Podcast appearances and mentions of ian george

Friday. A day most long for. The week ends…The weekend begins. Endings do bring us new beginnings while new beginnings take us to inevitable endings…the cycle is perpetual.  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!January 17, 2025, Friday, middle segment…@Jack's Saving Grace - You Really Do It For Me {Single 2.12.24}@Jack Valero - Always Something You Can Do {Single 4.15.24}@J Prozac - Take In The Sunshine {Single 9.23.24} [Obsession] (@Rum Bar Records)@Ivar And Tommy - Super Man {Single 4.29.24}@David Brookings – Don't Wake Me Up [Glass Half Full]@Irv Lyons Jr. - One More Last Time (Reprise) {Single 3.11.24} @Imágenes Mentales & @Call Me Shadow - Anxiety, My Old Friend {Single 2.5.24}@Ido - Baby R U Sure {Single 10.7.24}@Ian George & @Anna Moss - Gone {Single 1.29.24}@Ian Donaldson - Dreams Can Change The World {Single 7.1.24}@Hurricane #1 - What Do You Think Of Me {Single 1.29.24}@Hungrytown - Little Bird {Single 7.29.24} [Circus For Sale] (@Big Stir Records)@Ward White - You Gotta Have A System [Leonard At The Audit]@Huck 2 - Echo Chamber {Single 1.15.24} [Soylent Red White and Blue]@HS2 – Watch It All Fall Down {Single 7.8.24} (@Kycker)@Hour Of Pearl – Gotta Get It Right {Single 6.10.24} (@genxrayrecords)@Hot Laundry – Made Like This {Single 2.5.24}

“How do you figure out who and what gets played on your show?”  There has ALWAYS been a sound that resides inside me…as an old friend called it, “The Inner Sound!”  If what I hear from YOUR music, songs is in resonance with that which is in me, you get played!  Can it be any more simple?  Resonance.  Who would guess?  On themusicauthority.com, there is a section to be able to reach me to send music!  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/   AND NOW there is a website! themusicauthority.comThe Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  *The Sole Of Indie  https://soleofindie.rocks/  Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!June 5, 2024, Wednesday, book three…@Vacation - 12 Sailing [Rare Earth]@SCHEDULE 1 - No Grace [Crucible]Colin Blunstone - Love Left a Long Time Ago [More Or Less]@Jeff Tracy - Remember To Forget [Change Of Perspective]The Speed Of Sound - 10 Trickledown [A Cornucopia Minerva] (Big Stir Records)@Cowbell - Waiting for Yesterday [Waiting For Yesterday] (Damaged Goods Records)@Misguided Promise - Record Breaker [Carnival Season Complete 1984-89]Ian George - 02 Gone [A Fair]Good Cop Bad Cop - 08 Houdini [Welcome To The Marble Team]All Over The Shop - 04 The Urgency [Every Ounce Of Energy]The Amplifier Heads - The Best It's Gonna Be [Songs From They Came To Rock] (Rum Bar Records)Ray Richardson - Angels [Slack Angels]@The re-Used Electrics - 14 One Track Mind [

Hailing from Eastbourne and Brighton, Amongst Liars formed in late 2019 playing a unique blend of modern rock, with influences from Shinedown, Audioslave, RATM, QOTSA, Royal Blood and BMTH, they released debut single 'Over & Over' in February 2020 and played one sell out show before the global pandemic hit. Unpeturbed by this, 2020/1 saw the release of seven very successful singles and the writing of their self titled debut album, recorded in 2021 and released on 8th July 2022 to critical acclaim.

May FIRST is tomorrow!  April!  Where the hell did you go so fast?  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  *The Sole Of Indie  https://soleofindie.rocks/  Monday Through Friday 6-7PM EST!April 30, 2024, Tuesday, the second turn at the roundabout…Carnival Season - Black Velvet Elvis [Misguided Promise Carnival Season Complete 1984-1989]Ian George - 04 Casanova [A Fair]@Good Cop Bad Cop - 03 Mr. Misfit [Welcome To The Marble Team]@Action City - The Longest Game [More Action City] (Michael Slawter)@Sunbourne Rd. - 12_Random Harvest [Manners Maketh Man] (koolkatmusik.com) (Alex Siodmak Music)The Amplifier Heads - 06 Something Went Down [Songs From They Came To Rock] (Rum Bar Records)Ray Richardson - In The Hollows Of The Night [Slack Angels]@Rome 56 - Dry Ice [Paradise Is Free] (Think Like A Key Music)Lolas - Staying Inside [Like The Sun]Johnathan Pushkar - 09 Love Will Save the Day [Compositions] (Jem Records)@The Wesleys - 02 A Lot To Lose [The Wesleys]Dot Dash - Airwaves [Lost In An Imaginary World Of Beauty]Steve Conte NYC - 02 Hey Hey Hey (Aren't You The One?) [The Concrete Jangle] (Wicked Cool Records)Ken Sharp - 03 Up In the Clouds...

Welcome to the One Hundred and Twenty Seventh edition of The Chronicles of Podcast, these are The Chronicles of Amongst Liars. Tune in for an exclusive episode of 'The Chronicles of Podcast' featuring Ian George and Adam Oarton from Amongst Liars! From the band's origins to the inspiration behind their lyrics, we cover it all. Get insights into their upcoming album 'Design' dropping this July 4th and catch a sneak peek of their UK tour. Don't miss this electrifying chat full of passion, creativity, and laughs. Also, Tom and Jamie dive into hilarious discussions about 'The Toilet Fear', odd bathroom habits, and even ponder the Fat Controller's real name! Plus, enjoy Callum's Teachings on having milk on tap, Tom's Journal of internet funnies, and Jamie's Audience Participation Challenge. Join the fun and tune in now! If you like what you hear here then please don't hesitate to like and share this show with your friends and please make sure to follow us on all social medias and maybe even a little rating and review on your favourite podcasting apps. Official Website - The Chronicles of Podcast Official Sponsor - SayWeCanFly Affiliate Charity - Sophie Lancaster Foundation Amongst Liars - Official Website

We talk strategies and idea on how to market and grow your RestorFX center. what works and what doesn't?!? Listen here to find out!   https://dentprosacramento.com/ https://www.dentprousa.com/

Singer-Songwriter Ian George has a new, CD that references many music styles. Not only is it hard to place in any commercial genre, but it takes an unusual approach to a breakup. When Ian talked with Phil Nusbaum, Phil asked Ian if the songs came from Ian's own experiences.

In the prime of his illustrious career, Wolfgang Amadeus Mozart ran in the realm of prominent, Black visionaries. But after composing “Zaide,” an unfinished opera depicting a slave revolt, Mozart was commissioned to create a work more palatable to the politics and pocketbooks of the late 18th century European upper class.  First heard in Vienna in 1782, “ Abduction” catered to the harsh reality of the times. As is too often the case with operas written during this time, characters of African descent are reduced to racist stereotypes, thereby oiling the wheels of Europe's economic engine — slavery. With this in mind, we ask: what does the future look like for opera as an art form? In this final episode of the four-part radio series, the Every Voice production team goes out to Harlem to find out how today's youth relate to classical music. Join our host Terrance McKnight as he searches for opera's future with composers, musicians, and thinkers of today. “Every Voice” is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker.  Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

At the heart of “Aida” is an African love story: the Ethiopian princess Aida is torn between loyalty to her country and passion for her captor, the Egyptian general Radamès, who loves her in return. But when “Aida” premiered in Cairo in 1871, very few Africans went to see it, let alone could afford the price of a ticket. The original audience for “Aida,” in fact, was the European elite in Egypt, whose economic fortunes and imperial ambitions were inextricably linked to the American Civil War. Verdi's “Aida” often portrays Egyptians as white and free and Ethiopians as Black and enslaved, reinforcing colonial stereotypes and colorism. It's a practice still present in many modern-day productions.  What role has opera played in colonialism, empire, and capitalism? Does art imitate life, or does it obscure it? Join McKnight's investigation in this radio special featuring  WQXR's own Nimet Habachy, as well as opera talents Limmie Pulliam, Angela Brown, Raehann Bryce-Davis, Sir Willard White and more.  “Every Voice” is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

“Otello” debuted in Milan in 1887, just two years after European nations gathered in Berlin to agree on a campaign to carve up and colonize the African continent for their own profit. Giuseppe Verdi's opera, based on the play Shakespeare wrote in the very early 1600s, centers on the Moor, Otello — an African who becomes a much celebrated Venetian general for leading a successful war against his fellow Africans.As a Black man in a position of power, Otello's status inspires praise and worship by some and searing loathing from others. How do stereotypes of Black manhood, an all-too-familiar danger to Black men navigating life in America today, show up in Otello's story? With the help of the Every Voice team and special guests – Maribeth Diggle, Thomas Hampson, Peter Sellars, Limmie Pulliam, Kevin Maynor, Dr Uzee Brown Jr. and Sylvia McNair – host Terrance Mcnight examines how this centuries-old story still shapes today's narratives around Black success and how the work of Toni Morrison might lead us to a deeper understanding of these characters. “Every Voice” is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker.  Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

In this radio special of “Every Voice with Terrance McKnight,” enjoy this season's journey into Mozart's "The Magic Flute," its investigation into the overlooked character of Monostatos, and what his portrayal teaches us about ourselves. With a legacy spanning over two centuries, "The Magic Flute" remains a beloved classic, captivating audiences in sold-out venues worldwide. But along with the opera's historic success, the character of Monostatos, a Moor and chief slave to the wizard Sarastro, stands out as one of the most famous and shameful stereotypes in opera — a genre with limited representation of characters of African descent. Monostatos's longing for Pamina, a white woman, is meant to be a source of comedy, but his experience of loneliness and feeling othered is one that many can relate to. Could future productions of “The Magic Flute” highlight the depth and complexity of this character?With the help of the Every Voice team, Terrance McNight investigates the history of this opera, tells stories from his own life, and enlists an ensemble of opera talents, including Chauncey Packer, Rodell Rosel, Raehann Bryce-Davis, Kevin Maynor, Sylvia McNair, and more to understand the messaging of modern stagings of this canonical work. This episode is hosted by Terrance McKnight and produced by David Norville and Tony Phillips with help from Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

WE DANCE FOR LIFE, 11min., UK Directed by Ian George Sciacaluga A community comes together to express the many affectations of living with cancer and to herald the science that will one day find a cure. http://www.sciacaluga.com/ Get to know the filmmaker: I've been wanting to get involved in community film projects for a while but I hadn't found something worth contributing to, until this Cancer Research project came along. And it's all thanks to the funding from the London Borough of Sutton. This was a film production that embraced all humankind, at a time when we were all breaking out of the isolation invoked by the COVID pandemic. Strangely, the subject matter, came second to my thoughts when undertaking this film, although only because of the sensitivity in handling a topic as affecting as cancer. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Ian George stopped by to play some tunes before heading to California for the next leg of his west coast tour.

With such a dark past, what does the future look like for opera as an art form? From Verdi to Mozart, many of opera's most celebrated works famously reduce people of African descent to racist caricatures and stereotypes with tragic fates. In the final episode of this season of Every Voice with Terrance McKnight: we go in search of opera's future with composers, musicians, and thinkers of today, and turn our attention one more time to Mozart's “Abduction from the Seraglio” to learn from a long-voiceless character. Joined by Dr. Sharon Willis, opera and theater director Peter Sellars, and opera greats Chauncey Packer, Limmie Pulliam, and more. This episode is written, hosted and produced by Terrance McKnight with support from David Norville. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt Original music composed by Jeromy Thomas and Ashley Jackson. A transcript of this episode is available on our website: everyvoicepodcast.org

Mozart's “The Abduction from the Seraglio” was first heard in Vienna in 1782, commissioned by Holy Roman Emperor Joseph II to cater to the German-speaking audience of the capital city. Joseph II and Mozart had more in common than just their native tongue. Joseph II championed liberal ideas, equality, and religious freedom, while some experts interpret Mozart's operas as striving to be liberatory. But 1780s Europe was financially entwined with human trafficking, and the ideals of enlightenment and freedom didn't apply to every human.  In “Abduction,” those real-world restrictions — and the ramifications they have for Mozart's characters — are on full display. This week on Every Voice with Terrance McKnight: In “Abduction from the Seraglio,”  Pasha Selim subjects both European  women and men of African descent to servitude within his haram. But their dramatic treatment — which characters get to enjoy escape and victory, and which characters do not — tend to uphold stereotypes of race, class and sex. We hear from the voices of Jennifer Welch Babige as Konstanze and Blonde, Sir Willard White as Osmin, and Nathan Stark as Pasha Selim. This episode is written, hosted and produced by Terrance McKnight with support from David Norville. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to the Livermore Valley Opera and the Metropolitan Opera for the use of their performances of “Abduction from the Seraglio.” This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.A transcript of this episode is available on our website: everyvoicepodcast.org

In the prime of his illustrious career, Wolfgang Amadeus Mozart ran in the realm of prominent, Black visionaries, composed the radical (unfinished) opera “Zaide” depicting a slave revolt, and even shared a home with famed Senegalese / French composer Joseph Boulogne, known as the Chevalier de Saint Georges. The Holy Roman Emperor Joseph II, a supporter of Mozart, was also progressive for his time. During his reign, he was known for his religious tolerance, abolition of serfdom, and public friendship with Angelo Solimon, a man of African descent.But having Black friends doesn't mean you're willing to sacrifice political standing and a payday. And though both men may have dreamed of a better world, “The Abduction from the Seraglio,'' commissioned by Joseph II,  catered to the harsh reality of the times, oiling the wheels of Europe's economic engine — slavery. This week on Every Voice with Terrance McKnight: Sir Williard White as Osmin, the enslaved eunuch, and Soprano Jennifer Welch-Babidge as Blonde navigate the fiction of race as two enslaved characters in “The Abduction from the Seraglio.”This episode is written, hosted and produced by Terrance McKnight with support from David Norville. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to the Livermore Valley Opera and the Metropolitan Opera for the use of their performances of “Abduction from the Seraglio.” This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.A transcript of this episode is available on our website: everyvoicepodcast.org

All too often, characters of African descent in operas written during the 18th and 19th centuries are defined as the institution of slavery and the idea of inferiority.  But today's composers, like Dr. Sharon Willis, aim to write about Black life in order to uplift the community where she lives and works. She says she has “no use” for the depiction of Black people as “buffoons or vixens or mammies.” This week on Every Voice with Terrance McKnight: we return to Dr. Willis's music, and hear about a 19th century African American family that inspired one of her sixteen operas. And by contrast, we'll discuss Mozart's opera “The Abduction from the Seraglio," in which he explores the theme of slavery and freedom, however freedom is a birthright for some, not for all.  Correction made on May 14, 2023: This episode was updated clarify that Holy Roman Emperor Joseph II commissioned Mozart's opera “Abduction from the Seraglio.”This episode is written, hosted and produced by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to Dr. Sharon Willis for her original compositions and the Livermore Valley Opera for the use of their performance of Abduction from the Seraglio.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

When “Aida” premiered in Egypt in 1871, it delivered some not-so-subtle messaging in the dramatization of light-skinned Egyptians dominating dark-skinned Ethopians. Within two years, the man who commissioned “Aida,” Egypt's Khedive Ishmael Pasha, lived out this fantasy of conquest, mobilizing the nation's army with help from former American Confederate veterans.. In this episode of Every Voice with Terrance McKnight, our final installment on Giuseppe Verdi's “Aida,” we're joined by Limmie Pullman, Angela Brown, Raehann Bryce-Davis, and Sir Williard White to revel in the drama of this opera and consider to what extent life imitates art. This episode is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

“Opera has always been not just adjacent to colonial conquest, but perhaps … quite a large part of it.” Pranathi Diwakar, Every Voice with Terrance McKnight researcher. When the US and British cotton industry was disrupted by the American Civil War in the 1860s,  Egypt, led by Khedive Ismail Pasha, moved to capitalize on Britain's demand for the valuable raw material. Egypt's new, booming industry led to a polarizing reality for the region, the use of enslaved East Africans as a labor force, and a new class of rich, European leviathans to entertain in Cairo. Thus, the birth of Giuseppe Verdi's “Aida” for premier at Cairo's newly constructed opera house.For “Aida's” original audience, the opera represented familiar and convenient tropes for those investing in imperialism: Autocratic rule, lavish lifestyles, and a society based on racial superiority. But this week, on Every Voice with Terrance McKnight, and with the help of opera greats, Limmie Pullman, Angela Brown, and Sir Williard White, we give “Aida” a chance to be reborn. This episode is hosted by Terrance McKnight. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

At the heart of Verdi's opera “Aida” is an African love story, where an Egyptian general and an Ethiopian princess fall in love. It premiered in Cairo in 1871, but the truth is, very few Africans went to see it, let alone could afford the price of a ticket. This was a European conception of the East, for European audiences at a time when Egypt's leadership was attempting to make Egypt ‘the Paris of the East.'     Verdi's “Aida” often portrays Egyptians as white and free and Ethiopians and black and enslaved, reinforcing colonial stereotypes and colorism, still present in many modern day productions.  Verdi's “Aida” opera painted a picture of Africa for colonial consumption, and subjected its Egypt and Ethiopian characters to stereotypes and colorism that run rampant through even modern productions. In this episode of Every Voice with Terrance Mcknight: Joined by bass baritone Sir Willard White as the King of Egypt, soprano Angela Brown as Aida, and mezzo soprano Raehann Bryce Davis as Amneris; we hear from “Aida's” African characters in their own voices. This episode is hosted by Terrance McKnight. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

Ian George is an asset protection specialist who uses life insurance and other forms of protection to help people maximize their wealth. In this episode, we dive deep into the world of life insurance and the different policies available to consumers. Know what the differences are between term life, whole life, and universal life insurance policies are, and how they can be used to protect loved ones and plan for the future.   This episode is a must-listen for anyone looking to learn more about life insurance and the different options available for wealth planning.   Key Talking Points of the Episode   [00:28] Introduction. [02:19] The three basic types of life insurance policies. [02:32] What is Term life insurance? [03:19] What is Universal life insurance? [04:39] What is Indexed universal life insurance? [05:33] The differences between term life, whole life, and universal life insurance policies. [16:07] Why Whole life policies are usually the most expensive? [16:45] Universal life policies have flexible or adjustable premiums, but the death benefit must be funded to make sure it's sustainable. [17:19] The purpose of policies depends on the individual's needs. [17:43] Couple of ways to do buy-sell agreements. [19:39] The average life cycle of applying for and issuing a policy.. [29:26] Benefits of funding a permanent policy [34:18] Permanent life insurance offers flexibility and different options for wealth planning. [35:12] Leveraging the death benefit of a permanent life insurance policy. [39:15] Permanent life insurance policies as employees bonus or deferred compensation program. Quotables "Don't pay just the mortality charges and expect to have money in that bucket down the road. You're just paying the expenses of keeping it, you're not putting anything actually that's going to sustain in the bucket."   "Maximizing what you can do today, but maximizing what you're leaving behind."   "I focus on using strategies of life insurance and other forms of protection to help maximize people's wealth, both living and for legacy plans."

This week we watched the film that made Clayton invested in the Academy Awards for the first time: Up in the Air! We are joined by Ian George and Adina Hilton, the hosts of one of our favorite podcasts - Cover to Credits! We break down the themes of the films, the complex characterizations, the phenomenal performances, the biting script, and of course Melanie Lynskey. We also give very impassioned opinions about The Girl with the Dragon Tattoo, amongst other treasures contained within! Come with us on the cross country journey that turned Anna Kendrick into a household name and you'll always have elite status in our book! --- Support this podcast: https://podcasters.spotify.com/pod/show/men-who-like-men-who-like-movies/support

In Giuseppe Verdi's “Aida,” Princess Aida is torn between her homeland of Ethiopia (ruled by her father, King Amonasro) and her captor, the Egyptian leader Radamès who loves her and whom she loves in return. It's a powerful love story, an African love story - so why are Egyptians portrayed as white and the Ethiopian as Black and enslaved? This week on Every Voice with Terrance McKnight: We're joined by tenor Limmie Pulliam, the first Black man to take on the role of Radamès at the Metropolitan Opera, soprano and arts activist Maleasha Taylor, and WQXR host, opera expert, and Cairo native Nimet Habachy on how Aida was commissioned to help position Egypt as the “Paris of the East” and what that means for Egyptians like her today. This episode is hosted by Terrance McKnight. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov

This week Will & Ian welcome Beth May from the Podcast Dungeons & Daddies and the upcoming Spoken Word Album "Sunday Scaries"!! Together they venture out on a quest. A quest to come up with the perfect review for- DUNGEONS & DRAGONS: HONOR AMONG THIEVES Directed by: John Frances Daley and Johnathan Goldstein. Starring: Chris Pine, Michelle Rodriguez, Hugh Grant, Justice Smith, Sophia Lillis, Regé-Jean Page, Daisy Head, Chloe Coleman and Many Other Talented People! 00:00:25- Hello and Welcome Beth May! 00:09:15- First Thoughts 00:10:55- Guestions 00:17:55- Whatcha Been Watchin'? (Will- The Guilty, Walker. Beth May- Succession, Poker Face, Yellow Jackets. Ian- George of the Jungle, Peep Show) 00:27:10- Trailers 00:33:00- DUNGEONS & DRAGONS: HONOR AMONG THIEVES 01:00:40- Ray Review 01:01:10- Thank You Beth May!/ Bye When does SCARY SUNDAYS Come out!?! Only one way to find- April 14th, Friday! Check it out! Instagram: @TheLastActionCritics @HeyBethMay Twitter:     @THE_Lastcritics @HeyBethMay @Dungeonsanddads email:   Thelastactioncritics@ gmail.com Next Week: The Super Mario Bros. Movie

As the one Black man in Shakespeare's play and Verdi's opera, Otello was not only tokenized, but villainized, criticized and minimized. With such an emphasis on Otello's flaws, how is it that Desdemona fell in love?  In her play “Desdemona,” Nobel laureate Toni Morrison and theater director Peter Sellers tell the story of the women of Otello. And in giving a long-awaited voice to Desdemona, uncover Otello's connections to Blackness often overlooked or underplayed: a black handkerchief gifted down through generations, the roots of the “Willow” song, and a touching understanding of Desdemona as a child raised and nurtured by an African woman. This week on Every Voice with Terrance McKnight, the final installment of Verdi's Otello, the African history and culture hinted at in the opera and uncovered and reimagined by the writer Toni Morrison, laying out the fabric of Desdemona's nature. This episode is hosted by Terrance McKnight and produced by David Norville. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is  Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Music provided by the Livermore Valley Opera. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov

Giuseppe Verdi's Otello rose from enslavement to the ranks of army general and marries an aristocratic Venetian woman. It's difficult  to imagine the rich cultural heritage of Otello's African past; that history is only hinted at.  Through the whitewashing of his character, some may forget that Otello is of African descent. But for Iago, the identity of his enemy, Otello, was never far from mind. To him and Verdi's high-society audience, that assimilation signaled all the dangers of the free Black man.  This week in  Every Voice with Terrance McKnight: how a handkerchief, a memento, a gift from one to his love, was used to forge a wedge between Otello and Desdemona's union, catalyzing the brutish, dangerous, parts of Otello deemed a threat to white womanhood. And that handkerchief: simple plot device? Was it white? Was it black? This episode is hosted by Terrance McKnight and produced by David Norville. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is  Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Music provided by the Livermore Valley Opera. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

This week on Every Voice with Terrance McKnight, we go deeper into Giuseppe Verdi's character of the “Moor of Venice." Otello is a celebrated general in the Venetian army, and as a Black man in a position of power, his status inspires praise and worship by some and searing loathing from others. Otello's subordinate, Iago, thinks his boss woefully undeserving of his success and his white Venetian wife. Driven mad by entitlement, racism, and jealousy, he schemes to “right” this wrong by any means necessary. Joined by baritone Thomas Hampson, tenor Limmie Pulliam, and director Peter Sellars, Every Voice unravels the myth that entangles Otello: that Black manhood is something to be feared and controlled, and how the same stereotypes and undertones of superiority remain an alltoo-familiar danger to Black men navigating life in America today. This episode is hosted by Terrance McKnight and produced by David Norville. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is  Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

“Otello” debuted in Milan in 1887, just two years after European nations gathered in Berlin to agree on a campaign to carve up and colonize the African continent for their own profit. Giuseppe Verdi's opera, based on the play Shakespeare wrote in the very early 1600s, centers on the Moor, Otello — an African who becomes a much-celebrated Venetian general for leading a successful war against his fellow Africans. Despite that, there's no lasting comfort in store for Otello: the rage and jealousy of his lieutenant won't stand for it.  In this episode of Every Voice with Terrance McKnight, tenor Limmie Pulliam and baritone Kevin Maynor join Terrance to examine the character of Otello. This episode is hosted by Terrance McKnight and produced by David Norville. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is  Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

The use of blackface is a dying trend, but it was fundamental to one of the most popular operas of all time, Mozart's hit comedic opera, “The Magic Flute“. Over the last few decades a number of opera companies have been working to create alternate versions of this piece, all of them attempting to shape essential messages  relevant to our society; we find out how. Amongst our guests in this fourth episode of Every Voice, is Professor Melvin Foster, a voice instructor at Morehouse College, Atlanta, who prepares young men for careers in music, including opera. And next week, Every Voice with Terrance McKnight begins the journey into Giuseppe Verdi's “Otello.”This episode is hosted by Terrance McKnight and produced by David Norville. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is  Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

Terrance McKnight, evening host on WQXR, unearths the hidden voices that shape our musical traditions in the new podcast "Every Voice with Terrance McKnight.” McKnight has spent decades interrogating the classical world, raising questions about race relations in the genre and therefore introducing his listeners to often overlooked or forgotten music and voices. Kai Wright joins McKnight live from The Greene Space stage to celebrate the launch of McKnight's new WQXR podcast “Every Voice.” We're bringing you a portion of this event that also features Sharon J. Willis, founder of Americolor Opera Alliance, and musical performances from singers Asha Lindsey and Ian George. Watch the full event here.   Companion listening for this episode:  How Singer Marian Anderson Dominated the Global Stage (12/22/2022) At a time when the dominant art form was anti-Black minstrelsy, famed contralto Marian Anderson made a name for herself performing classical music. Host Kai Wright is joined by WQXR's Terrance McKnight to discuss Anderson's legacy, and her journey to global music stardom. “Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC's YouTube channel. We want to hear from you! Connect with us on Instagram and Twitter @noteswithkai or email us at notes@wnyc.org.

In Mozart's "The Magic Flute," Monostatos is smitten by the white princess Pamina, whom he is supposed to be guarding under the orders of the high priest Sarastro. His desire to love and belong is the source of anguish, as he feels unworthy of Pamina due to his race and enslaved status. Rather than serve as a commentary on the harsh racial realities of 18th century society, Monostatos instead serves as the comic relief of the opera, embodying the loud, threatening, and childish caricature which became the template for American minstrelsy.This episode is hosted by Terrance McKnight and produced by David Norville and Tony Phillips with help from Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

At over 200 years old, “The Magic Flute” remains a classic opera which continues to be taught, studied, and performed in sold-out venues around the world. But with more than two centuries of history since “The Magic Flute's” conception, how do we best shed light on the stereotypes each staging continues to portray?In this episode of Every Voice with Terrance McKnight, get to know the character of Monostatos, the enslaved overseer of Sarastro's temple, whose longing for Pamina, a white woman, is meant to be a source of comedy. Despite the stereotypes that inform this character, his experience of loneliness and feeling othered is one that many can relate to. Could future stagings of “The Magic Flute” highlight the depth and complexity of Monostatos's character – and provide an important teaching moment?This episode is hosted by Terrance McKnight and produced by David Norville and Tony Phillips with help from Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

Giving listeners a glimpse into his new book, Palo Alto: A History of California, Capitalism, and the World, guest Malcolm Harris joins Ayana in a vast conversation dealing with the shape and form of Palo Alto's specific place alongside overarching systems of capital. Cutting through the romanticization and myth that surrounds much of the allure around California as place and as metaphor, Malcolm offers well-rooted thought touching on the history of Stanford University, the internet, Palo Alto's military connections, and more. This conversation reveals the values of understanding our material realities and the structures that support society as it stands. When we understand these intricacies, how might knowledge allow us to subvert domination? Offering his critical thought to this conversation, Malcolm reminds us that this permutation of society was not inevitable, and neither is any particular future. As examples, the practices of Land Back movements, student resistance, and collective organizing spaces, offer hope for alternatives. If specific visions of justice are impossible within this system, how do we steward a future in which they are?Malcolm Harris is a freelance writer and the author of Kids These Days, Shit is Fucked Up and Bullshit, and the new book Palo Alto: A History of California, Capitalism, and the World.Music by Little Foster Music (Harry Foster), Harrison Basch, and Ian George. Visit our website at forthewild.world for the full episode description, references, and action points.Support the show

Monostatos the Moor in Mozart's “The Magic Flute” is one of the most famous representations of Blackness in opera - a genre with limited representation of characters of African descent. But many are interrogating the Black caricatures that European classical music long ago crafted and continue to cultivate to this day. In the debut episode of Every Voice with Terrance McKnight, we meet Dr. Sharon Willis, Dr. Uzee Brown, and others who are lifting the mask behind opera's representation of marginalized voices to create something more inclusive and more beautiful for all of us. This episode is hosted by Terrance McKnight and produced by David Norville and Tony Phillips with help from Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Sapir Rosenblatt. Original music composed by Jeromy Thomas and Ashley Jackson.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

Fellow Pynins is a contemporary folk duo from Portland, Oregon. Dani Aubert and Ian George sat down with us at the Folk Alliance International conference in Kansas City to discuss their beautiful new album, Lady Mondegreen. All the songs on the album are traditional songs that were learned person-to-person from various people they met while traveling with their two children through Europe/UK/Ireland. We hear some fascinating tales of how these songs were found, and about the threads that connect the traditional songs of centuries ago with current songwriting and creative processes.

Our guest this week is former London Welsh scrum half Ian George.  Ian started his senior rugby career with Northampton Saints, but struggled to get a regular starting birth at his favourite position of scrum half as he was behind a current England International and was often playing centre.  He moved to Rosslyn Park to further his International aspirations and sat on the bench a few times, but was never capped by England. He captained the Barbarians a few times in his 14 appearances and won a County Final at Twickenham with Middlesex.  Ian moved to London Welsh in 1979 and Old Deer Park was his home for the next 6 seasons where he made scrum half position his own and really enjoyed his rugby at the club.  We chat about his current role at Saracens and what its like being a parent of a professional player, travelling the world watching your offspring play.  Enjoy

Dani Aubert and Ian George, known as Fellow Pynins, has a new CD called Lady Mondegreen. On the CD, Fellow Pynins sing and play re-imagined traditional songs and include jazz arrangements with horns. When Dani and Ian talked to Phil Nusbaum, Phil asked about the duet's treatment of the Appalachian ballad, Pretty Polly.

George Fee is founder of GBO Media, a digital agency working in social media providing services such as social media management and content creation. GBO Media focus on bespoke solutions for clients who are shifting into a more creative space through photography and videograph.   Ian & George discuss; Founding a social media business From being an apprentice to owning a business Being self-taught in social media Imposter syndrome Your USP Setting up as a limited company Learning as you go Not comparing yourself to others Self-discovery Bringing your personality into your business Being true & authentic to yourself Importance of relationship building Working for ‘free' New challenges Stepping out of your comfort zone   Industry Angel Twitter Industry Angel Website Podcast Sponsors;- Far North Sales & Marketing Carpeway MrFarrar.com

In order to limit global temperature from exceeding a 1.5°C increase, we need to cut global emissions by 45% in the next 10 years. However, recent reports indicate that if our current global pledges were enacted, we'd only reduce our emissions by 1%. We are living through what some might define as an ongoing climate emergency, and this will only continue for future generations. Instead of fixating on how to “stop” climate change-related disasters or putting our trust in ineffective government bodies or greedy purveyors of “green” technology to “save” us, this week, we think about how we can have community resilience, ingenuity, and wellbeing amidst unpredictable circumstances with guest Lil Milagro Henriquez-Cornejo of Mycelium Youth Network. For Mycelium Youth Network, the capacity for community resilience is inextricable from reconnecting with ancestral knowledge and reestablishing our relationships with one another and Earth. Lil Milagro Henriquez-Cornejo is the founder and Executive Director of Mycelium Youth Network, an organization dedicated to preparing and empowering young people of color for climate change. Lil Milagro is a veteran of social justice organizing with over 18+ years of experience working on a myriad of issues, including access to higher education for low-income people and communities of color, food sovereignty, environmental racism, union democracy, and labor organizing, among others. In 2017, she founded Mycelium Youth Network. Music by Harry Foster, Lea Thomas, and Ian George. Visit our website at forthewild.world for the full episode description, references, and action points.

Show #495   Turner Cody and the Soldiers of Love - Lonely Days in Hollywood  (Friends in High Places) Jenny Don't And The Spurs - Lonely Days in Hollywood  (Fire on the Ridge) Cej - Honey On The Mind (Friend Of The Sky)   Oliver Wood - Fine Line (Always Smilin') (mic break) Cole Chaney - Another Day in the Life  (Mercy) Rachel Baiman - Joke's On Me  (Cycles)   Mac Leaphart - Blame On The Bottle (Music City Joke) Turner Cody and the Soldiers of Love - Friends in High Places (Friends in High Places) Jenny Don't And The Spurs - California Cowboy (Fire on the Ridge) (mic break) Danny Burns - Many Moons Ago   (Hurricane)  Ian George  - Post-Corona  (single) Shemekia Copeland - Walk Until I Ride (Uncivil War) The High Hawks - Talk About That  (The High Hawks)  Graham Sharp - Generation Blues  (Graham Sharp) (mic break) Turner Cody and the Soldiers of Love - Boozing and Losing (Friends in High Places) Jenny Don't And The Spurs - Restless Moon (Fire on the Ridge)

This year approximately 42 million people will experience food insecurity in the United States, a perverse number when put in context to the surplus of food many of us have access to. In this week's episode, we look at the work of Virginia Free Farm with guest Amyrose Foll. By providing free produce, plants, seeds, chicken, and ducks Virginia Free Farm is addressing the quality of food offered to their community, while also working to strengthen their local foodshed by getting more folks involved in gardening and small-scale farming. Amyrose continues to create a powerful example of how we can make meaningful interventions within the existing food system while also working on building an alternative model where everyone's health and wellbeing is prioritized. Amyrose is an enrolled tribal member of the Abenaki, a veteran of the U.S. Army, and alumni of both Cornell University's College of Agriculture and Life Science, and S.C. Johnson Graduate School Of Management. A passion for agriculture and deep concerns about community food security led her to become a stakeholder in the Virginia Dept. of Agriculture Equitable Food Oriented Distribution Taskforce and founder of Virginia Free Farms. Music by Ian George and Edie. Visit our website at forthewild.world for the full episode description, references, and action points.

Ian George - Post-Corona

Ian George & Leo Burdett of AMONGST LIARS and Jon chat Spotify playlists, radio play, recording an album; two tracks 'Black Days', 'Oceans Apart', and their up-coming album. 'Black Days' https://youtu.be/Ckkn5s7rQ6E Find out more about AMONGST LIARS at: https://www.amongstliars.com -------------------------------------------------------------------------------------------------------------------------- Jon Harris of The Rock Metal Podcast interviews rock and metal bands to get the scoop on their latest two songs and news! Want to be on The Rock Metal Podcast? Email Jon at TheRockMetalPodcast@gmail.com Want to support The Rock Metal Podcast? Donate here: https://www.paypal.me/JonJHarris Want to be on our newsletter list? Provide your email address at https://mailchi.mp/af7a2332e334/therockmetalpodcastnewsletter

Ben Graff and I talk to Ian George about chess in Cornwall! Have you had your vaccination? Cornish Chess is very active on Social Media, with an excellent website, a Twitter Feed - https://twitter.com/cornwallchess What do you think the future of chess in Cornwall might be post-Covid? Queen's Gambit effect? How did you enjoy the recent match between Cornwall and Fiji? (Taione beat Jeremy Menadue - Fiji Champion and winner of the best game “One of our leading players, David Saqui, died a couple of years ago leaving a substantial sum of money in his will for the development of chess in Cornwall. The Cornwall Chess Trust was set up with 5 trustees, including me as secretary and Robin Kneebone, and recently received the funds from the estate.. It would help greatly if we could have a segment on David and the trust to draw attention to its existence and objects.” - Ian George talks about the plans for the future of Cornish Chess I am getting round to posting something about the match on my newsletter - https://chesscircuit.substack.com/p/cornwall-vs-fiji - the scores of all the games on the Cornwall Chess website with a report by David Jenkins. It's at http://www.cornwallchess.org.uk/html/archive-online/fiji-2021.shtml THANKS TO OUR SUPPORTERS! Grandmaster Simon Williams (GingerGM) does super video courses on gingergm.com, and books such as Arkell's Endings. I have won many games with his ideas! Buy quality e-books from Forward Chess - for instance The Woodpecker Method or 100 Endgames You Should Know. Want to impress your friends? Cook them an amazing meal - get brilliant recipes and all the ingredients you need delivered by Gusto - get 50% off your first box and 30% off your first month! Thanks for supporting my newsletter. Premium subscribers get discounts on tournaments, more articles and regular updates on the chess world. We also have a podcast which comes out every week with interviews and analysis. --- Send in a voice message: https://anchor.fm/thechesscircuit/message

Today we have another fantastic guest on the PDR Coach podcast. There are so many lessons to learn from Ian's struggle and overcoming. Wait until the very end where Ian gives a tip on how to overcome these difficulties in life.  Instagram @coachcoryk_thePDRcoach facebook Cory Kleinfeldt website coackcoryk.com

THANKS to YOU for always listening, always being there! APPRECIATION to ALL the artists that humble me by allowing me to share their skills, their thoughts, their art! GRATITUDE to this weeks featured artist for their faith in me and my little online experiment in music...Ian George, The Injured Parties, and The Embryos! In the spotlight NEXT week, King Salami & The Cumberland 3, Richard Turgeon, and The Rallies! The Music Authority LIVE STREAM Show & Podcast...recorded and on Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, APPLE iTunes, AND Google Play Music! AND NOW ON MORNINGS IN CANADA! https://s1.citrus3.com:2000/public/HCRRadio Hamilton Co-Op Radio! Follow the show on TWITTER JimPrell@TMusicAuthority! Are you listening? How does and can one listen in? Let me list the ways...Listen LIVE here - https://fastcast4u.com/player/jamprell/ Podcast recorded here - https://themusicauthority.transistor.fm/ Take a moment and share this post! Share it! Share it!! Share It!!! SHARED! The Music Authority LIVE STREAM Show & Podcast! Please check out my shows special recorded hour, Tuesday, Wednesday and Thursday at 7PM UK time, 2PM ET, 11AM PT Now Rocking The KOR! www.koradio.rocks ALSO! Hear a completely different recorded hour of Power Pop, Rock, Soul, Rhythm & Blues...NO TWO LIVE SHOWS THE SAME, Friday, Saturday and Sunday on Pop Radio UK 6PM UK, 1PM ET, 10AM PT! July 25, 2020, Saturday, you, me & the music, the LIVE STREAM week ends…Coke Belda - 06 Broken Circle [Coke Belda 4] (Futureman Records)Soft Hearted Scientist - A5 Meet Me At The Milky Way [Take Time To Wonder In A Whirling World] (You Are The Cosmos)The Nines - Too LateThe Most - Take A ChanceThe Gunboat Diplomats - 05 She Said [Fine State Of Affairs]The Injured Parties - 10 I Don't Remember Your Name [The Records Tribute Collection] (Zero Hour Records)Ken Fox & Knock Yourself Out - One Less Step [Ken Fox & Knock Yourself Out - EP](Rum Bar Records)The Earthlings - Everything at OnceKid Gulliver - I Wanna Be A PopstarBrad Marino - At Night [False Alarm] (Rum Bar Records)The Embryos - 01 Wasting All Your Time [Singles Club Volume 1] (koolkatmusik.com)The Stillsouls - 04 Does My Love For You Come From Shakespeare Too (Big Stir Records)The Fast Camels - 09 Family Tree [Full Of Strange]Whistle Stop Rock - Queen of the Drive-InIan George - 02_The Wild & the Untamed [Kingdom Of My Youth]Jittery Jack & Amy Griffin on Guitar - 21 Tell Your Story Walking [Gonna Have time With Jittery Jack & Amy Griffin on Guitar] (Rum Bar Records)King Salami & The Cumberland 3 - The Double-Switch [Kiss My Ring] (Damaged Goods Records)Richard Turgeon - 03 Next to Me [Go Deep] (koolkatmusik.com)The Rallies - If You Do [Upside Down]Stephen Lawrenson – Thank You [Obscuriosity]

Friday is NOT the end of my work week on The Music Authority LIVE STREAM Show &Podcast...MAKE-GOOD Show Saturday! Tomorrow, though, Friday, showtime 3-6PM ET, 12NOON -3PM PT! You just might, might hear songs from Paul Myers, The Beatifics, WEEP, The Spongetones, The Dahlmanns, and Starbelly! The aforementioned AND the weeks featured artists Ian George, The Injured Parties, and The Embryos. The Music Authority LIVE STREAM Show & Podcast...recorded and on Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, APPLE iTunes, AND Google Play Music! AND NOW ON MORNINGS IN CANADA! https://s1.citrus3.com:2000/public/HCRRadio Hamilton Co-Op Radio! Follow the show on TWITTER JimPrell@TMusicAuthority! Are you listening? How does and can one listen in? Let me list the ways...Listen LIVE here - https://fastcast4u.com/player/jamprell/ Podcast recorded here - https://themusicauthority.transistor.fm/ Take a moment and share this post! Share it! Share it!! Share It!!! SHARED! The Music Authority LIVE STREAM Show & Podcast! Please check out my shows special recorded hour, Tuesday, Wednesday and Thursday at 7PM UK time, 2PM ET, 11AM PT Now Rocking The KOR! www.koradio.rocks ALSO! Hear a completely different recorded hour of Power Pop, Rock, Soul, Rhythm & Blues...NO TWO LIVE SHOWS THE SAME, Friday, Saturday and Sunday on Pop Radio UK 6PM UK, 1PM ET, 10AM PT!July 23, 2020, Thursday, three for three…Millie Courtney - LonelyGreat Buildings - Combat Zone [Apart From The Crowd]Lisa Mychols & Super 8 - 08 Peaceful [Lisa Mychols & Super 8]Rob Martinez – TMA DropRob Martinez - And I Always Will [Maybe Miss America] (Karma Frog Media)Kilt The Messenger - Big Brother [Hellfire & Rescue]The Embryos - 05 Black Balloons [Open The Kimono] (koolkatmusik.com)Tim Anthony - Eyes Of LoveThe Bikini Machine - 02 Wherever you are [The Bikini Machine EP]heathers - 01 Ride [Goodbye For Now]Ian George - 02_The Wild & the Untamed [Kingdom Of My Youth]The Corner Laughers - 08 Goodguy Sun [Temescal Telegraph](Big Stir Records)Georgia Randall - 7. River Come Down [Help Wanted]Tommy Ray - 03 Good Luv Gone South [The First Hits Free]The Injured Parties - 06 Murder the Truth [Product Placement]The Bookends - She's Got It (Jem Records)Nahuel Pisano - Hard On Me [Glory Days]Kitty Rose & The Rattlers - Kats Kome Back [Kitty Rose & The Rattlers](CrackerJill Records)Hemmit - Thank You [Straight Outta Nowhere]

No REST! Workers getting our new walk way prepped and now waiting for the city to OK the permits so our new patios can get poured. A rectangular one that we hope to get e pergola built onto for spring & summer use, the other circular for use in fall & winter or just however we want to use them. I just want LESS lawn! I do miss the days when I could do this work myself. I really do! Pictures when the yard is all pretty again! The Music Authority LIVE STREAM Show & Podcast...recorded and on Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, APPLE iTunes, AND Google Play Music! AND NOW ON MORNINGS IN CANADA! https://s1.citrus3.com:2000/public/HCRRadio Hamilton Co-Op Radio! Follow the show on TWITTER JimPrell@TMusicAuthority! Are you listening? How does and can one listen in? Let me list the ways...Listen LIVE here - https://fastcast4u.com/player/jamprell/ Podcast recorded here - https://themusicauthority.transistor.fm/ Take a moment and share this post! Share it! Share it!! Share It!!! SHARED! The Music Authority LIVE STREAM Show & Podcast! Please check out my shows special recorded hour, Tuesday, Wednesday and Thursday at 7PM UK time, 2PM ET, 11AM PT Now Rocking The KOR! www.koradio.rocks ALSO! Hear a completely different recorded hour of Power Pop, Rock, Soul, Rhythm & Blues...NO TWO LIVE SHOWS THE SAME, Friday, Saturday and Sunday on Pop Radio UK 6PM UK, 1PM ET, 10AM PT! July 22, 2020, Wednesday, act one…Orbis Max - TMA SHOW OPEN THEMEJohn Howard - 08 centuries [To The Left Of The Moon's Reflection]The Trend (UK) - 10 Loving A Lie [Bella Vega]Southbank Crows - Prescription For Fun [Paradise Park]Christopher Peifer - 03 This Broken Heart [Suicide Mission]Erk - 02_Taking My Time (feat. Diane Weigmann) [When Night Meets Day] (koolkatmusik.com)The Embryos - 01 Wasting All Your Time [Singles Club Volume 1] (koolkatmusik.com)The Explorers Club - 10. The Sun Ain't Gonna Shine Anymore [To Sing And Be Born Again] (Goldstar Recordings)The Explorers Club - 8. Dream World [The Explorers Club] (Goldstar Recordings)Lisa Mychols & Trip Super 8 - TMA Drop IDLisa Mychols & Super 8 - 11 Your Summer Theme [Lisa Mychols & Super 8]The Yum Yums - Summertime Pop [For Those About To Pop] (Rum Bar Records)Palisades - 02 Disappear Away [Almost Night – 2CD](koolkatmusik.com)Ian George - 04_Son [Kingdom Of My Youth]West Coast Music Club - 01 If I Had A Dream [Greetings From Ashton Park, West Kirby]Jay Allen and the Archcriminals - 02 Little Daggers [Fun Is Fun, The Trilogy Is Done] (Rum Bar Records)Bruce Tunkel - TMADropBruce Tunkel - 09 Us [Us]Butch Young - 07 - Captain Serious [Ice Creams & Daydreams] (Ice Cream Man Power Pop And More)The Injured Parties - 08 Totally Naked Celebrities [Product Placement]Stop Calling Me Frank - 02 Haberdashery [Haberdashed] (Rum Bar Records)The Melancholy Kings - 08 - Candy [The Melancholy Kings]

IF! I get any rest tonight, I'm shooting for a 12NOON ET, 9AM PT start time for Thursday's edition of the show! Should be able to check in with The Rellies, The Vinylos, The Joeys, Rob Clarke, Kilt The Messenger, and The Bopp! Lets throw in a song from Tim Anthony, too! The Music Authority LIVE STREAM Show & Podcast...recorded and on Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, APPLE iTunes, AND Google Play Music! AND NOW ON MORNINGS IN CANADA! https://s1.citrus3.com:2000/public/HCRRadio Hamilton Co-Op Radio! Follow the show on TWITTER JimPrell@TMusicAuthority! Are you listening? How does and can one listen in? Let me list the ways...Listen LIVE here - https://fastcast4u.com/player/jamprell/ Podcast recorded here - https://themusicauthority.transistor.fm/ Take a moment and share this post! Share it! Share it!! Share It!!! SHARED! The Music Authority LIVE STREAM Show & Podcast! Please check out my shows special recorded hour, Tuesday, Wednesday and Thursday at 7PM UK time, 2PM ET, 11AM PT Now Rocking The KOR! www.koradio.rocks ALSO! Hear a completely different recorded hour of Power Pop, Rock, Soul, Rhythm & Blues...NO TWO LIVE SHOWS THE SAME, Friday, Saturday and Sunday on Pop Radio UK 6PM UK, 1PM ET, 10AM PT! July 22, 2020, Wednesday, the trey…The Dollyrots - 04 Ruby Soho [Girl Groups & Punk Beats- The Covers]The Killer Smiles - 11 The Hardest Part [Area 51]Sundogs - I Want It Now [The Code]Andy Stone - 11. We Shouldn't Have [Every Single Day]The Successful Failures - 04 This Girl [Pack Up Your Shadows]The Injured Parties - What We Talk About When We Talk About Love [Fun With A Purpose]Juniper - 10 - How Long She Gonna Stay in That Room [The Juniper]DC Cardwell - 02 The Spirit Is Willing [Crystal Set]Ed Ryan - 10 Breakaway [Even Time]The Embryos - 01 Wasting All Your Time [Singles Club Volume 1](koolkatmusik.com)The Sunchymes - 04 I've Got A Vibe [The Sands Of Time]Alison Solo - Glass Window [Plutonian]Sunshine Boys - 03 The World Turning Round [Work And Love] (cheapkissrecords.com)Ian George - 01_Gitche Gumee [Kingdom Of My Youth]Space Traffic - 07 Blue Moon [Numbness]Phil Matthews - 02_Will O' The WispRogers & Butler - Writing To The Moon [Poets & Sinners] (Zip Records)Stephen Lawrenson - Thank You [IPO Vol 13]

Thanks to YOU for always listening and downloading the show! Appreciation to you, the artist that allow me the privilege of sharing what you create here on my show! Gratitude to this last weeks featured artist Jordan Jones, The Tearaways, and Chris von Sneidern! In the spotlight positions NEXT week The Injured Parties, The Embryos, and Ian George! The Music Authority LIVE STREAM Show & Podcast…recorded and on Mixcloud, Player FM, Stitcher, Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, APPLE iTunes, AND Google Play Music! AND NOW ON MORNINGS IN CANADA! https://s1.citrus3.com:2000/public/HCRRadio Hamilton Co-Op Radio! Follow the show on TWITTER JimPrell@TMusicAuthority! Are you listening? How does and can one listen in? Let me list the ways...Listen LIVE here - https://fastcast4u.com/player/jamprell/ Podcast recorded here - https://themusicauthority.transistor.fm/ Take a moment and share this post! Share it! Share it!! Share It!!! SHARED! The Music Authority LIVE STREAM Show & Podcast! Please check out my shows special recorded hour, Tuesday, Wednesday and Thursday at 7PM UK time, 2PM ET, 11AM PT Now Rocking The KOR! www.koradio.rocks ALSO! Hear a completely different recorded hour of Power Pop, Rock, Soul, Rhythm & Blues...NO TWO LIVE SHOWS THE SAME, Friday, Saturday and Sunday on Pop Radio UK 6PM UK, 1PM ET, 10AM PT! July 17, 2020, Friday, ending the week set…Juniper - 11 - Punk Rock Boy [The Juniper]The Windbreakers - Voices in My HeadJane Vs World - 07 I Miss You More Than You Miss Me (Popboomerang Records)Edward O'Connell - I Heard It Go [Our Little Secret]Georgia Randall - 6. Do Right [Help Wanted]Chris Von Sneidern – AnnalisaStereo Tiger - 09 Did You Ever Love Me [Two Weeks]R.E. Seraphin - 5. I'd Rather Be [Tiny Shapes]It's Karma It's Cool - 04_Woke Up in Hollywood [Woke Up In Hollywood] (koolkatmusik.com)Cliff Diver - Postal [A Collection Of Songs That May Never See The Light Of Day]The Tearaways - Manchester GirlMatt Springfield – HauntedThe Speed Of Sound - 01 Keep It Quiet (Big Stir Records)The Amplifier Heads - Rave UpWillie Wisely - 05 No Surprise [Face The Sun] (koolkatmusik.com)Jordan Jones - 04 - No Makeup [Jordan Jones](Beluga Records)The Injured Parties - 10 I Don't Remember Your Name [The Records Tribute Collection](Zero Hour Records)The Embryos - 02 Wake Up Screaming [Open The Kimono] (koolkatmusik.com)Ian George - 07_The Jolly Road [Kingdom Of My Youth]Keith Klingensmith - 31 I Wanna Thank You [If It Feels Good Do It - A Sloan Tribute](Futureman Records)

Last night was a crockpot, slow cooker meal...ham & red cabbage with mushrooms, onions, broccoli, snow peas, carrots, and Brussels sprouts. Tonight was a quick meal, Steak-ums with mushrooms onions and baby peppers over coconut garlic pan-fried naan bread. Leftovers in a breakfast omelet tomorrow morning! No LEFTOVERS on my show! Each and every LIVE hour FRESH & NEW! NO. TWO. LIVE. HOURS. ALIKE...EVER! The Music Authority LIVE STREAM Show & Podcast...recorded and on Tune In, Podcast Addict, Cast Box, Radio Public, and Pocket Cast, APPLE iTunes, AND Google Play Music! Follow the show on TWITTER JimPrell@TMusicAuthority! Are you listening?  March 29, 2020, SUNDAY...Make Good Hour 2…The Lemon Clocks - What Planet [Songs From Another Time] (Jam Records)Jim Basnight & The Moberlys - I Need Your Love [Seattle - New York - Los Angeles] (@Precedent Records)The Spring - TRUTH AND DESIREThe Flashcubes - Make Something Happen [Flashcubes Forever] (@Northside Records)Am I dead yet?? - People Are Dangerous [Am I Dead Yet?]@Agynst - I Need a Woman [IPO Vol 6]The Harmed Brothers - 05. - Adopt a Highway [Twelve String High Vol 2] (You Are the Cosmos - Record Label)@Promise - 01 Say Alright!Ian George - 06_L'Étang-la-Ville [Kingdom Of My Youth]The Anderson Council - 09 - Grey Heavenly Lane [Worlds Collide] (Jem Records)Richard Turgeon - Bigfoot's An Alien [In Between Spaces]Kerry Pastine & The Crime Scene - Down Down [City Of Love]Coyote Kid - 12 Run [Skeleton Man]SundaySong - 04-Skydance [Signals]Pat Todd & The Rankoutsiders - 09 Stand Up And Sass BackNick Frater Music - 92 Full Fathom Freight Train [Screwballs and Curveballs] (Ice Cream Man Power Pop and More)The Muffs - You Talk And You Talk [No Holiday] (Omnivore Recordings)Hop On Pop – This Ain't No Race [One By One]

Ian George is the Managing Director of The Effective Communication Group and George Wicks Limited, which specialises in investment and commercial opportunities in the global professional football and sport sector. https://www.effectivecommunicationgroup.co.uk https://www.georgewicks.co.uk