Podcasts about thrown

One year ago today, Brian Thompson — CEO of UnitedHealthcare — was gunned down outside a Midtown Manhattan hotel in a shocking assassination that stunned the nation. The suspected shooter, Luigi Mangione, was captured days later after a massive manhunt — but now his attorneys are fighting to keep crucial evidence out of court. With bodycam footage, the alleged murder weapon, and a notebook with ominous writings at stake, this pre-trial hearing could make or break the prosecution's case. Welcome to Surviving the Survivor, the show that brings you the #BestGuests in all of #truecrime. In this STS special report, Emmy Award-Winning Journalist Joel Waldman brings us the latest developments in Luigi Mangione's pre-trial hearing. Support the show & be a part of #STSNation:Donate to STS' Trial Travel: Https://www.paypal.com/ncp/payment/GJ...VENMO: @STSPodcast or Https://www.venmo.com/stspodcastCheck out STS Merch: Https://www.bonfire.com/store/sts-store/Joel's Book: Https://amzn.to/48GwbLxSupport the show on Patreon: https://www.patreon.com/SurvivingTheSurvivorEmail: SurvivingTheSurvivor@gmail.com  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this one, Bruce makes a ton of ornaments using the laser and contemplates why shipping takes so long. Mark throws stuff and shoots his countertops...no big deal. Plus, a ton more! Mark's YouTube Channel: http://youtube.com/gunflintdesigns Bruce's YouTube Channel: https://www.youtube.com/bruceaulrich DIRTtoDONE on YouTube: http://tinyurl.com/DIRTtoDON Become a patron of the show! http://patreon.com/webuiltathing OUR TOP PATREON SUPPORTERS -Scott @ Dad It Yourself DIY http://bit.ly/3vcuqmv -Ray Jolliff -Deo Gloria Woodworks (Matthew Allen) https://www.instagram.com/deogloriawoodworks/ -Henry Lootens (@Manfaritawood) -Chris Simonton -Maddux Woodworks http://bit.ly/3chHe2p -Bruce Clark -Will White -Andy @ Mud Turtle Woodworks -Monkey Business Woodworks -Rich from Woodnote Studio -AC Nailed It -Joe Santos from Designer's Touch Kitchen & Bath Studio -Chad Green -Trevor -Mark Herrick @ Empty Nest Woodworks Support our sponsors: TOOL CODES: -MagSwitch: "GUNFLINT10" -SurfPrep: "BRUCEAULRICH" -Starbond: "BRUCEAULRICH" -Brunt Workgear: "GUNFLINT10" -Rotoboss: "GUNFLINT" -Montana Brand Tools: "GUNFLINT10" -Monport Lasers: "GUNFLINT6" -Stone Coat Epoxy: Gunflint -MAS Epoxy: FLINT -YesWelder: GUNFLINT10 -Millner-Haufen Tool Co: "ULRICH20" for 20% off -Camel City Mill: GUNFLINT10 -Arbortech Tools: "BRUCEAULRICH" for 10% off -Wagner Meters: https://www.wagnermeters.com/shop/orion-950-smart/?ref=210 ETSY SHOPS: Bruce: https://www.etsy.com/shop/BruceAUlrich?ref=simple-shop-header-name&listing_id=942512486 Mark: https://www.etsy.com/shop/GunflintDesigns?ref=search_shop_redirect We are makers, full-time dads and have YouTube channels we are trying to grow and share information with others. Throughout this podcast, we talk about making things, making videos to share on YouTube, Instagram, Facebook, etc...and all of the life that happens in between.  CONNECT WITH US: WE BUILT A THING: www.instagram.com/webuiltathingWE BUILT A THING EMAIL: webuiltathing@gmail.com BRUDADDY: www.instagram.com/brudaddy/ GUNFLINT DESIGNS: https://www.instagram.com/gunflintdesigns

A new telling of a classic tale based on Slavic folklore, this special Three Ravens winter story is our bonus mini series for Advent 2025.Split into 21 parts, with one released every day up to Midwinter, the tale follows Vasilisa, a young girl who is uprooted from her life and thrown into adventures which carry her through the dark forest to find herself.Thrown out of her house, Vasilisa must journey through the dark forest in search of Baba Yaga. But the forest is home to other horrors too...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays, plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

L.A. County moves ahead with a ban on officers wearing masks on duty. Thousands of L.A. County residents are getting their medical debt erased. A federal judge has dismissed a lawsuit from Huntington Beach challenging the state’s sanctuary law. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comThis LAist podcast is supported by Amazon Autos. Buying a car used to be a whole day affair. Now, at Amazon Autos, you can shop for a new, used, or certified pre-owned car whenever, wherever. You can browse hundreds of vehicles from top local dealers, all in one place. Amazon.com/autosVisit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! Support the show: https://laist.com

The All Local 4pm Update for Wednesday, December 3rd 2025

A Kentucky couple now faces murder charges after a man was thrown from a second-story balcony in Elizabethtown and later died. A dead man is now the focus of a Virginia investigation after his own car was towed twice over 15 days with his body left unnoticed in the back seat. Drew Nelson reports.See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Trump Suggests Rep. Ilhan Omar Be Thrown ‘Out Of' U.S. Over Claims She Married Her Brother, Kash Patel says all contents of FBI Trump-Russia burn bags will be made public, Rep Darrell Issa and Steve Hilton join the show. Check out our partners: Christian Care: https://www.medishare.com/benny Hallow: Get 3 months free with a subscription at https://hallow.com/benny Advantage Gold: Get your FREE wealth protection kit https://www.abjv1trk.com/F6XL22/4MQCFX/?sub1=Youtube American Financing: Save with https://www.americanfinancing.net/benny NMLS 182334, nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 888-528-1219 or americanfinancing.net/Benny, for details about credit costs and terms Blackout Coffee: http://www.blackoutcoffee.com/benny and use coupon code BENNY for 20% OFF your first order Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of the The Work Hates Podcast we are joined by Comedian, Ex-magician and Father(?) Simon Taylor! You've seen Simon on the stage (or did he disappear in a puff of magic smoke), you've seen him on Jimmy Fallon's Tonight Show, you've heard his joke on Jay Leno's Tonight Show, you seen him on Netflix (Magic For Human he makes a little cameo), you've read his books, you've read his children book to your child, he might have even been to your house to care for you child! Simon has done everything and now he can die happy knowing he has done the Work Hates Podcast.Simon Taylor Social Media HereSimon Taylor (@simontaylorfunnyboy) • Instagram photos and videos BUY TICKETS TO OUR CHRISTMAS PARTY HEREWork hates Christmas Party Tickets, Coopers Inn, Melbourne | TryBooking AustraliaSign up to our Patreonpatreon.com/WorkHatesSubscribe and watch full episodes on our YoutubeWork Hates - YouTubeDad's Comedy SpecialBrett Blake | Go Hard Or Go Home | FULL COMEDY SPECIALMum's Brand New Comedy SpecialBron Lewis — Who's Talking? (Full Comedy Special) 2025Mum's Almost New Comedy SpecialBron Lewis — Obviously (Full Comedy Special) 2025 Hosted on Acast. See acast.com/privacy for more information.

Please join us at patreon.com/tortoiseshack Worker's rights getting rolled back. Environmental protections getting torn up. Financial regulation getting loosened. Data privacy laws getting sacrificed to the AI Gods. Access to Justice being undermined. Capitalism isn't in crisis. Capitalism is the crisis. In this podcast I'm joined by Senator Patricia Stephenson and TUD lecturer, Dr Ciarán O'Carroll and we talk optimistically about our pessimistic future. The Leilani Farha Podcast is out now here:https://www.patreon.com/posts/patron-exclusive-144371201 The Christy Moor Podcast here:https://www.patreon.com/posts/135485064?collection=1509929 Support Dignity for Palestine here:https://www.patreon.com/posts/call-to-stand-143037542

Hi all! In honor of Thanksgiving, we decided to share what we're doing to get MORE of what we're grateful for in our writing lives—as in, try not just to give a nod to gratitude but actually increase the things we do to feel it. Enjoy! Are you staring down a holiday shopping list with a haunted look in your eyes? My great big guide to holiday under-the-radar book-giving perfection can help. Maybe you think not everyone in your life wants a book, but honestly, they are just wrong. I've got a book on my list for the therapy-speak-loving teen who's glued to TikTok, a book for your mom whose book club just forced her to read Emily Henry and just wants a protagonist with a little seasoning. One for your dad, who thinks TV hasn't been the same since The X-Files. And a few for your book-loving bestie, who's read everything already, and all you have to do to get the list to drop right into your phone for your shopping pleasure is join my newsletter, Hashtag AmReading, at kjda.substack.com—link in the show notes and pretty much anywhere where you can find me, which is easy.EPISODE TRANSCRIPTMultiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.KJ Dell'AntoniaHey kids, it's KJ, and this is the Hashtag AmWriting Podcast, the place where we help you play big in your writing life, love the process, and finish what matters.Jess LaheyI'm Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation, and you can find my work at The New York Times and The Washington Post and The Atlantic.Sarina BowenAnd I'm Sarina Bowen. My newest novel is called Thrown for a Loop, and you can find it at bookstores everywhere.Jennie NashAnd I'm Jennie Nash. I'm the founder and CEO of Author Accelerator, a company on a mission to lead the emerging book coaching industry. And I'm the author of the Blueprint books that help you get your book out of your head and onto your page. And today, the four of us have gathered to talk about gratitude. It's the week of Thanksgiving, and we've been thinking about the things that we're grateful for in our writing life, and how we want to celebrate that and amplify that. So we thought we'd share that all with you today. KJ, do you want to start by talking about what you're grateful for?KJ Dell'AntoniaYeah, I actually managed to give this some thoughts. Since we did, we did talk about it. And I should say we kind of got the idea from Laura Vanderkam's newsletter, which is really great, and you should subscribe. She was just talking about how, you know, it's one thing to be grateful for things like, “Whoo, I'm grateful that I live in such a beautiful place,” but it's another thing to say, “And because I'm grateful that I live in such a beautiful place, this week I will make a point of going for a walk, you know, tonight with my dog, in a place that I love,” or something along that. Her point was: come up with something and then actually do something to amplify that for yourself. So you're not just sitting around, you know, writing a gratitude journal. You're actually trying to do something about it. So having announced that I am totally prepared for this—I'm not really, but I kind of am. Okay. So one of the things that I am grateful for this year, a little weirdly, is AI, and it is not for the reasons anyone might think. I'm primarily grateful—I'm grateful that the spurt of AI in everything that I read, from Goodreads book reviews to things in my inbox to, I'm sorry, actual articles in actual newspapers… it's become so recognizable. The stuff that is written, the pattern, the three examples, the particular words that are invariably used. Oh, somebody threw one out the other night—oh, in the real estate world, if it says something is “nestled between two things,” that's AI. Anyway, that made me realize that the last thing I want is something else to do any of this for me. I just don't. I just, you know, sometimes you sit around going, “Oh, somebody just write this book for me—” you know what? No. No. Because I don't want my book to be nestled between a rock and a hard place or whatever. So, so no. So what I'm doing to sort of bring that home for myself is I'm actually trying to be more present, in particular within the AmWriting—the AmWriting universe. So I've been doing something that I'm calling Hashtag AmWriting ‘Almost' Every Day. It's really nowhere close to every day. Don't worry about getting your inbox full. But I am—you know, that's actually me. If I have time and something to say, or something to whine, or some write-alongs to share, or an idea, then I'm going to put that out there for y'all. And hopefully you're going to comment back, and you probably won't bother to use AI to do that, because that would be really silly. So that's a thing I'm doing, and a thing that I'm grateful that I've suddenly come to the realization of.Jess LaheyWhat's funny, KJ, is that I can absolutely tell when you're really enjoying writing, because it—it just comes through, as it does with most people. But it's been… your newsletters have been really fun, and you're really in it. And I love reading them. I absolutely love reading them.Jennie NashIt gets a little sassy.KJ Dell'AntoniaThanks!Jess LaheyShe does. She does get a little sassy.Jennie NashI love it.Jess LaheyYep, the Shirley Jackson comes out in her, and it's really fun. I like that a lot.Jennie NashJess, do you want to go next?Jess LaheyYeah. Sure. So newsletters have come to mean a lot to me. I have a lot of drafts sitting there, some of which I don't think—I may never publish. But I'm really, really grateful that writing has, for my entire life, been the way that I process what I'm thinking about. I do it a lot by talking, but when I'm alone in the woods, like I am right now in Vermont, writing is how I figure things out, and I'm so grateful for that, because, you know, as I wrote about in my newsletter, I'm dealing with breast cancer, and I'm about to have surgery, and some of that stuff is really, really scary. And how I think about it, and how I manage it, is through writing about it. And I'm just—I've never been so grateful to have, even if it never goes out into the world, a place to write about that stuff. And, and, yeah, I'm so grateful for the words. Absolutely.Jennie NashThat's so beautiful, that in the scariest, most difficult time, it's the most natural thing that you turn to.Jess LaheyYeah, I think there are some people who pour themselves out in watercolors, or some people—whatever. The words, man, they're the best.Jennie NashVery cool. Sarina, what about you?Sarina BowenYeah, well, as always, my gratitude runs toward the granular and the practical. I guess I can't ever get away from that. So I am grateful to deadlines. Last month, I had a really difficult deadline. I had to scramble and set everything else aside and keep myself from panicking. And I did it. I actually—I turned it in, and then I immediately went on a book tour for a different book. So that was a difficult experience and a difficult month, and I'm not used to quite so much deadline pressure. But the wonderful thing is, is that I have these deadlines because of the work that I have placed with publishers, and I wouldn't want to change a single thing about that. So even if I need to get a little better about my timing, I recognize that—even in the darkest day—that it's a gift to have this problem. And then I'm also grateful for coffee shops, because that has been a place for me to work this year. And I never did this before. I was one of those people who had to be at home, in a room all by myself, in the quiet, writing. And suddenly that became really difficult for me. The quiet was too much quiet. There was too much doom scroll, there was too much self-reflection. And it really started the day after the election, actually. Like, I sort of ordered KJ to meet me out at a coffee shop because I needed to be where other people were. And it was really grounding—like, there we were, and the barista is a familiar face, and everything was fine inside that shop, you know, which was, in itself, a little bubble of privilege. But, but just being out in the world, seeing the rest of the world keep chugging, has really focused me. And I've spent a lot of time in a lot of different coffee shop and library settings in the intervening couple of months—and, well, almost a year now—and it's felt fantastic. So I am excited that there are places where I'm allowed to go pay way too much for a cup of coffee and then sit there for two hours, and I will continue to do it.Jess LaheyCan I add a layer to the Sarina—to the Sarina stuff? Because I got to go to, as some of the other people talking today did, got to go to one of Sarina's events. And, you know, we love Sarina, and we just rave about Sarina, and I think she's a genius, and I think her writing is wonderful. But I was in a room of people who knew her work. Like, at one point, someone asked about whether or not she was going to be writing more in, like, The Company Series, which is one of the series she started to write. And there are a couple books—in that one. And then when she's like, “Oh, I don't—I think the time for that is over,” and people were like, “Awww,” and they were sad, and they knew characters really well. There was a die-hard fan of one of her books—I think it was Stay. And I just—I'm so grateful to be able to go to those events and see that other people love Sarina as much and respect Sarina's work as much as I do. And my whole family was there. So my kid, who's been hearing about, you know, my friend who wrote—writes “kiss me” books, he was like, “Man, people are into her books.” And I'm like, “Yeah, I told you. I've been trying to tell you.” And it was great. It was really fun to see people that into it.Sarina BowenWell, the thing is that romance readers really are special. I'm not saying there aren't—there aren't fandoms in other genres as well. But it's something about a romance novel involves characters that aren't afraid to say how they feel, and that is how romance readers are about the books. They are not afraid to say what they feel, and they are there for all the feelings in the first place. And it is really a great spot to be. So for every writer who ever looked down at the romance section of the bookstore, I got news for you. It's really nice over there.Jess LaheyIt's great. The people were so great.Jennie NashAnd we have gratitude for the romance—the romance readers too.Jess LaheyYeah.Jennie NashI love all of your—your gratitude's. Mine is—I guess I would say that I am grateful for having the identity of a writer as a thing that I take with me wherever I go. And what I mean by that is I have been traveling to see family, and there were airplane troubles, lots of different airplane troubles, actually, on this particular trip, and lots of delays, overnight delays, sitting in airports for long periods of time, all of that, and I am never sad about those things. I'm almost never at a total loss. Like, you tell me that I have to spend six hours at the San Francisco airport, and I'm fine, because I can fill the time—not just, not just fill it like, “Oh, I can get through this,” but I can actually have really productive, useful, awesome time for six hours in the San Francisco airport. And if I have to spend a night at a terrible airport hotel, and, you know, just all the things—and I was so grateful when I thought about it in that way, that here's a thing that I can take with me wherever I go, that all I need is something to write on. Could be my phone. It could be a piece of airport hotel notepad and paper. It could even be a torn-out page of a magazine that I bought at the airport. And I—I can be somebody. I can be somebody doing something that I find interesting and good and useful. And I just am so grateful for that. What an amazing thing to be. And obviously holiday travel is a special kind of thing, but just the thought that—that that comes with me, no matter where I go or what I do or what happens in my life—I have that, and I'm very grateful for that. So I don't know, KJ, in terms of how am I going to bring that forward or exercise it or do it? I guess—I guess I've got to hope for smoother travels.KJ Dell'AntoniaYou should just get stuck in more airports, but you don't want to get stuck in more airports? I feel like that should be your goal now.Jennie NashI guess if you take it to a very granular, practical level, like Sarina does—always have a notebook with you, man. That's what I got to say, and a working writing implement. It saves the day.Jess LaheyAnd then you text the word “sticker” to the rest of us, and we know, “Oh, man, those travel stickers—those are worth double stickers.” We always say that travel stickers are double stickers.Jennie NashIt's so true. It's so true. Well, we just wanted to pop in here today to share this gratitude episode with you all and to give you some things to think about, about your writing life and your writing practice. And we hope that everyone is having a day filled with gratitude. KJ, do you want to say other things?KJ Dell'AntoniaI wanted to say that I think we're all grateful for the way this community is slowly but steadily growing. I've been doing Write-Alongs with a bunch of people lately. We've been seeing people in the actual Substack chat, which, if you…Jess LaheyThe chat is fun.KJ Dell'AntoniaUse Substack chat, that's great. And you know—you know what it is, and if you don't, that's fine. You can totally hit the same results by talking to us in the comments, which is the same as comments on anything. I just—I just really like sort of seeing the same people and faces pop up over and over again, and feeling the same kind of “less alone” about this that I used to feel back in the early days of blogging. I don't know about the rest of you, but I have pretty much, you know—I'll put a thing on Instagram, and then I'm out of there because, again, it's—there's, there's so much slop now. I'm not really doing a lot of other things. But I am here, and there are other people here, and I think that's so fun.Jennie NashIt's really fun. And we will continue to be here with—with lots of offerings, from Nerd Corner episodes to Write Big episodes to KJ Writing Along episodes, and we're in the chat to help and answer questions, and we have other things up our sleeves too. So keep tuning in.KJ Dell'AntoniaYeah. All right.Jess LaheyAll right, everyone until next time around, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

What's something you've just sort of "given up" on?See omnystudio.com/listener for privacy information.

Candace Owens Assassination Plot, Fat Acceptance Is Over, James Comey Indictment Thrown Out

Join the conversation with C4 & Bryan Nehman.  Bryan is back from his visit to the frozen tundra Lambeau Field.  Public school enrollment is down.  Comey & James' cases have been thrown out.  Ron Johnson says no to tariff checks.  McKenzie Allen, Director of MD Alliance of Charter Schools joined the show to discuss the update on a funding regulation.  A caller to a radio show says he found a body in Frederick MD.  Baltimore Co. Police Chief Robert McCullough joined the show talking all things crime in the county including recent officer involved shootings.  Rod Woodson also joined the show previewing the Ravens Thanksgiving night game.  Listen to C4 & Bryan Nehman live weekdays from 5:30 to 10am on WBAL News Radio 1090, FM 101.5 & the WBAL Radio App!

I'm always asking questions.  The fun begins when you start researching for answers. Such as…   The importance of outreach… are we doing it right?  Are we enabling takers to grab even more?  Plus…outreach versus hoarding.  Who decides when it's too much?   I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess…Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

I'm always asking questions.  The fun begins when you start researching for answers. Such as…   The importance of outreach… are we doing it right?  Are we enabling takers to grab even more?  Plus…outreach versus hoarding.  Who decides when it's too much?   I'm Arroe…  I am a daily writer.  A silent wolf.  I stand on the sidelines and do nothing but watch, listen study then activate.  I call it The Daily Mess.  A chronological walk through an everyday world.  Yes, it's my morning writing.  As a receiver of thoughts and ideas, we as people tend to throw it to the side and deal with it later.  When a subject arrives, I dig in.  It's still keeping a journal!  By doing the research the picture becomes clearer.  This is the Daily Mess…Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In this developing true crime investigation, the disappearance of nine-year-old Melodee Buzzard has sparked nationwide concern as authorities uncover troubling details surrounding her mother, Ashlee Buzzard. Investigators say Melodee had been isolated for years, kept away from both her maternal and paternal families, with Ashlee withdrawing her from school under the claim of homeschooling. When the school district reported months of failed check-ins, the situation escalated into a full-scale missing person case. The last confirmed sighting of Melodee traces back to early October, at the same time Ashlee embarked on a cross-country trip documented through phone footage and rental car records, forming a critical piece of the investigative timeline. As the case gained momentum, authorities learned that Melodee's paternal family had not seen her in over four years, and Ashlee's own mother had almost two years without contact, raising immediate red flags for a potential long-term concealment situation. The case shifted dramatically when a longtime friend of Ashlee's, known publicly as Tyler, claimed she confined him inside her home during a November visit, leading to Ashlee's arrest on false imprisonment charges. But those charges collapsed in court after Ashlee produced a secretly recorded audio clip that contradicted much of Tyler's account, prompting the judge to dismiss the case entirely. Despite that courtroom twist, the most urgent question remains: where is Melodee? Authorities executed multiple search warrants on Ashlee's residence, a storage unit, and the rented Malibu used on the trip, but no major breakthrough has been announced. The FBI has confirmed both surveillance and active involvement, mirroring strategies seen in high-profile missing child cases such as Gabby Petito and Harmony Montgomery. With dependency court proceedings sealed from public access and investigators cautious about what they release, the search for Melodee continues under intense scrutiny as the public waits for the next critical development in this unsettling case. #truecrime #breakingnews #melodeebuzzard #ashleebuzzard #missingperson #justice #FBIinvestigation #crimewatch #newsupdate #investigation Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

In this developing true crime investigation, the disappearance of nine-year-old Melodee Buzzard has sparked nationwide concern as authorities uncover troubling details surrounding her mother, Ashlee Buzzard. Investigators say Melodee had been isolated for years, kept away from both her maternal and paternal families, with Ashlee withdrawing her from school under the claim of homeschooling. When the school district reported months of failed check-ins, the situation escalated into a full-scale missing person case. The last confirmed sighting of Melodee traces back to early October, at the same time Ashlee embarked on a cross-country trip documented through phone footage and rental car records, forming a critical piece of the investigative timeline.  As the case gained momentum, authorities learned that Melodee's paternal family had not seen her in over four years, and Ashlee's own mother had almost two years without contact, raising immediate red flags for a potential long-term concealment situation. The case shifted dramatically when a longtime friend of Ashlee's, known publicly as Tyler, claimed she confined him inside her home during a November visit, leading to Ashlee's arrest on false imprisonment charges. But those charges collapsed in court after Ashlee produced a secretly recorded audio clip that contradicted much of Tyler's account, prompting the judge to dismiss the case entirely.  Despite that courtroom twist, the most urgent question remains: where is Melodee? Authorities executed multiple search warrants on Ashlee's residence, a storage unit, and the rented Malibu used on the trip, but no major breakthrough has been announced. The FBI has confirmed both surveillance and active involvement, mirroring strategies seen in high-profile missing child cases such as Gabby Petito and Harmony Montgomery. With dependency court proceedings sealed from public access and investigators cautious about what they release, the search for Melodee continues under intense scrutiny as the public waits for the next critical development in this unsettling case. #truecrime #breakingnews #melodeebuzzard #ashleebuzzard #missingperson #justice #FBIinvestigation #crimewatch #newsupdate #investigation  Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Anthony has been paying closer attention to the first shots Austin is taking every game and that needs to get better. With Luka and LeBron also out there, there should be no need for Austin to take so many grenades. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this developing true crime investigation, the disappearance of nine-year-old Melodee Buzzard has sparked nationwide concern as authorities uncover troubling details surrounding her mother, Ashlee Buzzard. Investigators say Melodee had been isolated for years, kept away from both her maternal and paternal families, with Ashlee withdrawing her from school under the claim of homeschooling. When the school district reported months of failed check-ins, the situation escalated into a full-scale missing person case. The last confirmed sighting of Melodee traces back to early October, at the same time Ashlee embarked on a cross-country trip documented through phone footage and rental car records, forming a critical piece of the investigative timeline. As the case gained momentum, authorities learned that Melodee's paternal family had not seen her in over four years, and Ashlee's own mother had almost two years without contact, raising immediate red flags for a potential long-term concealment situation. The case shifted dramatically when a longtime friend of Ashlee's, known publicly as Tyler, claimed she confined him inside her home during a November visit, leading to Ashlee's arrest on false imprisonment charges. But those charges collapsed in court after Ashlee produced a secretly recorded audio clip that contradicted much of Tyler's account, prompting the judge to dismiss the case entirely. Despite that courtroom twist, the most urgent question remains: where is Melodee? Authorities executed multiple search warrants on Ashlee's residence, a storage unit, and the rented Malibu used on the trip, but no major breakthrough has been announced. The FBI has confirmed both surveillance and active involvement, mirroring strategies seen in high-profile missing child cases such as Gabby Petito and Harmony Montgomery. With dependency court proceedings sealed from public access and investigators cautious about what they release, the search for Melodee continues under intense scrutiny as the public waits for the next critical development in this unsettling case. #truecrime #breakingnews #melodeebuzzard #ashleebuzzard #missingperson #justice #FBIinvestigation #crimewatch #newsupdate #investigation Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

So the UK Government have announced yet another upgrade/change to Military housing but is this just another empty promise?!This week Kirsha and Sophs delve into the new 90 billion pound announcement from the UK Government to better the housing standards for Military families but is it actually going to happen?Military families aren't asking for much but the basic needs of working heating, and preferably no black mould.. what happens when they run out of money... which has happened before?! Not to mention the half finished jobs, what happens if those who serve just think - nope, not today...Kirsha & Sophs share your housing stories, from having to bathe you young family in a laundry basket in porta potties, to duct tape floor boards - when are we going to do better for our serving families?! The hosts share the new colour palette and discuss why not everyone is over the moon about Magnolia's marching orders and everything in between.Buckle up as this one is heated, important and something needs to change.

Our esteemed trader Frank Hickey returns with his take on a cracking Punchestown card, headlined by the Grade 1 John Durkan Chase. As it's Safer Gambling Week, it's a good time to remember you've got plenty of tools to help you stay in control. More info at http://safergambling.paddypower.com/ It's Sunday Tipping, coming to you straight "From The Horse's Mouth"... 18+ GambleAware

THE BEST BOOK CLUB IN THE MULTIVERSE! Aeric and Malcolm herald the return of World Famous Gaslighting Actor Jacob Brown, just in time for a speedster's REBIRTH! During the events of FINAL CRISIS, the world witnessed the return of Barry Allen… so what happens now? Thrown into an unfamiliar world, Barry must get up to speed on everything he missed before an old enemy returns to drag him back to the afterlife! And with the most influential speedster back into the fold, what does that mean for the rest of the Flash Family? Find out here! Covers The Flash: Rebirth (2009) by Geoff Johns and THAT FUCKING GUY Time Stamps: 00:00:55 Intro & Whatcha Doin'? 00:20:57 Book Club Begins 02:43:34 Break 02:49:35 Speed Force Mailbag 03:05:00 Patreon Shout-Outs & Wrap-Up Support us on Patreon! https://www.patreon.com/c/geeksplained Geeksplained Merch: https://www.teepublic.com/user/geeksplained Follow us! Bluesky: https://bsky.app/profile/geeksplained.bsky.social Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Check out THE POD UNIVERSE! Writers Dalton Deschain and Dylan Roth first joined together to create Are You Afraid of the Dark Universe? a podcast in which they pitched new installments of the canceled Dark Universe of monster movies. After completing their 30-part saga, they've set out to do something new - an all-original cinematic universe of imaginary movies, written, workshopped, and performed on all podcatchers and YouTube: https://open.spotify.com/show/0Dfy9XX1PMGZbu8iSxtPW3 https://www.youtube.com/channel/UCV48aQBx58PA5d_HqNyRZeQ Music Sampled: “Alive” by Warbly Jets

In this powerful interview, David Ditchfield recounts his extraordinary near-death experience (NDE) following a horrific train accident in Cambridge, UK, in 2006. Once at rock bottom as a functional alcoholic, David was transformed spiritually after being pulled under a speeding train and, just before critical surgery, encountering beings of light in the afterlife. This profound NDE awakened remarkable creative abilities, revealing hidden talents for music and painting. Despite having no formal classical music training and an inability to read or write music, David has composed two symphonies and a rhapsody—every piece premiering at sold-out concerts, including a commission from The Cambridge Clarinet Choir. His inspiring NDE paintings have been displayed in major exhibitions, including a year-long show at the Museum of the Bible in Washington D.C. David's story, recently featured in a BBC World Service documentary, is a testament to human resilience and the profound, positive changes that can arise from even the darkest moments. He continues to compose and paint in Cambridge, sharing a message of recovery, hope, spiritual growth, manifestation, and authenticity. Website: shineonthestory.com Discussion of this interview in the BatGap Community Facebook Group Transcript of this interview Interview recorded November 1, 2025

Former Browns quarterback Brian Hoyer joined "Baskin and Phelps" Wednesday giving his thoughts on how the Browns fare against the Raiders on Sunday and why the Browns have mistreated the quarterback position this year.

But What If? 27There came to him some Sadducees, those who deny that there is a resurrection, 28and they asked him a question, saying, "Teacher, Moses wrote for us that if a man's brother dies, having a wife but no children, the man must take the widow and raise up offspring for his brother. 29Now there were seven brothers. The first took a wife, and died without children. 30And the second 31and the third took her, and likewise all seven left no children and died. 32Afterward the woman also died. 33In the resurrection, therefore, whose wife will the woman be? For the seven had her as wife." 34And Jesus said to them, "The sons of this age marry and are given in marriage, 35but those who are considered worthy to attain to that age and to the resurrection from the dead neither marry nor are given in marriage, 36for they cannot die anymore, because they are equal to angels and are sons of God, being sons of the resurrection. 37But that the dead are raised, even Moses showed, in the passage about the bush, where he calls the Lord the God of Abraham and the God of Isaac and the God of Jacob. 38Now he is not God of the dead, but of the living, for all live to him." 39Then some of the scribes answered, "Teacher, you have spoken well." 40For they no longer dared to ask him any question. Luke 20 [ESV] Do you know how we like to say, "Yes, but…but, what if…?" Teachers put up with this all the time. God puts up with this from us all the time… …but what if?…We say this after hearing God's Word…don't we? …but…but, my relatives have come to town? Yes…your point is? Take them with you to church, or let them stay home if they won't. You be here. …but what if I have worked a real hard and long year and go on vacation to rest? The best rest is in the Lord's House. …but on holidays I need all the time I can get to prepare the feast…so we can eat on time. …So have snacks ready and eat later. ….yes, but then the game is on…. …so tape it, eat, then watch. Is it the holiday (the HOLY DAY) or the game that is being celebrated? Is it a day of excuses to sin? Come on, what else you got? You see, I can give you a counter answer to almost all of your "what if's" as any good teacher will, or simply answer that that situation you give will never happen in the real world. I can give you an answer because the Bible answers everything that is under the sun. There is nothing new. Yes, God has an answer for them all…and yes, God has heard all the possible reasons for not doing whatever He tells us to do. God says to have no other gods before Him. Other little gods, yes, as God knows we have them, but Our Lord comes first. What do I and He mean here? Go ahead and love other things, but according to the Commandments and in their proper order. God first, then family (wife, then children…husband, then children), then your neighbors, then your vocation, then your hobbies. Love, cherish and care…but not before…not above Him…not out of the order of creation—the way He made them all. Yes, but what if… What if my husband is a work-aholic? My children need me, and since he is not around much, why should I put…let him be first in my life…over them? You both need to repent. Yet each of you are still to do what God says. Despite the situation—even in the situation. What if … Yes? …but…the town does such a lousy job on the roads…and they sent my son over to Iraq and I don't think we should even be there…and look at gas prices…. Show me a coin. Whose image is on it? A president. So, render to the government—to the world—what is theirs, and to God what is His. Pay your taxes, yes, but also give to God what is due Him: YOU. Whose image is on you? Whose image has been once again placed on you? How were you formed and how were you re-formed? Adam was made in the image of God, but then took the "what if" against…and instead of…doing according to how he was made. So, the image of the devil was stamped on Adam…and Eve…and all of us. The world—I don't mean this planet, although effected, yes—but when the Bible talks about this world, it is in the image of the devil. Its ways and its wants. It—the devil—wants to also form the church into its image. He would like to form you again into his image. As a liar. A cheat. A thief. A user. An excuser—an excuser of sin. The devil wants you in the image of death—to die and stay dead. You see, he is the master of the "…but what if…" scenario. He gave Adam and Eve a crash course right in the garden. "But what if God is holding out on you…what if it is a better thing to know good and evil…and what if God really does not want you to be like Him…?" That is where this MO comes from. The devil. The devil tried to do this even to God. He tried the "what if" in heaven…what if he, the devil could replace God and run things for a change…what if that were better? Yet he failed. The Bible says that the devil and his angels that he took with him—a third—lost their former estate. Thrown out of heaven. Adam and Eve lost their former estate too—kicked out of the garden. Pain in childbirth, friction between husband and wife…and more weeds than edible plants from all that hard work. Then Brothers killing each other. It seems that the devil's "what if" was working here, on earth. It has been—working well in the sense that we all do it, but the results…well no good for us has come of it. Yet, we still wonder, "but what if it eventually will be good…" No, as we will be dead. Every one of us. Then the devil, with all his success here, thought he would get another chance at heaven. Yes, especially when the Son of God became man. He even tried to make Jesus into his image. He tempted Jesus. Then because Jesus wasn't taking the bait, he killed him. The devil failed. Using his own work against Him, Jesus was not re-imaged, but actually began the start of humanity's re-imaging. Jesus was not just reclaiming His own body, and life, but also ours…and the world—nature and the universe itself. All will have the full, undiminished, unaffected, untarnished image of God once again. Starting with Jesus the man…then continuing with a band of twelve which then became over 3,000 by the second chapter of Acts, then out into the whole world—all by baptism—Word and Water…and Spirit. Same as at the beginning of the world. The World made by God's Word, the Son, in Water and the Spirit which hovered over the deeps. Just read Genesis chapter 1. All is being remade again according to God's way…again…with Water and Word. You see, by baptism, we no longer have the image of the world. We get God's name, and wherever His name is placed, God is there—His image is there…He is there. A new creation starts there. We Get Jesus as our covering. Jesus is the exact image of God. When we see Jesus, we see God. When God sees us, He sees Jesus. We get—we have Jesus, His Spirit and His Father. We have been reborn…re-imaged…remade…regenerated in His image once again. The planet is next…out into the universe even—everything. So, God has all the "what if's"—every contingency—even ones we have not thought of or ever will—He has got them covered. What if? What if nothing! We are to act now according to how we have been remade…like Jesus…to please His Father…where there are no, "what if's" any longer. There just are none in Jesus. Never! Even if we cannot see the how, it is covered. We are covered. So, we can, then, render to God, what is God's: You. Do so. All of you and yours. Your time, your things, your spouse and children even. Your life even. He who hates his life in this world, Jesus says, will keep it. He who loves it, will lose it. What image do you like best? Stop letting them change you into their image…the way they do things! Stop letting people try and change the image of the church then! We don't vote for choice in the name of freedom. We vote to keep God's commandments. We don't change church and our services just because that is what the world likes. It wants us to reflect them—their image, but we must reflect God's. It wants the church to use marketing and packaging to tempt and lure. It wants us to dress and be like them—to lure and seduce and tempt. All this is the image of sin, death and the devil. The church and its people have the image of Christ—it must or it is not the church. God's image is of life, not the dead. He lives and we live and move and have our being in Him. He is the author and perfecter of our lives. You only live because He says so. You only have because He says so. He gives life to all those who despair of their own. Face the result of your sin—your death. Face the fact that the soul who sins dies and leaves all that he has to someone else. Face that picture. Face that image. Then turn and embrace instead the image God gave you—His. God is the only one who can change that death mask into a face that lives…that reflects Him. He sent Jesus for this very reason. Jesus is the resurrection. He is the way, the truth and the Life. All those who believe in Him, who eat of His flesh and drink of His blood have life in them. These carry His life giving being—God Himself—the very image of God, Jesus, in their very bodies. Whose image do you have? Theirs or His? Those without Jesus' reflection die… …with no if's, no but's, about it. So don't confuse yourselves, or others, with "but what if's." As if…we could stump God. As if we could find wiggle room out of what He expects. As if there are loop holes. As if there were any other way. No, None! He alone provides the way out. Jesus. He alone provides life. Jesus. Yet, He not only gives wiggle room—to live and breath freely in—He brings us to His wide open fields—where we can and will be at play…in the house of the Lord…forever. Jesus came and did this for us,

Elis and John are joined by the UK's ‘most confusing prospect', aka Tom Rosenthal, to talk affairs, internet fads and conspiracy theories. We also learn what their respective approaches to golf can teach us about John (The James Milner of golf) and Tom (The Diego Maradona of golf).Elsewhere there are revelations and tears in the Cymru Connection, and a Made Up Game that tests just how much Elis and John know each other. Oh, and Elis is in a pantomime.If this show were a steam ship chugging through the oceans of chat, then your emails would be the steam powering us on. So send us your steam on elisandjohn@bbc.co.uk or WhatsApp 07974 293 022.

Today's Scripture passages are 2 Kings 25:22-26 | Jeremiah 40:7 - Jeremiah 41 | Obadiah 1 | Psalm 43 | Psalm 85 | Acts 16:11-40.Read by Ekemini Uwan.Get in The Word with Truth's Table is a production of InterVarsity Press. For 75 years, IVP has published and created thoughtful Christian books for the university, church, and the world. Our Bible reading plan is adapted from Bible Study Together, and the Bible version is the New English Translation, used by permission.SPECIAL OFFER | As a listener of this podcast, use the code IVPOD25 for 25% off any IVP resource mentioned in this episode at ivpress.com.Additional Credits:Song production: Seaux ChillSong lyrics written by: Seaux Chill, Ekemini Uwan, and Christina EdmondsonPodcast art: Kate LillardPhotography: Shelly EveBible consultant: JM SmithSound engineering: Podastery StudiosCreative producers: Ekemini Uwan and Christina EdmondsonAssistant producer: Christine Pelliccio MeloExecutive producer: Helen LeeDisclaimer: The comments, views, and opinions expressed in this podcast are solely those of the host and/or the guests featured on the podcast and do not necessarily reflect the views or positions of InterVarsity Press or InterVarsity Christian Fellowship.

Jess here. Sarina and I discuss audiobook narration this week and explain how narrators get hired, paid, and dish some inside baseball on audiobook production. Transcript Below!Your subscription = good podcast karma. Sign up now to support the Podcast!SPONSORSHIP MESSAGEHey, listeners, did you know that we review first pages sent in by supporters every month on the pod? It's just one more reason you should be supporting Hashtag AmWriting, which is always free for listeners and ad free too. Please note that we will never pitch you the latest in writer supplements or comfy clothes for lap-topping. The good news is we're open for First Page submissions right now. If you've got a work in progress and you'd like to submit the first page for consideration for a Booklabs First Pages episode, just hit the support button in the show notes and you'll get an email telling you all the details. Want to hear a Booklabs episode. Current ones are for supporters only but roll your pod player back to September 2024 and there they'll be.EPISODE TRANSCRIPTIs it recording? Now it's recording—yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, welcome to the Hashtag AmWriting Podcast. I'm your host, Jess Lahey, and this is the podcast about getting all the words done, writing all the things, writing, short things, long things, proposals, queries, poetry, all the things. But today, Jess and Sarina are bringing you the book nerdery stuff, the best stuff. This is The Publishing Nerd Corner. I love this new segment. I'm super excited about it, but first, my name is Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. You can find my journalism out there various places, including The New York Times. And you can find my newsletter at jesslahey.substack.com.Sarina BowenAnd I'm Sarina Bowen, the author of many contemporary novels. My new one is called Thrown for a Loop, and it drops on November 4, and it also will be published that same day as an audio book.Jess LaheyWhoo so...Sarina BowenAnd that is what...Jess LaheyYeah, we're going to talk about audiobooks today, because Sarina knows so much about this—because she has to, like, hire her own narrator sometimes and stuff like that. All I know is, I narrated my own audiobook, and it was super fun, and I loved it. But we want to talk about all the aspects of how audiobooks work—all of it. There's lots of fun stuff to talk about. Where would you like to start, Sarina?Sarina BowenThat is a good question. So, most of the time, if you are selling your book to a big publisher, audio rights will be included in your contract, and your publisher is therefore responsible for making the audiobook. You might be consulted about the choice of narrators, and that audio will magically appear finished on your publication date. But if you are a self-published author, then the existence or not of your audiobook is completely under your control. Audio has been the shining star of publishing for the last decade in that it is the growth story. I'm not sure how that has worked the last couple of years, but audio was one of the only areas of traditional publishing that demonstrated double-digit growth for much of the last decade. A lot of that has to do with the popularity and availability of streaming as a way that people listen to these books. Obviously, the technology shift made a huge difference, but so did things like cellular networks that work well and buffer easily. So...Jess LaheyCan I add one little, tiny thing? There's been another reason that I think that audio has done so well, and that's the acceptance within the education world—thanks to researchers like, for example, Dan Willingham and other people who study the brain and how we process and learn—that audiobooks are reading. From a processing perspective, from a learning perspective, listening to audiobooks is reading, and anyone who is telling you otherwise is not looking at the science. And so, this has been an incredible way—when you look at kids, for example, neurodivergent kids, dyslexic kids, kids who need another way to take in the information. It used to be that audio was like, “Oh no, that's cheating,” and it is absolutely not cheating. So, I think that acceptance within the education world has been so great. And, you know, yes, it is a small part of the growth, but I do want to put that plug in there.Sarina BowenYeah. So, the way that, traditionally, audiobooks have been made is that a narrator goes into a booth and reads the book after having prepped it a bit in terms of maybe reading the whole book, maybe reading parts of the book, understanding what they're going to bring to the table. If it's fiction, then they'll be looking to see what are the major voices, because audio narrators change their delivery to indicate voices. And one thing that's interesting about the trend where we are in audio right now is that it's very trendy for a nonfiction author to read their own work if they're comfortable with it. That is widely done in nonfiction.Jess LaheyAnd it was one of my favorite parts of my process. And I have to say, nothing affected me more on an emotional level. I cried at the end of narrating both books. I had to pause at the very end—at the last couple, the last paragraph. It was such a moving experience for me to narrate my own book. And I have to say, it wasn't a slam dunk that they were going to let me do that. I, you know, I worked really hard to be able to do that, because for some people, that's just not their bag—it's not something that comes naturally to them. But it was, for me anyway, my favorite part of the process.Sarina BowenYeah, so if you had written a novel, though, we wouldn't be—Jess LaheyNo.Sarina Bowen—having that same conversation.Jess LaheyI'm not an actor. I don't have the chops for that.Sarina BowenWell, a lot of authors of novels don't understand this. It's not that they don't understand how their own book should sound and be delivered—it's that what they don't understand is that the way that novel audio sounds in 2025 is a specific trend in the way that readers want their books delivered. The books are very much acted. It wasn't always this way. There were times when audio really sounded more like somebody just reading—and that's okay. Like, there's lots of room for style in terms of the way that audio fiction works. But right now, the trend in audio fiction is very much a performance. And one way that you can see this—and it continues to expand as a trend—is the trend toward something called duet audio, which means, for example, in romance, if there's a male hero and a female heroine—and the way that most of my books work is that if the chapter is in the POV of a man, then the male narrator reads it. But of course, when he comes to a line of dialogue delivered in the heroine's voice, he softens his tone a bit to indicate that she's speaking, but he reads the whole chapter.Jess LaheyThey're always amazing—that's amazing to me when readers can do that. I mean, Davina Porter is the one that comes to mind—like, in the Outlander books, when she switches whose voice she's reading. She switches whose voice—it's down to the accent—and you don't for a second think, “Oh, that's the same person reading all of this.” And some of the narrators you use, Sarina, in your books—the same thing. My brain absolutely believes that I'm hearing a female voice versus a male voice. It's a really incredible talent.Sarina BowenYeah. In fact, if this is of interest to you, there is a book called Thank You for Listening by Julia Whelan.Jess LaheyIt's so good!Sarina BowenWho is one of the few who's been very successful as both an author and a narrator, and her book is a little bit of inside baseball about narrators. And it's a delight.Jess LaheyIt's fun. It's really fun.Sarina BowenOkay, so what I was just describing, though—where he reads a chapter and then she reads a chapter—we refer to that as dual narration (D-U-A-L). But there's a new trend called duet, whereby in the same book, he would read the chapter, but if there was a line of dialogue from a woman, the female narrator would read that line.Jess LaheyWhich is more similar to me in terms of how it feels with, like, ensemble narration. Like, for example, Lincoln in the Bardo had a full cast of many characters, and every part was someone different, and those actors would chime in with their parts. So, same—similar idea.Sarina BowenWell, sometimes, sometimes a “full cast” audiobook just means that there are lots of very short chapters or segments. But to have every single line of dialogue cut in is really different than just saying a book has a full cast.Jess LaheyThat's true. Actually, that's true.Sarina BowenSo the thing about duet specifically is that the engineering part of it—the post-production—is really expensive because the engineer has to cut together this script, and actually preparing the script is also a lot of work. So it's a pretty big deal to make a duet book. It's more expensive. The cost of making a one-POV narrator book or a dual book is between, let's say, $300 and $600 per finished hour.Jess LaheyWhat do you mean by that, Sarina?Sarina BowenSo, if you look at Audible right now, you can see the lengths of all of my audiobooks down to the minute. So it might say eight hours and thirty minutes. That means the finished length of that book is eight hours and thirty minutes. And the cost of making that book will be 8.5 times some number between $300 and $600. But if I did that book as duet, then it might be $1,000.Jess LaheyOkay, all right.Sarina BowenSo, every audiobook I've ever made cost between, like, three grand and seven grand. And if I were doing duet, then I would be hitting numbers more like $10,000.Jess LaheyAnd make no mistake—there are stars in the audiobook world who, like celebrities in films, can earn more per finished hour for their books. And that demand is really important because they have a vibe. There are fans of particular narrators who will listen to anything that narrator reads.Sarina BowenYeah, like my kids and I used to listen to audio narrated by Meryl Streep, and I'm sure she broke the curve for how much that cost per finished hour. But you should also know that the finished hour is not the same as how long it takes the narrator to do the job. So, if I'm paying a narrator $350 a finished hour, he is spending more time on that book, and his actual pay per hour is lower—like 150 bucks or whatever. It depends on his ratio of how fast he can narrate a book. And also, narrators' voices get tired. They can't narrate forty hours a week—although, actually, some of them probably do—but, you know, it's a hard job. So, if you're thinking, “I'm not going to pay someone $350 an hour to narrate my book,” you should know that it doesn't really work that way, and that really is the price for a reason.Jess LaheyAnd they're fun—just for some fun inside baseball things. Like, for both of my books, narration hours when we worked—our starting time in the morning was pushed up a little bit because no one wants to get an audiobook narrator right after they woke up. Your voice is not primed. Your voice has gunk in it. So, we would start later. You really could only go—you know, with my first book, I think we went until, like, three in the afternoon or something. You have to take a break for lunch, and then after you eat lunch, you get all these weird secretions, and it takes time to get back into it. There's just some weird stuff that I didn't count on—like it was better for me to be hungry (except then my stomach would make noises, which the microphones would pick up) than to stop and eat and have to get back in the groove. Because when you're in the groove, you kind of don't want to stop. There was just so much more to it than I ever anticipated. It was a blast, but it took me almost a whole week. We had scheduled five days for The Gift of Failure—it's like 78,000, 80,000 words, or something like that. We scheduled five full days; we ended up taking four. And I didn't have pickups for that book, but I did have pickups for The Addiction Inoculation. There was a lot more scientific language in that book that we had to do some pickups for. So, yeah, it's—Sarina BowenPickups means edit.Jess LaheyYeah. So, there were a couple days where I came in—and so I actually did The Addiction Inoculation during COVID. I was at a studio here locally in Vermont with my director, the producer of the audio in one ear of my headphones, and my producer from Harper in my other ear, in New York or wherever she was. We were working in a sound booth in Vermont. And, you know, in the evening, that producer would go over the audio and make sure that all of the words were pronounced correctly and everything was good. And then the next day, we would do pickups along with the new work as well.Sarina BowenRight. So, the editing that happens is really down to the word. Like, the engineer will sit there and, you know, go right into that space between the two words that you said and put the new thing in. And when a professional narrator is in the booth, they operate in a way that's called punch and roll, which means that they will stop when they make an error, go back—looking at that visual sine wave of the audio on their screen—find the pause between the words, go right to that spot, and then roll forward by hitting record again and then speaking the word that they meant to say.Jess LaheySome audiobook narrators use a clicker too. It's a way of being able to see on the wave where you, you know, might need to go back and figure something out.Sarina BowenYeah. So, um, there's a lot that goes into this. Humans make a lot of noises that we're trying not to hear. Like, some engineers will go in and dampen the breath sounds.Jess LaheyYeah. Yep.Sarina BowenYou know, they'll go in and take out the “heeeeh.”Jess LaheyActually, I had to change my clothes. My sweater was making too much noise. It turns out when I narrate, I use my arms a lot—so I actually had to learn how to narrate with my arms resting on the armrests but only using my lower arms. So, I look like the robot in Lost in Space with my little—my little—and also, my hair had to be up because my hair made noise too. And you can't wear jewelry, you know, like bracelets and things like that also make noise.Sarina BowenYep. And narrators all have stories like, “I can't eat Indian food before I narrate,” or “When I go in the booth after lunch, I strap pillows around my midsection.” Like all this stuff to make sure that the sound quality works. So, that brings us to a difficult topic in how audiobooks are made, which is that a lot of books are flooding the market with AI voices. And everybody's heard AI voices before—for example, if you've ever been on TikTok and you hear that weird, artificial female voice reading the—I don't even know how to explain it—but that's primarily why I never go on TikTok, because I cannot stand that artificial voice.Jess LaheyI listened to—I listened to an article yesterday with The New York Times that was AI-generated that was better than those awful TikTok voices, but still, you know—still AI.Sarina BowenYeah. So, I am not going to spend our time discussing whether those voices are good or not, but it has really gotten messy. At the beginning of AI narration, some platforms said, “No way, no how. We will never have one.” And then a lot of platforms suddenly allowed for it. So, there's lots of AI narration in the world, and it's causing real havoc, especially among people whose livelihoods are being affected by a drop in audio work. I really believe that the readers of my books care very much about the delivery, and it's hard for me to think that an AI voice could carry the kind of emotion that romance readers are looking for in an audiobook. So, I hope—I hope that audio listeners continue to demand quality, because it's a big deal.Jess LaheyAt least right now, your listeners—you know, they love Teddy Hamilton. Or, you know, there are audiobook narrators who are very specifically—people get excited when they see a particular narrator's voice attached to your work. And I think—and again, in Thank You for Listening, there's that good—she goes into great detail on that whole inside baseball of narrator fans. And like, Teddy Hamilton has fans—has a fan base. And I hope that persists, because I think there's real value in that. I hope there's real value in that, and I hope people continue to value it.Sarina BowenYeah, and I don't think that's going away anytime soon. People really aren't clamoring to see AI Meryl Streep on the screen at the movies—and, you know, paying a movie ticket price for that. And I believe that in narration land, yeah, it's the people coming up that will suffer the most—the newer narrators who don't have a fan base yet and are struggling to get work. So, yeah—anyway, that is one thing. And we could talk about how to get your book done in AI production now, but I think we won't, because...Jess LaheyYeah.Sarina BowenBecause that's, you know, not—you can figure that out yourself if that's interesting to you. But, um, I believe that humans are still the way to go here.Jess LaheyThere was an interesting note. So, when I said that I worked really hard to get the chops to narrate my own audiobook—I mean, I went to go work for Vermont Public Radio. I recorded these commentaries. And these commentaries that my producer taught me how to record—there was a really interesting note she gave me, which is that these commentaries are really short, like just a couple of minutes—less than three minutes. And one of the things she taught me is that when I'm reading these commentaries, if at the end I look up at my producer and smile and make eye contact with my producer that it makes the narrator be even more connected to the listener. And she's absolutely right. You could hear a difference in the commentary when I was making eye contact with my producer, and I find that fascinating and intangible and magic. There is a magic in that that I hope we do not lose with AI.Sarina BowenYes, absolutely—and that is a fantastic place to close this episode.Jess LaheyAbsolutely.Sarina BowenLet's not lose that magic.Jess LaheyIf there are things you would like us to talk about when it comes to the nerdery of publishing—in the Publishing Nerd Corner—if you're a huge fan of publishing nerdery, I also would love to recommend that you go over and follow Jane Friedman immediately, because she is such a great writer about the nerdery stuff in publishing. But we will continue to talk about it. If there are things you would like to know about, please let us know.But until next week, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output—because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

NEARLY £500 MILLION SPENT.  5 LOSSES IN THE PREMIER LEAGUE BY NOVEMBER.  ON TRACK TO RIVAL LEICESTER CITY FOR THE WORST TITLE DEFENCE.   WE'VE WAITED LONG ENOUGH...  IT'S TIME FOR A LIVERPOOL INTERVENTION! 

The band's back together! Ruby and Rory reunite for the first of two shows together this week, kicking things off with Friday's ITV Racing from Cheltenham as the November Meeting gets underway. Claim your Money Back Token for Friday, and find more information on all of the available offers this weekend, right here: https://promos.paddypower.com/sport Enter our FREE TO PLAY game Eliminator here: https://skillzone.paddypower.com/eliminator/ It's Friday Tipping, coming to you straight "From The Horse's Mouth"... 18+ | gambleaware.org

Visit: RadioLawTalk.com for information & full episodes! Follow us on Facebook: bit.ly/RLTFacebook Follow us on Twitter: bit.ly/RLTTwitter Follow us on Instagram: bit.ly/RLTInstagram Subscribe to our YouTube channel: www.youtube.com/channel/UC3Owf1BEB-klmtD_92-uqzg Your Radio Law Talk hosts are exceptional attorneys and love what they do! They take breaks from their day jobs and make time for Radio Law Talk so that the rest of the country can enjoy the law like they do. Follow Radio Law Talk on Youtube, Facebook, Twitter & Instagram!

ACOFAE Podcast Presents: The Things Gods Break: "Bad Wolf" ACOFAE is jumping back into The Crucible Series with book 2, The Things Gods Break by Abigail Owen! Tartarus. A place that is familiar in myth and legend and terrifying for what it contains: The Titans. Lyra. Thrown into a battle between the truth and lies, and then tasked with the impossible-opening The Gates. All while dealing with Time that has been broken and glamours that have been cast. There is a lot going on, plus a romantic plot AND a best friend plot. ACOFAE finds themselves connecting the dots and wishing for a reread immediately. "I am the Bad Wolf. I create myself. I take the words, I scatter them in time and space. A message to lead myself here." - Rose Tyler TW / CW: brief mention of self-harm For additional TW/CW information for your future reads, head to this site for more: https://triggerwarningdatabase.com/ Spoilers: The Games Gods Play by Abigail Owen, The Things Gods Break by Abigail Owen Mentions: Doctor Who, Game of Thrones, The Time Traveler's Wife, Donnie Darko, Eternal Sunshine of the Spotless Mind, She's All That, Manacled, Doctor Strange, The Vampire Diaries, *Thank you for listening to us! Please subscribe and leave a 5-star review and follow us on Instagram (https://www.instagram.com/acofaepodcast/) at @ACOFAEpodcast and on our TikToks! TikTok: ACOFAELaura : Laura Marie (https://www.tiktok.com/@acofaelaura?) ( https://www.tiktok.com/@acofaelaura) ACOFAEJessica : Jessica Marie (https://www.tiktok.com/@acofaejessica?) (https://www.tiktok.com/@acofaejessica) Instagram: @ACOFAEpodcast (https://www.instagram.com/acofaepodcast/) https://www.instagram.com/acofaepodcast/ @ACOFAELaura (https://www.instagram.com/acofaelaura/) https://www.instagram.com/acofaelaura/

In this episode, I share 3 tips to help you stop getting thrown off when mistakes happen.Go to BeHighPerforming.com to learn how I can help you or your team take your performance and wellbeing to the next level!

If someone throws your past in your face, smile and tell them you don't live there anymore. 

In this episode of the HVAC Know It All Podcast, host Gary McCreadie speaks with Joshua Canfield, owner of Blue Box HVACR. Together, they explore how training for new HVAC technicians has changed over the years. Josh shares his own journey from being thrown into the trade with no experience to running jobs alone within weeks. They talk about the need for a balanced training approach that combines hands-on work, guidance, and time under pressure. Josh also highlights how small wins and emotional intelligence can build confidence in young techs. Their conversation gives practical ideas for teaching the next generation in today's industry. In this episode, Joshua Canfield talks about the challenges of training new HVAC technicians in today's industry. He explains how systems have become more complex with added electronics, while many techs lack hands-on experience and confidence. Josh shares stories from his own start in the trade, where he learned by doing jobs on his own with little help. He and Gary discuss a better way to train techs by mixing pressure-filled situations with support and guidance. Josh also stresses the need to build emotional strength and give new techs chances to succeed so they can grow into confident professionals. Expect to Learn: Why hands-on experience is key to building real technician skills. How throwing techs into the field too soon can hurt their growth. A hybrid training method that balances pressure with support. Why emotional intelligence and small wins build confidence in new techs. How strong mentorship helps techs learn faster and stay in the trade.   Episode Highlights: [00:00] - Intro to Joshua Canfield in Part 1 [02:10] - The Changing Landscape: Increased Complexity & Lost Confidence [05:09] - The Core Problem: Lack of Applied Knowledge & Tool Proficiency [06:54] - The "Thrown in the Truck" Method: Pros, Cons, and a Better Hybrid Approach [10:19] - Creating "Aha" Moments: The Power of Pressure and Satisfaction [14:30] - The Triumph of Perseverance: A Story of a First Solo Fix [18:47] - The Key to Success: Persistence Over Pure Intelligence [20:55] - The Modern Apprentice: Navigating a Different Upbringing [22:18] - A New Vision for Training: Blending Technical, Applied, and Emotional Skills [23:54] - Creating "Small Wins" and a Customer-Focused Mindset   This Episode is Kindly Sponsored by: Master: https://www.master.ca/ Cintas: https://www.cintas.com/ Cool Air Products: https://www.coolairproducts.net/ property.com: https://mccreadie.property.com SupplyHouse: https://www.supplyhouse.com/tm Use promo code HKIA5 to get 5% off your first order at Supplyhouse!   Follow the Guest Joshua Canfield on:  LinkedIn: https://www.linkedin.com/in/joshua-canfield-32152a163/ Blue Box HVACR: https://www.linkedin.com/company/blue-box-hvacr/  Website: Blue Box HVACR: https://blueboxhvacr.com/    Follow the Host: LinkedIn: https://www.linkedin.com/in/gary-mccreadie-38217a77/ Website: https://www.hvacknowitall.com Facebook: https://www.facebook.com/people/HVAC-Know-It-All-2/61569643061429/  Instagram: https://www.instagram.com/hvacknowitall1/ 

Guest: Former Blue Jay Kevin Kiermaier       The off-season is upon us but the sad ending to the Blue Jays' season still lingers.   We wanted to know what one of the greatest baserunners in baseball history thought about the bottom of the ninth of Game 7, so we reached out to Kevin Kiermaier and he joins us to answer some questions.   Kiermaier discusses whether he thinks Isiah Kiner-Falefa should have scored on Daulton Varsho's one-out grounder in that inning, and what he would have done had he been on the bases. He also talks about the unique closeness of the Jays' clubhouse, Shane Bieber's return and what the next move might be for Bo Bichette and others.   Plus, a quick dip into the mailbag at deepleftfied@thestar.ca!

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How about the craziness of the Mississippi State game. We give some updates on the coaching search and at least we are still excited about basketball. Like, Share, Comment and Subscribe.

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The show might be away but we’re taking a look back at some of our favourite bits! Like when Christian accidentally killed his cherished Oasis mug. Be listening next week to hear Christian’s full review of Oasis in Melbourne.See omnystudio.com/listener for privacy information.

Hey all, Jess here. Sarina and I both love these episodes where we, two certified nerds, get to hang out with likeminded individuals and dish. This week, we are going to talk about one of Jess' most niggling worries: what does it mean to a publisher and an author to “earn out” a book advance and what does it mean to both if that never happens?Transcript available below, but making good ones isn't free—help support the Podcast below!Your subscription = good podcast karma.KJ Dell'AntoniaHey listeners. Did you know that we review first pages sent in by supporters every month on the pod? It's just one more reason you should be supporting Hashtag AmWriting, which is always free for listeners—and ad free, too. Please note that we will never pitch you the latest in writer supplements or comfy clothes for lap-topping. The good news is we're open for First Page submissions right now! If you've got a work-in-progress and you'd like to submit the First Page for consideration for a Booklab: First Pages episode, just hit the support button in the show note, and you'll get an email telling you all the details. Want to hear a Booklab episode? Current ones are for supporters only but roll your pod player back to September 2024 and there they'll be!Multiple SpeakersIs it recording? Now it's recording—yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey—welcome to the Hashtag AmWriting Podcast! This is a podcast about writing all the things—this is the podcast about writing short things, long things, you know. And specifically, where we're going to focus these days is on a little episode we're calling The Publishing Nerd Corner with Jess and Sarina. I'm Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation, and you can find my work at The Atlantic, at The New York Times, at The Washington Post, and at jesslahey.substack.com.Sarina BowenAnd I'm Sarina Bowen, the author of many contemporary novels. My new one is called Thrown for a Loop, and it drops on November 4th , and I am so excited. And today's topic actually pertains to what happens when you have a book that's publishing and everybody has all these big expectations. We're going to cover one of them, which is earning out your advance—or not—and how to frame your thinking around this.Jess LaheyYeah, first. I mean, the way this Nerd Corner works is because Sarina tends to have more of the business acumen and the nerd acumen. I let her do a lot of teaching me. But one thing I would like to state at the very beginning of this—and apologies, I didn't look up the stats; Sarina might know them—the number of books that actually earn out their advance if it's nonfiction. For example, my book that we're going to talk about today is nonfiction, and so I got a big advance based on a—and we're going to talk about that. We're going to talk numbers. It makes authors really nervous, but I think it's important. The number of authors that actually earn out is really, really low—like, much lower than you expect. . So “earning out” can mean a couple of different things, and we're going to talk about that today. But to set the scene, we're going to use my book The Gift of Failure as the example for earning out. as the example for earning out. So I've sold a lot of books—like, this book was a success by any measure. It was on The New York Times bestseller list. I had Kristen Bell go on Instagram and say, “Buy this book, it's so great,” and it sold out across the country. I am not complaining here; I am just saying that it makes me extremely nervous that technically I have not earned out my advance on The Gift of Failure. Again, to set the scene, The Gift of Failure was based originally—it came out of an article that went viral at The Atlantic on why parents need to let their children fail. There was a big auction for this book that lasted three whole days. It was very exciting, and the number kept going up and up and up. And I was freaking out, because now you've got huge expectations. I mean, I'm thrilled, but the expectations keep getting bigger and bigger. So where we ended up was Harper Books came back with the highest bid, and it was also for the editor that I was most excited to work with, Gail Winston, and it came in at $400,000, so that was wonderful. That was great. It was based on—I got five payments over five, essentially, five years, and I have not earned back that advance for my publisher. So, Sarina, what would you say to me—a writer who is stressed out because that means, you know, when they're looking at purchasing other books like The Addiction Inoculation, I was able to sell to them, even though it's a tough niche, that little—it's a tough corner, that addiction corner—and they knew that this book was not going to sell as well. But on the strength of my sales of the addiction…excuse me, of The Gift of Failure, I was able to sell that book, but I hadn't earned out. So why are they going to pay me to write another book if I hadn't earned out?Sarina BowenIt's such a great question. So the thing—the punch line of this episode—is we just want you to know that if you don't earn out, you're not a failure. And we don't mean it in a nice way, like everybody gets a ribbon. We mean, like, you might not be a financial failure for the publisher, even though on your statement it says you still haven't earned back your advance. And that's because the advance that you're paid is part of a profit-and-loss estimate that the publisher makes before they offer on a book. And just in case anybody is squishy about this—like, an advance means those royalty amounts in your contract, you're getting paid an upfront amount, and then you have to, like, earn it back with those royalty amounts in your contract.Jess LaheyAnd for those who actually are not familiar with this at all, I don't have to pay back the money if I don't earn out. That's not a thing.Sarina BowenRight. So the publisher said, “We like this book so much we are going to pay you $400,000, and we think that you will sell enough copies that we will be in the black on our P&L statement.” But they never show us the P&L statement. So let's just say that they had a P&L statement that shows that they're profitable on this book even if you only sell 70,000 copies—but you've sold over twice that amount. So when I worked on Wall Street, I was given a bonus every year, and the bonus made everybody feel like, “This is the amount of money that you're worth.” But what it really was is “This is the amount of money we have to pay you so you won't quit and go work for somebody else.” And an advance is exactly the same thing—it's how much do we have to pay you to win, but also in a way that looks okay on our profit-and-loss estimate of what this book can do. And of course, you mentioned that we don't have good data about how many books earn back their advances. And the truth is, even if you and I had done a deep dive prior to sitting down here today, we still wouldn't know, because nobody publishes these numbers. And the only time that you get a glimpse of them is when some publishing executive is on the stand in a court case about, say, whether two Big Five publishers can merge.Jess LaheyGotcha.Sarina BowenAnd then, yeah. And then they tend to say various things—like, they'll give a statistic, and then everybody in publishing will be, like, nailed to the transcript of this court case to see, like, how is everybody doing in there? Because, you know, nobody—nobody tells you. Nobody is obligated, even in a publicly traded company, to give these precise statistics about how often people earn out.So earning out has some pros and cons. Like, so you said that writing this book—because you sold it on proposal, and then you had to write it, and you had this big amount of money that you had to recoup—and that is so intimidating. And I've been in this same situation. I sold The Five Year Lie to HarperCollins two years before that book was published, and I still had to write the book, because that book was actually also sold on proposal.Jess LaheyWhich doesn't happen very often, dear listener. Do—Sarina BowenThat's rightJess Lahey—not think that you can sell your first fiction on proposal. That's not how it works.Sarina BowenRight—that will never happen. But, um, this was my, like, 50th novel, and then you can sell on proposal. But anyway, I also had to write something in a new genre with my own expectations built in, and that's scary. But the reason we need this fear—the value of this fear—is that both of our publishers were invested in our success. If I had been offered a low advance and I had taken this deal, then, um, sure, I would be less stressed out about the success of the book—but so would my publisher. The more skin they have in the game, the better they're going to see your project through.Jess LaheyRight.Sarina BowenAnd that is valuable. So a little bit of our fear—or, okay, fine, a lot of it—is actually doing things for this calculation that we need, that we require.Jess LaheyAnd to decode that—what that can often mean is marketing budget. So The Gift of Failure had, you know, the amount that they're willing to invest, including the number of hours my publicist at Harper is willing to invest in publicizing this book, comes down to how invested they are in the book. And given the number that I got, they're pretty invested in this book. And, you know, I was pretty happy with some of the publicity stuff. And also, on top of that, you know, I requested bookmarks and postcards and all that sort of stuff, and I requested to have as many as they could afford in my marketing budget shipped to me. And honestly, for The Gift of Failure I'm just now finally running out of postcards, and I use a lot of those postcards still in my marketing. And they also have been in communication since then—been really appreciative of how much I invest in the publicity. But I will say, I knew—I knew when I was old news and that they were no longer really going to invest in my publicity—when the next big thing, the next big book that was coming out from Harper with this publicist, when I started accidentally getting that author's emails about, you know—it was a total mistake, and it was very funny—but I'm like, oh, yeah, I see, I'm done now. This is—they're on to the next book. Which was fine. But again—and we've said this a million times—no one can market you better than you can market you. So that was fine with me, and I also knew that that would be a big role for me with this book. But, yeah, the marketing budget is very much factored in when you look at how much they're willing to spend on you.Sarina BowenYeah. So we should say a couple more things about [unintelligible]. One is, everybody's first statement from the publisher—whether that comes quarterly, semi-annually, or annually—is always a little bit rattling, because they're hard to read. They just are. Like, I don't know any publisher who has, you know, beautiful, easy-to-read statements. And so the befuddlement one can have on there is, you know, not to be underweighted. But also, if you—so, we have this double-edged sword. Like, we want a big advance because it reduces our risk, and it increases the publisher's risk, so they're going to invest in it. But, as you said before, then if you don't perform—like, if you dramatically underperform your advance—and this happens in publishing all the time—it will be maybe a little bit harder for you to sell the next book, and maybe you have to switch publishers, because maybe idea number two is really fantastic and more saleable. Then you have to find somebody with a clean slate—like, that they see the value of your new idea. They're not intimidated by the fact that your first book didn't sell a kajillion copies. And, you know, that editor doesn't have, like, a wound from having, you know, failed the first time. So these things happen.Jess LaheyBecause—keeping in mind that that editor has to go, you know—any editor that wants to acquire your book has to go before, you know, their peers, their colleagues, and say, “I really want to buy this book, and here's how much I think it's worth, and there's going to be an auction.” And then, you know, I could imagine that an editor might feel like a bit of a doofus if their book doesn't perform the way they've predicted in front of that room of their colleagues.Sarina BowenBecause they would. You know, it's just not fair for them to come back and say, “Yeah, we'll give you the same schlubby advance on the second one.” So, so there's emotions on either side of this. And one thing about earning out that can happen is that sometimes, if you have a two-book deal, you will have a clause in your contract that calls for joint accounting between those two books. And this is a clause that I always ask to be taken out, because that means if you didn't earn out—if you earned out the first book but not the second one—then they're going to hold on to your royalties until you've earned out enough money to cover both advances. And that's obviously unfavorable to the author.Jess LaheyYeah, you also reminded me that there were some things that happened with The Gift of Failure, where, for example, I narrated my audiobook. And I think—I think that my flat fee for narrating that audiobook went against my advance.Sarina BowenAdvance. Mmhmm.Jess LaheyYeah, I didn't get a check, like a flat-out check for that. It went against my advance. And I think the same for my Spanish edition. I think that because the Spanish edition was also part of Harper—it's Harper Español—that that went against my advance as well, as opposed to, you know, “Here's another chunk of money for the Spanish edition.”Sarina BowenWell, that was actually a really unusual scenario for you, because you sold North American rights generally on this book, right?Jess LaheyYeah. Mmhmm.Sarina BowenIn English. You sold English only? Or World English? That would mean that…Jess LaheyActually, I didn't sell World English. It was just North American, because there's the different North American short books, and there's—Sarina BowenRight. Okay.Jess Lahey—the British version.Sarina BowenSo North American rights means that your advance really only covers those books that sell in the U.S. and Canada and territories of the U.S.—and sometimes the Philippines, for reasons that nobody has ever explained to me. But if you'd sold world rights instead, you would have the entire world to help you pay down that advance and then start earning royalties. And I did have a moment last year where I asked my agent, like, “Why didn't we sell world rights on this book?” Because now we're scrambling to place the book with a U.K. editor. And she said—and it made so much sense—she said, “Because if the U.K. branch of your publisher is not fired up about the book and is not motivated, then we won't get the placement you want anyway.”Jess LaheyGot it!Sarina BowenLike, it won't work. And of course, that made lots of sense—like, they're busy acquiring titles that they feel they can sell in the U.K. to their audience, and they know best about that. So I needed to be reminded why that is. But, yeah—so lots of things can go against our advances. And the point of today's discussion was to make sure that you understand that there's an emotional load for the way that we do these things. And your publisher might be very happy with you even if you didn't earn out your advance.Jess LaheyI can tell you, though, where The Gift of Failure is concerned—I have earned out in one spot, and that is China. In China, I have earned—not only did I earn out, they decided to renew my contract early because they were so pleased with sales there. So that's good. I do get small royalty checks for my Chinese version, so yay!Sarina Bowen(Laughing)Jess LaheyGiddy up.Sarina BowenGiddy up.Jess LaheyAll right, have we covered everything we want to cover on this topic?Sarina BowenWe have, and we hope that our listeners are out there getting the best advances they can and then not worrying about them too much.Jess LaheyExcellent. I like that answer. And until next time, everyone, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

This is part 2 of 2Real Housewives of Salt Lake City goes on Below Deck Down Under where Heather boasts about banging Captain Jason, Angie barfs (probably unrelated), and Lisa is accused of being the mole that read twitter and uncovered Bronwyn goss. Then Angie barfs again. To watch this recap on video, listen to our bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is part 1 of 2Real Housewives of Salt Lake City goes on Below Deck Down Under where Heather boasts about banging Captain Jason, Angie barfs (probably unrelated), and Lisa is accused of being the mole that read twitter and uncovered Bronwyn goss. Then Angie barfs again. To watch this recap on video, listen to our bonus episodes, and participate in live episode threads, go to Patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Max Rushden is joined by Barry Glendenning, Sam Dalling and Dan Bardell as Arsenal extend their lead at the top of the Premier League to four points. Help support our independent journalism at theguardian.com/footballweeklypod

Have you ever felt like you were doing everything “right,” yet somehow lost touch with your own power? In this honest and intimate episode, Nicole shares how a season of confusion and overthinking pulled her off course — and how Human Design became the exact framework that helped her find her way back. She opens up about the subtle ways we give our power away as entrepreneurs, from chasing other people's strategies to letting comparison sneak in, even when things seem to be going well on the outside. Through her own experience, Nicole reveals what happens when we mistake doing more for creating growth, and how quickly we can lose the clarity and confidence that once felt unshakable. You'll hear how she recognized the signs of misalignment, the practices that brought her back to center, and the mindset shifts that now guide her decisions and success. This episode is a reminder that your most powerful path isn't about finding the way — it's about finding your way, and trusting it fully. Listen now! Learn more about your Human Design and get your full chart for free at https://www.nicolelaino.com/chart Register for the upcoming free 5-day masterclass, The Authority Accelerator in HD: Create Your Million Dollar Message in 5 Days Using Human Design at https://www.nicolelaino.com/masterclass   Be sure to visit nicolelaino.com/podcastlinks for all of the current links to events, freebies, and more!    If you enjoyed this week's episode, I'd so appreciate you doing a few things for me:  Please subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen! Rate and review the podcast on Apple Podcasts.  Tag me @nicolelainoofficial on your IG stories with a story of you listening to the podcast and I'll make sure to share your post!  Interested in learning more about working with me? Click here to learn more about how we can work together.   

There's always a lot to catch up on, but especially so after a two week break... Joanne's tour continues with some insane stories to tell and Vogue has possibly the biggest news she's ever had... Ever ever. Plus, fake pregnancy, If you'd like to get in touch, you can send an email to hello@MTGMpod.comPlease review Global's Privacy Policy: https://global.com/legal/privacy-policy/For merch, tour dates and more visit: www.mytherapistghostedme.comJoanne's comedy gigs: www.joannemcnally.comThis episode contains explicit language and adult themes that may not be suitable for all listeners.

On this episode of the JT Sports Podcast, JT dives into all the chaos and toxic drama shaking up the NFL. He starts with the Russell Wilson vs. Sean Payton feud that's spilling out in public — breaking down how Payton's slick comments about Jaxson Dart were really shots at Russ, and why Wilson clapping back shows how far his stock has fallen. Then JT goes in on Jets owner Woody Johnson for embarrassing Justin Fields with classless comments that exposed the dysfunction running the franchise. He tears into Brian Daboll for the Giants' late-game collapse, calls out John Harbaugh for wasting Lamar Jackson's prime, and says the Raiders might've made things worse with Pete Carroll running the show. JT also shows love to Mike Macdonald for building a juggernaut in Seattle and crowns Drake Maye as the surprise MVP front-runner who's carrying New England on his back.

This week, Andy Zaltzman is joined by Hari Kondabolu and Alice Fraser for another round of global absurdity and barely contained disbelief.

Ebro, Laura, and Rosenberg host HOT 97's flagship program "Ebro In The Morning!" on today's episode 10/10/25 - Giants Beat the Eagles, Earth, Wind, and Fire Doc, New Mobb Deep Album, Israel-Palestine Peace Deal, the stupidity of bigotry, RFKulture, Drake-Kendrick Case Thrown Out, Freedom Friday and much more! All that and more on Ebro In The Morning! To be a part of the Gurus email theguru@ebrointhemorning.com To be a part of Freedom Friday email info@ebrointhemorning.comSee omnystudio.com/listener for privacy information.