has helped introduce bands like Jimmy Eat World, Plain White T's, Neon Trees, and most recently, The Unlikely Candidates to the world. For over fifteen years, Loren worked in the Artist and Repertoire department of Capitol Records where he worked with Coldplay, Less Than Jake and Jimmy Eat World, whose multi-platinum Dreamworks album, Bleed American he helped spearhead. In 2001, Loren began working with unsigned artists in an effort to foster emerging talent and help them navigate and access the enigmatic music industry. In this capacity, he discovered, developed, and managed the Plain White T's and executive produced “Hey There Delilah”, which topped music charts in fourteen countries. With his expert guidance, Loren also developed Neon Trees, whose debut singles “Animal” and “Everybody Talks” were triple-platinum number one hits. Loren believes that making great music is both a craft and a war. A very fun war! He believes that hit songwriting is about making choices. Through his technique, Loren directs his clients to make the necessary choices to fully develop their artistry. Many of Loren's clients who have adopted Loren's unique approach to music have gone on to achieve success. For additional information or to inquire about Loren's services visit: www.lorenisrael.com This episode is proudly brought to you by: #Betterhelp : https://www.betterhelp.com/sipod for 10% off #LootCrate : http://loot.cr/3rWoAnw Code "Suckitpodcast" for 15% off #CBD #Wildflowerhemp https://wildflowerhempco.com/ BUY MERCH!!!!! #Merch Store: https://www.dckproductions.com/shop Follow me: https://www.youtube.com/c/suckitpodcast https://www.instagram.com/suckitpodcast https://www.facebook.com/suckitpodcast https://www.twitter.com/suckit_podcast --- Send in a voice message: https://anchor.fm/thedarksideofmusic/message Support this podcast: https://anchor.fm/thedarksideofmusic/support
This week, The Boys (Aaron Haag & John Brian) talk JIMMY EAT WORLD. We cover their history, the albums Clarity (1999), and Bleed American (2001). We discuss how influential this band is, isn't, and what all the fuss is about. This is a fun one! You may have heard of the phenomenon of being "Color Blind," this week we learn Aaron is "Emo Blind" and John Brian can't get enough of it... all of this and more on The Pod Punk Show! @podpunkshow podpunkshow@gmail.com
In this episode, I'll be discussing the album "Bleed American" by the band Jimmy Eat World. I do a deep dive on the history surrounding the album. Bleed American is the fourth studio album by American rock band Jimmy Eat World, released on July 24, 2001, by DreamWorks Records. Originally released as Bleed American, it was re-released as Jimmy Eat World following the September 11 attacks on New York and Washington, D.C., which took place seven weeks after its initial release. The Jimmy Eat World title stayed until 2008 upon its re-release with its original title returned. Following a lack of recognition for their third studio album Clarity (1999) from Capitol Records, the band departed from the label in late 1999. Aside from working odd jobs, the band toured to raise money for their next album. It was recorded with Mark Trombino and the band as producers in Los Angeles in October and November 2000 at the Cherokee and Harddrive studios. The musical style was more direct and accessible than its predecessor, with simpler chord structures. "Bleed American" was released to radio on June 5, 2001 as the album's lead single, coinciding with tours of Australia and Japan (the latter supporting Eastern Youth). After appearing on the East Coast dates of the Warped Tour, the band supported Blink-182 and Weezer. "The Middle" was released as a single on November 19, 2001. The band went on a headlining European tour in early 2002, followed by a Japanese tour, leading up to a two-month support slot for Blink-182 and Green Day on their Pop Disaster Tour. "Sweetness" was released as the third single on June 3, 2002. The band supported Incubus in Australia, before embarking on headlining tours of the UK and the US. "A Praise Chorus" was released as a promotional single during 2002. LET'S CONNECT: Kyle's Instagram Kyle's Facebook Email: Kyledevlinfitness@gmail.com
One of my top ten favorite albums of all time is, “Bleed American”, by Jimmy Eat World. In my eyes, it's a masterpiece. So when I learned that producer/A&R executive, Loren Israel, was apart of that album, I had to talk to him. Not only did Israel help develop Jimmy Eat World, he also worked […] The post #121: Loren Israel appeared first on Pop-Punk And Pizza Podcast.
Green Day's underrated Dookie followup Insomniac turns 25 this week so me and my buddy (and former guest!) Kyle Stephen go track by track and give our thoughts and dissect a personal favorite of ours Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour guitar picks - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg
Green Day's underrated Dookie followup Insomniac turns 25 this week so me and my buddy (and former guest!) Kyle Stephen go track by track and give our thoughts and dissect a personal favorite of ours Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour guitar picks - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg
On this episode, the fellas take it back to 2001 and discuss the Jimmy Eat World pop hit Bleed American and take a deep dive into the thrilling dark sci-fi film, Donnie Darko.
As summer starts to close I looked back at the new releases and some music news of August 2020. I also get in to how weird Record Store Day felt this year, best fall records, new Replacements boxset and more. I also play some new music from Jersey Interchange, Joey Cobra and Shades Apart.Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour stickers and guitar picks - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg
Are you listening? In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into Jimmy Eat World's fourth album, the crossover success Bleed American. A follow up to Clarity, which is often debated as their best album, Bleed American shifted from an emo-oriented sound toward alt-rock, producing eminently recognizable singles thanks to accessibly simple lyrics and excellent power-pop guitar work. That Jimmy Eat World continued producing good albums – a lot of them – is almost lost in just how influential their earlier work was. Find out more about reception to The Middle, why Sweetness almost didn't make the album, and how 9/11 comes up once again in this week's podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter!Say hello to @BlakeMurphyODC and @JGoldsbie as well.If merch is your thing, be sure to check out the store: http://bit.ly/chpmerchOr reach out to the show and say hey: podcast@columbiahouseparty.comIf you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement
This week our hosts dip their toes into the early 2000's and Jimmy Eat World's 2001 break through album Bleed American. The Jo(h)n's discuss the bands rise to fame, their very nineties sound, debate what constitutes "Emo Rock" and try and decide if the albums adolescent themes still hold up as their fanbase gets older. Always a good time so check it out, subscribe, like and comment!