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This episode is a bit long--we are talking about the last elements of the reign of Takara Hime, the fall of Baekje, and the attempt to restore the kingdom, which culminated in the Battle of Hakusukinoe, aka the Battle of Baekgang.  For more, check out our blog at https://sengokudaimyo.com/podcast/episode-124 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 124:  The Battle of Haku-suki-no-e. Echi no Takutsu looked out from where he stood on the deck of his ship.  The horizon seemed to bob up and down, but he knew that was just an illusion caused by the waves.  And upon those waves, hundreds of Yamato ships floated, ready to do battle.  As a veteran of this and other wars, Takutsu was used to surveying flotillas of ships, and yet, none of his years of experience had quite had this kind of impact upon him.  Yamato's ally, Baekje, had fallen in battle to the combined might of the Tang and Silla forces, and now they were assisting a band of rebels who were trying to once again restore their kingdom.  Silla was, of course, an all too common adversary for the Yamato court, but the Tang: now that was another matter. The Tang dynasty had only grown in the four and a half decades since it was founded.  They had destroyed their enemies and continued to expand.  They had defeated the Gokturks and expanded into the heart of Eurasia. Even in cases like Goguryeo, who had so far managed to hold out against their attacks, it was clear that they had an effect.  The Tang dynasty was the superpower of its day, and for whatever airs Yamato may have put on, they were still a backwater in comparison. And yet, on this day, that backwater seemed, by all rights, to have the upper hand.  In response to the destruction of Baekje, Yamato had marshalled all of their forces.  Their boats greatly outnumbered those of their opponents, and if they could defeat the Tang navy, then they could make landfall and connect with the remaining Baekje forces attempting to restore their kingdom.  And so here they were, at the mouth of the Baengma River, also known as the Baekgang, or, in Japanese, the Haku-suki-no-e.  The Tang forces were bottled up, and the greater Yamato forces seemed poised to take them out.   The only problem was that the river mouth narrowed quickly, so that only a few ships could attack at any given time.  Still, with overwhelming numbers, Echi no Takutsu and his fellow soldiers expected that they would still be able to overcome their enemies and place their allies back in control of their territory. With confidence in their victory, the Yamato ships sailed forward, prepared to crush their enemies, and restore Baekje…   Greetings, everyone, and welcome back.  As you may have figured out we are still in the later half of the 7th century.  During the last episode we talked about the embassy to the Tang dynasty court that got delayed—placed under house arrest for a year—because the Tang dynasty was conducting their special military operations over on the Korean peninsula.  That was in the year 660.  Specifically, the Tang were working in conjunction with Silla to destroy the Kingdom of Baekje, and they even returned to the Tang capital with prisoners, including the royal family and many high-ranking nobles.  That they didn't want the ambassadors leaving, and presumably informing Baekje on their way back, would seem to speak to the strong ties between Baekje and Yamato.  After all, several times in the Nihon Shoki we have seen where the Baekje royal line was endangered and a prince that had been living at the Yamato court was brought across the strait with Yamato support to place them back on the throne. This episode, we are going to look a little closer at what happened on the peninsula and what happened when news of the event reached the Yamato court.  This would culminate in one of the most famous naval battles in east Asia—certainly one of the most famous in Japanese history.  It is recorded in records from various sides, so unlike many of the raids on Silla, and other conflicts on the peninsula, we have multiple accounts documenting it, and if the Japanese account is to be believed than it may have been among the largest naval conflicts in the world at that time. So let me take you through what the Chronicles have to say up until the battle and then we can talk about what happened and a little bit about what it would mean for Yamato in the years to come. We'll start a bit before the conflict, while Baekje was still going strong.  The Chronicles are filled with portents and omens, and of course, they already knew what had happened.  Still, let's talk about some of what they mentioned leading up to the battle, as well as some of the remaining accounts demonstrating the cross-strait exchanges. We'll start in 655, the year after Takara Hime had assumed the throne, being given the name Saimei Tennou by the Chroniclers.  On the first day of the 5th month we are told that a “man of Tang” was seen riding a dragon in the sky.  He is described as wearing a broad hat of blue—or green—oiled cloth.  He rode fast from the peak of Mt. Katsuraki and disappeared on Mt. Ikoma.  At noon he galloped over the pines of Sumiyoshi and disappeared into the west. This is obviously a fantastical story, but let's talk about what we can.  It is hard not to see in this some of the importance that the Tang dynasty would play in this reign, especially given the fact that this occurred in the first year after Takara hime had ascended the throne.  It would seem to have been meant here as an omen.  I have not seen specific comments about this, though I'm sure someone has looked into it.  But for me, I am struck by the fact this person was, first and foremost, identifiable as Tang, likely meaning because of his clothing.  And he was riding a dragon.  Dragons were known in Japan, but not quite as popular in folklore as they are shown to be on the mainland.  The Dragon was the imperial symbol of the Tang and other dynasties.  Japan had its own stories of dragon kings and other such things, but in this case I can't imagine that the connection with the imperial throne would be ignored. The hat is also interesting.  The color is listed as “blue” though Aston translates this as “green”.  The term “aoi” was used for any color on the spectrum from blue to green.  In fact, it is still the case that the “green” light on a Japanese traffic signal is still referred to as “blue”.  There were more specific colors, but the word “midori” would have been more like a specific word, like “teal”, “cerulean”, or “aquamarine”, rather than a core color like we would use blue, yellow, or, in this case, green.  The fact that it was made of oiled stuff suggests to me that it was waterproofed.  It is noted specifically with the character for “kasa”, which typically refers to a wide brimmed hat used to keep the rain off. I suspect that in this case it was the kind of hat that we often see on Tang dynasty figurines of riders.  They often have a tall, wide-brimmed hat, often with drape of sheer fabric around the edge.  This kind of hat would eventually be popular in Japan amongst traveling noblewomen, as it helped keep them out of the sun and away from the bugs and, well, it also acted as a barrier between the them and the rest of the world.  The versions seen on the Tang figurines are usually somewhat short, probably just enough to obscure the face, and may have helped to cut down on glare.  These often aren't obviously oiled, but that certainly could have been the case, and that may have been another method of protecting travelers from anything that nature could throw at them. It does seem a very particular image. The course of the rider is somewhat interesting.  From Katsuraki, on the southwestern edge of the Nara basin, north to Mt. Ikoma.  Then west to Sumiyoshi and off to the far west—in other words, back to the Tang dynasty.  Sumiyoshi is also of particular interest. The pines of Sumiyoshi are a particular poetic trope, or utamakura.  They help to conjure famous imagery of a place, and so it is hardly surprising that they would be found in this context.  In this case I suspect that is the main reason they are mentioned.  However, Sumiyoshi also has its own importance.  Sumiyoshi was once on the seashore, and Sumiyoshi was a common shrine for travelers to pray at for safe travels.  In fact, there are Sumiyoshi shrines across the archipelago that all are tied back to the Sumiyoshi in the modern Ohosaka area, and they often found near the shore as places where travelers could pray for safe passage before they headed off on the sea. And so it would make sense that the rider would head off over Sumiyoshi and to the west, much as the various ambassadors would travel off to the west. There may be more to it, but I suspect that this was either referencing the growing links between Yamato and the Tang, or perhaps simply referring to the various kentoushi—the ambassadors who crossed the seas to the Tang court and brought back so much to the archipelago. The next obvious omen seems to come in 657.  In this case it was a white fox seen in the land of Iwami.  It was mentioned in the same record as when ambassadors Adzumi no Tsuratari and Tsu no Kutsuma came back from the Western Seas via Baekje.  It isn't clear that the two are connected, though.  Perhaps there is something I'm missing.  It is notable that this seems to be the only mention of Iwami that I could find, at least doing a quick search for the characters in the electronic version of the text.  Iwami is the land to the west of Izumo, on the western end of modern Shimane prefecture, and the western end of the San'in-do, along the northern edge of western Honshu.  It is a mountainous region on the edge of the Japan Sea, the Nihonkai. We've talked about many of the other accounts after that, until the following year, 658.  We have a note about a south-pointing chariot, which we'll discuss in a later episode, but that was clearly another connection to continental technologies.  After that we have an account from Izumo.  Huge numbers of dead fish were washing ashore, up to three feet, or roughly a meter, deep.  The fish were apparently the size of a pufferfish, with beaks like a sparrow and thorny scales, several inches long.  I wonder if, by the description, they could be referring to triggerfish or parrotfish, which are found in the Japan Sea.  Fish kills, or mass die-offs, are unfortunate events that occasionally happen for a variety of reasons.  The most common is actually asphyxiation—algae blooms or other such events that eat up the oxygen, causing fish to die off in an area.  Fish kills might also happen because of disease, undersea quakes, and other factors.  Of course, to anyone in Izumo, this would have been a terribly random event.  I can't tell whether or not it was an omen, but it certainly could have been.  If so, I doubt it would have been a very good one. The strange fish that were brought up were called “sparrow fish” by the locals.  They believed they were sparrows that had gone to the ocean and turned into fish. Immediately after that, in the Chronicle, we get a somewhat odd entry in that it seems out of place.  We are told that Baekje had sent to Japan requesting aid.  Tang and Silla had teamed up and captured King Wicha, his queen, and the heir to the throne.  It is probably notable that this is written as “one book says”.  Also, recall that dates were still somewhat problematic at this time.  They were based on the regnal years of the monarch or the dates according to the sexagesimal cycle, either of which could have been off, particularly at this time, in different sources.  I suspect that the fact that they mention it as “one book says” indicates that even the compilers of the Nihon Shoki weren't quite sure that this was in the right spot, but it was an account of what did eventually happen—just not until two years later.  This position is bolstered by the fact that the next account talks about how Azumi no Muarji no Tsuratari had returned from what was apparently another trip to the Western Seas and Baekje, just a year after the previous.  Again, this could be the same expedition, with accounts misplacing the dates, or with dates according to when he left and others when he arrived back.  Still, it brings us yet another omen. Apparently, around this point, Baekje had been successful against Silla.  This is a good reminder that Baekje was not exactly an innocent bystander in everything that had happened.  King Wicha was rather famous in his own day, seen as a paragon of courage, largely because he was taking the fight to Silla, often allying with Goguryeo to block Silla from their access to the Tang and others.  Silla, who had been adopting Tang culture and style, and even claimed some distant descent from ethnic Han immigrants during the time of the Han commandries on the peninsula, were still able to forge close ties with the Tang, who seemed to preference them over Baekje and Goguryeo.  This may have been part of the general diplomatic game of the Middle Kingdom going back to the Han times, where they would often look to ally with those states beyond the immediate border states, so that those on their immediate border would have to defend themselves on two fronts.  This was likely more aimed at Goguryeo than Baekje, at least initially, but the alliance meant that Baekje, whom the Tang regularly chastised for their actions against Silla, was also in the crosshairs. However, up through 658, it seems Baekje's actions were largely successful.  Both the Baekje and Silla annals mention attacks by Baekje against the country of Silla in the following year, which otherwise correlate with the record in the Nihon Shoki.  Here we should remember that the author of the Samguk Sagi, which preserved these records, was writing centuries later, and had a clear pro-Silla bias.  There are several years missing from the Baekje annals at this time, but the idea that Baekje was attacking Silla is hardly controversial.  In the Silla Annals, in 659,  we also get word that Silla sent envoys to the Tang court protesting Baekje's aggression and asking the Tang court for aid.  Aid that would soon come, unbeknownst to others—even Silla wasn't quite sure until they showed up. And this is likely why the Nihon Shoki records a strange incident in Baekje, where a horse, of its own accord, started circling the Golden Hall of a Buddhist temple in the Baekje capital, continuing day and night, and stopping only to graze.  In some regions, walking around a sacred temple or stupa was considered a particular form of prayer, and perhaps the horse knew something and was trying to make merit.  In the text we are told explicitly what this meant:  the downfall of Baekje was nigh, and it would fall in the coming year, 660.  In a similar fashion, the Baekje annals, and the Samguk Yusa, likely pulling from the same sources, go through a series of omens, from birds to fish, to various ghosts, all saying that Baekje was about to fall.  The annals at this point paint Wicha as consumed with the material world and debauchery, likely a largely later indictment to add a moral explanation to the events that would soon occur. In Yamato, there were other omens as well.  Things were not entirely well in the Yamato capital.  Remember, this was Takara Hime's second reign, and her son was fully grown, himself, so she was no spring chicken.  On the 13th day of the 7th month of the year 659, she had the ministers expound the Urabon sutra in all the temples in Asuka and had a requital made to the ancestors for 7 generations.  We are also told that in that same year, the Miyatsuko of Izumo was made to repair the Itsuki god's shrine.  I have to wonder if these were to help make merit, or were just regular occurrences, but we are also told that fox bit at the head of a creeper that a man was carrying and ran off with it, and a dog found a dead man's hand and forearm and dropped them at Ifuya shrine.  The chroniclers claim these omens were not about Baekje, but rather about Takara Hime herself—claiming that she was not long for this world. It is good to remember that it is only now that we can look back and see where things were leading.  At the time, nobody really knew what the future held, and business went on as normal.  The omens and portents were all well and good, but they are being interpreted after the fact.  There is no indication that people were telling Takara Hime that her time was about to come.  This is illustrated by the fact that there are plenty of regular accounts in here as well.  We have a few episodes that actually reference the “shiguma”—the polar bear or the brown bear—and Gogureyo.  The first is of Goguryeo merchants—likely part of an embassy—trying to sell a shiguma fur in the local markets for 60 pounds of floss silk, a price that was apparently laughable, as the market commissioner turned them down.  And here I'll digress briefly because this is rather a remarkable entry, even though it seems like almost nothing, because it demonstrates something we rarely see but often suspect.  For all that the ambassadors to various courts were performing their diplomatic functions, they were also there to trade.  This is part of how they funded the journey.  They would bring some goods for the court and the sovereign, of course, and hopefully get as much or more in return.  But they would also trade in the local markets.  This is probably part of what the embassy to the Tang was doing when they made landfall and then stayed put for a month or so.  I suspect they were working with the local government to ship off the tribute, but also availing themselves of the local markets.  You didn't necessarily exchange currency, but you would sell your trade goods and that would likely help fund the embassy for the time they were in the country, at least for anything the host nation didn't provide. It is also interesting that we talk of a market commissioner.  We've mentioned markets before, and their existence is likely more than just a random assortment of shops with goods to sell.  They were overseen by local officials, and they would have been regulated to some extent by the larger state, probably with taxes and other goods making their way up to the government.  I don't know that we have a clear idea of what it looked like until later, and so an entry like this just gives us a little hint at what was going on in the day to day administration of the entire country. Continuing with the shiguma theme, apparently a painter named Komaro—a Japanese name, but he's described as a “Goguryeo” painter, which could mean that he trained in Goguryeo, or came from there and changed his name.  It is also possible, I supposed, that he was simply trained in the Goguryeo style.  Anyway, he was apparently quite successful because he entertained guests from his own uji—his own surname—and so borrowed 70 official shiguma skins for them to sit on.  Apparently this was a garish display that left the guests astonished and ashamed to even be part of the event, so they went away. So sitting on fur rugs was apparently not a thing to do—or perhaps just not that many.  But I would note that he apparently borrowed them from the government—they were “official” after all.  So what was the government doing with them?  They were probably tribute from the Emishi in the north, or perhaps just the result of regular trade.  And Komaro must have had some pull to be able to request them for his own private use.  Unfortunately, I don't have any further details, so we are left to guess at most of the rest. But we do continue on with the Goguryeo theme in the following year, the first month of 660, with envoys from Goguryeo arriving in Tsukushi.  They likely had no idea that while they were in Yamato, big changes were about to take place back on the peninsula.  It would take them four months to get to Naniwa, arriving on the 8th day of the 5th month.  They couldn't have known everything that was happening on the peninsula, behind them. And that's because it was in the third month of tha year that Tang Gaozong commanded Su Dingfang, along with Kim Inmun and Liu Boying, to take 130,000 land and see troops to subdue Baekje.  They landed at Teongmul islands, west of Baekje, and, word having reached their court, the King of Silla sent the renowned general Kim Yusin in charge of a force of 50,000 troops to lend their support.  Kim Yusin was a veteran of fighting between Baekje and Silla, and he had already face the enemy on the battlefield, but now he had the aid of the Tang troops. King Wicha had heard of their advance, and asked his court for advice.  One suggestion was to try to crush the Tang soldiers as soon as they came ashore—force them to stay on their boats and destroy them before they could get on land and organized.  Another suggested that the Tang army, for all its size, was built for speed and a decisive victory.  If Baekje could simply harry them long enough, it would wear them down, and they would have to return.  They could then turn their sights on Silla, an enemy they knew how to deal with. One noble, Heungsu, who had been out of favor in the court, and even exiled at one point, offered his advice—that they should fortify the Baek river and Tanhyeon Pass, so that they could not approach.  It would be a near suicidal task, but brave soldiers could defend those narrow points against larger forces, since they would be forced to engage with fewer forces at a time.  Heungsu was ridiculed, however, and his ideas were abandoned. Instead, they devised a scheme whereby they would let the Tang ships enter the river, until they could only go two abreast, and then they would attack them from the shore and destroy them.  Likewise, at the pass, rather than fortifying it, as suggested, they would wait in ambush until the Tang forces could not maneuver, and they would then destroy them as well.  This seemed like a plan, and it was given to the general Kyebaek to carry out. At first, it looked like it would work.  General Kyebaek took five thousand soldiers to Hwangsan as soon as the heard that the Silla soldiers were advancing through the pass.  They engaged the Silla forces four separate times, defeating Silla each time.  However, every assault took its toll.  The five thousand troops could not prevail against a force 10 times their size, and eventually they were wiped out, along with general Kyebaek.  Without opposition, the Silla forces met up with the Tang, and the two armies joined forces.  They actually were able to use the mountainous terrain, which otherwise would have been used to keep them out, to their own advantage.  Eventually they were able to advance on the capital.  The Baekje forces fought to exhaustion, but they were outmatched by the Tang-Silla alliance.  Eventually, they marched on the city, and King Wicha knew that they would be defeated. Four years before this, an official had spoken up against King Wicha, and had been thrown in prison, where he died, emaciated.  However, before he died he offered advice that if an enemy were ever to come, the army should be deployed to the passes and to the upstream banks of the rivers, and that no enemy should be allowed to pass those points.  Looking at the enemy at his gates, King Wicha regretted that he had not listened to that advice.  He grabbed his son and fled to the northern border of Baekje while Su Tingfang and the combined forces besieged the capital.  He sought refuge at Ungjin fortress, in modern Kongju.  This all happened in the 7th lunar month of the year 660. With King Wicha fled, along with the crown prince, his second son, T'ae, declared himself king and led the defense of the city.  However, several others of King Wicha's sons looked at this and were afraid that it now didn't matter what happened.  If T'ae defended the city, then they would be next on his hit list, as they were clearly his rivals to power, and if the Tang defeated them, well, it didn't look good, either.  So they and their retainers all fled the city as well.  This sparked a mass exodus as other citizens tried to do the same, and T'ae could not stop them.  Eventually, the forces weakened, Su Tingfang took the city and raised the Tang banners.  T'ae opened the gates and pleaded for his life.  When King Wicha heard all of this, he knew there was no escape.  He and his sons surrendered themselves and the fortresses to the Tang-Silla alliance.  He and his sons, and many of his people, were taken captive and taken back to the Tang court, where the Yamato ambassadors saw them being paraded around. Now the king may have been captured, but Baekje was not completely subdued.  A few of the remaining citizens held out hope that they could gather their forces and kick out the Tang and Silla and take back their country.  They knew that, although most of the royal family was captured there was still one more:  Prince Pung.  Prince Pung, as you may recall from previous episodes, was residing in Yamato, a royal hostage—or perhaps more of a restrained guest.  The rebels acknowledged him as their king and sent word to Yamato asking that he come back, along with reinforcements, and retake the kingdom.  In the meantime, they gathered and fought as they could, wearing down the Tang and Silla forces.  The rebels, after all, knew the land, and the invaders were still reliant on their supply lines.  This situation persisted for several years. Back in Yamato, in the 5th month of 660, they still were likely unaware of what had happened on the peninsula.  There was no social media to alert them to the dangers, and it would still be a few months before the Baekje capital actually fell.  They were busy entertaining the envoys from Goguryeo, or preparing 100 raised seats an one hundred kesa, or Buddhist vestments, for a Benevolent King ritual.  They were focused on their wars in the north, with the Mishihase, which they had been successful in Praising Abe no Hirafu for his successful campaign.  There is one record that says that in the 5th month people started carrying weapons around with them for no good reason, because they had heard of the destruction of Baekje, but that hadn't actually happened yet, so this is likely out of place—possibly by a couple of years. There is a note about the destruction of Baekje in the 7th month, but that is from the “Records of the reigns of Japan” or Nihon Seiki, a work that is no longer extant that was apparently written by a Goguryeo priest, who noted Baekje's destruction in his history, but this was probably not exactly information available to Yamato at the time.  And no, I don't want to gloss over the fact that we are given another source that was likely being used by the Chroniclers.  I want to delve into the fact that this was by a Goguryeo priest, known in Japanese as Doken.  I want to talk about how this work pops up throughout the reigns of Saimei, Tenchi, and apparently even in the Fujiwara Kaden.  It seems like he was close to Nakatomi no Kamatari and the Fujiwara house, which probably explains how he had access to the events mentioned and why his work was known.  However, I don't really have time for all of that because we are trying to focus on what was happening with Baekje and what was happening Yamato at the time. And in Yamato it wasn't until the 9th month that word finally arrived via a Buddhist novice named “Kakchyong”, according to Aston.  He carried word of the defeat, but also word that Kwisil Poksin had taken up arms and was leading a rebellion against Tang and Silla control.    The royal city, which some records say had fallen in mere days, was once more under Baekje control, according to the word that reached Yamato.  It does seem that Poksin held it for a time, but they weren't able to set in for any kind of prolonged fight in any one spot.  It seems that the fighting was going back and forth, and the rebels were remaining on the move while fighting actions against the invading forces.  Poksin had apparently captured some of the enemy troops, though, and sent them to Yamato, possibly as tribute and payment for future reinforcements, and possibly to demonstrate their victories. And if that was the case, it seemed to have worked.  Takara Hime agreed to help Baekje.  She agreed to send troops, commanding them to go from a hundred directions and meet up in Sateok—likely meaning that this was an emergency deployment and rather than everyone gathering in Kyushu and heading over together, they were getting there as fast as they could, however they could, to try and come to Baekje's aid.  She also released Prince Pung to return as well, and basically named him the King of Baekje herself.  As for Takara Hime and the main force, they moved first to Naniwa and gathered there.  She was considering going on to Tsukushi and then traveling with the bulk of the navy from there. Omens were also coming in, and it wasn't good.  In the province of Suruga, they built a boat, but apparently, overnight, the bow and stern switched places, which the Chroniclers saw as a bad omen.  And then there were a swarm of insects reported in Shinano as coming from a westerly direction.  Another bad sign, especially given that Tang and Silla were both west of Yamato. Although they started preparing in the 9th month of 660, it took them until the first month of 661 to have the royal ship ready to go.  It is likely that much of what was happening was not just a waiting navy putting to sea, but rather there were emergency build orders to build or repair ships and make them ready for the crossing and eventual attack.  The royal ship made its through the Seto Inland Sea, past Bizen, the nearer part of ancient Kibi, and on to Iyo, on Shikoku.  They seem to have had a few setbacks in their journey, and it wasn't until the 5th month that they reached the Asakura palace, though to be in Chikuzen, in Tsukushi, aka northern Kyushu.  The month before, Poksin had written and asked to wait upon the prince, which I suspect was a polite way of asking when the reinforcements would finally arrive. Unfortunately, at Asakura, disaster struck.  The Chroniclers claim this was because they had cleared sacred trees in order to make room for the palace and the kami were none to pleased.  The palace itself was demolished and several notable people, including the Grand Treasurer, took ill and died.  Not a great start to things.  It was here that they met up with the envoys coming back from Chang'an who no doubt told them about their house arrest and everything else.  On top of this, we are told that in the 6th month Prince Ise, of whom little more is given, died, and then, a little more than a month later, he was followed by the sovereign herself: Takara Hime. I suspect that Prince Ise may have been one of Takara Hime's sons, possibly in line for the throne, otherwise, why make mention of his death.  However, Takara's passing would have no doubt thrown the war plans into disarray.  It is quite likely that she wasn't actually the one doing most of the heavy lifting—in all likely that was her son, Prince Naka no Oe, who was handling a lot of that.  But still, the death of the sovereign just before you head off to war, was not great.  They had to send a funeral procession back to Naniwa and Asuka.  Prince Naka no Oe accompanied it as far as the Iwase Palace, but didn't go all the way back.  As the procession headed for Naniwa, he composed a poem: Longing as I do For a sight of thee Now that I have arrived here, Even thus do I long Desirous of a sight of thee! Prince Naka no Oe had just lost his sovereign and his mother, and he was now fully in charge of the armada headed to try and relieve Baekje.  He would have to continue the plans while Takara Hime's remains headed back to Asuka.  The funeral procession arrived in the 10th month, and her body was put in temporary interment for at Asuka-gahara as 9 days of mourning began.  Her son, however, would continue to mourn from afar.  He put on white clothing—a symbol of purity and associated with funerals and death, at least in Buddhist tradition. He had no time, though.  By the 8th month, Prince Naka no Oe was sending Adzumi no Hirafu no Omi and Kawabe no Momoye no Omi, as generals of the Front Division, while Abe no Hirafu no Omi and Mononobe no Muraji no Kuma took up the mantle of generals of the rear division.  They sent men, along with arms and grain to help relieve the Baekje forces. After sending the initial forces to make way, in the 9th month he conferred a cap of woven stuff on Prince Pung, indicating his high rank in the Yamato court, and gave to him as a wife, the sister of a high ranking court official.  He then sent him off, with the help of Sawi no Muraji no Ajimasa and Hada no Miyatsuko no Takutsu, along with 5,000 troops to escort him back.  They made it to Baekje and were able to meet up with Poksin and their forces. On the Korean peninsula, one of the strategic objectives of the Tang was to create a foothold on the peninsula so that they could finally take out the Kingdom of Goguryeo.  That year was particularly cold, and apparently Tang forces tried to invade Goguryeo again, attacking with siege weapons and other war machines.  The Goguryeo soldiers fought valiantly, but appear to have reached a stalemate. In 662, some of the Yamato material started appearing for Poksin.  It included 100,000 arrows, 500 kin of raw silk, 1000 kin of floss silk, 1000 tan of cloth, 1000 hides of leather, and 3000 koku, or over 15,000 bushels, of seed rice.  The next month, he sent another 300 tan of silk to the king.  The Silk may not make much sense, but it would have likely been a form of currency that they could use to purchase other goods, and it could be used for clothing.  The leather may have even been useful for armor and other accoutrements.   But mostly, this was probably economic aid, outside of the 100,000 arrows.  That same month, the 3rd month of 662, the Tang-Silla alliance was trying to body Goguryeo,  and Goguryeo reached out for aid.  Yamato troops were reportedly sent to help, and the attacks against Goguryeo were blunted.  This really was, now, the Goguryeo-Baekje-Yamato alliance against the Tang-Silla alliance. Poksin and the rebels had holed up in a place called Chuyu, which they were using as their base of operations.  King Pung had arrived, and Poksin was officially made his Minister, but they decided to move out from Chuyu.  It was fine for defense, but the land was not fertile, and they wanted to establish a base where they apparently had more resources, so they found Phisyeong, with rivers to the north and west, and large earthworks to the south and east.  It had fertile land for growing crops, which could then feed the army. However, one of the veterans pointed out the Phisyeong was less than a day's march from their enemies' encampment, and it would be a simple nights march and the army could be at their doorstep.  Chuyu, for all it was not the most appealing place, was much more defensible.  In the end, though, they decided that they would move the capital to Phisyeong. In the 2nd month of the following year, in 663, Silla troops were ravaging southern Baekje, setting fire to the land, possibly trying to starve out any resistance. Sure enough, they moved in close to Phisyeong, and King Pung and his troops realized they were in danger, and moved back to the defensive position of Chuyu.  In the following month, the Yamato and Baekje forces began to take the fight to Silla.  They advanced on Silla territory with 27,000 troops.  They took some cities and fortresses. As all of this was going on, King Pung was beginning to wonder about Poksin and his loyalties.  After all, Poksin had been running things before Pung showed up, and why wouldn't he think he could run things just fine without Pung once this was all over?  He had raised the soldiers, right?  So who would they be loyal to?  Would they be loyal to Pung, who barely knew Baekje, having lived for so long in Yamato.  Or would they be loyal to Poksin, who had rallied them together at the brink of defeat? And so in the 6th month he conferred with his other ministers.  Now it isn't stated in the text, but I suspect that his other ministers were Baekje nobles, and Poksin, well, there really isn't much indication that he had started this out as a man of high station.  They all agreed that Poksin should be dealt with, and so Pung had Poksin taken into custody and beheaded. Now I don't know if it needs to be said, but putting your own top general to death in the middle of a war is not exactly the best thing for morale.  Silla heard about it, and made plans to attack, hoping to catch Baekje offguard.  Baekje heard about it, and they also knew that about 10,000 reinforcements were supposed to be arriving soon from Yamato.  Those were reinforcements that could turn the tide of any fight.  They just needed to make it up the Baek river, known in Japanese as the Haku-suki-no-e. The Silla and Tang troops surrounded the fortress of Chuyu, and Baekje desperately needed the reinforcements from Yamato.  The Tang navy had 170 ships sitting at the mouth of the Baek River, ready to prevent any reinforcements from getting in.  On the 17th day of the 8th month, according to the Nihon Shoki, the first ships of the Yamato fleet arrived, but they could make no headway against the Tang forces.  Based on other records, it appears that the Yamato fleet swelled to more than 400 ships, well over twice the size of the defending Tang navy.  They attacked at least four separate times, but despite their smaller size, the Tang ships had the advantage of the terrain, using the narrowing at the river, and they also had superior tactics.  Although the Yamato soldiers fought ferociously, they couldn't move the Tang fleet. Speaking of fighting, let's talk about what it meant.  There were no cannons or anything like that.  It is likely that the projectile weapons of the day were arrows, and based on the ship designs, it was likely that ships would need to get close and grapple with each other so that soldiers could actually do the fighting.  In this way, ships were like floating battlefields.  If you could burn the ships, then that was something, but fire would also be a danger to your own wooden vessel.  And so it is likely that ships would have to engage with each other and effectively let the other side grapple if you wanted to fight, unless you just wanted to exchange arrows. After being repulsed four times, ten days after they had first engaged, the Tang vessels finally counterattacked.  They were able to swarm out and envelope the right and left flanks or the Yamato ships.  Four hundred ships were burned and sent to the bottom of the sea.  The Yamato forces were unable to break through the blockade and had to turn around.  The Battle of Haku-suki-no-e was a total defeat, and only ten days later, Chuyu fell.  King Pung was able to escape, fleeing to Goguryeo, but the writing was on the wall: The Kingdom of Baekje would never be reconstituted.  The Yamato forces departed the continent and headed back to the archipelago.  They met up at Honye on the 24th day of the 9th month and started out for the archipelago on the following day, eventually returning to Yamato, along with some of the Baekje nobles and ministers who had fled with them. The results of this defeat were resounding.  The battle of Haku-suki-no-e, known in Korean as the Battle of Baekgang, or the Battle of the Baek River, would change the political landscape.  The Tang-Silla alliance would eventually continue to pressure Goguryeo, and the dictator, Yeong Gaesomun, would die three years later, in 666.  He had held out against Tang and Silla, but with his death, there was a moment of chaos as an internal struggle broke out in the Goguryeo court.  The divisions this caused weakened the country, which fell to the Tang-Silla alliance in 667. With both Goguryeo and Baekje gone, suddenly Silla was now the country on the Tang empire's borders.  Without their shared enemies, there was not longer an alliance between the two, and Silla would push back against the Tang.  The Tang held out on the peninsula for another decade, but without Silla support, it became too costly to continually ship supplies to the troops.  Silla was eventually able to force the Tang forces off of the peninsula, and thus began the period on the Korean peninsula known as Unified Silla, where Silla ruled all of the what is now north and south Korea. In the archipelago, in the aftermath of their ally's defeat, there was worry in the Yamato court.  They were afraid that the Tang empire would come after them, next, and they began building fortresses from Tsukushi all the way along Kyushu and the Seto Inland sea area.  These are peninsular style fortresses, often using earthworks and walls that were built up around the tops of mountains, using the terrain.  A large earthwork was put up between the coast and the Dazaifu, in case Tang troops landed in Hakata bay.  Today, many of these earthworks still exist.  Some were even repurposed for gun emplacements in the lead up to what would become World War II, as they were still highly defensible positions. The feared invasion never came, and the fortresses would eventually be abandoned, but they are still a testament to just how seriously Yamato took this threat. Next up, we'll take a look at Naka no Oe's reign.  Naka no Oe is known in the Chronicles as Tenchi Tennou, the sovereign of Heavenly Wisdom.  We'll talk about that some more as we get into his time on the throne.  Since 645 he had been a force in the Yamato court, but he had not taken the throne at a younger age.  Now, however, his power seemed secure.  He took the throne upon his mother's death, and we'll talk about that and more in future episodes. Until then, thank you once again for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan

“Show me the money!” Eso aprendimos a gritar en 1996 cuando salimos de ver esta película. Protagonizada por Tom Cruise, Renee Zellweger y Cuba Gooding Jr y dirigida por Cameron Crowe. Esta semana en Nakatomi: Jerry Maguire

Si la cosa va de perderse y tratar de encontrarse, era justo que nos metiéramos en esta película de 1982. Una obra maestra que trascendió y arrasó en taquilla y premios. Dirigida por Sidney Pollack y protagonizada por Dustin Hoffman, Jessica Lange y Teri Garr, hoy, en Nakatomi Radio: TOOTSIE

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Finalizamos nuestro repaso por la carrera de los Oscar con la ganadora de esta temporada. Una película que ha traído (como siempre) su polémica por alzarse con el galardón. Con una Mikey Madison brillante y un Sean Baker a la dirección soberbio, hoy, en No Limits: ANORAEscucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

Comenzamos la segunda vuelta de esta temporada y lo hacemos con una película de culto que revolucionó las cabezas de los adolescentes de los 2000. Protagonizada por Jake y Maggie Gyllenhall, hoy en Nakatomi: DONNIE DARKO.

It's Christmas in March as CR101 unwraps "Intro to Knots" (S4E10), but don't thank us -- it's a vapid, unsatisfying episode with the lamest knots ever. Oh, and Abed something something Die Hard.Listen to CR101 on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Anchor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Breaker⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Google Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pocket Casts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Radio Public⁠⁠Other links:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the CR101 crew on Twitter⁠⁠⁠⁠Mutant Reviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomas Midena YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Heather's Twitch channel

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Abrimos las puertas del Nakatomi para invitar a la ganadora del sorteo que hemos hecho en febrero entre nuestros suscriptores para participar en un No Limits con nosotros! Abrimos las puertas a Lara Martell y hemos podido hablar con ella de The Brutalist. Hemos compartido impresiones y hemos tratado de desmenuzar una película tan ambiciosa como buena. Hoy, en Nakatomi No Limits: The Brutalist.Escucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

Cruzamos la puerta a las Estrellas de esta película que en 1994, nos dejó con la boca abierta. Una aventura de ciencia ficción que homenajea al cine de aventuras más clásico: Stargate Alfredo Zapata y Víctor Nanclares la comentan, la desmenuzan y sobre todo, la disfrutan contigo.

YOU TOO TALL. Flirting with the Kabob Guy. Zipper Major. Swagtastic. Fartgas In The Bar Car. In the Poo Pipe. A Brevity of Dunaways. Taiwan the Cheese Doodle. Can-a-Sherpa. Nipple high Asian lady. Yeastie Boys. YOU CAN EAT CHEWED RICE. Poncho certified. Nakatomi air vents. Making Comics Takes Blood, Sweat and Tears, But Mostly Blood, with Stephen and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

YOU TOO TALL. Flirting with the Kabob Guy. Zipper Major. Swagtastic. Fartgas In The Bar Car. In the Poo Pipe. A Brevity of Dunaways. Taiwan the Cheese Doodle. Can-a-Sherpa. Nipple high Asian lady. Yeastie Boys. YOU CAN EAT CHEWED RICE. Poncho certified. Nakatomi air vents. Making Comics Takes Blood, Sweat and Tears, But Mostly Blood, with Stephen and more on this episode of The Morning Stream. Hosted on Acast. See acast.com/privacy for more information.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Después de dedicarle un episodio a ‘La Sustancia’, creíamos necesario hacerle hueco a otra de las aspirantes al Oscar. Recién ganadora del Bafta a la Mejor Película del año e interpretada por Ralph Fiennes, hoy, os traemos: CÓNCLAVE.Escucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

Finalizamos nuestro particular Ciclo Ghibli con ‘La Princesa Mononoke’. 3 años que no olvidaremos nunca y que han servido para que Víctor se adentre en este universo y nunca más salga de él. Y de paso también ha servido para que Alfredo se venga aún más arriba… Víctor Nanclares y Alfredo Zapata la comentan, la desmenuzan y sobre todo, la disfrutan contigo.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Sí. Aunque creas que no estás en Nakatomi, sí lo estás. Seguimos tratando terror en los No Limits y lo hacemos con una de las películas más poderosas que ha dado el año 2024: Nosferatu Protagonizada por Nicholas Hoult y Lily Rose Depp y dirigida con maestría por Robert Eggers, hoy, sucumbimos a la oscuridad.Escucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

Nos hacemos diminutos para hacernos lo más grande posible! Esa fue la mentalidad de Spielberg y de Joe Dante cuando se hicieron con las riendas de esta mítica película de los 80! Dennis Quaid, Meg Ryan y Martin Short completan el reparto de esta locura. Víctor Nanclares y Alfredo Zapata la comentan, la desmenuzan y sobre todo la disfrutan contigo.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hablamos de una de las películas más disfrutonas que nos dio el verano pasado, que recogía el testigo del mítico blockbuster de 1996. Protagonizada por Daisy Edgar-Jones y Glenn Powell.Escucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

¡it's Raining Men! Hallelluyah! Abrimos el año con Bridget y sus propósitos. Una película que caló en toda una generación y que actualizó la comedia romántica llevándola a un terreno nuevo y refrescante. Renee Zellweger, Hugh Grant y Colin Firth nos entregan un triángulo amoroso histórico y nosotros lo disfrutamos con ellos.

Though it may not seem like it on first glance, across Asuka there are various remnants of a much grander period.  Postholes tell the story of palaces built over and over on the same spots.  In addition, there are the various temples and various carved stone statues and other features.  This episode we'll talk about some of the stonework and palace complexes built during Takara Hime's reign, as well as the deadly politics that were still the currency of the court. For more, check out our blogpost at:  https://sengokudaimyo.com/podcast/episode-118 Rough Transcription Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 118: Stonework and Treason Before we dive into the episode, a quick shout out to thank Bodil for supporting us on Ko-Fi.com.  For information on how you can also help support the show, we'll have information at the end of the episode or go check out our podcast page at SengokuDaimyo.com. And now, on with the episode:   Soga no Akaye's mansion was busily quiet.  There was plenty of chatter, but it was mostly in hushed tones as servants busied themselves with their work, but wondered what was going on.  They couldn't help but notice the high ranking visitors that had come.  It was to be expected, though.  After all, their master was in charge while the rest of the court was away on a retreat, comforting the sovereign in her grief.  And so why wouldn't people be showing up to meet with him? But nobody was quite sure what all of these visitors were discussing.  They had all gone into an upper story of the building, but the crowd included some powerful figures, including, some said, a royal prince.  Who's who and where people stood in the court were always topics of discussion, but especially now.  After all, what they were dealing with was unprecedented:  who had heard of a sovereign stepping down in the first place, let alone stepping back up because they then outlived their successor?  But she was no spring chicken, either.  Surely it would be her son that would finally ascend the throne next, right?  But that was never guaranteed. Either way, some of the servants grumbled, a change would be nice.  Ever since the royal family had moved back to Asuka, formally making it the capital again, there had been a flurry of activity. Sure, it meant that a certain amount of prestige returned to that region, and houses that had been in disrepair were suddenly occupied again.  But there was so much more.  Just about all of the available labor pool that wasn't working the fields was working on this project or that—there was almost nothing left for anyone else.  How was anyone else supposed to get things done when all of the able-bodied people were already toiling on the sovereign's own vanity projects?  And after building that giant government complex in Naniwa, no less! Such was, I imagine, the hushed rumor-mongering going on in the house when suddenly there came a loud “crack” as of a piece of wood snapping in two.  Later they would learn that an old wooden rest had broken, but that wasn't immediately obvious.  The servants did notice that shortly thereafter, their visitors began to depart, heading back to their own mansions. As for Soga no Akaye, he said nothing, but he seemed drained.  He had a heavy look, as though he was bearing an incredible weight.  Soon thereafter, he requested a brush and some paper, and he began to write out a letter…   So we are talking about the second reign of Takara Hime, who came back to the throne in 655, following the death of her brother, Prince Karu, known as Koutoku Tennou.  For the first time she reigned, the Chroniclers gave her the name “Kougyoku Tennou”, but for her second reign she would be known in the Chronicles as “Saimei Tennou”. We already discussed some of what was recorded as happening in the north during Takara Hime's second reign, with the Emishi and the Mishihase and the expeditions by Abe no Omi no Hirafu.  This episode we are going to focus more on what was going on in the Home Provinces of Yamato—and most specifically the impact that Takara Hime's reign would have on Asuka. I've noted in the past how modern Asuka can seem like your typical rural Japanese town.  Roads weave between rice fields, flanked by densely packed neighborhoods at the foot of the green hills or lining the shores of the Asuka river.  To the north, the valley opens onto the vast Nara basin—a largely flat region that is much more heavily populated but still would be considered “inaka”, or rural country, by anyone from a metropolis like Tokyo or Ohosaka.  To the south, the land rises up into mountain peaks.  Beyond that ridge, the land drops into the Yoshino River Valley, but otherwise the rest of the Kii peninsula, to the south, is covered in a sparsely populated mountain range, where small villages carve out a life in the nooks and crannies between the numerous ridges, finding the rare spot of flat land to build houses and plant their fields.  Looking at it today, Asuka might seem idyllic, rural, and calm.  And yet, back in Takara Hime's day, it was anything but. When Takara Hime moved back to Asuka, she went on a building spree.  In fact, the Chronicles actually complain about all of the building that she was doing, and we'll get to that.  Much of this episode is going to revolve around her building projects, as well as her comings and goings.  While we'll talk about what the Chronicles say, I also want to talk about some of what still remains in Asuka.  Certainly the grand palaces are gone, for the most part leaving little more than post-holes, lying beneath the rice fields.  A bit more obvious are the various kofun, scattered across the landscape, but beyond that there we also see stone works, including numerous carved stones, which range from crude statues, which may have been minimally worked, to elaborate fountains, which would have used natural water pressure to create impressive waterworks.  These latter works demonstrate the sophistication of the masons of the time, and hint at the grandeur of the various palaces, gardens, and mansion complexes that once populated the landscape.  And if you want a little feeling of what it is like, I talked a bit about walking through Asuka in a bonus episode back in March of 2024—if you are interested, look up “Traveling Through the Ancient Nara Basin, Part 2.   So along with what we see in the Chronicles, I want to talk about some of these other features, even if we aren't entirely sure of when, exactly, they were built.  There are a few, though, that we do suspected were built in this period, by Takara Hime, or at least at her order.  So we'll talk about those as we get there. Her reign wasn't all about building things, though.  Politics in the Yamato court remained as cutthroat as ever.  Although Prince Naka no Oe, Takara Hime's son, had been designated as “Crown Prince” he had not taken the throne, despite being of age, and we aren't told why, though the fact that Takara Hime had previously abdicated because of the events of the Isshi Incident, back in 645 (see Episode XX) may have meant that she was still considered the senior eligible member of the royal line.  Then there was the case of Prince Arima.  Prince Arima was the son of Karu, aka Koutoku Tenno, which made him Naka no Oe's cousin.  This wouldn't have meant anything had his father not ascended to the throne.  And under the succession practices of the time, although Naka no Oe was designated as the Crown Prince, that wasn't a guarantee that he would be next in line, so Prince Arima may have been a potential candidate.  However, there is at least one source that says Prince Arima was not yet of age, but still a teenager.  Still, that was no doubt old enough for some in the court to support him—and as we'll see in later centuries, age limits could be negotiable.  So we'll also discuss that, as well. So let's get into it. When the royal family first moved back to Asuka, in 653,  they took up residence in the temporary palace of Kahabe no Miya.  Unfortunately, this name doesn't tell us much about where the palace was located.  There is one theory that the Kawabe no Miya might be at what is known as the Asuka Inabuchi Palace site, up in the Asuka river valley, in the modern Iwaido district, a little south of the famous Ishibutai kofun site.  This is believed to have been a palace—or at least the mansion of some very wealthy family—given its layout, including what appears to be a cobblestone courtyard, and the lack of any roof tiles, which would have been reserved for temples, at that time. The term “temporary” palace comes up a lot in the Chronicles.  In most of the cases where it is used, it suggests that there was already a building in place and the sovereign took up residence there, hence the term “temporary” palace.  Often times we see that a temporary palace is said to have been “built”, at which point I have to wonder if that is truly the case—did they actually build a brand new structure to temporarily house the sovereign and the royal family—or does it just refer to the fact that they may have taken an existing compound and perhaps made some slight changes to accommodate the royal dignity?  Unfortunately, the Chronicles don't really go into much detail. Wherever the Kawabe no Miya happened to be, it does seem to have been temporary, as we later see Takara Hime back at the Itabuki palace, and indeed she reascended the throne there in 655.  The Itabuki palace first shows up in Takara hime's first reign, and seems to be one of at least two royal palaces in Asuka at the time, the other one being the Woharida Palace.  The Woharida palace had been around for a while – it was noted as early as 603, in the reign of Kashikiya Hime, aka Suiko Tenno, and there is the suggestion that it was still around in the time that Karu, aka Kotoku Tenno, was reigning.  We know that Takara Hime took up residence there at some point during her own reign as well.  But in 643 she had the Itabuki palace built, though apparently that didn't mean that the Oharida palace was completely torn down and abandoned – it just was no longer the primary site of court ritual.  Of course, the Itabuki palace wouldn't be the seat of the government for long, either, as the Isshi Incident took place there in 645, and Karu would subsequently move the capital to Naniwa, building the Toyosaki palace. And so the Itabuki palace remained, but was not exactly kept up, so that when the royal family returned to Asuka, it wasn't ready for them to inhabit, and likely required extensive renovation.  Nonetheless, it was being inhabited two years later, when Takara hime again ascended the throne. A quick note here about the name “Itabuki”, because we think that this likely referred to a very specific style of construction that was used.  Up to this point, as far as we can tell, the primary roofing material for all major buildings was a kind of local thatching – we still see this today on some shrines and other buildings.  “Itabuki”, in contrast, refers to a roof made with wooden boards.  Today, we have buildings with rooves where the roof shingles are overlapping boards of wood or bark from the cypress tree: thin layers stacked one on top of the other.  Even today, the modern Imperial Palace in Kyoto uses wood shingles rather than the curved roof tiles that many people think of when they think of Asian architecture. So that's the Itabuki palace, all spruced up and ready for Takara hime to occupy again.  That said, remember the older Woharida palace, the other one in Asuka? Later in 655, a project was started to update that palace as well.  We are told that as of the 13th day of the 10th month there had been a plan to add roof tiles to one of the buildings at the Woharida palace, but unfortunately much of the timber from the mountains and valleys that was designated for the project was found to be too weak from rot, and so they decided to not go forward with that plan.  I would note here that tiled rooves, while they might seen somewhat easier to put together—after all, you only need a layer of interlocking and overlapping tiles—are extremely heavy.  They are known to deform the wooden structures underneath them, and can weigh hundreds of pounds per square foot.  Much of the classic shape of these tiled rooves developed over time to compensate for some of that weight, so this makes me wonder if the wood the palace craftspeople brought in was really that rotten, or if it was just not strong enough for the work that they were trying to do.  After all, were they applying the same techniques as for a temple, or were they simply trying to replace traditional thatching or shingles with clay tiles?  Either way, the project failed, even after all of the work that had gone into it.  This is a small entry in the Chronicles, but it would have meant levying corvee labor that had to go out to the designated regions to source the timber, not to mention setting up the kilns to make the tiles, as well as other preparations that would have been necessary.  In other words, a lot of work, for apparently no payoff. On top of that, we are told that around that time, in the winter of that year—which would have been the 10th, 11th, or 12th month, roughly corresponding from late November to February of the following year—the Itabuki palace caught fire and burned down, and so the sovereign and her retinue decamped to the temporary palace of Kawara – the River Plain or Field. “Kawara” could theoretically refer to just about any flat area by a river. Aston points out that “Kawara” can also mean “rooftile”, which is interesting given what we just talked about, the entry immediately before that deals with attempting to add new rooftiles to a part of the Oharida palace. However, there is some thought that this refers to the Kawara Temple, Kawaradera, and you can find claims that Kawaradera was built on the site of the temporary palace.  There is a reference to Kawaradera in the previous reign, in the year 653, though another source apparently says it was talking about Yamadadera, instead.  There isn't another mention of “Kawaradera” that I can find until 673, so it is entirely possible that the temple started its life off as a mansion or even a temporary royal palace of some kind, and was later turned into a temple. Kawaradera itself is rather interesting.  If you visit the site, today, you can see large stone bases that help to demonstrate the size of the ancient temple.  It was one of the four Great Temples of Asuka, along with Asukadera, Kudara Ohodera, and Yakushiji.  And yet, unlike the other three, we don't have clear indications about its founding in the Chronicles.  When the capital eventually moved to Heijo-kyo, in Nara city, many of the other temples were removed to the new capital, but not, as far as I can see, Kawaradera.  Donald McCallum suggests that this is because it was replaced, instead, by Koufukuji, a temple with deep ties to the descendants of Nakatomi no Kamatari, the Fujiwara clan.  He suggests that mention of the temple in the official records may have even been suppressed by individuals such as Fujiwara no Fubito.  Kawaradera remained in Asuka.  Eventually it fell to ruin, but there is still a small temple on the site, known as Gu-fuku-ji. As for the Kawara Palace, if Kawaradera really was in operation by 653, it is possible that the sovereign took over some of the buildings at Kawaradera, or perhaps the temporary palace was simply somewhere nearby. In any case, they don't seem to have stayed there for too long—they started work on a new palace the following year.  This was the later Okamoto Palace, and from what we can tell it was built on the same site as the Itabuki Palace, south of Asukadera.  This site would see multiple palaces over the years, and even today you can go and see some of the post-holes that they have found, indicating the size of the complex through the years. Based on the layout and size of the Asuka palaces, it seems that these early palaces focused on the “dairi”, the private quarters of the sovereign.  This seems to have ignored the reforms made with the Toyosaki palace design in Naniwa in the early 650s.  That palace, which was built on an incredibly grand scale, consisted of both the private quarters and the public government offices.  But in Asuka the royal family's “palace” appears to have only consisted of the private quarters, for the most part.  So where was the actual bureaucracy happening?  Were there other facilities we don't know about?  Or perhaps, the Toyosaki palace itself was overly ambitious, and there wasn't actually the staff for such a grand complex?  After all, they were just setting up the bureaucracy and perhaps their reach had exceeded their grasp.  Or was it the case that things werestill being run out of the palace complex in Naniwa while the sovereign lived in Asuka?  That seems to have been roughly 10 hours away, by foot, though perhaps only half that by horse. The northern end of the Asuka valley is not as well suited to a large palace complex.  Not only was it already full of temples and the like, but the ground itself rises to the south, and the hills on either side start to come together.  It certainly isn't the kind of place to layout a grand city.  But perhaps that was not the intent—at least not immediately.  It didn't matter much, though, because the Later Okamoto palace, as it came to be known, was not long for this world.  Scarcely had it been built and occupied but that it caught fire and burned down—another expenditure of funds and labor that were once more counted as nothing. In fact, Takara hime was apparently on a tear, and went ahead and initiated quite a few projects that happened in 656.  We are told that nearby Tamu Peak was crowned with a circular enclosure, close to where two “tsuki” trees grew.  A “lofty” building was erected and called both Futatsuki no Miya (the Palace of the Two Tsuki) and Amatsu Miya (the Palace of Heaven).  She also had a new palace erected in Yoshino, possibly as a seasonal retreat.  And with this she was just getting started. She also had laborers dig a canal all the way from the western end of Mt. Kaguyama all the way to Mt. Isonokami.  We are told that 200 barges were then loaded with stone from Mt. Isonokami and hauled to the mountain east of the palace, where the stones were piled up to form a wall.  This last one had people up in arms.  They called the canal the “mad canal” and said that it wasted the labor of over 30,000 people.  On top of that, she used 70,000 men to build the wall.  To top it all off, the timber for the palace rotted away and the top of the mountain where they were building collapsed.  We are told that people cursed it all, crying out: “May the mound built at Iso no Kami break down of itself as fast as it is built.” So, yeah, people weren't too happy.  We, however, just might be – because all of this building work? It leaves traces in the landscape. We aren't always sure about locations in the Chronicles, as it is very easy for names to shift over time or for things to be renamed at a later date. But what we do know is that there are quite a few examples of stone work in the Asuka region.  There is the kame-ishi stone that looks only vaguely carved—it appears to have two carved eyes, but otherwise appears to use the natural shape of the stone to evoke a tortoise—that sits near the site of Kawaradera and Tachibana-dera.  There are the various saruishi—carved figures that are purportedly based on saru, or monkeys, but are likely meant to represent people.  They may have once adorned an elite family's garden or similar, and they were since moved to the tomb of Kibitsu hime.  There are various fountains and waterworks.  And then there are the Sakafune-ishi ruins, sitting along a ridge east of the palace site.  This consists of a large stone up on the hill, with carved channels that appear to be made to channel water poured into the grooves.  At the bottom of the hill there is a turtle shaped stone basin, filled from a boat-shaped water tank.  Across the hill is example of stone work, including possible walls. Given the apparent age of everything, and its location, it is thought that this may all be part of the Futatsuki no Miya complex that Takara hime built.  Unfortunately, it is still not clear how it was meant to operate.  After Asuka was abandoned as the capital, knowledge of the site also disappeared.  There were some stories that arose about the stone that it was used for some kind of sake-brewing, hence the name, but nothing truly concrete has arisen.  There may have been other structures, perhaps made of wood, that are no longer present, and the stone itself appears to have broken and eroded away over the years.  It may have been meant as a ritual site, or perhaps it was just built as some kind of wonder for the people.  It doesn't fit into any clear model of any Buddhist or even ancient Shinto practice, nor is it clearly connected to other continental practices.  We certainly know that they did plenty with water, given the number of waterworks and other carved stones, including a model of Mt. Sumera, we are told was built to the west of Asukadera on the 15th day of the 7th month of the following year—657. Maybe these are remnants of that project Whatever its purpose, the Sakafune-ishi site does seem to compare favorably with what is described in the Nihon Shoki, and perhaps it was considered such a waste of resources just because it didn't fit in with the prevailing ritual culture.  Maybe Takara hime was too artistically avant-garde for her time. “Wasting resources” would, in fact, become a chief complaint against Takara Hime during her time on the throne.  And that takes us from seemingly harmless construction projects into the court politics of the day.  Now as you should recall, Prince Naka no Oe, Takara Hime's son, was the Crown Prince at this point, and quite influential.  He was supported by various courtiers, such as Nakatomi no Kamatari, the Naidaijin, but his eventual ascendancy to the throne was not entirely assured.  We've seen plenty of examples where someone would seem to be in line for the throne and they didn't ever make it.  We know that there were several other royal princes at this time.  One of the youngest was Prince Takeru, a grandson of Takara Hime, who was born around 651.  Then there was Prince Naka no Oe's brother, Prince Ohoama.  He was also one of Takara Hime's sons, and while we haven't heard much of him in the narrative, we will definitely see more of him in the future.  On top of the two of them, there is Prince Arima, whom I talked about at the beginning of the episode.  Prince Arima was mentioned as the son of Karu and Wotarashi Hime, but his mother was not Karu's Queen—that was Hashibito, daughter of Okinaga Tarashi-hi Hironuka, aka Jomei Tennou, and Takara Hime.  Yup, Karu basically married his own niece, though that may have been an attempt to keep the most direct connection possible to the royal line.  Arima's mom Wotarashi Hime, on the other hand, was the daughter of Abe no Kurahashi no Oho-omi—the Minister of the Left, or Sadaijin, during Karu's reign.  Strictly speaking, based on the way that the succession has been depicted so far, Prince Arima wouldn't technically meet the requirements.  That said, we've seen where that has been bypassed in the past, and no doubt people were aware just how easily it would be to rewrite the history, if they had to.  He was young—but not so young that he couldn't be involved in the politics of the court. Other than a note about his parentage at the start of Karu's reign, Prince Arima isn't mentioned again until the ninth month of 657, and right off the bat you can tell where the Chroniclers fall on his personality.  They describe him as deceitful, and claim that he pretended to be insane—a term that doesn't really show up elsewhere, so it is hard to know what exactly is meant.  Is he the Hamlet of his age?  Arima used this as an excuse to go to Muro Onsen—thought to be modern Shirahama Hot Springs, on the southwestern end of the Kii Peninsula.   When he came back he sang its praises, claiming that “scarce had I seen that region, when my complaint disappeared of itself.”  The Queen wanted to go and see for herself. Overall, this hardly seems to be very “deceitful”, though it is suspected that Arima may have feigned an illness to avoid some of the politics around the start of the new reign.  Given his father Karu's recent death, it would likely have been easy enough to claim that he was greatly depressed.  We aren't told how long he stayed at Muro Onsen, but presumably it was for some time. At the start of the following year, on the 13th day of the first month, Kose no Tokuda no Omi, the Sadaijin, or Minister of the Left, passed away.  This would have no doubt created some ripples, but little more is said—we don't even have the name of who succeeded him in the position, at least not in the Nihon Shoki.  Four months later, which is to say in the fifth month of that same year, 658, Prince Takeru passed away.  He was only 8 years old, but as the grandson of Takara Hime a temporary tomb was constructed in the Imaki valley.  Takara Hime lamented his death greatly, and in the 10th month, she took Arima's advice and went to visit the Ki Onsen.  She had several poems composed and handed them to Hata no Ohokura no Miyatsuko no Mari to record them for posterity. While she was away, Soga no Akaye no Omi was the acting official in charge.  And several weeks in, he addressed Prince Arima.  He noted that there were three problems with Takara Hime's government. First – She builds treasuries on a great scale, collecting the riches of the people. Second – She wastes the public grain revenue in digging long canals. Third – She loads barges with stones and transports them to be piled up into a hill. This may have been popular opinion, but it was also rather treasonous talk.  Prince Arima simply smiled and said: “I have only now come to an age where I am fit to bear arms.” So, yeah, he was basically saying that he was old enough to take up arms—and presumably lead others in a rebellion, if that was the case. Two days later, on the fifth day of the 11th month, Prince Arima met Akaye at his mansion.  They went into one of the upper stories, where they wouldn't be interrupted, and there they conspired together.  Others were also involved, it seems—Mori no Kimi no Oho-ishi, Sakahibe no Muraji no Kusuri, and Shihoya no Muraji no Konoshiro.  There are a few different books that claim to record what the plans were.  One says that Soga no Akaye, Shihoya no Konoshiro, Mori no Oho-ishi, and Sakahibe no Kusuri divined the future of their conspiracy by drawing slips of paper, to see how it would turn out.  Another book states that Arima claimed he would burn down the palace and take 500 men to march down south.  There he would waylay Takara Hime at the harbour of Muro.  They were going to exile her to Awaji island, setting up a fleet of ships to ensure she could never leave. As they were discussing what to do—no doubt talking about how the Prince could take the throne, a leg-rest that they were using broke.  Another book claims it was an arm-rest, instead, but otherwise the details are the same.  They both agreed that was a bad omen, and decided not to proceed any further with their plans.  Prince Arima returned home, but apparently Soga no Akaye had a change of heart.  He apparently figured that his only way out was to turn in the others and admit everything.  And so, that night, Akaye sent Mononobe no Enowi no Muraji no Shibi, who was in charge of the labourers working on the palace.  They surrounded the palace and then Akaye sent a mounted courier to inform Takara Hime. That letter must have laid everything out.  Takara hime had the conspirators arrested and brought to Ki Onsen.  Arima's servant, Nihitabe no Muraji no Yonemaro, followed them.  Prince Naka no Oe himself questioned Arima about why he plotted treason.  Arima's answer is a bit cryptic:  “Heaven and Akaye know.” He responded, “I do not understand at all.” In the end, all of the conspirators were found guilty, and executed.  Tajihi no Wosaha no Muraji no Kuniso was sent to do the task.  Prince Arima was strangled at the Fujishiro acclivity, along with Shihoya no Konoshiro and Nihitabe no Yonemaro.  Before being executed, Konoshiro made a rather macabre request, asking that—presumably after he was dead—they cut off his right hand and make it a national treasure.  The other two conspirators, Mori no Oho-ishi and Sakahibe no Kusuri, were merely banished, presumably having played less of a role. Once again, we must remember that we are only getting one side of the story.  It is definitely convenient for Naka no Oe to have a potential rival out of the way.  At the same time, it is certainly plausible that there was more than a little bit of consternation about how Takara Hime had been spending so much on all of these construction projects.  And yet… were these Takara Hime's projects, alone? Remember, Prince Naka no Oe seems to have had a fair bit of clout.  He orchestrated the original coup, where he killed Soga no Iruka and his father.  And then he declined the throne, but became a major part of the new government.  He was apparently powerful enough that he organized the move back to Asuka against the wishes of Karu no Ohokimi. So would all of these projects have been done without his involvement? This is an area where I have to admit that I probably need to check my bias.  On the one hand, it is rare enough in patriarchal accounts to see women with agency and in positions of power, and so it is easy enough to make an assumption that any agency they are given in the record, they likely had more than is mentioned.  At the same time, in this particular instance, at least, Takara Hime's role in this could just as easily be a cover to preserve the image of Naka no Oe, who is certainly portrayed as a hero figure, bringing much needed change and modernization—such as it was—to Yamato.  His enemies are always shown to be in the wrong, and even if he is accused of something horrible—such as the death of Soga no Ishikawa no Maro—it turns out that it was actually the fault of someone else, such as the person who slandered Maro to him in the first place.  So could it be that these unpopular construction projects were actually his doing, all along?  Was the conspiracy simply to overthrow Takara Hime, or was it focused on both her and Naka no Oe, together? To be honest, I couldn't say for certain.  All we have to go on is what the Chroniclers tell us, and they lay the blame fairly firmly at the feet of Takara Hime.  But do remember that Naka no Oe is not necessarily the Shining Prince that he is often made out to be, and that people rarely come to or stay in power in a society like Yamato's by being nice all the time.  We certainly know what he is capable of from the Isshi Incident, and we shouldn't forget that in the narrative. Now when Takara Hime returned from Ki Onsen after winter ended, in the new year.  We are told that she got back on the third day of the first month of 659.  A couple of months later, on the first day of the third month, she went to Yoshino and held a banquet there—no doubt at the palace she had had constructed.  This may have been at the site of Miyataki Ruins, where excavations have revealed numerous examples of roof tiles and other artifacts that may have come from a building from the Asuka or Nara era. The visit to Yoshino must have been quick, however, as we are told that two days later she visited Hira-ura in Afumi, on the shores of Lake Biwa.  Perhaps this only means she left two days later, since that must have been quite the journey back in the day.  Would she have traveled on horseback, or in a carriage or something similar?  No doubt a full procession would take time, and I doubt that the sovereign would push herself.  We also don't have a reason for her to go, that I can see.  It is an odd entry, to say the least. And I think it may be best to end it there.  I do encourage anyone who can to get down to Asuka and plan to spend a couple of days if you really want to get around.  You may want to rent a bike or even a car to get to everything, though you can walk to most things.  There are several museums and cultural centers set up to expound upon Asuka culture, with a focus on the history and archaeology specifically of that period. The palace site where Takara Hime ruled would continue to be the location of at least two more palaces, which we'll talk about in time.  Before that, though, we'll want to cover a few more things.  Most importantly, we'll want to talk about the relationship with lands outside of the archipelago.  We'll discuss the man from Tukhara—who may have simply been from the Ryukyu islands, or possible from as far aways the Dvaravati Kingdom, in modern day Thailand, or even from the western edge of India and Pakistan, having traveled the Silk Road.  Some have even suggested that he may be a Tocharian, and we'll talk about what that means.  And then, before we finish, we'll have to talk about everything else going on, including the conclusion of the Tang-Baekje war. Until then thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.    

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Happy New Year!  This is our 2025 recap episode.  In this case, we actually are recapping a fair bit more than just the year, going over the previous evolution of the Yamato state up to the period of the Great Change, or Taika, which we covered this past year.  There's a lot more that we expect to get into this next year, and this will hopefully tee us up for what is to come. For more, including a full list of our previous references, check out: https://sengokudaimyo.com/podcast/episode-newyear2025   Rough Transcript Shinnen Akemashite!  Happy New Year and Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is the New Year's Recap episode for 2025! It's that time again:  we are going to look back at what happened in the episodes this year.  That was only episodes 101 to 117—we'll skip the travelogue episodes for the time being.  This covered the years of the early to mid-7th century, from roughly 613 to 659.  That is easily within the lifetime of a single individual, and yet a lot was going on. At the start of this year, we were at the height of Soga power. In 2023, we covered how back in 587, Soga no Umako had wrested power away from the powerful Mononobe clan, defeating Mononobe no Moriya.  As you may recall, the sovereign known to posterity as Jimmu Tennou was the descendant of the Heavenly Grandchild known as Ninigi no Mikoto, at least according to the Nihon Shoki.  The Mononobe clan claimed descent from none other than Nigi Hayahi, the Other Heavenly Grandchild, whose offspring were said to have been defeated by Jimmu. You may recall that scholars generally consider the story of Jimmu, and the nine sovereigns that immediately followed him, as almost certainly a later addition to the story of the royal lineage. So when did the story of Nigi no Hayahi's defeat enter the picture? And was its inclusion perhaps related to the defeat of the Mononobe by the Soga family?  A family that successfully intermarried with the Royal House, themselves, such that all later sovereigns would trace their ancestry back to the Soga house? Of course, under Soga dominance we saw the rise of figures like the Soga descended Kashikiya Hime, aka Suiko Tenno.  During her reign, major reforms were carried out, Buddhism became fully established by the State, and ties with the continent were strengthened.  Politics would continue to be dominated by Soga, even after the death of Soga no Umako and Kashikiya Hime, with Soga no Emishi taking up the mantle of Prime Minister, working closely with his son, Soga no Iruka.  The Soga family was so entwined with the politics of rulership that the main rivals of the Soga were… the Soga.  That is to say different Soga-descended lineages, like that of the Prince Umayado, aka Prince Shotoku. Rather than supporting Umayado's son, Prince Yamashiro no Oe, Soga no Emishi backed another candidate to the throne, Prince Tamura.  , of the royal Okinaga lineage. Tamura came to power as Jomei Tenno, but there is little doubt that Soga no Emishi was the one in control. Later, when Tamura passed away in 641, Yamashiro no Oe continued to be passed over.  In fact, Soga no Emishi supported the ascension of Tamura's wife, Takara hime, over Yamashiro no Oe, and there is evidence that he supported a prince known as Furubito no Oe as the Crown Prince and eventual successor.  All of the evidence—which, to be honest, is rather biased—suggests that the Soga family were setting up a series of puppet rulers who would do their bidding, or at least be pliable to their suggestions. There must have been some pushback, though, especially when one considers how strong the cult of Prince Shotoku, aka Umayado, would eventually become.  One imagines that Prince Yamashiro was another pole around which those who opposed the Soga family could rally.  After all, he was the son of Crown Prince Umayado, and likely had just as much of a claim as Tamura and his children.  And so, to counter this threat, Soga no Emishi's son and successor, Soga no Iruka, took matters into his own hands. In a brazen display of the violence of court politics, Soga no Iruka had Yamashiro no Oe accused of plotting against the throne and took an army to arrest him—no doubt in the hope that the prince would resist.  Eventually they cornered Yamashiro and his family, who committed suicide rather than submit. This attack was likely targeted to take out the rival to the Soga family's preferred Crown Prince, Prince Furubito no Oe, but rather than quell any dissent, the move seems to have enflamed the passions of those who wanted to see an end to the Soga house.  Those passions took particular root in none other than Furubito no Oe's younger brother, Prince Naka no Oe.  Together with the support of his uncle, Prince Karu; the head of the Nakatomi house, Nakatomi no Kamatari; as well as another scion of the Soga house, Soga no Kuroyamada, Prince Naka no Oe staged a coup d'etat.  Using the death of Prince Yamashiro no Oe as an excuse, they engineered a plot to assassinate Soga no Iruka in court, in front of Naka no Oe's own mother, Takara Hime no Oho-kimi.  After Iruka's death, Naka no Oe and his supporters then took the fight to Soga no Emishi, who committed suicide and set his own house on fire in what came to be known as the Isshi Incident. This shocking assassination caused Takara hime to step down.  The Soga-backed Prince Furubito no Oe, rather than stepping up and taking the throne, retreated to a Buddhist temple and took holy orders, effectively retiring and theoretically taking himself out of court politics.  That left Prince Naka no Oe and his uncle, Prince Karu, as possible candidates. We are told that Prince Naka no Oe declined to take the throne himself, instead supporting his uncle, Prince Karu.  Prince Karu took the throne, and is known to us as Kotoku Tenno, today.  Prince Naka no Oe stepped up as the Crown Prince, and with the help of his co-conspirators, such as Nakatomi no Kamatari, Soga no Kurayamada, and others, they began a project to remake the Yamato government, using continental models—specifically the Sui and Tang courts, which were also influencing the governments of the Korean peninsula, such as those of Baekje and Silla. This is known as the Taika, or Great Change, era.    There had been previous movements to adopt some of the continental trends, but nothing to this extent, which culminated in a tremendous palace complex built in Naniwa—modern Ohosaka.  Governors were sent out to the east of the country. The old, decentralized system was being replaced by a centralized bureaucracy. And yet this wasn't entirely a smooth transition.  Early on there was a threat by supporters of the previous Crown Prince, Furubito no Oe.  He was killed to put down any possible revolt.  Later, Naka no Oe was hoodwinked into going after his own co-conspirator, Soga no Kurayamada, resulting in Kurayamada's death and the punishment of his entire family.  A few years later, Naka no Oe moved back to Asuka, taking most of the royal family and the court with him, abandoning the grand government complex that they had built in Naniwa for reasons that remain unclear. Shortly thereafter, Karu, aka Kotoku Tenno, passed away.  But rather than Naka no Oe taking the throne—or even Karu's son, Prince Arima—the throne went back to Naka no Oe's mother, Takara Hime.  This is the only case we have of a single sovereign reigning twice, and the Chroniclers gave her two separate regnal names—Kogyoku Tenno to refer to her first reign and Saimei Tenno to refer to her second. And this is the reign that we are going to start the new year with. Beyond what was going on on the archipelago, there was also plenty that we covered on the continent.  We started the year with the Sui dynasty having consolidated control and working to continue to expand their territory north, south, and west, while also connecting the economic areas of the Yangzi and Yellow rivers. Unfortunately, through their wars and public works projects they overextended themselves, and the dynasty fell, replaced, in 619, with the Tang dynasty.  The Tang continued to expand, taking control of important points on the Silk Road and becoming a hub of trade and commerce.  At the same time, they were contesting their borders with the Goguryeo, who, themselves, had come under the control of Yeon Gaesomun, an infamous noble and anti-Tang hard-liner, who had staged a coup, murdered the Goguryeo king and any who stood against him, and who had installed a puppet king on the throne.  It is little wonder that the Tang dynasty was courting Goguryeo's enemy, Silla, to pressure them from the other side.  This eventually kicked off the Tang-Goguryeo war, with the loosely allied Tang and Silla fighting on and off with Goguryeo and their ally, Baekje, who was also invested in stifling Silla's ambitions on the peninsula. So that's where we are:  The Korean peninsula is currently embroiled in conflict between the three kingdoms on the peninsula and the nearby superpower, the Tang Dynasty.  Meanwhile, Yamato, on the archipelago, is going through a whole… thing.  What that is, we'll try to get into over the next year. Given all of this, let's go over some of the themes from the past year.  To start with, let's talk about expanding Yamato influence. From what we can tell, Yamato's influence in the archipelago had peaked around the 5th century, between the creation of giant Daisen Ryo kofun and the reign of Wakatake no Ohokimi, aka Yuryaku Tenno.  Wakatake no Ohokimi had courtiers from as far away as Kyushu and the Kanto plain.  However, from what I can tell, Yamato's influence appears to have temporarily waned, possibly coinciding with the end of Wakatake's own dynasty, with a new dynasty coming to power in the 6th century. It is possible that Wakatake was simply never quite as powerful as the Chronicles make out, but there are a few other things that make me think that the end of the 5th and early half of the 6th century were a low point in Yamato's power.  For one thing, we see a drop off in interactions with the continent after 479—or at least anything beyond the tip of the Korean peninsula.  In addition, we see smaller rooms built in the region of the Nara Basin and the Kawachi plain, while more “royal” tombs continue to appear elsewhere in the archipelago.  It isn't that they stopped, but the size decreased, suggesting that Yamato didn't have the same labor pool it used to. On top of that, we have the dynastic change.  We are told that the line related to Wakatake died out and they had to bring in someone from Afumi and Koshi, who traced their lineage back to the legendary Homuda-wake, aka Ōjin tennō, some five generations back.  Many scholars suggest that this connection was a later merging of the lineages, suggesting that, in reality, an entirely new branch of sovereigns had come to power. Finally, we can see the Chronicles focusing more and more on the areas near to Yamato, the area known as the Home Provinces, possibly because Yamato only held direct control over these areas, while control beyond that was only nominal.  Local elites in those regions had a lot of autonomy, and if Yamato did not have anything in particular to offer them, they would not have a reason to necessarily go along with Yamato's requests. This may have even been part of the impetus for the so-called “rebellion” by Iwai, in Kyushu.  As you may recall, in the early 6th century Iwai attempted to ally with Silla against Yamato and Baekje, with the idea of cutting off Yamato's access to the continent.  This ultimately failed, and Yamato ended up creating what would become the Dazaifu near modern Fukuoka, but the fact that Iwai could contemplate it and gather such support would suggest that Yamato was at least perceived as vulnerable. Now up to this point, we see several different policies that were used for increasing the court's control.  Early on, this was done by doling out various elite goods.  We also see Yamato soft power in the form of spiritual authority and the expansion of local Yamato cultic practices out into the other lands of the archipelago.  There was also the tradition of monumental tombs, and especially the royal keyhole style tombs, which spread out from Yamato and was likely as much an indication that those regions saw Yamato practices as worthy of emulation, at the least, and perhaps saw Yamato as a cultural nexus on the archipelago. To all of this, they eventually added the “Be” system.  This appears to have been copied from systems being used on the Korean peninsula, and it focused on creating familial units to organize various industries, with family heads responsible for reporting and funneling necessary goods up to the court.  This eventually included the noble “uji” clans, with their power bases in various geographic regions. Yamato extended its influence through a variety of methods, including various public works projects.  These included things like the building of ponds, or reservoirs, which would have been critical to the wet-rice paddy agriculture that was the economic backbone of the Yamato government.  Another means of extending government control was the “miyake”, or Royal Granaries.  Originally we see these set up in the Nara basin, but during the current dynasty they had been extended all the way out to Kyushu. Ostensibly, they were there to collect rice for taxes, but they appear to have acted as government offices, providing a presence for Yamato even out in the hinterlands.  Eventually they would turn the area in Kyushu, the Dazai, into its own, semi-autonomous extension of the Yamato government, as well. In the past year of the podcast, we've seen many of those older forms of government control replaced with a new bureaucratic system.  This included an upgrade to the rank system, which was a way for the government to both organize the bureaucracy while also creating a means to award individuals.  Early rank systems had initially been granted at the family level, but following a continental model meant that the new system was based solely on the individual.  Thus they could hand out rank to various kings and chieftains across the archipelago and entice them into the Yamato orbit, a trick they had been doing previously as well with various types of recognition.  Those that took the titles and rank that Yamato handed out gained a certain amount of legitimacy, locally, but since that legitimacy was tied to the Yamato court, it also helped solidify Yamato's own influence on those areas. That doesn't mean that all expansion was peaceful.  Yamato contested on their eastern and northern border with the people referred to as the Emishi, which eventually included contests as far north as the island of Hokkaido with the Mishihase people. There was another form of soft power used by the court in the way that it supported Buddhism, which was still a new religion at this point, having arrived in the early part of the 6th century.  Patronage of Buddhism would lead to the building of temples and otherwise claiming some authority in the spiritual realm, beyond simply the court's control of the Mt. Miwa site.  Furthermore, the state itself took particular interest in Buddhist institutions, and cracked down heavily on the clergy, ensuring that they reported up to the court, formally solidifying the connection between temples and the State. But then they went a bit further and instituted actual governors.  They were appointed by the Yamato government, and they were particularly installed in the Eastern lands—referred to as provinces.  These governors reported to the court, and appear to have initially been separate from locally recognized elites, who were known as the Kuni no Miyatsuko.  The governors were to take stock of the areas under their authority and report up information such as a summary of the lands and local census information.  This meant that Yamato did not need to rely on local elites to administer an area, they would have greater insight into what was actually going on. This was all combined with the institution of new laws on taxes, corvee labor, and more, while eliminating traditional practices such as the Miyake and even royal tomb-building.  The latter was likely affected by the various public works projects, but also the fact that more work was going into the building of things like Buddhist temples. As we noted back in the previous year, Buddhist temple building appears to have had a hand in the end of the prolific kofun building, at least in Yamato proper.  Kofun were memorials—meant to carry on the memory of an individuals well after their death.  They were ritual sites, and families were set up to care for them. Temples, likewise, were erected with certain memorial qualities.  Donating to build a temple was thought to increase one's karma, and thus do wonders for your next life.  Temple patrons would be remembered, and services were carried out, but temples also had a certain public aspect to them, as well.  On top of that, they were new, and no doubt exotic, with their tiled rooves, intricate carvings, and colorful buildings.  Much of the labor that would have built tombs appears to have been co-opted, instead, to build temples. Some of the temples founded in this period include Asuka dera, aka Hokoji, built on or near the Soga family compound, as well as other Asuka temples, such as Yamadadera, Kawaradera, Toyouradera, and Kudaradera.  There was also Houryuji, erected by Prince Umayado near his house, and the ancient temple of Shitennouji, erected in Naniwa.  Of these, both Horyuji and Shitennoji continue, today, at or near their original with some of the oldest extant buildings in Japan.  Asukadera was moved to its modern site of Gangoji, in Nara city proper, but there is still a smaller Asukadera on the original site, with what may be one of the original images, though the buildings have been rebuilt after numerous fires and disasters over the years. Of course, a big part of all of these foreign ideas, such as Buddhism but also Confucian thought as well, was the growing influence of the continent, whether in the form of Baekje, Silla, Goguryeo, or beyond.  While there had been influence ever since the Yayoi period—and arguably even during the Jomon, in some instances—there seems to have been an acceleration once Yamato began to import Buddhism, which was likely connected with all of the learning and texts that were also being imported around that time.  Then, during the Sui and Tang dynasties—both of which the Chronicles simply label as the “Great Tang”—the court sent several embassies to the Sui and Tang emperors, bringing back individuals with actual experience in the way things were happening outside of the archipelago. And we should not discount the various embassies to and from the Korean peninsula.  Yamato was increasing its involvement in peninsular affairs.  They continued to be concerned with the state of Nimna, also known as Imna or Mimana, which had been assimilated by Silla, along with the rest of Gaya, or Kara, by the early to mid-6th century, with many accounts dealing with attempts to reinstate Nimna as a separate and sovereign entity. Along with this, Yamato continued their relationship with Baekje, who sent Prince Pung to reside at the Yamato court.  This continued a long-standing tradition that is portrayed as a type of diplomatic hostage, though there have been several times that princes at the Yamato court came back to Baekje to rule after the king died or was killed.  All of this to say that not only did ambassadors from Yamato go to these countries, but ambassadors also traveled to Yamato, while various immigrants from these areas of Baekje, Silla, and even Goguryeo occasionally settled in Yamato.  This further increased the number of individuals with knowledge and experience of continental concepts and technology, and we can see their influence in numerous different ways. This was all part of what led to the Yamato government's adoption of Tang style law codes, though it should be noted that the law codes were not taken wholecloth.  Rather, they were adapted specifically to the issues of the archipelago.  This was the beginning of what came to be known as the Ritsuryo system, literally the system of laws and punishments. Under this system, the government went from a single Oho-omi, or great minister, to two Great ministers, one of the left and one of the right.  These would come to be known as the Sadaijin and the Udaijin.  Nakatomi no Kamatari was afforded a special place as the third minister, the minister of the center, or Naidaijin, possibly referring to his responsibilities with the interior of the royal household, while the ministers of the left and right would have had particular ministries beneath them - eight ministries in total, with various departments underneath them.  They would be assigned to report either to the Minister of the Left or the Minister of the Right, each one overseeing, effectively, half of the government portfolio. This system, combined with the governors and the Tomo no Miyatsuko in the provinces, meant that Yamato had much more granular control over the workers and the means of production.  They organized households into villages, and villages into districts.  There were lower level officials who reported up the chain all the way to the great ministers, the Daijin, or Oho-omi.  This meant that they effectively abolished the Be and Uji system, at least as it had been set up.  These familial groups continued to operate as families, or perhaps more appropriately as “clans”, given how the groups had come to be. These officials were granted rank and, more importantly, stipends from the government.  A portion of taxes, which were paid in rice, went to various officials.  This meant that officials not only relied on the government for their status, but for their incomes as well. This went along with an attempt to implement something known as the “equal field system”, imported, again, from the continent.  This determined who would work what fields, and was another way that the government was involved down to the actual labor producing the rice that was the economic engine of the State. And that covers most of what we've been up to this past year.  There have been individual accomplishments that we didn't get into, but there is plenty there if you want to listen to it. So that covers the past year in the podcast—a little over half of the 7th century.  It really was a time of dramatic change—whether or not “Taika” was the name given to part of it, it certainly feels appropriate.  Even though the court eventually moved to Naniwa, this is the height of the Asuka period, and the start of the Ritsuryo state.  It would form the foundations for what was to come, and themes from this period will continue to show up again and again. In this next year, we are going to continue to look at Takara Hime's reign and beyond.  We'll see the resolution of the Tang-Goguryeo war, and the impact of all the continental fighting on the archipelago.  We'll also see continued developments within the archipelago itself, hopefully getting through to the end of the 7th century. We are actually reaching the end of the material in the Nihon Shoki.  This does not mean that we are running out of material, though.  The Chronicles end in 697—less than 40 years out from our current place in the Chronicles.  From there, we have the Shoku Nihongi, which covers 95 years, until 797 CE.  Translation of much of the Shoku Nihongi is available through the work of Dr. Ross Bender, and you can find his work online if you want to get a leg up on the reading, though that is a ways out.  For now, we can still comfortably continue with the Nihon Shoki, at least through the reign of Temmu Tennou. Until then, Happy New Year!  As usual, thank you for listening and for all of your support.  Thanks also to my lovely wife, Ellen, for her continued work at helping to edit these episodes! Remember, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Damos por cerrado el año dando espacio a la película más polémica del 2024! Todo el mundo ha hablado de ella porque sí: lo merece. Hoy, en Nakatomi No Limits: LA SUSTANCIAEscucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

Celebramos la Navidad por todo lo alto con una de las películas que mejor definen la palabra Navidad. Con una película que nos habéis pedido cada diciembre. La celebramos con el clásico de Chris Columbus: Solo en Casa. Alfredo Zapata y Víctor Nanclares la comentan, la desmenuzan y sobre todo la disfrutan contigo.

Is it really Christmas if you don't watch Hans fall from Nakatomi plaza? This week its all about Christmas, in preparation for next week. It's also our second to last episode in podcast precinct and we are a little (a lot) sad about it.

• Our Cyber Monday sale is just about still on! Get 20% off annual Patreon support for The Bunker.  Yes, Die Hard IS a Christmas movie… but what about its politics? Is the Bruce Willis blockbuster a howl of anger from Reagan's rustbelt, an attack on '80s yuppie finance bros, an America First broadside against Japanese corporate raiders, or a diatribe against capitalism that Bernie Sanders would be proud of? And who's the real villain? Conservative economist John Phelan joins wet liberal centrist Andrew Harrison to debate the politics that play out in Nakatomi Tower. Welcome to the podcast, pal!   Read John's excellent analysis Die Hard here.   • Support us on Patreon for early episodes and more. • We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit.    Presented by Group Editor Andrew Harrison. Audio production by Jade Bailey. Music by Kenny Dickinson. Managing Editor Jacob Jarvis. THE BUNKER is a Podmasters Production  www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

We travel to @the_secretstash in Jersey to sit on the lap of a guy who made a Walrus Movie (@thatkevinsmith), Chris finally has a @popeyes chicken sandwich, and We join a packed house to watch Hans Gruber fall off #Nakatomi

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Seguimos adentrándonos en el mundo del terror con toques de comedia con esta cinta que nos dejó un buen sabor de boca y que hemos querido tratarla para comentar con vosotros.Escucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

"Welcome to the party, pal!" For Episode 343, David and Brandon discuss DIE HARD for their Christmas Action series. Listen as they discuss the multiple actors who passed on the movie, the performance of Bruce Willis, the struggles of production, and how the movie became a sleeper hit in 1988.  Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Cleopatra and John Ford -  (00:00:10) Recap of Christmas Action Genre (00:07:34) Intro to Die Hard (00:10:08) How Die Hard Got to Production (00:19:41) Favorite Scenes (00:32:35) On Set Life - (01:10:16) Aftermath: Release and Legacy (01:24:31) What Worked and What Didn't (01:32:17) Film Facts (01:43:22) Awards (01:44:20) Final Questions on the Movie (01:53:46) Wrapping Up the Episode (02:03:19) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Estamos a punto de entrar en la Navidad y hemos pensado que sería un buen regalo entregaros un Nakatomi de una de esas películas que tanto nos habéis pedido. Un clásico de los 80. Una de esas que ves en TV y tienes que dejarla. Hoy hacemos todos el salto de la grulla con: Karate Kid. Alfredo Zapata y Víctor Nanclares la comentan, la desmenuzan y sobre todo, la disfrutan contigo.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Dedicamos este espacio para hablar de una de las películas que más poso nos ha dejado de los últimos años y que, además, tenéis la posibilidad de encontrar fácilmente en plataformas. Protagonizada por Ralph Fiennes, Anya Taylor Joy y Nicholas Hoult.Escucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

Suena ‘You can leave your hat on!’ y aparecemos nosotros en un escenario para baila… BUENO NO. Mejor, no. Mejor nos dedicamos a hablar de uno de los bombazos que nos dio los años 90. Mejor dicho, hablamos del bombazo que no esperaba nadie en 1997. Hablamos de Full Monty! Alfredo Zapata y Víctor Nanclares la comentan, la desmenuzan y sobre todo la disfrutan contigo.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Abrimos espacio en nuestro No Limits para hablar de una de las secuelas más esperadas de los últimos años. Una sorpresa que ha resultado ser un soplo de aire fresco para la cartelera actual. Dirigida por Tim Burton y protagonizada por Michael Keaton y Winona Ryder. Hoy en Nakatomi No Limits: BITELCHUS, BITELCHUSEscucha este episodio completo y accede a todo el contenido exclusivo de Nakatomi Radio. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/629518

This episode we go back to the continent for a bit to see how things are going.  Hint:  not well.  While Yamato was building its new bureaucratic state, Goguryeo, Baekje, and Silla were battling it out while the Tang empire and their ambitions loomed over them all.  Yamato is about to get pulled into the conflicts, but before that, let's look at what was happening from the point of view of the various penninsular polities. This episode goes back over some of the information in Episodes 107 and 109, but mainly to place it in context of what was happening in Goguryeo, Baekje and Silla as opposed to simply viewing it from the rise of the Tang Empire or the occasional mentions in the Nihon Shoki.  Much of it relies on what we have in the Samguk Sagi, the Korean annals of the Three Kingdoms. For more, check out our blogpost: https://sengokudaimyo.com/podcast/episode-115 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 115: Red Banquets, Fashion Disasters, and Other Continental Adventures It was the year 642, and the hall was decked out in the finest, with banners hung and tables set.  The scene was awash in gold and silk and silver.  The guests were no less opulently adorned: The crème de la crème of Burana, aka Pyongyang, capital of the state of Goguryeo.  The tables were piled high with food, and there was a low murmur as the assembled guests talked quietly as they waited for their host. These guests were among the highest nobles in the land.  180 members of the most powerful families.  As they mingled, they talked.  Much of it was gossip, the currency of court politicians everywhere. They discussed who was up and down in the constant fight for favor.  Who had made a misstep, or was seen talking to the wrong person?  Or how about that time that someone wore the wrong clothes, or misspoke in court? Other conversations focused outward, on the threats from beyond the border.  But the majority of conversation had to do with their host, a striking individual. The murmurs continued as they waited for him to arrive..  Yeon Gaesomun was a hard-liner, pushing his agenda for stronger defenses against Tang encroachment.  That might be understandable for someone stationed out east, as he had been, but the King himself and his supporters felt that relations needed a more diplomatic touch.  Now that Gaesomun was back in the capital of Pyongyang, would he change his approach? The conversation continued apace as people ate and drank.  The whole time they remained blissfully unaware of what was happening just outside.  Drowned out by the sound of the banquet, troops were quietly assembling just outside, girding themselves for what would soon be an irrevocable step forward.  As orders came down the line, they drew their weapons, and then they burst through the doors… Last episode we talked through much of the Hakuchi era, from 650 to 654.  This episode I want to finish out the era, in order to do so we're once again going to touch on what was happening over on the continent. Some of these events we've talked about already: Last time we did a deep dive into this subject, back in Episode 104, we focused primarily on the Tang dynasty and its rise.  We also talked somewhat about Yamato's conflicts with Tang, Goguryeo, and others in Episode 107.  But at this point it's useful to go back and put that Continental narrative together a little bit more clearly, to set the stage for what will be happening in Yamato in the next reign after Karu. This episode we are going to go back over some of that info, but I want to center the narrative a bit more on the peninsula, rather than on the Tang dynasty. As you may recall, the Tang dynasty started in approximately 618, taking over from the Sui.  By 628, the Tang had defeated the Gökturks, and they continued to expand.  They conquered Turpan and Gaochang, in the Western Regions, and their control over the Silk Road was substantial, opening up tremendous trade routes that brought in wealth and more.  The capital of Chang'an became a true center of learning, and the government instituted a national university that was attended by elites from both in and outside the empire. This episode, though, we are going to focus more on the area of the Korean and Liaodong peninsulas, where the countries of Goguryeo, Baekje, and Silla contended with each other.  Goguryeo was the largest and perhaps even the most powerful of the three, but it was also on the border with the Tang empire, who were nothing to sneeze at given their own string of military victories.  So Goguryeo was beset from all sides, and needed a sizeable force on their western border.  Everything was in a tenuous balance, of sorts. When it came to the Tang empire, Goguryeo walked a delicate line.  On the one hand, they wanted access to the trade goods and the knowledge that was accumulating in the Tang empire and making it the envy of most other nations in the region.  On the other hand, they had to be constantly on the lookout for a possible invasion, and so needed to show their strength.  This wasn't without some confidence.  After all, Goguryeo had defeated attempts by the Sui dynasty to invade, and so they had proved up to the challenge—at least so far. In 619, on the eve of the Tang dynasty's founding, King Yeongnyu of Goguryeo, whose personal name was Geonmu, sent a tribute mission to the Tang, to encourage good relations.  By 622, Goguryeo was responding to the Tang dynasty's request to return soldiers captured during the attempted invasions by the Sui.  They kept sending missions on an annual basis, playing the part of a friendly tributary. Further on the peninsula, Baekje and Silla were likewise reaching out to the Tang dynasty, similarly hungry for the trade goods available in the markets of Chang'an.  Baekje, sitting on the coast of the Bohai sea, had direct routes to the mainland; to both the Yellow river and Yangzi river deltas.  They may not have had an overland border, but the sea was open to them. Silla, on the other hand, was not so quite so fortunate.  They were mainly situated on the east side of the peninsula, and though they had some access through the Han river, near modern Seoul, their access was constantly threatened by both Baekje and Goguryeo.  In 626, a Silla mission to the Tang complained about this very thing, claiming that Goguryeo was attacking them.  In response, the Tang requested peace, and Goguryeo apologized and backed down.  That said, it is unclear if the Tang would have taken much action.  They were, at that point, more focused on the Gökturks and others.  That military action ended with the defeat of the Gökturks in 628, however, a victory for which Goguryeo sent congratulations.  One has to imagine, however, that the congratulations were a bit mixed.  After all, without the Gökturks to hold their attention, what was to keep the Tang dynasty from looking at further conquest? The question of how to react to the Tang Empire seems to be one that split the Goguryeo court.  Some members of the court wanted to appease the giant on their doorstep, with offers of tribute and nominal submission, with the goal of making it clear that they were not a threat and that military conquest was unnecessary.  They could all live in harmony, one with the other.  To that end, they would not want to be too blatant about building up their forces or defenses in an act that could be seen as a prelude to military action.  On the other side were the hard-liners: members of the court that felt that they had to maintain a strong military defense against the likely possibility of a Tang offensive.  To these hawks, military strength was the deterrent, as power only truly respected power.  To be seen as weak and submissive would be to seem vulnerable, and an easy target. Still, there seems to have been relative, if uneasy, peace for a time.  Goguryeo continued to build their relation as a tributary state, and most of the action seems to have actually been taking place in the peninsula.  For Silla, 632 was a banner year, as Queen Seondeok came to the throne.  She was the eldest daughter of her father, who had no sons to inherit, and so she came to the throne.  She is said to have been quite intelligent, and the Samguk Sagi gives various accounts of her Holmsian powers of deduction.  For example, upon seeing a picture of flowers, she immediately concluded that, though they were beautiful, they had no fragrance.  She noted the lack of bees and butterflies around the flowers, and based on that observation she deduced that the flowers must have no scent to attract them. Queen Seondeok would oversee Silla in a time when they were growing closer to the Tang and also seeing increased pressure from Baekje and Goguryeo.  We mentioned how, in 626, Goguryeo had blocked Silla's mission to the Tang court.  Then, in 636, a Baekje general led 500 troops to Mt. Doksan, to attack the Silla position there.  Two years later, Silla defeated Goguryeo troops outside Jiljung Fortress. This wasn't constant warfare, but it did mean that the armies had to be on a constant wartime footing.  You never knew when your neighbor might sense a moment of weakness and try to take advantage of it.  Of course, as the old adage goes, “the enemy of my enemy is my friend”.  Baekje and Goguryeo were more directly on the Tang Empire's borders.  And so we see Silla cultivating a special relationship with the Tang. This is nothing new, by the way.  Various dynasties in the Yellow River basin had used similar tactics for generations.  Immediate border countries were often treated more severely, with threats of punitive expeditions if they did not fall in line or give themselves over completely to become a direct vassal of the empire.  Countries just beyond the border were often treated with a lighter touch, luring them into complacency and even friendship with access to elite trade goods, and more.  As borders shifted, so too did the relationship between the empire and those on its borders. Goguryeo and Baekje fell into the former category, while Silla seems to have been in the latter—at least for now.  And yet all three were still trying to get what they could.   In 640, Seondeok sent her sons to enroll in the Guoxue, or National University, that Tang Taizong had set up in Chang'an.  This university had gathered Confucian scholars from all corners of the world.  The school is described as having some 1200 bays, with 3,260 students.  Besides Silla, Goguryeo and Baekje also sent their princes, who mingled with elites from Gaochang, Turpan, and elsewhere.  It was opportunities like this that made Chang'an so attractive: a place where the elites of Silla, Goguryeo, and Baekje, could mingle with the members of the Tang Court and the western regions, beyond, sharing ideas and learning about the wider world. The following year, in 641, there are two items of note.  One is the inspection by Chen Dade of the Tang-Goguryeo border.  We talked about this back in episode XXX.  Under the pretense of a diplomatic mission, Dade arrived at the border with numerous gifts of silk, presenting them to the various fortress commanders and then asking to be shown around.  The Commanders were more than happy to show Dade their impressive fortifications, and they were exceedingly polite, but little did they know that Dade's true purpose was to scout for weaknesses in Goguryeo's defensive line.  His report back to Tang Taizong would be critical in what was to come. Also in this year, King Uija of Baekje came to the throne.  We talked about how Uija had sent his son, Prince Pung, to Yamato, and we've touched on him a few times here and there.  Uija was clearly a proponent of the alliance with Yamato, and, as we'll see, he was no friend to Silla.  The following year, in 642, Ujia's forces attacked Silla, capturing 40 strongholds, and pushing Silla's expanding borders back to the Nakdong river, retaking much of the area that had been under the control of the various Kara, or Gaya, confederacy.  This likely included places like Nimna and Ara, though we can't know for certain.  We do know that Baekje forces took Taeya fortress in the south of the peninsula, which gives us an idea of the extent of Baekje's victories. In response to Baekje's brazen attacks, Silla went  to a seemingly unlikely ally.  They reached out to Goguryeo.  In fact, they sent none other than Kim Ch'unch'u. Kim Ch'unch'u was the grandson of the 25th king of Silla, King Jinji.  Though his father, Kim Yonsu, had lost any claim to the throne when King Jinji was overthrown, he was still of “seonggol”, or “Sacred” bone rank, a concept somewhat similar to the kabane of Yamato, though in this case the “Sacred bone rank” indicated nobles specifically descended from the royal family.  These would have likely been the various Royal Princes and their families in the Yamato hierarchy.  Kim Ch'unch'u, in particular, seems to have been well regarded by the Silla court of his day, and since his own daughter had been killed by Baekje, he had a personal stake in the matter.  And so he led the embassy to Goguryeo's capital at Pyongyang to request that they send troops to aid Silla. There was only one problem.  Goguryeo was still fuming about territory that they had lost to Silla many years ago.  They agreed to send troops, but only if Silla would agree to a little quid pro quo.  Silla would need to return the Chungnyung pass and cede everything northwest of it back to Goguryeo.  This would return much of Goguryeo's territory north of the Han river and modern Seoul. Kim Ch'unch'u  rebuked their offer, calling it a threat against Silla.  This angered King Yeongnyu, and Kim Ch'unch'u was jailed for his disrespect.  Ch'unch'u was able to get word out of his imprisonment, however, and Queen Seondeok sent what the Samguk Sagi calls a “Death Squad” of 10,000 soldiers with the aim of breaking him out of prison.  As soon as Goguryeo heard that these troops were on the move, they decided that holding onto Ch'unch'u wouldn't be worth it, and they released him rather than fight.  Kim Ch'unch'u was returned safely, but without the support that he wanted. That said, there may have been other things going on in Goguryeo. The pro-appeasement camp and the hard-liners were fuming, and things in the court were coming to a head.  The two sides pulled against each other in the way that they shaped policy.  For the most part, King Yeongnyu was pro-appeasement, but there were powerful figures in the hard-liner camp, such as Yeon Gaesomun.  At 46 years old, he was a descendant of at least two previous “Magniji” court officials—a title roughly equivalent to that of a Prime Minister, and one of the most powerful roles a non-royal court noble could aspire to.  Gaesomun himself was the Western Governor, directly responsible for the fortresses that defended the border with the territory of the Tang Empire.  As such, it is little wonder that he may have been a bit more focused on the threat that they posed, and he likely held the loyalty of not a few troops. And perhaps this is why King Yeongnyu started to suspect him of being a problem, and why he plotted to have him killed.  Word of the King's plot reached Gaesomun, however, and he decided to take matters into his own hands. Returning to Pyongyang in 642, Gaesomun let it be known that he was throwing a lavish banquet to celebrate his rise to the position of Eastern governor.  He invited over one hundred of the opposing court nobles under this pretence.  But that is all it was. When the nobles had gathered at the banquet site, Gaesomun struck.  He had loyal forces rush in and kill all of his opponents, and then, before an alarm could sound, he rushed his troops over to the palace and murdered King Yeongnyu.  It was the Goguryeo's own Red Wedding, and it would hold a particular place of infamy in Korean history, which said  that the troops dismembered the corpse and discarded it without ceremony. In place of King Yeongnyu, Gaesomun propped up Yeongnyu's nephew, King Bojang.  Gaesomun then appointed himself the Dae Magniji, the Great Prime Minister, or perhaps more fittingly “Generalissimo”.  Though King Bojang sat upon the throne there was no question that it was Gaesomun who now ruled Goguryeo. Gaesomun's legacy is complicated.  Under the Confucian values of the time, many early historians vilified him for murdering the king, and blamed him and his harsh policies for the eventual downfall of the kingdom.  He is portrayed as a man lusting after power. We are given examples of his harsh demeanor, and the Annals state that when he got off of his horse he had high ranking nobles and military officials lie on the ground so that he could step on them, rather than touching the ground.  Of course, some of this we should likely take with a grain of salt, given the Chroniclers' generally dim view of him in general.   On the other hand, some modern histories believe that he wanted Goguryeo to take a tougher stance against the Tang.  Early Korean nationalists rehabilitated him, exalting him for taking such a hard stance against the Tang, or, in their eyes, China.  I suspect that he was a little of both.  A tyrant and a despot—as many rulers of the time were—but also dedicated to the defense of his nation. We mentioned this briefly back in Episode 107, but I wanted to touch on it here in more detail as it really leads to where we want to discuss.  A very brief mention of this lies in the Nihon Shoki, where it says that “Irikasumi” the “Prime Minister” of Goguryeo slew the king and over 180 others.  For the most part it tracks, though it does say that it happened in 641, which may easily just be a simple scribal error. The general narrative from here is that the Tang dynasty used Gaesomun's usurpation as a pretext for war against Goguryeo, but the narrative seems a bit more complex, and when we are reading we should keep in mind that none of the players in this drama knew the outcome beforehand.  And so, as is often the case, things are quite as straightforward as they may seem when we zoom out and take a look at the macro level of historical events, where we've already decide what events we believe to be important and which were less so, often based on knowing the outcomes.  Of course, the Chroniclers would have had similar narratives, but they were still trying to catalogue the events of each year as best they could. And that brings us to the year 643.  In this year, Silla went to the Tang dynasty to ask them for assistance against both Baekje and Goguryeo, who were planning to cut off Silla's access to the Tang court.  Tang Taizong agreed to help, but only if Silla would accept a Tang official who would come and oversee Silla.  Taizong's reasoning is given, which follows a typically misogynistic logic:  “Because your country has a woman as a ruler, neighboring states belittle it.  As you have lost the authority of the ruler, thus inviting the enemy to attack, no year will enjoy peace.”  He basically said that Silla needed a big strong man to help out, and he was willing to send someone—along with troops—to do just that.  Of course, I think we can all see how that was likely to end up, and any thoughts Silla had of being an equal partner in such an arrangement were nothing more than fantasies.  Tang Taizong was agreeing to assist, if Silla became a protectorate of the Tang court. The Silla envoy, for his part, took a very political stance.  No doubt knowing just how bad this was for Silla, but not wanting to disrespect the Tang emperor, whose assistance they still needed, he acknowledged the emperor's words without accepting the terms, returning without the promised help, but also without completely subordinating his country to the Tang empire. Although the troops were not forthcoming, the envoy's mission still had a positive impact.  Having heard that the envoy was traveling to the Tang court, King Uija of Baekje proactively withdrew the troops he had that were planning to attack with Goguryeo and cut off Silla's access to Chang'an.  Thus, Silla's corridor was maintained. Goguryeo, for their part, continued to attack Silla's border, but even though Gaesomun was one of the hard-liners when it came to Goguryeo-Tang relations, his initial envoys to the Tang court took a conciliatory stance towards the Tang empire.  Gaesomun promoted Daoism over Buddhism, and had his emissaries request and bring back 8 Daoist sages from the Tang court. Many historians feel that this was actually something of a show.  Sure, they would get knowledge and learning from the sages, but more importantly was to put the Tang at ease and hopefully allow Goguryeo a chance to annex Silla before the Tang war machine got up and running.  For their part, the Tang were already considering their next moves against Goguryeo, with some suggesting that they use proxies, like the Khitan and the Malgal, to make an attack.  Emperor Taizong's advisors suggested that the best course of action would be to lull Goguryeo into a false sense of security prior to a massive assault.  And so there were no major attacks that year. In 644, however, the Tang sent a message to Baekje and Goguryeo that they would need to stop invading Silla, and that if they didn't do so, the Tang would attack.  Gaesomun was actually leading troops in an attack on Silla when news of the messenger arrived at Goguryeo's court in Pyongyang.  Gaesomun's response was that he was simply trying to reclaim the territory that Silla had previously stolen from them many years earlier.  Along with their excuses, they sent along gold and 50 hostages from the Goguryeo court, but they were refused by the Tang.  It was probably pretty clear at this point that things were coming to a head—and diplomatic relations finally broke down in 645. That year the Tang dynasty—in conjunction with Silla, the Samguk Sagi tells us—launched a massive invasion of Goguryeo.  The pretext of which was, as I mentioned, Gaesomun's usurpation of the throne, but let's not kid ourselves:  The Tang dynasty were not shy about pushing out their borders. The Tang troops, who had been preparing for the past year, invaded in a two prong attack.  An overland attack struck at Gaemo—modern Shenyang—while naval forces landed on the Liaodong peninsula.  These forces initially swept through the border fortresses along the Liaodong penninsula with seeming ease.  Remember Chen Dade and his little factfinding mission?  No doubt all of his work came in quite handy.   Things were going well, and Tang Taizong himself joined the campaign. Still, each fortress took time, so that even though the invasion started in April, they reached Ansi by June. We are told that Goguryeo had amassed over 150,000 forces at Mt. Jipul, near Ansi, a walled fortress town with an estimated population of around 100,000.  Those numbers may be exaggerations, but the context is clear:  This was not just a small fortress and Goguryeo sent a lot of troops to reinforce the area. On the other side, Goguryeo was facing odds that were probably more like 3 to 1, with a massive Tang invasion force, which, since they had split, were attacking from two different directions.  Sure enough, the Tang were able to catch the defenders out of position, with the troops that had crossed the sea assaulting from the front while the overland forces attacked Goguryeo's rear.  It is estimated that over 50,000 Goguryeo troops were killed or captured in the battle. And that left only the fortress of Ansi, with a garrison of maybe 5,000 troops, to face the Tang, who had otherwise swept through previous defenses in relatively short order.  It would have been understandable had they capitulated.  There were still other fortresses between the Tang armies and the capital of Goguryeo at Pyongyang, not to mention the extremely mountainous terrain between the Liaodong and Korean peninsulas.  And yet, the Ansi garrison refused to give in.  The Tang forces, for their part, knew they could not leave an enemy to their rear, and so rather than continuing on, they set a siege to the fortress town. Although we are told that the Tang forces brought siege engines with them, the garrison at Ansi held out.  In fact, they held out for three months, and fall was beginning to turn to winter.  Winter in northeast Asia would bring snow and mud.  Furthermore, the Tang supply lines themselves were fairly long at this point.  Eventually, the defenders won out, and the Tang forces turned back.  On the march back towards Chang'an, Tang Taizong and his troops were caught in an early winter blizzard, which killed more of the soldiers.  Emperor Taizong founded Minzhong Temple—known today as Fayuan Temple, in modern Beijing—to commemorate his fallen soldiers. Although the Tang forces retreated, it is hard to say that Goguryeo was truly victorious in the outcome of the war.  Many Gogouryeo troops perished in the fighting, while Tang could now regroup.  Goguryeo was unlikely to be a major and immediate threat to Silla, as they would need to continue to maintain troops and rebuild the fortresses taken by the Tang, but that didn't mean that Silla was off the hook, either. Through this all, Baekje had taken the opportunity to harass Silla's western border.  They sent wave after wave against Silla, whose forces in that area were under the command of general Kim Yusin.  The Samguk Sagi mentions that his forces would turn back one attack, and he'd be almost back home, when another attack would come and he would have to go back out.  In one particularly poignant moment, he even got so close as to see his house, but he could not stop, and so he marched straight past the gates as he prepared to repel yet another invasion from Baekje. Winter brought a pause to the fighting, and in 646, things seem to have been relatively calm, if still quite tense, as all sides recovered from the events of the previous year.  Nonetheless, this is seen as the start of what is known as the Goguyreo-Tang war, a series of conflicts that would continue for approximately the next 20 years.  Goguryeo, for their part, attempted to normalize relations with the Tang, even sending two women—specifically the Annals state that they were two beautiful women—as a peace offering.  Tang Taizong politely refused them, however, claiming he wouldn't dare to separate them from their families.  In reality, he was rebuilding his forces, preparing for another assault, but that would take time.  In the meantime, diplomatic channels remained open, which really demonstrates the political situation in general, at the time.  Even if two sides were attacking one another, diplomatic envoys were still being exchanged.  Furthermore, though the trade routes may have been slightly less stable, trade continued, regardless.  The following year, 647, Emperor Taizong launched fresh assaults against Goguryeo.  This time, rather than a larger army, he instead had them focus on small-scale attacks that would weaken the kingdom of Goguryeo, forcing them to constantly be on guard and to pour resources into supporting their borders.  At the same time, Silla suffered tragedy as Queen Seondeok died, and Queen Chindeok took the throne.  Later in that year, Baekje troops attacked three Silla fortresses.  They were pushed back, but the Silla troops took heavy casualties.  As we can see, the fighting continued throughout the peninsula. Meanwhile, over on the Japanese archipelago, they were busy incorporating the new reforms.  Envoys from Silla, Baekje, and Goguryeo would continue to travel to the Yamato court, which one imagines made for some rather tense State dinners. The year after that, in 648, while Tang forces continued to harass Goguryeo, Baekje attacked and took ten Silla fortresses.  Upon hearing this, Silla general Kim Yusin rallied the troops, counterattacked, and destroyed the invading forces.  Silla's Prince Ch'unch'u himself, the one who had previously gone to Goguryeo to ask for support against Baekje, traveled to the Tang court in Chang'an.  There he requested assistance against Baekje's continual harassment of Silla's borders. It is unclear how firmly Baekje and Goguryeo were allied together and coordinating attacks, but  it does seem clear that they were aligned in their goals.  Baekje may not have been in direct conflict with the Tang, but their attacks on Silla likely kept Silla from further harassing Goguryeo, who was actively involved in defending against Tang attacks.  So whether there were formal treaties or not, lines were drawn, but these were still independent states with their own goals and aspirations. And so, when Ch'unch'u's ship was returning from Chang'an and ran into a Goguryeo patrol, one can understand their apprehension.  Ch'unch'u was known to Goguryeo, and if we was captured it is unlikely that he would live long enough to be rescued by an elite Silla death squad once again.  And so, his men devised a plan, and a man named On Kunhae put on the clothes of a high official—possibly Ch'unch'u's own.  When the Goguryeo patrol captured the ship, they killed him, believing he was a Silla noble or at least an important envoy.  Unbeknownst to them, Ch'unch'u himself had been transferred to a smaller, less assuming ship, which quietly made its way past the patrol and back to Silla controlled territory. And so, once again, we see us how dangerous things were getting at this point.  Travel was risky at the best of times, but now, with the possibility of being intercepted by a hostile country's forces, who knew what might happen. Hostilities continued until 649.  That year, Tang Taizong passed away, and shortly before he did, he pulled back the troops.  His death only brought a brief pause, however, as his son and heir, Tang Gaozong, took the throne and would launch his own series of wars against both Goguryeo and Baekje.  In 650, Gaozong received Prince Kim Ch'unch'u once again as an ambassador from Silla, this time with a poem penned by Queen Chindeok herself.  In the form of poetic verse, she asked for help against Baekje, who had continued their attacks.  Throughout the previous year attacks had continued back and forth.  Silla general Kim Yusin again managed to push back and defeat the Baekje forces, but one can only imagine the toll this was taking on Silla's ability to defend itself over time.  This was the content of the note.  Prior to this, Silla really had gone all in on strengthening their ties with the Tang dynasty, going so far as to institute Tang court dress—both in their robes and caps.  This point had been specifically negotiated by Prince Ch'unch'u with the previous emperor, Tang Taizong.  It sounds as if Silla was trying to have the Tang court recognize their own court nobles and put themselves in a place to receive Tang court rank, though how, exactly, they received said rank is unclear—did it come from the Tang or was it granted by the Queen of Silla. Either way, it was clearly seen by other nations—or at least Yamato—as an unwelcome statement.  In 651, Silla envoys arrived at Tsukushi—modern day Kyushu—wearing their new Tang style clothing and they were turned away.  Specifically the Dazaifu sent them back claiming that they weren't dressed as envoys from Silla should be.  On top of this, we are told that Kose no Omi then suggested that *rather than go to war* over this, they should just make a show of force when the envoys came back.  And let me reiterate that: according to the Nihon Shoki this was such an affront that Yamato was considering whether they should launch a punitive military strike against Silla for sporting the wrong fit.  Talk about a fashion disaster! In the end, they took Kose no Omi's advice, which was that the next time Silla arrived they would have ships lined up all along the Seto Inland Sea as the envoys made their way to Yamato so that there was no doubt in the envoys' minds about just what Yamato could do. This is a great demonstration of how something we might consider innocuous was clearly a Big Deal for the people at the time.  I suspect that there were at least two possible reasons for why this was, besides just considering themselves the arbiters of fashion.  For one, remember that Yamato considered Silla to be subordinate to them, at least in their worldview.  Just like they had been concerned about at least maintaining the fiction that Nimna was still an active and independent entity, this broke the illusion that Silla was a tributary of Yamato. At the same time, it may have just been that they were putting on airs and it was seen as impersonating and even speaking for the Tang court.  After all, if a Tang envoy showed up, I doubt that Yamato would turn them away. In either instance, we can see the lines being drawn, with Silla taking a clear stance in connecting themselves with the Tang court while Goguryeo, Baekje, and even Yamato were still in contact with them, but from a more independent capacity.  In 652, for instance, we know that Goguryeo again sent tribute to the Tang court, no doubt in an attempt to normalize relations.  Still, the alliances were firming up. In 653 we have two items of interest:  one from the Samguk Sagi and one from the Nihon Shoki.  In the Samguk Sagi it explicitly mentions that Baekje and Wa formed an alliance.  This is significant in that the Samguk Sagi really doesn't mention Wa nearly as often as we would expect it to, while the Nihon Shoki is constantly discussing Baekje and Yamato relations.  I imagine that there must have been a significant escalation of Wa involvement around this time for the Samguk Sagi to mention it. On the other hand, the Nihon Shoki doesn't really mention it.  Sure, there are annual tributes mentioned from Baekje and Silla—and occasionally Goguryeo—but they were more focused on another event: an embassy that the Yamato court sent to the Tang dynasty.  This was the first embassy to be sent in some time—at least according to the Nihon Shoki—but it was quite the affair.  Two ships were prepared.  The first ship was led by Kishi no Nagani and his assistant, Kishi no Koma, along with the envoy, Nunobara no Mita.  They were accompanied by numerous students and student priesets, all sons of court nobility, including Jou'e, the son of none other than Nakatomi no Kamatari the “Naidaijin” or central prime minister.  In total, there were 121 people on board the ship. The other ship was led by Takada no Nemaro and his assistant, Kamori no Womaro, as well as their accompanying envoy, Hashi no Yatsute.  Along with various students, they had 120 on board the ship.  Two ships, each with an individual in charge of the particular embassy, meant that even if they met with an accident along the way, they would have someone to carry on the mission.  And that foresight proved unfortunately necessary when the ship carrying Takada no Nemaro sank in the straits of Takashima off the coast of Satsuma.  The ship went down and only five men survived, largely by lashing themselves to a plank and drifting ashore at Takashima island.  There, one of the survivors, Kadobe no Kogane, gathered bamboo and made a raft, by which they made it to Shitojishima.  They surived six days and nights without any food, but they made it.  When he heard about it, the sovereign congratulated Kogane and rewarded him with rank and various presents for his work to bring people back home. Another mission, launched the following year, shows that being lost at sea wasn't the only danger for international travelers back in the day.  In the 2nd month of 654, Takamuku no Kuromaro led another embassy to the Tang court.  He was the Controlling Envoy, though the Chief Ambassador was Kahabe no Maro, assisted by Yenichi no Kusushi, a name that Aston suggests translates to something like “Doctor Yenishi”.  A list of other names are given as well of those who were also on the mission.  More sobering is the outcome of the mission, where we are told what happened to everyone.  Though they reached the Tang court, not everyone would make it back.  According to the author Yuki no Hakatoko—an interesting tidbit in that they seem to be giving us the author of one of the accounts that they used in the compilation of the Nihon Shoki, and we'll come back to him in a later episode—according to Hakatoko, the student priest Enmyou died in Tang, while the student priests Chisou and Chikoku both died at sea.  Another person named Chisou, but using different characters, returned in a Silla ship in 690.  Gakusho died in Tang and Gitsu died at sea.  Joye returned in 665 in the ship of Liu Tekao.  And then others—about 12 total—along with two individuals who were considered Japanese born abroad, came back in 654 with returning envoys.  We are even told that Takamuku no Kuromaro, one of the figures who helped set up the government and played a major role in diplomatic relations with the continent, passed away on this mission as well. So going on one of these missions may have given you some awesome opportunities to see the world like nobody else, but they were anything but guaranteed.  For many people, it was a one way ticket, and we should keep that in mind when we hear about the people going on them. There were other intricacies to deal with as well—including navigating the pathways to the Tang court.  You may remember that Yamato was allied with Baekje in some way.  And yet the 654 mission we are told went by way of Silla and then anchored in Laichou, on the Shandong peninsula.  Later that same year, the previous mission, with Kishi no Nagani and others, returned to Yamato escoted by envoys from both Silla and Baekje.  While the narrative largely focuses on what they obtained, one imagines there were probably some tensions in all of that.  After all, just a year before we are told that Baekje and allied with Wa—which is to say Yamato—against Silla.  So had Silla not yet heard about the alliance?  Or was that just considered par for the course at the time? The year 654 would have more direct considerations for all concerned, however.  In that year, Queen Chindeok of Silla died, as did Karu of Yamato.  In Silla, the new King was none other than Prince Kim Ch'unch'u, known to history as King Muyeol.  As we touched on, earlier, Ch'unch'u was intimately familiar with the Tang court and had spoken directly with the Tang emperor, so this likely only further cemented ties between the Tang and Silla.  Meanwhile, in Yamato, Queen Takara Hime, aka Kyougyoku Tennou -slash- Saimei Tennou, was re-ascending the throne, rather than making way for Prince Naka no Oe, a truly interesting state of affairs. Moving forward, the alliances would continue to solidify, though diplomatic missions would continue to travel between the various countries.  After all, they didn't exactly have many other means of communicating with each other—no email or telephones back then. Tang Gaozong would continue to attack and harass Goguryeo, though Yeon Gaesomun would continue to fend off attacks, while Baekje and Silla would continue their struggles as well.  Both Goguryeo and Baekje would ally against Silla, who in turn would call upon the might of the Tang empire.  All in all, it was a time of great conflict, generally known as the Tang-Goguryeo War, and it was a long-term conflict punctuated with times of peace in betwetween the various offensives.   Yamato was less directly involved, but still affected.  After all, they were closely aligned with Baekje, and they had to wonder what would happen if Silla came out victorious.  Would they be cut off from the continent entirely?  Or would they be forced into a new state of having to send tribute to Silla as an inferior country if they wanted access to continental goods and knowledge?  While we know how it played out, today, at the time the outcomes were far from certain. All of that will continue to provide a backdrop for the second reign of Takara Hime, aka Saimei Tennou.  A part of me wonders if this wasn't also part of the reason to move the capital back into Asuka, in the Nara Basin.  I imagine that a capital sitting on the edge of the water, relatively speaking, while good for trade and foreign relations, also felt rather exposed if anyone were to sail a fleet down the Seto Inland Sea.  Or it may have just been a return to the more familiar lands of Asuka. As conflict on the continent continued to escalate, Yamato would not be able to stay unaffected.  The question is whether or not they would be ready when and if anything came their way.  It was a tense period, certainly. And we'll get more into that as we move forward in the next episode with the second reign of Takara-hime, aka Saimei Tennou. Until then thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.   Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

This episode we look at the Hakuchi era.  Specifically, the implementation of something called the "Equal Fields" system, which seems to be what the court was trying to implement in some of their early Ritsuryo edicts.  And then we'll see why this era is the "Asuka" period and not the "Naniwa" period, despite the grand temple to government erected in that area of ancient Osaka. For more, check out https://sengokudaimyo.com/podcast/episode-114 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 114: Public Lands and Remote Work   In the early evening, Karu paced through the halls of the inner palace.  The grand scale of the construction was impressive, and it was built and furnished with the finest materials available.  In all aspects it was the shining jewel.  The center of the Yamato world.  The entire thing still felt new. And yet, for all of that, it now felt strangely empty.  So many of those who had previously graced its halls were only memories.  Karu looked over the halls and wondered:  Was it worth it?    He had worked with his nephew and others to build a Kingdom worthy of the name.  They had instituted reforms to model themselves after the major powers of the day.  They had a built a palace to last the test of time.  This wasn't just another place to be abandoned—this was meant to be the bedrock on which the new State would stand.  It was the center of ritual and of the government. But was it?  The government was more than just buildings.  It was the people who made up the offices and the ministries.  It was the entire royal family.  It was the scholars and the officials, debating just how things should work. What would happen when Karu was gone?  Would this system last the test of time?  Or would it disappear, to be replaced by something new?  For centuries, every sovereign had made a new home for themselves every time the previous sovereign passed away.  Is that what would happen to Karu as well? As the sun set, and darkness set in, Karu could only wonder what the future might hold. So here we are in the Hakuchi era, during the reign of Karu, aka Ame Yorodzu Toyohi, which is to say between the years 650 and 654.  The era of Great Change was now the era of the White Pheasant – listen to our last couple of episodes to understand why -- and all of the changes weve been discussing were starting to really come together.  Front and center of those changes was the Nagara Toyosaki Palace, a physical manifestation of the new bureaucratic system of government that the sovereign, Karu; the Crown Prince, Naka no Oe; and others had put into place.  The work of this government was happening on a stage much grander than anything that had previously been seen in the islands. This was the start of what we know as the Ritsuryo Era, and it was finally coalescing.  In this episode we'll talk about how, in the Hakuchi era, we see the implementation of the continental system known as the “Equal Field System”, and how the bureaucratic government was extended down to the individual household.  This was all part of what we've come to know as the Ritsuryo state, which we talked about back in Episode 108 as we started all of these changes.  We are now seeing the foundations of that new state, and we are several years into its implementation, seeing those early edicts finally starting to bear fruit.All of this, of course, was focused on the seat of government in Naniwa. And yet, spoiler alert, this is not called the “Naniwa Era”.  We are still in what many refer to as the Asuka Era.  So what happened?  Towards the end of the episode we'll talk about what happened as the era came to a close, or at least as much as we know. To kick us off, let's talk about where we stand in the Hakuchi era, and look at the culmination of these early Ritsuryo changes we've been talking about. Whatever else had happened, various good omens, crises, and so on – the work of the government was continuing.  Once again, we see records of various envoys from the continent —and we'll get into the international situation, later—but for now, let's focus on what was going on in the archipelago itself.  Specifically, I want to talk about something called the Equal Field System, another innovation that Karu and his administration introduced to Yamato. The Equal Field System goes back to at least the Northern Wei dynasty, over on the continent, in the late 5th century.  It attempted to solve several issues regarding how the government could make sure that land was being worked—and that the government was also getting its cut.  To that end, let's back up a bit and talk about concepts of public versus private land, and how they apply to Yamato at the time. The concept of “private” land may seem simplistic, as we have an idea of what it means today.  Your “private” land is land you own, of course.  “Public” land belongs to the government.  But in Japan—and in much of East Asia—those concepts weren't necessarily the same.  In many early theories of land ownership, all land belonged to the State—individuals were simply using it.  To a certain degree, even today, land is often held only so long as you have a deed or other proof of ownership that is recognized by the State, but concepts like eminent domain can supercede that ownership. So for our purposes, here, Private land was land where all the produce went to a private individual or private interest,  such as a family—or even a temple or shrine.  If it was truly privately-owned land, then all of the produce of that land went to the owner.  Even if the government technically owned the land, the land could still be considered private, meaning that it wasn't  considered taxable by the government – whoever controlled the land got all the produce. In contrast to that, public land was land where the government was owed some or all of the produce.  It might have been worked by individuals, but was still taxable in part or full.  An early system that goes back to at least the Zhou dynasty was known as the Well Field System.  In this system, land was ideally divided into nine squares.  The eight squares of land on the outside of the square would all be held and worked by private farmers, who were able to keep whatever they produced on the land.  In return, they were to provide labor on the public land in the center, the produce of which went to the State, which could then be stashed away in case of famine or used to help increase the State's coffers and thus pay for other amenities. Of course often it just went into the pockets of various aristocrats.  I also wonder just how much effort was actually put in to working the public land in the Well Field System. That name, by the way, comes from how the whole schematic looked when drawn out.  The hanzi, or kanji, for a “well”—as in a place where you draw water—is much like a modern hashtag mark.  Think two horizontal and two vertical lines, like a tic-tac-toe board.  This comes from the fact that wells were often square or rectangular holes, the sides of which could be reinforced with wood.  At the top, the well frame was often formed with overlapping wooden beams, forming a shape similar to a hashtag.  And so in the Well Field System, the center of the tic-tac-toe board was the public land, and everything else was private.  This system fell apart with the fall of the Zhou during the Summer and Autumn periods, though there were attempts to revive it.  After all, it had been mentioned in the Book of Rites, the Liji, and it was praised by Mengzi—the famous scholar and philosopher we known to the West by his latinized name of  “Mencius”.  As such, it was officially documented as a “good idea” and so there were often attempts to revive it. The Northern Wei, however, took a slightly different approach.  In the late 5th century, they were looking for a way to curb the power of aristocratic families.  Since the Qin dynasty and onwards, they had seen the growth of families accumulating land and thus wealth and power.  These powerful families were both necessary and a threat, as they held the power to prop up or tear down a government.  Farmers would need to rent land from the powerful landowners, paying them a portion of their harvest as rent. To counter this, the Northern Wei instituted the Equal Field system.  Under this system, they claimed government ownership of vast swaths of land and then provided equal parts of that government land to every adult person.  Upon a person's death, their land would revert back to the government, who could then redistribute it to others.  The peasants would then be expected to provide a portion of the harvest as tax—they would provide food-rent for the land, as well as payment in cloth and a set number of days of corvee labor.  The key was that all of this payment was due to the government, and not to private aristocratic families. After the Northern Wei fell, the Equal Field system was reinvigorated by the Sui and Tang dynasties, who extended the system across their territories—or at least within the Yellow River and Yangzi River basins.  The system did have some allowances for inheritance—especially in instances like mulberry groves, which would be maintained by successive generations.  In general, however, most of the land was to be reclaimed by the government upon a person's death or at the point that they reached 60 years of age, and then it would be redistributed. This is still a relatively simplistic overview, and there were plenty of different adjustments and changes to the system over the years.  Key for us, though, is looking at the adoption of the Equal Field concept in the archipelago. Up to this point, land ownership in Yamato, such as it was, fell under various family groups.  They would own the land and whatever was produced on it, so it was truly private land.  “Yake” were set up by the families as central storehouses and administrative centers.  In this case, the royal family was, in many ways, just another landowner, and their “yake” are indicated in the Chronicles with the royal “mi” honorific—hence the “miyake”. As the reformers went about making changes in the period between 645-650, they adopted the concept of the Equal Field System.  Prominent figures such as Naka no Oe himself gave up their private fields, and the royal lands were turned into government lands.  They instituted the concept that all land in the archipelago nominally belonged to the State, and that others worked it at the Sovereign's pleasure. As we talked about in the past several episodes, this made the Sovereign and the State more prominent in people's lives, and it built bonds with the peasants in that they were granted land on which to work and make a livelihood.  They didn't necessarily have to work out a separate arrangement with some noble family, and the fields and taxes were “equal” for every person. Of course, surveying the land, taking a census, and distributing the land to the people didn't happen overnight, and it isn't even clear how well it occurred outside of the lands originally owned by the royal family, at least initially.  We are told that even though the project had kicked off years earlier, back in 646, it wasn't until the second month of 652 that we are told that the distribution of rice-land had been completed.  30 paces of land—Aston notes that it was 30 paces long by 12 paces wide—made up a single TAN of rice-land, and 10 TAN made up a CHOU.  Each TAN or land a person was granted was expected to provide back to the government a sheaf and a half of rice, with each CHOU providing 15 sheaves. This effort simplified taxation, in a way—everyone owed the same thing, based on their household and how much land they had been granted.  However, it also would have required an enormous bureaucratic engine.  Scribes would have been in high demand—anyone who could read and write.  Without modern computers, they would need to hand count everything in a given district, then send those numbers up to the governor, and then send them again to the capital.  Hence the giant government complex set up in Naniwa to oversee all of this and to ensure that the government worked as intended. In the fourth month of 652, the work continued.  We are told that the registers of population were prepared—presumably based on the information that had been previously acquired from around the provinces and sent to the court.  The earlier edicts from 646 that outlined this system—which we mentioned back in Episode 109—was finally put in force.  As we noted back in that episode, 50 houses made up a township, or RI—the character used is also pronounced “SATO”, today, and often refers to a village.  Each RI had an appointed elder, or head, using the term “CHOU”.  This term is still found today in modern parlance:  The head of a company, or “KAISHA” is the “SHACHOU”, while the head of a division, or BU, within said company would be the BUCHOU.  KAICHOU is the head of an association, or “KAI” and the “GAKUCHOU” is the head of a “DAIGAKU”, a university—basically the University President.  In this case the “CHOU” of the “RI” would be the “RICHOU”, using the Sino-Japanese On'yomi pronunciation, though in the vernacular they probably would have been called the “Sato-osa”.  All of this just means village head or village chief. So 50 houses made up a RI, with one RICHOU at the head.  In addition, each house would have a senior member appointed as the official head of household, or KACHOU.  From there, houses were associated together in groups of five for mutual protection, with one head, or CHOU, per group of five.  And okay, so they were creating groups of people for administrative purposes?  Who cares?  Well, the thing about this is that it was encoded into the new legal system, and it had several implications.  Chief among them was the implication of primogeniture: Since the most senior person was made the KACHOU or head of household (and by “person” I think we can assume that “man” was a given, unless there were no men in the house for some reason), this meant that the eldest person in the household was automatically the one who inherited that position, along with the status and control that came with it.  As we've seen, up to this point, it was not necessarily the case that the most senior person would inherit in ancient Yamato tradition.  Inheritance could pass from a younger brother to an older brother, or to a younger son of a younger son.  While there was some apparent concern over lineage and making sure that the individual was of the proper bloodline, at least for royal inheritance, there was not an automatic assumption of precedence for who would inherit. Of course, as we've seen, this set off all sorts of disputes and problems, especially among the elite where wealth and power was involved.  However, I think it is fair to assume that these problems weren't relegated purely to the upper levels of society.  Inheritance is always tricky, even in cases where it seems like it should be straightforward. I imagine that the institution of primogeniture as a legal concept would have had consequences beyond just inheritance.  It set up ideas of who was “important” in the family, and the family is often a microcosm of society at large.  Primogeniture meant that age and masculinity were both valued over youth and femininity.  That isn't to say that pre-Taika Ritsuryo was a bastion of equality, but we do see more instances where men and women seem to be on closer to equal footing. In the concept of primogeniture, I believe we can also see the institution of Confucian values—not surprising as this whole thing is cribbed from the continent, with a lot of it being taken from the Tang court.  We've discussed Confucian concepts of filial piety and how that fed into patriarchal—and frankly monarchical—ideas.  The Father and Son, the Ruler and Subject, the Husband and Wife, Elder Brother and Younger Brother, etc.  These were the relationships that were important and they defined much of the way people were expected to interact. As the new system being instituted copied the form of continental government, it would have also been preaching many of its values, as well.  Scholars will continue to debate how widespread the changes actually were.  Did the equal-fields system exist all the way out to the edge of Emishi territory?  Did it cover the mountainous regions of Honshu?  How about to the West of Yamato?  We don't know, but nonetheless, we do see both the expansion and centralization of Yamato power, so there seems to be something to it. By all accounts, the work that had taken place in this era appears to have been a smashing success.  The Taika reforms had taken hold, and the Ritsuryo state seemed to be off to a roaring start.  At the center of it was the newly built Nagara Toyosaki Palace, a giant stage for carrying out the business and ritual of the State.  One would think that the founders of this new State would have been overjoyed.  Naka no Oe, Nakatomi no Kamatari, and the sovereign, Karu, among them.  And yet, the story doesn't seem quite that simple. The first Ministers of the Right and Left had already passed away.  Abe no Oho-omi had passed of what appears to be natural causes, but Soga no Oho-omi, aka Ishikawa no Maro, was undone by slander, accused of treason, and took his own life rather than being killed by the government forces sent after him.  And in the 6th month of 653, the sovereign was told that the Priest Min had passed away. Min—Aston sometimes transcribes it as “Bin”—was one of the sources for much of the information about the continental systems of government.  We've mentioned him on and off for the last 5 or 6 episodes, though you may not have always caught the reference.  Also, since even Aston switches between pronunciations at times, I apologize if I haven't been consistent.  If I said Priest “Min” or “Bin”, we're talking about the same person.  He was a Buddhist priest who had traveled to the Sui dynasty in 608, spending 24 years there, witnessing the change from the Sui to the Tang, returning to Yamato in 632.  He was consulted on various omens, and he and Takamuko Kuromaro, who had also been made a State Scholar, or Hakase, at the same time, both worked to set up the eight ministries of the state, the core of the Ritsuryo bureaucracy. The death of Min was felt across the organs of state.  Both the Queen Dowager and Naka no Oe, the Crown Prince, sent messengers to offer condolences.  The sovereign commanded the painters, Koma no Tachibe no Komaro, Funado no Atahe, and others to make a large number of figures of the Buddha and Boddhisatvas.  They were to be placed in the temple of Kawaradera, though other sources say Yamadadera.  Both of these are in Asuka—although the capital had moved to Naniwa, and there was the temple of Shitennoji there, just south of the palace, I can't help but notice that many of the established temples remained in and around the old capital at Asuka. 653 saw something else, which also seems a bit odd, given the apparent success of the government.  We see that in this year the Crown Prince, Naka no Oe, petitioned his uncle, the Sovereign, to move the royal residence back to the Yamato capital, which is to say Asuka—in the heartland of Yamato as opposed to outside the Nara Basin, like Naniwa.  This is quite the request.  They had just finished establishing a large palace complex in Naniwa.  Why would they pull up stakes and move everything back to Asuka? So the sovereign, Karu, denied Naka no Oe's petition.  Regardless, Naka no Oe took his mother, the Queen Dowager, as well as Karu's own Queen, Hashibito and the younger royal princes, and he moved all of them back to Asuka, moving into the temporary palace of Kawabe.  The ministers and the various Daibu all followed him.  He basically moved the royal family and the court back to Asuka, without Karu's permission, and everyone followed him. We aren't told why this happened.  Was there a falling out between Naka no Oe and the Sovereign?  Was there some other issue that caused Naka no Oe to want to abandon the capital they had worked so hard to build? Karu was understandably upset by this apparent betrayal.  He expressed himself in a poem which he sent to his wife: KANAKITSUKE / AGAKAFU KOMA WA / HIKIDESEZU AGAKAFU KOMA WO / HITO MITSURAMUKA The pony which I keep/ I put shackles on / And led it not out Can anyone have seen / The pony which I keep? And if it wasn't enough that the people had left. We see once more, on the New Year's Day of 654, that the rats likewise left Naniwa and migrated towards Asuka.  This last one I certainly question as to whether or not it happened, but the meaning and symbolism is clear.  The Chroniclers are telling us that the effective capital was moving back to Asuka.  The time in Naniwa was limited. This doesn't appear to have negatively affected the fortunes of Naka no Oe and his supporters.  On the contrary: Nakatomi no Kamatari no Muraji, on this same New Year's Day, was granted the Shikwan, the purple cap, and his fief was increased.  The Toushi Kaden, the History of the Fujiwara House, says that it was increased by 8,000 households. It seems that the business of the government continued apace through 654, though it is a bit unclear just how things worked, given the split between Asuka and Naniwa.  Was Karu left alone in the giant complex he had built?  Or was it still where all of the government work happened?  If so, just how much were the high ministers missed, or were they working remotely, via messenger and post-horse? Whatever the situation, it would resolve by the end of the year.  On the 1st day of the 10th month, Naka no Oe learned that his uncle, the Sovereign, had taken ill.  Naka no Oe and the entire court returned to Naniwa to see him.  Nine days later, on the 10th day of the 10th month, Karu passed away in the state bedchamber he was around 57 or 58 years old.  He was temporarily interred in the southern courtyard, and Mozu no Hashi no Muraji no Doutoko oversaw the palace of temporary interment.  He would be buried in the Ohosaka Shinaga Tomb, which was built near the site of tombs associated with Kashikiyahime and others, south of the Yamato river, on the west side of the mountains that separate the Kawachi plain from the Nara basin. Two months later, Naka no Oe and his mother made it official, and formally moved to the temporary palace of Kawabe in Asuka.  Naka no Oe's mother, Takara Hime, would come to the throne on the third day of the first month of the new year, 655.  It would be her second time on the throne.   Since she reigned twice, the Chroniclers actually gave her two posthumous regnal names.  For the first reign they named her “Kougyoku Tennou”.  In the second reign they named her “Saimei Tennou”, to distinguish from her first reign on the throne.  As far as I know this has only happened twice—the second time being with Kouken, aka Shoutoku, Tennou in the late 8th century. Why she took the throne again is not addressed.  She had been the sovereign, stepping down during the Isshi Incident, when Soga no Iruka was killed in front of her.  At that time, Naka no Oe had been urged to take the throne, but he decided against it.  After all, Furubito no Oe was still around at that time, and seems to have had his own claim.  Naka no Oe couldn't take the throne while Furubito was still alive and, at the same time, claim to be the filial person that Confucian theory said he should be.  And so his uncle, Karu, took the throne, since nobody could really say anything against it.  Now, though, Furubito no Oe and Karu were both deceased.  Why didn't Naka no Oe, the Crown Prince, ascend the throne?  Again, we aren't given an answer.  There is one other thing that is possibly worth noting, however: Karu had a son.  This may be whom they are referring to as the “younger princes” who were brought to Asuka when everyone moved there.  This was Prince Arima.  He is believed to have been born in 640, so he would have been about 15 years old at the time of his father's death.  Naka no Oe was the Crown Prince, but did Arima also have a claim?  He was, after all, the male son of the most recent sovereign, Karu, and his queen, Hashibito hime.  This is something that we will definitely look at in a future episode. It should be noted that Naka no Oe was born in 626.  He would have been 18 or 19 years old during the time of the Isshi incident, and was only ten years old, 29 years old, when his mother took the throne for the second time, in 655.  She, on the other hand, was about 62 years old when she took the throne the second time.  The consensus is that even though she reigned as sovereign, the true power continued to rest with the young Naka no Oe and his clique, and they would continue to direct the government for the next several decades. And with that we largely bring to a close the Hakuchi era.  The era ended with Karu's death, and no new era was declared for Takara Hime's reign.  The period from the Hakuchi era to the start of the Nara period is often referred to as the Hakuho period.  An unofficial name taken from the names of the nengo on either side of it.  It often is used specifically to reference the art of the period, as more and more continental influence continued to pour in. Next episode, we'll take a look at the various interactions with the continent and go a little more into the politics of the time.  Takara Hime's second reign—for which she was posthumously given the name “Saimei Tennou”—dealt a lot with the continent, among other things.  Things on the Korean peninsula were heating up, and the Tang was continuing to push against those on their borders, both along the Silk Road to the West, but also against states like Goguryeo, in the northeast.  And yet it wasn't a time of constant warfare, either.  We'll do our best to look at what was happening. Until then thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Listeners of the In The Money Players podcast are treated to a detailed exploration of an action-packed weekend in horse racing, featuring prominent tracks like Belmont at the Big A, Keeneland, and Santa Anita. Peter Thomas Fornatale and Mike Pribozie expertly navigate through the stakes races scheduled for this Friday and Saturday, providing listeners with a comprehensive analysis of the horses and their chances. From discussing the nuances of the pace scenarios in key races to identifying potential underdogs, the hosts equip listeners with the knowledge needed to make informed betting decisions. They pay particular attention to the stakes races at Keeneland, such as the Phoenix Stakes, where they dissect the form of contenders like Nakatomi and Comedy Town, weighing their recent performances against their expected odds.Throughout the episode, Peter and Mike highlight the critical role of race conditions, such as track surface and distance, in shaping a horse's performance. They emphasize how understanding these elements can lead to successful betting strategies. Additionally, the hosts touch upon the community aspect of horse racing, discussing recent initiatives aimed at promoting inclusivity and support for thoroughbred aftercare. Their insights extend beyond mere predictions, as they invite listeners to engage with the broader narrative of racing, from the excitement of the races themselves to the importance of responsible ownership and care for the horses. By the conclusion of the episode, listeners are not only prepared for the upcoming races but also feel enriched by the engaging discussions around the sport's culture and community.Takeaways: The podcast emphasizes the importance of the recent women's summit in racing, highlighting the contributions of women in the industry. Listeners are encouraged to check out the 'On the Lead' podcast episode on women in racing for insightful discussions. Peter and Mike analyze multiple stakes races across Belmont, Keeneland, and Santa Anita, offering expert opinions and tips. The hosts discuss the significance of the Breeders Cup and key races leading up to it, advising listeners on betting strategies. Listeners are reminded that thoroughbred aftercare is crucial, with events like Horse Players Happy Hour contributing to supporting it. The hosts explore various horses' performances and potential in upcoming races, providing in-depth analysis and observations for bettors. Links referenced in this episode:inthemoneypodcast.comnyra.com/tvscheduletwinspires.comracingsymposium.comxpressbet.com/tournaments

Listeners of the In The Money Players podcast are treated to a detailed exploration of an action-packed weekend in horse racing, featuring prominent tracks like Belmont at the Big A, Keeneland, and Santa Anita. Peter Thomas Fornatale and Mike Pribozie expertly navigate through the stakes races scheduled for this Friday and Saturday, providing listeners with a comprehensive analysis of the horses and their chances. From discussing the nuances of the pace scenarios in key races to identifying potential underdogs, the hosts equip listeners with the knowledge needed to make informed betting decisions. They pay particular attention to the stakes races at Keeneland, such as the Phoenix Stakes, where they dissect the form of contenders like Nakatomi and Comedy Town, weighing their recent performances against their expected odds.Throughout the episode, Peter and Mike highlight the critical role of race conditions, such as track surface and distance, in shaping a horse's performance. They emphasize how understanding these elements can lead to successful betting strategies. Additionally, the hosts touch upon the community aspect of horse racing, discussing recent initiatives aimed at promoting inclusivity and support for thoroughbred aftercare. Their insights extend beyond mere predictions, as they invite listeners to engage with the broader narrative of racing, from the excitement of the races themselves to the importance of responsible ownership and care for the horses. By the conclusion of the episode, listeners are not only prepared for the upcoming races but also feel enriched by the engaging discussions around the sport's culture and community.00:00Episode Introduction & Previous Highlights00:13Women in Racing Podcast Promotion01:17Keeneland Stakes Preview02:27Belmont at the Big A Overview03:06Keeneland Phoenix Stakes Analysis05:11Jessamine Stakes Discussion07:13Alcibiades Stakes Preview09:53TCA Stakes Insights11:55First Lady Stakes Analysis14:52Breeders Futurity Discussion17:06Turf Mile Insights23:32Woodford Stakes Preview26:19Indian Summer Stakes Analysis27:14Spinster Stakes Overview28:15Bourbon Stakes Insights50:53American Pharoah Stakes Preview49:21Rodeo Drive Stakes Discussion47:33Chillingworth Stakes Analysis52:50Episode Outro & Contest AnnouncementsTakeaways:The podcast emphasizes the importance of the recent women's summit in racing, highlighting the contributions of women in the industry.Listeners are encouraged to check out the 'On the Lead' podcast episode on women in racing for insightful discussions.Peter and Mike analyze multiple stakes races across Belmont, Keeneland, and Santa Anita, offering expert opinions and tips.The hosts discuss the significance of the Breeders Cup and key races leading up to it, advising listeners on betting strategies.Listeners are reminded that thoroughbred aftercare is crucial, with events like Horse Players Happy Hour contributing to supporting it.The hosts explore various horses' performances and potential in upcoming races, providing in-depth analysis and observations for bettors.Links referenced in this episode:inthemoneypodcast.comnyra.com/tvscheduletwinspires.comracingsymposium.com

Hitting the last of the Taika reforms, including talk about names, ranks, official duties, and new sumptuary laws for officials. For more, check out:  https://sengokudaimyo.com/podcast/episode-111 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 111:  Names, ranks, and court caps. In the early hours of the morning, the locked gates of the palace were dark against the sky.  A few torches provided flickering illumination, as a crowd of officials gathered to the left and right of the doors.  As they waited outside, a low murmur could be heard as they made small talk with their co-workers.  Stragglers continued to join the crowd as the sky itself began to lighten, and though the sun still rested below the horizon, the stars had already given way.  As the light grew, and the torches were extinguished, a few late arrivals rushed up just as sun began to peek over the horizon.  At that, the doors were opened from inside, and the officials streamed in, heading to their offices where they would get to work running the country—their main tool in this task being little more than brush and paper, as they worked to bring order to the chaos. Here we are, still in the second year of Taika, aka 646, and still going through the changes being made to the Yamato government.  Last episode we went through many of the edicts made in and around the third month of the year.  These include proscriptions on the size and content of various tombs, down to how many people they could have work on them and for how long.  Other edicts impacted who could actually control the labor of the people.  While it is likely that local officials remained in charge, there was at least a nominal understanding that the people's labor—whether in the form of corvee labor or rice and similar products of the agricultural labor of the people working the fields—all that labor belonged to the State and, by extension, the sovereign.  There were many other, specific edicts, many having to do with marriage and various instances of harai—not to mention the invention of “escrow”. One of the themes through much of this was at least the nominal extension of the sovereign's direct authority down to the lowest levels of society.  This was accomplished by setting up offices down to the village level that would report up the chain all the way to the court.  These “officers” were likely pulled from individuals who were already part of the elites, but instead of being paid by income from their own lands, they now had stipends coming directly from the court. That was a theme that continued in the edicts that came out in the 8th month, which is where we're going to start with today's episode.  Before we get into that, though, a quick caveat:  I am still not convinced that I fully understand what is going on with some of these edicts, especially around names.  I'm not even sure the Chroniclers fully comprehended what they had put together and pulled from various sources at times, which occasionally seems like it is contradictory or repetitive.  So I'll do my best to explain it as I see it, but if you really want to get into this topic you probably will want to dig into it for yourself. Now I want to start with Aston's translation of part of the edict as recorded in the Nihon Shoki.  Following a rather flowery introduction talking about sage kings—a topic we should touch on at some point—they get to the heart of the matter: “Now as to the names of the early Princes: the Omi, Muraji, Tomo no Miyatsuko and Kuni no Miyatsuko have divided their various Be and allotted them severally to their various titles (or surnames). They afterwards took the various Be of the people, and made them reside in the provinces and districts, one mixed up with another. The consequence has been to make father and child to bear different surnames, and brothers to be reckoned of distinct families, while husbands and wives have names different from one another. One family is divided into five or split up into six, and both Court and country are therefore filled with contentious suits. No settlement has been come to, and the mutual confusion grows worse and worse. Let the various Be, therefore, beginning with those of the reigning Sovereign and including those in the possession of the Omi, Muraji, etc., be, without exception, abolished, and let them become subjects of the State. Those who have become Tomo no Miyatsuko by borrowing the names of princes, and those who have become Omi or Muraji on the strength of the names of ancestors, may not fully apprehend our purport, and might think, if they heard this announcement without warning, that the names borrowed by their ancestors would become extinct. We therefore make this announcement beforehand, so that they may understand what are our intentions. The children of rulers succeed one another in the government of the Realm, and it is well known that the names of the actual Sovereign and of his Royal ancestors will not be forgotten by the world. But the names of sovereigns are lightly given to rivers and plains, or common people are called by them. This is a truly fearful state of things. The appellations of sovereigns, like the sun and moon, will float afar: the names of those of the Royal line will last for ever, like unto Heaven and Earth. Such being our opinion, we announce as follows:--'Do ye all, from those of the Royal line down to the Ministers, the Daibu, Omi, Muraji, and Tomo no Miyatsuko, who do Us service, (in short) all persons of whatever Uji [One book has 'royal subjects of whatever name'], give ear to what We say. With regard to the form of your service, We now abolish the former offices and constitute afresh the hundred bureaus. We shall, moreover, grant grades of rank and confer official dignities.” Whew.  That is a lot, and I want to try to break it down as best I can. First off, I believe this ties in to the earlier edict, in the third month, that we mentioned last episode.  In that edict, the sovereign abolished the “Iribe”—those families made for the princes and ostensibly around to keep certain names alive, though quite probably they were family groups meant to keep previous princes and others rolling in their rice payments.  This new edict is continuing that trend – of abolishing the Be – but is coming at it from a different perspective. As a reminder, the “Be” and the various “Uji”, while they were longstanding Yamato tradition by this point, were originally imported traditions from the continent.  By all accounts the “Be” were the first to be created, with the “family” system creating a hereditary structure through which people would be born into particular jobs, with a familial “head” that would then organize the various members across the realm.  The more aristocratic “uji” formed out of that. Based on this edict, it seems that not only the sovereign of Yamato was using this system.  In fact, I suspect that the various local “sovereigns” of other lands had adopted it for their own purposes as well, and it sounds like even the Yamato courtiers had taken to using a version of this system within the lands that they controlled.  The Be and Uji system were, by this point, ubiquitous across the archipelago, at all levels, from what we can tell. Family *names*, however, were not a native system in Yamato.  Prior to the introduction of the Be and Uji, as best we can tell people were known by where they were from, what they did and the titles they held, and by their given names.  A father and son would not necessarily have shared a name, other than those other factors that they held in common by way of ancestry. I further suspect that ancestor worship was not so much a thing, either.  Not that people  in Yamato didn't revere their parents or remember those that passed on, but there weren't the same ideas about family as among, say, the ethnic Han, for whom ancestor worship was important, and carrying a family name was tied to larger cultural and ritual implications.  In early Yamato, names were tied to jobs and position in society.  If that changed, then someone could easily create a new family—a new “Be”—and people placed in that group would have both a new name and new responsibilities. If a particular elite uji, like the Abe, the Ohotomo, the Nakatomi, or the Mononobe, needed people to set up a new income stream for a particular person—perhaps a son or daughter—or they wanted to start a new industry in their territory, they might just have easily called up various people and reassigned them from one Be to a newly created one.  That would surely explain the breaking up of fathers and sons, such that each had a different name. At the same time, this would have likely been anathema to the Confucian dogma that underlay much of the reasoning behind the reforms.  Confucian theory gives much weight to the concept of filial piety, that a son should be loyal to the father.  Thus to cause a father and son to be split into different families without good reason was likely at odds with what the elite were telling themselves was the proper way of Heaven. So now we come back to the edict, which treats the entire traditional naming system as though it was in line with Confucian ideals. Moreover it places the  authority to regulate these families and family names in the sovereign.  This wasn't actually a new thing: the Chronicles previously had mentioned regulating names under the reign of Woasatsuma no Ohokimi, aka Ingyou Tennou, in the 5th century.  This was covered back in episode 56, where we talked about the importance of names, how they determined who you were and your position in society.  This was changing, as was the concept of family, which was, once again, much more closely tied to Confucian notions of family.  So controlling the names of the families was another form of power that further emphasized the position of the sovereign.  Through the regulation of these corporate families, their labor, was now being brought under the nominal control of the sovereign and the state.  This edict also removed the tradition of naming corporate groups after a person.  Previously that traditions seems to have started as a way to create groups that actually supported a given individual with their labor.  Those groups would often persist beyond the individual, however, and I suspect that's where they became thought of as a kind of memorial, maintaining the memory of that individual.  And I can see the power in that kind of thing, especially prior to having any kind of decent written records.  It is interesting to see how the practice had come to be viewed by the 7th century. There is a mention in the edict of something that runs contrary to how we understand things actually happened, and that was in the comment that lakes and rivers and more had been named after sovereigns.  The Chroniclers here are referring to the way that placenames, such as Hatsuse, or Hase, as well as Okinaga or Katsuraki, show up in the names of various sovereigns.  Aston notes something that seems obvious to me, when you think about it:  These places weren't named after the sovereigns, but the other way around.  Assuming that many of the names we see in the Chronicles were actually titles, they told you things about the person they were attached to, possibly where they were from.  Of course, that interpretation doesn't fit as well into the narrative of the 7th and 8th centuries and the idea that the royal lineage was a largely unbroken line back to the earliest ancestors, instead of a broken lineage of different people from different places.So with all of that, the court abolished the practice of creating all of these different family names.  The edict almost makes it sound like they were abolishing those families, as well, though they make a clarifying point about that: there is a note about how some of the tomo no miyatsuko—a general name for those families that served in court—took their position by ‘borrowing the name of a prince', and how the court didn't want those people to be worried about how this change would affect them.  The meaning would appear to be that courtly families would be unaffected, and this only affected families going forward or those that were created that were apparently below the level of the Tomo no Miyatsuko. That said, this is where it is good to remember that we are reading a Sinified version of the ancient Japanese as told by biased Chroniclers and trying to interpret it through a modern lens, often going through yet another translation in the process. The second part of the edict mentions abolishing the former offices and constituting afresh the hundred bureaus.  This is a bit difficult to parse, but Aston suggests that it refers to abolishing any actual authority attached to the old titles, many of which had become nothing more than names.  So when we see things like Wake and Mimi and other such things that appear to be old titles, the court was likely making sure that everyone now understood that those no longer had any actual authority.  The kabane or family ranks stayed, at least for now,  greater emphasis was placed on the newly established positions that were set up as part of the new state bureaucracy, as well as the rank and stipend that was likewise given out.  Aston also suggests that this change means that the rank and the title were not necessarily one and the same, though high rank often did come with a high position. The edict doesn't stop there, however.  After talking about names and families, it goes on to talk about governors and the kuni-no-miyatsuko handing out rice land per previous edicts.  It is noted that the rice land should be handed out equally to the people, and that those who live on or next to the land should be the ones to get it.  I wonder about the actual execution, but at first blush, at least, this seems to make sense—don't make families hike all the way across the village or region to till the field, but try to locate their land near their home. It also notes that alternate taxes—when it is labor or something else in lieu of rice—should only be collected from men, presumably the head of the household.  This was likely part of the shaping of patriarchal attitudes that assumed the men were the head of household and the chief laborers. The edict went on to call up corvee labor—one from every fifty houses, as had been previously mentioned—to help survey the various provinces and create maps of the provinces and districts.  This is a rather monumental task, and it is unfortunate that no actual map survives from this time as far as I'm aware, but it is one more effort to try to bring the entire realm under the control of the state.  In this case you are, in a way, capturing the realm on paper and setting up a basis on which to discuss later things like land ownership and use even though the actual land might be far away from the political and administrative center. Finally, the edict makes note that uniform provision would be made for any canals, embankments, or rice land that needed to be brought into cultivation.  This likely varied in each district and province, so there is just a general note that would have required local officers of the court to determine exactly what was needed. And that was it for the 8th month, and for edicts that year.  There was more that we will cover in later episodes—rats marching to the east, the last gasps (perhaps) of Nimna as a consideration, and other such things.  But no more edicts. At least not that year.  The following year, Taika 3, or 647, we see the issue of names comes up again.  This time the edict came out in the fourth month, and the claims now seem similar but slightly different from before.  The issue in the 4th month appears to be that some family names were derived from the names of kami or even sovereigns.  Moreover, people were apparently using that connection to claim that they had certain authorities to continue to make people their slaves or to avail themselves of their labor. In the case of the names related to sovereigns, I suspect that ties in directly with the previous discussions of creating corporate groups to support a given prince or other royal family member.  As for the kami, there seems to be some idea that groups that claimed descent from a particular kami would take that kami's name.  So those claiming descent from Oho-kuni-nushi, the Lord of the Great Land, used the name “Oho-kuni-nushi” as their family name.  We aren't given specific examples, however. There are numerous possible explanations I could see for these, especially given the way that early power structures tied themselves to the ability to appease powerful spirits.  The Ohomiwa family name, for example, likely refers to their connection to the religious activities on Mt. Miwa.   I also would not be surprised to learn that some of these families were ancient royalty in their own lands—the lands that Yamato now claimed as provinces.  There is the possibility, though, that all of this is just people taking names for themselves and putting on airs—trying to be important.  After all, in a time before documentation, whos to say when you actually arrived at a particular name and how.  This is a phenomenon seen in parts of America, especially in the early days, when many people struck off to make a life, often without the baggage attached to a previous identity.  Prior to more rigorous systems of documentation, how would you know if the person you met really was “Mr. Underhill” and not someone entirely different? Most important, to me, is the act of the sovereign, as head of the state, in actively claiming authority over these issues as well as putting a stop to the way that people were using such names to apparently make claims to certain entitlements.  The message seems clear:  Moving forward, everything has to go through the sovereign and the court.  The previous systems of rule and governance will no longer be tolerated. Of course, it isn't exactly clear how this was enforced.  Was it purely through the court?  Or was there also some threat of force and violence if people didn't conform?  Or was it enough to make the edict and then have local governors handle it?  Other than the example that was made of several of the governors, which we talked about over the last couple of episodes, I'm not sure that we fully know how it all went down. There were a few other edicts mentioned that year, but apparently the chroniclers didn't know exactly when they had been instituted, and so just claimed that it occurred during that year.  It seems that there was a new palace built, replacing the old government offices at Wogohori, in Naniwa, and there were new rules for how the court would operate.  That entry is placed between the entries of the 4th and 10th month, suggesting it was instituted around the summer period.  Then, after a few more entries, including one for the last day of the year, there was the the institution of a new rank system.  As for the new court rules: all courtiers were to show up to work at the Hour of the Tiger—the period of roughly 3 to 5 AM by modern standards—and they were to stand at the gates of the palace until dawn, at which point the doors would be open and people would be allowed in.  Once everyone was in, the doors would be shut, and anyone who was late, well, I guess you were calling out for the day. We talked a little bit about this practice back in Episode 95, when we were going over Umayado's 17 article constitution, which exhorted the court officials to arrive early and stay late.  This was clearly based on continental models, and as I mentioned back in that episode, it was likely done to make sure that officials had the most daylight possible to complete their tasks. Not that there were so many tasks.  The workday ended around noon—the Hour of the Horse, which technically spanned 11 AM to 1 PM.  A bell would be rung, letting everyone know that it was time to go home.  Realistically this means that you are lining up at 4 AM and going home at noon—roughly an 8 hour day, not including the commute.  And if 4 AM seems early, this was not an uncommon time for people to get up and prepare for the day when they didn't have artificial light to keep them going so much later.  In Medieval Europe it wasn't uncommon for servants to be up and about by 3 or 4 am to go get food to start cooking.  If you consider that it was dark by 6 or 7 pm, and you go to bed around 8 pm, you just might wake up at 4 in the morning—going to bed a little earlier, or just going with a bit less sleep, and you can be up and about by that time. This also gave the court officials time for everything else they would need to do.  From noon until sunset would have been time for the social functions; what we might consider “networking” in a modern corporate environment.  Today we can shift these considerations to much later due to electricity, but when light meant fire and fire meant the possibility of burning down your entire house, then using the light you had makes sense.  In fact, one has to wonder if this is what led to the fire that destroyed Naka no Oe's own mansion—but we'll probably want to save the rest of that story for another episode. The other thing happening this year, and in many ways closely tied with the new court ceremonies, was the implementation of a new rank and cap system. The previous rank system from the time of Umayado was replaced with a system of seven kinds of court caps and 17 grades.  It is often assumed that court caps and clothing were instituted for the earlier system, though there isn't a clear mention of uniforms and colors associated with the earlier ranks are largely conjecture.  It isn't clear that the court had yet picked up the continental clothing styles.  By 647, however, it seems that the court was considering official court clothing. The Tang Dynasty had instituted color regulations for clothing in the the 4th year of Zhen Guan.  The style of robe, the panling lanshan, was borrowed from the Xianbei—a robe with a round-necked collar that originally appeared in the Northern dynasties.  It had been previously adopted by scholars and officials in the Tang dynasty, and in the edict of 630 the Tang emperor dictated specific colors that could be worn based on the rank of the individual.  Coincidentally, 630-632 is when Inugami no Mitasuki was there as an envoy of the Yamato court.  He would have seen the style of the imperial Tang court. Uniforms at the Tang court would have been quite the sight, especially if you weren't used to it.  People in the same style and cut of robe, not just for fashion purposes, but coordinated, like a modern sports team.  You could immediately tell someone's rank, and when they lined up, it would have been particularly striking. It is unclear to me just how similar the Yamato implementation of this system was to the continental version. This may have been more like the “we have a rank system at home” version of courtly outfits.  It also must have been quite the task to have all of the proper caps made from different materials for all of the various ranks and individuals.  And these weren't caps you wore all the time—only at major court ceremonies, including when official dignitaries were visiting or during various Buddhist ceremonies. What's more, only two years later they would change it again.  This time we have the edict pegged to the second month of the year 649, with 19 court cap-ranks initiated.  I'll put the ranks themselves up on the podcast blog at sengokudaimyo.com if anyone is interested in the specifics, but a few notes. First, the names of the ranks were based on various things, such as the color of the cloth of the cap itself and whether it was plain or embroidered.  Some of the classes are based on things like “Flower”, “Mountain”, or “Tiger”, though they possibly meant “Kingfisher” for that last one.  The first three classes are broken up into Greater and Lesser, or Dai and Shou, while the lower classes—ranks 7 to 18—were further broken into Upper and Lower.  So you would have Upper Daikwa, Lower Daikwa, Upper Shoukwa, and Lower Shoukwa, as an example.  That method of breaking the lower classes of ranks into more was something that would persist into later rank systems.  The last rank, “Risshin”, just meant “Advancement” and seems to refer to the lowest grade on the scale. In addition to the ranks, in the 2nd month of 649 Takamuku no Kuromaro and the Buddhist Priest Bin presented their work on the 8 Ministries—or Departments—and the 100 bureaus.  This is work they had been tasked with at the beginning, and the eventual structure is definitely based closely on the Tang dynasty's court, but is not necessarily a one for one adoption.  At the top of it all are the 8 Ministries, or Shou, which oversaw the various bureaus—the text says one hundred, but they aren't actually enumerated and so I think we can assume that they just meant that there were a lot of them. The actual 8 Ministries are as follows: Nakatsukasa Shou – the Ministry of Central Affairs Shikibu Shou – the Ministry of Civil Office Jibu Shou – the Ministry of Ceremonies Mimbu Shou – the Ministry of Popular Affairs Hyoubu Shou – the Ministry of War Gyoubu Shou – the Ministry of Justice Ohokura Shou – the Ministry of the Treasury Kunai Shou – the Ministry Imperial Household Many of these ministries would last for centuries, even as their power was eclipsed by other government institutions.  Still, they would continue to be important, and today the Kunai Shou still exists, though now it is the “Kunai CHO”, often translated as the Imperial Household Agency. These ministries each had officials at their head who reported up to the Ministers of the Left and Right.  These 8 ministries would make up the core of what would come to be known as the Daijo-kan, sometimes referred to as the Great Council of State, which operated the secular government, as opposed to the Jingi-kan, which would come to oversee national Shinto, or kami-related, affairs and ritual. And with that, we largely come to the end of what appears to be the Taika reforms.  The rest of the reign could be thought of as a “burn in” period, I guess, as we assume that they continued to implement these reforms and build up this new government.  It is likely relevant that the following year, in 650, they changed the era name, something that we'll eventually want to talk about. For now, I think we should call it here. Next episode we'll backtrack a bit and go back to some of the other, non-edict related events in this period.  It wasn't exactly clean.  There was intrigue, murder, and more.  Politics at the time were anything but dull. Still, the reforms had brought about a real change in the administration of Yamato, a change that would influence the entire nation for centuries to come.  The centralization of power and the adoption of continental models would not stop simply at administrative tasks, but would find their way into many different facets of life.  Naka no Oe himself would continue to refine the system, as would those who came after him.  The reforms touched just about every facet of life across the archipelago, and in many ways it finally brought the archipelago under the control of the State, with the sovereign at its head. And so, until next time, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Hay muchas noticias y muchas cosas de las que hablar, pero hoy traemos las noticias y las cosas QUE A TI TE INTERESAN, y si no, pues ya te interesarán. Hoy nos acompañarán Mon Suárez y Luis Craich. Y por lo que sea, se pasa a vernos Víctor Nanclares de Nakatomi Radio, una señora que se parece mucho a Alfredo Zapata, y por sorpresa, Sergio Mena de El Descampao. Para hablar de noticias y cosas y alguna que otra sorpresa... Con El Selenita a cargo de la creatividad digital. Y el Dictador Supremo Frikimalismo se meterá con vosotros por ver esta maravilla de programa y para recordaros que hay que mandar MX Dollars. Twitter: @frikimalismofm Instagram: @frikimalismofm

This episode we continue looking at the Taika reforms, covering only 3 months, but with edicts about mounded tombs, the labor due to the state vice individuals, and a variety of "offenses", often countering current practices such as forcing people to undergo "harai" in many instances. For more, check out the blog at https://sengokudaimyo.com/podcast/episode-110 Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 110: Manual Labor, Mounded Tombs, and Marital Missteps. Maro sat by the small campfire he had made along the river's edge.  The water nearby was going to be the catalyst for the gruel that he was making with some of the last bit of food that he had.  As he stirred the pot, he looked over at his friend, lying out, his head propped up against the rock. Maro and Sumi had been working on one of the large tombs in Asuka at the commandof their lord, who had built it for his deceased father.  Now they were released and headed back to their village, still two days out.  Unlike their superiors, they didn't get horses to ride across the landscape, so it would be a few days before they returned home.  Unfortunately, Sumi had grown ill, and he was now almost delirious with fever.  Maro couldn't bear to leave his friend, but he also cursed his luck. What if Sumi were to die?  It was one thing to die at home, or even when they were working on the tomb.  But now they were travelers—strangers on the road.  If something happened to Sumi, Maro knew he couldn't just leave him, but neither could he go trudging through the countryside with a dead body.  Even association with death would bring problems for him, and if local villagers were to find out, they could force him to pay for the necessary ritual purification—or worse.  Heck, even something as simple as cooking rice on the side of the road could bring problems for a poor traveler—hence why Maro had found some place off the beaten path and away from prying eyes. Under his breath he prayed to whatever powers were listening to help Sumi recover.  If they could only make it back to their village, then everything would be alright. Once again, we are looking at the second year of Taika, 646.  As we heard in the past couple of episodes, the first year of Taika saw a plethora of edicts that would bring radical change to the way that the sovereign interacted with the land and the people.  These provided the start of  much more direct rule,   and yet also set the stage for a new bureaucratic state, with various new officials up and down the hierarchy. This episode we are continuing to look at what happened in the first several months of 646, largely because there was so much going on that it's worth focusing in on this short time period.   For one thing, we really should talk a little bit more about how this entire Taika era is reflecting the culmination of what appears to have been a major change to Yamato's cultural identity over the preceding century or so—a change in perspective that may not have even been entirely apparent to them, but which allowed Naka no Oe and the sovereign, Karu, aka Koutoku Tennou, to get away with these pronouncements that restructured the basic foundations of the Yamato state.  These changes include the death knell of the kofun period, with new restrictions on how mounded tombs were to be created, including how large they were allowed to be.  We'll also look at a litany of items being called out in the third month of the year—many of which directly affected people at the lowest ends of the economic spectrum and which give us a view of some of the practices that had presumably been going on prior to the edict. As we've already discussed, the early part of the year 646 saw quite a few quote-unquote “normal” things happening.  The sovereign moved into a new detached palace, perhaps while the Toyosaki Palace was being built.  This was the Koshiro Palace of Sayabe, in Naniwa.  Emissaries were sent out to restore—or possibly build—the arsenals; you may recall that the governors were supposed to gather up all of the weapons and armor in a single place so that it could be available, just in case.  Envoys from the Emishi came to do homage, and there was another round of envoys from Goguryeo, Baekje, and Silla.  Apparently, this time, there were no complaints about the tribute.  That was all in the first two months.  By the third, the governors had been called to account for their misdeeds, but also pardoned – we talked about this two episodes ago, when we explored the new system of governors, but this is when their pardons happen – and the sovereign moved out of the Koshiro Palace, presumably to take up residence in the shiny new Toyosaki palace that was just getting blessed and which was the nominal reason for the general amnesty across the land. And with all of that over… well, it was time to get back to figuring out what part of the traditional order they would overthrow next.  And apparently, Karu, our sovereign, had an idea.  He sent a question to the Crown Prince, Naka no Oe, to see what he thought about it, and we are given the Prince's response in a letter back to the crown on the 20th day of the 3rd month of 646.    The question Karu had askedwas roughly: what should be done about a group of families called the Iribe, including the Koshiro no Iribe of the Omi, Muraji, the Tomo no Miyatsuko, and the Kuni no Miyatsuko; and the Mina no Iribe of the Royal Princes.  Karu had also evidently asked what should be done about the Miyake. Now the question reading as “what should be done about these people” sounds a bit ominous, so before we get to Naka no Oe's suggestions, let's explore just who were the “Iribe” mentioned here.  As far as I can find, there doesn't appear to be another use of that word in the Chronicles, but the other terms around it provide clues and we have a general consensus about what this is all about.  “Koshiro”—the Child's Generation—and the “Mina”—the exalted name—suggest that the Iribe were those families set up in the name of a given prince or person.  As we've talked about on the podcast in the past, from the start of the various “Be” families, there was a longstanding tradition of creating specific families to support given individuals: for former queens, princes, and more. These families often took the name of the palace where these individuals  resided.  The output of these families and worker groups would then go to support that individual and their relatives. The language used in Naka no Oe's letter, here, suggests that various other elites had set up similar groups for themselves or their own relatives This is supported by the fact that the Miyake are also mentioned.  The Miyake were the royal granaries, and while they had a political significance in extending the presence of the Yamato throne, they were also supplying income, in the form of rice, to the throne and various members of the royal family. So, Karu's question basically boiled down to: what do we do about all of these groups that exist purely to support elite families?  Naka no Oe's response reflects the new order that he was pushing for in this period.  He notes that there is only one sovereign, and only the sovereign was owed the labor of the populace—suggesting that the labor of the Iribe and those otherwise conscripted into labor should be done according to the new labor laws they had just enacted.  This also suggested that even the Miyake should be abolished. This was another Big Change in the Taika era, and once again, this would have large ramifications, as it suggested, once again, that the traditions of people providing labor to these elite families would go away—although not entirely.  As we will see, elites would still get an income, but it would no longer be based on your hereditary rank and position and provided by groups bound to your service alone, but instead based on your appointed rank and position in the new government.  Those serving in government would continue to receive a stipend based on the labor of agricultural workers on land allotted to such purpose by the state, and in fact we've already seen where stipends were increased for some officers.  This goes along with the idea, at least, of a more merit-based society.  Those who worked hard and proved themselves would find their way to the highest positions and thus the greatest income for themselves and their families.  In reality, these promotions were highly political affairs, and most likely to go to those who came from the families already in power.  How that was envisioned, though, changed in this period, and it really emphasizes the shift that must have occurred within the cultural imaginary of the time. I've mentioned before the concept of the cultural imaginary, and it is something that I think we really need to talk about during this period—during the Great Change.  It is clear that, even if the term “Taika” was applied after the fact, people recognized that there was a sea change going on.  That change is externally represented by the edicts and the change going on in the way the government was operating.  However, this couldn't have happened without at least the tacit approval of the rest of the elites.  If Naka no Oe had just been a lone voice preaching the benefits of a more centralized state, with the sovereign at the top of a bureaucratic system that had never before been seen in the archipelago, then he could easily have been dismissed.  The other members of the court could have effectively revolted, refusing to comply and possibly even forcing a change in government.  And of course, that may have been part of what was behind the attempted revolt around Prince Furubito no Ohoye, which we talked about last episode. However, enough people continued to side with Naka no Oe and Nakatomi no Kamatari and their ideas that any opposition was unable to overcome their momentum.  So why? I would suggest that this was the result and culmination of a new way of envisioning—of imagining, if you will—the Yamato state.  It is an image that would have been familiar to the Chroniclers, and we see it throughout their narrative: the image of an imperial state, with the sovereign—known to the Chroniclers as the Sumera no Mikoto, or Tennou—at the very top.  The Sumera no Mikoto, as the sovereign would eventually be known, held authority not only in the secular realm, but also in the spiritual—in the Buddhist and in matters of the kami.  It envisioned the sovereign as the natural ruler of all of the archipelago, and even beyond. This was an image that is very much in line with the thinking of continental scholars.  It conforms, to a point, with Confucian and Buddhist ideas of what a Good Ruler should be, and, by extension, what the role of the State was and how the people should operate within that realm. Prior to the 6th century, there had been another image of the sovereign—the image of the Oho-kimi.  There are similarities—after all, power is power and humans are going to human.  But there were clearly other prevailing ideas in play back then.  We've talked about the idea of co-rulers, who ruled in tandem.  And we've seen examples of female and male rulers at various levels of society.  Spiritual authority came from the ability to intercede with the kami, and there were no native Buddhist traditions prior to 538—despite attempts by the Chroniclers to paint prior generations with the brush of Buddhist and Confucian morality.  One's place in society wasn't dictated by their own personal accomplishments as much as it was the accomplishments of their extended family, though even some of that may have come about as late as the 5th or 6th centuries.  Perhaps more importantly, prior to the 6th century, the sovereign's direct control only extended so far.  They were the sovereign of Yamato, and though they may have had influence over others in the archipelago, they did not necessarily have direct control over their lands and people.  By all accounts, the people owed their service not to the sovereign in Yamato, but to their local elites, who in turn may have had duties to those above them. But along with books and immigrants from the continent, the people of the archipelago got new ideas of what the government should look like.  These may have been foreign ideas, but over time we had new generations growing up with new and different examples of how things should work.  These new ideas worked their way into their thinking about how elited should behave and act, and colored their image for what a proper State should look like.  Sure, they understood how their own traditions worked, and that is still the mode under which they operated, but they were ready to change. Some of this change started back in the era of Prince Umayado and the sovereign, Kashikiya Hime.  Umayado's purported 17 article constitution, as we noted, didn't exactly lay out specific laws and punishments.  It wasn't a true legal code, though it was accompanied by a few legal changes, including the first attempt at a rank system for individuals.  More importantly, though, it articulated a set of values on which the government should be founded.  Whether or not these values were actually articulated to Prince Umayado, aka Shotoku Taishi, or even whether they were written down before the Chronicles were put together is debatable, but that whole episode certainly suggests that these kinds of ideas, which were rife with continental thought, were making their way into society. And thus, Naka no Oe was able to suggest his and Karu's reforms based on arguments that no doubt resonated with the people of the time, as many of those in government would have been reading similar texts.  So even while it was seemingly against their immediate interests to give up control of labor or production, they had already been provided an exemplar of how this would work.  They had a new imagination of what their culture should be and look like. And that's why I bring up the idea of a new cultural imaginary taking hold.  A cultural imaginary is the collection of various shared values and concepts that a group envisions for themselves. If we think of modern countries, one can look at American culture, where there are shared values of freedom, individuality, etc.  These are backed by common, shared ideas and stories—stories of the Founding Fathers, separating themselves from Great Britain, but also ideas of the Old West and concepts of the rugged cowboy on his horse.  These stories and images help us to determine our shared values and understanding.  It also tends to define the “us” versus “them”.  Why are *we* the way we are and why are *they* different? To be clear, these stories are not always true, and can change over time.  Early visions of America included some people, but not everyone.  Stories turned George Washington into an almost mythical figure, with an emphasis on his heroic qualities and his honesty.  Our modern version of the Old West is often driven by what we saw in movies, which in turn were influenced by dime novels of the late 19th and early 20th centuries.  The historical Old West tended to be quite different—and much more complex and diverse—than our modern visions of it. We can see similar forces at work in the Nihon Shoki and the Kojiki.  These were written with the cultural values of the 8th century, and deliberately or not, their values are reflected back into the past, which is then what later generations would hold onto, defining their own image of who they were and how things should be. When the cultural imaginary of what your society or culture *should* be conflicts with what people actually see happening, that often creates tension.  That tension can be resolved in a variety of ways, but it often requires something to change.  In this case, the cultural imaginaries of the elite had been flooded with examples of Confucian and Buddhist morals.  The stories and values had been passed along with knowledge of astronomy, mathematics, and more, in the media they were consuming from the continent.  There were also those who had come from the continent—from Baekje, Silla, and beyond—who no doubt also had absorbed some of these stories and values and were passing them on, as well. And so it wouldn't have taken that much for Naka no Oe to point out how the system that they were laboring under differed from what a so-called “good” government should look like.  So in a way, there was already buy-in for a change, at least at the top.  And thus it appears as though Naka no Oe and Karu were able to get many of the elites to give up a measure of their own autonomy under the old system for the benefits of the new system that was being created.  Mind you, it likely didn't hurt that the throne was also ensuring that they gave out lavish gifts of silk, gold ingots, and hefty stipends to many of the more influential members of society as well. There are still questions as to how much actually changed, initially.  Sure, we see the edicts and an intent to change, and the local elites of Yamato seem to have been going along with it, but we don't quite see how quickly these edicts were accepted in places like Izumo or Kibi, and I wouldn't be surprised to learn that, at least initially, many people just paid the edicts lip service, waiting to see whether or not they would actually be enforced.  Still, these are definite changes away from the previous cultural norms. Which leads into the next big edict, which focused on regulating tombs. While the ancient burial mounds which could be called “kofun” continued to be built into the 8th century in one form or another, by most timelines, the Kofun period ended around 538 with the introduction of Buddhism and the start of what is known as the Asuka period.  As we've noted, even the kingly tombs of the royal family from the end of the 6th century stopped relying on the round-keyhole shaped tomb shape.  By the early 7th century the building of temples had become the new memorial for the ultra-wealthy of Yamato—a temple being a memorial that could be built before you passed and carry on your memory to later generations as a place of worship.  This was no doubt helped by the idea that you would also accrue a fair bit of karma, the spiritual capital of the Buddhist worldview. However, a mounded burial was still de rigeur for the elites and certain families, including those who had come over from the continent.  The last keyhole style tombs known to have been built appear to be out in modern Chiba prefecture, in the Kanto region, in the first half of the 7th century.  From then on, we largely see round, square, or octagonal tombs.  Some of the latest tombs that we know of, in the late 7th and early 8th centuries, show clear signs of continental influence.  Kitora kofun and Takamatsuzuka Kofun, both in the Asuka area, are decorated in ways similar to tombs in Goguryeo, including paintings of the four directional animals mentioned in the Liji, the Confucian Book of Rites: Suzaku, the red bird of the south; Byakko, the white tiger of the west; Genbu, the black tortoise of the north; and Seiryuu, the blue dragon of the east.  Takamatsuzuka also contains murals of courtiers dressed in clothing that would be quite at home on the continent and which looks quite different from the clothing seen on haniwa figures from only a century or so earlier. Tombs were also more likely to be clustered together, and often only contained a single burial, rather than evidence of a double burial.  This was likely influenced by the edict of 646.  That edict also gives us ideas on what was considered to be reasonable for that era, and provides some of our best descriptions in the written record to help us better understand tomb construction. I would also note that the court had moved to Naniwa, and near to Naniwa were some of the largest of the kofun, including Daisen-ryo, the largest kofun in Japan and one of the largest mausoleums in the entire world.  So perhaps that was also influencing their thoughts. The edict starts out noting that large, mounded tombs are wasteful.  This shouldn't be a surprise:  large tombs were always about conspicuous consumption as a sign of the wealth and power of the occupant and their family.  As noted earlier, however, a lot of that seems to have shifted to the building of temples, and as such, tombs were no longer seen as something to waste resources on.  However, since it was still tradition, it was still happening, hence the edict. And so it goes on to limit the size of the tombs.  At the largest, it says a tomb should be no more than about nine shaku wide and 5 shaku wide on the inside—one shaku being approximately 1 foot—and no more then 9 hiro to a side and 5 hiro in height.  A “Hiro” was an ancient measure that was generally the length of two outspread arms.  This was about 5 shaku, or 5 feet.    That means that we are still talking about a mound 45 feet on a side, which is nothing to sneeze at.  But this size was reserved for princes and up.  The Daijin—the great ministers of State—could have similar inner dimensions for their sarcophagus, but the outside was limited to only seven hiro to a side and three hiro in height.  Lesser ministers only got 5 hiro to a side and 2.5 hiro in height, while others were allocated no mound at all, and a smaller inner chamber. In addition, the number of laborers and how long they could work on a tomb was also capped.  The largest tombs were allotted 1,000 laborers for 7 days.  The Daijin received 500 laborers over 5 days.  Other ministers received 250 laborers for 3 days, while below that you received 100 laborers for 1 day or 50 laborers for no more than 1 day.  Here we see the state once again asserting itself into the relationship between the various individuals and the laborers—previously, an elite family would have just used as many laborers as they had private access to, but now things were being regulated and it was all based on your rank and position within the civil service of the new government. In addition, how the deceased was delivered to the monument also was regulated.  A carriage was permitted for the highest ranked individuals—the members of the royal family.  Ministers could be placed on a bier and carried by pall-bearers.  No mention is made of people of the lower class, with the assumption that they likely didn't get such a ceremony. White cloth hangings were allowed in many cases—white is practical, in that it isn't dyed and so it wouldn't be as expensive, but it was also considered the color of death in Buddhist and continental tradition, so not surprising.  They also allowed small stones to be used for princes down to the rank of “sho-chi”—that was the lowest official rank.  These stones could refer to several things, and we aren't quite sure.  According to Aston, the compilers of the “shukai” edition of the Nihon Shoki attributed this to memorial stones set up with inscriptions about the deceased, but as he points out, we haven't found anything that really correlates to that.  Aston instead suggests that what is meant are the stones used to build the roof of the main chamber.  If you look at tombs like Ishibutai kofun, you can see the large stones used there, but this may be referring to something similar, possibly using smaller stones that took less effort to haul into place.  There were also stones used on the outside to decorate the kofun back in the day, and I suppose that they could have meant that as well. More than just regulations, there were prohibitions placed on burials.  For one thing, the concept of a temporary interment was discontinued for everyone.  In the past, a body would be buried or even placed in a hut for some time and then the burial would take place at a later date.  There are several reasons this may have been done in the past, from the purely ritual to the more practical.  However, that was no longer considered to be appropriate.  Likewise, commoners were required to be buried within a day of their death.  This goes along with talk about reducing “pollution”, which may have referred to spiritual as much as physical pollution, and so plots of ground were set aside specifically for burials, and people were not allowed to be buried outside of those official locations.  That could certainly help explain why we see more clusters of burials in this later period.  Using the sides of hills and ridges may have also meant that the tombs didn't take up important agricultural lands. There were also prohibitions on sacrifices to the dead.  For one thing, nobody was permitted to sacrifice themselves through strangulation—which apparently had been a thing even though we are told that human sacrifice was prohibited back in the time of Mimaki Iribiko, and the reason that haniwa were invented.  You also weren't allowed to sacrifice someone's horse or bury valuables along with the dead.  These are all things that we see in the early mounded tomb culture, including burials in the Kara, or Gaya, region of the Korean peninsula, and we certainly find plenty of grave goods in the archipelago.  It makes me wonder if this is one of the reasons that painted tombs, like Kitora and Takamatsuzuka, were used, perhaps in place of more lavish grave goods going into the burial.  There was also a prohibition on an apparent custom where people would cut their hair and stab themselves in the thigh prior to pronouncing a eulogy.  Similar traditions are found elsewhere, often to emphasize that people were grieving the dead. And since you can't punish the dead, if there were any problems then it would be the dead person's relatives who would be punished, instead. Speaking of punishments, this starts to get into a part of the Taika reforms that really focuses on the various offenses that people were apparently committing and needed to be stopped.  It is unclear to me how often these offenses occurred, and in some cases I wonder if they were things that were actually happening or if they were carryovers from the continental tradition.  Still, I tend to come down on the idea that these were likely things that were actually happening, and didn't fit in with the social norms and values that Naka no Oe and his cohorts were attempting to put in place.  Some of these will likely resonate with us, today, but others are a bit more difficult to fully grasp. One of the things that is perhaps most difficult for us to grasp today is the concept of “harai”, which Aston translates as “purgation” and is most commonly translated, today, as “purification”.  “Harai” is an important concept in Shinto, and has been something that seems to have been there in some form from the earliest times. In Shinto there is a concept of “pollution” or “tsumi” that can occur, and it may or may not be something that a person has control over.  For example, blood and death are forms of pollution—which also means that, by extension, birth also includes pollution in the form of blood.  “Tsumi” can also be something that occurs because of things that a person does, where they break the social mores or norms.  A number of examples are contained in the stories provided during the Age of the Gods.  In particular, you can see in the tales of Izanagi and Izanami, where Izanagi, coming back from the land of the dead, dips himself into the ocean to wash away any impurities—any pollution.  We talked about that back in episode 14.  In episode 15, we talked about some of the not-so-great actions of Susano'o.  Some of these, like the backwards flaying of the colt and flinging it through the roof of his sister's building is somewhat obvious.  But then there were things like moving the stakes delineating the rice fields, or letting livestock in to trample the young growth.  Those were some other examples of tsumi that were part of the many things that got him kicked out of Takamagahara, the High Plain of Heaven. An important thing here is that tsumi is not necessarily about a person's intentions, motives, nor responsibility.  For all types of tsumi, some form of harai, or purification, is called for.  Today, there are various ceremonies that can be performed by Shinto priests to help remove the effects of tsumi, and that seems to have been the case back in the Kofun and Asuka periods as well, but there was a catch: it wasn't without costs.  And apparently those costs could be significant—significant enough that it was almost like a kind of punishment.  Aston suggests that harai could include various payments, perhaps seen as a kind of sacrifice, but that could be more than some people could afford.  If we look back on the story of Susano'o, he had to have his hair and nails cut as part of his penance—his harai.  There is also some thought that this may have just been a literal payment to the community, like a fine.  I would note that “harai” can mean either purification or payment, depending on the kanji used.  So just keep that in mind when we talk about “harai”. Now here are some of the things that, according to the new edicts, people were to stop doing. First, there were people who saw or heard something—presumably something important—and yet they wouldn't say anything.  That wasn't going to fly anymore.  So I guess this is the pro-snitching rule—if you see something, say something. Then there were enslaved people who apparently would leave poor masters to find someone wealthier to serve, hoping to improve their lot.  Again, this was right out.  We are reminded that Yamato was a slave-holding society, and they weren't going to allow that. On the other hand, the new rules also put a stop to husbands who would dismiss their wives and then, when the wives remarried, try to make a claim on the new husband's property.  Similarly, there were some men who demanded a family's daughter for his wife, but before they consummate the marriage, she marries someone else.  In some of those cases, the men would, again, make demands on the property of the new husband's family as well as the wife's family.  The new edict put that strictly out of bounds. Following on a theme of women and marriage: there was a tradition in some places that widows who, when they married after 10 or 20 years, or even unmarried women got married for the first time, they would be forced by the community to pay for some kind of “harai”.  This, along with the other practice mentioned, was forbidden.  No longer would they have to pay for getting married. Now in some cases, it looks like men who wanted to divorce their wives wouldn't just let them out of the arrangement. Rather, they would sell their wives into slavery—another thing that the new edicts said would no longer be tolerated. And then there was the case of a man who believed his wife was having an affair.  In that case he now had to obtain at least three credible witnesses before bringing it up to the authorities.  One presumes this was to protect women from men simply making a baseless claim with no proof.  Not that a determined man couldn't find—or even bribe—three witnesses to come forward and accuse his wife, but it at least upped the ante a little bit.  Whether this was to provide protection to women or whether it was just to reduce the amount of work on government officials who would have to investigate and come to a decision isn't exactly clear. I would note that while many of these new rules were coming down on the side of protecting women, to some degree, there is still a very heavy patriarchal bias demonstrated throughout. In addition to all the information on marital affairs,  there were a few other, unrelated issues, but all of them were connected to the need to do harai.  And now we come back to our story about poor Maro and Sumi from the beginning of the episode: let's say a man, finishing his forced labor, is returning back when he falls ill on the road and dies in some village.  According to established traditions, the people there could then require his companions or even family members to perform harai—presumably meaning that they would have to pay the village something or at least pay for the ritual cleansing, to compensate for the tsumi that the death caused.  Similarly, if someone were to drown, his companions would be held responsible.  Even if someone were to stop and cook rice by the roadside while traveling, they could be made to perform harai.  And the harai for all of this was so onerous that we are told that even a younger brother might completely ignore the body of his elder brother, just to avoid being associated with him and thus forced to perform harai. In all of these cases, the edict said that this would no longer be acceptable.  You couldn't just put the squeeze on someone to perform harai just because their companion happened to pass away. Being on the road and traveling—especially for official government service—was clearly something that was on their mind.  Moving on from the list of things that were to be discontinued without exception, there were a few other cases that were dealt with in the same edict. First, there was the case where peasants, heading to the capital, would leave their horses with someone in Owari or Mikawa, for example.  They would leave cloth and bundles of hemp as payment for the person to look after their horses, and even procure a spade as a gift when they returned.  However, when they got back, they would find that their horse had died, or else the horse had been sold, but the owner was told it had died.  The last trick, if it was a mare, was to get the mare pregnant and then claim that the pregnancy had polluted their house, therefore the owner would have to do harai, meaning that the horse usually ended up staying with the person who was supposed to be holding onto it. The solution was to use the new bureaucracy.  The owner and the person who agreed to keep the horse would make their statement to the village elder and the owner would hand over the renumeration to the elder as the third party.  This payment would be held by the elder until the owner returned, at which point it was handed over to the person who had kept the horse.  This way the person keeping the horse knew that he would be paid for his troubles, but only if the horse was still around when the owner returned. So they effectively invented the concept of escrow.  I suspect that such a system could be applied to many other such endeavors as well, where there was otherwise no guarantee of payment at the end of a task nor guarantee that the task would completed as agreed if they got the money up front. Besides that, the edict also had a short note about dues payable to Market Commissioners for main roads and to ferrymen—likely various fees.  Instead, these kinds of positions would be granted rice-land which could be cultivated and they could receive a stipend from that. Finally, during the key agricultural months, everybody was to be working on cultivating rice-land.  The edict specifically calls out that they should not eat dainty food nor drink sake, I suspect because dainty food wouldn't give you enough energy and drinking sake would impair your ability in the field.  Each quarter, the Kuni no Miyatsuko were to send messengers to remind the people of this edict—a kind of human public service announcement. So all of that was part of an edict on the 22nd day of the 3rd month of 646.  I am not sure that there is a clear theme to all of it, other than calling out old practices and describing how things would be done from here on out.  There is clearly a concern with harai and how it would affect people's willingness to do the right thing. The next set of pronouncements would come almost five months later, and a lot of that had to do with names, as well as further work on the creation of the government bureaucracy, but that is going to take a lot more time, and so I think that for now we'll end this here:  The link between the state and laborers has been changed, the tomb-building has been strictly regulated, and a series of rather specific pronouncements and prohibitions has been issued. And so, until next time, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Reform, Rebellion, and Rats!  And all in less than a year!  This episode we continue to look at the Taika era and the reforms that bear the era's name.  We are still covering, though, just the first year or so from the start of the era--through 645 and very early 646.  And yet there is a lot going on, some of it as part of the reforms and some of it just the normal international and domestic politics. For more check out https://sengokudaimyo.com/podcast/episode-109 Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this episode 109: Radical Reforms, Resourceful Rats, and Precarious Princes. ----------------- Prince Furubito no Ohoye looked out over the changing autumn leaves of Yoshino.  Where the mountains had been painted pink in cherry blossoms just seven months earlier, the mountains were now covered in garments of red, yellow, and orange.  Seven months.  A lot could happen in seven months.  Seven months ago, Prince Furubito had been in line for the throne.  His main contender for the position was dead, and he had the support of the most powerful men in the court.  Then it had all come crashing down in an instant. After the turmoil of the court earlier in the year, life in the countryside was no doubt a welcome respite.  The former Crown Prince had narrowly avoided sharing in the fate of his Soga relatives, who had been killed in front of him.  Furubito was no stranger to the literally cutthroat politics of the day.  Soga no Iruka had killed Yamashiro no Ohoye, son of Shotoku Taishi, ostensibly to place Furubito on the throne, no doubt with the expectation that the Soga descended prince would be easier to control.  Furubito himself had not been entirely out of the loop on that whole thing, either, specifically advising Iruka that he should make sure to send subordinates to do the dirty work and keep himself out of harm's way.  Now Furubito's seemingly untouchable supporters, Soga no Iruka and his father, were, themselves, dead at the hands of Furubito's younger brother, Prince Naka no Ohoye.  Their mother, Takara, had immediately abdicated, and Prince Furubito was suddenly in the crosshairs, potentially standing between his murderous brother and the throne.  And so he took himself out of the picture and retired, becoming a monk at a temple in Yoshino, a mostly wild area south of Asuka and the traditional heartland of Yamato, where sovereigns of the past had sometimes gone to get away. Furubito had spent the last several months there in the mountains, out of the political center, but that didn't mean he was completely on his own.  Not everyone was against him, and he still had people bringing him news.  He may have retired from the world, but he wasn't without his resources.  And there were those still in his camp, who thought he should be on the throne.  They just had to keep it under wraps until it was too late for Prince Naka and his cohorts to do anything about it.   So, with that little snapshot of life in Yoshino, let's get into it.  We're talking about the Taika era, so let's first start out with a recap of last episode and some things to keep in mind, and then continue with the story of the reforms, looking at what else was happening in that first year, as well.   We'll talk about the diplomatic missions from the Korean peninsula, the edicts focused on the Yamato elite and the clergy, as well as the strategic use of the change in the capital.  We'll also address just what happened with the “other” crown prince, Furubito no Ohoye. First off, let's quickly recap: So last episode we started talking about the Taika era and the Taika reforms.  In particular, we looked at how the governance of the archipelago had changed—as best as we can tell, at least, from the evidence available to us—and we looked at some of the very first edicts that went out.  According to the Nihon Shoki, things started with the appointment of the Ministers of the Left and Right, the Sadaijin and the Udaijin.  As later institutions were created, these ministers would each take a portion of those institutions into their portfolio, effectively dividing the management of the government.  Although the Sadaijin, or Minister of the Left, was considered senior to the Udaijin, the Minister of the Right, at least in later years, it should be noted that this system would prevent, at least on paper, a single prime minister from taking the reigns of the entire government, as the Soga seem to have largely done.  Presumably this meant that the sovereign, as head of state, would have the ultimate authority over the realm. Still, from the very get-go, we see that there are positions set up outside of this dynamic.  For one thing, you have the creation of the seemingly nebulous “Naidaijin”.  This is interpreted as the Minister of the Interior, meaning inside the royal house, and it was first granted to Naka no Ohoye's bro and best bud, Nakatomi no Kamatari—the co-conspirator who had helped make all this possible in the first place.  While the Sadaijin and Udaijin nominally had most of the power—and we see them referenced executing that power on a not infrequent basis—the position of Naidaijin appears to be almost extra-numerary, and is rarely mentioned, and yet he seemed to have wielded considerable power and influence.  This pattern of creating or using positions to exalt a singular individual, who would effectively run the affairs of state, is something that we'll see repeated multiple times in the future.  Whether this positionwas something like dajo daijin or kampaku, powerful individuals would often find their way, regardless of the bureaucratic norms. In addition to the Naidaijin, however, the position of the royal princes—especially the Crown Prince—seem to be untouched.  These were another class of elites often with wealth and influence, but who are largely outside the system of court ministers.  In fact, the bureaucratic system of government only really covered those positions by the so-called “commoner” families—elite families that nonetheless were not considered to be in a direct line of succession for the throne.  These were the members of the various be and uji corporate families that were created to serve the Yamato government.  After all, you don't hear of Royal princes taking on the position of a minister or anything similar, and presumably they managed their own affairs and estates as members of the extended royal family, with the sovereign as the familial head.  And then there were the peasants—the agricultural workers and truly common people who were so far removed from court business that they weren't even part of an uji clan or official familial unit other than their village, serfs or semi-free people—as free as anyone was in those days, though they were likely tied to the land by tradition and necessity—who owed service to some group of elites.  One of the things we are seeing in these reforms is a move to redirect the responsibilities of those serfs and semi-free people more directly to the state, with edicts directly addressing their status and their responsibilities.  That's something we'll talk about more as it comes up. But before that, let's get caught up on some other things happening in the first few months of the Taika era.  Sure, Naka no Oe and Kamatari were working closely with our sovereign, Karu—aka Koutoku Tennou—to get their reforms in place. As we talked about last episode, they were sending out governors, hanging bells outside of the palace, and otherwise trying out all kinds of new stuff.  However, as that was going on, they still had to deal with the day to day of the government.  Life didn't just stop while they ramped up their transition to a new, bureaucratic monarchy. One such routine event for a new reign was the designation of Karu's wife, Hashibito, as the queen.  In the fine Yamato tradition of keeping it all in the family, Hashibito was Karu's niece, the daughter of Karu's sister, Takara, aka Kougyoku Tennou, and her late husband, the sovereign Tamura, aka Joumei Tennou.  That made Hashibito a sister to Prince Naka no Oe, who was now his uncle's brother-in-law and, since he was named Crown Prince, his heir.  Probably don't think about it too much. There was also the matter of foreign envoys.  As you may recall, the murder of Soga no Iruka and his father, known to us as the Isshi Incident, kicked off during a court reception for peninsular envoys.  Two months later, we are told that envoys from Baekje, Goguryeo, and Silla all arrived with tribute.  These appear to be separate from those who had witnessed Naka no Oe's bloody coup d'etat, and given the time it took to travel, they may have already been on their way when everything went down.  They arrived in the 7th month of the year, not quite a full month since Karu had taken the throne. This might have been a regular visit, but we get some interesting information from the Chronicles about it.  Kose no Tokuda no Omi addressed the envoys, at least those of Goguryeo and Baekje.  Although it is also noted that Silla envoys arrived as well, communications with them are not recorded.  There was also a slight problem in that one of the envoys (whose name Aston transcribes as “Chaphyong Yonbok”, suggesting that he was actually the Minister of the Left, Yonbok) apparently traveled all the way to Yamato just to come down with an illness.  He stayed at Naniwa and rested while the other envoys made the journey onward, presumably to the palace in Asuka, where the court received the tribute. As for Goguryeo, Kose notes that Yamato and Goguryeo had not had formal relations for very long.  This is unsurprising, given that Goguryeo was on the far north of the peninsula, and would have had to go through either Silla or Baekje controlled territory to get to Yamato, and they weren't always on the best of terms with either of the other countries on the peninsula.  There were some attempts to reach the archipelago by landing on the northern edge of Honshu, along the Japan sea coast, landing near Tsuruga, on the western edge of the land of Koshi, but still, Yamato's relationship with Goguryeo does not appear to have been as old or as consistent as Yamato's dealings with their less distant neighbors.  Tokuda, the Yamato officer addressing the Goguryeo envoys, wished for long and continued interactions, but that was about it. Baekje, though, was another story, and a bit of a conflicting one.  The speech that Tokuda gives according to the Chronicles is likely heavily edited to sound more regal and to be in line with the Chroniclers' ideas of Japan's place in the world, but it is also possible that they were just using flowery, continental style pronouncements.  It starts off with the somewhat audacious statement that Karu is a God-incarnate, which tracks with the idea that he is descended from the Heavenly Grandson, who came down from Takama no Hara.  This same language was used with Goguryeo, earlier.  Then Tokuda repeats the claim that Baekje is a vassal state of Yamato, claiming that they were considered an “internal Miyake”, likely referring to a land that was supposed to be directly controlled by Yamato.  One is left to wonder just how Baekje felt about all of this, but then again, things may have been lost in translation from one court to the other. Finally, Baekje was admonished for not bringing sufficient tribute from Nimna, since it had theoretically been placed under Baekje's care. And here's where I see some conflicting information.  After all, we know that Silla had absorbed Nimna well before this period, and Silla had been made to bring two ships during tribute missions or to meet the Yamato delegation with two ships to preserve at least the fiction that Nimna was still an independent country and ally to the archipelago.  That was all back in the reign of Kashikiya Hime, aka Suiko Tennou, or earlier .  Of course Baekje would not have any tribute from Nimna, and yet the Yamato court seem to have expected something unless, of course, they were just putting on some kind of show for Silla's sake?  It seems like the matter of Nimna, which was no longer a going concern on the peninsula, was still something that Yamato was keeping front and center in their mind.  Whatever the logic, Tokuda says that the sovereign pays special attention to the tribute from Nimna, and as it was deficient, they returned the tribute back to Baekje until they could bring the expected amount. There is plenty of ink that has been spilt on the subject of the diplomatic tribute systems that were set up across East Asia, largely as part of or in imitation of those systems set up by dynasties like the Han and the Tang.  As we understand it, diplomats were expected to come to a foreign sovereign's courts as petitioners, bringing with them “tribute”—basically trade goods—to grease the wheels of international relations.  The receiving country would reciprocate with lavish gifts on the envoys, in turn, often in excess of the “tribute” they had brought—at least, that is how the central Sinic dynasties operated.  In this way, diplomatic missions were not only profitable for international relations, but also for acquiring elite goods that could not easily be otherwise obtained, and for that, envoys were willing to go along with the polite fiction that they were truly subordinate to the power they entreated.  It is unclear whether or not this went both ways.  I suspect that the Han or Tang dynasties  would not have accepted the idea that their own ambassadors would be bringing tribute to any “lesser” nation.  However, amongst nations like Yamato, Baekje, Silla, and Goguryeo, were there similar concerns?  Unfortunately, we don't really have a clear, contemporary record of these interactions, and can only make assumptions based on what sources do exist.  I suspect, however, that Baekje, though willing to indulge Yamato's fantasies, did not actually consider itself an “inner miyake” of Yamato—though they were a trusted ally.  Most of the time. Which makes me wonder how they took such a snub.  Unfortunately, both Baekje and Yamato sources appear to be quiet on that front. The envoys did not leave empty-handed, however.  They sent away the wife and children of a man identified as “Wisa”—likely hostages being held at the Yamato court as part of the other diplomatic system between Baekje and Yamato.  We are not told why, however, so we are left only to speculate on what actually happened. Later that month, and into the next, the reforms were really kicked off, sending out the governors to the eastern provinces and proclaiming some of the early edicts we talked about last month And while the court was waiting for news to come back from those governors, there was another issue that they were tackling, and that was further incorporating the Buddhist clergy and temples into the state government.  Yeah, if you hadn't already guessed, Yamato at this time didn't exactly have a principle of the separation of church—or in this case temple—and state.  In fact, quite the opposite.  For a little over two decades at this point the court had assumed the authority to appoint individuals at the head of the Buddhist clergy, presumably to keep them in line ever since that one incident with the axe—and if you want a reminder, check out Episode 102. And so a messenger was sent from the court to Kudara-dera to gather all of the clergy there.  That was the temple near where Tamura had built his palace, Kudara no Miya, and it reportedly had an absolutely jaw-dropping pagoda, so perhaps little wonder that it was a central location.  After recounting the history of Buddhism in the archipelago, the court representative appointed chief priests to ten different temples, as well as the chief priest of Kudara-dera.  They then made a promise that the Sovereign—which is to say the State—would pay for the repairs of any of the temples built by the Tomo no Miyatsuko; the courtly families.  At the same time, the court also appointed temple commissioners, and expected them and the chief priests to report out the number of priests and nuns, as well as acreage of cultivated temple land.  Interestingly, these commissioners were to report directly to the state, rather than through the local governors, indicating that the temples appear to have been somewhat exempt from the local civil authorities, though still under the thumb of the sovereign and the national government.  This was likely done through the “Houtou”, or “heads of the Law”, another set of positions for people appointed to oversee Buddhist practice. In the following month, the court moved on from the clergy and focused on the courtiers: the Omi, Muraji, and the Tomo no Miyatsuko, and not in a fun way:  These leading families were called to the carpet for what was seen as a host of offenses.  They were accused of compelling their own vassals to labor at their pleasure, and appropriating land for their own private use, denying it to the people.  This included mountains, hills, ponds, and even portions of the sea, which they turned into their own private hunting and fishing reserves.  They would take prime rice-lands—land that could be brought under cultivation—and use it purely for themselves.  They would take portions of the public land, divvy it up, and sell it off as if it were their own.  Or they would just rent it out, so that they would collect rent on the property and those who farmed it wouldn't actually own anything, making them a kind of tenant farmer or even something like a sharecropper.  Furthermore, when they collected taxes from those in areas they oversaw, they were accused of taking a portion off the top for themselves before turning over the rest to the government. And finally, they would take their own people and build palaces for themselves.  This practice, though probably nothing new, went against the direction the new state was headed, and if it was allowed to continue, it would potentially reduce the number of laborers available for government projects. To be clear, not all of the noble families were doing this, but enough that a broad edict was required.  This edict not only called out these practices, but specifically banned the private sale of land—likely meaning that it was up to the State to decide how land was apportioned—and it forbade anyone making themselves into a landlord. Now for anyone who has been following along—or simply looked at human history—the way that the elites had been concentrating power is hardly surprising.  History books are filled with examples of those in power using it to aggregate more and more to themselves, especially without some kind of regulation.  While the Taika edict treats this like an aberration of the way things should be, it is more likely that this is actually how the system had been designed to work up until this point.  There were elites who operated at different levels in an hierarchical structure.  Those above provided legitimacy and preferential treatment to those they considered their vassals.  Those vassals were left to largely run things as they saw fit at the lower levels, as long as they maintained an expected flow of tribute up the chain.  As long as things didn't get out of hand—no rebellions, famine, etc.—then there was little reason for those at the top to be concerned. Here, though, we are seeing a different imagining of the state: one where the governance of the state truly does flow from the sovereign down to the people.  Those who had been studying the Buddhist and Confucian canons from the continent had been introduced to new ideas of what a state ought to be, and now that they were in power, they were determined to implement those ideas. One has to imagine that this ruffled more than a few feathers, and I have to wonder if it didn't contribute, at least in some way, to what else was happening around the same time.  Remember, all of this—the tribute missions, the governors, the gathering of the clergy, and dressing down the courtiers—all happened in the first three months of the new reign—the Taika era.  But in the ninth month, the court's attention was also turned to another matter, when a man named Kibi no Kasa no Omi no Shidaru came to Naka no Ohoye with a confession:  He claimed he had been party to a meeting in Yoshino with none other than Prince Furubito no Ohoye, along with members of the Soga, the Yamato no Aya, and the Yechi no Hata.  They were all disillusioned with this new reign and how they got here, and were plotting to put a stop to it by overthrowing Karu and putting Prince Furubito on the throne. So, yeah, this is where we circle back to where we started the episode – imagining Prince Furubito, hanging out in the mountains of Yoshino, enjoying his near escape and contemplating his retirement.  Things weren't quite that peaceful. I'd note that another source claims that the guy who spilled the beans, Kibi no Kasa no Omi, instead went to the Daijin, the Great Ministers, Abe no Oho-omi and Soga no Oho-omi, the ministers of the Right and Left.  Regardless of who he spoke to, he ratted out all of his co-conspirators. The details are sparse on just how everything unfolded from there, but we know that Naka no Ohoye appointed two generals to go and arrest—by which I'm pretty sure he meant assassinate—Prince Furubito no Ohoye.  Whether or not the Prince had actually kicked off discussions or had even participated in any significant way, Naka no Ohoye's brother was too dangerous as a symbol around which anyone discontented with the new order could try and rally.  And it's not at all surprising to imagine that there are those who were not exactly happy with where things were going.   The throne was exerting greater control than it had in some time—perhaps more than it ever had, at this scale.  The foreign ideas that had come in the way of books and learning may have, at first, been just another way for the elite to demonstrate their own superiority, but now these ideas were starting to affect the way they, themselves, had to operate.  You could either accept it as the way forward or you could resist.  Those who would resist, though, needed someone to rally around.  Since the Sovereign and the Crown Prince were both pushing for change, anyone opposed would need to find a new sovereign to uphold their own ideas.  To that end, Furubito no Ohoye must have been an enticing figure.  He really was from the old school. Sure, that was a Soga dominated school, drenched in the blood of other members of the royal family, but it was still something that those who wanted to conserve their old way of life could use to legitimize their position. And that made Furubito no Ohoye dangerous, regardless of whether or not he encouraged such individuals or not. And so Uda no Yenomuro no Furu and Koma no Miyachi departed with a sizeable force to take out the Prince.  Which, spoiler alert: they did. There are some conflicting accounts on this.  Some records claim that the attack force didn't set out until more than two months later, on the 30th day of the 11th month.  Others say that the generals were actually Kosobe no Omi no Abe and Sahekibe no Komaro, at the head of only thirty men.  It is possible that both accounts are correct in some way, or that various family records retroactively  claimed credit for the attack.  It may also be that the time from the conspiracy's discovery to the eventual resolution—the killing of Furubito and his household—took a little over two months to complete; a not unreasonable situation. This whole event is often talked about as Furubito no Ohoye's revolt, and if we take the Chronicles at face value, that is largely accurate.  However, we don't have many actual details, and we do know about Naka no Ohoye—we know that he hadn't been afraid to kill Soga no Iruka in broad daylight, in the middle of the court.  Would it have really been too much for him to manufacture a conspiracy to provide him an excuse to take out his older brother and thus prepare his own eventual rise to the throne?  On things like this, the Chronicles are largely silent, and we can only speculate as to what was actually going on.  Still, I have to wonder. Following the death of Furubito no Ohoye, and the suppression of the rebellion in his name, the sovereign, Karu, announced that he had settled on a location for his new palace.  While most of the edicts at this time broke new ground, this one did not, following a tradition that, if we believe the Chronicles, had been around for centuries.  Each new sovereign would designate a location for their new palace, moving out of the palace of their predecessor.  Usually this would beannounced at the very start of a reign, but as we've seen, this reign had gotten off to a busy start, and so we don't see mention of the new palace until the twelfth month. The tradition of moving out of an old palace and into a new one is thought to have typically been due to the ritual pollution, or tsumi, attached to the palace of a sovereign who has died -- often in the palace itself, if they were lucky enough to pass away in their sleep.  Of course, in this case the throne didn't pass on the occasion of the sovereign's death, but there had certainly been plenty of blood spilled in the palace, recently, so I imagine that moving the palace was to be expected. Less expected was exactly where he moved the palace to, since Karu decided not to stay put in the Asuka region, and instead chose to move the palace to the port of Naniwa, where the continental envoys came. There are numerous examples throughout Japanese history where a change was made to move the capital, or at least the seat of government, to somewhere new.  In many cases, this was to get away from various political forces that had become entrenched in the capital region.  Courtiers and their retinue would settle near the palace, and soon an entire area was controlled, physically and politically, by a few powerful families or institutions.  The Asuka region, for example, had started out as the ancestral stronghold of the Soga clan, and for the past century had operated as the seat of Soga controlled sovereigns.  Tamura, or Jomei Tennou, had seemingly tried to move a little ways outside, near the site of Kudaradera, but his wife and successor, no doubt with the assistance and counsel of Soga no Emishi, had moved back into the Asuka valle, proper. Moving to Naniwa would have been quite the undertaking, as it didn't just mean moving the palace, but it meant moving the whole infrastructure of the government.  Granted, this wasn't exactly on par with the size and complexity of the Imperial dynasties in what we now know as China, but it did mean that the powerful families would need to make sure that they had a residence of some sort near the new capital if they wanted to be close to the reins of power.  That meant that they would need to also expend some of their own resources, as well. Also, it would be a good time to provide a sense of renewal for the era.  The Chroniclers added a line, taken from various Chinese histories, that shortly after the announcement of the new capital's location, rats were seen moving across the countryside in the direction of Naniwa.  At its most basic level, this likely recognized that when the people abandon a capital for a new city, that new city quickly has its own population.  No doubt it was felt that the rats had simply followed the people there.  The migration of rats would figure into several other movements during this reign, as well.  It was apparently a popular trope. The movement started in the twelfth month of the first year of Taika, or 645, and would be completed in the third month of the following year, 646.  That was around the same time that word was coming back from the lands in the east about just how things were going with the newly appointed governors.  Giventhe killing of Furubito no Ohoye in the 11th month of 645, as well as everything else that was now happening, the capital would be the catalyst for a fresh new slate in more ways than one.  The building of the new palace, and the need to entreat the kami, that would be used as an excuse to issue a general amnesty -- the “Get out of jail free” card for the governors and others who hadn't quite gotten on board, which we talked about last episode.  They were shown the stick, but offered a carrot.  While not explicitly stated, this may have also been a time to bury the hatchet for the pro-Furubito faction as well, giving them a chance to move on.   And there was a lot of movement to be had.  We are told that there was a proclamation in the first month of 646—a proper edict of reforms.  These are laid out in four articles, and are perhaps the closest we have to a true “code” of the reforms from this era.  And warning: this is where the reforms get really radical. The first article was on land ownership and allocation.  Specifically, it abolished the various royal Miyake and the previously established “representatives of children”—which I'm guessing refers to the various families that were tasked with supporting some of the various royal princes and other royal descendants.  It also abolished various farmsteads of serfs and abolished the bonds of those serfs who owed their service to various royal families; the ministers, the Omi and the Muraji; and general courtiers, the Tomo no Miyatsuko; as well as the various lords of the lands, the Kuni no Miyatsuko, and even down the villages, to the level of the Mura no Obito. In place of these mechanisms of bringing in rice and other goods, various fiefs were created out of the previously held land and redistributed to various princes and officials on a descending scale, with those at the top of the courtly rank system getting the most productive, and less for those further down.  To sweeten this deal, gifts of cloth were also given at the time of the edict, likely as a way to offset any harsh feelings. In the end, this article completely rewrote how land was owned in the archipelago, at least in principle.  The land belonged to the sovereign, who apportioned it out as required.  The fiefs would then supply incomes to government officials, effectively providing them a salary.  Those higher in the court system, which is to say those with a higher court rank, would have a larger stipend.  Some version of this system, which wasn't always as strictly enforced, would continue right up until it was abolished in the early Meiji era. The second article of the reforms largely targeted the capital and the “Home Provinces”, recognized, today, as the area from modern Iga city in the east; to Mt. Seyama, in Wakayama, to the south. It extended westward past modern Kobe to the Akashi area, and north to Afusakayama, on the southwestern shores of Lake Biwa, due east of modern Kyoto city.  These correspond largely to the areas that were traditionally under Yamato's direct rule, and where many of the noble families had their base of operations.  Actual governors were appointed to the home provinces, like Kii, Kawachi, Harima, Yamashiro, etc., with various roads, barriers, outposts, and more created to secure the home territories.  Post horses were included, and this is the first mention of the creation of bell tokens, a kind of bronze amulet with various round “bells” incorporated into the design.  These bell tokens would become a kind of badge of office for anyone traveling, as they would be used at government posts along the road to determine what kinds of and how many horses a given official was entitled to during their official travel. The area within the capital itself was divided into “wards”, or “Bo”.  Each ward would have an “wosa” appointed from the population.  Aston translates this as “alderman”, though it feels like “magistrate” is more appropriate.  For every four wards, an unagachi, or chief magistrate, was appointed.  These wosa and unagachi were charged to watch over the people and investigate criminal matters.  They were supposed to be people of “good character and solid capacity”, and if nobody in the ward could serve, then someone could be chosen from an adjoining ward, instead. Throughout the rest of the home provinces, the land was divided up into “townships” (RI or Sato), rather than wards, and townships would be gathered into “districts” (GUN or Koori).  Large districts were those with over forty townships.  Middle districts were those with anywhere from four to thirty townships.  And districts of three or fewer townships were considered Lesser Districts.  The Japanese for these would be Tai-gun, Chuu-gun, and Shou-gun, but I should note that it is unclear whether that was the actual term used or just the way to write it in the Sinitic style of the Chronicles.  The governors of these areas were the Tairei and Sharei, glossed in Japanese as the Koori no Miyatsuko and the Suke no Miyatsuko, though Aston suggests those were just translations, and the Yamato court was probably using the On'yomi for the names as this was an attempt to copy continental governance.  For these positions, you were expected to be not just good, but of “unblemished” character.  They were assisted by clerks and others who were skilled in writing and arithmetic.  I suspect a lot of this was also applied to the governors discussed in the previous episode, though we did not see such a clear list of qualifications for them and their staff at the time. So that set up the governance of the capital and the capital region, in a model that would be followed elsewhere. The third of the four articles provided for drawing up accounts of the land and people—much as the governors were doing in the east.  They also create The Books, as in the accounting books for the government.  These were to record the state of, well, the State.  How many people, what land was out there, in what condition, and to whom did it belong.  It would be the official register of receipts telling everyone what land belonged to whom. It also defined the townships, or Ri, as being made up of 50 households, with one magistrate per township, as above.  However, given that these townships were in the countryside, the magistrate was also responsible for the direction of sowing the crops and the cultivation of mulberry trees, used primarily for silk production.  It also fell to the magistrate to enforce the payment of taxes, both in rice and forced labor. And here we see just how much those taxes were.  Rice fields were measured by “tan”, sometimes translated as “kida”, which was an area of thirty paces by twelve paces.  That comes out to somewhere between 9,000 to 11,000 square feet, depending on the size of the pace—a modern “tan” is figured at 10,800 square feet, or a little over one thousand square meters or a bit under one quarter of an acre.  From there, ten tan would make a CHO, the largest land unit mentioned here.  All of this was only true of flat land, however.  For steep and wooded land, the various officials in charge would need to make special arrangements.  Afterall, a thousand square meters of cliff face wasn't exactly producing a ton of rice—or mulberry trees, for that matter.  The tax for each tan of cultivated land  was 22 bundles of rice on the stalk.  A single bundle was the amount that a person could reasonably grasp in one hand.  Ten bundles made up a sheaf, so actually it was 2 sheafs and 2 bundles.  The edicts then laid out the math to verify that for a CHO it was 22 sheafs, or ten times that of a TAN.  And all of this can be pretty boring and, well, academic, but it starts to get us a glimpse into life outside of the elite courtiers.  We can see that they assumed a community was about 50 households in rural areas, and you likely would have gotten to know your neighbors, as they were the ones you were planting and harvesting with.  While I'm not sure that a TAN was equivalent to a single field, we can see that four TAN would have been roughly an acre of land—an acre itself being an agricultural unit that was about as much land as a single individual could work in a day. What isn't clear from all of this is what was the expected gross yield of the field—in other words, how much of the crop would the farmers themselves be able to keep?  In later centuries, farmers often couldn't afford to keep their own crop of rice, and had to settle for eating millet and other, cheaper grains, with almost all of the rice they grew going to pay their taxes Besides taxes on the fields, there were also other taxes to be considered, but these were dealt with in the fourth and final article of the reforms of 646.  Up front, this article abolished any earlier taxes that may have been imposed, clearing the way for a new tax structure.  From there, it first laid out a series of alternatives to rice for paying your taxes.  One was the ability to pay in cloth, so for instance, if you had a single TAN of land, you could pay the 2 sheafs and 2 bundles of rice OR you could pay 10 feet of fine silk, 2.5 feet in width—the width of most home looms at the time.  Alternatively there were conversions into coarse silk (double it to 20 feet) or another bast fiber cloth (double again, to 40 feet).  Silk thread or silk floss are not mentioned as a substitute for the rice tax on land. But: this Article also laid out additional taxes to those on the fields.  Each household would have to also produce at least 12 shaku—roughly 12 feet—of bast fiber cloth each year.  There were also other taxes such as salt, etc., all depending on what was locally produced.  And on top of that, for every 2 townships of 100 people, they had to produce a single horse for the government.  A particularly fine horse could be used to cover the taxes for up to 4 townships.  And if they could not produce a horse, they would need to provide up to 12 feet of cloth per household to offset the cost of the government buying one.  That is 12 feet of cloth in addition to what they already had to pay. In addition to that, every person was expected to supply a sword, armor, bow and arrows, a flag, and a drum.  This may have only been for those able-bodied men called up for service, though—it isn't exactly clear. And then, when there were public works to be done, each township had the responsibility to offer up a single, able-bodied individual, and to provide 22 feet of cloth and 5 masu of rice for their service, to keep them clothed and fed.  This was actually an improvement on previous corvee labor requirements, which required one person per thirty households, who were all supposed to support them. Finally, there is a note about Uneme—the handmaidens at the court.  Uneme were drawn from the sisters or daughters of district officials of the rank of shorei and upwards.  Each Uneme was expected to be furnished with one male and two female servants to attend to their needs.  They would be provided cloth and rice similar to laborers, except that the cost was to be spread out across one hundred households, not just fifty. Again, we get a glimpse of what life under the new regime was like—or at least what it was supposed to be like.  We saw mention of taxes and other such things early on in the Chronicles, but this is the first time we really get to see what kinds of taxes would be levied on the common households.  A single agricultural household would likely be responsible for some portion of the town's field-tax, as well as a tax of cloth on their own home, and possibly supporting a laborer or even the purchase of a government horse.  Finally, they could also be responsible for providing for one of the handmaidens of the court. It was clear that the state was extending its reach in new ways.  In some cases this would have clearly been an improvement: there was a reduction in the amount of labor that people had to provide, and things were being standardized.  There were bureaucratic lines being built from the townships and wards up through to the sovereign, providing a clear connection between sovereign and vassal.  On the other hand, this trod on the ancestral traditions of certain groups.  We saw the attempted revolt around Prince Furubito no Ohoye, but after his death, the opposition didn't really have a central figure to rally around.  And so the reforms would continue. Although the reforms at the start of 646 may have been some of the most formal, there is still a lot of change to come and we'll deal with that in the next few episodes. Until then, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

We are finally starting to get into the Taika era and the Taika reforms, which would really start the transformation of Yamato into the bureaucratic state of the Nara period.  This episode, we look back at how the Yamato state had been changing up to this point, some of the possible influences and precursors, and then dive into some of the first edicts, largely dealing with sending out governors to the provinces.  These governors, or "kokushi", were originally temporary positions, limited in what they could do.  More info over at https://sengokudaimyo.com/podcast/episode-108  Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 108: The Great Change ……………….. The Kuni no Miyatsuko, hereditary leader of his lands, likely heard the news before they arrived.  Apparently Yamato was sending out an official—a kokushi—who was going to be doing some sort of survey.  Whatever.  Just another person from Yamato's court—what did it matter?  His family had been in charge of the local lands for as long as anyone remembered, and while they might give nominal fealty to the Oho-kimi in Yamato, along with the occasional bit of taxes, paid in rice, what consequence was it to him?  Some might say he was a big fish in a small pond, but it was his pond.  Always had been, and always would be.  Wouldn't it? ……………….. And we are back with our regular chronological podcast, and we are finally going to pick back up on the fall out from the events of 645, the Isshi Incident, when Prince Naka no Oe orchestrated the murder of Soga no Iruka, and later his father, Soga no Emishi, in full view of the court, including his mother, Takara, aka Kougyoku Tennou.  That incident would be the start of Naka no Oe's own rise to power and the reshaping of Yamato from the its longstanding clan based system of government to a new national government of laws and punishments, known generally as the Ritsuryo system.  This episode we'll dive into this new system and the so-called “Taika reforms” that brought it about, the changes it ushered in, and the ripples this sent throughout the entire archipelago.     The term “Taika” itself means “Great Change”, and it isn't clear to me if it was picked because they expected to be making big changes or after the fact, but in the minds of most Japanese historians it is quite accurate. The entire system actually took about a century or so to really come together—we often think of the Ritsuryo system as it was in its final version.  This period, though, is where things kicked off, so we'll be setting the stage and talking about some of the edicts during this period that eventually became the written code of the Ritsuryo system.  This was started by Naka no Oe who, spoiler alert, would eventually reign as sovereign and be known as Tenchi Tennou.  The system he helps put into place would continue to be used and refined even after his death and even after the end of the period covered by the Nihon Shoki. So after some background, we'll get to some of the very first edicts this episode, and then spend more time on them again, in the future. The RitsuryoThe Ritsuryo system was based largely on continental models, with Confucian ideals and the legal code of the Tang dynasty having particular influence.  And as we discuss these changes, which were huge, I'll start with some clarifications and caveats.  This was a system of government based largely on continental models, with Confucian ideals and the legal code of the Tang dynasty having particular influence.  That   One of the first things to emphasize is that said, itthis wasn't exactly an immediate revolution and reformation.  Based on the entries in the Nihon Shoki, some of the work had already  been started long before Naka no Oe came on the scene, largely attributed to the influence of Prince Umayado, aka Shotoku Taishi, and things like the 17 article constitution and rank system, which we discussed back in episode 95.  And even after its initial implementation, there would come various tweaks to the system.  Although there are numerous edicts made in the initial years of what is known as the Taika era, leading this change to often be given the nickname of the “Taika reforms”, the earliest formal administrative codes would come much later, firming up in the 8th century. Another thing to keep in mind as we realize, as we start looking at these changes is that the Yamato courtit didn't necessarily discard the old system, either.  Changes like this take time, and something even if it is implemented for a year or two , it might not stick.  This is one of the reasons that it is important that two of the apparent architects of the new system for these changes were there present through much of its implementation, actively guiding and shaping the process direction that the changes would take.  These two individuals at wereas Prince Naka no Oe and Nakatomi no Kamako, later known in this reign as Kamatari, which is the name I'm going to use from here on out as it is the much more well known in case anyone decides to look up information later. Finally, I would also note that many of these changes were being applied at the level of the elites of society, how they organized power and how they approached governance – but  we should also spare a thought for how this affected the majority of people.  After all, it was the majority of people who were working the fields, cutting the wood, or fishing the seas.  The elites were often otherwise engaged, and whichthat isn't to say that they did nothing.  Often they were coordinating and bringing things together, but that was a smaller part of the overall population.  In these reforms we get to see some rare glimpses into how all of thisit may have affected people beyond just the court elites. To set this up, let's start with a look at what brought us here, and how things changed over time and how they had governed things up until now—or at least as best as we can make out from our various sources.  From there we can take a look at some of the earliest edicts related to the changes evolution in the government, focusing how they focused on consolidating the power and support at the center of the Yamato court and starteding to make more concrete Yamato's control across the rest of the archipelago. We've covered much of the development of complex society in Yamato this in previous episodes:  How Yayoi society came with or at least introduced a form of stratification evident in graves, grave goods, as well as other patterns of lifeways.  Local elites rose up to oversee communities, and eventually extended their influence, creating the various “kuni”, or countries—regional collections of communities that came together under a leadership structure and some shared cultural values.   Some of the earliest stories give us the Hiko-Hime leadership structure, often with a male and female head of state, though sometimes shown as elder and younger co-rulers.  This is backed up by some evidence in the kofun era, as we see large, single-purpose tomb mounds built for what we can only assume are the elite.  Their construction would have required control of a large labor force, indicating a certain amount of their power, and their shape and various burial goods have further suggested, at least to scholars like Kishimoto, that there may have been a division of rulership, at least early on. We've talked about the spread of Yamato style round keyhole shaped kofun through the archipelago and how the popularity of that kofun shape demonstrated Yamato's influence but  in the shape of their kofun, but that didn't necessarily accompany a change in  change the actual dynamics of local government, other than demonstrating Yamato's increased influence.  The next thing we see in the record, I would argue, is the change to a familial based system, or the Bemin-sei.  This is what we've talked about periodically in terms of both the uji, familial groups or clans, and the “be” familial or occupational groups, but here I'll give an overview of the whole practice and what its development means in the sense of changing approaches to organizing and governing a complex society. The Bemin system was a means of further dividing and categorizing people in society, .  It is  rooted in continental concepts of a familial group.  Prior to the 5th century, there isn't a clear indication of familial clans in Yamato, though that doesn't mean people didn't know where they were from.  They still remembered who their ancestors were, and that was important, often tracing back to mythical and legendary individuals who are recorded as gods, or kami.  I suspect, however, that in the smaller communities of the Yayoi period, where you were from was as a good an indicator of your relationships as anything else.  Farming is a pretty sedentary lifestyle, and if you know all of your neighbors there isn't as much need to divide each other up into specific familial groups.  It was more important that I'm from this village or region than I'm from this particular family. And so the oldest stories in the Nihon Shoki and the Kojiki only refer to individuals by their names or by locatives.  Occasionally we will be told that so-and-so was an ancestor of this or that uji, or clan, but it is telling that they don't use the clan name with that person. Surnames do become important, however, in the Bemin system.  But they are only really important for those in the upper tiers of society.  Amongst the farmers and other commoners—the heimin—you often won't find specific surnames, or people will use pure locatives or something similar to refer to a person.  Surnames were for people a little further up the social food chain. From what we can tell, the uji structure likely started with the “-Be” families, trying to set up groups of individuals who were in charge of certain economic activities beyond just farming the land.  The Imbe, the Mononobe, the Abe, the Kuratsukuribe, and the Kusakabe are all examples of family names ending in “-Be”.  Some, like Kuratsukuribe, Inukaibe, and Umakaibe are all fairly straightforward:  These are groups that were set up around particular industries.  Kuratsukuri literally means “saddle-making”, so the Kuratsukuri-be are the saddlemakers.  Inukai and Umakai refer to the ones who kept or raised the dogs and horses. Setting up a familial or clan unit around a certain profession was one way of organizing society so that you had the things that you needed.  Such jobs were often inherited, anyway, passing from father to son, mother to daughter, etc.  So it makes some sense.  And the clan, or uji, structure meant that there was a person or persons at the head of the familial unit who could be responsible for coordinating efforts across different, sometimes dispersed, groups of people. The thing is, there is no indication that the people in these professions were necessarily related to each other prior to this organization, and in many ways the idea that they were a family with a common ancestor was a created fiction.  There may have been some relationship—for instance, weaver groups were often centered on immigrant groups that came over from the continent with knowledge of specific techniques, so there was likely some pre-existing relationship, but they weren't necessarily what we would consider family, related by blood, to one another. Over time these groups became actual clans—children were born into them and remained, unless they specifically were split off into a different uji for some reason.  Some of them dropped the “-Be” part of their name—in some instances it seems this may have created a distinction between the line at the head of the clan vice the other members, but that distinction isn't entirely clear.  Furthermore, members of these clans were not, ultimately, restricted to the hereditary jobs for which the clan had been created.  There are also clans that appear to be more about location, possibly local rulers or magnates.  For example, there are the Munakata and the Miwa, referring to local chiefs or lords of the Munakata and Miwa areas, both important ritual areas. The clans formed another function as well, as each clan had a kabane, which was an early form of social rank.  Some of these ranks appear to have come from titles or positions.  So, for instance, you have the Omi, the Muraji, the Kimi, and the Atahe.  Early on, Muraji appears to be the more prestigious title, with the Ohomuraji being the head of a Muraji level house that was also a key member of the government.  Omi, meaning minister, eventually came to be seen as more prestigious, however.  Meanwhile, both were more presitiousprestigious than the term “Kimi”, although that may have originated as a term for the rulers of the local countries, which makes sense if you consider that the Yamato sovereign was the Oho-kimi, or the Great Kimi, much as the Oho-omi was in charge of an Omi group and the Ohomuraji was in charge of a Muraji level house.  There are also Omi and Muraji households for whom there is no Oho-omi or Oho-muraji ever mentioned, but only members of the Omi and Muraji ranked families were considered for positions at the top of the court hierarchy.  This All of this clan and rank system began to change in the 6th century during the reign of Toyomike Kashikiya Hime, aka Suiko Tenno, with the introduction of the 17 article constitution and new rank system.  While both of these developments are of debatable veracity, since the chroniclers likely made this change seem much more structured than it actually was in practice, —there is probably at least something to the idea that the Yamato court y werewas adopting more continental ideas regarding state governance.  The rank system, in particular, was a step towards recognizing individuals above simply their inherited social position.  While kabane rank was applied to an entire uji, the new rank was applied to individuals alone, meaning that an individual could be recognized without necessarily rewarding every other person holding their same surname.  At the same time, more and more books were coming in from the continent.  Some of these were focused on the new Buddhist religion, but there were also other works, based on a variety of subjects and introducing the Yamato court to some of the philosophical ideas of what government should be.  And then there were various envoys sent to the Sui and Tang courts in the early 7th century, where they would have seen how things were working there. Nonetheless, to be clear, we don't know it is unclear just how far Yamato control extended across the archipelago.  We know that in the 5th century there were individuals who considered themselves part of the Yamato court structure from the Kantou to Kyuushuu.  In the Nihon Shoki, we also see the establishment of Miyake up and down the archipelago, from as far out as Kamitsukenu, aka Kozuke, to the western edge of Kyushu, in the early 6th century.  These were areas of rice-land which owed their output to the Yamato court or a particular endeavor.  They would have had officials there tied to the court to oversee the miyake, providing a local court presence, but how much this translated into direct Yamato control is hard to say. Then there is the Dazai , the Yamato outpost in Kyushu,  set up in the area of Tsukushi, modern Fukuoka Prefecture, largely following the Iwai Rebellion, and which we .  We talked about this some in the Gishiwajinden Tour episode about Ito and Na, extending a more directand how the Yamato government extended a more direct, and explicitly military, presence in Kyushu. Still, the individual lands of places like Hi, Toyo, Kibi, Owari, or Musashi were all governed by the Kuni no Miyatsuko, the Yamato court's term for the various chieftains or rulers of the different lands. And that gets us roughly to the situation where we are now, in 645.  Prince Naka no Oe hadand been talking with his good friend Nakatomi no Kamatari about how things should be, ever since the day that Kamatari had helped him out at a kemari game—something akin to group hackey-sack with a volleyball.  As we've discussed in past episodes, a lot of this sense of “how things should be” related to nipping the power of Soga no Iruka and Soga no Emishi in the bud, cutting off what they no doubt saw as a thread to imperial power and the ”right way of doing things”.  But Tthe two had also been taking lessons from the Priest Minabuchi, and, like students everywhere, they thought they had figured this whole government thing out as well.  They'd been reading the classics and would have had access to the reports from various envoys and ambassadors to the Tang court.  The last one had left in 630 and returned in 632.  They would no doubt have seen the workings of the Tang dynasty law code of 624 and the subsequent update in 627.  Naka no Oe and Kamatari may have even heard news of the update in 637. Thise law code, implemented by Tang Taizong, relied on Confucian and Legalist theory.  It wasn't the first law code in East Asia, or even the Yellow River basin , but it is one of the most significant and influential, and the earliest for which we have the actual code itself—though the extant version is from 653, about eight years after the events of 645., butHowever, as we'll see, all of this was well withing the timeframe which the Ritsuryo system was used and updated, itself. So, Naka no Oe and Kamatari have a shiny new document in their hands, promising an organized system of government very different from the status quo in Yamato to date.  However, the Tang law code did have a problem:  It was undeniably centered in the imperial culture of the Yellow River and Yangzi River basins.  These areas had long had the concept of empire, and even in the chaotic period of the Sixteen Kingdoms and the Northern and Southern dynasties, the concept of an empire that ruled “All Under Heaven”, or “Tianxia” was something that people generally accepted.  The Wa polities of the Japanese archipelago, even as they were now consuming media from the continent, still operated under their own cultural imaginaries of how the world was ordered and how government operated.  And so the code couldn't just be adopted wholesale:  It would have to be adapted to the needs and demands of the Wa polity. I should note that this was unlikely the reforms that took place in Yamato were sole effort of Naka no Oe and Kamatari, and much of what is written suggests that this wasn't done simply through autocratic fiat, but included some key politicking.  This started even before the Isshi Incident.  Kamatari already had close ties with Prince Karu before he met with Naka no Oe.  Kamatari and Naka no Oe had also brought Soga no Kurayamada no Ishikawa no Maro into their confidence, a member of the Soga family.  The Fujiwara family history, the Toushi Kaden, compiled by Fujiwara Nakamaro in the 8th century, describes Maro—referenced as Soga no Yamada—as a man of particular and upright character.  He also appears to have had a beef with his cousin , Soga no Iruka, and was ambitious. I'm not sure just how much Naka no Oe and Kamatari were sharing their plans about reforming the State at this point, or if they were simply concentrating efforts on bringing down—that is to say murdering—Soga no Iruka. The Toushi Kaden mentions that others were also brought around to at least the idea that something had to be done about Soga no Iruka, though nobody was quite willing to speak out for fear of Soga no Iruka and his father, Emishi, and what they could do to someone's reputation—or worse.  After all, Soga no Iruka had only   recently killed the Prince Yamashiro no Oe, reportedly as part of a plot to ensure Prince Furubito would be next elevated to the throne.  On the other hand, not much information seems to be given about the reforms until they are enacted. And so after the Isshi Incident, we see our murderous firebrands taking the reins of power.  As we noted back in episode 106, Prince Karu was encouraged to take the throne, while Prince Furubito no Ohoye retired from the world and took orders at a temple in Yoshino.  Naka no Oe had been offered the throne, we are told, but turned it down, as the optics on it would not have been great.  Not only because he was clearly responsible for the death of Soga no Iruka and his father, and thus his mother's abdication.  However, he could still be made Crown Prince, and keep right on going with his ambitions to change up the way things were done in the Yamato government. Although Naka no Oe and Kamatari get most of the credit, the work required the cooperation—or at least consent—of the newly made sovereign, Prince Karu, also known as Ame Yorozu Toyohi, later styled as Koutoku Tennou.  After all, it would be his edicts that would lay out the new system, and his name that would be attached to it.   One good example is a change that came immediately: Meanwhile, in place of Soga no Iruka as Oho-omi, Karu selected two individuals to take his place, dividing up the position of Oho-omi into ministers of the Left and Right.  The first was Abe no Omi no Uchimaro, as Minister of the Left, and then Soga no Kurayamada no Omi no Ishikawa no Maro, Naka no Oe's recently made father-in-law, was made the Minister of the Right.  These positions, later known as the Sadaijin and Udaijin, would continue to be two of the most powerful civil positions in the Ritsuryo and later Japanese governments.  The Minister of the Left, the Sadaijin, was often considered the senior of the two. By the way, “Daijin” is just a sinified reading applied to the characters used for “Oho-omi”, or great minister.  This means that the Minister of the Left, the Sadaijin, could just as easily be called the Oho-omi of the Left, or something similar.  This actually causes a bit of confusion, especially in translation, but just realize that this is effectively just a rebranding, and not entirely a new name.  What was new was this idea that they were broken into the Left and the Right a distinction that would mean a lot more once more of the bureaucratic offices and functionaries were properly defined. Who were these two new ministers? Abe no Uchimaro has popped up a few times in the narrative.  He was an experienced courtier.  The Abe family had been moving within the halls of power for some time, and had even stood up to the Soga family when Soga no Umako had tried to acquire their lands in Katsuraki, making an ancestral claim.  Uchimaro had also been involved in the discussions regarding Princes Tamura and Yamashiro no Oe after the death of Kashikya Hime, hosting one of the dinners during which the delicate issue of succession was discussed.  He was clearly a politician of the first order.  Of course, Soga no Kurayamada had clearly earned his position through his connections with the conspirators. , bBut what about Nakatomi no Kamatari?  Well, he wasn't exactly left out in the cold.  Nakatomi no Kamatari was made the Naijin, the Minister, or “Omi”, of the Middle or the Minister of the Interior, implying that he had some authority over the royal household itself.  This feels like a created position, possibly to allow him the freedom to help with the primary work of transforming the Yamato government. Although Naka no Oe and Kamatari get most of the credit, the work required the cooperation—or at least consent—of the newly made sovereign, Prince Karu, also known as Ame Yorozu Toyohi, later styled as Koutoku Tennou.  After all, it would be his edicts that would lay out the new system, and his name that would be attached to it. One of the first things that is recorded in the Nihon Shoki was the declaration of a nengo, or era name.  Up to this point, years in Yamato were remembered by the reign of the sovereign—typically based on their palace.  So you would see things like the second year of the reign of the sovereign of Shiki palace, or something like that.  In addition, at least since about the 6th century, if not earlier, years would eventually be given the appropriate sexagesimal year name, combing one of the ten stems and twelve branches.  For example, 2024, when this episode is coming out, is the year of the Wood Dragon, or Kinoe-tatsu.  This is still used for various Japanese traditionspractice still continues today in Japan for various reasons. The Nengo was something newly introduced to Japan, however: .  Aan era name would be chosen by the sovereign, often based on important changes that either had occurred or even as a wish for something new.  So you would we see a new nengo with the ascension of a new sovereign, but it couldan also come because of an auspicious omen or because of a terrible disaster and hope for something new.  The current nengo, which started with the reign of Emperor Naruhito a few years back, is “Reiwa”. This very first nengo, we are told, was “Taika”, meaning, as I said up front, “Great Change”.  It certainly was apropos to the work at hand.  So let's go through the Chronicles and see some of the “great changes” occurring at the Yamato court now that the intention had been made clear.  We already talked about the change from an single Oho-omi to ministers of the Left and Right, but there were many other Some of the first things were to set up various newly created officials and positions.  An example is , such as two doctors, or Hakase – doctors in the sense of learned experts, not medical doctors, although medicine was certainly revered.  One of these new Hakase was the Priest Min, presumably the same one who had brought back astronomical knowledge from the Sui dynasty, possibly the same as the one known as Sho'an.  The other was Takamuko no Fubito no Kuromaro, who had gone to the Sui Dynasty with Min and others and come back with knowledge of how things worked on the continent.  The Takamuko family had immigrant roots as descendants of the Ayabito, and Kuromaro was well traveled, returning from the Sui court by way of Silla.  These two were well positioned to help with the work at hand. Now that the rudiments of a cabinet were in place, Oone of the first problems set before things after setting up their cabinet, as it were, was to askthe their new Ministers of the Right and Left, as well as the various officials, the Daibu and the Tomo no Miyatsuko, was how tohey should  get people to acquiesce to forced, or corvee labor—the idea that for certain government projects villages could be called upon to provide manual labor in the form of a healthy adult—typically male—to help as needed.  This was a thorny problem, and evidently it was thought best to get expertise beyond the purely human.  The following day, tThe Udaijin, Soga no Ishikawa no Maro, suggested that the kami of Heaven and Earth should be worshipped and then affairs of government should be considered.  And so Yamato no Aya no Hirafu was sent to Wohari and Imbe no Obito no Komaro was sent to Mino, both to make offerings to the kami there for their assistance, it would seem, in setting up a good government. This is significant, in part, as it shows the continued importance of local traditions focused on appeasing the kami, rather than the Buddhist rituals that they could have likely turned to, instead. FinallyThree weeks later, on the 5th day of the 8th month—about three weeks later— camecomes the first truly major edict of the Taika era, which and it wasis to appoint new governors, or kokushi, of the eastern provinces.  Note that they specifically mention the Eastern Provinces, presumably meaning those east of Yamato, since they only sent out eight of them.  They also did not send them to usurp control, necessarily, from the Kuni no Miyatsuko of those areas.  The Kuni no Miyatsuko were still nominally in charge, it would seem, but the court was getting ready to make some major changes to the relationship. These governors were expected to go out and take a census of the people—both those free and those in bondage to others.  They were also to take account of all of the land currently under cultivation, likely to figure out how to tax it appropriately.  As for things other than arable land, such as gardens, ponds, rivers, oceans, lakes, mountains, etc., the edict commands the governors to consult with the people—presumably the people of the province—to get a better idea of what should be done. And this doesn't sound so bad.  It is basically just a tally of what is already there.  That said, anyone who has worked in a modern office probably knows about the dread that comes over a workplace when people show up from the Head Office with clipboards in hand.  However, apparently many of the people had not yet heard of a “clipboard” and likely didn't realize that this was only a precursor to greater and more centralized bureaucratic control. Now in addition to taking a zero-baseline review of provincial resources, there was also a list of what these new governors y were to avoid – clear boundaries around the power they were to wield.  For one thing, they were not to hear criminal cases.  They weren't there to be an extension of the Yamato court in such matters or to usurp the duties of the Kuni no Miyatsuko, one supposes.  Furthermore, when they were traveling to the capital, they were only to bring themselves and district officials, but not a huge retinue.  Whether they realized it or not, these kokushi were early bureaucrats in a burgeoning bureaucratic state, and they weren't supposed to be going out there to become minor kings in their own right; their power came from and was limited by the royal edict.  They also did not send them to usurp control, necessarily, from the Kuni no Miyatsuko of those areas.  The Kuni no Miyatsuko were still nominally in charge, it would seem, but the court was getting ready to make some major changes to the relationship. When traveling on official business, the governors could use appropriate government resources, such as the horses and food that they were entitled to.  Remember that post stations were set up, previously, to help better facilitate official travel and communication.  In a later edict it would be clarified that officials would be given a bronze token with bell-like figures on it.  The shape of the token would indicate what kinds of resources the individual was entitled to.  This applied to governors and their assistants.  Those who follow the rules could be rewarded with rank and more, while those who disobeyed would be reduced in rank, and any stipend that came with it.  Furthermore, any government official who was found taking a bribe would be liable to pay twice the amount, as well as being open to criminal punishment. The Chief Governor was allowed nine attendants, while the assistant was allowed seven, and a secretary—for which think more of the head of a branch office or department under the governor—could have five.  Any more, and the governor and followers could be punished for it. While in the provinces, the governors were expected to look into any claims of potentially false inheritance.  This included anyone using a false name or title to claim rights that were not theirs.  Governors were to first investigate what was going on before submitting their findings up to the court. Governors were also to erect arsenals on waste pieces of ground—ground that could not be cultivated for some reason.  In those arsenals they were to gather the various weapons and armor of the provinces and districts, presumably so that soldiers could be called up quickly and everyone could just get their equipment from one place, but it also looks like an attempt to take control of the means of violence.  Whether or not that was their direct intention I cannot say.  There was a provision for those on the frontier, with the Emishi, to allow the owners to keep their weapons, probably because the situation was potentially volatile, and it could turn at any moment. And so that was the first major piece of legislation:  Sending out governors to what are translated as “provinces”—though we are still using the term “kuni”, which equally refers to a state or country—ostensibly for the purposes of assessing the land, its value, the number of people, etc, but also to .  They are centralizeing military assets.   and they are given status as true court representatives.  I do notice that it was explicitly stated that these governors were for the eastern lands, .  presumably meaning those east of Yamato, since they only sent out eight of them These are areas that historically appear to have relied more on Yamato or else been something of a frontier area for the ethnic Wa people.  They may have been more open to Yamato's demands on their sovereignty. There were two more pieces to thise edict that didon't directly apply to the governors.  First off was the institution of a bell and a box to be set up at the court.  The box was basically a place to receive complaints about how things were going in the realm.  They are careful to note that complaints should be vetted by the Tomo no Miyatsuko, one of the hereditary government officials, or at least to the head of one's uji, if possible.  If they couldn't come to a decision, though, the complaints would be collected at dawn and then the government would look into them.  If anyone thought that there was a problem with how a complaint was being handled—for example, if they thought there was malfeasance involved or even just neglect, with officials not addressing it in a timely fashion, then the plaintiffs could go to the court and ring the bell, officially noting their dissatisfaction with the process. This idea of a bell and complaints seems to be a wide-ranging practice throughout Asia.  During the reign of the Legendary Yao, people were encouraged to nail their complaints to a tree.  Other edicts suggest that bells and drums were hung in royal palaces to allow common people to voice their grievances.  We have examples of the practice showing up in the Sukhothai kingdom of Thailand, during the 13th century reign of King Ramkhamhaeng, and then a 16th century example in what is now Myanmar, aka Burma.  While they differ in specifics, they are all related to the concept of royal justice even for the lowest of the people.  Granted, if you are a farmer in Owari province, I don't know how easy it was going to be to make your way over to the royal palace and ring that bell, but at least there was the idea that people could submit complaints. This was apparently used relatively soon after, as recounted in the second month of the following year, about six months later.  Apparently some person had placed a complaint in the box stating that people who had come to the capital on government business were being put to work and ill-used.  Basically it sounds like they were being rounded up for corvee labor even though they weren't local residents, they were just passing through.  In response, the sovereign, Karu, put a stop to forced labor at various places—presumably where the offending action was taking place, so I guess the complaint system it was working. The last part of this first set of edicts, kicking off the change was about inheritance.  Not all people in Yamato were free, and the law saw a difference between the status of free and unfree persons—that is to say enslaved persons.  And so they made laws that only the child of two free persons would be considered free.  If either parent was in bondage, then the child was also considered in bondage to their parent's house.  If two enslaved persons of different houses had a child, then they would stay with the mother.  Temple serfs, though technically bound to service of the temple, were made a special case, and their children were to be treated as if the temple serf was a free person. Slavery is something that doesn't always get talked about regarding ancient Yamato, and the Chronicles themselves don't tend to mention enslaved peoplethem often, but more because they belonged to a class of society that was largely outside of the scope of the narrative.  In cases where they are discussed, such as in these edicts, the Chronicles are unapologetic of the practice.  These may have been people who were captured in raids, or their descendants, or people who had been enslaved as punishment for some offence, although it isn't quite clear just what would count.  We know that Himiko sent enslaved persons as part of the tribute to the Wei Court, as she was trying to curry favor, and mention of them certainly shows up now and again. It is unclear how many people were enslaved up to this point, but some estimates suggest that it may have been five to ten percent of the population.  As I've mentioned before, this practice continued up until the Sengoku Period, and was only abolished by Toyotomi Hideyoshi in an attempt to stop the Portuguese from buying enslaved Japanese people and transporting them away from Japan.  That didn't meant that other forms of bondage, often economic in nature, didn't happen, however. So that was the content of the first edict—one of many.  The court sent out newly appointed “governors” to the provinces, but these governors were, so far, limited in their scope.  There is even some evidence that these may have been initially seen as temporary positions, and there was mention of “kokushi” in the previous reign.  Still, this was part of a clearly concentrated effort to assume central authority over the archipelago.  There were even officials appointed over the six districts of Yamato province, the core of the Yamato state, who were likewise expected to prepare registers of the population and the cultivated land. Even the idea that the sovereign had the right to make these appointments was something a bit radical, and indicated a change in way that the court, at least, would view the sovereign.  It likewise placed the sovereign in a position to dispense justice, through the vehicle of the court, and it began to define the citizens of the realm as well. That said, this all could have been argued for by using the Sui and Tang as examples of what government should look like and what a true nation should look like. It is also possible that this didn't all happen of a sudden in the 8th month, as the Chronicles describe it.  This is suggested at based on a separate account, mentioned in the Nihon Shoki, that the gathering of weapons, for instance—one of the things that the governors were charged with—actually took place between the 6th and 9th month, so some of this likely started before the date listed for the edict, and that may just have been one part of the whole.  The Chroniclers often do this, finding one particular date and throwing in everything rather than giving things piecemeal—depending on the event.  In addition, on the 19th day of the 9th month, officials were sent out to all of the provinces—not just the eastern provinces—to take a proper census.  At this same time, the sovereign, Karu, issued another edict, which seems related to their work as well as that of the governors, or kokushi, sent to the east.  In it he noted that the powerful families—the Omi, the Muraji, the Tomo no Miyatsuko, and the Kuni no Miyatsuko—would compel their own vassals to work at their pleasure.  They would also appropriate for themselves various pieces of land, so that people could only work it for them.  Not everyone was doing this, though.  Some unnamed persons were accused of hording thousands of acres of rice-land, while others had no more land than you could stick a needle into.  Furthermore, these powerful families were collecting taxes for themselves, first, and then handing a portion over to the government.  They likely compelled their vassals to work on their own tombs, and such.  And so, the sovereign, Karu, forbade anyone from becoming a landlord and forcing people to pay rent.  Presumably he was also dealing with some of the other aspects, though that may have proved more difficult.  After all, from what we've seen, everything that Karu is complaining about—things that no doubt were considered antithetical to good government based on pure Confucian values—were the norm for the elite at the time.  Heck, the Kuni no Miyatsuko had no doubt thought of the land and the people on it as their own, not Yamato's.  However, things were shifting, and once again we see Yamato exerting royal prerogative over the land and people, something that they would do more and more as the system of laws and punishments eventually came together. Now the big question is how did this all pan out?  Well, it took some time, but we get a report on the second day of the third month of the following year, 646, and to be honest, it doesn't sound like things were going too well.  Of the high officials sent out as kokushi to govern the eastern provinces, six listened and did what they were told, but two did not, and then there were numerous other issues.  A more detailed list was given on the 19th of the month, including a clearer idea of punishments. The decree was given to the “Choushuushi”, apparently other government officials sent to check on how things were going, though it was clearly about various officials. The decree starts by reminding officials that they were not to use their position to appropriate public or private property.  Anyone of Assistant governor rank or higher would be punished by being degraded in rank, and presumably their stipend.  Those officials of clerk, or secretary, on down would face flogging.  If anyone was found converting public property (or someone else's) to their own use, they would be fined double the value of the property, just as with bribes.  So the Yamato government was They were really trying to tamp down on people trying to make a profit from their position. Here are a few of the specific things that the Choushuushi reported back: -             Hozumi no Omi no Kuhi taxed individual families for his own use and though he gave some of it back make, it wasn't all.  His two assistants were at fault for not correcting him. -             Kose no Tokune no Omi did something similar, taking away horses from the farmers for his own use.  His assistants not only did not correct him, but actually helped him.  They also took horses from the Kuni no Miyatsuko of the province.  One of the officials tried to remonstrate with him, but he finally gave in to the corruption. -             Ki no Marikida no Omi sent men to Asakura no Kimi and Inoue no Kimi to look at their horses for his own use.  He also had Asakura no Kimi make him swords and provide bow-cloth.  He also took the payments in lieu of weapons offered by the Kuni no Miyatsuko but didn't properly report it.  As a somewhat strange addition to these charges, he apparently was guilty of allowing himself to be robbed of a sword in his own province as well as in Yamato, presumably one that was actually government property.  Apparently being held up at sword point wasn't considered sufficient justification for letting it go.  This was facilitated by his assistants and their subordinates. -             Adzumi no Muraji apparently made the Kuni no Miyatsuko send government property to someone when they were ill, and he took horses belonging to the Yube clan.  His assistant gathered items at his house that were paid in lieu of hay, and he took the horses of the Kuni no Miyatsuko and exchanged them for others.  At least two other brothers were found guilty as well. -             Ohochi no Muraji broke the decree of not personally judging the complaints of the people in the districts under his charge.  He took it on himself to judge the case of the men of Udo and the matter of the enslaved persons of Nakatomi no Toko, who was also considered guilty. -             Kishida no Omi, as with Ki no Marikida, also allowed his sword to be stolen, showing a want of circumspection. -             In one of the strangest put-downs in this list, Womidori no Omi and Tanba no Omi weren't guilty of anything, but were just considered incompetent.  So make of that what you will. -             Imbe no Konomi and Nakatomi no Muraji no Mutsuki also committed offenses, we are told, but the nature is unclear. -             Hada no Omi and Taguchi no Omi, on the other hand, were free and clear.  Apparently they hadn't committed any offenses. -             Finally, Heguri no Omi was guilty of neglecting to investigate the complaints of the men of Mikuni. A big to-do was made about the punishments to be meted out to all of these individuals, as well as to the Kuni no Miyatsuko who may have enabled them.  However, instead of prosecuting them, Karu declared a general amnesty.  This was like a mass pardon of offenses—a do-over if you would.  Not that anything would be forgotten.  On the other hand, six individuals who did as they were told were all commended for their service.  He also took the lent-rice for the maintenance of the late Kibishima, the dowager queen who had passed away in 643, and distributed her official-rice lands amongst the ministers down to the Tomo no Miyatsuko.  He also gave rice-land and hill tracts, which weren't suitable for farming, over to various temples which had previously been omitted from the official registers for some reason. Over all, this seems to be a rather powerful message:  We're not They weren't fooling around with these changes, and people better get on board or get out of the way.  Whereas previously things in the provinces may have operated under a sort of Vegas Rules, that was no longer going to be tolerated.  On the other hand, Karuhe demonstrated mercy, likely realizing that too harsh an approach would bring the wrath of the other powerful nobles.  Nonetheless, he elaborated what each person had done and effectively put them and anyone else harboring thoughts that they could just ignore these edicts on notice.  These reforms weren't going away. So we've talked about where we were and we can see the powers at the Yamato court starting to make changes.  For now, this is probably going to be a good place to take a break for this episode, but there are a lot more of these reforms to get to, not to mention the rest of the intra-palace politicking at the court, as well as the changing situation on the continent and in diplomatic channels.  We are going to keep looking at these changes as we move forward through the period of Great Change, known as the Taika era. Until then, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

This is Part 3 of our Gishiwajinden Tour--following the route of the Wei embassy through the land of Wa and looking at the various locations along the way.  So far we've looked at the old land of Gaya, as represented at Gimhae, the site of the old Geumgwan Gaya, and the island of Tsushima, on the border.  This episode we look at the next island:  Iki. It might be easy to overlook Iki--it was neither the center nor exactly the periphery.  From the point of view of those in the court or those outside it was rather "mid", in a literal sense.  However, it was certainly at the center of its own vibrant history, which was certainly important to everyone there, and hosted a thriving community. It is also a great place to visit in the modern day: something of a hidden gem for anyone looking for a slightly more out of the way place to visit, with a slower pace than cities like Tokyo. For more, see our blog page:  https://www.sengokudaimyo.com/podcast/iki-koku Rough Translation: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Gishiwajinden Tour Part 3: Iki-koku. As regular listeners know, we are currently taking a break from the Chronicles.  With the Isshi Incident of 645—see Episode 107—we are about to get into the time known as “Taika” or “Great Change”.  Spoiler alert: This is the rise of Naka no Oe, aka Tenji Tennou; Nakatomi Kamako, aka Nakatomi Kamatari, the progenitor of the Fujiwara family; and more.  It is the beginning of what is known as the Ritsuryo System, the idea of a state governed by laws and punishments similar to what we see on the continent, based largely on Confucian principles, but mixed with a healthy dose of local tradition.  There is a lot there, and I want to do it justice.  And so for now I have a little bonus content for you. Earlier this year, Ellen and I took a trip based on the account in the Gishiwajinden, the Wa section of the Weizhi, the section in the Wei Chronicles regarding the trip to visit Queen Himiko of Wa.  In Part 1 we talked about our trip to Gimhae, formerly known as Geumgwan Gaya, a part of the old Gaya—or Kara—confederacy, with close ties to the archipelago.  Part 2 we talked about our next stop, the island of Tsushima.  But we didn't just talk about it in the 3rd century, because if you visit there is so much more to see from an historical perspective. This episode we are talking about the island of Iki, aka Ikijima, though in the Weizhi it is known as its own country:  Iki-koku. Relative to Tsushima, Iki island is much smaller—about one fifth the overall landmass.  However, it is much flatter as well—the highest point is only 212 meters above sea level, compared to Tsushima, which rises to about 649 meters at Mt. Yatate.  This makes Iki an island with a lot of flat land or rolling hills—perfect for the kind of wet rice paddy agriculture that created the population boom in the Yayoi period, which we will talk about here in a minute.  However, I will note that even today the population of Iki is similar to that of Tsushima despite having much less space. The flora and fauna of the island is much closer to that of the rest of the archipelago—in fact, it is nearly identical to what you would find in southwest Kyushu.  This is not surprising given how close it is.  For reference, Hitakatsu, on Tsushima is under 50km from Busan, Korea, and about 147 km to Hakata port in Fukuoka, or 138 km if you depart from Izuhara port instead.  Comparatively, it is about 76 km from Hakata to Iki, and even less—just about 42km—from Iki to Karatsu, south of Fukuoka, and these routes are dotted with islands along the way.  At its closest point, Iki is probably only 20km from Kyushu, but the ferries only stop at certain ports.  Tsushima to Iki, on the other hand, is around 68 km, from Izuhara to Iki.  Iki is about as close to Karatsu as Tsushima is to Pusan, and they are both further away from each other than from their respective larger landmasses.  That makes this leg – Tsushima to Iki - the longest leg in the trip, realistically. Today, both Iki and Tsushima, along with the Goto islands to the south, are all part of Nagasaki prefecture, despite the fact that they are both closer to Saga and Fukuoka prefectures.  This is in part because Iki came under the jurisdiction of the Hirado domain, which also was heavily involved with foreign trade through Nagasaki. Today, Iki is broken up into roughly four areas.  This includes Katsumoto, Ashibe, Indoji, and Gonoura, based around the four main port towns on the island.  Three of these ports, Ashibe, Indoji, and Gonoura, have ferries that regularly travel to either Tsushima or Kyushu. And all of them have various boats to take people out the islands around Iki, one of the major draws for many people coming to the island being to see the natural beauty of its coastline and surrounding waters.  There is also a small airport. Although Iki is small—you can drive from one end to the other in 40 minutes or less—I highly recommend renting a car, much like Tsushima.  This will be helpful to get to various sites, although be aware that while the main roads are well cared for, there are plenty of roads where it is better to go on foot rather than get stopped by fallen trees and branches in a less well maintained area.  Taxis can be had, but aren't always convenient, and that adds cost and time.  A car will give you much more freedom to get around. Iki is a popular tourist destination, with more people coming during the summer months.  We were there in the off-season, which was somewhat nice, but also meant that many restaurants and the like were closed.  Also, similar to Tsushima, there isn't a konbini—a convenience store—on every street corner.  You can certainly find them, but just be aware.  That said, we never really had a problem finding what we needed. Iki is known for several things.  One, perhaps unsurprisingly, is the squid, and you can see the squid boats in the harbor or out at night.  They have arrays of lights set up, to help draw the squid to the surface, a common technique around the world that makes squid fishing quite distinctive. In addition, Iki island is quite proud of its beef, a much more recent addition.  The flat land allows them to raise cattle, and the Iki raised wagyu cattle, known as Iki-gyu, is highly prized.  You can find several yakiniku restaurants around the island, that particular Japanese style of Korean barbecue where you grill up thinly sliced beef on a hot skillet or even an open grill at your table. An older product is the barley shochu.  Iki island is said to be the birthplace of barley shochu, developing it in the 17th century.  Back then, taxes from the island had to be paid in rice, and there wasn't enough left to make much alcohol, such as traditional sake.  As such, the local farmers started using barley and koji, instead, to make the base alcohol that they then distilled into shochu.  Shochu itself goes back to at least the 16th century, as distilling techniques reached southern Japan via either the Ryukyu kingdom or via the Korean peninsula—records are unclear, as these techniques reached both places before Japan, and Kyushu had connections to each.  That said, early shochu was made with rice, and later it would be made with cheaper ingredients, such as barley, in the case of Iki, or sweet potato, in Satsuma, modern Kagoshima.  These methods spread to other parts of Japan. There are plenty of other food options available on the island as well, and I don't think we had a bad meal anywhere we went. And so we left Izuhara port, on Tsushima, early in the morning and arrived at Ashibe port around lunchtime.  We had arranged a car to meet us at the port, and after grabbing a bite at a locally renowned yakinikuya, we decided to start getting our historical bearings on the island.   Our main objective on Iki island was to see the Yayoi site of Harunotsuji and the Iki-koku Museum, the museum of the country of Iki. Quick note for anyone looking this up:  The “Haru” in “Harunotsuji” is typically pronounced “Hara” outside of Kyushu and Okinawa.  This affects a lot of placenames in Kyushu, including Iki, and likely comes from remnants of an old dialect of Japanese spoken in this area.  Whatever the reason, if you look up the site in Japanese you may want to type “Hara-no-tsuji” to help find the right kanji. Harunotsuji site is an incredible find in regards to the Yayoi period.  It was a large settlement built on flat land in the interior of the island.  Today it is surrounded by rice fields, and fortunately nobody else seems to have built up on the raised hills where the settlement once stood, allowing the site to remain for us to find years later.  This is one of the better preserved sites from the Yayoi period, and is often touted as the likely center of activity in Iki during that period.  Of course, as with other sites, like Yoshinogari, we can only see those sites  that were preserved—those that were built upon in later generations may not have left any trace.  However, in this case there's clear evidence that there was a thriving community here.  And because of that, and the tremendous effort they've put into reconstructing the site, as well as the excellent museum, we wanted to make sure that we gave Iki a visit. There aren't many museums on Iki island, but the Iki-koku museum ranks up there with some of the best we've visited.  The building itself is built to blend into the landscape, and from the observation tower you can look out over the Harunotsuji site.  The museum provides an automated introduction to the area, with a small film depicting what they believe life was probably like back in the Yayoi period.  From there you travel down a hallway that takes you through the history of Iki, but eventually deposits you in a room focused on the Yayoi period.  Here they show a reconstructed boat, as well as a large diorama of the Harunotsuji site. One of the major finds at Harunotsuji is what appears to be a dock, reinforced with rocks, similar to what they find on the continent.  This dock was at a small stream that was once larger, and was likely used to ferry goods and people from Harunotsuji to a settlement or outpost on the shore.  It gives greater insight into what trade and life looked like. Speaking of which, props to the museum for their excellent use of often comical figures in their diorama, which is clearly made to appeal to young and old alike.  They help humanize the figures, and each part of the layout that they created of the site tells a story about what was going on. In addition to the diorama of the site, and what it may have looked like, there were also actual Yayoi era pots that were there which you could pick up and handle yourself.  I have to admit that I did this with some trepidation, even knowing that these were not particularly special, and that there are many pots and shards that are found at sites like these.  Still, it was something to actually handle a pot that was made back in that time—something that was made by an actual person living back then and used for whatever purpose before it was discarded or lost, only to be found centuries later.  Besides the room on the site, there is another side to the museum in that it is a working archaeological center.  You can see the lab where people are working, and they also have a room where you can see the stacks—the giant shelves with all of the historical and archaeological bits and bobs that weren't on display for one reason or another.  That is something that many people don't always appreciate:  For many museums, only a portion of their collection is actually on display.  It was really great to see all of that out in the open. The museum also has a café and some function rooms, as well as a giant observation tower, from which it feels like you can see the entire island, and beyond.  You could definitely look down and see the site, but you could also see some of the more distant islands as well. From the museum we went down to see the actual Harunotsuji site.  There is another museum there, which was a little less impressive but still quite informative, and it was where you park and then walk over to the site itself.  And here I admit that it was getting late, so we came back to it another day, but it doesn't really take that long to see the site itself. Most of the site sits on a rise of land that sits just a little higher than the surrounding fields, with a gentle slope to it.  It is oddly shaped, likely because they used the natural contours of the land rather than explicitly building up a terrace.  There is another rise towards one end of the settlement, with what may have been a fence around the area, indicating that the buildings in that area were set aside as special.  There are also ditches that appear to have been purposefully dug to separate a part of the rise from the area of the settlement, as buildings were apparently found on one side but not the other.  What was found was a small area surrounded by a moat, generally thought to have been used for some kind of ritual. At the site today are reconstructed buildings of multiple kinds, based on the archeological findings.  There are pit buildings, buildings sitting flush on the ground, as well as raised buildings, all based likely on the arrangements and size of post-holes and the like.  There also appears to have been some kind of gate or barrier structure, also based on postholes, which they have physically reconstructed. It is always tricky to interpret what a building looked like other than guessing at its general shape and size.  Extremely large post-holes likely held larger posts, which would make particular sense if they were for a tall structure, like a watchtower, but exact architectural features such as doorways, roof structure, etc. are derived based on other examples as well as Shinto shrine architecture, which seems to originate from some of the early Yayoi buildings. There were also some finds in the surrounding areas, including what appears to have been a stone-lined dock for boats to pull up, some kind of guard post to inspect people entering or leaving the settlement, and moats, which likely surrounded the settlement as well. Harunotsuji is not the only Yayoi site that has been excavated on Iki island, but nothing else is quite so large.  Put in context with other archaeological sites from the same time period, Harunotsuji is thought to have been the most powerful, and therefore where the ruler, or the quote-unquote “King”, of Iki would have lived. Here I'd note that the interpretation of Harunotsuji as a kingly capital is quite prevalent in the local literature, but what exactly was a “king” in this sense isn't fully explored.  As we talked about two episodes back with Gimhae and the quote-unquote “Kingdom” of Gaya, Iki-koku probably better fits the English term of a large chiefdom, rather than a kingdom.  However, that would also likely apply to Queen Himiko, as well—even if her chiefdom dwarfed Iki-koku by comparison. That said, there certainly appears to be a social stratification of some kind going on at the site, especially with a special area clearly set aside at one end of the settlement.  Was that where a shaman-king—or queen—similar to Himiko carried out private, arcane rites on behalf of the entire settlement?  Perhaps the entire island?  Or is it something else? Unfortunately, we can't really know, at least not right now.  However, we do know that it was an important part of the trade routes from the continent out to the archipelago.  This isn't just because of the Weizhi, or the common sense that this is the clearest route between the two, but also because of artifacts found at the site, which include abundant goods from the continent.  In addition we found evidence of dogs, armor, shields, and various pots. One thing I didn't see evidence of was a large funkyubo, like at Yoshinogari, where they buried people in pots on a large, communal cemetery mound.  Here the highest elevations appear to have been used for living structures.  There were graves discovered, and some of these were the pot-style burials found at Yoshinogari and the continent, and others were rectangular, stone-lined coffins, similar to those used on the Tsushima kofun:  they are lined with large, flat slabs that define a rectangle, into which the body is placed, and then flat slabs of stone are used to cover it back up. Harunotsuji shows signs of habitation from the start of the Yayoi period to the beginning of the Kofun period.  After that, though, the trail grows a bit cold. We do know, however, that people were still living on Iki through the Kofun period—we assume they didn't just pack up their bags and leave—and that is thanks to the many kofun found across the island.  There are some 280 kofun preserved today, and Edo period accounts had that number at more like 340.  Indeed, Iki has one of the largest and best preserved collection of kofun of all of Kyushu.   Many are smaller kofun, but there are plenty of groups of large kingly kofun.  A group of the larger kingly kofun can be found in the border area between Katsumoto-cho and Ashibe-cho, due west of Ashibe port.  This includes the large Soroku Kofun, Oni-no-iwaya Kofun, the Sasazuka Kofun, as well as the Kakegi kofun and the Yurihata Kofun-gun.  Soroku kofun, a large, keyhole shaped tomb, boasts a length of 91 meters, making it not only the largest on the island, but the largest in all of Nagasaki prefecture.   Kofun culture on the island differed slightly from elsewhere.  For instance, there is evidence of multiple burials in the same tomb, suggesting that they were viewed more like family mausoleums than  simply a single tomb structure. The earliest kofun found on Iki so far can be dated to about the latter half of the 5th century, with most of them being built in the 6th to 7th centuries.  Many are stone chambers with a horizontal entryway, which in the case of the Kakegi and Sasazuka kofun, are open to those who want to get in and explore.  Be aware, though, as many signs tell you, various local residents have also made these tombs their homes, including bats, centipedes, snakes, and more.  Most of them are relatively harmless, but it is always good to know what you are getting into. With the earliest kofun on the island dating to about the 5th century, this does pose a slight question yet to be answered by the archaeological record:  Where were people living in the century between the end of Harunotsuji and the start of the kofun building period?  Heck, where were people living on the island at all?  We certainly know where the dead were buried. Looking at a map, one probably assumes that many of the kingly kofun would have been built somewhat near a population center.  After all, you don't build giant burial mounds just to hide them—these would have likely been visible to people in some way, shape, or form.  I would note that modern roads, likely built on earlier pathways, wind in between the kofun, even today. Personally, I can't help but notice that the Iki Kokubunji temple, the Provincial temple built in the 8th century, was quite close to some of the kingly kofun in Katsumoto.  It is said that this temple was originally built as the family temple of the Iki clan.  As one might guess from the name, the Iki were the traditional rulers of Iki, officially appointed by Yamato as the “Agata-nushi” or district lord, and later as “Shima no Miyatsuko”—the island equivalent of a “Kuni no Miyatsuko”.  Various biographies trace the Iki back to various lineages close to or intertwined with the Nakatomi.  However, this is not without some debate, and it is entirely possible that any such ties were fabricated to give the Iki clan greater clout and stature.  It is possible, and even likely, that the Iki clan grew out of the ruling elite on Iki island. In addition, we have the old Tsukiyomi Jinja, said to be the oldest on the island, and the Kunikatanushi shrine built right next to the Kokubunji site.  The Tsukiyomi shrine is dedicated to the moon god, who is said to be the god of navigation, among other things, and this is the clan shrine of the Iki clan. It is unclear, but seems plausible that the center of the Iki polity may have shifted north, to the modern Kokubun area.  If so, and if this continued to be the area of the regional government headquarters through the Nara period and beyond, then it is possible that any earlier settlements would have simply been covered up and even erased by later buildings and structures.  I don't think we'll ever truly know, though, unless something significant is uncovered. We do have some historical records of later Iki, quite understandable as it was where many of the envoys and expeditions to and from the mainland would have stopped. In the 11th century, Iki, along with Tsushima, was attacked by pirates from the mainland, thought to be of Jurchen descent, in an event called the Toi Invasion, which caused quite a bit of destruction.  After that we see the rise of the Matsura clan.  They arose in the Matsura area of Hizen province, just a little ways over from Karatsu.  That name may be related to “Matsuro”, but we'll talk more about that when we get to Karatsu. The Matsura largely came to power thanks to their navy—which was a navy to some and pirates to others.  They ended up gaining a foothold in Iki island. Whatever plans they had, however, met with a giant setback in 1274.  As we discussed last episode, that was when the first Mongol invasion hit Japan, and after steamrolling through Tsushima they began a bloody conquest of Iki.  The video game, Ghosts of Tsushima, which we talked about fairly extensively last episode for, well, obvious reasons, actually has an expanded Iki island area for those who want to try fighting off this invasion for themselves.  There are numerous reminders across the island of the invasions, both in 1274 and 1281.  The death toll was catastrophic, and even today parents will often tell their children that if they don't behave the Mongols will come back and take them away. In 1338, soon afer the Ashikaga shogun came to power, Ashikaga Takauji and his brother, Tadayoshi, directed the erection of temples in all 66 provinces, including Iki, to pray for the repose of those who died in battle during turbulent times, including the Mongol invasions and the later civil war.  That temple is still there, just a little ways north from the Harunotsuji site. The temple building itself only dates from the Edo period, as it burned down multiple times, but it is still said that it is the oldest extant temple building on the island.  There is a large cedar tree thought to be over a thousand years old, which may have even been there during the Toi and Mongol invasions.  There are also signs of Christian activity in some of the artwork, if you know what to look for. When Europeans arrived in Japan in the 16th century, they brought not only guns, but also a new religion:  Christianity.  Priests were given permission to set up churches and convert people.  Some daimyo converted—whether out of true faith or simply to get more lucrative trading deals with Europeans—and they often made their entire fief convert as well.  When Christianity was eventually outlawed, many Christian communities went underground, becoming known as “Hidden Christians.”  A lot of these communities continued, especially in the Iki and Goto islands, which were a little further away from shogunal authority.  They continued despite the lack of priests and Bibles, often using iconography that could be plausibly passed off as Buddhist or Shinto in nature.  Many remained in hiding throughout the Edo period, only revealing themselves after the Meiji government came in and issued a law protecting the freedom of religion, including Christianity.  Around Iki you will occasionally find little hints of such communities' existence. The 16th century saw more than just European traders and new religions.  The Matsura clan retained control over the island from their base in Hirado, even during the tumultuous era of Warring States.  Last episode we talked about how Toyotomi Hideyoshi, the new Taiko, came out of that time and declared war on the Joseon court, in Korea. To start with he built Nagoya castle on Kyushu and moved himself and all of his retainers out to it.  And before you ask, no, this probably isn't the Nagoya castle you are thinking of.  Similar name, but different kanji characters Anyway, from Nagoya on the coast of Kyushu, supply lines were run out to Tsushima, and then across to Busan.  To defend against a counterattack by Joseon forces, they built castles along the way as well.  In Iki, this meant building several, including Katsumoto-jo, at the northern end of the island, under the command of Matsura Shigenobu. Later, Tokugawa Ieyasu, eager to restore good will with the peninsula, would have the castles intentionally ruined, often by removing key stones so that they could no longer be considered defensible.  Today you can climb up to the Katsumoto-jo castle site and see the stones of the main gate and get a tremendous view from the observation platform. Katsumoto Castle isn't the only thing in Katsumoto that still remains from that time.  There is a local shrine, the Shomogu Shrine, which has a gate donated by Kato Kiyomasa, one of the generals who led troops on the invasion of Korea.  They also hold a cup that he is said to have donated. This shrine is certainly interesting and worth a visit.  Traditionally, they say that it was built on the site where Jingu Tennou departed from Iki during her legendary conquest of the Korean peninsula.  According to at least one source, at that time she called the place Kazamoto, the place where the wind comes from, and when she returned she changed it to Katsumoto, the place where her victory came from.  Of course, as we know, that whole narrative is rather suspect.  It is possible that the area was known as Kazamoto and that changed to Katsumoto. It also doesn't help that this is also where the Mongol army came ashore back in the 13th century, and I suspect that not much remained from before.  Still, there is a stone that is said to have the print of Jingu's horse's foot as she left, and it was at least connected to the ocean, given its location. There is a contention that this shrine may have once been known as “Nakatsu” shrine, literally “Middle port” shrine, one of the shrines listed in the Engi Shiki.  However, there is another Nakatsu shrine that also claims this distinction, also in Katsumoto-cho.  The Shomogu shrine theory holds that this was a branch shrine of Shomogu shrine, then known as Nakatsu.  This makes some sense as the current Nakatsu shrine is more inland, not exactly lending itself to being the “Middle Port” Shrine.  Then again, it would have referred to “Nakatsumiya”, meaning the “middle shrine” or “middle palace”, which puts us back at square one. More important than the actual history of this shrine, at least in the 16th century, is the fact that those generals heading off to conquer the Korean peninsula definitely would have appreciated praying to the spirit of Jingu Tennou before heading off to try it a second time.  Shomogu Shrine clearly had a link with her by then. By the way, slight side note, the “Shomo” of “Shomogu” literally means “Holy Mother”.  In this case it is referencing the “Holy Mother” Jingu Tenno, who was pregnant when she left Japan and didn't give birth until she came back—not quite a virgin birth.  “Shomo” was also the term that Christians, particularly hidden Christians, used to reference the Virgin Mary.  While I cannot find any evidence that Shomogu Shrine was connected with Christianity—its existence and worship there predates that religion coming to the archipelago by some time—it is still one of those things that the Hidden Christians could have used to their advantage, hiding their worship of the Virgin Mary and her holy child behind the name for Jingu Tenno. Now the town of Katsumoto, although only briefly a castle town, was still quite important through the Edo period, and the main street certainly recalls a time long past.  We stayed in a ryokan there that was over 100 years old, and there is both a sake brewery, and a craft beer brewery inside an old sake brewery, just down the street.  It isn't a big town, but it has character. In the Edo period, many of the Joseon envoys stopped in Katsumoto on their way to or from the archipelago.  These envoys typically had around 400 to 450 of their own people from Korea, but by the time they reached Iki they were joined by about 800 quote-unquote “guides” from Tsushima who were there to help them with whatever they needed.  Technically it was up to the Matsura daimyo, in Hirado, to provide for their needs, but it seems that more often than not that role more immediately fell to the wealthiest family on the island, the Toi family. The Toi family—not to be confused with the Toi invasion—made their money from capturing whales; a lucrative but dangerous enterprise, especially given the state of the boats at the time.  The stone wall of their mansion can still be seen in Katsumoto, though it is now wedged in between other buildings, as the mansion itself is otherwise long gone.  They may not have been daimyo, but they were apparently the rough equivalent for the people of Iki, and certainly Katsumoto. The envoys ended up calling at Katsumoto about 19 times between 1607 and 1811—11 times on the outbound trip and 8 times going the other direction.  For one mission, in the 18th century, we are even provided the amount of food that they required, which included 1500 sweet potatoes, 15,000 eggs, 7 and a half tons of abalone, 3 tons of squid, 7 and a half tons of rice, and 15 koku of sake, equaling about 1500 standard bottles, today.  A drawing of the 1748 envoy showed parts of Katsumoto that you can still visit, today, including the old boat launch, the Shomogu shrine and nearby streets, Shigayama, and what is today “Itsukushima Shrine”, related to the worship of Susano'o's three daughters, as are the Munakata shrines and the Itsukushima shrine on Miyajima with the famous torii in the water. Besides the historical sites, Iki island offers a plethora of other activities and attractions.  The famous monkey rock, or Saruiwa, is a famed natural feature, as are many others.  There are also beaches that people appear to enjoy—though we were there in the winter, so not great—or just getting out in a boat and seeing the natural beauty of the island.  There are also many more shrines and temples to visit; Iki has its own 88 temple pilgrimage based on the 88 temple pilgrimage of places like Shikoku.  You can also do a pilgrimage of the many Shinto shrines, some of which are mentioned in historical documents like the Engi Shiki and others that are more modern.  While many of the buildings are often newer, and things have of course changed over the centuries, these sites often still contain connections to history, and may even have historical treasures in their storehouses or on the grounds. We only had a limited time, so tried to keep our trip focused on more of the Yayoi and Kofun era stuff.  We both agreed we would gladly go back again in a heartbeat. Next up, we caught the ferry from Indoji on Iki over to Karatsu port on Kyushu, what is thought to be the site of the old Matsuro kingdom.  While others might point to the modern Matsuura city area, this region is may be more likely, and we'll talk about that next episode.  In addition, we'll talk about Karatsu, which literally means “Chinese port”, and about the nearby castle ruins of Nagoya castle—an area that was, for about seven brief years, in the late 16th century the de facto capital of Japan. But that will be next time. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to us at our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

An account of our recent tour of the sites mentioned in the Gishiwajinden, which is to say the Japanese portion of the Weizhi.  This episode we talk about our visit to Gimhae, site of ancient Geumgwan Gaya. For more see our podcast blog:  https://sengokudaimyo.com/podcasts/episode-geumgwangaya Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Gishiwajinden Self-Guided Tour: Geumgwan Gaya. For the next several episodes we are taking a bit of a detour from the narrative of the Chronicles.  After all, with the coup of 645 that we covered a couple of episodes ago, we are about to dive into the period known as “Taika” or “Great Change”.  Prince Naka no Oe and Nakatomi no Kamako were not just assassins—they had plans that went beyond just cutting the head off the powerful Soga house.  It's an eventful time, with a lot of changes, though some of those would take time to really come to fruition and before I get into all of that there is a bit more research that I want to do to figure out the best way to lay that out for you.  And so I figured we would take a little detour for a few episodes, to share with you a special trip that Ellen and I recently took, reproducing – in a modern way – some of the earliest accounts we have about crossing over to the archipelago: the Gishiwajinden, the Japanese section of the Weizhi.  We talked about this chronicle back in episode 11: it describes all the places one would stop when leaving the continent, from kingdoms on the peninsula and across the smaller islands of the archipelago before landing in what we currently call Kyushu. And Ellen and I did just that: we sailed across the Korean straits, from the site of the ancient kingdom of Gaya in modern Gimhae, to the islands of Tsushima and Iki, then on to modern Karatsu and Fukuoka, passing through what is thought to be the ancient lands of Matsuro, Ito, and Na.  It was an incredibly rewarding journey, and includes plenty of archaeological sites spanning the Yayoi to Kofun periods—as well as other sites of historical interest.  It also gets you out to some areas of Japan and Korea that aren't always on people's list, but probably should be.  So for this first episode about our “Gishiwajinden Jido Toua” – our Gishiwajinden Self-Guided Tour – we'll talk about the historical sites in Gimhae, the site of ancient Geumgwan Gaya, but also some of the more modern considerations for visiting, especially on your own. By the way, a big thank you to one of our listeners, Chad, who helped inspire this trip.  He was living on Iki for a time and it really made me think about what's out there. This episode I'll be focusing on the first place our journey took us, Gimhae, South Korea.  Gimhae is a city on the outskirts of modern Pusan, and home to Pusan's international airport, which was quite convenient.  This is thought to be the seat of the ancient kingdom of Gaya, also known as “Kara” in the old records.  In the Weizhi we are told of a “Guyahan”, often assumed to be “Gaya Han”, which is to say the Han—one of the countries of the peninsula—known as Guya or Gaya.  This is assumed to mean Gaya, aka Kara or Garak, and at that time it wasn't so much a kingdom as it was a confederation of multiple polities that shared a similar material culture and locations around the Nakdong river.  This is the area that we believe was also referenced as “Byeonhan” in some of the earliest discussions of the Korean peninsula. By the way, while I generally believe this area was referred to as “Kara”, “Gara”, or even “Garak”, originally, the modern Korean reading of the characters used is “Gaya”, and since that is what someone will be looking for, that's what I'll go with. History of the Korean peninsula often talks about the “Three Kingdoms” period, referencing the kingdoms of Baekje, Silla, and Goguryeo.  However, that is a very simplistic view of the ancient history of the archipelago.  Numerous small polities existed without a clear, persistent overlord outside of those three larger polities, and even they were not always quite as grand as the later histories would like to make them out to be. Gaya is often referred to as the “Gaya Confederacy” by modern historians, at least for most of its existence, and refers to a number of polities including Daegaya, Ara, etc., and may also include “Nimna”, though where exactly that was is a topic of great debate, with some claiming that it was just another name for what later was known as Geumgwan Gaya, and other suggestions that it was its own polity, elsewhere on the coast.  This isn't helped by the nationalist Japanese view that “Nimna” was also the “Mimana Nihonfu”, or the Mimana controlled by Japan, noted in the Nihon Shoki, and used as the pretext for so many of the aggressions perpetrated on the continent by Japan. These all appear to have been individual polities, like small city-states, which were otherwise joined by a common culture. Although the Samguk Yusa mentions “King Suro” coming in 42 CE, for most of its history there wasn't really a single Gaya state as far as we can tell.  It is possible that towards the 5th and early 6th centuries, Geumgwan Gaya had reached a certain level of social complexity and stratification that it would classify as a “kingdom”, but these definitions are the kinds of things that social scientists would argue about endlessly. Evidence for a “Kingdom” comes in part from the way that Geumgwan Gaya is referenced in the Samguk Sagi and other histories, particularly in how its ruling elite is referred to as the royal ancestors of the Gimhae Kim clan.  Proponents also point to the elaborate graves, a large palace site (currently under excavation and renovation), the rich grave goods found in the tombs thought to be those of the royal elites, etc.  Other scholars are not so sure, however, and even if there was a nominal kingdom, it likely did not last very long before coming under the rule of Silla in the 6th century. Unlike the other kingdoms—Baekje, Silla, and Goguryeo; the “Samguk”, or three countries, of the “Samguk Sagi”—Gaya does not have its own record in the histories.  The Samguk Yusa, which is of interest but also problematic in that it was clearly more about telling the miraculous tales of Buddhism than a strictly factual history, does have a bit about Gaya.  The author of the Samguk Yusa, the monk  Ilyeon, claimed that the information there was pulled from a no longer extant record called the Gayakgukki, or Record of the Gaya Kingdom, but the actual stories are not enough to tell us everything that happened.  Most of what we know comes from members of the Gaya Confederacy popping up in the records of other nations, including Baekje, Silla, Goguryeo, and Yamato.  For example, there are references in the Gwangaetto Stele from the 5th century, as well as plenty of references in the Nihon Shoki and the records in the Samguk Sagi.  This is a little bit better than some of the other groups mentioned as being on the Korean peninsula that are often referred to only one time before being completely forgotten. For us, the importance of Gaya is its links with Yamato.  Although it would seem that Nimna, in particular, had close ties with Yamato it is noteworthy that the Japanese word for the continent and things that would come from there—including the later Tang dynasty—is “Kara”.  “Kara-fu” generally refers to something that comes from China, but only because those things originally came through the peninsula and through Kara, or Gaya.  The port on Kyushu where the goods likely arrived before continuing up to modern Fukuoka is even today known as “Karatsu”, or “Kara Port”.  This lends credence to the idea that Nimna was likely at least a member of the Gaya confederacy. There are also deep similarities in many material items found in the peninsula and in the area of the Nakdong peninsula, including pottery, armor, horse gear, etc.  At the very least this indicates a close trading relationship, and combined with the account in the Weizhi, emphasizes the idea that this was likely the jumping off point for missions to the archipelago and vice versa. Perhaps more controversial is the idea that at least some members of the Gaya Confederacy, or the Byeonhan cultural group before it, may have been speakers of some kind of proto-Japonic.  There are also some that suggest there may have been ethnic Wa on the peninsula at an early point as well.  However, I would note that the Weizhi refers to this area specifically as being part of the “Han”, and that it was the jumping off point to find the lands of the Wa and eventually the lands of Yamato (or Yamatai), so make of that what you will.  All of this is well after the introduction of rice cultivation in Japan, focusing on the 3rd century onward, roughly corresponding to what we think of as the Kofun Period in Japan, and which was also a period of ancient mound-building on the Korean peninsula as well. All that aside, it is clear that Gaya was an important part of the makeup of the early Korean peninsula, and that much of that history is on display in modern Gimhae. Gimhae is one of plenty of places on the Korean peninsula for anyone with an interest in ancient history.  Besides the various museums, like the National Museum in Seoul, there are sites like Gyeongju, the home of the tombs of the Silla kings and the ancient Silla capital, and much more. Gimhae itself is home to the Royal Gaya Tombs, as well as archaeological remnants of an ancient settlement that was probably at least one of the early Gaya polities.  As I noted, Gimhae is more accurately the site of what is known in later historical entries as Geumgwan Gaya.  The earliest record of the Weizhi just says something like “Gü-lja-han” which likely means “Gaya Han”, or Gaya of Korea, referring at the time to the three Han of Mahan, Jinhan, and Byeonhan.  That may or may not have referred to this particular place, as there are other Gaya sites along the coast and in the upper reaches of the Nakdong river.  However, given its placement on the shore, the site at Gimhae seems to have a good claim to be the point mentioned in the Wei Chronicles, which is why we also chose it as the first site on our journey. The characters for “Gimhae” translate into something like “Gold Sea”, but it seems to go back to the old name:  Geumgwan, as in Geumgwan Gaya.  It is part of the old Silla capital region.  “Geum” uses the same character as “Kim”, meaning “Gold” or “Metal”.  This is also used in the popular name “Kim”, which is used by several different lineage groups even today.  The “Sea” or “Ocean” character may refer to Gimhae's position near the ocean, though I don't know how relevant that was when the name “Gimhae” came into common usage. The museums and attractions around Gimhae largely focus on the royal tombs of the Geumgwan Gaya kingdom, which in 2023 were placed, along with seven other Gaya tomb sites, on the UNESCO list of world heritage sites.  Since they're so newly added, we did not see the kind of omnipresent UNESCO branding that we are used to seeing elsewhere, such as Nikko Toshogu or Angkor Wat, but taxi drivers certainly knew the UNESCO site and museum. For anyone interested in these tombs and in Gaya's early history, there are two museums you likely want to visit.  First off is the National Museum, which covers a wide swath of history, with tons of artifacts, well laid out to take you through the history of the Gaya Confederacy, from early pre-history times through at least the 7th century.  There is also a separate museum that specifically covers the Daeseong-dong tombs, which lay upon a prominent ridge on the western side of the city, north of a Gaya era settlement with a huge shell midden found at Bonghwang-dong, to the south, nearby an ongoing excavation of a potential palace site. These museums have some excellent displays, including pottery, metalwork, horse gear, armor, and even parts of an ancient boat.  As I noted earlier, these show a lot of similarity to items across the strait in the archipelago, though it is clear that Gaya had a lot more iron than their neighbors —in fact, they had so much that they would often line the bottom of tombs with iron ingots.  The displays emphasize that Gaya was really seen as a kind of ironworking center for the region, both the peninsula and the archipelago. The tombs, likewise, have some similarity to those in the archipelago—though not in the distinctive, keyhole shape.  Early tombs, from the 1st to 2nd century, were simply wooden coffins dug in a pit with a mound on top.  This became a wooden lined pit, where bodies and grave goods could be laid out, and then, in the 3rd century, they added subordinate pits just for the various grave goods.  In the 5th century this transitioned to stone-lined pit burial, and in the 6th century they changed to the horizontal entry style stone chamber tomb, before they finally stopped building them.  These seem to be similar to what we see in Silla, with wooden chamber tombs giving way to the horizontal entry style around the 5th and 6th centuries.  Meanwhile, Baekje and Goguryeo appear to have had horizontal style tombs for some time, and that may have been linked to Han dynasty style tombs in the area of the old Han commanderies—which I suspect might have spread with the old families of Han scribes and officials that were absorbed into various polities.  It is interesting to see both the similarities and differences between Gaya and Wa tombs in this period, particularly the transition to the horizontal entry style tombs, which I suspect indicates an outside cultural influence, like that of Silla—something that would also influence the burials in the archipelago.  At first, in the 4th to 5th centuries, we just see these style tombs starting to show up in Kyushu, particularly in the area of modern Fukuoka—one of the areas that we will hit at the end of this journey from the peninsula to the archipelago.  That may be from contact with Baekje or Goguryeo, or even from some other point, it is hard to tell.  By the 6th century, though, just as Silla and Gaya were doing, it seems that all of the archipelago was on board with this style of internal tomb structure. Another tomb style you can find in Gimhae is the dolmen.  These are megalithic—or giant rock—structures where typically a roof stone is held up by two or more other large stones.  In some cases these may have been meant as an above-ground monument, much like a structure such as Stonehenge.  On the other hand, in some cases they are the remains of a mound, where the mound itself has worn away.  Unfortunately, there was not as much information on them—it seems that dolmens were originally used before the mounded tomb period, but just what was a free-standing dolmen and what was an internal mound structure exposed by the elements I'm not sure I could say. If you visit the Daeseong-dong tombs, one of the things you may notice is the apparent lack of a tomb mound.  The attached museum explains much of this, though, in that over time the wooden pit-style tombs would often collapse in on themselves.  That, plus erosion and continued human activity in an area would often mean that, without upkeep, there would eventually be no mound left, especially if it wasn't particularly tall to start with. In an example where something like this might have happened, there is at least one tomb in the group that was clearly dug down into a previous burial chamber.  The excavators must have realized they were digging into another tomb, given that they would have pulled up numerous artifacts based on what was later found at the site, but they still carried on with the new tomb, apparently not having any concern for the previous one.  After all, there was only so much room up on the ridge for burials, at least towards the later periods.  This pair of “interlocking” tombs is housed inside a building with a viewing gallery, so you can see their layout and how the grave goods would have been arranged in period. One tomb that apparently kept a mound of some kind would appear to be that attributed to King Suro.  King Suro is the legendary founder of Geumgwan Gaya, mentioned in the 13th century Samguk Yusa, which was using an older record of the Gaya Kingdom as their source.  The area where the tomb is found is said to match up with the description in the Samguk Yusa, but I could find no definitive evidence of a previous tomb or what style it was—let alone the question of whether or not it was the tomb of King Suro of Geumgwan Gaya.  It was still a very impressive compound, though it seems most of the buildings are likely from a much more recent era. I suspect that King Suro remained an important story for the Gimhae Kim clan.  That clan, as mentioned earlier, claimed descent from the Kings of Geumgwan Gaya, of whom King Suro was supposedly the first. It is noteworthy that the Kim family of Geumgwan Gaya, known as the Gimhae Kim clan, was granted a high rank in Silla because they claimed descent from the “Kings” of Geumgwan Gaya.  As such Munmyeong, the sister of Kim Yusin, the general who helped Silla take over the peninsula, was apparently considered an appropriate consort to King Muyeol, and her son would become King Munmu.  This brought the Gimhae Kim clan into the Gyeongju Kim clan of Silla. Kim Busik, who put together the Samguk Sagi, was a member of the Gyeongju Kim clan, which claimed descent from those same kings.  He had plenty of reason to make sure that the Silla Kings looked good, and may have also had reason to prop up the leaders of Geumgwan Gaya as well, given the familial connections.  That said, there do seem to be some impressive tombs with rich grave goods, so there is that. In 1580 we are told that Governor Kim Heo-su, who counted himself a descendant of the Gimhae Kim clan, found the tomb of King Suro and repaired it, building a stone altar, a stone platform, and a tomb mound.  It is unclear from what I can find, though, just what he “found” and how it was identified with what was in the Samguk Yusa.  Even if there was something there, how had *that* been identified?  There seems to be plenty of speculation that this is not the actual resting place of the legendary king, Kim Suro, but it is certainly the place where he is worshipped.  The tomb was apparently expanded upon in later centuries, and today it is quite the facility, though much of it seems relatively recent, and hard to connect with the actual past. More important for that is probably what was found at Bonghwang-dong.  On this ridge, south of the tomb ridge, were found traces of buildings including pit style dwellings along with post-holes, indicating raised structures of some sort.  Today you can go and see interpreted reconstructions, based in part on some pottery models that had also been found from around that period.  Reconstructed buildings sit on either side of a hill, which is the main feature of a modern park.  It is a good place to get a sense of what was around that area, and you can hike to the top of the hill, which isn't that difficult a journey.  The trees do obstruct the view, somewhat, but you get a great sense for what a community there might have been like.  As I mentioned before, there is also a large excavation being carried out on what is believed to be some kind of royal palace structure, but unfortunately we likely won't know much more until later. Also next to the settlement is a giant shell mound.  We are talking over a football field long and several stories high of shells and bone, along with discarded pottery and other such things.  Unfortunately, for whatever reason, the contents of the shell mound appear to have been mixed at various stages, but it is still impressive, and they have an excellent display where you can see the mound cut away to demonstrate what a shell mound might look like. The shell mound apparently existed from the 1st to the 4th centuries.  This feels odd to me, given that I normally think of shell mounds as more connected to Jomon and similar sites, but it also makes sense that a community—particularly one with easy access to the sea—would have a lot of shells and it isn't like they had trash collectors coming to take away their garbage. Which brings me to another point:  Back in its heyday, Geumgwan Gaya was clearly on or very near the sea.  In modern times you can certainly see islands off the coast from the tops of some of these hills—and from the top of a mountain one might even make out Tsushima on a clear day.  However, today that ocean is several miles out. Back in the time of the Geumgwan Gaya, however, things were likely different.  The Nakdong river would have emptied out to the east into a large bay, with Geumgwan Gaya sitting comfortably at its head, with mountains on three sides and the ocean on the fourth.  This would have made it a great as a port town, as it not only had access to the Korean straits and the Pacific Ocean, but it also sat at the head of the river that connected many of the sites believed to be related to the ancient Gaya confederacy. Over time, however, the bay silted up, and/or sea levels dropped, and the area that would become the heart of modern Gimhae would find itself farther and farther away from the ocean, through no fault of their own.  That must have put a damper on their trade relationships, and I can't help but wonder if that was one of the reasons they eventually gave in to Silla and joined them. With its place at the head of the Nakdong river, Silla's control of Geumgwan Gaya likely made the rest of the Gaya polities' absorption much more likely, as most of the Gaya polities appear to have been laid out around the Nakdong river.  That would have been their lifeline to the ocean and maritime trade routes.  Without a cohesive state, they may not have been able to resist the more organized and coordinated armies of groups like Silla and Baekje, eventually falling under Silla's domain. Unfortunately, there doesn't seem to be much online in English about Gimhae beyond the ancient connection to Geumgwan Gaya.  Specifically, I didn't find a lot of clear historical information about the city after coming under Silla rule.  It was apparently one of the “capitals” of the Silla region under Later or Unified Silla.  Though Silla tried to form the people of the three Han of Baekje, Goguryeo, and Silla into a unified state, its central authority would eventually break down.  Baekje and Goguryeo would be briefly reconstituted before the Later Goguryeo throne was usurped by a man who would be known as Taejo, from Gaesong.  He would lead the first fully successful unification effort, and from the 10th century until the 14th the state was known as “Goryeo”, from which we get the modern name of “Korea”.  Goryeo started in Gaesong, but also rebuilt the ancient Goguryeo capital at Pyongyang, both up in what is today North Korea.  It eventually came under the thumb of the Mongol Yuan dynasty, and when that dynasty was overthrown by the Ming, Goryeo experienced its own instability, resulting in the Joseon dynasty, which moved the capital to the area of modern Seoul.  Given modern tensions between North and South Korea, I suspect that there is a fair bit of politics still wrapped up in the historiography of these periods, especially with each modern state having as their capitals one of the ancient capital city sites. As for Gimhae, I have very little information about the city during the Goryeo period.  Towards the end of the 14th century, we do see signs of possible conflict, though: There was a fortress built on the nearby hill, called Bunsanseong, in about 1377, though some claim that an older structure was there since the time of the old Gaya kingdom, which would make sense, strategically.  This fortress was severely damaged during Hideyoshi's invasion of Korea in the late 16th century—a not uncommon theme for many historical sites on the peninsula, unfortunately—and repaired in 1871.  The walls can still be seen from the city below. Stone walls were placed around the city in 1434 and improved in 1451.  Excavations on the wall were carried out in 2006 and the north gate, which was first renovated in 1666, was restored in 2008.   You can still visit it, north of the international markets, which includes a wet market along with various restaurants offering specialties from around Northeast Asia, including places like Harbin, in China. Near the north gate there is also a Confucian school, or hyanggyo.  The first iteration was probably built during the Goryeo dynasty, but whatever was there in the 16th century was also destroyed during Hideyoshi's invasion.  It would later be rebuilt in 1688 and relocated to the east until it burned down in 1769.  The following year it was rebuilt in its current location, north of the city gate.  The school contains examples of the classrooms along with a central Confucian shrine, and there are some similarities with similar Edo period institutions in Japan, which also based themselves off of a Confucian model. For those interested in more recent history, you may want to check out the Gimhae Folk Life Museum.  This covers some of the more recent folk traditions, clothing, and tools and home goods used up until quite recent times.  It may not be as focused on the ancient history of the area, but it certainly provides some insight into the recent history of the people of Gimhae. Today, Gimhae is a bustling city.  Not quite as big and bustling as Pusan or Seoul, but still quite modern.  You can easily get there by train from Busan or Gimhae International Airport, and there are plenty of options to stay around the city such that you can walk to many of the historical sites. For those used to traveling in Japan, there are both similarities and differences.  Alongside the ubiquitous Seven Eleven chains are the CU chain, formerly known as FamilyMart, and GS25, along with a few others.  Trains are fairly easy to navigate if you know where you want to go, as well – there's a convenient metro line that connects the airport to Gimhae city proper, and has stops right by the museums.  The KTX, the Korean Train eXpress, the high-speed rail, includes a line from Seoul to Busan.  And don't worry, from our experience there are no zombies on the train to- or from- Busan. Of course, in Korea they use Hangul, the phonetic Korean alphabet.  It may look like kanji to those not familiar with the language but it is entirely phonetic.  Modern Korean rarely uses kanji—or hanja, as they call it—though you may see some signs in Japanese or Chinese that will use it here and there.  In general, though, expect things to be in Korean, and there may or may not be English signs.  However, most of the historical sites we visited had decent enough signage that we only occasionally had to pull out the phone for translation assistance, and the museums are quite modern and have translation apps readily available with QR codes you can scan to get an English interpretation. Speaking of phones, make sure that you have one that will work in Korea or consider getting a SIM card when you get in, as you will likely want it for multiple reasons.  That said, a lot of things that travelers rely on won't work in Korea unless you have the Korean version.  For instance, Google Maps will show you where things are but it can't typically navigate beyond walking and public transit directions.  For something more you'll want the Korean app, Naver.  We did okay, for the most part, on Google Maps, but Naver is specifically designed for South Korea. Likewise, hailing a cab can be a bit of a chore.  Don't expect your Uber or Lyft apps to work—you'll need to get a Korean taxi app if you want to call a taxi or you'll need to do it the old fashioned way—call someone up on the telephone or hail one on the streets, which can be a tricky business depending on where you are. On the topic of streets: In Gimhae, many of the streets we were walking on did not have sidewalks, so be prepared to walk along the side of the road.   We didn't have much trouble, but we were very conscious of the traffic. Another note in Gimhae is the food.  Korea is host to a wide variety of foods, and Gimhae can have many options, depending on what you are looking for.  Near our hotel there were traditional Korean restaurants as well as places advertising pizza, Thai, and burgers.  Up in the main market area, you can find a wide variety of food from around Asia.  Vietnam, Sri Lanka, Uzbekistan, Nepal, and many more were represented, as well as Russian and Chinese cuisines. That said, our breakfast options were not so bountiful.  Our hotel, which gave us our own private hot tub, like a private onsen, did not serve breakfast, but there were a few cafes around where you could get a drink and a light meal in the morning,  and there were some pork Gukbab places, where you would put cooked rice in a pork bone broth for a hearty and delicious morning meal.  That said, if you waited a little later, there is a Krispy Kreme for those craving donuts, and a few French-inspired Korean bakeries, such as the chain, Tous les Jours, which is always a tasty go-to spot. If you prefer a wider variety of food you can choose to stay in Busan proper, instead.  It isn't that far, and you can take the train over to Gimhae in the morning.  However, I would recommend at least two days to see most of the Gaya related sites, and maybe a third or fourth if you want to chase down everything in the city. There is also an interesting amusement park that we did not get the chance to experience but may be of interest:  the Gimhae Gaya Theme Park.  This appears to be a series of interpretations of different Gaya buildings along with a theme park for kids and adults, including rope bridges, light shows, and some cultural performances.  It looked like it might be fun, but since we had limited time we decided to give it a pass this time around. In Busan, there are many other things to do, including museums, folk villages, and an aquarium along the beach.  Busan station is also conveniently located next to the cruise port, where ships depart daily for Japan.  This includes typical cruise ships, as well as various ferries.  For instance, there is a ferry to Hakata, in Fukuoka city, as well as an overnight ferry that takes you through the Seto Inland sea all the way to Osaka.  For us, however, we had booked the jetfoil to Hitakatsu, on the northern tip of Tsushima island – a very modern version of the Gishiwajinden account of setting sail in a rickety ship. Unfortunately, as we were preparing for our journey, disaster struck—the kind of thing that no doubt befell many who would dare the crossing across the waters.  Strong winds out in the strait were making the water choppy, and it was so bad that they decided to cancel all of the ferries for that day and the next.  It made me think of the old days, when ships would wait at dock as experienced seamen kept their eye on the weather, trying to predict when it would be fair enough to safely make the crossing.  This was not always an accurate prediction, though, since on the open ocean, squalls can blow up suddenly.  In some cases people might wait months to make the crossing. Since we didn't have months, and had a lot to see in Tsushuma, we opted for another, very modern route: we booked airplane tickets and left from Gimhae airport to Fukuoka, where we transitioned to a local prop plane for Tsushima.  You might say: why not just fly to Tsushima? But Tsushima doesn't have an international airport, and only serves Japanese domestic destinations. Hence the detour to Fukuoka, where we went through Japanese immigration and had a very nice lunch while we waited for our second, short flight. Even that was almost cancelled due to the winds at Tsushima, with a disclaimer that the plane might have to turn around if the weather was too bad.  Fortunately, we were able to make it, though coming into Tsushima airport was more than a little hair-raising as the small plane came in over the water and cliffs and dodged some pretty substantial updrafts before touching down on a tiny airstrip. And with that, we made our crossing to Tsushima island.  Or perhaps it is better to call them “islands” now, since several channels have been dug separating the north and south parts of Tsushima.  It wasn't quite how we had planned to get there, but we made it – and that kind of adaptability is very much in keeping with how you had to travel in the old days! One more comment here about the Korean Peninsula and Tsushima:  while we never had a day clear enough, it seems obvious that from a high enough vantage point in Gimhae or Gaya, one could see Tsushima on a clear day.  This is something I had speculated, but as we traveled it became clear.  Tsushima is actually closer to the Korean Peninsula than to Kyushu, a fact that they point out.  And so it was likely visible enough to people who knew what they were looking for. And yet, I imagine being on a small boat, trying to make the journey, it must have been something.  You hopefully had a good navigator, because if you went off in the wrong direction you could end up in the East Sea—known in Japan as the Japan Sea—or worse.    If you kept going you would probably eventually reach the Japanese archipelago, but who knows what might have happened in the meantime.  It is little wonder that ships for the longest time decided to use Tsushima and Iki as stepping stones between the archipelago and the continent. And with that, I think we'll leave it.  From Gimhae and Pusan, we traveled across to Tsushima, which has long been the first point of entry into the archipelago from the continent, often living a kind of dual life on the border.  Tsushima has gotten famous recently for the “Ghost of Tsushima” video game, set on the island during the Mongol Invasion – we haven't played it, but we understand a lot of the landscape was reproduced pretty faithfully. From there we (and the ancient chroniclers) sailed to Iki.  While smaller than Tsushuma, Iki was likely much more hospitable to the Yayoi style of rice farming, and the Harunotsuji site is pretty remarkable. Modern Karatsu, the next stop, is literally the Kara Port, indicating that the area has deep connections to the continent.  It is also the site of some of the oldest rice paddies found on the archipelago, as well as its own fascinating place in later history.  Continuing north along the coast of Kyushu is another area with evidence of ancient Yayoi and Kofun communities in Itoshima, thought to be the ancient country of Ito.  Here you can find some burial mounds, as well as the site where archaeologists found one of the largest bronze mirrors of the ancient archipelago.  Finally, we ended up in Fukuoka, where the seal of the King of Na of Wa was found. We ended our trip in Fukuoka, but the historical trail from Na, or Fukuoka, to quote-unquote “Yamatai” then goes a bit hazy.  As we discussed in an earlier episode, there are different theories about where Yamatai actually was.  There is the Kyushu theory, which suggests that Yamatai is somewhere on Kyushu, with many trying to point to the Yayoi period site of Yoshinogari, though there are plenty of reasons why that particular site is not exactly a good candidate.  Then there are various paths taking you to Honshu, and on to Yamato.  Those are much more controversial, but the path to at least Na seems mostly agreed on, especially since that was largely the path that individuals would follow for centuries onwards, including missions to and from the Tang dynasty, the Mongols during their attempted invasion, and even the various missions from the Joseon dynasty during the Edo period.  Today, modern transportation, such as the airplane, means that most people just go directly to their destination, but there are still plenty of reasons to visit these locations.  It was a lot of fun to sail from place to place and see the next island – or kingdom – emerging on the horizon. Next episode we will talk about Tsushima and give you an idea of what that island has in store for visitors; especially those with an interest in Japanese history. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

The Ramblin Gambler answers a question from Wrench (14:13), before doing a Moment of Casino Wisdom segment and teaching a new casino wisdom (25:42). In a travel segment, TRG has two weeks of results and a casino trip to share (43:05), before adjourning to the Virtual VIP Lounge where he is joined by Nakatomi Tony joins him for a discussion of AC rewards systems and casinos (1:01;49) --- Support this podcast: https://podcasters.spotify.com/pod/show/casinokombat/support

In this episode we look at the three most recent Phoenix Kings; Morvael the Impetuous, Bel-Hathor the Sage and Finubar the Seafarer. We explore the implications of Ulthuan looking outward once more and the drastic increase in trade and exploration with the opening of Lothern to humanity under Bel-Hathor. We follow Finubar as he travels the world making alliances with those he sees and beneficial to Ulthuan and whatever future it can now forge for itself. We compare Finubar with Malekith and that dark soul's own period of exploration at the dawn of Ulthuan. We close out the episode with a  look at the current state of the High Elves and their place in the world. Quartermaster Patreon Merchandise Chunks of Dhar Show notes

Here we are, almost at the end of the reign of Kashikiya Hime, with a couple of items, today. First is the reform going on with Buddhism, and, in particular, the state's involvement in selecting a "Head" of Buddhism to make sure that the religion is accountable to the State.  Then there are the dealings with the growing power of Silla, amidst the backdrop of a change on the continent from the Sui to the Tang dynasty. For more, check out our podcast website:  https://sengokudaimyo.com/podcast/episode-102 Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 102: Temples and Tribute Iwakane and Kuranoshita stood on the deck of their ship, looking out over the waves and back towards their Yamato home.  Travel across the sea was always risky, but it was worth it.  Locals at the port on the southern tip of the peninsula were loading all sorts of goods into the hold of their ships, and when the two envoys returned home, they could only imagine how they would be greeted as heroes.  It had been a long journey, but they'd made it across the strait and upheld the interests of the Yamato court, and now they had a deal that could bring some measure of peace.  Not bad for a treacherous trek across the sea.  Next they just had to wait for fair winds and they could start the journey back to the archipelago. Looking out at the ocean, hoping to see some signs of the winds turning back from whence they came, it was then that they spied them—small dots that seemed to disappear and reappear on the horizon.  First just a handful, and then more and more.  As they came more into focus, their hearts no doubt sank.  It was an armada, fitted for war, and it was headed their way. ---- As we finish up the reign of Kashikiya Hime, aka Suiko Tenno, I want to deal with several events from about 614 to the year 624.  During this decade a lot happened.  Last episode we dealt with some of the smaller things, but two major things from this period were the further development of the Buddhist clergy—including bringing the institution under state control—and the reported invasions of Silla.  I say “reported”, because only the Japanese sources talk about them, but we'll talk about just why that might be.  Meanwhile, there were plenty of changes happening as the Sui dynasty transitioned into the Tang dynasty, and more. We're actually going to start with the changes to the Buddhist clergy.  This actually happened some time later than the rest of our narrative, but it makes sense to start here and finish up some of the things happening in Yamato, before expanding our view to the wider world. As we've seen, Buddhism officially arrived in Yamato by 538 according to our earliest record, though possibly it had been around in some form in the immigrant communities before then.  By the start of the 7th century, Buddhist temples were being built by some of the noble families of the court, including Soga no Umako, Prince Umayado, and others.  Originally, the Buddha was worshipped much as any other kami, but as nuns and monks were sent abroad to learn more about the religion, and as foreign monks were consulted on how things should be, they began to develop their own sangha, their own community, in the archipelago.  Those with interest or who took vows to enter the religion studied the sutras and other texts that had been brought over, and with the building of full-scale, continental style temples there would have been little doubt that this was something new and different. The tenets of Buddhism were those of non-materialism.  Adherents were supposed to work on loosening the bonds that kept them tethered to this mortal plane, including concepts of the self.  Monks were expected to be the ultimate examples of these teachings, especially seeing as how they dedicated themselves to learning the Buddhist Law.  Above all, Buddhist monks were expected to rise above base emotions such as anger, hatred, and lust. However, let's remember that these Buddhsit monks were only human, and it is also unclear how many had joined the monkhood entirely of their own volition.  For instance, back in 614, when Soga no Umako fell ill, we are told that a thousand persons entered religion for his sake.  Now besides the fact that the number of individuals is likely way off base—at most we see maybe 1400 monks and nuns across all of the temples only nine years later—this was not an uncommon thing to see in records of the time.  In Baekje, we similarly see large numbers of people taking orders on the behalf of a monarch or other person of importance.  The implication is that by having people enter religion—to take orders as a monk or nun—on your behalf would accrue to that person some measure of good karma.  This was seen as particularly important for the elite because they, of course, couldn't just become monks themselves—after all, if they did, who would be left to rule the country?  And so, they would have people do it for them, kind of like a version of “karma offsets”, where you get to continue to enjoy all the benefits of your worldly position by offsetting it with other people's devotion to religion. But one has to wonder how many people were just waiting around for some special royal or noble person to need some karma before taking orders.  After all, if someone was truly interested in taking orders, no doubt they could find a monastery and ask to join.  More likely, these were individuals who were impressed -slash- strongly encouraged to take orders on behalf of someone else.  This isn't to say that there were no true converts, nor that those who took orders in such a way never came to appreciate the Buddha's teachings.  However, it does, perhaps, make it a little more understandable when we learn that in 623 there was a major scandal in the Buddhist sangha when an ordained Buddhist monk apparently took an axe and struck his paternal grandfather. Murder was, of course, generally frowned upon—unless, of course, you were a member of the aristocracy and able to convict the person of something like rebelling against the court.  However, it was especially frowned upon by Buddhist monks, as it really didn't go well with the whole vibe that the Buddhist religion was trying to establish in the archipelago.  Anyone who entered Buddhism was supposed to be devoting themselves to the Three Treasures, not geriatricide. And we don't know why this monk did it, either.  Maybe he just chanted too many sutras and finally snapped, or maybe his paternal grandfather did something heinous and he thought it was his only solution.  Either way, this event sparked a major investigation of the Buddhist religion as a whole.  The court assembled all of the various monks and nuns and investigated just what had been going on in those temples, anyway.  Where they found wrong-doing, the courts decided to issue punishments. And apparently they found quite a bit of wrong-doing.  It isn't clear exactly what was going on, but there was enough that the Baekje monk Kanroku, or Gwalleuk in modern Korean, issued a memorial to the throne before the punishments were carried out.  In his memorial he detailed the history of Buddhism:  how it came from the West to the Han, and then 300 years after that to Baekje, and then how it had been transmitted to Yamato only 100 years after that—less than a century ago, really.  He noted how young Buddhism was in Yamato, and how the monks and nuns hadn't fully learned the Teachings of the Buddha.  As such, he begged for leniency for all of the monks other than the man who had killed his own grandfather—that was a punishment even Kanroku could not argue against. By the way, if the name Kanroku is familiar, we talked about him back in episode 94.  He was said to have been one of the teachers of Shotoku Taishi, and when he first arrived in Yamato we are told that he brought numerous books on various sciences with him, helping to kickstart a number of studies in Yamato.  He was clearly well respected by the court. And so the court heard this petition, and Kashikiya Hime granted Kanroku's request for leniency.  The monks and nuns were spared, except for the one, but that was not the end of the court's involvement.  Ten days later, they issued another ruling.  The court set up two official positions:  The Soujou and the Soudzu.  These two positions were created to oversee the monks and nuns.  Kanroku was made Soujou, or High Priest, and Kurabe no Tokuseki was appointed as Soudzu.  We are also told of another position, possibly one that already existed, as a member of the Adzumi no Muraji family was appointed as Houzu, the Head of the Law. These positions would help tie the practice of Buddhism to the court.  The temples were no longer simply autonomous units that could operate on their own.  Neither were they solely bound to the wealthy families that patronized them and helped pay for their upkeep.  The court positions provided a means of state accountability and oversight concerning the activities of Buddhism in the country.  After all, Buddhism, at this time, was largely seen as serving the state and the state elites.  While Buddhist doctrine might encourage the salvation of all sentient beings, to many of those sponsoring and setting up these temples, it was still a very transactional relationship.  The power of Buddhism was not simply in the siren's call of possibly throwing off the shackles of the material world, but also in the belief that Buddhist gods and Boddhisatvas could actively provide protection—both tangible and intangible—to the state and to the members of the court.  It is unlikely that farmers, living in their pit houses and working in the rice paddies, were thinking so much about going to the temple and what the Buddhist Law meant for them.  The nature of religion at the time was still one where the elites controlled the mysteries, and thus used that to justify their rarified positions. The idea of the position of High Priest may have been transmitted from the Buddhist traditions of the Yangzi river region and the southern courts.  Originally, in Yamato, it seems to have been intended as the chief priest of the country, as there was only one official sect of Buddhism.  This would change in later years as the position—and the Buddhist temples' relationship with the government—changed over time. Kanroku's time in this position seems to have been limited.  Less than a year later, in the first month of 624, a new priest arrived from Goguryeo, named Ekan, or Hyegwan in modern Korean, and he was made Sojo, or high priest.  Does this mean that Kanroku retired from the position?  Or perhaps he passed away.  Unfortunately, we aren't quite sure. Tradition holds that both Kanroku and his successor, Ekan, both were installed at Houkouji, aka Gangouji or Asukadera, the temple of Soga no Umako, demonstrating the power and influence that Soga no Umako's temple had at the time.  Ekan is also said to have been the founding patriarch of the Japanese Sanron school of Buddhism.  The Sanron sect comes from the Sanlun school of the mainland, also known as East Asian Madhyamaka, and was based on three texts—the “Sanron”—said to have been translated by Kumarajiva in the 4th and early 5th centuries. That both of these High Priests were installed at Houkouji definitely says something at the time.  It is possible that their dominion was simply over Houkouji, but an earlier entry suggests that was not the case, as in the ninth month of 623, some five months after the whole axe-monk incident, the Court ordered an inspection of temples of monks and nuns.  We are told that they made an accurate record of the circumstances of the building of the temples, and also the circumstances under which the various ordained individuals had embraced—forcefully or otherwise—the Buddhist religion.  They recorded information down to the year, month, and day that they took orders.  Based on that record we are told that there were forty-six temples in 623, and 815 monks and 569 nuns, for a total of one thousand three hundred and eighty five persons altogether.  That doesn't count the individuals working the rice land and otherwise helping provide for the upkeep of the temples themselves. As far as I'm aware, we don't have this actual record of the temple inspection, other than its summary here in the Nihon Shoki, but assuming it is true, it tells us some rather incredible things.  First, if we assume that Asukadera and Shitennouji were really the first two permanent temples to be built in Yamato, then all of this- the building of 46 temples, and the ordination of so many people- happened in the span of about thirty years.  That's an average of three temples being built every two years, and it probably wasn't that steady a pace.  It is entirely possible, of course, that many of the temples mentioned were still under construction.  After all, we saw how long it took to build Houkouji temple, or Asukadera, which we discussed back in episode 97.  Regardless, it goes back to what we mentioned about the temple building boom that took off, which also removed much of the labor force that would have otherwise been put to work building things like massive kofun. Also, assuming an even distribution, we are looking at an average of thirty monks or nuns per temple.  It was likely not quite so even, and with temples like Asukadera, or even Toyouradera, having many more monks and nuns  given their importance.  Furthermore, when Soga no Umako grew ill and supposedly had a thousand persons enter religion—which, as we've mentioned, likely wasn't quite that many—I suspect that many of those would have gone to Soga temples, such as Houkouji. By the way, on that one thousand people:  I would note that it is possible that some people only entered Buddhist orders temporarily, for a time, and that is why the numbers aren't larger.  Still, I think that Occam's razor suggests the simpler answer is that the numbers were simply exaggerated for effect by the Chroniclers, assuming that it even happened in the first place. So that was the story of Yamato expanding its state administration over the spiritual realm.  However, there was plenty of expansion they were doing in the physical realm as well.  They had expanded control to the island of Tsukushi, modern Kyushu, and were even dealing with the inhabitants of Yakushima, but they knew there was a much larger world out there. And so we see that in 613, two new ambassadors were sent to the Sui court.  They were Inugami no Kimi no Mitasuki and Yatabe no Miyatsuko.  We don't know much about the embassy that went though we know that they came back through Baekje the following year, bringing a Baekje envoy with them, because why not?  Baekje records talk about the Wa—that is the people of the Japanese archipelago—traversing their country on their way to the Sui court at various times, so this is all within the realm of what has been pretty standard, so far. The following year, we see that Silla sent a Buddha image to the Yamato court.  As per usual, our ever so faithful Chroniclers note that this is an item of “tribute” from Silla, as though they were some kind of vassal state of Yamato.  Which brings me to a point I've made before and I'll probably make again:  All history is political. The writing of history is an inherently political act, in that it attempts to capture some form of truth as the authors of history believe it to be.  What they choose to include—and what they choose to ignore—is all a choice. This should not be confused with facts: what actually happened and was observed.  But even the facts of the past  are all experienced through human senses and interpreted by human brains.  We can often only see them through what others have written or created, and what physical evidence remains, today, whether that is archaeological evidence, or even things like DNA or linguistic clues, passed down through the generations.  Keep this in mind the next time you hear someone talk about “historical revisionism”.  The stories we tell ourselves change as we better understand the world and the past from which we came.  To get upset about people providing a new vision of that past assumes that our previous understanding was somehow complete.  We might not agree with someone's take on it, but as long as we can agree on the facts, it isn't as if they are changing what actually happened, just providing a different understanding.  This of course gets much more difficult and convoluted when we realize that what we think of as facts might instead be suppositions, inferred from how we believe the world works. I mention this because looking across our various records we can see just how incomplete our understanding is of this time in Silla-Yamato relations.  We have to “pick sides” as it were, if we want to tell a story, or we could just throw our hands up in the air and say “who knows?”So let's talk about just what is missing from both the Nihon Shoki and the Samguk Sagi, two of our better historical sources from this time.  Clearly the Nihon Shoki has a pro-Yamato and pro-royal lineage bias, such that it is going to elevate the status of Yamato and the sovereign, almost completely ignoring any other powerful polities that may have once existed in the archipelago and placing Yamato on equal footing with the Sui dynasty, and above the countries of Silla and their ally, Baekje.  It is not exactly nuanced in its depiction. On the other side we have the Samguk Sagi.  Here we have a huge period in the 6th and 7th centuries with little to no mention of Wa or the Japanese archipelago.  This is especially true in the Silla annals, which only mention their interactions with Baekje, for the most part, and leave talk of Wa to the earlier years, before Silla grew into one of the three most powerful kingdoms on the peninsula.  Where we do find mention is in the Baekje annals, but even that is often sparse. This is likely for several reasons.  First off is the fact that the Samguk Sagi was written in the 12th century, over four hundred years after the Nihon Shoki was published.  This was the Goryeo period on the Korean peninsula, and so one might expect to see a greater focus on the former Goryeo, known to us as Goguryeo.  However, its author was Kim Busik, and the Kim family traced their roots to the royal lineage of Silla.  So he likely was plenty incentivized to prop up the Silla kingdom. Furthermore, it seems that the Samguk Sagi was pulled together from a variety of sources, often with second or thirdhand accounts.  For instance, they writers appear to have used Sui and Tang records to reconstruct what happened at various periods, especially in Baekje.   The “Record of Baekje” that the Nihon Shoki often cites appears to have no longer been extant for Kim Busik to peruse.  And so it is hard to tell what was left out for political reasons and what simply wasn't mentioned at all.  However, there is a note in the late 7th century, where the Silla kingdom complains about the constant raids and invasions by the Wa—raids and invasions that are otherwise not mentioned—that makes me think that perhaps there is something more to the records of Yamato and Baekje then might first appear.  It would be easy, perhaps, to dismiss what we see in the Nihon Shoki, but we are now only a century from when it was compiled.  So while the Chroniclers may have been biased in the way they recorded things, there is likely something there, even if they give themselves a larger role in the production. Alright, so enough caveats:  What does the Nihon Shoki have to say about all of this? We previously talked about the relationship between Yamato and the continent in Episodes 94 and 96, including prior attempts by Yamato to re-establish Nimna, which had been controlled by Silla since at least the 6th century, and Yamato's early contact with the Sui court.  And as mentioned above Inugami no Mitasuki and Yatabe were sent back from the Sui, returning with an envoy from Baekje in 615.  Then, in 616, a year after that, Silla sent a Buddha image as tribute.  In typical pro-Buddhist fashion, it is said that the image sent out rays of light and worked miracles.  Aston claims this was the gold image eventually installed at Houkouji—aka Asukadera. There is a bit of a respite in the record, like a show that took a season off during the pandemic.  We don't really have much mention of Silla or Baekje for about four to five years, just as it looked like we were starting to get regular communication.   That isn't to say the record is entirely blank, we just don't have records of regular contact with Silla and Baekje.  There is one record, which Aston dates to 618, though that may be a year off based on other sources, where a Goguryeo envoy arrives with gifts: flutes, cross-bows, and even catapults, we are told, 10 in all.  They also brought a camel, which must have been quite the sight, though I wonder how well it was doing after that voyage.  Finally, they brought some local products and two captives that had been taken during fighting with the Sui. This mention of Goguryeo fighting the Sui dynasty is rather significant, and it is part of the reason that many believe the Sui dynasty would fall in or around that same year.  Besides spending money on all sorts of public works projects—things like the Grand Canal, that would definitely be a wonder, but was also insanely expensive—the Sui dynasty was also fighting campaigns on their northern and southern borders, as well as facing raids by the Tujue, a group of eastern Turkic people.    The Sui had been pushing against Goguryeo, with whom they shared a border, and for the most part, Goguryeo had been pushing back.  At the same time, Goguryeo had some ambitious neighbors of their own on the peninsula—their sometime ally Silla being chief among them—so they had to also ensure that they weren't attacked from the rear as they were marshaling troops against the Sui. Fortunately for them, the Sui dynasty would eventually collapse, being replaced by the Tang.  Unfortunately, the Tang dynasty was not necessarily going to give up the push that the Sui had started. We'll probably need to do an entire episode on the Tang dynasty and Tang culture, as it would have a huge impact on all of East Asian culture, but for now, that can wait.  The death of the last Sui emperor set up a power struggle on the continent.  Li Yuan, Duke of Tang, took advantage of this and had himself proclaimed as the new Tang emperor, but he wasn't the only one contending for power.  Though he ruled from the capital at Chang'an, modern Xi'an, there were plenty of others trying to set themselves up as warlords and emperors in their own right, and Li Yuan would spend the entirety of his reign trying to quell these various threats and re-unify the empire under his rule.  Needless to say, there was a lot going on over there. As that was happening, around 621, Silla sent an ambassador to Yamato named, at least in Aston's translation, Imime, with the rank of “Nama”—a rank in the lower half of the Silla system.  Imime brought a diplomatic gift—that is to say “tribute” in the words of the Nihon Shoki—and a memorial for the Yamato court.  Apparently they hadn't brought memorials before, and this was the first time.  Memorials here are formal letters, typically referring to the type of letter from a subordinate to a superior.  I doubt that Silla was actually making themselves out to be a vassal to Yamato any more than Baekje, who is recorded as submitting numerous memorials, did the same.  However, the way diplomacy works, it would be understandable if the letter to a foreign ruler was presented in a flattering light.  Also, let's not forget that it was entirely possible that there was a bit of interpretation going on from one language, into the diplomatic language of Sinitic characters, and then into the native language of the court. So I think we can say that this is when Silla and Yamato started formal, written diplomatic correspondence.   These exchanges continued the following year.  Silla sent more envoys, and this time they brought a golden Buddha image, a golden pagoda, relics, and a large Buddhist baptismal flag, along with twelve smaller ones.  This was the Buddha image placed in the Hata temple at Kadono—which is to say, Hachiwoka Temple, known today as Kouryuuji, in modern Kyouto.  Other relics went to Shitennouji.  In addition, they brought the monks Esai and Ekou, as well as the physicians Ejitsu and Fukuin, bringing continental or “Tang” learning.  AT the same time, the envoys suggested that Yamato should send for the students that they had sent abroad to the Sui court, previously, as they had finished their studies.  They then launched into praise for the Tang court. And here we can say it would have likely been the Tang court.  As we discussed, the Sui dynasty had collapsed and a new dynasty, the Tang, had stood up in its place.  One wonders, then, about the students who had lived through those tumultuous times, and there may have been other reasons to reach out to the Tang court and restart their relationship.  It is also interesting that Silla appears to have close ties to the Tang—something that they would certainly work to strengthen in later years.  Silla's location on the other side of Goguryeo made them an ideal strategic ally to help put pressure on Goguryeo and force them to protect multiple fronts at the same time.  Besides the advice on bringing back students from the Sui—now Tang—court, I'd also like to take a moment and point out the gifts and the temples that were mentioned.  Shitennouji and Kouryuuji are both temples associated with Shotoku Taishi, but are also thought to have been closely related to individuals of Silla ethnicity in Yamato.  That they received the tribute coming from Silla is interesting. It looks like things were going well, but then, later in that same year, things took a turn.  We are told that Silla invaded Nimna, making Nimna fully a dependency of Silla. As we had discussed, before, Silla had long since taken Nimna and the other small polities around it.  It may be that they had retained some notional independence, as many of the kingdoms of this time were not necessarily fully established as we might think of a state, today.  However, any “invasion” was likely seen by Silla as simply quelling an internal dispute, assuming it happened at all.  What actually happened wasn't as important to us, however, as was Yamato's response. We are told that Kashikiya Hime considered an invasion, but Tanaka no Omi suggested caution, suggesting that someone be sent to the peninsula to figure out just what was going on.  Nakatomi no Muraji no Kuni, on the other hand, pressed for war.  He continued to beat that old drum claiming that Nimna originally belonged to Yamato, and that Silla shouldn't be allowed to have it.  Tanaka no Omi countered that it was better that Silla have it than Baekje, claiming that Baekje, Yamato's on-again off-again ally on the peninsula, could not be trusted to hold it—something of a strange stance.  Ultimately, Kashikiya Hime listened to Tanaka no Omi's advice, and she sent Kishi no Iwakane to Silla and Kishi no Kuranoshita to Nimna to see how things were going.  When they arrived at the peninsula, they were greeted by a single, brightly decorated ship.  When they asked whose ship it was, they were told it belonged to Silla, at which point they called into question why there wasn't a ship from Nimna.  And so the Silla sailors sent someone to bring out another ship, claiming that was the ship from Nimna.  The Nihon Shoki claims that this tradition of Silla greeting Yamato envoys with two boats dates from this time. To say I'm a bit skeptical is an understatement.  It sounds like Silla was just trying to appease the Yamato envoys so that they would deliver their message and go back home.  Perhaps they were putting on a show of Nimna's independence—who knows.  The Lord of Silla—an interesting flex by the Chroniclers, who have otherwise referred to the ruler of Silla as a “king”—sent eight high ministers, or Daibu, to provide Iwakane and Kuranoshita an update on the status of Nimna.  In response, the Yamato envoys apparently insisted that Nimna belonged to them and, at least according to the Nihon Shoki, Silla agreed.  Here I think we have to take the Chronicles with a bit of salt, and I really wish that we had better records for Silla, but unfortunately the sources we have from that side are silent about any interaction. Iwakane and Kuranoshita then began to plan the return trip with envoys from Silla along with more diplomatic gifts from Silla and Nimna.  With their work completed, they began the trek back to the islands.  Even if Silla was simply putting on a show for the ambassadors, they must have felt pretty good about themselves.  They had apparently settled the matter and were now on their way back to seal the deal.  All they had to do now was wait for a favorable wind so they could cross. And so they were probably taken aback when they looked out across the waters and saw boatloads of Yamato troops heading their way.  The Silla envoys saw this and immediately noped back to the capital at Gyeongju and left a lower level flunky to handle the diplomatic gifts, which Yamato probably already had loaded on board the ship.  Iwakane and Kuranoshita resigned themselves to the fact that the agreement they had brokered was now in tatters—they had just talked about peace and suddenly an invading army shows up.  So they shoved off and headed back to the archipelago. Apparently, while Iwakane and Kuranoshita were away, the hawkish faction of the Yamato Court had swayed Soga no Umako to their side, and he had pushed for the invasion.  Specifically, the Chronicles blamed the houses of Sakahibe no Omi and Adzumi no Muraji.  Apparently these two families remembered getting quite a pay out from Silla last time, when they took armies across the strait to help re-establish Nimna, but got basically paid to leave, and so they were hoping to do the same thing again. And so Sakahibe no Omi no Womaro and Nakatomi no Muraji no Kuni were made generals of a force that included a host of names of some of the prominent families as assistant generals.  Given all of the generals and assistant generals, it must have been a sizeable force, and the Chronicles say that it was ten thousand strong, though I don't know that we can trust any of the numbers, exactly. They made landfall and headed to Nimna, to prepare their attack and when the King of Silla heard they were there, Silla tendered their submission, and the generals sent back a memorial to Kashikiya Hime to proclaim their victory.  We aren't told whether or not Sakahibe no Omi or Adzumi no Muraji made any money on this venture, but they seem to have made out alright for themselves. Now, as I mentioned earlier, there isn't any really good corroborating evidence for all of this.  There is a note in 623 that Baekje sent an army to raid Silla's Neungno District, and there is the later 7th century note where Silla complains about the constant raids by the Wa, mostly referring to Yamato and the archipelago. There is one other thing about this period, however:  many scholars believe that this is the period where many of the stories of Okinaga no Tarashi Hime really became popular, and took the form that we mostly know them as, today.  As you may recall, Okinaga no Tarashi Hime is more commonly known as Jinguu Kougou or even Jinguu Tennou.  She was the wife to the sovereign known as Chuai Tennou and the mother to Homuda Wake, aka Oujin Tennou, someone who features prominently in the lineage of the current dynasty of Yamato sovereigns. We talked about Tarashi Hime and her much hyped “conquest” of the Korean peninsula back in Episode 40.  Many scholars treat Tarashi Hime as a fictional, legendary figure, possibly created specifically to mirror the reign of Kashikiya Hime, in the 7th century.  There are some who believe her story is actually based on raids and invasions by Yamato in the 7th century, especially given the scale and apparent control that she displays over the archipelago.  It is possible that in her day, assuming she did exist, that there was a much larger concern with subduing the Kumaso, which was probably more of an ethnic conflict between different cultures, with Wa forces eventually prevailing.  There was certainly commerce with the peninsula, so raids weren't out of the question.  But the scale of those raids may not have been quite as depicted. Again, though, it is hard to say.  The peninsular records are largely silent.  The Wa are depicted as almost more of a minor nuisance and they are more likely to give pride of place to Baekje forces in any allied assault, so it is really difficult to determine just what happened, when.  Regardless, we aren't finished with the peninsula.  There is still a lot more conflict yet to be seen. But, we are finished with this episode—and almost finished with this reign.  Next episode we'll cover the end of Kashikiya Hime's reign, when some of the cutthroat politics of the Yamato court will come to the fore.  The end of one reign and the beginning of another has always been a bumpy ride—has the enforcement of more continental style governance changed that at all?  We'll see. Until then, thank you for listening and for all of your support. If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for her work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Yipee Ki Yay folks, we're headed to Nakatomi for the most explosive Christmas party of the year. In 1988, one of the most unlikely action heroes was born from a holiday visit to reconnect with his wife. The argument will rise, whether this is a Christmas movie or not, but there is in fact no argument as this may be one of the greatest Christmas movies of all time. Dave, Rob and Kurt will hang out with John, Hans and his band of merry terrorists to revisit this action/comedy/holiday classic. So grab all the twinkies you can find, take off your shoes and get ready to blow everything up, as we will in fact Die Hard.   Podcasts: Apple Podcasts: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694 Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL3RvdGFsbHk4MHM5MHNyZWNhbGwvZmVlZC54bWw Spotify Podcasts: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG Amazon Podcasts: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077   Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall   

It's the last episode of 2023, and our 100th episode!  But despite that, we keep on moving through the period, hitting a bunch of smaller stories from the Nihon Shoki about this period. We talk about Zentoku no Omi, the temple commissioner of Hokoji, as well as the trouble they went through to get the Asukadera Daibutsu in place to begin with.  We have the first instance of the Dazai--as in the Dazaifu of Kyushu--as well as the first instance of the holiday that would eventually become Children's Day, Kodomo no Hi.  There are various immigrants, bringing painting, handmills, and even a new kind of musical dance theater known as gigaku.  And that's just some of what we'll cover. For more, check out our website at https://sengokudaimyo.com/podcast/episode-100 Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 100: Sacred Tetris and Other Tidbits First off:  woohoo!  One hundred episodes!  Thank you to everyone who has been listening and following along on this journey so far.  When I started this I had no idea how long I would be able to keep up with it, but I appreciate everyone who has encouraged me along the way.  This all started in September of 2019, and we are now four years in and we have a ways to go.  While I'm thanking people, I'd also like to give a big thank you to my wife, Ellen, who has been helping me behind the scenes.  She's the one who typically helps read through what I'm going to say and helps edit out a lot of things, and provides reminders of things that I sometimes forget.  She really helps to keep me on track, and I always appreciate the time she puts into helping to edit the scripts and the questions she asks. Now, we are still talking about the 6th and early 7th centuries during the reign of Kashikiya Hime, aka Suiko Tenno.  We've talked about a lot of different aspects of this period—about the conflicts over Nimna on the peninsula, about the rise of the Sui dynasty on the continent, and the importation of various continental goods, including animals, immigrants, and knowledge.  That knowledge included new ideas about governance as well as religious practices such as Buddhism—and possibly other religious practices as well, as many of the stories that we saw in the Age of the Gods may have analogs on the continent and may just as easily have been coming over with the current crop of immigrants, though it is hard to say for certain.  At the heart of these changes are three individuals.  Obviously there is Kashikiya Hime, on the throne through a rather intricate and bloody series of events.  Then there is Soga no Umako, her maternal uncle, who has been helping to keep the Soga family on top.  And of course, the subject of our last couple episodes, Prince Umayado, aka Shotoku Taishi.  He, of course, is credited with the very founding of the Japanese state through the 17 article constitution and the promulgation of Buddhism. This episode, I'd like to tackle some of the little things.  Some of the stories that maybe didn't make it into other episodes up to this point.  For this, we'll mostly look at it in a chronological fashion, more or less. As you may recall, Kashikiya Hime came to the throne in about 593, ruling in the palace of Toyoura.  This was around the time that the pagoda was erected at Houkouji temple—and about the time that we are told that Shitennouji temple was erected as well.  Kashikiya Home made Umayado the Crown Prince, despite having a son of her own, as we'd mentioned previously, and then, in 594, she told Umayado and Umako to start to promulgate Buddhism, kicking off a temple building craze that would sweep the nation—or at least the areas ruled by the elites of Yamato. By 596, Houkouji was finished and, in a detail I don't think we touched on when talking about Asukadera back in episode 97, they appointed as commissioner one Zentoku no Omi—or possibly Zentoko, in one reading I found.  This is a curious name, since “Zentoku” comes across as a decidedly Buddhist name, and they really liked to use the character “Zen”, it feels like, at this time.  In fact, it is the same name that the nun, the daughter of Ohotomo no Sadehiko no Muraji, took, though the narrative is very clear about gender in both instances, despite them having the exact same Buddhist names.  This name isn't exactly unique, however, and it is also the name recorded for the Silla ruler, Queen Seondeok, whose name uses the same two characters, so it is possible that at this time it was a popular name—or perhaps people just weren't in the mood to get too creative, yet. However, what is particularly interesting to me, is that the name “Zentoku” is then followed by the kabane of “Omi”.  As you may recall from Episode XX, a kabane is a level of rank, but associated with an entire family or lineage group rather than an individual.  So while there are times where we have seen “personal name” + “kabane” in the past, there is usually a surname somewhere in there.  In this case, we aren't told the surname, but we know it because we are given the name of Zentoku's father: we are told that he was the son of none other than the “Oho-omi”, the Great Omi, aka Soga no Umako.  So, in summary, one of Soga no Umako's sons took the tonsure and became a monk. I bring this little tidbit up because there is something that seems very odd to me and, at the same time, very aristocratic, about taking vows, retiring from the world, and yet still being known by your family's title of rank. Often monks are depicted as outside of the civil rank and status system—though there were certainly ranks and titles within the priesthood.  I wonder if it read as strange to the 8th century readers, looking back on this period.  It certainly seems to illustrate quite clearly how Buddhism at this point was a tool of the elite families, and not a grass-roots movements among the common people. This also further strengthens the idea that Houkouji was the temple of the Soga—and specifically Soga no Umako.  Sure, as a Soga descendant, Prince Umayado may have had some hand in it, but in the end it was the head of the Soga family who was running the show, and so he appoints one of his own sons as the chief commissioner of the temple.  They aren't even trying to hide the connection.  In fact, having one of his sons “retire” and start making merit through Buddhist practice was probably a great PR move, overall. We don't hear much more from Zentoku after this point, and we really know very little about him.  We do know something about the Soga family, and we know that Soga no Umako has at least one other son.  While we've yet to see him in the narrative—children in the Nihon Shoki are often meant to be neither seen nor heard, it would seem—Umako's other son is known to us as Soga no Emishi.  Based on when we believe Soga no Emishi was born, however, he would have been a child, still, when all this was happening, and so Zentoku may have actually been his father's eldest son, taking the reins at Houkouji temple, likely setting him up to claim a role of spiritual leadership in the new religion of Buddhism.  Compare this to what we see later, and also in other places, such as Europe, where it is often the second son that is sent into religious life, while the eldest son—the heir—is kept at hand to succeed the father in case anything happens.  On the other hand, I am unsure if the monks of this time had any sort of celibacy that was expected of them, and I suspect that even as the temple commissioner, the tera no Tsukasa, Zentoku was keeping his hand in.  After all, the Soga family head appears to have been staying near the temple as well, so it isn't like they were packing him off to the high mountains. Moving on, in 601 we are told that Kashikiya Hime was in a temporary palace at a place called Miminashi, when heavy rains came and flooded the palace site.  This seems to be referring to flooding of Toyoura palace, which was, we believe, next to the Asuka river.  I wonder, then, if that wasn't the impetus for, two years later, in 603, moving the palace to Woharida, and leaving the old palace buildings to become a nunnery.  That Woharida palace is not thought to have been very far away—traditionally just a little ways north or possibly across the river. In 604, with the court operating out of the new Woharida palace, we see the institution of more continental style traditions.  It includes the idea of bowing when you entered or left the palace grounds—going so far as to get on your hands and knees for the bow.  Even today, it is customary to bow when entering a room—particularly a traditional room like in a dojo or similar—and it is also customary to bow when passing through a torii gate, entering into a sacred space.  Of course, that is often just a standing bow from the waist, and not a full bow from a seated position. In 605, with more continental culture being imported, we see it affecting fashion.  In fact, in this year we are told that Prince Umayado commanded all the ministers to wear the “hirami”.  The kanji simply translates to “pleats”, but in clothing terms this refers to a pleated skirt or apron.  We see examples of this in courtly clothing going back to at least the Han dynasty, if not earlier, typically tied high above the waist and falling all the way down so that only the tips of the shoes are poking out from underneath.  We have a bit more on this in the historical clothing section of the Sengoku Daimyo website, sengokudaimyo.com.   I wonder if these wrapped skirts aren't some of what we see in the embroidered Tenjukoku mandala of Chuuguuji.  Court women would continue to wear some kind of pleated skirt-like garment, which would become the mo, though for men they would largely abandon the fashion, except for some very specific ritual outfits.  That said, there is still an outfit used for some imperial ceremonies.  It is red, with many continental and what some might consider Taoist symbols, such as dragons, the sun and moon, etc..  That continuation of tradition gives us some idea of what this was and what it may have looked like back in the day.  It is also very neat that we are starting to get specific pieces of potentially identifiable clothing information, even if it is only for the court nobles. The year following that, 606, we get the giant Buddha image being installed at Houkouji, aka Asukadera.  Or at least, we think that is the one they are talking about, as we can't be one hundred percent certain.  However, it is traditionally thought to be one and the same.  The copper and gold image was commissioned a year prior, along with an embroidered image as well, but when they went to install it they ran into a slight problem:  The statue was too large to fit through the doors of the kondo, the golden image hall.  No doubt that caused some embarrassment—it is like ordering furniture that won't fit through the doorway, no matter how you and your friends try to maneuver it around.  They were thinking they would have to cut through the doors of the kondo to create more room, and then fix it afterwards.  Nobody really wanted to do that thought—whether because they thought it would damage the structural integrity of the building or they just didn't want to have to put up with an unsightly scar, it isn't clear.  Finally, before they took such extreme measures, they called on the original artist, Kuratsukuri no Tori.  He is said to be the son of the famous Shiba Tattou, and so his family was quite close with the Soga, and he seems to have had quite the eye for geometry as we are told that he, “by way of skill”, was able to get it through the doors and into the hall.  I don't know if that meant he had to some how turn it on its side and walk it through, or something else, but whatever it was, it worked.  Tori's mad Tetris skills worked, and they were able to install the giant Buddha in the hall without cutting through the doorways. For his efforts, Tori was rewarded, and he was raised up to the rank of Dainin, one of the 12 new ranks of the court.  He was also given 20 cho worth of “water fields”—likely meaning rice paddies.  With the income from those fields, we are told that he invested in a temple of his own:  Kongoji, later known as the nunnery of Sakata in Minabuchi. For all that Buddhism was on the rise, the worship of the kami was still going strong as well.  In 607 we are told that there was an edict that everyone should worship the kami of heaven and earth, and we are told that all of the noble families complied.  I would note that Aston wonders about this entry, as the phrasing looks like something you could have taken right out of continental records, but at the same time, it likely reflects reality to some extent.  It is hard to see the court just completely giving up on the traditional kami worship, which would continue to be an important part of court ritual.  In fact, it is still unclear just how the new religion of Buddhism was viewed, and how much people understood the Buddha to be anything more than just another type of kami. Later in that same year was the mission to the Sui court, which we discussed in Episode 96.  The year after, the mission returned to Yamato with Sui ambassadors, and then, in 609, those ambassadors returned to the Sui court.  These were the missions of that infamous letter, where the Yamato court addressed the Sui Emperor as an equal.  “From the child of heaven in the land where the sun rises to the child of heaven in the land where the sun sets.”  It is still one of my favorite little pieces of history, and I constantly wonder if Yamato didn't understand the difference in scale or if they just didn't care.  Either way, some really powerful vibes coming off that whole thing. That same year that the Sui ambassadors were going back to their court there was another engagement with foreigners.  In this case the official on the island of Tsukushi, aka Kyuushuu, reported to the Yamato court that 2 priests from Baekje, along with 10 other priests  and 75 laypersons had anchored in the harbor of Ashigita, in the land of Higo, which is to say the land of Hi that was farther from Yamato, on the western side of Kyuushuu.  Ashigita, you may recall, came up in Episode 89 in reference to the Baekje monk—and I use that term loosely—Nichira, aka Illa.  There, Nichira was said to descend from the lord of Ashigita, who was said to be Arisateung, a name which appears to be a Korean—possibly Baekje—title.  So now we have a Baekje ship harboring in a land that once was ruled by a family identified, at least in their names or titles, as having come from or at least having ties with Baekje.  This isn't entirely surprising, as it wouldn't have taken all that much effort for people to cross from one side to the other, and particularly during the period before there was a truly strong central government it is easy to see that there may have been lands in the archipelago that had ties to Baekje, just as we believe there were some lands on the peninsula that had ties to Yamato. One more note before get to the heart of the matter is the title of the person who reported all these Baekje goings-on.  Aston translates the title as the Viceroy of Tsukushi, and the kanji read “Dazai”, as in the “Dazaifu”, or government of the “Dazai”.  There is kana that translates the title as Oho-mikoto-Mochi—the Great August Thing Holder, per Aston, who takes this as a translation, rather than a strict transliteration.  This is the first time that this term, “Dazai” has popped up in the history, and it will appear more and more in the future.  We know that, at least later, the Dazaifu was the Yamato court's representative government in Kyuushuu.  The position wasn't new - it goes back to the various military governors sent there in previous reigns - but this is the first time that specific phrasing is used—and unfortunately we don't even know much about who it was referring to.  The position, however, would become an important part of the Yamato governing apparatus, as it provided an extension of the court's power over Kyuushuu, which could otherwise have easily fallen under the sway of others, much as Iwai tried to do when he tried to ally with Silla and take Tsukushi by force.  Given the importance of Kyuushuu as the entrypoint to the archipelago, it was in the Court's best interest to keep it under their control. Getting back to the ship with the Baekje priests on it:  the passengers claimed they were on their way to Wu, or Kure—presumably headed to the Yangzi river region.  Given the number of Buddhist monasteries in the hills around the Yangzi river, it is quite believable, though of course by this time the Wu dynasty was long gone.  What they had not prepared for was the new Sui dynasty, as they said there was a civil war of some kind going on, and so they couldn't land and were subsequently blown off course in a storm, eventually limping along to Ashigita harbor, where they presumably undertook rest and a chance to repair their vessels.  It is unclear to me exactly what civil war they were referring to, and it may have just been a local conflict.  There would be rebellions south of the Yangzi river a few years later, but no indication that it was this, just a bit out of context.  We know that the Sui dynasty suffered—it wouldn't last another decade before being dismantled and replaced by the Tang dynasty in about 618.  There were also ongoing conflicts with Goguryeo and even the area of modern Vietnam, which were draining the Sui's resources and could be related to all of these issues.  If so, though, it is hard to see an exact correlation to the “civil war” mentioned in the text. Given all this, two court nobles:  Naniwa no Kishi no Tokomaro and Fumibito no Tatsu were sent to Kyuushuu to see what had happened, and, once they learned the truth, help send the visitors on their way.  However, ten of the priests asked to stay in Yamato, and they were sent to be housed at the Soga family temple of Houkouji.  As you may recall, 10 monks was the necessary number to hold a proper ordination ceremony, funnily enough. In 610, another couple of monks showed up—this time from Goguryeo.  They were actually sent, we are told, as “tribute”.  We are told that one of them was well read—specifically that he knew the Five Classics—but also that he understood how to prepare various paints and pigments.  A lot of paint and pigments were based on available materials as well as what was known at the time, and so it is understandable, to me, why you might have that as a noted and remarkable skill.  We are also told that he made mills—likely a type of handmill.  These can be easily used for helping to crush and blend medicines, but I suspect it could just as easily be used to crush the various ingredients for different pigments.  A type of handmill, where you roll a wheel in a narrow channel, forward and back, is still in use today throughout Asia. In 611, on the 5th day of the 5th month, the court went out to gather herbs.  They assembled at the pond of Fujiwara—the pond of the wisteria field—and set out at sunrise.  We are told that their clothing matched their official cap colors, which was based on their rank, so that would seem to indicate that they were dressed in their court outfits.  In this case, though, they also had hair ornaments mad of gold, leopard's tails, or birds.  That leopard's tail, assuming the description is accurate, is particularly interesting, as it would have had to have come from the continent. This ritual gathering of herbs would be repeated on the 5th day of the 5th month of both 612 and 614.  If that date seems familiar, you might be thinking of the modern holiday of Tango no Sekku, aka Kodomo no Hi.  That is to say:  Boy's Day or the more gender neutral “Children's Day”.  It is part of a series of celebrations in Japan known today as “Golden Week”, when there are so many holidays crammed together that people get roughly a week off of work, meaning that a lot of travel tends to happen in that period.  While the idea of “Boy's Day” probably doesn't come about until the Kamakura period, Tango no Sekku has long been one of the five seasonal festivals of the court, the Gosekku.  These included New Year's day; the third day of the third month, later to become the Doll Festival, or Girl's Day; the seventh day of the seventh month, during Tanabata; and the 9th day of the 9th month.  As you can see, that is 1/1, 3/3, 5/5, 7/7, and 9/9.  Interestingly, they skipped over 11/11, possibly because that was in the winter time, based on the old calendar, and people were just trying to stay warm. Early traditions of Tango no Sekku include women gathering irises to protect the home.  That could connect to the practice, here, of “picking herbs” by the court, and indeed, many people connect the origins of Tango no Sekku back to this reign specifically because of these references, though there is very little said about what they were doing, other than picking herbs in their fancy outfits. We are given a few more glimpses into the lives of the court in a few other entries.  In 612, for instance, we have a banquet thrown for the high functionaries.  This may have been a semi-regular occasion, but this particular incident was memorable for a couple of poems that were bandied back and forth between Soga no Umako and Kashikiya Hime.  He toasted her, and she responded with a toast to the sons of Soga. Later that year, they held a more somber event, as Kitashi Hime was re-interred.  She was the sister to Soga no Umako, consort of Nunakura Futodamashiki no Ohokimi, aka Kimmei Tenno, and mother to both Tachibana no Toyohi, aka Youmei Tennou, and Kashikiya Hime, Suiko Tennou.  She was re-buried with her husband at his tomb in Hinokuma.  During this period, various nobles made speeches.  Kicking the event off was Abe no Uchi no Omi no Tori, who made offerings to her spirit, including around 15,000 utensils and garments.  Then the royal princes spoke, each according to rank, but we aren't given just what they said.  After that, Nakatomi no Miyatokoro no Muraji no Womaro gave the eulogy of the Oho-omi, presumably speaking on Umako's behalf, though it isn't exactly clear why, though Umako was certainly getting on in years.  Then, Sakahibe no Omi no Marise delivered the written eulogies of the other families. And here we get an interesting glimpse into court life as we see a report that both Nakatomi no Womaro and Sakahibe no Marise apparently delivered their speeches with great aplomb, and the people listening were quite appreciative.  However, they did not look quite so fondly on the speechifying of Abe no Tori, and they said that he was less than skillful.  And consider that—if you find public speaking to be something you dread, imagine if your entire reputation hung on ensuring that every word was executed properly.  A single misstep or a bad day and suddenly you are recorded in the national history as having been just the worst.  In fact, his political career seems to have tanked, as we don't hear much more about him after that. 612 also saw more immigrants bringing more art and culture.  The first was a man from Baekje.  He did not look well—he had white circles under his eyes, we are told, possibly indicating ringworm or some other infection.  It was so bad that the people on the ship with him were thinking about putting him off on an island to fend for himself.  He protested that his looks were not contagious, and no different that the white patches of color you might see on horses or cattle.  Moreover, he had a talent for painting figures and mountains.  He drew figures of the legendary Mt. Sumeru, and of the Bridge of Wu, during the period of the Southern Courts, and the people were so taken by it that they forestalled tossing him overboard.  He was eventually known as Michiko no Takumi, though more colloquially he was known as Shikomaro, which basically was a nickname calling him ugly, because judging people based on appearance was still totally a thing. The other notable immigrant that year was also a man of Baekje, known to us as Mimachi, or perhaps Mimashi or Mimaji.  He claimed to know the music and dancing of the Wu court—or at least some continental dynasty.  He settled in Sakurawi and took on students who were basically forced to learn from him.  As if a piano teacher appeared and all the children went to learn, but now it isn't just your parents and their high expectations, but the very state telling you to do it.  So… no pressure, I'm sure.  Eventually, Manu no Obito no Deshi—whose name literally means “student” or “disciple”—and Imaki no Ayabito no Seibun learned the teachings and passed them down to others.  This would appear to be the masked dances known as Gigaku. If you know about early Japanese music and dance you may have heard of Gagaku, Bugaku, and Noh theater.  Gagaku is the courtly music, with roots in apparently indigenous Japanese music as well as various continental sources, from the Korean peninsula all the way down to Southeast Asia.  Indeed, the musical records we have in Japan are often the only remaining records of what some of the continental music of this time might have sounded like, even though the playing style and flourishes have changed over the centuries, and many scholars have used the repertoire of the Japanese court to help work backwards to try and recreate some of the continental music. The dances that you often see with Gagaku musical accompaniment are known as Bugaku, and most of that was codified in the latter years of the Heian era—about the 12th century.  Then there is the famous masked theater known as Noh, which has its origins in a variety of traditions, going back to at least the 8th century and really brought together around the 14th century.  All of these traditions, however, are preceded by Gigaku, this form of masked dance that came over in the 7th century, and claims its roots in the area of “Wu” rather than “Tang”, implying that it goes back to traditions of the southern courts of the Yangzi river region. Gigaku spread along with the rest of continental culture, along with the spread of Buddhism and other such ideas.  From what we can tell, it was a dominant form of music and dance for the court, and many of the masks that were used are preserved in temple storehouses such as the famous Shosoin at the Todaiji in Nara.  However, as the centuries rolled by, Gigaku was eventually replaced at court by Bugaku style dances, though it continued to be practiced up through at least the 14th century.  Unfortunately, I know of no Gigaku dances that survived into the modern day, and we are left with the elaborate masks, some illustrations of dancers, and a few descriptions of what it was like, but that seems to be it. From what we can tell, Gigaku—also known as Kure-gaku, or Kure-no-utamai, meaning Music or Music and Dances of Wu—is first noted back in the reign of Nunakura Futodamashiki, aka Kimmei Tennou, but it wasn't until the reign of Kashikiya Hime that we actually see someone coming over and clearly imparting knowledge of the dances and music—Mimashi, mentioned above.  We then see the dances mentioned at various temples, including Houryuuji, Toudaiji, and others.  Of course, as with many such things, Shotoku Taishi is given credit for spreading Gigaku through the Buddhist temples, and the two do seem to have gone hand in hand. We know a little bit about the dances from the masks and various writings.  The masks are not random, and a collection of Gigaku masks will have generally the same set of characters.  These characters appear to have been organized in a traditional order.  A performance would start with a parade and a sutra reading—which I wonder if that was original or if it was added as they grew more connected to the Buddhist temple establishment.  And then there was a lion dance, where a young cub would pacify an adult lion.  Lion dances, in various forms, continue to be found throughout East Asia. Then the characters come into play and there are various stories about, for example, the Duke of Wu, and people from the “Hu” Western Regions—that is to say the non-Han people in the Western part of what is now China and central Eurasia.  Some of these performances appear to be serious, while others may have been humorous interludes, like when a demon assaults the character Rikishi using a man's genitals while calling for the “Woman of Wu”.  That brings to mind the later tradition of ai-kyougen; similarly humorous or lighthearted episodes acted out during Noh plays to help break up the dramatic tension. Many of aspects of Gigaku would go on to influence the later styles of court music and dance.  Bugaku is thought to have some of its origins in masked Gigaku dancers performing to the various styles of what became known as Gagaku music.  There are also examples of some of the characters making their way into other theatrical traditions, such as Sarugaku and, eventually, Noh and even folk theater.  These hints have been used to help artists reconstruct what Gigagku might have been like. One of the key aspects of Gigaku is that for all they were telling stories, other than things like the recitation of the sutras, the action of the story appears to have been told strictly through pantomime in the dances.  This was accompanied by the musicians, who played a variety of instruments during the performance that would provide the musical queues for the dancers-slash-actors.  There was no dialogue, however, but the names of the various characters appear to have been well known, and based on the specifics of the masks one could tell who was who and what was going on. This is similar to how, in the west, there were often stock characters in things like the English Mummers plays or the Comedia dell'arte of the Italian city-states, though in Gigaku those characters would not speak at all, and their story would be conveyed simply through pantomime, music, and masks. There have been attempts to reconstruct Gigaku.  Notably there was an attempt in the 1980s, in coordination with a celebration of the anniversary of Todaiji, in Nara, and it appears that Tenri University may continue that tradition.  There was also another revival by famed Kyougen actor Nomura Mannojo, uncle to another famous Kyougen actor turned movie star, Nomura Mansai.  Mannojo called his style “Shingigaku”, which seems to be translated as either “True Gigaku” or “New Gigagku”, and he took that on tour to various countries.  You can find an example of his performance from the Silk Road Theater at the Smithsonian Folklife Festival in Washington, DC back in 2002, as well as elsewhere.  It does appear that he's changed things up just a little bit, however, based on his layout of the dances, but it is an interesting interpretation, nonetheless. We may never truly know what Gigaku looked and sounded like, but it certainly had an impact on theatrical and musical traditions of Japan, and for that alone it perhaps deserves to be mentioned. And I think we'll stop right there, for now.  There is more to get through, so we'll certainly have a part two as we continue to look at events of this rein.  There are stories of gods and omens.  There is contact with an island off the southern coast of Kyuushuu.  There are more trips to the Sui court.  Much of that is coming.  Until then, I'd like to thank you once again.  I can hardly believe we reached one hundred episodes!  And it comes just as we are about to close out the year. As usual, I'll plan for a recap episode over New Year's, and then I'll plan to get back into everything the episode after that, but this closes out the year. I hope everyone has a wonderful new year, however you celebrate and, as always, thank you for listening and for all of your support.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

Welcome to the party, pals, ATRM are in the Nakatomi with Willis, Rickman and Roy Rogers. Only this time, we have a machine gun... Ho ho ho! Episode sponsors: BetterHelp: For a 10% discount off your first month with BetterHelp, click here Connect with ATRM: To support what we do, access our archive and listen to exclusive episodes, become an ATRM patron. Twitter: @ATRightMovies YouTube: Subscribe to our channel Instagram and Threads: @allthe_rightmovies  Facebook: Join our movie group TikTok: @alltherightmovies Website: alltherightmovies.com

Come to the coast, have a few laughs.  This week the boys go back to Nakatomi plaza to revisit this classic 80s action original that has somehow morphed into a Christmas movie(?)  We don't know about that, but what we do know we like seeing vaguely European terrorists get what's coming to them by big bad Bruce.  Plus we talk about our other favorite non-xmas holiday movies.

During the reign of Empress Kogyoku in 7th century Japan, two clans — the Soga clan and the Nakatomi clan — were rivals for power. But the Nakatomi clan would ally with the Empress's son, Naka no Oe, and together they would plot one of the most influential assassinations in Japanese history. Support Noble Blood:  — Bonus episodes, stickers, and scripts on Patreon — Merch! — Order Dana's book, 'Anatomy: A Love Story' and its sequel 'Immortality: A Love Story'See omnystudio.com/listener for privacy information.