Podcast appearances and mentions of frankie corio

Kelsi and Trey explore Charlotte Wells' stunning debut film, Aftersun. Through heartfelt analysis and thoughtful discussion, we explore the film's mediative portrayal of memory and loss, examining the nuanced performances of Paul Mescal and Frankie Corio, the layers of emotional depth in the screenplay, and the themes of familial bonds, identity struggles, and unresolved grief. ⁠The Extra Credits YouTube Channel⁠⁠⁠ ⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Bagman - Als Kind wurde Patrick von einer unheimlichen Bedrohung heimgesucht. Inzwischen ein Erwachsener und selbst ein Vater, wird er erneut von dieser Bedrohung heimgesucht. Doch dieses Mal muss er nicht nur sich selbst, sondern auch seine Familie beschützen. Ein Low-Budget Horrorfilm vom Team von THE STRANGERS. Startet am 05. Dezember 2024 in den deutschen Kinos. Bei uns im Podcast hört ihr, ob sich der Film lohnt. Ebenso erfahrt ihr, was wir von den Filmen RICKY STANICKY (aktuell auf Amazon Prime), TWISTERS und den Serien THE DAY OF THE JACKAL und LICHT AUS mit Steven Gätjen halten. Viel Spass beim Hören dieser Episode. Kommentare, Fragen, Anregungen bitte auf www.Kinocast.net Bagman Originaltitel: Bagman Kinostart in Deutschland: 05.12.2024 Laufzeit: 1h 32m FSK: 16 Produktion: Lionsgate,Temple Hill Entertainment,Media Capital Technologies Verleih: Leonine Regie: Colm McCarthy Drehbuch: John Hulme Besetzung: Sam Claflin, Antonia Thomas, Frankie Corio, Steven Cree, William Hope, Sharon D. Clarke Inhalt: Die Rückkehr in das Haus seiner Kindheit soll Patrick McKee und seiner Familie neuen Halt geben, doch sie entfesselt ein uraltes Grauen. Sam Claflin ("Ein ganzes halbes Jahr", "The Nightingale", "Daisy Jones & the Six") und Antonia Thomas ("The Good Doctor", "Misfits") glänzen als verzweifelte Eltern, die sich den Schrecken der Vergangenheit stellen müssen, als eine längst vergessene Legende wieder zum Vorschein kommt ... Als eine unheimliche Bedrohung aus seiner Kindheit zurückkehrt, um ihn heimzusuchen, kämpft Patrick (Sam Claflin), der inzwischen selbst Vater ist, verzweifelt gegen seine tiefste innere Angst. Doch dieses Mal kämpft er nicht für sich selbst, sondern für seine Familie. Produktion: Sam Claflin ("Ein ganzes halbes Jahr", "The Nightingale", "Daisy Jones & the Six") und Antonia Thomas ("The Good Doctor", "Misfits") sind die Hauptdarsteller in diesem nervenzerreißenden Horrorfilm, in dem eine unheilvolle Kreatur die Familie bedroht. Regie führte dabei Colm McCarthy ("The Girl with All the Gifts", "Black Mirror"). Er bringt einen atmosphärisch dichten Film auf die Leinwand, der die Angst vor dem Unbekannten meisterhaft in Szene setzt und die Zuschauer in eine Welt zieht, in der die Vergangenheit einfach nicht ruhen will. Von den Produzenten von "Smile -Siehst Du es auch?" und "Smile 2 - Siehst Du es auch?" Quelle: Leonine Podcast Timecodes: 00:00:00 Einleitung 00:01:41 Bagman 00:14:24 Tipps für die nächste Sneak 00:16:13 Kinocharts und Neustarts 00:18:51 Ricky Stanicky 00:25:40 Twisters 00:30:53 The Day of the Jackal 00:34:25 Licht aus 00:40:53 Serientipps 00:42:27 The Penguin Staffelfinale (spoilerfrei) 00:43:55 Musiktipps ++++++++++++

In which the Mister joins me in reviewing AFTERSUN (2022), from the directorial debut of Charlotte Wells, with a screenplay by Charlotte Wells. As an adult, Sophie (Celia Rowlson-Hall), attempts to piece together and better understand her father, Calum (Paul Mescal) by revisiting old home videos and delving into childhood memories of the last vacation she as an eleven year old (wonderfully portrayed by Frankie Corio) spent with her Dad. Through the course of the film and story, we are given small clues to the larger story at play and the end will leave you breathless. The film has a run time of 1 h and 42 m, is rated R and is available on the Hoopla app, but also streaming on Paramount+ and to buy/rent on Prime Video. Please note there are SPOILERS in this review. #Aftersun  #CharlotteWells  #FrankieCorio  #SophieAt11  #PaulMescal  #Calum  #CeliaRowlsonHall  #AdultSophie  ⁠@Hoopla  @Paramount+  @PrimeVideo  #FemaleFilmmakerFriday  #FridayFamilyFilmNight Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

WE SHARE THE SAME SKY For our 99th outing, we are taking a sunburnt dive into the "cheerful, melancholic and devastating" Aftersun starring Paul Mescal and Frankie Corio. We focus mainly on the movie's crescendo to the sound of Queen and David Bowie's anthemic "Under Pressure" but also chat a karaoke effort of "Losing My Religion" by R.E.M. Dietrich thinks we are covering the Macarena, Alex has walked these streets and Ben wants you to listen to old episodes. Find us on Twitter, BlueSky, Instagram & Threads: @TSFTMpod Like, share after sunscribe Did you enjoy the episode? Then please consider leaving a FIVE STAR review wherever you get your podcasts. It means a great deal to us and makes it easier for other potential listeners to find us.  Want to support us further? You can do this on Patreon from £1 ($1.50) a month: https://Patreon.com/TSFTM or via our merch store: https://TeePublic.com/user/TSFTM Thank you! Timestamps:01:51 - What Have We Been Watching06:47 - Trigger Warning07:10 - History10:44 - Movie Discussion28:24 - Overall Soundtrack Discussion29:39 - "Losing My Religion" Discussion33:23 - "Under Pressure" Discussion43:22 - Top 5

We're off to Türkiye this week to eat hamburgers, fries, rolls, strawberry ice cream, and lemon Fanta before we discuss Aftersun. We all connect with this film's captivating depiction of a father-daughter relationship being damaged by depression. Paul Mescal has a nice butt and is brilliant in his portrayal of Calum. We don't intend to put them under pressure, but we want to see more of young actress Frankie Corio and writer/director Charlotte Wells. Rave on!

Happy Thursday! It's movie night AND trivia time on MASKulinity this week. Remoy and Samantha give each other their favorite film recommendations that expose MASKulinity in different ways. One is a thoughtful indie about a father-daughter vacation. It explores themes of loneliness, mental health issues, and human connection, using beautiful cinematic devices. We'll give you a few hints—it's not an American film and it's a coming-of-age story, perhaps not for whom you might think.The other is making waves on Netflix. A covert office romance gone wrong. A high-power couple sees their relationship tested in the battleground that is Wall Street when one unsuspectedly gets a promotion. The filmmaker asks a pertinent question: Why does a woman being powerful make a man feel powerless?There are spoilers in the companion pieces—you've been warned! COMPANION PIECES:UnMASKing the WorkplaceYa can't pour from an empty cup! How Men Can Take Better Care of Themselves

This month, one of our themes is “Catching Up” and we're watching some of the acclaimed movies we missed last year and HOLY SHIT 2022 WAS POPPING OFF! This will probably end up being our most heavy hitter choices this month. Hell, this week is all bangers. We watched Charlotte Wells heart rendering debut feature film “Aftersun” starring Paul Mescal and Frankie Corio and Bob cried like a baby at the end. He also cried, on camera near the end of this discussion. Also, he cried again when he edited this episode. What a pussy. Go check this movie out. It's something else. I gotta say, the 1 star google reviews for Tár were much funnier than the 1 star google reviews for Aftersun. Subscribe to our Youtube: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact: MOVIEHUMPERS@gmail.com Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/moviehumpers

Time Sensitive welcomes Paul Willard back to the show to discuss 2022's A24 film Aftersun that earned Paul Mescal an Oscar Nomination. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Crítica e comentário sobre Aftersun, filme realizado e escrito por Charlotte Wells e estrelado por Paul Mescal e Frankie Corio. Sigam-nos nas redes sociais: Instagram: https://www.instagram.com/podcastfornalha/ Youtube: https://www.youtube.com/channel/UCP1lRgMNu2u1pFL9FmlJNdQ

Está semana viene Belu de Beludrome para charlar sobre Aftersun la opera prima de Charlotte Wells basada en su vida,un coming of age que toca fibras muy sensibles protagonizada por Paul Mescal y Frankie Corio.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture "Aftersun" had its world premiere at the 2022 Cannes Film Festival. The directorial debut of Charlotte Wells flew under the radar until many eventually saw it, declaring it the best film of the festival. With A24 distributing and "Moonlight's" Barry Jenkins and Adele Romanski producing, the tiny independent film took awards season by storm, winning nearly every breakthrough/first-time director prize and more. With "Normal People" star Paul Mescal receiving an Oscar nomination for Best Actor, we decided days before the ceremony to go back and review this film which we missed during its initial theatrical release. Lauren LaMagna & Giovanni Lago joined me to discuss the film's themes, filmmaking, the chemistry between Mescal and Frankie Corio, how we personally connected with it, and more. Please take a listen down below and enjoy! Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Muziek van Oliver Coates bij de film Aftersun - een drama (VK, 2022) van de Schotse schrijver en regisseur Charlotte Wells. De gescheiden Calum (mooie rol van Paul Mescal, Oscarnominatie voor gekregen) is met zijn elfjarige dochter Sophie (indrukwekkend debuut van Frankie Corio) op vakantie in Turkije. De twee hebben het duidelijk naar hun zin, maar er broeit iets bij Calum, al moet de kijker zelf uit snippers informatie opmaken wat dat zou kunnen zijn. De film wordt verteld vanuit de herinnering van de volwassen Sophie, die filmpjes terugkijkt van die vakantie. Sterk filmdebuut van Wells, die in dit ogenschijnlijk alledaagse familiedrama langzaam maar vol zelfvertrouwen toewerkt naar een levensecht en aangrijpend slot. De uiterst ingetogen, ambient-achtige muziek is van Oliver Coates. Coates is cellist, producer van elektronische muziek én filmcomponist. Hij is, zou je kunnen zeggen, gespecialiseerd in (experimentele) ambient-muziek. Zijn muziek klopt ook heel goed met de film: dat we nooit meer van de ander weten dan wat we elkaar laten weten - ook in de beeldtaal van de film: de wazige filmbeelden van de amateurfilmpjes die tijdens de vakantie geschoten zijn en waar de volwassen Sophie naar terugkijkt geven niet meer dan een vage indruk, en wat zich werkelijk afspeelde in het hoofd van haar vader blijft een raadsel. Coates verwijst ook naar de toegepaste studiotechniek, en het werk van sound designer Johan Nilsson, waardoor er altijd een raadselachtige extra laag in de muziek doorklinkt.

Our Aftersun interview series continues as Lee welcomes Ethan Smith to discuss his role as Scott in Charlotte Wells' acclaimed debut film as he shares his experiences shooting the film and career so far. ​In 'Aftersun' Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier to Turkey where they meet Ethan's Scott as a young teen also on holiday who welcomes Sophie into their group.Check out our previous Aftersun interviews with Charlotte Wells, Paul Mescal, Frankie Corio, Sally Messham, Kayleigh Coleman & Harry Perdios in our back catalogue

Mia, Brian and Gemma hit the last of the Guild awards (SAGs, PGAs, Annies), recap the 48th annual César Awards and tote up the Hollywood Critics' Association gongs. Guillermo del Toro's Pinocchio directors del Toro and Mark Gustafson dive deep into what its like to work with each other, which stop motion animators they'd jump in front of the bus for and whether Cate Blanchett sneaked a bit of Lydia Tár into Spazzatura. Indie Spirit-nominated actor Trevante Rhodes and writer-director Miles Warren drop by for a chat about role models, getting an award from Elijah Wood and their film Bruiser, which is now streaming on Hulu. Plus, our love for Jenny Slate, who we want to hug at the Indie Spirits, a shout out to awards clip editors everywhere, and a celebration of the fresh-faced cinephiles on the awards circuit this season. Sponsor: Bleecker Street Credits: Recorded in Los Angeles, Auckland, Las Vegas, and San Luis Obispo. Edited by Slim. Facts by Jack. Transcript by Sophie. Theme: ‘Hyperlight' by Letterboxd member Trent Walton (AKA Echo Wolf). Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest. Lists & Links: The Letterboxd list of films mentioned; Hugo's The Night of the 12th review, so_phiie's The Night of the 12th review, [Ezra Cubero](Ezra Cubero)'s profile, Zachary Marsh's profile; Harper & Sam & Kevin & Milo's Guillermo Del Toro's Pinocchio reviews, Maria's Bruiser review, Japidotca's Bruiser review; Frankie Corio's four faves video.

No podcast de hoje conversamos sobre Aftersun (2022), o filme de estreia da cineasta Charlotte Wells, protagonizado por Paul Mescal e Frankie Corio, indicado ao Oscar de melhor ator e premiado ano passado com 5 Alices de Ouro e 1 Alice de Prata no nosso Troféu Alice. Abordamos a identificação geracional, a fragmentação de um retrato de memória difusa, a questão da paternagem, passando pelo roteiro, montagem, direção de arte e atuação. O programa é apresentado por Rosana Íris, Camila Vieira e Stephania Amaral. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-182-aftersun Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Rosana Íris, Camila Vieira e e Stephania Amaral Produção do programa e arte da capa: Isabel Wittmann Edição: Domenica Mendes Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Helga Dornelas, Larissa Lisboa, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] Pessoas Normais, de Sally Rooney https://amzn.to/3lqZrCH [LIVRO] Controle, da Natalia Borges Polesso https://amzn.to/3IsgxJH [LIVRO] Os Tais Caquinhos, da Natercia Pontes https://amzn.to/40OWw74 Mencionados: [FILME] Meu Primeiro Amor (My Girl, 1991), dir. Howard Zieff [FILME] Um Lugar Qualquer (Somewhere, 2010), dir. Sofia Coppola [FILME] Tuesday (2015), dir. Charlotte Wells [FILME] As Faces de Toni Erdmann (Toni Erdmann, 2016), dir. Maren Ade [FILME] The Souvenir (2019), dir. Joanna Hogg [FILME] The Souvenir : Part II (2019), dir. Joanna Hogg [FILME] Aftersun (2022), dir. Charlotte Wells [SERIADO] Fleabag (2016-2019), criado por Phoebe Waller-Bridge [SERIADO] Normal People (2020), criado por Sally Rooney, Alice Birch, Mark O'Rowe [LIVRO] Controle, da Natalia Borges Polesso [LIVRO] Os Tais Caquinhos, da Natercia Pontes Relacionados: [PODCAST] Feito por Elas #31 Sofia Coppola https://feitoporelas.com.br/feito-por-elas-31-sofia-coppola/ [PODCAST] Fleabag por Elas https://feitoporelas.com.br/tag/fleabag-por-elas/ [PODCAST] Feito por Elas #178 The Souvenir Part I & Part II https://feitoporelas.com.br/feito-por-elas-178-the-souvenir-part-i-part-ii/

This episode contains major spoilers and deals with difficult subject matter, so please watch the film before you listen to this discussion. Freelance film critic and programmer Rafa Sales Ross joins me from Scotland to discuss Charlotte Wells' debut feature Aftersun, starring newcomer Frankie Corio and Paul Mescal in an Academy Award-nominated performance as Calum, a Scottish single father who takes his 11 year old daughter Sophie on a trip to a resort in Turkey in the late nineties, a story told partly through the use of MiniDV holiday footage but more importantly refracted from the perspective of a grown-up Sophie, now at the same age her father was on this fateful vacation and reconsidering her memories. As a film critic who saw Aftersun at its tear-soaked screening at Cannes and as part of the programming team that later selected the film to open the Edinburgh International Film Festival, Rafa is uniquely equipped to speak about this powerful drama about what gets captured in the “mind camera”; parenthood, loss, depression, empathy, memory, nostalgia and the hard-won wisdom children experience when they transform into adults and finally start to understand their parents as people. There are over three dozen premium episodes of the show available exclusively to patrons: some notable previous Patreon guests include Jared Yates Sexton, Jacob Bacharach, David Roth, Bryan Quinby and Sooz Kempner. More to come! Sign up at https://www.patreon.com/junkfilter Follow Rafa Sales Ross on Twitter and visit her website. Trailer for Aftersun (Charlotte Wells, 2022) Rafa's interview with Charlotte Wells on Aftersun, for “Little White Lies”, November 15, 2022

Dwie kapitalne nowości kinowe w Do Zobaczenia. „Aftersun” Charlotte Wells z nominowanym do Oscara Paulem Mescalem i zjawiskową Frankie Corio to subtelne, mądre oraz przenikliwe kino o rodzicielstwie, dojrzewaniu i… Natomiast „Podejrzana”to Park Chan-wook („Oldboy”) w swoim najlepszym wydaniu. Hitchcockowskie noir i historia miłosna w słodkich, pikantnych i nieoczywistych smakowo koreańskich przyprawach! Na koniec „Terapia bez trzymanki”. Twórcy „Teda Lasso” namówili Harrisona Forda, by w końcu zagrał w serialu. Jak wypadł? Komediodramat z Jasonem Segelem na Apple TV . U nas słońce nigdy nie zachodzi, nikt o złe zamiary podejrzany nie jest, choć bywa, że jedziemy bez trzymanki w ramach radiowej autoterapii. Do wysłuchania audycji Do Zobaczenia zapraszają Łukasz Adamski i Monika Szczygło.

Dwie kapitalne nowości kinowe w Do Zobaczenia. „Aftersun” Charlotte Wells z nominowanym do Oscara Paulem Mescalem i zjawiskową Frankie Corio to subtelne, mądre oraz przenikliwe kino o rodzicielstwie, dojrzewaniu i… Natomiast „Podejrzana”to Park Chan-wook („Oldboy”) w swoim najlepszym wydaniu. Hitchcockowskie noir i historia miłosna w słodkich, pikantnych i nieoczywistych smakowo koreańskich przyprawach! Na koniec „Terapia bez trzymanki”. Twórcy „Teda Lasso” namówili Harrisona Forda, by w końcu zagrał w serialu. Jak wypadł? Komediodramat z Jasonem Segelem na Apple TV . U nas słońce nigdy nie zachodzi, nikt o złe zamiary podejrzany nie jest, choć bywa, że jedziemy bez trzymanki w ramach radiowej autoterapii. Do wysłuchania audycji Do Zobaczenia zapraszają Łukasz Adamski i Monika Szczygło.

A father and daughter go on holiday together, and the mood is both happy and melancholy, in this Oscar-nominated film. Ashley, Matt and Ryan discuss Aftersun in one of this week's new episodes.

Toronto filmmaker Julianna Notten, whose first feature Erin's Guide to Kissing Girls is now playing at the Carlton in Toronto and available across Canada on digital and on demand, digs into the ecstatic melancholy of Charlotte Wells' devastating debut feature Aftersun, in which Frankie Corio and Oscar nominee Paul Mescal play out a father-daughter drama through a tragic film of memory. Your genial host Norm Wilner has his own baggage to unpack on this one.

Episode 550 is here! To celebrate the latest Empire Podcast landmark, we once again staged a live show at Kings Place, London, and now here is that show, reassembled in the correct order and with the really naughty bits cut out (to see those, the live stream of the show is still available to watch via kings place.co.uk for the next two weeks!). And it was a belter, as Chris Hewitt, Helen O'Hara, Ben Travis, and James Dyer took to the stage in front of a packed crowd of loyal listeners, and chatted about the week's movie news, reviewed EO, Puss In Boots: The Last Wish, The Whale, Knock At The Cabin, and Saint Omer, and answered a ton of listener questions. But that's not all: a landmark episode deserves a landmark line-up of guests, and we didn't disappoint, with Aftersun director Charlotte Wells and her young star, Frankie Corio, joining James and Helen for a chat about the BAFTA-nominated belter; director Asif Kapadia showed up to talk to Chris about Kapadia's new film, Creature (and NOT Liverpool Football Club, or the Queen); and we looked ahead to the big-screen debut of Luther in Luther: The Fallen Sun by inviting director Jamie Payne and the film's villain, living legend and national treasure Andy Serkis, along to chat with Chris and James. A good time was had by all on the night, and we hope you enjoy this as much as we did. Enjoy.

This week the boys are joined by actress Tina Nikolova to drink some whiskey and beer and discuss Aftersun (2022), writer/director (and multiple-BAFTA nominee) Charlotte Wells' personal feature film starring Academy Award nominee Paul Mescal (Normal People, The Lost Daughter, Gladiator 2) and newcomer scene-stealer Frankie Corio. The film is very Scottish, and those UK-ers must really love their lottery because The National Lottery sponsored this. Apparently they sponsor a lot. The film is about a woman reflecting back on a vacation she took with her young father when she was young, reliving moments and flashes through home videos that capture more about her father than she was able to see as a child. Powerful stuff! Additional Cast/Crew: Celia Rowlson-Hall, Sally Messham, Spike Fearn, Harry Perdios, Ruby Thompson, Kayleigh Coleman, Barry Jenkins, Oliver Coates, Gregory Oke. Intro/Tiered Movie Pricing/Regal Cinemas/Gripes: 0:00 Aftersun: 18:00 What've You Been Watching: 62:30 Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: Dave Green, Jeff Ostermueller, John Say. Guest: Tina Nikolova Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Tags: The Last of Us, Aftersun, letterkenny, Zendaya, Zendaya's sister, Timothee Chalamet, Meryl Streep, Star Wars, Into The Unknown, Scotland, Family Guy, Lucas Hedges, Turkey, Turkish Film, Queensland, Melbourne, Resorts, all-inclusive, The White Lotus, Death Becomes Her, The Lost Daughter, The Crown, NYU Film.  

The end of 2022 delivered a slate of movies, but A24 probably had the strongest catalogue to round out last year. So this episode tackles one of A24's more underrated film releases of last year, Aftersun. Set in Turkey, this modern day artistic cinema masterpiece features riveting performances from Paul Mescal and Frankie Corio who play a father-daughter tandem that will have film students admiring them decades from now. Meanwhile, Dylan shares his passionate review of the new Avatar movie. Let's just say, he doesn't hold anything back, for better or for worse. And Rog breaks the airways with the declaration of his new, undisputed, #1, favorite movie of all time. Tune in to find out the name of the classic film in this episode of The Wrap Beers Podcast!Created by upStreamhttps://www.upstreampix.com/the-wrap-beers-podcastFollow The Wrap Beers Podcast!https://www.instagram.com/thewrapbeers/https://twitter.com/TheWrapBeersDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/

Josh is joined by recurring guests Ben Luben and Arjun Kaul to talk about the debut film from writer/director Charlotte Wells, "Aftersun." They discuss how the film effectively manages to feel like a memory, its depiction of children being able to be perceptive about their parents, the Oscar-nominated performance from Paul Mescal, the impressive debut performance from child actor Frankie Corio and much more!

We continue our Aftersun interview series as Lee welcomes Harry Perdios to discuss his role as Toby in Charlotte Wells' acclaimed debut film as he shares his experiences shooting the film and career so far. ​In 'Aftersun' Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier to Turkey where they meet Harry's Toby as a young teen also on holiday who welcomes Sophie into their group.Check out our previous Aftersun interviews with Charlotte Wells, Paul Mescal, Frankie Corio, Sally Messham & Kayleigh Coleman in our back catalogue

Talk about a two-hand spectacular! We've got Nikole Beckwith, the director of one phenomenal indie two-hander (Together Together, starring Ed Helms and Patti Harrison) talking about the two-hander debut from director Charlotte Wells (in which the two “hands” are Paul Mescal and Frankie Corio). And only two of our usual hosts are here (which was totally planned, look how nice it all lines up, no holes in this story!). Then there's a quiz about – what else – Two-Handers! (A two-hander is a movie that mainly focuses on on two leads, in case that wasn't clear from context.)What's GoodDrea- Birthday float tank visitNikole - fresh snowAlonso - Liza Minnelli's album w/ Pet Shop BoysITIDICThis past holiday weekend was the strongest at the box office in a whileNetflix is planning a lot of Korean programming for 2023Sundance 2023 Has Begun!Staff PicksDrea - Saint OmerNikole - The CathedralAlonso - Slither (1973)We're sponsored this week by MasterClass.Get unlimited access to EVERY MasterClass, and as a Maximum Film listener, you get 15% off an annual membership! Go to MasterClass.com/MAXFILM.With:Drea ClarkAlonso DuraldeNikole BeckwithProduced by Marissa FlaxbartSr. Producer Laura Swisher

We are back with our first proper episode of 2023. We review the film everyone was talking about over Christmas, Rian Johnson's 'Glass Onion: A Knives Out Mystery' starring Daniel Craig and another ensemble cast. We talk about the films we are most looking forward to over the year ahead. In addition, Michael rhapsodises over Charlotte Wells' debut film 'Aftersun' starring Paul Mescal and Frankie Corio, Bill talks about the Mark Mylod black comedy 'The Menu' starring Ralph Fiennes, and Sam has nothing but praise for the Sara Dosa documentary 'Fire of Love'. If that were not all, we pilot a new segment for the podcast - Make-believe Moviehouse. Our first guest is Sean McGeady, a freelance writer/sub-editor who has written for the likes of Empire, Fangoria, Little White Lies and TimeOut. He tells us about what films he would programme in his fantasy film festival and his passion for the little-known sub-genre of 'melt movies'.

Today, we have with us the extraordinary Charlotte Wells – writer-director of one of the most affecting feature debuts in recent memory. Aftersun is a meditative drama about a father and daughter on a resort holiday in Turkey, told through the eyes and camcorder footage of 11-year-old Sophie, played by Frankie Corio. She shares a sweet relationship with her father Callum, played by Paul Mescal. Across their holiday, however, she's able to steal glimpses of him wrestling with problems beyond her comprehension, – problems he attempts to hide from the world. It's a story about memory, parenthood and the heartbreak of growing up and realising that your parents are people, too, with their own burdens to carry. Inevitably, it's being described as an awards season frontrunner, and one of the best movies of 2022.In the conversation you're about to hear, Charlotte tells me how the film began as an exploration of her relationship with her own dad, who she sadly lost aged sixteen. There's a certain overlap between her life and the events of the movie that we unpack in this chat, as well as some big differences between her early drafts of Aftersun versus the final film. Initially, the film was set to feature an adult version of Sophie wandering through scenes following her childhood self, like a sun-soaked Scrooge in A Christmas Carol. There was also a romantic relationship at the holiday resort for Callum that got jettisoned, and much more melodrama, a more pronounced plot.We talk why she stripped away those elements to drill deeper into the father-daughter tensions at the heart of the film, what it is about the pressures and repetitions of a family holiday that make for such an interesting backdrop to the film, and what exactly is happening in the film's astonishing emotional climax: a dance sequence set to Queen's Under Pressure, whose lyrics take on a poignant new meaning in the context of Callum and Sophie's relationship. It's a spoiler conversation, so be sure to watch the film on Mubi before tuning in. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Se tem um filme indie que conquistou público e crítica em 2022, ele atende pelo nome de Aftersun. Premiado no Festival de Cannes, no Gotham Awards e papa tudo na última edição do British Independent Film Award, Aftersun é, veja você, a estreia da roteirista e diretora escocesa Charlotte Wells, de 35 anos, em um filme de longa metragem. ::Dando uma passadinha pela sinopse do filme, voltamos ao final da década de 90, para acompanhar as férias de verão na Turquia da pré-adolescente Sophie, vivida pela estreante Frankie Corio e seu pai Calum (interpretado por um inspirado Paul Mescal). Juntos eles jogam sinuca, cantam, dançam, tomam banho de lama e se divertem na companhia um do outro.::E apesar de saboreamos cada momento que eles passam juntos, uma sensação de melancolia e preocupação permeia o comportamento de Calum. Vinte anos depois, as memórias de Sophie ganham um novo significado enquanto ela tenta reconciliar o pai carinhoso com quem conviveu com o homem misterioso que não conhecia.::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

Charlotte Wells's wildly acclaimed feature-length debut AFTERSUN follows a father and daughter on a vacation where much is implied but little is said...unless you listen close to the soundtrack.In this special bonus episode, Wells tells host Rico Gagliano about the '80s and '90s-era needle drops that pepper the film, from Bran Van 3000 to the accidental discovery of a Queen track that suddenly spoke volumes. They also dive into the movie's subtle performances, and try to unpack why this intimate, bittersweet story is pulling in audiences from Gen Z to Barack Obama.AFTERSUN is showing in select cinemas in the UK, Germany, Mexico, and many other countries. And it will stream exclusively on MUBI starting January 6th in the UK, Latin America, India, and many other countries. It will come to MUBI in Germany, Spain, and more countries later this year as well.MUBI is a global streaming service, production company and film distributor. A place to discover and watch beautiful, interesting, incredible films. A new hand-picked film arrives on MUBI, every single day. From iconic directors, to emerging auteurs. All carefully chosen by MUBI's curators.

The painful struggles between parents and children are often a subject of drama, and no surprise, given the plentiful examples of this theme in human experience. What is rare and more difficult is the depiction of a strong emotional bond between a kid and a parent, and in the case of children, a love for one's mother and father that goes beyond words, a kind of environment in the child's mind that permeates life and leaves a lasting effect on the memory. Too often the artist, in a play or film, settles for a forced sense of sweetness, a sentimental, albeit often humorous, perspective on the young experience and point of view. Aftersun, the debut feature from Scottish writer and director Charlotte Wells, is that “one in a thousand” film that captures the essence of a fleeting time with devastating intensity and truth. Sophie is an 11-year-old girl on a summer holiday with her divorced dad at a less than luxurious seaside resort in Turkey. To sum up the plot, the story of what happens, is pretty much exactly what I just said. There is really no story in the usual sense—the big events happen within the characters, and especially within Sophie, played by a luminous young newcomer named Frankie Corio. The film is more like a poem, and a very beautiful one. The one-word title Aftersun, sounds enigmatic like a poem—in fact, it's a lotion that's applied to cool off the skin after exposure to the sun. But even this mundane detail can double as metaphor. Sophie loves her father Calum, played by Paul Mescal, and we soon realize that he's quite remarkable in his way, a man in his 30's who listens with steady attention to Sophie and treats her with tenderness and consideration. But of course we the audience can also see that he's an ordinary man with flaws, and with a life largely unknown to her, who lives near London with her mother the rest of the year and doesn't get to see him much. Through various hints—music and other references—we gradually realize that this is happening in the 1990s, and we're seeing all this as a memory of the adult Sophie today. This layer of memory, like the cooling aftersun of the title, evokes poignant feelings, a steady light of emotion in the heart of the future self looking on the experience through the eyes of the past self, so fleeting and so precious. Wells already shows a mastery of style that can visually explore the dawning awareness of this young girl's own mind and feelings, relentlessly expanding with image and sound the richness of an inner life which sees everything in this world as if brand new. There's much Wells has decided not to tell us. Why did Sophie's mother leave her father? Why Turkey, why are they vacationing there? What is the meaning of the father's melancholy, the shadows that so often stay hidden? These are all meant to be just hints, rather than plot points, hints like the incomplete knowledge kids have of the adult world, a world that Sophie is very curious about, and yet cautious of. And I kept expecting some tragic event to happen in the film, which never did, because the only tragedy here is the transience of beauty and love. It amazes me, I marvel at how once in a great while, a movie will come out of nowhere—filmmakers and actors with which I'm not familiar—and then when I just happen to see it, absolutely destroys me. I'm sure in some way it touches my own memories with my father, now departed, in that bittersweet way we can't always express. All I really know is that the devastating artistry of Aftersun shot me right through the heart.

On this special podcast, I'm jumping back into Pandora. But I couldn't do that alone, so I brought my good friend Scott Mendelson (now of The Wrap) on the show to discuss James Cameron's long-awaited sequel. Was it worth the 13-year wait? How many times could I make Scott feel old in the span of an hour? Find out on the latest episode of the Shine Like Stars Podcast! - (side note: apologies for any cut-outs or choppiness; as Scott mentions, he was driving at the time of recording so there were some dropouts and I had to try and edit around them) - Follow Scott on Twitter @ScottMendelson and check out his articles at The Wrap: https://www.thewrap.com/author/scott-mendelsonthewrap-com/ - Check out my portfolio: https://muckrack.com/andrew-korpan/portfolio - Check out my interview with AFTERSUN star Frankie Corio: https://coastalhousemedia.com/2022/11/14/frankie-corio-aftersun-interview/ - Follow me on Twitter @AndrewKorpan1 - Thank you for listening and I'll be back by the end of the year with a very special episode!

On this episode, I spoke to editor Blair McClendon about his work on Aftersun.  This year McClendon has won the "Best Editing" award at the British Independent Film Awards, the Boston Society of Film Critics Awards, and the Los Angeles Film Critics Association Awards. More will surely follow...  He is also nominated at the Film Independent Spirit Awards.  Aftersun was directed by Charlotte Wells and stars Paul Mescal and Frankie Corio. 

Wie kann das ein Spielfilm Regiedebüt sein? Für mich ist dieser Film ganz überraschend etwas sehr persönliches und eine Ode an die Nostalgie! Paul Mescal und die junge, noch unbekannte Frankie Corio zeigen hier eine sensible und authentische Vater-Tochter Beziehung.Hört euch meine neue Preview an und erfahrt in einer etwas längeren Folge als sonst, warum "Aftersun" für mich ein Meisterwerk ist, das mich mitten ins Herz getroffen hat!Follow me now on Instagram

Julieta Scibona nos habla de la película "Aftersun"el debut cinematográfico de Charlotte Wells, protagonizada por el actor ganador del premio BAFTA Paul Mescal (Normal People, The Lost Daughter) y la actriz escocesa de 12 años Frankie Corio. Aftersun explora cómo es posible que nunca entendamos realmente las complejas vidas interiores de los que amamos, yuxtaponiendo una historia esperanzadora sobre el aprendizaje con un retrato familiar íntimo y conmovedor que deja una impresión indeleble. Por la plataforma Mobie y en salas. También podrá verse este próximo martes 22 en Cineclub Núcleo en los horarios de 18 y 20.30 hs.

Aftersun is a 2022 drama film written and directed by Charlotte Wells, starring Paul Mescal, Frankie Corio and Celia Rowlson-Hall. It was released in the United States on 21 October 2022 by A24 and in the United Kingdom on 18 November 2022 by Mubi. The film received positive reviews from critics. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

On this week's show we're chasing the American Dream with James Gray's generational drama Armageddon Time, before basking in Aftersun from first-time director Charlotte Wells – the film's lead stars Paul Mescal and Frankie Corio even stop by for a chat. And in Film Club we revisit Gray's own directorial debut from 1994, Little Odessa.Joining host Leila Latif are LWLies Digital Editor Hannah Strong and New York critic Mark Asch.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Get 30 days of great cinema for free at mubi.com/lwliesEmail: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

In this special bonus mini episode of THE CINESKINNY, we're going back to August, and our review of the incredible new film Aftersun which hits cinemas this weekend. It's amazing, go and see it. Jamie, Anahit, Lewis and 'Friend Of The Pod' Xuanlin Tham discuss the film, by Edinburgh-born director Charlotte Wells and starring Paul Mescal and Frankie Corio. This initially went out as part of our EIFF live episode, which you can find in the feed. Jamie's interview with Charlotte Wells: https://www.theskinny.co.uk/film/interviews/charlotte-wells-on-aftersun  

Total Film 00.00– 02.20 Intro  02.25 – 24.00 Review of Aftersun, including an exclusive interview with Paul Mescal and Frankie Corio 24.05 – 32.50 Review of The Menu 32.55 – 45.00 Review of Confess, Fletch 45.05 – 55.10 Review of Spirited 55.15 – 1.06.15 Review of Armageddon Time 1.06.20 – 1.10.40 Star Wars Wars 1.10.45 – 1.13.55 Listener's question followed by Outro

This week we take a look at Aftersun, an intimate story about a parent and child, and the roles they both play in each other's lives. Movie Info Directed and Written by: Charlotte Wells Starring: Paul Mescal, Frankie Corio and Celia Rowlson-Hall Plot: A story about a young father and his daughter on a pivotal vacation that changes the course of both of their lives. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/16mm-film-crew/support

Episode Description: In this episode, Christopher Schnese and Stephen Miller bring you a review of Aftersun. Directed by Charlotte Wells. With Paul Mescal, Frankie Corio, and Celia Rowlson-Hall. Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcile the father she knew with the man she didn't. Show Notes Hosts: • Christopher Schnese and Stephen Miller Featured Review: • Aftersun The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Pressure by Max Apollo Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey

Episode Description: In this episode, Christopher Schnese and Stephen Miller bring you a review of Aftersun. Directed by Charlotte Wells. With Paul Mescal, Frankie Corio, and Celia Rowlson-Hall. Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcile the father she knew with the man she didn't. Show Notes Hosts: • Christopher Schnese and Stephen Miller Featured Review: • Aftersun The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Pressure by Max Apollo Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey

In this episode, Nate and Dylan give their spoiler-free review for the new highly-acclaimed drama from A24, "Aftersun", starring Paul Mescal and Frankie Corio. Listen now!

Dallas and Lee welcome filmmaker and critic Billie Melissa to review Aftersun.Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't.We bring you red carpet interviews with Aftersun stars Paul Mescal, Frankie Corio and writer/director Charlotte Wells and preview an upcoming bumper interview with Sally Messham.

Dallas and Lee welcome filmmaker and critic Billie Melissa to review Aftersun. Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't. We bring you red carpet interviews with Aftersun stars Paul Mescal, Frankie Corio and writer/director Charlotte Wells and preview an upcoming bumper interview with Sally Messham.

Aftersun director Charlotte Wells and editor Blair McClendon visit Screen Slate HQ to talk about the remarkable new film, opening this weekend from A24. We get into the genesis of the father-daughter story, casting the remarkable young actress Frankie Corio, how MiniDV is the look of childhood memories for a certain generation, and constructing a turn-of-the-millennium period piece without overplaying it. Plus Wells and McClendon discuss the needle drops that did and didn't make it into the film, and Blair ignites beef with Liam Gallagher.Aftersun trailerSupport the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

We welcomed director Charlotte Wells and actress Frankie Corio to NYFF60 to present and discuss Aftersun, a Main Slate selection of this year's festival, moderated by NYFF Artistic Director, Dennis Lim. In one of the most assured and spellbinding feature debuts in years, Scottish director Charlotte Wells has fashioned a textured memory piece inspired by her relationship with her dad, taking place over the course of a brooding weekend at a coastal resort in Turkey. The charismatic Paul Mescal and naturalistic newcomer Francesca Corio fully inhabit Calum and Sophie, a divorced father and his daughter often mistaken for brother and sister, who share a close and loving bond that creates an entire world unto itself. Wells employs an unusual and gorgeous aesthetic that brings us into the interior space of this parent and child, even as she judiciously withholds details, an approach that finally grants the film a singular emotional wallop. Aftersun reimagines the coming-of-age narrative as a poignant, ultimately ungraspable chimera, informed by the present as much as the past. Winner of the French Touch Prize of the Jury at this year's Cannes Festival. An A24 release. Aftersun opens at Film at Lincoln Center on Friday, October 21st. Tickets are now on sale.

I spoke to Adelaide Waldrop a certified Intimacy Director with Intimacy for Stage and Screen (ISS), where she trained with Lizzy Talbot and Yarit Dor (she began training in this work in 2017 with various practitioners in the UK and US). She also serves as the Secretary of the Intimacy Coordinators's Branch of BECTU and teaches Intimacy for Performance at LAMDA. Speaking of which, Adelaide graduated from LAMDA's MA in Directing programme in 2017. She has directed productions in the UK and America and is the co-founder and co-Artistic Director of devised theatre company Maude. Her credits as an intimacy co-ordinator include the upcoming Netflix erotic thriller DAMAGE and upcoming ITV queer period drama THE CONFESSIONS OF FRANNIE LANGTON. Past credits include Jack Rooke's TV series BIG BOYS, Charlotte Wells' directorial debut AFTERSUN, BBC drama THEN BARBARA MET ALAN written by Jack Thorne and Genevieve Barr. She is currently working on the HBO/Channel 4 series GET MILLIE BLACK by Marlon James. We talk about drama school, how directing a production of Spring Awakening at 19 provided a first taste of co-ordinating intimacy, how establishing the necessity of having an intimacy co-ordinator on certain sets was at times difficult, choreographing non-sexual intimacy such as the father-daughter relationship between Paul Mescal and Frankie Corio in upcoming MUBI release and Cannes darling AFTERSUN, the kind of persona Adelaide embodies in order to do her job well, how she holds space for actors to admit discomfort and pushing the industry forward to be more representative and inclusive in its depictions of sex. The fact that there are still actors who denounce the need for safe-guarding and choreography when it comes to sex scenes or any scene of an intimate nature, I think underscores the need for these kinds of conversations and I am beyond thankful to Adelaide for having this one with me.

Every Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: AFTERSUN (2022)Director: Charlotte WellsWriter: Charlotte WellsCast: Paul Mescal, Frankie Corio, Celia Rowlson-HallSYNOPSISTwenty years after their last holiday at a fading vacation resort, Sophie reflects on the rare time spent with her loving and idealistic father Calum. At 11-years-old, as the world of adolescence creeps into Sophie's view, Calum struggles under the weight of life outside of fatherhood. Sophie's recollections become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father she knew with the man she didn't.AFTERSUN (website): https://tickets.aftersun.movie/YouTube Trailer: https://www.youtube.com/watch?v=G9jOaggGPKQSupport this podcast at — https://redcircle.com/first-time-go/donations