Podcasts about pretty girls

Hey writers! Sarina here! I have never been quiet about how much I enjoy Karin Slaughter's work. So when the opportunity arose for me to read her brand new book, We Are All Guilty Here, and then interview her about it, I raised my hand faster than an extra in a deodorant ad. The new book is a series starter with a kickass female heroine, and I could not have loved it more! Join as as I quiz Karin on: * How to write a sweeping series starter* Small towns as a setting. How small is too small?* The difference between a procedural and psychological suspense* Character development and much more! Karin is incredibly smart and such an important voice in suspense. You won't want to miss this one!Other favorite's of Karin's that we discussed include:Pieces of Her The Grant County seriesHey, Jess here to talk to you about a series I have created just for supporters of the #AmWriting Podcast.I met an aspiring author and speaker who has an idea for a book that just knocked me over. I said, please, please write that book. This is someone who had an idea that has a place in the market. It's timely. She's the perfect person to write it, and I asked her, I begged her, if I could please mentor her through this process publicly on the podcast.So while we're not giving her full name and we're not giving the actual title of the book, because we don't want to hand those things away, I am coaching her through the entire process, from preparing her book proposal to querying an agent. I'm going through the whole thing with her. She knows nothing about the publishing industry, she knows very little about how one goes about writing a book—so essentially, this is as I mentioned before, from soup to nuts, From Authority to Author, and hopefully we'll get her there.But really, whether or not this book ends up selling, whether after this book she ends up having a speaking career, this is about the process of preparing to do that. I hope you'll join us.This series is for supporters only, so if you are a free subscriber right now, consider upgrading. Remember, if you upgrade, you'll also get the ability to submit for our First Pages Booklab, and lots of other fun stuff that we put out just for supporters—So come join us. It's a lot of fun.Transcript below!EPISODE 461 - TRANSCRIPTJess LaheyHey, Jess here to talk to you about a new series I have created just for supporters of the Hashtag AmWriting Podcast. I met an aspiring author and speaker who has an idea for a book that just knocked me over. I said, please, please write that book. This is someone who had an idea that—it has a place in the market, it's timely, she's the perfect person to write it—and I asked her, I begged her, if I could please mentor her through this process publicly on the podcast. So while we're not giving her full name and we're not giving the actual title of the book, because we don't want to hand those things away, I am coaching her through the entire process, from preparing her book proposal to querying an agent. I'm going through the whole thing with her. She knows nothing about the publishing industry. She knows very little about how, you know, one goes about writing a book. And so she—essentially, this is, as I mentioned before, From Soup to Nuts, From Authority to Author, and hopefully we'll get her there. But really, whether or not this book ends up selling, whether this book—she ends up having a speaking career—this is about the process of preparing to do that. How do you write a book? How do you prepare to become a speaker on the back of that book? So I hope you join us. This is a series for supporters only, so if you are a free supporter—or if you're a free subscriber right now—consider upgrading. Remember, if you upgrade, you'll also get access to the ability to submit for our First Pages Booklab and lots of other fun stuff that we put out just for supporters. So come join us. It's a lot of fun.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now one, two, three.Sarina BowenHello, my name is Sarina Bowen, and you're listening to the AmWriting Podcast. This is the podcast about writing all the things—short things, long things, fictional things, non-fictional things, pitches and proposals—in short, this is the podcast about sitting down and getting the work done. I am alone today with an interview that I could not be more excited about. I don't know how I drew the long straw here, but today I have the pleasure of interviewing Karin Slaughter. She is the author of more than 20 instant New York Times best-selling novels, including the Edgar-nominated Cop Town and standalone novels The Good Daughter, Pretty Girls, and Girl Forgotten. That's actually an amazing one, by the way—go read it. She's published in 120 countries, with more than 40 million copies sold across the globe. She also has a number one Netflix series and another long-running series. She has hit all the bells and checked all the boxes in thriller land, and she is also just one of my favorite writers. So happy to be here. Welcome, Karin Slaughter.Karin SlaughterIt's my pleasure. Thank you.Sarina BowenWe're here to talk about your August release, which is called We Are All Guilty Here. I received this ARC a few months ago—actually read it immediately—because I love your suspense, and I also was really excited to see that it was clear as day on the release. So you owe me now that it's a series starter.Karin SlaughterIt is, yeah. It was a lot of fun planning it out.Sarina BowenOh, good, yeah. And I want to hear a little bit about that, but I'm just going to read the very short flap copy for We Are All Guilty Here so we all know what we're talking about.[Reads flap copy]The first thrilling mystery in the new North Falls series from Karin Slaughter. Welcome to North Falls—a small town where everyone knows everyone. Or so they think. Until the night of the fireworks, when two teenage girls vanish and the town ignites. For Officer Emmy Clifton, it's personal. She turned away when her best friend's daughter needed help—and now she must bring her home. But as Emmy combs through the puzzle the girls left behind, she realizes she never really knew them. Nobody did. Every teenage girl has secrets. But who would kill for them? And what else is the town hiding?So, flap copy very much pitched as a thriller. Here is the problem here—you know, we're wanting the solution, but I would argue that your novels are always, always about bigger than the problem and its solution. So how did you conceive of this town, and what does North Falls mean to you as you were getting into it?Karin SlaughterWell, I mean, North Falls is a very small town inside of a larger county. So it's rural, but it's not tiny like my Grant County Series. And I think that I learned some lessons in Grant County—mainly, make it a larger town so there's more people you can kill, because at a certain point, why would anyone live in this tiny town? But also, I knew going into it that it was going to be a series. And so, you know, unlike Grant County and Will Trent—which I was hoping would be series, but I wasn't sure, and I was at a different point in my writing life—you know, I'm pretty sure, 25 books in, that they're going to publish at least two or three more of my books. So I thought, let me set this up as a series, and let me do this world building that can carry on into several books, and let's make this town. You know, North Falls is the seat of the county, but it's also in a county called Clifton County. And the main narrator you meet is called Emmy Clifton, and she's a sheriff's deputy. Her father, Gerald Clifton, is the sheriff of this county. There are Cliftons everywhere—there are rich Cliftons and poor Cliftons—and so you have this family saga potential. But also, it gave me the opportunity to plant a lot of different seeds that will later grow into novels. So I was really happy about that, but I definitely structured the county in a way where there's plenty of space to tell stories.Sarina BowenRight. So I noticed, and when I read a book like this, I am reading it as a reader, but also as a writer.Karin SlaughterYes.Sarina BowenAnd so I really noticed how long the character count in this book is—by which I mean how many characters there really are, how many named characters. There's so many of them, and that felt really fearless to me, you know, like you weren't sitting there at your keyboard wondering if you were going to ask your reader to remember this other family member, but you just went for it. And is that something that you ever try to balance? Like, you're not taking it easy on us here, and ultimately, I loved every word of it. But do you ever worry about that? Like, do you let that voice from other books past into your brain to say, like, well, that one time…Karin SlaughterNot really. You know, I think a writer's job is to trust the reader, and it's certainly my job to tell a story that is gripping and that makes sense and that pulls them into the world. And so what I was thinking about as I was writing this was, I need to write these characters in such a way that you care about them; otherwise, you won't care what happens. And, you know, Emmy is in a pretty universal position for a lot of millennial women. She's in a marriage that's not a great marriage. She's trying to raise her son. Her parents are starting to get older—you know, they're failing a little bit—so she's noticing that. And in the middle of this, she has this horrific crime happen where these two girls are abducted. And because they are in this small town, she knows one of these girls, who's actually a stepdaughter of her best friend—her best friend since kindergarten—and so just that one thing happening blows her world apart. To me, that's what the hook is. You know, there's this greater mystery of what happened to these girls, what's going to happen, who took them—all those things—but there's also something that I rely on a lot in my books, which is the mystery of character, and people wanting to know more about how does Emmy navigate this. What happens to her brother and her sister-in-law, and this handsome guy who is the school resource officer? You know, how does this all play out? And that, to me, is the job of the writer—to make these characters interesting and make the plot and the balance of the character stories fit together in a way that, you know, when there's not a car chase or a gunfight or whatever, you still want to keep reading because you're involved in the mystery of the character.Sarina BowenYeah, and we sure are. And Emmy is just the beating heart of this book, but she is not your only point of view character. And how—is that something you really have to fiddle with as you go, like, do you try on other point of view characters and then pick the winners as you go?Karin SlaughterYeah... I never have, you know, I think that I'm a very opinionated writer. I have a very firm sense of point of view. And so I knew that Emmy was going to get the bulk of the first part of the story. And then I knew that Jude was going to come in when she came in, and that I would have to build out, like, just drop the reader in this unfamiliar, new world, right in San Francisco, with like, a completely different character, and you don't know what's going on, and you make assumptions about her based on what she does for a living and all this other stuff. And you know, I knew that was coming all along and that the book would be told from these two women's points of view. I never felt—other than the early part with Madison, one of the girls who is abducted—I never really felt like anyone else could tell these stories.Sarina BowenOkay! And you mentioned that you learned some things from writing your Grant County Series that informed your choice of the size and milieu of what you chose for North Falls and for Clifton County. What do you think? How did it feel to start a series in 2025 versus starting one, you know, a decade ago? Like, is there anything about the world that made your choices different, or is it all, um, you know, coming from what you've learned as an author?Karin SlaughterYeah, I think it's cumulative. I mean, the point of being an author with a 25-year career is to learn from each book, and I never want to feel like when I finish a book, oh, that's perfect. I can't do better than that. I always, you know, want to learn something, and then the next book I want to try something new. I mean, I could have just kept writing Will Trent novels and occasionally standalones for the rest of my life. I mean, and I am going to write more Will Trent novels interspersed with North Falls. It's really important to me to—I love that character, I love Sara Linton, and I want to keep telling those stories. And I actually have another idea for a standalone I want to do. But, you know, the point of being a writer is to get better at it. I think anybody who loves writing and the challenge of writing, and feels a calling, wants to be better with each story—to hone certain skills, to do novel things (to use a pun there) in their writing that challenge them and make the work more interesting—and that's what I try to do with every book. So starting North Falls this far into my career was a leap, but I think, hopefully, it's one that has paid off for me as a writer, just to have the ability to tell new stories and kind of prove that I've got more stories in me.Sarina BowenYeah, I confess that I regularly have moments where I stop myself and ask, have I said this before this way? Have I done this little thing before? And what would you tell me about that—like, to just, like, get over myself? Or, you know, what happens when you come to a moment like that in your own story craft?Karin SlaughterWell, I mean, in polite terms, you could think of it as an homage to yourself. I mean, honestly, I'm writing about murder. I'm writing about violence against women. I mean, I do write about men dying, but no one seems to care—so sorry, guys. You know, I had one book where I killed, like, six men, and then the next one I killed one woman, and they were like, wow, this return to violence. I'm like, come on, guys. But yeah, you know? So I think how you do it is you have to think of it through the lens of the character, and that's a choice I made in Grant County and Will Trent—was that they were going to be affected by what happened in the previous book, right? So, you know, you don't have a situation—you know, I love series novels, but there are some where… and Jack Reacher is an exception because I love Jack Reacher, and every Reacher book is: he gets to a new town, people are doing bad s**t, and he shoots a lot of people, and he makes it right, you know. And I love Jack Reacher. But, you know, some writers do write the same thing over and over again—they have the same concept or the same gimmick—and that's never been a career that I'm interested in. For me, I want to tell new stories and do new things. And, you know, after a while you run out of crimes that are new crimes. You know, I've written about abduction before, I've written about abuse before, but it's the character—the way the character sees a story, and the connection, the emotional connection the character has—that makes a difference. And, you know, in many ways, it's harder to write a novel in North Falls, where Emmy has a personal connection to the crimes that are occurring, as opposed to writing a Will Trent novel set in Atlanta, where, you know, it's a stranger to them. And so I have to...Sarina BowenIf Will Trent knew—yeah, if Will Trent knew every dead person, that would just seem weird.Karin SlaughterYeah, exactly, yeah. And so I have to find a way into the story, and with Will and Sara, for instance, it's a little more difficult than something where, okay, there's this immediate emotional connection, because I'm writing in North Falls more psychological thrillers, as opposed to Will Trent, which is more procedural.Sarina BowenOkay, can I poke you about that a little bit? Because, um, these words are used a lot. Procedural, to me, I've always understood to be a professional character. So Emmy Clifton is a law enforcement officer—she's a pro—so in strictly, strict definition, this is a procedural novel. But how do you feel the difference between psychological versus procedural functions in those two series?Karin SlaughterWell, you know, I think absolutely, if you want to be strictly by definition, it would be procedural. But, you know, the thing about thrillers is they're all things now, right? I mean, you could call it domestic—a domestic thriller, or domestic mystery, or whatever—you could call it, you know, a family story. And I think of it more as a saga, because it is about a family spanning generations, and this town spanning generations. But, you know, yeah, there's a procedural element. There's also—like, it's very emotionally tied into the character. There's a darkness to it, so it's psychologically, you know, you're very close to the bone on it. And I think that's why I would call it more of a psychological thriller, as opposed to Will Trent where, you know, it's very led by the investigatory steps, right? Like, you know, if Will Trent is going to be there, they're going to talk to witnesses, they're going to talk to suspects, they're going to, you know, have to fill in with their boss. There are just different parts of that that, in one way, the structure makes it easier to write than something like We Are All Guilty Here. But, you know, with this in particular, where you have it talking about not just the crime, but how f*****g hard it is to grow yourself into a woman, as Emmy says, and friendships and relationships and family and dealing with aging parents and, you know, siblings and that sort of stuff—that, to me, is what makes it more in the realm of psychological.Sarina BowenOkay. I've actually really admired the way that you sometimes walk the line on this. For example, I really enjoyed Girl Forgotten, which is the character that is first introduced in Pieces of Her, where she is not a professional. And then in Girl Forgotten, she has joined a law enforcement agency, but it's still her first day on the job—which is just such a wonderfully fun way to throw things at that character—because then it becomes both a procedural and not. Like, she is technically a professional, but she doesn't know what the heck she's doing, and not everybody there is willing to help her. So to me, that was a fantastically fun way of making both things true at once. And when I was reading that book, and of course then this one, I wonder—how you get the legal—the law enforcement stuff? So, like, how did…I know that by now, at this point in your career, you must have many people you can talk to about this, but how did you start that? Like, how did you inform yourself of what you didn't know so that you could fix it and not get those things wrong?Karin SlaughterYeah, you know, when I wrote my second book, I had met a guy who's a doctor, and he is married to a pediatrician, and his brother works on a body farm in Texas. So this is, like, the perfect family for me for what I'm doing to make Sara the smartest doctor on the entire planet. Because, you know, it might take my friend David, who advises me, four days to come up with a solution, but Sara has to do it in half a paragraph. So she's definitely the doctor you want if anything very unusual happens. I mean, her career would be the subject of scholarly articles forever.Sarina BowenZebra is not horses for her.Karin SlaughterExactly, yeah. And so I am…I have them—I have a lot of police officers I speak to, a lot of retired GBI officers. One of them was very helpful in this novel because, you know, the GBI—it escalates, you know, crimes in the state of Georgia escalate completely when there's a child involved, just because, you know, somebody who's in Fulton County can't jump to Acworth, for instance, as far as policing, but the GBI is in charge of the entire state—Georgia Bureau of Investigation—so they handle a lot of kidnappings and abductions. And most of the time, you know, it's statistically…there's a 1% chance it's going to be a stranger. Usually it's a parent or “Uncle Bob,” or, you know, the youth pastor, or someone like that who has access to a child. And so she hooked me into the Center for Missing and Exploited Children, which is a remarkable resource. And, I mean, I think they're just amazing in what they do. But, you know, the thing is, as much as I know about this stuff, I always check my work because I'm not a professional. And, you know, it's very rare these days, I think, for people to say, hey, I'm not an expert in this, let me talk to someone who is and has spent 20 years becoming an expert. But it's really important to me to get those details as correct as I can. Now, they're not always going to be 100% accurate because I'm telling a story, you know? If putting in a chest tube takes 20 different steps…Sara's going to do it, you know, in like a sentence.Sarina BowenRight.Karin SlaughterSo I have to—but I feel like I need to know the rules and I need to know the facts before I fudge them so that I can still give them a sense of believability. I'm writing…not writing textbooks, I'm writing fiction, but I want to be as accurate as possible, and I think that's really important, you know? And I know that a lot of my readers are very immersed in true crime and podcasts and all these sorts of things. And sometimes you can get the accurate information from those. A lot of times you don't. And I want them to say, wait a minute, you know, on “Murder Death Podcast”, they said this would never happen, and if they look it up, or they talk to an expert, they'll be like, ha, “Murder Death Podcast” was wrong. You know, maybe I shouldn't trust this guy or gal who's doing a podcast out of the backseat of her car for my forensic knowledge. So that's my job as a writer—to get it as factually accurate as I can.Sarina BowenYeah, and there are areas, um, where readers care more. Like, when I ask readers, um, what do you—what drives you nuts in research? It's the nurses are really, like, um, triggered by bad medicine. But…Karin SlaughterYeah.Sarina BowenBut there are some areas, you know, like technology, and there are some places where, you know, less accuracy—or more creative accuracy—is more excusable than if you do the nurse thing wrong, because they will come for you.Karin SlaughterYeah, yeah, they will. Or guns…Sarina BowenRight.Karin SlaughterYou know? And it's really because the armorer for the GBI—I actually confirmed some details with him in a book—and, like, some guy in, I don't know, Idaho sent me this angry email saying I got it wrong. And I'm like, talk to the armorer, right? I mean, people…people just want to fight sometimes. But yeah, nurses can be brutal when they come for you. It's like, come on, man. It's funny that you mentioned doctors, actually; doctors are like, you know, people get it wrong, but nurses are like, no, you got this wrong, you need to apologize.Sarina BowenIt's funny that you mentioned the guns, because I heard last year Gregg Hurwitz speak, and he said, “Don't get the guns wrong. The gun people will come for you. And don't hurt the cat, because the cat people will come for you.”Karin SlaughterTrue. It's true. I would say the cat people are more brutal than the gun people.Sarina BowenYeah.Karin SlaughterAs it should be. You should never hurt an animal in a book.Sarina BowenRight. So back to the idea of a series again. I was so excited to see that this will be a series, and I—the expansiveness of the first book makes a lot of sense series-wise. What do you think is actually harder about writing a series versus a standalone, or the reverse?Karin SlaughterWell, you know, in a standalone, the stakes can be much higher because you're not going—you can damage these characters. I mean, you can kill the characters. You can kill them all by the end of the book, you know? So the sense of jeopardy is always heightened in a standalone, at least in my standalones, because I'm not precious with people, even if they're narrators. But, you know, I think it's really important to—no matter what you're writing—just keep in mind that there's someone out there who has experienced the crimes you're writing about. And, you know, a case of gender violence is happening right now, and right now, right now, and right now, right? So it's like every second of the day in the world, it's happening somewhere. And I keep that in mind when I'm writing, and I want to make it matter. I don't want to use it for effect—it's not titillating or sexualized, or any of those things. So, you know, when I'm writing—whether it's a standalone or a series—I want to set up that world where the lives of these people matter, and you understand that the loss of life is felt in the community, and by the family, and the characters, and the investigators, and everyone there. And so, you know, the challenge with the standalone is finding that world, building that world, and then leaving that world, right? It's a lot of work, as opposed to in a series where you know you're going to carry it on. So you have to be a little careful about how you structure things, and you don't want to leave your character in a place where the next book you don't know how they're going to go on, also. And so you have to have some sense of hope, or some sense of closing that one chapter and moving on to the other. I mean, I use a lot of humor in my books. I get a lot of questions about the violence, but I never get questions about the humor. I think it's really important to have that lightness among the darkness. I mean, my grandmother used to say, “You can't fall off the floor,” and I'm a big proponent of that. I think at some point, you know, you have to have some relief from it. And in a standalone, you know, you have a very short runway to do that, but in a series, you have a longer…you know, you can trust the reader, as they get to know these characters, that they have a little more empathy and sympathy with what they're going through.Sarina BowenYeah, so you mentioned darkness, and I've been thinking a lot about this. And your books have some very dark topics and themes, as they must, because you are carrying storylines that are, um, can be very dramatic and have very high stakes. One thing I've noticed about your books, and why I like them so much, is that even in the year of our Lord 2025, when I pick up a Karin Slaughter book, it could be dark as anything, but I know from at least chapter one and a half who I am rooting for and who I care about. So Emmy is a wonderful example of this. Ten minutes into my journey with her, I know that she's my girl. You know, I'm very invested in her, even though that does not mean she has to be perfect, that she isn't flawed, or that she even knows what's going on—but I know, because of the cues that you've given me, that I'm supposed to care about her, and I do instantly. So when I began reading lots and lots of suspense three or four years ago, as I was writing my own, I very quickly sorted all of the suspense in the world that's selling right now into two pots, without trying to—which is the books where I know who I'm supposed to root for immediately, and the books where you don't. And I noticed that that second category is awfully popular now, and maybe is sort of on an upswing, like where the mystery, the story, might be very beautifully rendered, but I don't necessarily care about any of the people, or I'm not sure who to pull for. And that's not because these books aren't well written, but because that's a mood, and I wonder if you've noticed that, and, um, and how you feel about it, just from a writerly perspective. Like, what is going on there? Like, why is there so much darkness in the reader's perspective, and, you know, not just in the themes right now?Karin SlaughterWell, I mean, I think it's where we are, just in the world, right? You had a lot of that before 9/11, and then there was a need after—I mean that, and I speak to 9/11 because that's…my first book was published a few days after 9/11, so…Sarina BowenOh, wow.Karin SlaughterAnd there was this idea, like, you saw it in the TV show 24, where there's good and bad, and there's, you know, black and white. It's very—and then we've moved definitively toward grays. But, you know, I like books where you know where you stand. And I have written books with unreliable narrators at times, and, you know, Gillian Flynn did it best and kicked that off. But, you know the thing about an unreliable narrator or an antagonist being your narrator is, I prefer a Tom Ripley, right? I mean, Tom Ripley, Patricia Highsmith's character, is decidedly a bad guy. He murders and steals and, you know, but you're rooting for him, even not to get caught, you know. And a lot of the tension comes from him making really stupid mistakes, and you're cringing as a reader and thinking, God, how's he going to get out of this? And I don't want him to get arrested, even though he's this bad guy. And I love books that play against that. I think sometimes we have books where people—I mean, what you're saying about not knowing who to root for—I mean, if they're a good antagonist or they're a good foil, like a Moriarty…I mean, a lot of times you're not rooting for Sherlock, you're rooting for Moriarty. It just depends on how it's drawn. But for me, I just felt like, you know, this is sort of a return to Grant County, which is…I started writing Grant County, and, you know, you believe that Jeffrey and Sara and Lena, for the most part, were always trying to do the right thing. And I think we've lost the benefit of the doubt for a lot of people—particularly police officers have lost the benefit of the doubt—which is very troubling, because they police with our consent. And we need to understand who we're giving consent to. And we need to understand—you know, “defund the police” has been, like, a buzz…buzzword, phrase, whatever, for a while now, but rural areas, particularly in smaller states, have been defunding the police for years. And it's not a movement or anything; it's just not paying people enough money to live off of, right? So we've got police officers who have two or three jobs, rather than professionals who have one job, and that pays their bills, and they can take care of their responsibilities with that. So we've been defunding them. We don't give them enough training, and we're just seeing an erosion of that. And so it's something that I'm going to talk about a little bit in this next novel—is that defunding of police and how it's been, like, a nationally…it's been a real issue. We're seeing a deterioration in police forces because of it, and particularly in retention. And so that's definitely something I want to talk about, but I think you have to put it in context and take the politics out of it, because it's not politics. It's just people not having money to pay, or choosing not to pay for services that they really need.Sarina BowenRight. Or it is politics. It's just not party politics. It's just…Karin SlaughterExactly, yeah, yeah.Sarina BowenIt's just bad politics.Karin SlaughterYeah, well, it's bad social engineering.Sarina BowenYes.Karin SlaughterBasically. So it's there…if you could look at it from a sociological standpoint, it's just a really bad idea. And, you know, you don't retain good officers. So what do you have when that's over? You know, and not to say, like, paint entire police forces as bad because they're just not making money—but, you know, it takes…all it takes is a few bad cops, and a police force is in jeopardy.Sarina BowenRight, like, would you rather live in a state where the cops and the teachers were paid well, or a state where they weren't and…?Karin SlaughterYeah, yeah.Sarina BowenWell, I really appreciate you taking the time to talk with us today about all of these story craft problems that were mired in all week along. If listeners want to find you, where is the best place for them to look, besides the bookstore, where this this book is coming?Karin SlaughterWell, I I'm all over social media. All you have to do is search for me. You see a little black cat with gorgeous green eyes. That's my baby boy, Dexter. So that gives you an indication of it. You're in the right place, or Facebook, obviously, but yeah, I'm all over the place.Sarina BowenWonderful! Thank you so much for being with us today, and listeners, until next week—keep your butts in the chair and your heads in the game.Jess LaheyThe Hashtag AmWriting Podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about Bookshop.org, Read Dating, and Stephen King. Then, stick around for a chat with Karin Slaughter!Karin Slaughter is one of the world's most popular and acclaimed storytellers. She is the author of more than twenty instant New York Times bestselling novels, including the Edgar–nominated Cop Town and standalone novels Pretty Girls, The Good Daughter, and Pieces of Her. She is published in 120 countries with more than 40 million copies sold across the globe. Pieces of Her is a #1 Netflix original series starring Toni Collette, and WILL TRENT, based on her Will Trent series, is on ABC (and streaming on Hulu in the U.S. and Disney+ internationally). False Witness and The Good Daughter are in development for television. Slaughter is the founder of the Save the Libraries project—a nonprofit organization established to support libraries and library programming. A native of Georgia, she lives in Atlanta.

Bestselling author Karin Slaughter shares how she got her start, explores her writing process, and gives listeners a look at what's coming next. Karin Slaughter is the author of more than twenty instant New York Times bestselling novels, including the Edgar–nominated Cop Town and standalone novels Pretty Girls, The Good Daughter, and Pieces of Her. She is published in 120 countries with more than 40 million copies sold across the globe. Pieces of Her is a #1 Netflix original series starring Toni Collette, and WILL TRENT, based on her Will Trent series, is on ABC (and streaming on Hulu in the U.S. and Disney+ internationally). False Witness and The Good Daughter are in development for television. Slaughter is the founder of the Save the Libraries project—a nonprofit organization established to support libraries and library programming. A native of Georgia, she lives in Atlanta. Her latest novel is WE ARE ALL GUILTY HERE. Learn more at Karinslaughter.com. Special thanks to NetGalley for providing advance copies. Intro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table:On Twitter/X: @writingtablepcEverywhere else: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Hey, Comedy Lovers! ✤ Welcome to "Ian Lara" ⭐ All advice is bad advice, please do adult things and put this podcast on in the background.

After Dark with Hosts Rob & Andrew – American Apparel's latest campaign featuring Sydney Sweeney reignites the buzz around great jeans and beauty standards. As sales soar and stock prices jump, controversy erupts over the choice of spokesmodel, sparking debate about fashion, race, and pop culture. I explore how jeans remain a timeless symbol—celebrated by icons from Sydney Sweeney to Beyoncé—and why they still matter...

Nadina LaSpina author Such a Pretty Girl

After Dark with Hosts Rob & Andrew – American Apparel's latest campaign featuring Sydney Sweeney reignites the buzz around great jeans and beauty standards. As sales soar and stock prices jump, controversy erupts over the choice of spokesmodel, sparking debate about fashion, race, and pop culture. I explore how jeans remain a timeless symbol—celebrated by icons from Sydney Sweeney to Beyoncé—and why they still matter...

Flo is in the greenhouse today with Clairo, an American musician whose music encompasses elements of lo-fi pop, soul and introspective folk. She grew up on the internet, with her viral hit Pretty Girl landing on YouTube in 2017. Three albums later, Clairo's work feels like it's maturing with her, but still maintains the raw intimacy and emotional clarity that her growing fanbase know her for. In the greenhouse, Flo and Clairo pot on sweetcorn while they avoid a London rainstorm. During this meditative task they talk about growing up on the internet, their mutual love of the band Broadcast, the euphoric joy of soul music and how this is inspiring Clairo's new work. This episode of Digging is sponsored by Niwaki: the go to destination for functional, durable Japanese gardening gear. For 10% off your Niwaki purchase, head to Niwaki.com and enter the code DIGGINGWITHFLO at the checkout. Presenter - Flo Dill, Producer - Lizzy King, Editing - Omar Serge, Sound Recording and Mastering - Sophie EllisonA video version of this episode is also available on YouTube.Music - Cleaners from Venus - The Artichoke That Loved Me, courtesy of Martin Newell & Captured Tracks. Hosted on Acast. See acast.com/privacy for more information.

30 years ago, Ani Difranco released one of her most critically acclaimed albums ever. Although she stayed in the indie world, her talent broke through and she was able to create a lasting legacy that is still ongoing to this day. Well, the shows already a bit late, so that's going to be it! We have Moses and Danielle on today too! It's a great conversation dont miss it!!!!!!!Show Links:Eating Hot Wings while listening to Baroness: https://youtu.be/CoDzq-FzOqgVideo Essay about Fascism and the R-Word: https://youtu.be/J6k7N7el160?si=19wr72wYmwSLXZhuOUR DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/2stA2P7pTC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/flyoverstatepark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠EVERYTHING ELSE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/FlyoverStatePark⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Karin Slaughter is one of the world's most popular storytellers. She is the author of more than twenty instant New York Times bestselling novels, including the Edgar-nominated Cop Town and standalone novels The Good Daughter and Pretty Girls. A native of Georgia, she lives in Atlanta. Visit her website at: www.karinslaughter.com Spies, Lies and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #TheTwilightTown #KarinSlaughter #WeAreAllGuiltyHere

Karin Slaughter is one of the world's most popular storytellers. She is the author of more than twenty instant New York Times bestselling novels, including the Edgar-nominated Cop Town and standalone novels The Good Daughter and Pretty Girls. A native of Georgia, she lives in Atlanta. Visit her website at: www.karinslaughter.com Spies, Lies and Private Eyes is copyrighted by Authors on the Air Global Radio Network #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers#writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #terrencemccauley #terrencemccauleybooks #bookouture #thrillers #TheTwilightTown #KarinSlaughter #WeAreAllGuiltyHere

This week we are discussing the Will Smith song Pretty Girls released in May of 2025. Spoiler alert, this song is awful, but it is so awful it's good, or so awful we could barely sit through the music video? The answer will probably not surprise you!Also in this prepisode music news of the weird, listener emails and we announce next week's album.  In this episode we discuss Tim's birthday celebration, what happened to the stuff the IRS seizes from celebrities like Wesley Snipes, the many successful movies Will Smith turned down, trying to remember what people are on cash, ranking Muppet movies, Kanye's newest name change and so much more!  Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: Quick update on the goings on at the world headquarters Discuss our history with the song/band Song discussion - lyrics and music Music Video How the song did worldwide Amazon reviews Listener email (just 2) Music news of the weird Announce next week's album

The girls are fighting off an intergalactic invasion with David Gamble Jr. for INDEPENDENCE DAY [1996]Check out David's Will Smith Essay Here!! - https://medium.com/@davidgamblejr/what-goes-up-a-will-smith-reflection-812261488ad3Join the Discord! https://discord.gg/MVjxRD9M Show some love for Ebert: https://shorturl.at/vBFU5 Check out our website: https://www.blockbusterwivespodcast.com/home Subscribe to our Patreon for our first ever Side Quest; Laguna Beach! https://www.patreon.com/blockbusterwives Support this podcast: https://podcasters.spotify.com/pod/show/blockbuster-wives/support

Tune in as TampaMystic interviews Pretty Girl Shay

Thank you to Fontaineblu Miami for letting us stay there during our trip! https://www.fontainebleau.com/miamibeach/ This week on The Really Good Podcast, Bobbi reunites with Sukihana (@sukihanagoat) in Miami — where work shifts into wild chaos. From smoking on the job to free shirts, nothing is off limits. They talk relationship distasters, snack theft, five-head beauty, and whether or not a juice box counts as dinner. Also: are they making a song? Starting a cult? Joining the local Happy Hour? Hard to say, but it's all very professional.  Watch my episodes ad free on patreon: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheReallyGoodPodcast⁠⁠⁠⁠⁠⁠⁠ Follow Bobbi: Insta: ⁠⁠⁠⁠⁠⁠⁠⁠@bobbi⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠@bobbialthoff⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TheReallyGoodPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

Being the “pretty friend” isn't always glitz and compliments, sometimes it's side-eyes, assumptions, and straight-up weird energy. In this episode, we're talking pretty girl privilege from all angles: the perks, the pressure, and the petty. From jealous partners to friendship politics, we're unpacking it all.New episodes every week—tap in and tell a friend!

I mean....what can we say...?Support the show

Pop in with us this week as we review Celine Song's new romance movie The Materialists and discuss whether or not the cast had chemistry. We're also talking Ginny & Georgia season 3, Mikey Madison turning down a Star Wars role and taking on an indie mermaid movie, and Will Smith's new song Pretty Girls. We're also discussing the recent accusations against Tyler Perry. Plus, what's going on with Justin and Hailey Bieber?  TW: sexual assault, harassment  The Materialists (2:26) Question of the Week (37:30) Ginny and Georgia season 3 (45:35) Mikey Madison new role (58:55) Tyler Perry accusations (1:06:52) Will Smith new song (1:10:46) Justin Bieber drama (1:18:35)

In Episode 5179 of The Notion Podcast, Dizzy dives into a heated mix of trending controversies and cultural debates. From Will Smith catching heat for his new track “Pretty Girls ” to The Game going viral over his take on what men should financially cover in relationships, Dizzy doesn't hold back. He also breaks down the complexity of being “Pro-Black” but choosing not to marry Black—sparked by a moment from a Joe Budden couples panel. The episode wraps with an emotional viral clip featuring a father and son unloading raw truths, and the internet's divided reaction.

This week we're paying tribute to the late great Brian Wilson by choosing our top 5 Wilson/Beach Boys songs (NON SINGLES) and discussing why we love him!! We also talk about BIG WILLYS new song Pretty Girls, Terry's seen a BUNCH of movies including a good ol fashioned Dark Comedy starring his boy Tim Robinson, annndddd Terry was at a premiere screening of 28 YEARS LATER!!

Maria's driving gets dragged — by her own dad. Mocha calls up Papa P, and the stories he tells? Pure chaos. Plus, Roz vents about Toronto traffic cameras, ticket traps, and one camera that handed out 32,000 fines. We also dive into the bizarre trend of walking backwards for fitness — and hit the gym to see what people really think. Then: Maurie gets exclusive access to both mayors ahead of Game 6 of the Stanley Cup Final, and we break down Florida's massive win. And if you've ever questioned Will Smith's music comeback... yeah, we did too. From awkward performances to remix fails, Pretty Girls is getting roasted. Also: a wild debate — who wins in a fight... 100 women or 1 gorilla?

"Pass the Peace Pipe" - Bing Crosby; "Kate" - Bing Crosby; "Rosie" - Al Jolson & Bing Crosby; "Sunbonnet Sue" - Al Jolson & Bing Crosby; "A Pretty Girl" - Bing Crosby & Al Jolson; "The Best Things in Life are Free" - Bing Crosby & Al Jolson;

The latest episode from the JBP features the whole crew who recaps their Father's Day weekend (15:55) before turning to a resurfaced clip of Melyssa Ford & Steve Harvey from around 2007 (27:57). R. Kelly was hospitalized after an alleged overdose in prison (39:35), Drake calls out Canada Politician Jagmeet Singh (47:27), and protests taking place across the U.S. leads into Andrew Cuomo vs. Zohran Mamdani in the New York race for Mayor (56:05). In new music, the JBP reacts to the next Clipse single ‘So Be It' (1:19:35) which includes shots from Pusha T aimed at Travis Scott (1:26:32), changes to Tha Carter VI (1:48:28) & a new album from EST Gee (1:51:32), and Joe shouts out 2 Chainz for his work on the ‘Red Clay' soundtrack after his latest record with Ne-Yo (1:56:30). Also, the new Will Smith song ‘Pretty Girls' divides the room (2:28:25), the 2025 top-ranked earning streamers list has been released by Forbes (2:39:55), Stephen A. Smith is under fire for playing Solitaire at the NBA Finals (2:47:50), NBA lottery pick Ace Bailey has reportedly refused to work out for a handful of teams (2:57:05), Part of the Show returns (3:08:54), and much more!  Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden  Sleeper Picks:  Joe | DESTIN CONRAD - “JUMPIN'” Ice | Arsonal da Rebel - “Wasn't His Turn” Parks | Rasheed Chappell & Mickey Blue (feat. Dyani Star Myles) - “More Time” Ish | Jack Dine & Tone Stith - “Letting You Run” Melyssa | Syamali - “California Rain” Marc | Lil Wayne (feat. Future & Lil Baby) - “Momma Don't Worry”

With Rachel in Europe, Van's flying solo to address the evolving conflict in the Middle East with HuffPost's Akbar Shahid Ahmed. (0:00) Intro (3:14) Father's Day (23:35) Israel-Iran attacks (28:48) Akbar Shahid Ahmed joins the show (1:03:09) GOP Rep calls for ‘nuking' Gaza (1:08:04) Minnesota lawmaker shooting (1:21:08) Van hates Caitlin Clark (1:28:56) Stephen A. Smith loves solitaire (1:40:39) Will Smith's new song (1:53:00) Glaze of the Week (1:59:56) N-----ism Host: Van Lathan Jr. Guest: Akbar Shahid Ahmed Producer: Donnie Beacham Jr. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In episode 1881, Jack and Miles are joined by comedian, Jacquis Neal, to discuss… Grift Check, Here’s Who Has Been Selling All Of Your Private Info To ICE, Will Smith’s New Song Is Worse Than Any Slap and more! ‘This is the looting of America’: Trump and Co’s extraordinary conflicts of interest in his second term Trump Mobile launches, hyping $499 US-made phone amid Apple threats Here’s Who Has Been Selling All Of Your Private Info To ICE Airlines Are Collecting Your Data And Selling It To ICE The Data Broker Loophole is Being Exploited to Target Immigrant Communities ICE uses data brokers to bypass surveillance restrictions, report finds ICE investigators used a private utility database covering millions to pursue immigration violations Utility giants agree to no longer allow sensitive records to be shared with ICE LexisNexis Is Selling Your Personal Data to ICE So It Can Try to Predict Crimes Automakers Are Sharing Consumers’ Driving Behavior With Insurance Companies GM cuts ties with 2 data firms amid heated lawsuit over driver data My Phone Was Spying on Me, so I Tracked Down the Surveillants How an ICE Contractor Tracks Phones Around the World Obama's 'Privacy Bill of Rights' Gets Bashed from All Sides Biden Acts to Stop Sales of Sensitive Personal Data to China and Russia CFPB proposes rule cracking down on data brokers Trump’s U-turn on data privacy Mariah Carey - Type Dangerous (Official Music Video) Mariah Carey’s ‘Type Dangerous’ Video Features MrBeast, But Not for Long Will Smith - Pretty Girls (Official Video) Will Smith Has A New Music Video, And Boy Is It Something LISTEN: Push by Moses Yoofee TrioSee omnystudio.com/listener for privacy information.

(00:00) The guys talk about their thoughts on Will Smith’s new controversial song, “Pretty Girls”. (19:35) Toucher and Hardy talk about the question that Matt McCarthy asked Breslow and Kennedy last night, centered around the reasoning for trading away Hall of Fame talent. (35:44) The guys review some audio taken from Nick’s trip to the Pride Parade, where people were asked to describe the picture of Billy B on the Ring Camera. CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardy For the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston’s home for sports!

Will Smith is set to release a new song and music video called "Pretty Girls." Shemeka Michelle joins Jason Whitlock to discuss the reasons behind Will Smith's desire to release new music and why it is so cringeworthy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 1504: Pretty Girls

Jump into the mosh pit and get your back punched by The Cruz Control! This week, Dave and Dev give their take on music from Arm's Length, a rock band from Canada. Then they break down Will Smith's new single, "Pretty Girls," and they debate Fat Joe's and Jadakiss's top 5 hip-hop songs of all time. Then the fellas take it back to old-school Cruz Control days and give us THEIR top 5 hip hop songs!

Episode 1504: Pretty Girls

Indy recounts the musical madness of the perplexing Voyage of the Rock Aliens, Samantha continues reading Karin Slaughter with Pretty Girls, and we preview next week's deep dive: Lost In Translation. I Love This You Should Too is hosted by Samantha and Indy Randhawa   Lost in Translation is a 2003 romantic comedy-drama film written and directed by Sofia Coppola. Bill Murray stars as Bob Harris, a fading American movie star who is having a midlife crisis when he travels to Tokyo to promote Suntory whisky. There, he befriends another disillusioned American named Charlotte (Scarlett Johansson), a young woman and recent college graduate. Giovanni Ribisi, Anna Faris, and Fumihiro Hayashi are also featured. The film explores themes of alienation and disconnection against a backdrop of cultural displacement in Japan. It defies mainstream narrative conventions and is atypical in its depiction of romance.

The Fellas Who have to WORK for the Pretty Girl, vs the Dudes Who Do NOT.. Lolol The Drive WILDIN' on a Tues! full 669 Tue, 27 May 2025 22:15:30 +0000 uDOFaoNenwCkIfmZ38Ria5RYlol5Apg2 nfl,mlb,nba,texans,astros,rockets,sports The Drive with Stoerner and Hughley nfl,mlb,nba,texans,astros,rockets,sports The Fellas Who have to WORK for the Pretty Girl, vs the Dudes Who Do NOT.. Lolol The Drive WILDIN' on a Tues! 2-6PM M-F © 2025 Audacy, Inc. Sports False

In this episode, we sit down with Deborah Puette, the writer and director of Such A Pretty Girl, a poignant short film that unfolds in real time over six minutes. The film delves into the complexities of family dynamics as Meg, a mother, navigates a moment of truth between her aging father and her young child. Deborah shares the personal inspirations behind the film, the challenges of conveying a powerful narrative within a limited time frame, and her aspirations for expanding the story into a feature-length project.​

THIS WEEK ON WRESTHINGS PODCAST, WE DISCUSSED:JOINED BY NICKY (FROM KICKOUT PODCAST)What was better, Night 1 or Night 2 of Mania?Match by match breakdownPaul Heyman/Seth Rollins and Bron Breakker allianceWas John Cena vs Cody Rhodes as bad as people made it out?The Rock No Show/Interview with Pat McAfeeRUSEV BACK ON RAW!Who will be Jey's first opponent Did Joe Hendry get bitched out?Plus moreSound off in the comments and join the conversation #WRESTHINGSMusic produced by JAE EAUXTwitter: ⁠https://twitter.com/WRESTHINGS⁠Instagram: ⁠https://www.instagram.com/WRESTHINGS⁠Buy us juice on Ko-Fi: ⁠https://ko-fi.com/wresthings

Sometimes in life, the opportunity to do good in the world stems from aggrivation around a circumstance. This week, Meg and Alex talk about how to spot opportunities to be the change hidden within circumstances you may not love. 

This week Vicky and Kristen discuss Pretty Girls by Karin Slaughter. Tune in for all the triggers, a sisterly bond you don't understand, and very questionable law enforcement.If you liked this episode, please give us a 5 star rating, like, and subscribe! We post new episodes every Wednesday. If you want more, including our monthly book picks and funny memes, follow us on TikTok and Instagram @goodmorningbookclubWe'd also love to hear from you, so if you have any suggestions, including a book you'd like us to read, shoot us an email at gmbookclubllc@gmail.comSee you on the next one!Music and Production by LVL 3 EntertainmentInstagramTikTok

Hey! Here’s the lost show. Recorded on a quiet Sunday evening. How exciting. B Listen on SoundCloud Track list Pretty Girl – Rain Falls Scott Diaz, Adam Kronik – Day One TT Beats – Back To The Summer Friendless and Idris Miles – Hold It Down feat. Lavrentia Charles Nimbus – Mesh BWK Project, Sarah […] The post Bad Boy Garage n Bass – Episode 424 – Bumpy UK Garage with DJ BrainZ appeared first on UK Garage n Bass From DJ BrainZ.

  MD 132 Planting Time- Today we are going to talk about: Hearing AIDS, Robot vacuums, Windows 11, snow blowing - literally, PT. Forever, DOGE, Camping booking, Valentine's. , barn cleaning, And planting seeds. Most music provided by the now defunked Mevio.com, Jamendo.com, Free Music Archive.org, Slip. Stream, The No Agenda Show, and Other clandestine sources. Some music Licensed under a Creative Commons Attribution license. Songs Played- NRBQ – Boy's Life, Alan Sherman – Shake Hands with your uncle Max, Barrage – Old Joe Clark, The Dead South – In Hell I'll Be, Brad Johner – Dly me to the moon, The Courtesan & The Cabin Boy – Krampuskrampuskrampus, Patty Gurdy – Find me a Pretty Girl, ???? – Ikea, Judy Garland – Over the Rainbow, Jerk First – Dear Dreams, Ian Hunter – Cleveland Rocks, Jack Kruschen – I'm not a well Man, Simon C – Digital Age Blues, Alan Sherman – Jump Down, Spin Around, Brad Johner – The Last Saskatchewan, The Fump – Arkentools, ??? – The Truck Song, Forty Fingers – MaMaMia, - Monty Pithon – Galaxy Song, Annie Moscow – What Everybody Else Wants, 3 Blind Mice – Your Face is not Enough, ??? – bbb320_Schl.

You can download this and other remixes at http://www.patreon.com/listentoranny

Do pretty girls live in a different reality? Is beauty a blessing or a curse when it comes to dating, relationships, and success? In this video, we're breaking down why some of the most attractive women seem to have the most unrealistic expectations—and the surprising reasons behind it!

Residents Speak: How Unexpected Events Shape Community LivingKey TakeawaysCommunity Cooperation: Instances showing the importance of neighborly relations and mutual assistance.The Reality of Unexpected Changes: How sudden shifts can impact daily routines and neighborhood dynamics.Animal Care Challenges: The realities and emotional aspects of pet care in unforeseen situations.The Strength of Community ConnectionsWhen living in a neighborhood, one of the most significant advantages is the sense of community and collaboration among residents. This was poignantly highlighted in Mike and Torya's discussion about their interactions with neighbors in their Las Vegas area. They speak highly of a neighbor who takes the initiative to clean leaves from their driveway, emphasizing, "The guy is so nice and feels so bad about his tree crapping on my driveway that he comes over and sweeps my entire driveway. He doesn't just pick out his crap." This gesture demonstrates the ripple effect of kindness and cooperation within a community.The underlying theme here is clear: active community participation fosters goodwill and nurtures a supportive environment. Mike and Torya's experience serves as a testament to the fact that when people connect and engage with one another, small gestures, like sweeping a driveway, amplify the sense of belonging and trust within a neighborhood. These interactions, albeit simple, are vital for building a resilient community where residents look out for one another.Navigating Life's Unexpected TwistsMike's observation of the police activity near a neighbor's house brings to light how quickly circumstances can change and impact daily life. "I pull out to get to the T intersection. Right in front of me is a North pd. There he is…and there's, like, seven more cars," he recounts. This unexpected neighborhood event underscores the unpredictability of life and how swift changes can redefine one's routine or perceptions of safety.The discussion highlights two unforeseen events: the police operation at a neighbor's house suspected of illegal activities and the rapid changes in local infrastructure. Torya summarizes the striking transformation: "Between Friday at 5 am and Monday at, like, noon, they took out this entire hill." These incidents serve as reminders of the dynamism of our environments and how quickly the tapestry of our daily lives can alter.Understanding and adjusting to these changes is crucial. Such experiences encourage individuals to develop adaptive capabilities, readying themselves for surprises that could range from infrastructural alterations to complex social or legal developments—a testament to the ever-evolving nature of urban life.The Continuing Saga of Animal CareThe challenges of caring for pets and dealing with health issues form another core theme in Mike and Torya's narrative. They delve into their trials with their cat, affectionately called "Pretty Girl," battling bladder stones. The situation was heart-wrenching, as described by Mike, "She was laying on me. And then she's just like, all of a sudden she has to go. And so she goes." This issue was more than a minor inconvenience; it was a display of the complex relationship between pet health and owner responsibility.Such discussions about pet care underscore not only the emotional ties between humans and animals but also the practical challenges of providing appropriate care. Introducing a new diet was a necessary step for pretty girl's health, though it brought about a new set of logistical hurdles. "It's creating chaos in the house because she's not allowed to eat the other food. She's supposed to eat this food," Mike explains.Pet owners often navigate these waters, facing unexpected medical or behavioral issues with their animals. Every solution introduces new dynamics into the household, challenging owners to balance the well-being of their animal companions with the stability of their domestic routine. As pet care dynamics evolve, owners must adapt with empathy and resourcefulness.Reflections on Community, Change, and CareThe experiences shared by Mike and Torya offer a window into the unpredictable fabric of life within a community. Neighbors looking out for one another, as noted with their helpful driveway-cleaning neighbor, illuminate the power of simple, thoughtful actions to enrich community life. Such interactions solidify bonds that become invaluable, especially when facing unforeseen events or changes.Meanwhile, the unexpected police activity and subsequent neighborhood developments reflect the ever-changing dynamics of urban life. Residents must remain vigilant and flexible to navigate and adapt to these rapid shifts.Finally, the challenges of caring for beloved pets like Pretty Girl reveal the emotional and logistical complexities inherent in responsible pet ownership. It demonstrates the depth of connection and commitment required to navigate these unexpected health challenges.Together, these themes paint a vibrant picture of the many layers of modern community living, emphasizing that embracing each twist and turn with resilience and cooperation continues to define and enhance the human experience.TimestampSummary0:00Dealing With Cat's Bladder Stones and Unexpected Vet Visits3:44Managing Cat Diets and Feeding Routines9:22Neighborhood Drama and Unexpected Police Activity13:44Alleged Drug Activity Leads to House Condemnation16:49Unexpected Changes and New Beginnings in the Neighborhood

In today's episode we discuss how complaining can take away from your beauty and femininity. Most of all it can impact completing your goals. Enjoy!For AD FREE episodes SUBSCRIBE here:https://podcasters.spotify.com/pod/show/drmichelle/subscribePLEASE SHARE this episode on your social media platforms! Visit My Fragrance Line Fine Forever: https://www.fineforever.com/Use this exclusive code for 20% off of your purchase: “DRDAF”The Dr. Daf Show Instagram page: https://www.instagram.com/drdafshowMy personal Instagram page: @DrMichelleDaf

In this insightful episode of The Radio Medium, Psychic Medium Laura Lee channels messages from Jennifer's late grandparents, offering wisdom about love, relationships, and self-worth. Jennifer shares a deep longing for a man she believes to be her twin flame, yet he is unavailable due to an arranged marriage. Her grandparents, who had a successful marriage, encourage Jennifer to open her heart to other available men who recognize her beauty, intelligence, talents and unique qualities, just as her family does.This emotionally charged episode explores themes of self-love, relationship healing, and letting go of idealized connections. With powerful validations and loving advice, Jennifer's grandparents guide her to release attachments to unavailable partners and embrace the potential for love with those who truly see her.Through this reading, we dive into the emotional hardships we face in relationships and the sacrifices we make, while also highlighting the importance of personal growth and embracing new opportunities for love. Tune in for a reminder that love and connection go beyond physical boundaries and that healing begins with opening your heart to new possibilities.

Today we are sitting down with the famous booktoker, Bryanna from Bry's Book Club to discuss must-reads for 2025.  It can be a struggle to allocate reading time in our busy lives, but if it is something you want to focus on, we share some tips on how to get started! Branding with Becks Instagram BECSEA (host) Instagram Bry's Book Club Instagram

My blog.

Start Name Artist Album Year Comments Canadian Capers Reginald Dixon Blackpool Switchback, Vol 2 [Sterndale STE 3107] 1934 2-10 Wurlitzer, Tower Ballroom, Blackpool 3:12 Dixon Hits - No 8 Part 2: At the Café Continental; Empty Saddles; A Pretty Girl is Like a Melody Reginald Dixon Dixon Hits Vol. 1 [Sterndale STE 3100] 1936 3-13 Wurlitzer, Tower Ballroom, Blackpool 7:01 Gulliver's Travels - Part 1: Faithful Forever; It's A Hap-Hap-Happy Day; Bluebirds In The Moonlight; We're All Together Now Reginald Dixon Dixontime - Plays The Granada Wurlitzers [Grasmere GRCD106] 1940 4-14 Wurlitzer, Granada Theatre, Tooting, London 10:17 Dancing At The Tower - No 4 Part 1: Mary Rose; Life's Desires; Mockin' Bird Hill Reginald Dixon Transfers by Ross McNeillie 1951 3-14 Wurlitzer, Tower Ballroom, Blackpool 14:13 Dancing to Dixon - No 2 - Foxtrots: Lonely; If You Love Me; You, You, You Reginald Dixon Reginald Dixon 'at The Organ' [REXX 332] 1954 3-14 Wurlitzer, Tower Ballroom, Blackpool 17:28 Nights Of Gladness Reginald Dixon At The Blackpool Tower [WRC T 653] 1962 3-14 Wurlitzer, Tower Ballroom, Blackpool 21:09 Serenade To A Beautiful Day Reginald Dixon At Your Request [Columbia SCX 6131] 1967 3-14 Wurlitzer, Tower Ballroom, Blackpool 24:11 Deep Purple Reginald Dixon Back In Blackpool [World Record Club T875] 1971 3-14 Wurlitzer, Tower Ballroom, Blackpool 27:39 King Cotton Reginald Dixon This Is My Song [Columbia SCX 6496] 1972 3-13 Wurlitzer, BBC Playhouse Theatre, Manchester; ex-Empress Ballroom, Blackpool 30:25 Cuban Love Song; Indian Summer; There's A Rainbow 'Round My Shoulder Reginald Dixon Isn't This A Lovely Day [EMI NTS 205] 1980 3-19 Wurlitzer, Thursford Collection, Norfolk, England; ex Paramount/Odeon Leeds 34:41 Dancing Through The Years: See Me Dance The Polka; Stephanie Gavotte; Who's Sorry Now?; The Snake Horace Finch At the Organ of the Empress Ballroom Blackpool [BBC REC 129 M] 1959 3-13 Wurlitzer, Empress Ballroom, Blackpool 40:17 I Can Give You The Starlight Horace Finch Cinema Organ Encores Vol 57 [Deroy 1110] 1974 3-13 Wurlitzer, Empress Ballroom, Blackpool 43:41 Harry Warren Hits: September In The Rain; We re In The Money; I Only Have Eyes For You; Lullaby Of Broadway Horace Finch BBC Broadcast Excerpts: Empress Ballroom 3-13 Wurlitzer, Empress Ballroom, Blackpool 47:03 Finch Favourites, No. 9: The Singing Hills; Don't Ever Pass Me By; Shake Down The Stars Horace Finch REX 9832 1940 3-13 Wurlitzer, Opera House, Blackpool 51:06 Kiss Me Again Horace Finch Cinema Organ Encores Vol 70 [Deroy 1235] 1975 3-13 Wurlitzer, Empress Ballroom, Blackpool; recordings 1952 to 1960; LP released 1975 53:36 Loin Du Bal Watson Holmes Cinema Organ Encores Vol 10 [Deroy 886] 3-13 Wurlitzer, Opera House, Blackpool 56:32 Midnight Tango Watson Holmes Cinema Organ Encores Vol 10 [Deroy 886] 3-13 Wurlitzer, Opera House, Blackpool 58:26 Valse Bleue Watson Holmes Cinema Organ Encores Vol 77 [Deroy 1326] 3-13 Wurlitzer, Opera House, Blackpool 61:16 The Buzzing Bees (Samba) Watson Holmes Cinema Organ Encores Vol 77 [Deroy 1326] 3-13 Wurlitzer, Opera House, Blackpool 62:53 Musical Comedy: Hallelujah!; Lover, Come Back To Me; Who?; Gold And Silver Watson Holmes Cinema Organ Encores Vol 10 [Deroy 886] proc 3-13 Wurlitzer, Opera House, Blackpool

Episodio donde reseñamos Late Night with the Devil, opiniones diferentes sobre recrear casos basados en la vida real como la serie de Monsters sobre los hermanos Menéndez, Wisto tiene pendiente ver la serie From, opiniones sobre Hacksaw Ridge, lo innecesario que sería La Pasión de Cristo 2, canciones de misa, las mejores películas sobre guerra, Pari caminando en Walmart se topa con 14 películas de Piecito, ChatGPT gasta mucha agua con sus búsquedas diarias, Elon Musk y sus robots nuevos, controversias sobre el futuro de los robots y sus derechos civiles, comprar cosas tecnológicas antes de tiempo, reseña CON spoilers sobre The Substance, y terminamos inventando la trama para una posible Striptease 2!! Escúchanos: Spotify / Apple Podcasts / YouTube Apóyanos: patreon.com/holamsupernova Síguenos: Instagram/ Twitter/ TikTok @holamsupernova Merch: holamsupernova.myshopify.com

What had happened was .... Tiffany Haddish was supposed to join Amy & T.J. in the studio to talk about her new music.  (Yes, THE Tiffany Haddish has a new song, "Woman Up," with Oscar-nominated hitmaker Dianne Warren.)  But, the conversation turns into a hilarious and heartfelt free-for-all!  She has some explaining to do regarding her recent White House visit, did she actually "graffiti" the Vice President's desk? See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.