Podcasts about hitchock

Fresh off The Amazing Spider-Man sequel, Andrew Garfield wanted to star in something different, and he chose an indie film that criticizes the Hollywood lifestyle. Coincidence? Maybe, maybe not. This was the third film for David Robert Mitchell, director of the critically-acclaimed horror film It Follows. Under the Silver Lake follows an aimless millennial slacker named Sam who believes there's a gigantic conspiracy going on in Los Angeles, and the general populace is ignorant to it. The disappearance of a female neighbor named Sarah (portrayed by Riley Keough) sparks his urge to explore the deep seedy depths of the City of Angels. What will Sam find in this Hitchock-inspired suspense-thriller? Caution: movie spoilers.Intro- 0:00 to 3:58.Film Discussion- 3:58 to 1:08:01.Film Ratings/Outro- 1:08:01 to End.Podcast Release Schedule-June 11th- Under the Silver Lake (2019).June 18th- The Birdcage (1996).June 25th- The Souvenir (2019).July 2nd- Blind Ranking of Creature Features.

This week, we're going Dutch… Well, sort of. The original spec script describes it as a “Hitchock-ian style thriller with black humor.” However, much like the titular town, in the words of its lead character Nancy Vangergroot, this movie is “like carbon dioxide. It's so sleepy and comfortable, and you won't even know you're suffocating.” It's Mimi Cave's Holland. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media  

(00:00-10:23) Jackson likes to tease in the dossier. Audio of Ashton Jeanty laying out his case for the Heisman on Micah Parson's podcast. There's a path in the bottom half of that bracket, Doug. Lemme talk to you about this head-to-head. A brief moment of Stephen A. The Rose Bowl sunset.(10:24-28:56) Former Blues coach Ken Hitchcock joins us from Palm Springs, California. Little warmer than Edmonton. His relationship with Doug Armstrong. His current role with the Blues. Could Hitch be lured back into coaching? His association with Bobby Plager. Does he see the Blues as a playoff team? Jordan Kyrou. Hitch's fine for walking into the wrong room in Philly.(28:57-37:44) Nolan Arenado has expanded his list of teams he's willing to go to. Angels on the list. When Martin talks, you should listen. What didn't you like about Nolan Gorman's second half?(37:45-46:23) Jamie RIvers joining us. The boys at TMA are consistent....consistently bad. Massive trip for the Blues. Gotta be happy with the way Joel Hofer has played. Hollywood Holloway. Sleeping on planes. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-10:23) Jackson likes to tease in the dossier. Audio of Ashton Jeanty laying out his case for the Heisman on Micah Parson's podcast. There's a path in the bottom half of that bracket, Doug. Lemme talk to you about this head-to-head. A brief moment of Stephen A. The Rose Bowl sunset. (10:24-28:56) Former Blues coach Ken Hitchcock joins us from Palm Springs, California. Little warmer than Edmonton. His relationship with Doug Armstrong. His current role with the Blues. Could Hitch be lured back into coaching? His association with Bobby Plager. Does he see the Blues as a playoff team? Jordan Kyrou. Hitch's fine for walking into the wrong room in Philly. (28:57-37:44) Nolan Arenado has expanded his list of teams he's willing to go to. Angels on the list. When Martin talks, you should listen. What didn't you like about Nolan Gorman's second half? (37:45-46:23) Jamie RIvers joining us. The boys at TMA are consistent....consistently bad. Massive trip for the Blues. Gotta be happy with the way Joel Hofer has played. Hollywood Holloway. Sleeping on planes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Finally Dan and Lacy are back with another Hitchcock Presents commentary! Will they ever finish season 1? Also in this ep they discuss Dan's FOMO of Lacy going Adult Trick r Treating without him and some recent watches! Enjoy! --- Support this podcast: https://podcasters.spotify.com/pod/show/lacy-williams1/support

Jamie and Jonny catch up and discuss Best Picture Oscar winners American Beauty and Hitchock's Rebecca. Jamie covers off his recent watches 'The Idea of You,' 'Room,' 'Abigail,' 'Dogfight,' 'Out of Time,' 'The Fall Guy,' 'Dazed and Confused,' 'Civil War,' and 'Wasp.' Jon chats all things 'Kingdom of the Planet of the Apes', his fear of Titanic, and films that now mean something else to him as he's got older! 00:00 Exploring a Variety of Film Reviews 03:05 Analyzing 'Kingdom of the Planet of the Apes' 13:00 The Complexity of Separating Art from the Artist 43:12 Deeper Understanding of Underlying Themes 01:20:18 Evolution of Film Perception with Age 01:21:42 Impact of Films on Personal Perception 01:47:46 Exploring 'Rebecca' and Film Production Techniques 02:09:03 Future Topics and Sand Discussions

This week, Ellis and Smith discuss 'The Birds,' Hitchock's movie about that time all birds went buckwild and started mauling people. We talk about the various utilites of metaphor in addressing the picture, how fucking weird the non-birds parts of this movie are, the impressive job Hitch does in never giving you anhything close to a satisfactory cause and effect in the movie, and the less than impressive job he did in 'Respecting Tippi Hendren.'  At the end of this episode we say that next week's episode will be "THE LIFE AND DEATH OF COLONEL BLIMP," available to watch here. But in real life we called an audible and will be talking about David Lynch's Dune instead. It's on HBOMax, which is a problem for Corbin, because he doesn't really HAVE HBOMax, per se. Wish him success in this journey. 

Peter Bogdanovich sits down with his friend and fellow director, Guillermo del Toro, for a conversation about the life and career of "the master of suspense", Alfred Hitchock. This uniquely in-depth, candid and personal discussion features never-before-heard audio from interviews that Bogdanovich conducted with Hitchcock in the 1960s. Please follow this link for a transcript to this episode: https://bit.ly/OHA-GDT-Transcript To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Arts and Lifestyle Wednesday" Presented by Cinematic Visions features "Reconcilable Differences with Danny and Jayne". The couple's view of life ponders book vs. movie in our look at "The Boys in the Boat". Plus, Hitchock's "Vertigo" and other directorial efforts, road tripping again, Christmas treats and gifts, recurring television favorites and more. Recommendations and smiles for you!

Jodi Semonell is a strong runner who loves running tough races! She's done the Hitchock 100 many times, Cocodona 250 twice, Across the Years 200, Western States, Leadville 100, the Hardrock 100, and many more!   Just recently she ran across Nebraska (495 miles in 11 days!) in memory of her son and 2 friends who died of carbon monoxide poisoning. It's her desire to encourage people to install carbon monoxide detectors in their homes and check the batteries on those that are already installed.   Show notes at: http://www.theriot.run/jodis

How many of you have struck up a conversation with a stranger? Hopefully, it has never led to a discussion filled with as many red flags as this one!  We're talking about Hitchcock's Strangers On A Train, a discussion of trivia, favorite scenes, actors that really shine, and what you can watch next!https://www.instagram.com/realoldreels/

Front Row Classics welcomes attorney, Jason Isralowitz this week. Brandon and Jason discuss his latest book, "Nothing to Fear: Alfred Hitchcock and The Wrong Men" The book tells the story of one of Hitchcock's most unusual films and the real-life case of wrongful conviction that inspired it. Isralowitz chronicles the arrest of jazz musician Christopher "Manny" Balestrero for two robberies he did not commit. The interview covers the true story along with the documentary-like precision Hitchcock utilized to tell this disturbing story. We hope this conversation will inspire you to go back and discover this unusual film in the Hitchock canon. "Nothing to Fear: Alfred Hitchcock and The Wrong Men" is available wherever books are sold from Fayetteville Mafia Press. Jason Isralowitz has practiced law in Manhattan for almost three decades. He lives in Summit, New Jersey with his wife, Jennifer.  

Frenzy is the story of Dick Blaney (Jon Finch), a grumpy barman who has a very bad week, leading to him becoming the chief - and only - suspect in the Necktie serial killings. With the help of his girlfriend Babs (Anna Massey) and his friend Bob (Barry Foster) he tries to avoid being hanged for the murder of several women, including his ex-wife. This was famously Hitchock's most violent film, and styled as his triumphant return to London after twenty years of filmmaking; but was it enough to grab our attention and become a London Horror classic? Or has it put Chris off ever watching another Hitchcock? Listen to find out.

On this jam-packed, monster-sized edition of Parallax Views, acclaimed film historian Joseph McBride returns to the program to discuss the life and times of Hollywood filmmaking legend Steven Spielberg, his films, and his latest feature, the autobiographical coming-of-age drama The Fabelmans. McBride many books on cinema include Frank Capra: The Catastrophe of Success, Orson Welles: Actor and Director, Searching for John Ford, Billy Wilder: Dancing on the Edge, and The Whole Durn Human Comedy: Life According to the Coen Brothers, and, of special note to this conversation, the unauthorized Steve Spielberg: A Biography. Among the topics covered in this lengthy conversation: - Spielberg's early career, working in television with The Twilight Zone/Night Gallery creator/host Rod Serling, his made-for-TV thriller Duel and horror Something Evil - The success of E.T.: The Extraterrestrial and the point where Spielberg became a household name - The importance of Jaws to Spielberg's career - The resonance of Close Encounters of the Third Kind with move-going audiences; applying Carl Jung's book on flying saucers to Close Encounters of the Third Kind; the positive portrayal of aliens in Spielberg's films; Spielberg and immigrant liberalism; the role of the broken family in Close Encounters of the Third Kind and how in some ways the movie may be about his divorced mother and father - Spielberg wasn't a darling of film critics when McBride wrote his biography of Spielberg; the phenomenon of Spielberg haters; the lackluster box-office of West Side Story and The Fabelmans at the box office and mixed-reviews from critics - Steven Spielberg and Alfred Hitchcock; the idea that Spielberg is a master technical filmmaker but has little to say; Hitchock's 1976 film Family Plot starring Bruce Dern and Spielberg's attempt to meet Hitchcock - The approach Joseph took to the research and writing of Steven Spielberg: A Biography; interviewing "ordinary people" rather than just celebrities; Robert Caro's Lyndon Johnson biography; Joseph interviewed over 300 people for the book; interviewing people from all over the country because Spielberg lived in so many different cities and states, especially when he was growing up - Joseph's interview with Arnold Spielberg, Steven's father, and the said moment for him during that interview; the underrated role of Arnold Spielberg in Steven's life and amateur films; Steven's relationship with his father and the way it is portrayed in The Fabelmans; the schism between Steven and his father Arnold - The traumatic impact of Steven's parents' divorce on him in his adolescent years; family rupture, broken families, and the role of irresponsible father and mother figures in Steven's films - Picking apart the mythologized portrayal of how Steven got into Hollywood and the true facts of how he got into Hollywood - The ambitious 1964 science fiction film Firelight, which Spielberg made at the age 17 - Spielberg's dyslexia, his poor performance as a student in school - The story of a young Spielberg's experience seeing The Greatest Show on Earth and his recreating of that film's train crash - The common criticism that Spielberg's movies are too sentimental or schmaltzy; the darker elements of Spielberg's movies - Spielberg's first 35 mm short film Amblin and the role it played in  kickstarting Spielberg's career - MCA/Universal Studios head honcho Sidney Sheinberg and Steven Spielberg - Spielberg as an actor's director - Spielberg's mother Leah Adler - The obstacles Joseph faced writing an unauthorized biography of Steven Spielberg - The factual accuracy of The Fabelmans, The Fabelmans as a semi-autobiographical film, and Francois Truffaut's 400 Blows (Spielberg was a Truffaut fan and even cast him in Close Encounters of the Third Kind) - The Fabelmans' tornado scene and Steven Spielberg childhood tornado experience - A teenaged Steven Spielberg's film Senior Sneak Day, Steven's penchant for casting both his friends childhood bullies in his early films, his 1962 WWII film Escape to Nowhere - A young Spielberg's experiences with antisemitism and antisemitic bullying - How a young Spielberg had trouble with his Jewish identity; wanting to assimilate with gentile in his youth; a telling moment where a young Steven was embarrassed by his ultra-Orthodox grandfather - Spielberg's use of Christian iconography in his films including in Amistad and E.T. - Alienation, Other-ness, Otherization, and persecution in Spielberg's films; Spielberg's interest in communication with "The Other" as a theme - Alice Walker, Black Americans in Steven Spielberg's films, The Color Purple, and Spielberg as a "Minority Director"; the attacks on Spielberg over The Color Purple; - The Sugarland Express, Goldie Hawn, class, and the role of outsiders in Spielberg's films - The dark side of suburbia and smalltown America in Spielberg's films - E.T. and the truth of modern life; E.T. as resonating because it was unlike some of the Disney-style family entertainment of the time - The accusation that Spielberg manipulates his audiences; film editing as inherently manipulative - Spielberg, Stanley Kubrick, and Orson Welles - Schindler's List, Spielberg's USC Shoah Foundation, and Spielberg's meeting with black youths who had a much lambasted inappropriate reaction to the movie; Spielberg's initial apprehension about directing Schindler's List; Stanley Kubrick's Aryan Papers, Roman Polanski's experience in the Kraków ghetto, and the difficulty of making films about the Holocaust - Liberal politics and the films of Steven Spielberg - Joseph's analysis of The Post, which attempted to chronicle the Washington Post and the Pentagon Papers story, and the problems McBride has with it - Spielberg, 9/11, the Iraq War, the Patriot Act, and the Bush years; War of the Worlds and Minority Report - David Lynch's cameo in The Fabelmans as John Ford; Joseph's interview/experience with John Ford - The changing landscape of cinema, the dominance of superhero movies, and the history of the trend towards juvenile movies being cranked out by Hollywood rather than serious "adult" movies; are Spielberg and George Lucas responsible because of movies like Jaws and Star Wars?; cultural obsessions with superheroes and juvenilia and the effect of that on politics; The cultural shift from wanting realism in film to 'magic' and escapism - The success of Jaws, national TV advertising, and myths concerning Jaws' theatrical release - Billy Wilder's attempt to sophisticate and "European-ize" American cinema; the Coen Bros. as the "Sons of Billy Wilder"; Billy Wilder's Sunset Boulevard and the blending of tragedy and comedy; Hollywood was upset that Sunset Boulevard criticized the film industry; was Billy Wilder a cynical nihilist?; the Coen Bros. and European funding; the Coen Bros mixing of comedy and violence - Spielberg had trouble getting funding for Lincoln; John Ford's lesson about film funding - And much, much more!

In this episode of Quakers Today we ask, “What does redemption mean to you?”  Attorney, coach, mediator, and Quaker thought leader, Adria Gulizia, speaks with Peterson Toscano about evil. Adria's article “Facing Evil, Finding Freedom: How Christ's Victory Over Sin Is Ours to Share Today” appears in the December 2022 issue of Friends Journal. To read more of Adria Gulizia's writing visit Shadow of Babylon.  Click here to hear a longer version of this conversation We hear from a group of Quakers in New England who decided to meet regularly on-line to talk about White supremacy and the sin of separation. With the support of Beacon Hill Friends Meeting they created a  community where they could be honest with each other. Lisa Graustein, Aiham Korbage, Emma Turcotte, Jennifer Higgins-Newman, and Briana Halliwell talk about this experiment in community conversations. To learn more watch “Healing From the Sin of Separation” on YouTube. For more QuakerSpeak videos visit Quakerspeak.com. The series is produced by Rebecca Hamilton-Levi. New videos come out every other Thursday We also look at reviews for the new memoir by longtime peace activist George Lakey. Dancing with History: A Life for Peace and Justice is published by Seven Stories Press and is available at FGC QuakerBooks or wherever you get books. Read Doug Gwyn's review in Friends Journal.   Click Here to read a transcript of this episode. After this episode concludes we share voicemails from listeners who answered the question, What does redemption mean to you? Question for next month Our question is inspired by Jeff Hitchock's essay Quakers and Reparations for Slavery and Jim Crow. It appeared in the June 2008 issue of Friends Journal. Hitchcock opens his article, “Out of the silence a woman asked, ‘Why don't Friends take reparations more seriously? It's the kind of issue Quakers take on.'”  In his piece Hitchock asks more questions about reparations. What are Reparations? Why are Reparations a Quaker Issue? How Does Reparations Work Benefit Quakers? What can Quakers do?  What about you? What are your thoughts, feelings, and questions about reparations? Leave a voice memo with your name and the town where you live. The number to call is 317-QUAKERS, that's 317-782-5377. 317 Quakers. +1 if calling from outside the USA. Quakers Today is the companion podcast to Friends Journal and other Friends Publishing Corporation (FPC) content online.  Season One of Quakers Today is sponsored by Quaker Voluntary Service (QVS.)  Are you a young adult between 21 and 30 years old? Do you know a young adult who is looking for community and purpose-driven work? QVS is a year-long fellowship for young adults. Fellows work at nonprofits while building community and exploring Quakerism. Visit quakervoluntaryservice.org or find QVS on Instagram @quakervoluntaryservice.  Feel free to send comments, questions, and requests for our new show. Email us at podcast@friendsjournal.org. Music from this episode comes from Epidemic Sound. You heard Getting Frisky by John Runefelt, Sneaky Sam by Jerry Lacey, Magnified by From Now On, Crab Boys by Auxjack and JOBII, Those Things You Do by Grip City Cronies, Soul on Fire by Nightcap, Through to You by Aluvio, and Excursions by Justnormal. 

This week, your host Nick Chandler is joined again by his KINOTOMIC co-host and Film Historian, Dani Vilu. Together they talk about the new movie from Park Chan-wook, 'Decision To Leave'. Amongst this weeks topics are Hitchock, influences, and lots of Noir talk. Nick acknowledges the change in leadership at Disney, but ultimately Dani and Nick talk more Noirvember Film picks. Enjoy!! ------------ Host & Editor - Nick Chandler Guest - Dani Vilu Executive Producer - Tony Black Follow NICK CHANDLER on Twitter, @NickSChandler, read his website (www.superatomovision.com) and listen to his and Dani's podcast KINOTOMIC, (https://www.buzzsprout.com/981214) which you can follow on Twitter, @Kinotomic (https://twitter.com/kinotomic). You can also find him on Mastodon, @NickSChandler@bbq.snoot.com Follow CEV MOORE on Twitter @KinoJoan, her website (www.kinojoan.co.uk) and you can find her on Mastodon, @KinoJoan@bbq.snoot.com Follow or Twitter: https://www.twitter.com/ReelTalkWMT We Made This on socials: Website: www.wemadethisnetwork.com Twitter: @we_madethis Facebook: We Made This Instagram: @wemadethispod Theme music: ‘On The Podium' (c) Radio Night via epidemicsound.com · ‘Reel Talk' podcast cover art designed by Dan Owen.

In this episode, Host Bondan Syamsu (@bondansyamsu) is joined by his good friend Marcus Love (@say__so__) to discuss Alfred Hitchcock's filmography and one of his most celebrated works, Rear Window (1954) starring James Stewart and Grace Kelly. They both cover Hitchock's notion of 'pure cinema', the film's voyeuristic themes and the theatrical setting of Rear Window. Website: broadly-specific.com Patreon: patreon.com/broadly_specific Instagram: @broadly_specific Twitter: Broadly Films Youtube: Broadly Specific

THE HYPER SPACE returns with THE PSYCHO SPACE, our discussion of the legacy of the Psycho franchise! Check in to the Bates Motel and join us as we discuss the films and the various off-shoots and spin-offs of this venerable horror franchise that has spanned the last 6 decades! Oh, and don't take a shower...  

To wrap up the month of scares, we are taking a look at three classic (if slightly less traditional) horror movies. Specifically: how does Hitchock's VERTIGO influence MULHOLLAND DRIVE . . . and how does Fritz Lang's M precede them all? Plus: we celebrate Naomi Watts.

Producer Robbie Thorpe pops in to rent something.The Video Store is a weekly chat amongst friends doing a shift at the local video store. The place you can go to once a week, whenever it's movie night! Come for the advice on what you could watch, but stay for the characters you will come to love.Website: www.thevideostore.co.zaInstagram: @thevideostorepodFacebook: facebook.com/groups/thevideostore

The 1920s in Berlin were an incredible time, full both of misery and wonder. It was the time which brought both the worst and the best in people who lived there. And sometimes it helped pave way for genius. Or future classics.Episode 5 of Berlin Companion Podcast tells the story of one such classic made in Berlin.Sound effects:BBC Sound Effects Archive bbc_animals---_07037493 piegeons cooingbbc_animals fighting for food Freesound "Suspense Comedy" by Tyops " Ambient Traut" by Vann Westfold" Silent Movie - Sam Fox - Hurry Music" by FreqMan Storyblocks Main theme: “Assembly Line Frustration" © Ionics Music | TerraSound.deYou can follow Berlin Companion on:Twitter at @kreuzberged and @BerlinCompanionWordpress blog at kreuzberged.comand via all most popular podcast streaming services out there.To support the podcast via Buy Me A Coffee click the link below. Many thanks, time-travellers!Support the show

Geoffrey chats with filmmaker Jeffrey Michael Bays (Suspense with a Camera) about Hitchcok's techniques and how to use suspense to build tension in any genre.You can find more about Jeffrey https://borgusfilm.wixsite.com/jeffreyYou can find Suspense with a Camera here https://amzn.to/3qwL8N3The Guide For Every Screenwriter is available at:https://www.thesuccessfulscreenwriter.com/booksScript Evaluation --> https://www.wefixyourscript.com/Don't forget to visit our website for all your screenwriting needs at --> https://www.thesuccessfulscreenwriter.com/podcast

Part of our new Visual Storytelling series in which we introduce you to new resources that will aid in developing the look of your films and photographs. In this episode of the In Love with the Process podcast, host Mike Pecci talks with author and Hitchock historian Jeffrey Michael Bays. The two discuss their favorite Hitchcock films and walk through the master's tips and tricks on how to create suspense on screen. Jeffrey is an expert on Hitchcock's cinematic techniques and his book Suspense with a Camera: A Filmmaker's Guide to Hitchcock's Techniques is the perfect tool for any young filmmaker looking to add subtext and meaning behind each shot in your film. ►Grab the book here: www.amazon.com/gp/product/B075NW…h_vapi_tkin_p1_i0 ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music by: ►Power Glove ►Magic Sword ►BETA MAXX ►ORKLA DRIVE ►CODE ELEKTRO ►NIGHT RIDER 87 ------------------ Sign up for BARK BOX here: barkbox.snlv.net/ILWP ------------------ Get 20% OFF @manscaped + Free Shipping with promo code ILWP at MANSCAPED.com ------------------ Support the show and get a free trail at Audible: www.audibletrial.com/ILWP ------------------- Or support us by signing up for EXPRESS VPN: www.xvinlink.com/?a_fid=ILWP ------------------- The Episode is Sponsored by ►Puget Systems: puget.systems/go/152340 ►Quasar Science: www.quasarscience.com/ ►Black Magic: www.blackmagicdesign.com/products ►ETC: www.etcconnect.com/LoveTheProcess/ ►ILWP Sponsor Page: www.inlovewiththeprocess.com/sponsors

Part of our new Visual Storytelling series in which we introduce you to new resources that will aid in developing the look of your films and photographs. In this episode of the In Love with the Process podcast, host Mike Pecci talks with author and Hitchock historian Jeffrey Michael Bays. The two discuss their favorite Hitchcock films and walk through the master's tips and tricks on how to create suspense on screen. Jeffrey is an expert on Hitchcock's cinematic techniques and his book Suspense with a Camera: A Filmmaker's Guide to Hitchcock's Techniques is the perfect tool for any young filmmaker looking to add subtext and meaning behind each shot in your film. ►Grab the book here: https://www.amazon.com/gp/product/B075NW268H/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music by: ►Power Glove ►Magic Sword ►BETA MAXX ►ORKLA DRIVE ►CODE ELEKTRO ►NIGHT RIDER 87 ------------------ Sign up for BARK BOX here: barkbox.snlv.net/ILWP ------------------ Get 20% OFF @manscaped + Free Shipping with promo code ILWP at MANSCAPED.com ------------------ Support the show and get a free trail at Audible: www.audibletrial.com/ILWP ------------------- Or support us by signing up for EXPRESS VPN: www.xvinlink.com/?a_fid=ILWP ------------------- The Episode is Sponsored by ►Puget Systems: puget.systems/go/152340 ►Quasar Science: www.quasarscience.com/ ►Black Magic: www.blackmagicdesign.com/products ►ETC: www.etcconnect.com/LoveTheProcess/ ►ILWP Sponsor Page: www.inlovewiththeprocess.com/sponsors

Lianna is horny on main for the second week in a row. Check in to this ep for morbid tetris, dumb criminals, and Hitchock doing what he does best: offing blonde women. The person most confused by the movie this week was: Lianna, but sexually. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Zach and Alec discuss the 1960 Hitchock classic Psycho! Watch it in video form here!

Rebecca! Alfred Hitchcock's first American film and his only best picture winner. Patrick and Lauren invite their very first guest, Julienne Irons to explore this suspenseful film based on the novel by the same name. Model Miniatures, ex-wives, A new husband no one can figure out, model miniatures the size of sound stages. What more could you ask for?Rebecca won the Best Picture in 1941 and Hitchock's style for story telling is evident even in this earlier work by the master of suspense.  So sit back and enjoy as we journey to Manderley and try to avoid the former Mrs. DeWinter's ever present ghost, Rebecca!https://www.instagram.com/theawardgoestopodcast/https://www.instagram.com/julienne_irons/

Just when you thought it was safe to go back to the shower! Greg D and Jenius McGee of the Nightmare Junkhead Podcast join Tadd to talk about the follow up to Hitchock's classic slasher Psycho. 

A Hitchock classic, with some of the most iconic scenes and stories in movie history. Stephen Fenech of course has seen it many times, but Trevor Long is watching for the first time to find out just what it's all about. Unpacking the cast, the scenes, the lines and even the music, this is our view of one of the Best Movies You've perhaps never seen.

Join Stephen and Keagan as they sit down and talk about the score to one of Hitchock's absolute classics

This week we've been given the insurmountable task of remaking the Alfred Hitchcock masterpiece Frenzy (1972) and we may never wear a neck tie again. We may not be smarter than Hitchcock but he left one heck of a road map to help us update this thriller complete with fantasy casting! Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Play Music, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, YouTube, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, PPE masks and other Invasion of the Remake swag at our TeePublic Store!

Hitchock's Rear Window is the Canadian author's favourite movie

Hitchock's Rear Window is the Canadian author's favourite movie

In 1857, a full-throated defense of hermetic philosophy and medieval and renaissance alchemy came from an unexpected source: major general Ethan Allen Hitchcock, a veteran of two wars who served as chairman of the war board during the American Civil War. Writing almost a century before Jung's psychological interpretation of alchemy, Hitchock argued that the mistake alchemy's nineteenth-century critics made was to read the alchemists' detailed treatises literally. In fact, legitimate alchemical literature was meant to be read as an allegory for the elevation of the soul. What did Hitchcock know of the hermetic mystery that his contemporaries failed to grasp?

AFI chose Hitchock's Vertigo (1958) as its #1 Mystery. It is truly a mystery to as to why.

On Episode 154 of the Always the Critic Podcast, we open the curtains on our review of The Woman in the Window. Rico and Jess discuss the Netflix release from director Joe Wright, including the troubled production, the prestige cast, the poorly executed homages to Hitchock, and the general disappointment of the film. For episodes with similar movies, click below Thriller Follow us! Patreon Instagram Twitter Facebook Rico’s Youtube Rico’s Letterboxd Jessica’s Letterboxd --- Send in a voice message: https://anchor.fm/alwaysthecritic/message Support this podcast: https://anchor.fm/alwaysthecritic/support

Kevin & Chris kick off Girls with Ghost Month with the supernatural domestic-thriller, What Lies Beneath (2000). The 'mos talk Michelle Pfeiffer & Harrison Ford's marital distress, Hitchock homages galore, empty nest syndrome and WASPy dinner parties, an Ouija Board-induced séance (with wine), red herring jewelry, an iconic bathtub sequence and more. Bonus topics include favorite after-they-were-famous horror performances, millennium era horror trends, and hints about the rest of this month's spooky film line-up. Connect with us on Patreon and social media for updates! Patreon: https://www.patreon.com/homosonhauntedhill Instagram: https://www.instagram.com/homosonhauntedhill Facebook: https://www.facebook.com/hohhpodcast Twitter: https://twitter.com/hohhpodcast

This week we catch back up with ole JPow, the J&J underdog moment, why the Golden Globes clowned themselves, and a history of problematic (and rightfully so) Hollywood films.Indiewire's Rope Article: https://www.indiewire.com/2014/03/haysd-decoding-the-classics-rope-214547/

Writer-director Shatara Michelle Ford's debut feature "Test Pattern" is a feminist masterpiece that has garnered well-deserved (and hard earned) rave reviews in the days since its Feb. 19, 2021 release. In this conversation with OnlineAthens reporter Andrew Shearer, Shatara details how she made the film, Hitchock's influence, and what it means to them to have the film out in the world. (Special thanks to David Ninh at Kino Lorber) See omnystudio.com/listener for privacy information.

Writer-director Shatara Michelle Ford's debut feature "Test Pattern" is a feminist masterpiece that has garnered well-deserved (and hard earned) rave reviews in the days since its Feb. 19, 2021 release. In this conversation with OnlineAthens reporter Andrew Shearer, Shatara details how she made the film, Hitchock's influence, and what it means to them to have the film out in the world. (Special thanks to David Ninh at Kino Lorber) See omnystudio.com/listener for privacy information.

Writer-director Shatara Michelle Ford's debut feature "Test Pattern" is a feminist masterpiece that has garnered well-deserved (and hard earned) rave reviews in the days since its Feb. 19, 2021 release. In this conversation with OnlineAthens reporter Andrew Shearer, Shatara details how she made the film, Hitchock's influence, and what it means to them to have the film out in the world. (Special thanks to David Ninh at Kino Lorber) See omnystudio.com/listener for privacy information.

This week on the podcast we have our companion film to last week's Hitchock deep dive. How will killer birds stack up against giant ants and lizards and apes? Will Justin like the dramatic 60's acting? You'll have to listen to find out!!

Author of ‘Phantom Lady; Hollywood Producer Joan Harrison, the forgotten woman behind Hitchcock’ Christina Lane is on the show next week!We discuss the many women in the many roles of Alfred Hitchcock’s life, Joan Harrison’s life and testament to boss women everywhere, and how both Hitchock and Joan Harrison continue to influence modern film. This book is WONDERFUL and I recommend it. Thank you @booksforwardpr for sending me a copy!Support the show (https://www.patreon.com/callingoldhollywood)

Original Air Date: Monday 21 December, 9 pm EasternDescription:With special "theme" shows planned to ring out 2020 and ring in 2021, this week's show will be the last of Dean and Phil's usual irreverent and insightful show biz grab bags for a few weeks! In it, they celebrate the lives of two Broadway legends, an accomplished New Orleans-based actress, and a "Star Wars" icon. They discuss some of their favorite Christmas movies and share what movies they have gravitated towards this holiday season. They offer up a few holiday-themed movie print ads in what has become a weekly tradition. They discuss why Hitchcockian cinema (i.e. Hitchock-like movies directed by people other than Hitchcock) might have had its peak in the 1970s. They weigh in on Tom Cruise’s Covid-19 safety protocol rant. All that, plus, "The Mandalorian", "Star Trek: Discovery", "The Boys" and John Cassavetes!

This week, Sarah and MJ are joined by Liam Johnstone to discuss the final moments leading up to Alex Kitner's horrible fate. They talk about everything from Hitchock's influence on (and hatred for) the film, the brilliantly loud sound design, and of course, the nefarious underpinnings surrounding Bad Hat Harry. There were some audio issues, but it is still perfectly listenable! Follow us! Liam Let's Jaws For A Minute Sarah MJ Merch! Theme song by Kristen Falls. Buy the song here!

#LaComposta! Reseñamos una película católica de animación trespesina. Un thriller al mas puro estilo de #Hitchock. Y una película de dia que se repite súper divertida con #FrankGrillo y #MelGibson. Además de novedades, recomendaciones, #TheMandalorian y mucho mas. Pase a ver esta cochinada de programa que usted ya conoce y disfruta. Conducen: Alberto Rodríguez y Christian Padilla.

Jake Kroeger is a comedian and founder of The Comedy Bureau, the central source of information of all things comedy throughout Los Angeles. As the son of a military dad, Jake moved around quite a bit as a kid, including spending time in Los Angeles, Virginia, and Colorado. A rather serious, smart, and mature child who grew up loving Alfred Hitchock (and still does), it wasn’t until years later that Jake discovered his true love for comedy and the comedy community itself. https://thecomedybureau.com/, https://www.instagram.com/notthesupermarket (Jake Kroeger), http://instagram.com/peoplewelovepodcast, http://instagram.com/adamchoit, http://peoplewelovepodcast.com

After having a breakout year in 2019 appearing on the Grammy nominated "Revenge Of The Dreamers 3", and releasing his hit song "Side N---a Anthem", Atlanta native Deante' Hitchock's debut album "Better" under RCA is here! Follow On The Radar on Instagram: https://www.instagram.com/ontheradarradio/

Episode One: Dr. Shruti Narayanswamy: www.twitter.com/mahalmovies/ & Tim Concannon: www.twitter.com/timcwrites discuss Hitchock’s 1925 film ‘The Pleasure Garden‘ and Germaine Dulac’s ‘La Souriante Madame Beudet‘ (1923). *The Pleasure Garden https://en.wikipedia.org/wiki/The_Pleasure_Garden_(1925_film) *La Souriante Madame Beudet https://en.wikipedia.org/wiki/La_Souriante_Madame_Beudet *Shruti mentions Tami Williams’s book ‘Germaine Dulac: A Cinema of Sensations‘. https://www.press.uillinois.edu/books/catalog/47yxb8mr9780252038471.html * The Pleasure Garden (1925) https://youtu.be/4hoMKZOoNcw * La Souriante Madame Beudet (1923) With English Subtitles https://youtu.be/1VA8NBhipvs * Hitchcock-Truffaut Episode 1: Youth, Influences, First jobs (1962) With English Subtitles https://www.youtube.com/watch?v=Jq51gq4s5r4

In 1998, Gus Van Sant was riding the wave of acclaim after his first Academy Award nomination and had studios knocking at his door. What did he decide to do? Well, he decided to remake Alfred Hitchock's iconic 1960 thriller "Psycho." Not only that, he decided to do it shot for shot. Starring Vince Vaughn as Norman Bates and Anne Heche as Marion Crane, featuring Julianne Moore, Viggo Mortensen and William H. Macy, Van Sant's remake was predictably panned. The typical response to the film was simply "Why?" Ten years later, Michael Haneke did something similar to Van Sant and Hitchock himself, by remaking his very own 1997 home invasion thriller "Funny Games." For his first American film, Haneke enlisted an all-star cast of Naomi Watts, Tim Roth, Michael Pitt and Brady Corbet, but was met with the worst reviews of his career, while the original sits at a barely fresh 67%. Today, we're joined by return guest Olivia Willke to discuss these notorious remakes that beg the question: Is any film actually necessary? "Funny Games" is available to rent on iTunes, while "Psycho" is streaming on STARZ.

Plus, Izolda is politically incorrect during our discussion of movies, music, staging, directing, television, beauty, characters, and Alfred Hitchcock's Notorious (and other films). She apologizes. Listen in to see her learn her lesson. Oh, and if you want to join in, we gave each other homework. We both will watch The Girl Most Likely To with Stockard Channing and Hitchock's Notorious starring Cary Grant and Ingrid Bergman. That's your homework too, by the way. Watch Notorious. It's fantastic, and we'll be talking about it on next week's show. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this week’s episode we interview the Artistic Director of the Sherman Theatre, Joe Murphy. He talks about his career, vision for the Sherman’s future projects, and the future of theatre in Wales. Keeping our sights on the stage we discuss Chris Durnall’s piece ‘A Hitchcock Thing: Souvenirs of Killing’ thinking about the relationship between art and grieving. We also discuss Nick Davies’ piece ‘The Future of Theatre in Wales’ thinking about how theatres in Wales react to the pandemic and reduced profits, and the exciting projects and outreach programmes putting the community back in touch with theatres and the arts. Finally, we briefly talk about the 100 Page Turners project and the most recent category: ‘Romance’. Follow us on Twitter @WalesArtsPod and send us a tweet if there are any topics or events that you think we should be talking about. You can also leave comments while supporting the podcast at www.ko-fi.com/walesartspod Links to the articles discussed: Chris Durnall, ‘A Hitchcock Thing: Souvenirs of Killing’ https://www.walesartsreview.org/a-hitchcock-thing-souvenirs-of-a-killing/ Nick Davies, ‘The Future of Arts in Wales’ https://www.walesartsreview.org/the-future-of-theatre-in-wales/ Wales Arts Review, ‘100 Page Turners | Romance’ https://www.walesartsreview.org/100-page-turners-romance/ Music: ‘Vienna Beat’ by Blue Dot Sessions From the Free Music Archive (www.freemusicarchive.org)

Mindennek vége lesz egyszer, így a borzongásnak is: végére értünk a Hitchock maratonnak...

Today we're super stoked to be joined by film journalist Mark Dillon (American Cinematographer, Fifty Sides of the Beach Boys) to talk about the Hitchcock classic Rear Window (1954). We discuss Jimmy Stewart's hunk status, how to pronounce Hitchock's name, and much more!Enjoy!art by Alex Blackwellmusic by Nick Nausbaum

Cette semaine, on voyage loin, très loin, en 1960 pour redécouvrir Psychose d'Alfred Hitchcock. Hitchock, son inspiration, la scène de la douche, la censure inexistante de l'époque, on vous dit tout ! Et évidemment, on reviendra sur l'impact du film pour conclure avec une interview un peu... bizarre. Rendez-vous dans vos oreilles !

Cette semaine, on voyage loin, très loin, en 1960 pour redécouvrir Psychose d'Alfred Hitchcock. Hitchock, son inspiration, la scène de la douche, la censure inexistante de l'époque, on vous dit tout ! Et évidemment, on reviendra sur l'impact du film pour conclure avec une interview un peu... bizarre. Rendez-vous dans vos oreilles !

The Good Liar, adapted from the book of the same name by Nicholas Searle, centers a slick con man Roy Courtnay (Ian McKellen) and his latest mark, Betty McLeish (Helen Mirren). Roy's an artful dodger with a talent for bilking the shady and unsuspecting out of their money. Betty's a recently widowed woman dipping a toe back in the dating pool. Roy works his way into Betty's affections with an awkward charm expertly embodied by McKellen, that ruffles the feathers of her skeptical grandson (Russell Tovey). But with ever step and turn, it swiftly becomes clear that neither Betty nor Roy are exactly what they seem. HELEN MIRREN as Betty McLeish and IAN McKELLEN as Roy Courtnay in New Line Cinema’s suspense thriller THE GOOD LIAR, a Warner Bros. Pictures release With two powerhouse leads and a top tier supporting cast, The Good Liar has all it needed to offer up riveting cat and mouse game. The MTR crew all agrees, Mirren and McKellen alone are worth the watch but, what should've (and could've been) been a masterpiece of tension-building, secret revealing, and scams and scandal. Yet somehow, despite strong performances and a compelling world-building, The Good Liar fails to pack the proper amount of punch.  This story need more time. These characters needed more backstory and depth. Despite good pacing, excellent performances The Good Liar fails to capitalize on its source material and the talent at the directors disposal.  The Good Liar Needed More "Hitchcock"  Brandon and Kriss felt like the film's conclusion wasn't knowable based on the trail throughout the story. Ro believes the entire film needed a director with the skills to bring a Hitchock-level thriller to life. Instead audiences get a good film with more than a few interesting moments and a pair of masterful performances that suffer from its leads not being asked to dig deep. Listen to the crew discuss what hit and misses. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

The Good Liar, adapted from the book of the same name by Nicholas Searle, centers a slick con man Roy Courtnay (Ian McKellen) and his latest mark, Betty McLeish (Helen Mirren). Roy's an artful dodger with a talent for bilking the shady and unsuspecting out of their money. Betty's a recently widowed woman dipping a toe back in the dating pool. Roy works his way into Betty's affections with an awkward charm expertly embodied by McKellen, that ruffles the feathers of her skeptical grandson (Russell Tovey). But with ever step and turn, it swiftly becomes clear that neither Betty nor Roy are exactly what they seem. HELEN MIRREN as Betty McLeish and IAN McKELLEN as Roy Courtnay in New Line Cinema’s suspense thriller THE GOOD LIAR, a Warner Bros. Pictures release With two powerhouse leads and a top tier supporting cast, The Good Liar has all it needed to offer up riveting cat and mouse game. The MTR crew all agrees, Mirren and McKellen alone are worth the watch but, what should've (and could've been) been a masterpiece of tension-building, secret revealing, and scams and scandal. Yet somehow, despite strong performances and a compelling world-building, The Good Liar fails to pack the proper amount of punch.  This story need more time. These characters needed more backstory and depth. Despite good pacing, excellent performances The Good Liar fails to capitalize on its source material and the talent at the directors disposal.  The Good Liar Needed More "Hitchcock"  Brandon and Kriss felt like the film's conclusion wasn't knowable based on the trail throughout the story. Ro believes the entire film needed a director with the skills to bring a Hitchock-level thriller to life. Instead audiences get a good film with more than a few interesting moments and a pair of masterful performances that suffer from its leads not being asked to dig deep. Listen to the crew discuss what hit and misses. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

This week my yoga buddy, Amy O'brien, joins me to discuss one of her favorite films, Strangers on a Train.  We talk about murder, Hitchock, Psychopaths and boys obsessed with their mothers.  Get into shavasana and listen to a good chat about movies and life.

Hitchock.  Bergman.  Peck.  And...Salvador Dali?  Sounds about right. Let’s see whether or not using psychoanalysis and the combined dream-logic of cinema and surrealist art as devices to advance the plot of a thriller actually works.   If you’d like to watch ahead for next week’s film, well, we won’t be watching one.  Instead, we are going to be hosting the first Rando Awards of 2019.  We will be revisiting the first 10 films that we've watched so far and will be handing out prestigious Randies for the best of the best. 

Bohemian Rhapsody, The Crown and a new production of Equus have all used Movement Directors to capture the physicality and movements of their characters. But how do they do it and why is it a role in demand? Polly Bennett, who has worked with Rami Malek and Oliva Coleman, and Shelley Maxwell, who is helping the actors in Equus capture the movement of horses, discuss the role of the Movement Directors. The stormy weather is taking its toll on Britain's festivals with announcements this week that several music festivals this weekend, including Houghton Hall in Norfolk and the Boardmasters festival in Watergate Bay, Cornwall, have been called off. What are the financial implications when festivals are cancelled at the last minute? John speaks to Tim Thornhill,director of Integro, the UK’s leading insurance company which specialises in underwriting festivals. A new ITV drama Deep Water set in the Lake District brings together actresses Anna Friel, Sinead Keenan and Rosalind Eleazar to explore the lives of three women in extraordinary circumstances. Writer Anna Symon talks to us about adapting Paula Daly’s Windermere series of novels for the small screen. Cary Grant was a star in the golden age of Hollywood. As one of his most famous films, Hitchock’s Notorious, is restored and re-released and the British Film Institute launch a season of his films, Charlotte Crofts, Director of Bristol’s Cary Comes Home Festival assesses the work of the British born icon. Presenter: John Wilson Producer: Hilary Dunn

Carte de visite totale du rap suisse des années 2010, « Radio Suicide » prouve qu’on peut se faire un ego trip de plus d’une heure, et sortir le projet le plus ambitieux de l’année du rap francophone. Makala et Varnish, deux frères qui n’ont pas besoin de se parler pour se comprendre, jouent les gourous de l’absurde, les meneurs d’un film sans queue ni tête, et signent un projet casse gueule sans trébucher. Fort et sans compromis, à la fois sérieux et grotesque, fait de pop futuriste et de funk moderne, « Radio Suicide » repose tout entier sur le charisme incroyable de Makala qui réussit à habiter des textes parfois sans aucun sens. Et on y croit. Animé par Mehdi Maïzi avec Etienne Menu, Brice Bossavie, et Aurélien Chapuis. RECOMMANDATIONS ET COUPS DE COEURLA RECO DE MEHDI : les Sextapes de Drixxxé, compilation des meilleures BO de films pornos des années 70 et 80. LA RECO D’ETIENNE : Gystere, qui a sorti deux morceaux récemment, « WOMXN » et « Time Machine ». LA RECO DE BRICE : « Je m’en tape » de Oboy avec Aya Nakamura et Dopeboy (2019), et « Mirador » de Kezah et Freddy Gladieux. LA RECO DE NEMO : le rappeur Goonew. RÉFÉRENCES CITÉES DANS L’ÉMISSIONDi-meh, Slimka, Varnish la piscine / Pink Flamingo, SuperWak Clique, Odd Future, Tyler, The Creator, Inherent Vice (Paul Thomas Anderson, 2015), Nekfeu, Baudelaire, Ginger Juice (Makala, 2017), Where the riot goin on (Sly and the Family Stone), OutKast, Funkadelic, Pharrell Williams, NERD, De Palma, Hitchock, Bonnie banane, PNL, Drixxxé, Pierre Bachelet, Mc Luvin, Gystere, Squeezie, Je m’en tape (Oboy feat. Aya Nakamura & Dopeboy, 2019), Elle est bonne sa mère (Vegedream feat. Nihno, 2019), Médicament (Niska feat Booba, 2019), Mirador (Kezah feat. Freddy Gladieux, 2019), Goonew. CRÉDITS NoFun est un podcast de Binge Audio animé par Mehdi Maïzi. Cet épisode a été enregistré le 18 juin 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Quentin Bresson. Générique : Shkyd. Chargée de production : Juliette Livartowski. Chargée d’édition : Camille Regache. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

This week we continue our "Month of Hitchock" with the film that some people would argue is his best and others even argue that it might be the greatest film ever made. Steve and John wont go that far but they both love the film and they go seriously deep into this one. Don’t forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks John @therochasays Steve @srmorris --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thecine-files/message

Callie and Kaitlin take the Master of Suspense to task for being a bird-hurling sexual predator. But they also have fun talking about vintage BDE, pigeons who lack spatial awareness, and Tippi Hedren's shiny, shiny hair.

Tristan and Hassan get legally certified to be Police Detectives and live out their sitcom dreams as they bust perps and make friends along the way! EiFNiR Theme Music by DJ Dain eifnirpodcast@gmail.com Twitter

On our road trip through the classics, we stop to discuss the beginning of the modern thriller - Hitchcock. While 'North by Northwest' may not be his most well known, it epitomizes Hitchock's dramatic and perfectionistic style. A Few Highlights From This Week Jurassic World Final trailer - or is it??? Bowman goes an entire episode without making a Star Wars reference (or violin for that matter) An apology to Cary Grant --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Due to Technical Difficulties, this is an upload to replace previously published Episode 1. Psychological drama. A chilling thriller set in 1950s NYC Advertising . Hailed as "if Hitchock had written a love story" (Geek Girl Authority) and "runner up for best dark workplace drama" (Radio Public). Andrea Davies, an ambitious secretary, introduces us to Roth, Hayes, and Johnson Advertising. We meet Richard Hayes, a partner and object of Andrea's infatuation. Mother grills Andrea about the eligible bachelors over lunch. Andrea is surprised by a promotion that brings her closer to Richard. Support this podcast

'I'm mad as hell, and I'm not going to take it anymore'. These are the words of the news anchor-man in the film Network, now adapted for the stage. The director Ivo van Hove tells Francine Stock how this satire on global capitalism and chasing ratings with populist rants has such relevance today. Composer Nico Muhly also looks to Hollywood, adapting Hitchock's film Marnie - and the novel that inspired it - for the English National Opera. Born into poverty, Marnie becomes trapped in a web of lies and angrily claws her way out. Anger pervades Darren McGarvey's book, Poverty Safari, as he takes the reader on a journey into Britain's deprived communities to give voice to people who feel misunderstood and unheard. He explores how stress pervades the streets where he was brought up, while the scientist Caroline Relton studies how stress and other environmental factors can be passed down through generations, affecting our genetic make-up. Producer: Katy Hickman.

Ryan and Dave untangle their brains from the primordial pretzels they were contorted into thanks to this movie, and are able to distill their thoughts in a cogent manner. For the most part. In theory. Mostly. Yeah. "Black Swan" director Darren Aronofsy delivers one of his most controversial films to date in this single-setting horror story that's part Hitchock, part Von Trier, and part Dante's Inferno, held intact by stellar performances from Jennifer Lawrence and Javier Bardem. In addition, Ryan announces that his trip to Detroit is imminent and so will have to forego next week's scheduled episode, while Dave shares exciting news regarding his peer-to-peer filmmaking initiative. In two weeks, your hosts return for Ryan's next pick to officially kick off R&D's annual Halloween series - "The Exorcist"!

On this week's Throwdown Thursday Podcast, the gang gets into a melodramatic, thrilling, suspenseful discussion about the man who knew how to get into your head, the Master of Suspense - Alfred Hitchcock. We hit on personal Hitchcock favorites, his methods, and the two portrayals by Sir Anthony Hopkins in 2012's Hitchock and Toby Jones in 2012's The Girl. We changed things up to keep you on your toes this week. So listen into a gripping new episode of Throwdown Thursday.

"We all go a little mad sometimes..." After a brief spoiler-free review of The Void, we look at the quintessential slasher, Psycho. Janet Leigh and Anthony Perkins star in the Hitchock classic from 1960, where Marion Crane ups and leaves her dead end job and boring life with some stolen loot, hoping to marry her beau John Gavin. But on the way she just has to make one little stop at the Bates Motel. What could possibly go wrong? An amazing film in every sense and the inspiration for hundreds of slasher movies that came after it, Psycho should be on everyone's list of horror faves. So if you haven't seen it - WATCH IT before you listen to this podcast. There will be spoilers. Janet Leigh collage art created by Ben Youdan.

Pocos sitios son tan aterradores como un elevador. Una máquina diabólica que abordamos todos los días y sin siquiera percatarnos de que... nadie lo maneja. ¿Qué harías si te encontraras a Hitchock en un elevador? Seguramente algo malo está por suceder... o...¿tal vez no? Hitchcock presenta: El elevador

The Alfred Hitchock Hour-A Matter Of Murder 1964 http://oldtimeradiodvd.com

On the latest edition of Pucking Thoughts Radio, Adam & JC talk about the Blues decision to fire Ken Hitchcock. They'll also dive in to the Islanders recent succesful run (and their arena issues), plus some Winnipeg Jets and plenty more in Short Shifts. It's all a part of Edition 20 of PTR!!

Jeremy wanted to get more likes on the Mind the Gaps Facebook Page, but did not meet his goal. However, slow growth is still growth, so here's his review of Psycho (1960).Links:The Landlady (a short story that's similar to Psycho -Synopsis - https://en.wikipedia.org/wiki/The_Landlady_(short_story)Full text - http://tinyurl.com/za64mp6

Jeremy wanted to get more likes on the Mind the Gaps Facebook Page, but did not meet his goal. However, slow growth is still growth, so here's his review of Psycho (1960).Links:The Landlady (a short story that's similar to Psycho -Synopsis - https://en.wikipedia.org/wiki/The_Landlady_(short_story)Full text - http://tinyurl.com/za64mp6

With Antonia Quirke. Award-winning poet Don Paterson continues his series about great speeches in cinema history with the ever quotable Casablanca. Don't forget - we'll always have Paris. Stig Bjorkman, the director of a new documentary about the star of Casablanca, Ingrid Bergman: In Her Own Words, talks about the controversy that dogged her career. While literary salons are all the rage, the cinematic equivalent is relatively rare. Antonia visits a monthly meeting of the Moving Image Makers Collective in Selkirk on the Scottish Borders, where short films are shown and critiqued. Will it end in tears? The Film Programme are looking for the unsung heroes of British cinema. Janet Rogers nominates her dad, the cinematographer Ted Lloyd, who worked with Hitchock on The 39 Steps. And Janet explains how she ended up starring a few adverts.

Una vez más hablando de una película del maestro del suspense, Hitchcock. Con Domingo de Mingo y Nadia de Santiago desgranamos esta obra maestra del cine. ¿Qué es el vértigo? ¿Cómo se retrata en esta película?. ¿Qué aspectos de la propia sexualidad de Hitchock se encuentran en el Film?. Todo esto y mucho más en nuestra particular sala de cine.

Claudia Piñeiro från Argentina är aktuell med en bok om sin uppväxt under militärdiktaturen (1976-1983), "En kommunist i kalsonger". Claudia Piñeiro fick ett internationellt genombrott med romanen "Torsdagsänkorna" om den ekonomiska krisen i Argentina 2001."En kommunist i kalsonger" är ett porträtt av Claudia  Piñeiros far, som var aktiv i motståndsrörelsen. Men mest är Piñeiro känd för sina socialt engagerade spänningsromaner. Hon har kallats för "Buenos Aires egen Hitchock" - en eller flera döda personer brukar dyka upp tidigt i handlingen. Hon skriver ett slags sociologiska deckare. "Alla mina romaner utgår från sociala och politiska förhållanden," säger hon. Min far berättade om vänner som spårlöst försvann. Genom att påminna oss vår historia kan vi se till att det aldrig händer igen.Claudia Piñeiro.Ulla Strängberg ulla.strangberg@sverigesradio.se

On today's podcast adventure, Adolfo Acosta and Mark Espinosa go into deep analysis on the Alfred Hitchcock classic, VERTIGO.On this show, Adolfo & Mark discuss:• Their favorite Hitchcock films• Hitchcock's epic run in the 1950s and early 1960s that included canon classics like REAR WINDOW, NORTH BY NORTHWEST, VERTIGO, PSYCHO and THE BIRDS• The origins of VERTIGO•How the opening chase scene is ultimately irrelevant to the plot•VERTIGO's connection to the New York production of SLEEP NO MORE•How Hitchcock leads the viewer into what they think is a supernatural mystery, and then completely switches gears on them, two years before PSYCHO would also manipulate viewer expectations• The themes of overwhelming guilt and dangerous obsessions• Bernard Herrman's musical score• The "Vertigo" shot• In a Hitchock film, the story is less important than visual impact•The film's COMPLETE snub at the Academy Awards• Phallic symbols and necrophilia? Yes, Hitchcock slipped that into this film• Plus side discussions of CITIZEN KANE, THE SHINING, ROOM 237, JAWS and KNIGHTY KNIGHT BUGSWEBSITEEssentialFilmsPodcast.comEMAILEssentialFilmsPodcast@gmail.comFACEBOOKhttps://www.facebook.com/The-Essential-Films-130585803634489TWITTER@EssentialFilms@FPMoviePodcast@Adolfo_Acosta@Sportsguy515

AbracadaPod takes a shower. Un Podcast sur la magie du cinéma.

Quinto programa de este particular podcast. Llegamos ya a la composición de los famosos 3 actos, aunque recordad que NO HAY REGLAS, únicamente consejos a seguir para poder dar equilibrio a la escritura de un guión. Termino hablando de algunos guionistas (y directores) de cortometrajes que se pasaron al largo tras algunos premios importantes. El libro que, más que recomendar, os exijo que os leáis es "El cine según Hitchcock" de François Truffaut.¡Ala, a escribir!

VHS Rewind! Season 3 Episode 12 Psycho II (1983) Yeah, yeah, we know, we get it, we understand, Hitchcock/PSYCHO, Hitchcock= PSYCHO, Hitchcock is PSYCHO, even more than Tony Perkins' Norman Bates. Fuck Hitchcock. Forget Hitchcock. It's old, he's old, you're a poseur to talk Hitchcock, Hitchock this, Hitchcock that. Dude, whatever. I'm more impressed if you champion the lesser-known, the hardly-known-at-all things: Corky Siegel's Chamber Blues, Vietnamese iced coffee over anything at Starbucks, xerox printed fanzines from the late 1980s / early '90s over digital musings of the faceless internet, Spider-Man as drawn by artist Ross Andru throughout the 1970s over Spider-Man as drawn by artist Steve Ditko in the 1960s, PSYCHO II over PSYCHO. I can count on the fingers of one hand how many times I have watched the original PSYCHO but PSYCHO II, on the other hand, is, like, well, double digits. Lots of double digits. #polydactylism This is one of the greatest sequels ever made, its ROAD WARRIOR great, 1978's DAWN OF THE DEAD great (I hate how I actually have to qualify which one I mean because of the abominable remakes/reboots/reruns that are a daily part of our lives nowadays, already deadened by rampant shootings and Donald-Trump-for-president-for-real), STAR TREK II: THE WRATH OF KHAN ferchrissakes. This week, VHS Rewind hosts Chris and Mark will have you doubting your sanity with their black-is-white, white-is-black, through-the-looking-glass, PSYCHO II over the original PSYCHO babble. - Christopher

Have You Seen..? The question to start all movie discussions. The start of the slightly altered format, as Tom introduces Kieran to the Hitchock classic North By Northwest. Plus: listener reviews, a new pitch for next week and someone gets their own theme song…

Eric speaks with Andy about his firsthand experience of the actual implementation of an Electronic Health Record system.

This podcast is sponsored by the short film "... in the Goodbye" which is now on sale. Actress Alexa Yeames, who was just nominated for Best Actress at the Action on Film Festival for her role in Dirt Cheap Therapy, has only shined in comedy but now you can watch her in a drama short film. Besides the short, the DVD is loaded with bloopers, interviews, and audio commentaries. All for just eight bucks, which INCLUDES shipping! Go here for more information: http://www.shadowdogproductions.com/itg.html Follow them on Twitter: http://twitter.com/ShadowDogProd The chapters for this episode can be found at: Intro: 0:00 Listener Feedback: 1:32 Movie News: 14:06 The Birds Review: 18:34 Top 5 Hitchcock Movies: 42:01 And you can download Scott's debut rap album (for free) at: 801atheist.bandcamp.com

Time to tackle one of the big masters, as we duck and cover for Alfred Hitchcock's The Birds (1963). Evan Hunter wrote the screenplay, Tippi Hendren and Rod Taylor play the leads - and the film offer fantastic contributions from effect wizard Albert Whitlock. The original short story Production stories Visual effects The Hitchock style and legacy The Tippi Hendren controvercy

De 1955 à 1962 sur CBS et NBC, Alfred Hitchcock a créé, produit et présenté presque 270 épisodes d'une série TV restée célèbre : « Alfred Hitchock Presents ». Comment Hitchcock est-il devenu une figure télévisuelle qui a construit son personnage ? Comment la télévision, révolution esthétique, est-elle entrée dans son cinéma ?

De 1955 à 1962 sur CBS et NBC, Alfred Hitchcock a créé, produit et présenté presque 270 épisodes d'une série TV restée célèbre : « Alfred Hitchock Presents ». Comment Hitchcock est-il devenu une figure télévisuelle qui a construit son personnage ? Comment la télévision, révolution esthétique, est-elle entrée dans son cinéma ?