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Graham William Nash is a musician, singer, songwriter and photographer. He had his first musical success as a member of the UK band The Hollies before his move to America when he sang as part of Crosby, Stills and Nash.Graham was born in 1942 and grew up in Salford. He found his singing voice at the age of six when he realised that not only could he sing, but he had the ability to harmonise any melody. He is a two-time Rock and Roll Hall of Fame inductee. Over the years, Graham has written many hit songs for The Hollies and Crosby, Stills and Nash including Our House and Marrakesh Express. Alongside his critically acclaimed musical career, Graham is also a successful photographer. His photos have been on show in galleries and museums around the world. He lives in New York with his third wife.DISC ONE: Be-bop-a-Lula - Gene Vincent DISC TWO: Great Balls of Fire - Jerry Lee Lewis DISC THREE: Maybe Baby - Buddy Holly and the Crickets DISC FOUR: Bye Bye Love - The Everly Brothers DISC FIVE: God Only Knows - The Beach Boys DISC SIX: Adagio for Strings, composed by Samuel Barber and performed by City of London Sinfonia conducted, by Richard Hickox DISC SEVEN: Don't Give Up - Peter Gabriel and Kate Bush DISC EIGHT: A Day In The Life - The BeatlesBOOK CHOICE: The Island at the Center of the World by Russell Shorto LUXURY ITEM: A sleeping bag CASTAWAY'S FAVOURITE: A Day In The Life - The BeatlesPresenter Lauren Laverne Producer Sarah Taylor
To mark World Mental Health Day, Tom Service presents a special programme in collaboration with Professor Sally Marlow, a mental health specialist at King's College London and BBC Radio 3's first ever Researcher in Residence. Composer Gavin Higgins talks to Tom about how his early musical life in brass bands helped him to deal with his symptoms of Obsessive Compulsive Disorder. We visit Bethlem Gallery to meet composer and artist Gawain Hewitt and Fiona Lambert from City of London Sinfonia's 'Sound Young Minds' project, a music-making programme with young people under the care of psychiatric hospitals. Daisy Fancourt talks about a large-scale study looking at how singing can be used to treat postnatal depression, and James Sanderson from NHS England sets out what he sees as music's role in social prescribing. We explore mental health among musicians with writer, musician and mental health advocate Tabby Kerwin reflecting on the situation in the brass band movement, and James Ainscough from the charity Help Musicians discusses the recent increase in the number of musicians from across the industry seeking help from their new charity Music Minds Matter. Plus we talk to soprano Patricia Auchterlonie, composer Oliver Leith and director Anna Morrissey about their new opera Last Days at the Linbury Theatre and how the mental health and wellbeing of the cast is being supported. And we're in Crook in County Durham to catch up with the community arts organisation Jack Drum Arts, which provides music sessions to help support the mental health of children and young people in the local area.
Welcome to Bittersweet Symphony, a podcast about the bitter, the sweet and the bittersweet of life for classical musicians when the music suddenly stopped. Hosted and produced by me, Cliodhna Ryan, a violinist, it's an intimate and heart-warming exploration of the human spirit. My guest in episode thirteen is oboist Dan Bates, my colleague in the Irish Chamber Orchestra. After an initial sense of exhilaration in the first few weeks of lockdown, Dan shares his experience of a crushing depression, the treatment he was offered, and the impact this had on him. His sweet memory is of the three chickens he reared; Anastasia, Garbo and Clemmie Bunting. His bitter was witnessing the effect of lockdowns on his Mum. This conversation was recorded in September 2021. Daniel Bates (MA CANTAB, FRSM, FTCL, ARAM, AGSMD) is principal oboe with the Irish Chamber Orchestra, the City of London Sinfonia and co-principal oboe of the Orchestra of the Age of Enlightenment. Previously, he also held the principal oboe position with the Royal Northern Sinfonia at the Sage, Gateshead. He has played guest principal for all the major UK orchestras as well as various international orchestras such as the National Orchestra of Colombia, the Swedish Chamber Orchestra, the Bergen Philharmonic Orchestra and the West Australian Symphony Orchestra. As a session musician, he has recorded for numerous pop acts and films, including the Harry Potter franchise and for Barbra Streisand, Mary J Blige, Rihanna and Stevie Wonder. Born in London, Daniel attended the Purcell School of Music. He was subsequently offered scholarships to every music college in the country and chose to study at the Royal Academy of Music under Celia Nicklin and Dougie Boyd. This was followed by a music scholarship to study at Pembroke College, Cambridge, where he read Music and the History of Art. He has performed solo concertos with the London Symphony Orchestra, the City of London Sinfonia, the Irish Chamber Orchestra, the Brasov Filharmonica, the Turin Philharmonic Orchestra, the London Mozart Players and the English Chamber Orchestra. Solo recitals include venues such as the Wigmore Hall, the Queen Elizabeth Hall, the Usher Hall and the Purcell Room. Internationally, he has given solo recitals in venues such as the Pushkin Museum in Moscow and at various European festivals partnered with musicians of international renown including Jörg Widmann, Elizabeth Leonskaya, Joan Rodgers and Anthony Marwood. As an actor, having studied classical acting at the London Academy of Music and Dramatic Art, his credits include the title role in The Picture of Dorian Gray (Vienna's English Theatre), Fedotik in The Three Sisters (alongside Kristen Scott Thomas and Eric Sykes in the West End) and Adrian Green in Casualty (BBC TV). Daniel is the founder and Artistic Director of FitzFest (www.fitzfest.co.uk), a community chamber music festival, based in Fitzrovia, central London. GET IN TOUCH WITH DAN/LINKS Dan's Website Instagram FitzFest Website GET IN TOUCH WITH BITTERSWEET SYMPHONY Instagram Twitter Facebook #bittersweetsymphony CREDITS Thumbnail Art || Colm MacAthlaoith Writers || Mick Jagger, Richard Ashcroft, Keith Richards Violin || Cliodhna Ryan Production || Cliodhna Ryan Mastering || Patrick Stefan Groenland
Welcome to Bittersweet Symphony, a podcast about the bitter, sweet and bittersweet memories and experiences of classical musicians during the pandemic. Hosted and produced by me, Cliodhna Ryan, a violinist, it's an intimate and heart-warming exploration of the human spirit. My guest in episode eleven is Steve Kelly, percussionist with the RTE Concert Orchestra since 2010. He shares his bitter memory of the Guinness Jazz Festival being cancelled, the sweet experience of being able to support his wife as she devoted herself to her art practice and the bittersweet of returning to work. Stephen Kelly is the sub-principal percussionist with the RTÉ Concert Orchestra and he has lectured in percussion at the MTU Cork School of Music since 2004. He has performed with the Philharmonia Orchestra, Irish Chamber Orchestra, Ulster Orchestra, National Symphony Orchestra of Ireland, City of London Sinfonia, Crash Ensemble and many more. Equally as at home driving a big band from behind the drum kit, tinging a triangle in an orchestra or educating future professional percussionists, Stephen manages to make a living playing music, which in his words “certainly beats working.” This interview was recorded in August 2021. GET IN TOUCH WITH STEVE KELLY/LINKS Twitter RTE Concert Orchestra on Instagram Deirdre Frost on Instagram Deirdre's website GET IN TOUCH WITH BITTERSWEET SYMPHONY Instagram Twitter Facebook #bittersweetsymphony CREDITS Thumbnail Art || Colm MacAthlaoith Writers || Mick Jagger, Richard Ashcroft, Keith Richards Violin || Cliodhna Ryan Production || Cliodhna Ryan Mastering || Patrick Stefan Groenland
British composer Cheryl Frances-Hoad talks to Alexandra Wood about her new dramatic song cycle, 'Scenes from the Wild', set to lyrics by musician and librettist Amanda Holden. They talk about how many books Cheryl and Amanda went through before settling on Dara McAnulty's 'Diary of a Young Naturalist' and how Cheryl decided to become a composer over a cellist. 'Scenes from the Wild' premieres on Thursday 25 November 2021 at Southwark Cathedral, with a further two performances on Saturday 27 November. The piece will be premiered by City of London Sinfonia, Geoffrey Paterson (conductor) and William Morgan (tenor), with direction from Sarah Dowling. https://bit.ly/clsat50Origin3
TITLE: Pulcinella TRACK: The overture to Stravinsky's Pulcinella ARTIST: City of London Sinfonia conducted by Richard Hickox PUBLISHER: Virgo 1993
TITLE: Pulcinella TRACK: The overture to Stravinsky's Pulcinella ARTIST: City of London Sinfonia conducted by Richard Hickox PUBLISHER: Virgo 1993
In this episode Simon speaks to Australian-Chinese conductor, Dane Lam. About Dane Lam: Dane Lam was appointed Associate Music Director and Resident Conductor at Opera Queensland in December 2020, a position created specifically for him and the first of its kind in the company's history. He is the Principal Conductor and Artistic Director of China's Xi'an Symphony Orchestra, and in recent months he has been leading the orchestral revival in Australia following the Covid-lockdown, conducting the first performances in front of live audiences for Opera Queensland, Queensland Symphony Orchestra, Adelaide Symphony Orchestra and Melbourne Symphony Orchestra. Alongside Opera Queensland's new production of Le nozze di Figaro, his 2021 highlights include the inaugural production of the National Opera in Canberra, La clemenza di Tito, concerts with the Sydney and Queensland Symphony Orchestras, and a Martha Argerich and friends festival with the Xi'an Symphony Orchestra. Dane has appeared with Opera Australia, Scottish Opera, Opera Holland Park, the Canberra, Western Australia, Dunedin, Beijing, Suzhou, Kunming and Shandong Symphony Orchestras, Munich Radio Orchestra, Het Residentie Orkest, City of London Sinfonia, Manchester Camerata, Southbank Sinfonia, RTÉ Concert Orchestra, Beethoven Orchester Bonn and the Verbier Festival Orchestra. Website: https://danelam.net/ Agent: http://www.rayfieldallied.com/artists/dane-lam/ Twitter: https://twitter.com/danealam/
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Welcome to part one of an CINEMATIC SOUND RADIO NETWORK interview special. Doctor Robert Folk is an American film and television composer and conductor. His extensive credits include ACE VENTURA: WHEN NATURE CALLS, TREMORS, THE NEVERENDING STORY II: THE NEXT CHAPTER, TOY SOLDIERS, POLICE ACADEMY, KUNG POW! ENTER THE FIST, BACK IN THE DAY and most recently, ELEPHANT WHITE, UNDERGROUND, THE SECRET VILLAGE, THERE BE DRAGONS and SILENT LIFE. Robert Folk has worked with many top filmmakers including Roland Joffe, Steve Oedekerk, George Gallo, Dan Petrie Jr., Gary Sinise, Hugh Wilson, Jonathan Betuel, Don Bluth, Jon Davison, Gary Goldman, Gene Quintano, Ron Underwood, and Gale Anne Hurd to name a few. Folk has also composed and conducted numerous concert works including Symphonic, Vocal and Chamber music compositions. His Ballet “To Dream Of Roses,” composed for the Osaka Worlds Fair and was recorded by the London Symphony Orchestra, and is a member of the Academy of Motion Picture Arts and Sciences, and the American Society of Composers, Authors and Publishers. He is also a prolific songwriter and producer and has conducted many prominent orchestras including The London Symphony Orchestra, The Royal Philharmonic Orchestra, The Berlin Radio Orchestra, The Munich Symphony, The Dublin Symphony Orchestra, The Moscow Symphony Orchestra, and the London Sinfonia. In recent years Robert Folk has also been executive producing films; partnering with his extensive network of filmmakers, on projects that he is also attached to as composer. In February 2021, Jason Drury talked to Robert Folk via Zoom at his home in Beverly Hills, California. In part one of this two-part interview special, Folk talks about how he got into film and TV music, scoring sequels films and how he came about working on the Police Academy series of films. Also, in both parts of this special, you will be hearing loads of the wonderful and at times exciting music that this legend of a composer has created during his illustrious career. Enjoy! —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
Dr John Rigby studied orchestral conducting at the University of Huddersfield and the Royal Northern College of Music. He gained his PhD from King's College London having researched the cultural resonances of Franz Lehár's ‘Berlin' operettas during the Weimar Republic. He also holds an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting.As a musical supervisor his credits include: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (Palladium); SCHOOL OF ROCK (London, US Tour, Australia, Korea); THE PHANTOM OF THE OPERA (25th Anniversary UK and US Tours); JESUS CHRIST SUPERSTAR (World Arena Tour & DVD); LES MISERABLES (Korea); MISS SAIGON (London, cinema release & DVD); THE PRODUCERS (UK Tour) and THE KING AND I (UK Tour). As a musical director his West End credits include: Christopher Wheeldon's AN AMERICAN IN PARIS (Dominion & cinema release) BEAUTIFUL AND DAMNED (Lyric); THE DROWSY CHAPERONE (Novello); THE KING AND I (Palladium); THE LAST EMPRESS (Apollo, Hammersmith); MARGUERITE (Theatre Royal, Haymarket); LES MISÉRABLES (Palace & Queens); THE PHANTOM OF THE OPERA (Her Majesty's); PETER PAN (Savoy); THE PIRATES OF PENZANCE (Savoy); THE PRODUCERS (Theatre Royal, Drury Lane) and SINATRA (Palladium). Additionally, he was musical director for the German productions of MISS SAIGON (Stuttgart) and STARLIGHT EXPRESS (Bochum). He also recently conducted and supervised the workshops for Andrew Lloyd Webber's 2018 reworking of STARLIGHT EXPRESS at The Other Palace, London.His opera credits include: Judith Weir's THE BLACK SPIDER(Huddersfield Contemporary Music Festival); CARMEN JONES (Royal Festival Hall); CAROUSEL (Opera North); DIE FLEDERMAUS (Opera Holland Park); MADAMA BUTTERFLY (Lyric Opera, Dublin); and most recently CHESS (English National Opera).John is extremely active on the concert platform as both a conductor and presenter and the numerous orchestras he has worked with include: the Berliner Symphoniker, Royal Philharmonic Orchestra, BBC Concert Orchestra, City of London Sinfonia, CBSO, Dublin Concert Orchestra, Hallé Orchestra, Ulster Orchestra, London Philharmonic Orchestra, London Concert Orchestra, Manchester Concert Orchestra, Royal Philharmonic Concert Orchestra, Royal Liverpool Philharmonic Orchestra, RSNO, Scottish Concert Orchestra, RTÉ Concert Orchestra, RTÉ Symphony Orchestra and the orchestras of both Welsh National Opera and Opera North. He has appeared as a conductor of BBC Radio 2's FRIDAY NIGHT IS MUSIC NIGHT and is also conductor of the famous CLASSICAL SPECTAUCULAR concerts for Raymond Gubbay. He recently conducted the sell-out concerts of 2 CELLOS at the London Palladium and the Royal Albert Hall, as well as ANDREW LLOYD WEBBER'S 70th BIRTHDAY CONCERT with the Royal Philharmonic Concert Orchestra.Future plans include supervising the Russian premiere of CHESS in Moscow in October 2020, Andrew Lloyd Webber's new musical, CINDERELLA, which will open in London in spring 2021, and the return of JOSEPH to the London Palladium in summer 2021.He has been awarded an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting.
We've made it to the end of our Christmas Journey for this season of Comfort and Joy! And what better song to end with than "Joy to the World! The Lord Is Come"? But what if I told you this carol really had NOTHING to do with Christmas? What if I told you, it's melody was STOLEN from a great composer? Let's take a deep dive into one of the most famous Christmas Carols of all time! Don't forget to check out meadowsbaptist.org for our live stream services every Sunday at 9am and 11am Notes, preparation and quotes from: Peterson, William J. and Randy Petersen. The One Year Book of Hymns. Edited and Compiled by Robert K. Brown and Mark R. Norton. Wheaton, IL: Tyndale House Publishers, Inc., 1995. https://www.amazon.com/dp/1496428269/ref=cm_sw_em_r_mt_dp_j0HQFbNWAJKFZ?_encoding=UTF8&psc=1 Phillips, Kenneth H. Directing the Choral Music Program. New York, NY: Oxford University Press, Inc., 2004. https://www.amazon.com/dp/B019NEOGLW/ref=cm_sw_em_r_mt_dp_YZHQFb5MK5AD2 Reynolds, William Jensen Reynolds. Hymns of Our Faith: A Handbook for the Baptist Hymnal. Nashville, TN: Broadman Press, 1964. https://www.amazon.com/dp/B000JJM2DK/ref=cm_sw_em_r_mt_dp_sZHQFbC38MFEZ www.umcdiscipleship.org/resources/history-of-hymns-joy-to-the-world Sources to reference: Moody, Valerie. The Feats of Adonai: Why Christians Should Look at Biblical Feasts. Gibbora Productions, 2009. https://www.amazon.com/dp/0982433573/ref=cm_sw_em_r_mt_dp_HYHQFb2XK9FA8 Joy to the World by Nat King Cole https://open.spotify.com/track/1VuAamHM7P3VQQEXYGG3Uu?si=2xad4DCSRmOL80alCjGRew Messiah, HWV 56 : Part II: Lift up your heads, O ye gates (Chorus) https://open.spotify.com/track/6YhkhEJsUszpUdKfde2mqc?si=3lx00OS-T9KIAWmqmRjqog Messiah, HWV 56 : Part I: Accompanied: Comfort ye, my people (Tenor) https://open.spotify.com/track/5ad8xYHMymySV6bDLEGiS9?si=JFobKTlPQuafI-9DWHG6Hg Joy to the World (arr. J. Rutter) - Lowell Mason, The Cambridge Singers, City of London Sinfonia, John Rutter https://open.spotify.com/track/0tKQ3h7CemmhpoLFVrv9Px?si=NINd-KjZTbisjqJDfQvFZQ Joy to the World (arr. J. Wachner for choir and orchestra ) - Lowell Mason, Julian Wachner, Choir of Trinity Wall Street https://open.spotify.com/track/0sWlU6yuGJr0RpPbLeJxW7?si=EV4axIXMQWCwQnhwXaB8-g Joy to the World - Steve Morse https://music.apple.com/us/album/merry-axemas-a-guitar-christmas/197986461 Joy to the World - Whitney Houston with the Georgia Mass Choir https://open.spotify.com/track/0sKAxwRubZuqKadRspVY96?si=dQGK7SpfQ0W_3_pZBpOMHQ
Alexandra Wood caught up with composer Dobrinka Tabakova in the fourth of her 'Lockdown chats', reminiscing on performing 'Centuries of Meditations' in our Cathedrals Tour last October. Dobrinka also gives a glimpse into the life of a composer and talks about how it's changed in lockdown. Featuring an excerpt of 'Centuries of Meditations' by Dobrinka Tabakova. http://www.dobrinka.com Performed by City of London Sinfonia and Truro Cathedral Choir, conducted by Christopher Gray. https://www.trurocathedral.org.uk Recorded live by BBC Radio 3 in 'The Fruit of Silence' at Truro Cathedral on 17 October 2019 (broadcast on 29 October). http://www.bbc.co.uk/radio3 Credit excerpts: 'The Lark Ascending' (Vaughan Williams), performed by Alexandra Wood in 'Comfortable Classical at Home' episode three on Facebook.
Good Shepherd Sunday & World Day of Prayer for VocationsToday has a triple focus: the 4th Sunday of Easter, Good Shepherd Sunday and the World Day of Prayer for Vocations to the Priesthood and Consecrated Life.That's quite a lot! I hope I help you today to bring those three foci into some focus; excuse the pun! For many the image of Christ as the Good Shepherd is an enduringly appealing image. More so I suppose, because Jesus Himself gave us this image and aspect of His relationship with us. I hope you benefit from what I have to say.The music for today comes from one of my favourite English composers, John Rutter. "The Lord is My Shepherd", which he composed, is sung by the Cambridge Singers and accompanied by the City of London Sinfonia. It is one of the tracks on "The John Rutter Collection". I heartily recommend this album to you, particularly, another track, which stirs my heart every time I hear it: "The Lord Bless You and Keep You".
John Rigby is one of the country's leading conductors, musical directors and musical supervisors.As a conductor he is extremely active on the concert platform, working with orchestras like: the Royal Philharmonic Orchestra, BBC Concert Orchestra, City of London Sinfonia - and the Orchestras of both Welsh National and Opera North.He also conducts the Classical Spectacular concerts for Raymond Gubbay and conducted Andrew Lloyd Webber's 70th birthday concert.In musical theatre his long list of credits include: the UK Tour of The Producers with Peter Kay and Joe Pasquale, Cameron Mackintosh's 25th Anniversary Tour of The Phantom of the Opera in both the UK and the USA, the arena world tour of Jesus Christ Superstar starring Tim Minchin and Melanie C. - and the 2019 London Palladium production of Joseph and the Amazing Technicolor Dreamcoat with Sheridan Smith.He has also supervised or directed the music for Les Misérables, Chess and Miss Saigon.John talks to me about:How working with amateur dramatics societies was invaluable for his career and taught him many of the skills he still uses today.What musical inspired him to become a MD.How he got his first opportunity - by asking for it!Doing whatever you can, wherever you can to develop your conducting experience.The difference between a conductor, musical director and musical supervisor.How they cast the School of Rock - turning cellists into bass guitar players!What makes someone stand out at a Les Misérables audition and how musical theatre vocal styles have changed over the last 30 years.What makes a great show great?Why conducting Chess at the ENO was so special.What makes a stand-out audition performance.Which Les Mis character he thinks a prequel musical could be made about (hypothetical only)!The view from the other side of the room - his top tips for young performer auditions.And why 'we all have a Joseph story'...JOHN'S LOCKDOWN CHALLENGE!Actually, it's more of a lockdown opportunity...To watch him conduct a performance and meet him backstage, please send him a message saying why you want to meet him - and why it should be you!Send your email to: spotlightvideos2020@gmail.com(Please note: recorded remotely because of lockdown restrictions, so sound quality varies!)THANK YOU JOHN!
From the Producer's Office is a series of informal podcasts with Opera Holland Park’s Director of Opera, James Clutton. In conversation with creatives and collaborators across the industry, we explore the process of putting opera on stage, and how the artists involved approach their craft. In this episode, James talks to Chief Executive, Matthew Swann and cellist Rebecca Knight from the City of London Sinfonia, Opera Holland Park's resident orchestra since 2003. They chat about the orchestra's new digital ventures in lockdown, what it's like to perform in the pit at Opera Holland Park and their favourite productions over the years.
MUSIC: O Come, O Come Emmanuel Chant. arr. Andrew Carter Choir of St. Paul, London, John Scott, conductor CD: "Advent at St. Paul's"MUSIC: E'en so, Lord Jesus, quickly come Paul Manz Choir of National Cathedral James Litton, conductor CD: "Sing in Exultation"MUSIC: Matin Responsory (I Look from afar) Giovanni Palestrina The Choir of Kings College Philip Ledger, conductor CD: "Best Beloved Christmas Carols"MUSIC: Sleepers Awake (Cantata No. 140) Johann S. Bach Organist David L. Ball from a live performance at St. Thomas Church, New York.MUSIC: Lo, He comes with Clouds decending arr. John Rutter Cambride Singers, City of London Sinfonia, John Rutter conducting. CD: "Sing, Ye Heavens"MUSIC: Toccata on Veni Emmanuel Andrew Carter Organist John Scott CD: "Advent at St. Paul's"MUSIC: On Jordan's Bank Hymn setting "Winchester New" the Choir of Kings College Sir David Willcocks, conductor CD: Christmas-time CarolsMUSIC: On Jordan's Bank Ambrosian Chant Cathedral Singers, Richard Proulx, Conductor CD: More Sublime ChantMUSIC: Rejoice in the Lord alway annon. The Choir of Westminster Abby CD: "Slendour and Tranquility"MUSIC: A Great and Mighty Wonder (Lo, How A Rose) Michael Praetorius arr. James Whitbourn the Choir of Kings College Sir David Willcocks, conductor CD: "Essential Carols"MUSIC: Magnificat (I. Magnificat anima mea) John Rutter Cambride Singers, City of London Sinfonia, John Rutter conducting CD: "Magnificat, The Falcon"
Episode 4 of CMC's fortnightly podcast features interviews with Donnacha Dennehy, Iarla Ó Lionáird and Tom Creed on Dennehy's recent opera, ‘The Hunger', and former RTÉ producer and RTÉ lyric fm station head Seamus Crimmins on composer and choral conductor Colin Mawby, who died recently. Production - Jonathan Grimes Recording and editing - Keith Fennell The feature on Donnacha Dennehy's The Hunger was devised and researched by Maynooth University music lecturer and researcher, Stephanie Ford. Show Notes Donnacha Dennehy www.donnachadennehy.com Iarla Ó Lionáird iarla.com Tom Creed tomcreed.org The Hunger - Abbey Theatre www.abbeytheatre.ie/whats-on/the-hunger Music The Hunger The Hunger: Black Potatoes, Iarla Ó Lionáird, Alarm Will Sound, conductor Alan Pierson - 00:02, 20:28, 23:23, 28:39 The Hunger: I Feared He Would Die, Alarm Will Sound, conductor Alan Pierson - 06:17, 26:18 Grá agus Bás, Iarla Ó Lionáird, Crash Ensemble, conductor Alan Pierson - 09:09, 12:38, 15:55 Stainless Staining, Lisa Moore - 14:52 Grá agus Bás, Iarla Ó Lionáird, Crash Ensemble, conductor Alan Pierson - 15:55 The Hunger: I Have Seen and Handled the Black Bread, Katherine Manley, Alarm Will Sound, conductor Alan Pierson 17:20 The Hunger: The Keening, Iarla Ó Lionáird, Katherine Manley, Alarm Will Sound, conductor Alan Pierson - 31:44 Colin Mawby Ave verum corpus, Westminster Catherdral Choir, City of London Sinfonia, conductor James O'Donnell - 32:51, 41:16 When David Heard, Chamber Choir Ireland - 36:49 O magnum mysterium, Kölner Kantorei, conductor Volker Hempfling - 38:44
Tim and Sam ask questions of Charles Ives, get to grips with hiphopera and discuss ‘leaning in' to those uncomfortable elements of the operatic canon with director and librettist Laura Attridge. PLUS they review Alison Balsom's new disc Royal Fireworks and the City of London Sinfonia at Southwark Cathedral.Antonio Banderas conducts students from ESAEM at the Plaza de la Constitución, Malaga: https://www.youtube.com/watch?v=uxyQKuPNcB8 Josephine and the Artisans' new video for ‘If You Want Peace': https://www.youtube.com/watch?v=D_dOo3pTZ_A&feature=youtu.be Laura Attridge on ‘Leaning into the Discomfort': https://www.schmopera.com/leaning-into-the-discomfort/ And ‘In Search of a “Concept”': https://www.schmopera.com/don-giovanni-in-2018-in-search-of-a-concept/ Music Credits: ‘Tim and Sam's Podcast' written and performed by Harry Sever ‘In questa reggia' from Puccini's Turandot, performed by Dame Eva Turner with unknown orchestra under Stanford Robinson in 1928 'The Unanswered Question' by Charles Ives, Performed by players from the University of Michigan School of Music orchestra under David Biedenbender ‘If You Want Peace' by Josephine and the Artizans The Adagio from Purcell's Trumpet Sonata, performed by the Balsom Ensemble under Simon Wright for Warner Classics Jean Sibelius's Fifth Symphony, Mov. 3, performed by Timmy Fisher Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/
Atlantics is a Senegalese supernatural romantic drama directed by Mati Diop. She made history when the film premiered at Cannes, becoming the first black woman to direct a film featured In Competition at the festival. Atlantics went on to win the Grand Prix. Be Manzani reviews. Now that the political parties have released their manifestos, the BBC’s arts editor Will Gompertz, and Kieran Yates, journalist and author who writes about culture and politics, assess the parties’ planned commitment to investing in arts and culture. Poets Ruth Padel and Daljit Nagra discuss the continuing lure of Scheherazade, the legendary enchantress from One Thousand and One Nights ahead of a performance of Rimsky Korsakov's Scheherazade by the City of London Sinfonia at London's Queen Elizabeth Hall. The performance will include specially commissioned poetry by both poets, inspired by Rimsky Korsakov's music. Presenter: Kirsty Lang Producer: Hilary Dunn
Översättning: Erik Blomberg Uppläsning: Peter Andersson Diktsamling: Världens bästa lyrik i urval (Natur och kultur, 1961) MUSIK Gustav Holst: Andra satsen ur Brook green suite EXEKUTÖR Richard Hickox, dirigent, Stråkar ur City of London Sinfonia
Sarod player Soumik Datta discusses King Of Ghosts, the classical Indian films with original score in association with City of London Sinfonia.
On Friday 3 May 2019, international recorder virtuoso Genevieve Lacey performs with City of London Sinfonia in ‘Absolute Bird: Sounds of the Outback’ at Southbank Centre’s Queen Elizabeth Hall. Here’s what she had to say ahead of our performance. #AbsoluteBird: bit.ly/absolutebird
10 September 2018 | Monday in the 16th Week after Pentecost | Menlo Park, Calif. Long journeys make great analogies for the spiritual life. What are we supposed to do with hardships, detours, and delays along the road? When you have no money to pay the toll? What about when you're falling asleep at the wheel? Along those lines, let me tell you the story of my whirlwind weekend trip to Oregon and back for a friend's ordination this Saturday... Opening music: "Loving Shepherd of thy Sheep," arr. John Rutter (1991), performed by the Cambridge Singers and City of London Sinfonia, Cambridge, 2006. All rights reserved. --- Send in a voice message: https://anchor.fm/in-your-embrace/message
In the first episode of our podcast mini-series, James Clutton and Matthew Swann talk about what's special about City of London Sinfonia’s 15th Season as orchestra in residence; how Opera Holland Park has evolved over the years, and of course about the incredible operas in the OHP 2018 Season. Warning: features spoilers of opera endings. Presented by Tasha Allery and Gabriele Neuditschko. Rehearsal footage from Cosi fan tutte and Ariadne auf Naxos, Opera Holland Park 2018 Season.
A conversation in which Andrew Carwood, Director of Music, and Canon Mark Oakley, Chancellor, discuss Bach’s St Matthew Passion. The conversation refers to two upcoming events - a reflective day about Bach’s St Matthew Passion taking place on 17 March and a performance of Bach’s St Matthew Passion taking place at the Cathedral on 21 March. Bach's intense masterpiece narrates the events leading to the crucifixion of Christ and will be sung by St Paul's Cathedral Choir and Chorus, with the City of London Sinfonia. Further details on how to book tickets can be found at https://www.stpauls.co.uk/easter (Conversation recorded on Wednesday 28 February 2018).
Our Songs of Hope hymns podcast for 29Oct17 included the hymns: The London Fox Singers,London Sinfonia – O God Our Help in Ages Past The Priory Singers,Belfast – Dear Lord and Father of Mankind Afternoon of our favourite hymns – What a Friend we have in Jesus Press play to listen or download.
Our Songs of Hope hymns podcast for 29Oct17 included the hymns: The London Fox Singers,London Sinfonia – O God Our Help in Ages Past The Priory Singers,Belfast – Dear Lord and Father of Mankind Afternoon of our favourite hymns – What a Friend we have in Jesus Press play to listen or download.
In part two of Views From The Pit, we bring you more stories from the Opera Holland Park orchestra pit by some of our musicians; insight into Opera Holland Park’s 2017 Season with Sian Edwards (conductor of Kat’a Kabanova) and Alex Regan (City of London Sinfonia’s Performances Manager and Librarian), and the all-important tea-break talk with Charlotte Reid and Matt Maguire. Featuring CLS musicians Stephen Wick, Mark Paine, Charlotte Reid and Matt Maguire; Sian Edwards and Alex Regan in conversation with Natasha Allery; and footage from Kat’a Kabanova and Zaza rehearsals at Opera Holland Park.
Soprano Dame Felicity Lott talks to Suzy Klein about her new role as patron of the City of London Sinfonia, initially focusing on CLS's education and wellbeing programme Meet the Music. She speaks about the joys of working with young people as well as her other plans for 2015, plus she performs Schumann and Frank Bridge live in the In Tune studio.
El pianista británico Gwilym Simcock, junto al contrabajista Yuri Goloubev, al baterista Martin France y la orquesta City of London Sinfonia, se reúnen en "Instrumation" para dar vida a la suite "Move!", que escuchamos íntegra en esta edición de "Club de Jazz" del 20 de agosto de 2014. Además, Simcock y Goloubev se marchan al balneario germano de Schloss Elmau para firmar un dúo para la serie "Duo Art" del sello ACT. En la segunda hora de programa, descubrimos la música del Therion Project del baterista Tommy Caggiani, y nos deleitamos con la música inspirada por los elementos esenciales para la vida que desarrollan igualmente la baterista Lucía Martínez en "De viento y de sal" y el armenio Arto Tunçboyaciyan junto a su Armenian Navy Band en "Natural seeds". Toda la información y derechos: http://www.elclubdejazz.com
El pianista británico Gwilym Simcock, junto al contrabajista Yuri Goloubev, al baterista Martin France y la orquesta City of London Sinfonia, se reúnen en "Instrumation" para dar vida a la suite "Move!", que escuchamos íntegra en esta edición de "Club de Jazz" del 20 de agosto de 2014. Además, Simcock y Goloubev se marchan al balneario germano de Schloss Elmau para firmar un dúo para la serie "Duo Art" del sello ACT. En la segunda hora de programa, descubrimos la música del Therion Project del baterista Tommy Caggiani, y nos deleitamos con la música inspirada por los elementos esenciales para la vida que desarrollan igualmente la baterista Lucía Martínez en "De viento y de sal" y el armenio Arto Tunçboyaciyan junto a su Armenian Navy Band en "Natural seeds". Toda la información y derechos: http://www.elclubdejazz.com
Ian Hawkins presents #LondonLife - a sideways look at life in London on ZoneOneRadio - the community radio station for Central London This week - Ian sees all eight Harry Potter films back to back at the Prince Charles Cinema in Leicester Square, Ayumi meets the Food Network's Andy Bates at the Feast of St. George & we go to the Village Underground in Shoreditch to hear the City of London Sinfonia's take on Poulenc and Satie. Also, the return of the immensely popular TUBE TIPS! Music this week from Cat Stevens, The Avalanches & Satie!
Ian Hawkins presents #LondonLife - a sideways look at life in London on ZoneOneRadio - the community radio station for Central London This week - Ian sees all eight Harry Potter films back to back at the Prince Charles Cinema in Leicester Square, Ayumi meets the Food Network's Andy Bates at the Feast of St. George & we go to the Village Underground in Shoreditch to hear the City of London Sinfonia's take on Poulenc and Satie. Also, the return of the immensely popular TUBE TIPS! Music this week from Cat Stevens, The Avalanches & Satie! -- www.twitter.com/sillymrhawkins and www.twitter.com/z1radio www.ZoneOneRadio.com www.facebook.com/ZoneOneRadio -- Cat Stevens - Here Comes My Baby The Avalanches - A Cowboy Overflow of the Heart Erik Satie - Gymnopedie No. 1