Podcast appearances and mentions of Dan Laustsen

The Cinematography Podcast Episode 309: Scott Siracusano The Hulu original horror film, Control Freak, plunges audiences into the unraveling world of Val (Kelly Marie Tran), a motivational speaker tormented by an unrelenting itch on the back of her head. Is it a manifestation of her own mind, or is she falling prey to a parasitic demon from her homeland? Control Freak is a body horror film that delves deep into themes of control, perfectionism, mental health, and generational trauma. Cinematographer Scott Siracusano has known Control Freak writer and director Shal Ngo since 2019. The two made a short, The Box, which went to the prestigious Cameraimage Film Festival in Poland. Their creative partnership continued on another short film, Control, for season two of Hulu's Bite Size Halloween. When Ngo was invited to expand Control into a feature-length film, Control Freak was conceived. Scott was captivated by the script and eager for the creative challenges it presented. Unfortunately, the film hit several roadblocks and delays before shooting was finally greenlit by the network. As a first-time feature DP, Scott had to meet with producers and pitch himself as the best cinematographer for the film. Championed by Ngo, Scott meticulously prepared a lookbook and presented his scene-by-scene shooting strategy in an hour-long meeting, ultimately securing his role as the film's cinematographer. One of the most significant cinematographic challenges on Control Freak was executing its underwater sequences. Due to a limited budget, there wasn't enough time or money to shoot the actors in real tanks of water. Scott chose to use dry for wet film techniques, where smoke, specialized filters, and dynamic lighting effects are skillfully combined to simulate an underwater environment. Inspiration for this approach came from Dan Laustsen's masterful work in The Shape of Water. “What I realized is that it is truly a less is more situation,” Scott says. “We need to have the caustics of water and moving lights that you would feel on your subject in tandem with atmosphere, and particles that could be added as effects. I was like, 'I think we could pull this off. I think we could actually do this.'” The biggest concern was creating realistic hair and body movement floating in water, so the actors' hair was tied back for these scenes. The production team found a music performance space where they could build a wire rig, enabling the actors to “float.” For close ups, Scott found simply having the actors sit and move around on a yoga ball effectively created a floating effect. Two projectors helped simulate water patterns, and the room was filled with atmospheric haze. Subtle fill light and slight camera movements completed the effect. Ultimately, these practical in-camera effects were so successful that the film required minimal visual effects for its underwater scenes. The lighting and color palette of Control Freak were crucial in establishing a claustrophobic atmosphere and exploring the film's central duality between sanity and madness. "We really wanted to lean into the surrealism and the dreamlike state of everything,” explains Scott. “Moonlight definitely allowed us a little bit more shaping, and being able to hide the monster. I really wanted to have rich, detailed shadows that were never true black—always some detail, no matter how dark the shadows.” Val's house was intentionally kept as an enclosed space, with curtains constantly drawn, immersing the audience in her confinement and heightening their sense of being trapped alongside her. As a horror fan himself, Scott loved creating the look and feel of Control Freak. “It's so cool and fun being on set, in the actual world with the creature there.” His takeaways from lensing his first feature included the importance of faithfully executing the director's vision while remaining adaptable to the unpredictable nature of filmmaking. “Going into a feature,

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Coming off of The Color Purple (2023), Helsingør-born Oscar-nominated Danish cinematographer DAN LAUSTSEN talks about shooting the musical in Savannah, Georgia. Dan describes his work as both technical and creative with the sole goal to help the director tell the story, and retraces his steps from the National Film School of Denmark in the '70s, to working in the U.S with directors Ole Bornedal, Guillermo del Toro, Chad Stahelski, and Blitz Bazawule, respectively.Dan selects a work by Henri Matisse from the SMK collection.https://open.smk.dk/en/artwork/image/KMSr171(Photographer: Lisa Ohlin)----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/email: info@danishoriginals.com----------And we invite you to donate to the American Friends of Statens Museum for Kunst and become a patron: https://donorbox.org/american-friends-of-statens-museum-for-kunst

"John Wick: Chapter 4" is the culmination of years of hard work, creative ambition, and four exhilarating films that gave audiences an iconic new action movie character worth rooting for. The fourth installment of the franchise, started by director Chad Stahelski and star Keanu Reeves in 2014, has gone on to achieve the highest critical and financial success for the franchise, leaving audiences clamoring for more as the talents behind the scenes pushed the action film genre to new heights they had never seen before. Director Chad Stahelski, cinematographer Dan Laustsen, and supervising sound editor Mark Stoeckinger were all kind enough to lend their insight into the making of such a beloved and challenging technical film where the stunts, camera work, and sound are all operating at the highest level. It's literally one of the finest action films ever crafted and is even making a case for why stunts should finally be honored at the Oscars. Please take a moment to listen to these interviews and check out the film, which is up for your consideration in all eligible categories for this year's Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 379."John Wick 4"Cinematographer: Dan Laustsen.Dan joins to me (For a second time)  to talk all things "John Wick 4". Keanu Reeves and what it was like to shoot one of the most gorgeous action movies ever made. Dan talks Keanu's kindness, Director Chad Stahelski's vision, those iconic scenes in Germany, France and Japan and so much more.Welcome, Dan Laustsen.Monday Morning Critic: Instagram, TiKTok, YouTube and Facebook.www.imdb.com/title/tt12597724/www.mmcpodcast.com

In this week's episode of the AIPT Movies podcast, Alex, Tim, and Matt discuss the wonderfully-unique French period action horror film, Brotherhood of the Wolf! An unforgettable revenge-rampage scene! Homages to Predator and Jaws! Extraordinary costume design! Atmospheric visuals from John Wick 4 and Nightmare Alley cinematographer Dan Laustsen! Twists and turns that keep you on your toes! A fantastic cast that includes an exceptionally creepy Vincent Cassel, and action star Mark Dacascos in one of his best roles! Gothic horror and martial arts action inexplicably blended together in one perfect package!In addition, Alex saw and enjoyed Scream 6, but his heart belongs to John Wick: Chapter 4.You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.

Bag optagelserne til filmen om lejemorderen, John Wick, står den danske fotograf, Dan Laustsen, som også har lavet klassikere som 'The Shape of Water' og 'Gummi Tarzan'. Vi taler med ham om den balletlignende koreografi i kampscener og om at fange pistolskud på kamera. Da lektor i samtidskulturhistorie, Helle Strandgaard Jensen, opdagede, at Kaj (altså tv-frøen, der elsker popcorn) er inspireret af Kermit fra Sesame Street, blev hun nysgerrig på, hvor stor indflydelse de populære, amerikanske muppets egentlig har haft globalt. I en ny bog kortlægger Helle både showets forretningsmodeller og pædagogiske principper. Og i Kulturen løfter hun sløret for hemmeligheden bag dukkernes popularitet. Vært: Jesper Dein.

Carolyn talks with director Chad Stahelski,  cinematographer Dan Laustsen, and editor Nathan Orloff about the making of Lionsgate's 'John Wick: Chapter 4.' Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, I spoke to cinematographer Dan Laustsen about his work on John Wick: Chapter 4 and The Color Purple. Laustsen is a 2x Academy Award nominee, a 2x BAFTA nominee, a 2x ASC Award nominee, a BSC Award nominee, and a 2x Critics Choice Award nominee.

Both of Guillermo del Toro's Best Picture Oscar nominations have been accompanied by a Best Cinematography nomination for Dan Laustsen, so Sophia and Nick had to find out more about their successful partnership. Check out their interview with Dan where they learn all about the lighting and camerawork in “Nightmare Alley” and how precision blocking by Cate Blanchett and Bradley Cooper gave those eerie noir effects.Check out what Dan is Wild! for: https://kanopy.com/video/i-am-cuba-0 Follow us on Twitter and Instagram @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan Adamich

Episode 285."Nightmare Alley"Cinematographer: Dan Laustsen.Dan Laustsen is a two time Academy Award nominated Cinematographer for his work in "The Shape of Water" and most currently, his academy award nomination for  "Nightmare Alley".  The 2022 class of Academy Award nominated Cinematographers includes: DUNE, Greig Fraser,  THE POWER OF THE DOG, Ari Wegner, THE TRAGEDY OF MACBETH, Bruno Delbonnel WEST SIDE STORY, Janusz Kaminski and this week's guest NIGHTMARE ALLEY, Dan Laustsen.Dan's filmography includes John Wick Chapter 2, 3 and the soon to be released John Wick Chapter 4. Silent Hill, Crimson Peak, League of Extraordinary Gentlemen, Darkness Falls, Brotherhood of the Wolf and so many more.Highlights:1. Dan was encouraged by his sister to apply to Film School.2. Guillermo Del Toro called Dan one of the top 5 best cinematographers.3. Guillermo Del Toro and Dan have done 4 films together. Crimson Peak, The Shape of Water, Nightmare Alley and Mimic.4. Dan has done the cinematography in 3 of 4 John Wick movies. 5. Dan has been nominated for two academy awards.6. Dan includes Se7en and The Lighthouse as two of the most influential movies as they apply to cinematography.7. Roger Deakins ended up winning the Academy Award in 2018 for his work in "Blade Runner 2049". That same year Dan was nominated for "The Shape of Water"8. Dan attended the National Film School in Denmark.9. Prior to attending film school Dan had experience as a Fashion Photographer.10 . Dan had aspirations of becoming a National Geographic Photographer.A gifted cinematographer I am very fortunate to bring you Cinematographer,  Dan Laustsen.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:@mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.comYouTube: Monday Morning Critic Podcast

In celebration of cinematographer Dan Laustsen's Academy Award nomination for 'Nightmare Alley' we went back and remastered our first interview with the visual master! -------------------------------------- In Love with the Process podcast host Mike Pecci spoke with Cinematographer Dan Laustsen, ASC, DFF about his decades of experience as one of the best DPs in the industry. Dan's insane career includes shooting household names like Crimson Peak, The Shape of Water, and John Wick 2 & 3. Through his colorful style, he crafts these unique worlds we all know so well. The best part is, he doesn't hesitate to share his techniques and wisdom. Take notes on this one, folks. Loaded with brand new music from ILWP newcomer Turbo Knight! --------------------------------------------- Dan Laustsen's IG: instagram.com/dan.laustsen Dan's Website: www.danlaustsen.com Dan's IMDB: www.imdb.com/name/nm0491565/ Mike Pecci's IG: instagram.com/mikepecci ILWP's IG: instagram.com/inlovewiththeprocesspod Featuring Music by: ►CODE ELEKTRO ►TURBO KNIGHT ------------------------------------------------ Support the show and get a free trail at Audible: www.audibletrial.com/ILWP ------------------- The Episode is Sponsored by: ► Puget Systems: www.puget.systems/go/152340 ► www.Vidafair.com ► jambox.io/ ► ETC: www.etcconnect.com/LoveTheProcess/ ► ILWP Sponsor Page: www.inlovewiththeprocess.com/sponsors

Designing Hollywood  AND John Campea PRESENTS Nightmare Alley EPISODE!   THREE SPECIAL “NIGHTMARE ALLEY” ACADEMY AWARD-NOMINATED GUESTS!  !      Nightmare Alley  Costume Designer Luis Sequeira Cinematographer Dan Laustsen Production Design Tamara Deverell join @designinghollywoodpodcast for a special episode dedicated to Nightmare Alley & their magnificent work on this film!   "There are two movies within 'Nightmare Alley.' One makes Bradley Cooper a long-overdue Oscar winner. The other would add another statue to the shelf of Guillermo del Toro. The Academy could fall for either. At minimum, the race for best production design may have just ended." - @variety    CONGRATS!! #NightmareAlley has been nominated for 8 #CriticsChoice awards, including BEST PICTURE,  BEST DIRECTOR, BEST CINEMATOGRAPHY, BEST PRODUCTION DESIGN, BEST COSTUME DESIGN, BEST MAKEUP AND HAIR, BEST VISUAL EFFECTS & BEST SCORE!!!   Congratulations to #NightmareAlley's Luis Sequeira on being nominated for BEST COSTUME DESIGN (EXCELLENCE IN PERIOD FILM) by the Costume Designers Guild 892! #CDGA @luis_sequeira_costumes   #NightmareAlley cinematographer Dan Laustsen has been nominated for BEST CINEMATOGRAPHY (FEATURE FILM) from the American Society of Cinematographers! #ASCAwards @dan.laustsen   Congratulations to #NightmareAlley's Tamara Deverell on being nominated for BEST PRODUCTION DESIGN (Period Feature Film) by the Art Directors Guild - Local 800! @tamdev   Sponsored by Fox Studios Costumes    Produced by Designing Hollywood Founder/CEO Martika Ibarra  Production Supervisor Madison Vance  Production Assistant Supervisor Mason Vance

Oscar-vindende Guillermo del Toro og den danske mesterfotograf Dan Laustsen kaster sig ud i en nyfilmatisering af den klassiske film noir Nightmare Alley, med en stjerneparade af kendte skuespillere. Men kan denne film noget, som 1947 versionen ikke kan? Eller kan den kun drømme om at nå op på den gamle films højder? http://www.ikassenshow.dk/2022/02/i-kassen-831-nightmare-alley-2021.html

Nightmare Alley is a 2021 American neo-noir psychological thriller film directed by Guillermo del Toro from a screenplay by del Toro and Kim Morgan, based on the 1946 novel of the same name by William Lindsay Gresham, being the second feature film adaptation of Gresham's novel, following the 1947 version. A co-production between Searchlight Pictures, TSG Entertainment, and Double Dare You Productions, the film stars Bradley Cooper as a charming and ambitious carnival worker with a mysterious past who takes big risks to boost his career. Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Rooney Mara, Ron Perlman, Mary Steenburgen, and David Strathairn also star. Del Toro announced the film in 2017, and produced alongside J. Miles Dale and Cooper. Frequent collaborator Dan Laustsen was the cinematographer, and Nathan Johnson replaced Alexandre Desplat as its composer. Principal photography began in January 2020 in Toronto, Ontario, but was shut down in March 2020 due to the COVID-19 pandemic. Production resumed in September 2020 and concluded that December. Nightmare Alley premiered at Alice Tully Hall in New York City on December 1, 2021, and was theatrically released in the United States on December 17, 2021 by Walt Disney Studios Motion Pictures. Additionally, a black-and-white version, subtitled Vision in Darkness and Light, was released in select cities starting on January 14, 2022. The film received generally positive reviews from critics, and grossed a total of $14.5 million worldwide with a $60 million production budget. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Ich freue mich! Dan Laustsen, DoP von „Nightmare Alley“ ist mein Gast in dieser Sonderfolge. Wir sprechen über sein neustes Werk für Regisseur… Der Beitrag Sonderfolge: Dan Laustsen, DoP erschien zuerst auf Hinter der Kamera.

Guillermo del Toro's "Nightmare Alley" is his follow-up film to his Best Picture-winning "The Shape Of Water," and it's one of the most technically astounding films of 2021. I, Will Mavity, and Daniel Howat were given the opportunity to conduct several interviews with the creative talent behind the scenes to provide you with this in-depth look at the film. First up, we have my interviews with cinematographer Dan Laustsen and costume designer Luis Sequeira, followed by Will Mavity's interview with the makeup and hairstylists, Jo-Ann MacNeil & Cilona Furey, then my interviews with editor Cam McLauchlin and composer Nathan Johnson, followed by Daniel Howat's interview with producer J Miles Dale and finally ending everything with my interview with production designer Tamara Deverell. There's a lot of information and hidden details to uncover so, please take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Cinematographer Dan Laustsen's latest movie with director Guillermo del Toro is the film noir psychological thriller, Nightmare Alley. Unlike many of del Toro's previous films, Nightmare Alley features no monsters or creatures, exploring instead the drama of the monsters within humans. Dan and del Toro had extensive prep and discussion about how to tell the story in a classic film noir way, except with lush vibrant colors instead of in black and white. Part of the movie takes place in the carnival world, so del Toro and Dan had extensive discussions about the color palette. Del Toro had a very precise idea of what colors he wanted and he uses very little color correction in post. Dan decided to paint with light, and draw attention to the beautiful sets as much as possible. The movie was shot mainly at night and indoors so they were able to carefully control the lighting. They chose to light using mainly a single source, and lit the character of Lilith Ritter, played by Cate Blanchett, like a classic movie star. Her lighting was important to the storytelling so the audience sees her as a powerful force in the film. In fact, the lights would also move on a dolly track with Blanchett, or Dan would use a small 1K as a follow spot. For the camerawork, Dan and del Toro wanted all of the shots in Nightmare Alley to be on the move-everything is shot either on a dolly, with a Steadicam or from a crane. Del Toro & Dan first began working together on Mimic, and they found what Dan considers a similar European sensibility of lighting with a single source, keeping things very dark and having the courage to not show everything. The two didn't work together again until Crimson Peak but del Toro and Dan have a great rapport, and Dan found that they could pick right back up again. Find Dan Laustsen: Instagram @dan.laustsen You can see Nightmare Alley in theaters. Find out even more about this episode, with extensive show notes and links: http://camnoir.com//ep152/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Sponsored by Assemble: Assemble has amazing production management software. Use the code cinepod to try a month for free! https://www.assemble.tv/ Be sure to watch our YouTube video of Nate Watkin showing how Assemble works! https://youtu.be/IlpismVjab8 Sponsored by DZOFilm: https://www.dzofilm.com/ The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Dan Laustsen and Cam McLauchlin dive into some of the nooks and crannies and hidden crevices of 'Nightmare Alley'…  In this episode, we talk about… Insight to artistic influences, color palettes, and cameras    Making an original noir vs. an artifact or art movie  Delicious low-hanging fruit and balancing realism  Working within Guillermo's bubble of storytelling  Exploring a character's free will or destiny and feeling your way through the edits    Details about shooting different nights sequences and lighting schemes  Keeping the film whole even when pacing changes    Happy accidents and shooting the final scene in one take  Links to Resources:  https://nofilmschool.com/nightmare-alley-meaning Find No Film School everywhere: On the Web https://nofilmschool.com/  Facebook  https://www.facebook.com/nofilmschool  Twitter  https://twitter.com/nofilmschool  YouTube  https://www.youtube.com/user/nofilmschool  Instagram https://www.instagram.com/nofilmschool   Get your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this all new episode of Light the Wick, we're once again chatting with master cinematographer Dan Laustsen, who shot “John Wick: Chapter 2” and "Chapter 3." This time we discuss the challenges of bloody squibs before moving onto his long collaboration with Guillermo del Toro (set to continue with this year's “Nightmare Alley”), including a few projects that never happened. We then quiz him on several of his other projects including “Brotherhood of the Wolf” and “The League of Extraordinary Gentlemen.”

We're back in the bullet-riddled world of Light the Wick, as we interview the genuinely incredible cinematographer Dan Laustsen, who shot “John Wick: Chapter 2” and "Chapter 3." In this installment we speak to Laustsen about the fun of shooting action sequences, working with Keanu Reeves, the challenges of filming on location in New York City (especially Chinatown), and how important lighting is in the franchise. Also: find out what colors are off-limits in the "John Wick" universe!

In unserem Podcast „Meine Lieblingsszene“ befragen wir aus Anlass des 70. Heftjubiläums von Film & TV Kamera zehn Kamerafrauen und Kameramänner zu ihrer Lieblingsszene aus 70 Jahren Filmgeschichte. In der zweiten Folge des Podcasts "ist DoP Friederike Heß zu Gast. Sie schwärmt von der Eröffnungssequenz von Guillermo del Toros „The Shape of Water“. Präsentiert wird "Film & TV Kamera: Meine Lieblingsszene" von Xinegear – Professional Tools for Filmmakers https://www.xinegear.com

Special: The Cinematography Podcast- War Stories Vol. 4 In our fourth War Stories Special, we feature eleven guest's harrowing, hilarious or heartwarming stories they had while on set, or a formative career experience that led them to cinematography. Find full interviews with each of our featured cinematographers in our archives! Cinematographer Quyen Tran on her life-changing experience after 9/11 in New York; Mike Figgis and a nearly disastrous screening of Timecode; Dan Laustsen tells the story of how his sister influenced him to go to film school; Abe Martinez serendipitously found the perfect house while staying in Kenya; Bill Wages was dissuaded early on from becoming a National Geographic Magazine photographer; Larry Fong talks about getting his big break with JJ Abrams on Lost; Vanja Černjul on his secret to decompressing after wrapping on a big shoot; Rachel Morrison's story of making a huge mistake as a set P.A. with Matty Libatique; Linus Sandgren on his early days working as a gaffer with a seasoned electrician; Stefan Ciupek talks about the blooper in the single-take film, Russian Ark; and finally, Matty Libatique on getting real concert footage for A Star Is Born. Do you have a War Story you'd like to share? Send us an email or reach out to us on Facebook, Twitter, or Instagram! Find out even more about this episode, with extensive show notes and links: http://camnoir.com/warstories4/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

In the film industry, time is king. So many of us are racing toward our goals and constant improvement is necessary, but the reality is that it's going to take a long time for us to achieve our goals as creatives. Host Mike Pecci spoke with Cinematographer Dan Laustsen about his decades of experience as one of the best DPs in the industry. Dan's insane career includes shooting household names like Crimson Peak, The Shape of Water, and John Wick 2 & 3. Through his colorful style, he crafts these unique worlds we all know so well. The best part is, he doesn't hesitate to share his techniques and wisdom. Take notes on this one, folks. Dan Laustsen's IG: instagram.com/dan.laustsen Dan's Website: www.danlaustsen.com Dan's IMDB: www.imdb.com/name/nm0491565/ Mike Pecci's IG: instagram.com/mikepecci ILWP's IG: instagram.com/inlovewiththeprocesspod ILWP Subreddit: www.reddit.com/r/inlovewiththeprocess ILWP Website: www.inlovewiththeprocess.com The Episode is Sponsored by: Puget Systems: www.pugetsystems.com/solutions/cont…th_the_process Puget Systems Consultation: www.pugetsystems.com/landing/Puget-…_hsmi=86870814 Quasar Science: www.quasarscience.com/ Support our show by signing up for a 30 day free trial at www.audibletrial.com/InLoveWithTheProcess ILWP Sponsor Page: www.inlovewiththeprocess.com/sponsors

Velkommen til Episode 133. Vores årlige nytårsshow, der er indspillet live på Bremen Teater. Vi gennemgår det bedste inden for film, spil og serier i 2019, og så får vi besøg af fotograf Dan Laustsen, der fortæller om arbejdet med Nattevagten, Shape of Water, John Wick og meget mere.  00:00:00: Intro 00:05:30: Top 3 Serier fra 2019 00:26:40: Top 3 Spil fra 2019 00:49:00: Top 3 Film fra 2019 01:17:00: Dan Laustsen interview 02:08:00: Han Duo Jokes 02:20:00: Afslutning  God fornøjelse!  Kh Elias & Jacob

Renting film equipment can seem intimidating, but it doesn't have to be. John Baumgartner, the rental manager at Expressway Cinema Rentals in Philadelphia, came on the podcast to walk filmmakers through the rental process.   "... at the end of the day I'm not going to let you walk out of my rental house not being able to make your picture." -John Baumgartner Some of the things we discuss in this episode include How much time to plan for testing equipment What options filmmakers have in dealing with insurance Essential but sometimes overlooked accessories needed for a shoot Popular cameras & lenses and what makes them appealing New equipment that could make a difference on set   Sponsor for this Episode   nsavides productions – I make videos and tell stories. Some of my videos are here. # Say hello: podcast@nsavides.com # Related Episodes Patrick Moreau is a filmmaker and co-founder of the Portland-based, Emmy-winning production company Stillmotion. He shares his approach to storytelling and film equipment in this episode. Dan Laustsen, the cinematographer on The Shape of Water, Crimson Peak, and John Wick 2, explains his approach to lighting on this episode: # Related Things   Expressway Cinema Rentals blog, Facebook, Instagram video recap of Expressway's 2019 Summer Gear Expo video recap of Expressway's recent Grip & Electric Bootcamp shotonwhat.com- resource for exploring equipment using on a film Insurance options mentioned Temporary Insurance Rec. for Expressway provided by JonPaul Evans from the Truman Van Dyke Company buymyinsurancenow.com through agreements with kit-sharing sites like KitSplitand ShareGrid Cameras mentioned ARRI ALEXA Mini Canon EOS 7D Sony FS7 Sony Venice Lenses mentioned ARRI Ultra Primes Canon FDs Canon K35s Cooke Speed Panchros - rehoused Leica Rs Leica Summicrons Rokinon Zeiss CP.2s Filters mentioned streak filters Tiffen Pro-Mist filter Lighting equipment mentioned Astera Titan Tube eggcrate grid - for narrowing the spread of a light LiteGear LiteTile Power accessories mentioned Anton Bauer V-Mount battery Core SWX battery Other accessories mentioned Dana Dolly DJI Ronin Easyrig Focusbug - Ultrasonic rangerfinder system Freefly Systems Movi Shortcut for the podcast: nicksav.show Additional music for the show provided by Rob Costlow. # Films & Shows Mentioned 21 Bridges Glass Mindhunter Split Solo The Upside   If You Liked the Show Sign up for The nsavides Newsletter. Subscribe or leave an honest review:   Apple Podcasts   Spotify   Overcast Say hello on Twitter:  @nsavidesPRO Thank you for visiting!  

Kate Krantz, the Chief Content Officer for Crypt TV, began her career by working for William Morris Endeavor. From there, she went to work for Walt Disney Studios in live-action production. That gave her a chance to observe how Disney developed characters and intellectual property beloved by millions around the world. Those observations helped her manage Crypt TV's universe of monsters, which have brought Crypt TV over 1.5 billion worldwide views on social media and led to prominent partnerships with Netflix, Facebook, and more. Kate was also one of the panelists at a SXSW 2019 producers roundtable. Some of the things we discuss in this episode include How to build relationships at film festivals and other industry events Smart things that Disney does to keep their IP relevant for generations How filmmakers can partner with Crypt TV to build long-term careers What a compelling monster movie involves   Sponsor for this Episode   nsavides productions – I make videos and tell stories. This is a promo I shot for a theater company in Lafayette. # More of my videos are here. Say hello: podcast@nsavides.com # Related Episodes CFX is a special effects and silicon mask-making company in Baton Rouge that has made masks and props for films like 2 Guns, Treme, and Twilight. I had a chance to interview some of their team and put together this video of their mask-making process. More on monster movies in this interview I did with Dan Laustsen, the cinematographer on The Shape of Water, Crimson Peak, and John Wick 2. # Related Things Crypt TV  Facebook, Instagram, Twitter, YouTube Crypt TV shows mentioned The Birch The Look-See Sunny Family Cult Thing in the Apartment Meredith Alloway, the filmmaker Kate mentioned whose short Deep Tissuepremiered at SXSW Sam Claitor, a producer at Fable House, helped to make this episode happen. Shortcut for the podcast: nicksav.show Additional music for the show provided by Rob Costlow. #   Other Films & Shows Mentioned The Babadook   Bride of Frankenstein Christopher Robin Crimson Peak  Dracula Edward Scissorhands  The Elephant Man Frankenstein  Get Out  It Follows  Maleficent The Phantom of the Opera Star Wars  Van Helsing    If You Liked the Show Sign up for The nsavides Newsletter. Subscribe or leave an honest review:   Apple Podcasts   Spotify   Overcast Say hello on Twitter:  @nsavidesPRO Thank you for visiting!  

Acclaimed Danish cinematographer Dan Laustsen talks to Illya about working with Guillermo del Toro on The Shape of Water, Crimson Peak and Mimic.  Del Toro's frequent collaborator discusses the ease of shooting digital cinema now vs. the old days of relying on a lab to process the film correctly.  For the John Wick films, lens choices and tricks played a big part in how he and director Chad Stahelski accomplished a flare effect on the films.  In John Wick-Chapter 3- Parabellum, Dan discusses shooting mainly at night and created a glistening, rainy look.

On this weeks episode Carolyn meets with Chad Stahelski & Dan Laustsen, the Director and Cinematographer for the new action packed film that opened and topped the box office this last weekend, 'John Wick: Chapter 3 - Parabellum'. Together the due describe how they pulled off some of the most amazing and mesmerizing shots and stunts. In this podcast series, Carolyn Giardina, Tech Editor for The Hollywood Reporter, extends her coverage of the filmmaking crafts. She will be talking with the cinematographers, editors, production designers, composers, visual effects supervisors, and other leading artists that bring the magic of motion pictures to theaters. Subscribe now to receive episodes of this inspired new series that shines a light on the artists that spend most of their time behind the screen. Hosted by: Carolyn Giardina Produced by: Matthew Whitehurst and Joshua Farnham

We're ready to get in on the action of John Wick: Chapter 3 – Parabellum, the third installment of the ongoing Keanu Reeves hitman franchise from director Chad Stahelski and screenwriter Derek Kolstad. We kick off the show with Off-Topics and briefly catch up on some of the new films we saw this week and last week but don't have time to fully review. This week's theme music is "Parabellum" by Tyler Bates from the John Wick: Chapter 3 soundtrack. You can find more episodes of Cinemaholics on Atom Tickets, as well as our full archive on cinemaholics.com. Email us anytime at cinemaholicspodcast@gmail.com.  Show Notes: 00:00:00 – Introduction & Off-Topics 00:20:44 – John Wick: Chapter 3 – Parabellum Links and Important stuff:  Follow us on Twitter: Jon Negroni, Will Ashton. Check out our Patreon to support Cinemaholics! Don't forget to review and rate the show on Apple Podcasts Email your feedback to cinemaholicspodcast [at] gmail.com. You might just hear your email read on next week’s episode! Like Cinemaholics on Facebook and Twitter.  Check out our YouTube channel for full episodes and excerpts from the archives. Support the show.

This week we have a conversation with Cinematographer and Producer Josh Moody. Josh was born on March 24, 1988, in Charlotte, North Carolina, USA. He is known for the feature films All Light Will End (2018), Strategy and Pursuit (2018) and the web series Almost Balanced Foodie (2018). Josh also has credits from internationally recognized independent films, music videos, promotional material, and has shot corporate content for clients such as The Boy Scouts of America, Billboard, Juice Plus, and his alma mater, Vanderbilt University. His work has screened and won awards at film festivals both internationally and domestically, including The Nashville Film Festival, Derby Film Festival, Tupelo Film Festival, HorrorHound Weekend, TISH, Philadelphia Independent Film Festival, Nashville Independent Film Festival, and The International Horror Hotel. He has been nominated for Best Cinematography at the 48 Hour Film Festival, the 54 Hour Film Festival, amongst others, and his work has been featured in international magazines and trade publications specifically detailing his use of camera and lighting to augment story and character. ​ In 2018, he co-founded the Nashville Independent Film Festival with director Chris Blake. He currently serves as the Programming Director. Enjoy! Questions or Comments? Reach out to us at contact@bonsai.film or on social and the web at https://linktr.ee/BonsaiCreative #MAKEIT   Links: Website IMDb Instagram All Light Will End (film)   Chris Blake (director) Red Cameras Roger Deakins (cinematographer) No Country for Old Men (film) Skyfall (film) Emmanuel Lubezki (cinematographer) The Revenant (film) Birdman (film) The Tree of Life (film) Dan Laustsen (cinematographer) The Shape of Water (film) Vittorio Storaro (cinematographer) The Godfather (film) Apocalypse Now (film) American Cinematographer David Mullen (cinematographer) The Love Witch (film) Ask David Mullen Anything (red forum) Roger Deakins forums Shane Hurlbut courses  

I ugens podcast giver panelet et bud på, hvordan det 90. Academy Awards kommer til at løbe af stabelen - og diskuterer, hvad showet egentlig betyder for filmindustrien såvel som for alle os, der elsker film. Hør også Aske Bang og Anders Walter berette om dengang, de selv sad i Dolby Theatre med nominerede kortfilm og sommerfugle i maven - og Dan Laustsen fortælle om, hvordan han har det med at være nomineret til en Oscar for filmfotograferingen på Guillermo Del Toros 'The Shape of Water', der er indstillet til hele 13 priser.Panel: Lise Ulrich, filmskribent ved Soundvenue; og Ida Rud, filmskribent ved Ekko.Indslag: Aske Bang, filminstruktør bag "Silent Night"; Anders Walter, tegner og filminstruktør bag "Helium"; og Dan Laustsen, filmfotograf på "The Shape of Water".

Danske filmfotografer er i stigende international kurs. Dan Laustsen er netop blevet Oscar-nomineret for sin indsats i 'The Shape of Water', og i næste uge leverer Charlotte Bruus Christensen billeder til det amerikanske poker-drama, 'Molly's Game'. Hvor meget betyder en fotograf? Og hvor forskellige er film og instruktører at arbejde med? Det taler Filmland Podcast om med Charlotte Bruus Christensen, der også har været fotograf på bl.a. 'Kvinden i toget' og Thomas Vinterbergs 'Jagten'. Tilrettelæggelse: Per Juul Carlsen www.dr.dk/film

Over his career, Dan has worked on numerous films and television projects both in Denmark and internationally. His work has garnered much critical acclaim, including nominations and wins for the Robert Awards, the Danish Academy Awards. Dan has collaborated with several notable directors, including Ole Bornedal and Guillermo del Toro. Some of Dan's work for director Ole Bornedal includes the films Nightwatch, I Am Dina, and Small Town Killers, as well as the mini-series 1864. For Guillermo del Toro, Dan had shot Mimic and Crimson Peak. Other films Dan has shot include: Brotherhood of the Wolf, Zaytoun, Simon and the Oaks, and John Wick: Chapter 2. Dan's most recent collaboration with Guillermo del Toro, The Shape of Water, has earned him much acclaim, including an Oscar nomination, a BAFTA nomination, and an ASC award nomination.

We sit down with Dan Laustsen, DFF to discuss about his imaginative creative process in films like 'Crimson Peak', 'John Wick: Chapter 2' and 'John Wick: Chapter 3', and to celebrate his collaboration with director Guillermo Del Toro on the making of the film 'The Shape of Water' that won 4 Academy Awards including Best Director and Best Picture.

We kick off a new season of The nsavides Podcast with Dan Laustsen, the cinematographer behind the critically acclaimed film The Shape of Water. The film marks the third collaboration between Dan and Guillermo del Toro. They also worked together on Mimic and Crimson Peak. Thus far, The Shape of Water has received a Golden Globe for Guillermo, it won the 23rd Critics' Choice Award for Best Picture, Director, and Production Design, and Dan's work on the film was nominated for an Outstanding Achievement Award by the American Society of Cinematographers. Quite possibly the film will receive more accolades as we progress through this awards season. On this episode we discuss What Dan does for inspiration How he likes to prep for a show How he works with a director and a production designer to develop the colors used in a film Specific stylistic choices he made on John Wick 2, Crimson Peak, and The Shape of Water and why How he has collaborated with Guillermo del Toro and what he's observed about his shooting style His approach to shooting challenging content   # Sponsor for this Episode   nsavides productions – I make videos and tell stories. My new video portfolio is here! # Let’s talk about what we can do together. Email: podcast@nsavides.com.   # Related Things Dan's site Dan on IMDb, Instagram Guillermo's interview about The Shape of Water on KCRW's The Treatment Guillermo's speech at the Golden Globes and his backstage comments Music for the show provided by Rob Costlow # Films Mentioned Apocalypse Now Brotherhood of the Wolf Citizen Kane Crimson Peak Frankenstein (1931) John Wick: Chapter 2 Lawrence of Arabia Mimic No Country for Old Men Pan's Labyrinth Rebecca The Shape of Water # Books Mentioned The Divine Comedy Gilgamesh Harry Potter series A Midsummer Night’s Dream The Odyssey # If You Liked the Show Sign up for The nsavides Newsletter. Subscribe or leave a friendly review: bit.ly/nsavidesPodcast Stitcher Say hello on Twitter:  @nsavidesPRO Thank you for visiting!

Deadline Hollywood's Anthony D'Alessandro is joined by cinematographer Dan Laustsen to talk about his work on The Shape of Water. Produced by David Janove.