Podcasts about hitchock

What if you were trapped on an island with your horrible boss? This week we review the new Sam Raimi horror thriller Send Help. We talk about the themes of the film and the cathartic effect it has on audiences, as well as the incredible Danny Elfman score. https://www.spreaker.com/episode/send-help--72049055#horror #samraimi #brucecampbell #eviildead #classic #delta88 #thriller #Hitchcock #hitchcockian #cathartic #catharsis #island #boss #dannyelfman #score #film #review #movie #podcast

Riccardo Nuziale"Gli uccelli"Frank BakerEdizioni Cliquotwww.cliquot.itAnni Trenta. È un caldo e tranquillo pomeriggio estivo quando migliaia e migliaia di uccelli discendono all'improvviso sulla città di Londra. Si radunano sulle piazze e sulle strade, sommergono edifici e monumenti, e… non fanno nulla: semplicemente stanno lì, indugiano, osservano. Appaiono belli e variopinti, creature dolci e innocue. Ma la curiosità e il divertimento con cui inizialmente sono accolti scompaiono subito quando, importunati, i sinistri invasori si abbandonano a episodi di terrificante violenza, scarnificando e dilaniando brutalmente i disturbatori. E comincia l'orrore. Chi sono questi spaventosi esseri? Da dove vengono? Perché sono arrivati? E quando se ne andranno? Sono il frutto di un aberrante errore di Madre Natura o appartengono a ignote dimensioni della realtà? Non esistono risposte, e solo una cosa è certa: nessuno ha idea di cosa fare per scacciarli…Romanzo apocalittico, psicologico e allegorico insieme, Gli uccelli uscì per la prima volta in Gran Bretagna nel 1936, quasi trent'anni prima del celebre film di Hitchcock. E sebbene il regista abbia sempre negato ogni relazione, e Baker sia stato all'epoca sconsigliato dai suoi legali a intentare causa per plagio, un sottile filo rosso sembra comunque legare le due opere. Questa è la prima traduzione in lingua italiana, basata sul testo rivisitato e corretto dall'autore che, rimasto a lungo inedito, è stato pubblicato postumo nel 2013 dall'editore americano Valancourt Books.Traduzione di Federico Cenci e Lucrezia Pei.Prefazione di Riccardo Nuziale, docente e divulgatore cinematografico.Frank Baker (Londra 1908-1983) è stato autore di quindici romanzi fra gli anni Trenta e gli anni Sessanta, a lungo dimenticati e oggi in via di riscoperta. Da giovanissimo trovò impiego nel settore delle assicurazioni marittime nella City di Londra, mentre in seguito lavorò come organista di chiesa.Entrambe le esperienze confluirono nel romanzo Gli uccelli (The Birds, 1936), che sebbene alla pubblicazione vendette solo trecento copie, fu in parte rivalutato dopo l'uscita del celebre film omonimo di Alfred Hitchcock nel 1963. L'opera che tuttavia diede maggiore notorietà all'autore fu Miss Hargreaves (1940), altro romanzo dai toni fantastici. Negli ultimi due decenni della sua vita, Baker si dedicò alla saggistica e a scrivere testi per la televisione.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Watch this episode ad-free by joining the ITBR Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Calling all classic Hollywood lovers! Grab your popcorn, candy and soda cause we're talking all things Alfred Hitchcock and one of his many masterpieces: Rear Window. Joining me today is someone who's something of a spiritual student of Hitchock... Jennifer O'Callaghan!Jennifer's latest book, REAR WINDOW: The Making of a Masterpiece in the Hollywood Golden Age is a must read for anybody who's either already a fan of Hitchcock or eager to dive into the fascinating story of the legendary director who was decades ahead of his time.Get to know more about Jennifer O'Callaghan and check out her book down below!https://delbourgo.com/ocallaghan/https://www.penguinrandomhouse.com/books/790118/rear-window-by-jennifer-ocallaghan/-----Follow ITBR on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@dr.andrewrimby⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Be sure to subscribe to our YouTube channel where you can watch video episodes of the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks to our following sponsors! To subscribe to The Gay and Lesbian Review visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠glreview.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Click Subscribe and enter promo code ITBRChoice to get a free issue with a subscription purchase. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theglreview⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@g_and_lr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ broadviewpress.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠order. Follow them on IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@broadviewpress⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Sean Penta (Intern)

Front Row Classics is taking a look at Alfred Hitchock's personal favorite of all his films. Brandon is joined by Scott Gardner to chat about 1943's Shadow of A Doubt. Brandon and Scott discuss the realisim and small-town quality that makes the film different among the rest of Hitchock's canon. They also pay tribute to the performances of Joseph Cotten and Teresa Wright which keep the suspense grounded. 

Brandon is thrilled to welcome "One in a Million" Maximilien to the Front Row. Maximilein is a true storyteller who is one of the fatest-rising stars on the indy wrestling scence. The two chat about his origins as a fan while also finding a career in screenwriting and acting. Maximilein also discusses his passion for character and storytelling within professional wrestling. Brandon and Maximilien also have a shared love of classic film and chat about everything from westerns to essential Hitchock. 

Your boys are back this week with some Schlocktober spookiness. First up, Sean and Parker discusswhat they've been up and if they have seen Army of Darkness. After that, it's a November Movie Preview. And guess what? It sucks. The guys discuss The Running Man, a new Noah Baumbach movie? A predator movie, Osgood Perkins and some other stuff! After that, it's a review of "Wacko" from 1982. It's a proto-"Scary Movie" parody of early slasher tropes and the work of Hitchock and De Palma. It's directed by Greydon Clark of "Joysticks" fame and stars heavy hitters like Joe Don Baker, George Kennedy, EG Daily, Sonny Carl Davis and Andrew Dice Clay! Direct Donloyd here. After listening to this, join the discord or the Patreon!

Tread Perilously's tour of slashers on television continues with an episode The Alfred Hitchcock Hour called "An Unlocked Window." When a slasher targets nurses in an unidentified town, Stella and Betty find themselves tending to a sick professor at his remote home in the countryside. Also helping out are a groundskeeper, Sam, and there's Maude, the housekeeper. But when Betty discovers the oxygen tank is low, Sam leaves for the city and the three women are terrorized by the news that the killer is within two miles of the house. Did forgetful Stella lock all the windows and all the doors? Is the killer already inside? Erik and Justin discuss Hitchcock as a problematic fave. Erik is shocked to learn the story is not inspired by Richard Speck. The pair also inspect the reliance on twists in thrillers. They also rank the Predator movies. Justin admits he watched Halloween Kills more than once. More DCU casting wishes occur. The longer runtime of 1960s television proves to be a problem once again. Justin's knowledge of medieval weaponry comes into play. Actor Louise Latham proves to be the episode MVP for Erik thanks to her performance as Maude and more horror movie discussions lead to the weeds.

In this episode I spoke with author Jennifer O'Callaghan about her book "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age." The definitive, in-depth look inside Alfred Hitchcock's Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood's greatest achievements and turned generations of viewers into “a race of Peeping Toms.” A must-read for film buffs, Hitchock fans old and new, and fans of classic movies and Hollywood insider history.Out on September 30, 2025.Forgotten Hollywood is on Facebook and the books are on Amazon! Doug Hess is the host/producer! 

Welcome back..........to No More Room In Hell podcast!On this episode Mr. Venom, Mike, & Derek are back with a slight deviation from the normal format. We are talking PEEPING TOM and it's relevance & relation to the Hitchock hit PSYCHO and why one movie was praised at the time while the other one argubly hampered a career. We also catch up on some recent new release watches not covered on FC as well as some physical media releases and talk a news item or two before our main feature!Have some feedback on the movie, discussion, hosts, or the show overall? Drop us a message in the comments below or fire off an email to noroominhellshow@gmail.com

Fresh off The Amazing Spider-Man sequel, Andrew Garfield wanted to star in something different, and he chose an indie film that criticizes the Hollywood lifestyle. Coincidence? Maybe, maybe not. This was the third film for David Robert Mitchell, director of the critically-acclaimed horror film It Follows. Under the Silver Lake follows an aimless millennial slacker named Sam who believes there's a gigantic conspiracy going on in Los Angeles, and the general populace is ignorant to it. The disappearance of a female neighbor named Sarah (portrayed by Riley Keough) sparks his urge to explore the deep seedy depths of the City of Angels. What will Sam find in this Hitchock-inspired suspense-thriller? Caution: movie spoilers.Intro- 0:00 to 3:58.Film Discussion- 3:58 to 1:08:01.Film Ratings/Outro- 1:08:01 to End.Podcast Release Schedule-June 11th- Under the Silver Lake (2019).June 18th- The Birdcage (1996).June 25th- The Souvenir (2019).July 2nd- Blind Ranking of Creature Features.

This week, we're going Dutch… Well, sort of. The original spec script describes it as a “Hitchock-ian style thriller with black humor.” However, much like the titular town, in the words of its lead character Nancy Vangergroot, this movie is “like carbon dioxide. It's so sleepy and comfortable, and you won't even know you're suffocating.” It's Mimi Cave's Holland. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media  

(00:00-10:23) Jackson likes to tease in the dossier. Audio of Ashton Jeanty laying out his case for the Heisman on Micah Parson's podcast. There's a path in the bottom half of that bracket, Doug. Lemme talk to you about this head-to-head. A brief moment of Stephen A. The Rose Bowl sunset.(10:24-28:56) Former Blues coach Ken Hitchcock joins us from Palm Springs, California. Little warmer than Edmonton. His relationship with Doug Armstrong. His current role with the Blues. Could Hitch be lured back into coaching? His association with Bobby Plager. Does he see the Blues as a playoff team? Jordan Kyrou. Hitch's fine for walking into the wrong room in Philly.(28:57-37:44) Nolan Arenado has expanded his list of teams he's willing to go to. Angels on the list. When Martin talks, you should listen. What didn't you like about Nolan Gorman's second half?(37:45-46:23) Jamie RIvers joining us. The boys at TMA are consistent....consistently bad. Massive trip for the Blues. Gotta be happy with the way Joel Hofer has played. Hollywood Holloway. Sleeping on planes. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-10:23) Jackson likes to tease in the dossier. Audio of Ashton Jeanty laying out his case for the Heisman on Micah Parson's podcast. There's a path in the bottom half of that bracket, Doug. Lemme talk to you about this head-to-head. A brief moment of Stephen A. The Rose Bowl sunset. (10:24-28:56) Former Blues coach Ken Hitchcock joins us from Palm Springs, California. Little warmer than Edmonton. His relationship with Doug Armstrong. His current role with the Blues. Could Hitch be lured back into coaching? His association with Bobby Plager. Does he see the Blues as a playoff team? Jordan Kyrou. Hitch's fine for walking into the wrong room in Philly. (28:57-37:44) Nolan Arenado has expanded his list of teams he's willing to go to. Angels on the list. When Martin talks, you should listen. What didn't you like about Nolan Gorman's second half? (37:45-46:23) Jamie RIvers joining us. The boys at TMA are consistent....consistently bad. Massive trip for the Blues. Gotta be happy with the way Joel Hofer has played. Hollywood Holloway. Sleeping on planes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Finally Dan and Lacy are back with another Hitchcock Presents commentary! Will they ever finish season 1? Also in this ep they discuss Dan's FOMO of Lacy going Adult Trick r Treating without him and some recent watches! Enjoy! --- Support this podcast: https://podcasters.spotify.com/pod/show/lacy-williams1/support

Jamie and Jonny catch up and discuss Best Picture Oscar winners American Beauty and Hitchock's Rebecca. Jamie covers off his recent watches 'The Idea of You,' 'Room,' 'Abigail,' 'Dogfight,' 'Out of Time,' 'The Fall Guy,' 'Dazed and Confused,' 'Civil War,' and 'Wasp.' Jon chats all things 'Kingdom of the Planet of the Apes', his fear of Titanic, and films that now mean something else to him as he's got older! 00:00 Exploring a Variety of Film Reviews 03:05 Analyzing 'Kingdom of the Planet of the Apes' 13:00 The Complexity of Separating Art from the Artist 43:12 Deeper Understanding of Underlying Themes 01:20:18 Evolution of Film Perception with Age 01:21:42 Impact of Films on Personal Perception 01:47:46 Exploring 'Rebecca' and Film Production Techniques 02:09:03 Future Topics and Sand Discussions

This week, Ellis and Smith discuss 'The Birds,' Hitchock's movie about that time all birds went buckwild and started mauling people. We talk about the various utilites of metaphor in addressing the picture, how fucking weird the non-birds parts of this movie are, the impressive job Hitch does in never giving you anhything close to a satisfactory cause and effect in the movie, and the less than impressive job he did in 'Respecting Tippi Hendren.'  At the end of this episode we say that next week's episode will be "THE LIFE AND DEATH OF COLONEL BLIMP," available to watch here. But in real life we called an audible and will be talking about David Lynch's Dune instead. It's on HBOMax, which is a problem for Corbin, because he doesn't really HAVE HBOMax, per se. Wish him success in this journey. 

Peter Bogdanovich sits down with his friend and fellow director, Guillermo del Toro, for a conversation about the life and career of "the master of suspense", Alfred Hitchock. This uniquely in-depth, candid and personal discussion features never-before-heard audio from interviews that Bogdanovich conducted with Hitchcock in the 1960s. Please follow this link for a transcript to this episode: https://bit.ly/OHA-GDT-Transcript To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Arts and Lifestyle Wednesday" Presented by Cinematic Visions features "Reconcilable Differences with Danny and Jayne". The couple's view of life ponders book vs. movie in our look at "The Boys in the Boat". Plus, Hitchock's "Vertigo" and other directorial efforts, road tripping again, Christmas treats and gifts, recurring television favorites and more. Recommendations and smiles for you!

Jodi Semonell is a strong runner who loves running tough races! She's done the Hitchock 100 many times, Cocodona 250 twice, Across the Years 200, Western States, Leadville 100, the Hardrock 100, and many more!   Just recently she ran across Nebraska (495 miles in 11 days!) in memory of her son and 2 friends who died of carbon monoxide poisoning. It's her desire to encourage people to install carbon monoxide detectors in their homes and check the batteries on those that are already installed.   Show notes at: http://www.theriot.run/jodis

How many of you have struck up a conversation with a stranger? Hopefully, it has never led to a discussion filled with as many red flags as this one!  We're talking about Hitchcock's Strangers On A Train, a discussion of trivia, favorite scenes, actors that really shine, and what you can watch next!https://www.instagram.com/realoldreels/

Front Row Classics welcomes attorney, Jason Isralowitz this week. Brandon and Jason discuss his latest book, "Nothing to Fear: Alfred Hitchcock and The Wrong Men" The book tells the story of one of Hitchcock's most unusual films and the real-life case of wrongful conviction that inspired it. Isralowitz chronicles the arrest of jazz musician Christopher "Manny" Balestrero for two robberies he did not commit. The interview covers the true story along with the documentary-like precision Hitchcock utilized to tell this disturbing story. We hope this conversation will inspire you to go back and discover this unusual film in the Hitchock canon. "Nothing to Fear: Alfred Hitchcock and The Wrong Men" is available wherever books are sold from Fayetteville Mafia Press. Jason Isralowitz has practiced law in Manhattan for almost three decades. He lives in Summit, New Jersey with his wife, Jennifer.  

Frenzy is the story of Dick Blaney (Jon Finch), a grumpy barman who has a very bad week, leading to him becoming the chief - and only - suspect in the Necktie serial killings. With the help of his girlfriend Babs (Anna Massey) and his friend Bob (Barry Foster) he tries to avoid being hanged for the murder of several women, including his ex-wife. This was famously Hitchock's most violent film, and styled as his triumphant return to London after twenty years of filmmaking; but was it enough to grab our attention and become a London Horror classic? Or has it put Chris off ever watching another Hitchcock? Listen to find out.

On this jam-packed, monster-sized edition of Parallax Views, acclaimed film historian Joseph McBride returns to the program to discuss the life and times of Hollywood filmmaking legend Steven Spielberg, his films, and his latest feature, the autobiographical coming-of-age drama The Fabelmans. McBride many books on cinema include Frank Capra: The Catastrophe of Success, Orson Welles: Actor and Director, Searching for John Ford, Billy Wilder: Dancing on the Edge, and The Whole Durn Human Comedy: Life According to the Coen Brothers, and, of special note to this conversation, the unauthorized Steve Spielberg: A Biography. Among the topics covered in this lengthy conversation: - Spielberg's early career, working in television with The Twilight Zone/Night Gallery creator/host Rod Serling, his made-for-TV thriller Duel and horror Something Evil - The success of E.T.: The Extraterrestrial and the point where Spielberg became a household name - The importance of Jaws to Spielberg's career - The resonance of Close Encounters of the Third Kind with move-going audiences; applying Carl Jung's book on flying saucers to Close Encounters of the Third Kind; the positive portrayal of aliens in Spielberg's films; Spielberg and immigrant liberalism; the role of the broken family in Close Encounters of the Third Kind and how in some ways the movie may be about his divorced mother and father - Spielberg wasn't a darling of film critics when McBride wrote his biography of Spielberg; the phenomenon of Spielberg haters; the lackluster box-office of West Side Story and The Fabelmans at the box office and mixed-reviews from critics - Steven Spielberg and Alfred Hitchcock; the idea that Spielberg is a master technical filmmaker but has little to say; Hitchock's 1976 film Family Plot starring Bruce Dern and Spielberg's attempt to meet Hitchcock - The approach Joseph took to the research and writing of Steven Spielberg: A Biography; interviewing "ordinary people" rather than just celebrities; Robert Caro's Lyndon Johnson biography; Joseph interviewed over 300 people for the book; interviewing people from all over the country because Spielberg lived in so many different cities and states, especially when he was growing up - Joseph's interview with Arnold Spielberg, Steven's father, and the said moment for him during that interview; the underrated role of Arnold Spielberg in Steven's life and amateur films; Steven's relationship with his father and the way it is portrayed in The Fabelmans; the schism between Steven and his father Arnold - The traumatic impact of Steven's parents' divorce on him in his adolescent years; family rupture, broken families, and the role of irresponsible father and mother figures in Steven's films - Picking apart the mythologized portrayal of how Steven got into Hollywood and the true facts of how he got into Hollywood - The ambitious 1964 science fiction film Firelight, which Spielberg made at the age 17 - Spielberg's dyslexia, his poor performance as a student in school - The story of a young Spielberg's experience seeing The Greatest Show on Earth and his recreating of that film's train crash - The common criticism that Spielberg's movies are too sentimental or schmaltzy; the darker elements of Spielberg's movies - Spielberg's first 35 mm short film Amblin and the role it played in  kickstarting Spielberg's career - MCA/Universal Studios head honcho Sidney Sheinberg and Steven Spielberg - Spielberg as an actor's director - Spielberg's mother Leah Adler - The obstacles Joseph faced writing an unauthorized biography of Steven Spielberg - The factual accuracy of The Fabelmans, The Fabelmans as a semi-autobiographical film, and Francois Truffaut's 400 Blows (Spielberg was a Truffaut fan and even cast him in Close Encounters of the Third Kind) - The Fabelmans' tornado scene and Steven Spielberg childhood tornado experience - A teenaged Steven Spielberg's film Senior Sneak Day, Steven's penchant for casting both his friends childhood bullies in his early films, his 1962 WWII film Escape to Nowhere - A young Spielberg's experiences with antisemitism and antisemitic bullying - How a young Spielberg had trouble with his Jewish identity; wanting to assimilate with gentile in his youth; a telling moment where a young Steven was embarrassed by his ultra-Orthodox grandfather - Spielberg's use of Christian iconography in his films including in Amistad and E.T. - Alienation, Other-ness, Otherization, and persecution in Spielberg's films; Spielberg's interest in communication with "The Other" as a theme - Alice Walker, Black Americans in Steven Spielberg's films, The Color Purple, and Spielberg as a "Minority Director"; the attacks on Spielberg over The Color Purple; - The Sugarland Express, Goldie Hawn, class, and the role of outsiders in Spielberg's films - The dark side of suburbia and smalltown America in Spielberg's films - E.T. and the truth of modern life; E.T. as resonating because it was unlike some of the Disney-style family entertainment of the time - The accusation that Spielberg manipulates his audiences; film editing as inherently manipulative - Spielberg, Stanley Kubrick, and Orson Welles - Schindler's List, Spielberg's USC Shoah Foundation, and Spielberg's meeting with black youths who had a much lambasted inappropriate reaction to the movie; Spielberg's initial apprehension about directing Schindler's List; Stanley Kubrick's Aryan Papers, Roman Polanski's experience in the Kraków ghetto, and the difficulty of making films about the Holocaust - Liberal politics and the films of Steven Spielberg - Joseph's analysis of The Post, which attempted to chronicle the Washington Post and the Pentagon Papers story, and the problems McBride has with it - Spielberg, 9/11, the Iraq War, the Patriot Act, and the Bush years; War of the Worlds and Minority Report - David Lynch's cameo in The Fabelmans as John Ford; Joseph's interview/experience with John Ford - The changing landscape of cinema, the dominance of superhero movies, and the history of the trend towards juvenile movies being cranked out by Hollywood rather than serious "adult" movies; are Spielberg and George Lucas responsible because of movies like Jaws and Star Wars?; cultural obsessions with superheroes and juvenilia and the effect of that on politics; The cultural shift from wanting realism in film to 'magic' and escapism - The success of Jaws, national TV advertising, and myths concerning Jaws' theatrical release - Billy Wilder's attempt to sophisticate and "European-ize" American cinema; the Coen Bros. as the "Sons of Billy Wilder"; Billy Wilder's Sunset Boulevard and the blending of tragedy and comedy; Hollywood was upset that Sunset Boulevard criticized the film industry; was Billy Wilder a cynical nihilist?; the Coen Bros. and European funding; the Coen Bros mixing of comedy and violence - Spielberg had trouble getting funding for Lincoln; John Ford's lesson about film funding - And much, much more!

In this episode of Quakers Today we ask, “What does redemption mean to you?”  Attorney, coach, mediator, and Quaker thought leader, Adria Gulizia, speaks with Peterson Toscano about evil. Adria's article “Facing Evil, Finding Freedom: How Christ's Victory Over Sin Is Ours to Share Today” appears in the December 2022 issue of Friends Journal. To read more of Adria Gulizia's writing visit Shadow of Babylon.  Click here to hear a longer version of this conversation We hear from a group of Quakers in New England who decided to meet regularly on-line to talk about White supremacy and the sin of separation. With the support of Beacon Hill Friends Meeting they created a  community where they could be honest with each other. Lisa Graustein, Aiham Korbage, Emma Turcotte, Jennifer Higgins-Newman, and Briana Halliwell talk about this experiment in community conversations. To learn more watch “Healing From the Sin of Separation” on YouTube. For more QuakerSpeak videos visit Quakerspeak.com. The series is produced by Rebecca Hamilton-Levi. New videos come out every other Thursday We also look at reviews for the new memoir by longtime peace activist George Lakey. Dancing with History: A Life for Peace and Justice is published by Seven Stories Press and is available at FGC QuakerBooks or wherever you get books. Read Doug Gwyn's review in Friends Journal.   Click Here to read a transcript of this episode. After this episode concludes we share voicemails from listeners who answered the question, What does redemption mean to you? Question for next month Our question is inspired by Jeff Hitchock's essay Quakers and Reparations for Slavery and Jim Crow. It appeared in the June 2008 issue of Friends Journal. Hitchcock opens his article, “Out of the silence a woman asked, ‘Why don't Friends take reparations more seriously? It's the kind of issue Quakers take on.'”  In his piece Hitchock asks more questions about reparations. What are Reparations? Why are Reparations a Quaker Issue? How Does Reparations Work Benefit Quakers? What can Quakers do?  What about you? What are your thoughts, feelings, and questions about reparations? Leave a voice memo with your name and the town where you live. The number to call is 317-QUAKERS, that's 317-782-5377. 317 Quakers. +1 if calling from outside the USA. Quakers Today is the companion podcast to Friends Journal and other Friends Publishing Corporation (FPC) content online.  Season One of Quakers Today is sponsored by Quaker Voluntary Service (QVS.)  Are you a young adult between 21 and 30 years old? Do you know a young adult who is looking for community and purpose-driven work? QVS is a year-long fellowship for young adults. Fellows work at nonprofits while building community and exploring Quakerism. Visit quakervoluntaryservice.org or find QVS on Instagram @quakervoluntaryservice.  Feel free to send comments, questions, and requests for our new show. Email us at podcast@friendsjournal.org. Music from this episode comes from Epidemic Sound. You heard Getting Frisky by John Runefelt, Sneaky Sam by Jerry Lacey, Magnified by From Now On, Crab Boys by Auxjack and JOBII, Those Things You Do by Grip City Cronies, Soul on Fire by Nightcap, Through to You by Aluvio, and Excursions by Justnormal. 

This week, your host Nick Chandler is joined again by his KINOTOMIC co-host and Film Historian, Dani Vilu. Together they talk about the new movie from Park Chan-wook, 'Decision To Leave'. Amongst this weeks topics are Hitchock, influences, and lots of Noir talk. Nick acknowledges the change in leadership at Disney, but ultimately Dani and Nick talk more Noirvember Film picks. Enjoy!! ------------ Host & Editor - Nick Chandler Guest - Dani Vilu Executive Producer - Tony Black Follow NICK CHANDLER on Twitter, @NickSChandler, read his website (www.superatomovision.com) and listen to his and Dani's podcast KINOTOMIC, (https://www.buzzsprout.com/981214) which you can follow on Twitter, @Kinotomic (https://twitter.com/kinotomic). You can also find him on Mastodon, @NickSChandler@bbq.snoot.com Follow CEV MOORE on Twitter @KinoJoan, her website (www.kinojoan.co.uk) and you can find her on Mastodon, @KinoJoan@bbq.snoot.com Follow or Twitter: https://www.twitter.com/ReelTalkWMT We Made This on socials: Website: www.wemadethisnetwork.com Twitter: @we_madethis Facebook: We Made This Instagram: @wemadethispod Theme music: ‘On The Podium' (c) Radio Night via epidemicsound.com · ‘Reel Talk' podcast cover art designed by Dan Owen.

In this episode, Host Bondan Syamsu (@bondansyamsu) is joined by his good friend Marcus Love (@say__so__) to discuss Alfred Hitchcock's filmography and one of his most celebrated works, Rear Window (1954) starring James Stewart and Grace Kelly. They both cover Hitchock's notion of 'pure cinema', the film's voyeuristic themes and the theatrical setting of Rear Window. Website: broadly-specific.com Patreon: patreon.com/broadly_specific Instagram: @broadly_specific Twitter: Broadly Films Youtube: Broadly Specific

THE HYPER SPACE returns with THE PSYCHO SPACE, our discussion of the legacy of the Psycho franchise! Check in to the Bates Motel and join us as we discuss the films and the various off-shoots and spin-offs of this venerable horror franchise that has spanned the last 6 decades! Oh, and don't take a shower...  

To wrap up the month of scares, we are taking a look at three classic (if slightly less traditional) horror movies. Specifically: how does Hitchock's VERTIGO influence MULHOLLAND DRIVE . . . and how does Fritz Lang's M precede them all? Plus: we celebrate Naomi Watts.

Producer Robbie Thorpe pops in to rent something.The Video Store is a weekly chat amongst friends doing a shift at the local video store. The place you can go to once a week, whenever it's movie night! Come for the advice on what you could watch, but stay for the characters you will come to love.Website: www.thevideostore.co.zaInstagram: @thevideostorepodFacebook: facebook.com/groups/thevideostore

The 1920s in Berlin were an incredible time, full both of misery and wonder. It was the time which brought both the worst and the best in people who lived there. And sometimes it helped pave way for genius. Or future classics.Episode 5 of Berlin Companion Podcast tells the story of one such classic made in Berlin.Sound effects:BBC Sound Effects Archive bbc_animals---_07037493 piegeons cooingbbc_animals fighting for food Freesound "Suspense Comedy" by Tyops " Ambient Traut" by Vann Westfold" Silent Movie - Sam Fox - Hurry Music" by FreqMan Storyblocks Main theme: “Assembly Line Frustration" © Ionics Music | TerraSound.deYou can follow Berlin Companion on:Twitter at @kreuzberged and @BerlinCompanionWordpress blog at kreuzberged.comand via all most popular podcast streaming services out there.To support the podcast via Buy Me A Coffee click the link below. Many thanks, time-travellers!Support the show

Geoffrey chats with filmmaker Jeffrey Michael Bays (Suspense with a Camera) about Hitchcok's techniques and how to use suspense to build tension in any genre.You can find more about Jeffrey https://borgusfilm.wixsite.com/jeffreyYou can find Suspense with a Camera here https://amzn.to/3qwL8N3The Guide For Every Screenwriter is available at:https://www.thesuccessfulscreenwriter.com/booksScript Evaluation --> https://www.wefixyourscript.com/Don't forget to visit our website for all your screenwriting needs at --> https://www.thesuccessfulscreenwriter.com/podcast

Part of our new Visual Storytelling series in which we introduce you to new resources that will aid in developing the look of your films and photographs. In this episode of the In Love with the Process podcast, host Mike Pecci talks with author and Hitchock historian Jeffrey Michael Bays. The two discuss their favorite Hitchcock films and walk through the master's tips and tricks on how to create suspense on screen. Jeffrey is an expert on Hitchcock's cinematic techniques and his book Suspense with a Camera: A Filmmaker's Guide to Hitchcock's Techniques is the perfect tool for any young filmmaker looking to add subtext and meaning behind each shot in your film. ►Grab the book here: www.amazon.com/gp/product/B075NW…h_vapi_tkin_p1_i0 ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music by: ►Power Glove ►Magic Sword ►BETA MAXX ►ORKLA DRIVE ►CODE ELEKTRO ►NIGHT RIDER 87 ------------------ Sign up for BARK BOX here: barkbox.snlv.net/ILWP ------------------ Get 20% OFF @manscaped + Free Shipping with promo code ILWP at MANSCAPED.com ------------------ Support the show and get a free trail at Audible: www.audibletrial.com/ILWP ------------------- Or support us by signing up for EXPRESS VPN: www.xvinlink.com/?a_fid=ILWP ------------------- The Episode is Sponsored by ►Puget Systems: puget.systems/go/152340 ►Quasar Science: www.quasarscience.com/ ►Black Magic: www.blackmagicdesign.com/products ►ETC: www.etcconnect.com/LoveTheProcess/ ►ILWP Sponsor Page: www.inlovewiththeprocess.com/sponsors

Part of our new Visual Storytelling series in which we introduce you to new resources that will aid in developing the look of your films and photographs. In this episode of the In Love with the Process podcast, host Mike Pecci talks with author and Hitchock historian Jeffrey Michael Bays. The two discuss their favorite Hitchcock films and walk through the master's tips and tricks on how to create suspense on screen. Jeffrey is an expert on Hitchcock's cinematic techniques and his book Suspense with a Camera: A Filmmaker's Guide to Hitchcock's Techniques is the perfect tool for any young filmmaker looking to add subtext and meaning behind each shot in your film. ►Grab the book here: https://www.amazon.com/gp/product/B075NW268H/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music by: ►Power Glove ►Magic Sword ►BETA MAXX ►ORKLA DRIVE ►CODE ELEKTRO ►NIGHT RIDER 87 ------------------ Sign up for BARK BOX here: barkbox.snlv.net/ILWP ------------------ Get 20% OFF @manscaped + Free Shipping with promo code ILWP at MANSCAPED.com ------------------ Support the show and get a free trail at Audible: www.audibletrial.com/ILWP ------------------- Or support us by signing up for EXPRESS VPN: www.xvinlink.com/?a_fid=ILWP ------------------- The Episode is Sponsored by ►Puget Systems: puget.systems/go/152340 ►Quasar Science: www.quasarscience.com/ ►Black Magic: www.blackmagicdesign.com/products ►ETC: www.etcconnect.com/LoveTheProcess/ ►ILWP Sponsor Page: www.inlovewiththeprocess.com/sponsors

Lianna is horny on main for the second week in a row. Check in to this ep for morbid tetris, dumb criminals, and Hitchock doing what he does best: offing blonde women. The person most confused by the movie this week was: Lianna, but sexually. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

Zach and Alec discuss the 1960 Hitchock classic Psycho! Watch it in video form here!

Rebecca! Alfred Hitchcock's first American film and his only best picture winner. Patrick and Lauren invite their very first guest, Julienne Irons to explore this suspenseful film based on the novel by the same name. Model Miniatures, ex-wives, A new husband no one can figure out, model miniatures the size of sound stages. What more could you ask for?Rebecca won the Best Picture in 1941 and Hitchock's style for story telling is evident even in this earlier work by the master of suspense.  So sit back and enjoy as we journey to Manderley and try to avoid the former Mrs. DeWinter's ever present ghost, Rebecca!https://www.instagram.com/theawardgoestopodcast/https://www.instagram.com/julienne_irons/

Just when you thought it was safe to go back to the shower! Greg D and Jenius McGee of the Nightmare Junkhead Podcast join Tadd to talk about the follow up to Hitchock's classic slasher Psycho. 

A Hitchock classic, with some of the most iconic scenes and stories in movie history. Stephen Fenech of course has seen it many times, but Trevor Long is watching for the first time to find out just what it's all about. Unpacking the cast, the scenes, the lines and even the music, this is our view of one of the Best Movies You've perhaps never seen.

Join Stephen and Keagan as they sit down and talk about the score to one of Hitchock's absolute classics

This week we've been given the insurmountable task of remaking the Alfred Hitchcock masterpiece Frenzy (1972) and we may never wear a neck tie again. We may not be smarter than Hitchcock but he left one heck of a road map to help us update this thriller complete with fantasy casting! Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Play Music, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, YouTube, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, PPE masks and other Invasion of the Remake swag at our TeePublic Store!

Hitchock's Rear Window is the Canadian author's favourite movie

Hitchock's Rear Window is the Canadian author's favourite movie

In 1857, a full-throated defense of hermetic philosophy and medieval and renaissance alchemy came from an unexpected source: major general Ethan Allen Hitchcock, a veteran of two wars who served as chairman of the war board during the American Civil War. Writing almost a century before Jung's psychological interpretation of alchemy, Hitchock argued that the mistake alchemy's nineteenth-century critics made was to read the alchemists' detailed treatises literally. In fact, legitimate alchemical literature was meant to be read as an allegory for the elevation of the soul. What did Hitchcock know of the hermetic mystery that his contemporaries failed to grasp?

This week we catch back up with ole JPow, the J&J underdog moment, why the Golden Globes clowned themselves, and a history of problematic (and rightfully so) Hollywood films.Indiewire's Rope Article: https://www.indiewire.com/2014/03/haysd-decoding-the-classics-rope-214547/

This week my yoga buddy, Amy O'brien, joins me to discuss one of her favorite films, Strangers on a Train.  We talk about murder, Hitchock, Psychopaths and boys obsessed with their mothers.  Get into shavasana and listen to a good chat about movies and life.

Due to Technical Difficulties, this is an upload to replace previously published Episode 1. Psychological drama. A chilling thriller set in 1950s NYC Advertising . Hailed as "if Hitchock had written a love story" (Geek Girl Authority) and "runner up for best dark workplace drama" (Radio Public). Andrea Davies, an ambitious secretary, introduces us to Roth, Hayes, and Johnson Advertising. We meet Richard Hayes, a partner and object of Andrea's infatuation. Mother grills Andrea about the eligible bachelors over lunch. Andrea is surprised by a promotion that brings her closer to Richard. Support this podcast

Una vez más hablando de una película del maestro del suspense, Hitchcock. Con Domingo de Mingo y Nadia de Santiago desgranamos esta obra maestra del cine. ¿Qué es el vértigo? ¿Cómo se retrata en esta película?. ¿Qué aspectos de la propia sexualidad de Hitchock se encuentran en el Film?. Todo esto y mucho más en nuestra particular sala de cine.

On today's podcast adventure, Adolfo Acosta and Mark Espinosa go into deep analysis on the Alfred Hitchcock classic, VERTIGO.On this show, Adolfo & Mark discuss:• Their favorite Hitchcock films• Hitchcock's epic run in the 1950s and early 1960s that included canon classics like REAR WINDOW, NORTH BY NORTHWEST, VERTIGO, PSYCHO and THE BIRDS• The origins of VERTIGO•How the opening chase scene is ultimately irrelevant to the plot•VERTIGO's connection to the New York production of SLEEP NO MORE•How Hitchcock leads the viewer into what they think is a supernatural mystery, and then completely switches gears on them, two years before PSYCHO would also manipulate viewer expectations• The themes of overwhelming guilt and dangerous obsessions• Bernard Herrman's musical score• The "Vertigo" shot• In a Hitchock film, the story is less important than visual impact•The film's COMPLETE snub at the Academy Awards• Phallic symbols and necrophilia? Yes, Hitchcock slipped that into this film• Plus side discussions of CITIZEN KANE, THE SHINING, ROOM 237, JAWS and KNIGHTY KNIGHT BUGSWEBSITEEssentialFilmsPodcast.comEMAILEssentialFilmsPodcast@gmail.comFACEBOOKhttps://www.facebook.com/The-Essential-Films-130585803634489TWITTER@EssentialFilms@FPMoviePodcast@Adolfo_Acosta@Sportsguy515