Podcasts about radam

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Paulo Moura & Zé da Velha & Silvério Pontes & Márcio Almeida & Carlinhos 7 Cordas & Laudir de Oliveira & Paulinho Black, Maurício Carrilho & Luciana Rabello & Cristovâo Bastos & Pedro Amorim & Marcelo Bernardes & Pedro Páes & Rui Alvim, Marcelo Gonçalves & Yamandú Costa, Trio Madeira Brasil, Trio Madeira Brasil & Zé da Velha & Silvério Pontes & Henrique Cazes & Jorginho do Pandeiro & Celsinho Silva & Marcos Suzanno & Beto Cazes & Netinho, Trio Madeira Brasil & Zé da Velha & Silvério Pontes & Éverson Moraes & Aquiles Moraes & Henrique Moraes & Beto Cazes & Netinho, Zezé Gonzaga & Teresa Cristina & Trio Madeira Brasil, Paulinho da Viola, Waldir Azevedo, Abel Ferreira, Déo Rian, Radamés Gnattali Sextet y Os Chorôes.Escuchar audio

No Maquinistas dessa semana Erich Beting e Gheorge Rodriguez debatem o futuro do Brasil e os negócios no vôlei, com o presidente da Confederação Brasileira de Vôlei. Radamés Lattari comenta sua trajetória, o que levou da sua vivência do futebol e seu olhar estratégico a frente da Confederação Brasileira de Vôlei (CBV).O presidente analisa os múltiplos acordos de patrocínio e de investimentos que a CBV tem com diversas empresas, a diversificação desses patrocínios e a evolução da profissionalização dos clubes de vôlei brasileiros. Radamés também traça um panorama de todo o investimento realizado pela CBV na infraestrutura dos atletas.O presidente da CBV também falou sobre os dois maiores treinadores da história do vôlei brasileiro Bernardinho e José Roberto Guimarães, e suas expectativas para o próximo ciclo olímpico. Radamés também considera que o próximo ciclo será o último dos dois treinadores Outro assunto debatido foi a possível venda, ou abertura a investimentos externos da Superliga e como esse investimento pode auxiliar a profissionalização dos clubes de vôlei brasileiro.00:00 Grupos de investidores estão interessados em comprar Superliga de Vôlei, diz presidente da CBV01:50 A trajetória de Radamés Lattari, e a equipe de trabalho do Presidente da Confederação Brasileira de Vôlei04:12 A vivência no futebol06:00 A relação com os atletas de voleibol07:42 A diferença de transparência no futebol e no vôlei09:14 Os negócios e a diversificação de patrocínios da CBV12:14 Os principais desafios para o vôlei como negócio e os investidores da superliga16:00 O atual estágio da profissionalização das equipes do voleibol brasileiro17:32 O que é bancado pela CBV?20:16 Os diferenciais da CBV para atrair investimentos e patrocinadores22:50 As vantagens de trazer a Liga das Nações para o Brasil24:52 O olhar estratégico de Radamés Lattari e a comparação do volei brasileiro com o restante do mundo33:18 O incentivo ao investimento nas categorias35:34 A formação e capacitação de treinadores e a sucessão de Bernardinho e José Roberto Guimarães38:08 As principais qualidades de Bernardinho e José Roberto Guimarães41:52 As diferenças do cargo de CEO para o cargo de presidente da CBV45:58 O tempo de mandato em confederações de esporte48:16 A análise de Radamés Lattari sobre seu mandato51:40 O futuro da Superliga 54:48 A conexão do vôlei com as novas gerações57:34 Momento Gheorge

Olá! Você está ouvindo o Espiadinha, o podcast que tem 70 câmeras e o Brasil tá vendo! Eu sou o Athilas, e hoje estaremos comentando todos os acontecimentos e detalhes do Power Couple Brasil 7!Mande sua opinião: https://livepix.gg/espiadinhapodcastSiga o Espiadinha nas redes sociais!Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://web.facebook.com/EspiadinhaPodcast/?_rdc=1&_rdrInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/espiadinhapodcast#PowerCoupleBrasil #PowerCouple #PowerCoupleBr

Olá! Você está ouvindo o Espiadinha, o podcast que tem 70 câmeras e o Brasil tá vendo! Eu sou o Athilas, e hoje estaremos comentando todos os acontecimentos e detalhes do Power Couple Brasil 7!Siga o Espiadinha nas redes sociais!Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://web.facebook.com/EspiadinhaPodcast/?_rdc=1&_rdrInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/espiadinhapodcast#PowerCoupleBrasil #PowerCouple #PowerCoupleBr

O maestro gaúcho Radamés Gnattali foi um dos responsáveis por dar uma identidade nacional à música erudita e incorporá-la à música popular. A primeira gravação de Aquarela do Brasil, lançada por Francisco Alves, em 1939, tem arranjos de Radamés, que também contrinuiu com trabalhos de Orlando Silva, Noel Rosa, Ernesto Nazareth e muitos outros. Depois de conhecida a história e reconhecida a importância de Radamés Gnattali, vamos ouvi-lo na música Seu Ataulfo.

La historia de un campeón panamericano en La Pampa. Un libro y una hermosa charla con Radamés González e Isabel Giglia, la autora del libro "Radamés".

Comenzamos con estrenos y adelantos desde diferentes puntos de Italia, continuamos con clásicos brasileños del sello Kuarup, servidos por Brasil Calling, y terminamos en Madagascar, con varias piezas vibrantes del recopilatorio "Tsapiky! Modern music from southwest Madagascar", a punto de ver la luz. We start with premieres and previews from different parts of Italy, move on to Brazilian classics from the Kuarup label, brought by Brasil Calling, and wrap up in Madagascar with several vibrant tracks from the upcoming compilation “Tsapiky! Modern music from southwest Madagascar”. - Brigan - Vatte ‘o cannule - Luna, cera e vino - Bonifica Emiliana Veneta - Lingua madre - Quattro - Ra di Spina - Canti dei salinai - Vocazioni - Billy Blanco & Radamés Gnattali - Samba de doutor - Kuarup [V.A.] - Raphael Rabello & Dino 7 Cordas - Odeon - Kuarup [V.A.] - Paulo Moura & Raphael Rabello - 1x0 (Um a zero) - Kuarup [V.A.] - Sivuca & Quinteto Uirapuru - Feira de mangaio - Kuarup [V.A.] - Renitsa - Arodarodao - Tsapiky! Modern music from southwest Madagascar [V.A.] - Mamehy - Je mitsiko ro mokotse (“Those who talk dirty behind your back tire themselves out for nothing”) - Tsapiky! Modern music from southwest Madagascar [V.A.] - Meny & Ando - Ka tseriky iha (“Don't be surprised”) - Tsapiky! Modern music from southwest Madagascar [V.A.] - Songada - Tany be maneky (Name of the bass drum) - Tsapiky! Modern music from southwest Madagascar [V.A.] - (Bonifica Emiliana Veneta - Quattro - Quattro) Ra di Spina

"Del asfalto al éxito: La historia de resiliencia y perseverancia con Radamés Ramírez"En este episodio, nos adentramos en una historia que es un verdadero testimonio de superación personal. Conversamos conRadamés Ramírez, quien pasó de ser un niño que vivió en las calles, enfrentando dificultades inimaginables, a convertirse en unempresario exitoso y fuente de inspiración para muchos.Radamés nos comparte cómo la adversidad lo llevó a descubrir su verdadera fuerza interior, cómola resiliencia y la perseverancia se convirtieron en sus mejores aliados, y las lecciones más valiosas que aprendió a lo largo del camino.

Tennyson wrote a famous poem for New Year's Day, or any day. Jonathan Dove, a contemporary English composer, set it to music. This episode begins with that piece. There is also a song from the American Revolution, sometimes known as “Chester” (“Let tyrants shake their iron rod”). Jay further includes a little-known composer from Brazil with a flavorful name: Radamés Gnattali. Then you get Brahms and others. A nice, varied menu. Dove, “Ring Out, Wild Bells” Gnattali, Guitar Concerto No. 4 Brahms, Ballade in D, Op. 10, No. 2 Billings, “Chester” (“Let tyrants shake their iron rod”) Martucci, Nocturne, Op. 70, No. 1 Verdi, Ave Maria from Otello

Radames!! Guerra de chistes y de confesiones en esta cheve !

Radamés Pierantoni, residente de la bahía de Tampa, en la Florida, contó a CNN cómo pasó la noche junto a su familia luego de que decidieron no evacuar su hogar ante la llegada del huracán Milton. Aseguró que lo más aterrador fue el sonido del viento golpeando contra su propiedad. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Platicamos con los comediantes Radamés, Gustavo Munguía y Casasola nos invitan a su próximo show “Ya se armó la machaca”, un espectáculo donde no pararás de reír. Conéctate con Tamara Vargas en MVS, de lunes a viernes, de 10:00 AM a 12:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

Hoy con Tamara Vargas en MVS, platicamos con Radamés, Gustavo Munguía y Casasola, sobre “Ya se armó la machaca show”, un espectáculo en donde no pararás de reír. En el marco del Día Mundial contra la trata personas, el consejo ciudadano presentó su cuarto informe anual, por eso, conversamos con el Dr. Salvador Guerrero Chiprés sobre este importante tema. Pregunta del día: ¿En qué deporte te gustaría competir en los juegos olímpicos? Nuestro amigo Stivi de Tivi, nos trae las mejores recomendaciones de cine y series, hablamos sobre el estreno de la película “De noche con el diablo”, entrevista con Jesen Ackles por la serie “The boys” y mucho más. El Stivi award de la semana es para: la serie “Las azules” Además, Andrea Vargas y Adelaida Harrison, nos dicen qué patrones de comportamiento deben observar las personalidades 6 y 7 del Eneagrama para evolucionar. Conéctate con Tamara Vargas en MVS, de lunes a viernes, de 10:00 AM a 12:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

Kirk digs into the work of master composer Antônio Carlos Jobim via his timeless 1974 duet with Elis Regina on his song "Águas de Marçco," known Stateside as "The Waters of March." He's joined by special guest Frederico Barros, Professor of Musicology at Federal University of Rio De Janeiro.Written by: Antônio Carlos JobimPerformed by: Jobim and Elis ReginaAlbum: Elis & Tom (1974)Listen/Buy via SongwhipALSO DISCUSSED:"The Girl From Ipamena" and "Desefinado" by Tom Jobim from Getz/Gilberto, 1964"Corcovado (Quiet Night of Quiet Stars)," "Triste," and "Bigras Nunca Mais" by Jobim from Elis & Tom, 1974 and Getz/Gilberto, 1964"Felicidade" by Jobim recorded by Vince Maggio and Mark Colby from Reunion, 1999Chega de Saudade by Jobim as recorded by the Dizzy Gillespie Sextet----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsFred's Brazilian music playlist on Spotify and YouTube Music (Notes on each song further down)MERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------MARCH 2024 WHOLE-NOTE PATRONSRobyn MetcalfeBrian TempletCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteKaya WoodallJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerDave SharpeSami SamhuriJeremy DawsonAccessViolationAndre BremerDave FloreyMARCH 2024 HALF-NOTE PATRONSLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyThirteen71Alan BroughRandal VegterGo Birds!Robert Granatdave malloyNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillWenGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMel DEric HelmJonathan DanielsMichael FlahertyCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo--------------------FRED'S PLAYLIST NOTES:1 x 0 - traditional choro, Pixinguinha playing sax and sort of inventing “Brazilian counterpoint” - in the second part of this piece, when it modulates to G major, you'll hear the sax play a rhythmic figure important to Aquarela do Brasil (see below);Espinha de Bacalhau - choro, played by an orchestra that was created with the aim of playing Brazilian music in the manner of American Big Bands;O Relógio da Vovó - the Trio Surdina was comprised of musicians who worked at the Radio Nacional (where Jobim would also work as an arranger) and whose compositions and way of playing were fundamental to the development of “modern” Brazilian music - yes, Desafinado!;Aquarela Brasileira - Radamés Gnattali was an arranger at Radio Nacional and this arrangement of Ary Barroso's Aquarela do Brasil is kind of an inflexion point - the story is (always) more complicated, but the TL;DR is its importance lies in the use of samba rhythm in the orchestral parts, not only in the percussion section, as was previously usual (attention to the long notes in the melody accompanied by the same chromatic figure played by the tenor sax in 1 x 0 above);Copacabana - there are two versions of the song here, both sung by Dick Farney (Sinatra's influence on him is pretty clear). The first one was arranged by Radamés Gnattali and was a huge hit at the turn of the 1940s to the 50s. The song is kind of a symbol of the stylistic change from live music in cassinos (closed by the government in 1948) to small clubs in Copacabana where Bossa Nova and Samba-jazz would eventually be born;Copacabana (second version) - also sung by Dick Farney, but recorded much later (couldn't find the exact date) now in complete Bossa style - I thought it could be interesting to be able to compare both versions;Chega de Saudade - João Gilberto's 1959 recording of Chega de Saudade. Considered by practically everyone interested in music at that time as sounding absolutely novel and unprecedented: the singing, the lyrics, the arrangement, the guitar playing. Kind of Bossa Nova's inaugural moment, the song has kind of a choro form and I once saw Jobim say in an interview that he had the idea when he saw his mother's housemaid singing the choro Sonoroso and he thought something like “well, it seems people can remember a long melody and all these lyrics, after all…”;Chega de Saudade - following the commentary I made about Chega de Saudade and the choro, here a 1963 version - right in the period where it was all happening - by the old-school mandolinist Jacob do Bandolim;Estamos Aí - sung here by Leny Andrade in her debut album, totally positioned as “Modern Popular Music”, as they would define it, it shows very clearly the new style that was emerging - the whole scat singing section in the middle is really pointing to jazz and the lyrics talk about Bossa Nova itself;Rapaz de Bem - Johnny Alf is one of the unsung heroes and precursor of Bossa Nova: the singing, the harmonic language, the compositional aesthetics… it was all there;Embalo - a typical example of what was called samba-jazz back then;Influência do Jazz - by one of the early Bossa Nova composers, Carlos Lyra, the song talks about how samba was influenced by jazz in a somewhat ambivalent manner and has acquired sort of a symbolic, manifesto-like status - we hear a younger Elis Regina singing it here, in the famous program/series O Fino da Bossa;Preconceito - two versions, first Orlando Silva's old school version (1941), then João Gilberto singing the same song years later (2003) and doing his thing;Aos Pés da Cruz - one of the classic João Gilberto recordings. I added it to the playlist just because it's so beautiful;Elis' first recording of Águas de Março is interesting because the guitar “levada” is sort of middle ground between the “modern samba” that will be so characteristic of her band's playing and the more subdivided earlier style of playing samba;Coisa N. 1 - Moacir Santos was also an arranger (they were called maestros, actually) at Rádio Nacional, where Jobim, Radamés, the Trio Surdina guys and many other important musicians worked. Moacir was the only black maestro of the time and had studied with classically-trained composers like Guerra-Peixe (also a maestro at Rádio Nacional) and H. J. Koellreutter (German composer who fled Germany during the rise of the Nazis and is credited as having introduced dodecaphonism in Brazil). He wrote the “Coisas” (Things) and numbered them as if they were “Opus 1”, “Opus 2” etc. Moacir is an entire chapter in itself and unfortunately one can't find the original 1966 recording of the Coisas on Spotify, which used practically all important “modern” musicians living in Rio de Janeiro at the time. This recording was made in 2001 with Moacir's approval and is true to the original arrangement, though the solos were improvised by the musicians;O Mestre Sala dos Mares - written by Elis' contemporaries João Bosco and Aldir Blanc, we first listen to Bosco's recording of this samba, more in the traditional style, with percussion, cavaquinho, 7-string guitar and all, and then Elis' version with most of the band that recorded Elis & Tom - sorry for insisting with the comparison thing, but I think it's instructive and it takes a lot of examples to start grasping some subtleties;É Com Esse Que Eu Vou - first listen to Elis' version and then the traditional one. This is carnival music, really, and they did this wonderful modern, samba-jazzy version;Como Nossos Pais - another, arguably as important, side of Elis. From 1976, this is perhaps her most famous recording and serves here to show that her repertoire was considerably wider than samba. People get really moved by this recording (understandably, at least to my Brazilian ears) and despite the stylistic differences, this is also the same core band we hear in Elis & Tom.

Nosso convidado, Radamés Casseb, CEO da Aegea, compartilha sua década de experiência transformando o setor de saneamento no Brasil.

#RadamésDeJesús REVELA que #LaWandersLover necesitará cirugía porque le inyectaron polímeros en las pompis See omnystudio.com/listener for privacy information.

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: José Menezes, Jacob do Bandolim, Radamés e seu Sexteto, Radamés Gnatalli, Baden Powell, Luiz Bonfá, Dilermando Reis, Luiz Americano, Altamiro CarrilhoEscuchar audio

¿Cómo debo usar la pastilla anticonceptiva? Platicamos con el Dr. Radamés Rivas sobre este importante tema y nos dice si es una manera segura de tomar.See omnystudio.com/listener for privacy information.

Hoy con Ingrid y Tamara en MVS, platicamos sobre la jirafa Benito, quien fue trasladada de Cd. Juárez a Puebla, debido a que vivía en deplorables condiciones por su salud, el Dir. de Africam Safari, Frank Camacho nos trae todos los detalles. Hoy conmemoramos el Día Internacional de la Educación, por eso, Fernando Ruiz, investigador de mexicanos primero, nos habla sobre el panorama de la educación en México. ¿Es malo tomar pastillas anticonceptivas? Conversamos con el Dr. Radamés Rivas sobre este importante tema y nos dice si es una manera segura de ingerir. La pregunta del día es: ¿Qué hay en la vida que las personas no aprecian tanto como deberían? El comentarot del día de hoy es: https://x.com/mvs102_5/status/1750192774144483649?s=46&t=tn2KT9U8KIhiZCzxxuu6tQ Nuestras amigas Andrea Vargas y Adelaida Harrison te explican qué debe hacer cada tipo de personalidad para desarrollar su mayor su mayor potencial. También Stivi de Tivi nos cuenta sobre la entrevista con la actriz Cecilia Suárez por la serie “Zorro”, platicamos sobre la película “Pesadilla de un secuestro” y mucho más. El Stivi Award de la semana es para: Las películas “Anatomía de una caída” y “Pobres criaturas” Además, en el momento geek con Pontón, conversamos acerca de la Making Touch. Conéctate con Ingrid y Tamara en MVS, de lunes a viernes, de 10:00 AM a 1:00 PM por MVS 102.5 FM.See omnystudio.com/listener for privacy information.

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Abel Ferreira, Radamés e seu Sexteto, Luiz Americano, Waldir Azevedo, Jacob do Bandolim y Paulo Moura.Escuchar audio

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Zacarias e sua Orquestra, Chiquinho com Guido e seu Ritmo, Canhoto e seu Conjunto, Severino Araújo e sua Orquestra Tabajara, Bandinha do Guedes, Carioca e sua Orquesta, Dante Santoro com Carioca es seus Saxofones, Orquestra Victor Brasileira, Banda da Casa Edison, Radamés Gnattalli e sua Orquestra, Zacarias e sua Orquestra, Grupo da Guarda Velha e Sílvio Caldas, Conjunto Velha Guarda, Sivuca com Canhoto e seu Conjunto y Chiquinho com Guio de Moraes e seu Ritmo.Escuchar audio

Treta! Radamés se revolta e vai pra cima de Fu; Placas de Sander no Faro; Selfie promete surpresa

Radamés detona Fu; Shay critica Black na cara; Piovani manda a real e Adriana Lima rebate críticas

Pase lo que pase, no se metan con las abejas. Esa advertencia es la que debió dejar como un mandamiento quien haya creado este planeta. En los años 50, un experimento en Brasil hizo caso omiso de ello y comenzó una historia de funestas consecuencias en todo el continente que continúa dando de qué hablar. En este primer episodio de este nuevo miniserial de Experimentos Retorcidos, entra en la cabeza de Radamés, un pianista jubilado, cuyo amor por la música y su vecina será interrumpido por un… inoportuno zumbido. “Experimentos retorcidos” es parte de Portal Sonoro. Síguenos en @Sonoropodcast en todas las redes sociales. Guión: Alejandro Joseph. Voces: Alejandro Joseph. Producción: Israel Pérez y Karina Riveroll. Postproducción, diseño de audio y mezcla: Karina Riveroll. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on the podcast, we're stepping into the mesmerizing world of Giuseppe Verdi's grandest and most opulent operatic masterpiece, "Aida." In this episode, we'll unveil the secrets behind the creation of this timeless work, exploring the intricate characters, lavish settings, and the unparalleled musical genius that brought ancient Egypt to life on the operatic stage. Join me on a voyage through the epic love story of Aida and Radamès, set against a backdrop of war and jealousy, as we unravel the layers of Verdi's magnum opus and discover why "Aida" continues to captivate and enchant audiences around the world, transcending time and culture with its exquisite melodies and dramatic storytelling. Links Mentioned in this Episode: Episode 107: Giuseppe Verdi Musical Samples You'll Hear in this Episode: Verdi: Aida - Overture (Prelude) Triumphal March from Aida Luciano Pavarotti sings Celeste Aida (Verdi) Anna Netrebko - Verdi: 'Ritorna vincitor ... Numi pietà' from "Aida" Music Listening Schedule for Episode 108 The curated playlist for this episode is filled with performances of scenes from Aida that you won't want to miss! I also included a performance from the Broadway musical inspired by Verdi's opera at the end of the playlist. Listen to the playlist here. Subscribe & Review in Apple Podcasts Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in Apple Podcasts!

Un 13 de octubre, hace 55 años, nos dejó el gran poeta brasileño Manuel Bandeira. En 1986, con motivo del centenario de su nacimiento, la cantante Olivia Hime grabó y publicó el disco 'Estrela da vida inteira' con arreglos de Gilson Peranzzetta y Dori Caymmi para poemas de Bandeira musicados por Gilberto Gil ('Vou me embora pra Pasárgada'), Francis Hime ('Desencanto'), Tom Jobim ('Trem de ferro'), Milton Nascimento ('Testamento'), 'Wagner Tiso ('Belo belo'), Moraes Moreira ('Portugal, meu avozinho'), Ivan Lins ('O impossível carinho'), Dorival Caymmi ('Balada do rei das sereias'), Toninho Horta ('Baladilha arcaica'), Joyce ('Berimbau'), Radamés Gnatalli ('Temas e voltas'), Dori Caymmi ('Versos escritos n´água') y Olivia Hime ('Estrela da vida inteira'). Escuchar audio

E89 - On se retrouve pour le 2e épisode du voyage en famille de Camille à Madagascar. Si vous n'avez pas écouté la première partie, mettez sur pause, prenez un thé et commencez par l'épisode 88 ! Nous avons quittés la semaine dernière Camille, Pierre et leurs enfants Basile, 16 ans, Félix 13 ans et Zoé 7 ans à la fin de leur road trip et alors qu'ils s'apprêtaient à embarquer avec leurs amis sur le boutre traditionnel.  C'est donc là que je reprends notre conversation pour tout savoir sur leur navigation dans l'Archipel des Radama, non Radam, cette fois j'ai compris. Retrouvez Camille sur IG : chamcamillelavoyageuse ****************************************************************************************************************************** ✅ Mon blog Famille & Voyages https://familleetvoyages.com ✅ Et si tu me taguais sur un de ces réseaux

En esta entrevista los miembros de Guerra de Chistes, Juan Carlos El Borrego Nava, Juan Carlos Casasola y Radamés de Jesús, nos cuentan como uno de ellos tiene un fetiche con los pies, cómo empezaron contando chistes en bares, cuál es el nombre real de la Wanders Lover, los shows que han dado para mafiosos, cómo fue estar en una clínica de rehabilitación, por qué pausaron el show y cómo los secuestraron en Ecatepec.  

At the heart of “Aida” is an African love story: the Ethiopian princess Aida is torn between loyalty to her country and passion for her captor, the Egyptian general Radamès, who loves her in return. But when “Aida” premiered in Cairo in 1871, very few Africans went to see it, let alone could afford the price of a ticket. The original audience for “Aida,” in fact, was the European elite in Egypt, whose economic fortunes and imperial ambitions were inextricably linked to the American Civil War. Verdi's “Aida” often portrays Egyptians as white and free and Ethiopians as Black and enslaved, reinforcing colonial stereotypes and colorism. It's a practice still present in many modern-day productions.  What role has opera played in colonialism, empire, and capitalism? Does art imitate life, or does it obscure it? Join McKnight's investigation in this radio special featuring  WQXR's own Nimet Habachy, as well as opera talents Limmie Pulliam, Angela Brown, Raehann Bryce-Davis, Sir Willard White and more.  “Every Voice” is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

Fluent Fiction - Hungarian: Water's Tale: A Journey to the Széchenyi Baths Find the full episode transcript, vocabulary words, and more:fluentfiction.org/waters-tale-a-journey-to-the-szechenyi-baths Story Transcript:Hu: Kampó: "Egy forró nyári napon Ádám, Katalin és Gábor a Széchenyi Fürdőben voltak, hol gyönyörű mesét hallatott a víz.En: Kampó: "On a hot summer day, Ádám, Katalin and Gábor were in the Széchenyi Baths, where the water told a beautiful story."Hu: "Gábor, Katalin és Ádám már reggel készülődtek a Széchenyi Fürdőbe.En: Gábor, Katalin and Ádám were already preparing for the Széchenyi Baths in the morning.Hu: Az idő forró volt, és mindannyian várták, hogy hűsölni tudjanak.En: The weather was hot and they were all waiting to cool down.Hu: Amikor megérkeztek, rögtön a medencékhez siettek.En: When they arrived, they immediately rushed to the pools.Hu: Az egyik medence mellett meghallották a víz szavát, de nem voltak biztosak abban, hogy mit hallanak.En: They heard the sound of water near one of the pools, but they weren't sure what they were hearing.Hu: Gábor kíváncsian sétált a medence körül, amikor Ádám és Katalin odaszóltak neki: "Gábor, ne menj oda!En: Gábor was curiously walking around the pool when Ádám and Katalin said to him: "Gábor, don't go there!Hu: Mi van, ha veszélyes?En: What if it's dangerous?"Hu: "Gábor csak nevetett.En: Gábor just laughed.Hu: "Ti már megint túl parázik vagytok!En: "You guys are too hot again!Hu: Nem lehet olyan veszélyes, mint amilyennek hangzik.En: It can't be as dangerous as it sounds."Hu: "Gábor úgy döntött, hogy közelebb megy a medencéhez.En: Gábor decided to go closer to the pool.Hu: Ahogy közeledett, egyre hallhatóbbá vált az a gyönyörű zene, amit a víz játszott.En: As he approached, the beautiful music that the water played became more and more audible.Hu: Megállt, és áhítattal hallgatta a víz meséjét.En: He stopped and listened in awe to the tale of the water.Hu: A víz azt mesélte neki, hogy egy ember, akitől mindenki menekült, eljött a fürdőbe.En: The water told him that a man from whom everyone was fleeing had come to the bath.Hu: Megmutatta Gábornak, hogy bárki képes változni, és az embereknek nyitottnak kell lenniük arra, hogy ne ítélkezzenek mások felett.En: He showed Gábor that anyone can change and that people should be open to not judging others.Hu: Gábor meghatódva hallgatta a víz meséjét.En: Gábor was moved to listen to the story of the water.Hu: Amikor a mesének vége lett, Gábor visszatért Ádámhoz és Katalinhoz.En: When the story ended, Gábor returned to Ádám and Katalin.Hu: Mesélte nekik a víz által elmondott történetet, és mindannyian elgondolkodtak azon, hogy a víz mennyire bölcs és megértő szellem.En: He told them the story told by the water, and they all wondered how the water was a wise and understanding spirit.Hu: Aznap délután, kipihenten, boldogan és megelégedetten indultak haza.En: They went home that afternoon, rested, happy and satisfied.Hu: Az a gyönyörű nap azonban örökké velük maradt, és bármi történjék is, sosem felejtik el, amit a víz mesélt nekik a Széchenyi Fürdőben.En: However, that beautiful day stayed with them forever, and no matter what happens, they will never forget what the water told them in the Széchenyi Bath. Vocabulary Words:hot: forrósummer: nyárAdam: ÁdámKatalin: KatalinGabor: GáborSzéchenyi Baths: Széchenyi Fürdőwater: vízbeautiful: gyönyörűstory: mesecool down: hűsölnipool: medencedangerous: veszélyescurious: kíváncsilaughed: nevetettapproached: közeledettmusic: zeneaudible: hallhatótale: meséjétfleeing: menekültchange: változniopen: nyitottjudging: ítélkeznimoved: meghatódvawise: bölcsunderstanding: megértőspirit: szellemrested: kipihentensatisfied: elégültenremember: emlékezni

Benny Ibarra viene a presentar el musical de Vaselina. El Dr. Radamés Rivas López, ginecobstetra explica los riesgos de embarazo después de los 40 años. Los Rumberos presentan su sencillo Tan Natural. Elena Alcalá y su libro Tan diferente como tú.See omnystudio.com/listener for privacy information.

In Giuseppe Verdi's “Aida,” Princess Aida is torn between her homeland of Ethiopia (ruled by her father, King Amonasro) and her captor, the Egyptian leader Radamès who loves her and whom she loves in return. It's a powerful love story, an African love story - so why are Egyptians portrayed as white and the Ethiopian as Black and enslaved? This week on Every Voice with Terrance McKnight: We're joined by tenor Limmie Pulliam, the first Black man to take on the role of Radamès at the Metropolitan Opera, soprano and arts activist Maleasha Taylor, and WQXR host, opera expert, and Cairo native Nimet Habachy on how Aida was commissioned to help position Egypt as the “Paris of the East” and what that means for Egyptians like her today. This episode is hosted by Terrance McKnight. The  Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov

To tell you the truth, I'm mostly a private type of person. I don't like sharing a lot of things about me and my family to other people. Well, I do only share some to people I trust and I know are spiritually mature to guide me accordingly. Oftentimes, I will just keep any concerns between me and God and write on my diary (I already have lots of!).But this year, God has impressed in my heart to be an open book in such a way that will glorify Him. He wants me to share all my struggles, pains, victories, and joys in Him with others. I thank God on how He has opened my eyes to always see Him working in me and in my family's life. Most of the time, I cannot contain the joy of His amazing,wonderful,and mighty deeds. I just want to keep on crying and tell Him how much I love Him. I believe He doesn't want me to keep these things only to myself for sure.

Radamés Cordero is the CEO of Melatech and an associate scientist and junior faculty in the department of Molecular Microbiology and Immunology at Johns Hopkins Bloomberg School of Public Health where he studies the biology of fungal melanin.As a spin-off of his research, Melatech is a biotech company dedicated to the production of melanin at industrial scales and the research and development of melanin-based technologies for a variety of commercial applications like shielding and harvesting radiation on earth and space.In this episode, we discuss how he co-founded Melatech and became a CEO while running an academic lab. We also discussed what makes melanin so special, the manufacturing challenges and melanin's multiple applications. Finally, he shared his perspective as a scientist coming from Latin America and his dream to make Melatech a place and resource that creates opportunities for young scientists interested in biotech from anywhere in the world!Hosted by Gustavo Carrizo

#RadamésDeJesús recuerda los momentos al lado de su padre #SergioMancera, su madre #MaríaMontejo y su abuela #CarmenMontejo. Recuerda sus inicios en ‘Guerra de Chistes', telenovelas y el teatro. Además, nos cuenta su historia con el amor de su vida ‘La #WandersLover', cómo ha sido la paternidad, los momentos más difíciles y más.

#RadamésDeJesús recuerda los momentos al lado de su padre #SergioMancera, su madre #MaríaMontejo y su abuela #CarmenMontejo. Recuerda sus inicios en ‘Guerra de Chistes', telenovelas y el teatro. Además, nos cuenta su historia con el amor de su vida ‘La #WandersLover', cómo ha sido la paternidad, los momentos más difíciles y más.

The album, recorded at the Convocation Hall of the University of Alberta in Canada, explores a nationalist-inspired repertoire, composed at different times and by different creative personalities. Presenting musical elements that refer to the traditions of folklore and popular Brazilian rhythms, Sonata Para Viola e Piano by Mozart Camargo Guarnieri (written in 1950), Três Valsas Brasileiras by Francisco Mignone (1968), Sonata by Radamés Gnattali (1969) and Sonata No. 2 by Claudio Santoro (1982), highlights the vision of the violist, from the unusual choice of repertoire to her precise and exquisite interpretations.Purchase the music (without talk) at:Amoroso (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Bárbara Leu from Azul Music.        

💰 Luis Foncerrada, Vocero e Integrante del Comité de Fechado de Ciclos de la Economía de México, nos comenta que la #economíamexicana se encuentra en expansión desde hace 2 años. 💰 Héctor Tejada, , presidente de la Concanaco, nos habla del acuerdo con el SAT para la capacitación de comerciantes informales en lugares como tianguis y mercados para dar a conocer las ventajas de la formalidad. 📶📡 Radamés Camargo, gerente de análisis de The CIU, nos comenta acerca del sobreprecio del espectro radioeléctrico en México.

⛱✈️ Alejandro Ramírez, presidente del COMIR (Consejo Mexicano de la Industria de Reuniones), nos explica que esa industria registra una recuperación en sus ingresos del 65 %. 💧🏞 José Luis Luege Tamargo, presidente de Ciudad Posible, ex director de la #Conagua, nos habla del acuerdo para regular las acciones de los titulares de concesiones para la explotación de aguas nacionales por el problema de la sequía. 💻📺 Radamés Camargo, gerente de análisis de The Competitive Intelligence Unit (The CIU), nos habla del estado que guarda el mercado de servicios de streaming ¿Qué pasará con ellos?

PODCAST MARTES 14 DE JUNIO Suscríbanse al canal ⬇️ https://www.youtube.com/hildaisasalas Síguenos en Instagram ⬇️ https://www.instagram.com/lavandodenoche Síguenos en Twitter ⬇️ https://twitter.com/lavandodenoche Escucha nuestro Podcast en Spotify ⬇️ https://open.spotify.com/show/5qZvo25texwnKRqq0WaDWD #HildaIsaSalas #HugoAlexanderMaldonado #ComandanteMaganda #YouTube #Facebook #FamososEnVivo #ChismeEnVivo #EspectáculosEnVivo #LavandoDeNoche #LDN --- Send in a voice message: https://anchor.fm/lavando-de-noche/message Support this podcast: https://anchor.fm/lavando-de-noche/support

Programa donde hablamos con Radamés Rosado, su carrera y próximos proyectos.

This week on Growing up with gal-dem we're joined by queer non-binary multi-disciplinary artist Radam Ridwan. Radam talks about how they created an authentic space on social media and the importance of setting boundaries online. We discussed how having safe queer spaces for people of colour are vital, and how the lack of them affected Radam while growing up. Radam's extract, written a few weeks after their 21st birthday, is a poetic narrative in which Radam looks forward on the time they have and what you ‘should' be achieving by each age milestone. They reflect on deconstructing these timelines and pressures in order to recognise the space you have now. See acast.com/privacy for privacy and opt-out information.

What Makes Sense frontman Radam Rebillard  Thrashes with his band and makes Whisky.  He talks to Will about making Whisky, selling real estate in upstate New York during the pandemic, discovering Pop Punk, being the frontman of a band and what that entails, songwriting, the formation of What Makes Sense, and the plans for more music in the future.   Listen to What Makes Sense: https://open.spotify.com/artist/2X89r7VnPlC3yrNk0GEdFd?si=o4Hb0KdvTKm9nNmmkiWl_A What Makes Sense/ Radam on Instagram: https://www.instagram.com/wmsny/?hl=en https://www.instagram.com/radamreb/?hl=en https://linktr.ee/WMSNY  

Un 19 de abril nació en la ciudad de Recife, estado de Pernambuco, uno de los mayores poetas brasileños: Manuel Bandeira. En 1986, por el centenarios de su nacimiento, la cantante Olivia Hime grabó un proyecto discográfico, 'Estrela da vida inteira', con poemas suyos musicados por Gilberto Gil ('Vou me embora pra Pasargada'), Francis Hime ('Desencanto'), Tom Jobim ('Trem de ferro'), Milton Nascimento ('Testamento'), Wagner Tiso ('Belo belo'), Moraes Moreira ('Portugal, meu avozinho'), Ivan Lins ('O impossível carinho'), Dorival Caymmi ('Balada do rei das sereias'), Toninho Horta ('Baladilha arcaica'), Joyce ('Berimbau'), Radamés Gnatalli ('Temas e voltas'), Dori Caymmi ('Versos escritos n´água') y la propia Olivia Hime ('Estrela da vida inteira'). Escuchar audio

Stuttgart Oper, 29 September 1987, Broadcast Aida: Gabriela Benacková, Amneris: Eva Randová, Sacerdotessa: Helene Schneiderman, Radamés: Michael Sylvester, Amonasro: Siegmund Nimsgern, Ramfis: Matthias Hölle, Il re: Roland Bracht, Un messaggero: Alexander Stachowiak Conductor: Garcia Navarro

Daniel is a professor at the Federal University of São Carlos in Brazil, along with being a contributor to "The Cambridge Companion to the Drum Kit". Daniels history for this episode goes back to 1917 in Brazil and takes us through the amazing history of drum sets, drumming styles, and iconic drummers which has many parallels to the American and European histories we usually hear on the show - but this is uniquely Brazilian! Here is a link to Daniels website: https://danielgohn.wixsite.com/website A Link to my book: https://hudsonmusic.com/product/no-mundo-da-bateria/ Link to the Cambridge book: https://www.cambridge.org/core/books/cambridge- companion-to-the-drum-kit/3883F371E040EC3681646F170E4FA078 Here is a resource of names that Daniel mentioned in this episode that he provided to help English speakers easily find the players and records easily: - Luciano Perrone (father of Brazilian drumming) - first drum solo in the song Faceira (1931) - 50 years partnership with Radamés Gnatalli - Recording of the song Aquarela do Brasil in 1939 - Oscar Bolão: author of “Batuque is a privilege” - Edison Machado – creator of samba no prato - Or was Hildofredo Correa? - Antonio Carlos Jobim (record in 1963): The composer of Desafinado, plays and the only record of Edison Machado as a leader: É Samba novo (1963) - Milton Banana played in the João Gilberto record Chega de Saudade (1959). He also played in Getz / Gilberto (1963) - Dom Um Romão played in the Jobim / Sinatra record (1967) - Airto Moreira played with Sambalanço Trio and Sambrasa Trio, then in Quarteto Novo (1967) - When discussing recording technologies, I mentioned the drummer Wilson das Neves and suggested listening to his work with Chico Buarque - Modern players: Marcio Bahia, Nenê, Zé Eduardo Nazário, Celso de Almeida, Ramon Montagner, Edu Ribeiro, Kiko Freitas - I mentioned Hermeto Pascoal and Egberto Gismonti as important references

Daniel is a professor at the Federal University of São Carlos in Brazil, along with being a contributor to "The Cambridge Companion to the Drum Kit". Daniels history for this episode goes back to 1917 in Brazil and takes us through the amazing history of drum sets, drumming styles, and iconic drummers which has many parallels to the American and European histories we usually hear on the show - but this is uniquely Brazilian! Here is a link to Daniels website: https://danielgohn.wixsite.com/website A Link to my book: https://hudsonmusic.com/product/no-mundo-da-bateria/ Link to the Cambridge book: https://www.cambridge.org/core/books/cambridge- companion-to-the-drum-kit/3883F371E040EC3681646F170E4FA078 Here is a resource of names that Daniel mentioned in this episode that he provided to help English speakers easily find the players and records easily: - Luciano Perrone (father of Brazilian drumming) - first drum solo in the song Faceira (1931) - 50 years partnership with Radamés Gnatalli - Recording of the song Aquarela do Brasil in 1939 - Oscar Bolão: author of “Batuque is a privilege” - Edison Machado – creator of samba no prato - Or was Hildofredo Correa? - Antonio Carlos Jobim (record in 1963): The composer of Desafinado, plays and the only record of Edison Machado as a leader: É Samba novo (1963) - Milton Banana played in the João Gilberto record Chega de Saudade (1959). He also played in Getz / Gilberto (1963) - Dom Um Romão played in the Jobim / Sinatra record (1967) - Airto Moreira played with Sambalanço Trio and Sambrasa Trio, then in Quarteto Novo (1967) - When discussing recording technologies, I mentioned the drummer Wilson das Neves and suggested listening to his work with Chico Buarque - Modern players: Marcio Bahia, Nenê, Zé Eduardo Nazário, Celso de Almeida, Ramon Montagner, Edu Ribeiro, Kiko Freitas - I mentioned Hermeto Pascoal and Egberto Gismonti as important references

Radam and Aaron from What Makes Sense joins us to chat about the Poughkeepsie scene, the origins of the band, and why they root for their NHL squads ++ way more! NEW EPISODE EVERY TUESDAY! SUBSCRIBE SO YOU NEVER MISS A GREAT INTERVIEW! FOLLOW: INSTAGRAM: https://www.instagram.com/bardownbreakdown/ TWITTER: https://twitter.com/bdbdpodcast FACEBOOK: https://www.facebook.com/BarDownBreakdownPodcast/ WEBSITE: https://bardownbreakdown.com MERCH: https://isles-meetups.creator-spring.com PLAYLISTS: https://open.spotify.com/playlist/7FonU7NPNQtFxRZnqm4dxL?si=z1RX3VUgSbKVrKHn2Az7TA WHAT MAKES SENSE: https://open.spotify.com/artist/2X89r7VnPlC3yrNk0GEdFd?si=PmYZemnoRlurYcYR4qfCqA&dl_branch=1 BROUGHT TO YOU BY THE HOCKEY PODCAST NETWORK: https://www.thehockeypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

El rey de los voice overs nos acompaña hoy para hablar de el pseudo paro nacional, Reynaldo tiene una teoría de conspiración con LUMA, también hablamos de la pelea de #ElNuestro Logan Paul y Floyd Mayweather. Recuerda seguirnos en nuestras redes FACEBOOK: The Manny Cast Instagram: @themannycast TWITTER: @TheMannyCast PÁGINA WEB: www.themannycast.com

This episode of Pop-Punk & Pizza is sponsored by, Gomez: A Charity Compilation. Featuring songs from Tim Rogner of Allister, Guardrail, Til Morning, and several others. All proceeds from the comp will go to Chicago pop punk musician, Dave Gomez, who is currently battling cancer. Buy or download your copy today at davegomezbenefitcomp.bandcamp.com.   Pop-Punk & […] The post #162: Radam Rebillard of What Makes Sense appeared first on Pop-Punk And Pizza Podcast.