Podcast appearances and mentions of Dominic Lewis

"Spirited: el espíritu de las fiestas" (2022). Música de Dominic Lewis, Benj Pasek y Justin Paul.

Composer Daniel Futcher sits down for a brand new Film.Music.Media conversation! We're diving into the acclaimed Adult Swim series My Adventures With Superman with composer Daniel Futcher! Daniel co-composed Season 1 with Dominic Lewis and is back with Dom for Season 2. We talk about how the series has evolved musically across the two seasons, and what the process was like scoring such an iconic character. Daniel also co-scored Monsters At Work with Dom and we dive into the approach of tackling that world musically. We also talk about Daniel's path to becoming a composer, and how he ended up working with Dominic Lewis. Daniel shares why becoming a composer's assistant and taking the additional composer path was right for him, and everything that he's learned while working with Dom. We also talk about the challenges that face younger composers in today's ever-changing industry. A Film.Music.Media Production | Produced & Presented by Kaya Savas

Sketch, Paul and Steven discuss the first two episodes of My Adventures with Superman. Music credits for this episode: "Superman Theme" composed by John Williams My Adventures with Superman OST composed by Dominic Lewis and Daniel Futcher

Composer Dominic Lewis sits down for a brand new Film.Music.Media conversation! We're diving straight into Dom's recent score for The Fall Guy, which sees him re-teaming with director David Leitch! Hear how Dom utilized the iconic "I Was Made For Lovin' You" from Kiss to be part of the DNA of his score along with his original thematic material. Dom breaks down finding the tone, working with needle drops to make a seamless experience, writing and performing original songs for the movie and soundtrack album, and much more! A Film.Music.Media Production | Produced & Presented by Kaya Savas

Our next guest was born and raised in London England, where he studied at the Royal Academy of Music and was mentored by the iconic Rupert-Gregson Williams. In 2009 he moved to Los Angeles to join Hans Zimmer's Remote Control Productions, where he worked on the music departments of various major studio films, before transitioning to solo work. Since then he has made a name for himself composing projects such as Amazon series Man In The High Castle, the Disney+ Monsters Inc. franchise series Monsters At Work, and Sony pictures films Peter Rabbit (2018), Peter Rabbit 2: The Runaway (2021), and Bullet Train (2022).  Most recently he completed the score Universal Pictures Film The Fall Guy starring Ryan Reynolds and Emily Blunt. I'm incredibly excited to chat with him on this episode! And the composer is… Dominic Lewis This episode was produced by Morgan Craig --- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO PODCAST, Erik Woods presents music from some of his favourite scores written in 2022. This is part two of a four-part series. Today, you'll hear selections by such composers as Zacarías M. de la Riva, Federico Jusid, Simon Franglen, John Williams, Nathan Johnson, Dominic Lewis, Bear McCreary, Trent Reznor and Atticus Ross. Part three will be online as soon as humanly possible! Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

On this episode, I'm having a spoiler free discussion about Violent Night. This action comedy film will become a new holiday favorite and gives you a good reason to be nice and not on Santa's naughty list. Festive kills, holiday henchman, a familiar Christmas face and the Santa Claus I didn't know I needed. I believe in Santa Claus and that Home Alone traps would definitely end a baddie or two. All I want for Christmas is to sit on Santa's lap as long as it's this killer Kringle. Make your list, leave out cookies and scotch and ho, ho, hope you don't have a violent night like this one. For this title, Violent Night, the artist is Dominic Lewis.

Our friend Dom Lewis is back again to lift our holiday spirits up with not one, but TWO new scores that aim to spread some festive cheer. We dig into his scores to Spirited and Violent Night. One is a musical comedy, the other a violent action flick done in the spirit of Die Hard. For Spirited, Dom scored his first musical and we talk about the composer's role in a musical when it comes to navigating around the songs that were written by Benj Pasek and Justin Paul. We also discuss leaning into that heartwarming feel of Christmas scores without getting too schmaltzy, plus the excitement of writing a big orchestral score with choir that taps into the genre. For Violent Night we talk about creating a score that embraces the Christmas feel, but how it needed to be over the top in a very operatic way for this balls-to-the-wall action flick that subverts the genre. Dom talks about all the differences in writing this score vs Spirited, including how he recorded himself for the entire choir and recorded an original song. It's always a pleasure to have Dom sit down and chat, and such a nice way to kick of the holiday season! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

With the season 3 premiere right around the corner, we've decided to drop an interview to tease your appetite. Dominic Lewis joins The Film Scorer to talk about his new score to the hit action film Bullet Train. Dom's score is a self-described concept album featuring numerous, far-reaching influences and a number of faux needle drops that completely fooled me when I watched the film. Dom also briefly talks about his two upcoming Christmas films (including Spirited, a musical starring Will Ferrell and Ryan Reynolds) and how to make Christmas music that doesn't sound like every other Christmas score. Finally, Dom ends the interview by talking about his time working at (and giving a rare peak behind the scenes into) Remote Control Productions, Hans Zimmer's film scoring production company. As I mention during the interview, hearing Dom's score is what sold me on the interview. It's such a wild genre mix that somehow works, ending up even more weird and gonzo than the underlying film. It's always exciting when composers try to push the boundaries a bit, and even more so when they can do it in an otherwise mainstream release. Bullet Train is available to watch in theaters. Dom's score, and all of his other music, is available digitally.

Welcome to Right on Cue, the podcast where we interview film, TV, and video game composers about the origins and nuances of their latest works and select commentaries from some of the score's most important tracks.   What do you get when you throw Brad Pitt onto a fast-moving train with a bunch of eclectic assassins, an army of yakuza, and an arch sense of humor? Turns out you get Bullet Train, the latest high-concept action thriller from John Wick co-director David Leitch. Simply put, it's a gonzo mishmash of action influences, from anime to Jackie Chan to, well, John Wick, with a storytelling style as anarchic and tonally playful as that descriptor sounds. Leitch and the cast aim for capital-r Ridiculous with every intricate fight scene, from a brawl in the train's 'quiet car' to extended riffs on Thomas the Tank Engine.   Rather than feebly attempt to wrangle that insanity into a sedate, consistent score, composer Dominic Lewis revels in the chaos, crafting what he calls a "concept album" of tracks that bob and weave amongst the rogue's gallery of colorful hitmen that comprise the film's cast.   The results are as muscular and propulsive as they are archly funny, Lewis hopping and skipping from hard rock to traditional Russian and Japanese musical modes to covers of the West Ham football team's official anthem. Whatever you feel about Bullet Train's very specific wavelength, the score is a joy to listen to and holds your hand through each zany jump in time, tone, and temperament.   We were lucky enough to sit down with Lewis for a good long while to break down his score for Bullet Train -- how a long scoring process aided in his sense of experimentation, the pinballing influences behind each of the characters, and how his own history of musical mentors helped prep him for opportunities like this one. (Plus, he helps us break down several of the score's craziest tracks.)   Bullet Train is currently playing in theaters, and you can listen to the score on your preferred music streaming service courtesy of Sony Music.

Our good pal Dominic Lewis is back to take into his latest score for Bullet Train! The Brad Pitt-starring action/comedy/thriller comes from director David Leitch who brings his style and vision to the table. Dom takes us deep into exploring all about the process of working with no temp, writing material before shooting, writing and producing songs in the film, the approach and tone of the score, finding the emotion within the style of the film, recording elements on analog to achieve a certain feel, chugging tequila to get his vocals where they needed to be, blending genres, recording vocals, and so much more! We also briefly chat about his score to Baymax! on Disney+, and what it was like returning to the world of Big Hero 6 after working as an additional composer on Henry Jackman's score to the film. As always, this one is tons of fun with a BOATLOAD of insight from one of the most passionate and original musical voices in the industry. A Film.Music.Media Interview | Produced & Presented by Kaya Savas  

Our latest guests on soundtracking are partners in both a personal and creative sense, whose latest collaboration sees them bring us the utterly wild Bullet Train. Husband and wife team of director David Leitch and producer Kelly McCormick have a lot of fun with a great cast to tell the story of a motley crew of rogues, who all mysteriously find themselves on the same Japanese train. We're not gonna lie, the results are bonkers - in a very entertaining way. As well as featuring an array of truly brilliant needle drops, Bullet Train is very deftly scored by Dominic Lewis.

The Newton Brothers are back on All Access, this time to go in-depth about their magnificent work on Mike Flanagan's brilliant Midnight Mass miniseries that you can currently stream on Netflix. While the series premiered last fall, it was Film.Music.Media's #1 television score on our Best Scores Of 2021 list so it's an absolute pleasure to have Taylor and Andy back to talk about their score. Taylor Newton Stewart and Andy Grush make up The Newton Brothers (named after their shared love of Isaac Newton), and on this All Access we revisit their long-lasting collaboration with writer/director Mike Flanagan going all the way back to Oculus in 2013. We start by testing how well the two know each other in another round of the "Composer Newlywed Game" that we recently played with Matt Margeson and Dominic Lewis in a previous All Access. We jump into Midnight Mass where Taylor and Andy take us into the incredibly unique scoring process that initially started as only recording versions of traditional hymns, but then expanded to score when Mike Flanagan realized that just having hymns was not enough to craft the emotional arcs of the characters. Hear the story of how Andy lost his voice recording the hymns, and his moments of anxiety when Mike Flanagan asked him to play a small cameo acting role in the series. The duo also talk about how horror as a genre allows certain creation and experimentation that other genres don't always provide, and why Mike Flanagan's work is more along the lines of character drama rather than pure traditional horror. It's always a pleasure to catch up with Andy and Taylor, who have shown their amazing versatility as musical storytellers across so many wonderful projects. A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Welcome to the latest edition of TALKING SOUNDTRACKS on THE CINEMATIC RADIO PODCAST NETWORK. On today's show, your host Jason Drury will be talking to composer Dominic Lewis, one of the composers of last December's spy/action film THE KING'S MAN. The interview was conducted on Zoom in August 2021 . During the interview, amongst other things, Lewis talks about his music heritage, how he started in film scoring, how he got hired to score FREE BIRDS, and how his career has progressed since then. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya & Eric Marvin. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Composers Matthew Margeson and Dominic Lewis join the show to discuss their glorious work on the score for The Kings Man. Working on an already established franchise, with such an incredibly renown director, came with a lot of responsibility, but they were able to navigate this wonderfully to develop a wildly exciting, but also touching, score. Sit back and enjoy as the guys grab some Whiskey (and water), and chop it up!

Composers Matthew Margeson and Dominic Lewis join the show to discuss their glorious work on the score for The Kings Man. Working on an already established franchise, with such an incredibly renown director, came with a lot of responsibility, but they were able to navigate this wonderfully to develop a wildly exciting, but also touching, score. Sit back and enjoy as the guys grab some Whiskey (and water), and chop it up!

After two years of waiting we bring you our Bat-Jar ranking of comic book films released in theatres during the years of 2020 and 2021. To qualify, a movie must have played in theatres in North America and it's source material must originate in comic book form. Music and audio from "Birds of Prey and the Fantabulous Emancipation of One Harley Quinn" is the property of Daniel Pemberton, Margot Robbie, Brian Unkeless, Sue Kroll, DC Films, Lucky Chap Entertainment, Kroll & Co. Entertainment, and Clubhouse Pictures. Music and audio from "Black Widow" is the property of Lorne Balfe, Kevin Feige, and Marvel Studios. Music and audio from "Bloodshot" is the property of Steve Jablonsky, Neal H. Moritz, Toby Jaffe, Dinesh Shamdasani, Vin Diesel, Columbia Picturesm Bona Film Group, Cross Creek Pictures, Original Film, One Race Films, Valiant Entertainment, Annabell Pictures, and The Hideaway Entertainment. Music and audio from "Demon Slayer: Kimetsu no Yaiba- The Movie: Mugen Train" is the property of Yuki Kajiura, Go Shiina, Akifumi Fujio, Masanori Miyake, Yuma Takahashi, Ufotable, Toho, Aniplex, and Funimation. Music and audio from "Eternals (2021)" is the property of Rami Djawadi, Kevin Feige, Nate Moore, and Marvel Studios. Music and audio from "The King's Man" is the property of Matthew Margeson, Dominic Lewis, Matthew Vaughn, David Reid, Adam Bohling, 20th Century Studios, TSG Entertainment, Marv Studios, and Cloudy Productions. Music and audio from "My Hero Academia: Heroes Rising" is the property of Yuki Hayashi, Wakana Okamura, Yoshihiro Oyabu, Koji Nagai, Kazumasa Sanjoba, Bones, Toho, and Funimation. Music and audio from "My Hero Academia: World Heroes' Mission" is the property of Yuki Hayashi, Sokichi Onoda, Mirei Tsumura, Hiroya Nakata, Kazumasa Mijoba, Mari Kobayashi, Hayato Saga, Bones, Toho, and Funimation. Music and audio from "The New Mutants" is the property of Mark Snow, Lauren Shuler Donner, Simon Kinberg, Karen Rosenfelt, 20th Century Studios, Marvel Entertainment, Genre Films, and Sunswept Entertainment. Music and audio from "Shang-Chi & the Legend of the Ten Rings" is the property of Joel P. West, Kevin Feige, Jonathan Schwartz, and Marvel Studios. Music and audio from "Spider-Man: No Way Home" is the property of Michael Giacchino, Amy Pascal, Kevin Feige, Columbia Pictures, Pascal Pictures, and Marvel Studios. Music and audio from "The Suicide Squad" is the property of John Murphy, Charles Roven, Peter Safran, DC Films, Atlas Entertainment, and The Safran Company. Music and audio from "Venom: Let There Be Carnage" is the property of Marco Beltrami, Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, and Hutch Parker. Music and audio from "Wonder Woman 1984" is the property of Hans Zimmer, Charles Roven, Deborah Snyder, Zack Snyder, Stephen Jones, Patty Jenkins, Gal Gadot, DC Films, Atlas Entertainment, and The Stone Quarry.  The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

Episode 275."Promising Young Woman"Composer: Anthony Willis.Very fortunate to have composer Anthony Willis stop by the podcast to talk Movies, Music, Thomas Newman, Hans Zimmer, Fortnite, the amazing mentors he's worked with and his current project that can currently be found on HBO Max, "Promising Young Woman"BAFTA nominated composer Anthony Willis has taken a running leap into the Neverland of film scoring. A protege of Oscar nominated composer John Powell, Willis has become a sought after talent, contributing additional music to many of Hollywood's major franchises including: How to Train your Dragon, Solo: A Star Wars Story, Pirates of the Caribbean, Jason Bourne, Wreck it Ralph, Rio, The Smurfs & Despicable Me.As lead composer, Anthony scored Emerald Fennell's drama thriller feature Promising Young Woman starring Carey Mulligan which premiered at Sundance 2020 and received a 2021 BAFTA Nomination for Best Original Score. His other credits include NBC/Universal's How To Train Your Dragon: Homecoming holiday special, Sony Playstation's action-platformer video game Knack II, Michelle Morgan's ‘Sundance Selection' comedy: It Happened in L.A., David Yarovesky's thriller, The Hive, where he collaborated with renowned DJ Steve Aoki, and Anthony Sabet's nostalgic comedy One Last Night. Up and coming for Anthony Willis is Amin Matalqa's heartfelt Arabian animation feature Hump.Working alongside Henry Jackman, Anthony composed additional music for Nate Parker's 2016 Sundance winner, The Birth of a Nation, and contributed additional arrangements to Harry Gregson-Williams' acclaimed score for The Martian. His additional music credits also include How To Train Your Dragon 3 and Pan & Ferdinand (for John Powell), Wreck it Ralph 2: Ralph breaks the Internet (for Henry Jackman), The Elephant Queen (for Alex Heffes), Paramount's sci-fi adventure film Monster Trucks (for David Sardy), and Papa: Hemingway in Cuba (for Mark Isham). Up and coming projects include Jumanji: The Next Level (for Henry Jackman) and My Spy (for Dominic Lewis).Willis grew up in London, and began his musical training as a chorister of St. George's Chapel, Windsor Castle, England. He went on to study Composition at Marlborough College, Wilshire and the University of Bristol, before earning his graduate degree from the University of Southern California. He currently resides in Venice BeachWelcome, Anthony Willis.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.com

Episode 273."Rocketman"Composer.Matthew Margeson.Matthew Margeson is a composer of film, television, and video game music best known for his diverse action and adventure film work that bridges orchestral and electronic music. He got his start as an assistant to composers on video games and film shorts, and worked as a technical score advisor, arranger, and synth programmer, among other roles, for Hans Zimmer's Remote Control Productions. His first main composer credits in film arrived in 2010 with Lunatics, Lovers & Poets and Burning Palms. A year later, Margeson scored the animated TV series Transformers Prime and the video game Carnival Island. In the meantime, his additional music for other composers could be heard in blockbusters such as X-Men: First Class and Pirates of the Caribbean: On Stranger Tides. In 2013, Margeson co-wrote the score for the franchise sequel Kick-Ass 2 with Henry Jackman. It incorporated rock elements into a symphonic base. That led to more action films, such as 2014's Kingsman: The Secret Service, also with Jackman. His work in other genres around that time included the 2016 biopic Eddie the Eagle and Tim Burton's Miss Peregrine's Home for Peculiar Children (with Michael Higham). He and Jackman teamed up again for 2017's Kingsman: The Golden Circle, and Margeson received sole credit for his music to the 2018 horror film Truth or Dare.The King's Man score is co-composed by Matthew Margerson and Dominic Lewis and can be heard in theaters now!Please Welcome, Matthew Margeson.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.com

Matthew Margeson And Dominic Lewis are taking their friendship to the next level and are working side by side to co-compose The King's Man from director Matthew Vaughn. You've seen them on All Access before, but now we're diving into their latest collaboration together. Matt and Dom discuss how they met working for composer Henry Jackman early in their careers at Remote Control Productions. We talk about late night coffee chats at 3am, and how the two always wanted to co-compose a film together. Matt and Dom then take us into the world of Matthew Vaughn's Kingsmen films, and how the two of them came onboard together to work on The King's Man. Hear about the approach of how this new film gave them the opportunity to really start fresh and not feel obligated to reference the other two films given that it's not connected by timeline or characters. We end the interview by playing a little "Newlyweds" Co-Composer Edition! Matt and Dom are put to the test and see how much do they truly know about each other! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Episode 269."The King's Man"Composer.Dominic Lewis.Dominic Lewis is a British-born film composer living in Los Angeles. Born into a family of talented, working musicians, Dominic was exposed to music from his very first days- and as such music became an inherent and intrinsic part of his life from early childhood until today.He gained entrance to the Royal Academy of Music in London where he received classical training in cello and music composition, overseen by revered teachers such as Sir Peter Maxwell Davies, as well as world-renowned film composers such as Craig Armstrong and David Arnold.At the fledgling age of 22, Lewis was given the opportunity to co-compose the score of his first feature film, ‘The Poet', directed by ‘Ski-School's' Damien Lee.Throughout his time at the Royal Academy, Lewis was mentored by Rupert Gregson-Williams, who was instantly impressed by his potential and engaged Dominic to contribute both vocal performances and additional arrangements to scores such as ‘Bee Movie', ‘Bedtime Stories' and ‘The Prisoner'.His credits to date include the films ‘How to Train Your Dragon', ‘Clash of the Titans', ‘Puss in Boots', ‘Wreck it Ralph', the remake of ‘Red Dawn', ‘Rango', ‘Rio', ‘Kung Fu Panda 2', ‘X-Men 1st Class' the most recent ‘Medal of Honor' video game, ‘Sherlock Holmes :A Game of Shadows' Sony's 3D annual presentation, and an ‘Everlast' sporting equipment commercial. He is recently worked with Henry Jackman on ‘Captain Phillips' and ‘The End of the World'. His most current project is "The King's Man"Welcome, Dominic Lewis.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcritic www.mmcpodcast.comMondaymorningcritic@gmail.com

October 4th 2021 Today, the cast discusses the Walt Disney World 50 Gold Statues to commemorate the 50th anniversary. We pick our favorite statue, our snubbed character, and which character that didn't deserve a statue. We have a couple of guests stopping by. First, we'll be joined by Disney Plus's, Monsters at Work Music Composer, Dominic Lewis (@domlewismusic). We also will be joined by Dave from YouTube Channel, Florida Park Explorers (florida_park_explorers)!!! Plus, all the latest Disney News and Info. Today's cast: Gene (@the_magical_lifestyle) Dan & Stefanie (@rocknrolldw) Joey (@jsacr3dtions) Be sure to contact Magical Travel by Brian before booking your next Disney Vacation. Brian will get you all the latest discounts & promotions that Disney has to offer. He can also book Non-Disney trips as well. The best part... Brian's services are free. Here's how you can reach Brian: www.magicaltravelbybrian.com Brian@magicaltravel.com 1-800-883-1535 Ext. 55 @magicaltravel_by_brian Edited by Gene Maney for The Magical Lifestyle Mixed/Mastered by Gene Maney for The Magical Lifestyle Produced by Gene Maney for The Magical Lifestyle, LLC & J-Bergs for The Magical Lifestyle News Written by Patrick Maney for The Magical Lifestyle & Dan Star for RocknRollDW News Produced by Patrick Maney for The Magical Lifestyle & Dan Star for RocknRollDW Instagram: @thedisneyunderground Instagram: @the_magical_lifestyle www.themagicallifestyle.com Theme song credit and info: https://soundcloud.comfreebmusicliam-vince-nostalgia-free-background-music

The boys are with you, once again, and they bring with them KSL-TV Sports Anchor, Sam Farnsworth, as well as a visitor from the PNW, Dominic Lewis, to discuss the future of Utah Sports and the Rising of Utah Football.

We're celebrating our 80th All Access interview with the always fun and talented Dominic Lewis who is returning for his 4th time in the hot seat. Dom takes some time to catch up with recent projects like Monsters At Work for Disney+, Peter Rabbit 2, Jolt starring Kate Beckinsale, composing the final season of Ducktales, and more! Dom shares what it was like following in the footsteps of Randy Newman for Monsters At Work, and what he tried to bring to the show musically. We also talk about the electronic-charged soundscape world Dom built for Jolt, and the bittersweet feel of writing music for the final season of Ducktales. We also discuss how the pandemic pushed studios hard to lean on streaming and what that means for the future. We weigh the pros and cons of what it means for viewers and of course for the talent who make a living making content. Dom also shares what he has coming up including scoring a film starring Brad Pitt and his new podcast that is now available! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Composer Dominic Lewis joins the show to chat about his work on Disney XD's "Duck Tales" working on some massive films and shows and so much more. Sit back, and have a listen!

Composer Dominic Lewis joins the show to chat about his work on Disney XD's "Duck Tales" working on some massive films and shows and so much more. Sit back, and have a listen!

Today I had the chance to interview composer Dominic West for rotoscopers. He has worked on many projects including Ducktales, Peter Rabbit, The King's Man and more You can find the rest of the interviews at rotoscopers.com Follow me on twitter twitter.com/rachel_reviews Follow Rachel's Reviews on youtube https://www.youtube.com/user/smilingldsgirl Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Learn more about your ad choices. Visit megaphone.fm/adchoices

Eventually, production delays will result in weeks with little TV to discuss, but fortunately, we’re not nearly there yet. This week on the podcast, Noel and Kate spotlight Televerse favorite Better Things, which concluded its fourth season. Before that, though, we dive in with the week’s TV, starting with the comedies, including A Parks and Recreation Special, the midseason finale of One Day at a Time, and another entertaining What We Do in the Shadows. The genre offerings included emotional episodes of both Batwoman and The Flash, and over at The Good Fight, the plot thickens. We round out the week’s TV with reality, including a tease of Restaurant Wars on Top Chef: All-Stars L.A., another moving We’re Here, the premiere of RuPaul’s Secret Celebrity Drag Race, and a fun political challenge on RuPaul’s Drag Race. Tune in for our thoughts, then reach out with your take on the week’s TV, Better Things, and the viewing that’s bringing you comfort and joy in this moment. Season Spotlight: Better Things Season 4 (1:09:56) Our Week in TV A Parks and Recreation Special (16:12) One Day at a Time midseason finale (21:29) What We Do in the Shadows (26:17) Batwoman (29:50) The Flash (34:41) The Good Fight (38:11) Top Chef: All-Stars L.A. (46:49) We’re Here (54:52) RuPaul’s Secret Celebrity Drag Race premiere (56:42) RuPaul’s Drag Race (59:54) Music Featured:  “Hear My Voice” performed by Dominic Lewis on DuckTales Video Referenced: Take Me to the World: A Sondheim 90th Birthday Celebration

Eventually, production delays will result in weeks with little TV to discuss, but fortunately, we’re not nearly there yet. This week on the podcast, Noel and Kate spotlight Televerse favorite Better Things, which concluded its fourth season. Before that, though, we dive in with the week’s TV, starting with the comedies, including A Parks and Recreation Special, the midseason finale of One Day at a Time, and another entertaining What We Do in the Shadows. The genre offerings included emotional episodes of both Batwoman and The Flash, and over at The Good Fight, the plot thickens. We round out the week’s TV with reality, including a tease of Restaurant Wars on Top Chef: All-Stars L.A., another moving We’re Here, the premiere of RuPaul’s Secret Celebrity Drag Race, and a fun political challenge on RuPaul’s Drag Race. Tune in for our thoughts, then reach out with your take on the week’s TV, Better Things, and the viewing that’s bringing you comfort and joy in this moment.Season Spotlight: Better Things Season 4 (1:09:56)Our Week in TV A Parks and Recreation Special (16:12) One Day at a Time midseason finale (21:29) What We Do in the Shadows (26:17) Batwoman (29:50) The Flash (34:41) The Good Fight (38:11) Top Chef: All-Stars L.A. (46:49) We’re Here (54:52) RuPaul’s Secret Celebrity Drag Race premiere (56:42) RuPaul’s Drag Race (59:54)Music Featured: “Hear My Voice” performed by Dominic Lewis on DuckTalesVideo Referenced: Take Me to the World: A Sondheim 90th Birthday Celebration

My guest today is Jason Soudah a Composer/Singer-Songwriter/Producer/Mix Engineer from the UK, and has been based in Los Angeles since 2009, when he was invited to intern at Hans Zimmer’s studio complex.  Jason was quickly recruited by composer Matthew Margeson (Rocketman, Kingsman: The Secret Service & The Golden Circle, Rings), and they have been collaborating ever since.   In this “additional music” capacity, Jason has also worked with composers Henry Jackman, Dominic Lewis, Heitor Pereira, Jim Dooley, Al Clay, Daniel Heath, Benjamin Wallfisch, and Ryan Taubert, among many.  As a composer Jason recently won the Best Music Award at the 2019 Boston Film Festival for his score to the movie "Whaling," as well as scoring the multi-award winning Horror Feature "FOLLOWED", and the Emmy-Awarded Documentary Feature “Paradise Reef: The World Is Watching.”   Jason has had songs featured on MTV (The Real World, Teen Mom…). He wrote “A Sporting Chance” for the movie “Eddie The Eagle,” “Ladyphones” for the movie “GI-JOE: Retaliation,” and co-wrote “Handy Candy” for the movie “Miss Peregrine’s Home For Peculiar Children” with composers Matthew Margeson and Mike Higham.  Right now, Jason is writing music for multiple film projects, mixing scores (most recently for BAFTA-supported composer Emily Rice), and collaborating with other songwriters and artists (as a co-writer and/or producer) with a view to creating songs for synch licenses, for the artist/s themselves, or to be cut by other artists.  Jason also produces backing tracks for KIDZ BOP, collaborating with Gary Philips. Thanks to our sponsors! WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars: http://whisperroom.com Spectra1964: https://www.spectra1964.com Eventide: https://www.eventideaudio.com OWC - Other World Computing: https://www.OWC.com RoswellProAudio: https://roswellproaudio.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/234

Dominic Lewis, composer on: Goosebumps 2: Haunted Halloween, Disney XD's upcoming “Duck Tales," and on the first two seasons of Amazon's THE MAN IN THE HIGH CASTLE returns to score season 3 of the popular streaming series. The Man in the High Castle is based on Philip K. Dick's award-winning novel and explores what it would be like if the Allied Powers had lost WWII, and Japan and Germany ruled the United States. Season three of the Emmy award-winning series finds Juliana Crain (Alexa Davalos) grappling with her destiny after seeking safety in the Neutral Zone. Realizing that their fates are intertwined, she works with Trade Minister Tagomi (Cary-Hiroyuki Tagawa) to interpret the mystery of the last remaining films. Season 3 of The Man in the High Castle debuted on October 5, 2018 exclusively on Amazon's Prime Video platform.In the last episode of The Annotator, Lewis opened up his work for seasons 1 and 2, but here he reveals how his score for season 3 has continued to evolve while still making subtle references to thematic material introduced in the earlier seasons. Dominic Lewis talks through three pieces he wrote for season 3. He opens up on how he continues to develop thematic material introduced in previous seasons and finally, in his climactic piece of the season 3 finale, he details a number of components and processes he utilized to evoke a sense of mystery and danger.ANNOTATED TRACKS AND SEGMENTS01:45- "Trudy Suite"03:40- "Scrap Metal"05:23 - "Frank and Inspector Kido"09:20 - "The Bunker"SOUNDTRACKThe soundtrack was released by Varese Sarabande on February 9, 2019. It is available at Amazon.com, iTunes, Spotify, and Apple Music.MORE ABOUT THE COMPOSERYou can follow Dominic Lewis on Twitter @DomlewismxABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

Dominic Lewis is a British-born composer and has written original scores for Peter Rabbit, Rough Night and Money Monster. He is slated to score Goosebumps 2: Haunted Halloween and Disney XD's revitalized “Duck Tales.” He has also contributed music to high-profile projects such as: How to Train Your Dragon, Rango, Kung Fu Panda 2, Captain Phillips, The Amazing Spider-Man 2, and Kingsman: The Secret Service.One of Lewis' more recent projects has been for Amazon's Emmy winning series, THE MAN IN THE HIGH CASTLE. The series debuted on Amazon's Prime Video platform in January 2015 and is now in its third season.The Man in the High Castle is based on Philip K. Dick's award-winning novel. It is executive produced by Ridley Scott and Frank Spotnitz. The series explores what it would be like if the Allied Powers had lost WWII, and Japan and Germany ruled the United States. In this episode, Lewis talks about the origins of the series' unnerving title theme and how he came to the surprising use of a song from the musical Cabaret in season 2. He also shares about a number of his original themes for the series' main characters and how they evolved over the course of the first two seasons. ANNOTATED TRACKS AND SEGMENTS02:00- "Edelweiss" (Season 1, Track 1)03:21- "Attentater" - (Season 1, Track 6)05:49 - "Unofficial Treaties" (Season 1, Track 9)07:34 - "Julianna's Letter" (Season 2, Track 2)11:25 - "Kotimichi" (Season 2, Track 8)13:38 - "Tomorrow Belongs to Me" (Season 2, Track 15)OTHER TRACKS16:08 - "Cherry Blossoms"SOUNDTRACKThe original soundtrack for season 1 was released on January 13, 2015, and season two on December 30, 2016 by Varese Sarabande. They can be found on digitally on Amazon.com , itunes.com, Spotify and Apple Music. MORE ABOUT THE COMPOSERYou can follow Dominic Lewis on Twitter @DomlewismxABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

AFTERBUZZ TV - AfterBuzz TV's Mini Spotlight edition, is a short form interview series featuring actors & artists discussing their roles and shows as well as their thoughts, passions and journeys. In this episode host Timothy Michael interviews Dominic Lewis. Dominic is best known for scoring all three seasons of Amazon’s Emmy-winning series, “The Man in the High Castle." He currently scores Disney XD’s revitalized “Duck Tales,” starring Lin-Manuel Miranda and Allison Janney, and earlier this year he scored Sony's live-action, animated comedy, "Peter Rabbit." Dominic was also nominated for an Annie Award for Outstanding Achievement in Music for his work on "Free Birds," starring Amy Poehler, Owen Wilson and Woody Harrelson. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In our latest episode of The Pop Disciple Podcast, we are joined by Dominic Lewis, the composer behind Amazon's dystopian alternate history series, The Man in the High Castle and horror comedy stand-alone sequel, Goosebumps 2: Haunted Halloween. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram.

It was surprisingly difficult to select just the right shows for our discussion of "one season wonder," shows worth talking about that only lasted a single season. We got a lot of help from our listeners, and we think you'll enjoy our choices.Show topics this month include a look at the one-hour premiere of The Good Place season 3 on NBC, which premiered on September 27, and a critique of the first two episodes of the new supernatural mystery series also on NBC, Manifest, which began on September 24.For our interview, we talked to Dominic Lewis, the composer of the score for all three seasons of The Man in the High Castle. Season 3 of that show premieres on October 5.Timecodes: One Season Wonders - 2:08 The Good Place season 3 - 21:31 Manifest season 1 - 36:52 The Man in the High Castle Interview - 55:52 See acast.com/privacy for privacy and opt-out information.

As we head into October the TV craziness begins, when all the US shows start to return to our screens. Fear not though, the Geektown Radio podcast is here to help, as we break down all the latest tv news and UK tv air date info, so you never miss a thing! This week, we also have an exclusive interview with 'Man In The High Castle' & 'Ducktales' Composer, Dominic Lewis.Dominic Lewis is a British-born composer with sensational talents that have catapulted him to the forefront of music in television and film. He is currently scoring Season 3 of Amazon and Ridley Scott’s Emmy-winning series, 'The Man in the High Castle', which premieres on 5th October 2018. Dominic’s ghostly, haunting music for the show’s first two seasons earned him two BMI Streaming Media Awards. He is also composing Sony’s upcoming comedy adventure, 'Goosebumps 2: Haunted Halloween', opening in UK theatres 19th October (12th in the US), and Disney XD’s revitalized 'DuckTales', starring Lin-Manuel Miranda and David Tennant.Earlier this year Dominic scored Sony Pictures Animation’s 'Peter Rabbit', starring James Corden, Rose Byrne, and Domnhall Gleeson, for which Dominic won a BMI Film Music Award. His other recent projects include Sony Pictures’ 'Rough Night', Warner Brothers’ comedy 'Fist Fight', Lionsgate’s 'The Duff', and Sony’s riveting hostage drama, 'Money Monster', starring George Clooney and Julia Roberts.Also On This Week's Show:Darryl returns to the co-host seat, so we chat about games we've been playing, tv shows and films we've been watching since he was last on.We take a look at all the latest tv & film news, including renewals & cancellations, the Arrowverse Crossover, Netflix's new sci-fi slate, the new ‘High Fidelity’ series, and... The Last Action Hero?...We give you our recommendations for upcoming TV in the next 7 days. See acast.com/privacy for privacy and opt-out information.

[Watch the video interview on our YouTube Channel] Composer Dominic Lewis joins us for his third All Access, and to give us an incredibly unique and comprehensive look at his process. Film.Music.Media was granted special access to come and document the writing process for the score to Peter Rabbit, starring James Corden and Margot Robbie. Dom also sits down after the film has been finished to reflect back on the whole process, while we as an audience get to take a look at moments during his working process. Get to watch the writing process unfold as it happens and hear Dom's analysis of his approach to Peter Rabbit, including using garden tools as instruments! We cover topics such as how Dom built a relationship with director Will Gluck, finding the right sound for Peter Rabbit, conforming tracks to picture changes, recording the score with an orchestra in Australia, his relationship with his assistant Daniel Futcher and so much more!Interview Produced & Presented By: Kaya SavasSpecial Thanks: Dominic Lewis, Daniel Futcher

Recently, fellow Cinema File Dan Silva was able to speak with "Peter Rabbit" Composer, Dominic Lewis. Dominic is currently scoring the third season of Amazon's "The Man in High Castle." He has composed scores for a number of movies and TV shows, including the new "Ductales", Sony's "Rough NIght" and "Fist Fight" In addition to this he's contributed to scores for "How to Train Your Dragon", "Wreck-it Ralph", and "Captain America: Winter Soldier"

This bonus episode from our sister podcast, Animation Invasion, features composer Dominic Lewis. Dom studied at London's Royal Academy of Music, and has worked with Hans Zimmer and Henry Jackman. His animated work includes Big Hero 6, Wreck-It-Ralph, and How to Train Your Dragon. He scored 3 seasons of Amazon’s Man in the High Castle, and soundtracks for Rough Night, Fist Fight, and Money Monster. He contributed music to Captain America: Winter Soldier, and X-Men: First Class. He’s currently composing for Disney’s XD’s DuckTales, and working on the upcoming feature film Peter Rabbit.

If Dominic Lewis is not on your radar, he should be. Dominic has been a go-to collaborator for some of Hollywood's biggest names including John Powell, Henry Jackman and Hans Zimmer. He is also one of the most impressive talents and voices as a composer in the industry. His premiere score to the hit animated film Free Birds instantly perked up everyone's ears. He was also behind the teen comedy The DUFF and now the big-screen adaptation of the hit series Spooks. US audiences may not know what Spooks (also known as MI-5) is, but the ever popular UK spy series aired for 10 seasons, and now has a big screen continuation starring Game Of Throne's Kit Harrington called Spooks: The Greater Good. Dominic and I chat about how he got the job (with a little help from his friend John Powell) and how he wanted to break the mold of the modern spy genre. Dominic shares all of his tricks of creating an organic electronic soundscape by recording modems, phones and mouse clicks for percussion. The score is refined and intense even in its subtle moments, and we chat about how happy he was as a composer to have a 100% locked picture to write to. It allowed Dominic to build longer tracks and cues without the worry of the edit changing, and therefore having the music fall out of place. We also chat about his upcoming Amazon Prime series The Man In The High Castle based on the novel by Philip K. Dick. Dominic co-composed the pilot (viewable on Amazon Prime) with his friend Henry Jackman. Now that the series has been picked up, he explains the thought process he's going through as he begins work on the rest of the season. Another fun and fascinating chat with one of the most prominent and on the rise composers in the industry. Interview Conducted By:Kaya Savas Special Thanks:Dominic LewisStéphane Humez

[Watch the video interview on our YouTube Channel] On this episode of All Access, we get to sit down with the extremely fun and talented Dominic Lewis. Dom worked with Henry Jackman on the score for the critically-acclaimed Amazon series The Man In The High Castle based on the classic novel by Philip K. Dick. Dominic gives us a fresh and unique perspective into the film music industry as he very quickly rose up the ranks at Remote Control Productions after working with such notable composers like Henry Jackman, Hans Zimmer and John Powell. We discuss the benefits of taking that path for a young composer, and all the opportunities that he was able to make happen with it. Beyond discussing his approach for scoring The Man In The High Castle, we also discuss certain trends in the industry such as "binge watching". Dom talks about being a new Dad and how he must balance family life with work life, and how as a young composer what challenges come with trying to form your own identity and voice in the industry. Dominic is a notable composer on the rise, but has the insight and talents of a weathered veteran which makes this episode of All Access a supremely informative and fun one! Interview Produced & Presented By:Kaya Savas Special Thanks:Dominic LewisChandler PolingBeth KrakowerKrakower Poling PR

[Watch the video interview on our YouTube Channel] It's 10pm at Remote Control Productions, the clock is ticking, and composer Dominic Lewis has to make the finishing touches on his score for The Man In The High Castle: Season 2. Join us on this episode of All Access where we take a completely different approach by simply watching Dom work his magic. Get an amazing and unprecedented look as we sit down next to Dom in the final hours before the score is delivered, and get a first-hand look at the mammoth undertaking of writing a score for a rich and detailed TV series like The Man In The High Castle. Dom plays host and will entertain you with his charm and wit as he goes through his thought process and workflows in an All Access episode that is sure to delight and educate in equal measure. Interview Produced & Presented By:Kaya Savas Special Thanks:Dominic LewisDaniel Futcher

Dominic Lewis has been busy working alongside composers like John Powell, Hans Zimmer, Ramin Djawadi and Henry Jackman as an additional composer on amazing films. He makes his feature film debut as a composer with Free Birds, and it was a great pleasure to chat with him about it. Dominic shares how he got involved at Remote Control Productions, and everything he learned working under some of the best talents in the industry. We discuss how he got hired for Free Birds through John Powell's recommendation, and how he approached his first feature score. We talk about his musical goals for the film, what he wanted to accomplish musically and his methods. Dominic is a fantastic talent and proves it by handling his first feature with a masterful execution. Enjoy this fun and extremely informative interview with one of the best new voices in the industry. Interview Conducted By:Kaya Savas Special Thanks:Dominic LewisRay CostaAlbert TelloCosta CommunicationsStéphane Humez

Once again, we return for another week of chat about tv shows, films and UK tv air date updates, as Ross joins me for episode 126 of Geektown Radio. This week's guest is the composer of Amazon's excellent series ‘The Man in the High Castle’, which see's Nazi's taking over America... Like that would ever happen... British-born composer Dominic Lewis has been working in the US since 2009, and is based at Hans Zimmer’s Remote Control studios in LA. He first started working with film composer John Powell, which led him to him creating additional music on various films including the 2011 Oscar Nominated ‘How to Train your Dragon’. Since then he’s gone on to provide additional music for films such as ‘Kingsman: The Secret Service’, ‘X-Men: First Class’, ‘Captain America: The Winter Soldier’, ‘The Amazing Spider-Man 2’, and ‘Big Hero 6’. As a composer in his own right, he created the soundtrack to the animated feature ‘Free Birds’, ‘Spooks: The Greater Good’, and is currently working on the 3rd season of Amazon’s brilliant ‘The Man in the High Castle’. Since we conducted this interview, it’s been announced he is providing the score to the much-anticipated revival of Disney’s classic ‘DuckTales’. Also On This Week's Show: Ross returns as co-host, so we catch up with the tv shows, films and games we've been watching & playing, including 'Ozark', 'Rick & Morty', 'Game Of Thrones', 'Fallout 4 - Far Harbour', and 'Atypical'. We take a look at all the latest tv & film news, including ‘The Walking Dead’ team suing AMC, the ‘Suits’ spin-off, and the ‘Galaxy Quest’ TV Pilot. We give you our recommendations for upcoming TV in the next 7 days. See acast.com/privacy for privacy and opt-out information.

Dominic Lewis is a British born composer based in Los Angeles who has made his musical mark on dozens of blockbuster films. Working with some of Hollywood’s top composers, he has written additional music for action movies like X-Men: First Class and Captain America: The Winter Soldier, along with animated hits like Wreck it Ralph and Big Hero 6. Dominic continues to make waves with his own film and television scores, most recently as the composer for Money Monster, a film directed by Jodie Foster and starring George Clooney and Julia Roberts.

Don't forget to Subscribe, Rate & Review on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts.Follow us on YouTube, Twitter, Instagram, and Facebook.Norman's Rare Guitars, The Podcast, is brought to you by Norman's Rare Guitars, All Guitar Network and Rosewood Media Group, Inc.Executive Producers: Norman Harris, Sarah Harris Edwards, and Stephanie ArnowProduced and Engineered by: Stephanie ArnowOriginal Theme Song and Music by: Brandon SorianoRecorded at: All Guitar Network, Los Angeles