Podcast appearances and mentions of Matthew Margeson

Who's the Bossk? - Episode 176: The Muppets and Star Wars with Matthew Margeson, Jeff DePaoli, and Bill Gowsell (Season 4 Finale) Date: December 12th, 2023 (recorded December 7th, interview recorded December 4th, headlines recorded December 11th) Listen Topics In the fourth season finale of "Who's the Bossk?" host Mike Celestino is joined by returning guests Jeff DePaoli and Bill Gowsell to discuss the frequent overlap between the Muppets and Star Wars franchises. Plus, composer Matthew Margeson stops by to talk about his Children's and Family Emmy Awards nomination for Star Wars: Young Jedi Adventures, this week's headlines, and more! Subscribe iTunes Google Spotify

Who's the Bossk? – Episode 176: The Muppets and Star Wars with Matthew Margeson, Jeff DePaoli, and Bill Gowsell (Season 4 Finale) Date: December 12th, 2023 (recorded December 7th, interview recorded December 4th, headlines recorded December 11th) Listen Topics In the fourth season finale of “Who's the Bossk?” host Mike Celestino is joined by returning […] The post Who's the Bossk? – Episode 176: The Muppets and Star Wars with Matthew Margeson, Jeff DePaoli, and Bill Gowsell (Season 4 Finale) appeared first on .

¡MEGA ESPECIAL DEL MES DE STAR WARS! Cuatro horitas de tres gordes y una flaca hablando de la Guerra de las Galaxias, con RE: señas varias. Primero, Caro, Carlitos, Eze, y MaGnUs conversan sobre la tercera temporada de The Mandalorian, y de la segunda de The Bad Batch. Después, Carlitos, Eze, y MaGnUs repasan el segundo volumen de la antología Visions, esta vez con cortos por estudios de varias partes del mundo, incluyendo Chile, España, Irlanda, Francia, y Sudáfrica. Por último, MaGnUs nos cuenta un poco sobre Young Jedi Adventures, la nueva serie animada infantil de la franquicia, y primer producto audiovisual ambientado en la era The High Republic, un par de siglos antes de las películas. Con música de Joseph Shirley, Rhapsody, Kevin Kiner, The Winstons, Markus Wormstorm, Peter McConnell, Matthew Margeson, y The Who. Próximo programa: Guardians of the Galaxy Vol. 3, y la miniserie de comics de Rocket Raccoon de 1985.

Bienvenue dans le film le plus, podcast cinéma bimensuel.Cette semaine, et pour la journée des droits de la femme qui à eu lieu hier (le 8 mars) nous vous offrons une édition exceptionnelle avec un invité exceptionnel : François Rey, créateur du mook Héros nous fait l'honneur d'être le premier invité du podcast et de nous apporter son expertise sur le sujet du jour.Dans cet épisode un tour d'horizon des films de super-héroïnes et de l'évolution de leur représentation au fil des décennies avec comme chaque fois, une analyse autour de 3 films : SUPERGIRL / CATWOMAN / CAPTAIN MARVEL.Emission chamboulée, documentée et mieux articulée pour cet épisode exceptionnel qu'il nous tarde de vous faire découvrir!Réagissez, commentez, partagez sur Twitter, Instagram et Facebook!Toute la collection de Héros, un mook de qualité, est disponible chez Ynnis éditions : https://ynnis-editions.fr/heros/Références de l'épisode:- Supergirl de Jeannot Szwarc (1984)- Catwoman de Pitof (2004)  - Captain Marvel d' Anna Boden et Ryan Fleck (2019) - Helen Slater- Faye Dunaway- Peter O'toole- Mia Farrow- Halle Berry- Benjamin Bratt- Sharon Stone- Lambert Wilson- Brie Larson- Jude Law- Samuel L. JacksonLes recos de l'épisode: - Pam and Tommy de Matthew Margeson (série Disney+)- The Power de Corinna Faith- Le dernier duel de Ridley ScottEgalement évoqués:- Barberella de Roger Vadim (1968)- La légende de Billie Jean de Matthew Robbins (1985)- Tank Girl de Rachel Talalay (1995)- Barbwire de David Hogan (1996)- Elektra de Rob Bowman (2005)- Ma super-ex d'Ivan Reitman (2006)- Wonder Woman de Patty Jenkins (2017)- X-Men Dark Phoenix de Simon Kinberg (2019)- Brids of Prey et la fantabuleuse histoire de Harley Quinn de Cathy Yan (2020)- Wonder Woman 1984 de Patty Jenkins (2020)- Black Widow de Cate Shortland (2021)- Avengers de Joss Whedon (2012)- Avengers : l'ère d'Ultron de Joss Whedon (2015)- Avengers : Infinity War de Anthony et Joe Russo (2018)- Avengers : Endgame de Anthony et Joe Russo (2019)- Batman vs Superman : l'aube de justice de Zack Snyder (2016)- Sucker Punch de Zack Snyder (2011)- Zack Snyder's Justice League (2021)- Ant-Man de Peyton Reed (2015)- Captain America : First Avenger de Joe Johnston (2011)- Iron Man de Jon Favreau (2008)- Thor de Kenneth Branagh (2011)- Captain America : Le soldat de l'hiver de Anthony et Joe Russo (2014)- Les gardiens de la galaxie de James Gunn (2014)- Captain America : Civil War de Anthony et Joe Russo (2016)- Thor : Ragnarok de Taika Waititi (2017)- Spider-Man : No way home de Jon Watts- Kevin Feige- Marvel- DC-Comics- Image comics- X-men- Witchblade- Fathom- Hellboy- Conan- Chris Claremont Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

January 2022 - Pt 1In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, begin their new monthly format as they look at film music in the month of January 2022 across two episodes.In this first part, they look at THE KING'S MAN, THE MATRIX RESURRECTIONS, THE ELECTRICAL LIFE OF LOUIS WAIN & THE TRAGEDY OF MACBETH, covering scores by composers including Matthew Margeson, Tom Tykwer & Johnny Klimek, and Carter Burwell.Plus! An exclusive listen to Michael Giacchino's title track for THE BATMAN, Tony & Sean look at some new breaking composer assignment news and in honour of the new SCREAM movie, Sean provides his retro pick for the chosen theme - horror movie sequel scores...Host / EditorTony BlackCo-HostSean WilsonSupport the We Made This podcast network on Patreon:Patreon.com/wemadethisTwitter: @btw_notesWe Made This on Twitter: @wmadethis / www.wemadethisnetwork.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic SoundMusic from The Batman courtesy of WaterTower Music

January 2022 - Pt 1 In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, begin their new monthly format as they look at film music in the month of January 2022 across two episodes. In this first part, they look at THE KING'S MAN, THE MATRIX RESURRECTIONS, THE ELECTRICAL LIFE OF LOUIS WAIN & THE TRAGEDY OF MACBETH, covering scores by composers including Matthew Margeson, Tom Tykwer & Johnny Klimek, and Carter Burwell. Plus! An exclusive listen to Michael Giacchino's title track for THE BATMAN, Tony & Sean look at some new breaking composer assignment news and in honour of the new SCREAM movie, Sean provides his retro pick for the chosen theme - horror movie sequel scores... Host / Editor Tony Black Co-Host Sean Wilson Support the We Made This podcast network on Patreon: Patreon.com/wemadethis Twitter: @btw_notes We Made This on Twitter: @wmadethis / www.wemadethisnetwork.com Title music 'Milky Way' (c) Peter Sandberg/Epidemic Sound Music from The Batman courtesy of WaterTower Music

Composers Matthew Margeson and Dominic Lewis join the show to discuss their glorious work on the score for The Kings Man. Working on an already established franchise, with such an incredibly renown director, came with a lot of responsibility, but they were able to navigate this wonderfully to develop a wildly exciting, but also touching, score. Sit back and enjoy as the guys grab some Whiskey (and water), and chop it up!

Composers Matthew Margeson and Dominic Lewis join the show to discuss their glorious work on the score for The Kings Man. Working on an already established franchise, with such an incredibly renown director, came with a lot of responsibility, but they were able to navigate this wonderfully to develop a wildly exciting, but also touching, score. Sit back and enjoy as the guys grab some Whiskey (and water), and chop it up!

After two years of waiting we bring you our Bat-Jar ranking of comic book films released in theatres during the years of 2020 and 2021. To qualify, a movie must have played in theatres in North America and it's source material must originate in comic book form. Music and audio from "Birds of Prey and the Fantabulous Emancipation of One Harley Quinn" is the property of Daniel Pemberton, Margot Robbie, Brian Unkeless, Sue Kroll, DC Films, Lucky Chap Entertainment, Kroll & Co. Entertainment, and Clubhouse Pictures. Music and audio from "Black Widow" is the property of Lorne Balfe, Kevin Feige, and Marvel Studios. Music and audio from "Bloodshot" is the property of Steve Jablonsky, Neal H. Moritz, Toby Jaffe, Dinesh Shamdasani, Vin Diesel, Columbia Picturesm Bona Film Group, Cross Creek Pictures, Original Film, One Race Films, Valiant Entertainment, Annabell Pictures, and The Hideaway Entertainment. Music and audio from "Demon Slayer: Kimetsu no Yaiba- The Movie: Mugen Train" is the property of Yuki Kajiura, Go Shiina, Akifumi Fujio, Masanori Miyake, Yuma Takahashi, Ufotable, Toho, Aniplex, and Funimation. Music and audio from "Eternals (2021)" is the property of Rami Djawadi, Kevin Feige, Nate Moore, and Marvel Studios. Music and audio from "The King's Man" is the property of Matthew Margeson, Dominic Lewis, Matthew Vaughn, David Reid, Adam Bohling, 20th Century Studios, TSG Entertainment, Marv Studios, and Cloudy Productions. Music and audio from "My Hero Academia: Heroes Rising" is the property of Yuki Hayashi, Wakana Okamura, Yoshihiro Oyabu, Koji Nagai, Kazumasa Sanjoba, Bones, Toho, and Funimation. Music and audio from "My Hero Academia: World Heroes' Mission" is the property of Yuki Hayashi, Sokichi Onoda, Mirei Tsumura, Hiroya Nakata, Kazumasa Mijoba, Mari Kobayashi, Hayato Saga, Bones, Toho, and Funimation. Music and audio from "The New Mutants" is the property of Mark Snow, Lauren Shuler Donner, Simon Kinberg, Karen Rosenfelt, 20th Century Studios, Marvel Entertainment, Genre Films, and Sunswept Entertainment. Music and audio from "Shang-Chi & the Legend of the Ten Rings" is the property of Joel P. West, Kevin Feige, Jonathan Schwartz, and Marvel Studios. Music and audio from "Spider-Man: No Way Home" is the property of Michael Giacchino, Amy Pascal, Kevin Feige, Columbia Pictures, Pascal Pictures, and Marvel Studios. Music and audio from "The Suicide Squad" is the property of John Murphy, Charles Roven, Peter Safran, DC Films, Atlas Entertainment, and The Safran Company. Music and audio from "Venom: Let There Be Carnage" is the property of Marco Beltrami, Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy, and Hutch Parker. Music and audio from "Wonder Woman 1984" is the property of Hans Zimmer, Charles Roven, Deborah Snyder, Zack Snyder, Stephen Jones, Patty Jenkins, Gal Gadot, DC Films, Atlas Entertainment, and The Stone Quarry.  The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

Episode 273."Rocketman"Composer.Matthew Margeson.Matthew Margeson is a composer of film, television, and video game music best known for his diverse action and adventure film work that bridges orchestral and electronic music. He got his start as an assistant to composers on video games and film shorts, and worked as a technical score advisor, arranger, and synth programmer, among other roles, for Hans Zimmer's Remote Control Productions. His first main composer credits in film arrived in 2010 with Lunatics, Lovers & Poets and Burning Palms. A year later, Margeson scored the animated TV series Transformers Prime and the video game Carnival Island. In the meantime, his additional music for other composers could be heard in blockbusters such as X-Men: First Class and Pirates of the Caribbean: On Stranger Tides. In 2013, Margeson co-wrote the score for the franchise sequel Kick-Ass 2 with Henry Jackman. It incorporated rock elements into a symphonic base. That led to more action films, such as 2014's Kingsman: The Secret Service, also with Jackman. His work in other genres around that time included the 2016 biopic Eddie the Eagle and Tim Burton's Miss Peregrine's Home for Peculiar Children (with Michael Higham). He and Jackman teamed up again for 2017's Kingsman: The Golden Circle, and Margeson received sole credit for his music to the 2018 horror film Truth or Dare.The King's Man score is co-composed by Matthew Margerson and Dominic Lewis and can be heard in theaters now!Please Welcome, Matthew Margeson.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:  @mdmcriticwww.mmcpodcast.comMondaymorningcritic@gmail.com

Matthew Margeson And Dominic Lewis are taking their friendship to the next level and are working side by side to co-compose The King's Man from director Matthew Vaughn. You've seen them on All Access before, but now we're diving into their latest collaboration together. Matt and Dom discuss how they met working for composer Henry Jackman early in their careers at Remote Control Productions. We talk about late night coffee chats at 3am, and how the two always wanted to co-compose a film together. Matt and Dom then take us into the world of Matthew Vaughn's Kingsmen films, and how the two of them came onboard together to work on The King's Man. Hear about the approach of how this new film gave them the opportunity to really start fresh and not feel obligated to reference the other two films given that it's not connected by timeline or characters. We end the interview by playing a little "Newlyweds" Co-Composer Edition! Matt and Dom are put to the test and see how much do they truly know about each other! A Film.Music.Media Interview | Produced & Presented by Kaya Savas

Scott is a composer, guitarist and music editor for film and television. He has worked closely with many composers including Christophe Beck, Patrice Rushen, Joseph LoDuca, Michael Penn, Matthew Margeson, and Charles Sydnor. His compositions have appeared in numerous short films, advertisements, music libraries, and network television shows including Wrecked, Girls, The Librarians, Malcolm In The Middle, Help Me Help You, and Leverage. Scott has also had the privilege of working on many notable films such as Academy Award nominated “A Mother's Promise” 2008, “Geostorm” 2017, "Hacker" 2016, “Pay The Ghost” 2015, "Fame" 2009 as well as composing the original scores for “Crypsis” 2019, “Smile The Musical” 2017, and "Hitting on Destiny" 2011.In addition to film and television, Scott has over two decades of experience in record production. He has contributed to albums by artists such as Mick Jagger, Puddle Of Mudd, Badly Drawn Boy, Goo Goo Dolls, Blues Traveler, Dokken, Liz Phair, Ron Brown, and The Urban Jazz Network among many others. He was nominated for a Latin Grammy in 2000 for his work on Jaguares "Bajo el Azul de Tu Misterio."https://scottfranciscomusic.com/@thecareermusician@nomadsplace

Scott is a composer, guitarist and music editor for film and television. He has worked closely with many composers including Christophe Beck, Patrice Rushen, Joseph LoDuca, Michael Penn, Matthew Margeson, and Charles Sydnor. His compositions have appeared in numerous short films, advertisements, music libraries, and network television shows including Wrecked, Girls, The Librarians, Malcolm In The Middle, Help Me Help You, and Leverage. Scott has also had the privilege of working on many notable films such as Academy Award nominated “A Mother's Promise” 2008, “Geostorm” 2017, "Hacker" 2016, “Pay The Ghost” 2015, "Fame" 2009 as well as composing the original scores for “Crypsis” 2019, “Smile The Musical” 2017, and "Hitting on Destiny" 2011. In addition to film and television, Scott has over two decades of experience in record production. He has contributed to albums by artists such as Mick Jagger, Puddle Of Mudd, Badly Drawn Boy, Goo Goo Dolls, Blues Traveler, Dokken, Liz Phair, Ron Brown, and The Urban Jazz Network among many others. He was nominated for a Latin Grammy in 2000 for his work on Jaguares "Bajo el Azul de Tu Misterio." https://scottfranciscomusic.com/ @thecareermusician @nomadsplace

This week, we follow Taron Egerton down a magical reality rabbit hole to a world where everyone is apparently an expert dancer and knows perfectly-choreographed dance numbers, and the boys struggle to separate Sir Elton's timeless tracks from Matthew Margeson's alleged score. Pack your bags pre-flight, listeners, because this is Rocketman!

From 2016, From SDCC, Stephen Amell on season five of Arrow and the 100th episode. Shoresh Aghdashlo of The Expanse talks about how her character survives. We also meet Ron Funchess who is Ron in Powerless from SDCC. And lastly I speak to composers Matthew Margeson and Mike Higham of Miss Peregrine's Home For Peculiar Children.Special thanks to Costa Communications.

I speak to composers Matthew Margeson and Mike Higham of Miss Peregrine's Home For Peculiar Children.Special thanks to Costa Communications.

My guest today is Jason Soudah a Composer/Singer-Songwriter/Producer/Mix Engineer from the UK, and has been based in Los Angeles since 2009, when he was invited to intern at Hans Zimmer’s studio complex.  Jason was quickly recruited by composer Matthew Margeson (Rocketman, Kingsman: The Secret Service & The Golden Circle, Rings), and they have been collaborating ever since.   In this “additional music” capacity, Jason has also worked with composers Henry Jackman, Dominic Lewis, Heitor Pereira, Jim Dooley, Al Clay, Daniel Heath, Benjamin Wallfisch, and Ryan Taubert, among many.  As a composer Jason recently won the Best Music Award at the 2019 Boston Film Festival for his score to the movie "Whaling," as well as scoring the multi-award winning Horror Feature "FOLLOWED", and the Emmy-Awarded Documentary Feature “Paradise Reef: The World Is Watching.”   Jason has had songs featured on MTV (The Real World, Teen Mom…). He wrote “A Sporting Chance” for the movie “Eddie The Eagle,” “Ladyphones” for the movie “GI-JOE: Retaliation,” and co-wrote “Handy Candy” for the movie “Miss Peregrine’s Home For Peculiar Children” with composers Matthew Margeson and Mike Higham.  Right now, Jason is writing music for multiple film projects, mixing scores (most recently for BAFTA-supported composer Emily Rice), and collaborating with other songwriters and artists (as a co-writer and/or producer) with a view to creating songs for synch licenses, for the artist/s themselves, or to be cut by other artists.  Jason also produces backing tracks for KIDZ BOP, collaborating with Gary Philips. Thanks to our sponsors! WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars: http://whisperroom.com Spectra1964: https://www.spectra1964.com Eventide: https://www.eventideaudio.com OWC - Other World Computing: https://www.OWC.com RoswellProAudio: https://roswellproaudio.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/234

https://possiblechops.com/musicianmindset/   Raised by a family of magicians, Eric already had stage, TV, and radio experience by age 5. At age 11, the discovery of The Beatles and the movie "That Thing You Do" inspired him to become a drummer. Eric wears multiple hats in the industry. He's the music supervisor at Activision Blizzard, working on games such as Call of Duty, Overwatch, and Guitar Hero. He was previously an Associate Producer at Music and Strategy where he music supervised for brands such as Netflix, Coach, Miller Lite, Ford, and Nest. He is a published arranger through Alfred Music Publishing, having done percussion ensemble arrangements of Star Wars medleys. He has written music for CBS’s The Talk and the podcast “Daddy Issues” as well as orchestrated on movies such as Fast Five with Brian Tyler and Skyline with Matthew Margeson. The movie he recently scored (“The Ballad of Whistler’s Creek”) for the 2019 48 Hour Film Project is currently nominated in the “Best Of” Los Angeles screenings which will be screened at the TCL Chinese Theater. He is a regularly gigging drummer playing for multiple groups, shows, and artists that perform all around the Los Angeles area such as Todd Glass, Wayne Brady, Roger Bart, Barrett Foa, Carlie Craig, Lea Thompson, and many more. You can regularly see Eric playing drums for Baby Wants Candy at Upright Citizens Brigade, weddings and corporate events with Business Time Entertainment, live band karaoke with The Moon Units, indie rock with the artist Speelburg, and on the Netflix comedy special, Todd Glass: Act Happy.

What do Blade Runner, It's A Wonderful Life, Firefly, and The Room all have in common? They are all examples of something that failed to find success upon release but have developed an audience in years since. They are examples of what we call "cult classics".  How do you define what makes something a cult classic? How can some property with a dedicated fanbase be unsuccessful? What does it mean to be a cult classic in the modern era of entertainment? Music and audio from "Rocketman" is the property of Matthew Margeson, Adam Bohling, Matthew Vaughn, David Furnish, David Reid, New Republic Pictures, Marv Films, and Rocket Pictures. Music and audio from "Batman: Mask of the Phantasm" is the property of Shirley Walker, Benjamin Melniker, Michael Uslan, and Warner Bros. Animation. Music and audio from "Mystery Science Theater 3000" is the property of Charlie Erikson, Kevin Murphy, Best Brains Inc., Abominable Pictures, and Satellite of Love. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

In the latest episode of Between the Notes, Tony Black and Sean Wilson talk new work by Alan Menken, Scott Walker, Matthew Margeson and more.They also pick through their Top 5 examples of movies with both scores and songs, including Guardians of the Galaxy, South Park: Bigger, Longer & Uncut and Romeo & Juliet...Host / EditorTony BlackCo-HostSean WilsonTwitter: @btw_notesWe Made This: @wemadethispodTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

In the latest episode of Between the Notes, Tony Black and Sean Wilson talk new work by Alan Menken, Scott Walker, Matthew Margeson and more.They also pick through their Top 5 examples of movies with both scores and songs, including Guardians of the Galaxy, South Park: Bigger, Longer & Uncut and Romeo & Juliet...Host / EditorTony BlackCo-HostSean WilsonTwitter: @btw_notesWe Made This: @wemadethispodTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

In the latest episode of Between the Notes, Tony Black and Sean Wilson talk new work by Alan Menken, Scott Walker, Matthew Margeson and more. They also pick through their Top 5 examples of movies with both scores and songs, including Guardians of the Galaxy, South Park: Bigger, Longer & Uncut and Romeo & Juliet... Host / Editor Tony Black Co-Host Sean Wilson Twitter: @btw_notes We Made This: @wemadethispod Title music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

Composer Matthew Margeson has been behind some of the most stylistic and bold scores in recent memory. His work on films such as Kick-Ass 2, the Kingsman franchise, Eddie The Eagle, Miss Peregrine’s Home For Peculiar Children, and now Rocketman has showcased his versatility across many genres. Matt joins us for his second All Access, this time to dive into the amazing world of the Elton John biopic, Rocketman. Matt reunites with Eddie The Eagle director, Dexter Fletcher for this wondrous yet dramatically heavy exploration of the highs and lows of Elton John’s life as he exploded into one of the biggest musical artists of all time. Learn how Matt worked alongside renowned producer Giles Martin (son of George Martin) to help blur the lines between song and score. While Giles Martin and his team were responsible for reimagining Elton John’s classic songs, Matt worked alongside to write a score that created a seamless musical narrative. Matt also shares how he worked closely with director Dexter Fletcher to find the right tone and approach for Rocketman and how to support the creative vision of the film. We explore other topics such as what Matt learned early in his career working for composers such as Henry Jackman and Hans Zimmer, and what fuels his inspiration for writing music today. A Film.Music.Media Interview | Produced & Presented by Kaya Savas

I had the enormous luck to get the composer Matthew Margeson as a guest on my show. He talks a lot about his career, how it was to work for directors like Tim Burton and Matthew Vaughn and also describes the process behind his scores. Fans About Films: The Podcast Created & Hosted by Lasse Vogt Guest: Matthew Margeson Featuring Music by Matthew Margeson, Henry Jackman, Mike Higham, Hans Zimmer & Jason Soudah Please visit Matthew here: https://twitter.com/matthewmargeson You can find all of my stuff here: www.facebook.com/lasse.vogt.7 www.facebook.com/LasseVogtPodcast/ twitter.com/LasseVogt https://scoregeek.wordpress.com/ www.youtube.com/channel/UC8OpBQEY…iew_as=subscriber

Avec les musiques de "La Révolution silencieuse" (Christoph M. Kaiser, Julian Maas), "Action Ou Vérité" (Matthew Margeson), "Rampage" (Andrew Lockington), "Paul, Apôtre du Christ" (Jan A.P. Kaczmarek), "Otages à Entebbe" (Rodrigo Amarante), "Milf" (Benjamin Molinaro), "Cornelius, le meunier hurlant" (Martin Wheeler / Iggy Pop)

Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Retour sur 5 B.O récentes : "Pierre Lapin" (Dominic Lewis), "Red Sparrow" (James Newton Howard), "Kings" (Nick Cave & Warren Ellis), "L'Île aux chiens" (Alexandre Desplat), "Southern Belle" (Maud Geffray) - Les B.O des films à l'affiche les 18 & 25 avril, et 2 mai 2018, dont "Escobar" (Federico Jusid), "Nico, 1988" (Gatto Ciliegia Contro il Grande Freddo), "Sonates pour Roos" (Alex Simu), "My wonder women" (Tom Howe), "Strangers Prey At Night" (Johannes Roberts), "Game Night" (Cliff Martinez), "Allons enfants" (Tsirihaka Harrivel, Vimala Pons), "La Révolution silencieuse" (Christoph M. Kaiser, Julian Maas), "Action Ou Vérité" (Matthew Margeson), "Rampage" (Andrew Lockington), "Paul, Apôtre du Christ" (Jan A.P. Kaczmarek), "Otages à Entebbe" (Rodrigo Amarante), "Cornelius, le meunier hurlant" (Martin Wheeler / Iggy Pop) - Avant Premières : "Death Wish" (Ludwig Göransson), "Sans un bruit" (Marco Beltrami)

In Episode 1 of Cinescope Today, Chad and Seth talk about Jumanji: Welcome to the Jungle! The Cinescope Podcast on iTunes Show Notes Stats Released December 20, 2017 Dir. Jake Kasdan (Zero Effect, Orange County, The TV Set, Walk Hard: The Dewey Cox Story, Bad Teacher, Sex Tape) Written by Chris McKenna, Erik Sommers, Scott Rosenberg, Jeff Pinkner Music by Henry Jackman (Gulliver's Travels, Winnie the Pooh, X-Men: First Class, Puss in Boots, Abraham Lincoln: Vampire Hunter, Wreck-It Ralph, Captain America: The Winter Soldier, Kingsman: The Secret Service, Captain America: Civil War, Kong: Skull Island, Kingsman: The Golden Circle w/ Matthew Margeson) Starring Dwayne “The Rock” Johnson, Kevin Hart, Karen Gillan, Jack Black, Nick Jonas, Bobby Cannavale, Alex Wolff, Madison Iseman, Ser'Darius Blain, Morgan Turner Contact Seth Twitter Chad Twitter Facebook Letterboxd An American Workplace | A Retrospective The Office Podcast Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support!

As the year is winding down, we catch up with Henry Jackman who is one of our favorite guests on Film.Music.Media. Since Henry was recently a guest on our All Access series, we instead focus just on all the happenings in Henry's world since the last time we spoke to him. We dive into Jumanji: Welcome To The Jungle where Henry talks about how exciting it was to create a score truly built on themes and melodies. Hear Henry talk about how he channeled the musical spirits of James Horner and Alan Silvestri to really try and make a rousing symphonic adventure score, which we don't get often these days. Henry also talks about returning to the world of Matthew Vaughn with Kingsman: The Golden Circle. Henry talks about how he and co-composer Matthew Margeson tackled the second entry in Vaughn's stylish series. With 2018 almost here we finish up our chat by looking forward to what's ahead! Interview Produced & Presented By:Kaya Savas Special Thanks: Henry Jackman, Ray Costa, Costa Communications

主播打分： 海老鼠（普通话最标准之影评人）：5.5分； 短评：略（没几句有用的） （海老鼠高分狂魔罪证：《寻梦环游记》8分；《正义联盟》6.5分；《东方快车谋杀案》5.5分；） 隐形（笑声最标准之影评人）：6.5分； 短评：略（没几句正经的） （隐形不靠谱打分：《生存家族》6.5分；《天才枪手》6分；《猩球崛起3》6分；） 波米：6分； 短评：略（金句不要太多根本选不过来的） 《王牌特工2》平均分：你们自己不会算吗？ 本期节目流程与目录： 开场曲：(Henry Jackman,Matthew Margeson)； 第0秒-尾声：全程无序尬聊； 尾声曲目：(Mark Strong)。影片《王牌特工2：黄金圈》重要信息： 本片北美分级：R级； 本期节目重点提及的电影片单： （压根没提几部都是你们知道的也懒得列了）

Après un premier volet particulièrement décoiffant et coloré, les Kingsman sont de retour dans The Golden Circle. À la baguette, Matthew Margeson et Henry Jackman, déjà à l'œuvre sur le premier épisode. Côté actu, détour par Detroit et crochet par Saint-Maurice avec Knock et Cyrille Aufort. Une émission enregistrée avec les compères de SIlla BO (@Silla_BO)

[Watch the video interview on our YouTube Channel] On this All Access, we sit down with the wonderfully talented Matthew Margeson. We discuss Matthew's background and how a series of events including his love for musical theater led him to pursue music as a career. After college he finally made the leap to become a film composer by moving to Los Angeles with nothing but $500 in his pocket. Hear Matthew talk about his early days of being an assistant to Klaus Badelt and doing additional music for composers like James Dooley and Henry Jackman. Hear about all the mistakes he made on Skyline, one of his big first solo credits, and how he learned from those mistakes. Matthew talks about all the fundamentals he learned in his early days that he then applied to his own work as a composer whether it was on solo projects like Eddie The Eagle or co-composed projects like Kick-Ass 2, Miss Peregrine's Home for Peculiar Children and the Kingsman films. We discuss working with different directors such as Matthew Vaughn and Tim Burton, and how each director works with composers. We also delve into Matthew's process as he shares how he approaches projects from the start. Whether it's scoring a wacky TV comedy like Wrecked, following in Hans Zimmer's footsteps for Rings, or arranging Stephen Sondheim's classic music for Disney's adaptation of Into The Woods, we cover it all. Matthew has accomplished some amazing feats very early on in his career and it was a great pleasure to have him as a guest on this All Access! Interview Produced & Presented By: Kaya Savas   Special  Thanks: Matthew Margeson, Ray Costa, Jenay Tally, Costa Communications

Matthew Margeson is an American composer who has written and arranged music for some films including Transformers: Revenge of the Fallen, X-Men: First Class, Wreck-It Ralph, Captain Phillips, Into The Woods, Eddie The Eagle, and Miss Peregrine's Home for Peculiar Children..Matthew Margeson teams up with composer Henry Jackman, for the third time, to compose the original score for the spy-action-adventure-comedy, KINGSMAN: THE GOLDEN CIRCLE, the sequel to 2015'S KINGSMAN: THE SECRET SERVICE - both directed by Matthew Vaughn.Kingsman: The Golden Circle brings a new adventure that will test the agents' strength and wits when their headquarters are destroyed and the world is held hostage, their journey leads them to the discovery of an allied spy organization in the US. Kingsman: The Golden Circle opens in theaters September 22, 2017.In this episode, MATTHEW MARGESON talks about how the theme for the principal villlain proved to be one of the most difficult scoring challenges and how director Matthew Vaughn challenged them to get 25 fiddlers and 18 guitarists into one room to record for the score.ANNOTATED TRACKS01:37 - Track - “Eggsy is Back”07:22 - Track - “Poppy"09:33 - Track - "Statesman"11:13 - Track - "Tornado in the Trailer Park"13:41 - Track - "The Kingsman Hoedown"SOUNDTRACKThe original scoundtrack to KINGSMAN: THE GOLDEN CIRCLE is scheduled for release in October 2017.MORE ABOUT THE COMPOSERYou can find follow Matthew Margeson on Twitter @matthewmargesonABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesStitcher RadioGoogle Play PodcastsRSS FeedType

Composer Matthew Margeson takes some time to talk about his fantastic new score to Kingsman: The Secret Service, which he co-composed with friend and collaborator Henry Jackman. Matt shares his path to film composing and reveals his love for Broadway and musicals, which was the source of his love for music. He got to realize his dream by doing additional orchestrating for the recent Disney adaptation of Into The Woods. We talk in-depth about collaboration, and how he found his path working as an assistant to high-profile composers including Henry Jackman. Matt talks about all the things you will learn being an additional composer, and how that evolved into a fantastic working relationship with Henry. We discuss Kingsman and everything the movie needed musically, including working on a stylized project with director Matthew Vaughn. Matt is a fantastic talent who has shown extreme versatility and a strong style very early in his career. His grasp on film music shines through his work, and it was a pleasure to chat with him about his process. Interview Conducted By:Kaya Savas Special Thanks:Matthew MargesonRay CostaAsenath NakayamaAlbert TelloCosta Communications Visit filmmusicmedia.com for more!

Matthew Margeson has composed scores for such films as "Eddie The Eagle", "Miss Peregine's Home for Peculiar Children",  and the 2014 hit "Kingsman: The Secret Serice", on which he collaborated with colleague Henry Jackman. The duo got back together for the sequel - "Kingsman: The Golden Circle", one of the mostly highly-anticipated movies of Fall '17. In this 'LCJ Q&A Podcast' episode, Jackson talks with Margeson about composing big action scenes, the addition of Amercian music to the "Kingsman" franchise and icon Elton John's appearance in the film. 

In a radical move for director Tim Burton, the score for his latest film was written by the collaborative team of Mike Higham and Matthew Margeson, both skilled in composing, orchestrating, and arranging for a diversity of projects (including several Hans Zimmer productions).  I’ve divided the podcast on Miss Peregrine’s Home for Peculiar Children into separate halves, starting with Matthew Margeson in Part 1, and Mike Higham in Part 2. Additionally, coming soon is a separate and more detailed Q&A with Higham on his other specialized skill, an ace music editor. Visit KQEK.com for more info and a review of La-La Land Records’ Miss Peregrine soundtrack CD. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

In a radical move for director Tim Burton, the score for his latest film was written by the collaborative team of Mike Higham and Matthew Margeson, both skilled in composing, orchestrating, and arranging for a diversity of projects (including several Hans Zimmer productions).  I’ve divided the podcast on Miss Peregrine’s Home for Peculiar Children into separate halves, starting with Matthew Margeson in Part 1, and Mike Higham in Part 2. Additionally, coming soon is a separate and more detailed Q&A with Higham on his other specialized skill, an ace music editor. Visit KQEK.com for more info and a review of La-La Land Records’ Miss Peregrine soundtrack CD. If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter. Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

On episode three of CINEMATIC SOUND RADIO ON WROCK we will be playing music from three brand new film scores. You’ll hear music from Marco Beltrami’s brilliant action adventure score to GODS OF EGYPT, Matthew Margeson’s love letter to the 80’s with EDDIE THE EAGLE and John Debney’s spiritual score THE YOUNG MESSIAH.Our John Williams album of the week is 1990’s STANLEY AND IRIS. La La Land Records’ new presentation of Jerry Goldsmith’s TAKE A HARD RIDE is our film music vault feature. The third movement of Nobuo Uematsu’s FINAL FANTASY VII symphony is our video game selection of the week. BSX Records’ outstanding reconstruction and re-recording of Vangelis’ classic score to 1982’s BLADE RUNNER is our re-recording of the week. And we’ll end the program with two end credit pieces; John Barry’s ROBIN AND MARIAN and Richard Robbins’ A ROOM WITH A VIEW.

On episode three of CINEMATIC SOUND RADIO ON WROCK we will be playing music from three brand new film scores. You’ll hear music from Marco Beltrami’s brilliant action adventure score to GODS OF EGYPT, Matthew Margeson’s love letter to the 80’s with EDDIE THE EAGLE and John Debney’s spiritual score THE YOUNG MESSIAH.Our John Williams album of the week is 1990’s STANLEY AND IRIS. La La Land Records’ new presentation of Jerry Goldsmith’s TAKE A HARD RIDE is our film music vault feature. The third movement of Nobuo Uematsu’s FINAL FANTASY VII symphony is our video game selection of the week. BSX Records’ outstanding reconstruction and re-recording of Vangelis’ classic score to 1982’s BLADE RUNNER is our re-recording of the week. And we’ll end the program with two end credit pieces; John Barry’s ROBIN AND MARIAN and Richard Robbins’ A ROOM WITH A VIEW.

Matthew Margeson is a composer for movies such as Oscar nominated “Captain America: The Winter Soldier”, Oscar nominated “Wreck-It Ralph”, Oscar nominated “Captain Phillips”, “Kick-Ass 2”, “This is the End”, “Abraham Lincoln: Vampire Hunter”, “X-Men: First Class”, “Pirates of the Caribbean: On Stranger Tides”, “The Expendables”, and “Eddie the Eagle” which is currently in theaters nationwide.

Take some time this week to remember your original happy hour: Saturday mornings as a kid, waking up at dawn, jumping on the couch with a bowl of chocolate cereal, turning on the ‘toons, tuning out the outside world, and working your way into a sugar hangover before noon. Join us for an encore presentation ofThe Music Issue, featuring our old friend, composer David Raiklen (Space Command, Mia: A Dancer's Journey, Universal Soldiers), and our new friend, composer Matthew Margeson (Kingsman: The Secret Service, Captain America: Winter Soldier, X-Men First Class) all about the great music that we fans usually get to take for granted. And as a special treat for the big Avengers weekend, we present, for the first time since 1952, recently unearthed episodes of the old radio drama Brock Dandy P.I., which proves that the Avengers have been around a lot longer than you thought!

Take some time this week to remember your original happy hour: Saturday mornings as a kid, waking up at dawn, jumping on the couch with a bowl of chocolate cereal, turning on the ‘toons, tuning out the outside world, and working your way into a sugar hangover before noon. Join us for The Music Issue, featuring our old friend, composer David Raiklen (Space Command, Mia: A Dancer's Journey, Universal Soldiers), and our new friend, composer Matthew Margeson (Kingsman: The Secret Service, Captain America: Winter Soldier, X-Men First Class) all about the great music that we fans usually get to take for granted. And as a special treat for the big Avengers weekend, we present, for the first time since 1952, recently unearthed episodes of the old radio drama Brock Dandy P.I., which proves that the Avengers have been around a lot longer than you thought!

Et voici le premier épisode complet de 24FPS, le podcast ciné avec ou sans spoiler, de l'année 2015, et il est consacré au film Kingsman Services Secrets de Matthew Vaughn !Dans la première partie de l'émission, Jérôme et Julien reviennent tout d'abord sur le comic book d'origine puis sur la carrière déjà riche de Matthew Vaughn, avant de livrer leurs impressions sur Kingsman Services Secrets sans le moindre spoiler. Puis, après le signal sonore, ils explorent les détails du film en racontant toute l'histoire mais aussi en relevant les références dissimulées dans celui-ci.Bonne écoute, et n'hésitez pas à réagir aux différentes questions restées en suspens durant l'émission !Crédits musicaux : Manners Maketh Man de Henry Jackman & Matthew Margeson, issu de l'album Kingsman The Secret Service (2015), et Money For Nothing de Dire Straits, issu de l'album Brothers In Arms (1985)